ADVAN ED Tutorial pF available at: PH 40P The magazine for Adobe = ionals { 4 pe PROFESSIONAL / |G yy] DO Ree / © 4 + aN — : PHOTO Ao ew techniques Delve rd ail ere i rr is art eee ek renZBRUSH 4RG with ZRemesher Curent lsrelle VAC) available now Pixologic.com PaO Pixologic AT ROL) SeeSSUE 123 | CONTENTS MISSUE 123 GY Welcome to the latest 6G — } issue of Advanced Photoshop. As manga continues to spread its comic joy across the world, we look at how the industry's top artists paint the looks that we love. ANNACISASAYWELL Doorn sndey deme ninn itor '9 =r onereacon butte at hat icoms all eres — rom acon advert to remance ard INTHISISSUE: foros tobueness deftly means that thasits TMPHOTOMANIPULATION =5pe3. Tatty he esve Webng yuan ITO EQTING indepth uorl how tobi your on mange rom abase sketch alin Photoshop CE: sharin’ fphotomanipatonis more yourfrts take 2 look at our create pot-edng tut er our ko fects featire where ou canes to apy ‘acl changes to yeur mages Create a seductive sfenby manipulating nk ‘etures and mastering colourful blending modes Se Maven: | poamimeeat ssoteonrter wen Ea TWHMLTEQUPLeTOEOM ——takanyour feedback onboard sos sue you fen O}L0>)n (Cee est M 1016s) =e FIND US ONLINE: (7 @advancedpshop Ei /advancedPhotoshop 003FOR BACK ISSUES, BOOKS: ‘AND MERCHANDISE VISIT: imagineshop cou CONTENTS EYE ON DESIGN ‘What's hot, who's in and the latest art & design happenings 06 TIS'Ssue's PRO pane ur contributors share Photoshop secrets 08 ioustry news Photographers and Photoshop artists collaborate 10 PorTFoLio inreRview Creating new worlds 1G PRouect Focus Create the impossible 1Q sTuo10 INTERVIEW BrandOpus Ec Py 62|CREATEA BRAND IDENTITYSUE 123 | CONTENTS TECHNIQUES REVIEWS Professional artist reveal their high-end Photoshop skis in We put the latest creative kt, our easy-to-follow workshops Books and apps tothe test 26 mnueyresnne 62 monsv0r FEATURE: Crate photo eects Creat brand identity Best for RAW smivoustRy FEATURE miow nave REVIEW: 34. SoprtessonatPhotshoptps srk 6G Drop ole ian ra Web Designer 10 Premium woRsior 6G snorsior 4A Bate toto eating Dynamic layer fects sv mADE sWoRKsio? 50 Freerun 74, Matepantng tecriques svorkstior GG mesioetnerncn 52. fnetoning manga From canvas compier 5Q miowyace Qo zrsaureerruer Fold On Hope Screenprint design SUBSCRIBE TODAY! ‘SEE PAGE 24 OR 49 FOR THE LATEST OFFERS eRe eo Free with issue 123 of Advanced Photoshop TAILOR-MADE CREATIVE CONTENT Exclusive video tuition from Kirk Nelson ‘on photomanipulation techniques PREMIUM RESOURCES Premium Photoshop Actions, luxury templates and fonts worth $41 PLus: + Tutorial project files + Exclusive wallpapers for mobile and desktop + Inspirational gallery imagesl™@ EYEON DESIGN | 006 EYE ON DESIGN THIS ISSUE’S PRO PANEL TAP INTO THE MINDS OF SOME OF THE INDUSTRY'S MOST SOUGHT-AFTER DIGITAL ARTISTS TO DISCOVER HOW THEY CREATE IMAGES WITH A DIFFERENCE BRANDON CAWOOD ‘Namenaonawoodom uch yours ime bt The most rho any atta is hieocherimapnaton Ue the word round you tocrstyourvion Inthe mage, spl bg of the smpleand As arta we ae able to i Maser pro phot eet with Brandon oer GAVIN CAMPBELL, tonto thrkitsrelyenperta that nisin youcrete art that genuinely elects your er sel Asan stata ts beneil to es on ms n° arise ta you canidened bey Spend Ie mintes every memngoright subg yoursel beng ret at e todo andl 20n se amaze tings manifest on our eee jury ring vit for your brandon page 62REINALDO QUINTERO Holdren on thelyerscontaning your caracterpaingthengoio ‘Selc>SveSelacon ememberto as! aname 0 eep be worow ores Ts wayyoucan ‘ays tract your characters rom your Lueraton eve the mage hasbeen teed ‘For complex digital panting tips from Quintero, turmto page 52 ADVANCED The meaner the Pasty poset Feitor Annis Saye itor in Chit Dan Hutton Production Edo Alea Frans Photon James Sheppard ‘Senor At EltorDenean Crook Hoad of Pubkshing Aaron Asad oad of Design Ross Andrews While creating complex compositions keep chanere, your zoom when werking onan imaee, do not let your eyes adapt to certain view for too lone 39 TS ADA OM - | ADAMBARTAS eRe Wide crsing cals cpa ep caring your zorn whan wring onan image dort your eyes ao acer we ert rg Sting paso ardsce your popes wh shop ctl jes iat 1 Toke oka wat Bras an do with Ft 500 on page 16 007008 EYE ON DESIGN | | NOUSTRY NE PHOTOGRAPHERS AND PHOTOSHOP ARTISTS COLLABORATE FOCUSING ON THE IMPORTANCE OF PHOTOGRAPHY IN DIGITAL ART, FOTOLIAS NEXT TEN RELEASE BRINGS TOGETHER THE TALENTED CREATIVE FORCES OF PAUL RIPKE AND NIK AINLEY wrk with people For fleere counties andthe . ‘omixupsiyestocreatesomathng unique" But pictures Harbury as thas sone cool buldngs and ing many han on deka Syne. ne pctur you can see the afer cholegen te a Rik elas thebig port” Arey word tht hare ac begening here were se of people were inte nth stare veyhig went ery we We ranges he reste touches "The theme many gaveme 3 Feet of what asec of Harts archece same cra so hep everyone erento Arey. honevers ued a working nis one cf Ripke and ikeysimage. cing hist creators, bt ashe lsu the was an ngs andrescurces, lb waatie or ceporuny he cudnt eke: "Thechanceowark refer 2chourson 10 dy 20143 wo wathaphetographer lke Pawas someting! tenbyfetoincemFREE EBOOK FOR EVERY READER ADOBE INTRODUCES PROJECT PARFAIT SLASHTHREE’S Mle eyes EXHIBITION 009EYE ON DESIGN | PO CREATING NEW WORLDS sapbepataucescon | SCRIBBLE PAD STUDIOS FOUNDER AND CREATIVE DIRECTOR JAMES eouk | PAICK DISCUSSES THE CHALLENGES OF CONCEPT ART TODAY onceptanisnatanessyfeidtomacec cents sanicedby te: tons the workyoucresteintended to eat an inudes Naughy Dog lead the ese secon olheprect_EnertanmentEpe Games presse tosaythe Imaconcpt art andthe founder andcretne Seny.Respann drectort Serle Pad Sto |workmanly inte thssen Unsold vdropame ad indus a wel eer park communcale mae emeton andatosphere —_enatanmentcompanes nthe wes tem the At Cntr Clee of Design 206) th 9 needs toproideacleorandsirkrg.dptatcango Wdhexperencein he gang fim here park chor fine atin lstraonwthacu ‘ontop visa eft artists, production Itusvaton ard arts elds nto mention an eager detorsansmece cation carer tat has sparred desig regan wth cer 15 years. desgn work underhis Design andthe Concept Design Academy James's yearsnow ant have had he honour care bl Today, Packs te founder andceatve decor cleatyinthe now when Reamestocncep.an We designs may ofthe eds atcncep at comary Sere Pad Sido st down wath nla more about the ‘snorting etre fis. My passion for my founded 2008 Under recon Serle Pad _chalenges invade el toy. Career andthe aur ofthe nds has lo led me ‘Sos has been espnsble fr delvereg at 7 leurey each at CDA an cencepsforsomecfthe mest memati (CAN YOU TELLUS A LITTLE ABOUT YOURSELF 0 Design Workshop Australia, Os, ‘moments incanemporaryenetaement Thelsto! AND YOUR HISTORY AS AN ARTIST? Seger o10concept artist is that no Pree ad es Cicer teedo12 EYE ON DESIGN | PORTFOLIO > WHAT ARE SOME OF THE MOST HIGH-PROFILE ‘PROJECTS YOU'VE BEEN INVOLVED IN DURING "YOUR TIME AS A CONCEPT ARTIST? Serle Pad Suoshachodthe lassie tower conmary tls featuredal sound thewerd Some ‘more recent developments inca Tan The Last (fs, amb ade Uncharted 2, Transformers Mag The Gather, andmany mre Youcan Yew ‘erestat www serbblepadstudios.com sce thers noneedio bore you with along isthe Each andeveryprojcthas ben a memoratie ‘ilamta he Kine tacking ay calnge that comes ox ways that we cnavercome ogee WHAT D0 YOU THINK ISTHE SIGNIFICANCE OF ‘PHOTOSHOP IN CONCEPT ART TODAY? Latest arsions of Photoshop prose atts th speedup mage reaton ard enhance he vss fect euldhave to say thal he most seo forme sthe Brush ool However. Im ae believer iourdaton sil, and lays eter backto be ass many cle teach, woul encourage arts explore atoral afar, expel he hat eterhe 30 el, nce eee that bs starting tobecome amore teas DAY ASA CONCEPT ARTIST ANO CREATIVE DIRECTOR AT SCRIBBLE PAD STUDIOS? My yal scheddeis ramet seep. repeat However hebest aspect of tee of concep ast, thane wo days wil everbe he sare especaty for arse, Every goto werk foe anew chtenge ad reedto plan my ay aca recommend ‘saring your doy wha plan andl hat ide you ‘nant diate your every move Therehas neve realy been afocusoncompeing set ruber of magesina dye week butraher ‘geste locus on quay dking sre you aes thechnts needs One projet mghtbeneft more tom many quck emplratons ad varitors, ‘le nother might require aghoo qty ‘aesthetic Hal depends onthe gal you a ying tac for that pei projet. WHAT DIFFERENT AREAS IS CONCEPT ART BROKEN UP INTO, AND ARE ANY MORE. ‘CHALLENGING THAN OTHERS? The wordt conep ean has many categories NTERVIEW 4! Kaien 951 Sten eat Cnet at 36 Seagrass wieCio ature ta Bee AG ae alow viewers to feel the space rather - Dayo ty oe sd a014 EYE ON DESIGN | POR dro ad design anenveorment llofne base design preps til medusa ght versus dark, comgosion perspec, fucionandsa on. WHAT ARE THE MOST IMPORTANT ELEMENTS ‘THAT MAKE UP A PIECE OF GREAT CONCEPT ART THAT STANOS OUT FROM THE REST? ania Te beter we ae runing the beter ou concep et gerrayed th viewer Focusing ona hats it wort doth ick Remember hat he bse arta design far cutegh the tecnica aspects of ‘ays tot Gobackto the bass of a and desi, ARE THERE MANY DIFFERENCES BETWEEN CREATING CONCEPT ART FOR FILMS AND VIDEOGAMES, OR ISTHE PROCESS SIMILAR? The ces of eatg fo videogames or mis man the other hands ety intend by storytling.Athough game design ents am raat as ln fm you are shown aroment whl games yuna th cpa eahance Whe wakeg en any ype of projet partaty We to fais onmocd, which acs emetons and feelings 8 ocusng on mondand atmosphere we » stofelte space ater ‘hanjust vw he spa \WHAT ADVICE WOULD YOU GIVE To YOUNG [ARTISTS LOOKING TO GET INTO THE FIELD OF ‘CONCEPT ART? "Never tap learning! Nomar how far you ae in ‘nore. Become fasted vith he word acne you, andediste youre touthow te worl works andy Ther isch mare tobecomig nat han You need to be able to both communicate your visual idea while also having something to say. If you lose focus on either, people won't want to listenComplete photography website Try it free at N zenfolio Po ceryl@ EYEONDESIGN | PROJE: 016 PROJECT FOCUS FOCUS CREATE THE IMPOSSIBLE WE TALK TO ADAM BARTAS ABOUT MAKING AN AD COMBINING 2D WITH 3D ELEMENTS THAT IS BOTH HUMOUROUS AND SURREAL ‘ABOUT THE STUDIO. ADAM BARTAS. or eendeerany Suter NAME OF PROJECT GOING GONE reaing ancye-catching a-semane featuring aca as teless as he Fat 00 wilawaysbe achalnge especialy Consieeng hon many ahr asorae atrerisemenscompatforavewesatonton ry. Ath te ato crete gy sterealimage wth abirouras st the vlad ol Gravy Aa Bras w.grany tsjoysto dons work howeve adyou ane an sage ht seers aost posable crate coder Mart Hoa deseo do wth Gray's latest porto ier Gang Gone Ae gathering reference, Bara and Houra developed dete Cencept a seth ht was sey rete 03D sng es Mi Using the render a5. efrenc,hey then sot the pple andar pops. cemesprding stings andthe whole mage was fraly suche ogter and retouched o match \Werkngas the phtoraphe ard ital aris Bartas was eepensbeforal the Photshap werk vt reraing be rape ‘CAN YOU TELL US MORE ABOUT YOUR ‘BACKGROUND, AND WHY YOU DECIDED TO START GRAVY? Uke mary oes lunderwentl frkable fms of roessnacalaberaton beng both nad auto studs, agences and working on afedlance basis as ‘photographer reoucher er adil ately taught me about te frmal pros andor. the Colecive vesinesses and suctral nefcieny of each approach Aer co-operating on sever projets with Marin rhe ears we deco forman formal cestve soon abuse that would ake ussronger \WHAT PHOTOSHOP TOOLS AND TECHNIQUES ID YOU MAINLY USE TO CREATE THE GOING ‘GoNe Piece? 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Wie lecturing en post-predcton at various aerial noted how stented ndeesiate the value of patent deta werk and cen lak ay sense of sae reparting how much te hey stu eee a ech slop Begins ‘mostly toresrto quick ba solitons or ste tee sarang or at en age ttn oF ue comnts ers tare sped 0 ‘enue hs or that ook, rather than ging othe ‘ry bse ts andrei ual work wh the Brus eo,\WELOVED SEEING HOW YOU'VE COMBINED 20 WITH SO MUCH BEAUTIFUL WORK UNDER {AND20 TO CREATE THIS PIECE. WHY ID YOU YOUR BELT, CAN WE LEARN MORE ABOUT HOW ‘CHOOSE To Moc THESE? YyouSTAY INSPIRED? ed ves Idd 9s 017™@ EYEONDESIGN | S smSTUDIOINTERVIEW BRANDOPUS| MEET THIS MULTI-AWARD-WINNING DESIGN AGENCY, WHICH TRANSFORMS HOUSEHOLD BRANDS WITH POWERFUL ore020 >> sesontat deters meant et November 2012 BrandDpus opened frst sto axtedethe UK nMelooure,Ausaba sane cnt aces he Asa Pacfcragen. The two rope together ‘rand tony hasit rong dela views a hats that ely makes tandout Irom ater design apecies Tal eps This sn. What have seaned rom great avery posite Yay Te win the ud orth ste rom the fact hat we hae cae way ol hekng we encourage alo ately 2eproach and we pul tgeter a team to make “Ths Yami ethoscntinsio the way ht the teampultogehron cent projects wth eveyone strongly ecouragedto chalnge everyting “Dar gorous deere to queston everyting and never take anyting at foe vale lows vs tod dept theteses four cents to unearth and deep 3 level cnt an thrsing tht ever eas we we work ntandem ith cents We musty Undesard the epectabns andthe sues ht asthe clentbeceres apart of the eat rearathathereisaltof ope te shape a el 0 clint ref isthe catalyst toa conversation hat wl sgn brit hat encrpasses an olsen lie lp forwar The ‘maya morph andchange puatedtropovadrloarie orcas022 EYE ON DESIGN | ‘ recent work for Monejcorp isa Standout Fest, we cn be that chaenged us Somer bands that hd alr ened ost he mack Trough tbe 7 brad anda unique approach othe etal design of he etal spaces weave inte, ro arpa and be forced us outa he color zoe an co an mmense pressure to get ght wh the cceaing he ng ths wehad opraise what we preach We ‘dalled ham ox testo drecton ve evelop before we car ‘beat fp me, many Potoshop. last notest our iriegratothe ager The visualsing and retouching team use Photoshop as their main tool to refine the final desien: adding, shadows, adjusting colour, or even building images rmaiplat background rise mages but “he ching tam ue Pte ie efi ofthe fra deg ‘dng shadows afusing clay or even bung imagestrom he goundypto retein-stu uss agency hen aked about he tre sae ands ome complacent byADVANCED PHOTOSHOP YES! | would like to subscribe to Advanced Photoshop Telephone nur Pease compete you ema adres to receive news and speci fe fom us Direct Debit payment UK Direct Debit payment pon 8 rye avn SO Instruction to your Bank or ere ingSocatytopayby Owect Debit CADBTETE Payment details 13-issue subscription only UK~£62:30 (save 20%) | Europe -£70 “1 World ~£80 Cheque lenclase a cheque for E Node pyabeto magne Publi us Credit/Debit card Visa MasterCard Amex Maestro Card number Expiry date Issue number |_||_ (Maestro) Signed, Date Code: PALIAZO post bygone wana typos bytlophone” | Pease ek you OD wishta rec Return this order form to: ‘Advanced Photoshop Subs Deparment Dovetail 00 Guilt Avenue, Ket Since Park, Siiagboune, ME? GU or emai direct. adphotoshap@servichetpline cok To manage your subscriber account, visit www.imaginesubs.co.uk and enter your subscriber ID Complete your collection for only £6.00 per issue by calling 01202 586200 or shop direct online at www.imagineshop.co.ukLee NVA) Ve AOR Colm NAVE IU Tatar Mola Kel¢ wolfe) Free postage G packaging in the UK ie O Raa Delivered to your door THREE EASY WAYS TO SUBSCRIBE 1. Online 3. Post or email www.imaginesubs.co.uk/aps and enter code PALIA20 Alternatively, scan and email the form to: adphotoshop@servicehelpline.co.ukeS PHOTO EFFECTS OUR PANEL OF PHOTOSHOP EXPERTS DISCUSS THEIR PRACTICAL PHOTO. EDITING TECHNIQUES, FROM SELECTIONS. THROUGH TO APPLYING A RETRO EFFECT v “ff 4 eee eeREATIVE PHOTO EFFECTS TECHNIQUES fete Color Range tol es mete hal alain desing wth edge detection ety secton toc at np unwanted spl ozTECHNIQUES | Proper use of One and Bum kay when fey ending oe photon another Creative ‘touche Say Crag ww baryeaig coh) mall areaset your Proashp development en When comesto non-destructive eng. 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Try to find a balance Rdosoy Zins, worn sodoistcom is he advices Youcan end pina image. or portion ofan mage, rately tke tab furher than would heMCONTROL CONTRAST USING CURVES AND CHANNELS Ya ROBERTS DEMONSTRATES HOWTO CNTROLSHROOWS AND HIGHLIGHTS NDEPENDENTLY UNG CURES AUSTEN AVES AND CHINES FORMASKS aghigsuneg ee cr032 TECHNIQUES | CR’ HOTO EFF 2000.com), oust needto mate: fe "The Median fer wed sparngycanalea ge a hand-endered (net svausesagreat dealin his Just about anything can be cressed up as retro, you just need to make sure your work resonates with your 0 voice and style Ande Vilonuea, wo 00-000-0000.com wn about adding your oun satu se andng rete he lomo se ets at have become ute camforate with hag eter oe or several siles_poplarin the mastream ~ sas epefet Husa For stance, Ireapatelatso! jumpstart for wage ard eo projets" e bap thehihlih area That—_ =7@ Draw = Photoshop PlugIn Filter AKVIS.COM Add a hand drawn look to your pictures! Feel like an artist!me gS 0 Nal PHOTOSHOP Mek a ee WE UNVEIL SOME OF OUR MUST-KNOW PHOTOSHOP SECRETS AND ASK DIGITAL ARTISTS TO DO THE SAME, TO HELP YOU GET THE MOST OUT OF PHOTOSHOP50 PROFESSIC SHOP TIPS | TECHNIQUES ll 02, USE TWO LAYERS TO BLEND TEXTURES TOGETHER Pores cy ADAM SPZAK = fn soakcor hen rr entiesorshapesin you rages reer ha fe ys lary ue you premium cy rsa een Lia Dodge sy ur highs 3 (emo ae oC) oc) 4. TRY THE PERSPECTIVE WARP TOOL \ e& 08, MASTER THE PEN TOOL 06. MAKEUSEOF CHANNELS 07. 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Myconcpthere was tocresteamalte-paiting seo depict an epic sane a . : —"i ON scene 02 roman OS espe se eel 04 iecieereereeen eee ace Ca Ee og . japyot tat whichcrted une almoct, themtogeter in Photoshop. whch desrablpars that wile grt mand cm cy thelardscape ‘soho wil dotacrestewdra dein eth fal mageVal MACE: JAJNRICH Reproing shitis erportant ths tohnow and ampareif necessary. Seat or 5 erates soft of all ake sire le andreadarices, sete Gee Ales romatalorng crany Start wih setching ech element che rmeur Get any POLLY PLAYFORD ette desgn que an ato mace andere ae lt ot key elements thatnesdtobe right order tomate apage commeraly wate Bue lorcesing gretvetotee rad oatI TECHNIQUES | 50 PROFESS re deals a veryhlfl when crank ou ick concep eas dust poh hem. Caste Shapes and Custom Brushes re very hp eae deg sr Cen prode repent ates form bereeg manner The bch options your brush shape tobe used asa ter that ow the Drecton ard Presets you stick wth Hak arte arin awoterclour pater ine a add sew the concep whch ao saves tne oe deh ecole haows ardhghlghs whereas focuseg ene purpose. ureen ecassy, dupe the ye ae et 10 My ‘20 torake be tradtonal mau soger, andsioute of he shapes merely needs to JANLIWY Tip wusogtopsoxtatk 42OMEN ME Oncaea Lat iteban sees) Ee Se eae deter etd ee ee ct ee eet ern et eratesaN PHOTO EDITING LEARN TO CREATE THE ILLUSION OF BEING UNDERWATER WHEN SHOOTING IN A STUDIO ENVIRONMENT Ce aceetiatd samnng on amos ey eee re ees et etn eter) Paeieselper mrmreneneay wer) eae tea heptane) eee) eee earns eee ee erent tent eee etn eee eetas pee eee ten aed Pra aattaietee bs learners a046 TECHNIQUES | CREATIVE PHOTO EDITING OD ee aaepnge eaminctnoaroe cent bat ven sen f oat hea on pape Ha trons dees When trying, to pull off any freee fo 5 7 ener be ietiscomng composite, proper planning lever see itunlessyou bychance, iS eSSential, but even more so when you are creating an underwater illusion CLEAN MASK 0: THE ARMS AND LEGS inhandy Take your tne. You wart tefonalberityotoloa tunel er eat bepoperpeten tues omadlgs cones tyeunaie meat tnt et onddt tere etic bo 9.9 bros o whe an peck(05 cosine ec xenon Underwater background arent a complex as anyoher compost backgrounds sata bxigrourd erring around. ther are gmahod to remo them, Ts backround wa st photo atankshot tan agra, Alot age seenhere (08 | tame sums ros wo vss cadtetoareepomeacyte O 06 um hehe are creating anurderater on oust ing above. Ma righting in fis ral age. the ach alo ing of ih, sormae sur you lh your subject ina way at makes ange yous in post-prodction fe Tego back a tp one making 7 rucsierae stoow sackgroundOspendng on how deep he water and far nay rom he btm our si can determine oie the shadow shold Crete anew ae The your Broo with ack top four subject ary 0 juste erpeciecfthe shadow 2 at kmaches he jain am above Change he bending moe to ery ashe OF the edpesty ae Gavan sian Bur Layer Br FOREGROUND OBJECTS CREATE DEPTH 047048 TECHNIQUES | CREATIVE TO \watcme cons sean inl Cares adstment yer onthe background: Moke sixes clipe cy the backrourd ij selecting Layee ‘igping Mask Use be RES cham! adust he ‘exposure so hit matches the mates Ne use calor channels o match te temperate oe ‘modes er youhavethe cours and epesure ‘match ara adsment yer ovr he le age To coolthe mage down, eet the ‘ur eave and dag he mide fhe ine up slg PAdldown te Saturation bcaise colours ae ays mud underwater 13am ‘Sve your PSD Once youve saved ‘salet LajerFaten kage. Make a peat copy ot ‘hefatened mageby pressing Cds. Select your op ayer New, select Fite Sharpe Uneharp Mask tute ders a ewe sed on te sae Wie ston the top ler let Layer Layer Maho Revel A Youcan hen sea sot rush to black torerove the sharpenng rom ny ares you dot anti Yeu can algo we he Opa opal down he Parpening rhe ent mage O EDITING 11 | apeing Sano ao menLeirs you feo tt your ight are bright cor notbightercugh youcan asthe who ailing yor shadows Ala new Curves er bo al ther yes and acs te RBG cared accordingly With you Cares austment ye selected, oto LayerLyerSyle> Bleed Options ‘Arteta ofthe wad you wile to ders unde Une Layer Hold down Op an eck antag the ght cae ofthe Hak ser al the wy tothe right Tis waleause the cue aly let the gtahes the image Doth epost or shadow ads 14\monecen Lay dra. Create anew yer sbove year sharpenedimage Hols down Shit andi Alte. Choon Fil wen 50% gray Change he bering mede ofthis yer to Sot Light Now, select FiterNois>Ads Noise. The size ofyeur mage wil etre te amour you use. Choose Uniform and leave Moraceae useeted Oct YOu ep, rk dan Grd Ute pul down te Suratonta-€5% Lewung atl cae be gran Sept 103 200m Youcan ast he Opty it feels thei oomuch Save you PSD. 12 |rasecoune cone Firs add Chanel Mr adustrent jer wel notices tas your mage lack and te You nto we ths amen for some estate, ‘sabe he Opty duno 15% Next a Colo Balance asin aye The Clr Blane acjsents wil ary rm nage trap. 9 poy ‘und wth hem et te oakyouwa. Fr this Image he shadows ard mdtunes were pushed tonards the ja andre anes cet el hl heights were pushed wards he red ‘nd yelon tanesto cet orange yon, 15m Yucansovethe imagen seer erent way depecing ont use you ae gang to uEe 3 goad quay peting lb youcan leave the magein ‘ste REG and set Fe»Sove As Soe tele 2, JPEG or TF youre using alow-enpinte of ‘hung for nine se you want conet 0 SRE. ‘det Eaton Poti Chose king ROG ‘Sve itthe same a belo Foren vet good toca oun blr sang Go to FleAomste> Fumage Seta wid of 208 pals anda height of 2048 pels Sove tas a JPEG, ardputitna ‘separ ler 20 you low or ene se,SPECIAL OFFER) FOR USA READERS! Each issue, Advanced Photoshop delivers all the Photoshop inspiration and advice you need Le + Subscribe today for just $126" for 13 issues —a massive 38% saving compared tonewsstand \ + Pay as little as $9.69 per issue (usually $15.50 on the newsstand) + Free content-packed CD with EVERY issue + Receive the magazine at least three weeks before it goes on sale in stores + Guaranteed to never miss an issue + Money-back guarantee on unmailedissues Belge merce eRe Re Red To order by phone, call the number below and enter the offer code ‘USA’ LT eMC Re el CR UT Melis Oye www.imaginesubs.co.uk/aps | +44 (0) 1795 592 8803] FREE RUN GIANFRANCO GALLO WE ASK GIANFRANCO GALLO MORE ABOUT HOW HE MADE THIS RUNNING-INSPIRED PIECE FOR A POSSIBLE ADVERT redlance eaucher and digital aris Giantranco Galohas been explerng he ret wih Photoshop forthe te part of four yar, Through he use of gaming ecnigus and ther processes and devices he creates compostons witha strong visual imact and bold ighing, Free Runs personal proet fis, utising CGNEMA 10 a wll as Photoshop toma what could bea Nke-themed advertising campaign But what was the concept bend 1 Iwanted to express this project mye that reedom isa racefor me," explains Glo." ueed CINEMA dD forthe creation ofthe bung nthe background andl wanted to create warm atmosphere Find out how Gallo goes from sketch to final bend, ‘and how having a sali idea in ind isimportant for geting the ob done. Te see mare of his work, head to | his website over at wwwbehance.net/Gg1082.01 | semen The st stage istocreate simple a of ‘heldea sketching ital cuts that you can see what ‘llworkand at wor. Tiss agood te to compose and eal te rit elements hat willbe er forne poet a snore 02 | retire rtd nhe tee Nliinsovecsoeligtoceexane ueessreoerang oon colin cette wei oa onMIND-BLO' MANGA | TECHNIQUES MIND-BLOWING MANGA TAKE YOUR ANIME AND MANGA PAINTING LT STYLE TECHNIQUES TO THE NEXT LEVEL Pe A f a REINALDO QUINTERO csedontetadtonalanimec-shasing | ARAREN the wl peo your BUILD A FANTASY SCENE OT restr bing et and mages. The man ae o2\uenne 03) omnes ers Se MANGA STUDIOS Eanes Rees sate) Sa us Manga50 Pacers cs De eu Tee ud World's Leading Comic eer Ele ER iat [ot RYT NY ICN@ TECHNIQUES | MIND-BLOWING MANGA 054 Poa Dre Get et Cen ee eee od eee et eee alee eect oe erent Sete UsESeLECONS ror couuns (5 | see sescrons The rst step ould the sour Tohawakacssodpaecl (S| SHEET SELECTING om coLaut process toaddatcaloustothepars ofthe the pantg, save the selacons fora use For Tost ang volume heat cours (Graces, Separate theha skin costume and the old Cmd/CrtSn, then ceo theayers © forte fat step of shadng Cd ckan he eats nee ayers Fes usethe Mage Wand crete an oealllacton fps Then goto Layers that ne at clours ad wth But selechon teolto select the areas youwanta cour quickly A Selcb>Save Selctonandghe anata he ive cate anew yer ontop. Using te Lass tol helpful ick's haingselecedalthe aas.gote _selectontokeep the selacbons ergansed Repeat wih Op/AL subtract he areas where the gts, SalecpModty>Expandandsetito 3px This way the thsprcestorthehar, ress bons, sk athe leave shadow ares selected Remember shad selecienwiempandandstcnthe tne art creating fra zlacon hat iclude ale scion othe fat Op/ Ato ebact rom ard Sf to atte beter selection shape Pekthedesredolourand —coaurslus thle at Teswillcomen indy ata seecton The ck here stove nmi where the fie selection by gong to EADFIL ae stage inte ora gal andich areas wb ns SOFTEN THE EDGES. Toa beter anion tht aids ha es bring tack erga selection yng (Gnd ek onthe jer blo where thet 7 |ruineszeis calor. The, eet he layer above ado 10 (Once the secon done, create a ew lye arse the Heng mode to Mtl. The, eet the FiteBurGouston Brae set to 3d Ths same colo ofthe at collier and use alae st brush ile seleced areas Hower ovary the vlan he edesinaide he election only Colour ole shadow ress, goto mage>Adjasmeni>He/Satatonor press Cmd/CrU, thse the fe to paywtnhow much you ant according Hue andra shes to adust colo sta hy sen much mere appedng tothe aed you sre pining.Le MANGA SIU on ONLY aS 99 Gets aa USE CEL SHADING AS A BASE Cae Reet es ent ocd and enter the promo code: Manga50 Pruett MANGA STUDIO IN The World's No.1 ee Ciel en tray Red eke eee ues! RST UE NY ICONI TECHNIQUES | MiND-8 l@ INTRODUCE NEW COLOURS {USE SOFT BRUSHES ITE OVERLAY MOE FOR MORE CONTRAST MAKE COLOURFUL SHADOWS Ache clours tothe shadows Like in nature, shadows re nota nor serpy adhere tone ofthe local olaur her elements sureundng the shadows wil alle thar clo nthe ae, For he highlights create anew jon op the colouring layers. then setthe blending mate to.veray and choose alght colar =close tow, tntretiay whte. ay wth ferentbrushesto andhow the shades ae acted 1G \neusenone caus Varah eter ol your igh by Notatnhighs reed bout he mate ype a 17 [bene coureeo res Cemlee Merge theft colours shadow ‘hao layers together Todos old Sh, cick on the jes you waa merge and press Cnd/ Ox Trsvill merge the ers whe keep he lending lec appied As the Sletens were saved athe geri. ty cane ade at any te 1g rmrmcorcees Using aso aebrush begin withthe ‘Snce he gerva ighting of the oealilustaton rs alg ben esasa 1Q nour nesmcees To change are ad colours to thebraclets, create anew layer andi he secon ofthe reat endrebraclts. Thr filth ers with ‘hedesredcaleursor pant them techand witha tenuredbrushosot- jusimentoLeels ard ajsing te Shadow and Highlight putes rate anew layer on op of ah ter yes are ant over htop he ine at a entra specks ‘Always uke the tere to dot heck tat thee atclourhas ben changedin he ight places and ‘hatany unwanted marks hae been moved 20) maz" SHADOW SHAPES. Forth tons youwantto crete theitusonof bangin mid-air ard nay rom be characte tad fairing te shadows one by one, ee here for ts by ‘reating aust he toons lay Or rghtcg on ths layer andgong Blending (Optons-Orop Shadow. There, ‘change the acy adhe colour tthe shadow to matt thze ot theisraton also posse to chicka rag sound the casted saows onthe arr 200 caniace tahoe titer 24 | smecounnro LUNE ART Once the panting is around 6 per cantcorplte yell wantto ‘hang the calor of he ack ine se. Dipeate andi tei art tokeepa security copy. tengo becktothe ine at lajer and wth theLaso too select be ines ht you wantto charge Thengoio rages Ausemeres Hue Sra, check the Cobre box anecag the Litnes bar beeen 25 030% nrease the Suraon 50 ndmne he Hue der to math he colour ofthe lin ato tepid yer Cer er \ mart 22) Forthestn, craw a Saleen ore highlih shape sing th Lasso Toland the igh folowing th lume anda ofthehae Cate anew layer and st he ering rodeo vera. andusing whiter ylow clare panthehghighs wath saf-edgebrsh Pantary ober highs rear suchas the indiana sands another eas where thee wiht Use aGasan Bl tosotenthe ges heshaperthehihlsht ges rhe more refecvethe rmatralwl ppeartobe 00 IN THE 24 | Frm rues Catalogo ect voir crane impordenhe tees Conttbeneets perce cet ale seed Senta pepo ie cmon anenine one Soomptinga te Mocha erty ase Slope tinh wna “test tre Sumnrentenyern utes nae Shana ie gorge M thecoursal be low ae en eee ee eo menu Got kragestusimers>Laers ard cick he At option which wil ryt fed the best Ste ee ony ee eee ees 087I TECHNIQUES | HOW | MADE 058 a Ted “a HOLD ON HOPE |HEIKO KLUG DISCOVER THE IDEAS AND DEVELOPMENT BEHIND KLUG'S. iam CleU SMa Noel sh MACs Cte Set eee Ed See cee raceceas rene ete) eee eo ee eee es pet eee eer eee [erence rare eee tele enone me ete nin es bogs. Thscrosemediamehodtasprovento ke the ea betta thesearethe most bas yperaphc masterpiece. To sete citer mages in cee ee et een a on eS ea ences een ees Arras er ol teed ee eer Der eerrenens ete nT Sears Cee er ey ee eee ee) 46 oes eco es casera Ce cun eedLW) [0/8] Sa eV TaN ss a) (1A Horodvmni is} peeneoeusoenaia ponent een ned perenne ort Ce en, ee ate eet ey eer tee ae IWys uote O77 \mumesewe eee ae eed pata Pe ant eet en et ete et ee eel eee eee nee ee peered ee ete tee teen teres i: eapooas Peete ere ees ee eee ne eee ene eee) peeredBUILD A BETTER WEB www.webdesignermag.co.uk —— ae pe ka Lilt ta yr Serta SIVE, Animate CSS|20 best ioe i td ie |Build an online shop oo me BUY YOUR ISSUE TODAY Print edition available at wwwimagineshop.couk Digital edition available at wwwereatdigitalmags.com Lote (mci J te ntemsGRAPHICS CREATE A BRAND IDENTITY MAKE AND MERGE BLENDED VECTOR IMAGES TO BUILD A BRAND IDENTITY 082CREATE A BRAND IDENTITY | TECHNIQUES il is tra wl faces on eaminghow to Photoshop i prlectfor mangulsing the ght Create resize andmerge acolecionot —_andtoneaf any mage or even speci roped vector shapes pater and symbolsas—_—laesusing arty of agusimert aes hich parcfaretrndngexerise Theta makes inperaable forts kndof tak Vector comgesion wil utmaaly bebultin Potshop as ches ceated nllustater canbe easily impr iseasertoadustheghing ones anders, to Phashop as Smart Ces which ensures tutmanyofthe shapes il becrestednllustatar_hathee's eso gal am deste eng. Fallow slang oles howto apt grades, ‘Theinspratonfor ths came tom aleeot mesh gadentsandvaynglewisctopaiylo __specalsed dates, whichcante seenin buldasf dgialcanas wihoutusing ay rmaryof Holywood fins, ard hpetly Pretogaphic mati Thoughths process you hroughth tral you willow ocestea wbecame fami wththe Pen eo whch isthe _strongand vay appeing cogoiion rom ist feurdatono al ectorbase wk ahandtlo spl shapes Otsu ———— Document oe - Theft hing dois to open new docurent th Wen eo Us3épx ane 367% with = oa Resolution sett 00dp Adda see Doe = fant radent backgroud with he an me Grant tool Sette le andght rt om (a sicerst0C7 MSY, at a at bee (eae cei sides a 100% = hie 063M@ TECHNIQUES | CREATE A BRAND IDENTITY 064 is ‘F i “th. a (4 |ctens ees aro 5 |cerucae me ens Begh to copy and pase each shape onto Once the fest set of shapes arecomplte theblankcaras n Photoshop as eller. Name group the ayestageterby selecting each yer yourlayers accordingly belre ling down the ‘ekg down the Cire. ten press nd OpvAlteyto plete ech ae ardposteneach Ors6, eat anther sto shapes by repeating ‘squareinthe desiedlocaton Eachtime asquarels._ step 4 buts ime change aout shape AdustmentsMue Saturation and gpg to sb Tarsfoer>Fip Horzcialor aust the He sro 926 andthe Saturation to +26 Vera Once the shapeshavebeen speagout, _toereate an erange colar These shapes shouldbe ‘you hem together bypreseng Ond/CrtG.Thie smaller ban the prevous rou, 0 grup teers, vwlenste you toeasymaraeuve ts group of selecthe group ye ard dure CHT to layers rondthecanasat alate stage, needed. resuethe whole group according, 7 | aren sure armours ‘Thee shuld ow be fou ses of geupe ayes Anthar wo or twee new ayers ned oe aed tweach rp wth sgt ler atrbses Bakin sate hose one fhe orga sae and aa wate sake by gong o WedowSroke St to pane op the tape back to Phatashp as ape layer Place this layer verte cent ers and pate the ae no each rou, mating he Hue and Saturaton stings ram prevaus Steps Fr aed phen th tp ayer, oo oop Shaow, (0G |Sresrromnewenurs Dapate anew set of ayers to create 0 ‘more rou. Tene group of shapes shoud have oe set0-148 and Staton st 0 +82, hich il ‘make the Squares blue The false of roused ‘squares wilrequrea Hue sting of 94.anda ‘Sauratonsetn +29. important to makesure ‘hat thenew groups are deren sizes, othe ue ‘up whe rer ban the redgrup andthe ‘een up age than thee grup. Check hat ‘he shapes poston randomly a every oUP c a a: noo ceaven ese 08 leorctre terner dren choose the sare square. This esl the Grant Mesh ol andre sgl pont gin then the shape With he cena nade ‘salted selec wht athe Fil Cl Copy ae sets shape back to Photoshop. srl the revo tps Is erportato make sue that he Geant Mesh noe inthe cate fhe mage ‘order to keep the reared cosisertin each came ofthe shape(FOCUS ON THE FINER DETAILS ADJUST OPACITY AND ADJUSTMENTS LAYERS TO CREATE MORE DEPTH | senor ones Steet crestor ce ar alain guns ema tts ects nuns rach ert Fr teroeenpe gen sata Sires utortraue goin attt-18 ‘raSornton 2 ort pele se Savme orn sod ene Pete Opoy sas ese awe Pete APB nsw son acess ascot SE Rceasetrs 22 Scere ae Rip iaghteimagionatett 12 \1eaverwons sven, Grate anevork stot nhs by Sly raving ISerces andjinng ther togaher ‘ug the Line Segment io with Stoke seta Spt Make sure ccs are spread out every and ats ‘male ceciesinee each he larger ane 6 ‘plete the formation Once the network sybol ‘alte, copy and pate tro Pros. Moke sxe thatthe magehas ben pasted as aS Objectincase of ary changes that may need be made ata te pont 19 setae meaner tam eghttthe compotion Open he imagen tkstrator select thelmage and choase adetauit — ‘ONK gry ra cour pete =a Douek onthe mae to 90 ‘side the group and thie the stroke the man fingers. Exerd g ‘the arm by cangeg the nodes using the rectonSlecten oo Once the handhas een tweaked copy eio Proashop a plo. 11 |mssrtaneats pent symbol poet n Musto fedanarow she ard Atagitnto cans Doub inside te image to charge the elu then copy tito Phetasho a Sima oj. you needed he ‘row at tne ight-c on ‘relay Est Certs Tis opens the orial vectr yer stator for edong updsting he Protashop layer once the cars closed Gite rcprction or tis care froma love of speciale dtl effects, which can be seen in many of Hollywood sci-fi films 33 aCe om . ke Prema 13 | momerias maces The onl rg todo now statin the rearing vetorimages ensuring that each symbol hasan pact sto arour 50%. Choose the headshot actor mage, paste tothe Blue yer ‘4p an set eens made to Orly, Torre the color and tne ofthe composten choose the Hue/Sstraton agustrant ayer andmake sre this sth tplaer zeae the Satratnto 065- On) meus iy dfeororeconaston Poeun ener nen oe ieee siedret ye aa 066Dente tat) + “pepe ee ca while if you feel you have a better idea. 99 p tary ANY vr be Mn 4 La) . ‘ld SN _ H li a 7DYNAMIC LAYER EFFECTS | TECHNIQUES li ‘mPHOTOMANIPULATION DYNAMIC LAYER EFFECTS CREATE A SEDUCTIVE SIREN BY MANIPULATING CLOUD-LIKE INK TEXTURES AND MASTERING COLOURFUL BLENDING MODES. Into utr hecethdy Or haret erste ve oh Statieeidincicie tramulruanccaaannoe meee fen omcenranesn = Satiicoete: cecemegteeetoe Recent: comcaneneumsoad the sacrice cboth ime andpaence For those wilrequrethe se farce o eattenteneeaiot cactataan cin mune ¢2 emtdinatcecteion sauces ncctparome tines Wel itsrelyretthatrtense bat Awl tskyou ew morta blenng modes that code ou Penseenedgstoo eee! Seems coereeteitan bent reuts wll doteach the adamertal Photoshop 8 folowng along hopeful ou wi Seamer Sceeconcee cornea ran eect cenecnacenen cameron =a lm THE PREP WORK Cece ice aac. SOURCERLES | 2 = WORK IN. i} PROGRESS wT 3 ase 7) xr, OD scrmenci sone oustes Now hase cut ou crete a group wth hat je slaced andre Fae: This ‘ ouput tbe man seurceforthe mals {ace deal nthe mage Belore mowing onto the next tp youneed Partie bushes Headto Progress Ue layer as wo: photoshoptutri:ws are ovricad the ~ Particle Smoke Prtoshap Brushes et. S 2 * “FI b ~~- F Props? Shape intents 3) erourmernce Q1 seanertser Once youe atthe Parle Smoke (awed image 3484096 rom wow. ‘rushes loaded Phos. ee tut reamatime cam acute modes ence gue out them to use Wn the Face gon, ey an from be backround Using te Penton crestea vector veri ack mick othe mod ox er shape hat youcanrefertoithe ure anting goes byOpU/At-cckang onthe Layer Mosk con ary One your eto coglte Ond/Orcckihe Select Parl Smoke rush andclck oe on ‘ector shige select and apply amasken adsicte thtackmack sth you start panting (Cri the Model Orginad aye, wf over the models ace Progress 3 Cameet the colour Pe 0689I TECHNIQUES | DYNAMIC LAYER EFFECTS 070 yy TRANSFORM UNLINKED MASKS DISPLACED ARM ANO HAND OA eesescroey esos Mae another vector ctut of our modes rmancenoustechnque hat wl need berepested 05 resent twcane theflowing shape to rane he face On your Fae group wth copy of you Mod Orin jer Model rghad lye uninkthe maski the ljer anc name Ar’ Aply a mask he arm asout byclcinginecraninkbetaenthem Wehthe othe lye otha there's notngbthe aman maskseleced use Cr/CsT to reat and ave tally Repeat step as you ddwihin the Face themasktoilurnateapartolthe modes tce and group. te ayers win the Arm rp. Leave the ‘neckyou ant vile Reink when laced Repeat edges fang away sucha the tps ler oer. ths step as many tmesas ncessryn be Face Pater skeclourintheaeas that her am does up ntyou'vereveled as muchas youn roteach under your masks. 077 rmosrnrasraceuenr Creat wane groups an place one above he Sem group andthe scandbelow Al each respect 2s Parle Fron a Pore Behind: Wh your brush selced, Op clk to gach select themodts sen he eeeppe nea up. ie senval Pari Soke brushes ard part counle of ayers wort acu the mets hngeris Do hs wn bth he Fro an Behind Pale ups ya Iustratedto emphasise her dsplacemet eect Am tohave each Pail brush secon loving inte Same drctanto simulate ied Alva eep mid tates sere a. 06 [neanensucer Create anew group between your hm and Face groups a et Har Hat, th nate copy ef your Mod (Orga ayer account an ‘verted mask Use a Parle brush ae patna Itoh model share close oer fae ae above her eae change the lng made o Darke. Duplicate that jer and change he bering made ct the dpcat yer to Lainey Feel ree torepittne harinosiy mask ith acereg Particle bh for amore blend te. (0 coursss nu ourrouse ‘Once you said wih the ia placed mal ave cee el ee to sro your layers win each group by compressing them. Deperdegon the machine youre working en. you might want save space by flatering ech group th the Cre/CHsE ton depending onion ‘may ayers you have within then. Aertel tar ‘ach rou toa Smart Object which enables you orev you nial placement ayers fr reson. ‘ulti wartiokeep ech grou sepaaterom ‘exch oer as youll art edt ers inbeteen.09. STEP BACK AND MRE Itightrot ee ike bt alt has ben done. Geting ts ris tedus, te conszring and net ‘sas en) buts ewarding to sete resus you haven aeady. standup, stretch your ams ou shake lotfuther to gobo the works complete Take this time to recap onwhathasbeen accomplished fac BOL ERR tet cer ethers (02 Master masks Sobel eee eee 403, Dynamic displacement Samanta circle eho 12m marc ounares Cate anew grup wih ek layer selected nd lace under your 10) coment reune TA trons Inorer to hep he steckcost down ty Now that youve gota mask fel te to toveeoniyoneimageforthenktenue. The use Mak pea Refine Ege wih your mmaybeamoredifeut andmuchmorenircle clacton bil ace toast te mats edge process, bt tcanbe done elect. Goto rund the ek audits not caren oyour ‘worn shterstockcom ard douicadimage king The manthg isto avida white eee 92778, Open tin Potton nts om rund tek mode forthe mde layers window. Go fo SeectCalor Range anc endo go smoothly amas the i Saree nevhte ae, Pen h.OK vet ler andre tots WrsoeArage The Jeurscecton Svi-cra/Crandadf anew Verily and wth he Mae ol dick maker 0p teller ra theman cepostin “ Getting this far is tedious, time-consuming and its not always easy, but it's rewarding to see the results 33 13) musta es aes Inprepratn fx the next sha. goed ato est an model raups, naming ei/ Go. Tilbe be homeo all your ical roup foreach nye pica has een created As alt ot toes tht ree bend he mottsface andar. Whe bs new gn, lppng mass are gong ob used hing gous tor each msn ayer il pete your nk layer (Cdr) andere the tl klar iby ake easy ort Tanslor (Greet) ate fe ik ‘umedol and aloe you may coral awa so ou don't hve layer thats jst been pled over and cle up abt nt 30g a you lose hae gong bck ote et xt Touchy plete, Op/Alcckenthe esl), lace the up-ale kaye org into oot the oss layer te lye on nd ago ts destination ck Pay atenton to drecton and aero sult alow > onI TECHNIQUES | DYNAMIC LAYER EFFECTS on 14 Bremen ers ‘Ths he pit inch is tral requires youtobe experimental wth you placement oink ow and specs. Repeat step 13 mute times varying then jer Size ad orrtaton. Keep an eye ufo repeating ines and shapes as uve usig the same nklaefor the whe ‘arrgositon (feat reo purchase more rom ‘Shutertec Use masks to blendandcoribre ‘mutplelnk ljerstogeter to createnew shapes andpaths ado vary te fom the ere rage, 17 won o4 me aysmon Now athe colour andi shape have ben set sl your ere k/ Cloud gro, ‘peat (Cet). 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To match the colours, use a combination of Color Balance, Levels and Hue Saturation adjustment layers FIRST DIRECTION strgrond Wea ania ia sence cra tirportart to gre te eyes ol rtienrnubnigvorcnatesare Cf | MERTON Saran odisrertoerovwindatel UoebeCaktrawan Pe Pes taredon why wlied be rater Arba[es 06 | ‘Afr youl nished panting ‘hemask and mating the clus ts timetoadisomeskyonthenghttard fl ‘de. This step shouldbe very ‘Sragsorwar ust use yeurcurent sy and moe itothe ght Ten cesta layer mask again ad pantentwtha 2Alpezot tush crete asmoot edge. 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Use te sketch forthe ba shape of te rocky wal fe nthe ght ack tte crete a crunchy, harp and meds oe, ere Lasoo To ‘mathe eours andvalus, we te same ecg a bere with Color Blanc, Hie/Satration andLeels te texte et bg rough we te Cone ol eens 12 \menesrmounan Cesteanew ayer wih LaerNewLaje, then select heh ery ting he Cet hey andcickng onthe yer nthe Layer panel Now the shape must be sled The net tp ti is eh color sing te Pant Bucket toot Now nd a smountan or rock mage anda itothe PSD tuming tet. clgping mack Cm/Cet Sh) for tenure yeudenthave enughto coe. usethe Core Samp tcl andeterd the texte dy ied 113 | true ere ura _er changing he mite muntan nae iste ta replace he shech ofthe muntan wih rene. 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Al deta added shoud ben separelayers sclping masks For these rocks, use mages ol walls Talandr Vatnam Usethe seth shapes as abase and ‘2th deta ontop hem To (rete some more highs 2343 new ayer andpaint ontop witha ‘altrueh wi the layer seo Overtay ‘ening made. 19 sso: screed bee Te ig mmoswevian te sort op Itetzognnd hehpstaiiatno Py) FNAL TOUCES fromthe demensyouskeadyhne nthe _felng Then at some dt adver smal rks to he rocks a sogest ha hey arecomirg recom the earth ‘ag, asyouean se ante recs coming The ery sep soa ome na io create a photograph eng, Cree ane Laer it wh amis rey a 079BEST FOR RAW WE COMPARE THREE OF THE LEADING RAW EDITORS, IN A BATTLE FOR THEIR PLACE ON OUR PHOTO SOFTWARE PODIUM 2 mages eld sgfan vale for ‘herent quliy, all donntothechoie ofthe perspective. yar photographer ooking for Protogrphersaswallasfor thse clus etortomakeitnet ony wor your while bao grater cntol over handing of RAWfles, ACR nay weckngin Photoshop. 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AfterShot Pro proves, to be just the ticket for photographers, With indispensable features such a5 layers forming the majority of selective eats, ths version two Software can only get stronger. 081REVIEWS | BES CAPTURE ONE EXPRESS 7 Ths th ost thorough andcorerehensie RAM etoravofthe te. oferngmore way 12 manage les han yuna m ACR Adobe's Bridge woul the ube cace) For jescannetrlybe ners Care One rothe prediction of RAW mages feachtothae orm seta ook sxchas te vith tonal Methed tout the ype of mage beng workadon The Egress versonot Cape One the Poedtion _maxh tht Capture One car of RAW te redo The ete uted wth tools. The Jest 20 mech gong one whichmightbe a hndrance for same af vslooking to ectimages qu onthe ty 5/5 you allow the tie fort, Capture One is the utimate RAW processor for advanced edits. Even nits Express edition it feels ike a journey to get fromm start to finish, but patience pays off inthe lend andits worth it~ especialy as an affordable option as well ‘The Bromzerpanel lets youvew the eng rack Proetingaustmentssvisk mages wihthe option to premet ‘nd Capture One understands st. your 082‘ADJUST PERSPECTIVE IN ACR ADOBE CAMERA RAW 8 ‘be CameraRaw maybe the tious chocefor short apcaton Eu thc prevent som Photoshop usar, andra so. Farming an pening muti RAW Hest ts terace oe Inegaipartf te worklow er phetgraphers auld work wthcomparsons. Just hein Capture eng RAW les as wellas JPEG, hs shoutbe Oe, these are know a5 variants of which nen Underesmted The adartagescl ACR areclesr._nescanbe made any ven pont. Sopshatare withthe ity to open RAW mages Sart alsopartof ACR sowewere never too far nay (necro Photoshop andeven vee ACR filer Fomaurprevoussetinge. Ae a RAW econ, ACs conarylajer Btn the ober RAW edtors we've extranet and mkt, making ta rourdedup, ACRiereant nang Potohep = boon for photographers wanting see eng Usstpgeiseorsteerceteae eae Dice ett tae A far as integrating RAW stils with Photoshop, they dont corne much ssveeter than this. But ACR wil abvays be relant on Photoshop, which might be, for some, nat idea. This nat to say its ‘overrated as ithalds some ofthe best edting features we've ever come across, 083XARA WEB DESIGNER 10 PREMIUM THE WEB DESIGN TOOL THAT WAS MADE FOR DESIGNERS! WWWLxAra.COM —_-£50/5100- Mires Windows Xt, 7,8, 81 08%tages eens! And tees ven oreo choose kamen ther webste Tiss another mens of making the whole process of eb esa ick andes Thefocsfhe program on ease, convenience rdseplity makes ths perfect chace forthe bagrner or termediate vel eb ‘esq vanced deeper il lat be rusted by te bly together hands onthe aca coe, ard might want took icenherefor ther web desiring software Buti youselzokngto create se excelent modern web designs that are elle 055 SIGNER Features: 8/10 Ease of use: 9/10 Value for money: 910 Quality of results: 8/10 ) PREMIUM | REVIEWS, ‘ios every dee ae you ae locking todo that qu. ther Yara Web Designer 10 Premium or FINAL SCORE: Ratrapeemtmenateregepacteros CStecnacrgewirejaeesoerapeangen | ‘erp to start iih These trp re hay FROM START TO END 1 SELECT FROM TEMPLATE The quickest ayo getup andruning to strt ath tempat Open the Desi Galery ab on te (2 AO YOUR OWN CONTENT Changng the pies sea a raging photo frre le explorer ont he leer change The col saatees song he btlom ie al et (03 PREVIEW THE SITE The Preview ite en log the tp mens provides ‘stom viewer to checkthe ste faconaliy The ‘ee een ges ons to peeve the te each the most popular web overs uso make sire ‘veg looks and works the same fr everybody Lycan themedtepate One cickhe West 085I READER INTERVIEW | FROM CANVAS TO COMPUTER FROM CANVAS TO COMPUTER DIGITAL ARTIST BRAD FRAUNFELTER LETS US IN ON THE SECRETS BEHIND THE PHOTOSHOP TECHNIQUES HE USES TO CREATE HIS SCI-FI BOOK COVER DESIGNS ‘aéFraureterhated carpe whenbe was growing up in Porrearia USA, esteaspeterng atonal paring and in petograhy However en he as cffeed dial etauhing ork he was redo lean Adc Photoshop Asthe ora grew on Fam he began desiring book ovesforhs aaurie re scene ton Here es us howhe has ‘gommtolove Pratashop ardhow huss to rete hs suring artwork, [WoW HAS YOUR BACKGROUND IN "TRADITIONAL ART AND PHOTOGRAPHY [HELPED YOU N YOUR CAREER? Wie working t photography abn NewYork he bos ashe warty some etching 086 werk Back thn retouching was done the faced ay ng masking fin abr and fre: tppe res wa ery tre OUR READER | was struck by the ease muorsamesiiet GG witrwtich coud choose and change colours using Photoshop without the fuss 99088 HOW 0 You co ABOUT cREATING YOUR ‘COVER ARTWORK? 6 fet do achor research hace hich gt are ‘ra he writ or pubiher on whats needed ‘tecovec Ten fen ook or reeence age that ‘lh mete pant tems that mph thee ave rouble wits very en il shoot my on topantine mage. lsetup he ihing ihe hing hat want sow athe potas ilitegrate othe sec wl cot rant nly Most he Log hours of work ut Speen my pects a trough dtl partes wth dita brushes. Ihe 9 twohethe work abitmore of apantey le at were ene with aca ol pant andl brushes. | started using Photoshop all the way back in ‘96 when the program was still young, and it has evolved tremendously since then 39 WHAT 09 YOU LIKE MOST ABOUT USING panel stared sing Photoshop ath way back in ‘hhen he program vas sllyourg ad thas led temendoust since then thas become 3 fae ep pragma atnough| wou eto tink hat usemosto be myriad els nd opto arabe one ofthese ay need ake some ime and study the programs ene 0 tal ante schntage of everyting totes: \WHAT D0 YOU FIND To BE THE MOST USEFUL PHOTOSHOP TECHNIQUE? ‘ype ofrtuching pracy abo these dys is( MPI * | READER INTERVIEW 0 YOU HAVE ANY ADVICE FOR NEW ARTISTS LOOKING TO IMPROVE THE QUALITY OF THEIR 089RE R | ONTHE DISC i SCREEN PRINT DESIGN CREATE ARTWORK YOU CAN WEAR! LEARN THE INS AND OUTS OF SCREEN PRINTING G: nett =\ = we rho edt 2 | nena 03) mec MERGED LAYER DESATURATE rast os possble wou dering te mage eat what tested wllook rote 091i GATHER THE PROPER MATERIALS FIRST _ (SETHE RIGHT TOOLS FORTHER 08 [Par shite: arse of dating tbe, Printed cr Make sus pre-washad and not madgofon ‘Amesh screen rinang screen The szedepends on whatyoullbe ‘xing on but x 12 —_ inches (233050) is prety standard —_— ‘Screen-printing inks come in 3 varetyofcolours Youcan purchase them indivualyo- naset Besureto grab a squeegee to! A stent your design you Plan to useitmutipe ies, print ton transparent paper if nok just use regular paper WORK THE DESIGN DIGITALLY FIRST Layout Photoshop a version of your ster in each colour you wanttouse and arange them in some possible designs. ip and rotate cours youcan apply the steclin ary order they don have to caver darker colours and risk you want but you wart to overt, take note ales sold prnt ofthe ordec Make sure you put the Layers nan thestanel to make apatiernor layer therm cr’ order that ou te because you're gong to have topo each other Decide you want overian or to apply the ink in hat same order Is lays not. you're nat planing on overapping Finally, make sue the design appeals o you before printing you don ike onthe compu best to put the lightest colours atthebottom so. wearit you wort ket on doting and went 092HAND-CRAFTING THE STENCIL LEN caer) | ON THE DISC 0930% ON THE DISC | PROFESSIONAL PRINTING 13) a f=) Wu i = ra fo) Es 03 cus5 } ‘Ananimalin crisis Make adifferencetoday Join World of Animals Buy World of Animals at all good shops now Ei worldofanimaismag YJ @WorldAnimalsMag @ animalanswers.co.uk _justgiving.com/olpejetaLearn in style is areleccrelaya]| otoshc Discover more with the Book series’ expert, accessible tutorials for photography, 3D art, Photoshop, web design and more BUY YOUR COPY TODAY Print edition available at www.imagineshop.co.uk Digital edition available at www.greatdigitalmags.com Ep ceo comtragineockaznes ‘yf witerconvBocksmainebe smart, select low-cost renderfarm BUDGETRENDER Creer Reece aig steels DUC ang CeCe eds RO ee asImages for ay DollarPhotoClub.com e Always A QO DTSRON Soe) simple, exclusive and value driven. Simple: One low ad affordable monthly membership fe of $10 gives you 10 downloads and acces to millon of high quay oly feeimages with 2 Pahari earn enn ar ete earn een Lee ener ee een et or ee eee enone Eee ett cet neat tne ee elisbepliierisherynnouneetaennenyestennpee mien peta ome. ie ta pee eth