Anagrams for Flute

April 2015

Tom Jensen
2

Performance Instructions:

Vibrato: Naturally at the end of longer notes, except where notated with [squiggly line over the note]
Where a wide vibrato is called for.

Microtonal bends: These should be very natural sounding, as if whistling or singing with plenty of glissandi.
They are displayed in the score as a gliss. line between the notes and the instruction [bend] or [b]
Sibelius doesn't allow for eight tone (25 cent) notation, but the notes are essentially 20 - 50 cents off of
their original pitch. Its a slight flourish for one pitch. The main pitch is always the second/12TET pitch notated.
The preceding microtonal flourish should be short and unstressed.

These melodies were meant to be organic and not tied down to a score, so feel free to linger on notes or
rests and rit./rall. slightly with your tempi.
 Anagrams for Flute 3
April 2015

T. Jensen
q=104 Uncertain, Wistfully
   
I

       
Flute 
             
mf f mf mf f ff


                      
7 
       
f mf mf mf mp mf

   
             
13
 
      

f f f mf

II
q=104 Joyfully
 b      b 
     
b
    
bend b b
       
19 
 
b
 
 
   


 
mf f mp

           
 b 
 b
23 b
 

          
b b

    
mf f f mf mp mf mp


28
           
  
     

f mp p mf mp


          
    
33

      
   
   
f p mp f
4

              
         
38 

  
   
f mf mf f mf f 3


  

   
  
    
43

  
         
f mf f mp f mf f

      b  
b

  
49 
  
bend 
   
f mf mp

        
b

   
52

    
   
mf mp mf

q=73 "Freetime", Positively

III
     
       
56

         
mf f 3 mf

     
                 
57

   
3 mf 3 3 3

    
               
58

    
3 3 3
mf f mf mp f

   
59

          

f
 5
IV
q=85 Sweet - Sour
 
       
b
              
60


              
mp mf f f 3 3

64
                    
   
 
3 3
mf mp mf f ff

   
              
     
67

   

  
p mp mf f mf f mp

               
71

        3
     
3 3
mf f

  
   

   
74 
             

  
f ff ff
6
V
q=88 Neutral, Bleak
              
          
79 
 
3
mf 3

     bend
    

 
   
83

    
 pure, non vib. ord. vib.
   

 
p mf f mf mf f

                  
88  b becoming fractured

    
3 3
mf mf


detatched, atonal    
91
   
            



f mf f f mf

q=104 Spritely, Jovial VI

95 b        b      
                 
 
  

mf f ff fff f mf mp

                 
   
100


  
    
 
p f mf f mf f

                   
106
       
  
mf mp mf mp p mf

               
111

                


ff mf mp mf