Motion Picture Reviews (1935)

MOTION PICTURE
REVIEWS
WOMEN'S UNIVOOTt: CLUB
los nncacs. calif.
Vcl. VII 193 ?

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MOTION
PICTURE
REVIEWS
THE WOMEN'S UNIVERSITY CLUB

LOS ANGELES, CALIFORNIA
JANUARY 1935
For practical use we suggest filing bulletins where they may
be easily accessible for reference. Films are not released simul-
taneously over the country. You will need these reviews for
constant reference.
Feature Films Reviewed this Issue Films Suitable for Family*

The Adventure Girl Entertainment
Bachelor of Arts The Adventure Girl — Entertaining
The Band Plays On Bachelor of Arts — Fair
Behold My Wife Band Plays On —
Good
Biography of a Bachelor Girl Bright Eyes —
Very good
Bright Eyes Broadway Bill —
Very good
Broadway Bill —
County Chairman Very good
The Church Mouse David —
Copperfield Excellent
County Chairman Father Brown, — Detective Fair
The Curtain Falls Grand Old —Good
Girl
David Copperfield Helldorado—Good
Father Brown, Detective Last Gentleman— Excellent
Gentlemen are Born —
Little Minister Excellent
Grand Old Girl Lottery Lover—Amusing
Helldorado Music in —Good
the Air
Home on the Range One Hour —Late Fair
1am a Thief Sweet —Good
Adeline
The Last Gentleman
The Little Minister
West —Good
of the Pecos
The Man Who Reclaimed His Head *A

family film means a film wholesome enough
for family entertainment, but not necessarily ap-
Men of the Night propriate for children unaccompanied by adults.
Mills of theGods
Music in the Air
One Hour Late
The Painted Veil
Power
Red Morning
The St. Louis Kid
Strange Wives
Sweet Adeline
West of the Pecos
A Wicked Woman
THE WOMEN’S UNIVERSITY CLUB

LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
943 South Hoover Street Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-FOUR WOMEN'S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 2809 WE8T WASHINGTON SLVD., LOS ANGELES

Motion Picturb Reviews Three
MOTION • PICTURE • REVIEWS

Published monthly by
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Palmer Cook, General Co-Chairman Mrs. John Vruwink, General Co-Chairman
Mrs. Chester A. Ommanney, Preview Chairman
Mrs. Charles Booth - Assistant Preview Chairmen - Mrs. Thomas B. Williamson
EDITORS
Mrs. Palmer Cook Mrs. J. Allen Davis Mrs. George Ryall
Mrs. Walter Van Dyke Mrs. John Vruwink
Addresi all communication! to The Woum'i University Club, 943 South Hoover St., Loi Angelej, Calif.
Advance Supplement is published and mailed approximately the 15th of each month.
1 Oe Per Copy - - $1.00 Per Year
Vol. VII JANUARY, 1935 No. 1
EDITORIAL
We are often asked whether or not we are really accomplishing anything, whether or not
we really consider our work worth while. With the beginning of the new year it seems
appropriate that we should look backward as well as forward and try if possible to determine
whether or not we have been on the right track and if it is wise to continue in the same line
of endeavor.
In the whole field of striving towards better pictures and the protection of youth against
the subversive influences of bad pictures, ours is only one organization doing a specialized
type of work. The past year has seen a surprising growth of activity among all kinds of
groups and a tremendous amount of publicity both intelligent and mistaken a propos of the
public indignation against improper films. We
are hopeful to note that the public has at last
become aroused to the need for action but fearful also lest, like other popular cries, the
clamor for a change will soon quiet down because people will join some hewer crusade in the
belief that they have already accomplished their purpose.
No matter what may be the quality of the new pictures there will always be the necessity
for intelligent choice among types of film entertainment especially for those whose minds are
immature and who have not yet learned by experience what to reject as false. In the past
twelve months we have reviewed 3532 feature films. Only 132 of these are by any stretch of
imagination suitable for children or adolescents under sixteen. This does not mean that we
would care to see the other 220 films denied to adult audiences. Many of the pictures are
fine, others of course properly belong in the trash barrel, but with such a comparatively small
amount of family entertainment available it seems imperative that the public should continue
to demand more of this type and that they should take care to use some reliable guide when
selecting pictures for the young people for whose character development they are responsible.
Believing in this necessity we shall continue to furnish such a guide, to work towards the
education of adults concerning the importance of discriminating selection of the films they
attend, and to cooperate with better film councils, research committees and educational groups
to further the cause of more and better family pictures.
How much we can accomplish only time will tell. In the interests of almost any cause it is
possible to rouse the public to follow a popular leader, but the task of teaching them to think
for themselves seems to require more wisdom than any human agent can offer. D. J. C.—
WHAT MOVIES FOR CHILDREN?
“An adult is a free agent but our children need protection” is a cryptic sentence to be
found in the conclusion of a report on “Certain Attitudes of Elementary Children Toward
Motion Pictures” published in the August, 1934, California Journal of Education. The article
is well worth reading. The study was carried out by a committee appointed by California
Four Motion Picture Reviews
State Superintendent Kersey, and the summary is made by Mrs. Gladys L. Potter, Assistant
Chief, Division of Elementary Education and Rural Schools. Although there was no attempt
to make the study a highly scientific one, it was done to get informally the reactions, likes and
dislikes, of children to specific movies in order to stimulate parents and teachers alike to the
tremendous importance of motion pictures in their out of school influence on children’s devel-
opment. The attitude of these California children is probably not very different from children
elsewhere, so that their opinions may at least stimulate others to question what movies they are
allowing their young children to see. One point, well brought out by the writer, is that this
study, as well as others made in other sections of the country, proves that “lack of other types
of entertainment in the home is evidenced by the attendance and interest of children in motion
pictures.”
Such a report could be invaluable as a suggestion also to producers who now claim that
they wish to cater to the tastes of children in family films. As a rule they seem to be woefully
ignorant of child psychology and apparently think that it exists only in the minds of professors,
and has no relation to a child’s development outside the covers of a text book. The outward
appearance of children pouring out of a junior matinee, for example, offers little significance
to a casual onlooker or to a theatre manager who probably only hopes that the noise and
hilarity have been concentrated for the week at that one performance. Mothers and teachers
do, or should, understand the deeper meaning of the behavior problems presented. In my
opinion one of the most important reactions learned from the fifth grade pupils, specifically
from the boys, was that they like “adventure and excitement” best but that there is a tendency
to dislike pictures that are terrorizing. In their own words they object to “spooky” suggestions
as much as they do to “too much love.”
In last month’s bulletin are two reviews of films which are generally heralded because of
their suitability for children. “Babes in Toyland” was a frank gesture to attract children and
the other, “Sequoia,” should have had the appeal for these young audiences which it un-
doubtedly will have for older ones. Both films in my opinion, have dangerously terrorizing
suggestions.
Fantasy and fairy tales should take one into a lovely world of unreality where everyday
human problems fade away and where a child is safe from anything which even resembles
his acquaintance with the world as he sees it. If the producers of “Babes in Toyland” had
appreciated this they would never have had drocodiles snapping at lovely little Bo-Peep or
have had the boogy men so closely resemble grinning apes with their horrid, hairy arms and
tusk-like teeth viciously implying physical danger. These creatures chase the loved characters
through underground caverns, they crash the gates of Toyland, carry away screaming children
who live in the Shoe and create fear and havoc everywhere. It would have taken more
imagination and skill to create boogy men who were too fantastic to be real, who caused
laughter by their absurdities and who made the figures of toyland shake in terror but at
whom children could laugh a little as too outrageous to frighten anyone but Mickey Mouse,
the Three Little Pigs and Mother Goose characters. It can be done. Walt Disney can do it
now, but apparently no one else.
“Sequoia” has some of the loveliest scenes of wild animal life ever screened. The idea of
friendship between natural enemies is intriguing, and children would profit by the experience
of seeing these graceful, beautiful animals apparently so unconscious that their actions are
being photographed for other’s pleasure. But to satisfy the producer’s idea of “drama and
conflict,” human villainy is exaggerated, danger to these loved animals becomes almost un-
— —
bearable and the climax a fight between a man and a puma is prolonged until it is too
emotional an experience for any younger child, the very audience for whom so much of the
picture is ideal.
Producers are releasing more pictures which are definitely made for family trade and
which can be recommended for their moral qualities and frequently for their artistic and
intellectual attributes as well. Better films committees are increasingly alert to list these
pictures for the audiences which wish to patronize them. But where are the pictures to which
we may safely take children? Certainly “Babes in Toyland” was an attempt to reach them.
Producers say that pictures made for children fail. Why not, when the very basis of their
likes and dislikes is ignored? When adventure in pictures must mean bloodshed and death
to animals or men; when fairy tales must hold menace in the form of human terror; and
when love appears only as passion, and luxury and social gffaces connote the ideal of success
in life. There is little magic in pictures for children except in these out of the Disney Studio,
and younger children are denied them because they are lost to them on the double bills in
adult theatres.
The article published in the California Journal of Elementary Education goes on to
state that the question was asked the children, “What have you learned from the movies?”
The answer repeated most frequently was, “What I would like to be.” How many heros or
Motion Pictum Reviews Five
heroines of movies which you h»ve seen would you select as your child’s ideal ? Do you think
“the happy day-dreams children enjoy as they imagine themselves in the hero roles are con-
ducive to normal adjustments to life as it is?” L. O. V. —
<*,
FEATURE FILMS
THE ADVENTURE GIRL » » man who is saved from the error of his ways,
From “The Cradle of the Deep” by Joan hardened and strengthened by a worth while
Lowell. Direction by Herman Raymaker. college girl. Buildings and grounds of Po-
Van Buren Production. mona College lend a delightful atmosphere.
Adolescents, 12 to 16 Children, 8 to 12
The supposedly authentic but seemingly
Fair Little interest
improbable adventures of the crew of the
“Black Hawk” on a voyage Guatemala,
to sr
are pictured in this travelogue. Joan Lowell, BEHOLD MY WIFE » »
who wrote the book from which the travel- Sylvia Sydney, Gene Raymond, Sara Crewe.
ogue was made, accompanies the picture with Direction by Mitchell Laisen. Paramount.
an informal discourse, explaining the hard-
ships and thrilling adventures encountered on In this melodramatic tale, a young waster
the voyage. A battle between a snake and from New York marries a full-b'ooded In-
a mongoose, a terrific storm at sea, hostile dian girl in order to revenge himself upon
natives and the search for a fabulous emerald his parents, and when she miraculously
are some of the exciting ingredients. Whether proves a social success, it all winds up in a
truth or fiction it is an entertaining yarn. shooting affray. Artificial, exaggerated and
Adolescents, 12 to 16 Children, 8 to 12 sordid, the film is not suitable for adolescents
Entertaining Yes and has little to offer for a mature mind.
sr Adolescents, 12 to 16 Children, 8 to 12
Very poor No
BIOGRAPHY OF A BACHELOR GIRL * »
vr
Ann Harding, Robert Montgomery, Edward
E. Horton, Edward Arnold, Una Merkel. BROADWAY BILL * *
Based on a play by S. N. Behrman. Direc- Warner Baxter, Myrna Loy, Walter Con-
tion by Edward H. Griffith. M-G-M. nolly, Helen Vinson. Based on a story by
Mark Hellinger. Direction by Frank Capra.
Much ado about whether or not to publish
Columbia.
the diary of a girl artist who has startled the
world with her reputed love affairs. Ann Although this whole film concerns simple,
Harding, always lovely, is her charming self, ordinary affairs, there is not a commonplace
though somewhat miscast as a lady with a scene or incident in it, perhaps because the
sensational reputation. Robert Montgomery, director has a close touch on the pulse of
of the winning smile, plays the part of a mis- life. The subject is timely, as horse racing
anthropic young man, and Edward Everett has been steadily gaining in popularity, and
Horton is rather less funny than usual. The the real hero of the film is the horse, “Broad-
picture suffers from an unnecessary amount way Bill.” There is strong pathos, also a
of dialogue and lack of action but may have good deal of fun, and the rather large cast
been better as a play. It is superficially enter- is uniformly good, but it is the feeling of
taining, pleasant, but a disappointing medium reality conveyed by the director which makes
for a talented cast. the production unusual.
Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12
Uninteresting No interest Good Too mature
w
BACHELOR OF ARTS » » BRIGHT EYES * »
Tom Brown, Anita Louise, Henry B. Wal- Shirley Temple, James Dunn, Lois Wilson,
thall, Mae Marsh, Arline Judge Direction Judith Allen. Direction by David Butler.
by Louis King. From the novel by John M-G-M.
Erskine. Fox.
Little Shirley Temple is an enchanting
The picture deserves credit for omission its child and an amazingly good actress whose
of the time-worn athletic encounters and presence in any picture guarantees its success.
chorus girl co-eds, even though it falls some- Her already enthusiastic public will be grati-
what short of a realistic conception of college time she appears in a film with-
fied that this
life. It is a light romance of a gilded Fresh- out crooks and with an entirely wholesome
Six Motion Picture Reviews
story. The plot, although somewhat over- passing years, and the opening scenes are
drawn, adheres to a pattern which has long clever and entertaining. But on the whole it
been popular in children’s books and which is only a fair program film, slow and un-
contains enough humor and sentiment to hold original in its unfolding.

the interest of adults. The Shirley of the pic- Adolescents, 12 to 16 Children, 8 to 12
ture lives in the household of some impossibly slothing to recommend No interest
hard-hearted, vulgar rich. Their enfant -w
terrible is an amusing contrast to the angelic
Shirley, and their crochety rich old uncle is
THE CURTAIN FALLS » *
Henrietta Crosman, Dorothy Lee, Holmes
the fairy godfather of the happy ending. De-
Herbert, Natalie Moorhead, John Darrow.
lightful sequences of the film show Shirley
Karl Brown, author. Direction by Charles
as the pet of the Glendale airport where she
Lamont. Chesterfield.
goes daily to see her father’s aviator pal. The
tragedy which makes Shirley an orphan may A passee actress, sorely pressed for funds,
be too realistically presented for emotional masquerades as a noblewoman and straightens
children but we believe that for others the out the domestic troubles of the family she
winsome gaiety of the little heroine will ob- visits. While her methods are not always
scure the sadder incidents and leave a happy ethical, there is an air of humaness about the
impression. role Miss Crosman so admirably plays which
Adolescents, 12 to 16 Children, 8 to 12 disarms criticism. The theme is not hack-
Excellent Excellent except perhaps neyed, and the picture is entertaining in a
too sad for emotional quiet way.
children Adolescents, 12 to 16 Children, 8 to 12
Mature Not suitable or interesting
THE BAND PLAYS ON » » w

Robert Young, Stuart Erwin, Ted Healy, Leo COUNTY CHAIRMAN » >
Carrillo, Betty Furness. From the story
Will Rogers, Evelyn Venable, Louise Dres-
"Backfield” by Cyron Morgan and J. Robert
ser, Barton Churchill, Stepin Fetchit. From
Brem. Direction by Russell Mack. M-C-M.
the play by George Ade adapted by Sam
This is a good, ethically sound football
Hillman and Gladys Lehman. Direction by
story which follows the careers of four boys
from the day they are paroled by a wise and John Blystone. Fox.
sympathetic juvenile court judge, through Here is jolly, wholesome entertainment
high school and college, when they are under which we like to think typical of Will Rogers.
the guidance of a splendid sportsman who is It tells the story of county politics of thirty
their coach and friend. The plot, if some- years ago, ridiculing the methods of that day
what involved at times and a little tiresome and giving Mr. Rogers a role in which he
(for adults), bases its sequence of events upon gets the most out of the amusing lines of the
the emotions of the characters in a way that play and adds a few of his own bits of humor.
seems logical and plausible. This is an agree- An exciting pursuit provides an hilarious
able change from the many stories which de- climax to a film which should have great
pend entirely upon chance. The boys are well appeal to family audiences.
cast, and the authentic football scenes which Adolescents, 12 to 16 Children, 8 to 12
are fitted into the action should give the pic- Good Yes
ture special interest to followers of the sport.
yr
Good Good DAVID COPPERFIELD » »
v Freddy Bartholomew, Frank Lawton, W. C.
THE CHURCH MOUSE » * Fields, Roland Young, Maureen Sullivan, Ed-
Laura LaPlante, Ian Hunter, Edward Chap- na May Oliver, Madge Evans, Lionel Barry-
man. Direction by Monty Banks. Warner
more, Lewis Stone. From the novel by
Bros. (British studio.)
Charles Dickens, adapted by Hugh Walpole.
Laura LaPlante, as a plump, serious
Direction by Ceorge Cukor. M-C-M.
minded, unadorned little typist out of work,
introduces herself, by an amusing ruse, into If Charles Dickens himself had supervised
the employ of a bank president, a man who is every rehearsal, it is doubtful if the book
a human dynamo at business and equally in- could have come to life more authentically
tensive in his play time. She becomes indis- than it does in the film version of “David
pensible to him as secretary and learns how to Copperfield.” Perhaps all the people in the
attract his attention otherwise as well. There cast are lovers of Dickens; surely it would
are interesting directoral touches to show the seem so. Little Freddy Bartholomew is
development of business efficiency during the quaintly English; he carries one with him so
w
Motion Picture Reviews Seven
completely that one sees the world through his lies in incidental contacts which are part of
eyes one suffers with him as he fights gal-
;
the teacher’s daily problems and in her char-
lantly against hardships almost too great for acter and delicious sense of humor. It is
a small boy to bear, and one meets all the family fare of the Will Rogers type.
strange and interesting people of his life. Adolescents, 12 to 16 Children, 8 to 12
Frank Lawton takes up the part with equal Yes Probably too mature
sincerity to portray the David grown to man- to interest many
hood. There are dear old Peggoty, grand,
'
lovable Mr. Peggoty, Micawber himself — GENTLEMEN ARE BORN » »

surely W. C. Fields has never done so fine a Jean Muir, Franchot Tone, Margaret Lind-
characterization before. There is Uriah Heep say, Ann Dvorak. Based on the story “Just
portrayed to the essence of his villainous, Out of College” by Robert Lee Johnson.
First National.
humble soul by Roland Young; there is eccen-
tric Miss Trotwood, and all the others. And Here is a clever, vital story of contempor-
ary life. Depicting the tragedies and disap-
it isthe England of Dickens’ time. If it seems
pointments of four college graduates for the
a little long one must remember that it is a
first time confronted with the real problems
long book, and there is not a person or a
of life, it is rather sombre in tone, but it also
scene one would wish to have deleted. Those
offers a hopeful and satisfying picture of the
to whomthe story is new will find a score of
loyalty and courageous perseverance of these
new acquaintances, and those who loved the
book will be delighted to spend an evening young men against disheartening odds. It is
sincerely presented and has refreshingly little
once again with old friends.
of the sophistication usually deemed inevit-
able wherever modern young people are
Excellent Good, but rather heart-
rending at times
shown on the screen.
•w Adolescents, 12 to 16 Children, 8 to 12
Mature No interest
FATHER BROWN, DETECTIVE * » •v
Walter Connolly, Paul Lukas, Gertrude HELLDORADO » »
Michael. Original story by Gilbert K. Ches- Richard Arlen, Madge Evans, Ralph Bellamy,
terton. Direction by Edward Sedgwick. Henry B. Walthall, Stepin Fetchit. From
Paramount. the story by Frank Mitchell Dazey. Direc-
Aside from the fact that it introduces a new tion by James Cruze. Fox.
kind of detective to the screen, this is an un- Alight and amusing tale of a motly group
important picture. “Father Brown,” a char- of tourists driving to Los Angeles, who be-
acter created by Gilbert K. Chesterton in his come stranded after a cloud burst in an old
short stories and ably acted in this film by gold mining ghost town. Due to unusual and
Walter Connolly, is a genial, astute priest exciting circumstances they find the even tenor
who exerts his influence to reform a thief of their way considerably altered after the ex-
whom he catches. Because there is not enough perience. The storm scene is especially well
interest in the plot for a good detective story done and the ending entirely in accord with
the whole responsibility for making the pic- accepted melodrama.
ture entertaining descends upon Walter Adolescents, 12 to 16 Children, 8 to 12
Connolly. He succeeds fairly well but one
wishes he had had a better vehicle.
Good
•w
Yes — over 10
Fair No interest
HOME ON THE RANGE * »
w Randolph Scott, Jackie Coogan, Evelyn
Brent. From a novel by Zane Grey. Di-
GRAND OLD CIRL » »
rection by Arthur Jacobson. Paramount.
May Robson, Alan Hale. Story by Wanda
Tuchock; adapted by Milton Krims and John Here is a regulation western but even the
Twist. Direction by John Robertson. R-K-O.
wide open spaces are not enough to redeem
the plot. There are too many racketeers, too
This sentimental social drama revolves so
many murders and unsavory ethics to attract
completely around May Robson’s characteri-
any but quite uncritical audiences.
zation that it is her picture throughout, and
she again portrays her role with great ability.
Not recommended No
Because of her it is interesting. It is a story
of pathos and disappointment in which an
v
aging school teacher fights to protect her I AM A THIEF » »
pupils from unwholesome after-school activi- Mary Astor, Ricardo Cortez, Dudley Digges.
ties. She fails to get the support of her com- Direction by Robert Florey. Warner Bros.
munity and school board, and yet in a meas- In this “Philo Vance” story an insurance
ure, is rewarded for her inspiring vision of company seeks to discover the identities of a
courageous service. The charm of the story ring of gem thieves who are operating in
Eight Motion Picture Reviews
and out of Paris. Some famous diamond* LOTTERY LOVER » »

disappear, there are several murders and a Lew Ayres, Pat Patterson, Peggy Fears,
near train wreck, and the detective falls in Reginald Denny, Sterling Holloway. Direc-
love with one of the thieves. Until almost
tion by William Thiele. Fox.
the end the guilty appear innocent and many
of the innocent appear guilty which is desir- Twenty cadets from an American battle-
able in a mystery story, but the plot is some- ship devise a lottery whereby the winning
times almost too confusing. The suspense is youth is entitled to twenty thousand francs
excellently maintained and enough thrills are to be spent in entertaining the reigning fav-
provided to make exciting entertainment. orite of the Parisian stage. When the shyest
Adolescents, 12 to 16 Children, 8 to 12 one of the crowd draws the luckv ticket, the
No No others proceed to coach him in his part. Good
sr photography heightens the Continental atmos-
phere of this musical comedy and the theme
THE LAST GENTLEMAN » »
song is catchy, while the spontaneous partici-
Ceorge Arliss, Edna Mae Oliver, Charlotte pation of all members of the cast make it a
Henry, janet Beecher, Ralph Morgan, Frank carefree picture which somehow avoids the
Albertson. From the story bv Katharine vulgarities that might easily characterize
such a plot.
Clugston. Direction by Sidney Lanfield.
Twentieth Century. Light entertainment Little interest
Compared with Mr. Arliss’ more significant w
gentleman” is a little
roles the eccentric “last
disappointing. We like best to watch him MEN OF THE NICHT » »
directing the destinies of countries, saving Bruce Cabot, Judith Allen. Story and di-
great corporations from ruin. In this picture rection by Lamberth Hillyer. Columbia.
he confines his energies to pitting one relative
"Dare Devil Kelly’’ is thought to be just a
against another in a whimsical plot to deter-
dumb but lucky cop, but his lieutenant’s
mine to whom to leave his fortune. Mr.
papers give him a chance to prove his real
Arliss, however, endows the character of lov-
worth. With the help of a waitress, and after
able erratic Cabot Barr with remarkable life
numerous encounters with robbers, he and
and genuiness, and though the story has no
his assistant catch their gang. It is exciting
great weight the picture is delightfully di-
and adventurous but is just another crook
verting family entertainment.
film for those who like ’em.
Excellent Good but mature
No No
v w
THE LITTLE MINISTER » »
Katherine Hepburn, john Beal, Beryl Mer- THE MAN WHO RECLAIMED HIS HEAD »
Claude Rains, Joan Bennett, Lionel Atwill.
cer, Alan Hale, Donald Crisp. From the
From the play by Jean Bart. Direction by
novel by Sir James M. Barrie. Adapted by
Edward Ludwig. Universal.
Sarah Y. Mason, Victor Heerman and Jane
Murfin. Direction by Richard Wallace. Following on the heels of the senatorial in-
vestigations of the war-time profits of muni-
R-K-O.
tions manufactures, and the articles which
Lovers of Barrie need not hesitate to see have appeared recently in various magazines
this picture for fear of vandalism to the accusing munitions manufacturers of prom-
original. It has evidently been adapted by ulgating wars, this picture which deals with
Barrie-lovers and nothing of its whimsicality the same problem, should attract the thought-
and quaintness has been destroyed. It tells, ful attention of the public. It is, however,
pictorially now, as it told in novel form, the much more than a propaganda picture and is
old story of a man torn between duty to God no mere assembling of sensational disclosures.
and love of woman. Divorced from the It is a tense, dramatic and desperately tragic
author’s literary style it loses some of its story, the product of superb acting and direc-
emotional sympathy and to some it may seem torship. It tells how a man who has allowed
out-moded, as well as slow in movement, but himself to be influenced into betraying his
there is a quality of humanness about it country “reclaims his head” by exacting a
which will find the hearts of the audience, and fearful punishment from the unscrupulous
a gentle humor of the kind that makes the person who has caused him to lose his integ-
whole world kin. rity and self esteem.
Excellent Little interest No; adult problems By no means
Motion Picture Reviews Nine
MUSIC IN THE AIR » » tion in which the head of the firm, played ad-
Cloria Swanson, John Boles, Douglas Mont- mirably by Conrad Nagel, takes a friendly
gomery, June Lang, Al Shean, Joseph Caw- interest in a little stenographer who imme-
thorn. Lyrics and Libretto by Oscar Ham- diately magnifies it into a “grande passion.”
merstein II; music by Jerome Kern. Direc- One scene is almost too tense those who are
;
tion by Joe May. Fox. squeamish about great heights above the
ground will do well to close their eyes during
A light hearted musical comedy, with a
the elevator sequence.
pleasant, simple story and picturesque set-
tings and costumes. It tells of a sentimental
Passable Too mature
German composer, his pretty daughter and
her village sweetheart, who journey to Mun-
ich to try to get a song published. Here they
meet a well known producer of operettas and THE PAINTED VEIL » »
his famous wife, a singer, whose tempera- Greta Herbert

Carbo, Marshall, George
ments clash (somewhat tiresomely for audi- Brent, Warner Oland, Jean Hersholt. From
ence enjoyment). The village sweetheart’s the story by Somerset Maugham. Direction
path of true love meets with temporary diffi- by Richard Boleslawski. M-G-M.
culties. There are some charming bits, and In this arrangement of Somerset Maug-
Douglas Montgomery gives a delightful im- ham’s triangle novel a young wife capitulates
personation of the schoolmaster. It is good to a handsome attache of the embassy, but
entertainment if one is not too exacting as to when her husband sternly' gives her her
plot and music. choice between a life of hardship with him or
Adolescents, 12 to 16 Children, 8 to 12 marriage with her lover she follows her hus-
Very good Cood if mature band to the interior of China to fight against
enough a deadly epidemic of cholera. In the end she
'w recognizes her husband’s nobility and finds
MILLS OF THE CODS » » the basis for a lasting love. Since the stage
is well prepared for tragedy and none occurs,
May Robson, Fay Wray. Victor Jory, James
Blakely. Story by Melville Baker and John one is inclined to question whether the wages
Kirkland, adapted by Carret Fort. Direc-
of sin are really according to Biblical pre-
tion by Roy William Neill.
cepts. It is, however, a very vital drama, full
Columbia.
of human impulses and conflicts. Garbo loses
May Robson as a widowed mill owner is her aloofness and is given full scope for her
confronted with the problem of saving her changing moods, and the background is the
mill and the jobs of 5000 employees despite Orient with its squalor and its gorgeous
the opposition of her spoiled and luxury lov- pageantry.
ing children who wish to close the mills Adolescents, 12 to 16 Children, 8 to 12
rather than risk a possible loss of income. Misleading ethics No
Tradition and the older generation triumph
•w
after mob violence has brought about the
death of one young man, and love in the guise POWER » »
of the leader of mill workers has softened Conrad Veidt, Benita Hume, Sir Cedric
the heart of the heiress. In spite of the fact Hardwicke, Gerald du Maurier. Direction
that it deals with a significant problem the by Lother Mendes. Caumont-British.
picture misses significance because of hack-
neyed situations and a confused scenario. “Power” in novel form has more of the
However, May Robson’s unfailing artistry qualities of greatness and universality than
gives the production some claim to popularity. most of the other best sellers of our day, and
Adolescents, 12 to 16
the film version is worthy of the original.
Children, 8 to 12
It is an ironic tragedy enacted in the early
Not recommended No
eighteenth century but equally pertinent to
the present time. The story is of Suss the
ONE HOUR LATE » * Jew who rose to unprecidented heights of in-
fluence in the small duchy of Wiirtemberg,
Joe Morrison, Helen Twelvetrees, Conrad
Nagel, Arline Judge. sacrificed every human tie to his insatiable
Direction by Ralph
Murphy. Paramount. craving for power and found in the end that
his sacrifice was needless, his influence
The subject of the film is a busy day in a ephemeral, insecurely tottering upon the
big engineering firm, when romance and com- whims of a jealous king, and his hope of
edy are mingled with the blue prints. The liberating his people an empty vision. Con-
production has not a great deal of depth but rad Veidt is perfect in the role of Sust, the
is nevertheless entertaining. Joe Morrison’s supporting cast is particularly fine and the
singing is introduced successfully into the photographic compositions are often compar-
theme, and there is subtle humor in the situa- able to the paintings of great masters. For
Ten Motion Picture Reviews
this superb adaptation of Lion Feuchtwan- bicycle, Edison’s first phonograph, the first
ger’s novel, British-Gaumont should be the automobile, and newspapers of Dewey’s vic-
envy of American producers tory at Manila provide an additional bit of
Adolescents, 12 to 16 Children, 8 to 12 historical interest. Along with its high grade
Too mature No of music, dancing and comedy, “Sweet Ade-
•v line” has the quality of charm which sets it
above most other pictures of its type.
RED MORNING » »
Steffi Duna, Regis Toomey, Raymond Hat- Good Satisfactory
ton. Direction by Wallace Ford. R-K-O. v
A courageous young Portuguese girl, THE ST. LOUIS KID » »
brought up at sea, miraculously overcomes James Cagney, Patricia Ellis, Allen Jenkins,
shipwreck, hostile cannibals and an evil crew Robert Barrat. Adapted from story “The
on a perilous voyage to the Polynesian islands. Perfect Week End” by Frederick Brennan.
Adventures break out like hives all over the Direction by Ray Enright. Warner Bros.
scenario. Anyone who likes naive, melo-
dramatic hokum or is satisfied to look at Here is a breezy “wisecracking” comedy
beautifully photographed tropical scenery will about two truck drivers who are always at
probably enjoy the picture. odds with the forces of law and order because
Adolescents, 12 to 16 Children, 8 to 12 of their fresh repartee and their easy habit
Perhaps interesting No of striking out with their fists. It is typical
•w of James Cagney’s vehicles, fast, farcical,
amusing and not particularly elevating.
STRANGE WIVES » » Adolescents, 12 to 16 Children, 8 to 12
Roger June Clayworth, Esther Ral-
Pryor, A matter of taste No
ston, Hugh O’Connell, Ralph Forbes. From •w
the story, “Bread Upon the Waters,” by
Edith Wharton. Direction by Richard
WEST OF THE PECOS » »
Thorpe. Universal.
Martha Sleeper, Richard Dix. From a novel
by Zane Crey, adapted by Milton Krims
Difficult to appreciate as a farce because and John Twist. Direction by Phil Rosen.
some of the parts are played “straight” and R-K-O.
impossible to accept as a comedy because it is
constructed on exaggerated circumstances,
A westernof much more interest than
this picture is a hodge-podge of dramatic

many. The story concerns a Southern Col-
onel who finds himself ruined after the Civil
elements, not confusing but not completely
satisfying. A
young husband deftly handles War. He starts West toward Texas with his
attractive daughter and two darky retainers
the problem of parasitical in-laws. His
method unique and might have created
is
who provide much of the humor. The young
Southern belle finds that roughing it in the
greater audience sympathy by bright, witty
costumes of the day is difficult so she disguises
dialogue and by situations not quite so
herself as a boy and the transformation is
patently planned.
quite convincing. It is an entertaining pic-
ture in which the cattle rustling and frontier
No No
difficulties are well shown, and the love in-
terest is pleasing.
SWEET ADELINE » »
Good Cood, unless too
Irene Dunne, Donald Woods, Hugh Herbert,
exciting
Nydia Westman. Story, music and lyrics
by Jerome Kern and Oscar Hammerstein II.
Screen play by Edwin S. Celsey. Direction A WICKED WOMAN » »
by Mervyn LeRoy. Assistant Director, Cor- Mady Christians, Jean Parker, Charles Bick-
don Hollingswood. Warner Brothers. ford, Betty Furness. From the book by
The combination of Kern-Hammerstein Ann Austin. Direction by Charles Brabin.
music, an excellent cast and skilful technical
M-C-M.
direction particularly in the dance ensembles, Mady Christians makes a vivid and out-
makes “Sweet Adeline” excellent entertain- standing figure of the poverty stricken, des-
ment. The picture is produced in the grand, perate mother whose determined struggle to
though regulation, style with several very make a better life for her children is even-
beautiful song numbers by Irene Dunne. The tually successful. The theme is powerfully
plot centers about Donald Woods, an aspir- motivated and mere incidents develop into
ing playwright, his sweetheart, two backers scenes of high dramatic value without losing
of Woods’ operetta and the producer of the their force in a welter of sentiment. As a
operetta. The introduction of the tandem character study the picture undoubtedly
Motion Picture Reviews Eleven
achieves its aim but in doing so it rides rough ancy, too consistently serious, it will have a
shod over the emotions of the audience by limited appeal for adults.
presenting an opening scene that is shockingly Adolescents, 12 to 16 Children, 8 to 12
sordid and a final scene that is offensive to Unsuited No
our mores. Because it is too lacking in buoy-
O
SHORT SUBJECTS
BOUNDING MAIN • » OLYMPIC GAMES * »
Song Hit. Fox. Thrilling picture of winter sports. Olympic

Fine old rollicking songs of the sea pre- tryouts in Bavaria. All ages.
•w
sented by sailors homeward bound. Good sea
pictures. Family. PARROTSVILLE FIRE DEPARTMENT » *
Color Cartoon. R-K-O.
BRIDE OF SOAMA » »
Fairly amusing cartoon of parrots in the
Three reels. Direction by Charles Lamont.
Family.
roles of firemen.
Century film.
Tribal rites and wedding festivities.
Adults.
SOUTH POLE OR BUST » »
•w Terrytoon Cartoon. Fox.
EDUCATING PAPA » » Arctic animals explore the South Pole in

Junior Coughlin. Fox. an aeroplane. Amusing for all ages.
'W
Dull and in poor taste. Comic strip type
of irritable father. SPORTLICHT COCKTAIL » »
Paramount.
Varied sports, skiing, underwater swim-
FILMINC THE GREAT » *
ming, a group of trout fishermen descending
Cameraman. Fox.
into the Grand Canyon. Interesting for all
News reels showing
rulers of many ages.
countries. Little interest for children.
yr SUPERSTITION OF WALKING UNDER
ISLE OF BERMUDA * » A LADDER » »
Magic Carpet Paramount.

Series. Fox.
Travelogue showing Hamilton, Bermuda Explanation of story behind the supersti-

on St. George’s fete day. Also recreations of
tion. Adults.
yr
tourists and views of gorgeous lily fields.
Interesting for all ages. WAY DOWN YONDER » »
yr Song Hit. Fox.
JACK’S SHACK » » “The Cabin Kids,” comedy in which five
Terrytoon Cartoon. Fox.

littlepiccaninnies add great fun. Good en-
tertainment for all.
Based on “The House that Jack Built,” an yr
amusing cartoon in color. Family and Junior
matinee.
WHEN MY SHIP COMES IN » »
Betty Boop Cartoon. Paramount.
MEDBURY Betty Boop illustrates amusingly how she

IN MALAYSIA » »
Travelogue. Columbia.
would spend a fortune. Family.
This well photographed travel film illus-

trates interesting and human phases of Ma- ZION CANYON OF COLOR » >
layan life and is made for laughter. The James Fitzpatrick Travelogue.
narrative is typical of Medbury humor, if you Exceptionally good pictures, excellent nar-
like puns IAdults. rative, lovely color.Family.
>
/
MOTION
PICTURE
REVIEWS

FEBUARY 1935
a

constant reference.
Feature Films Reviewed this Issue

Films Suitable for Family*
Babbitt
Baboon Entertainment
Best Man Wins Babbitt— Fair
Baboona —Good
Bordertown
Carnival
Charlie Chan in Paris Charlie Chan —
in Paris Detective
Crime Without Passion Enchanted April —Mature

Enchanted April Evergreen —Good
Evergreen
Gilded Lady —Good
Ahead —Good
Forsaking All Others
Happiness
The Gilded Lilly
Happiness Ahead Here Is My —Good

Heart
Here Is My Heart Last Wilderness —Very good
Home on the Range Lives of the Bengal Lancers — Fine
Last Wilderness
Man —
of Aran Interesting
Murder on Honeymoon—Mystery
Life Returns
a
Lives of a Bengal Lancer
Man of Aran
Night Young—Good
Is
Mighty Barnum Our —

Daily Bread Serious
Murder on a Honeymoon Wings Dark —
in the Entertaining
Mystery Woman
The Night Is Young
Winning —Amusing
Ticket
Notorious Gentleman
*A family film means a film wholesome enough
Our Daily Bread for family entertainment, but not necessarily ap-
Petersburg Nights propriate for children unaccompanied by adults.
Port of Lost Dreams

The President Vanishes
The Private Life of Don Juan
Rendezvous at Midnight
Society Doctor
Straight from the Heart
Strange Wives
Under Pressure
Wings in the Dark
The Winning Ticket

943 South Hoover Street 3> Telephone DRexel 2177
COPYRICHT NINETEEN THIRTY-FIVE WOMEN'S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 2809 WEST WASHINGTON »LVD., LOS ANGELES

Motion Picture Reviews Three

Published, monthly by

LOS ANGELES BRANCH
EDITORS
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
Advance Supplement is published and mailed approximately the ISth of each month.
10c Per Copy - - $1.00 Per Year
Vol. VII FEBRUARY, 1935 No. 2
EDITORIAL
DOUBLE BILLING: ARE YOU FOR OR AGAINST THE PRACTICE?

The Legion of Decency, aided by the force of public opinion expressed through the efforts
of women’s groups interested in better films movements, has apparently reached the industry
and there is no doubt that we are getting a higher quality of films. In other words, there are
—
more entertaining films artistic, clean morally and intellectually satisfying. For a time the
response through the box office gratified the producers but in California, at least, another
condition is causing an irritation which sooner or later is bound to react as a boomerang
which may not be understood by these same producing companies. I am speaking of the
abominable custom of double-billing which makes it impossible to enjoy single features with-
out a plethora of other material which destroys all enjoyment of the programs.
How many people really want to see two feature pictures on a single program at a
theatre? If we could only know; if the exhibitors could know, would this trade practice
continue? Who is responsible for its continuance? The chain theatre managers snarl at
the independent exhibitors; the independent exhibitors throw the blame upon the public
which is out for bargains. Neither one will give single billing a chance to prove its popularity
and the hint comes to us that the independent producers are the instigators. How can we tell?
Some time ago the Los Angeles Times printed a column written by its dramatic critic, Edwin
Schallert, in which he quoted a number of prominent producers who seemed united in oppos-
ing the practice. Samuel Goldwyn is quoted as saying, “Block-booking is one of the causes
of double-billing because it forces many exhibitors to take more picture than they want. . . .
Too many pictures are produced, and the industry should be forced to make fewer.” Irving
Thalberg says: “I have never been convinced that the public really desired to sit through
an hour and a half of mediocre entertainment, in order to enjoy the picture they came to see.”
Jack Warner is quoted as follows: “Eventually in self-protection the producers may have
to take an united stand against the double-bill if the exhibitors don’t get together. Exhibitors
in their frantic scramble for pictures for these programs are buying films hurriedly produced
by movie makers whose sole idea in making these pictures is to get them on a double bill.”
Jessie Lasky says, “The public would prefer a single good feature, plus two or three quality
short subjects, but no amount of artificial regulation can curb the practice. Give an exhibitor
outstanding pictures and he will automatically abandon the practice.” In reply to Mr. Lasky’s
statement, the films are better, but the practice continues. They are even talking of double-
billing “David Copperfield,” a two-hour feature, which certainly merits the judgment “out-
standing” if any feature does. If this is double-billed what then? —
Sometimes the interpretation of the law can bring about conditions which can scarcely be
considered of social value. For example in Philadelphia on January 31, Judge George A.
Welsh in the Federal District Court, issued an injunction against nine of the large motion
picture concerns, restraining them from enforcing a clause in contracts prohibiting exhibitors
from showing double features. He said that the clause was in “restraint of trade.’’ From
a legal viewpoint perhaps the major producing companies are unfairly trying to dictate the
conditions upon which their pictures are to be shown; are possibly trying to eliminate the
showing of independent films. But on the other hand why should a producer be forced to
have his film ruined by having it shown on a bill with an inferior product? It is a quaint
custom which prevents the maker of an artistic product from displaying it in surroundings
which show it to best advantage.
When Mr. Roosevelt was organizing the country for “recovery” and codes for the different
industries were under advisement, practically every educational and social group in the
—
country realizing the undermining social influence of the double-bill in motion picture ex-
hibition— wired either to him or to Mr. Sol Rosenblatt to introduce a clause in the code pro-
hibiting the practice. Mr. Roosevelt, seeing only more work for more people, vetoed the
suggestion. And yet these “quickies” use a degrading influence today, and the double-
bill is making it impossible for families to enjoy evenings at the movies, or children to have
any suitable programs for their special enjoyment.
There is a good deal of feeling growing up against the practice of block-booking and
blind-selling. Legislation against it is one of the present objectives of the Motion Picture
Research Council. An article in the New York Tribune by Walter Lippman, “The Morals
of the Movies,” syndicated all over the country, expressed his opinion that this method of
selling and distributing films must be stopped in order to open the door to competition by
independent and experimenting producers. He believes that when pictures are produced
under the same system which books, theatres, magazines, etc., operate and have to stand the
test of circulation, then audiences can have a freedom of choice and communities can be able
to enforce the moral standards for which they stand. All pictures will then not be forced
upon all mentalities and all ages, “puritans and libertines” alike.
The women’s groups for the most part have never gone out for legislation. I do not
think it is because, as our critics would believe, we are influenced by the industry, but perhaps
we have realized that censorship as legally exercised does not clean up a movie. The ideas,
the suggestions portrayed on the screen, are too illusive for the censor’s shears and moral
standards and spiritual values cannot be protected in this way. Also we are so close to the
exhibitors in our contacts that we believe that they can adjust their programs to community
needs if they will. The situation in Souhern California is worse than it has ever been in the
ten years of our efforts. The Parent-Teacher Association in a recent informal survey con-
tacting some two thousand local families, found that children themselves admitted fatigue
from the long hours of a double feature showing; that over 35% of the families were not
attending theatres; that 25% were attending infrequently because of the long programs and
the ill assorted material shown. Theatres are undoubtedly losing a large potential audience
by the policy, and the box office will react eventually upon the producers who control a
majority of the theatres.
Are you for or against double-billing? If, as we suspect you, too, are against it, will
you voice an articulate protest? What can be done? At the present time we can at least
register our protest— we can go to the theatre at the hour the feature is shown which we want
to see, and walk out when it is finished! We
can protest vocally and in writing to the
theatre managers, and in writing to the Department of Public Relations, Association of Mo-
tion Picture Producers and Distributors, either in New York or in Hollywood. If sufficient
objections are registered, if the box office receipts in addition tell a story of lack of interest in
double bills, we may be able to impress the industry as a whole, that in addition to clean
movies, the public also wishes the courtesy of freedom of choice.
FEATURE FILMS
BABOONA » »
believe that one can refuel at any water hole.
Martin Johnson. Fox.
But overlooking this lack of realism, we are
The Martin Johnsons would give us to be- given a very pleasing impression of the
lieve that a vacation trip by airplane over continent, with beautiful shots of mountains,
Africa is like any picnic jaunt. No hint is valleys, jungles and wild creatures from an
given of the careful preparation necessary to angle impossible otherwise. It is quite fasci-
carry such an expedition to success. We might nating and would make an exceedingly en-
Motion Picture Reviews Five
tertaining film were it shortened by judicious Ramirez, played by Paul Muni, spends most of
cutting. his adult life, but the title fails to suggest the
Adolescents, 12 to 16 Children, 8 to 12 meaning of the story portrayed. It is the soul
Excellent Excellent struggle of a Mexican half-caste who as an
idealist has sacrificed and struggled to be-
come a lawyer only to find that he is inade-
THE BEST MAN WINS » »
quately trained to combat the power which
Edmund Lowe, Jack Holt, Bela Lugosi, Flor-
money and influence seem to have in a court
ence Rice, J. Farrel MacDonald. From a of justice. In his bitterness he goes back to
story by Ben Kihn; adapted by Ethel Hill any way,
his vulgar environment to get, in
and Bruce Manning. Direction by Erie
what he now believes is the most important
Kenton. Columbia. thing in life. The story is strong and forceful
This story concerns the friendship of two and it is magnificently acted and well directed.
divers, one of whom rescues the other from Without reflecting on the law it shows the in-
death. The rescued man subsequently be- justice of its execution, and to an adult the
comes a harbor policeman and the rescuer a character developmentis logical and drama-
gambler who sells his services to an illicit ticand the denouement interesting although
diving gang. Then ensues a series of exciting somewhat weak by comparison with the rest
incidents in which the officer of the law is torn of the film.
between his duty to his job and memory of his Adolescents, 12 to 16 Children, 8 to 12
obligation. It is interesting for its diving Mature. Too sordid in No
scenes. As a picture it is not very good and some sequences
not very bad and if we were allotting stars •w
to films it would hardly rate one of any color.
CARNIVAL » »
Lee Tracy, Sally Eilers, Jimmy Durante,
No value No Florence John R. Walters.
Rice, Direction
•w
by Walter Lang. Columbia.
BABBITT » »
Although “Carnival” is handicapped by a
Guy Kibbe, Aline MacMahon. From the
plot which lacks spontaneity and by second-
novel by Sinclair Lewis. Screen play by Mary
rate ethics it is not devoid of entertainment
McCall; adapted by Tom Reed and Niven
value. It revolves about an irresistable baby
Busch. Direction by William Keighley.
who, to the indignation of social service
First National-Warner Bros.
workers, is reared by his father, the proprie-
Audiences will react to this film as many tor of a puppet show, and his two assistants
readers did to the book, for there were people in the gay environment of a street carnival.
who disliked Babbitt because he was so ob- The film maintains a human interest quality
vious an example of an average small town and has some amusing lines and situations.
bore. Yet he was important to his family and Adolescents, 12 to 16 Children, 8 to 12
possibly to his community: a real estate Questionable No
dealer, a member of the lodge, of the church, •w
the golf club and the local “Booster’s” club,
etc. He was dull socially and not astute CRIME WITHOUT PASSION » »
Claude Rains, Margo, Whitney Bourne, Stan-

enough in business to avoid becoming inno-
ley Ridges. Written, produced and directed
cently involved in a crooked deal. The pic-
by Ben Hecht and Charles MacArthur.
ture is an adequate adaptation of the novel
Paramount.
and Guy Kibbe is an adequate Babbitt, with
whom and at whom we may laugh complac- One seldom a more bitterly ironical
sees
ently. His wife is an understanding woman picture than this, or a more brilliant actor
who always believes in him; his children than Claude Rains in the part of Lee Gentry.
represent the coming generation of the 1920 In the beginning of the story he is a shrewd,
period, and they make up a typical “Main successful criminal lawyer. Unscrupulous and
Street” family whose few self-sufficient inter- wily in manufacturing evidence to exonerate
ests entertain in a quiet homey way. his guilty clients he has never lost a case.
Adolescents, 12 to 16 Children, 8 to 12 His passion for outwitting justice and his
If it interests Little interest necessity for successive violent love affairs
make up In the end, caught in a net
his life.
of circumstantial evidence and believing him-
BORDERTOWN » »
self in danger of conviction for a crime he
Paul Muni, Bette Davis, Eugene Palette,
has unintentionally committed, he loses his
Margaret Lindsay. From a story by Robert
nerve at a critical moment and makes an
Lord. Direction by Archie Mayo. Warner
irrevocable blunder. Margo, the Mexican
Bros.
dancer, is magnificent in the role of his cast
“Bordertown” is the locale where Johnny off paramour, tortured almost to insanity by
the deliberate intellectual cruelty of her lover. bands or other problems take the audience
Melodramatic in theme, the picture itself is with them, and in the amusing frictions which
not melodramatic. It is almost entirely psy- follow one laughs with and at them. There
chological depending for interest upon the is here only a faint flavor of that bitter irony
mental processes of its characters rather than which characterized this brilliant author’s
upon their deeds. It is an unpleasant but style, and much of the witty dialogue which
singularly fascinating production. sparkles upon her pages has been retained.
By no means Certainly not Yes Too elusive and
v mature
v
CHARLIE CHAN IN PARIS » »
Warner Oland, Mary Brian, Thomas Beck. FORSAKING ALL OTHERS » »
Story by Philip MacDonald, based on char- Joan Crawford, Clark Cable, Robert Mont-
acter created by Earl Derr Biggers. Direction gomery, Charles Butterworth, Billie Burke.
by Lewis Seiler. Fox. From the play by Frank M. Cavett and
Edward B. Roberts. Screen play by Joseph
While not as ingenious as some of the
L. Mankiewicz. Direction by W. S. Van
Charlie Chan tales, this is still an entertaining Dyke. M-C-M.
mystery story. Photography gives an inter-
esting impression of the Paris sewers and This picture was made for the sole purpose
adds much to the suggestion of danger and of being amusing. The director and a notable
suspense. cast seem to have worked harmoniously and
Adolescents, 12 to 16 Children, 8 to 12 successfully toward this end. If, therefor, the
Exciting but ethical Not advised vagaries of the trite and shallow plot leave
sr one a little bewildered, sparkling dialogue
EVERGREEN » > and humorous incidents included for their
Jessie Mathews, Sonnie Hale, Betty Balfour,
own sake are adequate compensation for
Barney Mackay. Taken from the stage play
many in the audience. As to the theme, the
story concerns the blind love of a girl for a
by the same name by Charles B. Cochran.
Lyrics and music by Richard Rogers and
man who has left her waiting at the church
Henry Woods. Direction by Victor Savilo.
and the deeper love of another man for her.
British-Caumont.
Often this type of light sophisticated comedy
seems forced but this picture maintains an
In this musicalpicture, beautifully cos- even tempo of humor and gayety balanced by
tumed and the lyrical qualities of a Victor
set, pathos and courage in which the characters
Herbert operetta are combined with the more maintain a whimsical, debonair attitude in
modern conception of a dance extravaganza. the face of the grave difficulties they en-
Jessie Mathews, the leading lady, has a lovely counter. Hollywood probably mirrors its own
voice as well as a magnetic personality and reputed attitude toward love and marriage
fits delightfully into her role of dancer and and easy divorce in the extreme situations
singer. A pleasantly romantic plot holds the which are created and as a comedy of man-
various sequences together and makes the ners American adult discount is required for
picture very appealing family entertainment. its acceptance.
Good Mature No No
•v •v
ENCHANTED APRIL » > THE CILDED LILY » »
Ann Harding, Frank Morgan. From the Claudette Colbert, Fred McMurray. Direc-
novel by "Elizabeth" and the dramatization tion by Wesley Ruggles. Paramount.
by Kane Campbell. Screen play by Hoffen- Seated on a bench in the park, a newspaper
stein and Harris. Direction by Harry Beau- reporter and a stenographer compare their
mont. R-K-O. dreams for the future. We
progress with
To subject to austere literary criticism this, them through the entertaining comedy that
the lightest of all of “Elizabeth’s” novels, follows and at the end we find that their
would be like trying to trap and analyze a dreams were within their grasp all the while
sunbeam. It is a brave venture on the part but they didn’t know it. The theme incor-
of the studios to attempt to catch with a cam- porates clever dialogue, witty repartee and
era the elfin charm and whimsey of such a amusing situations which, though utterly im-
story. Yet, in this instance the actors have possible, seem plausible enough. With her
caught and the camera has recorded some- vivacity and skilled acting, Miss Colbert
thing of these qualities. The four English brings charm to her role of modern Cinderella.
ladies who go off to a villa in Italy for a Adolescents, 12 to 16 Children, 8 to 12
month in order to escape their stodgy hus- Amusing Mature
Motion Picturb Reviews Seven
HERE IS MY HEART » » the United States. It is a privilege not to be

Bing Crosby, Kitty Carlisle, Roland Young. forgotten to be given a glimpse of these crea-
Direction by Frank Tuttle. Paramount. tures in their native habitat where they live
and die unharrassed by humans. The ex-
Excellent entertainment. A musical romance
pedition which the public is permitted to
with Bing Crosby acting the part of a rich follow in this film has for its purpose the cap-
American radio singer in love with an im- ture of some species for museum pieces and
poverished Russian princess. The humor is the whole picture is novel and stimulating.
delightful, the acting and direction above
It has great educational value and is delight-
other Crosby pictures, the whole production
ful entertainment as well.
most diverting in a gay, frothy, nonsensical Adolescents, 12 to 16 Children, 8 to 12
way. Excellent Excellent
Excellent Little interest
w LIFE RETURNS » »
Onslow Stevens, Lois Wilson, George Break-
HAPPINESS AHEAD » » ston. Original story by Dr. Eugene Frenke
Richard Powell, Josephine Hutchinson. Di- and James Horman. Screen play by Arthur
rection by Mervyn LeRoy. Warner Bros. Horman and John Goodrich. Direction by
Dr. Eugene Frenke. Producer Lou L. Ostrow
Bored with society and revolting against presenting Dr. Robert L. Cornish. Universal
the marriage plans of a designing mother, but
Pictures Corp.
backed by the moral support of a trusting
father, a daughter poses as a poor girl. Sin- In capitalizing upon the publicity given a
cere in her purpose, she falls in love with a recent scientific experiment, this picture may
young man and her father helps her when have interest for a portion of the public, but
explanations become necessary. Miss Hutch- fiction and science rarely combine successfully
inson, as the daughter, brings an interesting and this attempt is no exception. It could
new face to the screen. Richard Powell’s de- have had a deeper significance than pure
lightful singing and the many amusing inci- amusement. The doctor with his scientific re-
dents of a swiftly moving plot result in an search could have been the moving force
absurd but entertaining comedy. fighting for the cause to which he dedicated
Adolescents, 12 to 16 Children, 8 to 12 his life. Instead, the interest shifts, and
Amusing Fair through a bog of sentimentality the focus cen-
yr ters on the boy, his future and his dog’s life.
Dr. Cornish’s experiment at Berkeley aroused
HOME ON THE RANGE > »
general interest, but this picture will do little
Jackie Randolph Scott, Evelyn
Coogan,
to increase sympathy for such research, and
Brent, Joe Morrison. From “Code of the
medical men may be justly affronted by a
West” by Zane Crey. Direction by Arthur characterization which seems to imply that a
Jacobson. Paramount.
brilliant experimenter, handicapped by family
With more intelligent direction and more responsibility, becomes a second
excusably
plausible dialogue than is customary in rate man, a third rate father and a poor sport.
Westerns, the story treats of three crooks who The scene in the laboratory during the ex-
meet with success until they attempt to ruin periment is interesting and (to the layman at
two brothers who own a cattle ranch in the least) realistic. But the dignity of this scene
Southwest. Jackie Coogan performs as a is obliterated by subsequent shots of the boy’s
jockey in the exciting race when finally re- gang and an incredible finale which suggests
coups the family fortune, and the inn scene a martyr about to ascend the guillotine.
is embellished by a theme song rendered by Adolescents, 12 to 16 Children, 8 to 12
Joe Morrison. The vision of youth might be No; too
slightly confused by the fact that what is bad No value emotional
in a man, hard-boiled sophistication with
card-sharping and swindling in all its
branches, merely leads the feminine member
LIVES OF A BENGAL LANCER *
Gary Cooper, Franchot Tone, Sir Cuy Stand-
of the group to the arms of a handsome
ing, Richard Cromwell. Based on the book
rancher.
of the same name by Frances Yates-Brown.
Direction by Henry Hathaway. Paramount.
Waste of time No value
•w Almost every ingredient of a stirring ro-
mantic adventure tale is to be found in this
THE LAST WILDERNESS » »
exhilarating film. Esprit de corps is its gov-
Jerry Fairbanks Production.
erning theme: the devotion of the Bengal
The beautiful, rugged highlands of Wyom- Lancers to their regiment. On the frontier of
ing harbor the last range of wild animals in India by the Kyber Pass are stationed these
British soldiers whose task is to subdue the It pictures the man on a grilling two days
hostile tribes and keep the pass open. Their fight with a shark; the woman working end-
Colonel, stern, emotionally inarticulate, and lessly at primitive tasks and always watching
fervent in his devotion to duty; the Colonel’s because of the hazards of her man’s life;
son, just out of Sandhurst and insufficiently the boy learning to do his share of the constant
seasoned for the hardships of Indian service; work necessary to keep them provisioned. The
a hard shelled Scotchman and a suave Eng- sound of the pounding sea is impressive and
lishman are the central figures in the story. the musical accompaniment, based on Irish
Gorgeous photography, magnificent riding, folk songs, adds greatly to the atmosphere.
ferocious battle scenes, humor, intrigue and There is possibly too much repetition but the
sentiment are skillfully blended in a picture very motony gives one the “feel” of life on
that will make the name of Bengal Lancer Aran. Magnificent photography and an un-
the embodiment of valorous achievement and usual appreciation of life in primitive form
the criterion of heroic conduct. It is a stun- make the film well worth seeing.
ning spectacle and thrilling entertainment. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Interesting No interest
Probably too emo- w
Cood tional and violent
w MURDER ON A HONEYMOON » »
Edna May Oliver, James Gleason, Lola Lane,

MYSTERY WOMAN » » George Meeker. From a novel by Stuart
Mona Barrie, Gilbert Roland, John Halliday, Palmer, adapted by Seton Miller and Robert
Rod LaRocque. Story by Dudley Nichols and Benchley. Direction by Lloyd Corrigan.
E. E. Paramore, Jr. Adapted by Philip Mac- RKO.
Donald. Direction by Eugene Forde. Fox.
Edna May Oliver as Miss Withers, a school
In order to recover a paper necessary to teacher who has taken up detective work as
prove the innocence of her husband who has a hobby, solves the problem of a murder
been wrongly convicted of treachery, an ador- mystery. It is illogical and improbable but
ing wife becomes a suave espionage agent wildly exciting and it is so ably acted and
and trails several men from France to directed that it seems credible.
America. Love, violence, intrigue, secret Adolescents, 12 to 16 Children, 8 to 12
codes, add their quota to the story which If type is approved No; too exciting
moves swiftly but reaches no dramatic peaks. •w
Modishly dressed characters, artistic inter-
iors and polite repartee give it an air of THE MIGHTY BARNUM » *
sophistication. It is fairly entertaining, easily Wallace Beery, Adolph Menjou, Virginia

forgotten. Bruce, Janet Beecher, Rochelle Hudson.
Story by Gene Fowler and Bess Meredyth.
Not recommended No
Direction by Walter Lang. A Daryl F.
Zanuck Production. United Artists.

MAN OF ARAN » »
According to “Time” December 31, 1934,
Produced, written, directed and photo-
Gene Fowler, author of the book from which
graphed by Robert Flaherty with the col-
this picture was made, when asked if he had
laboration of John Goldman and Francis H.
tried to follow history, replied, “We tried to
Flaherty. Characters: Colman (“TTger”)
throw out of the window.” The picture
it
King, Maggie Dirrane, Michael Dillane, shark
itself is prefaced by a note disclaiming all
hunting crew, curragh men. Musical score
pretense to verity, but it might have been
by John Creenwood. British-Gaumont.
more interesting had it been an authentic
A distinguished example of pure cinema biography. As it is, it seems to lack con-
— —
which gives us the record *he saga of man’s tinuity and conviction and is merely a hap-
existence on the Isles of Aran where existence hazard collection of incidents, often in very
is a continual struggle against the elements. poor taste, in which the central figure is a
There is no story, and it gives us no homely grotesque preposterous Barnum so infantile in
details of community life, of social contacts, of his behavior that one cannot imagine his be-
schools, or day by day family routine. But it coming the most successful showman in
shows the magnificent physical beauty of the America even with the brains of Bailey to
rocky islands, bare of trees or even shrubs, help him. The film is entertaining not be-
the treacherous beauty of the pounding seas, cause of any light it sheds on the career of a
and the tremendous effort needed to wrest picturesque character, but because Wallace
food from the water and from the meager Beery and Adolph Menjou, surrounded by
soil dug from crevices, enriched by sea weed side show “freaks,” seem to be having such
and laid on the barren rocks for farm land. a good time masquerading as Barnum and
w
Bailey in the quaint setting of New York in good characterization, saves the picture from
its infancy. being merely “platform” narrative. It con-
Adolescents, 12 to 16 Children, 8 to 12 cerns the adventures of a group of unem-
Questionable because No ployed who pitch camp upon an abandoned
of vulgarity farm and make an experiment in socialistic
living. They encounter difficulties with the
mortgage, with the elements and with each
THE NICHT IS YOUNC * *
other, but emerge victorious in a dramatic
Ramon Navarro, Evelyn Laye, Charles But- climax when by their own labor they bring
terworth, Una Merkel, Edward Everett Hor- water to the parched corn fields, and save the
ton, Donald Cook, Henry Stephenson, crop and their own ideals. The story is some-
Rosalind Russell. From the story by Vicki what thin in its structure, but will be appeal-
Baum. Direction by Dudley Murphy. M-C-M. ing to those who believe that land and labor
Beginning with the light arabesques of a can solve the problems of the present eco-
nomic stress. There is littleand lessart
ballet in rehearsal, the film maintains a deli-
excitement in the picture, but redeemed
it is
cate balance between gaiety and sentiment to
the melodious accompaniment of Viennese
from boredom by its human interest and the
evident sincerity of its conception.
waltzes. The old but perenially ro-
story is
mantic: a young archduke, promised to a
maid of high station whose chief virtue lies If it interests No interest
in a zeal for knitting, is permitted six months

v
postponement for a love affair through the PETERSBURG NIGHTS » »
kindness of the old Emperor, who at the end Actors from the Moscow Art Theatre. Based
recalls him to duty to his people and his on Dostievesky’s “White Nights.” Direction
dynasty. The settings are charming for the by Gregory Roshal. Russian dialogue with
idyllic love of Paul Gustave and little Lisl, Einglish titles. Amkino.
which is never permitted to cloy because of
the lively comedy of Horton, Butterworth and
A
young musical genius tries to make his
Una Merkel.
way to fame in the Russia of the old regime.
His music is forceful but disturbing and an-
other, a mediocre fellow, wins the laurels he
Very good Mature
has created. But the people who have heard
his composition and grasped its significance,
A NOTORIOUS GENTLEMAN » » adopt it as their own and it becomes the
Charles Bickford, Helen OnslowVinson, theme song of the revolution. The picture
Stevens, Dudley Digges. Direction by Edward seems slow to American audiences but it will
Laemmle. Universal. appeal to those interested in Soviet art. The
technique of photography is, with one excep-
In this picture a criminal lawyer carries out tion, extremely modern, while the acting is
a cold blooded premeditated plan to commit
reminiscent of early silent films. But there is
a “perfect” crime by planting evidence that tremendous power evident in spite of the
will confuse the jury and cause a disagree-
exaggerated over-emphasis and artificiality
ment as to the identity of the murderer. His particularly evident in the treatment of re-
motive for the crime is his desire to get rid lations between individuals and the reactions
of his rival in a love affair. There is interest of individuals. The Russian people are the
for detective story fans in watching to see chief protagonists, a restless, surging, inar-
whether or not the murderer will be success- ticulate mass looking for a means of ex-
ful in his attempt to escape justice but the
pression. It comes at last in the medium of
picture is not outstanding. the music which has no significance until it
Adolescents, 12 to 16 Children, 8 to 12 becomes the instrument of the people and an
No; sordid and expression of mass emotion. It is propaganda,
unethical No of course, but effective.
•w
OUR DAILY BREAD » » Little interest No interest
•v
Karen Morley, Tom Keene. Direction by
King Vidor. Viking Production. THE PORT OF LOST DREAMS » »
BillBoyd, Lola Lane, George Marion. Direc-
King Vidorevidently wished to treat an
tion by Frank Strayer. Invincible Picture
economic problem seriously and without bias
Corp.
and the underlying theme of labor for con-
sumption, is conspicuously the core of this A young fishing boat skipper gives refuge
story. But there is also the old drama of to a girl stowaway whom he afterwards
man’s struggle with nature in the business of marries. The course of true love is inter-
making a living, and this, together with some rupted by the girl’s past, the police, and also
by the husband’s lack of faith. To compen- PRIVATE LIFE OF DON JUAN » »

sate for this, he commits a crime in order to Douglas Fairbanks, Merle Oberon. Authors,
follow his young wife to prison where he Frederick Lonsdale and Lajos Bero. Direc-
finds forgiveness. The picture is slightly tion by Alexander Korda. London Films.
reminiscent of “Anna Christie” in setting and
Magnificent settings and superb photog-
theme and because George Marion again
raphy are the outstanding assets of this so-
plays the role of an old sea captain whose
phisticated satire although the lines are witty
faith and sympathy help to bring reformation
also. The story of Don Juan, now an aging
to the girl. But there the similarity ends, for
Lothario, will not appeal to the same audi-
instead of holding interest through superb
ences which followed earlier films of Douglas
character building this film tells a feeble
Fairbanks. It is not sufficiently clever to
and unconvincing story which only adequate
attract much attention otherwise.
acting and realistic settings save from com-
plete mediocrity.
No No
Adolescents, 12 to 16 Children, 8 to 12 TT
No No
v RENDEZVOUS AT MIDNIGHT » *
Ralph Bellamy, Valerie Hobson, Katherine
THE PRESIDENT VANISHES * »
Doucet, Irene Ware. From the play “The
Arthur Byron, Edward Arnold, Osgood Per- Silver Fox” by Caeteno Fazio. Direction by
kins, Paul Kelly, Peggy Conklin. Direction Christy Cabanne. Universal.
by William A. Wellman. Walter Wanger
Production. Paramount.
This moderately entertaining program
is a
picture. Three women become involved in
Perhaps producer Walter Wanger had the murder of an ex-policeman through the
some theories he wanted to release in this perfidy of a modiste who has sold the same
picture but “The President Vanishes” leads “exclusive” model to each. The story never
one to believe that he was more concerned reaches a high pitch of excitement, since there
with making a stirring melodrama than with are numerous loopholes provided for the
inveighing against capitalist-made wars. safety of the main characters, notably the
Some footage is given to peace propaganda heroine, and the insincerity displayed by them
but the arguments are not carried to any real makes their welfare of no great consequence
conclusion. The plot is concerned with a to the audience.
national crisis arising from a difference of Adolescents, 12 to 16 Children, 8 to 12
opinion between the President and Congress No value No
anent the United States’ entrance into a for- yr
eign war. The mysterious army of “Grey
Shirts” led by a madman and financed by an STRANGE WIVES » »
unscrupulous, industrial magnate, is the force Roger Pryor, Clayworth, Esther Ral-
June
ston, Hugh O’Connell, Ralph Forbes. From
fomenting war, and the President is the ob-
stacle in its path. When he disappears sus- the story “Bread Upon the Waters,” by
picion points in its direction. The picture is Edith Wharton. Adaptation by Cladys
neither more nor less significant than other Unger. Direction by Richard Thorpe.
Universal.
mystery melodramas but more daring in that
it chooses to use an imaginary President of to appreciate as a farce because
Difficult
the United States as its leading character. some of the parts are played “straight,” and
Adolescents, 12 to 16 Children, 8 to 12 impossible to accept as a comedy because it
Not recommended; No; too violent is constructed on exaggerated circumstances,
Possibly misleading and too mature this picture is a hodge-podge of dramatic ele-
ments, not confusing but not completely satis-
Further analysis of “The President Van-

fying. A
young husband deftly handles the
problem of parasitical in-laws. His method is
ishes” leads us to believe that possibly the unique and might have created audience sym-
above review (firstpublished in the mid- pathy by bright, witty dialogue and by situa-
month Advance Supplement) overlooked a tions not so patently planned.
significant suggestion in the film, i. e. that
munition makers, lobbyists, bankers and news-
No No
paper interests may be the cooperating and •w
underlying forces carrying countries toward
war. This fact has been brought out in such STRAICHT FROM THE HEART » »
recent books as “Merchants of Death,” “Iron, Baby Jane, Roger Pryor, Mary Astor, Robert
Blood and Steel” and “Secret International” McWade. Direction by Kurt Neumann.
and it is interesting and important that films Universal.
are becoming conscious of a situation arous- is a long and involved picture depict-
This
ing public attention today. (Editors.) ing the efforts of dishonest politicians to dis-
0
credit an honest mayor in order to obtain bruisers from the New York side, regardless
control of a fund for unemployment relief. of life or limb. Danger and violence are
A love story develops with a girl from the paramount, and one climax follows another.
bread line and one of the crooked politicians The insidious “bends” and paralysis attack
as the leading figures, and the man is thereby them, as well as fire sweeping through the
reformed, but not until there has been some tunnel and the mighty force of an explosion.
very unethical behavior on the part of both. There are in fact too many climaxes for good
Baby Jane appears as one of the children in drama or a weak heart. The picture’s chief
a day nursery and exerts enough charm to value lies in the mechanical facts
it presents
make the picture seem better than it is. She rather than for its fictional qualities; and its
is a ray of sunshine. appeal is limited for this reason.
No; muddled ethics No Of interest to older
boys Too harrowing
SOCIETY DOCTOR » »
Chester Morris, Robert Taylor, Virginia WINGS IN THE DARK » »

Bruce, Billie Burke. Based upon the play, Myrna Loy, Cary Crant, Roscoe Karns.
"The Harbor," by Theodore Reeves. Direc- Direction by James Flood. Paramount.
tion by Ceorge B. Seitz. M-C-M. The romance between a girl pilot and a
In depicting the difficulties of an ethical blinded aviator encourages the man to perfect
young doctor trying to adhere to his principles an aeronautical device that would make it
in a fashionable hospital which is run by possible for even a blind man to fly. Although
political influence with a corrupt head doctor, apparently fantastic in conception it is pos-
this picture tells an interesting and dramatic sible to imagine that the idea may not be an
story. However, although the emphasis laid improbable development of the future and it
upon the unethical behavior of many of the is logically developed in the story, making
staff serves to heighten the effect of the for dramatic thrills. It is an entertaining
hero’s moral courage, an unfortunate and picture, well cast and directed, with definite
exaggerated impression is given of the con- appeal for family audiences.
ditions exist in hospitals. The dramatic cli-
max, a delicate operation directed by the Good Good over 1
•w
patient with the aid of mirrors, is not for
squeamish audiences. THE WINNING TICKET » »
Adolescents, 12 to 16 Children, 8 to 12 Leo Carrillo, LouiseFazenda, Ted Healy,
No; misleading No Irene Hervey. From an original story by
Robert Pirosh and Ceorge Seaton. Direction
UNDER PRESSURE » »
by Charles F. Riesner. M-G-M.
Edmund Lowe, Victor McLaglen, Florence
A light slapstick comedy concerning an
Rice, Marjorie Rambeau. Chas. Bickford. artless, good natured Italian barber, married
From the story by Borden Chase and Ed- to a rollicking Irish woman. He surrepti-
ward J. Doherty, "East River.” Direction tiously buys a ticket on the Irish sweepstakes
by Raoul Walsh. Fox.
and luck favors him only to find the ticket
misplaced. The noisy, argumentative family
Lowe and McLaglen, apostles of brawn and life becomes tiresome but on the whole it is a
red corpuscles, battle in a new medium, com- naive comedy, chief criticism of which is its
pressed air. As leaders of a gang of “sand- length.
hogs” tunneling under East River, it is their Adolescents, 12 to 16 Children, 8 to 12
primary urge to win the race against the Probably amusing No value
Twelve Motion Picture Reviews
SHORT SUBJECTS
AN ELEPHANT NEVER FORGETS * » in medical records. To find them normal,
Color Cartoon. Paramount. attractive babies appeals to public fancy and
their small life histories still make for news
Poor comedy about animals at school. Con-
today. Delightful family film.
fused and noisy.
•w
•w
AMONG THE COCOONS » »

DOG SHOW » »
Terrytoon Cartoon. Educational. Fox.
Columbia.
Dog
catcher outwitted at the dog show.
Development of the silk worm, manufac-
Amusing. Family.
and a glimpse of the famous Cash-
ture of silk
•v
mere shawls. Interesting material spoiled by
the accompanying discourse of the unquench- DUMB LUCK » »
able Mr. Medbury. Adults. Mr. and Mrs. Ace of Dumb Aces. Fox.
Kidnappers find their victim so annoyingly

BIC BUSINESS » » dumb that they finally pay to get rid of her.
Marty May. Fox.
The girl is really clever and deserves a better
role. Matter of taste for adults.
Dull comedy of efforts to revive business. yr
FIRST SNOW » »
THE BIRD MAN * »
Terrytoon Cartoon. Fox.
Cartoon. Columbia.
Children awake to find snow and have
Krazy Kat takes up flying. Mediocre en- usual winter fun. Fair cartoon.
tertainment.
•w
FEMININE RHYTHM » »
BEWARE OF BARNACLE BILL » »
Max Fleischer. Popeye Cartoon. Paramount.
A
feminine jazz band; noisy night club en-
tertainment. Poor.
The funny paper transferred to the screen.
Adults.
xr CLOOM CHASER » »
Scrappy Cartoon. Columbia.

BOOSTING DAD » »
Color cartoon of Scrappy fiddling to bring
Frolic of Youth Series. Fox.
rain and banish tears. Grotesque in parts.
Junior Coughlin, as a boy who wants to Only fair.
leave home and go to work learns that home •w
and school are best after all. Fair family GOOFY GONDOLAS » »
entertainment.
v Krazy Kat. Columbia.
Krazy Kat in Venice sings classical music.

BABY BE GOOD » »
Fair family film.
Betty Boop Cartoon. Paramount.
w
Fairy tale of the reformation of a bad little
boy. Fair family film.
CAY OLD DAYS » *
Song Hit. Fox.

•w
Old songs and costumes of the ’90’s in
BABES AT SEA » *
revue. Amusing. Family.
Color Rhapsody Cartoon. Columbia.
A curious baby visits the land of the water

GRANDFATHER’S CLOCK * »
babies. Amusing for all.
w Color Musical. M-C-M.
THE DIONNE QUINTUPLETS » » A mystery story told in song and dance.

Novel at least. Adults.
First National.
Many will find unusual interest in these

reels giving the minute details of the daily
GOOFY MOVIES NO. 9 * »
Pete Smith. M-C-M.

care of the quintuplets. Those who are bored
by the publicity they receive must remember Pete Smith is amusing with old films.
that they are an unique exhibit, unparalleled Family.
w
Motion Picture Reviews Thirteen
GENTLEMEN OF THE BAR » * MIXING IN MEXICO » »
Ernest Truex. Fox. Screen Attraction Co.
A lawyer without clients finally secures a Mutt and Jeff in the arena. Very poor
complicated divorce case which his secre- cartoon.
tary helps him win. Fairly entertaining for
adults. MOVIE MEMORIES » »
w Vitaphone.
GENEVA BY THE LAKE » »
Old time screen favorites. Interesting for
Magic Carpet. Fox. adults.
Excellent scenes of country and its people. v
Family. MR. WIDGET » *
^
)oe Cook, Jean Lacey. Fox.
CIRL FROM PARADISE » »
Very silly skit of a real estate salesman; full
Educational. Fox.
of usual “comedy” conceits. Morally harmless
Typical night club entertainment. Adults. and probably of more appeal for children
than for adults.
•v
HARLEM HARMONIES * »
Treasure Chest. Educational. Fox. MOVIE SIDE SHOW » »
Paramount.
Colored children in songs and dances.
Entertaining. Family. Like a side show, freak stunts are executed
by daring persons to thrill the audience. A
matter of taste. Adults.
HEY HEY FEVER » »
Color Cartoon. M-C-M.

PICTORIAL NO. 6 » >
Mother Goose characters end depression. Paramount.
Good. Family and children.
A Robert Bruce production with music by
Rubinoff, interpreting different pictures.
HAPPY BUTTERFLY » » Family.
Scrappy Cartoon. Columbia.
Scrappy given his wish to become a but-

is
PAREE, PAREE » >
Vitaphone.
terfly only to give up his wings happily after
a tiring experience. Amusing for all. Dorothy Stone and Bob Hope in songs and
dances. Adults.
•w
HOW AM I DOING? » »
PALOOKA FROM PADUCAH > >
Fox.
Buster Keaton. Fox.
York and King in a commonplace vaude-
ville act about domestic quarrels. Adults.
A Hill-Billy comedy showing mountaineers
taking up boxing as source of income after
repeal. Fair for adults.
KING OF THE EVERGLADES > » •w
A Crantland Rice Sportlight. Announcer PICTORIAL NO. 5 » »
Ted Husing. Paramount. Paramount.
Hunting a panther in Florida everglades. Rose culture in Balkans for perfume; in-
Interestingscenes with fine photography. teresting. A day with O. Soglow scenes at ;
Family and children. Coney Island. Family.
LE BOLERO » » RED REPUBLIC » »
Vagabond Series. Directed by Margaret

French interpretation of Ravel’s “Bolero,”
Bourke-Smith. RKO.
very poorly done.
Exceptionally interesting pictures of Dnie-
per Dam and other scenes with excellent
MAN’S BEST FRIEND » > narrative. Family.
Edwin C. Hill. Amity.
An expose of fortune telling racket fol- RAMBLING AROUND RADIO ROW » >
lowed by unrelated scenes of faithful dogs Pepperpot Series. Vitaphone.
with their histories. Interesting. Family. Radio favorites in person. Family.
Fourteen Motion Picture Reviews
RURAL ROMEOS » » WE AIM TO PLEASE » *
Harry Cribbon. Fox. Popeye Cartoon. Paramount.
Tiresome slapstick comedy about tramp Slapstick of usual kind. Family.
crooner. TT
•w
SNAPSHOT NO. 2 » » WILL ROGERS IN IRELAND » »
Amity.
Columbia.
Richard Croker’s Estate, Kilarney Lakes,
Movie stars at tennis matches and at fights.
Dublin. Beautiful pictures but not particu-
Family.
~w larly interesting. Family.
-v
SONG PLUCCER » *
Fox. WHAT A NIGHT » »
Sylvia Froos and Brook Adams in a musical Terrytoon Cartoon. Fox.

skit. Fair for adults. A wild night blows an old farmer and his
•sr
dog out of the window to many adventures.
TWO LAME DUCKS » » Somewhat scary for small folk. Fair for
Fox.
family.
•w
Two amateur hunters get into difficulties.
Dull. WHEN MEN FIGHT * *
•w Columbia.
TIT FOR TAT » *
World famous fighters show methods of
Laurel and Hardy. Direction by Charles training for the sport. Family.
Rogers. M-G-M. yr
Laurel and Hardy in a feud with a neigh-
boring shop keeper enjoy much slapstick
YOUR STARS FOR 1935 » *
“Treasure Chest” Series. Educational. Fox.
comedy. Not one of the better efforts of this
couple. Family. Wynn, the astrologer, forcasts for 1935.
w Adults.
•w
THRILL FLASHES * *
Sport Film. Columbia. YACHT CLUB BOYS’ CARDEN PARTY » »

Professional dare devils in thrilling stunts. Paramount.
Interesting of the type. Family. Not worth recommending.
•w
v
VILLAGE BLACKSMITH * »
Color Novelty. First National.
ZEALAND, HIDDEN PARADISE » »
Fitzpatrick Travelogue. M-G-M.
Very interesting interpretation of Long-
fellow’s poem. Family and children’s An apt title for these charming colored
matinees. views of the Netherlands. All audiences.
Motion Picture Reviews Fifteen
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MOTION
PICTURE
REVIEWS

MARCH 1935
For practical use wesuggest filing bulletins where they may
constant reference.
4
Films Reviewed in this Issue Films Suitable for Family
After Office Hours Entertainment
All the King’s Horses —Very
All the King’s Horses Diverting
Behind the Evidence Dog —
of Flanders Fair
The Blue Light The Duke—
Iron Fair
Captain Hurricane 40—
Life Begins at Excellent
Devil Dogs of the Air The —Good
Little Colonel
Dog of Flanders The Mystery Edwin Drood —Good
of
The End of the World Roberta—Good
The Good Fairy The —Very Good
Scarlet Pimpernel
The Great Hotel Murder Sweet Music —Good
High School Girl Unfinished Symphony— Excellent
The Iron Duke West —
Point of the Air Interesting,
Let’s Live Tonight though very emotional
Life Begins at Forty The White Cockatoo— Entertaining
The Little Colonel
Love in Bloom The Women’s University Club is not pre-

The Mysterious Mr. Wong viewing serials for the following reasons:
The Mystery of Edwin Drood This type of chapter shown principally
film is
Night Life of the Gods at children’s matinees where audience age

One More Spring ranges between the ages of two and ten years
The Right to Live as a rule. The films have little appeal for
Roberta more sophisticated groups. The Women’s
Rocky Mountain Mystery University Club does not believe that weekly
Rumba junior matinee programs are possible at the
The Scarlet Pimpernel present time because of the lack of suitable
Secret Bride available material.- It also believes that a
Shadow Doubt
of regular movie habit is unwise to encourage
Sweet Music in children under twelve. Because serials un-
Transatlantic Merry-go-round doubtedly are a lure stimulating weekly
Transient Lady attendance, we therefore hesitate to report on
Unfinished Symphony them, believing that approval of any would
Vanessa: Her Love Story seem to violate our policy.
West Point of the Air — Editors.
While the Patient Slept
The Whole Town’s Talking
White Cockatoo
The Woman in Red
THE WOMEN’S u NIVERSITY CLUB

COPYRIGHT NINETEEN THIRTY-FIVE WOMEN’S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 2809 WEST WASHINGTON BLVD. LOS ANGELES

,
MOTION * PICTURE * REVIEWS

Published, monthly by
LOS ANGELES BRANCH
EDITORS
Address all communications to The Women’s University Club, 9+3 South Hoover St., Los Angeles, Calif.
1 Oe Per Copy - - $1.00 Per Year
Vol. VII MARCH, 1935 No. 3
EVALUATING PICTURES FOR CHILDREN

“Do you choose pictures for children on the basis of what they really enjoy or on the
basis of what you consider is good for them?” “Are not present day children more advanced
and therefore able to enjoy and appreciate more grown up films than you would have enjoyed
at their age?” At almost every meeting where the're is discussion concerning the “previewing”
of pictures for children, someone asks us to answer one or both of these questions.
In answering the first question we must immediately dispose of the fallacy that a child
cannot enjoy what is good for him. The fact, born out by the experience of groups studying
the subject of motion picture entertainment for children, is that normal children are usually
most enthusiastic about the movies that have been recommended by the majority of previewing
groups as being not only suitable but of a high degree of artistic and technical excellence.
Children are naturally critical, though not analytical, and they like good pictures better than
poor ones. They also prefer books and movies that deal with emotions and situations
touching upon their own experiences or falling within the realm of their comprehension.
The ideal picture for a child is not a “harmless” movie but one which will gratify his
natural yearning for beauty and satisfy his normal desire to identify himself with actors
whose behavior and psychology he can understand. If a picture fails in these respects it is
likely to bore him, and if it portrays false standards it will definitely injure him. In either
case is not “good” for him.
In almost any picture there are elements that a child will enjoy; thrills, laughter, beauty,
action, all of which give temporary pleasure. A
theatre manager listening to the response of
a child audience may genuinely believe that he has provided a good program, but if he cares
to inquire why the children jump about in their seats, make noisy comments and scamper up
and down the aisles, anyone familiar with child psychology will tell him it is because they
are bored or overtired. They may not understand the picture, it may not be good enough to
hold their continued interest or it may be too stimulating, and their nervous systems rebel at
the tension.
As for the question of what is or is not beyond the comprehension of our modern children,
we can only answer that, although these children on the whole may be more familiar with
the existence of crime, broken homes, drunkenness and other sad facts of life than we were,
their emotional responses and their nervous systems are no more ready to receive the stimulus
of adult problems than ours were at their age.
A child may accept mentally and seemingly digest a problem far too complicated for his
unstable emotions to cope with. For example, a man who had taken his eight-year-old
daughter to “The Lives of a Bengal Lancer” was pleased that the child had reacted violently
to the way the soldiers were treated, and he proudly recounted her aversion to the whole idea
of war, saying that the picture had therefore had a good effect upon her. He might justly
be gratified that his child had the superior intelligence to think things out for herself and to
see deeper into the picture than its story of adventure. However, what he may not have
realized was that the picture had started a whole train of unhappy thoughts in the mind of
his little girl. He had been a soldier in the British army during the war, and his daughter
thought of the fictitious character in terms of her own father and no doubt suffered on his
account to see the unhappiness of the young subaltern in the picture.
If parents explain and talk over such problems with their children they mitigate the
danger of emotional disturbances, but clinics are crowded with children who are there for
no other reason than that they have been exposed too young to the devastating influence of
unhappy experiences that in one way or another have destroyed their sense of security.
We believe it is essential that a child should see only those movies that are suited to his
emotional as well as to his mental age. Movies for children should be artistically and tech-
nically good, free from sentimentality, from warped psychology, from characters who may be
glamorous but who are ethically undesirable, and from situations the true significance of
which a child has not the experience to evaluate.
D. J. C.
EDITORIAL COMMENT
With the permission of Mrs. Leo B. Hedges, California State Chairman of Motion
Pictures, P.-T. A., we are permitted to quote from a survey made with the cooperation of
the teachers of the John C. Fremont High School and the Association of Parents and Teachers.
We regret very much that lack of space makes it impossible to print the entire report. It is,
in our opinion, interesting and illuminating. The foreword, quoted from Carl Millikan,
Secretary of Motion Picture Producers and Distributors of America, gives it added signifi-
cance. He says: “For every man and woman who reads a good book a week, a hundred go .
to the motion picture theatre. For every one who goes to a concert or to an opera, 10,000
go to the movies. For every one who has access to good paintings and good sculpture, probably
100,000 go to the movies.”
A Survey of the Motion Picture Habits of the Pupils of

John C. Fremont High School, Los Angeles
1. Which of the following types of pictures do you like the best? (Numbers in order of
your preference.)
Girls Boys
Musical 1st 3rd
Mystery 2nd 1st
Comedy 3rd 2nd
Do you like double feature programs?
Girls Boys Total
Yes 1371 1414 2785
No 162 123 285
Do you care for prologues or vaudeville acts on a motion picture program?
Girls Boys Total
Yes 1342 1125 2467
No 293 420 713
How do you select the picture you see?
Girls Boys Total
Through advertising 389 374 763
Through reviews 699 638 1337
Because of actor or actress 809 664 1473
By means of a friend’s recommendation 413
821 408
Because of the title 441
722 281
8. Would you value the opinion of trained high school reviewers (reporters) in regard to
the worth of picture?
Girls Boys Total
Yes 1028 860 1888
No 406 552 958
Would you make use of a file of information in our school library concerning pictures to
be shown in the neighborhood theatres?
Girls Boys Total

Yes 926 989 1915
No 475 409 884
10. Do you go often to the early program? To the later show?
Girls Boys Total
Early 1173 1049 2222
Late 340 448 788
11 . What night or nights do you go oftenest? Number in order (1, 2, 3, etc.)
Girls Boys
Monday 6th 5th
Tuesday 7th 7th
Wednesday 4th 4th
Thursday 3rd 3rd
Friday 1st 1st
Saturday 2nd 2nd
Sunday 5th 6th
12 . Would you like to have night at the neighboring theatre for which the
a high school
pupils could help choose the pictures that are worthwhile to see?
Girls Boys Total
Yes 1295 1200 2495
No 151 244 395
13. If there were a Family Night at your neighboring theatre, would you like to go with your
parents ?
Girls Boys Total

Yes 874 760 1634
No 550 601 1151
WHY YES
“They can tell whether it’s the right kind of “Smaller children would not cut up so”
picture to see” “I wouldn’t have to walk home”
“They would pay my way” “Brings you closer together”
“Like to go with them” “Parents need recreation”
“Only way I’m allowed to go” “I wouldn’t have to tell them about it when
“So seldom family gets to go together” I get home”
“Iam safer” “It makes family discussion and conversation”

“My friends could meet my parents and their “I like same pictures”
parents” “Parents like going with children”
“They explain what I don't understand” “Another chance to see a picture”
“If they would go” “We could be together”
all
“To cooperate with them and show them you “Don’t like go alone”
to
enjoy their company” “Not ashamed to be seen with them”
“Would like parents to enjoy it” “Don’t like to stay home alone”
“I can stay later” “Get better seats”
“Would give me more time with mother”
NO
“Parents don’t attend” “Pictures would be too old-fashioned”
“Don’t like same kind of pictures” “Folks talk too much”
“Don’t enjoy their company” “Mother’s too restless”
“If they don’t like the picture they make it “Rather go with boy friend”
uncomfortable for me” “They haven’t any sense of humor”
“Rather go with friends” “Some pictures are embarrassing”
“Don’t agree on where to sit” “Parents are always explaining sets to me”
“Too many children running around” “Only time I can escape parents”
“They won’t let me have fun” “Too many in the family”
“Like to go by myself” “Too dull”
“I’d have to stay home with baby” “Mother laughs too much”
“They like to leave before I do” “Have a step-father”
“Parents are foreigners and don’t understand “Parents are too particular”
what pictures are about” “Couldn’t go any place afterward”
18. Could you suggest improvements that the management could make in motion picture^
houses ?
Girls Boys Total

Yes 692 788 1480
No 564 510 1074
WHAT?
“Better ventilation” “Prevent petting and necking”
“Keep kids quiet” “Better screen”
“Better sound apparatus” “More pictures for younger people”
“Clean up” “Shorter programs”
“No smoking” “No eating in show”
“Better seats and cleaner” “Special matinees for kids”
“Newer and better pictures” “More space between rows of seats”
“Better usher service” “Better and cleaner rest rooms”
“Less light” “Have good pictures when they are adver-
“Less trailers and advertising of coming tised”
events” “Better combinations of pictures”
“Clock” “Don’t sell tickets when there are no seats”
“Don’t allow rowdyism” “Start on time”
“Lower prices” “Have a suggestion box in the lobby”
“Better drinking fountains”
22. What are some of the things you think should be left out of motion pictures?
“Too much love” “Suggestive scenes”

“Drinking” “Smoking”
“Slang” “Illegitimate births —
children”
“Cursing and profanity” —
“Fake scenes Impossible scenes”
“Raw jokes —vulgarity” “Deaths”
“Sex” “Clever robberies”
“Murders” “Nudists”
“Indecent dress” “Overacting”
“War” “Too much wealth and show”
“Mush” “Hero stuff”
“Failure to punish wrong doers” “Mae West”
“Too much dialogue and sound” “Greta Garbo”
—
“Crime its glorification” “Gambling”
“Gruesome scenes” “Gangsters”
25. Do motion pictures influence you in any particular way?

Girls Boys Total
Yes 608 673 1281
No 620 695 1315
WHAT?
“Ideas for working” “New expressions”
“Ways of the world” “Broader view of things”
“Cause me to be ambitious” “Makes me sad or gay”
“Songs and dances” “What makes boys like girls”
“Household furnishings” “I try to imitate people on the screen”
“Manners” “Speech”
“Hair” “Crime never pays”
“Clothes” “Morals”
“Dialects” “Knowledge of industry and vocations'
“Ideas of life” “Desire to travel”
“Styles” “Disgust”
“Standards of living” “Makes me want to act”
“Makeup” “Makes me want to be a director”
“Home life”
26. Is the motion picture your main source of recreation?

Girls Boys Total
Yes 372 267 639
No 1136 1104 2240
FEATURE FILMS
AFTER OFFICE HOURS * » THE BLUE LIGHT » »
Constance Bennett, Clark Cable, Stuart Er- Leni Riefenstahl, Bela Balcaz, and the na-
win, Billie Burke. From a story by Lawrence tive villagers of Santa Maria at the base of
Stallings and Dale Van Every. Direction by Mt. Cristallo in the Italian Dolomites. Co-
Robert L. Leonard. M-G-M. operatively produced and directed by Lenl
Riefenstahl, Bela Balcaz and John Schnee-
A
bright city editor solves a sordid murder,
berger. Gil Boag.
but not until the audience delves into a wel-
ter of intrigue, scandle and rotten politics In this pictorial gem a simple folk legend of
with the usual accompaniment of heavy the people of the tiny mountain village of
drinking. Clark Gable as the City Editor Santa Maria is superimposed upon a back-
and Constance Bennett as the society girl in ground of such overpowering beauty that it
search of a thrill, give rather uninspired and will leave a lasting impression on the minds
stereotyped performances. Yet their presence of all who see it. The legend centers about
in the picture and the sophisticated brittle the hypnotic influence of a blue light seen
atmosphere of “High Society” make for a at each full moon on the top of a mountain in
certain type of fast moving entertainment. the Italian Dolomites. Young men of the
Adolescents, 12 to 16 Children, 8 to 12 village are lured to their death, and the
No; cheap; done in No natives attribute the tragedies to the influence
bad taste of a mountain girl whom they call a witch.
w The weird and sinister mood of the whole
picture is enhanced by amazing types of
ALL THE KING’S HORSES * »
villagers whose lives are controlled by super-
Carl Brisson, Mary Ellis, Eugene Pallette,
stition. It is probably too long and too heavy
Edward Everett Horton. Direction by Frank to draw the general public.
Tuttle. Paramount. Children, 8 to 12
Here charmingly diverting musical
is a Too heavy and slow No
comedy melodious songs, bewitching
with w
dancing and a sparkle and dash to the whole
which give it unusual attractiveness. The CAPTAIN HURRICANE » »
plot is not new; a mythical kingdom and a James Barton, Helen Westley, Helen Mack,
Queen who feels that her serious minded hus- Douglas Walton. From a story by Sara
band neglects her for too many Affairs of Ware Bassett. Direction by John Robert-
son. R-K-O.
State. There is the gay, lighthearted subject
so like the King in appearance that compli- For fifteen years Abbie refuses to marry
cations follow done i.i excellent
and, all is Captain Zenas because of his vile temper,
taste with much humor and gayety. Carl but when he retires from the sea, she takes
Brisson has a delightful personality and her persistent suitor and his two tramp-like
Mary Ellis is very attractive too, while Eu- cronies under her wing. The virtues of the
gene Pallette furnishes outstanding comedy pictures are negative; it is harmless but tire-
in his inimitable manner. some. Neither the characters nor Cape Cod
Adolescents, 12 to 16 Children, 8 to 12 settings ring true to life.
Good Depends on taste Adolescents, 12 to 16 Children, 8 to 12
Not very interesting No
BEHIND THE EVIDENCE » » -sr
Norman Foster, Donald Cook, Sheila Man- DOG OF FLANDERS » »

ners, Geneva Mitchell. Direction by Arthur Frankie Darrow, Helen Parrish, Christian
Black. Columbia. Rub, O. P. Heggie. From the novel by
A
melodrama concerning the usual alert Ouida. Direction by Edward Sloman. R-K-O.
and ambitious young newspaperman who This famous child classic has been altered
stumbles upon a gang of hold-up men with tragedy and only the faint pat-
to soften its
whom his girl innocently involved. His
is
tern of the original remains. Those who
amateur and clumsy detections bring about loved the book will be disappointed, but it is
the gang’s capture after an hour fraught with a happier plot on the whole. It tells the story
suspense, shootings and fistfights. The plot of a young Flemish boy living alone with
is silly and improbable; the actors are awk-
his old grandfather and their devoted dog.
ward and conscious with the possible excep- Nello’s consuming ambition is to become a
tion of Donald Cook as the suave villain. painter, and he enters a drawing in a scholar-
Adolescents, 12 to 16 Children, 8 to 12 ship contest. After disappointments and dis-
No No illusionment he wins, and faces a future of
fulfillment. As a picture it is slow and a little THE COOD FAIRY » »
tedious. Frankie Thomas not natural or is Margaret Sullavan, Herbert Marshall, Frank
spontaneous, and the plot, with its suggestion Morgan, Reginald Owen, Allen Hale, Beulah
of social bitterness and frustration, is a little Bondi. From the play by Ferenc Molnar,
old fashioned even in its new dress. It is a Preston Sturgis. Direction by William Wyler.
family picture but not outstanding in enter- Universal.
tainment value. If we
miss the cynical sophistication of the
play in this film version, it is without regret,
Fair entertainment Fair
for “The Good Fairy” has emerged as a de-
•w liciously frothy comedy which keeps the
audience alert and convulsed throughout its
DEVIL DOCS OF THE AIR » *
length. Luisa Ginglebusher is as fantastic as
lames Cagney, Pat O’Brien, Margaret Lind- her name. She is an orphan, released from
say. Direction Lloyd Bacon. Warner Bros. a Budapest asylum to work as an usherette
in a motion picture theatre. Her ambition to
Warner tremendous cost, and with
Bros., at do a good deed every day leads her into a
the cooperation of the United States Govern- most astonishing sequence of events and into
ment, has made a picture to glorify the air- dangers which her wholesome naivete does
forces of the marine corps. Magnificent pho- not recognize, though it protects her like
tography of the navy’s fighting forces, and armor. It is hilariously funny; the lines are
shots of air maneuvers are fascinating to brilliant, the acting inspired and the direction
watch, but the selection of Jimmy Cagney in swift and tasteful. It is one comedy not to
his usual fresh and insufferable characteriza- be missed by those seeking the unusual in
tion mars the picture in no small degree. The story and talent.
plot is thin and familiar, telling the oft told Adolescents, 12 to 16 Children, 8 to 12
tale of rivals in work and love. Jimmy Cag- Mature: May bore Too mature to
ney is the skilled flyer whose insolence and appreciate
crudity become unbearable to the audience as
•w
well as to the characters of the story and add
nothing to naval prestige. THE GREAT HOTEL MURDER » »
Adolescents, 12 to 16 Children, 8 to 12 Edmund Lowe, Victor McLaglen, Rosemary
Hero undesirable type Mature Ames, Mary Carlisle. From a story by Vin-
but picture interest- cent Starrett. Direction by Eugene Ford.
ing technically Fox.
'W Apparentlywe like our screen murders
with a laugh. At any rate the current model
THE END OF THE WORLD » »
of movie-detective must be dashing, quick-
Victor Francen. Direction by Doctor V. witted and well supplied with snappy re-
•
Ivanoff. Cil Boag, in association with On marks. Edmund Lowe fills this role while
World Pictures, Inc.
McLaglen plays his foil as the stupid hotel
detective. With everyone in sight
almost
This an amazing picture the purpose of
is suspected of the murder, the author of the
which propaganda for world peace, the
is play still manages to keep the denouement a
satisfactory surprise. Those who enjoy mys-
brotherhood of man. It tells of what would
tery dramas will find this fair entertainment.
happen if a gigantic comet menaced the entire Adolescents, 12 to 16 Children, 8 to 12
world and shows the reactions of all classes No No
and kinds of people during what they believe •v
to be their last days of life. When the comet HIGH SCHOOL GIRL » »
is deflected after creating devastation and Helen McKeller, Noel Warwick, Carlyle
Moore. Direction by Crane Wilbur. Bryan
havoc, the scientists of the world convene
Fox Production.
under the leadership of Dr. Novalie and in
This story of a high school girl who is
his words we are given the message of the
seduced by a fellow schoolmate cannot be
picture. He urges the scientists to work to- classed among the successful propaganda pic-
gether for the rebuilding of the world upon tures. The characters are hackneyed types,
a new foundation of peace and understand- mere personifications of certain virtues and
vices without the individuality or human
ing. The picture is well directed and some
qualities which can win from an audience the
of the photography is remarkable. sympathy which should be the keynote of such
Adolescents, 12 to 16 Children, 8 to 12 a production. It lacks imagination or skill
Mature No in writing, and is crudely acted and directed.
Its moral is so obvious that one derives from being quaintly rude to everyone he meets
it only the uncomfortable boredom which re- and spending more money than he has. She
sults from a trite idea unskilfully portrayed. is a romantic soul who yearns to help her
Adolescents, 12 to 16 Children, 8 to 12 beloved face the world “as it is.” After their
Banal and dull No marriage they wrangle in a well bred man-
'W ner but the cause seems lost until Mr. Brent
bumps his head in an automobile accident.
THE IRON DUKE » »
The picture fades on a note of whimsy as
George Arliss. Scenario by R. M. Harwood. the lovers talk meaningful nothings on a park
Direction by Victor Saville. Gaumont- bench.
British. Adolescents, 12 to 16 Children, 8 to 12
George Arliss has so large a following on Silly and false No

•w
stage and screen that we hesitate to pronounce
his latest British release dull, but at best it is LOVE IN BLOOM » »
disappointing. Mr. Arliss is Mr. Arliss again Grade Allen, George Burns, Dixie Lee, ]oe
in a handsomely mounted story of that period Morrison. Direction by Elliott Nugent.
in English history depicting the escape of Paramount.
Napoleon from Elba and the consequent
breaking up of the congress at Vienna. It “My Heart Is an Open Book” is the theme
carries us through the battle of Waterloo,
song for this very poor musical romance.
the congress at Paris and the restoration of
Inane dialogue between Burns and Allen is
interposed at intervals to relieve what other-
the Bourbons to the French throne, the
shooting of Marshal Ney and Wellington’s
wise could have become a tragic story. A
naive boy composer, stranded while making
appearance before the House of Lords to de-
fend his good name. But at no time does Mr.
an assault upon New York publishers, joins
forces with a girl, also stranded, who has
Arliss become the romantic Duke of Welling-
left a carnival to find a job as a chorus girl.
ton, and it is difficult for us to imagine him in
an episode which needs explanation to a The standards of conduct portrayed are
country at large. It is serious and heavy and
somewhat tarnished, the story is cheaply
sentimental and the dialogue is often vulgar.
will prove interesting if not particularly en-
tertaining as a new vehicle for Mr. Arliss’
Burns and Allen as carnival attaches may
furnish entertainment for their followers.
histronic ability.
Adolescents, 12 to 16 Childien, 8 to 12
If it interests No interest
Unsuitable No
yr
v
LIFE BECINS AT 40 * »
LET’S LIVE TONIGHT » »
Will Rogers, Richard Cromwell, George Bar-
Tullio Carminati, Lillian Harvey, Hugh Wil- bier, Rochelle Hudson, Jane Darwell, Slim
liams. Story by Bradley King, adapted by
Summerville, Sterling Holloway. Direction
Gene Markey. Direction by Victor Schert-
by George Marshall. Fox.
zinger. Columbia.
In this picture Will Rogers plays the part
A cloyingly saccharine tale of brotherly of a small town newspaper owner whose
chivalry, etc., etc. The two are in love with
homely and honest philosophy endears him
the same girl. The elder, dissipated sophis-
to the townspeople and enables him to bring
ticate, has all the charm while the younger
happiness and vindication to a young man
idealistic, hardworking soul gets only the
who has been falsely imprisoned. The pic-
knocks in life. It is, of course, very light, but ture is a charming, gentle comedy with
it is so transparent and sentimental that it touches of genuine humor and clever but
lacks real interest in spite of pleasant music.
kindly irony. It contributes another welcome
Adolescents, 12 to 16 Children, 8 to 12 addition to the gallery of lovable portraits
No No by Will Rogers.
sr Adolescents, 12 to 16 Children, 8 to 12
LIVING ON VELVET » » Excellent Good
yr
Kay Francis, George Brent, Warren William.
Direction by A. Frank Borzage. Warner THE LITTLE COLONEL » *
Bros. Shirley Temple, Lionel Barrymore, Evelyn
Thinner and more trivial than its poorest Venable, John Lodge, Bill Robinson. From
predecessor is this new vehicle for Kay Fran- the stories by Annie Fellows Johnson. Di-
cis. Like a bolt of lightning, love strikes our
rection by David Butler. Fox.
hero and heroine when their eyes meet for If you are an adult it depends a good deal
the first time. He is a gentle though untrac- upon your own remembrance of the “Little
table lunatic whose manias are reckless flying, Colonel” stories whether you will appreciate
their interpretation on the screen. And if remarkably well chosen, from Heather Angel,
you are a “young modern” you will probably Douglass Montgomery and Claude Rains,
judge it more as a vehicle for charming little (who gives us a fascinating, half-crazed
Shirley Temple whom we are sure you enjoy. Jasper), through all the lesser personages to
We believe that you will not object to the the little boy who stones the sexton. While it
plot’s being a little sentimental and melo- is not a big picture in comparison with David
dramatic because it gives Shirley a role suited Copperfield, it deserves a good nook in the
to her. It is a story of the antagonism be- film library of Dickens.
tween the North and South still existing after Adolescents, 12 to 16 Children, 8 to 12
the Civil war. Shirley is the little girl whose Good Too gruesome at
mother married a northern soldier and caused times
family discord. The child brings harmony
again because of her sweet and lovable self.
The settings and scenery are beautiful. Bill NIGHT LIFE OF THE GODS » »
Robinson and the cunning little colored chil- Richard Carle, Marda Deering, Ceorge Has-
dren are lots of fun, and the color sequence sell,Alen Mowbray, Florine McKinney and
at the end is like a lovely page from a story Gilbert Emery. From the novel by Thome
book. Smith. Direction by Lowell Sherman.
Adolescents, 12 to 16 Children, 8 to 12 Universal.
Good Excellent
A piece of extravagant, brightly imagina-
tive nonsense, the film relates the adventures
THE MYSTERIOUS MR. WONG » * of a scientist who invents a magic ray to
Bela Wallace Ford, Arline Judge.
Lugosi, transform marble into human flesh and there-
Direction by William Nigh. Novel by Harry upon goes on a toot with the gardner’s
S. Keeler. Monogram. daughter and all the gods of Olympus. The
conception is undoubtedly original and has
Upon the adventures of Mr. Wong, who be- the promise of hilarious satire which is some-
lieves the legend that great power will come
times justified by clever dialogue and stage-
to the person who possesses all twelve of the
craft. However, it soon descends to slap-
gold coins bestowed upon friends by the dying stick and vulgarity and ends with the stale
Confucius, this picture is based. It begins as explanation that all the mad escapades are
a thriller, with an excellent mixture of mys- merely figments of a dream.
tery and humor. The suspense is well sus-
tained during the first half, then the action
No No
becomes so melodramatic with murder and
miraculous escapes that credulity is stretched
past the point of interest. While not intended ONE MORE SPRING » *
for an audience with discriminating taste, Warner Baxter, Walter King.
Janet Gaynor,
the picture may prove entertaining for those Book by Robert Nathan. Direction by
who like sinister settings in a mysterious Henry King. Fox.
Chinatown atmosphere.
Adolescents, 12 to 16 Children, 8 to 12 It is frequently true that a finely conceived
Passable No literary gem is not successful as a picture.

In fact it is more difficult to translate such a
book into cinematic form. “One More Spring”
THE MYSTERY OF EDWIN DROOD » »
by Robert Nathan is an example. Hardly a
Claude Rains, Douglass Montgomery, Hea-
ther Angel, David Manners. From the novel
novel — rather an essay, in fictional form, a
by Charles Dickens. Direction by Stuart witty, biting, satire of the depression as it
Walker. Universal. affected different types of individuals, its
Ever since Charles Dickens died, writers essence has not been caught in the motion
have been trying to achieve a fitting solution picture. The preposterous irony of the book
for his unfinished mystery of Edwin Drood was impossible to translate to the screen and
and the goal is not in sight. The film denoue-
the adaptation tells a slow moving tale of
ment is obvious and devices are used which
would scarcely have been chosen by the novel- three men and a girl who find shelter and a
ist. Nevertheless in other fields the picture is precarious existence throughout a long winter
very good Dickens. The characters are until spring brings promise of happier days.
sharply drawn, almost to the point of cari-
It may appeal to those unfamiliar with the
cature; there is a strong flavor of nineteenth
century England the very weather is im- book as a pleasant, amusing comedy.
;
portant in influencing the moods and decisions Adolescents, 12 to 16 Children, 8 to 12

of the people. In addition the cast has been Little interest No interest
ROBERTA » » THE RIGHT TO LIVE » »
Irene Dunne, Fred Astaire, Ginger Rogers. Josephine Hutchinson, George Brent, Colin
Clive, Peggy Wood, Henrietta Crosman, C.
Original play by Jerome Kern and Otto
Aubrey Smith. Direction by William Keigh-
Harbach. Direction by William Seiter.
ley. Warner Bros.
R-K-O.
A
drawing room drama of weak plot and
This musical comedy stairing the dance dubious moral, redeemed only by the excep-
team of Ginger Rogers and Fred Astaire, tionally capable acting of everyone in the cast.
while not so good as “Gay Divorcee,” is gay, The story concerns two brothers who are de-
glamorous and tuneful. The settings include voted to each other. When one of them is
a Paris cafe and the salon of a famous crippled in an airplane accident, he appoints
modiste where a gorgeous fashion show is his handsome brother to provide his wife with
given. The plot is less sophisticated than the night life and gay company which he feels
that of many musical comedies and the humor is due her youth and beauty. This precipi-
is not dependent on vulgarity. tates theobvious situation. Evidently intended
Adolescents, 12 to 16 Children, 8 to 12 as a vehicle for the legitimate stage, the pic-
Good Little interest ture is made entirely of dialogue over a
psychological situation. It is fair enter-
tainment.
ROCKY MOUNTAIN MYSTERY » » Adolescents, 12 to 16 Children, 8 to 12
Randolph Scott, Mrs. Leslie Carter, “Chic” No No
Sale, Ann Sheridan. From “Golden Dreams” w
by Zane Grey. Direction by Charles Barton.
Paramount.
THE SCARLET PIMPERNEL » »
Leslie Howard, Merle Oberon, Nigel Bruce.
A mysterious black rider attempts to gain Produced by Alexander Korda London —
possession of a radium mine by murdering Films, Ltd. From the novel by Baroness
all the heirs of the owner in a revolting Orczy. United Artists.
fashion. “Chic” Sale impersonates the pot-
Against the exciting, dramatic background
tering old sheriff who can not cope with the
of the French Revolution, a band of English
situation until an energetic and heroic young
conspirators, led by a clever and charming
engineer arrives on the scene to solve the
daredevil, cheat the Republic of some of its
crimes and rescue the lady fair. Sale’s char-
acterization is good but so realistic that he
most distinguished victims. It is an absorbing
actually becomes distasteful. The picture has
commentary on manners and morals of the
time placed in a romantically satisfying
as many thrills as an old time melodrama, is
equally far-fetched and more gruesome.
atmosphere. Those who have read the book
will find that the plot has been followed with
unusual fidelity, and, though done in a lei-
No Decidedly not
surely manner, it moves with admirable co-
herence and cumulative interest. The
characters succeed in making the French
RUMBA » »
Revolution live again in all its crude bloodi-
George Raft, Carole Lombard, Lynne Over-
ness, its wasteful cruelty, its extravagance
man, Margo, Monroe Owsley. Direction by
and its redeeming qualities of hope and faith.
Marion Gering. Paramount.
The thought of how much of real value was
In this melodramatic, and exceedingly dis- thoughtlessly and savagely destroyed through
tasteful,musical extravaganza, George Raft indiscriminate mob action and mass emotion
impersonates a lowbred cabaret dancer in is one that is worth broadcasting through the
Havana. Through peculiar and improbable modern world. The whole is a vivid and ex-
circumstances the spoiled heiress of many citing dramatic experience.
millions meets him, is infatuated with him Adolescents, 12 to 16 Children, 8 to 12
and becomes his dancing partner. Though Very good Too exciting
he behaves dispicably to her she seems to
thrive on insults, and the picture ends with
the course of true love running smooth. The SWEET MUSIC * *
whole idea is repugnant in the extreme. It is Rudy Vallee,Ann Dvorak, Helen Morgan,
based on false standards, unconventionality Alice White, Ned Sparks, Joseph Cawthorn.
and sordid motives, and the glamorous per- Direction by Alfred Green. Warner Bros.
sonality of the heroine, the good acting and
A
romantic musical comedy featuring the
the smooth direction, only add to the de-
music of Rudy Vallee and his orchestra and
moralizing influence of the production. the dancing of Ann Dvorak. The setting is
Adolescents, 12 to 16 Children, 8 to 12 a radio broadcasting station and the sketchy
Impossible Impossible plot, gently burlesquing advertising and the
publicity is concerned with the
stunts, pro- consistent, especially the love story, and the
fessional rivalry of the two entertainers. It whole thing is very confusing.
is light, pleasant entertainment, full of laughs Adolescents, 12 to 16 Children, 8 to 12
and catchy tunes and should have popular No Absolutely no
appeal.
Good — girls especially If it interests
TRANSATLANTIC MERRY-CO-ROUND »
Cene Raymond, Nancy Carroll, Sidney Black,
Ralph Morgan, Jack Benny. Direction by
Benjamin Stoloff. United Artists.
SECRET BRIDE » »
Barbara Stanwyck, Warren Williams, Glenda A mystery-melodrama on board a luxurious
Farrell. Direction by William Dieterle. ocean liner in which a police commissioner on
Warner Bros. a vacation finds it necessary to unravel the
involved threads of crime of almost every
Dealing political intrigue, murder and
in
suicide this is heavy emotional fare, but it is
possible character. The cast is excellent and
well enough done and sufficiently convincing
direction is skilful. There
music and dance
is
and comedy, but after all is over clearer
in motivation to be interesting. Since the
vision recognizes the viscious people with
“Secret Bride” is the daughter of a governor,
her marriage to the Attorney General must
whom we have been sojourning for an hour
or more.
not be divulged for fear of political compli-
cations. Interest is sustained through re-
strained direction and excellent portrayals of
No No
sinister types.
Adolescents, 12 to 16 Children, 8 to 12 UNFINISHED SYMPHONY » *
Too mature No Marta Eggerth, Hans Jaray, Helen Chandler,
Cecil Humphreys. Directed by Willy Forst.
Gaumont-British.
SHADOW OF DOUBT * »
Scenic perfection, a lovely musical score
Ricardo Cortez, Virginia Bruce, Constance and the idyllic romance of young Franz Schu-
Collier. Direction by Ceorge B. Seitz. bert and a girl from whom he was tragically
M-C-M. parted are exquisitely blended in this touch-
An eccentric old lady emerges from seclu- ing story of the great composer’s youthful
sion to solve several murder mysteries and disappointments and ambitions. The explana-
bring about the marriage of her nephew and tion of why the “Unfinished Symphony” was
his movie star fiancee. Night clubs, a dissolute never completed sheds a tenderly romantic
man about town, and unconventional behavior light on that favorite masterpiece and pro-
on the part of the young actress classify the vides the raison d’ etre for the picture.
picture as sophisticated entertainment. The Adolescents, 12 to 16 Children, 8 to 12
character of Aunt Melissa is all that will be Excellent Mature
remembered by those who have patronized
the production, for although acting and direc-
tion are capable the plot offers little VANESSA: HER LOVE STORY » »
originality. Helen Robert Montgomery, Otto

Hays,
Adolescents, 12 to 16 Children, 8 to 12 Kruger, May Robson. From the novel by
Not recommended No Hugh Walpole; adaption by Lenore Coffee.
Direction by William K. Howard. M-C-M.
Hugh Walpole’s distinguished novel has

been so widely read that it is impossible to
TRANSIENT LADY » »
judge the picture version without bias. The
Cene Raymond, Henry Hull, Frances Drake.
interpretation of the Code has forced altera-
From a story by Octovius Roy Cohen. Direc-
tion of the plot with the result that much of
tion by Eddie Buzzell. Universal.
the force of the original and the deeper sig-
Into a sleepy southern village comes a dis- nificance of the character studies involved
turbing factor in the person of a beautiful are lost. It is, however, a thoughtful drama
roller-skating professional, the “Transient of thwarted love. The large and prosperous
Lady.” She and her male partners open a Herries family take an exaggerated interest
skating rink where a brawl occurs that leads in theromance of two of its younger members,
to mob violence, dirty politics, and bitter class Vanessa and Benji, and its attitude compli-
hatred. The picture is highly emotional, melo- cates the situation disastrously. The theme
dramatic and exceedingly unpleasant though is placed against the colorful, dignified
it has moments of dramatic artistry and some background of England toward the end of
excellent photography. The plot seems in- the reign of Queen Victoria. The characteri-
zations are satisfying, and the director has a part in the solving of a murder. Scenes of
been successful in maintaining an atmosphere a french chateau add a convincing bit of
of understanding and good taste throughout. foreign atmosphere.
It is not a picture which will appeal to Adolescents, 12 to 16 Children, 8 to 12
youthful audiences but it has interest for Entertaining No
mature ones.
No interest No; too mature THE WOMAN IN RED » »
w Barbara Stanwyck, Vivian Tobin, Cene Ray-

ond. Direction by Robert Florey. Warner
WHILE THE PATIENT SLEPT » »
Bros.
Cuy Kibbe, Aline Macmahon, Lyle Talbot,
Patricia Ellis. Direction by Social snobbery is shown in its ugliest form
Warner Bros. in order to give our heroine, Barbara Stan-
A
mystery murder story so like innumer- wyck, a chance to suffer nobly through a fea-
able others that it barely rouses any interest ture length film and emerge with a husband’s
love and confidence, at least, as recompense.
in finding out who did kill the two men that
were shot on a rainy night while eight or It is not a pleasant tale and leaves the spec-
ten people waited for the death of the old tator somewhat depressed in having spent
gentleman. There is a green elephant in the time in such ungracious company.
which an important paper is concealed, with Adolescents, 12 to 16 Children, 8 to 12
trouble always following its disappearance; By no means No

there is the same dreary questioning of every
one in the house with suspicion falling on
each, and the same jumping and dashing
WEST POINT OF THE AIR » »
around before the mystery is solved. Wallace Beery, Robert Young, Lewis Stone.
Original story by John Monk Saunders.
Direction by Richard Rosson. M-C-M.
No value No
•v This is a tremendously interesting picture
from the standpoint of aviation and the
THE WHOLE TOWN’S TALKING » »
training of army aviators. It gives the back-
Edward C. Robinson, Jean Arthur, Arthur ground of early days in flying and progresses
Hohl, Wallace Ford, Arthur Byron, Donald
to an army flying school with the most up-to-
Meek. Direction by John Ford. Columbia.
date equipment for the teaching of aviation.
Edward G. Robinson in a dual role is the It shows in thrilling detail the progress of
particular drawing card in this gangster an aviator’s training from the moment of
melodrama. Jones, a timid, obsequious office his arrival at the school until he takes his
clerk, is the exact double of a criminal who final tests in individual piloting in the
is No. 1 public enemy
of the hour. Complica- most exciting air manoeuvres. Obedience,
tions develop through mistaken identity and esprit de corps, clean living and all angles
the circumstance that J ones falls into the of army discipline are stressed. For the sake
power of his double. Mr. Robinson’s two im- of romance the picture is weakened by the
personations are most interesting in their con- introduction of the hero’s love affair with a
trasting types. The fact that Jones’ eventual woman of questionable morals who nearly
triumph is psychologically implausible some- succeeds in ruining his career. It is also a
what weakens the effect of the good acting, matter of regret that the hero is a fresh,
but the picture is nevertheless full of interest cock-sure, conceited and objectionable young
and excitement. man who has nothing to recommend him but
Adolescents, 12 to 16 Children, 8 to 12 a final come back after he has endangered
No No the lives and happiness of his father and
yr friends and narrowly missed entirely dis-
gracing himself. The story descends at mom-
WHITE COCKATOO » *
ents to maudlin sentimentality but on the
Jean Muir,
Ricardo Cortez. Directed by whole the good points of the production bal-
Alan Crosland. Warner Brothers.
ance its weaknesses. We
believe the picture
This murder mystery better cast and
is is worthy of recommendation for its interest
better set than the average. The plot has to as a thrilling exposition of the technique of
do with the establishment of an heiress’ claim flying.
to a fortune and various attempts of unknown Adolescents, 12 to 16 Children, 8 to 12
villains to prevent her from obtaining her Interesting Far too tense and
inheritance. A
beautiful white cockatoo plays emotional
SHORT SUBJECTS
BURIED LOOT. M-G-M. Crime Doesn’t NO CONTEST. Ruth Etting. Vitaphone.
Pay Series. Designed
the futility of
to show Musical number including ballet numbers.
crime. A
supposedly authentic police record Good. Family.
of a young man who stole a sum of money JUNGLE ANTICS. A delightful film
but who was foiled by the police in all his showing odd little creatures of the animal
plans to use the loot and finally imprisoned
for a long term. Interesting and well acted.
—
kingdom real comedians as entertainers.
Especially recommended for children as well
Family. as adults.
ONE RUN ELMER. Buster Keaton Edu- MICKEY’S MAN FRIDAY. Walt Disney
cational. Fox. Very poor slapstick comedy. Cartoon. U. A. Mickey’s inventive ability
HORSE COLLARS. Columbia. Three saves him and “Friday” from cannibals.
Stooges. Hopelessly poor slapstick comedy of Good fun.
the pie throwing variety. CITY OF WAX. Educational-Fox. Excel-
lent and unusual camera studies of bees and
BENEATH CORAL SEAS. Color Novelty.
their life-cycle.
Principal Pictures. Extraordinarily beauti-
ful and well presented picture of undersea WHEN THE CAT’S AWAY. M-G-M.
life. The colors are exquisite. A treat for Excellent color cartoon in which the mice get
all ages. the best of it when the cat leaves home.
Good, family and children.
MEDBURY IN HOLLYWOOD. Travel.
Columbia. Sight seeing tour of Hollywood
SUNSHINE MAKERS. Color cartoon.
R-K-O. Cheerie elves make sunshine with
and vicinity. Poorly chosen subjects. Boring.
which to paint out the gloom of their grouchy
TOPICS NO. 3. R-K-O. Under sea views.
neighbors. Amusing for family and all ages.
Also New York from colonial days to the
modern city and its imaginary future. Good BE KIND TO ANIMALS. Popeye. Para-
family film. mount. Popeye goes to therescue of a mal-
treated horse. Fairly amusing for family.
GOOFY MOVIES NO. 10. Pete Smith.
M-G-M. Fair family entertainment. REMEMBER THE ALAMO. Vitaphone.
Historical incidents, and pictures of West
DUMB BELL LETTERS 12. R-K-O.
Point and Annapolis. Not very well ex-
Another in the series of authentic but absurd
plained. Fair for family.
letters. Fair but no longer a novelty.
FIX’ER UPPERS.
Laurel and Hardy. PARROTSVII.LE OLD FOLKS. Color
M-G-M. Slapstick comedy with a poor story. Cartoon. Cleverly drawn though
R-K-O.
Unsuitable for family. rather dull picture. Parrots visit the old folks
home. Family.
FAKERS OF THE EAST. Vagabond
Travelogue. R-K-O. Authentic pictures of VAUDEVILLE NO. 2. Pepperpot. Vita-
East Indian tricksters. An entertaining film. phone. Variety of vaudeville, trained dogs,
BUDDY’S THEATRE. Looney Tune. dancers, clown orchestra, etc. Some fairly
Vitaphone. Cartoon, burlesque on theatre good, others poor and all poorly photo-
business. Fair, family. graphed. Fair for family.
SONGWRITERS OF THE GAY NINE- MOVIELAND REVIEW. Pepper Pot.
TIES. Paramount. A testimonial dinner A trip through the
Vitaphone. studios, cutting
where the composers and favorite songs are rooms and back stage. Interesting for family.
honored. Entertaining. Family.
SONG OF THE BIRDS. Color Classic.
MR. AND MRS. IS THE NAME. Merrie Paramount. Delightful story of little bird
Melody Cartoon. Vitaphone. Amusing tale learning to fly. A naughty boy shoots him
of mermaids, the action accompanied by popu- but he revives in time to make a happy
lar tune of the title. Family. ending. The naughty boy sees his wickedness
THREE LITTLE PIGSKINS. Three and resolves never to harm a bird. Very
Stooges. Columbia. Pointless slapstick with appealing for family and all ages.
football as motif. Poor. BUDDY OF THE LEGION. Cartoon
SONGS OF ERIN. Amity. Old Irish Vitaphone. Buddy working in a book shop
songs; settings mediocre. Fair. Family. falls asleep and dreams he is a legionnaire.
THIS BAND AGE. Ted Fio Rito. R-K-O. Fairly entertaining for family.
Excellent musical short, illustrating instru- PHAROAH LAND. R-K-O. A travel pic-
ments and having a story continuity. Good. ture of Egypt with explanatory dialogue by
Family. the “Easy Aces” who are supposed to be in
the audience. Interesting and amusing for trainersand performing lions, tigers, etc.
family and all ages. Very good for family.

ONE TOO MANY. Leon Errol. Columbia. THE VALIANT TAILOR. Allied. Stupid
Stupid story of husband who stays down town color cartoon. A tailor patches the king’s
to drink. Vulgar and boring slapstick. trousers. Not recommended.
Adults only. WINDY. M-G-M. Chic Sale Oddity.
Character study of old prospector who is be-
PARAMOUNT PICTORIAL NO. 8.
loved by the school children in a western
Paramount. Variety of entertainment, travel,
town. A bit too sentimental but very well
music and dancing. Fair for family.
acted. Family.
MEDBURY AT COUNTY FAIR. Colum- COO COO NEWS. Paramount. Absurd
bia. Sight seeing at a county fair. Not very parody in news reels. Fair. Adults.
interesting.
PARDON MY GRIP. Columbia. Styles
FELINE ATHLETES.
Paramount. A of wrestling in many countries. Interesting
Grantland Rice Sportlight Review. Animal and funny. Family.


Women's University Club
I am inclosing $ for subscriptions to The Motion

1
Name
Address
Other Addresses Inclosed

MOTION
PICTURE
REVIEWS

APRIL 1935
constant reference.
Filins Reviewed in this Issue
A Night at the Ritz

Casino Murder Case
Car Number 99
Chapayev
Clive of India
Death Flies East
Don Quixote
The Devil Is a Woman
Folies Bergere
Gigolette
The Ghost Walks
The Hoosier School Master
I’ll Love You Always
In Spite of Danger
It Happened in New York
Laddie
Little Friend
Les Miserables
Little Men
One New York Night
Princess O’Hara
Red Hot Tires
Ruggles of Red Gap
Sweepstake Annie
Times Square Lady
The Wedding Night
When a Man's a Man

943 South Hoover Street §> Telephone DRexel 2177
COPYRICHT NINETEEN THIRTY-FIVE WOMEN'S UNIVERSITY CLUB
WEBBCRAPT PRINTERS. 2509 WEST WASHINGTON BLVD.. LOS AN0ELS3

Motion Picturb Reviews Three

LOS ANGELES BRANCH
EDITORS
Vol. VII April, 1935 No. 4
HOW TO SELECT MOTION PICTURES

By EDGAR DALE
(Reprinted with permission of Editors of “Modern Literature”)
you are a typical high school boy living

If being more discriminating in your attendance.
in a city or village where there is a motion First of please fill out the following blank
all,
picture theatre, you attended about fifty-four according to the instructions. After you have
movies last year. Girls attended approxi- done this, appoint a committee to tabulate
mately forty-six. If you had rated these the results. Now you are ready for some good
movies each time that you went, giving a class discussion. I suggest that you go down
rating from zero to 10 —
zero being “the worst the list of ways of finding out about a movie.
movie I ever saw,” 10 “the best,” 5 “average” Study the rank that you have given it both
— then the average rating, if you are a boy, as to frequency of use and as to whether it is
was 6.7 if a girl, 7.0. Further, last year
;
a good or a poor way.
you would have rated It Happened One Item No. 1 on the blank is “I ask my
Night as the best picture which you saw, and mother.” High school students throughout the
Alice in IV onderland as the worst. country gave the following information about
These facts were secured last year in a the frequency with which they used their
study of the tastes of high school students. mothers as a source of information:
During the year the pupils and teachers in Almost never 61.7%
several hundred schools were trying to reach */i of the time 14.6%
—
one major goal discrimination in the selec- Vi of the time
of the time
7.8%
3.1%
tion and evaluation of motion pictures. This Almost always 12.7%
in turn was divided into three sub-goals: (1)
to make high school students conscious of the
Why is the mother not frequently used as
a source of information about movies? There
influence of motion pictures on the lives of may be a variety of reasons. Which are they?
children, young people, and adults; (2) to
(1) Lack of attendance and information on
teach high school students how better to select
motion pictures. (2) Differing standards of
their movies; (3) to increase enjoyment by
judging motion pictures. (3) Parental dis-
teaching high school students to see more at
approval of motion picture attendance. Can
the movies.
anything be done about this situation, or is
What’s YOUR System? the low rank of the mother as a source of in-
My space limited or I could tell you how
is formation merely an indication that you are
we worked on each of these three goals. Let sufficiently mature to make these judgments
me —
take one of them, however '“how to select without parental guidance?
—
your movies” and suggest how you can in- The same approach can be used, of course,
crease your enjoyment of motion pictures by with Item No. 2, “I ask my father.” Let’s
Four Motion Picture Rbviews
drop down for further illustration to No. 10, 34 of the time 3.8%
Almost always 5.8%
“I look at lists of recommended motion pic-
tures like those published in Parents’ Maga- Again you could build a good class discus-
zine and Educational Screen." The percen- sion around these questions: (1) What are
age using this method was as follows: the strengths and weaknesses of these lists
Almost never 64.6% of recommended pictures? (2) Are they
Yu of the time 16.2% really impartial? (3) Are they sufficiently
54 of the time 9.7% concerned with the entertainment value of
MOTION-PICTURE APPRECIATION STUDY

(Prepared by the Bureau of Educational Research, Ohio State University, Columbia)
—
DIRECTIONS. Where do you get information about the movies you plan to attend? Below is a
list of ways in which you can find out about movies. Look at the first statement. It says, “To get infor-
mation about a movie I am thinking of attending, I ask my mother.” Do you ask your mother? If you
almost never ask your mother for information about a movie you are thinking of attending, put a check
mark in the first column. If you ask her about % of the time you go to the movies, put a check mark in
the second column. If you ask her about l/2 of the time, put a check mark in the third column. If you ask
her about Y of the time, put a check mark in the third column. If you almost always ask her, put a check
mark in the fifth column. Now read the next statement and mark it in the same way. Then mark the third
statement, and so on until you have marked all the statements
To get information about a movie I am Almost J4 of the J4 of the Y of the Almost

thinking of attending. Never Time Time Time Always
1. I ask my mother
2. I ask my father
3. I ask my older sister or brother
4. I ask my teacher
5. I ask my friends
6. I read the advertisements in the news-

papers
7. I read the reviews in the newspapers
8. I read movie magazines like “Photo-

play,” “Screenland,” etc.
9. I read other magazines like ‘Time,”

“Life,” “Liberty,” etc.
10. I look at lists of recommended motion

pictures like those published in “Par-
ents’ Magazine,” “Educational Screen”
11. I look at the posters on the outside of

the theatres
12. I go to the movies and watch the
scenes which advertise movies that will
be shown soon
13. I read the advertisements that are
handed to me as I come out of the
theatre
14. I because I wish to see the movie

serial
15. I just go without finding out anything
about the movie beforehand
Now write here the numbers of the three ways you think are the best.
Write here the numbers of the three ways you think are the worst
motion pictures, or do they oveiemphasize 7. Here presented another chain gang plot fea-
is
turing an escaping criminal. The audience is
the possible harm that might come from view- expected to approve of his escape because of the
ing certain motion pictures? (4) might How brutality of the treatment he receives. The pic-
these recommending services be improved? ture is immoral, unmoral, and anti-social. The
action throughout is exaggerated, and the
At this point you might even frame a letter
cruelty is so revolting and horrible that it de-
to be sent to these magazines or others of this feats its purpose.
type. Such a letter would give the results 8. A stirring drama of tangled loves and lives
of your deliberations to the editor. that holds one spellbound in rapt attention as —
the action unfolds a story as true to life as your
Let us look now at Item No. 7, “I read the own romance. It’s the romantic story of a
reviews in the newspapers.” The figures dainty, fragile blonde, a mischievous imp of a
from the students are as follows: girl, a lily from the gutter, glorified by a great
love ; a gamin of the streets whose beauty goes
16.7%
Almost never
20.9% straight to your heart —
to fascinate you and
%
y
of the time
2 of the time
15-0%
10. —
hold you as it did the man she loved.
15.8% 9. Beauty, drama, witty dialogue, smart settings
34 of the time
Almost always 31.7% —
-
and this famous actress in her most finished
portrayal of a brilliant woman of the modern
Clearly, there for a great deal of
is room world. A vivid, glowing human drama of
tangled hearts, and of a woman who scorned to
shift here, and I am sure that you
will find
accept love at the cost of another’s happiness.
it very profitable and interesting to study This is an exceptionally interesting picture.
these reviews. It is another war story, but is unusual because
A study of reviews discloses two types: it deals with the psychology of an aviator, and
the undermining power of apparently successful
one the “blurb” which merely follows a mean- warfare. It creates no enemy attitude, but shows
ingless formula over and over again;
and honestly the bitter futility of being forced to
other, a good review which points
out kill one’s fellow men. The picture would have
the
been more consistent had the final tragedy not
significant phases of photography, direction,
social value been softened by a sentimental ending.
settings, cutting, dialogue, or the
your class do not know how well you have succeeded
of the film. With a little practice
I
review from in picking out the honest reviews from the

will be able to detect a “blurb”
ones which are merely written to influence
an honest one nearly every time. Let’s try
it
out. going to give a few sentences from

I am you to go to the picture. Perhaps in one or
both and reviews of a higher type.
blurbs two cases there is room for an honest argu-
ment. I am sure, however, that if you learn
Each review will be given a number. Write
to tell one kind of review from the other, and
on a piece of paper which you judge it to be,
to demand honest reviews, you are more
blurb or honest. The correct answers are
likely to get them. Study and compare the
given at the end of this article.
reviews which appear in Time, Liberty,
1. A very gripping but somber story. It presents
with sympathy and understanding the help- Judge, Life, Vanity Fair, the Netiv Republic,
lessness of the man and woman at the
bottom Parents’ Magazine, the Educational Screen,
of the social and economic strata. The
staging
above the average; and others.
is notably fine; the acting
the appeal very modern.
Thus
far I have dealt only with selection
Glorious entertainment fast,
.
—
furious fun of pictures based on your present standards
t.
daring, diverting delineations smart, —
sophisti-
for motion pictures. But are these standards
—
cated settings an entrancing ensemble
swarm-
satisfactory? Could they be improved? Here
ing and scampering about a mischievous madcap
maiden. The peak production of the present are some of the standards that high school
season. . .. .
students said were of much importance before
ruthless tale of life in the raw— vivid, dra-
.
A they studied motion picture appreciation and

3.
matic, thrilling, tense —
a magnificent entertain-
after such study. It reads like this: 93.6 per
ment you’ll never forget. It’s the terrific drama
of the underworld, vitalized into a wonder film
cent of high school students used acting as a
by this famous producer. Vivid Virile
1 1
standard before the study of motion picture
Realistic ! . appreciation 94.5 per cent, after
;
a change
The atmosphere is well sustained in the tine
4.
of .9 per cent.
settings the acting is quietly effective. In fol-
;
possibly adopted Per cent Per cent Per cent

lowing the novel, the play has
Standard Before After Change
too much the leisurely motion of a book of
Acting 93.6 94.5 .9
many chapters, and the story seems too long in Directing
...
... 27.6 68.1 40.5

coming to a close. It will, however, linger in
Reality 8.6 11.7 3.1
the memory when many pictures are forgotten.
...
Photography ... 21.2 68.1 46.9

5. An entertainment so absorbing that it, literally Settings ... 61.7 78.2 16.5
casts a spell over every audience. You’ll laugh
— you’ll cry. The heroine rises to stellar heights
Dialogue
Sound
... 26.4
31.6
35.0
52.2
8.6
20.6
and proves her amazing versatility in a role that
fits her like a glove.
Plot
...
... 64.4 60.1 —4.3

Lighting ... 9.5 26.1 16.6
6. This is probably one of the poorest pictures that
has appeared in the last year; it may even be Photography and direction made the most
THE poorest. Its so-called humor depends
pronounced shifts. Evidently there are many
upon a perpetually drunken millionaire and a
janitor with a Swedish accent, but their heroic
sources of enjoyment at these points not yet
efforts to entertain are fruitless in this creaking experienced by high school students. What
relic of the slap-stick era. standards would your class set up in regard
to each of these points? Here is an example 7. Further, the humor should fit naturally
of standards which you might set up in re- into the situation and should not be used
gard to the Plot or Story: merely as relief.
1. A good motion picture story must really 8. One of the most important things the
do what it sets out to do. motion picture can do is to show you truth-
2. The story should be so built that there fully the consequences that come from mak-
is a consistent rise in interest from the being certain choices in life.
ginning of the picture until the climax. Do you agree with these standards? If not,
i. A
well-constructed motion picture should revise them to fit the judgments of your class.
not be hard to follow. Now set up a project in which you develop
4. Any problem which is presented in a similar standards for the other phases of the
serious motion picture should be presented motion picture. These activities will be your
accurately. first step in the development of an intelligent,
5. Such a picture might end happily or discriminating appreciation of motion
unhappily, as long as the ending is logical. pictures.
6. Humor in motion pictures should not be The honest reviews are: Nos. 1, 4, 6, 7, 10.
consistently built up at the expense of certain
The “blurbs" are: Nos. 2, 2, 5, 8, 9.
races or nationalities.
FEATURE FILMS
CAR NUMBER 99 » » spired by Lenin is impelled to lead his fellow
Fred MacMurray, Ann Sheridan, Sir Cuy peasants in Guerilla warfare against the
Standing, Frank Craven. Story by Karl White Russians. The story presents graphic
Detzer. Direction by Charles Barton. Para- scenes of fighting, closeups of Russian types,
mount. generals behind the lines planning battles
while playing immortal classics upon the
A young police recruit, assisted by the
piano, and the hungry resentful infantry. The
police radio system, catches a band of ex-
strength of the picture lies in the vividness of
perienced thieves. The picture holds one in-
these characterizations; its rather hazy con-
terested because of the swift-moving plot, the
tinuity which fails to make clear, at least to
outstanding characters and the excitement
an American audience, the fate of the hero
attendant upon racing cars, police broadcasts,
and the outcome of the conflicts. Though un-
etc. The situations contrasting the old time doubtedly interesting, it leaves one with a
country sheriff and the modern police officers
sense of dissatisfaction tinctured with be-
lends humor to the plot while a wholesome
wilderment.
story contrasts favorably with the hectic un-
Adolescents. 12 to 16 Children, 8 to 12
certainties of banditry. It gives an interesting
Grim and depressing No
insight into the operations of the Michigan
'r
State Police and some of the methods they
employ to trap criminals. CLIVE OF INDIA * *
Ronald Colman, Loretta Young, Francis
Good Too exciting Lester, Lumsden Hare. Direction by Richard
•w
Boleslawsky. Twentieth Century United
CHAPAYEV » » Artists.
Boris Babochkin. Direction by Sergein and
The film is of unusual historical interest.
Georgi Vasilev. Produced by Len Film,
It concerns itselfwith Robert Clive, the na-
Leningrad. U.S.S.R.
tional hero who distinguished himself by es-
An American critic of a foreign film done tablishing England’s East India Company,
in aforeign language is at a great disad- fighting many battles against tremendous
vantage. In this picture, though about fifty odds. The love story, used as background,
percent of the dialogue is translated, many is a sweet and simple one, very refresh-
little asides and minor comments are lost ing and charming. Loretta Young as the
upon the audience, who with little more than lovely wife and Ronald Colman are very
the visual sense to guide them, may go far satisfying although the picture seems a trifle
astray in interpreting the picture’s message. long in spite of fine production values. The
Probably this film has less international sig- battle scenes are rather realistic and terrify-
nificance than other Russian productions ing for younger children.
shown in this country. It is basically a char- Adolescents, 12 to 16 Children, 8 to 12
acter study of Chapayev the peasant who, in- Fine Too emotional
Seven
Motion Picture Reviews
CASINO MURDER CASE » » is hardly worth telling. It is tawdry and

Paul Lukas, Alison Skipworth, Donald Cook,
dramatically weak. In Spain in the early
Rosalind Russel, Louise Fazenda. From book part of the century, a predatory cigarette
girl attracts an army officer and through the
by S. S. Van Dine. Adapted by Florence
Ryerson and Edgar Allan Woolf. Direction following years continues to cast her spell
by Edwin L. Marin. M-C-M. and ruin him. The photographic details and
pantomime are unusual and fascinating. The
For those rate entertaiment in terms
who But the production
music, very beautiful.
of excitement, this will contain the requisite cannot fail to draw criticism.
number of thrills. It is another detective story Adolescents, 12 to 16 Children, 8 to 12
about a now well-known hero, the American Unsuitable No
counterpart of Sherlock Holmes, and it •v
affords opportunity to those who have not
read the book, to test their own powers of DON QUIXOTE
—
observation for analysis of motives and its Feodor Chaliapin, Oscar Asche, Sidney Fox.
reaction in a household where high ideals From the classic by Cervantes; scenario by
have no part and ethical standards are Paul Morand. Direction by C. W. Pabst.
absent. Suspicion falls alike on the just and Photography by Nicolas Fackas and Paul
unjust, with sustained mystery and suspense Portier. Music by Jaques Ibert and Dar-
and well placed humor. The solution is gomijsky. Nelson Films Ltd. and Vando
reached suddenly, naturally and dramatically. Film.
It is good of its type. Here is art; a beautiful blending of artis-
Adolescents, 12 to 16 Children, 8 to 12 tic photography, music and imagination in
Very exciting No; terrifying this unusual adaptation of an old classic to
v pictorial presentation. Not only these quali-
ties and the superb acting of the two main
DEATH FLIES EAST » » characters give this picture distinction, but
Florence Rice, Conrad Nagel. From a story the attention to minor details; the towns-
by Philip Wylie adapted by Albert Demond people, carefully chosen types, the landscape,
and Fred Niblo, Jr. Direction by Phil Rosen. even the animals who participate in the story,
Columbia. lend it charm and a peculiar kind of dignity
In this mystery murder melodrama aboard
seldom found in the movies. It is a picture
a transcontinental plane the plot is thickened
which will delight the intellectual theatre
goer. In a series of exquisitely beautiful
to the point of muddiness with almost all the
scenes, it tells the story of the most famous
ingredients known to mystery writers. When
several people die of poison all the passengers
megalomaniac of literature, through his fan-
are under suspicion and the audience is given
tastic, absurd adventures to a final sequence
of rare distinction, where his great library
a glimpse into the private lives of some of
of classics is burnt and the camera catches
them. The heroine is a girl who has violated
her parole from a penitentiary in order to the destruction of each book, page by page.
fly east to obtain a confession which will
Chaliapin is a splendid actor and the comedy
of his portrayal is subtly tinged with tragedy.
prove her innocence, and the hero is a young
man who is taking a secret munition for- His gorgeous voice is a treat for music lovers.
mula to Washington. The story is incoherent Adolescents, 12 to 16 Children, 8 to 12
and the ending hazy. It is considerably below Yes Mature
average in entertainment value.
Adolescents, 12 to 16 Children, 8 to 12 FOLIES BERCERE » »
No No Maurice Chevalier, Merle Oberon, Ann

•w Sothern, Reginald Owen. Direction by Roy
del Ruth. Twentieth Century.
THE DEVIL IS A WOMAN » »
This is probably the best vehicle Chevalier
(Caprice Espanol)
has had in American films since his engaging
Marlene Dietrich, Lionel Atwill. Direction
“Innocents of Paris.” As an amusing, light
by Joseph von Sternberg. Paramount.
hearted vagabond entertainer in the Folies
Students of cinematography will probably his role is reminiscent of his past successes,
be the audiences most appreciative of von but he plays a dual role appearing also as
Sternberg’s latest picture. The director is the polished, suave Baron Cassine, a person-
past master in the art of creating mood and age important in Parisian financial and social
settings. Lighting, photography and musical This characterization
circles. is new to us
accompaniment are used with unusual suc- and he does it very cleverly. It is a gay
cess toward this objective. One may or may farce, with sophisticated dialogue, spectac-
not like “La Dietrich” but it will be difficult ular ballets and delightful songs.
to forget her or her vehicle because of the Adolescents, 12 to 16 Children, 8 to 12
way in which the story is told. The story itself Amusing Little interest
THE CHOST WALKS » »
are saving money to open a taxi stand, are
John Miljan, June Collyer, Richard Carle,
involved in a series of contretemps. After a
Henry Kolker. Direction by Frank Strayer. tumultuous evening at the star’s premiere
Invincible Picture Corp.
their difficulties are unravelled. It is a mildly
shrieks, murders, strange dis-
In spite of entertaining take off on publicity stunts, er-
appearances, lunatics and a haunted house, ratic celebrities and the “dear public.”
this ghost story is neither blood curdling nor Adolescents, 12 to 16 Children, 8 to 12
entertaining. It is about a playwright who Waste of time No
attempts to sell a horror play to a producer -<r
by hiring a haunted house in which to stage

it. The performance gets out of hand before
I’LL LOVE YOU ALWAYS » »
Nancy George Murphy.
Carroll, Original
the evening is over and the play almost be-
play by Lawrence Hazard. Adapted by Sid-
comes a reality. The idea is not bad but it
ney Buchman and Vera Caspary. Direction
seems to have been ineptly handled.
by Leo Bulgakov. Columbia.
No No After courtship, two young people
a brief
marry and go big city. Ir. desperation
to the
at his failure to find a position, the man
CIGOLETTE » »
steals some money. Though he expiates his
Adrienne Ames, Ralph Bellamy, Donald crime with a prison term, the subse-
Cook, Robert Armstrong. Direction by quent reactions of the others involved are
Charles Lamont. R-K-O. magnanimous to the point of rewarding out-
A girl who has been brought up in luxury standing weakness with the same prizes that
is leftpenniless, goes to New York to look for are ordinarily supposed to be won by strength
work and becomes hostess in a cheap night and merit. The solution of the economic
club. Drinking scenes and the exposure of problem holds implications that might easily
the night club racket make the picture so- weaken the moral fibre of many young peo-
phisticated though it is not really distasteful ple who are in the same desperate straits.
ethically. The acting is sincere but not spec- The love story, because of its human appeal
tacular, and the direction is good enough to and sympathetic portrayals by the actors tend
give the mediocre story the appearance of to mitigate the sentimentality, but even the
being more important than it really is. love story suffers because it is so often sac-
Adolescents. 12 to 16 Children, 8 to 12 rificed for emotional effect.
Too sophisticated NO
Unsuited No
THE HOOSIER SCHOOL MASTER » »
Norman Foster, Charlotte Henry, Dorothy

IN SPITE OF DANCER » »
Wallace Ford, Marian Marsh. Direction by

Libaire,Sarah Padden, Otis Harlan. From
the novel by Edward Eggleston. Adapted Lambert Hillyer. Columbia.
by Charles Logue. Direction by Lewis C. A wild and wooly melodrama of the old-
Collins. Monogram. fashioned western type with truck drivers in-
A stereotyped picture of post Civil War stead of cowboys for heroes and villains. It
is both noisy and boring, a tiring and un-
days with a rural background. Both plot and
characters follow a stock, rather than an orig- interesting film.
inal, pattern, through slow moving sequences.
A discharged soldier seeking government Very poor No
land, becomes a teacher in an Indiana village
school. The
townspeople, resentful of sol-
LES MISERABLES » »
diers’ make life miserable until
intrusion,
Frederic March, Charles Laughton, Sir Ced-
justice is triumphant. An opportunity for ric Hardwick, Rochelle Hudson, Florence
comparison with present day economic prob-
Eldridge, John Beals. Novel by Victor Hugo.
lems is weakened by the dull presentation of
Screen play by W. P. Lipscomb. Direction
these problems.
by Richard Boleslawsky. Twentieth Century.
Disappointing No value Mr. W. P. Lipscomb has made a superla-
tive screen story from the famous novel by
•w
Victor Hugo. Indicting the inhuman appli-
IT HAPPENED IN NEW YORK * * cations of the letter of the law in the case of
Lyle Talbot, Gertrude Michael, Heather a man who stole a loaf of bread and was
Angel. Direction, Alan Crosland. Universal. sentenced to the galleys, the story tells of
the heart-breaking struggle of this man to
A trivial farce in which a temperamental
escape his past. It is powerful, dramatic and
movie star and a young engaged couple, who
inspiring. Frederic March as Jean V al Jean,
Motion Picturb Reviews Nine
LITTLE FRIEND » »
the escaped convict, and Charles Laughton
in the role of Javert, inexorable servant of Nova Pilbeam, Matheson Lang, Lydia Sher-
the Law, are superb. Richard Boleslawski’s wood, Jimmy Hanley, Arthur Margetson,
direction is peculiarly sensitive and for once Jean Cadell. Story by Ernst Lothar. Direc-
the use of closeups has made appreciation of tion by Berthold Viertel. Gaumont British.
character delineation so intimate a revelation American themes as sub-

films rarely treat
that this technique adds to rather than de- ones. This is the more
European
jectively as
tracts from interest in the action. Charles apparent in the stories of childhood which
Laughton’s Javert will not easily be forgotten. we have seen, as exemplified in the French
It seems to us that he presents a perfect in-
film “Poil de Carrott” and in this fine English
terpretation of the psychology which made
production. It is an amazingly astute picture
the man the relentless instrument of unim-
of a child’s reaction to a broken home. By
aginative unyielding law, and yet he succeeds their self-centered and thoughtless behavior,
too in winning an unwilling sympathy for the the parents bring agonizing suffering to the
completely sinister villain. Frederic March child who loves them both and is loved by
gives a very fine study of Jean, a character them. Nova Philbeam is a most unusual
who grows, through varied experiences, into actress and her performance is sensitive and
a man inspired by a spiritual motive. The beautiful. The picture has exceptional in-
lesser roles are splendidly portrayed; the
terest for adult audiences.
picture is an event not to be missed.
Unsuitable Unsuitable
Fine Mature •v
sr
A NIGHT AT THE RITZ * »
LITTLE MEN » »
Patricia Ellis, William
Gargan, Allen Jen-
Erin O’Brien Moore, Ralph Morgan, Junior
kins, Dorothy Tree, Eric Rhodes, Burton
Durkin, Tad Alexander, Cora Sue Collins.
Churchill. Direction by Eric McCann.
Direction by Phil Rosen. Mascot.
Warner Bros.
In this screening of Louisa May Alcott’s
book, adaptation and direction both preserve
A sillybut not very funny comedy concern-
ing a young man who poses as an expert
very well the spirit of the original. It could
not be so good as “Little Women” because
chef and encounters difficulties when he is
called upon to cook a banquet at a large hotel.
the “Little Men” is one of the less interesting
It is a waste of time.
and less important of Miss Alcott’s novels,
but it does succeed in being a pleasant, sin-
cere and wholesome story with a real appeal Poor No
•w
to children. Its sentimentality is not quite in
tune with our times but its ideals are those ONE NEW YORK NIGHT » »
which we hope still prevail. Franchot Tone, Una Merkel, Conrad Nagel.
Adolescents, 12 to 16 Children, 8 to 12 From the play, “Order Please." by Edward
Yes Very good Childs Carpenter. Direction by Jack Con-
•V way. M-G-M.
LADDIE » » A young man from Wyoming encounters

John Beal, Gloria Stuart, Virginia Weidler,
more than he bargained for when he comes
Donald Crisp, Dorothy Peterson, Willard to New York to look for a suitable wife, for
Robertson. From novel by Gene Stratton- having registered at a hotel for the night,
Porter adapted by Ray Harris and Dorothy he unwittingly becomes involved in a murder
Yost. Direction by George Stevens. mystery. The picture is a light comedy, well
R-K-O.
acted and abundantly supplied with humor
A charming, sentimental picture which has
accurately caught the spirit of the book from
by Una Merkel and Franchot Tone. The
which it is adapted. The nobility of farming nonchalant treatment of exciting events gives
and the solidarity of family life are the gen- an unexpected and amusing twist to a not
eral themes which form the background for unusual story.
the sweet, simple romance of a farmer’s son Adolescents, 12 to 16 Children, 8 to 12
and the daughter of an embittered English- Entertaining No
man whose hurt pride is finally healed in xr
happier surroundings. The time is the middle PRINCESS O’HARA » »
of the 19th century and much of the charm of Jean Parker,Chester Morris, Leon Errol.
the picture is due to the settings, costumes and Original story by Damon Runyon. Direction
customs of that day. Excellent family enter- by David Burton. Universal.
tainment.
The heroine of this piece is an innocent
Children, 8 to 12 young
G°° d
girlwhose father drives a one-horse
If it interests cab in New York, and the hero is a handsome
Ten Motion Picturb Reviews
sophisticate, owner of a taxi service and a girl who wins an Irish Sweepstake prize. Her
night club. It takes a taxi war, horse stealing, une- ’'ected wealth makes her the prey of the
race track sequences, the domestic trials of unscrupulous until her faithful sweetheart
the “princess” and her small brothers and awakens her to finer realtiies.
sisters and a cab horse suffering from pneu- Adolescents, 12 to 16 Children, 8 to 12
monia to complete the picture. If it was No value No
originally a good story it is sadly changed in
the adaptation, for unless audiences enjoy its
particular brand of inanities it will bore them
intensely. TIMES SQUARE LADY * »
Adolescents, 12 to 16 Children, 8 to 12 Robert Taylor, Virginia Bruce, Helen Twelve-
Not recommended No trees, Isabel Jewell, Nat Pendleton, Pinky
•v Tomlin. Direction by George B. Seitz.
M-G-M.
RED HOT TIRES » *
Lyle Talbot, Mary Astor, Roscoe Karnes, Just why this story should have been
Henry Kolker, Frankie Darrow. Direction allowed go through to production is mysti-
to
by D. Ross Lederman. First National. fying. The story itself has no value and the
acting does nothing to redeem it. It concerns
As
the title indicates this is a story of auto- the activities of a gang of crooked sportsmen
mobile racing. It has the usual exciting who, when their leader dies, find that all his
scenes of crowds of spectators and the thrills business properties have been left to a daugh-
of a close race. Rivalry between two drivers ter out in Iowa. She comes to New York to
for the affections of a girl, unfair tactics em- take charge, discovers that the hockey team,
ployed by the villain, and the faith of one the dog races, etc., are all crooked, makes a
young mechanic in the honesty of the driver mild gesture of disapproval and then elopes
who is thought to have been crooked furnish to Europe with the head of the ring. All the
the motives in the drama. It is fair enter- scenes feature “double-crossing” as an inter-
tainment of its kind. esting racket, and the opposing groups of
Adolescents, 12 to 16 Children, 8 to 12 crooks, shooting at each other from automo-
Fair Not biles as they race down country roads, fur-
recommended nish the element of excitement. The comedy
element (totally unrelated to the plot) is as
RUCCLES OF RED CAP » » cheap and banal as the main theme and
Charles Laughton, Charles Ruggles, Mary could entertain only the most primitive type
Boland, Zasu Pitts, Roland Young. Story of audience.
by Harry Leon Wilson. Direction by Leo Adolescents, 12 to 16 Children, 8 to 12
McCarey. Paramount. No No
This priceless comedy, ranging from the
ridiculous to the sublime, is a huge success
and one’s reaction to its uproarious episodes
is a tribute to the able cast and the fine inter-
THE WEDDINC NICHT » »
Anna Sten, Gary Cooper,

Ralph Bellamy,
pretation of the roles. Charles Laughton gives
Helen Vinson. Direction by King Vidor.
a memorable characterization of Ruggles, the
English valet, with the inhibitions inherent in
—
Producers Samuel Coldwyn. Released by
United Artists.
his social class, who is put up as a stake in a
poker game and is lost to an American. He When financial pressure causes a young
is taken to America (a country of savages, author and his wife to abandon their gay,
as he describes it) and there he is gradually sophisticated New York life and retire to a
pervaded with the idea of equality and finally Connecticut farm the stage is set for a rural
wins for himself a place in the world of inde- tragedy, for the wife soon returns to the city
pendent men and women. Mr. Laughton’s and the author finds in a Polish milk-maid,
versatility is given wide scope, and Charles the daughter of a neighbor, his inspiration for
Ruggles, Mary Boland, Zasu Pitts and the a novel. As might be forseen a love affair
inimitable Roland Young are especially well develops which leads to inevitable tragedy
cast. It affords excellent entertainment. for the girl. The story is somewhat theatrical
Adolescents, 12 to 16 Children, 8 to 12 in its handling and does not ring quite true.
If it interests If it interests Interesting for its sequences dealing with the
•w old country customs of the Polish farmers,
it is otherwise undistinguished. It is unpleas-
SWEEPSTAKE ANNIE » »
ant in its implications and rather apathetically
Marian Nixon, Tom Brown. Direction by acted.
William Nigh. Liberty. Adolescents, 12 to 16 Children, 8 to 12
A mediocre little story about a studio script No No
Motion Picturb Rsvixws Eleven
WHEN A MAN’S A MAN » » give unfamiliar with Western ranch

those
Ceorge O'Brien, Dorothy Wilson. Novel by life avery vivid impression, and some of the
Harold Bell Wright. Direction by Edward F. action resembles a glorified serial in its
Cline. Sol Lesser Production. Fox. spectacular melodrama. It is rather out-
A
Western, smoothly directed and innoc- moded for most adults.
uous, but having little of constructive value Adolescents, 12 to 16 Children, 8 to 12
to offer. There is not enough local color to A matter of taste No; too exciting
SHORT SUBJECTS
OLD DOG
TRAY. Terrytoon. Fox. Car- GOING PLACES. No. 7. Universal. Trav-
toon of dog playing pranks and performing elogue of diversified subjects with interesting
heroic deeds. Family. talk by Lowell Thomas. Montezuma fisher-
WILL OSBORNE. Melody Master.Vita- men; expert handcraft; Mt. Rainier; Nippo-
phone. Will Osborne and orchestra,
his nese dancers, etc.
singers, and pictures illustrating the songs. MAKE BELIEVE REVUE. Columbia.
Fair for family. Color cartoon of small boy in dream land.
DON QUIXOTE. Allied. Life size color Good; family and children.
cartoon of a Don Quixote resembling a GOLD RUSH. “See America First” series.
wooden soldier. Fair for family. Vitaphone. America, 18+5 to 18+9, along the
STRINGS AND STREINS. Variety. Para- Santa Fe trail to California. First of a series
mount. Studio scene with songs, dancing, a which promises exceptional interest. Family.
ventriloquist, etc. Fair for family. LOST CHICK. M-G-M. A
delightful
COUNTRY BOY. Vitaphone. Delightful color cartoon in which squirrels mistake an
colored cartoon of a litle rabbit who tries to egg for a nut and store it away. Mother hen
play hookey. Excellent for all ages. discovers her chick and in turn mothers the
squirrels who now have no winter’s supply of
AN OLD SPANISH ONION. Ruth Etting. food. Family and children.
R-K-O. A supposedly Spanish-Mexican
comedy. Poor. HARRY VON TILZER. Pepper Pot. Vita-
phone. Composer honored by dinner. Fair
HARK YE LARK. Ben Bernie. Paramount.
entertainment.
Ben Bernie imitating birds by whistling, sing-
ing songs and illustrating them with pictures SHOEMAKER AND ELVES. Columbia.
of real birds. Very good for family. An old shoemaker befriends an elf and is in
turn repaid. Color cartoon amusing; family.
I HAVEN’T GOT A HAT. Merrie Mel- ;
odie. Amusing color cartoon of exhibition TOP NOTCHERS. R-K-O. Athletic ex-
day at school with little pig, kitten, and dogs perts shown with amusing comments by spec-
taking part. Very good for all ages. tators. Family.
GERGIA. Amity.
Excellent pictures of SEEING EUROPE WITH WILL
Georgia with interesting comments telling of ROGERS. Amity. Holland with the famous
history and present industries. Recommended humorist. Entertaining talk; good pictures;
for all ages. family.
GYPSY SWEETHEART. Color Musical. CHUMS. Treasure Chest. Fox. Unusual

Vitagraph. Good dancing and singing and friendships among animals. Very entertain-
lovely color photography. The story only fair ing; family and children.
but the whole very good entertainment for all DONKEY BASEBALL. Pete Smith. M-G-
ages. M. Baseball on donkey back at Culver City.
SONGS THAT LIVE. Vitagraph. Gus Amusing. Family.
Edwards sings his own compositions. Good STOP THAT NOISE. Betty Boop. Para-
for all ages. mount. Betty tries to escape city noises finds ;
PARAMOUNT PICTORIAL No. 9. Nov-

the country worse. Amusing. Family.
elty. Beautiful pictures of Marseilles and SIM-PHONY CONCERT. Eddie Conrad.
Bird City. Dance and comedy. Good for all R-K-O. An amusing comedian in a silly
ages. musical short.
HOT CHA MELODY. Krazy Kat. Colum- SPORTING SOUNDS. Sportlight. Para-
bia.Schumann’s ghost haunts Krazy Kat who mount. Ten sports are identified by sounds
has parodied his music. Coarse and un- and then illustrated. Ted Husing the nar-
pleasant. rator. Entertaining; family.
Twelve Motion Picturb Reviews
ISLE OF SPICE. Vagabond Series. R-K-O. pearl fishing, violin maker 100 years old; pet
Excellent picture of Celon and different cemetery, etc. Entertaining; family.
phases of its life and customs. Family.
GOLD GETTERS. Scrappy. Columbia.
SUPERSTITION OF THE RABBIT’S Cariacature of gold digging. Poor.
FOOT. Paramount. Supposed origin of the
superstition dramatized ;
interesting. Family. RADIO ROW. No. 3. Donald Novis.
Vitaphone. To entertain a sick child radio
JACK FROST. Color Cartoon. Allied.
entertainers put on a show. Silly story and
Lovely fantasy of Jack Frost saving a little
poor performances.
bear from winter hardships. Good music.
Family and children. PLEASE TO MEET
CHA. Popeye. Para-
OBJECT NOT MATRIMONY. Ernest mount. Popeye and his rival contest for the
Truex. Fox. In search of a cook a distraught honor of an evening with Olive Oyl. Only
author mistakingly goes to a matrimonial fair.
agency. Mr. Truex is miscast in vulgar skit. AIR THRILLS. Sport. Columbia. Stunt
AN EAR FOR MUSIC. Tom Howard. flying and gyro tricks. Interesting but ex-
Fox. Silly vaudeville in a radio broadcasting citing.
setting.
HAYSEED ROMANCE. Buster Keaton.
STRANGER THAN FICTION. No. 7. Fox. Unbelievably dull performance by a
Universal. Girl bathing a lion; Arkansas once amusing comedian.
MOTION
PICTURE
REVIEWS

MAY 1935
constant reference.
Films Reviewed in this Issue Films Suitable for Family

Baby Face Harrington Entertainment
Behind Green Lights
Beyond Bengal
Beyond Bengal
Cardinal Richelieu
Black Sheep
Dinky
Bride of Frankenstein
It’s a Small World
Broken Melody
Jack Ahoy!
Cardinal Richelieu
Mississippi
The Case of the Curious Bride
My Heart Is Calling
Chasing Yesterday
The Runaway Queen
Dinky
Sons of Steel
Eight Bells
Strangers All
G-Men
Ten Dollar Raise
Cold Diggers of 1935
The Unwelcome Stranger
Great Cod Cold
I Small World
t’s a
JackAhoy
Mark of the Vampire
Mississippi
Mr. Dynamite
My Heart Is Calling
The People’s Enemy
Private Worlds
Reckless
The Runaway Queen
Sons of Steel
Stolen Harmony
Strangers All
Ten Dollar Raise
Traveling Saleslady
Werewolf of London
Women Must Dress

BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
LOS ANGELES
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W EBBCR AFT PRINTERS. 2509 WEST WASHINGTON BLVD. . LOS ANGELES

MOTION * PICTURE * REVIEWS

LOS ANGELES BRANCH
EDITORS
Vol. VII May, 1935 No. 5
FOREWORD
With the permission we are quoting a talk given on the radio program of
of the author
the California Congress of Parents and Teachers. It is particularly in line with our belief
that one of the most important and practical ways of securing better pictures in the future
is to train children from the beginning to appreciate and enjoy good pictures, to develop their
critical faculties in order that they may select what is good and reject what is bad.
THE YOUNG CHILD AND THE MOTION PICTURE

By ANN HARRIS
Third Grade Teacher, Second Street School, Los Angeles
Pioneers in the field of Motion Picture Appreciation are apt to dismiss the young child
by saying that he has no place in the motion picture theatre. Be that as it may, every Sunday,
in our district, finds him there. The father is not able to provide him room to play either —
inside or outside, but he can often provide a dime with which to send him to the Sunday show.
What is to be done about it? First, one can lead him to an awareness of the other sources
of enjoyment within his environment such as the newspaper, the radio, the library, and
the park.
Then he canbe lead to exercise discrimination about the photoplays that he does see.
At he will be hazy as to the title, the star, and the continuity of the cinema he has
first,
attended. Gradually he realizes that blindly paying a dime into the box office and taking
—
what comes is as intelligent as asking for a dime’s worth of candy and taking anything,
when he knows very well that some kind are better than others.
Monday morning reviews of the Sunday shows had continued all last term until on the
21st of February we were fortunate enough to have the opportunity of viewing three comedies.
Six reels of comedy for everyone gave us our first real chance to do something with motion
picture appreciation. Usually since not more than five saw the same picture, discussion was
very difficult.
you could only have heard the laughter of those children. Not a move did Charlie
If
Chaplin make, but the children caught it, understood, and laughed. Here in pantomime they
found a common background of meanings sadly lacking in a group of eight, nine, and ten-
year olds composed of two Armenians, two Japanese, four Russians, five Jewish, one Irish,
and fourteen Mexicans.
Laughter is as foreign to the daily lives of these children as they themselves are —
to you. Current events bring out incidents such as the following: From Armenian Ben, age
10, “That was my uncle that jumped off the bridge yesterday. He hadn’t been long from
Armenia. Someone stole his truck. He couldn’t work.”
From Russian Tanya, age 8: “A Russian man killed his wife and her friend on the way
to work this morning. Right down there —
we saw them. They were dead.”
When tragedy walks bv one’s side, when one has not enough to eat or wear one must —
laugh — if one is to live.
So it was was a gala day in our lives. After each child had written up the
that this
comedy —
had enjoyed the most he shared his story with the group seated around the
that he —
tables. As each child read, we laughed together again in remembrance. A tally was kept
as the stories were read. At the end, the scolre stood: Our Gang, 9; Charlie Chaplin, 12, and
Harold Lloyd, 5.
Now came the question as to what made a comedy good. “A good comedy must be
funny, but not silly,” averred Marjorie, age 8.
In explaining the difference between silly and funny —
Armenian Charles asserted: “Silly
is something they just make up. Funny is something that is real, and they act it funny.”
The championing of favorites began with Alvin: “Harold Lloyd is the best because he
does good acts. When he slips, he slips good.”
“Charlie Chaplin didn't have to have as many subtitles as Harold Lloyd, because Charlie
Chaplin can show better what he means without subtitles.” Rivah, age 8.
“Speaking of subtitles,” interrupted Shirley, “wasn't Harold Lloyd a talkie?” Then as
the children laughed, she insisted, “Well, of course, Our Gang was — a talkie.”
That child hadn’t missed sound at all.
Then Armenian Charles summarized Charlie Chaplin’s creed: “Charlie Chaplin can
explain things silently.”
“Our Gang is best for children, though,” insisted Mexican Martha, “because it has so
many children in it.”
“It isn’t good for children because they want to do what they see. They shouldn’t have
taken up that sign," began Lorraine, age 8, and before she could finish there came a flood of
—
condemnation of the gang for the things they had done that they shouldn’t have done.
“When you see one or two good children in a movie, it makes you want to be good,”
summarized Rivah. “The Gang doesn’t make you want to be good it makes you want to —
be mischievous.”
“Let’s all go to the same movie this week-end,” suggested Rivah. For the first time in
six months —
a child had seen the value for purposes of discussion —
of everyone deciding on
the best picture in the neighborhood and seeing it. Some had already chosen Eddie Cantor
for this week-end. The succeeding week-end —
it was Laurel and Hardy; and this week-end,
it is to be Silly Symphonies that will form the basis for discussion. Thus we have been led
into a thorough discussion of comedy in general, which is common to all movie programs.
With 100% attendance at our special matinee of David Copperfield on April 8, we can
start on another type of photoplay.
All of this has been related to prove again that if a child is old enough to go to a movie,
he is old enough to have developed within an appreciative awareness of the values to be found
in fine photoplays.
FEATURE FILMS
BEYOND BENCAL » » Suah Perak, the party had many thrilling
Produced by Harry Schenck. adventures, crossing wild and beautiful
country and filming rare and unusual ani-
The producer of this jungle travelogue mals. The picture also gives a very interest-
assures us that no shot is faked. It is an ing impression of the character of the natives,
authentic version of the experiences of a their courage, loyalty and religious faith.
group of adventurers who went out to hunt It is entertaining and well worth while.
and to outline the possibilities of getting a Adolescents, 12 to 16 Children, 8 to 12
railroad into the interior at some future time. Excellent Too exciting
A bacteriologist accompanied the expedition v
and succeeded in preparing a serum to com-
more
BEHIND THE GREEN LIGHTS » »
bat the deadly jungle fever which is
Norman Foster, Judith Allen, Purnell Pratt,
dangerous to white men than the wild ani-
Sydney Blackmer. Direction by Christy
mals. With a huge safari of natives, carriers,
Cabanne. Mascot Pictures.
skilled hunters and elephants gathered
through the cooperation of His Highness According to movie ethics one repentant
soul is ideal material for a heroine. In this she is just as terrified of Frankenstein as are
case a young lady who works in an unscrupu- the human beings. The final catastrophe
lous lawyer’s office does her best to emulate which destroys them is a blessed release from
his shady tactics. She conducts the defense a hopeless situation. Mary Wollstonecraft
for a criminal whom she knows to be guilty Shelley, author of the book upon which the
and is jubilant at his acquittal until he un- picture was appears as one of the
based,
gratefully shoots her friend. Repentance then characters in the prologue and explains that
sets in, and all ends in a haze of rosy light. her purpose was to show the evil of man’s
The picture is so unconvincingly done that presumption in attempting to emulate God.
its message is of little importance. As a tragedy illustrating this theme the pic-
Adolescents, 12 to 16 Children, 8 to 12 ture is a success. The shock to intelligent
No No adult audiences will come from scenes of
xr violence and brutality rather than from the
fantastic creatures depicted.
BABY FACE HARRINCTON » »
Charles Butterworth, Una Merkel, Eugene
Better not Absolutely not
From a play by
Pallette, Nat Pendleton.
Edgar Selwyn and William Le Baron. Direc-
v
tion by Raoul Walsh. M-G-M. BLACK SHEEP » »
Edmund Lowe, Claire Trevor, Adrienne
This is a film to chase away the glooms
Ames, Eugene Pallette, Tom Brown, Herbert
and substitute a merry hour of entertainment.
Mundin. Story by Allan Dwan; adapted by
The actors seem to be enjoying their parts
Rivkin. Direction by Allan Dwan. Sol
and are so natural that one is never conscious
Wurtzel Production. Fox.
of the director’s guiding hand, while there
are unexpected twists in the story to keep one There’s always a bit of pathos (or, perhaps,
alert for succeeding events. Charles Butter- bathos) connected with “black sheep.” One
worth is a slow-witted door-mat of a man is expected to yearn over their misdemeanors
who secretly aspires to be a bon vivant; Una and realize that hard luck had more than a
Merkel is his wife who endeavors to push small part to play in their status quo. Thus
him forward. Through a series of misunder- Edmund Lowe gives us a debonaire example,
standings he is given a press reputation as charming, suave and appealing; Tom Brown,
Public Enemy Number Two. Then Fate takes a lovable chap who might easily have joined
a hand to reverse the situation, and he the herd if a helping hand had not rescued
mounts the coveted pedestal of success. It is him in the nick of time and set him on a
refreshing comedy to the last scene. straighter path. While not especially novel
Adolescents, 12 to 16 Children, 8 to 12 or original in theme it is an entertaining pro-
Needs mature gram film telling the story of the meeting on
appraisal Mature an ocean liner returning to New York of a
XT varied group of individuals each playing a
THE BRIDE OF FRANKENSTEIN » » dangerous hand in the game of life. It is
light, improbable, and rather amusing;
Boris Gavin Cordon, Ernest Theis-
Karloff,
deftly photographed and directed, and well
ger, Valerie Hobson, Elsa Lanchester.
cast.
Direction by James Whale. Universal.
We are told by psychologists that the basis No value and Unsuitable
of all fear is the unknown, the inexplicable. misleading
If this is true and one could believe in the •w
existence of such a monster as Frankenstein,
BROKEN MELODY » »
a picture such as “The Bride of Frankensetin”
John Garrick, Merle Oberon, Austin Trevor
would certainly be terrifying. However, it Direction by Julius Hogan. Olympic Prod.
seems to us that only the most impressionable
and hysterical persons could overlook the An insignificant and dull picture telling the
studied mechanics of the production suffici- story of a composer-singer and his sweetheart.
ently to be impressed with a sense of its The composer marries a shallow unfaithful
reality. To us the character created by Karloff woman, kills her when he
discovers her mis-
is pathetic rather than horrifying. A monster deeds, and, escaping from Devil’s
after
ineptly created by man with some of man’s Island, is pardoned to live happily ever after
emotions, capable of suffering yet lacking in with his former sweetheart and the child of
the ability to understand why he is shunned his first wife. Aside from the fairly pleasing
and persecuted, he is as violent and danger- voice possessed by the young man playing
ous as a hunted animal and just as pitiful. the composer, this picture offers nothing in
The female created to be his mate appears the way of beauty or originality.
only at the end of the picture to add the final Adolescents, 12 to 16 Children, 8 to 12
note of tragedy. Though a monster herself No No
CARDINAL RICHELIEU » » this wisecracking, fast moving detective story

George Arliss, Maureen O'Sullivan, Edward still holds one’s attention throughout and
Arnold, Cesar Romero, Violet Cooper. Based amuses. It is lavishly set and skilfully photo-
on a play by Bulwer-Lytton. Screen play by graphed, well acted and directed. The hero
Maude Howell. Direction by Rowland V. is a criminal lawyer of whose ethics the less
Lee. Twentieth Century Production. United said the better. He fits the mould of the
Artists. newer type of screen detective whose subtle
most interest-
skill, masked under the manners of a gay
George Arliss’ Richelieu is a
dilettante makes the screen minions of the
ing character, a fascinating combination of
law appear to great disadvantage. Thus it
cunning statesman, almost diabolical in his
is not adapted to an unsophisticated audience.
ability to penetrate into the schemes of his
enemies, dignified churchman, officiating with
all the pomp and splendor of his high office,
of no value No
xr
and gentle kindly guardian of those whom he
loves. The story concerns the successful DINKY » »
efforts of the Cardinal, ambitious for himself Jackie Cooper, Arthur Pryor, Mary Astor.
as well as for France, to keep the crown for Direction by D. Ross Lederman. Warner
Louis XIII and to prevent Louis’ worthless Bros. -First National.
brother, the Queen Mother, and a company of
Thatan unsophisticated picture with a
grasping nobles from destroying his dream of
large cast of children is not the whole answer
a great and unified France. The picture is
to the demand family entertainment is
for
distinctly worth while in recreating for us
proven by It is no doubt a
this production.
the spirit of that tumultuous period in French
sincere attempt to furnish family or even chil-
history when intrigue was at its height and
dren’s entertainment but it is not good of its
the glittering court life spelled elegance but
kind. There are almost no really dramatic
insecurity. It is exciting melodrama with
moments, the plot is based upon an artificial
many critical and tense moments and is
situation, and the whole seems composed
softened by the romance of Richelieu’s ward.
chiefly of trivialities. Less fortunately cast
The cast is excellent; Edward Arnold, splen-
than in earlier productions, in this picture
did as Louis XIII, and Violet Cooper most
Jackie Cooper plays the role of a small boy
satisfying in the role of Queen Mother. The
whose mother is unjustly imprisoned while he
direction is notable. The picture, though dig-
is boarding at a military school. Though his
nified and interesting, lacks the human and
mother tries to keep the knowledge of her
emotional appeal of “The House of Roth-
from him the story comes
difficulties to light
schild.”
and the boy voluntarily leaves school to enter
an orphanage where social prejudice will not
Excellent Mature
-w
discriminate against him.
CHASINC YESTERDAY » »
Fair Fair
Anne From the novel,
Shirley, 0. P. Heggie. sr
"The Crime of Sylvestre Bonnard,” by Ana-
tole France. Screen play by Francis Ed-
EICHT BELLS * »
Ann Sothern, Ralph Bellamy, John Buckler,
wards Faragoh. Direction by George
Franklin Pangborn. From a play by Percy
Nicholls, Jr. R.K.O.
Mandley. Direction by Roy Wiiliam Neill.
This is a wholly delightful adaptation of Columbia.
Anatole France’s sympathetic novel “The
Crime of Sylvestre Bonnard,” the story of an A
big freighter of the Walker Lines bears
elderly French scientist who rescues a lovable a cargo which must arrive in Shanghai on
child from unhappy surroundings. Superior schedule time in order to clinch a valuable
direction, sensitive characterizations and contract for the company, a feat which is
quaint settings in perfect keeping with the miraculously accomplished in spite of a near-
period and plot, combine in a production of mutiny, a broken piston, a hair-raising hurri-
quiet beauty and tender simplicity. cane and imminent shipwreck. The direction
Adolescents, 12 to 16 Children, 8 to 12 is excellent as far as the scenes of sea and
Excellent Yes crew and life on the ship are concerned; one
•w is definitely carried to China on that hazard-
ous voyage. Far less can be said of the plot.
THE CASE OF THE CURIOUS BRIDE » »
The heroine, who secretly steals aboard, is
Warren William, Margaret Lindsay. Erie a type indigenous to the movies, a gilded
Stanley Gardner, author. Direction by millionairess, spoiled to the point of nausea,
Michael Curtiz. Warner Bros. ill-bred, brainless, callous to the suffering
Not so smart nor so original as “The Thin of others. If taken literally she is a good
Man,” the general pattern of which it follows, argument for Communism. The captain has
many of the same characteristics. By contrast, cast of favorites will draw audiences to this
Ralph Bellamy, who gives a very creditable show. Some of them may be disappointed.
performance as the first mate, wins admira- The farcical plot recounts the adventures at
tion at every turn because of his disregard a summer hotel of a rich misanthropic
of class distinctions as well as for his honesty woman and her suppressed daughter. Except
and courage. for avid followers of photographic eccentrici-
Adolescents, 12 to 16 Children, 8 to 12 ties the picture has nothing new to offer.
Interesting but marred by Too violent Adolescents, 12 to 16 Children, 8 to 12

artificial standards Sophisticated No
•W •sr
C-MEN » » CREAT COD COLD »
James Cagney, Robert Armstrong, Ann Martha Sleeper, Sydney Blackmer, Regis
Dvorak, Margaret Lindsay. Story by Seton Toomey. Direction by Arthur Lubin. Uni-
I. Miller. Direction by William Keighley. versal.
First National-Warner Bros. A mediocre and dull melodrama concerning
Here a pictorial narrative of the exploits
is unethical lawyers who work up a receiver-
of notorious Dillinger gang and their
the ship racket with a dishonest judge and ruin
final capture by the Federal officers. Regarded reputable business firms. After a hotel owner
as entertainment this picture is almost too has committed suicide because of his losses,
brutal and melodramatic to be called divert- his daughter joins with a reporter to uncover
ing, but as a close-up of the methods used by the truth of the situation. The sentimental
our government to exterminate public reform of the gang leader on his death bed
enemies it has tremendous value. The story is supposed to give a philosophic moral to
is woven around a young attorney who gives the whole.
up private practice of the law and joins the Adolescents, 12 to 16 Children, 8 to 12
Federal Service. Subsequent scenes show the No No
different departments at work in their scien- W
tificwarfare on crime, and when the ex- IT’S A SMALL WORLD » »
attorney and his men go into action against
Spencer Tracy, Wendy Barrie, Virginia Sale,
the gang there are horrible pictures of
Raymond Walburn. Direction by Irving
wrecked cars, bleeding bodies and all the Cummins. Fox.
dreadful accompaniments of murder. The
romance between the hero and the sister of There is something of the quality of “It
his superior officer is out of tune with the Happened One Night’’ in this unpretentious
grim tone of the story, but it is fortunately farce comedy. The two have a slight
stories
subordinated to the main theme and does not similarity, for again a run-away wilful
succeed in spoiling the artistic unity of this daughter finds her match in a young lawyer
otherwise starkly realistic drama. The acting whom chance throws in her path. One also
is superb throughout; even James Cagney, may compare the good taste in direction and
though still unable to detach himself from the naturalness of the homely touches which
the complacent egoism which always domin- give the two apparent reality. This plot is
ates his roles, renders himself almost likeable absurdly funny because of the predicament
as a courageous and very much buffeted in which the two young people find them-
bloodhound of the law. The scenes of horror selves through the avarice of an unethical old
and bloodshed are much too nerve-shattering rascal who controls every office in the village
for highly strung persons and are absolutely where they are stranded.
unsuitable for juveniles, but mature citizens, Adolescents, 12 to 16 Children, 8 to 12
aware of, but apathetic to the increasing Amusing If it interests
prevalence of crime will be roused to a new
sense of civic responsibility and respect for
JACK AHOY » »
our courageous Federal officers.
Jack Hulbert, Nancy O’Neil, Henry Peterson,
Alfred Drayton. Story by Sidney Gilliat.
Too realistic and brutal Absolutely not
Direction by Walter Forde. Gaumont-
for most
v British.
» In highly entertaining musical farce

this
COLD DICCERS OF 1935 »
Jack Hulbert plays a sailor lad who is a
Dick Powell, Adolph Menjou, Glenda Far-
descendant of a famous and titled English-
rell, Hugh Herbert, Dorothy Dare, Gloria
man. He falls in love with the Admiral’s
Stuart, Alice Brady, Frank McHugh. Direc-
daughter and manipulates many “chance” en-
tion by Busby Berkeley. Warner Bros.
counters which are exceptionally amusing.
Bizarre dance sequences photographed Finally he helps to rescue the Admiral and
from new angles, catchy music and a large the daughter from Chinese bandits and there
follow plenty of exciting scenes which include MR. DYNAMITE » »
the English battle fleet, and which are thrill- Edmund Lowe. Jean Dixon, Esther Ralston,
ing and novel. Victor Varconi. From a story by Dashiell
Adolescents, 12 to 16 Children, 8 to 12 Hammett. Direction by Alan Crosland.
Excellent Entertaining Universal.
For certain motion picture patrons “wise-

MARK OF THE VAMPIRE » » cracking” Edmund Lowe may elevate this
Lionel Barrymore, Elizabeth Allan, Bela picture from the limbo to which it justly be-
Lugosi, Jean Hersholt, Lionel Atwill. Screen longs. It is a mediocre, confused story of the
play by Guy Endore and Bernard Schubert. solution of the murders of a musician of some
Direction by Tod Browning. M-G-M. note, his step-son and his secretary. The
whole atmosphere is cheap and unwholesome
Introducing the morbid superstition of the
and not conducive to public confidence, since
vampire, this is an interesting treatment of
the stupid police remain ineffectual until the
the theme which makes a certain appeal to
crime is brought to light by a crooked de-
those who enjoy spine chillers. It is fast
tective.
moving, weirdly effective in photography and
logical in the way that the mystery is solved.
No Decidedly not
Not recommended Absolutely not
THE PEOPLE’S ENEMY » »

MISSISSIPPI » »
Melvyn Douglass, Preston Foster, Lila Lee.
Bing Crosby, W. C. Fields, Joan Bennett. Direction by Crane Wilbur. Warner Bros.
From by Booth Tarkington, adapted
a story
by Herbert Fields and Claude Binyon. Di- The plot deals with organized crime and
rection by A. Edward Sutherland. Para- criminal lawyers, with prisons and parple
mount. boards, and shows the clever subterfuge
which goes on in all classes of society to
Fashioned along the general lines of “Show
shield criminals. The theme may be justified
Boat,” this musical comedy will give unadul-
because it emphasizes the necessity of ending
terated pleasure to most of Bing Crosby’s fans
the menace of sentimental parole boards and
and to admirers of W. C. Fields. Others will
of encouraging the Federal Government in
enjoy the costuming of the period, and the
its protection of the public. It is well directed
beautifully photographed scenes of the boat
and well acted, especially by Melvyn
and river settings.
Douglass.
Probably entertaining If it interests
-v No No
v
MY HEART IS CALLING » »
Jan Kiepura, Marta Eggert, Sonnie Hanes. PRIVATE WORLDS » »
Direction by Carmine Gallone. British- Claudette Colbert, Joel McCrea, Helen Vin-
Caumont. son, Charles Boyer, Joan Bennett. Direction
by Gregory La Cava. Walter Wanger Pro-
This is a charming musical comedy,
duction. Paramount.
particularly distinctive because of excellent
music beautifully rendered. It is also lovely in Closely following the book from which it is
settings and photography. The story revolves adapted, this is a photoplay with a strong
around a young aspiring opera singer and accent on the psychological although there is
his sweetheart, introduced as a stowaway on no dearth of exciting and dramatic climaxes.
the ship in which the singer and his company The setting is a hospital for mental cases.
are on their way to Monte Carlo to fill an There are four leading characters, a woman
engagement which is cancelled while they are psychiatrist, the hospital superintendent who
en route. Their ultimate sucess after many is placed in charge over the head of the lead-
disappointments is a satisfactory finale as ing resident doctor, this doctor and his wife
they have quite captivated the audience by who is herself a neurotic and forms the link
their humor, fine acting and marvelous voices. between the worlds of madness and of sanity.
The continuity is sacrificed at times to hilar- Their personal lives and their dealings with
ious and rather boisterous comedy, but the their patients are shown in vivid action. It is
production is entirely worthwhile and enter- a magnificently directed picture, the material
taining and has been directed with imagina- is intelligently handled and the acting is ex-
tive skill resulting in a performance both ceptionally good. Because of its theme, how-
amusing and stimulating. ever, it may not appeal to popular taste.
Excellent Cood Unsuitable No
RECKLESS » » But the picture is overstimulating for younger

Jean Harlow, May Robson, William Powell, audiences.
Franchot Tone, Rosalind Russell. From a Adolescents, 12 to 16 Children, 8 to 12
story by Oliver Jeffries. Direction by Victor Not recommended No
Fleming. M-C-M.
We doubt that even the combination of SONS OF STEEL » »
“box stars will be able to write this
office” William Blakewell, Florence Roberts,
picture on the success side of the ledger, for Charles Sfarrett. Direction by Charles La-
the jumpy continuity, and jumbling of social mont. Chesterfield Production.
problems with musical extravaganza, have
resulted production which should be-
in a
This is a really interesting picture which
wilder and bore even the less critical spec- concerns two college graduates, grandsons of
The plot is shallow and tawdry in a steel magnate, whose fathers attempt to
tators.
suggesting the “whitewashing” of a recent guide them into their chosen lines of work.
notorious newspaper “heroine.” The denoue- They finally find their proper places and
ment is saccharine sentimentality. It seems contribute to the success of the business, each
happy in his own niche. It is a modern in-
to us a step backward in the art of cinema-
dustrial study, sound in ethics and psychology,
tography to have produced so inartistic a
picture and a breach of taste to have cast clean and virile.
Miss Harlow in such a role. Adolescents, 12 to 16 Children, 8 to 12
Probably enjoyable No interest
•sr
By no means No
'W STRANGERS ALL » »
May Robson, Preston Foster, Florine Mc-
THE RUNAWAY QUEEN » » Kinney, William Bakewell, James Bush,
Anna Neagle, Fernand Graavey. Direction Samuel Hinds. From the play by Marie M.
by Henry Wilcox. British Dominion Prod. Bercovici. Screen play by Milton Krims.
Direction by Charles Vidor. R-K-O.
Romance in a mythical kingdom is the
material from which this light farce is con- “Strangers All” contains many ingredients
cocted. The Queen is a young woman who which will win popular approval. May Rob-
has been clerking in a New York department son, in one of her best performances of sev-
store unaware of her accession to the throne. eral years, takes the part of the mother of a
When she returns to her country she finds a heterogenous family of young people, whose
revolution in progress and of course falls in ambitions and desires lead to alarming con-
love with the leader of the hostile forces. As sequences. It is only through her force of
a farcical treatment of monarchies and revo- character and understanding of individual
lutions it is entertaining but it lacks glamor problems that she is able to bring them safely
and not especially well cast.
is through their difficulties. The weak point of
Adolescents, 12 to 16 Children, 8 to 12 the picture occurs in the court scene, when
Fair Little interest one of the sons has become involved in Com-
munistic activities and is brought to trial.
This scene is overdramatized at the expense
STOLEN HARMONY » » of reality and respect for the judicial func-
George Ben Bernie, Iris Adrian,
Raft, tions of government.
Goodee Montgomery, Christian Rub. Direc- Adolescents, 12 to 16 Children, 8 to 12
tion by Alfred Werker. Paramount. Full of interest Not suitable
confusing to find so bewildering

It is a little
v
a medley of tragedy, comedy, music and ro- TEN DOLLAR RAISE » »
mance in one production. It could be found Edward E. Karen Morley, Berton

Horton,
only in a movie, we are sure. George Raft Churchill. From a story by Peter B. Kyne.
appears as a slick haired musician who is Screen play by Henry Johnson and Louise
trying to live down a prison experience. He Breslaw. Direction by George Marshall. Fox.
is given a job in Ben Bernie’s band and we A poor, timid clerk attempts to obtain a
follow him on a series of one night stands. ten dollar raise in order to make matrimony
This part is gay, amusing and musical. Then financially possible. His meekness is an ob-
the mood changes when the lawless gangsters stacle in the path of his request but a sudden
try to embroil their ex-mate in their activities turn of fortune solves his problem. Mr. Hor-
and it becomes exciting melodrama. For ton’s skill lies in knowing when to temper his
adult audiences who enjoy the type of enter- exaggerated characterization to the point
tainment “The Old Maestro” offers in music where it remains plausible, and while the
and chatter the picture will probably have farcical situations of the plot have no reality,
strong appeal in spite of the gangster scenes. they are not far fetched to the point of bore-
T en Motion Picture Reviews
dom. The play contains humor and pathos looked. Anyone fond of horses will find the
in nicely balanced quantities and a pleasant picture enjoyable, and it will appeal to the
little love story to whet interest. whole family.
Entertaining Harmless but Excellent Yes
mature v
xr
WEREWOLF OF LONDON » »
TRAVELING SALESLADY » »
Henry Hull, Warner Oland, Valerie Hobson,
William Cargan, Joan Blondell, Clenda Clark Williams. Screen play by John Colton.
Farrell, Hugh Herbert. Direction by Roy Direction by Stuart Walker. Universal.
Enright. First National-Warner Bros.
This is a horror
picture depicting that
Amusing, fast moving comedy of the wise- highly fantastic and revolting creature of
cracking type which is becoming associated medieval superstition, a human being capable
in our minds with Joan Blondell, Glenda of transformation in appearance and habits
Farrell and Hugh Herbert. The story con- into a wolf. It is an unnatural and impossible
cerns the daughter of a tooth paste magnate plot in which the characters are all unwhole-
who buys a rival formula under an assumed some and unhappy. It is entertaining only
name, and goes after her father’s business. for those whose jaded tastes crave thrills
The action deals with her efforts as a sales- through melodramatic and vicarious fright.
woman to outwit the best salesman of the The production gives the impression that it
other concern. The cast is well chosen and was hastily thrown together to take advan-
the dialogue hilarious for adult audiences. tage of Henry Hull’s present popularity.
No No No Absolutely not
w
THE UNWELCOME STRANGER » » WOMEN MUST DRESS » »
Jack Holt, Mona Barrie, Jackie Searl, Ralph Minna Gombell, Cavin Gordon, Suzanne
Morgan. Story by William Jacobs. Screen Kaaren, Lenita Lane, Hardie Albright. Direc-
play by Crane Wilbur. Direction by Phil tion by Mrs. Wallace Reid. Monogram
Rosen. Columbia. Pictures.
Here an unpretentious little story packed

is This
is the old story of a husband who
full and human interest. A little
of thrills leaves his wife and family after twenty years
boy from an orphanage and a wild unman- of married life and brought back
is finally
—
ageable race horse also orphaned combine — to the fold. It is logical and
and the
sympathetic handling of the material with due
sincere,
to overcome the superstition which a follower
of the track believes is ruining his “luck.” regard for both sides of the problem makes
Perhaps the story may be called melodra- it interesting entertainment. Additional in-
matic and a little sentimental, but the direc- terest is contributed by the personal problems
tion is so sympathetic and the acting so simple of the grown children.
and sincere, with many little nuances of Adolescents, 12 to 16 Children, 8 to 12
human kindliness and wholesomeness that Not recommended; needs No
the slightly inartistic touches may be over- mature point of view


1
Name
Address

MOTION
PICTURE
REVIEWS

JUNE 1935
constant reference.
Films Reviewed in This Issue Films Suitable for Family

Air Hawks Entertainment*
Age of Indiscretion
Alias Mary Dow Becky Sharp (Mature)
Becky Sharp Doubting Thomas
Black Fury George White’s Scandals
Break of Hearts
Co Into Your Dance
Chinatown Squad
The Healer
The Cowboy Millionaire
The Daring Young Man The Keeper of the Bees
Doubting Thomas Let ’em Have It
The Flame Within Mary Jane’s Pa
The Florentine Dagger Naughty Marietta
Four Hours to Kill The Nit Wits
George White’s Scandals Oil for the Lamps of China (Mature)
The Class Key
Our Little Girl
Coin’ to Town
Swell Head
Co Into Your Dance
The Healer Under the Pampas Moon
Hold ’em Yale
*A family film means a film wholesome enough
The Informer
for family entertainment but not necessarily appro-
The Keeper of the Bees
Ladies Love Danger priate for children unaccompanied by adults.
Let ’em Have It

The Man Who Knew Too Much
Mary Jane’s Pa
Men of the Hour
Naughty Marietta
The Nitwits
No More Ladies
Oil for the Lamps of China
Our Little Girl
Princess Charming
Public Hero No. 1
Spring Tonic
Star of Midnight
Swell Head NOTE: Through an error Chasing
Under the Pampas Moon Yesterday was omitted from the list
Village Tale of family films in the May issue. It is
The Wandering Jew excellent for children and adolescents.

WEBBCRAFT PRINTERS. 2809 WEST WASHINGTON BLVD., LOS ANGELES

Motion Picture Reviews T hree
MOTION • PICTURE • RE VIEWS

LOS ANGELES BRANCH
EDITORS
Addresi all communications to The Women's University Club, 943 South Hoover St., Los Angeles, Calif.
Advance Supplement is published and mailed approximately the 1 5th of each month.
10c Per Cepy - - $1.00 Per Year
Vol. VII JUNE, 1935 No. 6
MOTION PICTURE APPRECIATION IN THE SCHOOLS

by
SARAH McLEAN MULLEN
Author of "How to Judge Motion Pictures”
“So you are going to teach my kids to get more of a kick out of motion pictures, are you?”
asked a skeptical father of me when I sent out the first announcement to the homes, that
Lincoln High School, among others, was going to teach Motion Picture Appreciation. “My
kids get enough of a kick now. They raise the roof playing bandits and cowboys even though
they are in junior high school. And my lady daughter imitates every movie heroine she sees
till the boys get sick and tired of it. Why in the name of sense do you want to teach motion
picture appreciation in the schools?”
I explained as well as I could that the chief purposes were to train students to select
wisely, to teach them to evaluate whatever pictures they saw in terms of established criteria,
and finally to support good pictures and avoid the bad. After a ten week experiment, in
which his children discovered what magazines or other sources could be relied upon for
cinematic reviews, and what constitutes a good picture, that same father came to me to say
that I had had an unseen and silent student taking the course. He had followed our class
program and he was convinced that every father and mother ought either to take such a
course or to read some of the articles we had suggested. This change of attitude from
scoffing, to one of conviction in support of the idea of instruction in motion picture appre-
ciation, has been almost the universal result, wherever organized class instruction has
been the plan.
As a school subject Motion Picture Appreciation is practically in its infancy, although
ithas been formally accepted as part of the state curriculum of instruction in eight states,
including Ohio, Iowa, Connecticut, North Carolina, New Jersey, Pennsylvania, and New
York as well as California. The grades in which instruction may be given vary from
kindergarten through the last year of college.
In the high schools, this interesting subject may be taught in a variety of ways. It may
consist of a separate unit of two weeks, five weeks, or ten weeks in length; or it may extend
over a number of weeks, twenty or forty for example, and be emphasized only one day or
two during each week or during each fortnight. It may be continued throughout the entire
high school course in a spiral fashion, touching again and again upon the same topics, as
applied to contemporary films or allied interests. Still another method is through clubs, of
either curricular or extra-curricular nature, where the enthusiasm of a group for motion
pictures motivates the club activities.
English teachers may choose the subject of motion pictures as a center of interest for
oral or written composition or for comparative treatment of literature. It lends itself equally
to journalism as a vital subject for various forms of class work, to public speaking, and to
dramatics. Social Science classes may study the motion pictures as a potent medium of
communication for the expression of ideas, as an interpretation of personal performance of an
individual, of social conditions of various eras and geographical localities and peoples, or as
a visible record of historical periods. Art teachers will find it a valuable subject in relation
to the activity of artists and artisans connected with cinema production. Costume design,
architecture, interior decorating, and photography of true worth are represented in many
current films each year. Study of music, an almost inseparable element of pictures, might
well be utilized by teachers in developing a greater appreciation of this phase. While only
the most obvious functions of the teaching of Motion Picture Appreciation are mentioned
here, it is apparent that such a course may become a strong integrating force in teaching
academic subjects.
Furthermore, there are few, if any, more effective and vital methods for instruction
aiming at character training than through discussion by class members with the teacher, of
selected pictures. Film versions presenting definite problems of human behaviour and sug-
gested solutions bring a greater understanding of character traits, motives, and goals.
The continuous change and flow of pictures makes impossible a static approach to the
subject of motion picture appreciation. Only the recognized fundamentals of successful photo-
play structure and performance can be given as facts, and even these are subject to change,
as studio techniques are being constantly perfected. The chief interest lies in the adaptation
of established rules to appreciation of current pictures and in attempting to deduce new
principles from examples of successful adventuring and experimentation. Courses in appre-
ciation of art, drama, literature, and music have become established as school subjects. It
remains for the pioneer of today to work out courses in the most universal of all arts, the
motion picture.
Originally, the subject was introduced into the high school curriculum, through the
activity of the National Council of Teachers of English under Dr. William Lewin of Newark,
New Jersey. This group published study guides of various motion pictures, including “Alice
in Wonderland,” “Little Women,” and “Treasure Island.” During the past year, publication
has been continued through the assistance of the Motion Picture Producers and Distributors
of America, and of Columbia University Press. Late this spring, a committee has been
formed in the Department of Secondary Schools of the National Education Association, again
under the guidance of the pioneer, Dr. Lewin. Some of the members of his present com-
mittee were members of the original experimental group (among them, the writer). The other
members have been drawn from fields of history, music, art, and language.
The first study guide of this group is the one put out for “Les Miserables.” It contains
questions suitable for history, foreign language, literature, and dramatic classes, and a dra-
matic selection for radio presentation, which, in Los Angeles, was presented by the Senior
Dramatics class of Abraham Lincoln High School over KMTR.
Class study is not limited to study guides. In some schools, regular debates, round table,
or panel discussions are held on all phases of production, distribution, and exhibition.
The technical side of picture production, from scenario writing through acting, photo-
graphing, editing and cutting are investigated by individuals and reported upon either in
class or in clubs as part of the group activities. Bulletin boards, newspaper columns, and
public speeches provide media for students to express their findings and opinions to their
fellow-students and communities.
In some districts a very close relationship has been established between the class studying
the subject and similar committees of club women. Through this tie-up, constructive measures
toward better theatre conditions in the community have been worked out. Students of the
motion picture soon become well aware of the restrictions of zoning codes, of double billing
and block-booking. There students, as well as older groups, are working to make available
good pictures at all times.
The new education emphasizes development of the boy or girl as a student, of course,
but also as a constructive participant in community activities. Handled wisely, class work
based on motion pictures presents a rich field for educational activity. This new generation
will know what makes a good picture, will know how to choose their pictures wisely, and will
be vitally interested in support of the good and elimination of the bad because of their class
and club work in Motion Picture Appreciation.
FEATURE FILMS
AIR HAWKS » » hires a dance hall girl to impersonate the
Ralph Bellamy, Tala Birell, Victor Kilian. lost daughter. There follows a succession of
Screen play by J. Griffin Jay and Grace scenes in which we see the girl, torn between
Neville. Direction by Al Rogell. Columbia. her desire for easy money and her love of
grim mystery her old life, alternating between home and
This is an absorbing but
drama in a large air line tries to buy
which
cabaret. The foster mother takes her to
Europe (for no apparent reason except to
out a smaller one that seems a dangerous
afford pictures of a luxurious liner and a
rival in procuring important air mail con-
state room submerged in orchids). In the
tracts. Failing in these negotiations, the
end, former pal threatens to expose the
a
larger company destroys several of its com-
girl and an unbelievable love story completes
petitor’s planes by the use of a death ray.
the improbable denouement. It is just an-
The detective work which leads to the dis-
other emotional melodrama.
covery of device adds interest but there
this
is too tension and tragedy to make good
much
No No
entertainment.
•v
Exciting and tragic Too exciting BECKY SHARP » »
V Miriam Hopkins, Frances Dee, Cedric Hard-
wicke, Nigel Bruce, Allison Skipworth, Alan
ACE OF INDISCRETION » »
Mobray. Based on Thackeray's “Vanity
Paul Lucas, Madge Helen Vinson,
Evans,
Fair.” Adapted from the play “Becky Sharp”
May Robson, David Jack Holt, Ralph Forbes,
by Langden Mitchell. Designed in color by
Catharine Doucet. Direction by Edward
Robert Edmond Jones. Producer, Kenneth
Ludwig. M-G-M.
MacCowan. Direction by Rouben Mamou-
The title accord with this picture
has little lian. R.K.O.
which treats of the suffering meted out to
The primary interest in this film is, of
a devoted and idealistic husband and a
course, the novelty of color in a picture of
thoroughly lovable small son by a woman
feature length. While individual closeups
whose soul never rises above fine raiment
show that a different process of make-up may
and the social whirl. Smooth direction and
eventually be necessary, the whole effect is
an excellent cast combine to give the story
exquisite and one is delighted by the beauty
depth, sincerity and emotional appeal; one
of composition. The story is a fascinating
feels that here are real people in real situa-
adaptation of Thackeray’s classic, portraying
tions of life. It is not a good film for the
a span of years in the life of one of the
younger groups, however, as it throws the women
cleverest and most ruthless of fiction.
suspicion of instability upon the one who
Miriam Hopkins brilliant in the unsympa-
is
should be trusted most, and it fails as a
thetic role of Becky, witty, avaricious, schem-
commentary on modern conditions of divorce ing, cruel, but giving all the affection of
because in only a low percentage of cases
which she is capable to her husband Captain
is the mother totally devoid of affection for
Crawley, admirably played by Alan Mobray.
her child. The whole cast is exceptionally well chosen
Adolescents, 12 to 16 Children, 8 to 12 with special mention due Cedric Hardwicke
Not recommended No as the Marquis of Steyne, and Nigel Bruce as
sr
Joseph Sedlcy. The good taste in adaptation
ALIAS MARY DOW » » and direction is noteworthy. It is decidedly
Sally Eilers, Ray Milland, Henry O’Neill. worth while entertainment.
Story by William Johnston and Forrest Hal- Adolescents, 12 to 16 Children, 8 to 12
sey. Direction by Kurt Neuman. Universal. Excellent for those Too mature
capable of
This seems assembled rather than
story
•valuation
written. The author summons for his pur-
pose certain popular themes such as kid-
napping, thwarted mother love and the dance BLACK FURY » »
hall girl with the “heart of gold” and makes Paul Muni, Karen Morley, William Gargan,
them march in plot formation. The result is Tully Marshall, Mae Marsh. Direction by
trashy, supersentimental and without a drop Michael Curtiz. First National-Warner
of real life blood. A
baby girl is kidnapped Bros.
from a wealthy home and is never found. Sensationally advertised as a propaganda
Eighteen years later the husband, in order picture, this story of strikers in a Pennsyl-
to save his wife’s life as she lies in a hospital, vania coal mine in reality an
is exciting
film, remarkably well directed, with Paul luck unaided by intelligence the fatuously
Muni, as the central character, contributing smiling cowboy hero wins a scion of British
an unforgettable portrait of a mine worker. wealth and a gold-mine. The production is
We are informed by good authority that not sufficiently exciting for those who like
the picture was submitted to both employers their Westerns wild, and it is too crude to
and workmen for approval before it was satisfy anyone else.
released, a fact which should uphold our Adolescents, 12 to 16 Children, 8 to 12
opinion, formed after seeing the picture, Poor Much of it is uninter-
that it is not intended to present capital and ^ esting
labor problems from a biased viewpoint. CHINATOWN SQUAD » »
With a coal mine for background and a Lyle Talbot, Valerie Hobson, Hugh O'Con-
miner for hero it uses the locale and the
nell, Andy Devine, Leslie Fenton. Original
drama of a strike for the creation of stirring
story byLawrence C. Blochman Direction
entertainment. When Jo Radek, the miner,
by Murray Roth. Universal.
is jilted by his girl, he drinks himself into
a pugnacious mood and falls prey to the San Francisco’s Chinatown provides an
inflammatory talk of men whose racket is interesting and colorful background for a
fomenting strikes for the purpose of supply- murder mystery, the solution of which pro-
ing paid strike-breakers. He attempts to lead vides a plot that holds interest for an un-
a rebellion against his union and the events exacting audience.
that follow make thrilling drama. Audiences Adolescents, 12 to 16 Children, 8 to 12
will probably interpret the picture in con- No value No
formity with their natural sympathies. But v
whether or not they see in it propaganda to
support their theories they will undoubtedly
THE DARING YOUNG MAN » »
James Dunn, Mae Clark, Neil Hamilton, Sid-

find it a superlatively good movie.
ney Toler. From a story by Claude Binyon
and Sidney Skolsky. Direction by William
Very tense and emotional No
Seiter. Fox.
Possibly there would be some excuse for a
BREAK OF HEARTS » »
good satirical comedy lampooning prison
Katharine Hepburn, Charles Boyer, John conditions and corrupt wardens but there
Beal, Jean Hersholt. Story by Lester Cohen. should be no place on any theatre bill for
Direction by Philip Moeller. R.K.O such a wretched pot boiler as this picture.
We are unable to be enthusiastic about In a prison where the inmates are all on a
this new vehicle for Katherine Hepburn holiday to escape the police and be free to
much as we should like to be. It is too mech- run the politics of the underworld, a reporter,
anically plotted, too trite a story, and too incognito, gathers facts for a newspaper
unreal. Amusical amateur marries a skilled story. The events are so exaggerated, so
orchestra conductor who has a well-known silly and so crude that they are not even
weakness for the fair sex. After their honey- funny. The whole thing is offensive in its
moon, the inevitable disillusionment comes, stupidity.
and the inevitable degradation of the man Adolescents, 12 to 16 Children, 8 to 12
and his regeneration follow as per formula. Impossible Impossible
Charles Boyer has all the opportunities in xr
his role; John Beal is sympathetically cast; DOU3TING THOMAS » »
Miss Hepburn spends her time crying and Will Rogers, Billie Burke, Alison Skipworth,
has little opportunity for her ability. The Sterling Holloway, Frank Albertson. From
picture is lavishly set and has interesting the play, “The Torch Bearers,” by Ceorge
musical interludes, but from critical audi- Kelly. Adaptation by Bartlett Cormack.
ences it can evoke only faint enthusiasm. Direction by David Butler. Fox.
Adolescents, 12 to 16 Children, 8 to 1 2
Crooners’ places in the sun of popular
Little value Too mature
v fancy are to be usurped by a new rival, for
Will Rogers enters the field in an hilarious
THE COWBOY MILLIONAIRE » » performance in his role of “Doubting Thom-
Ceorge O'Brien, Evalyn Maude
Bostock, the sausage maker who has to do some-
as,’’
Allen. Screen play by Ceorge Waggner thing drastic in order to cure his family of
and Dan Jarrett. Direction by Edward F. being “stage struck.” It is a jolly, wholesome
Cline. Atherton Productions. Fox re- story in the general style of Rogers’ usual
lease. vehicles. Good direction and careful casting
Society drama consorting with a Western make it successful entertainment.
unconvincing picture with
results in a stupid, Adolescents, 12 to 16 Children, 8 to 12
misplaced accents of humor. Through sheer Entertaining Acceptable
THE FLAME WITHIN » » Krasna has skilfully called our attention to

Ann Harding, Herbert Marshall, Henry the audience. He has woven
their strangely
Stevenson, Louis Hayward, Maureen O’Sulli- disassociated lives into an intensely stirring
van. Written and directed by Edmund drama of present day America. All of the
Coulding. M-C-M. characterizations are excellent, with special
credit being accorded Mr. Barthelmess, who
Delving into medicine and psychiatry with
gives probably one of the finest performances
a romantic exponent of the science to lighten
of his career. Nervous tension remains high
its more serious aspects seems to be the through most of the play and the scenes which
popular diversion of the hour if one may
make up the climax are particularly harrow-
judge from recent photoplays. As pseudo- ing, but the ending strikes a decidedly and
scientific themes go, this picture has a sound
satisfactorily lighter note.
one and it most certainly has a charming Adolescents, 12 to 16 Children, 8 to 12
heroine to take off the curse of deep thinking. Unsuited Unsuited
A lovely, young and feminine doctor of •v
psychiatry attempts to remove the handicaps
CO INTO YOUR DANCE » »
of a neurotic, alcoholic youth and thereby
Al Jolson, Ruby Glenda Farrell,
Keeler,
plunges herself into a difficult situation. The
Helen Morgan. Direction by Archie Mayo.
reasoning seems logical up to a certain
Warner Bros.
point but we suspect that had a real phys-
chiatrist instead of a scenario writer handled
An entertaining musical film with tuneful
the case the young man’s fiancee, who was songs and several interesting dance numbers.
an even more neurotic person, would also Al Jolson plays the role of an irresponsible
have been the object of the doctor’s atten- Broadway star who gets into trouble with
tion and there might not have resulted so
Equity. His sister and one of her friends
romantic a story. The acting is good, the help him stage a comeback. Both Miss
direction smooth and the whole deserving Keeler and Al Jolson will please in this,
their first co-starring vehicle.
of interest.
Adolescents, 12 to 16 Adolescents, 12 to 16 Children, 8 to 12
Children, 8 to 12
Mature No Good If it interests
'V •v
THE FLORENTINE DAGGER » »

GOIN’ TO TOWN » »
Mae West, Paul Cavanaugh, Ivan Lebedeff,
Donald Woods, Aubrey Smith, Robert
C.
Alex
Gilbert Enery. Direction by Hall.
Barrat, Margaret Lindsay. From the novel
Paramount.
of the same name by Ben Hecht. Direction
by Robert Florey. Warner Bros.
None of Miss West's later vehicles has
attained the interest or originality of “She
A youngItalian, victim of a dual-person- Done Him Wrong.’’ There was a sincerity
ality complex, believes himself to be the and honesty to that vulgar portrayal which
reincarnation of Cesare Borgia with the Bor- was unique. Modern versions of the char-
gias’ well known propensity to dispose of acter seem anachronisms, and even Miss
their enemies. He comes under the care of a West’s most ardent admirers will not find her
psychiatrist who suggests an interesting cure. convincing as a lady of quality into which
A murder mystery adds suspense and interest she is metamorphosed in “Goin’ to Town.”
to the plot. It is well acted and directed. However her undulating walk, her distinctly
Adolescents, 12 to 16 Children, 8 to 12 individual manner of reading her lines will
Possibly No still attract a certain number who find her
•v different enough to entertain. The lines, as
FOUR HOURS TO KILL » » usual, are full of innuendoes, the settings
Richard Barthelmess, Joe Morrison, Helen are luxurious, costumes and jewels lavish,
Mack, Gertrude Michael, Dorothy Tree, Ros- the horse race exciting and the operatic
coe Karns. Original play, “The Small Mir- episode, ludicrous.
acle” by Norman Krasna adapted for the Adolescents, 12 to 16 Children, 8 to 12
screen by Norman Krasna. Direction by No No
•yr
Mitchell Leisen. Paramount.
When we enter a theatre and look over the THE GLASS KEY » »
heads of the audience, we may think that George Raft, Edward Arnold, Claire Dodd.
the drama is entirely on the stage, but if we From the story by Dashiell Hammett. Direc-
could discover what is happening on the tion by Frank Tuttle. Paramount.
backstage of the minds of those who compose It is difficult to believe that anyone will
that audience, we might find drama of an find entertainment in such a picture as this.
infinitely more vivid, more complex and more So crudely is the story put together that one
tensely emotional quality. In this play, Mr. is not sure until it is half over just what is
its theme. At first the emphasis is upon politi- out the true characters of all concerned. The
cal intrigue; then romance is introduced and picture is only fair entertainment.
finally we find all the characters embroiled in Adolescents, 12 to 16 Children, 8 to 12
a murder mystery. Through a dreary suc- Passable No
cession of scenes we
see suspects and potential •w
witnesses knocked out of windows, burned in
their beds, made helpless with liquor and
HOLD ’EM YALE * »
Patricia Ellis, Warren Hymer, George E.

otherwise subjected to the slap-stick devices
Andy Devine, William Frawley. Story
Stone,
of the movie studio. No comment upon the
by Damon Runyon. Direction by Sidney
acting is pertinent since not histrionic ability
Lanfield. Paramount.
but physical endurance is the qualification
for such a picture. It has no value for any This is not a college story but a farce with
audience. a tenuous, wholly improbable plot concerning
Adolescents, 12 to 16 Children, 8 to 12 a foolish young girl who is always falling in
No No love with men in uniform, much to the detri-
ment of her father’s pocketbook. Through the
efforts of a quartet of ticket scalpers her
attentions are finally diverted to a football
GEORGE WHITE S SCANDALS » »
player. The scalpers furnish whatever can
George White, James Dunne, Evelyn Laye,
be said to be entertaining in the picture.
Emma Dunn, Ned Sparks, Cliff Edwards.
Direction by George White. Fox.
No No
In the triplecapacity of author, director •v
and actor, George White has evolved an ex-
THE INFORMER » »
cellent piece of entertainment. It lacks the
Victor McLaglen, Heather Angel, Una
elaborate dance ensembles seen in recent
O'Connor. From the story by Liam O'Flah-
musical comedies on the screen, but by many
erty. Direction by John Ford. R.K.O.
people this will not be considered a detri-
mental omission. The slight plot holding the Like many of the plays of the Irish theatre
separate numbers together concerns the for- this one establishes a mood which is sombre,
tunes of a boy and girl vaudeville team, im- unrelieved by lighter strains, yet intensely
ported from the “Sticks” by George White to interesting from a dramatic and artistic
appear in his show in New York. There is point of view. It is the study of the disin-
some startlingly good tap dancing by Eleanor tegration of a man’s soul, of the soul of a
Powell, and the talented cast does its share Sinn Yeiner who betrays his friend for a
towards making this a very good picture of handful of silver and is hounded by relent-
its type. The costumes and settings are em- less fear and remorse until he begs for mercy
inently satisfactory. in hour. Victor McLaglen rises to
his final
Adolescents, 12 to 16 Children, 8 to 1 his opportunity in the difficult role of Gypo,
Entertaining Passable and the direction is exceptionally fine, but
•w because of the brutality and misery and
barren grief the picture will satisfy only a
limited audience.
THE HEALER » »
Mickey Adolescents, 12 to 16 Children, 8 to 12
Ralph Bellamy, Karen Morley,
Rooney, Judith Allen. From the novel by
Too depressing By no means
Robert Herrick. Adaptation by James K.
v
Millen and John Goodrich. Direction by THE KEEPER OF THE BEES » »
Reginald Barker. Monogram. Neil Hamilton, Betty Furness, Dunn, Emma
When a doctor experimenting in the treat- Edith Hobart Bosworth.
Fellows, From a
ment of infantile paralysis in a remote novel by Gene Stratton Porter adapted by
country place saves the life of a wealthy girl Adele Buffington. Direction by Christy
who is brought to him for an emergency Cabanne. Trem Carr, producer. Mono-
operation, a three-cornered love story de- gram.
velops with the rich girl and the doctor’s The simple sweetness of Mrs. Porter’s
assistant as rivals. The plot is confused in novel is to be found in its adaptation to the
that it attempts to develop too many themes; screen, and director and cast have tactfully
the doctor’s methods of healing the victims carried out its spirit. It is the story of how
of infantile paralysis, his problems with hys- courage, health and contentment come to an
terical society patients and his personal invalided soldier because of his kindness to
dilemma when he is tempted to accept the an old man and with the help of kindly and
rich girl’s bank account instead of the devo- philosophic neighbors. Happiness is assured
tion of his assistant. A sensational climax him also, the outcome of an act of unselfish
solves his difficulties when a forest fire brings sympathy. It is the kind of plot which has
endeared Mrs. Porter to many readers and it his reinstatement on the paper. Though a
is presented on the screen with restraint and pleasant little love story is an important part
good taste. Some of the nature lore so char- of the plot the real interest lies in the work of
acteristic of her writings has been retained the camera men, their daring, their alertness
in the picture. The lovely shore of the and their bravery. In the ordinary course
Northern California coast line is a beautiful of their work, there is much that is exciting
setting and the cast is well chosen. While and thrilling, and when certain scenes they
children may not always follow some of the record become damning evidence against
complexities of the plot they will enjoy the notorious gangsters, there is intense drama as
keeping of the bees and other sequences. well.
It is a good family film. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Interesting but very Too exciting
Entertaining Probably entertaining tense
LADIES LOVE DANCER » »

MARY JANE’S PA » »
Mona Barrie. Gilbert Roland, Donald Cook,
Guy Kibbe, Aline MacMahon, Tom Brown,
Adrienne Ames, Hardie Albright, Herbert
Nan Gray. Direction by William Keighley.
Mundin. From a story by Ilya Zorn.
Warner Bros.
Direction by H. Bruce Humberstone. Fox.
Entertaining, sophisticated mystery story

Thisis an amusing comedy. Guy Kibbee
as abarker at a side show suddenly is
with three murders to be solved. The star of
attacked by the wanderlust and leaves his
a certain theatre, her manager and the backer
family to shift for themselves. The mother
of the show are murdered. Who killed them?
establishes a powerful newspaper and is be-
You won’t guess until the very end. Clever
coming involved in a political imbroglio
dialogue and humorous touches relieve the
with a crooked candidate for the Legislature
tension.
when “Pa” returns to restore domestic har-
mony.
No No
Yes Little interest
LET ’EM HAVE IT » »
Richard Arlen, Virginia Bruce, Alice Brady,

Bruce Cabot. Story by Joseph Moncure THE MAN WHO KNEW TOO MUCH » »
March and Elmer Harris. Direction by Sam Peter Lorre, Leslie Banks, Edna Best, Nova
Wood. United Artists. Philbeam, Pierre Fresnay. Story by Charles
In this absorbing story of the capture of Bennett and D. B. Wyndham Lewis; sce-
a public enemy we are shown, as in nario by Edwin Greenwood and A. R. Raw-
“G-Men,” the courage, ingenuity and tireless linson. Direction by Alfred Hitchcock.
devotion to duty of the Federal agents. Gaumont-British.
Proving conclusively that all the thrill and If you are to understand the cryptic
romance of old time gangster themes can be threads of this plot let us warn you not to
preserved in pictures which direct sympathy miss the opening reels. It is an exceptionally
to the agents of law, this production is ex- strong story in which an English couple en-
ceedingly good entertainment as well as a joying the winter sports at St. Moritz
liberal education in the training and ideals with their young daughter, suddenly find
of our United States Secret Service depart- themselves in possession of knowledge of
ment. It is not without violent encounters an international plot. Before they can report
and brutality but it is exceptionally well their information their child is kidnapped
handled and is not unnecessarily harrowing. and they are warned to keep their secret or
Adolescents, 12 to 16 Children, 8 to 12 “never see their child again.” The story is
Good Not advised told in brief sequences which require close
concentration to follow intelligently but it
builds up to a climax as exciting as those in
MEN OF THE HOUR » »
any American gangster film. An excellent
Richard Cromwell, Billie Seward, Wallace cast, new to us for the most part, adds in-
Ford. Story and screen play by Anthony terest, and the restraint in the acting makes
Coldeway. Direction by Lambert Hillyer. the general effect more sinister. Peter Lorre
Columbia. again presents a villain unique and unfor-
Anover-zealous newspaper camera man gettable.
assignment and is discharged,
fails in his first Adolescents, 12 to 16 Children, 8 to 12
but his resourcefulness eventually results in Very complicated Terrifying
NO MORE LADIES » »
ning the gamut of absurdities and bringing
Joan Crawford, Robert Montgomery, Charlie many laughs.
Ruggles, Franchot Tone, Edna May Oliver. Adolescents, 12 to 16 Children, 8 to 12
From the play by A. E. Thomas. Direction Good Possibly too exciting
by Edward H. Griffith. M-G-M. v
The false standards, glittering luxury and
supersophistication of this picture will dis- OIL FOR THE LAMPS OF CHINA » »
courage those who hoped that the manufac- Pat O’Brien, Josephine
Hutchinson, Jean
ture of this sort of product had ceased. It has Muir, Lyle Talbot. Story by Alice Tisdale
a trite plot concerning the tactics used by a Hobart. Direction by Mervyn LeRoy. War-
society wife to end the philanderings of her ner Bros.
play-boy husband. The tempo is fast, the Most interesting in theme and in its foreign
lines are smart, though artificial. Joan Craw- setting, this film serious indictment of a
is a
ford is an excellent mannequin upon whom to big corporation’s ruthless methods in dealing
display beautiful clothes and Edna May with its employees. The story is developed
Oliver in a very human characterization from the point of view of an idealistic young
brings reality to an otherwise unconvincing man who devotes himself conscientiously to
portrayal of the behavior of decadent making his job the main factor in his life,
wordlings. not only for his personal advancement but
Adolescents, 12 to 16 Children, 8 to 12 because of his unquestioning loyalty to the
Most unsuitable No “Company.” He is sent to China for a huge
oil corporation and then, though he encoun-
ters innumerable hardships and injustices,
NAUCHTY MARIETTA » »
with the staunch support of an understanding
Jeanette MacDonald, Nelson Eddy, Frank wife he finally wins the coveted promotion.
Morgan. From the light opera by Victor The author ironically leaves his public in the
Herbert. Direction by W. S. Van Dyke. dark concerning the influences which were
M-C-M. eventually responsible for seeing that justice
With lilting buoyancy and definite charm, was done, and the ending can not be inter-
this delightful operetta carries one through preted as softening in the slightest degree
an interesting period in the colonial history the unfavorable light in which big business
of New Orleans. The vivid and romantic is shown. T he picture is an exceptionally
plot with the period and locale afford wide interesting adaptation of a popular book, the
opportunity for picturesque settings. The acting is unusually good, the photography is
acting is deft and the singing voices of the excellent, the direction smooth and telling.
principals so good, that the songs, though The production merits the attention of dis-
familiar, become exquisitely fresh. Dramatic criminating audiences.
sequences which lead up to the songs make Adolescents, 12 to 16 Children, 8 to 12
the music plausible at the times when it is Interesting though Too mature
introduced. Both Miss MacDonald and Mr. mature
Eddy are at their best, and those who do
not become captivated by their acting and
attractive personalities, will undoubtedly be OUR LITTLE GIRL » »
won by their excellent voices. Shirley Temple, Rosemary Ames, Joel Mc-
Adolescents, 12 to 16 Children, 8 to 12 Crea, Lyle Talbot. From the story, “Heav-
Excellent Good en’s Gate," by Florence Pfalzgraf. Adapted
by Stephen Avery. Direction by John Rob-
ertson. Fox.
THE NITWITS » »
In spite of its child heroine this is not an
Bert Wheeler, Robert Woolsey, Fred Keat- ideal story for children since it deals with
ing, Betty Grable. Story by Stuart Palmer. the theme of the busy husband, the wife who
Direction by George Stevens. R.K.O. feels neglected, and the other man who has
There is somewhat more plot to this time to relieve her boredom. However, it is
riotous farce than is usual in Wheeler and fairly apparent from the start that the happy
Woolsey productions and, although the cli- home will be saved by the child, and Shirley
max turns to hilarious slapstick, on the whole Temple, by obscuring the plot with her
it ismore entertaining than usual. The “Nit- dazzling personality, successfully gives to
wits” are of course Wheeler and Woolsey the whole the lustre that it would otherwise
who run a cigar stand. Johnny’s girl is a lack. Adults who like Shirley will like the
secretary, and when her boss is murdered picture.
suspicion rests upon her. The “Nitwits” Adolescents, 12 to 16 Children, 8 to 12
clear her name in a series of situations run- Enjoyable Yes, passable
PUBLIC HERO NO. 1

» » or not Mary
Smith, the star of a stage suc-
Lionel Barrymore, Jean Arthur, Chester Mor- cess called was actually kid-
“Midnight,”
ris, Joseph Calleia, Paul Kelly, Lewis Stone. napped and just what murders took place and
From a story by J. Walter Ruben and Wells why. Anyhow Powell is a most engaging
Root. Screen play by Wells Root. Direction sleuth, and there is a good deal of suspense
by J. Walter Ruben. M-C-M. to contrast with the gaiety in this latest ex-
The gangster with its thrilling action

film, ample of the detecto-convivial film.
and adventuresome plot, seems to be enjoying Adolescents, 12 to 16 Children, 8 to 12

a successful revival now that sympathy has No, too sophisticated No
definitely been established in favor of the
SPRING TONIC » »
agents of the law. The excitement and sus-
Lew Claire Trevor, Walter King,
Ayres,
pense of a chase is usually interesting es-
Zasu From the play “Man Eating
Pitts.
pecially when the enterprise is extremely
Tiger” by Ben Hecht and Rose Caylor.
dangerous. These G-MEN films are un-
Direction by Clyde Bruckman. Fox.
doubtedly supplying a public demand but we
feel that action emphasizing the detective When you go to see this farce, leave your
work and limiting the gun-play would be as literal minded friends at home and prepare
effectively diverting. This picture concerns to relax your critical faculties. It is unmiti-
the capture of a gang of criminals by federal gated nonsense, inconsequential and absurd.
agents. It gives a candid and bold description If you like that sort of thing you will enjoy
of crime today and an equally frank descrip- the escapades of a cast consisting of a bride
tion of the loyalty of Federal agents to their escaping from a too reasonable husband, a
oath of office, of their absolute fearlessness circus Lothario, the village applejack makers
in the line of duty and of their relentless and an errant lion.
prosecution of their purpose to rid society of Adolescents, 12 to 16 Children, 8 to 12
the hardened criminal. Passable No interest
Adolescents, 12 to 16 Children, 8 to 1 2
Harrowing Unsuited
v SWELL HEAD » »
PRINCESS CHARMING » » Wallace Ford, Barbara Kent, Dickie Moore,

Evelyn Laye, Henry Wilcoxon. Direction J. Farrell MacDonald. Direction by Ben
Stoloff. Columbia.
by Maurice Elvey. Caumont-British.
A princess betrothed to a King she has A “swell-headed” baseball player is so

never seen, escapes her predicament by mar- good that team mates and his manager
his
riage to the King’s aide with whom she falls are forced to endure him, but his self-confi-
in love. The trite plot is sufficient musical dence and egotism lead to a series of ignomin-
ious happenings which, together with his ap-
comedy material, perhaps, but there is nothing
besides Miss Laye’s beauty and charm of per- proaching blindness, accomplish his deflation.
sonality to build up interest. The direction is Dickie Moore, as a loyal little “pal,” is the
slow and vague, the music uninteresting and instrument of his regeneration.
the humor dull. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Excellent Yes
Little interest No
V
STAR OF MIDNIGHT » » UNDER THE PAMPAS MOON » »
William Powell, Ginger Rogers, Ralph Mor- Warner Baxter, Ketti Gallian, Veloz and
Yolanda. Screen play by Ernest Pascal and
gan. From the novel by Arthur Somers
Bradley King. Direction by James Tingling.
Roche. Direction by Stephen Roberts.
Fox.
R.K.O.
Very much in the of “The Thin
manner A highly improbable and confused plot and
Man,” this film has all the pert dialogue and a complete set of garbled foreign accents
gay nonchalance of its predecessor and is un- make this an artificial and unconvincing pic-
doubtedly entertaining. To say that it equals ture. WarnerBaxter, the perennial Cisco
the earlier picture would be undue praise, for Kid, plays the part of the gaucho whose
the drinking scenes which almost reached the valuable horse is stolen and sold to a crooked
limits of good taste have been carried many promoter. He regains possession of it along
cocktails too far, and the mystery has been with the heart of a traveling cafe singer. It
made of such secondary importance to the is light entertainment, possibly too light for
sophisticated graces of Ginger Rogers and the most tastes, resembling to some extent a cow-
sybaritic accouterments of William Powell’s boy thriller.
apartments that even the most alert mystery Adolescents, 12 to 16 Children, 8 to 12
fan is at a momentary loss to explain whether Fair Good
T welve Motion Picture Reviews
VILLACE TALE » » THE WANDERING JEW » »

Randolph Scott, Kay Johnson, Arthur Hohl, Conrad Veidt, Marie Ney, Cicely Oates, Basil
Robert Barrat, Janet Beecher, Andy Clyde, Gill, Anna Crey. Direction by Maurice
Edward Ellis, Dorothy Burgess. From the Elvey. From the play by E. Temple Thurs-
novel by Phil Stong. Direction by John ton. Musical setting by Hugo Reisenfeld.
Cromwell. R-K-O. Julius Hagan Production. Released in
America by Olympic Pictures.
The value ofdrama of always
this type is
controversial. For many

it will be only an There is a tremendous appeal to the imag-
unpleasant story of cruel people who do ination in the legend of the Wandering Jew,
stupid and malicious things. But others will the man who cursed Jesus and was therefore
see in it unusually clever emphasis on human condemned to wander endlessly through the
characterizations and plausible emotional re- ages until Christ should come to him again.
actions set against a country background. Conrad Veidt brings this shadowy, legendary
Both author and director have caught with figure vividly before us. Seeing the forlorn
realism the petty hates and spiteful tricks of Jew who is denied the solace of death, we
the everyday, thoughtless villagers and the find ourselves believing in his predicament
general atmosphere is suggestive of the and sympathizing with him in his yearning
Hardy novels of English rural story
life. The for release. The picture has almost no story.
points to the value of good breeding and a It is a series of incidents pointing the stages
fine and strong inheritance of physical and of the Jew’s spiritual growth from the scof-
intellectual traits and brings out the philos- fing voluptuary going out to spit upon Jesus
ophy that a majority of ordinary people are when he passes, to the kindly doctor tending
always dependent upon stronger leaders for the poor and affirming his faith before the
guidance although they show no gratitude in Court of Inquisition. It is beautifully acted,
the end. The humor not sophisticated.
is intensely dramatic yet restrained and should
Many will think it coarse and the plot is slow interest intelligent audiences both for its
in development because of the multitude of theme and for its artistry. The lovely musi-
details introduced for atmosphere. It is not a cal setting enhances the beauty of the pro-
pleasant tale. We
cannot recommend it as duction.
entertainment. You may see in it what you Adolescents, 12 to 16 Children, 8 to 12
will. Very mature Incomprehensible
No No
Thirteen
Motion Picture Reviews
INDEX JANUARY TO JUNE, 1935
FEATURE FILMS c
Gentlemen Are Bom January
A June
January George White’s Scandals
The Adventure Girl -
The Ghost Walks April
After Office Hours March April
June Gigolette
Age of Indiscretion The Gilded Lily February
Air Hawks - June June
June The Glass Key
Alias Mary Dow Go Into Your Dance June
All the King’s Horses
B
March
Goin’ to
G-Men ...
Town
Gold Diggers of 193 5
June
May
May
February The Good Fairy March
Babbitt -
February Grand Old Girl January

Baboona -
May
Baby Face Harrington May Great God Gold
January The Great Hotel Murder March
Bachelor of Arts -
The Band Plays On - January

Becky Sharp - June H
Behind the Evidence March February
Happiness Ahead
Behind the Green
Behold My Wife
The Best Man Wins
Lights
... May
January
February
The Healer
Helldorado
-
Here Is My Heart
June
January
February
Beyond Bengal May High School Girl March
Biography of a Bachelor Girl January June
June
Hold ’em Yale
Black Fury -
Home on the Range February
Black Sheep - May The Hoosier School Master April
The Blue Light - March
Bordertown - February
I
Break of Hearts June
The Bride of Frankenstein May I Am a Thief January
Bright Eyes - January Love You Always
I’ll April
Broadway Bill January The Informer June
Broken Melody - May In Spite of Danger April
The Iron Duke March
c It Happened in New York April
Captain Hurricane - March It’s a Small World May
Cardinal Richelieu - May
Carnival - February I
Car Number 99 April Jack Ahoy May

The Case of the Curious Bride May
Casino Murder Case April K
Chapayev - April
Charlie Chan in Paris February The Keeper of the Bees J une
Chasing Yesterday May
Chinatown Squad J une L
The Church Mouse January Laddie - April
Clive of India April Ladies Love Danger June
County Chairman - January The Last Gentleman January
The Cowboy Millionaire June The Last Wilderness February
Crime Without Passion February Les Miserables April
The Curtain Falls - January Let ’em Have It June
Let s Live Tonight March
D Life Begins at 40 March
The Daring Young Man J une Life Returns February
David Copperfield - January The Little Colonel March
Death Flies East - April Little Friend April
Devil Dogs of the Air March Little Men April
The Devil Is a oman W April The Little Minister January
Dinky - May Lottery Lover January
Dog of Flanders March Lives of a Bengal Lancer February
Don Quixote - April Living on Velvet March
Doubting Thomas -
June Love in Bloom March
M
Eight Bells
Enchanted April
-
-
E
May
February
Man of Aran
The Man Who Knew too Much
.... February
June
The End of the World March The Man Who Reclaimed His Head January
Evergreen - February Mark of the Vampire
Mary Jane’s Pa ...
...
May
June
FatherBrown, Detective
F
January
Men of the Hour
Men of the Night ... - June
January
The Flame Within
The Florentine Dagger
Folies Bergere
-
...
- June
June
April
The Mighty Barnum
Mills of the Gods
Mississippi
...
....
-
February
January
May
Forsaking All Others
Four Hours to Kill ... -
February
J une
Mr. Dynamite -
Murder on a Honeymoon February

May
Music in the Air
My Heart Is Calling
....
.... January
May
The Louis Kid
s
January
The Mysterious Mr. Wong March St.
....
- - -
The Mystery of Edwin Drood - - March The Scarlet Pimpernel - . - March

Mystery Woman February Secret Bride - • March
Shadow of Doubt - March
Society Doctor - February
N Sons of Steel . - May
Spring Tonic . June
Naughty Marietta J une Midnight
Star of . - - June
A Night at the Ritz April
Stolen Harmony May
The Night Is Young February
Straight from the Heart February
Night Life of the Gods March Strange Wives . . Jan. -Feb.
Nitwits June Strangers All . May
No More Ladies June Sweepstake Annie - April
A Notorious Gentleman February Sweet Adeline January
Sweet Music March
Swell Head J une
o -
Oil for the

One Hour Late
Lamps
.....
of China
....
- - - June
January
T
One More Spring
One New York Night ....
....
March
Ten Dollar Raise
Times Square Lady
. . May
April
Our Daily Bread
Our Little Girl ..... April
February
June
Transient Lady
Transatlantic Merry-go-round
Traveling Saleslady -
March
March
May
P U
Under Pressure February
The Painted Veil January
Under the Pampas Moon - - June
The People’s Enemy May Unfinished Symphony March
Petersburg Nights February
Power
The
...
The Port of Lost Dreams
President Vanishes
February
January
February
V
• May
Princess Charming - June Vanessa: Her Love Story . March

Princess O’Hara April The Village Tale - June
Private Life of Don Juan February
Private Worlds
Public Hero No. 1
May
June
w
The Wandering Jew . June
The Wedding Night - April
R Werewolf of London . - - May
West of the Pecos January
Reckless May West Point of the Air . . March
Red Hot Tires April When a Man’s a Man - - April
Red Morning January While the Patient Slept - March
Rendezvous at Midnight February White Cockatoo - March
The Right to Love March The Whole Town’s Talking - March
Roberta March A Wicked Woman . January
Rocky Mountain Mystery March Wings in the Dark - - February
Ruggles of Red Gap April The Winning Ticket - February
Rumba - March The Woman in Red - * March
The Runaway Queen May Women Must Dress * - - May


1
Name
Address

MOTION
PICTURE
REVIEWS
THE WOMEN S UNIVERSITY CLUB

JULY 1935
constant reference.
Films Reviewed in This Issue Films Suitable for Family
Anna Karenina Entertainment*

Alibi Ike
Alibi Ike
The Arizonian The Arizonian
Awakening of Jim Burke
Awakening of Jim Burke
Calm Yourself Charlie Chan in Egypt
Charlie Chan in Egypt
Ginger
College Scandal
Hooray for Love
Escape Me Never
In Old Kentucky
Ginger
Page Miss Glory
Hooray for Love
Song of Happiness
In Old Kentucky
Loves of a Dictator
Liliom
Make a Million
Murder in the Fleet
Orchids to You
Page Miss Glory
People Will Talk
The Raven
The Song of Happiness
She *A family film means a film wholesome enough
Thunder in the East for family entertainment but not necessarily appro-
Unknown Woman priate for children unaccompanied by adults.
Vagabond Lady

943 South Hoover Street Telephone D Rexel 2177
COPYRICHT NINETEEN THIRTY-FIVE WOMEN’S UNIVERSITY CLUB
k'EBBCRAFT PPINTERS 2509 WEST WASHINGTON BLVD . LOS ANGELES


LOS ANGELES BRANCH
_ EDITORS
Address all communications to The Women's University Club, 943 South Hoover St., Los Angeles, Calif.
10c Par Copy - - $1.00 Par Yaar
Vol. VIII JULY, 193 5 No. 1
THE COLLEGE WOMAN AND THE MOTION PICTURE

Sarah McLean Mullen*
“Let’s do something constructive this year about the motion picture problem in our town,”
summarizes the feeling that resulted from the meetings on the subject of motion pictures at
the recent national convention of the A.A.U.W. in Los Angeles. The article by Dr. Edgar
Dale in the A.A.U.W. Journal June provided substance for the initiation of general
for
discussion. More detailed suggestions are welcome, however, as offering a challenge to every
university graduate who has not yet found satisfactory employment for her time and energy,
either as a professional or as a volunteer worker. That there is a problem in connection with
pictures in our modern social life is accepted; what to do about it, is as yet to be woifked out.
For the teacher in the schools, there are, of course, two types of activity of fundamental
importance: class instruction in photoplay appreciation and the motion picture club. Both of
these have as their basic objectives, the selection of worthwhile film entertainment, the
development of a discriminating taste, as well as an increased enjoyment of good pictures.
It is likely that discussion of pictures will lead to other points and the teacher as well as the
students will find profitable enjoyment in the discussion of subjects near to the children’s hearts.
Outside the school walls, the teacher may share other activities related to pictures, either
as a mother or as a club woman. As a mother, the chief responsibility of the college woman
seems to be in accustoming her family to the use of reliable film-guides such as that of the
Los Angeles Branch, “Motion Picture Reviews.” Next, the college woman should busy herself
within her own group of friends or neighboring families in awakening a sense of the re-
sponsibility that parents should bear in connection with the motion picture entertainment of
their children.This includes wise selection of pictures, substitution of other activities for
film attendance,and accompanying children to the theatre to insure correct understanding or
providing an often needed “adult discount” to soften the over-stimulating effect of thrills oh
prolonged suspense.
The wise parent will provide an opportunity for the children to discuss the
college
pictures viewed. This should not be mere retelling of the story, but should include some
evaluation of performance and some analysis of motives and actions of characters. Such a
procedure will tend to eliminate the commonly accepted custom of letting the children go to a
movie, merely because “Johnny and Sue are going” or because “it is Friday night or Saturday
—
afternoon” as the case may be. Gradually the children in homes operating under this plan
will become accustomed to going only when there is a picture that offers something truly
conducive to their welfare, in clean fun, entertainment, enjoyable music, valuable vicarious
experiences of travel or adventure, or vivid visualization of characters and events.
The greatest opportunity, however, lies in the activities of an organized group of an
A.A.U.W. Branch, for with the backing of such an organization even a small group can
accomplish a great deal.
The first step should be the study of motion pictures to determine what constitutes a good
and a bad picture. There is considerable material at hand that will assist in setting up
standards of evaluation. The group should put into as exact expression as possible its stan-
dards for pictures suitable for various age groups. This cannot be done, of course, without
some study of child psychology, as well as of drama, music, photography, and story values.
The study program of the Indianapolis Branch offers many excellent suggestions.
Now members of the group are ready to work. They may decide to organize within
the
their community a Better Films Council. The membership in such a Council should consist
of representatives, duly chosen, from the various clubs and other organizations. If there is
already a Council, it will probably be more desirable to work within it, assuming the
responsibility of leadership and service as required. On the other hand, the group may
decide to maintain their independence and to act as a separate unit. This is most desirable
only if there are no similar organizations which could feel that their efforts are being
duplicated.
It is well from the very beginning to let the public know through the press just what are
the objectives of the group or Council. This may necessitate articles or talks by members
who know their subject thoroughly. As a rule, there will follow many suggestions for desired
assistance or endeavor.
School classes studying motion picture appreciation, churches and clubs desiring programs
on the subject will be glad to present informed speakers from the A.A.U.W. group. They
will welcome other form of printed or written articles, study-guides, pictures,
aid, also, in the
or other materials that will enliven or broaden the study. This activity can easily lead to
maintaining a bulletin board service for schools, churches, and clubs as to new publications,
approved advertising and publicity. Perhaps, too, the group may, in some way, provide not
only an annotated bibliography, but also a number of the books on the subject most worth-
while for a lending library.
Other work follows. It may consist of serving on preview committees to determine what
the forthcoming pictures will have of value for the local community. This particular phase
of the work, while most attractive to members, is oftentimes least valuable, as the work has
probably already been done earlier and better by others more accustomed to the work. Most
branches would do better merely to support such established services as conform best to the
standards previously determined upon. However, there is value in publication of film-guides
and estimates signed by individuals known locally. And certainly there is a necessity for
purposeful first-night viewing of various types of films not covered by the usual reports.
Short subjects and newsreels, because of their timeliness, are seldom evaluated before their
local appearance. College women are likely to be sentient as to propaganda, especially as
regardswar attitudes and political suggestions contained in these types of pictures. Much
harm may be prevented by concerted action of Film Councils or A.A.U.W. groups in pro-
testing the showing of any sort of objectionable pictures.
The local exhibitor or theatre manager is always eager to obtain support for his programs.
He is equally fearful of the ill-will of a group of leaders. There is good reason for co-
operation between college women and the manager. Conditions in local theatres as related to
minors especially are certainly always within the scope of the group’s activity. These may
include physical conditions; such as sanitation, crowding, poor lighting, fire exits, etc., or lack
of proper supervision of young audiences. College women should, of course, be watchful of
local advertising, particularly the lures and baits used to appeal to youngsters. It is not only
the lobby display and screen trailer depicting scenes unwholesome in their influence, but the
more insidious lures that are to be challenged. College women certainly should take the
initiative in arousing public opinion against the exploitation of children. Such offers as free
dancing lessons, training for radio and stage, free film tests, and “kiddie programs” all —
seem generous and altruistic to the uninformed. The college woman must show their true
nature to the public.
Not all the work need be so seemingly destructive; much of it may be obviously con-
structive. College women may serve the whole community in obtaining better pictures in the
commercial theatres. Informed as to the truth about trade practices, she cannot be argued
down in her demand Sometimes it may be necessary
for a just proportion of excellent films.
for the workers to assume the sponsorship of worth-while pictures even to the extent of a
telephone publicity campaign or selling a block of seats, but the results justify the labor.
In some communities, paralleling an established custom in England, interested persons are
organizing cinema-going clubs which attend in a body in support of unusual films films that —
otherwise would not be shown in the local community. The publicity provided by college
women may be by word of mouth only, by inserted notices in the club bulletin, or by other
means, but the exhibitor will soon recognize its value and will be more ready to accept
suggestions from such a group.
Should the manager or exhibitor prove recalcitrant or uncooperative, the group can do
much to develop public feeling that will result in a demand for a finer type of person in his
place, one who feels a responsibility to the community as well as to the theatre owner. At
present, one of the chief problems connected with motion pictures lies in the ignorance and
lack of vision of some exhibitors.
Occasionally where schools are equipped with proper facilities for projection, the college
group may assist in obtaining and supporting a worthy film program. On the whole, however,
most good can be accomplished through cooperation with the commercial theatre.
Where there are several theatres in a community, a valuable asset to a community is
motion picture information service located in the library or some other accessible place. This
service usually includes information on the title, producing company, director, cast, general
theme of the story, classification as to type, and rating as to value for special age groups and,
of course, the date, hour and place of showing. The college women’s group may easily install
the system, provide the data to continue its operation, and even give time to answer phone
calls and letters.
As
antidotes to the bite of the film bug that seems to result in motion picture obsession
with some people, especially youngsters, the group may foster activities of another nature.
Dr. Dale suggests Children’s Theatres, offering stage plays. Another, equally valuable, is a
cinema club for amateur production and showing of 16 mm. films. Creative instincts once
aroused lead to many activities and to a more discriminating attitude toward the commercial
product. Amateur picture-making may be made to include community interests such as local
history. Recording school, club, or community activities weld seemingly non-assimiliable
groups. The results, too, are long-lasting, for a motion picture of this kind gives pleasure and
continued interest for years.
is always an opportunity for college women to suggest to producers stories for
There
filming. Producers delight to know of a ready-made audience. There is also some possibility
— not much, it is true —
of writing a scenario that may be accepted by a producer. And of an
entirely different nature is the need for college women to cooperate in surveys or experiments
conducted by reputable organizations on problems connected with the motion picture. And last
of all, there is the necessity for these same women to work intelligently for legislation tjhat
will bring better pictures and better conditions to the home town and to the entire world.
’Author of “How to Judge a Motion Picture” and Editor of “Following the Films,” Scholastic Magazine.
FEATURE FILMS
THE ARIZONIAN » » sacrificed an opportunity to present the story
Richard Dix, Margaret Crahame, Preston of Anna Kerenina in a guise more suited to
Foster, Louis Calhern. Direction by Charles
modern minds. Too many characters are in-
troduced and their relative signifiance em-
Vidor. R.K.O.
phasized to the point where even the leading
Human nature in the raw is shown in the role is overshadowed. Many sequences, inter-
early days of Arizona with the sheriff and his esting in themselves, but somewhat irrelevant
cohorts as desperadoes who indulge in rob- interrupt the progress of the plot and deflect
bery and murders for personal gain until they one’s interest from the central theme. Never-
are supplanted by a man with sufficient cour- theless, through the superb artistry of Garbo,
age to establish a new standard of law and this unforgettable tragedy of an unhappy wo-
order. It is melodrama perforce, with more man is poignantly impressive.
than the usual amount of drinking and gun- Adolescents, 12 to 16 Children, 8 to 12
play but does have a factual basis in the Far too mature No
history of that Western state. There are fine w
views of desert and mountain country, es-
pecially in the opening scenes, and for those
ALIBI IKE » »
who enjoy rapid-fire Westerns, it should Joe Brown, Olivia de Haviland. Story by
E.
prove entertaining. Ring Lardner. Direction by Raymond En-

Adolescents, 12 to 16 Children, 8 to 12 right. Warner Bros.
Yes Too violent In the role of a baseball player whose

w habit of offering alibis gets him into all sorts
of scrapes, Joe E. Brown displays his usual
AWAKENING OF JIM BURKE » » brand of amusing clowning. There is enough
Jack Holt, Florence Rice, Kathleen Burke, suspense and pathos in the picture to redeem
Jimmie Butler. Story and screen play by it from mere idiocy. It is pleasant family
entertainment.
Michael Simmons. Direction by Lambert
Hillyer. Columbia. Amusing Yes
This story concerns the psychological re- •w
lationship of a father and son of opposite dis- CHARLIE CHAN IN EGYPT » »
positions. The idea is a good one leaving Warner Oland, Pat Patterson, Thomas Beck,
wide possibilities for a conflict of characters
Frank Conroy, Stepin Fetchit. Direction by
but it is clumsily exaggerated and unskilfully
handled. It is a great shock to the father Louis King. Fox.
when he finds that he has an infant prodigy While not as convincing in detail as some
instead of an “enfant terrible.” Against great of the earlier Chan stories, nor as swift mov-
odds, the boy tries to live down to his father’s ing, this has most of the same elements for
expectations but surprisingly enough, the entertainment: good suspense, an exciting
father, who is a stubborn individual, lives up mystery uncover and the pungent comments
to
to the boy’s. of the fiction-famed Chinese detective. The
Adolescents, 12 to 16 Children, 8 to 12 shadowy tombs at Luxor make a fine back-
Possibly No ground for the tale which centers about the
misappropriation of treasures found by arche-
ologists in the employ of the French govern-
ANNA KARENINA » »
ment.
Greta Garbo, Fredric March, Freddie Bar-
tholomew, Maureen O’Sullivan, May Robson, Interesting Too exciting
Basil Rathbone, Reginald Owen. From the w
novel by Count Leo Tolstoy. Screen play by CALM YOURSELF » »
Clarence Dane and Salka Viertal. Dialogue Robert Young, Madge Evans, Betty Furness,
adaptation by S. N. Behrman. Direction Nat Pendleton. From the book by Edward
by Clarence Brown. M-G-M. Hope. Screen play by Arthur Kober. Direc-
The adaptation of this long and complicated tion by George B. Seitz. M-G-M.
novel as a narrative for the screen is a laud- A young man sees the possibilities of estab-
able accomplishment, but in an effort to retain lishing a business to assuage woes caused by
the flavor of the original with its deliberate, the pressure of modern life. “Calm Yourself”
leisurely tempo, the adapters have regrettably becomes the slogan for this new venture.
When one accepts the premise that this sort very beginning, Jane’s ability is quite appar-
of business is a part of economic life, one ent. Her emotional shading is remarkable
accents the other absurdities with a laugh. A and the director has shown the rare good
youthful cast enters into the spirit of the play taste not to place her in any situation which
with zest. The picture is amusing but is outside the range of a child’s reaction.
unimportant. The comparison between her and Shirley
Adolescents, 12 to 16 Children, 8 to 12 Temple will be inevitable. There should be
Good Suitable no conflict, for Jane is approximately eight
w years old and lacks Shirley Temple’s radiant
beauty. The play is a study in misguided
COLLEGE SCANDAL » »
experimental sociology. It concerns itself with
Arline Judge, Kent Taylor, Wendy Barrie, the fortunes of two of the submerged tenth
William Frawley. Direction by Elliott Nu- a broken down Shakespearian actor and a
gent. Paramount. waif of the slums. A society woman, bent
upon using the waif as a laboratory for her
The more sinister and grim qualities of a half-baked theories, causes a somewhat
murder mystery are destined to be mitigated tangled and poignant situation but this is
when sleuthing becomes the extra-curricula finally cleared by a happy chain of circum-
activity of a co-educational college. Follow- stances and a fortunate compromise. The
ing an accepted formula for mysteries, the plot is well motivated, the dialogue, genuine
one least likely to have committed the crime and free. Contrasts are made possible by a
is guilty, but this does not disclose enough to rags to riches theme but the real vividness
lessen suspense if you are interested in an is the result of the aggressive qualities of
amusing, slightly melodramatic film.
Jane Withers.
Exciting, but better Excellent Good
than usual film
of this type Unsuited
w
ESCAPE ME NEVER » » HOORAY FOR LOVE » »
Bergner, Hugh Sinclair, Griffith

Ann Sothern, Gene Raymond, Bill Robinson,
Elizabeth
Maria Gambarelli, Thurston Hall, Georgia
Jones, Rosalind Fuller. From a story by Mar-
Direction by Dr. Paul Czin-
Caine. Direction by Walter Lang. R.K.O.
garet Kennedy.
ner. British Film. United Artists. This a good picture for a hot summer’s
is
afternoon, as it will neither arouse great en-
Those unfamiliar with the Bohemian quali- thusiasm nor elicit any serious criticism. It
tiesof Margaret Kennedy’s characters may
moves along easily with pleasing leads, light
possibly object to the story, with its uncon-
songs, some excellent tap-dancing by Bill
ventionality and moments of undeniable Robinson and a lovely ballet led by Gambar-
hokum. But no one can deny that Elizabeth elli. The story is not unusual, the launching
Bergner by her original performance, her of a musical show in spite of a dearth of
charm and her uniquely sensitive interpreta- funds, but it is varied by the comedy of an
tion of the little waif, Gemma, transforms the
old trouper who finally forsakes his old life
incidents into a memorable experience. The
for matrimony in order to save the day.
emotions are real, the characters human in
their reactions, and the philosophy so honest
Amusing Little interest
that one leaves the theatre feeling that one
has glimpsed, not a play on celluloid, but a
bit of life, insecure and heart rending, but
actual. IN OLD KENTUCKY » »
Adolescents, 12 to 16 Children, 8 to 12 Will Rogers, Dorothy Wilson, Chas. Sellon,
Not suitable No Russel Hardie, Bill Robinson. Original play
by Charles L. Dazey. Screen play by Sam
GINGER » » Heilman and Gladys Lehman. Direction by
Jane Withers, O. P. Heggie, Jackie Searle, George Marshall. Fox.

Katharine Alexander, Walter King. Story This
is one of the gayest, most humorous
and screen play by Arthur Kober. Direction pictures of the season and Will Rogers’ best
for a long time. It should appeal to every
by Lewis Seiler. Fox.
audience. Mr. Rogers is delicious as a race
“Ginger” the vehicle for the introduction
is horse trainer and the other characters are
to the screen in a stellar role of Jane Withers, well cast, Bill Robinson, the famous Negro tap
a new and talented child actress. From the dancer, giving an excellent comedy perform-
ance. The director, with a consistent story, by the father of one of his pupils, and his
has combined human drama and action into schemes involve him in a ludicrous swindle
a well rounded production. with a gang of thieves and panhandlers as
Adolescents, 12 to 16 Children, 8 to 12 his assistants. Considered as a farcical ex-
Excellent Good posure of the gullibility of the public it is
w mildly diverting but the same theme has been
LII.IOM » » handled more entertainingly elsewhere.
Charles Boyer, Madeleine Ozeray. Screen Adolescents, 12 to 16 Children, 8 to 12
story taken from original play written by

—
No misleading
ethically No interest
Franz Molnar. Direction by Fritz Lang. Pro-
duced by Erich Pommer. Released in Amer-
ica by Fox. MURDER IN THE FLEET » »
Robert Taylor, )ean Parker, Ted Healy, Una
This picture, adapted from Molnar’s tragic
and ironic play, is well cast and elaborately Merkel, Nat Pendleton, Jean Hersholt. Di-
produced. the story of Liliom who
It tells rection by Edward Sedgwick. M-G-M.
is a barker in an amusement park. despic- A It is a matter of regret that the interesting
able person, dishonorable, brutal and un-
views aboard a resplendent U. S. cruiser
principled, he makes love to a servant girl
could not have been utilized for a more con-
who rides in the merry-go-round, treats her structive story. The arrival of a secret firing
abominably and finally commits suicide. He
device of great value is accompanied by mur-
ispunished by being taken to Heaven where
ders and general commotion, which would
he is forced to watch the enactment of his
leave one aghast at the insecurity of naval
own story on earth. The fantastic scenes in life in peace time, if one is sufficiently credu-
Heaven unintentionally give the impression
lous to agree that such events could take
of burlesque, but the realism of other se-
place. As a mystery it rates as average. The
quences make the picture interesting for a
parts of the naval officers are well taken and
limited audience. It is probably too bitterly
merit admiration, and Una Merkel with her
ironical to suit the taste of the average Ameri-
rival swains contributes some good bits of
can.
comedy.
Unsuitable No
Debatable Too tense
LOVES OF A DICTATOR » »
Clive Brook, Madeline Carroll. Direction by
ORCHIDS TO YOU » »
John Boles, Jean Muir, Charles Butterworth.

Victor Saviell. Gaumont British.
Direction by William A. Seiter. Fox.
Clive Brook is excellent in this lavish and
finished production. The story is laid in the The pretty proprietor of a swanky flower
eighteenth century and tells how a peasant shop opposes the rising young lawyer who
doctor becomes a power in Denmark, is tries to cancel her lease, but in spite of the
knighted by King Christian and tries to re- unpromising beginnings they become friends.
form the King and give his people freedom. Later she learns that one of her customers is
A love intrigue between the doctor and the sending an orchid a day to the lawyer’s wife,
Queen ends in a scene reminiscent of the and armed with a sturdy innocence, attempts
final act of “Elizabeth the Queen.” Doubtful to shield the wayward lady in a divorce suit.
situations are handled with restraint but the Virtue, of course, is rewarded in the end. A
effect is extremely sophisticated. gloss is spread over the rather ordinary theme
Adolescents, 12 to 16 Children, 8 to 12 by general gaiety and lightness of touch, with
Very mature; doubt- Unsuitable a good measure of amusing dialogue and an
ful suitability
attractive cast.
Sophisticated Unsuitable
MAKE A MILLION » »
Charles Starrett, Pauline Brooks, Lewis D.

Collon, Emmett Anthony. Direction by Lew PACE MISS GLORY » »
Marian Davies, Pat O'Brien, Dick Powell,
Collins. Monogram.
Frank McHugh, Lyle Talbot. Direction by
This tells the story of how a young instruc-
Mervyn LeRoy. Cosmopolitan. Warner Bros.
tor, a teacher of economics in a small college,
makes a million dollars. His financial activi- This is a rollicking farce, handsomely pro-
ties are the result of an attempt to retaliate duced, and well acted by a large cast of screen
when his teachings are pronounced unsound favorites. Miss Davies plays the part of a
» »
particularly green small town girl who comes THE SONG OF HAPPINESS
toNew York, works in a hotel as a chamber- J. Jheimo, V. R. Cardin, M. Victorov, Leonid
maid and quite by accident becomes a famous Kmit, V. Chirkov. Story by G. Holmsky.
beauty. The plot is, of course, an old one and Direction by M. Donskoy and V. Legoshin.
entirely obvious but it is elaborated with
Produced by Vostokfilm.
plenty of funny situations and many compli-
cations. There is never a slow moment in Exquisite photography, beautiful music and
the action. The picture has all the requisites remarkably chosen types characterize this
of a box-office success, including a theme song Russian picture. It seems definitely planned
sung by Dick Powell. to convince both Russian and foreign people
Adolescents, 12 to 16 Children, 8 to 12 of the benevolence of the Soviet regime for
Good Too hard to follow it tells of the idyllic romance of a youth
who was trained in a government reform
school to become a fine musician and his
peasant sweetheart who also was educated
PEOPLE WILL TALK » » by the government. The picture contains
Charles Ruggles, Mary Boland, Leila Hyams. more sentiment, more beauty and more hope
Paramount.
than is expressed in most Russian productions.
Direction by Alfred Santell.
When a middle-aged couple try a novel Interesting No
scheme to patch up a quarrel between their
daughter and son-in-law, they almost wreck 'W
their own marriage. With a few bright mo-
ments of really amusing satire this little do- THE RAVEN » »
mestic comedy promises better entertainment Boris Karloff, Bela Lugosi, Irene Ware. Story
than itactually provides, for it periodically suggested by Edgar Allan Poe's "The Raven.”
slips into the clowning type of humor usually
Adaptation by David Boehm. Direction by
found in comic strips and is too exaggerated
Louis Friedlander. Universal.
to be clever. It is obviously a vehicle for the
talents of Mary Boland and Charles Ruggles. Most of the tortures of the Inquisition were
Adolescents, 12 to 16 Children, 8 to 12 inflicted because of religious zealotry but a
Worthless and in poor taste No strange psychological reason for their con-
tinuance over a period of years was the bes-
tial satisfaction derived from the exhibitions
by the spectators. Is it possible that we, of a
SHE » * later period, are getting a vicarious satisfac-
Helen Gahagan, Randolph Scott, Helen tion from the horror film? In this picture a
Mack, Nigel Bruce. A Merian C. Cooper mentally unbalanced surgeon perfects all the
instruments of torture conceived by Edgar
Production. From the novel by H. Rider
Allan Poe, and with the assistance of a man
Haggard. Direction by Irving Pichel and who becomes his helpless tool, he forces week-
Lansing C. Holden. R.K.O. end guests into the various torture chambers.
It is, technically, well done, but will appeal
From the crimson-streaked imaginings of
only to those who enjoy the type.
Rider Haggard is derived this film of peril-
ous adventure through an ice barrier of
Impossible Absolutely no
northernmost Siberia to a realm where a
youth-replenishing flame, sought for five hun- •v
dred years, is guarded by the mythical She.
The illusions created by Helen Gahagan in THUNDER IN THE EAST » »
the title role is in perfect concurrence with Charles Boyer, Merle Oberon, John Loder.
the spirit of the original: beautiful,she is
Produced by Al. Lichtman. British Film.
cruel, unearthly. The production as a whole,
however, fails to maintain the atmosphere of Direction by Nicholas Farkas. United
the book, and while there are many scenes Artists.
which are praiseworthy for composition and
Completely enthralled by the greatness of
there are dances and music of barbaric
his own country, a Japanese naval officer em-
splendor, certain sets are too obviously plas-
ploys his own wife as a foil to occupy the
ter and paint to satisfy, and other parts of
attention of a young British official in order
the picture are treated with such intense
to obtain information of important tactics.
realism that they are blood-curdling, and the
The young wife responds to the love-making
film becomes a nightmare difficult to forget.
of the foreigner, and when her husband wins
success in the difficult project, he finds he has
Not recommended Horrible sacrificed all he holds dear in life. It is a
beautiful picture, less a story than a descrip- waved blonde, whom we eventually discover
tion of feelings, a delineation of Eastern to be the federal agent, does little more than
psychology with fine nuances, every situation heighten the pictorial effect.
delicately handled. Charles Boyer and Merle Adolescents, 12 to 16 Children, 8 to 12
Oberon are amazingly true to conceptions of Passable No appeal
Japanese character. Not a production for •w
wide popular appeal, it has much to offer to
a discriminating audience.
VAGABOND LADY » »
Robert Young, Evelyn Venable, Reginald

Too mature No Denny, Frank Craven. From an original
screen play by Frank Butler. Direction by

Sam Taylor. M-G-M.
UNKNOWN WOMAN » »
Richard Cromwell, Douglas Dumbrille, Mar- This the type of picture which has little
is
reason for existence other than to be a pro-
ian Marsh. Direction by Albert Rogell.
gram filler in theatres which use double bill-
Columbia. ing. The mechanics are well executed, the
And now we have G-W omen — in a detec- photography, lighting and choice of back-
tive farce which produces mild amusement grounds being quite good, but the plot, action
but no particular enthusiasm. The spotty in- and lines are farcical hodge podge, and one
terest maintained by a button, button, who
is regrets that such excellent actors should be
has the button routine and when we are thor- given such poor material with which to work.
oughly satisfied that the bonds are to be re- Adolescents, 12 to 16 Children, 8 to 12
covered, no one really cares. The elaborately Waste of time Unsuited


1
Name
Address

MOTION
PICTURE
REVIEWS

AUGUST 1935
constant reference.
Films Reviewed in This Issue Steamboat Round the Bend

Alice Adams SilkHat Kid
Bonnie Scotland Stranded
Brewster’s Millions Welcome Home
Broadway Gondolier We’rein the Money
Bright Lights
Call of the Wild
Curly Top Films Suitable for Family
Champagne for Breakfast
Entertainment*
Dante’s Inferno
Dealers in Death Alice Adams
Diamond Jim Bonnie Scotland
Dizzy Dames Brewsters Millions
Escapade
Broadway Gondolier
Farmer Takes a Wife
Front Page Woman Bright Lights
The Girl from Tenth Avenue Cali of the Wild
The Goose and the Cander Curly Top
Going Highbrow
Diamond Jim
Hard Rock Harrigan
Head Line Woman Dizzy Dames
The Irish in Us Farmer Takes a Wife
In Caliente Going Highbrow
Jalna
Hard Rock Harrigan
Java Head
In Caliente
Ladies Crave Excitement
Lady Tubbs The Irish in Us
Little Big Shot Ladies Crave Excitement
Love Me Forever Lady Tubbs
Mad Love
Love Me Forever
Man on the Flying Trapeze
Manhattan Moon Manhattan Moon
Men Without Names OldMan Rhythm
Murder Man Men Without Names
Nell Gwynn
Return of Peter Grimm
Old Man Rhythm
Paris in Spring Smart Girl
Party Line Steamboat Round the Bend
The Phantom Fiend
The Return of Peter Grimm *A family film means a film wholesome enough
Shanghai
for family entertainment but not necessarily appro-
The Scoundrel
Smart Girl priate for children unaccompanied by adults.

LOS ANCELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
943 South Hoover Street 'S’ Telephone D Rexel 2177
COPYRICHT NINETEEN THIRTY-FIVE WOMEN’S UNIVERSITY CLUB
W EBBCRA FT PRINTERS. 2SOB WEST WASHINGTON BLVD.. LOS ANGELES

MOTION • PICTURE • REVI EWS

LOS ANGELES BRANCH
EDITORS
Mrs. Palmer Cook Mrs. J. Allen Davis Mrs. Georce Ryall
Addres* all communications to The Women's University Club, 943 South Hoover St.. Los Angeles, Calif.
Advance Supplement is published and mailed approximately the 15 th of each month.
Vol. VIII AUCUST, 1935 No. 2
FEATURE FILMS
ALICE ADAMS » » BONNIE SCOTLAND » »
Katherine Hepburn, Fred Stone, Frank Al- Laurel and Hardy. Screen play by Frank
bertson, Fred MacMurray, Ann Shoemaker. Butler and Jeff Moffitt. Direction by
From the novel by Booth Tarkington. James W. Horne. M-G-M.
Adapted by Dorothy Yost, Mortimer Offner,
Evidently the idea behind this production
and Jane Murfin. Directed by George
is a burlesque of “Lives of a Bengal Lancer”
Stevens. R.K.O.
and the sequences which follow this theme are
In the output of films for the season we the best in an otherwise dull feature. Laurel
must place “Alice Adams” high in the list of and Hardy, unwittingly lured into a Scottish
notable achievements. First, because it has regiment, are absurdly funny in their kilts
the advantage of being a Booth Tarkington and in their adjustment to Indian warfare.
story which gives it the advantage of having But two reels could have sufficed for this.
a human heart interest; secondly, because the The rest of the story and action is pretty slow
adapters have kept this spirit admirably; and going.
thirdly, because the cast and direction have Adolescents, 12 to 16 Children, 8 to 12
added Katherine Hepburn has
distinction. All right Probably amusing
surpassed even her role of Jo in “Little Wo- -v
men.” She is brilliant as the radiant girl who
seeks happiness so eagerly against the odds BREWSTER’S MILLIONS » »
which she builds up by her own mistaken Jack Buchanan, Lily Damita. From the story
judgment of values. George Stone makes the by George Barr McCutcheon. Direction by
father a man who seems to have stepped from Thornton Freeland. British Dominions Im-
life before our eyes, as does Frank Albertson, perial Corporation. United Artists.
as the elder brother. The story follows the This is the well-known dilemma of the
original accurately except that a more imme- young man whose inheritance of a fabulous
diate happiness for the girl seems possibly fortune is contingent upon his ability to
assured, and this we approve since anything squander a cool half million pounds in a
else would be too tragic. Comedy and pathos year’s time. His investment in a theatrical
are nicely associated and few scenes are as company makes it a simple feat to turn the
hilariously funny as the dinner episode. It is production into a light musical with a fiesta
splendid entertainment, carrying at the same at Monte Carlo as an occasion for song and
time a very real philosophy of life. dance numbers. “Brewster’s Millions” suffers
Adolescents, 12 to 16 Children, 8 to 12 in comparison with American films of this
Splendid Mature nature; the singing is not noteworthy nor are
the show-girls, but it offers light-hearted, BRIGHT LIGHTS » »
nonsensical entertainment, and a story which Joe Brown, Ann Dvorak, Patricia Ellis, Joe
E.
is always good fun. Cawthorn. From a story by Lois Leeson
Adolescents, 12 to 16 Children, 8 to 12 adapted by Ben Markson and Benny Rubin.
Good Yes Direction by Busby Berkeley. First National-
Warner Bros.
While adults may vary in their taste for

BROADWAY GONDOLIER » » this kind of entertainment, this is undoubtedly
Dick Powell, Joan Blondell, Adolph Menjou, good fun and very well done. With a large
Louise Fazenda. Story by Herzig, Harburg cast, capably selected, and with the earmarks
and Kraley. Direction by Lloyd Bacon. of an old time burlesque and vaudeville com-
Warner Bros. bined with the glamor of modern Follies, Joe
E. Brown excels in the role of entertainer and
Amusing, well-acted summer entertainment comedian. The story opens with a show leav-
in which music and original episodes are
ing for a tour of small towns. A society girl
cleverly mingled to make light and pleasant joins the troupe and with Joe’s help becomes
fun. A Manhattan taxi driver’s ambition is a hit, and the two make the larger circuit,
to become a singer. Fate offers him an oppor- the “Bright Lights” of the cities. The story
tunity for a radio tryout and then ironically has some romantic complications, but the in-
throws obstacles in his path. Dick Powell is terest is sustained by the singing, dancing,
a likable hero and Louise Fazenda, patroness miming
humor and excellent of the star.
of the cheese hour, very funny. Menjou gives
an interesting portrayal of a role new to him.
Good Yes
The Flagenheim cheese theme song is an
•w
hilarious touch.
Adolescents, 12 to 16 Children, 8 to 12 CURLY TOP » *
Yes, if it Shirley Temple, Rochell Hudson, John Boles.
Good interests Adapted from “Daddy Long Legs,” by Jean
Webster. Direction by Irving Cummins. Fox.
Here is a modernized version

delightful
CALL OF THE WILD » » of “Daddy Long Legs” in which two or-
Clark Cable, Loretta Young, Frank Conroy, phaned girls are adopted by the rich bachelor
Reginald Owen, Jack Oakie. From the novel and Shiriey plays the role of younger sister.
by Jack London. Screen play by Cene Fow- She is an enchanting “Curly Top,” full of
ler and Leonard Praskin. Direction by Wil- charm and laughter, childish and adorable.
liam Wellman. Darryl Zanuck production. The story has the perennial appeal of Cin-
United Artists. derella. Songs and dancing are interpolated
naturally and entertainingly. The humor is
An outdoor adventure story with Clark spontaneous, the settings luxurious and beau-
Gable’s and Jack London’s names combined tiful of course and the cast is well chosen. It
cannot fail to attract attention. This one is will delight youngsters and will have wide
straightforward and exciting with the atmos- appeal generally because it revolves around
phere of rowdiness and crudity and lack of the little girl and because it is wholesome and
scruples which the hardships of the North pleasantly sentimental.
made inevitable, but it is not exceptional. The Adolescents, 12 to 16 Children, 8 to 12
original was a story of a dog. In this, the Excellent fun Perfect
human element takes precedence. Two pros- 'W
pectors with but one code, “The survival of
the fittest,” go out to steal a claim. The dog CHAMPAGNE FOR BREAKFAST » »
is the cause of the bitter enmity of a danger- From the story by E. Morton Hough. Mary
ous rival and helps him to a grub-stake. Carlisle, Hardie Albright, Joan Marsh, Lionel
When the wild calls, he departs. A love Lee. Direction by Melville Brown. Colum-
element is tactfully handled. Both Miss bia.
Young and Mr. Gable are adequate, but Jack This is a shallow and pointless story
Oakie as the irrepressible jail-bird, and
dressed up with smart talk and scenes of
Reginald Owen as the evil Smith are vividly fashionable restaurants. It concerns the do-
stimulating in their roles. The outdoor ings of two spoiled daughters of an erstwhile
scenery is beautiful and the picture is good
rich man, when they are left servantless and
for a family audience, but too strenuous for
penniless after their father’s suicide. Just as
younger children. they are about to become the victims of a
Adolescents, 12 to 16 Children, 8 to 12 swindler, a nice young man rescues them. The
Good Mature and title is derived from the fact that the girls
exciting drink champagne for breakfast because they
have no servants to prepare food. This quaint man of railroad equipment. He also made a
custom, and the pranks of a tipsy young wo- name for himself as a gourmand, a backer
man, are the humorous touches. of Lillian Russell’s shows and as a market
Adolescents, 12 to 16 Children, 8 to 12 plunger. The life of this fascinating figure
No No in our country’s development is an ideal sub-
sr ject for a picture. The man’s greatness of
heart, of appetite and of purse make him an
DEALERS IN DEATH » »
original character, and because of the story
Monroe Shaft, assisted by Burnet Hershey. and the casting of Edward Arnold as Jim
This picture purely anti-war propaganda.
is Brady, the picture is fresh and of extraordin-
It exposes the “munitions racket” and shows ary interest. The necessary lapses of time are
the probable cost of a future war in dollars so skilfully bridged that the continuity is not
and lives and a wholesale destruction of cities. impaired. The post-Civil War development
In a series of stills and motion pictures, ac- and the elegance of the times, combined with
companied by a monologue of comment, it its lack of taste are well shown. Because
shows the devastating effects of the new in- taste in direction and script are notable, the
ventions which would undoubtedly be used general effect is entirely wholesome without
in another war. The commentator states that losing the historical value of the life of this
in order to sell their wares, the munitions colorful personality, or of the period in which
manufacturers start wars through news- he lived.
paper propaganda in many countries and pro- Adolescents, 12 to 16 Children, 8 to 12
long wars by supporting the weak side when Mature, little
it is about to surrender. The facts and figures Interesting Interest
presented in support of these statements seem

authentic. The picture is a challenge to all
thinking people to inform themselves on the DIZZY DAMES » »
subject. Marjorie Rambeau, Lawrence Cray, Florence
Adolescents, 12 to 16 Children, 8 to 12 McKenny, Inez Courtney. Direction by Wil-
Depends upon the liam Wigg. Allied Release.
individual No What happens when a mother, once a
•w famous runs a boarding-house for
actress,
theatrical folk but keeps her daughter in per-
DANTE’S INFERNO » »
fect ignorance of her past and present calling
Spencer Tracy, Claire Trevor, Henry B.
until the young girl comes home from a fash-
Walthall, Alan Dinehart. Screen play by
ionable school? Does she marry her rich
Philip Kline and Robert Yost. Direction by
Harry Lachman. Fox.
young man or go on the stage? You guess.
Marjorie Rambeau’s part as the mother rings
“Heaven or Hell on Earth is of each man’s very true in this picture, which is not es-
making.” The moral is almost too obvious in pecially original in treatment but has humor,
this modernized version of Dante’s Inferno, some lively scenes and a dash of pathos to
creditably but not exceptionally presented. It make it fairly entertaining.
tells the story of the rise of Jim Carter from Adolescents, 12 to 16 Children, 8 to 12
stevedore to concession magnate. Because he Amusing enough Little interest
gains material success by unethical methods,
his path inevitably leads to ruin and despair.
The scenes from the original book are well
photographed and are very effective, but the ESCAPADE » »
picture is sensational in treatment and is William Powell, Luise Ranier, Virginia

neither pleasant nor constructive enter- Bruce, Mady Reginald Owen,
Christians,
tainment. Frank Morgan. Based on the play "Mas-
Adolescents, 12 to 16 Children, 8 to 12 querade.” Screen play by Herman Man-
No value Absolutely not kiewicz. Direction by Robert Z. Leonard.
sr M-C-M.
Sophisticated Vienna forms a background
DIAMOND JIM » »
for this delightful comedy. It concerns a phi-
Edward Arnold, Jean Arthur, Binnie Barnes,
landering artist who attempts to save the
Cesar Romero. From the novel by Parker
reputations of two of his loves. In extricating
Morell, adapted by Harry Clark and Doris
himself and the two discarded sophisticates
Malloy. Direction by Edward Sutherland.
and in placating their distinguished hus-
Universal.
bands, he unwittingly involves a charming
Thestory concerns the rise of Diamond Jim young woman and falls in love with her. By
Brady from a poor Irish station-master’s as- her personality and art, Luise Ranier domin-
sistant to a rich and spectacular super-sales- ates the picture, to some extent, subordinating
the others of the cast. The picture is most THE GIRL FROM TENTH AVENUE » »
entertaining. To add to its general excellence, Bette Davis, Miriam Brady, Jan Hunter.
the dialogue is clever and unusual. Direction by Alfred E. Green. Warner
Brothers.
The GIRL secures her husband through a
“gin” marriage; whereupon it becomes her
arduous occupation to withhold him from the
THE FARMER TAKES A WIFE » » siren embraces of a former sweetheart who
Janet Caynor, Henry Fonda, Charles Bick- has meanwhile made an alliance of financial
ford, Slim Summerville. Based on the novel abundance and emotional aridity. She reaches
her triumph in a restaurant scene which re-
‘‘Rome Haul” by Walter D. Edmonds. Screen
calls the Bette Davis in “Of Human Bond-
play by Edwin Burke. Direction by Victor age,” and which will compensate her admirers
Fleming. Fox. for a play with a drink-blurred and rather
shoddy conception of life.
This is interesting and sympathetic
an
treatment of a seldom depicted era in Ameri-
Very poor Impossible
can history, when transportation by water
was at its height, but soon to be replaced by
faster transit on land. It is a picturesque
GOING HIGHBROW » »
presentation of characters, costumes and cus-
Guy Kibbee, Zasu Pitts, Edward Everett Hor-
toms of early days on the Erie Canal, telling
the story of a girl who loves the canal so ton Based on the story "Social Parasites,”
devotedly that it is difficult for her to under- by Ralph Spence. Direction by Robert
stand the ambition of the man she loves who Florey. Warner Bros.
wishes to become a farmer. There is humor,
splendidly introduced by Slim Summerville, Good comedians all, but none at his best.
This the appraisal one is inclined to make
is
some lovely photography, and pleasing musi-
at the close of this picture. Zasu Pitts and
cal interludes. But had the story been directed
so that the conflict could always have been
Guy Kibbee represent rich Middle-Western-
ers who descend upon New York with the aim
between the man’s temperamental love of the
of capturing social prominence through an
land, and the woman’s inherent love of the
canal, against the background of their emo-
impecunious member of the “four hundred,”
tional love for each other, it would have been
and when the plot involves the adoption of
a waitress as a pulchritudinous daughter, that
magnificent drama. It now builds up to a
too can be arranged. It is ludicrous but not
mere physical conflict between two men and
hilarious entertainment.
hence loses dramatic force. As it stands it is
an entertaining pageant, skilfully individual-
ized, but falling far short of being great.
Passable Mature
Adolescents, 12 to 16 Children, 8 to 12 •w
Good entertainment; THE GOOSE AND THE GANDER » »
educational also Good Kay Francis, George Brent, Genevieve Tobin,
John Eldredge, Ralph Forbes, Helen Lowell.
Story and screen play by Charles Kenyon.
FRONT PAGE WOMAN » »
Direction by Alfred E. Green, assisted by
Bette Davis, George Brent. Screen play by
Chuck Hansen. Warner Bros.
Laird Doyle, Lillie Hayward and Roy Chans-
lor. Direction by Michael Curtiz. Warner What is sauce for the goose is sauce for the
gander and it makes a delicious tid-bit for a
Brothers.
relaxing mood. We have a divorcee whose
A typical newspaper story, with very little husband has been lured away by a light-
novelty in the plot, which concerns the rivalry headed siren; the newly-wed husband al-
between a man and a woman reporter on ready bored and jealous; the wife looking for
differentnewspaper staffs. The introduction fresh fields to conquer; the new man playing
which has for its locale the inside of a prison the game lightly, and two jewel thieves. The
wherein one fears constantly one is going to complications in which they all find them-
witness an electrocution might be eliminated selves, when
the original wife tries to play
to great advantage, but on the whole swift a punitive hand, are hilariously funny. It is
moving situations and very smart dialogue a clever, sophisticated farce, delightfully cast
make the picture entertaining. and well acted.
Too sophisticated No Too sophisticated Not suitable
HARD ROCK HARRICAN » » THE IRISH IN US * »

George O’Brien, Irene Hervey, Fred Kohler. James Cagney, Pat O’Brien, Olivia de Havil-
From the story by Charles Furthman. Screen land, Frank McHugh, Mary Gordon. Direc-
play by Raymond L. Schreck and Dan Jar- tion by Lloyd Bacon. First National.
rett. Direction by David Howard. Ather-
Concerning a family of humble origin in
ton Productions. Fox.
their everyday pursuits, this is an easy-mov-
An industrial drama, the scenes of which ing, spontaneous film, tinged with human
are laid in a construction camp where a kindness, and while the humor is often of the
tunnel is being bored through a mountain. winter-underwear variety, there are some
The motive of the plot is a long-established good Irish characterizations. It is somewhat
feud between two “pit-bosses,” rivals in the astounding to have Danny, whose previous
efficiency of their crews, in their skill in athletic prowess has remained in obscurity,
fighting and in love. A cave-in in the tunnel rise to great heights in a middleweight prize-
affords both men their big opportunity when fight, but the boys and men who enjoy such
personal integrity, bravery and loyalty to encounters will overlook that point, and after
their trade automatically overcome individual all they are the group to whom the picture
rivalry and solve their difficulties. This is a will chiefly appeal.
vivid picture, straightforward, interesting Adolescents, 12 to 16 Children, 8 to 12
and instructive, with no nuances but plenty Boys, good ; Old
of heroic action. girls, less interest
Adolescents, 12 to 16 Children, 8 to 12 •w
Excellent Exciting but not
particularly JAVA HEAD » »
suitable Anna May Wong, Elizabeth Allan, Edmund

Gwenn. From the novel by Joseph Herges-
heimer. Direction by J. Walter Ruben.
HEADLINE WOMAN » » Basil King Production.
Heather Angel, Roger Pryor, Jack LaRue. Hergesheimer’s novel should have fur-
Direction by William Night. Mascot. nished enough material for a stirring motion
One of the usual newspaper stories featur- picture. The old ship owner and his two sons,
ing the brilliance of the reporter hero, con- one a scoundrel and a “land-lubber,” the other
trasted with the stupidity of the police. A venturesome and a born sailor, are colorful
night club raid, two murders and the capture characters. Opium smuggling, family feuds,
of a gangster provide plenty of action. Ro- and the tragedy of the Chinese wife brought
mance enters in the person of a society girl home by the sailor’s son, offer great possibili-
who happens to be visiting the night club and ties for drama. Nevertheless the picture dis-
is suspected of shooting the manager. The appointingly lacks vitality and is stagey and
picture is a fairly entertaining one of its type. antiquated in technique. The quaint costumes
Adolescents, 12 to 16 Children, 8 to 12 and settings of the times, the salty vernacular
No No of the old seaman and the oriental beauty of
'
Anna May Wong are all that it has to offer.
IN CALIENTE » » Yes No interest
Pat O’Brien, Glenda Dolores Del Rio,

Farrell, •V
Leo Carrillo, Edward Everett Horton. Dance JALNA * »
direction by Busby Berkeley. Direction by
Kay Johnson, Ian Hunter, C. Aubrey Smith,
Lloyd Bacon. Warner Bros. -First National.
Nigel Bruce, David Manners, Peggy Wood,
A friend shanghais the editor of a so- Jessie Theodore Newton, Halliwell
Ralph,
phisticated New York publication, in order Hobbes, George Offerman, Jr., Clifford
to save him from marriage with an adven-
a Severn, Molly Lamont, Forrester Harvey.
turess. The aim accomplished when the
is From the novel by Mazo de la Roche.
editor falls in love with a famous Mexican Direction by John Cromwell. Produced by
dancer. This is a very light and amusing Kenneth Macgowan. R.K.O.
comedy. Several dance numbers are intro- Certain incidents have been changed and
duced, and these are nicely spaced and not others added in the adaptation of “Jalna”
too long. Dolores Del Rio is particularly ef-
for the screen, but the picture is a surpris-
fective, and Mr. Horton gives the usual, ac-
ingly good reflection of the book. Seeing it is
ceptable performance of a man who means
like suddenly being ushered into a room and
well but is faced with frustration at every introduced to a group of people formerly
turn.
known only by reputation. Old Gran, domin-
Adolescents, 12 to 16 Children, 8 to 12 ating matriarch of the clan, the uncles, the
Yes No heterogeneous brothers and their alien wives,
Meg the sentimental victim of a deferred love LADIES CRAVE EXCITEMENT » »
affair, these, sometimes lovable sometimes Norman Foster, Evalyn Knapp, Esther Ral-
hateful but always vital and human with their ston, Eric Linden. Direction by Nick Crinde.
conflicting interests and family loyalty, enact Mascot Pictures.
their parts in a colorful chapter from the A poor rich girl exhausts all the
history of the W
hiteoaks. As in the book the
thrills
little
of life stunting in airplanes, driving
credibility of the story depends upon the
a speed boat, swinging a mallet atop a ca-
character of Gran. Jessie Ralph ably repre-
reening polo pony. But she finds no experience
sents this amazing old lady on the screen and so thrilling as assisting a newsreel camera
sets the pace for the other actors who will
man to save his compromising pictures which
not disappoint those who enjoyed the book. will prove the guilt of two crooked race track
habitues. It is not a particularly original
Mature Too mature and story, but it is full of action and it entertains.
involved
•w Probably Mature and
LITTLE BIC SHOT » * entertaining exciting
Sybil )ason, Clenda Farrell, Robert Arm-

strong, Edward Everett Horton, jack La Rue, LOVE ME FOREVER » »
Arthur Vinton. Story by Harrison Jacobs. Crace Moore, Leo Carillo, Robert Allen.
Screen play by Jerry Wald. Julius T. Epsteen, Direction by Victor Schertzinger. Columbia.
Robert Andrews. Direction by Michael Cur-
tiz. Warner Bros. It is an ambitious program to offer motion
picture patrons the amount of grand opera
Another crook melodrama is chosen to in- which is sung in this film, but they will take it
troduce a child actress who has charm and and like it because of Grace Moore’s glorious
ability and who deserves a background better voice, perfectly recorded, and a vital though
than a portrayal of shiftlessness and crime. somewhat incredible story of the love of an
Sybil Jason is talented and is the only bright Italian cafe owner of humble origin who
spot in an otherwise banal picture. An or- holds music so high that, when he finds it
phaned child is brought up by two worthless personified in a woman, he becomes her slave
fellows who are on the outer ring of criminal and conversely her greatest benefactor. The
activities. They finally reform and all go to opera scenes are well staged, orchestral ac-
the country to live happily ever after. The companiments very good, and there is enough
sentiment is cheaply insincere and the cast real humor and depth of feeling to balance
struggles futilely to make it passably enter- the entertainment with the aesthetic values.
taining. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Excellent Mature
No No
MANHATTAN MOON » »
LADY TUBBS * » Ricardo Cortez, Dorothy Page. Direction by
Alice Brady, Alan Mowbray, Hedda Hopper, Kurt Neuman. Universal.
Anita Louise, Douglass Montgomery. From
the novel by Homer Croy. Screen play by
A pleasing, very light musical comedy in
which mistaken identity provides the dramatic
Barry Trivers. Direction by Alan Crosland.
conflict. It is not new in plot or setting, for
Universal.
the vaudeville and night club scenes are very
With money and an assumed title, a for- familiar, but it entertains in an unexciting
mer railroad cook exposes the weaknesses of fashion.
a family of social climbers. The picture is Adolescents, 12 to 16 Children, 8 to 12
ideal hot-weather entertainment for it is en- Light
tirely lacking in depth and in no way taxes entertainment No interest
the mentality. It is another version of the w
Cinderella theme. Its aim is amusement, and
it does maintain a pleasing lightness of tempo.
MEN WITHOUT NAMES » »
The comedy sequences are wholesome and Fred MacMurray, Madge Evans, David Holt.
humorous, with little subtlety but some satiric Direction by Ralph Murphy. Paramount.
thrusts at smug social snobs. There is suffi- This another film eulogizing the courage
is
sufficient freshness of treatment added to of the G-Men andis to be commended be-
amusing incidents and lively characters to cause like its predecessors it “stars” the de-
cover the improbable, hackneyed plot. fenders instead of the violators of the law.
Adolescents, 12 to 16 Children, 8 to 12 Here the problem involved is the detection
Amusing Harmless but of a group of criminals through the tracing of
mature stolen currency. Step by step the work of in-
vestigation is carried on, logically and effi- His daughter him

finally succeeds in helping
ciently. “Men Without Names” is not so to a more secure There are mom-
existence.
violent as some of the G-Men stories, but ents of real comedy, but on the whole it is
many of the situations are gripping, and it slapstick humor, too broad and forced for
gives a good understanding of the excellent real amusement. The title is ambiguous.
work that is being done through federal law Adolescents, 12 to 16 Children, 8 to 12
enforcement. Not elevating No; humor in
Adolescents, 12 to 16 Children, 8 to 12 poor taste

Good of type Too mature yr
and exciting NELL GWYNN * »
•v Anna Neagle, Sir Cedric Hardwicke. Direc-
THE MURDER MAN » » tion by Herbert Wilcox. British Dominion.

Spencer Tracy, Virginia Bruce, Harvey Ste- United Artists Release.
phens. From story by Tim Whelan and Guy This cannot be classed as an historical film
Bolton. Direction by Tim Whelan. M-C-M. since it in no way attempts to follow the facts
In atmosphere of a big newspaper
the of history but presents the famed Iiason of
office, presented in regulation movie style, a the orange vendor and her royal lover as
star reporter follows a murder trial in which
merely an innocent friendship. The picture
is made up of a series of incidents with no
a man is convicted on circumstantial evidence.
The unusual denouement gives a novel twist dramatic continuity, outlining in a sketchy
to the story. The acting is good, and interest
way the life of Nell G<wynn from the time
is sustained throughout.
that Charles II first saw her at the Drury
Lane Theatre until her death. The settings
Good of type Mature and costumes are charming. Anna Neagle is
perfect in the title role, seeming to possess all
w the unquenchable spirits, the naturalness and
MAD LOVE » * the vulgarity of the real Nell. However, in
Peter Lorre, Frances Drake, Colin Clive, Ted glossing over the truth, the dramatic essence
Healy. From the novel “The Hands of of Nell’s life story is lost. Although the pres-
Orlac" by Maurice Renard. Direction by ent version may have been severely cut for
Karl Freund. M-G-M. American audiences, the theme could have
been expertly handled from the beginning so
There is little excuse for this type of pic-
that the story might have retained both his-
ture beyond its appeal for those who have a
torical accuracy and dramatic force without
jaded appetite for life and find satisfaction
offending public taste.
only in raw horrors. The unhappy feature
is that many young people are fascinated by
such themes and can not fail to be subjected
Yes No interest
•w
to intense nervous strain, while others become
hardened to the depiction of cruelty. The OLD MAN RHYTHM * »
material as such is well handled, the lighting Charles Buddy Rogers, George Barbier, Bar-
unusually good, the acting realistic and the bara Kent. Screen play by Sig Herzig and
mood well sustained. Even in a frankly im- Ernest Pagano. Direction by Edward Lud-
possible film, however, it is grossly illogical wig. R.K.O.
to stipulate that the brain-power could be A trivial story serves as a framework on
transferred with the grafting of a pair of which to hang various musical and dancing
hands to the arms of a man with a widely- numbers. The plot is silly, a student intrigued
divergent personaltiy. as usual by a mercenary co-ed, is saved from
Adolescents, 12 to 16 Children, 8 to 12 a mesalliance through the efforts of his father
Horrible By no means and friends, and the college background is
W done after the traditional manner of un-
reality thought necessary by studios. Al-
MAN ON THE FLYING TRAPEZE » »
though the musical numbers seem long, the
W. C. Fields, Mary Brian, Kathleen Howard, jazz is tuneful, the dancing restrained and
Claude Neselroad, Vera Lewis. Screen play entertaining, and the choral arrangements
by Jack Cunningham, Ray Harris, Bobby are good. The photography likewise deserves
Vernon. Direction by Clyde Bruckman. praise. There are many lovely and unusual
Paramount. shots. But the general estimate is that a
A commonplace farce concerning the hen- good deal of technical excellence is wasted on
pecked husband surrounded by his second a picture which, largely because of its story,
wife’s illmannered and sponging relatives. is only trivial entertainment.
Though seemingly rattle brained, he is in- Adolescents, 12 to 16 Children, 8 to 12
valuable to his employer as a memory expert. Trash but innocuous No value
PARIS IN SPRING » » ful stage play for the screen is a dismal dis-
Mary Ellis, Tullio Lupino,
Carminati, Ida appointment. It is wordy and slow, and the
Lynne Overman, Jessie Ralph, James Blake- story is interpreted more as comedy than as
ley. Original story by Dwight Taylor. Screen drama with a deeper meaning. Mr. Barry-
play by Samuel Hoffenstein, Franz Schulz more acts in too light a vein, and the rest of
and Keene Thompson. Direction by Lewis the cast, with the exception of Edward Ellis
Milestone. Paramount. (as the Doctor) are not sufficiently good to
In this musical comedy two young people, carry the weight of the play. The younger
having quarreled with their fiancees, go up generation may not recall David Warfield’s
the Eiffel Tower to end it all. Meeting there, Peter Grimm, a grand old man whose spirit
they plan a new campaign with the usual returns to earth after death to clear up the
confusions and complications. With a good unhappiness he had unintentionally caused.
cast and attractive settings, the production is Possibly he made the character too much his
still disappointing. The story is stereotyped own for those who loved the play as David
and the music undistinguished. Belasco presented it, to accept another in the
Adolescents, 12 to 16 role, but there was a rare spiritual suggestion
Children, 8 to 12
in the play which the screen production seems
No No
to have missed.
PARTY LINE » »
Passable No
Jean Arthur, Helen Lowell,
Victor
Jory,
Charlie Crapewin, Robert Allen. Direction
by Erie C. Kenton. Columbia.
This is an excoriation of the gossip brigade SMART GIRL » »
which “listens in” on the telephone conversa- Ida Lupino, Kent Taylor, Gail Patrick, Jo-
tions in a small town. Motivated by jealousy, seph Cawthorn, Pinky Tomlin. Screen play
because the most eligible youth in the vicinity by Frances Hyland. Direction by Aubrey
is attentive to a poor but pretty blonde, they Smotto. A Walter Wanger Production.
strive to blast her reputation and almost suc- Paramount.
ceed. The play depends so much on comedy
“Smart Girl” is a picture without pretense
for effect that it loses force as satire; certain
to importance, which unexpectedly manages
narts are well done, but the film as a whole
to become very good fun. The story of two
remains as petty as its theme.
sisters love with one man and the com-
in
panion plot of an innocent employee involved
Mediocre No
in an oil swindle, are given sufficient embel-
lishments to keep them from becoming tire-
THE PHANTOM FIEND » » some. Ida Lupino is like a breath of April
Ivor Novello, Elizabeth Allen. From “The with showers and sunshine, and Joseph Caw-
Celebrated Lodger” by Mrs. Belloc Lowndes. thorne has never been so funny since the old
Direction by Maurice Elvey and Julius Hay- theatre days; his misuse of the English lan-
den. Olympic Pictures. guage, often a clumsy form of humor, is so
This mystery thriller, set in London’s naive that he is quite irresistible. One turns
densest fog, is warranted to chill the hardiest away in a happier mood.
spectator. All London is terrorized by a series Adolescents, 12 to 16 Children, 8 to 12
of inexplicable and morbid murders. They Good Too mature
are solved as the heroine becomes the last
beautiful girl to be attacked. The whole pic-
ture is set in dark shadows, dim streets, dim
corridors, dim rooms. There is little action,
STRANDED » »
Kay Francis, George Brent. Direction by

only the atmosphere of unknown peril to
arouse the imagination to a sense of insecurity Borzage. Warner Bros.
and danger. George Brent, an ambitious young engineer,

Adolescents, 12 to 16 Children, 8 to 12 scorns the troubles of Kay Francis in her posi-
Not recommended By no means tion with the Traveler’s Aid until violent
•w
labor disturbances among his bridge workers,
THE RETURN OF PETER GRIMM » » which she helps him subdue, convince him
Lionel Barrymore, Helen Mack, Edward that tolerance rather than obedience is the
Ellis, George Breakston, Allen Vincent, requisite for a peaceable marriage. This is
James Bush. From the play written and pro- average entertainment, chiefly notable for its
duced by David Belasco. Screen play by views of the wonderful San Francisco Bay
Francis Edwards Fafagoh. Direction by Bridge in process of construction.
George Nicholls, Jr. R.K.O. Adolescents, 12 to 16 Children, 8 to 12
The adaptation of this famous and beauti- Fair No

SILK HAT KID * » problem of a fair New Yorker who wishes

Lew Ayres, Mae Clark, Paul Kelly. From the to marrythe issue of a Russian general and
story by Beaumont. Screen play by
Joe a Manchu princess. The producers must have
Edward Lou Breslow, Dorc Schary.
Eliscue, had some qualms about the reception by the
Direction by H. Bruce Humberstone. Fox. public, inasmuch as there are two definite
points at which the drama might be termin-
A danger in Pollyanna pictures isthat they
ated. There is a good deal of atmosphere:
reflect a state of mind which is responsible
shadowy streets, rich and langourous apart-
for many of the world’s ills. Although it is
ments of modern China, smoke-wreathed Rus-
possible for occasional gangsters to reform,
sion restaurants; Loretta Young is often
it seems in doubtful taste to base a story on
lovely to behold, and Charles Boyer’s char-
the nobility of men of this class who yearn
acterization is interesting if not entirely
to give boys the chance they never had. The
“sympathetic”; but there are needlessly ex-
hero is imported from Albany to act as body
guard for a notorious night club owner. He travagant” gestures to the story, and it is all
too far removed from the average life to have
becomes boxing instructor at a settlement
house. The night club owner finances summer
any deep effect.
outings until he becomes jealous of the other’s
attentions to a girl teacher in the neighbor- No No
hood. A melodramatic fight between the two •v
ends in their mutual respect for each other. THE SCOUNDREL » *
It is full of the “hokum,” all too common in
Noel Coward, Hayden, Hope Williams,
Julie
motion pictures, which weakens audience
Martha Sleeper. Written and directed by
ability to appreciate real dramatic excellence.
Ben Hecht and Charles MacArthur. Para-
It is the philosophy of the plot, not the pro-
mount.
duction values to which we object. It is told
with restraint, is well cast, and the pace is This picture is of unusual interest for adult
sufficiently fast to hold interest. audiences. A combination of sophisticated
Adolescents, 12 to 16 Children, 8 to 12 realism and supernatural fantasy, it is a stim-
Not recommended No ulating experiment, significant in its maturity
•w and its expertness of production. It pictures
the character of a scoundrel in every sense
STEAMBOAT ROUND THE BEND * »
of the word, a clever sophisticate, intellec-
Will Rogers, Anne Cobb, Eu-
Shirley, Irvin tually brilliant, but selfish and mean in his
gene Pallette, John McGuire. From the relations to every one with whom he comes
novel by Ben Lucien Burman. Screen play in contact. He attracts women, only to cast
by Dudley Nichols and Lamar Trotti. Direc- them off at the slightest whim he has no con-
;
tion by John Ford. Fox. science or decency in relation to anyone. He

Will Rogers, in the role of a patent medi- has neither the respect nor the liking of his
cine seller, again becomes involved in
associates. At his untimely death his soul re-
turns to earth because of a legend that it will
straightening out the affairs of two young
be subjected to unceasing wandering unless
people. It is an enjoyable comedy of the
nineties, set on the Mississippi River among
one person weeps for him. The production
is of such excellence that the question arises,
the river boats. The details of the picture
are interesting in depicting the clumsy old
why is it not entirely artistic? Possibly the
break from adroit realism to fantasy is too
boats, traveling shows, revival meetings and
sudden, or the act which redeems him is not
other characteristics of the day. The slow
sufficiently sympathetic to the audience. It is,
tempo suddenly ends in a burst of action
when the doctor’s boat enters a race and en- however, one of the most interesting pictures
of the year and not to be missed by those
counters hilarious obstacles in the competition.
looking for the unusual in film entertainment.
Good If it interests
Unsuitable No
•w
SHANCHAI * »
Loretta Young, Charles Boyer, Warner Oland, WE’RE IN THE MONEY » »
Alison Skipworth. Screen play by Gene Joan Blondell, Glenda Farrell, Hugh Herbert.
Towne, Graham Baker and Lynne Starling. Story by George R. Bilson. Screen play by
Direction by James Flood. A Walter Wanger F. Hugh Herbert and Brown Holmes. Direc-
Production. Paramount. tion by Raymond Enright. First National-
Although the Eurasian is a creature beyond Warner Bros.
the pale in the viewpoint of residents of H»re -o amusing, superficial farce which
Shanghai, it is difficult for an American to wtli »"tf”-tain those who do not consider its
be stirred to the marrow of his bones by the ethical values too seriously. It concerns two
gold-digging damsels who connive with shys- tal affection for his home town, comes back
ter lawyers to subpoena victims of breach of to visit, and with the help ofhis equally
promise suits. It is broad humor enjoyment — unethical pals, fleeces a rich man of $15,000
of which is a matter of taste. which he donates to the city for the location
Adolescents, 12 to 16 Children, 8 to 12 of an important factory site. It is melo-
No No dramatic comedy, and has little value or
yr interest.
WELCOME HOME * »
No No
James Dunn, Arline Judge, Raymond Wal-
burn. Screen play by Marion Orth and
Arthur T. Horman. Direction by James Tin-
ling. Fox.
Richard Foster, a gambler with a sentimen-
SHORT SUBJECTS
PARAMOUNT PICTORIAL No. 10. MOVIE MILESTONES. Paramount. Scenes
Views of luxury liner.
a Exquisite color from “Blood and Sand,” “Covered Wagon,”
studies of unfolding lilies. Songs and dances “Miracle Man” and “Beau Geste.” Interest-
by Lew Pollack. Family. ing novelty for adults and young people.
BUDDY IN AFRICA. Looneytune. Loud, FREDDIE MARTIN’S BAND. Vitaphone.
unpleasant music accompanies Buddy through Tour with band, Cuban, Hawaiian, Sicilian
Africa, surrounded by wild animals. Poor. music. Good. Family.
ANIMAL INTELLIGENCE. Sport. Para- HEAR YE, HEAR YE. Vitaphone. Slap-
mount. Very interesting pictures and explana- stick comedy concerning damage suit. Fair.
tions by Ted Husing and Grantland Rice Adults.
about the ten most intelligent animals. Excel- SOFT DRINKS AND SWEET MUSIC.
lent for all ages. Price and Froos. Vitaphone musical short,
PICNIC PANIC. R.K.O. Charming, imagin- poor in execution.
ative color picture in which three little girls JAMAICA. R.K.O. Excellent travelogue
are deprived of a picnic by the rainy weather. of cities and industries. Family.
They go into the kitchen to find that all the GOOD LITTLE MONKIES. M.G.M.
kitchen utensils have come to life. Family
Color cartoon ingeniously picturing the famil-
and children.
iar three little monkies and characters coming
SOME BRIDGE WORK. Easy Aces. Vita- from the library shelves. Good. Family.
phone. Mrs. Ace loses her housekeeping funds
at bridge. They hold a party to recoup the
MODERN RED RIDING HOOD. Terry-
toon. Fox. Modernized version of old story.
losses from their creditors. Amusing for
Amusing. Family.
adults.
SWAT THAT WESTWARD BOUND. America First.
FLY. Betty wrecks the kit-
chen furniture in her efforts to annihilate an
Vitaphone. 1877-1889 —
Lewis and Clark,
California museums, Presidents of United
annoying ,y. Fair for family. States, Spanish-American War and “Main”
FIVE PUPLETS. Terrytoon. Fox. A cari- disaster. Very good. Family.
cature on the arrival of the Dionne quintup-
lets, these quins being dogs, and also their
TAMING THE WILD. Treasure Chest.
Fox. Excellent exhibition of training animals
subsequent care. The idea may be clever but
to be friends. Good. Family and children.
it is poorly elaborated, and done in rather
bad taste. CHOOSE YOUR “WEPPINS.” Popeye.
LITTLE BLACK SAMBO. Color cartoon. Paramount. Slapstick cartoon of fight with
Allied. Sambo has weird adventures with a
escaping criminal. Only fair. Adults.
tiger. Fair for family. MANHATTAN RHYTHM. Variety.
IN THIS CORNER. Pick and Pat Min- Paramount. Views of New York City and
strels.Vitaphone. Confused medley of music illustrative talk. Good. Family.
and dance. Poorly conceived. THE ROBBER KITTEN. Silly Symphony
POOR LITTLE ME. M.G.M. Color car- in color. United Artists. A funny little kitten,
toon. A lonely little skunk finds friendship to avoid his bath, runs away to become a rob-
and self-confidence. Good. Family and chil- ber. Terrifying adventures send him quickly
dren. home. Amusing but not outstanding.
LIFE OF THE PARTY. Fox. Darkey story cleverly revamped. It is delightfully

singers, hill-billies, and cabin boys entertain. whimsical in story and execution. Excellent,
Family. all ages.
TARS AND STRIPES. Fox. Buster Kea- GOLDEN TOUCH. Silly Symphony in
ton as a dumb recruit. Naval setting some- color. United Artists. A
simplified version
what redeems, otherwise dull film. Family. of King Midas who realizes his wish for the
NO! NO! 1000 TIMES NO. Paramount. golden touch. It lacks humor and is disap-
Betty Boop puts on melodrama. Family. pointing generally.
LITTLE OLD NEW YORK. Easy Aces. LITTLE PEOPLE. Chic Sale. R.K.O. A
R.K.O. Excellent pictures of city with com- delightful story of the old woodsman
way an
ments by comedy pair. Family. teaches kindness to animals to a small boy.
BUDDY’S LOST WORLD. Looney Tune.
Recommended for children’s matinees.
Vitaphone. Buddy and his dog unearth pre- JAPANESE LANTERNS. R.K.O. Beau-
historic bones. Amusing. Family. tiful colorshort telling fanciful tale of making
LOS ANGELES, WONDER CITY. of different kinds of lanterns.
M.G.M. The Plaza, Olivera Street, Wilshire MICKEY PLAYS PAPA. Walt Disney.
Boulevard, Studios. Well photographed United Artists.Mickey and Pluto amuse an
studies in Technicolor. Good. Family. abandoned baby. Inferior in originality and
charm.
BREMERTOWN MUSICIANS. Allied.
Color cartoon of farm yard into which a fox TWO GUN MICKEY. Walt Disney.
steals. Entertaining. Family. United Artists. Mickey rescues Minnie from
outlaws. Some amusing touches and much
POPULAR SCIENCE. Paramount. Inter-
gun play.
esting modern inventions with their inspira-
tions from nature. Good. Family. MICKEY’S MAN FRIDAY. Walt
Disney.
MORMON TRAIL. See America First. United Artists. An imaginative
ingenious,
cartoon in which Mickey and his man Friday
Vitaphone. Instructive and interesting: As-
rout cannibals. Very entertaining, all ages.
sasination of Lincoln, the trek of the Mor-
mons, Salt Lake City, Brice Canyon, Custer’s MICKEY’S KANGAROO. Walt Disney.
Last Stand, Lincoln’s Memorial Tomb. United Artists. A gift of a kangaroo furnishes
exciting times for both Mickey and Pluto.
PEG LEG PETE PIRATE. Fox. Cartoon
Very amusing for all.
of pirates in action. Fair. Family.
PEACE CONFERENCE. Columbia. A THE BAND CONCERT (in color). Walt
Disney. United Artists. Mickey as band-
KRAZY KAT burlesque on the Peace Con-
master leads the animals in a riot of action,
ference. Fair.
color,and sound. It is exceptionally well done
VAUDEVILLE No. 4. Vitaphone. Japa- A and one is conscious of the fine musical in-
nese act the only good one of several. terpretation throughout. Excellent for all.
GYPSY NIGHTS. Perry Askaw. M.G.M.
WHO KILLED COCK ROBIN? Silly
Musical short, imaginative and entertaining.
Symphony in United Artists. A bril-
color.
Family.
liant burlesque in which Jennie Wren im-
BARNEY RAPF AND NEW ENGLAND- personates Mae West. It is witty and highly
ERS. Melody Master. M.G.M. Night club entertaining but the human suggestion is a
revue. A matter of taste for adults. questionable departure in our minds for Walt
IS MY FACE BLACK. Paramount. Musi- Disney’s art. Adults.
cal number featuring Molasses January
and 3X Sisters. Entertaining. Family.
’n’
KIDS IN THE SHOE.
Color Classic.
Paramount. The nursery tale of the old wo-
OKAY TOOTS. M.G.M. Charlie Chase man who lived in a shoe and her efforts with
tries his efficiency methods in the home disas- her children. Fair for family.
trously. Amusing of type. Adults.
RIMAC’S RHUMBA ORCHESTRA. Mel-
PECULIAR PENGUIN. Silly Symphony ody Master. Vitaphone. The progress of the
in color. United Artists. Novel and enter- rhumba from native villages to the United
taining cartoon of penguins, showing their States. It ends with elaborate interpretations
frolics and pursuit by gigantic sharks. Lovely of the modern dancing in a night club. Fair.
color and music. Good for all but very young. Adults.
GODESS OF SPRING. Silly Symphony in INDIANAPOLIS 500-MILE RACE. Prin-
color. United Artists. The Greek myth of cipal Pictures. Races give remarkable sense
Persephone exquisitely presented. Excellent, of speed and daring. Family.
all ages.
DIZZY DIVERS. Paramount. Popeye seeks
TORTOISE AND THE HARE. Silly sunken treasure. Very funny. Family and
Symphony in color. United Artists. The old children’s matinees.
LIFE’S LAST LAUGH No. 6. Columbia. MARCH OF TIME No. 3. F.D. Propa-
This is another of the series of epitaphs; ganda for peace with unquestionably real
the New Englanders recited the faults of the pictures; Mexico’s religious troubles, Huey
deceased, and the English laugh at death. Long with views of New Orleans and other
Good. Adults. parts of Louisiana; Trans-Pacific air express
ROUMANIA. Vagabond. R.K.O. Fine to China. Excellent. Adults.
scenes of countryside and cities in beautiful IT NEVER RAINS. Jr. Coughlin. Fox.
Roumania with interesting descriptions. Ex- A painful picture of a poor California real
cellent for all ages. estate man who tries to put on a big front for
NITE AT BILTMORE BOWL. Jimmy equally impecunious Easterners. Mediocre.
Grier. R.K.O. Merrymakers at the popular BROADWAY HIGHLIGHTS No. 2. Var-
Los Angeles ballroom, including some motion iety. Paramount. Ted Husing tells about
picture actors. Has no objectionable details. various bright spots in New York, as the
All right for family. pictures are shown. Good. Family.
LITTLE SOAP AND WATER. Boop. TWO LITTLE LAMBS. Oswald. Uni-
Paramount. Betty pursues Puggie, her dog, versal. Oswald’s difficulties with an air circus.
all over the house, captures him and gives him Amusing for family.
a bath. Amusing. Family. PUPPET MURDER CASE. Scrappy. Co-
MARCH OF TIME. F.D. The subjects lumbia. Scrappy’s complications with a
covered are: Washington characters of note, puppet show. Fair for family.
life in various parts of Soviet Russia, and LANGUAGE ALL MY
OWN. Boop.
thrilling pictures of naval maneuvers in the Paramount. Betty goes to Japan where she
Pacific. The Russian scenes are especially finds her “boopy-doop” language is under-
well photographed and are very instructive. stood even in the Orient. Good. Family.
Excellent for all ages.
WATER THRILLS. Sport. Columbia. Ex-
WATER BABIES. Silly Symphony. United cellent pictures of Mississippi steamboats, the
Artists. Exquisite color pictures of a day of Vanderbilt cup race, chug boats, star boats,
the water babies from the time the lily buds etc. Fine for family and children matinees.
unfold, revealing an adorable figure in the
heart of each flower, to the hour when each
COUNTRY MOUSE. Merrie Melodie.
Vitaphone. A mouse aspires to be a boxing
one creeps back into the sheltering petals. A champion, but when his mother interferes, he
joy to behold. For all ages.
returns home safely. Good for family.
DUMBELL LETTERS No. 19. R.K.O.
ONLY THE BRAVE. Ernest Truex. A
Really humorous letters written in all gravity.
painfully banal play with Truex and Mary
Family.
Jane Barrett.
GOLDEN BOXING TOURNAMENT. HOLLYWOOD HOBBIES. Sport. Para-
Ind. An amateur contest sponsored by the
mount. Various stars of Hollywood engaged
Chicago Tribune, most of the participants
in favorite pursuits: swimming, tennis, shoot-
being colored boys. All right for men and
ing. Fine for family.
boys but little interest for a feminine audience
of any age. INSPIRATIONS OF OLD LOVE SONGS.
Color. Principal. Very beautiful pictures of
MOVING MELODIES. Pepperpot. Vita-
San Juan Capistrano Mission accompanied
phone. On moving day J. Fred Coots sings
by “Juanita” and “The Sweetest Story Ever
allthe songs he comes across and is charged
Told.” Recommended for all ages.
double time by the movers. Good for family.
MUSICAL COCKTAIL. Anson Weeks. FOR BETTER OR WORSE. Popeye.
Paramount. Clever presentation of Anson Paramount. Popeye tiring of the life of a
Weeks and his men. Family. bachelor, seeks a wife from a matrimonial
agency. He flees from the ceremony, content
MYGREEN FEDORA. Color Merry. to endure his own bad cooking. All right for
Vitaphone. Peter Rabbit is left to mind Elmer,
family.
which he neglects to do. Elmer is missing;
Peter dons a green Fedora, and after many SOUTHERN EXPOSURE. Chase. M.G.M.
adventures, rescues his brother. Good for Elated at thoughts of seeing their ancestral
family and children. home, a prominent citizen of Kentucky and
his wife set out together, only to find it a
COOKIE CARNIVAL. Silly Symphony.
domicile of hill-billy class. Amusing for
United Artists. The glories of fancy cooking
family.
from rum cookies to an upside-down cake
are revealedin this lovely cartoon in soft OLD MOTHER HUBBARD. Republic.
pastel shades. The various sweets assume Color cartoon of interest to family.
fanciful forms and go through clever per- FOLLOW THE LEADER. Paramount.
formances. Excellent for all. Musical short. Family.
PRINCE, KING OF DOGS. M.G.M. Pete comedy in which he plays boarder in his own
Smith shows tricks of remarkably intelligent home to avert “Auntie’s” wrath over her
dog. Very good. Family and children. neice’s marriage. A matter of taste for adults.
RAG DOG. R.K.O. Color cartoon of kit- BOOM DAYS.Vitaphone. See America
tens, dogs and mice and their adventures. First Series. United States from 1920 to 1932,
Family and children’s matinees. Harding to Roosevelt. Excellent. Family.
NATURE SPEAKS. Paramount. Beautiful GROOMS IN GLOOM. Tom Howard.
photographic shots and accompanying poetry. Fox. Silly farce of man helping another to
Family. marry.
MICKEY’S GARDEN. United Artists. STUFFY’S ERRAND OF MERCY. Pep-
Disney color cartoon with the usual excel- perpot. Vitaphone. Poorly executed cartoon
lence technique making it outstanding
of of a child’s desire which is gratified.
among other products. Mickey in a garden BROADWAY HIGHLIGHTS. Para-
learns the destructive power of insects. Very mount. Ted Husing introduces Paul White-
charming in idea and amusing as well. Ex- man, Earl Carrol, Sophie Tucker, the Music
cellent family and children’s matinees. Box, Radio City with A1 Jolson rehearsal for
STAR BOARDER. M.G.M. Charlie Chase N.B.C. Good. Family.


I am inclosing $ — for. subscriptions to The Motion
Picture Reviews, from 193 to. 193

1
Address

MOTION
PICTURE
REVIEWS

SEPTEMBER 1935
For practical use we
suggest filing bulletins where they may
constant reference.
Feature Films Reviewed in this Issue
Accent on Youth His Family T ree

After the Dance Hot Tip
’"Alias Bulldog Drummond La Maternelle
’"Annapolis Farewell "The Old Homestead
Atlantic Adventure Pursuit
The Black Room Redheads on Parade
"Broadway Melody of 1936 Sanders of the River
China Seas She Cets Her Man
*The Crusades She Married Her Boss
La Dame Aux Camelias Special Agent
The Dark Angel Storm Over the Andes
Dressed to Thrill ’"Top Hat
"Every Night at Eight Thunderstorm
'"The Cay Deception Valley of Fear
"The Girl Friend "Waltz Time in Vienna
"Here Comes the Band Wanderer of the Wasteland
"Here’s to Romance "Westward Ho
*Film suitable for family entertainment but not necessarily appropriate for children under 12 or for
children unaccompanied by adults.

943 South Hoover Street Telephone DRexel 2177
WEBBCRAFT PRINTERS. 2909 WEST WASHINGTON BLVO., LOS ANGELES


LOS ANGELES BRANCH
EDITORS
Addresi all communication! to The Woueh'i Univer§itt Club, 943 South Hoover St., Los Angeles, Calif.
Advance Supplement is published and mailed approximately the ISth o{ each month.
Vol. VIII SEPTEMBER, 1935 No. 3
WILL ROGERS
Will Rogers’ passing has brought universal sadness to people in all walks of life. The
beauty of his character, the kindliness of his wit and humor, and thte constructive nature of
his daily comments on world events, made him a dynamic force for good which the world
greatly needed at this time.
And quite apart from his written word, the world needed him
in pictures. He never
claimed to be an actor. He was Perhaps because of this
only himself in any role he played.
he was the more important on the screen. Others can create roles which are absolutely dis-
similar to themselves. Many actors and actresses are known for characters they have created.
Their own personalities are so submerged in their creative art that at times they rebel be-
lieving that their true individualities have been lost to their public. But Will Rogers could
only be himself. Whether he was Captain of a Mississippi River boat, stock raiser on a
Mid-West farm, or lazy drifter of “Jubilo” fame, his cheerful grin, his gracious sympathy,
and heart warming philosophy sent out an aroma of helpful influence which his audiences
felt and which cannot be measured.
Exhibitors say that his pictures were their greatest money-makers. Surely this means
something very important to the industry. Only once that we remember was a film in which
he played ever censured. “State Fair” had one scene which offended his followers. He did
not play in it. I question that he knew it was in the script. They say he never Iread scripts.
He was told what the story was, what was required of him, and given a suggestion of his
lines and then he went to work. When “State Fair” was released he was deluged with pro-
tests from individuals and committees interested in “Better Films.” I do not know what he
replied, but I feel sure that he would regret any violation of taste in his productions whether
he had any responsibility or not. It never occurred again. People went to see Will Rogers.
His audiences felt that they knew him personally because, whatever the setting, his indi-
viduality and homely kindliness reached out to them.
We believe that one of the finest memorials the industry could offer in his memory would
be a yearly series of pictures of the type in which Will Rogers would have liked to appear.
The movie public will miss him sadly, and it will miss his contribution of unsophisticated,
wholesome, entertaining “Better Films,” always starred for family enjoyment.
Laura Osman Vruwink.
EDITORIAL
If you have children at home, or if you know any children in whom you are interested,
you must at some time have been concerned with the problem of motion pictures in relation to
children. Some of you have taken the lirrfe of least resistance and have allowed your children
to go to anything and everything as often as they like. Some of you who have young children
are beginning to wonder what policy to adopt when the movie craze arrives. What is the
right course? We don’t want to be too old fashioned, nor do we want our children to be
harmed mentally or physically. How can we regulate their choice of pictures and determine
how frequently it is safe to let them go?
In the first place we must know a good deal of child and adolescent psychology in general
and our own children’s mental and nervous make-up in particular. What is good for one
child is bad for another, but there are well known principles governing the emotional develop-
ment of children. Though he may comprehend certain emotions, a child may be greatly harmed
by being exposed to problems that are too mature. This is not theory, but has been proven over
and over again by experience. A child’s happiness depends upon his feeling of security, his
belief that the world is fundamentally good. If you take this away from him in childhood, he
may never be able to adjust himself to the later demands of life.
Another essential is to know pictures. You can not influence your child in his choice
without first hand knowledge of the movies that are being advertised. If you never go to the
movies yourself, your child will not value your opinion. Do you know what ideals are pre-
sented, what class of people are portrayed, what example of conduct is held up for your child
in the average movie? Children learn largely from example. What is your child learning of
ethics, of conventions, of ambitions? Naturally you can not see all the pictures, but there are
many reliable guides available. By calling the Los Angeles Public Library you may have read
to you the reviews of a number of organizations, whose judgment you may safely follow.
People who use this information find that they are spared the disappointment of going to poor
and uninteresting films, and children soon begin to prefer entertainment that is really appro-
priate for their age.
If your children have not yet acquired the movie habit do not make the mistake of allow-
ing them to begin regular weekly attendance. If they expect to go every Friday night or
every Saturday afternoon to the neighborhood theatre, you will have a much harder problem
on your hands. There are not enough good movies made to make it possible to find a suitable
picture every week-end at your neighborhood theatre. You will discover that some local
theatre managers will try all kinds of schemes to get the children to attend regularly: serials,
clubs, prizes, etc. The sooner your children understand that they may not expect to go regu-
larly the easier it will be for you to conttrol their attendance.
And what about your children’s health? You probably give. your babies sun baths and
regular naps and see that the older children play in the open air every day. Does it appear
logical to allow them to sit from noon until dinner time in a dark theatre in seats that aire not
made for their comfort, straining their eyes and craning their necks, while they watch two
feature length films, a comedy, a cartoon, and a chapter from a serial. The school day is
carefully planned in order that no child shall have to concentrate for any great length of time
on any one task. It is interrupted by singing, games and change of occupation, because teachers
trained to work with children know that a child becomes nervous if kept too long at one kind
of work. Parents would undoubtedly complain if their children came home from school ex-
hausted by over-work. But any child who sits through a double feature is overworked. He
either exhausts his nerves keeping still or begins running up and down the aisles. Have you
patronized a children’s matinee? Do you believe that the undisciplined behavior of overtired
children is good for them? The double bill is one of the major obstacles in the path of good
family entertainment. The better pictures are frequently booked with poor ones, made solely
to provide a program filler. It is practically impossible to get children out of the theatre
before a second feature, even when theatre managers announce the end of the children’s part
of the program. But a refusal to allow your child to attend a double feature would go a long
way toward voicing public opinion, and after all it is public opinion that eventually rules.
Or if you make a point of calling the theatre, finding out at what hour the picture you want
to see is going on, and staying only for that film you will be helping to register your plea for
single billing.
Itmore difficult to deal with older children who naturally want to see every movie
is
that being widely advertised and discussed, but if you try to develop their critical faculties
is
and encourage them to read movie guides, not paid advertising blurbs, but sound honest
criticism, they will soon learn that trash is less satisfactory than a really first class motion
picture. Taste can be educated in this matter, as well as in literature or food or behavior.
Probably no one who reads this would deliberately feed a child bad food, but laziness or
indifference has led us to close our eyes to the fact that indiscriminate movie attendance is
bad mental food. Children love beauty, they are hero worshippers, they like stories of bravery
and honor. It is very nearly criminal to allow them to saturate their minds with sordid prob-
lems, crime, abnormalities and warped ethics. But this is what you will be doing to them if you
are not careful.
Cooperate with the school teachers in their endeavor to guide your children in their
choice of entertainment. Interest yourself in neighborhood projects that provide alternatives
for the movies. Cooperate also with the parents of your children’s friends in supporting play-
ground activities, neighborhood gatherings and other normal wholesome forms of recreation.
How often we hear the plea, “But Mother, Willie’s mother lets him go every Saturday.” If
you talk to Willie’s mother you may find that she is just as anxious as you are to discourage
the weekly movie habit. Get acquainted with the local theatre manager and give him your
support when he books good family films. If a good picture comes along, make an effort to
take your children, go w
ith them, talk about it afterwards at home and you will find it a
(
source of enjoyment to the whole family. Your child will be benefited by your point of view,
and your interpretation of parts of the picture he may not have understood. Help in awakening
public opinion against bad pictures. Talk the matter over with friends and neighbors, and
when you do go to the movies, know what you are going to see and patronize only the
good films.
DOROTHY J. COOK.
8 - 23 - 35 .
FEATURE FILMS
ACCENT ON YOUTH » » ALIAS BULLDOG DRUMMOND » »
Sylvia Sidney,Herbert Marshall, Phillips Jack Hulbert, Claude Hulbert, Fay Wray.
Reed. From the play by Claude Binyon. Direction by Walter Forde. Gaumont-
Direction by Wesley Ruggles. Paramount. British.
This is the story of a December and May Unless American audiences wish their de-
romance between a playwright and his young tective stories unadulterated melodrama, this
secretary. The same situation exists in a burlesque should please. It is the experiences
play the man has written, and the contrast of a novice detective, impersonating the fa-
between the writer’s preconceived theories mous Bulldog Drummond, who tries to solve
and his own experience is cleverly presented. a mystery about which he knows nothing,
The film play follows the original stage pro- by methods of which he is totally ignorant.
duction almost exactly except that it seems Absurdity is the key-note, with everything
more wordy and that an interlude only ver- sacrificed to comedy adventure. Though the
bally recounted on the stage is given in most humor is British, it is often subtle and very
amusing detail on the screen. It is witty, amusing. The story is clever with well sus-
sophisticated entertainment. tained suspense and unexpected episodes, but
it is so farcically handled that it seems a bit
No No overdone.
Good Exciting
AFTER THE DANCE » »
w
Nancy Carroll, George Murphy, Thelma
Todd, Jack La Rue. Direction by Leo Bul- ANNAPOLIS FAREWELL » »
gakov. Columbia. Sir Standing, Tom Brown,
Guy Richard
A combination of musical comedy and so- Cromwell, Rosalind Keith, John Howard.
cial drama-with-a-purpose which do not mix Direction by Alexander Hall. Paramount
well. The blame falls on the story but direc- Picture.
tion does not help. It concerns a boy unjustly This not the usual frivolous campus pic-
is
sent to prison, who rather unwillingly runs ture, but beautiful and inspiring story of
a
away and is later apprehended by the acci- idealism. The opening scenes abound in
dent of meeting a former associate who re- humor when the “plebes” arriving at the
ports him. Naval Academy are subjected to a mild but
Adolescents, 12 to 16 Children, 8 to 12 most amusing form of hazing that quickly
No No reveals their distinguishing characteristics.
One “plebe,” "Click” Haley, has come there how artistically presented they may be, they
determined to take whatever benefits the still leave a most disturbing memory.
Academy has to offer and to give nothing in Adolescents, 12 to 16 Children, 8 to 12
return, relying on his wits, his prowess at No No
football and an engaging personality to carry •w
him through the four years. In contrast to
"Click” is Commodore Fitzhaugh who, though BROADWAY MELODY OF 1936 * *
retired, devotes his life to watching over the Eleanor Powell, Robert Taylor, Jack Benny,
cradle of the Navy. Like Mr. Chips, the Sid Silvers, Francis Langford, Buddy Essen,
English schoolmaster of a current best seller,
Vilma Essen, Una Merkel, June Knight, Rob-
Commodore Fitzhugh hovers about, fearful
lest the new generation of midshipmen fail
ert Wildback. Screen play by Jack McGowan
to love and appreciate navy traditions as they and Sid Silvers. Music by Nacio Herb Brown.
should. Sir Guy Standing in this role paints Direction by Roy Del Ruth. M-C-M.
a portrait that will not easily be forgotten.
His final act of devotion to his beloved cause
M-G-M’s Broadway Melody, like its prede-
cessor, has all the elements of good musical
makes a satisfying though tragic end to a
comedy entertainment. In this, a cast new
picture that is outstanding for its good taste,
for the most part to motion picture patrons,
its excellent cast, its well constructed story
is made up of very clever artists in different
and its sincerity.
specialties. The story, while not particularly
original, is amusing and human, the dancing
Excellent Beyond their
exceptionally artistic, the music tuneful and
appreciation
and sad
catchy. The humor is often spontaneously
•w funny, especially when Buddy Essen is on
the screen or Robert Wilback gives his vaude-
ATLANTIC ADVENTURE * »
ville routine to the great enjoyment of the
Nancy Carroll, Lloyd Nolan, Harry Langdon. audience. The back-stage business in the
From a story by Diana Bourbon. Adapta- production of an extravaganza gives oppor-
tunity for spectacular effects which are very
tion by John T. Neville and Nat N. Borf-
entertaining and one ballet featuring Eleanor
man. Columbia.
Powell with the Albertina Rasch Dancers is
Audiences looking for light entertainment particularly beautiful. Eleanor Powell is a
will enjoy this fast moving newspaper story delightful star. She is natural and hand-
of a reporter who temporarily loses his job some, with a personality which pleases at
and his sweetheart and regains both after a once. Her effortless dancing will no doubt
series of exciting adventures with a gang of be compared with Fred Astaire’s in most com-
crooks on shipboard. The idea is not a new plimentary terms. The production is smartly
one but it is amusingly presented, and though entertaining.
murder enters into the plot, the obviously Adolescents, 12 to 16 Children, 8 to 12
humorous interest of the picture makes it en- Good Two hours; de-
tirely innocuous. pends on age
Adolescents, 12 to 16 Children, 8 to 12 and taste
Innocuous Very mature •w
CHINA SEAS » »
THE BLACK ROOM » »
Clark Gable, Jean Harlow, Wallace Beery,
Boris Karloff, Marian Marsh, Robert Allen,
Lewis Stone, Rosalind Russell, Dudley Digges,
Katherine De Mille. Screen play by Henry
C. Aubrey Smith. From the book by Cros-
Myers and Arthur Strown. Direction by
bie Carstin. Screen play by Jules Furth-
Roy William Neill. Columbia.
man and James K. McCuiness. Direction by
A morbid tale of a madman, un-
fantastic, Tay Garnett. M-G-M.
balanced by fear and superstition, this film,
strangely enough, has elements of beauty. In
Action and thrills, striking photography
contrast to the evil character who dominates
and the glitter of the well-known team of
the story there are others who are brave and
Gable and Harlow only partly obscure the
fine. The setting is a feudal castle in the sordidness of this tale of white men’s deter-
Swiss Alps. The grandeur of the surround- ioration in the fetid moral atmosphere of the
Orient. It is not sufficiently adroit in its
ing country and the medieval costumes of
the peasantry make a background rich in handling to make its coarseness and brutality
beauty and interest. However, a mad mur- even slightly palatable.
derer and his hideous crimes are not usually
considered entertaining subjects. No matter Extremely bad No
THE CRUSADES » » THE DARK ANGEL » »
Henry Wilcoxon, Loretta Young, Katherine Fredric March, Merle Oberon, Herbert Mar-
De Mille, C. Aubrey Smith, Alan Hale. shall,John Halliday, Claude Allister, Janet
Beecher. Screen play by Lillian Heilman
Screen play by Harold Lamb, Waldemar
and Mordaunt Shairp. From a play byCuy
Young and Dudley Nichols. Direction by Bolton. Direction by Sidney Franklin. Sam-
Cecil B. De Mille. Paramount. uel Coldwyn Production. United Artists.
The story concerns the Third Crusade of The charm of this romance of the Great
the kings of Europe to win back the Holy Land War is as compelling as when it was first
from the Saracens. Richard Coeur-de-Lion, produced in silent films with Ronald Cole-
King of England, learns humility and finds man and Vilma Banky in the cast. It has dig-
love through the years of bitter struggle. The nity and sincerity and the poignantly tragic
historical background furnishes opportunity appeal of an enduring love for which no
for great pageantry; the beloved romantic sacrifice is too great. Two
brothers are
character of Richard gives warm human in- called to the British colors. In the line of
terest, and the general spirit of history though attack one is missing. He has been blinded,
not the actual facts, has been well preserved. captured and interned in a German camp.
There is a good deal of cruelty and violence The girl he loves believes him killed. He
of war shown, but for school children the is unwilling to return to her because of his
lack of modernity should lend enough un- affliction. The story of what he makes of
reality to prevent its becoming objectionable, his life, of her own adjustment and their final
and a plea for universal peace underlies its happiness make a moving study of human re-
portrayal. Henry Wilcoxon as Richard is lationships. The cast is distinguished. Miss
very fine, a combination of roughness and Oberon is charming and natural and far re-
tenderness which creates a fairly accurate moved from the exotic characters which we
picture of this fascinating hero. Dialogue have seen her assume in other plays. Fredric
keeps the spirit of the times and yet is intel- March and Herbert Marshall give sympa-
ligible to modern audiences. spectacular The thetically fine performances. A number of
effects are extraordinarily good and the in- children in the cast are excellent, especially
finite details of the production represent the a little girl (Fay Chaldecott) whose natural-
most careful and painstaking research. Cos- ness and sweetness make a marked impres-
tumes, customs, implements of warfare, har- sion. It is a production which should) hold
nesses give the impression of the period as general interest.
no books possibly can. While a few may Adolescents, 12 to 16 Children, 8 to 12
object to Mr. De Mille’s characteristic theat- Emotional and mature
rical approach, no one can deny that this Little interest
picture makes history real and entertaining. -w
Excellent Depends on individual; DRESSED TO THRILL » »
mature and exhaustingly long. Turra Rolf, Clive Brook. Adapted from the
play "La Couturiere de Luneville,” by Alfred
Savoir. Screen play by Samson Raphaelson.
Direction by Harry Lachman. Fox.
LA DAME AUX CAMELIAS » »
(CAMILLE) “Dressed to Thrill” introduces us to Turra
Rolf, a delightful comedienne with a charming
Yvonne Printemps and Pierre Fresnay. From
voice. Clive Brook is rather miscast as a bon
the story by Alexandre Dumas, Fils. Directed vivant, too mature and serious to be entirely
by Ferdinand Rivers. Music by Renaldo romantic in the role. It is a sophisticated
Hahn. Produced by Abel Cance. comedy with a thin and incredible plot, and
one must stretch the imagination to believe
In this French version of Dumas’ immortal that clothes alone can completely hide the
love story of Armand and Marguerite, the identity of the girl in the case. An American
Lady of the Camelias, emphasis is shifted soldier in Paris, pledged to marry a little
somewhat to the lighter episodes, and it is French girl, is ordered home on Armistice
not quite so heavily tragic and overweighted Day. No word is sent Colette, and with no
with sentimental scenes as was the Camille of explanation of this breach of ethics, we find
Sara Bernhardt fame. Yvonne Printemps him, years later, a banker in Paris engaged
is charming in her simplicity. Though the to another girl. Colette, now posing as Nadia,
English titles are inaccurate, the quality of a Russian actress, sets out to confuse her erst-
the acting is such that titles are practically while lover and is so successful that he is
unnecessary. torn between his love for the actress and his
Adolescents, 12 to 16 Children, 8 to 12 memory of the little Colette. Needless to say,
No No his new fiancee is left waiting at the church.
Miss Rolf carries the picture capably and joy- poser and a stage manager, to get a producer
ously by her beauty, grace, voice and acting. to consider a play they have written, burles-
It is a light and frothy comedy with a dis- quing Napoleon. The plot is cleverly executed
tinctly Continental flavor tactfully handled. with just the right amount of dramatic sus-
Adolescents, 12 to 16 Children, 8 to 12 pense supporting the comical scenes to make
No value No it highly entertaining. Jack Haley’s per-
•w formance is very funny.
EVERY NIGHT AT EIGHT » »
Good Yes, if it interests
George Raft, Alice Faye, Frances Langford,
Patsy Kelly. From the story "Three on a
Mike.” Screen play by Gene Towne and
Graham Baker. Direction by Raoul Walsh. HERE COMES THE BAND » »
Walter Wanger Production. Paramount. Ted Lewis, Virginia Bruce. Musical score,
This pleasant little comedy

pictures the rise
Edward Ward. Direction by Paul Sloane.
to fame of a radio orchestra and the three M-C-M.
“Suwanee Sisters.” One scene in the begin- Ted Lewis and his band are featured in
ning when the girls compete at an “amateur this musical comedy made up of a series of
night” lends itself nicely to the introduction incidents concerning the difficulties of a song
of various entertainers and to some comic writer whose chef-d‘ouvre is stolen by a
touches. The picture is gay, spontaneous and publisher. It is not very different from
musical, a really delightful family film. other productions of type
except in its
its
Adolescents, 12 to 16 Children, 8 to 12 finale when hillbillies, cowboys, negroes and
Excellent Good Indians arrive via taxicab and airplane to
assist their one time buddy to wrest large
THE CAY DECEPTION » » damages from the thieving publisher. The
Francis Lederer, Frances Dee, Benita Hume, cast is good and the incidents in themselves
Alan Mobray, Ferdinand Gottschalk, Lennox are entertaining, but there are too many epi-
Pawle, Luis Alberni. From an original screen sodes packed into one film.
play by Stephen Morehouse Avery and Don Adolescents, 12 to 16 Children, 8 to 12
Hartman. Direction by William Wyler. Jesse Entertaining Probably tiring
Lasky Production. Twentieth Century-Fox. sr
Here is a perfectly charming, utterly im-

possible fantasy —
a musical comedy type of
HERE’S TO ROMANCE »
Nino Martini, Genevieve Tobin, Anita Louise,
story where no one sings but which has a
musical score that cleverly adds atmosphere Reginald Denny, Madame Ernestine Schu-
in a delightful way. This accompaniment mann-Heink. Original story by Ernest Pascal
is noteworthy. The plot portrays a stenog- and Sonya Levien. Screen play by Ernest
rapher who unexpectedly wins $5000. She
Pascal and Arthur Richman. Direction by
spends it in regal fashion trying to have a
grand time Her greatest nemesis is a Alfred E. Green. Lasky Production. Twen-
bell hop in the Waldorf-Astoria who, to tieth Century-Fox.
her increasing annoyance, insists on trying to
Public response to recent films introducing
take care of her. The disclosure of his iden-
operatic music has encouraged the production
tity provides the most amusing and romantic
of another giving us the pleasure of hearing
denoument. It is light, gay and full of
the beautiful voice of the Metropolitan star,
laughs, and the charm of Francis Lederer,
Nino Martini in several arias superbly sung.
supported delightfully by Frances Dee and
The story is a gay one of a young tenor
an able cast, furnishes an exceptionally pleas-
who is financed by a wealthy society woman
ant hour for anyone looking for unsophisti-
to offset her husband’s habit of playing patron
cated entertainment.
of the arts to aspiring young women. The
expected romantic misunderstandings with
Excellent Good
his sweetheart follow, but his ultimate suc-
yr
cess is amusingly assured in an original way.
THE CIRL FRIEND » » Madame Schuman-Heink plays a small part
Anne Sothern, Roger Jack Haley.
Pryor, with a real gift for sympathetic comedy. She
Authors, Herbert Fields, Richard Rogers and is a joy. The admirable cast, the settings in
Lorenz Hart. Direction by Eddie Buzzell. New York and Paris, and the almost con-
Columbia. tinuous music, both light and classical, insure
A very amazing musical comedy with love- enjoyment of the highest type.
ly music and genuine humor. It relates the Adolescents, 12 to 16 Children, 8 to 12
struggles of three young men, an actor, a com- Good Good but mature
HIS FAMILY TREE » » evening by the sort of parents one would ex-
Margaret Callahan.
Barton, From pect in that irregular and poor community.
James
the play “Old Man Murphy.” Direction by The bitter emotional experiences of the little
Charles Vidor. R.K.O. girl around whom the story centers are shown
with restraint and subtlety, and the love for
The Irishman seems to be pereni-
in politics
all the children with which Rose, the new
ally the basis of a new
stage or screen play. maid, surrounds them, makes the school a
This times Charles Murfree, ne Murphy, is haven of safety and happiness to those starved
hoping to be elected mayor of a middle west- littlecreatures. The picture is starkly real-
ern town with the doubtful aid of a fluttery, istic at times. The French attitude is not
socially ambitious wife. Inopportunely his
our own, but nothing can detract from the
disreputable hard drinking old father ar- beauty of the psychology or from the certainty
rives from Ireland to take a hand in the that all races are alike in their desire to give
election. Most of the interest of the story is security and the best in life to children. We
lost in a medley of Irish fights, campaign recommend this film in superlatives to adults.
songs, and radio oratory. The plot is hack-
It is not a child’s production.
neyed and the action boring. Adolescents, 12 to 16 Children, 8 to 12
Waste of time No
HOT TIP » » THE OLD HOMESTEAD » »
Zasu Pitts, James Gleason. From the story Mary Carlyle, Lawrence Grey, Eddie Nugent,
by William Slavens McNutt. Screen play Willard Robertson. Directed by William
by Hugh Cummins, Olive Cooper and Louis Nigh. Liberty Pictures.
Stevens. Direction by James Gleason and An comedy concerning a

inconsequential
Ray McCarey. R.K.O farm hands whose ability in sing-
quintette of
The ethics of this comedy may be ques- ing wins them a radio contract. Their ex-
tioned if accepted seriously, inasmuch as gam- periences in the big city are not conducive
bling is made an exciting and harmless diver- to happiness,and they return home to broad-
sion. For adults the picture is amusing. The cast by remote control. It is amusing and
daughter of a man who likes to bet on horse the songs are entertaining.
races is told she may marry her suitor when Adolescents, 12 to 16 Children, 8 to 12
he is owner of the auto laundry where he is Entertaining Little interest
employed. The father bets the boy’s nest egg,

money on a sure tip. The fact that he wins
in a thrilling finish is an hilarious climax for PURSUIT » »
those who can evaluate its improbability. Chester Morris, Sally Eilers. From the story
Adolescents, 12 to 16 Children, 8 to 12 by Lawrence G. Blochman. Screen play by
Not elevating but full of No Wells Root. Direction by Edwin L. Marin.
action M-C-M.
•w
A small boy, supposedly kidnapped from
LA MATERNELLE (Children of Montmartre) his father and taken to his mother in Mexico,
is subjected to an airplane crash, a wild auto-
Madelaine Renaud, Paulette Elambert, Alice
Tissot, Sylvette Fillacier, Henri Debain.
mobile ride ending in a fire, and is made the
Based on the Goncourt Prize Novel by Leon object of pursuit by all manner of people who
Frapie. Adapted and directed by Jean are trying to collect a reward for his cap-
Benoit-Levy and Marie Epstein. French ture. The picture is supposed to be both
dialogue and English titles. Presented by
exciting and humorous but is neither, both
John S. Tapernoux and Metropolis Pictures.

because it poorly done, and because kid-
is
napping a child is too shocking an offense to
We believe that “La Maternelle” is one of be treated lightly even in the movies.
the finest examples we have ever seen of what Adolescents, 12 to 16 Children, 8 to 12
an international exchange of films can do to No No
create understanding and sympathy between •w
different races. It is in no way propaganda;
on the contrary, it is simply a very human, REDHEADS ON PARADE » »
beautiful story of child psychology, remark- John Boles, Dixie Lee, Jack Haley, Raymond
ably acted by a cast from the Comedie Fran- Walburn, Herman Bing, Alan Dinehart.
caise, including a child who is an extraor- Story by Certrude Purcell, Jay Corney, Don
dinary artiste. The setting is a nursery school Hartman. Direction by Norman McLeod.
in the Montmartre district where children up Fox.
to the age of eight or nine are housed, fed Here is a typical back-stage musical with
and taught until they are called for in the a fairly original story of turning the coun-
try a hit film in which the cast
redhead by SHE MARRIED HER BOSS » »
is made up of Titian beauties. Had the pic- Claudette Colbert, Melvyn Douglas, Kath-
ture been in color it would have been more erine Alexander, Edith Fellowes. Direction
effective, but otherwise it takes too much by Cregory La Cava. Columbia.
imagination to visualize the impression de-
sired. The development of scenes, ensembles
When an indispensable office secretary
marries her boss with the expectation of as-
and music is undistinguished by any special
suming a new role in his home, she is disap-
charm. It is innocuous entertainment.
pointed to find that she has merely undertaken
an additional job, home management in a
No positive value Little interest
chaotic household with an interfering aunt
and a badly spoiled child to complicate the
SANDERS OF THE RIVER » » situation. After almost everybody has gone
Paul Robeson, Leslie Banks, Nina Mae Mc- on a drinking spree the difficulties are ad-
Kinney. From the novel by Edgar Wallace. justed and the lady is appreciated as a wife.
Screen play by Lajos Biro and Jeffrey Dell. Up to a certain point this is a witty and
Produced by Alexander Korda (English film). entertaining social comedy shedding a new
Released by United Artists. light on the old story of the girl who marries
her employer, but the ending is badly moti-
Viewing this picture one wonders whether vated and the assumption that when a situa-
it is serial, travelogue, nature study film or
tion is bad getting drunk will make it better
melodramatic over an hour and
fiction. It is
is a stupid incongruity in an otherwise clever
a half of burly Africans, mild Englishmen,
comedy.
native dancers, tribal rites, strange music
and war cries interspersed with songs by Paul No No
Robeson. The plot that binds these elements
together concerns the efforts of an English
government agent to hold savagery in check. SPECIAL AGENT » »
Paul Robeson plays the role of a native chief George Brent, Bette Davis, Ricardo Cortez,
who is loyal to the English. This is not uni- Jack La Rue. Direction by William Keigh-
fieddrama but a collection of interesting and ley. Warner Bros. -First National.
amazing pictures and beautiful singing. Prob- True formula, the
to a recently established
ably one reason this convincing as
is not G-man gets his racketeer. The plot of this
drama is that Robeson comes out of charac- picture follows the case of A1 Capone to the
terwhen he sings. Artistically it is not in any extent that an income-tax evasion is the
way comparable to “Emperor Jones,” in con- ground for arrest. It is tensely interesting at
nection with which one usually thinks of times, particularly when the Federal agent,
Robeson, but it will be more interesting to to suit his purpose, becomes voluntarily en-
the general public. snared in gangland’s web, but any film which
Adolescents, 12 to 16 Children, 8 to 12 induces applause ?t the occasion of violent
Interesting but very tense No death can hardly be recommended. Other
•v items in its disfavor include a quality of
weightiness which slows the action, over-
SHE GETS HER MAN » *
acting on the part of some of the minor char-
Zasu Pitts, Lucien Littlefield. Direction by
acters and a tendency toward using outmoded
William Nigh. Universal.
bits of business.
The director has turned good comedians Adolescents, 12 to 16 Children, 8 to 12
loose in this shallow farce, and whatever Unsuited Impossible
amusement is to be found is due to their •w
ability. Esmeralda(Zasu Pitts), the propriet-
ress of the Bon Ton Lunch Room, foils a STORM OVER THE ANDES * »
bank robbery through no merit of her own. Jack Holt, Mona Barrie, Antonio Moreno,
A heroine at once, she goes lecturing on the Cene Lockhart. Direction by W. Christy
abolishment of crime. Kidnapped by the Cabanne. Universal.
gangsters, she reforms them (accidentally of How a hard-boiled soldier of fortune un-
course) in a climax of absurdities. It is covers the finer side of his nature is shown
slapstick farce burlesquing gangsters, their not very convincingly in this aviation adven-
luxurious ways of life, their ethics and the ture story. Jack Holt is the daredevil Amer-
reform movement as well. Entertainment ican flyer who joins the air force of Bolivia
value is debatable. for the sheer love of a good fight. Single com-
Adolescents, 12 to 16 Children, 8 to 12 bat planes in fierce encounters, machine gun-
No value Questionable but ners dying at the controls and crashing to
slapstick would earth in flames are almost too thrilling. Ro-
amuse mance and gay carnival scenes relieve the
tension. of courage, honor

High standards old conditions of religious bigotry, family
and self are stressed, but the film
sacrifice subjugation and capitalistic rivalry.
still seems machine made. It follows too Adolescents, 12 to 16 Children, 8 to 12
familiar a pattern to be received with en- Unsuitable and uninteresting No
thusiasm, and no cast could make the trite •w
lines seem inspired.
Adolescents, 12 to 16 Children, 8 to 12 VALLEY OF FEAR » *
Passable but rather No Arthur Wontner, Lynn Harding, Jane Carr.

violent An English production directed by Leslie
•w Hiscott. Olympic Pictures.
TOP HAT » » A melodramatic mystery, with the well-

known figure of Sherlock Holmes and Watson
Fred Astaire, Ginger Rogers, Edward Ever-
in detective roles, is satisfactorily worked out
ett Horton, Helen Broderick, Brik Rhodes,
to a consistent with interest sustained
finish
Eric Blore. Screen play by Dwight Taylor
throughout. Horror has been cut down to a
and Allen Scott. Music by Irving Berlin.
minimum, and the British characterizations of
Directed by Mark Sandrich. R.K.O.
American gangsters and coal miners will
Fred Astaire without doubt the finest
is prove a new experience. It is acceptable
modern dancer His effort-
in his line today. adult entertainment.
less ease, mastery of technique and clever Adolescents, 12 to 16 Children, 8 to 12
originality of “routine” are unexcelled. On Possible No; too exciting
the screen we are given an opportunity to see •v
him perform in a way impossible for stage
audiences, and the director of “Top Hat”
WALTZ TIME IN VIENNA » »
Adolf Wohlbrueck, Renate Muller, Paul
has never allowed close-ups or action to ob-
Hoerbiger, Willy Fritsch. Ludwig
Director,
scure our view of the dances as we wish to
For that our thanks to Mark Berger. Produced in Vienna by Guenther
enjoy them.
Stapenhorst.
Sandrich. In addition, the story is amusing,
and the dialogue clever and sophisticated. This foreign film is utterly charming. The
The cast is excellent; Mr. Horton is perfect fact that it is done in German with English
in the type of role he assumes so admirably, subtitles does not seriously detract from its
and Eric Blore is hilariously funny. Miss enjoyment by American audiences. Set about
Rogers is lovely as usual and wins laurels in the time of 1843, the plot concerns two rival
her increasing skill as dancing partner to Mr. waltz composers, Strauss and Lanner. The
Astaire, while the music of Irving Berlin young Queen Victoria sends the court danc-
should send everyone happily recalling har- ing master to Vienna to bring back its famous
monies and skipping gaily all the way home. waltzes to England, hoping to induce the bash-
“Top Hat” is excellent entertainment. ful Albert to declare his love for her under
Adolescents, 12 to 16 Children, 8 to 12 the romantic influence of the dance. The
Excellent Depends on taste court scenes are lovely, the music is played
'W in delightful rhythm, and the whole has a
joyous flavor. It has the added advantage of
THUNDERSTORM » »
the presence of the Vienna Symphony Orches-
A. K. Tarasova, V. O. Massalitinova. From tra, directed by Aloys Melichar, rendering
the folk-drama by A. N. Ostrovsky. Music
the exquisite waltzes.
by Vladimir Tscherbatshov. Photoplay by
V. Gardanor. Directed by Vladimir Petrov.
Excellent Yes, if it interests,
Soyuzfilm Leningrad. Amkino Corp.
but sentimental
The objection to a picture of this sort for
an American audience is that there is an
aroma of insincerity about it, intangible but WANDERER OF THE WASTELAND » »
apparent. It is sombre drama with the tempo Dean Jagger, Gail Patrick, Edward Ellis.
and atmosphere of a Greek tragedy. A young Direction by Otho Lovering. Paramount.

Russian girl with deep religious faith is mar- A Zane Grey novel on the screen connotes
ried into a bourgeois family where a cruel beautiful scenery, thrilling adventure romance
matriarch makes happiness impossible. She and red-blooded frontier life, but unfortu-
is caught in the toils of inescapable destiny nately in this instance it does not connote a
and goes helplessly to her tragic end. The good After a shooting affray, the
story.
acting is unusually fine, the cast including the hero, who
has just arrived in a frontier town,
famous Moscow Art Theatre players, and is forced to escape to the desert. There he
the character roles are of especial interest. meets with the usual hardships and miracu-
But it is evidently a new form of propa- lously overcomes all odds apparently without
—
ganda an effort to convince the Soviets that missing his morning shave. Edward Ellis as
the new Russia is infinitely superior to the an old prospector gives the picture some de-
gree of verisimilitude. Otherwise it is feeble horsemanship, beautiful scenery, and a plot
and unconvincing. which follows the old formula of the Vigi-
Adolescents, 12 to 16 Children, 8 to 12 lantes purging the West of lawlessness. An
Passable Poor; too much added bit of drama is introduced in having
violence two brothers, separated in childhood, discov-
ered to be the opposing leaders of vigilantes
and bandit forces. It is well directed and is
WESTWARD HO » »
a pleasing divergence from G-men stories.
John Wayne, Sheila Manners. Story by Ed
Finney. R. N. Bradbury. Republic Pictures.
Good Exciting
A fast-inoving Western with spectacular
SHORT SUBJECTS
ROMANCE OF THE WEST. Two reels. FOXEY FOX. Terrytoon. Fox. A fox
Warner Bros. -First National. This short pic- outwits the hunters. Good for family.
ture is a pleasantly artistic presentation of GARDEN GAITIES. Krazy Kat. Colum-
cowboys and comedy in technicolor. Its thin bia. Lovely garden at night. Mother Nature
plot is woven about the forced landing of a doctoring sick flowers. Good for family.
transcontinental passenger plane in the Wild
West near a ranch where the delayed passen- HILL-BILLY. Universal. Cartoon of Os-
gers find hospitality and entertainment in the wald rabbit family as hill-billies. Fair for
form of expert roping and “hill-billy” music. family.
Lovely views of the Yosemite and Grajid HUNTING SEASON. Color cartoon. R.
Canyon are included in the picture which is K.O. Animals obtain guns and turn on the
notable for scenic beauty. It is excellent hunter. Fair for family.
family entertainment. KING LOONEY XIV. Terrytoon. Fox.
BETTY BOOP AND GRAMPY. Para- Mice revolt against the cat king. Fair for
mount. Betty visits Grampy in her usual family.
gay musical fashion. Fair for family. LITTLE ROVER. Color. Columbia.
BIRD LAND. Terrytoon. Fox. Birds, Rover wanders about the streets until he is
cats and caterpillars try to outwit each other. glad to go home. Good for family.
The birds win. Good for family and chil- MERRIE OLD SOUL. Merrie Melodie.
dren. Vitaphone. Attended by Mother Goose char-
BUDDY STEPS OUT. Looney-tune. Vita- acters Old King Cole is married to the Old
phone. Buddy lets the canary out and when Woman Who Lives in the Shoe and spends
it returns half frozen all the bric-a-brac his time tending a horde of babies. Good
comes to its assistance. Good for family. for family.
BUDDY, THE “G” MAN. Looney-tune. MOANS AND GROANS. Terrytoon. Fox.
Vitaphone. Buddy, accompanied by his dog A dentist’s office and
dreams of an
ether
becomes prison warden and makes prison a elderly patient soaring round the firmament.
place of entertainment. Only fair. Adults. Fair for family.
CHARM LETTERS. Terrytoon. Fox. PARROTVILLE POSTOFFICE. R.K.O.
Farmyard inhabitants are struck by the chain Cartoon in color. The parrot postmaster
letter craze. Fair for family. captures a mail bandit. Family.
CHINESE NIGHTINGALE. In color. SCRAPPY’S BIG MOMENT. Cartoon.
M-G-M. Lovely story of the Chinese Em- Columbia. Scrappy as a boxing champion.
peror and his nightingale. It contains real Fair for family.
pathos, humor and charming music as well as YOU GOTTA BE A FOOTBALL HERO.
delightful drawings. Outstanding fdr all Paramount. Popeye dons a football suit to
ages. hold his girl’s approval. Amusing for family.
DANCING ON THE MOON. Color clas- FRIENDLY SPIRITS. E. Truex. Fox.
sic. Paramount. Honeymoon express takes A poor comedy. A man’s wife and mother-in-
animal bridal couples to the moon. Rather law move to a home for which he cannot
dull. pay. Adults.
FIRE BRIGADE. Mickey Mouse in color. UNUSUALALITIES. Easy Aces. R.K.O.
Walt Disney, Mickey and Donald Duck res- The Easy Aces view a movie and comment
cue Cora Cow from an exciting fire. Pas- on the various nonsensical pictures. Good
sable. Family. fun for all.
SIX DAY GRIND. Easy Aces. R.K.O. TONY WON’S SCRAPBOOK No. 3. Prin-
Six day bicycle race with amusing comments. cipal.Beauty of waves, gardens, waterfalls
Good for family. and moon shadows, told in pictures and
rhyme. Good for family.
ALL COLORED VAUDEVILLE. Pepper-
pot. Vitaphone. Singers, dancers and or- WHAT’S THE
IDEA? Pepperpot. Vita-
chestra. Family. phone. Lew Pollack’s songs sung by the
BORAH MINEVITCH. Melody Master. Four Cavaliers. Entertaining. Family.
Vitaphone. A tenement harmonica band. BAER-BRADDOCK FIGHT. Principal.
Fair for family. Authentic pictures. Tedious except for fight
BROADWAY HIGHLIGHTS No.Para-

3. fans.
mount. NBC rehearsal ;

the Lambs Club and SPILLS AND SPLASHES. Columbia.
the Winter Garden. Ted Husing commen- Water sports of all kinds illustrating amaz-
tating. Interesting for family. ing skill of performers. Excellent for family
EXCUSE MY GLOVES. Jack Doyle. Para- and children.
mount. Ted Husing announces Jack Doyle, SPORTING NUTS. Oddity. M-G-M.
boxer-crooner, and other singers and dancers. Pete Smith describes interests of sportsmen,
Family. duck hunting, clam digging, catching sword-
HOORAY FOR RHYTHM. Song Hit. fish. Excellent for family.
Fox. Johnny Johnson and his band and his STRANGE CHAMPIONSHIPS. Med-
entertainers give an audition for a sponsor. bury. Columbia. Water bicycles, a cat fish-
Entertaining. Family. ing, a bull-dog actor, etc. Family.
MAGIC OF MUSIC. Headliner. Para- TOMORROW’S CHAMPS. Sport. Co-
mount. A magician waves his wand at a lumbia. Boys and girls in athletic stunts and
party and various entertainers appear. Fam- games of skill. Good for all ages.
ily. MAKING MANHANDLERS. Paramount.
MAIN STREET FOLLIES. Musical. Vita- Excellent pictures of Annapolis and West
phone. Efforts of a playwriter to sell his Point, described by Ted Husing. Good.
show. Passable for family. Family.
MEMORIES AND MELODIES. Color COMIC CRUISE GUATEMALA. Prin-
musical. M-G-M. Exquisite technicolor. cipal. Rather poor pictures accompanied by
Story of Stephen Foster and my “Old Ken- silly talk. Passable for family.
tucky Home.” Lovely dances in costume and
songs and dances by colored people. Excel-
CITY OF JEWELS. M. M. Landers. San
Francisco Fair of 1915 recalled in lovely pic-
lent for family.
tures and excellent commentary. Family.
METROPOLITAN NOCTURNE. R.K.O. FAIR IN THE WEST. Paramount. Gen-
Based on music by Louis Alter. Directed by
eral views of San Diego Fair and a number
Leigh Jason. Here is an interesting experi-
of Ford motor car exhibits.
ment in visualizing musical themes. Without
dialogue the actors’ pantomine and accom- MARYLAND. U.S.A. by States. Sel.
panying music tell the story of a young com- Beautiful pictures of Maryland with musical
poser who writes his impressions of city life accompaniment. Excellent for family.
in a nocturne only to find disappointment his MOROCCO’S MIRAGE. Magic Carpet.
lot. Different and interesting for adults par- Fox. Very beautiful scenes of Morocco with
ticularly. excellent narrative. Fine for family.
RADIO RASCALS. Song Hit. Fox. Ama- PITCAIRN ISLAND TODAY. Oddity.
teur hour is rescued by “Cabin Kids” per- M-G-M. Exceptionally interesting film show-
formance. Entertaining. Family. ing the descendants of the Bounty crew, their
RADIO SILLY. Musical. Vitaphone. homes and life on the island. The narrative
Family learns to like the radio. Probably a is splendid. Family.
tribute to radio performers. Fair for family. QUEBEC. Vagabond Adventures. R.K.O.
RAW RAW RADIO.
Pepperpot. Vita- Lovely pictures taken in wintertime with good
phone. Radio school with pupils hearing and music and talk. Excellent for family.
seeing professionals. Poor. Adults. SKYSCRAPERS. Treasure Chest. Fox.
RUBINOFF AND ORCHESTRA. Mel- Norwegian Beautiful photographs of
skiing.
ody Master. Vitaphone. Fine musical short mountain country and winter sports. Excel-
showing the performers in close-up of tech- lent for family.
nique and with good Russian dancers. Family. WINGS OVER MT. EVEREST. Fox. Re-
SIRENS OF SYNCOPATION. Paramount. markable picturization of flight of English
Hoagey Carmichael plays and sings his pop- Expedition over Mt. Everest. Descriptive
ular numbers. Entertaining for family. talk by Lowell Thomas. Excellent for family.
ARMIES OF THE WORLD. Cameraman. fish in the Everglades. Good accompanying

Fox. National armies in review. Inspiring talk. Excellent for family.
in its warlike significance. Debatable for PICTORIAL No. 11. Paramount. Venice
many audiences. in color, firefighters, N. Y. school. Girl or-
FAMOUS PEOPLE AT PLAY. Variety. chestra. Family.
Paramount. Will Rogers, King Gustav, King PICTORIAL No. 12. Paramount. Novelty.
Peter, Carol of Roumania, etc., at their fa- Fashions, a brown bear and a singer per-
vorite pastimes. forming. Entertaining for family.
FORWARD TOGETHER. See America PICTORIAL No. 13. Paramount. Willard
First. Vitaphone. Events and inventions of Robinson singing and playing; fashion foibles
national interest since 1913. Very good for for women ;
cocktail recipes. Adults.
family.
POPULAR SCIENCE Paramount.
No. 1.
GOING PLACES No. 10. Universal. Ruins New and interesting inventions of various
of Ancient Greece. Making of Navajo blan- kinds. Good for family.
kets. Zuni women, trout fishing. Described STRANGER THAN FICTION No. 10.
by Lowell Thomas. Good for family. Universal. Various oddities and people with
HUEY LONG, KINGFISH. Principal. strange occupations. Interesting for family.
All about Huey. Good, if you like him. YANKS ARE COMING. See America
JUNGLE WATERS. Sportlight. Para- First. Vitaphone. Wartime activities, 1917
mount. Extraordinary underwater photo- to 1919. No battle scenes. Interesting for
graphs of a young man collecting reptiles and family.

at $1.00 a year each.
Address
Other Addresses Indosad

MOTION
PICTURE
REVIEWS

OCTOBER 1935
constant reference.
'"Barbary Coast Navy Wife

'"Charlie Chan in Shanghai '’'O’Shaughnessy’s Boy
The Case of the Lucky Legs The Payoff
The Clairvoyant '"Personal Maid’s Secret
La Crise est finie Powder Smoke Range
Dr. Socrates Public Menace
* Freckles Red Salute
Youth
'"Fighting '"Shipmates Forever
'"Harmony Lane '"The Thirty-nine Steps
Here Comes Cookie The Three Musketeers
':
'HiCaucho Thunder in the Night
Hop-Along Cassidy ':
‘This Is the Life
* I Live for Love Two Fisted
King Solomon of Broadway '"Two for Tonight
The Last Days of Pompeii ‘"The Virginia judge
S
'A Midsummer Night’s Dream '"Way Down East
The Murder of Dr. Harrigan Without Regret
'"Music Is Magic
S: Film suitable for family entertainment but not necessarily appropriate for children under 12 or for

LOS ANGELES
943 South Hoover Street ^ Telephone DRexel 2177
WEBBCRAFT PRINTERS. 2509 WEST WASHINGTON BLVO. LOS ANGELES

.

LOS ANGELES BRANCH
EDITORS
Vol. V! 1 OCTOBER, 1935 No. 4
FEATURE FILMS
BARBARY COAST » » CHARLIE CHAN IN SHANGHAI » »
Miriam Hopkins, Edward C. Robinson, Joel Warner Oland, Irene Hervey, Charles Locher,
McCrea, Walter Brennan, Screen play by Russell Hicks. Story by Gerald Fairlie. Di-
Charles MacArthur and Ben Hecht. Direc- rection by James Tinling. 20th Century-Fox.
tion by Howard Hawks. Samuel Coldwyn
Maintaining the usual standard of the Chan
Production. United Artists.
stories, thefilm mingles mystery, humor and
In this absorbing, exciting melodrama, the romance in judicious proportions. This time
lawless, brutal fascination of San Francisco’s he is engaged in circumventing the plans of
former Barbary Coast is skilfully presented. a band of opium smugglers with a base of
Its murky atmosphere is cleverly suggested operations in Shanghai. Those who enjoy
by the opening scenes of fog drenched harbor, Charlie Chan will find him suave and re-
ships, and shadowy district with its milling sourceful as usual, scattering aphorisms and
crowds of rough and drunken pleasure seek- good advice.
ers. The story has a familiar theme a wo- — Adolescents, 12 to 16 Children, 8 to 12
man bound to one man and loving another, Good Exciting
but entertains because the focus of interest
it
is on the characters involved; Chamalis, Ed-

v
ward G. Robinson, in a fine portrayal of the THE CASE OF THE LUCKY LEGS » »
ruthless, power-mad man, whose crimes are Warren William, Genevieve Tobin, Patricia
so outrageously flagrant that they inspire the Ellis, Lyle Talbot. Screen play by Brown
organization of the Vigilantes; Mary Rut- Holmes and Ben Markson. Direction by
ledge, Miriam Hopkins, subtly provocative, Archie L. Mayo. Warner Bros. -First National.
of whose past we are ignorant and whose
It may seem an anomoly to call a film rol-
greed for gold is as soul consuming as that
licking and a murder mystery in the same
of any male adventurer of the times; and
breath but both apply to this picture. A clever,
James Carmichael, the inherent gentleman,
unprincipled attorney is employed to find and
idealistic, fine and likeable, sympathetically
prosecute the man who has absconded with
presented by Joel McCrea. The role of Old the prize money of a beauty contest, the con-
Atrocity, Walter Brennan, stands out also for
test having centered particularly about the
its originality and its veracity. The produc- nether extremities of the contestants. The at-
tion is colorful entertainment full of atmos-
torney and his secretary are quite gay and
phere and excitement, well written and di- quite nonchalant and quite mad. By a process
rected with taste. of reasoning which is amusing but impossible
Adolescents, 12 to 16 Children, 8 to 12 to follow, he finds the man, who by that time
Yes Mature has been murdered, and then solves the mur-
der. The plot has little to offer that is new. complicity in their crimes until by an ingen-
The chief interest lies in the complete un- ious ruse he is the means of their capture.
expectedness of the repartee. The picture The story seems plausible if not probable, the
leaves something to be desired as well rounded atmosphere of small town life is realistically
entertainment but compares favorably with portrayed, and some of the characters are
most potboilers. amusing. As in most pictures featuring gang-
Adolescents, 12 to 16 Children, 8 to 12 sters there is a good measure of violence and
Unsuited No gunplay. It is interesting to note that Paul
w Muni plays the doctor and not the gangster.
THE CLAIRVOYANT » »
Questionable No
Claude Rains, Fay Wray, Jane Baxter. Direc-
tion by Maurice Elvey. British Caumont.
Claude Rains gives an admirable perform- FRECKLES » »
ance in this fantastic picture which deals Tom Brown, Virginia Weidler, Carol Stone,
with the strange power of clairvoyance. Set- Dorothy Peterson. From the novel by Cene
tings and photography are interesting and
Stratton Porter. Direction by Edward Killy
though the plot seems quite impossible, the
production as a whole is entertaining. and William Hamilton. RKO-Radio.
Adolescents, 12 to 16 Children, 8 to 12 The story takes place in beautiful forest
Possible No country .enlivened by all the furred and feath-
•w ered denizens of the virgin tract of timber
LA CRISE EST FINIE » » known as the Limberlost. Tom Brown is^ a
boyish likable Freckles but more important is
(The Depression Is Over)
small, plain-faced Virginia Weidler who
A very amusing parody, even in its gro-
plays the mischievous, outspoken child, Laurie
tesque optimism, of our lighter Hollywood Lou, so well that she is the focal point of
musical productions, with delightful satirical interest throughout the film. In modernizing
touches, rapid action and typical continental the plot the inevitable gangsters have been
humor. A group of artists who have lost their introduced with consequent gun-play, which
jobs in a of southern France, come to
city detracts from the value of a picture that
Paris to start afresh, only to meet with the should otherwise be pleasing and instructive
depression. Housed in an old abandoned for children.
theater by a charitable concierge they proceed
with renewed vigor to rehearse an original
Yes Too tense toward
musical production called The Depression is
the end
Over, and which is expected to revolutionize
~w
Paris. Follow a series of misfortunes and
disappointments depicted in a humorous light, FIGHTING YOUTH » »
until opening night when the box offices are
Charles Farrell, June Martel. Screen play
swamped and a great success is achieved. The
by Stanley Meyer. Direction by Hamilton
song: La Crise est jinie recurs constantly, first
in the rehearsals, in snatches, then at the end MacFadden. Universal.
as a whole, with its comical verses sung in the This picture portrays the efforts of a group
inimitable clipped French of Paris. of radicals to wreck society by disrupting
Adolescents, 12 to 16 Children, 8 to 12 college football. Our hero is induced by a
Fair Little interest fair radical to fumble the ball, thereby los-
•w ing a game to a rival team. Later we are
solemnly assured that he did not mean to
DR. SOCRATES » »
fumble, it was all an accident. The hard-
Paul Muni, Ann Dvorak, Burton Mac Lane,
boiled coach keeps him on the bench until
Robert Barrat. Story by W. R. Burnett.
the last few minutes of the local “Big Game,"
Screen play by Robert Lord. Direction by
when, of course, he is called in to save the
William Dieterle. Warner Bros.
day for dear old Siwash. A collegiate “G-
The central figures in this picture are a Man” steps in to clear out the radicals, lovers
country doctor and a gang leader. The doctor are reunited and all is well. The action of
who has taken up a small town practice be- the coach in importing an even more hard-
cause of a tragic experience in a former posi- boiled confrere to instil fighting spirit into
tion, is first brought into contact with the the team by driving them with harsh words
gangsters when their leader comes to him and to such a pitch of effort in practice that three
orders him at the point of a gun to give him of their number were seriously injured raises
surgical aid. Through other channels his con- a point of ethics that is at least debatable.
nection continues and he even is suspected of Perpetual under-graduates of any age may
find interest in this production, but it has effectual,and indeed the whole production is
little appeal for more sophisticated audiences. much thinner
in substance. It has some
Adolescents, 12 to 16 Children, 8 to 12 gaiety and stirring music and a good deal of
Yes Harmless action if little but it does not
excitement,
•w seem indigenous South America; the coun-
to
try resembles California more than the Ar-
HARMONY LANE » »
gentine, while the characters seem to have
Douglas Montgomery, Evelyn Venable. Di-
come from the operatic stage instead of real
rection by Joseph Santley. A Nat Lavine-
life.
Mascot Production.
Into this biography of Stephen Foster are Fair Passable
woven the songs he wrote, and these lovely •w
old melodies are given a new meaning as they
are correlated with the events of the com- HOP- ALONG CASSIDY » »
poser’s life. A
colored minister, played de- William Boyd, Jimmy Ellison, Paula Stone.
lightfully by Clarence Muse, is the inspiration From the story by Howard Bretherton.
for “Old Black Joe” and Evelyn Venable as Paramount.
Susan Pentland, whom Foster loved, is “Su-
Reality is somewhat sacrificed to action in
sanna” of the ballad. The picture reveals the
this western story of a dishonest foreman who
pathetic frustration of a genius who lived at
stirs up bitterness between two ranch outfits
a time when his art won little appreciation.
over grazing and water rights. The usual
Excellent acting and direction combine with
bloodshed results. The plot is too obvious to
its educational and dramatic values to make
be very interesting and it will seem brutal
it an exceptional production.
except to those who accept violent action as
concomitant with cowboy stories.
Excellent Mature and sad
~w
Pretty strong Too violent
HERE COMES COOKIE » » •v
George Burns, Grade Allen. Original story
by Sam Mintz and Don Hartman. Direction
I LIVE FOR LOVE » »
Dolores Del Rio, Everett Marshall, Guy

by Norman McLeod. Paramount.
Kibbe, Don Alvarado. Story and screen play
Grade Allen’s radio fans may enjoy hear- by Jerry Wald, Julius Epstein, and Robert
ing her repeat some of her familiar brand of Andrews. Direction by Busby Berkeley.
nonsense in this utterly absurd hodge-podge. Warner Bros.
Grade is the extra dumb daughter of a rich
man who turns over all his money to her in Here is farce comedy with music, acceptable
an attempt to discourage a fortune hunter infor family audiences because it has an un-
terested in his other daughter. The fun begins sophisticated story which is easy to follow
when Gracie conceives the idea of converting and some tuneful clowning reminiscent of the
her father’s house into a home for indigent Marx Brothers at their idiotic best. On the
actors and then into a theatre where she puts whole, however, it is disappointing. The roles
on a variety show. Acrobats, trained seals, are routine, and the singing undistinguished.
performing dogs and troupes of musicians Its hackneyed plot, concerning stage folk, pro-
swarm over the house practicing their acts, vides the required glamour and the oppor-
and a miraculously expert drummer gives an tunity to introduce exotic costumes and a few
exhibition of his skill. Those who consider songs. If theatres must have double bills,
Grade’s famous colossal stupidity amusing this picture has a place. It cannot stand alone
will undoubtedly get their money’s worth, but on its own merits.
there is not enough other material in the pic- Adolescents, 12 to 16 Children, 8 to 12
ture to interest anyone else. If it interests Probably uninter-
Adolescents, 12 to 16 esting except for
Children, 8 to 12
Waste of time burlesque scenes
Tiresome
KING SOLOMON OF BROADWAY » »

HI CAUCHO » »
Dorothy Page, Pinky Tomlin, Louise Henry,
John Carroll, Steffi Duna, Rod LaRocque, Edward Pawley. Original story and screen
Montagu Love, Ann Codee. From the story play by Albert Cohen and Robert Shannon.
by Thomas Atkins. Directed by Thomas Direction by Alan Crossland. Universal.
Atkins. RKO-Radio.
Either this picture waives the Producers
In comparison with the Gaucho of Doug- voluntary code of ethics or else interpretation
las Fairbanks, fearless, vibrant with life and of the code is very loose, because “King Solo-
color, John Carroll’s seems bloodless and in- mon of Broadway” portrays the most destruc-
tive social elements possible. Its hero forfeits A MIDSUMMER NIGHT’S DREAM » »
control of his night club in a poker game with Ian Hunter, Verree Teasdale, Dick Powell,
professional gangsters. His partner appears Ross Alexander, Olivia de Haviland, Jean
on parole from Sing Sing to complicate the Muir, Anita Louise, Victor Jory, Crant
deal. A blues singer and an unconventional Mitchell, Frank McHugh, Dewey Robinson,
society girl out for “thrills” create theroman- James Cagney, Joe E. Brown, Hugh Herbert,
tic conflict. There are two automobile wrecks, Otis Harlan, Mickey Rooney. From the play
a kidnaping and a nerve-racking chase by by William Shakespeare. Music by Felix
the police. Liquor flows freely, one dancing Mendelssohn arranged for screen by Erich
exhibition (by Louise Henry)unpleasantly
is
Wolfgang Korngold. Arranged for screen by
coarse, the lines and innuendoes
are often Charles Kenyon and Mary C. McCall, Jr.
risque, and at times the plot is confusing. Ballets by Bronislawa Nijinska. Photography
Edward Pawley plays the most convincingly by Hal Mohr. Direction by Max Reinhardt
disreputable criminal we have seen, which is and William Dieterle. Warner Bros.
perhaps an artistic achievement for him but
scarcely worth his effort, while Pinky Tomlin Shakespeare on the screen is a daring in-
is given little opportunity to prove whether
novation because probably no other source of
his personality will be as popular on the material will ever cause more controversy.
screen as in a ballroom. For discriminating In the case of adult spectators there is always
audiences it has no entertainment value. It personal prejudice to overcome, the result of
is cheap from every point of view. precedent. It must have been a bitter time
Adolescents, 12 to 16 Children, 8 to 12 for lovers of the English stage when women

Impossible No first played the roles in which boys had ap-
peared, or when a semblance of a wooded
set first replaced the sign “This is a wood.”
And so today the lavish sets, stunning cos-
THE LAST DAYS OF POMPEII » »
tumes, masks, “atmosphere” and photographic
Preston Foster, Basil Rathbone, David Holt,
miracles elaborated by Max Reinhardt may
Alan Hale, Louis Calhern, John Wood, Dor- seem redundant to the critical few. But too
othy Wilson. Original story by James A. few Americans have had the opportunity to
Creelman and Melville Baker. Screen play see Shakespeare’s plays as the Stratford-on-
Avon companies present them or in the sim-
by Ruth Rose. Direction by Ernest B. Shoed-
ple perfection of the Globe Theatre at the
sack. Merian C. Cooper Production. RKO. San Diego Fair. “Midsummer Night’s Dream”
This picture will be a disappointment to is an exquisite fantasy, a fairy-like produc-
those who go expecting to see a portrayal tion which is improved, we think, by all the
of the Bulwer-Lytton masterpiece. It has magic available to the screen. Warner Broth-
nothing to do with the long beloved classic ers’ production is a signal achievement, open-
and the title is a consciously misleading bait. ing to every man, woman and child in the
It is less a story than a spectacle and as such world a field of literature in a form which
is interesting. Thescenes are laid in the intrigues imagination and enriches experience.
ancient city in the era just prior to its destruc- Quite apart from its merit for adults it is
tion and the background, the costuming and our greatest privilege to recommend it to
all the other properties of “atmosphere” are children. “Midsummer Night’s Dream” is
so well done that to many the story will seem the type of fantasy which is closest to their
of secondary importance. It pictures the ruth- taste; a world of fairies, dwarfs, and imps,
less rise to fame and fortune of one “Mar- of pomp and ceremony, of magic and fun,
cus,” a gladiator, and his choice between his pranks and burlesque, of chase and pursuit.
own bitter philosophy of life and the altru- The exquisite settings, lovely dances and
istic teachings of the Christ. The few scenes beautiful and familiar Mendelssohn music
which include the Savior are handled with are fitting background for the gay and hilari-
restraint and judgment. His presence is mere- ous action. For children we can imagine no
ly indicated, never shown. But the story is more perfect introduction to Shakespeare than
somewhat bungled. One feels that the veri- this picture.
ties have been sacrificed to melodrama, and From a production standpoint the picture
brutal violence in several instances unfits it is most interesting. The musical arrange-
for sensitive children. It is interesting tech- ment is Hal Mohr is a distin-
outstanding.
nically, an impressive spectacle with an over- guished and the photographic beauty
artist
emotional story which yet may have popular of the scenes is memorable. The masks,
appeal. adapted from the Arthur Rackham drawings,
Adolescents, 12 to 16 Children, 8 to 12 and the ass’s head are uniquely clever illu-
Emotional No; too sions. The ballets are exquisite. The casting
emotional is very satisfactory; Olivia de Haviland is a
fine selection for Hermia, charming and con- a clever bit of characterization as the dis-
vincing in her role,but we could wish that agreeable movie star. The picture ends in a
Dick Powell had toned down his light opera grand finale of songs and dances with the
technique to match her sincerity; Anita whole cast present and more of the slap-
Louise is as lovely as our imagination paints stick antics of the comedians. Though some-
the beautiful Titania, and Victor Jory is a what raucous it is good entertainment.
sombre and dignified Oberon. The surprise Adolescents, 12 to 16 Children, 8 to 12
of the production is James Cagney as Bottom. Entertaining Yes
He was a happy choice. Physically less ro- yr
tund than the usual selection, he is splendid
in the role, giving fine depth to the bewilder-
NAVY WIFE » »
Claire Trevor, Ralph Bellamy, Jane Darwell,

ment and tragedy, contrasting with its humor,
Warren Hymer, Ben Lyon, Kathleen Burke,
and Joe E. Brown’s sensitive touch and his in-
George Irving, Anne Howard. Based on the
imitable gift for comedy ends the picture on
novel “Beauty's Daughter" by Kathleen
a high peak of genuine hilarity. con- We Norris; screen play by Sonya Levien. Direc-
sider this a memorable presentation and wish
tion by Allan Dwan. Sol. M. Wurtzel Pro-
for it the success it richly deserves.
duction. Twentieth Century-Fox.
Exceptional Exceptional
Kathleen Norris’ stories are melodramatic
romances which generally have appeal for a
yr
large, but not always critical group of
THE MURDER OF DR. HARRICAN » » readers. This film follows the same formula.
Kay Linaker, Ricardo Cortez, Mary Astor, The motivation lacks subtlety, the humor is
John Eldredge. Story by Mignon C. Eber- broad, and the dialogue redundant. It tells
hart. Screen play by Peter Milne and Sy the story of a girl embittered towards mar-
Bartlett. Direction by Frank McDonald. riage by her parents’ divorce. Although she
First National. falls in love and reluctantly marries, she is
very unhappy until, after a scene in which
There is little ingenuity in the plot of this
she tries to drown her sorrows in drink, she
mystery tale which deals with the sudden
finally realize that her husband is worthy of
death of a doctor universally disliked by his
her trust and love. Her husband’s behavior
patients and colleagues. The crime is readily
during this period is not clearly enough ex-
solved, and the variety of incident in a laxly
plained to justify the emotional strain, and
administered hospital is given more impor-
the performances of the cast do nothing to
tance than the central theme. The film escapes
clarify the situation. The film seems poorly
mediocrity because it is handled in a pleasant
cut with irrevelant sequences which slow up
manner, has a good cast and presents an
the action.
interesting series of hospital scenes.
No value; not No
Not recommended No; too
recommended
confusing
•w
•w
O’SHAUCHNESSY’S BOY » »
MUSIC IS MACIC » » Wallace Beery, Jackie Cooper. Direction by
Alice Faye, Ray Bebe Daniels,
Walker, Richard Boleslawski. M-C-M.
Mitchell and Lawrence,
Durant, Rosina Wallace Beery and Jackie Cooper do an-
Thomas Beck. Adapted from the play other father and son act, and as usual do it
"Private Beach” by Gladys Unger and Jesse well. How O’Shaughnessy finds his “Stubby”
Lasky, Jr. Direction by George Marshall. and wins back his love is appealing and sen-
Fox. timental, but one wishes that this development
A fading cinema star on a personal ap- of the father-son relationship could be han-
pearance tour and a troupe of three young dled quietly and with more finesse. O'Shaugh-
“hoofers” and two comedians in a small nessy’s courage grows in proportion to the
vaudeville company are the characters whose winning of his boy’s love and manifests itself
adventures furnish the material for this zest- by his leaping into a cage full of snarling
ful musical comedy. When their show is leopards and trumpeting elephants. The noise
broken up by the temperamental behavior of is terrific. The whole picture is keyed high
the movie star they all go to Hollywood where and overdone so much so that what might
they finally manage to get into pictures. The have been poignantly beautiful and moving
comedy is supplied by the well known Mitch- is lost in a blare of excitement. Surely even
ell and Durante combination and reaches the a circus must have its quiet moments.
height of slap-stick technique in a wild scene Adolescents, 12 to 16 Children, 8 to 12
in a restaurant when guests and management Yes Too noisy and
engage in a battle royal. Bebe Daniels does exciting
THE PAYOFF * > end and most of the characetrs are unneces-
James Dunn, Claire Dodd, Patricia Ellis, Alan sarily crude and uncouth.
Dinehart, Frankie Darro. Direction by Rob- Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
ert Florey. First National.
•w
Almost all can beset the
the difficulties that
path of a sports writer who wants to be PUBLIC MENACE » »
square are placed in the path of the hero of Douglas Dumbrille. Shirley Grey, Jean
this newspaper melodrama. Gangsters, an Arthur, George Murphey. Direction by Earl
unfaithful wife and alcohol contribute to his C. Kenton. Columbia.
near downfall, but one loyal friend comes to
the rescue. It is an unpleasant picture, well A newspaper gangster plot brings some ex-
enough acted and directed to sustain interest, citing incidents to a hackneyed theme. The
but concerned throughout with the seamy side young reporter is assigned to a story con-
of life. cerning Frenelli, a famous gangster. While
Adolescents, 12 to 16 Children, 8 to 12 searching for Frenelli the reporter encounters
No No a beauty parlor operator, who induces him to
marry her on the representation that she has
important information as to the operations
of the gangster. The information proves non-
PERSONAL MAID’S SECRET » » existent, the young man loses his job, and the
Margaret Lindsay, Warren Hull, Anita subsequent tribulations, marital and other-
wise, of the couple furnish amusing, if light,
Louise, Ruth Donnelly, Arthur Treacher.
entertainment.
Screen play by F. Hugh Herbert and Lillie
Day. Direction by Arthur Creville Collins. Passable N»
Warner Bros.
The story is a socialcomedy of middle class RED SALUTE » »
New York life, based chiefly on the efforts of Barbara Stanwyck, Robert Young, Hardie
Lizzie, maid of all work in the Smith’s apart- Albright, Cliff Edwards, Ruth Donnelly, Pur-
ment, to improve the social and financial status nell Pratt. Produced by Edward Small.
of her employers. Complications are intro-
Direction by Sidney Lanfield. Reliance.
duced when Diana Abercrombie, played by
Anita Louise, meets the Smith family and United Artists Release.
Lizzie takes an unusual interest in her af- Red
Salute is a fast moving farce about a
fairs. There is rivalry between Kent Fletcher, general’s daughter who has her heart set on
Mrs. Smith’s brother, and Warren Sherill, a communist but finds headier adventures in
a married man, for Diana’s affections. A the company of an ordinary buck private. It
secondary love interest develops between is entertainment in its lightest and most un-
Lizzie and Owen, the butler, played by Arthur important form. The story, beginning with a
Treacher with much humor and personality. scene in which a young radical harrangues
The picture, of course, belongs to Lizzie. Ruth his fellow students at a mass meeting, drops
Donnelly gives the part strength and humor almost immediately both the radical and his
and by her acting redeems to a considerable theories and does not return to this theme
extent a sketchy and improbable plot. again the very end of the story, when
until
Adolescents, 12 to 16 Children, 8 to 12 the young soldier-hero
of the play mounts the
Amusing Little interest rostrum in defense of law and order. The
chief concern of the plot is to follow the pre-
posterous adventures of the soldier and the
girl who steal a government car at the Mexi-
POWDER-SMOKE RANGE » »
can border and lead the police a merry chase
Harry Carey, Hoot Gibson, “Boots” Mallory. to Washington, D.C. The romance of the
From the novel by William Colt MacDonald. young couple is developed almost entirely by
Screen play by Adele Buffington. Direction
means of brittle dialogue in which they at-
tempt to conceal from each other the fact that
by Wallace Fox. RKO. they are falling in love.
All anyone can say about this picture is If the picture has any message it is not
that it is typically “western.” The hero is very clear since the theme is forgotten by
successful in ridding the country of a wicked author and audience alike while the charac-
sheriff who has instituted a reign of terror in ters play the favorite American game of
his community. To accomplish this benefit he eluding the police.
has shoot at least a dozen people. The
to Adolescents, 12 to 16 Children, 8 to 12
picture portrays violence from beginning to Questionable No
SHIPMATES FOREVER » » He rescues a woman and takes her to his

Dick Powell, Ruby Keeler, Lewis Stone, Rose rooms. She asks to spend the night admitting
Alexander, Eddie Arcuff, Dick Foran, John that she a spy, is responsible for the murder
is
Arledge. Story and screen play by Delmer and isgreat danger. Although he does not
in
Daves. Technical Advisors: Commander M. believe her, he agrees and is horrified to have
S. Tisdale, U.S.N.; Lieut. (J. G.) W. J. her mysteriously murdered while in his flat.
Beecher, U.S.N.; Edward L. Adams Cosmo- He then decides to take up her search for the
politan Picture Warner Bros., First National. criminal without notifying the police. His
adventures thereafter are varied, exciting
Like “Annapolis Farewell” this picture is
and amusing, as he eludes the police who
made with the cooperation of the United
think he killed the woman found in his rooms,
States Navy and uses as its background the
Naval Academy and the life of the midship- and as he also comes under the suspicion of
the spy ring. It is very well directed and
men. It is remarkably interesting both in
story value and in the intimate views of admirably acted and has the added interest
Annapolis and its traditions. Dick Powell for us of the Scottish moors as setting for
plays the part of Richard John Melville III, much of the action. It is excellent entertain-
son of an admiral and descendant of a long ment.
line of navy officers. He is a crooner in a Adolescents, 12 to 16 Children, 8 to 12
night club when the picture opens and in spite Yes Mature
yr
of his father’s wishes has refused to enter the
Naval Academy. Later he is persuaded to THIS IS THE LIFE » »
take the examination and becomes one of the Jane Withers, John McGuire, Sally Blane,
entering class. His adjustment to the life Sidney Toller, Gloria Ray, Gordon Westcott,
there, his contacts with fellow students, the Frances Ford, Emma Dunn. Direction by
strengthening of his character and his even- Marshall Neilan. 20th Century-Fox.
tual acceptance of his opportunities make an
absorbingly interesting story full of humor, Here is a picture in which Jane Withers
pathos and drama. Ruby Keeler, looking de- is given ample opportunity to display her tal-
ents. is the story of a child entertainer
It
lightfully young and charming, supplies the
romantic interest. The fact that three songs who exploited by unscrupulous guardians
is
are interpolated does not interrupt the logical until she runs away with a most unpromising
development of the plot. Both Dick Powell’s rescuer and eventually finds a happy home.
singing and Ruby Keeler’s dancing are very We get from the picture a good idea of the
cleverly introduced in a plausible manner “thin” life of a child who entertains other
quite compatable with the spirit of the picture. people instead of having the fun that a nor-
Interest is not entirely focused on Dick Powell. mal child should have. Though the solution to
His three roommates are exceedingly well the little girl’s troubles is not according to
portrayed and their problems are an integral any but story book ideas, it makes amusing
part of the story. Lewis Stone as the father entertainment. For the most part the story
does his usual excellent work. In addition to seems real and sincere, and the cute little
other good points there are some thrilling songs and dances which are given by Miss
scenes of the fleet on review. “Shipmates For- Withers add greatly to the charm of the
ever” should have great popularity with all production.
kinds of audiences. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Good Good when ac-
Excellent Good companied by
v '
adults
THE THIRTY-NINE STEPS » »
Richard Donat, Madeleine Carrol. From a THE THREE MUSKETEERS » »
novel by John Buchan. Direction by Alfred Walter Abel, Paul Lukas, Margot Grahame,
Hitchcock. Gaumont-British. Heather Angel, Ian Keith, Moroni Olsen,
Onslow Stevens, Rosamond Pinchot, Ralph
“The Thirty-Nine Steps” is a thrillingly
Forbes, Nigel de Brulier. From the novel by
exciting mystery story. only drawback for
Its
Alexandre Dumas. Screen play by Dudley
American audiences is, curiously enough, the
Nichols and Rowland V. Lee. Direction by
English dialogue, spoken so quickly with its
Rowland V. Lee. R.K.O.
characteristic inflections that clues are occa-
sionally lost. In spite of this it is one of the Lively action, thrilling in many sequences,
best. The title refers to an international spy is the keynote of this entertaining costume
ring, selling secrets of the English Air Minis- melodrama. The scenarist has taken liber-
try. Richard Hannay (Richard Donat) at- ties with the original and condensed the high
tends a music hall.During the performance spots of a long story into one episode with
a murder is committed and a panic ensues. the result that the characterizations are some-
what sketchy and the film lacks color for one TWO FOR TONIGHT » »
who is not familiar with the original. Walter Bing Crosby, Joan Mary Boland,
Bennett,
Abel, a newcomer to pictures, is at first dis- Lynne Overman, Thelma Todd, Ernest Cos-
appointing. He is not the dashing, hand- sart. From a play by Max Lief and J. 0.
some, athletic d'Artagan of Fairbanks’ silent Lief. Screen play by George Marion, Jr., and
film, nor the romantic figure that imagina- Jane Storm. Direction by Frank Tuttle.
tion pictures from the book. He is, however, Douglas Maclean Production-Paramount.
a skilled actor, and his personality grows
This light comedy has a rambling plot that
upon one as the picture progresses. The appears to have been made up as the picture
comradeship and loyal bonds which bind the
progressed. Bing Crosby plays the part of
Three Musketeers, and their acceptance of Gilbert, one of three sons in a family who
d’Artagnan, are not elaborated, nor are Lady
are about to be ejected from their home be-
de Winter’s wickedness, Richelieu's scheming
cause they cannot pay their debts. Their only
brillance and de Rochefort’s duplicity as
hope seems to be the possibility that Gilbert
definitely painted as we could wish. It all
may write a successful musical comedy. This
needs the fuller background of Dumas’ not-
he does with the aid of his secretary with
able classic, yet the picture isgood entertain-
whom he falls in love. Ernest Cossart in the
ment, humorous, dashing, exciting and ro-
role of butler furnishes most of the humor.
mantic.
Bing Crosby may win feminine hearts with
his songs but probably only his most ardent
Cood If it interests
fans will derive much entertainment from this
production.
THUNDER IN THE NIGHT » »
Possibly No interest
Edmund Lowe, Karen Morley, Paul Cava-
entertaining
nagh, Una O’Conner. Based on the play "A
Woman Lies” by Ladislaus Fedor. Screen
play by Frances Hyland and Eugene Solow. THE VIRGINIA JUDGE » *
Direction by George Archainbaud. Twentieth Walter C. Marsha Hunt, Stepin
Kelly,
Century-Fox. Fetchit, Johnny Downs, Robert Cummings,
In this murder mystery,

set in Budapest, a Virginia Hammond. Original story by Oc-
husband, who
has long been thought dead, tavius Roy Cohen and Walter C. Kelly. Di-
returning to his wife who has remarried, rection by Henry Johnson. Paramount.
supplies the complications that lead to his An unpretentious but exceedingly human
eventual shooting. Edmund Lowe as Captain and sincere story is told in this photoplay.
Torok, supposedly the brains of the police Using the background of a sleepy southern
department, seems too flippant to rate as one town and the humorous antics of its childlike
of the master minds, but nevertheless he negro population, it first introduces us to
solves the murder to everyone’s satisfaction. Judge Calhoun Davis, a character reminiscent
The solution does not involve any novel line of Judge Priest. The interest then turns to
of thought but suspense is well maintained the step-son of Judge Davis, a moody dis-
and the picture is acceptable light enter- contented youth who cannot adjust himself
tainment. to his family life or conquer his envy of other
Adolescents, 12 to 16 Children, 8 to 12 young people in the town. The Judge’s hand-
Possible but of no No ling of a very serious predicament in which
value the boy is involved is both inspiring and
touching. The fiim is intelligently acted and
directed and is dramatic without being senti-
TWO FISTED » » mental.
Lee Tracy, Roscoe Karns, Gail Patrick, Kent Adolescents, 12 to 16 Children, 8 to 12
Taylor. From the play “Is Zat So?” by Good Mature
James Gleason and Richard Taber. Direction w
by James Cruze. Paramount.
WAY DOWN EAST * »
This is a silly disjointed picture about the Rochelle Hudson, Henry Fonda, Slim Sum-
attempts of two prizefighters to break into merville, Edward Trevor, Margaret Hamilton.
society. A good part of the dialogue is in From the play by Lottie Blair Parker. Screen
prize ring vernacular and is not particularly play by Howard Estabrook and William
amusing even when it is intelligible. The Hurlbut. Direction by Henry King. 20th
exhibition of fighting which is incorporated Century-Fox.
in the film is too poor to command interest.
This story is almost too well known to need
outlining. Considering that it is practically a
Worthless No interest byword for old-fashioned melodrama, it is
remarkable how charming and interesting den.” A young girl impetuously marries a
this classichas become in the able hands of self-confessed rake, and when we see her
Mr. Estabrook and Mr. Hurlbut. The stern six years later we discover that in the interim
squire, the unhappy, betrayed girl, the hero the husband has been reported dead, and she
and the villain are still present, and there is has married a young English doctor about to
a thrilling race with death when the heroine be knighted for his medical research. At
has fled in a snowstorm and is about to perish this juncture, the familiar figure of the black-
in an icy river, but the melodramatics are mailer appears. The plot is mechanical and
nicely subdued, and without being entirely unconvincing and the implications of charac-
modernized or losing its old time flavor, the ter unsound, but owing to a certain sincerity
play is presented in a way that appeals to in the acting, the play is saved from utter
present day audiences. Its homespun sincerity trashiness. It will appeal to audiences to
makes it appealing, and exquisite country whom the stock plot properties of the biga-
scenery gives it an unusual degree of charm. mous marriage, the woman blackmailer and
Adolescents, 12 to 16 Children, 8 to 12 the chivalrous second husband are forever
Good Mature intriguing, but there is little in it to impress
•yr a mature and discriminating mind.
WITHOUT REGRET » »
No No
Elissa Landi, Paul Cavanagh, Frances Drake,
Kent Taylor. From the play, “Interference”
by Roland Pertwee and Harold Dearden.
Screen play by Doris Anderson and Charles
Brackett. Direction by Harold Young.
Paramount.
This is another one of the innumerable
modern versions of the story of “Enoch Ar-
SHORT SUBJECTS
MUSICAL Bowes’ amateurs reach the screen making in-
teresting entertainment for those who follow
RODEO DAY. Song Hit. Fox. Good sing-
this outstanding radio hour.
ing cowboys with rodeo setting. Family.
VITAPHONE MUSIC HALL. Vita. War- RADIO RAMBLERS IN NUTVILLE. Pep-
perpot. Vita. Well done impersonations of
ner Bros. Entertaining vaudeville. Family.
radio stars but the setting is an insane
asylum. Fair. Family.
SPORT STARS OF TOMORROW. Columbia.
INSIDE THE
ROPES. R.K.O. Heavy- Amateur performers. Fair. Family.
weight champions of the past and present with
dialogue by Jack Dempsey. Good. Family.
SHORTY GOES SOUTH. Para. The
clever chimpanzee shows his ability in an
TENSE MOMENTS. Col. Very exciting entertaining little skit. Family and children.
sport events with casualties in pole vaulting,
baseball, skiing, bicycle races, airplaning, COMEDY
pole, boxing, and auto races. For adults, not PARDON MY SCOTCH. Columbia. Com-
children. edy. A slapstick comedy on the effect of
prohibition liquor. In poor taste.
VARIETY
DAD AND GOD TURNED ME DOWN. CARTOONS
Col. The Voice of Experience (a radio per- BARN YARD BABIES. M-G-M. Award-
sonality) straightens out a child’s tragedy. ing prizes for quantity rather than quality,
Good. Family. the barn yard stages a Better Babies Contest
Fair. Family.
GOING ON TWO. R.K.O. Those fascin-
ating babies, the Dionne Quintuplets, are CIRCUS DAYS. Terrytoon. Fox. Circue
shown on their birthday showing the daily delights. Entertaining for all.
routine. The picture has unusual appeal for HEY DIDDLE DIDDLE. Terrytoon. Bur
the average audience. Excellent for children. lesque on school days. Poor.
MAJOR BOWES THEATRE OF THE THE LADY IN RED. Color. R.K.O.
AIR. R.K.O. The first pictures of Major Roaches in nightly festivities gambol in the
cafe after the owners have left. Not pleasing Fox. Unusual and lovely scenes of San Remo,
but innocuous. Family. Viareggio, Paraggi, Portafino, with excellent
MARY’S LITTLE LAMB. Color. Repub- dialogue.
lic. Last days of school interrupted by the JOLLY OLD LONDON. Easy Aces.
lamb. Fair. Family. R.K.O. Good pictures of London with usual
NEIGHBORS. Color. Columbia. A
clever dialogue of Aces. Family.
allegorical idea is behind this cartoon. Two LAND OF THE EAGLE. R.K.O. Excel-
friendly roosters are incited to warfare by lent pictures of Guatemala with good nar-
insidious suggestions. After the manner of rative. Family.
nations, each strives to out-arm the other, war
follows and both are left exhausted in the
MARCH OF TIME No. 6. R.K.O. Boot-
legging of coal in Pennsylvania anthracite
midst of destruction. A
bit more subtlety in
district; C.C.C. camps and the way undesir-
execution would have made this exceedingly
ables are weeded out; the Ethiopian situation.
worth while. It is now fair entertainment. A visual portrayal of news organized around
Family. different themes and tracing cause and effect.
PLUTO’S JUDGMENT DAY. Color. Very worth while edition.
Mickey Mouse. U.A. Pluto dreams of punish-
ment after he chases a cat. Family. NEPTUNE MYSTERIES. Struggle to
Live. R.K.O. An amazing film of under sea
SCRAPPY’S TRAILER. Columbia. Scrappy life. Fine for family or children.
and a sailor go adventuring with an auto
trailer. Fair. Family. NITE LIFE OF EUROPE. Cameraman.
Fox. Night clubs of Europe; London, Ham-
TRAVELOGUE and EDUCATIONAL burg, Berlin, Budapest, San Remo, Copen-
CURIOUS INDUSTRIES. Our Own U. S. hagen, Madrid, Paris. Interesting for mature
Vita. Warner Bros. Salt mining; Texas oil audiences.
fields, clam gathering, frog farming, useful PICTORIAL No. 2. Para. How money is
things out of scraps, etc., etc. All interesting made in U.Treasury; oyster beds and
S.
and novel. Family. gathering of oysters; song makers of nation.
ITALIAN RIVIERA. Magic Carpet Series. Family.


1
Address

MOTION
PICTURE
REVIEWS

LOS ANCELES, CALIFORNIA
NOVEMBER 1935
constant reference.
'’‘The Affairs of Susan '’‘Metropolitan

* Annie Oakley Moonlight on the Prairie
*Big Broadcast of 1936 A Night at the Opera
*The Bishop Misbehaves '’'Paddy O’Day
*Charlie Chan’s Secret ’’“The Rainmakers
'’'The Eagle’s Brood Ship Cafe
Frisco Kid Show Them No Mercy
Hands Across the Table Spanish Cape Mystery
IFound Stella Parish ’’'Stars Over Broadway
* I Live My Life * Stormy
*ln Person "'Thanks a Million

It’s in the Air "'Three Kids and a Queen
The Last Outpost To Beat the Band
*Little America *Transatlantic Tunnel
’’'The Man Who Broke the Bank at *Wings Over Ethiopia
Monte Carlo
"'Film suitable for family entertainment but not necessarily appropriate for children under 12 or for

943 South Hoover Street <S> Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-FIVE WOMEN'S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 2809 WEST WASHINOTON BLVD.. LOS ANOELES


LOS ANGELES BRANCH
EDITORS
Address all communications to The Women's University Club, 943 South Hoover St., Los Angeles, Calif.
1 Oe Per Copy • - $1.00 Per Year
Vol. VIII NOVEMBER, 1935 No. 5
EDITORIAL
Many groups all over the United States are engaged in the work of trying to secure
suitable familyprograms for children’s matinees, and a gratifyingly large number of theatre
managers are sincerely trying to cooperate to win the approval of the Better Films Committees.
That the ever increasing demand for the family type of film is being met by producers is
indicated by the astonishing proportion of pictures starred in our current index for family
suitability, but the pictures considered appropriate for children under twelve are almost as
scarce as ever. This scarcity is certainly no fault of local theatre managers, but it presents a
major obstacle in the path of approved children’s matinees. There are still not enough really
good pictures to make up a good matinee each week. Much as all the previewing organiza-
tions deplore the presence of children under nine years old in the theatres, it is still a fact
that Saturday afternoon audiences are composed largely of small children unattended by
adults, and many of these children are only five or six years old. What then should be the
attitude of a Better Films Committee towards a theatre manager who wants to run a
“children’s matinee” and hopes to have the approval of the local organizations?
The Women’s University Club requires that certain definite conditions be fulfilled before
it gives its approval to a program planned for children. We require not only that the picture
shown be suitable but that the program be composed entirely of suitable entertainment, that
it be not too long (no double bills), that proper conditions of lighting, ventilation and chap-
eronage be observed and that there be no serials, door prizes or other bonuses tending to
attract children to another program which may not be approved or to establish the habit of
regular attendance at weekly shows. In our experience locally it has not been possible to
secure an afternoon program complying with these conditions. Due to the policy of double
billing, even though a suitable picture is shown first, the children invariably see the whole
long program and apparently nothing can be done about it. The Women’s University Club
therefore does not give its sanction to any such matinees.
However, a new experiment is now being tried by the manager of a local theatre. He has
submitted programs to the previewing groups for approval. They are to be shown at morning
matinees under the conditions deemed proper by the concensus of opinion of such groups.
This is a great step ahead for children’s entertainment. If these morning matinees are a
financial success, as we hope they will be, the manager will want to continue them. But will
he be able to guarantee an approved unit program each week or every other week?
The Better Films Committee cannot conscientiously give a blanket approval to a par-
how good are the intentions of the theatre manager. They may
ticular theatre no matter
approve any number of programs planned in advance when they know exactly what is to be
included, but it is absolutely necessary to know not only that there will be a Shirley Temple
picture, for instance, but what Shirley Temple picture, not only that there will be two color
cartoons but what cartoons, not only that there will be an entertainer, but what entertainer
and exactly what the act will be. If the children are allowed to go to an approved program,
will they be induced by door prizes, clubs, serials, etc., to want to patronize the next matinee
which may not be approved? These are some of the points to be most carefully considered by
any organization when it is asked to give its support to a children’s program, but no organi-
zation can assume the responsibility of recommending any picture or program for any
individual child. What is suitable for the majority of children of a certain age may be most
upsetting for little Tom Jones or Sally Smith. If Mrs. Jones and Mrs. Smith study the tem-
peraments and mentalities of their own children and inform themselves about the films that
are offered, they should be the ultimate judges of whether or not their children should attend.
By intelligent perusing of various conscientious reviews such as those offered in this magazine
and others of its kind, parents should be able to determine the appropriateness of any picture
for their own children. Better Films Committees, Motion Picture Councils and Theatre Mana-
gers can help you to a certain extent in providing entertainment for children, but for your
own child, Mother, you must do your part.
FEATURE FILMS
THE AFFAIRS OF SUSAN » » rifle shot of Buffalo Bill’s Wild West Show.
Zasu Pitts, Hugh O’Connell, Walter Catlett. The picture of her life is steeped in the
Direction by Kurt Neumann. Universal. atmosphere of a bygone period when tastes
were simpler, and the blare of trumpets, rush
That wistfully comic, pathetic character
of charging horses and yells of Indians on the
known to cinema audiences as Zasu Pitts is
war-path furnished entertainment fit for the
the heroine of this touching little comedy.
crowned heads of Europe. There is no com-
In the guise of a lonely girl from a candy
plexity of characters. Annie is straightfor-
shop she goes to Coney Island on her day off
ward and has a heart of gold to the very end
and by chance meets a young mechanic, an-
the humor is hearty, and even the lighting
other lonesome soul. The course of their re-
seems to partake of the gleam of a kerosene
sultant friendship and romance is delightfully
lamp. Sometimes the dialogue is too uncouth
told. If the picture had no other merits, the
for modern ears, occasionally the country folk
fact that it offers Miss Pitts a role to match
are too loutish, but the film should attract
her ability would make it worth the price of
those who enjoy a circus and those who like
admission. It has, however, the added virtue
to recall the days of wash bowls and pitchers
of telling a simple, straightforward and
and the first faltering telephones.
appealing human story with just the right
amount of laughter and pathos.
Good Yes
-v
Entertaining Yes
•w
THE BIG BROADCAST OF 1936 » »
ANNIE OAKLEY » » Jack Oakie, George Burns, Grade Allen, Lyda
Barbara Stanwyck, Preston Foster, Melvyn Roberti, Wendy Barrie. Direction by Nor-
Douglas, Moroni Olsen, Pert Kelton, Chief man Taurog. Paramount.
Thunder Bird, Andy Clyde. From a story by
This picture might be compared to an
Joseph A. Fields and Ewart Adamson. Di-
elaborate table d’hote dinner, more than one
rection by George Stevens. R.K.O.
is accustomed to but nice for a change. It
Fifty years ago Annie Oakley was the crack includes all sorts of radio and vaudeville en-
tertainers and has a fantastic rambling plot is a good mystery yarn. The setting is San
that runs the gamut of everything from melo- Francisco, the problem,
finding of the
the
drama to slapstick. It starts in a broadcasting murderer of a certain Alan Colby, long sup-
station where Jack Oakie as Spud, the great posed dead but in reality only recently assas-
lover of“WGY,” croons daily to an adoring sinated by one who wished to profit by his
feminine audience. He incurs the jealous en- demise. In the quest for evidence Charlie
mity of a rampaging countess who kidnaps Chan exposes spiritual seances. Some of the
him and his partner on her yacht and takes scenes are rather creepy. The suspense is
them both to a mysterious island. They have well maintained and the plot is sufficiently
with them an invention of Gracie Allen and logical in its development to be reasonably
George Burns called the Radio Eye, which convincing.
picks up by television all sorts of scenes. It Adolescents, 12 to 16 Children, 8 to 12
is in these pick-ups that the audience sees Interesting No; too exciting
various famous entertainers in a variety of
skits. In the production there is something
of interest to almost everyone. It is diverting THE EAGLE’S BROOD » »
entertainment reminiscent of the days when William Boyd, Jimmy Ellison, William Far-
vaudeville houses flourished.
num, Nana Martinez. From the book by
Good Yes Clarence Mulford. Direction by Howard
Bretherton. Paramount.
The Hop- Along Cassidy pic-
latest of the
THE BISHOP MISBEHAVES » »
tures based on a frontier tradition that a
is
Edmund Gwenn, Maureen O’Sullivan, Nor- man saved from death is honor bound to
man Foster, Lillian Bond. From the play by perform as noble a deed for his rescuer. In
Frederick Jackson. Screen play by Leon this case the deputy-sheriff is indebted to a
Gordon. Direction by E. A. Dupont. M-G-M. bandit. As in the run-of-the-mill Westerns
Here is a delightfully entertaining com- there are smiling heroes and glowering vil-
bination, in an English setting, of mystery, lains, all riding past with clanking spurs
humor and romance. The fun com-
satirical against a background of beautiful mountain
mences when a young girl announces her in- peaks and canyons. There is little depth or
tention of staging a hold-up. She enlists the originality in the production, and it is suit-
aid of a traveling American and later of an able chiefly for those who place brawn above
English Bishop and his old maid sister who brains in the cinema.
are delighted with the opportunity to exercise Adolescents, 12 to 16 Children, 8 to 12
their knowledge of crime and sleuthing Yes Too violent
gleaned from inveterate reading of detective w
novels. The story travels at a lively clip
FRISCO KID » »
from Limehouse to the Bishop’s study with
James Cagney, Margaret Lindsay, Ricardo
everyone becoming more and more involved
in the mysterious disappearance of a valuable Cortez, George E. Stone. Story and screen
wallet. The various foibles of the oddly as- play by Warren Duff and Seton I. Miller.
sorted characters are cleverly used to enhance Direction by Lloyd Bacon. Warner Bros.
the humor. Suspense is exceptionally well
maintained and the unraveling of the mystery As in “Barbary Coast,” San Francisco in
is skillfully handled. the days of the Vigilantes is the colorful set-

ting for this dramatic story. James Cagney as
Very good Yes Bat Morgan is the self-made leader of the
underworld and one of the rulers of the tough
element. Margaret Lindsay plays Jean Bar-
rat, daughter of the leading newspaper owner
CHARLIE CHAN’S SECRET » »
and typical of San Francisco’s upper crust.
Warner Oland,
Rosina Lawrence, Charles These two meet. Morgan falls in love at first
Quigley, Henrietta Crosman, Edward Trevor, sight and, influenced by his desire to win her,
Astrid Allwyn, Herbert Mundin. Story by tries to make a position for himself among the
Robert Ellis and Helen Logan. Direction by better element. Local color abounds, especi-
Gordon Wiles. Twentieth Century-Fox. ally in the scenes of the Barbary Coast area,
Even without the deft touch of Earl Derr the incidents in the political warfare are
Biggers, Warner Oland impersonating dramatic and the love story, however improb-
Charlie Chan
in the solving of a murder able, is well enough handled to hold the sym-
mystery well worth going to see. This story
is pathy of the audience.
lacks some of the pat Chinese philosophy we Adolescents, 12 to 16 Children, 8 to 12
are wont to expect from Charlie Chan, but it Not recommended No
HANDS ACROSS THE TABLE » » IN PERSON » »
Carole Lombard, Fred McMurray, Ralph Bel- Ginger Rogers, George Brent, Alan Mowbray,
lamy, Astrid Allwyn. Direction by Mitchell Grant Mitchell. From the novel by Samuel
Leisen. Paramount. Hopkins Adams. Screen play by Allan Scott.
Directed by William A. Seiter. Warner
This is comedy about a manicurist
a light
Bros.
whose main ambition in life is to marry a
rich man, and a young ex-millionaire with a This is a rollicking comedy of the type
desire to become the husband of a rich wo- which will appeal to an audience seeking re-
man in order to avoid working for a living. laxation unattended by emotional strain. It
Both find what they have been looking for, makes no pretense at either plausibility or
but having found it decide that love means subtle characterization, but it attains its mis-
more. The parts are well cast, and the sion of providing an evening of wholesome
photography, lighting and dialogue all con- fun. The story concerns a temperamental
tribute to the feeling of joic dc vivre that the young movie actress who, on the verge of a
picture conveys. Certain unconventional situ- nervous breakdown from a too strenuous
ations in the plot are handled with such a season of work, is advised by her psychiatrist
degree of expertness and lightness of touch to seek complete seclusion in the wilderness.
that they are not offensive. Meeting by chance an attractive young or-
Adolescents, 12 to 16 Children, 8 to 12 nithologist who is going to his mountain cabin
Too sophisticated No to study certain types of birds, she suggests
v that she become his guest, and this uncon-
ventional arrangement is adopted. The far-
I FOUND STELLA PARISH » » cical scenes which follow concern his efforts
Kay Francis, Hunter, Paul Lucas, Sybil
Ian to make her do the housekeeping and her
Jason, Jessie Ralph. From a story by John efforts to convince him that she is really a
Monk Saunders. Direction by Mervyn Le- celebrated movie star and hence above menial
Roy. First National. work. There is, of course, “the other man”
Mother love the dominant chord in this
is
who discovers her hideout and follows her,
with amusing complications. The slight plot
film of a successful actresswho leaves London
gives Ginger Rogers opportunity for one of
at the height of her career lest the damaging
her popular song-and-dance specialties and
exposure of her unfortunate past should dar-
frequent opportunities for intriguing changes
ken her small daughter’s life. Although the
of costume.
story is somewhat melodramatic, and the plot
when dispassionately analyzed is a bit maud-
lin, unpleasant facts are usually suggested,
Amusing No interest
never emphasized, parts are not overplayed,

and Kay Francis is appealing in the mother
role. Due to expert direction and the charm IT’S IN THE AIR * »
of Miss Francis it is better-than-average en- Jack Benny, Ted Healy, Una Merkel, Nat
tertainment. Pendleton. Direction by Charles F. Riesner.
Adolescents, 12 to 16 Children, 8 to 12 M-C-M.
Needs mature analysis No
sr If you are not. one who is likely to be
amused by the form of wit used by Jack
I LIVE MY LIFE » » Benny and Ted Healy, stay away from this
Joan Crawford, Brian Aherne, Frank Morgan, picture, for boredom will set in before the
Aline MacMahon, Eric Blore. Direction by first fifty feet of film have been run. The
W. S. Van Dyke. M-C-M. story concerns two skin game artists wanted
by Federal officers for illegal financial trans-
For most audiences there is a never failing actions. One
of them, wishing to effect a
appeal in a play that shows the taming of a reconciliation with his estranged wife, goes
spoiled rich girl by an outspoken he-man from to see her at a desert resort. There he poses
the wide open spaces. Such is the theme of as a stratosphere exploration enthusiast and
“I Live My Life.” Joan Crawford as the manages to get the backing of some sponsors
blase lady of luxury meets an Irish archeolo- who are interested in the advertisement the
gist on an island near Greece. After a flirta- balloon flight will bring. Most improbably
tion which only he takes seriously, he follows the flight sets a record which seems to obliter-
her to New York with the easily forseen ate the fact that the balloonists are fugitives
consequence that she returns with him to dig from justice. The picture is ethically bad be-
for ancient statuary. It is a spirited, attrac- cause, although the crooks reform, their
tively produced and entertaining comedy. comedy and the spirit in which their shady
Adolescents, 12 to 16 Children, 8 to 12 deeds are performed hold the sympathy of
Amusing Little interest the audience throughout. The picture is light
comedy, dependent upon wisecracks for its as a Russian prince is blessed with a prodi-
entertainment value. gious succession of winning numbers, there
Adolescents, 12 to 16 Children, 8 to 12 are bound to be romantic repercussions.
No; too unethical No Throughout the play there is an atmosphere
of gaiety and whimsy with a measure of
pathos, enough sophistication in treatment to
THE LAST OUTPOST » *
engage the seasoned theatre-goers and
Cary Grant, Claude Rains, Gertrude Michael,
enough of the Graustarkian brand of imagi-
Kathleen Burke. From the story by F. Brit-
nation to please younger audiences. There
ten Austin. Directed by Louis Gasnier and
is nothing morally subversive, and a lesson is
Charles Barton. Paramount.
appended to the effect that gambling never
The story of “The Last Outpost” takes place pays. The dialogue is good but not outstand-
during the World War, when the British had ing. Perhaps one could wish that Ronald Col-
to cope with serious outbreaks among the man had a little more dash in some of the
Kurds and the natives of the Soudan. There scenes, but on the whole the mood is well
is a strong atmosphere of the East, but too sustained.
many changes of scene, too much rattling of Adolescents, 12 to 16 Children, 8 to 12
machine gun fire and too many narrow escapes Cood Mature
make the picture seem exaggerated. The w
plot, far from unusual, deals with two men
in love with one woman whose choice entails
METROPOLITAN » »
Lawrence Tibbett, Virginia Bruce, Alice
success for one and bitter sacrifice for the
Brady, Cesar Romero, Luis Alberni, George
other.
Marion, Sr., Thyrston Hall. Screen play by
Bess Meredyth and George Marion, Jr. From
Passable Unsuitable
a story by Bess Meredyth. Musical direction
by Alfred Newman. Direction by Richard
LITTLE AMERICA » » Boleslawski. Twentieth Century-Fox.
Narration by Charles Murphy. Nar-
V.
rator: Gayne Whitman.
J.
Photographed by
A simple unexciting but adequate story
offers opportunity for Lawrence Tibbett to
John L. Herrmann, A.S.C., and Carl O. Peter-
display his beautiful voice in several types of
son. Produced by Adolph Zukor.
songs. As a competent opera singer he leaves
The cameramen who accompanied Rear the New York Metropolitan because his name
Admiral Richard E. Byrd on his second voy- is not sufficiently well known to induce the
age into the Antarctic have done their best to manager to give him prominent roles. A
bring us the salient features of the expedition. tempermental diva takes him as star in a
They not only reveal the technical details of company she has organized to open in Phila-
the ship, planes and equipment used in sur- delphia. Her variable orders make the oppor-
mounting the natural hazards in the wastes tunities for him to sing such lovely arias as
of ice and snow, but they emphasize the im- the “Toreador Song” from “Carmen,” “Largo
portance of the human element in such an A1 Factotum” from “The Barber of Seville”
undertaking. They picture each man, whether and the prologue from “Pagliacci.” He also
a doctor ministering to the sick, a scientist sings “The Road to Mandalay” and the negro
collecting new material or a musician trying spiritual “De Glory Road” with the technical
to break the monotony of the long winter excellence and the dramatic interpretation
night, fulfilling his allotted part under the which has made his voice triumphant today.
indomitable leadership of Admiral Byrd. It His role is better suited to his personality
is a fine picture which adds to one’s store than his former screen vehicle. All the char-
of information and cannot fail to interest acterizations are exceptionally good, the
young and old. direction spirited and the orchestration note-
Adolescents, 12 to 16 Children, 8 to 12 worthy. The production is distinctive music-
Excellent Excellent ally and it entertains lightly from the story
•<r viewpoint.
THE MAN WHO BROKE THE BANK AT Good If musically
MONTE CARLO » »
inclined
Ronald Colman, Joan Bennett, Colin Clive, 'T'
Nigel Bruce, Montagu Love. From the play
by Ilia Surgutchoff and Frederick Albert MOONLIGHT ON THE PRAIRIE » »
Swann. Direction by Stephen Roberts. Dick Foran, Sheila Manners, George E. Stone,
Twentieth Century-Fox. Joe Sawyer. Direction by D. Ross Lederman.
Warner Brothers.
There is a spark of adventure in the very
mention of the gaming tables at Monte Carlo, An stampede,
exciting some beautiful
and when a young taxi driver who began life mountain scenery and good riding are the
points of interest in this “Western,” but these Jane Withers charmingly displays her varied
do not make it worthy of recommendation. talents forsinging, dancing and acting, but
The plot is exceedingly obvious, the acting is particularly charming when she forgets to
stiltedand the dialogue poor. Two desperados use an Irish brogue.
murder a ranch owner and conspire to cheat Adolescents, 12 to 16 Children, 8 to 12
his widow and child of their inheritance. Excellent Excellent
When their first attempts to do away with xr
the woman and the small boy are frustrated
THE RAINMAKERS » »
by a chivalrous cowboy the villains continue
Bert Wheeler. Robert Woolsey, Dorothy Lee.
their devilish machinations until several
Story by Albert Treynor and Fred Guiol.
people have been killed and everyone has had
Direction by Fred Guiol. R.K.O. -Radio.
numerous hair-breadth escapes. There is no
moonlight and no prairie, but a song rendered Wheeler and Woolsey pictures are usually
by the hero gives the picture its title. clean and This one seems to have been
silly.
Adolescents, 12 to 16 Children, 8 to 12 made to emphasize all the characteristics of

Poor Not recommended; the comedy team and will probably have little
too noisy and appeal except for their admirers. An inventor
violent of a rain-producing machine and his assistant
•w arrive in a drought-smitten land of lima
beans and indulge in no end of antics and
A NIGHT AT THE OPERA » »
facial contortions, winding up with a wild and
Croucho Marx, Chico Marx, Harpo Marx,
ridiculous escapade as engineers on a pair
Kitty Carlisle, Allan Jones. From the story
of runaway locomotives. Children should
by James K. McCuinness. Screen play by
enjoy it hugely.
George S. Kaufman and Morrie Ryskind.
Direction by Sam Wood. M-G-M.
Fun Good
The debut of two young singers provides w
the background for the antics of the Marx
brothers. After a very poor opening scene SHIP CAFE * »
the picture moves swiftly and will probably Carl Brisson, Judge, Mady Chris-
Arline
entertain those who enjoy the Marx brothers. tians, Eddie Davis, Grant Withers. Screen
The cast has been well chosen, and Allan play by Harlan Thompson and Herbert
Jones proves to be more interesting than the Fields. Direction by Robert Florey. Para-
fourth Marx brother used to be. The music mount.
is unusually good but any real music lover
Thestory of “Ship Cafe” is neither novel
would be annoyed at the constant interrup- nor well-told. It is built around a stoker on
tions by the vulgar comedy gags. Chico and
an ocean liner who becomes “bouncer” in a
Harpo play interesting solos on the piano and gav resort and subsequently the darling of a
harp respectively. Artistically the producers visiting countess. Acting and direction are
essayed the impossible when they combined
only fair. Even the night-club scenes are
high class music with low class burlesque.
devoid of any real gaiety or amusement. The
The result is a hybrid sort of entertainment.
film is lifted from utter banality by the bright
dialogue and rapid-fire comments which are
Cheap No admirably suited to the situations.
•w Adolescents, 12 to 16 Children, 8 to 12
Poor Objectionable
PADDY O’DAY » »
w
Jane Withers, Pinky Tomlin. Direction by
Lew Seiler. Twentieth Century-Fox. SHOW THEM NO MERCY * »
Rochelle Hudson,
Cesar Romero, Bruce
This is the story of a young Irish immi-
Cabot, Edward Norris. Directed by George
grant girl coming to America alone, steerage,
Marshall. Twentieth Century-Fox.
to join her mother who has been acting as
maid for an overstudious young ornithologist Terrific suspense is the keynote of this ex-
and his doting old maid aunts. Paddy is met citing kidnap story which deals, not with the
at Ellis Island with the news of her mother’s actual “snatching,” but with what happens to
death, but refusing to believe it, escapes from the innocent young couple who, with their
the island, and, through the help of an Irish baby, fall into the clutches of the kidnapers
policeman, arrives at her mother’s former after the ransom money is collected. It is
place of employment. She completely capti- modern, tense, and moves swiftly to an un-
vates and revivifies the young bookworm usual conclusion, where a woman does more
while his aunts are in Europe, and plays cupid than her share in a battle which would have
for his love affair with a beautiful young tried the nerve of any man. The persistence
Russian who had befriended her aboard ship. and intelligence of the Department of Justice
is an admirable note, but a great deal of kill- should please anyone looking for a light en-
ing is shown. Skilful direction is responsible tertainment. It provides a good deal of beau-
for the naturalness of the characters. Cleverly tiful music but evidently Melton’s singing and
interspersed comedy touches somewhat relieve the rendition of classical arias are not sup-
the emotional tension which is sustained to the posed to be the chief attraction.
final scenes. Adolescents, 12 to 16 Children, 8 to 12
Adolescents, 12 to 16 Children, 8 to 12 Entertaining Amusing but
Too much killing No; too exciting mature
and brutal T
•w
STORMY » »
THE SPANISH CAPE MYSTERY * »
Noah Beery, Jr., Jean Rogers, J. Farrell Mac-
Helen Twelvetrees, Donald Cook. Burton Donald, Fred Kohler, Raymond Hatton.
Churchill. Story by Ellery Queen. Direction Direction by Louis Friedlander. Universal.
by Lewis D. Collins. Republic. A boy rescues a motherless colt in a remote
Ellery Queen famous detective of fiction, part of the desert and brings him up to be
is here depicted as a smart-aleck of the most a well trained horse. Though told in a rather
offensive type. His wise-cracks at the expense melodramatic fashion the story of Stormy, the
of the comedy sheriff fall rather flat, and the boy, and Rex, the horse, is an unusually good
deductive processes by which he solves the western. Pictures of herds of wild horses
mystery after the sheriff confesses failure are against the lovely background of the Painted
left largely to the imagination of the audience.
Desert make the plot seem of minor impor-
The action begins with the kidnaping by a tance. The usual villain is present to provide
mysterious stranger of Stella Godfrey (Helen the sinister element without which a picture
Twelvetrees) and her uncle from the God- could not be a western, but the characters on
the whole behave like normal human beings
frey mansion on the California Coast. Stella
is left bound and gagged in a neighboring
and Noah Beery, Jr., is an engaging Stormy.
house to be discovered by Ellery Queen and a Adolescents, 12 to 16 Children, 8 to 12
companion on a vacation trip. The uncle Good Good but exciting
does not reappear. During the ensuing in-
v
vestigation three murders are committed and THANKS A MILLION » *
everyone in the Godfrey’s house party is at Dick Powell, Ann Dvorak, Patsy Kelly, Fred
one time or another under suspicion. A love Allen, Raymond Walburn. Play by Nunnally
interest is introduced between Stella and Johnson. Direction by Roy Del Ruth. Twen-
Ellery. Miss Twelvetrees looks charming but tieth Century-Fox.
not very convincing in the part. The song and dance brigade goes into
Adolescents, 12 to 16 Children, 8 to 12 politics and does so well that the crooner-
it
Passable Little interest general is elected governor at the end of an
hilarious campaign. The picture has a de-
lightful tongue-in-the-cheek attitude towards
STARS OVER BROADWAY * »
officialdom and is all so gay and sprightly
Pat O’Brien, James Melton, Jane Froman, that one almost sighs for a regime under
Jean Muir, Frank McHugh, Phil Regan, Wil- which we might be treated to Rubinoff’s play-
liam Ricciardi, Marie Wilson. Story by Mil- ing, the Yacht Club quartette, Paul White-
dred Cram. Screen play by Jerry Wald man’s orchestra and Dick Powell’s latest song
and Julius Epstein. Direction by William hits instead of income taxes and potato
Keighley. Warner Bros. control.
James Melton, popular radio singer, ap- Adolescents, 12 to 16 Children, 8 to 12

pears in the film as Jan King, singing hotel Good Yes
porter, who is taken in hand by an impresario
•w
(played by Pat O’Brien) and made into THREE KIDS AND A QUEEN » »
grand opera material. Though it has some of May Robson, Henry Armetta, Charlotte
the same elements as several recent musical Henry, Frankie Darro. Direction by Edward
films it has a less serious story, some surprise Ludwig. Universal.
situations and clever dialogue and is differ- This is the story of a lonely, rich old woman
ently handled from the other grand opera whose interests center entirely in a pet dog
films we have seen. Pat O’Brien, though he and whose rudeness and maladjustment to
is only the impresario, is the one on whom society make her notorious. She is rescued
most of the romantic interest is focused. from a car accident by the family of an
James Melton sings beautifully. Frank Mc- Italian barber and taken to their home to be
Hugh has an excellent comedy role and as revived. Before this is accomplished, extras
usual extracts its full content of humor. The come out announcing that she has been kid-
whole thing is geared to a fast pace and naped, and the head of the family is hor-
rifled to find himself implicated in a possible simultaneously and meet in mid-ocean. Money
crime. He tries to induce his guest to leave, being the prime factor in this undertaking,
but knowing that her nephew is attempting McAllen, the young engineer, having favor-
to railroad her into an insane asylum in order ably impressed Mr. Lloyd, a millionaire of
to gain control of her fortune, she refuses, far-reaching influence, brings together a
settles down with the family of the Italian group of financiers who can supply the funds
barber, follows with grim pleasure the press for starting the tunnel. After much persua-
reports and for the first time in her life knows sion and the aid of Valaris, the beautiful
what it is to win and to give human affection. daughter of Mr. Lloyd, the arrangements are
So far the story is appealing and real. It loses made and the work started. The film there-
both these qualities when the old recluse is after depicts the tremendous hardships of en-
actually kidnaped from the barber’s home gineering and the discouragements encoun-
by professional gangsters and taken to their tered by McAllen in keeping alive the interest
hideout. The G-Men in action, their storming and financial backing necessary to complete
of the hideout and the wounding of the old the project. Another angle of the plot is the
lady’s would-be rescuer, are the cheap clap- domestic tragedy that comes to him when he
trap of the usual gangster plot and mar an is estranged from his wife and little son. In
otherwise delightful characterization. the closing scenes, years later, are shown the
Adolescents, 12 to 16 Children, 8 to 12 completion of the tunnel and the reconcilia-
Yes Too violent in tion through dramatic circumstances of Mc-
parts Allen and his wife. For those who enjoy a
•w convincing story, competent acting, intelligent
dialogue, and pleasing background, “Trans-
TO BEAT THE BAND » »
atlantic Tunnel” will be entirely satisfying.
Hugh Herbert, Helen Broderick, Roger Pryor,
It has enough imagination and daring to
Fred Keating, Eric Blore. Directed by Ben
appeal to adventurous natures; enough ar-
Stoloff. From a story by George Marion,
tistry and beauty for those who love the
Jr. Screen play by Rian James. R.K.O.
esthetic; enough pathos and sentiment for
Another slapstick farce whose chief raison everyone. It affords the fascination of look-
d’etre is a catchy song and dance specialty.
ing into the future. Without the grotesque
The story centers about a moron hero whose imaginings sometimes introduced into pictures
eccentric aunt leaves him her millions with fortelling coming events, it shows television
the stipulation that within three days after as a perfected reality and other modern in-
her death he marry a widow. If he fails to ventions brought to a high point of efficiency.
meet this condition the fortune goes to the Excellent photography adds to the illusion of
leader of a collegiate band. The broad com- reality, and the capable cast helps to make the
edy incidents which follow are concerned whole imaginative story seem plausible.
with the efforts of the hero and a designing Adolescents, 12 to 16 Children, 8 to 12
woman lawyer to accomplish the marriage, Very interesting Mature
and those of the bandmaster and his asso- •w
ciates to preventit. The humor is inoffensive
but often boring and completely unlighted by WINGS OVER ETHIOPIA * »
wit. It will appeal only to those who enjoy Chief Pilot: Walter Mittelholzer. Direction
the comedy of mere situation. One really by L. Wechsler. Photography by E. Berna.
excellent dance number and the evident en- Narration by Garnet Weston. Narrator:
joyment of the actors in the roles which they Gayne Whitman. Praesens Film Co., Zurich.
portray are the only sources of refreshment A
film which brings the subject of greatest
for the discriminative spectator. news interest within our range of vision can
Adolescents, 12 to 16 Children, 8 to 12 not fail to have some value for a large pro-
Passable No portion of the public. A
large map of the
yr contested territory is flashed upon the screen,
and then little by little the country of Ethiopia
TRANSATLANTIC TUNNEL » »
is revealed, as the Swiss aviator who takes
Richard Dix, Leslie Banks, Madge Evans, the pictures swoops down upon deserts, moun-
Helen Vinson, C. Aubrey Smith. From the tains and villages, showing the dusky, bare-
novel by Bernhard Kellerman. Direction by footed inhabitants ready to die for their Em-
Maurice Elvey. Caumont-British. peror, who with his immediate family, gives
The story “Transatlantic Tunnel” starts in the only evidence we see of European culture.
England in the year 1945 when a young en- The picture lags a little, as is usually the
gineer, a dreamer, conceives the idea of unit- case in a purely descriptive film, but the
ing the two English speaking countries with photography is excellent with many interest-
a tunnel reaching from the United States to ing angles from the plane.
England, to insure peace or protection in Adolescents, 12 to 16 Children, 8 to 12
case of war. The work is to start at each end Excellent Good
SHORT SUBJECTS
REGULAR KIDS » » unites the Land of Symphony with the Isle
Short subject in Technicolor. Featuring the of Jazz. The production is exquisite in idea
“Famous Meglin Kiddies.” Direction by and execution. Recommended for family and
Ralph Staub. Vitaphone. children.
The desire to help an orphanage is the in- OLD PLANTATION. Happy Harmony
centive for a group of children to put on a
Cartoon. M-G-M. The story is built around
the characters in “Uncle Tom’s Cabin” with
show. The appeal of the picture is debatable.
For those who enjoy child performers in accompanying songs by Stephen Foster. Good.
sophisticated mimicry of adult jazz artists, it Family.
is good of its kind. ON ICE. Walt Disney. Mickey Mouse.
Adolescents, 12 to 16 Children, 8 to 12 U. A. Mickey, Minnie, Donald Duck, and
Passable Not recommended Pluto have a joyous adventure skating.
Lovely in color and particularly amusing.
Family and children.
OKAY JOSE » »
SINBAD THE SAILOR. Color Cartoon.
Story and screen play by Joe Traub. Direc-
Rep. Sinbad has adventures with pirates.
tion by Ralph Staub. Vitaphone.
Amusing. Family and children.
A comedy plot, wherein a man is forced to
masquerade as a blonde siren in order to COMEDY
save his life. In using the picturesque set-
tings and color of a Mexican background, KEYSTONE HOTEL. Vita. A revival of
Technicolor has made this picture most pleas- an oldtime slapstick. Interesting only in com-
ing to the eye. That it has wasted its artistry
parison with newer technique. Family.
upon a feeble plot regretable.
is
Children, 8 to 12
MUSICAL
Not recommended No CAVALCADE OF MUSIC. Para. Ameri-
rr can songs from Indian to modern syncopation
illustrated by period costumed performers.
CARTOONS Good. Family.
COLLEGE CAPERS. Fox. College story
FOILED AGAIN. Terrytoon. Fox. Ex- introduces entertainers: Dawn O’day, the
citing melodrama where girl is saved from Shea Sisters and the Cabin Kids. Entertain-
sawmill blades. Fair. Family. ing. Family.
FOOTBALL. Terrytoon. Fox. Mice rep- HILLBILLY LOVE. Fox. A mediocre
resenting the Army and cats, the Navy, stage comedy of Hillbilly life with suitable music.
an amusing game. Family. Family.
HAPPY FAMILY. horde of rela-
Col. A I WISHED ON THE MOON. Para. Ama-
tives descend upon Krazy Kat and destroy
teur radio program. Fair. Family.
his house. Poor in idea and execution.
STARLIT DAYS AT THE LIDO. Musi-
HOLLYWOOD CAPERS. Vita. Carica- cal with color. M-G-M. Movie stars pre-
tures familiar movie stars with much
of
sented at the Lido of the Los Angeles Am-
footage to a Karloff horror. Poor. Adults. bassador. Entertaining of tvpe. Family.
JUDGE FOR A DAY. Para. Betty Boop SYMPHONY IN BLACK. Para. Duke
conducts a trial of public pests. Amusing for Ellington composes sombre symphony of negro
family. life; illustrated by excellent photographic
KING OF THE MARDI GRAS. Para. effects. Adults.
Popeye again demonstrates the value of a
spinach diet in overcoming a rival. Amusing. SPORT
Family. BASKETBALL TECHNIQUE. M-G-M.
LITTLE DUTCH
PLATE. Vita. Romance Pete Smith explains the game and expert
of the little girl on the plate and a salt players illustrate it in slow motion pictures.
shaker. Musically good and charming in de- Fine. Family and children.
tail. Family and children. BLUE GRASS BUGLE. R.K.O. Very in-
MAKING STARS. Betty Boop as
Para. teresting pictures of stock farms and training
mistress of ceremonies introduces babies who of race horses. Family and children.
may become future movie stars. Family. HOOKED LIGHTNING. Para. Splendid
MUSIC LAND. Walt Disney. Silly Sym- pictures of different types of fishing. Good
phony. U. A. The bridge of harmony finally explanatory comments. Excellent. Family.
JUMP HORSE JUMP. Col. Steeple chases LOVE IS BLIND. Col. The Voice of Ex-
illustrated. Fine photography. Very interest- perience give happy council to two afflicted
ing. Family and children. persons. Adults.
JUMPING CHAMPIONS. Para. Experts MARCH OF THE PRESIDENTS. Para.

in this line both animal and human. Enter- Beginning with the first motion picture rec-
taining. Family and children. ord of a President (William McKinley)
TRAINED HOOFS. M-G-M. Pete Smith thirty-eight years ago, this short pictures the
illustrates the care and training of race succeeding Presidents to Franklin D. Roose-
horses. Very entertaining. Family and velt. Instructive and interesting. Family.
children. MARCH OF TIME No. 7. R.K.O. Views
development since thousands of
of Palestine’s
TRAVEL Jews have sought refuge there; New England
SPAIN’S ROMANTIC ISLE. R.K.O. De- summer theatre movement; the Literary Di-
lightful travelogue of Majorca. Family. gest article “And Sudden Death” illustrated
PLAYGROUNDS. Vita. Famous American in all its horror as a warning to motorists;
playgrounds such as Palm Springs, Califor- Tokio’s activities in Ethiopia ;
Roosevelt at
nia; Lake Placid, New York; Pinehurst, San Diego; American shipping to war zone
N. C., etc., etc. Very interesting. Family. without protection of our flag; the neutral
stand of the Janesville barb wire factory.
VARIETY All exceptionally topical and well done.
BABES IN HOLLYWOOD. Para. Child PERFECT TRIBUTE. M-G-M. The

movie stars in kidnapping melodrama. Adults. Mary Shipman Andrews blind
story of the
soldier who unwittingly paid Lincoln the
BETTER HOUSING REEL No. 4. F.H.A.
highest tribute due his Gettysburg address.
Illustrating improvements on houses made
Chic Sale gives a sympathetic portrayal of
possible through F.H.A. Interesting.
the President and the whole is exceptionally
BROADWAY HIGHLIGHTS. Para. New fine. Family.
York amusement centers. Fair. Adults.
PICTORIAL No. 3. Para. Nesting birds,
CAMERA THRILLS. Univ. Illustrating mountains, lakes and streams; a pictorial
the dangers braved by cameramen, this is re- treasure. Family.
markable but luridly exciting. Adults.
SCREEN SNAPSHOTS No. 1. Col. Movie
CLEVER CRITTERS. Fox. Unusual shots celebrities at San Diego Fair. Family.
of animals. Very entertaining for family and
children.
TOPIC No. 1. R.K.O. Topical subjects
illustrated; geodetic survey, social credit,
HERMITS OF CRAB LAND. R.K.O. One crossing St. Elias in Yukon Territory. Ex-
of the “Struggle to Live” series, all of which cellent. Family.
have been exceptionally instructive and en-
tertaining. This one shows different varieties
TRICKS OF THE TRADE. R.K.O. Easy
Aces expose fakes in various lines. Good.
of crabs and the hazards of their existence.
Family.
Excellent. Family and children.


1
Address

MOTION
PICTURE
REVIEWS

DECEMBER 1935
For practical use we
suggest filing bulletins where they may
be Films are not released simul-
easily accessible for reference.
constant reference.
*Ah Wilderness! * Peter Ibbetson
Broadway Hostess Remember Last Night

Dangerous * Rendezvous
*His Night Out *Seven Keys to Baldpate

*1 Dream Too Much She Couldn’t Take It
' The Littlest Rebel So Red the Rose

Man of Iron The Tale of Two Cities
Mary Burns, Fugitive Two Faces

Mutiny on the Bounty The Widow from Monte Carlo
My Marriage Your Uncle Dudley
*The Perfect Gentleman
Film suitable for family entertainment but not necessarily appropriate for children under 12 or for

LOS ANGELES
943 South Hoover Street Telephone D Rexel 2177
WEBBCRAFT PRINTERS, 2B09 WEST WASHINGTON BLVD., LOS ANGELES

MO TION • PICTURE * REVI EWS

LOS ANGELES BRANCH
EDITORS
Addrei! all communication! to The Women*! University Club, 943 South Hoover St., Lot Anceles, Calif.
Vol. VIII DECEMBER, 1935 No. 6
NOTICE
In November the advance supplement was discontinued as a regular issue. Whenever
the number of previews warrants, a special supplement will be published.
We thank all our subscribers for their interest and support during the past year and
again assure them that we are delighted at all times to receive comments and suggestions.
FOR CHRISTMAS
Why not give subscriptions to “Motion Picture Reviews.” They will remind your friends
each month of your Christmas thought and increase their enjoyment of motion pictures by
giving them advance information of entertainment suited to their taste.
FEATURE FILMS
AH WILDERNESS » »
intimate view of the lives of the people in
Lionel Barrymore, Wallace Beery, Eric Lin-
their small town of horse and buggy days.
den, Aline MacMahon, Cecilia Parker, There probably has never been a funnier
Spring Byington, Mickey Rooney. From the
scene from “way back when” than the high
play by Eugene O’Neill. Screen play by
school graduation. The story is of a whole
Frances Coodrich and Albert Hackett.
family, but the interest centers in Richard,
Direction by Clarence Brown. M-C-M.
soaring on wings of new-found mental free-
In certain respects the theatre version of dom and romantic love, believing that no one
the comedy has an advantage over the screen can understand him but finding in the end that
production because naturally much of the dia- he has been perfectly understood by his old
logue has to be omitted in the picture and father who, himself, once trod the star and
O’Neill’s lines are so good that one is sorry to thorn strewn path of sensitive youth and still
miss any of them. To offset this the mobility remembers. Both parts are beautifully done
of the camera makes it possible to give a more with Lionel Barrymore as the father and Eric
Four Motion Picturb Reviews
Linden as the son. In fact the entire cast fits The story is told swiftly and convincingly,
very naturally into the parts. Wallace Beery and while it is not particularly happy, it com-
fills the comic and slightly pathetic role of pensates for this in interest and dramatic
the uncle whose addiction to drink assigns him force.
to an ineffectual position in life. They are all Adolescents, 12 to 16 Children, 8 to 12
people of yesterday, and yet their problems Not recommended No
are those which arise with each succeeding
generation and are very near to our hearts
today. HIS NIGHT OUT » »
Adolescents, 12 to 16 Children, 8 to 12 Edward Everett Horton, Irene Hervey, Rob-
Good Beyond their
ert McWade, Jack La Rue. From the story
appreciation
by Charles Christensen. Screen play by
Doris Malloy and Harry Clork. Direction
BROADWAY HOSTESS » »
by William Nigh. Universal.
Winifred Shaw, Genevieve Tobin, Lyle Tal-
bot, Allen Jenkins. Screen play by George
Atimid, mousy purchasing agent discards
his inferiority complex when he is informed
Bricker. Direction by Frank McDonald.
by a quack doctor that he has but a short time
Warner Bros. to live. Under the aegis of this sudden psy-
The spotlight falls on the torch-singer dur- chological about face, he recovers some stolen
ing a good part of the picture, and it is prob- bonds, captures a gang of criminals and wins
ably just as well, whether one cares for that the girl he loves. The plot is entertaining
art and Winifred Shaw as its exponent or enough but it is raised to hilarious heights by
not. The story is insincere, and it has ques- the singular skill and guileless naivete of
tionable moral values, since the hero, Lucky Edward Everett Horton.
Lorimer, gains sufficient prestige to marry the Adolescents, 12 to 16 Children, 8 to 12
lovely heiress by operating a swanky gamb- Amusing Amusing but
ling establishment and ruining her weak, mature
drink-sodden brother. Probably the crowning
absurdity of the play is Lucky's companion,
a loathsome creature devoid of manners and I DREAM TOO MUCH » »
conversation, who is accepted without question Lily Pons, Henry Fonda, Eric Blore, Osgood
in gilt-edged ball-rooms. The talents of Perkins, Mischa Auer, Paul Porcasi. Direc-
Genevieve Tobin who plays the heiress are tion by John Cromwell. Screen play by Ed-
wasted in such a film. mund North and James Cow. Story by Elsie
Adolescents, 12 to 16 Children, 8 to 12 Finn and David Wittels. Music by Jerome
No Impossible Kern. R.K.O.
sr Lily Pons, chic and attractive, with her

beautiful voice, interesting personality and
DANGEROUS » >
flair for comedy is charming in this, her first
Bette Davis, Franchot Tone, Margaret Lind- motion picture. The plot is perhaps stereo-
say. Story and screen play by Laird Doyle. typed but because of the original humor, nov-
Direction by Alfred E. Green. Warner elty of Parisian settings and skill of the cast,
Bros. this fact does not detract materially from its
Out of a sense of gratitude for the inspira- entertaining qualities. It is delightfully gay
tion she once was to him, a young man of and musically exquisite. The voice of Miss
high ideals saves a talented actress from the Pons in the “Bell Song” from “Lakme” is
gutter. He distrusts the strange fascination brilliant, and she sings several less classical
she has for him, but to complete her rehabili- numbers which
will have great popular
tation, he is willing to sacrifice his own happi- appeal. these “The Jockey on the Car-
Of
ness and security. Caught in the web of her rousel” is particularly pleasing in music and
own spinning, the girl finds that she sincerely settings. The story concerns a girl who re-
loves him. The tragic implications are appar- volts from the taxing work which her guar-
ent when she realizes she must pay for her dian thinks necessary to develop her voice to
selfishness with the price of her life happiness. its maximum beauty. Longing for fun and a
The theme is one of involved social motives home of her own, she runs away and marries
in which each character lives up to a certain a temperamental composer. The ending is
sense of nobility. Bette Davis has previously unique, clever and withal rather touching.
demonstrated her skill in delineating a char- This may be recommended as one of the best
acter which is at once fascinating and re- of the finer type of musical films.
prehensible. She handles the wide emotional Adolescents, 12 to 16 Children, 8 to 12
arc of this role with intelligence and finesse. Excellent Good
THE LITTLEST REBEL * » MUTINY ON THE BOUNTY * *
Shirley Temple, John Boles, Karen Morley, Charles Laughton, Clark Cable, Franchot
Bill Robinson, Jack Holt. Direction by David Tone, Herbert Mundin, Eddie Quillan, Dud-
Butler. 20th Century-Fox. ley Digges, Donald Crisp. From the book by
“The Rebel” will win your hearts

Littlest Charles Nordhoff and James Norman Hall.
because Shirley Temple is her winsome self in Direction by Frank Lloyd. M-C-M.
a stirring story of the Civil War. It concerns Through the trilogy written by Hall and
a little daughter of a Rebel Captain. She Nordhoff, the story of the “Bounty” has be-
cannot understand why war must be, but she come familiar to modern readers. This ship
is a rebel through and through! Pathos,
was the nucleus of rebellion against the in-
sentiment, laughter and tensely exciting mo-
human discipline that obtained on board the
ments are woven into an excellent plot. The British sailing vessels of a hundred and fifty
supporting cast is exceedingly good. Shirley years ago. According to historical documents,
is charming in the costumes of the period,
the “Bounty” left England in 1787 to procure
very skilful in the interpolated dances and a cargo of bread-fruit trees. On the return
delightful when singing her little songs, a journey oppression reached the limits of hu-
great little trooper in a picture which has man endurance, and the crew burst into
real appeal.
mutiny. Those who were thrilled by the books
will find that the film meets all expectations.
Excellent Exciting but
It is a story of brutality, fierce courage, un-
good quenchable hope, powerful drama against a
wide sweep of sea and sky. Charles Laughton
achieves a superb characterization as Captain
Bligh. Gable and Tone give vivid perfor-
MAN OF IRON » »
mances, while the members of the crew are
Barton Mac Lane, Mary Astor, John Eldridge,
individuals not types; we learn to know them
Dorothy Peterson. Based on a story by well. If the picture leaves any regret, it con-
Dawn Powell. Direction by William Mc- cerns the scenes on Tahiti which are so sen-
suous and languid that they mar the tone and
Cann. First National.
retard the tempo of the film. On the whole the
This is a success story in reverse. A master direction is outstanding. One will long re-
machinist is promoted to an executive position member the beauty of the rigging against the
for which he proves totally unfitted, his sudden sky, the ship plunging through the troughs of
rise in fortune makes him unbearable, and the waves and the men who struggle against
his neglect of duty ends in disaster at the tremendous forces to escape degradation and
mills. It is satisfactory as a program picture the hand of death.
but will probably have a limited appeal. Adolescents, 12 to 16 Children, 8 to 12
There an excess of footage devoted to
is
Cood, but not for the Too brutal
unimportant episodes which makes it pon- sensitive
derous and sometimes dull.
Fair for boys No
MY MARRIAGE » »
Claire Trevor, Kent Taylor, Pauline Freder-

Paul Kelly. Screen play by Frances
MARY BURNS, FUGITIVE » » ick,
Sylvia Sydney, Melvyn Douglas, Allan Bax- Hyland. Direction by George Archainbaud.
ter, Pert Kelton. A Walter Wanger Pro- Twentieth Century-Fox.
duction. Directed by William K. Howard. Pauline Frederick is outstanding as the

Paramount. iron-willed socialite who by every subtle and
open means in her power seeks to dispossess
This a vivid, well acted but unpleasant
is
a daughter-in-law who has innocently become
picture of a girl who is swept off her feet by a liability because of her father’s connections
a gangster and is cast into prison as a victim with the underworld. The steadfastness with
of circumstances. The scenes in the women’s which the young people fight for their happi-
prison are depressing, there are violent en- ness would be more affecting if the barrier
counters featuring gangsters, and, since the between them were something more rational
parole officers are contemptible creatures who and more indigenous to our daily lives than
stoop to the lowest methods in obtaining evi- the melodramatic gangster activities so com-
dence, the film fosters contempt for the law. mon in motion pictures. The play has a bitter
Adolescents, 12 to 16 Children, 8 to 12 atmosphere, unrelieved by comedy, but be-
Bad No indeed cause of natural acting, well written dialogue
and high quality of direction, many people REMEMBER LAST NIGHT » »
will enjoy the performance. Edward Arnold, Constance Cummings, Sally

Adolescents, 12 to 16 Children, 8 to 12 Eilers, Robert Young, Robert Armstrong,
Little interest No Gregory Ratoff, Reginald Denny. From the
-v book by Adam Hobhouse. Direction by
James Whale. Universal.
THE PERFECT GENTLEMAN » »
Frank Morgan, Cicely Courtneidge, Heather

Never since the picture industry took the
Angel, Herbert Mundin, Una O'Connor,
pledge to mend its ways has there been a film
Based on the play by such as this, in which all the main characters
Richard Waring.
Edward Childs Carpenter and the story by awake in a strange apartment unable to recall
Cosmo Hamilton. Direction by Tim Whelan. what occurred on the previous night. An
intricate murder mystery developes, but even
M-C-M.
death fails to sober the revelers who go right
This is strictly English comedy of the kind on being debonair and devastatingly funny
yvhich delights the hearts of music hall audi- and indecently drunk in gorgeous Park
ences and is very good in its way. Cicely Avenue settings. Marked with cheap, blatant
Courtneidge is irresistable in the part of April sophistication, unpleasant in many details,
Maye, singing comedienne from the prov- this is harmful because of low standards of
inces. She is aided by, and in turn becomes marriage and life in general.
the guiding star fo the scapegrace Major who Adolescents, 12 to 16 Children, 8 to 12
always does the wrong thing in a chivalrous Destructive No indeed
manner and hence is known as The Perfect •w
Gentleman. The fact that the Major’s son is
a very serious-minded young vicar perpetu- RENDEZVOUS » »
ally flouted by his father adds to many situa- William Powell, Rosalind Russell, Binnie
tions. Heather Angel is lovely in a rather Barnes, Lionel Atwill, Cesar Romero. From
minor part. a book by Herbert Yardley. Direction by
Adolescents, 12 to 16 Children, 8 to 12 William K. Howard. M-C-M.
Good Possible In wartime the work of experts in de-
-v ciphering codes and constructing new ones
» impervious to the best brains of the enemy’s
PETER 1BEETSON »
secret service is often far more important
Cary Cooper, Ann Harding, John Halladay,
than spectacular achievements at the front,
Ida Lupino, Virginia Weilder, Dickie Moore.
and it may be equally dangerous. Such is the
Direction by Henry Hathaway. Paramount.
theme of this film. The story so cleverly com-
It takes a certain type of mind to enjoy bines swift action and a high tension plot
fantasy, and persons who have no liking for with gaiety of approach and spontaneity of
it will probably neither understand nor enjoy dialogue, that one is kept alert from be-
“Peter Ibbetson.” Closely following du ginning to end but never afflicted with frayed
Maurier’s famous book, its theme is the sep- nerves. William Powell is at his best in the
aration of the spiritual from the physical part of the chief code authority, and Rosalind
self, illustrated in the dream life of two lovers Russell shows an aptitude for comedy. One
who are actually kept apart by circumstances may doubt that a niece of a War Department
but whose spirits meet in a realm of un- official could have potent influence in appoint-
reality where they lead a beautiful and happy ments, but that may pass as a minor point.
life together. The suggestion of the spiritual's The picture covers an interesting subject and
transcending the physical is carried still fur- it is well handled.
ther in the intimation that they are to be to- Adolescents, 12 to 16 Children, 8 to 12
gether forever after death has released them Good Mature
from their mortal limitations. As the Duchess •sr
of Towers, Ann Harding is exquisitely lovely.
Gary Cooper as Peter Ibbetson may or may SEVEN KEYS TO BALDPATE » »
not fit one’s preconceived idea of the character Gene Raymond, Margaret Callahan, Eric
but he gives an artistic and sincere perfor- Blore, Grant Mitchell, Moroni Olsen, Emma
mance. As always in an attempt to present a Dunn. From the novel by Earl Derr Biggers.
world beyond the one we live in, the film’s Direction by William Hamilton and Edward
chances of success depend principally upon Killy. R.K.O.
the spectator’s power of imagination. To the Amusing mystery of seven key-holders
sympathetic audience it will be an illuminat- coming to Baldpate Inn in the dead of winter,
ing experience. all for different reasons and all becoming in'
Adolescents, 12 to 16 Children, 8 to 12 volved in the salvaging of $200,000 which has
Depends on Probably been hidden in the safe in the Inn. The pic-
individual incomprehensible ture begins in a railway station with Gene
Raymond as Magee asking his way to Bald- and bulletins of death without being really
pate Inn. Mystery begins at once by the in- acquainted with the characters in their nor-
troduction of Margaret Callahan as Mary, a mal mode of living. Thus, as it is presented
young, attractive woman, weeping by the fire on the screen, the story becomes, to the
in the station. Later she appears of course at analytical spectator, less a romance of the
the Inn. One by one the characters enter the pitiful war torn south than an exposition of
Inn to the accompaniment of eerie gales from men’s motives in going to war. In the be-
the snowy outdoors, and the story revolves ginning we are shown a peaceful family
around getting the money out of the safe and group on the day when they welcome home
into the rightful owner’s hands. The picture the young son and his college friend on
is well cast and moves rapidly with good dia- vacation. That same night the call to arms
logue and many dramatic scenes. However, is sounded, and, in the months that follow,
suspense in the picture seems carried too long, though they have born no personal malice
whereas in the play it did not seem so, and against the north, the men of the household
dialogue is carried forward so rapidly that are impelled by love of adventure, desire to
confusion results toward the climax. Whereas avenge a friend’s death, sense of duty or war
the stage play seemed, years ago, vividly hysteria, one by one to join the army. The
stimulating and hilariously entertaining, the women, a little boy and one faithful slave are
picture seems by comparison a little trite. left alone to face desolation and bereavement.
This is no doubt due to a theme overworked One might find in this picture a challenge to
through the years, and which by this time, has future generations to adhere to a conviction
lost some of its freshness and vividness. It is that normal men do not really want to kill
nevertheless very good entertainment. one another. In spite of its pictorial beauty
Adolescents, 12 to 16 Children, 8 to 12 it leaves the beholder depressed and wonder-
Good Yes ing if little boys must always grow up to go

•w to war.
SHE COULDN’T TAKE IT » »
Very emotional No
George Raft, Joan Bennett, Billie Burke,
Walter Connolly. Direction by Tay Garnett.
Columbia.
THE TALE OF TWO CITIES » »
Goaded by a heartlesslyextravagant fam- Ronald Colman, Elizabeth Allen, Donald
ily to seek refuge in prison on an income tax Woods, Edna May Oliver, Reginald Owen,
charge, a dying plutocrat turns over the Henry B. Walthall, H. B. Warner. Screen
guardianship of the members of his family play by W. P. Lipscomb and S. N. Behrman.
to an ex-gangster who cuts them down to an Direction by Jack Conway. M-G-M.
allowance of twenty-five dollars a week and To many people “The Tale of Two Cities”
subjects the gilded heroine to a course of
means Sidney Carton, and after seeing the
treatment second only to “The Taming of picture one is even more impressed by the fact
the Shrew.” It is a hopelessly incredible plot
that it is his story more than it is either a
too melodramatic to be comic and too ridicu- romance of young Darnay, the French Aris-
lous to be taken seriously. The combined
tocrat, and his beloved Lucy Manette or an
efforts of a talented cast do not avail to make
historical novel of the French Revolution. As
it a picture worth an hour of anyone’s time.
Carton, the ne’er do-well lawyer, Ronald
Colman matches wits with his legal oppon-
Poor No
ents, drinks to forget his shortcomings, falls
-v in love with Lucy and makes the supreme
SO RED THE ROSE » » sacrifice beneath the guillotine. He is com-
pletely in character every minute of the pic-
Randolph Scott, Margaret Sullivan, Walter
ture and makes Dickens’ hero a still more
Connolly, Elizabeth Patterson, Dickie Moore,
From the novel by Stark vivid personality than we have previously
Janet Beecher.
Young. Direction by King Vidor. Paramount. known. In its wealth of detail and pains-
taking fidelity to the atmosphere, settings
Lovely photography, glamorous settings costumes and customs of the period, the pic-
and costumes, the singing of negro songs and ture is most interesting. The mob scenes and
the tragedy and romance of Civil War days the dreadful conditions among the poor of
make this picture one which will undoubtedly Paris are almost too horribly real. The char-
appeal to the general public. Those who have acters are well cast and adhere closely to our
read the book will miss the novelist’s pain- conception of them as Dickens wrote them into
staking care in presenting as a background his novel. We feel that the picture would be
for war the beauty and gaiety of pre-bellum improved by cutting and smoothing of rough
days in the south, for the audience is plunged edges, and no doubt there will be some
almost immediately into soldier’s farewells changes made before it is ready for public
showing. It is spectacular, moving, intensely to our attention that this picture was adapted
interesting but does not quite hit the bull’s- from a play, the basal theme of which con-
eye of artistic achievement. It is made up of cerned the attempts of one of the nouveaux
many excellent parts without in itself being riches to gain social recognition. In the pic-
a unit of excellence. theme becomes subservient
ture, the original
Adolescents, 12 to 16 Children, 8 to 12 to themore immediate and distinctly Holly-
Very emotional and No woodian need of creating a vehicle for a star.
harrowing in parts Intended as a farce, it is interpreted as such
by the cast with the exception of the leading
actors, who play their parts straight. This
TWO FACES » *
conflicting sense of dramatic values leaves it
Wallace Ford, Brian Donlevy, Phyllis Brooks, a bewildering study in inanity. To the actor’s
Erik Rhodes. Direction by Christy Cabanne. credit let it be said that they did try to make
R.K.O. it amusing —
they tried so hard that one be-
Amusing, fast moving and full of surprises, came conscious of the drive without seeing
this picture entertaining without calling
is the result.
for any concentration. It takes
intellectual Adolescents, 12 to 16 Children, 8 to 12
its name from the fact that a gangster has his Waste of time Too mature
face altered by plastic surgery and then goes
to Hollywood to become a motion picture
actor. Complications in the lives of actors
YOUR UNCLE DUDLEY » »
Edward Everett Horton, Lois Wilson. Direc-
and studio executives result, and a rousing,
tion by Eugene Forde. Twentieth Century-
melodramatic scene ends the picture when the
Fox.
gangster shows his true colors. Added interest
is derived from an intimate view of backstage Uncle Dudley has a room full of cups do-
procedure in the studio. nated by a grateful Chamber of Commerce,
Adolescents, 12 to 16 Children, 8 to 12 —
Rotary Club, Lions, etc., etc. all for civic
Probably entertaining No efforts. He is the town’s easy mark! But he
•w can’t cash in on his social service. He can’t
get married to his sweetheart who has waited
THE WIDOW FROM MONTE CARLO * »
five years because he has to support a sister-
Warren William, Dolores Del Rio, Louise in-law with two children. Sister is shrewishly
Fazenda, Colin Clive, Herbert Mundin. caustic because she yearns for a trip to
Based on the play by Ian Hay and A. E. W. Europe to launch an unwilling daughter
Mason. Direction by Arthur Creville Col- musically. And so this lovable, silly chap
lins. Warner Bros. struggles on until circumstances force him to
Restive under the restraining influence of strike out for himself. It is a typical Horton
her relatives, Inez, a young widow, steps out vehicle and characterization, mildly amusing
alone one evening and finds love. Incidental but without either subtlety or novelty.
to this, a social climber achieves her ultimate Adolescents, 12 to 16 Children, 8 to 12
desire by entertaining a duchess. It has come Harmless No value
SHORT SUBJECTS
CARTOONS tance in their troubles. A color cartoon suit-
able for family.
THREE ORPHAN KITTENS. United
Artists. This is one of the best Disneys ever
BETTY BOOP AND HENRY. Paramount.
made. Three small kittens come into a house This far above the usual Betty Boop car-
is
out of a blizzard and frolic from one adven- toon. Betty leaves Henry, the familiar child
ture to another, even setting the player piano of the comic strip, in charge of a pet shop,
into action in their mischievous exuberance.
promising him a dog in return for his
Irresistable fun for all ages. services. Fine for family and children.
SUMMERTIME. Rep. Charming color MUSICAL

fantasy, revealing Pan emerging from a snow
man and calling flowers and animals from WAY OUT WEST. Fox Entertainment at
their long winter’s sleep. Then is seen the a Western dance hall,featuring two girl
ground hog’s shadow, delaying summer for a dancers, also a man who dances and the
while. Family and children. Cabin Kids who are the best of the lot. Fair.
HONEY LAND. M-G-M. Harman-Ising COUNTRY SIDE MELODY. Paramount.
color film of the life of the bees, featuring Another Robert Bruce film in color, showing
their triumph over their enemy the spider. A beautiful English hunting scenes and gardens
very clever cartoon for family and children. with fine music. Excellent for all ages.
LET’S RING DOORBELLS. Columbia. PHIL SPITALNY AND GIRL BAND.

Scrappy and his pal are punished for ringing Vita. More music from this band, also scenes
from night Rather good. Adults.
clubs.
doorbells by being shut up in a building with
a multitude of bells, from which there is no PARADE OF MAESTROS. Paramount.
escape until they discover the right bell. This shows the different methods of directing
Amusing. Family and children. used by such leaders as Red Nichols, Deutsch
and Grofe, with many selections of their
ADVENTURES OF POPEYE. Para. A music. Excellent. Family.
small boy defeated by a bully, is encouraged
by Popeye, who shows him a book of his own MUSICAL MEMORIES. Paramount. Color
successful combats. Family. film. Two old people sit by the fire looking
through a stereoptican and recalling the days
TECHED IN THE HAID. A cheap and
when such songs as “Annie Rooney,” “Good
silly color cartoon of a lazy father, a hard-
working mother and her tribulations in caring
Old Summertime” and “Silver Threads
for six babies.
Among the Gold” were the hits of the day;
the tunes are revived one by one. Very good.
JUNE BRIDE. Fox Terrytoon. Slightly Family.
romantic and rather foolish tale of a cat who
comes to win the farmer’s feline, besieges the COMEDY
house with companions and wins his lady-
love. Fair for family.
THE ROUNDERS. Prin. One of Charlie
Chaplin’s earlier films which is funny and
ALLADIN’S LAMP. Fox. This is a disap- interesting historically. Fun for family.
pointing cartoon with an Oriental setting,
showing a harem in consternation when
OUR GANG FOLLIES OF 1936. M-G-M.
Alladin flies towards it on his magic carpet.
With Pinky McFarland impresario the
as
Poor.
Gang puts on a very entertaining penny show.
New faces are added to the cast and all are
MOOLY MOO AND BUTTERFLIES. good. Fine for children and family.
R.K.O. A charming color fantasy, wherein
Molly Moo continues her beneficent acts by GREAT AMERICAN PIE CO. M-G-M.
Chic Sale enlivens the old Butler story of the
rescuing a band of butterflies from a collec-
rival pie men who seek to corner the pie trade.
tor. Excellent for family and children.
Good fun. Family.
THREE BEARS. Rep. Goldilocks, playing
Hide and Seek, suddenly finds herself in the SPORT
home of the Three Bears, which she explores SPORT ON THE RANGE. Paramount.
until she is discovered and put to flight. Good
Glorious of two Montana and two
views
for family and children. Wyoming ranches, showing herds of horses,
MOLLY MOO COW AND INDIANS. elks and buffaloes. Singing of “Home on the
R.K.O. A cow and two ducks escape from a Range” with pleasing effect. Fine for all ages.
covered wagon and befriend an Indian squaw HOLD THAT LINE. Fox. Unusually good
and her child, who in return give them assis- pictures of football with a talk explaining the
difference between college and professional QUEEN OF THE INDIES. Rep. Beautiful
tactics. Family. picture of Havana with music by a Cuban
GYMNASTICS. M-G-M. An exhibition orchestra and a really interesting talk. Excel-
of remarkable gymnastic training
by the lent for all ages.
members of the American Athletic Union ARGENTINE ARGOSY. Fox. Fine pho-
with comments by Pete Smith. Excellent. tographic studies of Buenos Aires, the Pam-
Family. pas, Ignazu Falls and the fine ranch homes
FISH FROM HELL. F. W. Remarkable boasting every luxury. All ages.
photographs of deep sea fishing along the HONOLULU, PARADISE OF THE
Mexican coast, including a thrilling combat PACIFIC. M-G-M. Color travelogue. Lovely
between a whale and a sword-fish. Instructive views of Hawaii with musical accompaniment
talk. Family. and descriptions. All ages. Excellent.
FOOTBALL TEAMWORK. M-G-M. Pete LAND OF EVANGELINE. R.K.O. Beau-
Smith gives a very interesting talk illustrated tifulphotography combined with an interest-
by good pictures of various forms of football ing description of the land of Acadia. Excel-
from the kind played by small boys to that of lent for all.
the powerful teams. Family. Children.
FEMININE INVASION. Columbia. An VARIETY
amazing picture of women athletes, perform-
ing rigorous feats ordinarily associated with
BEACH MASTERS. R.K.O. Amazing
film of Mist Island Behring Sea, where
in the
very strong men. Family.
every spring the bull seals come followed by
WATER SPORTS. M-G-M. Thrilling de- the cows and where for the four subsequent
scription of water sports by Pete Smith adds months the island is overrun by them and
to the pleasure of the beautiful photography. their shiny pups.
Family and children.
HOW TO SLEEP. M-G-M. An exposition
THE SPORTING NETWORK. Para- of the art of sleeping, showing correct posi-
mount. Ted Husing explains how hook-ups tions and disturbances. Clever comments by
and broadcastings of champion athletic events Robert Benchley. Family.
become the “sport parade of the air.” Excel-
lent for all.
A CAPITAL IDEA. R.K.O. A conducted
tour through the city of Washington by the
GENTLEMAN’S SPORT. R.K.O. Bill Easy Aces. Good. Family.
Corum that if he had a favorite
explains
PARAMOUNT PICTORIAL No. 4. Para-
sport it might
be horse-racing, billiards,
mount. This contains descriptions of jewelry
pigeon shooting, air-planing, speed-boat rac-
made to order by the famous Cartier, pictures
ing or polo. Appropriate illustrations. Excel-
of quaint and lovely old Charleston, and a
lent for all ages.
series of Latin-American songs and dances.
SHOOTING THE RECORD BREAKERS. All interesting. Family.
Fox. Fascinating film of land and water
races. Family. ALL AMERICAN DRAWBACK. Vita.
With a puppet as the lead, real actors put on
TRAVEL this playlet of football failure and success.
Amusing. Family.
WEST INDIES CRUISE.Fox. On the
STARS OF TO-MORROW.
route of the old clipper ships we are taken to
Col. A well
the West Indies, where we are treated to fine arranged picture of work done by amateur
views of the various countries with ruins of entertainers. Family.
old buildings and glimpses of their industries. MARCH OF TIME No. 8. R.K.O. Subjects
Family and children. covered: work of Bergoff, the professional
BEAUTIFUL BANFF AND LAKE strike-breaker, the endeavors of Darling to
save the wild bird life of America through
LOUISE. M-G-M. A Fitzpatrick film with
federal bird refuges, presidential possibilities
very lovely color pictures of these Canadian
of the Republicans, showing Herbert Hoover
Rockies resorts. Excellent for all.
as the power in the background, also a
SUNDAY SPORTS IN MEXICO. Fox. glimpse of Farley still confident of the success
This is charming film of the diversions
a of the Democrats. Up-to-date and interesting.
possible on a Sunday in Mexico. It shows the
throng emerging from the great cathedral and VOICE OF EXPERIENCE No. 5. Col. A
lugubrious story of a man who shields his son
scattering to follow different impulses, some
to attend the polo game or a rodeo, some to
who has embezzled because he would not take
sage advice. Only fair.
ride in an automobile on the splendid boule-
vards, some to drift among the flower boats A WORLD WITHIN. R.K.O. Easy Aces
of Xochomilco. Excellent for family. sponsor pictures of the foreign quarters of
New York, showing people who hail from LUCKY STARS. Paramount. Lynn Over-
China, Bavaria, Paris and Italy. Good for mann explains how screen tests are made with
family and children. actual photographs to illustrate. Interesting
for all.
SPORTS IN JAPAN. Prin. Japan Pictorial
No. 4. This gives views of the Japanese in SPRING NIGHT. Paramount. A ballet
various Eastern and Western sports. Excel- in dramatic form, in which a young girl en-
lent for all. raptured with the spring moonlight, falls
asleep and dreams that she dances with the
CORMORANT FISHING. Prin. Japan garden statue which has come to life. Excel-
Pictorial No. 2. Marvelous pictures of the lent. Adults.
training of cormorants as fisher-birds. Shows
the festive occasion when lovely ladies go to
CAMERA HUNTERS. Vita. Wild life in
the U.S.A. Mountain goats are pictured as
see the sport at night. Entertaining for all.
well as alligators, horn toads, fauns, grouse,
MAJOR BOWES’ AMATEUR. All the monkeys, snakes, bears, beavers and ducks.
amateurs give creditable performances. Very Well taken and interesting for all.
good. Family.
VOICE OF EXPERIENCE No. 4. The
STORY OF THE U. S. COAST GUARD. Voice saves an innocent man accused of the
This holds exceptional interest. Splendid pic- murder of his wife from an end in the electric
tures of the Coast Guard and their prowess. chair. Too cruelly realistic for anyone but
Very good explanations. Family. adults.
INDEX JULY TO DECEMBER, 1935
A H
Accent on Youth . September Hands Across the Table November
Affairs of Susan, The • November Hard Rock Harrigan August
After the Dance - September Harmony Lane October
Alias Bulldog Drummond September
... Woman
-
Headline August
December
Ah, Wilderness
...
.
Here Comes Cookie October
Alibi Ike • July Here Comes the Band September
Alice Adams - August Here’s to Romance September
Anna Kerenina • July Hi Gaucho October
Annapolis Farewell
Annie Oakly
Arizonian, The
... .
-
-
September
November
July
His Family Tree
His Night Out
Hooray for Love
September
December
July
Atlantic Adventure - September Hop- Along Cassidy October
Awakening of Jim Burke “ July Hot Tip September
B I
Barbary Coast October

November I Dream Too Much December
Big Broadcast of 1936, The I Found Stella Parish November
Bishop Misbehaves, The . November I Live for Love October
Black Room, The • September
I Live My Life November
Bonnie Scotland August
...
.
In Caliente August
Brewster’s Millions - August In Old Kentucky July
Bright Lights - August In Person November
Broadway Gondolier - August Irish in Us, The August
Broadway Hostess . December It’s in the Air November
Broadway Melody of 1936 “ September
c J
Call of the Wild August Jalna August

Calm Yourself . - July Java Head August
Case of the Lucky Legs, The - October
Champagne for Breakfast • August K
Charlie Chan in Egypt • July
Charlie Chan in Shanghai • October King Solomon of Broadway October
Charlie Chan’s Secret
China Seas ... -
•
• November
September L
Clairvoyant, The
College Scandal
Crise Est Finie, La
Crusades, The ...
...
-
.
-
.
October
July
October
September
Lady Tubbs
La
....
Ladies Crave Excitement
Maternelle (Children of Montmartre)

August
August
September
Curly Top * August
...
....
Last Days of Pompeii, The October
Dame Aux
Dangerous ...
Camelias, La
D
(Camille)
•
September
December
Last Outpost, The
Liliom
Little America
Little Big Shot
...
....
....
November
July
November
August
Littlest Rebel December
Dante’s Inferno
Dark Angel, The
Dealers in Death
...
-
•
. August
September
August
Love Me Forever
Ix>ves of a Dictator ... August
July
...
•
Diamond Jim August

...
-
Dizzy Dames
Dr. Socrates -
• August
October
Mad Love ...M August
Dressed to Thrill
E
* September
Make a Million
Man of Iron ...
Man on the Flying Trapeze
July
December
Escapade
Escape Me Never
....
Eagle’s Brood, The
-
•
November
August
July
Man Who Broke the Bank at
Monte
Manhattan Moon
Carlo, The
August
November
August
Every Night at Eight ‘ September Mary Burns, Fugitive December
Men Without Names August
F Metropolitan November
...
....
Farmer Takes a Wife, The
Fighting Youth
August
Midsummer Night’s Dream,
Moonlight on the Prairie
A October
November
... October
-
Murder in the Fleet July
Freckles . October August
Murder Man, The
Frisco Kid . November Murder of Dr. Harrigan, The October
Front Page Woman * August Music is Magic October
Mutiny on the Bounty December
c My December
Ginger ...
Gay Deception, The . September
July
Marriage
.... N
Girl Friend, The
Going Highbrow ...

Girl from Tenth Avenue,
Goose and the Gander, The

The
-
.
-
-
September
August
August
August
Navy Wife
Nell Gwynn
Night at the Opera,
.... A - -
October
August
November
Motion Picturb Rbvixws Tkirttr*
0 Spanish Cafe Mystery, The • . November

Special Agent * * September
Old Homestead, The September Stars Over Broadway • • • November
Old Man Rhythm • August Steamboat Round the Bend • • August
Orchids to Yon Storm Over the Andes September
...
• July •
O’Shaughnessy’s Boy * October Stormy - • November

Stranded * • August
Paddy O’Day ... P

T
Page Miss Glory
...
... •
November
July
Tale of Two
Thanks a Million
Cities
.
. •
•
December
November
Paris in Spring
... August
•
Party Line • August The Thirty-nine Steps • . October
Payoff, The . October This is the Life . • October
People Will Talk • July Three Kids and a Queen • • November
Perfect Gentleman • December Thunder in the East • . July
Personal Maid’s Secret . October The Three Musketeers . - October
Peter Ibbetson - . December Thunder in the Night . . October
Phantom Fiend, The . August Thunderstorm - • • September
Powder- Smoke Range
Public Menace
Pursuit * -
... - *
•
.
October
October
September
To Beat the Band
Top Hat
Transatlantic Tunnel
Two Faces
-
.
.
•
.
N ovember
September
November
December
a
K Two Fisted . . October
Rainmakers, The ... November

Two for Tonight
u
• • October
Raven, The
Redheads on Parade
Red Salute
Remember Last Night
...
... .
•
•
July
September
October
December
Unknown Woman
V
- - July
Rendezvous • December
Return of Peter Grimm, The * August Vagabond Lady • July
Valley of Fear • • September
s Virginia Judge, The * October
Sanders of the River
The ... September
w
Scoundrel,
Shanghai
She
....
....
Seven Keys to Baldpate
•
.
.
•
August
December
August
July
Waltz Time in Vienna
Wanderer of the Wasteland
Way Down East .
.
•
.
.
September
September
October
She Couldn’t Take it • December Welcome Home
She Gets Her Man
• . August
Ship Cafe ...

She Married Her Boss
Shipmates Forever
•
•
•
•
September
September
November
October
We’re in the Money
Westward Ho
Widow from Monte Carlo
Wings Over Ethiopia
.
.
-
•
.
•
• August
September
December
November
Show Them No Mercy
Silk Hat Kid
Smart Girl
So Red the Rose
... •
•
•
•
November
August
August
December
Without Regret
Y
* * October
Song of Happiness, The • July Your Uncle Dudley . . December



1

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Motion Picture Reviews (1935)

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MOTION PICTURE

Vcl. VII 193 ?

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THE WOMEN'S UNIVERSITY CLUB

Feature Films Reviewed this Issue Films Suitable for Family*

The Man Who Reclaimed His Head *A

THE WOMEN’S UNIVERSITY CLUB

WEBBCRAFT PRINTERS, 2809 WE8T WASHINGTON SLVD., LOS ANGELES