Professional Documents
Culture Documents
*,'{
n ^/hv
, r'*.'
,F lE ,f ,,..-
l,
e
r*
' {"i
,
Dr. Schuler/ English 359 :,{.tf n, n{,1*f"
F' ' , , 1l v j t '
l*"u \ ft
Patrick McEvov-Halston . l, - . v. r f
t
r,v- "
f
Prospectus t, /,o€eY r)
arguethat if we look to Sidney's referenceto Utopia in his Defence,it seemsthat when Sidney
to "the whole Commonwealth" (117) of Utopia. Therefore,our first inclination towards making
our judgment is to focus our attentionon More's secondbook. However, having learnedfrom
Sidney that a work cannot be judged as poetry unless it moves its audience,and knowing that
Sidney refers to at least two sorts of audiencein his Defence (the learned and the child-like), we
note well that Sidney refers to Utopia ur- good way to "direct a prince" ( I 17). My thesisis if,
_l
' \
perhapsdue to our'oinfectedwill" (109), we fail to correctourselv on book tw9we
t: :-"J ;
"t("afocus
bjf {.r1, $**l.r{f ', I a a rfi.t*'rt':.-.'-"1'g/r*'
/f
judge Utopia u{ntt probiematicaily exemplibrng a work of poet$ h6wever, if Sidney's
Defence moves }rs;to dp what we know to do, with "our erectedwit" ( 109), we find that More
i. '.
to how he deflatesthe lattertwo disciplines,whenwe turn to book two of Utopia,we find that
( J"""A
mytickery,thatmyownleamedreaderwillnotbeleftinastateof'\sronder." U^