Professional Documents
Culture Documents
Developmental Portfolios: demonstrate the advancement and development of student skills over a period of time. Developmental portfolios are considered
works-in-progress and include both self-assessment and reflection/feedback elements. The primary purpose is to provide communication between students and
faculty.
Assessment Portfolios: demonstrate student competence and skill for well-defined areas. These may be end-of-course or program assessments primarily for
evaluating student performance. The primary purpose is to evaluate student competency as defined by program standards and outcomes.
Showcase Portfolios: demonstrate exemplary work and student skills. This type of portfolio is created at the end of a program to highlight the quality of student
work. Students typically show this portfolio to potential employers to gain employment at the end of a degree program.
Hybrids: Most portfolios are hybrids of the three types of portfolios listed above. Rarely will you find a portfolio that is strictly used for assessment, development or
showcase purposes. Occasionally, you may come across showcase portfolios that do not show evidence of self-reflection, rubrics for assessment or feedback,
however, as Helen Barrett, an expert in the field of e-portfolios, would say "a portfolio without standards, goals and/or reflection is just a fancy resume, not an
electronic portfolio."
Self-reflection is an important component of electronic portfolio development. If you do not require participants to self-reflect on the artifacts they add to the
portfolio, they will not gain from the rich learning experience that e-portfolio development can provide!
32. Items are selected for inclusion in the portfolio because they provide "evidence" of progress toward selected outcomes. Whether the outcomes selected
are specific to individual participants or apply to entire communities, the portfolio documents steps toward achievement. Usually it is most helpful for this
selection to take place at regular intervals, in the context of conferences or discussions among participants and staff.
33. Tier 5 - Program Impact
34. One of the greatest strengths of portfolio assessment in program evaluation may be its power as a tool to communicate program impact to those outside of
the program. While this kind of data may not take the place of statistics about numbers served, costs, or test scores, many policy makers, funders, and
community members find visual or descriptive evidence of successes of individuals or programs to be very persuasive.
35.
36. ADVANTAGES OF USING PORTFOLIO ASSESSMENT
37. *Allows the evaluators to see the student, group, or community as individual, each unique with its own characteristics, needs, and strengths.
38. *Serves as a cross-section lens, providing a basis for future analysis and planning. By viewing the total pattern of the community or of individual
participants, one can identify areas of strengths and weaknesses, and barriers to success.
39. *Serves as a concrete vehicle for communication, providing ongoing communication or exchanges of information among those involved.
40. *Promotes a shift in ownership; communities and participants can take an active role in examining where they have been and where they want to go.
41. *Portfolio assessment offers the possibility of addressing shortcomings of traditional assessment. It offers the possibility of assessing the more complex
and important aspects of an area or topic.
42. *Covers a broad scope of knowledge and information, from many different people who know the program or person in different contexts ( eg., participants,
parents, teachers or staff, peers, or community leaders).
43.
44. DISADVANTAGES OF USING PORTFOLIO ASSESSMENT
45. *May be seen as less reliable or fair than more quantitative evaluations such as test scores.
46. *Can be very time consuming for teachers or program staff to organize and evaluate the contents, especially if portfolios have to be done in addition to
traditional testing and grading.
47. *Having to develop your own individualized criteria can be difficult or unfamiliar at first.
48. *If goals and criteria are not clear, the portfolio can be just a miscellaneous collection of artifacts that don't show patterns of growth or achievement.
49. *Like any other form of qualitative data, data from portfolio assessments can be difficult to analyze or aggregate to show change.
50.
58. 3) Evidence
59. In collecting data, many things need to be considered. What sources of evidence should be used? How much evidence do we need to make good
decisions and determinations? How often should we collect evidence? How congruent should the sources of evidence be? How can we make sense of the
evidence that is collected? How should evidence be used to modify program and evaluation? According to Barton and Collins (1997), evidence can
include artifacts (items produced in the normal course of classroom or program activities), reproductions (documentation of interviews or projects done
outside of the classroom or program), attestations (statements and observations by staff or others about the participant), and productions (items
prepared especially for the portfolio, such as participant reflections on their learning or choices) . Each item is selected because it adds some new
information related to attainment of the goals.
60.
Steps of Portfolio Assessment
61. Although many variations of portfolio assessment are in use, most fall into two basic types: process portfolios and product portfolios (Cole, Ryan, & Kick,
1995). These are not the only kinds of portfolios in use, nor are they pure types clearly distinct from each other. It may be more helpful to think of these as
two steps in the portfolio assessment process, as the participant(s) and staff reflectively select items from their process portfolios for inclusion in the
product portfolio.
62. Step 1: The first step is to develop a process portfolio, which documents growth over time toward a goal. Documentation includes statements of the end
goals, criteria, and plans for the future. This should include baseline information, or items describing the participant's performance or mastery level at the
beginning of the program. Other items are "works in progress", selected at many interim points to demonstrate steps toward mastery. At this stage, the
portfolio is a formative evaluation tool, probably most useful for the internal information of the participant(s) and staff as they plan for the future.
63. Step 2: The next step is to develop a product portfolio (also known as a "best pieces portfolio"), which includes examples of the best efforts of a
participant, community, or program. These also include "final evidence", or items which demonstrate attainment of the end goals. Product or "best pieces"
portfolios encourage reflection about change or learning. The program participants, either individually or in groups, are involved in selecting the content,
the criteria for selection, and the criteria for judging merits, and "evidence" that the criteria have been met (Winograd & Jones, 1992). For individuals and
communities alike, this provides opportunities for a sense of ownership and strength. It helps to show-case or communicate the accomplishments of the
person or program. At this stage, the portfolio is an example of summative evaluation, and may be particularly useful as a public relations tool.
64. Distinguishing Characteristics
65. Certain characteristics are essential to the development of any type of portfolio used for assessment. According to Barton and Collins (1997), portfolios
should be:
66. 1) Multisourced (allowing for the opportunity to evaluate a variety of specific evidence)
67. Multiple data sources include both people (statements and observations of participants, teachers or program staff, parents, and community members),
and artifacts (anything from test scores to photos, drawings, journals, & audio or videotapes of performances).
68. 2) Authentic (context and evidence are directly linked)
69. The items selected or produced for evidence should be related to program activities, as well as the goals and criteria. If the portfolio is assessing the effect
of a program on participants or communities, then the "evidence" should reflect the activities of the program rather than skills that were gained elsewhere.
For example, if a child's musical performance skills were gained through private piano lessons, not through 4-H activities, an audio tape would be
irrelevant in his 4-H portfolio. If a 4-H activity involved the same child in teaching other children to play, a tape might be relevant.
70. 3) Dynamic (capturing growth and change)
71. An important feature of portfolio assessment is that data or evidence is added at many points in time, not just as "before and after" measures. Rather than
including only the best work, the portfolio should include examples of different stages of mastery. At least some of the items are self-selected. This allows
a much richer understanding of the process of change.
72.
4) Explicit (purpose and goals are clearly defined)
73. The students or program participants should know in advance what is expected of them, so that they can take responsibility for developing their evidence.
74. 5) Integrated (evidence should establish a correspondence between program activities and life experiences)
75. Participants should be asked to demonstrate how they can apply their skills or knowledge to real-life situations.
76. 6) Based on ownership (the participant helps determine evidence to include and goals to be met)
77. The portfolio assessment process should require that the participants engage in some reflection and self-evaluation as they select the evidence to include
and set or modify their goals. They are not simply being evaluated or graded by others.
78. 7) Multipurposed (allowing assessment of the effectiveness of the program while assessing performance of the participant).
79. A well-designed portfolio assessment process evaluates the effectiveness of your intervention at the same time that it evaluates the growth of individuals
or communities. It also serves as a communication tool when shared with family, other staff, or community members. In school settings, it can be passed
on to other teachers or staff as a child moves from one grade level to another.