Name: _______________________________________ Date: _________________

Grade & Section: _______________________ Teacher: _______________________

Activity # ___
"Crossword Puzzle"

1 3

4 6

2 5 7

10

12

13
DOWN 14
1 - made use of the whole-tone scale. It created mood rather 15
than a definite picture. It had a translucent and hazy texture;
lacking a dominant-tonic relationship. It made use of
overlapping chords, with 4th, 5th, octaves, and 9th intervals,
resulting in a non-traditional harmonic order and resolution.
3 - is a looser form of 20th century music development focused
on nationalist composers and musical innovators who sought
to combine modern techniques with folk materials.

5 - He added a new ingredient to his nationalistic musical style.

This composer adapted the forms of the 18th century with his
contemporary style of writing.

6 - was a partial return to a classical form of writing music with

carefully modulated dissonances. It made use of a freer seven-
note diatonic scale. ACROSS

7 - was credited with the establishment of the twelve-tone 2 - revealed the composer’s mind, instead of p
system. Although full of melodic and lyrical interest, his music the environment. It used atonality and the twe
is also extremely complex, creating heavy demands on the stable and conventional harmonies. It served a
listener. strong emotions, such as anxiety, rage, and al
9 - Hewas the primary exponent of the impressionist
movement and the focal point for other impressionist 4 - was associated with electronic music and d
composers. He changed the course of musical development by dimensions of sound in space. It made use of v
dissolving traditional rules and conventions into a new note groups to change musical continuity, and
language of possibilities in harmony, rhythm, form, texture, absence of traditional rules on harmony, melo
and color.
11 - his philosophy was that the universal language of music is
8 - As a neo-classicist, primitivist, and national
basically rooted in tonality.He achieved pre-eminence in two
Hungarian folk themes and rhythms. He also u
fields: conducting and composing for Broadway musicals,
strong syncopations.
dance shows, and concert music.
10 - His composition is mainly characterized b
13 - regarded today as a combination of neo-classicist, but not atonal style of harmonic treatment. It i
nationalist, and avant garde composer. His style is uniquely sometimes modal melodies and extended cho
recognizable for its progressive technique, pulsating rhythms,
melodic directness, and a resolving dissonance.
12 - Considered the “Father ofAmerican Jazz,”
14 - His distinctive style involves cell-like phrases emanating primitive and the sophisticated” gave his musi
from bright electronic sounds from the keyboard that long after his death.
progressed very slowly from one pattern to the next in a very
repetitious fashion. Aided by soothing vocal effects and horn 15 - One of the relatively few composers born
sounds, his music is often criticized as uneventful and shallow, social position, and a amember of the group o
yet startlingly effective for its hypnotic charm. known as “Les Six.”
___________ Score: _________

____________________________

11
oser’s mind, instead of presenting an impression of
ed atonality and the twelve-tone scale, lacking
al harmonies. It served as a medium for expressing
as anxiety, rage, and alienation.

h electronic music and dealt with the parameters or

space. It made use of variations of self-contained
musical continuity, and improvisation, with an
rules on harmony, melody, and rhythm.

primitivist, and nationalist composer, he used

and rhythms. He also utilized changing meters and

mainly characterized by its uniquely innovative

harmonic treatment. It is defined with intricate and
odies and extended chordal components.

ather ofAmerican Jazz,” his “mixture of the

isticated” gave his music an appeal that has lasted

ely few composers born into wealth and a privileged

member of the group of young French composers
DOWN ACROSS

1 - made use of the whole-tone scale. It created mood rather 2 - revealed the compo
than a definite picture. It had a translucent and hazy texture; impression of the envir
lacking a dominant-tonic relationship. It made use of overlapping tone scale, lacking stab
chords, with 4th, 5th, octaves, and 9th intervals, resulting in a as a medium for expres
non-traditional harmonic order and resolution. rage, and alienation.

4 - was associated with

3 - is a looser form of 20th century music development focused
parameters or dimensi
on nationalist composers and musical innovators who sought to
variations of self-conta
combine modern techniques with folk materials.
continuity, and improvi
on harmony, melody, a
5 - He added a new ingredient to his nationalistic musical style.
This composer adapted the forms of the 18th century with his 8 - As a neo-classicist,
contemporary style of writing. used Hungarian folk th
changing meters and s
6 - was a partial return to a classical form of writing music with 10 - The compositional st
carefully modulated dissonances. It made use of a freer seven- uniquely innovative but n
note diatonic scale. defined with intricate and
chordal components.
7 - was credited with the establishment of the twelve-tone
system. Although full of melodic and lyrical interest, his music
is also extremely complex, creating heavy demands on the 12 - Considered the “Fa
listener. primitive and the sophi
has lasted long after hi
9 - Hewas the primary exponent of the impressionist movement
and the focal point for other impressionist composers. He 15 - One of the relative
changed the course of musical development by dissolving privileged social positio
traditional rules and conventions into a new language of French composers know
possibilities in harmony, rhythm, form, texture, and color.

11 - his philosophy was that the universal language of music is

basically rooted in tonality.He achieved pre-eminence in two
fields: conducting and composing for Broadway musicals, dance
shows, and concert music.

13 - regarded today as a combination of neo-classicist,

nationalist, and avant garde composer. His style is uniquely
recognizable for its progressive technique, pulsating rhythms,
melodic directness, and a resolving dissonance.

14 - His distinctive style involves cell-like phrases emanating from

bright electronic sounds from the keyboard that progressed very slowly
from one pattern to the next in a very repetitious fashion. Aided by
soothing vocal effects and horn sounds, his music is often criticized as
uneventful and shallow, yet startlingly effective for its hypnotic charm.
ed the composer’s mind, instead of presenting an
n of the environment. It used atonality and the twelve-
, lacking stable and conventional harmonies. It served
um for expressing strong emotions, such as anxiety,
alienation.

sociated with electronic music and dealt with the

s or dimensions of sound in space. It made use of
of self-contained note groups to change musical
and improvisation, with an absence of traditional rules
ny, melody, and rhythm.

o-classicist, primitivist, and nationalist composer, he

garian folk themes and rhythms. He also utilized
meters and strong syncopations.

mpositional style of Ravel is mainly characterized by its

novative but not atonal style of harmonic treatment. It is
h intricate and sometimes modal melodies and extended
mponents.

dered the “Father ofAmerican Jazz,” his “mixture of the

and the sophisticated” gave his music an appeal that
long after his death.

f the relatively few composers born into wealth and a

social position, and a amember of the group of young
mposers known as “Les Six.”
I M

M O

P D A V A N T G A R

R E E

E X P R E S S I O N I S M

S N T C C

S N R L H

I A A B A R T O K

O T V S E

N I I S N

I O N I B

S N S C E

M A K I R A

L Y S G

I M

G E R S H W I N

R G

P O U L

K A

O S

F S

I
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F
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D E

V E L

E N C