Professional Documents
Culture Documents
After-school Lessons
Food and Culture in the Willamette Valley
WE WILL RAISE AWARENESS ABOUT… local food systems and
the individual’s place in the food justice and environmental justice
movements
STUDENTS WILL GAIN KNOWLEDGE ABOUT… companion
planting and the history of Native American agriculture
WE WILL FOSTER AN ATTITUDE OF CARE… by interacting and
building a connection with plants, as well as anthropomorphizing
plants through storytelling
STUDENTS WILL DEVELOP SKILLS SUCH AS… collaboration
through a group art project and critical thinking through
examining their sense of place and its context and history
STUDENTS WILL BE INSPIRED TO TAKE ACTION… by
learning how to grow food and participate in their local food
system
Food and Culture in the
Willamette Valley
Learning About the Three Sisters of Native
North American Agriculture
Cultivating Connections Spring Session
Kelsey Ioannou and Rebecca Perrin
University of Oregon Environmental Leadership Program 2018
This lesson introduces the Three Sisters of Native North
American agriculture, modified to be more relevant to
the Willamette Valley: beans, squash, and sunflowers.
Using a game, storytelling, and an applied art project,
the lesson will drive home the importance of
companion planting in gardening. The game will be an
energetic warm up for bodies as well as minds within
the garden. The story will focus on the Three Sisters
and how this native Iroquois legend connects to
companion planting. Our mural will be of the Three
Sisters planted together. Although these activities are
designed to be play-based for the after-school setting,
they will connect students to place, culture, and history
within foodways. This lesson will be taught outside in
the garden.
This lesson will allow students to build awareness and establish
connection to our home, the Willamette Valley. It will be a dynamic
history lesson that will connect students to the historical and cultural
food systems of North America. It is important to discuss food and
culture, as it is a subject that is deeply ingrained in all of our lives, but
often taken for granted. Discussing food and culture, specifically in the
Willamette Valley, will provide a new framework with
which students will understand the relationships that
plants have with people and with each other.
The final activity in this lesson is an art project that all
students will collaborate on together. Students are
involved in the design of parts of the mural and will all
work together to create a work of art to be displayed.
Students will engage their creativity and imaginations,
work together, and build self confidence.
Students will also have the opportunity to plant the
seeds from each of the plants that they heard a story
about, learned about their roles, and painted or drew.
Learning about the Three Sisters will give students a
greater awareness of the historical agricultural
practices in the United States before European arrival.
Learning about companion planting will give students
another framework to use when they are planning
what they plant in their gardens, as well as help them
understand why and where various plants are grown.
Food and culture can more easily be stated as “food is culture.”
Foodways are specific to a particular way of life based on place,
background, values, religion, etc. The Three Sisters are usually defined
as corn, beans, and squash and were a major staple in Native North
American agriculture.1 This method of planting is also an example of
companion planting, a commonly used technique in which each plant
plays a role in the wellbeing and survival of its companions. To adapt
2
this lesson to the Willamette Valley, we replaced corn with sunflowers, a3
plant native to North America that is important to Native Americans,
including the Kalapuya of the Willamette Valley,4 who roasted seeds
during their controlled burning of the valley floor. Sunflowers can play
the role of “supportive sister” that the beans can climb. Beans play the
role of the “climbing sister,” as they climb the sunflower, keeping all
three plants close together. Pumpkins or squash play the role of
“protective sister,” whose large, prickly leaves2 suppress weeds, repel
critters,
and retain moisture for all three plants.
Introduction (5 minutes)
1. Form a circle.
2. Student and facilitator introductions. Go around the circle and
have each person share their favorite companion to spend time
outdoors with. Have one facilitator start and provide example for
who or what a companion might be, such as sibling, family
member, friend, pet, etc.
3. Introduce our plan for the day. Inform students that we will first
play a game, then listen to a story, then collaborate on a mural for
the garden. Share that if we finish our art project, we will get to
plant the plants that we will learn about today. Ask if there are any
questions about the plan.
Scavenger Warm-Up Game (10 minutes)
1. Establish a “base” in the garden, such as a flagpole, a wall, or
something else that each player can put their hand on to be “on
base.”
2. For each round, tell players to run and find something in the
garden, then to run back and put their hand on the base. Ask
players questions such as:
a. Find a plant with tendrils
Most students will be unfamiliar with this term. Use this
opportunity to not only explain what tendrils are, but to show
them how plants use tendrils to climb.
b. Find something yellow in the garden
c. Find a plant that reaches for the sky
d. Find a plant that smells good and sniff it
e. Touch [specific plant]
f. Taste your favorite plant
g. Find two plants that are growing together
3. Play for 5 minutes to get students warmed up and engaged with
their immediate sense of place.
Story (15 minutes)
1. Gather group in a circle and ask if they want to hear a story. It is a
very old story about growing food that has been passed down for
centuries. Share that the story comes from the Iroquois, a
northeast Native American confederacy, with minor changes
(replacing corn with the sunflower) to align with the Willamette
Valley.
2. Ask students to listen carefully, as they will play an active role in
the story when asked, including making sound or movements and
responding when prompted.
3. Before we begin telling the story, the facilitators will demonstrate
each movement that we will use in the story. While the story is
being told, facilitators will continue to move along with the kids.
4. We will have movements associated with each sister:
a. Everytime we say “eldest sister”, grow tall, spread your
leaves (arms) and face the sun (close eyes)
b. Everytime we say “middle sister”, get low to protect your
companions
c. Everytime we say “youngest sister”, wiggle your fingers
and limbs upwards to sprawl your tendrils
After the story, we will have a small discussion about the three plants,
asking students such questions as:
1. What’s something every plant needs to grow?
The answer we are looking for is water, sun, and soil - a
plant-specific variation on “food, water, and shelter,” which is what
students learn during the “Habitats” in-school lesson
2. Why are they planted together?
3. What role does each plant play?
4. Why would the plants need protection?
5. Which plant do the beans climb?
6. Why does the sunflower move with the sun?
7. What is a companion?
Art Project and Planting (25 minutes)
Establish group agreements for our group mural. Ask the students to
share School Garden Project’s rules, and facilitators will repeat these
rules back. Ask the students if they feel there are any more group
agreements they would like to establish for our painting time. Write
down effective rules as students share them. If not suggested by
students, suggest the following rules:
1. We will only make positive comments about our friends’ paintings
2. We will not paint over top our friends’ paintings
3. We will respect the materials, mural, and each other
4. We will only paint pictures, not words
5. We will all have a turn painting
6. We will have fun and be creative!
Refer back to the rules as needed while we paint.
This activity will proceed as follows:
1. Go to the painting station.
2. Give everyone a paintbrush and one facilitator will set up a
makeshift palette in the egg cartons and recycled containers.
3. The mural will have outlines and guidelines on it already, and the
students will be free to paint on, around, or over these.
4. While the students are painting, ask them questions, tailored to
their age group such as:
a. Why do you think these plants are planted together?
b. Do you notice anything special about how these plants are
growing together?
c. Do you know what a companion is? Do you have a
companion?
d. When have you eaten beans? Squash/pumpkins?
Sunflowers?
e. What do you notice about how each plant grows? How tall is
it? How big are its leaves? What do its tendrils do?
When students feel that they have finished everything they want to paint
or draw, or if they seem disengaged with the art activity, offer the
choice for students to plant each of the plants in the garden.
Wrap Up (5 minutes)
To end the lesson, circle up again and have a short moment of gratitude
and assessment.
1. Thank the students and tell them we are grateful for them all
being here today in the garden
2. Ask students to think about what they are grateful for and what
they learned
3. Go around the circle and each person will share one thing that
they are grateful for and one thing they learned today about
plants
4. As students are talking, one facilitator will record what they share
they have learned about plants during our lesson
If the group size is large, it is more effective to split the students into
smaller groups while working on the group mural. Be sure to adapt the
amount of materials as well.
It may be more effective to work with markers, crayons, or colored
pencils if painting may become too messy.
If students are disengaged with the group mural, it is always a good
option to have subject-relevant coloring pages or other materials for
them to color on.
For younger students, finger painting may be more effective and
enjoyable.
Relevant snacks may be included during the story portion, such as
popcorn or sunflower seeds. It is recommended to pass out the snack
before the story to reduce distraction.
Be sure to refer to the students as “artists,” “planters,” “gardeners,”
etc. instead of “boys and girls” or “guys.”
Template: https://www.schoolgardenproject.org/
1. Cornell Garden Based Learning. (n.d.). Retrieved February 1, 2018, from
Cornell University: College of Agriculture and Life Sciences website:
http://gardening.cals.cornell.edu/lessons/curricula/the-three-sisters-exp
loring-an-iroquois-garden/a-legend/
2. The Three Sisters: Corn, Beans, and Squash . (n.d.). Retrieved February 1,
2018, from The Old Farmer's Almanac website:
https://www.almanac.com/content/three-sisters-corn-bean-and-squash
3. History. (n.d.). Retrieved February 1, 2018, from National Sunflower
Association website: https://www.sunflowernsa.com/all-about/history/
4. Kalapuya Talking Stones . (n.d.). Retrieved from Nearby Nature website:
http://www.nearbynature.org/about-us/alton-baker-park/talking-stones
Once upon a time, very long ago, there were three sisters who lived together
in a field.
These sisters were quite different from one another in their size and also in
their way of dressing.
One of the three was the youngest sister, so young that she could only crawl at
first and needed to climb on her oldest sister for support, and she was
dressed in green.
The middle sister of the three wore a frock of bright orange, and she had a
way of staying low to the ground and protecting her sisters from nuisances.
The third was the eldest sister, standing always very straight and tall above
the other sisters and trying to support and guard them. She had a bright
yellow face that was always pointed toward the sun.
There was one way in which the three sisters were alike. They loved one
another very dearly, and they were never separated. They were sure that they
would not be able to live apart and be so strong. The three sisters were
companions, and needed each other’s support and protection to grow strong
and healthy.
After awhile a stranger came to the field of the three sisters, a little boy.
(Ask the audience to look around like scouts, surveying the field)
He was as straight as an arrow and as fearless as the eagle that circled the sky
above his head. He knew the way of talking to the birds (Ask ⅓ of the audience
to call out like birds) and the small critters of the earth, the squirrels (Ask ⅓ of
the audience to munch like squirrels), and the young foxes (Ask the remaining
⅓ to creep like foxes).
And the three sisters, the youngest sister the one who was just able to crawl,
the middle sister, the one in the orange frock, and the eldest sister, the one
standing tall, were very much interested in the little boy.
They watched him fit his arrow in his bow, saw him carve a bowl with his stone
knife, and wondered where he went at night.
Late in the summer of the first coming of the boy to their field, one of the three
sisters disappeared. This was the youngest sister in green, the sister who
could only crawl and climb. She was scarcely able to stand alone in the field
unless she had a stick to which she clung.
Her sisters mourned for her until the fall, but she did not return.
Once more the boy came to the field of the three sisters. He came to gather
reeds at the edge of a stream nearby to make arrow shafts. The two sisters
who were left in the field watched him and gazed with wonder at the prints of
his moccasins in the earth that marked his trail.
(Ask the audience to open their eyes wide and look around)
That night the middle sister, the one who was dressed in orange and who
always wanted to protect her sisters, left the field. She left no trace of her
going, but it may have been that she set her feet in the moccasin tracks of the
little boy.
Now there was only one of the sisters, the eldest sister left. Tall and straight
she stood in the field not once bowing her head with sorrow, but it seemed to
her that she could not live there alone.
The days grew shorter and the nights were colder.
(Ask the audience to shiver)
Her yellow face began to wilt with time and loneliness, pointing towards the
ground and further from the sun.
Day and night she sighed for her sisters to return to her, but they did not hear
her.
(Ask the audience to sigh dramatically and call out “sisters! sisters!”)
Her voice when she tried to call to them was low and plaintive like the wind.
(Ask the audience if they can make soft wind noises)
But one day when it was the season of the harvest, the little boy heard the
crying of the third sister who had been left to mourn there in the field.
(Ask the audience to call out “sisters! sisters!”)
He felt sorry for her, and he took her in his arms and carried her to the lodge
of his family.
Oh what a surprise awaited here there! Her two lost sisters were there in the
lodge of the little boy, safe and very glad to see her.
(Ask the audience to cheer and say “yay! woohoo!”)
The youngest sister and the middle sister had been curious about the boy, and
they had gone home with him to see how and where he lived.
They had liked his warm cave so much that they had decided to stay with him
now that winter was coming. They were doing all they could to be useful.
The little sister in green, now quite grown up, was helping to keep the dinner
pot full.
The middle sister in orange sat on the shelf, for she planned to fill the dinner
pot later.
The eldest sister joined them, ready to give her seeds for the dinner. And the
three were never separated again.
Every child of today knows these sisters and needs them just as much as the
little boy did.
For the little sister in green is the bean.
Her middle sister in orange is the squash,
and the eldest sister with the bright yellow face is the sunflower.