The art song developed in 19th century Germany as a composition for solo voice and piano that set to music poems focusing on themes of love, nature, and the supernatural. Popular German poets at the time wrote verses suited to this new musical form. Composers like Schubert, Schumann, and Brahms explored interpreting the poetic imagery through the piano accompaniment and solo singer, creating short, lyrical pieces of high artistic quality.
Original Description:
ART SONG
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The art song developed in 19th century Germany as a composition for solo voice and piano that set to music poems focusing on themes of love, nature, and the supernatural. Popular German poets at the time wrote verses suited to this new musical form. Composers like Schubert, Schumann, and Brahms explored interpreting the poetic imagery through the piano accompaniment and solo singer, creating short, lyrical pieces of high artistic quality.
The art song developed in 19th century Germany as a composition for solo voice and piano that set to music poems focusing on themes of love, nature, and the supernatural. Popular German poets at the time wrote verses suited to this new musical form. Composers like Schubert, Schumann, and Brahms explored interpreting the poetic imagery through the piano accompaniment and solo singer, creating short, lyrical pieces of high artistic quality.
An art song is the musical representation of a poem.
It developed in 19th century Germany,
where it was called 'lied', or song. A group of songs was known as 'lieder'. Some composers wrote series of theme-based songs, referred to as 'liederkreis'. The art song has been the most important vocal form in the Romantic Period rather than the oratorios and choral music. It refers to a composition for a solo voice and piano. The accompaniment and the text or voice parts play an integral part in the composition. The emergence of this vocal form paved the way for composers to interpret a poem’s mood, atmosphere and imagery to music. Two things happened that paved the way for the creation of the art song. First, popular German poets, such as von Goethe and Heine, wrote verses about love, the beauty of nature, and even supernatural events. During the same time, the manufacturing of pianos with an iron harp made for more expressive instruments. As a result, composers discovered they could transform the poetic images into songs and use the piano to enhance and intensify their meaning. In general, the songs were short pieces, and while many were suitable for amateurs to learn and sing in at home, most were intended for trained artists to perform in the concert hall.
Characteristics:
Short piece for solo voice
Verses are well-written Through-composed (each stanza of the poem is sung to different music) or strophic (all stanzas of the poem are sung to the same music) High artistic and literary quality Ends with postlude (concluding section played by the piano)
Composers:
Franz Schubert (1797-1828) – composed about 650 lieder
- turned to an old ballad, or narrative poem or song for Elf King (1815) - Gretchen at the Spinning Wheel (1814) Robert Schumann (1810-1856) – composed about 160 lieder - A Poet’s Love (1840) Johannes Brahms (1833-1897) – composed over 260 lieder - Better known for his symphonies - his best-known art song - Cradle Song (1868)