PIANO-VOCAL \I | ee iA THE MARVELOUS WONDERET OEP: &D WAL Ay (Ge Created by ROGER BEAN Musical Arrangements by MICHAEL BORTH‘THE MARVELOUS WONDERETTES: DREAM ON Copytigt © 2046 by Roger Sean, WONDERETTES LLC All Rights Reserved ‘All performances and public readings of THE MARVELOUS WONDERETTES: DREAM ON are subject to royalties, fis fully protected under the cooyriaht laws ofthe United States of America, of all countries Covered by the International Copyrignt Union, of all countries covered by the Pan-American Copyright ‘Convention and the Universal Copyright Convention, and all countries with which the United States has. reciprocal copyright relations. Al rights are strictly reserved [No part ofthis book may be tepraduces, stored ina retrieval system, of transmitted in any form, by any means, including mechanical, electronie, photocopying, recording, oF otherwise, without the prio written emission of the author. Publication of this play does not necessarily imply that tis available for Performance by amateurs or professionals [tis strongly recommended ailinterested parties apply to ‘toole Spring Stage Rights for performance rights before starting rehearsals or advertising, No changes shal! be made in the play for the purpose of your production without prior witten consent. All biling supulations in your lcense agreement must be strictly achered to. No person, firm or entity may receive credit larger ot mare prominent than that accorded the Author. For all stage performance inquiries, please contact: Pst niits es acoa #2 #3 #34, #4 Han 45 #6 a7 #8 #8A 49 #10 #108 Hit #12 #13 #14 #15 #16 #17 #18, #19 #20 #24 #22 #23 #24 #25 #26 27 THE MARVELOUS WANDERET 335: LOLLG UE PIANO-VOCAL (REHEARSAL ONLY) MME SOME LOVIN" KNOW A PLACE/DOWNTOWN. Love 7 JAVA INCIDENTAL. IT'S YOUR THING (PART 4) IT'S YOUR THING (PART 2).. FOR ONCE IN MY LIFE. I KEEP FORGETTIN’ WHEN WILL 1 BE LOVED?.. HURTING EACH OTHER... MORE TODAY THAN YESTERDAY BUILD ME UP, BUTTERCUP. YOU'RE NO Goon a sn : JAVA INCIDENTAL 2 (THE REVENGE!).........-. sees OT TOGETHER FOREVER: 'LL BE THERE (REACH OUT)/SOMEDAY WE'LL BE TOGETHER. 9g Act | I'VE GOT THE MUSIC IN ME ana LUSTEN TO THE MUSIC... 122 EVERYTHING | OWN.. 130 DON'T LEAVE ME THIS WaY 136 LOVE WILL KEEP US TOGETHER... wo AAT |CAN SEE CLEARLY NOW/1 AM WOMAN. 155 WILL SURVIVE — e187 LONELY NIGHT (ANGEL FACE) . 180 THE HUSTLE —— ee e494 COME IN FROM THE RAIN a. . — see 193, BAND OF GOLD. 200 GROUPIE (SUPERSTAR} soe 244 EVERLASTING LOVE +220 WE NEVER REALLY SAY GOODBYE. 232 FINALE: WE ARE FAMILY/GIMME SOME LOVIN’ 238 247 Bows/exir.KEYBOARD PROGRAMMING NOTES ‘The “pv soore" is intended to be used for rehearsal only. It has the vocal parts split clearly into separate staves, and the piano partis a reduction which mimics the sound of the full band, ‘When playing tne orchestration with the band, the Key 4/Gonductor should play from the “Pert Score," which contains a very different Keyboard part than the "PV Score,” and contains the programming notes for Key 1. However, the vocal parts are condensed in the “Perf Score,” anc bre not written in a way that they could be clearly taught from this. ‘The programming used for the Key 4 and Key 2 books are listed throughout the Key 2 (Perf ‘Score) and Key 2 (Synth) books. Listed in each sound are the range of notes for each instrument, and if there is any transposition of the sound. Key ranges are listed with C4=middle C, so G3 Ainuld be the G below middle C, and B4 would be the B above middie C. Transpositions are listed in haif steps, s0 “Sounds +13st" means the patch should sound an octave higher than the written note, and “Sounds -24st" means the patch should sound two octaves below the written rote. Key Lis primariy piano, electric plano, or a mix of the two, There are a few extra sounds layered in throughout the book, s0 a keyboard which can layer sounds and have sounds assigned to ranges would be preferable, but most of these sounds could be omitted without affecting the ‘Show much, as long as you have the piano and electric piano sounds. ey 2, on the other hand, is highly programmed. The sounds include brass, saxes, stings, organ, land synthesizer sounds from the 60s and 70s. This book provides much of the color for the Show, so its very Important to have a keyboard for the Key 2 player capable of splits, layers, and fssigning spect instruments to ranges. Examples of keyboards capable of this are the Kurawel Forte of 2600, the Roland Fantom and FA series, the Korg Kronos series, and the Yamaha Mott ced Montage sates. All of these keyboards have the programming capability and sounds built if {o effectively do this show. Another very affordable option is to use Mainstage, an inexpensive Mac program which includes 1000s of sounds free to download, and allows you to progiam vege in order with all of the layers and splits needed in @ neat, easy to read interface which con then be connected to any midi Keyboard with a comouter midi interface. ts also possible to Toad samples into Mainstage, which would provide the best level of sounds avallable, although this does take a litle knowledge of sample libraries. fusing samples, | highly recommend Native Ihstrurments section strings or Kirk Hunter for string ibraries. Native Instruments Vintage Organs has ineredible authentic Grawbar organ sounds, and the Chris Hein “Compact” Brass Library has [reat sounding brass and sax libraries ata great price. (Mojo end Broadway Lites are also good pop brass and sax libraries.) The cast recording end rehearsal tracks will gve you an idea of the Prended sounds throughout the snow, but the general goal is for the sounds fo be as authentic rer scoustie as possible, especially when programming the brass and sax sounds. (That being, ‘said in the case of the 70s synths, feel free to go as cheesy as you kel)some #1. Gimme Some Lovin’ AniceD 84 Mowe. Beery Dros Roce Ja 152 Missy Cc Le Say Bary Jay 8 PRICPA VANES 10) FRENDS AD FAL, TSS PRL VAVE WELCOME To SPINGEL Hc SCHOO. 62015 Sexe Sm Pomcrons2 “#1. Ginwe Some Lovw’ - PG. 2 oF LL “AND THE RETIREMENT PARTY FOR EVERHONES FAVORITE HONEROOM TEACHER: MISS MNCPHERSONT » 4 a 3 z $ 3 eINCPaL VANE V0. ME WANT TO SEND HER OFF IN STL, AUD | CANT THINK OF ABETTERWAY TO CELEBRATE TE Fea TF ATEN OF OUR FINEST GADUATES. FROM THE CLAS OF 5, EASE WELCOME SPRINGFIELD HGS VERS OHM’ [By] aves wovoererrEsr1 Gave Sone Lv - PS. 306 TEAP-RATRES 5.06 ID Wy FEET LET TE poe CU FEO RE ROCKIN CASE THESE MAT SOME ME (ENE saay cess) worwr se cor Bursa) BETTE IT AS CASE TSKcS +91, Gunne Some Lowy = PS, 4 oF If 5 qo Ne MEE m9 awn, 9 @OD__ ey1 Glue Sone Ln - PS. Sr tt& #1 Gwe Some Lov - PG. 6 oF 11 = 2 « ie AND mm AA.” TO. SOD, Did ND BV-B4-THNG 5 50 OVI RE LAE 07-88-92. OULD) AD ih eA HD 0 th1 Gone Sone Law =P. 70618 "1 Gane Some Lon’ - PG. BaF tt 20 ao, 1. Ginne Soe Lv - PE. 9 1 1-88 = 80-005 GET-TIY M - 2, « NE AT-TER THE TEAS 9 CASE TE AME IS OV ener -eTTES ND eRe WOv-26R «TES AND wee rea"Game Sone Lond «PG 10 oF It aN, Ge SE IME, We SOME INN, Gt E SOME#1 Gime Sone Lane - PG. th ttieee #2. | KNOW A PLACE/DOWNTOWN avez cna Bar Por Rock J =40 ‘ 7 De WHEN THE WOR IS SE = HID 60, ID TRE sco ND THE STORE PUT. THE (22018 See Sen Pesecens2. LKNOW A PLACE/ DOWNTOWN - PG. 2a 13 GUST GET A= WAS WHERE Seu WOR AES WONT FD sou, a oy#2, KNOW A PLACE/DOWNTOMN - PG. 3 oF 13 = a ‘DOVE LET THE DAY GET THE RET-TER OF 00, MEN TAE BP-AING COMES THERES SOUCY TO DO. SOY BET-TER ZF 2 FT en om (One Aon WT Fu OW soue BEST AND WEAR ASME, GUST COME A-LONG WITH HE ‘use TELL wu, ——#2. KNOW 4 PLACE/DONNTOMNY - PG oF 12 PUKE MERETHE MUSIC IS ————— nae Pe wD THE UTS#2. LAM A PLECE/DOWNTOINN PGS oF 13 Ee} x 2 8 WEN SOURE ALONE AND UFE IS MMCING SOU LORE - 8, SEY CY AL-WAS + > eae Nad BE SOU INO SONE UT-TLE ACES TO GO WHERE THEY NEVER CLOSEUS-TEN TO THE aU-TAN OF *2. MON APLACE/DOWNTON- PG 6 oF 13 GENTE 55-54 40-VA#2. NOW A PLACE/DONATOWN - PC 7 oF 13 * ES, FOR-GT AL SOUR CARES. MND GD THE UTS AE MH BRGHT-ER THES CAV FOR-CET AL OUR TAT ~ = a THE UGS ARE NUCH RLT-ER THERE, SOU CAV FOR- CET AL SOUR THOU - BES, FOR-GET ALL SOUR CARES. AND GO aces a” Wee AL THE LOTS Me aR. DOIN « WaT FOR YO TO-NEGHT.#2. KNOW A PLACE/DOWNTONN - PG, 8 oF 132. KNOW A PLACE/DOWNTONN = PG Sor 13 2 8 o2. NOW A PLACE/DOWNTONN - PS. 10 oF 13 TSA SWING PLE, A CELL RL OF NOS, SEU GOT-TA COME ALON BAT OW SEU GOTTA COME ALO GT NeW SOU GOTTA CONE ALON OT NOW SOU GOT-TA CONE 4-10NG RT 8H92.1 KNOW A PLACE/ DOWNTOWN - PG, th oF 13 PUCE WHERETHE WU-StC 1S FINE AND THE LTS. AE2.1 RNOW A PLACE/ DOWNTOWN P61 oF 13 THINGS WL 5E GREAT wren sovEE DOVE WAT A MW UTE fone V-BATANGS WAT - 5 FoR2. KNOW APLACE/DOWIVTOWN - PG 13 oF 13,Pv scoRE #3. L-OV-E CUE SUN HONOR OF SOUR ACHIEVEMENTS THROUGHOUT THE YEARS, Aansceo 0 Mics Bory WE DEDICATE THIS NEXT SONG TO YOU, RITCHER Easy Sarris J =16# (5206 Sree Sane Perens26 #3, LOVE -PG, 206 IE*3.LOVE-PS Sort yn avs93. LOVE PG 40r ILFBLOVE.PG.Sor tL30 #3, LOWE -PG. 6 oF ItFBLOWE-PG.7 0°11 2 (54) (CL EVERUONE, PLEASE HELP US HONOR MSS MCPHERSOW BY SINGING TO HER IN HER FAVORITE LANGUAGE. s s93, LOVE PG, Barth (SU2Y UNCOVERS THE WORD) AL: “JAPANESE 2PBLOVE-PE.9er it 6 cq MSSO:THATS BETTERE ioe ey ee co#3, LOVE PG 100 (MSS VERY GOOD! OVE MORE TUE 7 2, * a s a (MISSY: ‘NOW JUST THE WONDERETTEST 8 a 2 ” aRLOVE-Pe er36 pisaxe #34, JAVA INCIDENTAL (UE - mio" I'S TINE TO DO WHAT WE TEACHERS CALL Arann Bs Mes Boas "BONER-GRADING. PLEASE STEP FORWARD Presto J =188 (Rea ALD] rhe e cea wearer) wey sap mp VAMP-PLAY \2nARIMBA) 3] UNTIL CUTOFF zs wm 5 01s Sree See PeesPv score *4. IT'S YOUR THING (PART 1) (Ue 15 SoU CHOICE, YoU ON ‘ewe 9 Mc Boa Goons Foe J =e cs ow Siwy Ber Jean38 4. TS YOUR THING (PACT) -PG ort 1 own Tek sy morose Ta rs uk Tana."4. ITS SOUR THING PART 1)-PG 30449 14, TS MUR THING PART) PG 4084 (GAD PALS aT AS isso ERTS)PY SCORE *4A, IT'S YOUR THING TOO (PART 2) GUE SUD ES, SSH. SOU 4RE FINALLY WN CHARGE ArwuiceD 89 Micsse, Boer 900 ARE VICE PRINCIPAL msSy LEE Groovy Fone J =32 ms sue TH 20 ATCA AYN coy tow (sou Tae Berry Jew SHES CHA 29 WUT-50 om SOU WALK Re CANT Te $00 Wo To sock ro (©2016 Sree Srv Perens+44 JTS YOUR THING TOO (PART 2)- PG. 20 3 fur ( NEED SOV TO GUDE THOSE PAPERS «TSW BG DEAL OF0OD Ne TEL sO NAO TO GE A 20 WATCH WA Da‘44 ITS YOUR THING TOO ART 2) - PS. 306 3 20 WAT-ciewan D (5 soe TH HERES ___A RED FEN Foe cur (RES reo FEN roe san (Supe pom avo atcx up) sve rave (SUDE Dow avo ate uF) $2 ET To Wore Tse Ta. 404 (Sue Zomn ato exc uP) 2 Ger TO oR s_vaR Tua ese (SUE Dow a9 cx uP)cas Soe #5, FOR ONCE IN MY LIFE (UES AN, 4 FY SEARS ACD | COULD OL cs 9 Mev i SEAR OF SOMETHING Lt TS Fray (78) T AWE SOWE = te ONES co Boras 2 rs Se Ponerins*S.FOROKCE I MUUFE FG 208 oe Me 1 Tones wr my rer _useD 70 oa of ven Rox (Srvc les te+5, FOR ONCE IV ULE =P 3 0r8 cat Go WERE UFE LADS ne AND SOMEHOW 0 PL. vce UW Area*S.FORONCE WYUIFE-Pa #8 eS (WG LT SOR BOW Nor RE HT He No Ane IF HR = Fne_ or te oF Hoer a oes 8 fer we ha wo tet =F: = =a Pt a TO ESET aS a =e = == aS 7 Daw « L “ ‘SS SS = os ESM SOME 1 nT Seer, SALE ate+5 FORONCE IN LIFE -P S 078*5 FOROME WW MULFE FG Bor+5 FOR ONCE IN NYLFE PG 78*S.FORONCE IN MU LFE-76 Bor 8ideal 6, | KEEP FORGETTIN' (UE - B+. THE SANE DANW THING EVERY DANI THE” cen 6 Mus Bee Drv Roce J 124 -IPS THE SANE Daw THI ERY DANN TIE” erry Jew 1 cep FORTY HE BOUT LOE EN NORE [REED ORGET-TIV HE DONT WANT ME 10. ORE (REP FOR-GET-TIW THAT HE Se DD WT WAT RE A= BOND Y= 9 HORE 2201 Sree Ss Puen6 | KEEP FORCETTIN - PG. Zor 6 (10) 2 Br THESE STU. AD OD Fe UST HAD FORKS sraeer SS = Sse 2==s AND THS STUB - gow cL Fist a Te6, | KEEP FORGETTIM- PG. 3 oF 1 EP FORGET SOU OWT. WANT NE 1 HEE FORGET-TAR SOT THOSE HEMET-BREAC- NKGTS. AND TSE HEART-BEEA-IN THINGS THAT” SOU sue)a *5: | KEEP FORGETTIN «FG 4. 6 be ey faa Er: SSS peeeeneen ey SS vu$6, KEEP FORGETTIN PG. S06 BA TEP FOR-GET-TN’ YO) OKT LE EW OE.5. KEEP FORGET =P. bo 6 (ED FOR CE-TOP SOU DOT LE WE WO Re58 esate *7. WHEN WILL | BE LOVED (CUE - Bi "y HIGH SCHOOL SWEETHEART? JOHNNY WAS THE CLASS CLOWN Araavcen 9 Nice Bars WHO PUT THUIMET ACKS ON MY CHAIR IN SECOND GRADE" Roceasis Smins ¢ = 142 1 errs Jew Messe (ci Lo (015 Sree Shona Peers17, WHEN WILL | BE LOVED - PG. 2or 80 #7, WHEN WILL | BE LOVED - PG, 3.or 8 a) Tat WAN FOR#7. WHEN WILL | BE LOVED - PG, 4 or « alana , —Te2 “+7, WHEN WILL | BE LOVED - PG. S oF 6 8) -"04, YOU ALWAUS GET YOURS. BUT WHEN IS IT Hd TURNE™(42) A Ws as oy fer #7 WHEN WILL | BE LOVED - PG. 6 or 8 “ 0 100} ma Foe wea 7 WHEN WL 9 LOVED P78 2STRAIGHT EXGHTHS 7. WHEN WIL BE LOVED - PG Bor 8 ‘MOLTO RIT, fa ATEMPO66 head #8, HURTING EACH OTHER ue - SUD WHY DO WE ARLE, RITCHIE? WE BOTHWANT THE SAE THING, DONT WEP” Aree Wc oe foc Bais Jo ‘Sues { ts Missy SSS cron Las arr Jat = e045 Sra Sens Poscros8, RURTING EACH OTHER - PG. 2 OF i s68 118, HURTING EACH OTHER - PG. 3 OF 5 acm EH om = ER CR AART-IG EKA OTH - ER TRANG EG OTH8. HURTING EACH OTHER - PG, 4 0F §8, HURTING EACH OTHER - PG. 5 OF 5 % 2 a “IMGs OVER MUSE - 9/24 NONE, | THIN CU SHOULD TAKE THAT J08 OVE FARE, ‘Sour now co STAY WITH US UNTIL NE GET BACK OCU FEET. (ROW FLL WORK OU, ATCHE, (35) ‘ECAIS HE BELING TOGETHER. SOURE 9 BEST FRIEND, AND OVE AND ONLY ING OF TH PM” 2% 2 =AY SCORE *8A, MORE TODAY THAN YESTERDAY CUE - DIRECT SEGUE FROM Previous Aauicen By Mesa. Boera ‘Free, Winn Ruse (Srewcar Eras) a (tow Re = Wem see wie be Ts, 62016 Stee Seas PerensR 84 NORE TODAY THAN YESTERDAY. 2 01 z wre"8A HORE TODAY THAN SESTERDAY -PG. 36 104 "984 MORE TODAY THAN YESTERDAY - PG. 4 oF 10"8A NORE TODAY THAN YESTERDAY - FG § o 10 s78 64 RE TODAY THAN SESTERDA- F610"84. WORE TODAY THAN SESTERDAY -PG.7 oe 10a '#8 4 MORE TODAY THAN YESTERDAY - PG 8 oF 10° a a"84, MORE TODAY THAN SESTERDAY - PG 8 o 1080 BA MORE TODAY THAN YESTERDAY - PG. 10 oF 10 2, mt * % ve Zsce *9. BUILD ME UP BUTTERCUP CUE Ch *-THS HAD EVER HaPPGNED To ne BEFORE ‘ance 8 tees Bon HAD AEE VER WY NTE Le ac oes aie Ese Sasne Jase 2 2 4 Cos toy = = SSS ‘Missy = sow [3 = ? Bary Seay 3 (206 Sexe Spans Pomcrens82 169, BUILD IME UP BUTTERCUP - PG. 2 oF 9 2 r= TERR, gh ~ SY UST TO. LET HE DOW IND NESS ME ACUNGP AND THEN NEST air | ue my STL NEED HOUNORE Tak ay #9 BUILD ME UP BUTTERCUP -PS, 3 o¢ 9 E SOE Da UN, Soy NOW THAT 6 me Feo THE START#5, BUILD ME UP BUTTERCUP - PG. 4 oF 9 2 3 uve AT TEN, SOU TOLD ME TINE AND AG, BUT MOURE LATE | WAT A= ROUND AND THEN 1 War A ROUND AD THEN WAT A RD AND THE = 2 Wa a RD AND THEN 2 a evr 70 THE D0De | CAVE TRE AV-¥ owe, TS NOT sh —“9. AULD WE UP avreneU- sa°9 4]86 69, BUILD ME UP BUTTERCUP - PG. 6.0 3 2 (RD ESS ME A-RUND® AND THEN WORST"9, BUILD ME UP BUTTERCUP - PG 7 oF 8 2 NOV-ER CAL BA — a8, WHEN SOU sy SoU HL, ar << ove sou svi 1 HD soy28 +s BNDNEUPAITERCP-P 879 =U, SOU NOW THAT HAE FON THE Loi THAT | HWE FROMTHE*3. BUILD ME UP BUTTERCUP- PG. 9or 8 ER £ eee “fF SSS = 4 as Fee90 bead #10, YOURE NO GOOD (UE - CINDY LOU "OH, HELLO, MRS. VARNE* once canes Boer Sreany Rock J = 106 cg Lv sso su ‘Barry Jen Ws ave, USE th O-4EF AO 048 Sra Ss Passosif ‘NO. YOURE NO GOOD- Fa. 27 2 iy Dor soy sa Aca sa wasn i Dorr soy sav Acne sce wise ns Daw se Sa A-ce#10, YOURE NO GOOD - PG. 3° 7 a ce sae 0 ono, sOvHE mo GOB YORE HO (op), Memt THATS: BUTE WD THE,110, YOURE NO GOOD - Pa 4087 Br sy wT CAI Ney BES nd FOR-GHE-NESS ON SEND-ED_ UE a = 7 <_3 (7S No gop, iTS NO Gon w-ay TS Ho. GT MES, SES CONIA SAY TA cA SEURE NO com, es, SHES QVM SAT A. GAN SeURE Ko cnn, a MY SHES COLMA SAT Aca SOURE ND com,"10, YOURE NO GOOD - PG. 5 oF 7 a —S a pe tm TEL wane 40 coon, SOvRE NO OND POR GET ACROIT HE, BA-B4, CASE IM LEAHY TO. STAB SOUIE Ho eaDD, $2 Non, 84, THAT om GUE SW,[33] > URE 0 GOOD, SOUEE NO COOP. SURE WO OD, URE 10 OD #10, SOURE NO GOOD - PG. 6 07 ak 84 S00RE HO ea une Ho WERE GONNA SFT A-GHNE MORE NO GoD,‘10, YOURE NO GOOD - PG. 7.07Pisce #10A, JAVA INCIDENTAL 2 CUE ssa ET ve HER AGH, EREr _. Presto J =188 (aaa) 7: zt , Rep et waster) ES VAMP-PLAY. Z] UNTIL CUTOFF eames eam cezsmenan waren eomvaines) 7 2 2016 SrmeSrne Pracrnswee #11. TOGETHER FOREVER ‘EACH OUT, LB THERE/SOMEDAG WELL BE TOGETHER (UE. Bh WELL, THE FARENEL SIGNS ARE ALREADY UP, SO SOUR TIMING Ls PERFECT» ‘owe 85 the Bor Fen (d 28) DIALOGUE OVER MUSIC - MISS" CANT BELIEVE THIS IS HAPPENING® SUD "THE GROUP IS BREAKING UP. AGAIN 01 ree Se Prevent(5 FRED NTH CON) “IL TOGETHER FOREVER PG. 2o 13 AD weaves 1S ST aN ow100 “+11 TOGETHER FOREVER - PG. 3 oF 13,POCO ACCEL “11 TOGETHER FOREVER - P4013,1, TOGETHER FOREVER- PG 5 oF 13 [25] ton Fomno()=94) TLL THE Was SH suk HD {URE mT. cuT ve, ne sete sea, Bu TEES EAE OF MD TOBE FN, —_——POCO ACCEL. “IL TOGETHER FOREVER -PG 6 o 13 EAU FORE ML EE_TREI SHEAR AND RADIO Fe BETH | SHEAEAND EANOUT FORME ML BE_THERE) SHEARAND EACH 8 WE ETRE SHEAR AND104 “11, TOGETHER FOREVER - PG. 7 oF 13, sum WT, ST, SANT“11 TOGETHER FOREVER - PG. Bo 13 (AD RST AS SEY DIR = UN, (4S THERE ARE STARS A = BOE, 1 WANNA SHANA SAL 1 NA106 “+1 TOGETHER FOREVER - PG. 9.0F 13, a, 10%, ON, 0H,1 TOGETHER FOREVER - P10 0°13, 0,50, SO) F08E85 my SL HOW108 “+11 TOGETHER FOREVER - PG. If oF 13 Suciriy Rewax Teneo S65 ME mu, OH MES WE LL STWinn a Larer Less Dave 288 une ro oe re Siasweovse 2 “11 TOGETHER FOREVER - P12 0 13110 1 TOGETHER FOREVER. 13 o 13 POCO RAL MOLTO RALL— 12. IVE GOT THE MUSIC IN ME UE - PRINCIPAL (V0. “CLASS OF '58, THIS IS PRINCIPAL VARNEY Aras 9 Mice Bors WELCOME BACK TO SPRINGFIELD HIGH SCHOOL AND 4OUR TWENTY-LEAR REUNION? (10. coNTNUES. ms azine TO SEE So nA FRENDLY FACES, Dove Roce tat ITS EVEN GREAT To SEE THE UNFRIENDLY FACES! 2 4 Berry Jean i TO SHOW THAT GOOD MUSIC NEVER GOES LT OF STALE, LETS KCK OFF TONGHTS RUM WITH SOUR VEY CY MARVELOUS WONDERETTESP 5 ‘ 7 a 8205 Se Sn Perens(Nev FRGAT-ENED OR WOR - 112. IVE GOT THE MUSIC IN ME PG 2 oF a#12, IVE GOT THE MUSIC IN ME - PG 3 11 WN SOME-THNG GTS Wy was 169 weUND__T. Te wee__rwer Four.1 ao re MAS WHE or ne Muse we Vor THE mS 1 oot THE WY I ty *12.1VE GOT THE MUSIC IN ME - PG. 4 o 1 corn WS WE 1 Gor MU 1 or Te mS We, | or THE MLW OE. | or Ts MUSIC, tar TEM. 9¢ WHE 1a THE MSC WY He 1 oor TE MUSIC HE,41s $12. IVE GOT THE MUSIC IN ME - PG So IL DIALOGUE - WSSU: "AVD NOW LET'S GIVE & BIG ROUND OF APPLAUSE TO THE PERSON YOUVE. 2 » s (32) “s -ALL BEEN WATING TO SEE - OUR VERY OWN RECORDING STAR, CINDY LOU ROBINSON a 2s 2112. IVE GOT THE MUSIC IN HE - PG 6 oF St # THEY SUT UFE IS ACR ~ GE ar TiT__ ANT THE WAS THAT | FOUND. mp ion 19 0 TE che. HEAT Ue,+12. (VE GOT THE MUSIC IN ME - PS. 7 of 1 1 GOT nonns __ Wms HEAD SO SAS_TEH TOF 4 WoL or my ALES DUST FL.#12, IVE GOT THE MUSIC IN HE - PGB oF It EE poe a tepals | LOTTE WSCW_NE—IGOTTIEMSCN_NE Fear MASE. He pt SFPD = = e ep a ae ae SS £ = = larreWSeM Ae IGT MSCH_M COTE MUSE He s TTI MISC MMe OTE MISCW HE IeOTTIEMSEW HE — et ER = a dep taeee ges eye sei tye —— (are MISC MAE CTE MISE MME LOTTIE MUSH oH z SEE Se * a sz a 0 SS ae ie Var ne WAS WME TEMS WA OTE MASE NE = = ft z 2 ae ae pS 7 + eee =a S = § Lorne mse WME TGTTEM)-sc_ AE NTE MISC He ¢ s Eis = SSS Gone WSE WME GTI MY SC We 8 | poor SES: ee ee = Marne misc ne GTN. scM_me Ler MSE W He#12. VE GOT THE MUSIC IN ME - PS. 9c It OOV-WA FAURE A BRD TE#12. IME GOT THE MUSIC IN HE - PG. 10 oF tt 1 or TH m= SIC Foor TE MSC IN me Jar ne msc Wome Vor TE my-Sc W me 1 aor THE my - SW(12. IVE GOT THE MUSIC IN ME - PS. oF HL122 ee #13. LISTEN TO THE MUSIC CUE -CL:"*ND WERE." ences 04 Mcives Boers ‘SUT. THE MARVELOUS WONDERETTES. (POSE) Hae" Four Roce J=110 sss cs Las Sis Berry Jew (ETT READ FOR THE HENS. 2206 Sree Seve Pescrons+13. USTEN TOTHE MUSIC -PG. 20 8 s WAT THE FEO «PLE ED ASA AVTO RE EM SOLE, 75 NOT SO KAD TODO NW HoH124 ‘#13, LISTEN TO THE MUSIC - PG. 3 oF 8 (THE WONLDERTESARE GON = Nk SHOW SOU HoT. Us TeW TO THE MSC. us Tov 70 Tie us Tov 70 TE us Te 70 TH us ev 70 THe713, USTEN TOTHE MUSIC -PG. 4 o 8 eS Us Ten To THE my US TEN TO THE wyi A 29 Fe aE 113. USTEN TO THE MUSIC - PG Sor 8 SUR OND CAS-TES IV THE St (0 THE CROWD (5 GeOW-ve:113, USTEN TO THE MUSIC - PG. 6 o 8 US TEN TO THE m_ us TEN TO Te 1s Ten To THE us TEN To Te ts Ten To TE US TN T0 Te us Tey To TE us TeW 10 Te us Te 70 TH413, USTEN TO THE MUSIC -PG.7 or 8 a us TeV 70 THE mW us Te TO TH mw us TeW To THE my # us av To Tae mw us TaN To Te Us TEN To THe Us Tov To Tem#13. USTENTO THE MUSIC -P5. 8 or 6 us ev 10 Tem 4S Te 70 THE ——_, au Te THe us TEN To THE AW AL Tie THe L Se AL Tie rin130 — #14, EVERYTHING | OWN (UE MISSH BILL. | DIDWT WANT TO DO THIS HERE, Aras 29 Moves Boar BUT | HAVE AFEW THINGS | NEED TO SA" Roce Bauad = 78 vos Lew erry Jew 2018 Sr Span Prnscrons16, VERUTHING | OWI - PG. 2 & BU GWE my LFE_ TO WE, v — TE AIY - E57 ses eV £R 0H HE ALTE SHES (HAD WTA SOU. AND WORD GVEA14, VERUTHING | OWI - PE. 30 & ® a (DOVE UP my LE, Hoe, —— » st To Hve__ wow ap.114, EVERUTHING I OWN PS. 4 oF 6 SOUFE v.16 TE 5D. 7 TANG THEM AL. FoR GANT ~ EOP O76 THEW AUT TANG THEM AL FoR Gear = Ee = {OSETHENONE DA, SOMENE THESTHEM AWA, AND THEYDUT__4EAR THE WORDS Yo LNG TO SA SS TESTIEN A=W, TES TEM 4-H,“14, EVERUTHING | ONN - PG Sor & a 2716, VERSTHING | OWN -PG, Br &iB sore #15. DONT LEAVE ME THIS WAY (CUE MSS “ILL NEVER SPEAK OF THE OTHER WOMAN EVER AGAIN IF Aranvcea 4 Mcrae. Bowra SODLL JUST COME BACK TOUS. THE KIDS NEED SOU" Free J =100 Mss DIT LEME NE THIS WAL coy i Sus Berry Jeav 2016 Sree Srv Prmserons15, DONT CEAIE ME THIS WAY PG. 2oF If <= DoT__ueAE me THS Wee [16] Disco AaTHEN J 126{18} “15. DONT LEAIE ME THIS WAY - PG. or It 2 my MeART IS AML TH LE ME ON BONN AND DO MAT -CHA T-TA DO ‘MO DE- SRE FOR U, ike FOR say+15, DONT LEAVE ME THIS WAY - PG. 4 oF HL Bi a 2s No CAYT-CHk SEES wy = wY___aUT-TA COW TAAL (UT-TA con TAak, COME ON SATIS =115. DONT LEAVE ME THIS WAY PG. So tt = > NO, DONT $0) LEA ME THIS“#15, DONT LEAVE MME THIS WAY - PG. 6 oF 11#15, DONT LEAVE ME THIS WAY PG. 7 oF tL ry ENT SFU WH LOE ah. aH ‘RE FoR say*15. DONT LEAVE ME THIS WAY - PG. 8 of tt 2 TA Con» TOL.aes ars Se) #15, DONT LEAIE NE THIS WAY- PG, 9 tt715, DONT LEAVE ME THIS WAY - PG. 10 oF tt o SA-1S-FY THE NED WH DOT LEA We THIS Wa OWT LEME mE THIS WA DOT LEME We TH Wet OWT LEME WE THS Wat DONT LEME HE TH We ORT LEME ME THS an &915, DONT LEAVE ME THIS WAY- PG, 11 oF LL DONT LEA THIS WA DOVT LEAEIE THS WaPY SCORE Msp wos tow Sia Berry Jeaw #16, LOVE WILL KEEP US TOGETHER (CUE - MISSY: (GETS BACK UP AFTER FAINTING) OH, BLL Cees Por Roce J =130 Araancen 84 Mciwes Boar& +15, LOVE WILL KEEP US TOGETHER - PG 2 6“18. LOVE WILL KEEP US TOGETHER - PG 3 or 8150 “#16, LOVE WILL KEEP US TOGETHER - PG, 4 oF 8“+18. LOVE WILL KEEP US TOGETHER - PG, 5 oF 8 151 3] DIALOGUE - MISS “LISTEN MSTER, SOU BETTER GET UP HERE. YOU JUST BOUGHT ME A MORTGAGEE » 5 » 2 onsen a BREAK) te152 “16, LOVE WILL KEEP US TOGETHER - PG. 6 F 8"+16. LOVE WILL KEEP US TOGETHER -PS.7 oe 8154 “*16, LOVE WILL KEEP US TOGETHER - PS. 8 oF 8 ook my Hause MD LT Uae, ee US TOGA - et (ee US TO-GETH 68(155 prs *17. 1 CAN SEE CLEARLY / | AM WOMAN (GUE - BF “THOSE WOMEN HELPED ME TO FIND THE STRENGTH Arava 89 Metis Born TO SPEAK OUT AND STAND UP Recut Fu Roce J you ove TRO - iF WE DOVT STANDUP FOR OURSELVES. NOONE ELSE WILL” Berry Seay Missy Cn Lay Sus (2018 Sra Stave Paserons156 “#17. CAN SEE CLEARLY / | AM WOMAN - PG, 2 oF 12 mrs conn BE 4 BHT,717. (CA SEE CLEARLY | AM WOMAN - PG. 3 oF 12 IS Gav.NA BE A sect158 +917, 1 CAN SEE CLEARLY / | AM WOMAN - PG. 4 oF 12 5 u(33) 917, CAN SEE CLEARLY / | AM WOMAN - PG, 5 oF 12 18 Moneeare Roc Basa J 52 ocWAN, fe ME AOA WN NUMBERS) TOD AG TO. G-AORE, AND. KAO TO MUCH TO GO. BACK TO pae-TEKD, PEMD TT AL BEFORE AND VE BEEN DOWN TERE OW THE FLEDR 3+17. 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LONELY NIGHT (ANGEL FACE) -P. 10 a oF a Nd ur oF me ur oF wy ND190 ‘*19. LONELY NIGHT (ANGEL FACE) - PG. 1 oF It ar AL (MME 6S TER DROPS TARO & Lone co ook aes Tamu 4 8,aid *20. THE HUSTLE (UE -CL"I HIVE WE NEED A SPOTLIGHT REUNION DANCER owes 89 Meue. Boat Uy tr Toe Hum. J 2120, THE HISTLE PG or 2 esTac FUTed #21, COME IN FROM THE RAIN (UE - SUL: "ME AND THE KIDS. VEL, | WOULD LOVE TO WELCOME YOU HOME.” ‘Awe ay Mice Boar cn Lew Berry Jeaw (016 Sree Stone Pesan"21 COME IN FROM THE RAIN - PG. 2 oF 7 SSS SE =o pee ok SuOH & asi, Ties SO moc TO se, 0 neeD roe sc TO.CONE FM THE RAN AND A WAY URE Sa) ML AL = WS CHOOSE TE*21, COME IN FROM THE RAW - PG. 3.07 air TO SE THE ONE TOGEP FROM THE RaW, a 2 eee WTAE se A"21. COME IN FROM THE RAW - PG 4 oF 7 ‘NO IS GOD TOM Wd BEST FAEND[38] ATENPO "21, COME IN FROM THE RAW - PG. Soe 721, COME IN FROM THE RAIN - PG. 6 oF 7 MaTTERCALSE | Le) AUN CONE I FO TE21 COME W FRM THE RAN 6.7 0°7 54 Poco RIT. DIAL (ON FERIATA aI. ATENPO RIT, SURAT LEVE su, aL Fae” 2 s o aPv scoRe *22. BAND OF GOLD (UE - CL THEIV MET COOPER AND WE MADE THAT RECORD TOGETHER* Aruvceo 63 Mace Born Diu (coNrD vee WTR) CL TWAS Hue - VERT NENT ‘THROUGH TE ROE AND THE TABLOIDS WLDNT LENE US ALE, AGE DT STAND RCHANCE. COPER DONT 7 vane (gout si) Om Aaa Cte DT Sa Aca 201 re Sone Pens(54] 21 COME IN FROM THE RAIN - PG. 7 oF 7 POCO RIT. one Wa TE coe FO THE air, ATEMPO pir, Sato su, AL PCE?200 Pv scoee *22. BAND OF GOLD (QUE -CL:".THEW | NET COOPER AND WE MADE THAT RECORD TOGETHER® Pounce Hes Boer BADE (ora oR WED) cL ASE eETANG NEAT ‘Hea Dew Roce J =12¢ Si aR re AGI LDN 4 Us ate ORL DIT STND ACHE. COPE AT STAD CHAE” VAN (ABOUT 51) : : co tw Borg Jew 2018 rt Syne Prins#22, BAND OF GOLD- PS. 20°11#22 BAND OF GOLD - PG 3. It s «#22. BAND OF GOLD PG. 4 0 If#22 BAND OF GOLD - PG. Sr tL#22 BAND OF GOLD - PS 6 oF It (es sue)#22 BAND OF GOLD- PG, 7 oF It 2#22 BAND OF GOLD - PG. 8 or 1h#22. BAND OF GOLD - PG. 9 1 AL THOS UST ISA BaD#22 BAND OF GOLD - PG. 101#22 BAND OF GOLD PG. thormeas *23. GROUPIE (SUPERSTAR) (UE - APPLAUSE SEGUE FROM PREVIUS SONG Pounce 89 Mice, Bors Frees (J=72) cw Lay RD OF So FR AN esse sim Barry Jean 2018 ran Sm Petes1923. GROUPIE (SUPERSTAR) - PG. 2 8+23, GROUPIE (SUPERSTAR) - PG. 30r3 DOT SA E-MEN GR SA TOD ME WA LED HE DONT Sh RENEW - BER YA TOLD NE MA LOED Ean SAD SUD 8 com ee SAD ND = cam123, GROUPIE (SUPERSTAR) - PG 406 9 2 DONT SM RE EM - BeE A TOD mE a+23. GROUPIE (SUPERSTAR) PG. Sar 3 SK A SID AR TO BE WITH SOU Aan —*23, GROUPE (SUPERSTAR) - PG. 6 oF 9#23, GROUPIE (SUPERSTA®)- PG 7 o 8 # WW poe 9h BA a — a a fe emu « be = = re ee ww se bg A TOD WE MA a ee ne a*23, GROUPIE (SUPERST#R)- PG Bo 8 alll al£23. GROUPIE SUPERSTIR)-PG. 99 A POCO RIT. ‘MOLTO RIT.220 Soke #24, EVERLASTING LOVE (QUE SS WONDERFUL! LETS MAKE SOIR NOISE WITH UR ONE-HITNONDERETTER Annee ay Mca, Boers Dima une wreo BEF ooHS A PERECT] (L, Soua WaT TO REAR TAS OLD THING UR? ‘SE BEEN WANG FOR THS AL KG LONG DISCOWTH DRE J=224 | SEAR EVE BEN PRACTICING AL REE BEHIID MUR BHC (cay ew sso Berry Jew mp i Z] ‘DIALOGUE OVER OOHS - CL: “KAY - LETS TACE THIS OLD THING OUT FOR A SPINY 2 4 5 2018 Sen Sm aera124, VERLASTING LOVE - PG. 2a 12"24, EVERLASTING LOVE PG. 3 0°12 s s o“24, EVERLASTING LIVE - PG. 4 o 12 5 StU, Wee BE DEED ———124, EVERLASTING LOVE «PG. Sa 12 a Wwe oh THe veR-Y_ tA,#24, EVERLASTING LOVE - PG. or 1212, EVERLASTING LOVE - PG. 7 0 12 TT Sote-O8S TEE TO. SH Ue THE SM THT SHES, EID = ESSAY TSHNES, SOY AL-WAS UL BEE, Irs TER = ML"24, EVERLASTING LOVE -PG 8 oF 12 2 WED MA Ou veR- om#24 BVERLASTING LVE - PG Sor 12 « (ove mu KP us TOCETH- eh FEANQUTFOR BY - BR-UST.NG DIE WIL AEPUSTOETH- f+24 EVERLASTING LOVE - PG. 10 12 8 TEN ULL ES AL ME ese STAD iy 824 BVERLASTING LOVE - PG tN 12 sey th say GE TO104 BVERLASTING LME PS. 12012232 se #25. WE NEVER REALLY SAY GOODBYE CUE. Cle THEN I SETTLED. a4 NEXT EARS REUNION, Arasncco 4 Moco Bora WOT BE THE ONL "ONEAT-WONDERETTE TON” DIALOGUE vee INTRO THANE SOU Fa ALLOWING US To CELEBRATE WITH Yow TaN ‘STNBE WE AL ETA CHANCE TO BDOGE WITH SEU UT OTHE DAVCE FLOOR Germs Por Baad J) =78 Bi: “AND DONT FORGET THAT MISS MCPHERSON IS HOSTING AV AFTER-HOURS SHINDIG OUT BACK THE BODCNOBLE, @'. VAMP (2X) a a vow Low ‘erry Jean ADU. WVANP ™P AS NEEDED = i z HEP A SONG OF Jod W-SDE souk He, FOR £-VEN THOUGH THE TNE HS CONE FoR US TO Par, (22016 Sree Seve Feces#25 WE NEVER REALLY SAY GOODBYE - PG. 2 oF 6 3 » a 2 HE TO-GTH- ER SOON MD THE MULL FL CABE WE ER REALS SRY nD BE GUT FORGET THE LOVE ME SARED TODA SWEET EN-O-RES TO HEED US WARK A - LOG THE Ma24 "25. WE NEVER REALLY SAY GOODBYE - PG. 3 oF 6 ‘CASE WE 8k ALLY Si CSE RE V8 RALLY Sie ‘CASE WE eer ALLY SR “CASE WE ER ALLY*25. NE NEVER REALLY SAY GOODALE «PS. 0 6 % wy enn, sizer4125, ME NEVER REALLY SAY GOODBUE «PG. Sor § Bl aTemeo a -VEN THOUGH THE TIE WAS COME FOR US TO PAT, RIT. BETO. TW Ek SOON AND TINE mL — BE TO.GIV-Ee soon AD TIVE ML ~—— CASE NE NeV-ER REAL SY OD BE TO. GW ER SOON AD TIME WLMOLTO RIT. +25, WE NEVER REALLY SAS COODBLE - PS. 6 or 6BSE *26. WE ARE FAMILY / FINALE (LE - IMMEDIATE SEGUE FROM PREVIOUS Frances 89 Mover Bars Free Cro Lay Bar Jem (gr aL my ss-TeRs wm He. 201 Sra Sm Perens+25, WE ARE FAMLY / FINALE - PS. 2069 DISCO J 128 98-TERS WT 55-1225 WT eh 95 TERS WT9°26. WE ARE FAMILY / FINALE PS. 2.069(No We Face 126, WE ARE FAMILY / FINALE-PG #06 9 8 JUST UNE BRDS OF A FEM = BR No, WE DOMT GET e-PessED.—£26. WE ARE FAMILY / FINALE - PG. Sor 3 a HAE FATA Se AD THE {U NONT co WioNs a HO, TS IS OR FAN 1 ar AL my 96-Tee MTA OD 1 aor my SS-TERS WT He) 1 AL my SI-TERS WTA | gr AL my 1-1 WT125. WE ATE FAM / FINA - FG 8 ce 9 7-99-60 - DY ND She TW, 6-99-89 - DY AD SU AE FATH WN SOU AND TE TAGS. SOU 50 1 GOT AL me 9-TERS we oT AL i-TeRS TH125. WE ACE FAMILY / FINALE PG. oe 9 POCO ACCEL.425, WE ARE FAMILY / FINALE - PS. Boe 9 GIN-NE, GINME SOE LOY = I aE, Gn- ME SONE*28.E ARE FAY / FINALE - PS. Sor 3PORE SOR 27. BOWS/EXIT MUSIC AeewnceD 24 Mucus, Boer Disco J=s8 (RUSTIC PANO (SOUNDS (2Ca)- FUL RD) (ex nas nezoD) FEEL FREE TO R0ck CUT FROM THS POINT OW ITH BG SOLO LCS Duin SLASHES! fA 6 D F A27. BONSIENIT MUSIC -PG, 208 4 Stet tt CY a um a a o yg SUN Ber 2 e : " ttetig 0 SS : “— ~ “IVE GOT THE MUSIC IN ME* J =122 27] 2 3 » t. = == ———| = eS nf (GTR THES EAD) . casts) | al Sie ie eit athe[35] oy 1s Dw ara sav NOD Geek AME aT STAN ED) 6 cs = 7, BONS/EXT MUSIC - PG. 30 & BG[51] we sans come) 27. BOWS/ENIT MUSIC = Pa dord