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lucis gloriae
(Night Voyage)
for piano solo
(with optional
electronics)
Peter Bannister
2016
ad honorem Valentin
Silvestrov
Spiritus divinae lucis gloriae
The immediate stimulus for the choral cycle Spiritus divinae lucis gloriae ('Spirit of the divine
light of glory') was a conversation with Vale of Glamorgan Festival director John Metcalf at
my home in Paris in 2011 when we listened to some wonderful settings of old Eastern
Orthodox liturgical texts by the Ukrainian composer Valentin Silvestrov (1937 - ) and to whom
Spiritus divinae is dedicated. I was very struck by Silvestrov's post-modern treatment of the
ancient Byzantine-Slavic liturgy of St John Chrysostom, and wondered if something similar
might be possible with regard to old Western European sources, following along the path
already hinted at by Gavin Bryars in using 'Caedmon's Hymn' in his 1998 Cadman Requiem
and by Arvo Pärt's 2007 setting of the prayer known as 'St Patrick's Breastplate' entitled The
Deer's Cry.
My own fascination with Celtic Christianity since an early age (most of my childhood
holidays having been spent on the Welsh coast) led me to the 'Bangor Antiphonary', a Latin
manuscript from the late 7th century written in Bangor Abbey in present-day Northern
Ireland. The antiphonary is now in the Ambrosian Library in Milan, having been brought from
Ireland to Italy some time after 800 A.D. in order to protect it from destruction at the hands
of the Vikings in their many raids on the monasteries of Northern Europe. The Bangor
Antiphonary is one of the most important documents of the liturgical life of the Celtic Church
in its early centuries, and its hymns show many points of contact with the Eastern Christian
texts set by Silvestrov, not least in the cosmic scope of their poetic imagery and powerful
symbolism of light and darkness. Spiritus divinae lucis gloriae is not a liturgical
reconstruction, but an evocation of an imaginary night vigil in a contemporary musical idiom
structured around the antiphonary's prayers used during the nocturnal monastic offices at
Bangor Abbey. First performed at the 2012 Vale of Glamorgan Festival Ars Nova Copenhagen
directed by Søren Kinch Hansen. In 2016, subtitled Night Voyage, it was transcribed for solo
piano (somewhat in the spirit of Liszt's Harmonies Poétiques et Religieuses) with optional
electronic sound environment.
Peter Bannister
SPIRITUS DIVINAE SPIRIT OF THE DIVINE
LUCIS GLORIAE LIGHT OF GLORY
AD VESPERTINAM AT VESPERS
Vespertino sub tempore At evening time
Te invocamus Domine We call on You, O Lord.
Nostris precibus annue Grant our prayer,
Nostris peccatis ignosce Forgive our sins,
Qui regnas in saecula You who reign forever.
AD MATUTINAM AT MATINS
Deus, qui pulsis tenebris O God, You who drive out the darkness
Diei lucem tribuis, By the light of day,
Adventum veri luminis Pour out on your servants
Tuis effunde famulis The true arriving light,
Qui regnas in saecula You who reign forever.
2 9 2 3
4 8 4 4
Meno mosso
ca ta ig no sce qui reg nas in sae cu la
10 * 3
3 4 3 2
4 4 8 4
mp 3
*
3 4 3 2
4 4 8 4
2
Sancti venite
q = 56 Flessibile
p leggiero 3
5 3 5 4
4 4 4 4
pp
5 3 5 4
4 4 4 4
con pedale
5 3
3 3
4 5 5
4 4 4
p dolce
4 5 5
4 4 4
legato
11 3
3 3 4
4 8 4
mf
3 3
3 3 4
4 8 4
3