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Character Map:
Character analysis:
http://www.sparknotes.com/shakespeare/tempest/characters.html
Plot Summary
Act I
Scene 1 – A ship carrying Alonso, King of Naples and his courtship is caught in a wild
storm. The crew attempt to save the ship but find they are powerless. The ship is
wrecked onto an unknown shore.
Scene 2 – We meet Miranda and Prospero on their Island. Miranda begs Prospero to
calm the tempest. Prospero reveals to Miranda that he was once the Duke of Milan, but
his brother Antonio, who took his place and exiled he and Miranda to this island,
usurped him. Ariel reports to Prospero that the boatmen are safe and requests his
freedom from Prospero, which Prospero denies. Prospero orders Ariel to disguise
himself as an invisible sea-nymph and sends him away. Prospero and Miranda visit
Caliban and we learn how he was enslaved by Prospero after attempting to assault
Miranda. Ferdinand, the son of Antonio, has left the wreck and has been drawn to the
beach where Miranda is by Ariel’s music. Miranda and Ferdinand are transfixed by each
other at first sight and Ferdinand offers to make Miranda the Queen of Naples (thinking
his father dead). Prospero denies Ferdinand this in order to test his loyalty and forces
him to work for him.
Act II
Scene 1 – Alonso and his court find themselves on the island in a state of confusion.
Gonzalo notes how everyone’s clothes are dry and is mocked for his observations.
Alonso is in despair, believing his son to be dead, and will not be comforted. We learn
that Antonio and Sebastian are plotting to kill the King and take his throne.
Scene 2 – Trinculo, a court jester, and Stephano, a butler, discover Caliban in his cave.
They make him their servant and then begin to plot to take over the island together.
Act III
Scene 1 – Miranda and Ferdinand declare their love for each other and Miranda
declares that she wishes to marry Ferdinand. Prospero endorses this.
Scene 2 – Caliban, Stephano and Trinculo get into a fight, caused by Ariel’s trickery.
They all get drunk and are led away by Ariel’s music.
Scene 3 – Gonzalo and Alonso are wearied by their wanderings and Alonso is
beginning to give up hope that Ferdinand may still be alive. Sebastian and Antonio
continue to plot against the King. A magical banquet appears and then disappears,
leaving the courtship amazed and confused. Ariel then appears to the men as a harpy
and accuses the men of their sins.
Act IV
Scene 1 – Prospero warns Ferdinand to control his desires with Miranda until they are
married. Ferdinand promises he will. Three spirits, Juno, Ceres and Iris then appear in
the masque and perform a ceremony to celebrate the lover’s engagement. Stephano,
Trinculo and Caliban find some clothes on a line and take them, while continuing to plot
their dominance of the island.
Act V
Scene 1 – Ariel expresses pity for all the people Prospero has trapped on the Island.
This causes Prospero to express mercy for them himself. Prospero finally brings all
those on the island together and reveals his identity. He reunites happily with Gonzalo,
reprimands Alonso and Sebastian and forgives Antonio. Alonso asks for forgiveness
and offers to reinstate Prospero as duke. Miranda and Ferdinand are revealed to the
court and tell their story. Alonso is overjoyed. Stephano, Trinculo and Caliban arrive and
realise their mistakes. Prospero promises the crew a safe trip home and ends the play
by asking the audience for forgiveness and relinquishing his magic powers.
The discoveries in the Tempest, and most other text’s, fall into four main categories.
Some may be included in more than one category.
Place
People Events
Relationships
Place
Discovery of a new place can bring many questions about status and ownership.
(Colonial context)
Events
- The storm and shipwreck leads to all the other discoveries in the play (and
mirrors Prospero’s original shipwreck and discovery of the Island.) Act 1, Sc 1-2
- The banquet. Act 3, Sc 3
- Ferdinand and Miranda’s meeting. Act 1, Sc 2.
People
- Miranda discovers there are people other than Prospero and Caliban. Act 1, Sc 2
- Sebastian discovers Antonio’s true nature.
- Prospero makes the self-discovery that he is capable of mercy and compassion.
Act 5, Sc 1
- Most characters make significant personal discoveries through the course of the
play.
Relationships
TECHNIQUES
Spiritual motifs
⇒ Demonstrate the connection between the real and spiritual
⇒ Show the spiritual realm as an important part of discovery
⇒ Drives discovery and confronts characters – transformation of self/world view
o Ariel’s illusionary banquet
o Wedding ceremony by spirits
o Ariel’s confrontation of Prospero
“I have such provision in mine art so safely ordered, that there is no soul, no, no so
much perdition as a hair be tied to any creature in the vessel.” Prospero, Act 1, Scene
2.
“This is the third man that e’er I saw; the first that e’er I sighed for.”
Miranda, Act 1, Scene 2.
“To th’most of men this is a Caliban, and they to him are angels.”
“I would not wish any companion in the world but you;” Miranda, Act 3,
Scene 1.
“What I desire to give, and much less take what I shall die to want… And prompt me,
plain and holy innocence. I am your wife, If you will marry me…” Miranda, Act 3, Scene
2 (Miranda’s discovery of Ferdinand causes her to reconsider herself.)
“Monster, I will kill this man. His daughter and I will be king and queen – ‘save our
graces! – and Trinculo and thyself shall be viceroys. Dost thou like the plot, Trinculo?”
Stephano, Act 3, Scene 2.
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air;
And, like the baseless fabric of this vision,
The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve;
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
Prospero, Act 4, Scene 1
“Your charm so strongly works ‘em that if you now beheld them, your affections would
become tender.” “Dost thou think so, spirit?” “Mine would, sir, were I human.” “And
mine shall.” Ariel – Prospero, Act 5, Scene 1.
Question 1
Question 2
‘Most discoveries encompass rediscovering something that has been lost, forgotten or
concealed.’
To what extent do you agree with this statement from your study?
In your response, refer to your prescribed text and TWO other related texts of your own
choosing. [DONE]
Question 3