PALHOÇA

( Frêvo )

    
Composer Antony Silverman

                   

          
           
Moderato = 110


       
  
Piano

     
  
            
       
            
   
        
          
6

  
     
     
    
 
                  
 
         
       
   
             
  

 
  
    
11

 
To Coda

       
     
       


         
        
      
 
 
2.

  
17 1.

 
  
         
             
      
   
             
               

22

               
    

Copyright
Page 1
 PALHOÇA
      
       
( Frêvo )

        

26

      
    

       
                    
  
 

29

         
            
       



  




 



     Coda         
           
1.

  
2.

  
33

 
D.S. al Coda
 
  
       

  
       

         

           
   
   






  
   
                        
38

    
   


 

 
  

    
       
                
          
     
43

 
   

 
   


 
 

Page 2
 PALHOÇA

    
( Frêvo )

               

       
 
        1.   
                    
 
48

 

     
          
   

       
              
           
      
2.


53



       
         
   

      
                    
                 
         
58

   
  
         
   


               
        
           
            

 
      
63

  
      
       
   

  
 
     
     
 
68

 
    
    
 
 

Ð
Page 3