Professional Documents
Culture Documents
COLONIAL AMERICA
Often leaving their homeland to escape political and religious persecution, and
with few possessions, the early colonists nevertheless did bring something with
them – the architectural and decorating styles of their homelands.
THE STYLE
The Colonial Style of the early – to –mid 1700s was a blend of contemporary
English influences – William and Mary (1689-1702), Queen Anne (1702-1714),
Georgian (1714-1830) and the furniture maker Thomas Chippendale (1718-
1779), intermingled with a new American vernacular.
Both inside and the out, the American Colonial style is more traditional and
conservative, with less formality and ornamentation than the English and
European styles of the same period.
THE COLORS
Multiple colors were often used when painting home interiors and exteriors. The
paint hues selected tended to reflect the status and affluence of the household.
Shades of gray, black and deep brown were employed for wood trim and
floorboards, and were common to nearly all homes.
Interior Colors
Revival
Windy Pine
Mahogany
Wethersfield
Roasted Pepper
Moss
Oklahoma
Dark Ash
Wheat
Beiges, grays, yellow ochres and cream were also used. Dark chocolate brown,
reddish brown, and deep green were often seen as exterior accents for doors,
trims and shutters.
Exterior Colors
Shortgrass
Beluga
Prairie
DÉCOR
Colonial 18th century interior décor was simple, conservative and restrained,
typified by elegant woods, graceful curves and colorful painted surfaces.
Furniture – Middle and lower class homes tended to use more American-crafted
pieces. This comfortable, elegant furniture was often made out of walnut, maple
or pine, in classic Queen Anne styling (with curving cabriole legs), or simple
Windsor styling (saddle-shaped seats and spindle backs).
Fabrics – Wool was the staple fabric of the time, but cotton and linen became
more prevalent towards the end of the 18th century. These fabrics were often
hand-dyed and were used for curtains, table and bed covers, and handcrafted
quilts.
Wealthier families sought out rich, imported fabrics patterned in paisleys, flowers
and birds. Embroidery was a valued art, with designs raging from simple leaves,
flowers and vines, to complex samplers portraying landscapes, bible verses or
village scenes.
Floors and Fireplaces – Floors were generally simple, unpolished wide-plank oak
or pine. Fireplaces, the center of the household and essential for light and
warmth, were a decorative focal point. They were surrounded by wood paneling
or cabinetry, either stained (if high quality), or painted to match the walls.
Accessories – Pewter and silver accessories were popular throughout the period,
and grandfather clocks were prized family possessions.
MODERN TOUCHES
Multiple colors were often used when painting home interiors and exteriors. The
paint hues selected tended to reflect the status and affluence of the household.
Floors. Although the earliest colonial houses had compacted earth floors, the butt
jointed pine floorboards, unstained and unvarnished is typical of most houses.
Marginally more sophisticated variations include tongue and groove and spline-
jointed boards – the latter consisting of grooved boards joined by thin strips of
wood. In the late 18th century, some wooden floors were painted in imitation of
stone. Real stone floors were rare and were usually confined to halls and
porches.
Ceiling. Federal ceilings were ranged from wooden boards (usually whitewashed)
in the simplest houses, through flat plaster in large dwellings to flat plaster
embellished with decorative moldings in the grandest houses. More flamboyant
ceilings were also bordered or segmented with bands of neo-classical motifs
such as guilloche or scrolling foliage sometimes highlighted with gilding.
Some cornices were relatively plain and were derived from the concave cyma
recta moldings used in classical orders of architecture. Deeper and more
elaborate cornices featured rows of other classical motifs such as anthemia,
swags and tails, vases and beading.
Walls. The most notable development in wall treatments during the Federal
period was the gradual elimination of full-height wainscoting favored during the
Colonial era. Instead, many walls were divided horizontally into a dado, field and
frieze. Some typical configurations included a wainscot or papered dado (above
a wooded skirting board), a flat painted or wallpapered field and a plaster or
papered frieze. Whatever the material in the finer houses the dado and frieze
were usually embellished with neo-classical motifs, popular wallpaper patterns
for the field were floral, stripes and pictorials of either classical or contemporary
scenes. The alternative and more austerely classical arrangement was to divide
the walls vertically into panels – the division marked by the paper cut-out or paint
moldings. Flat paint or painted faux marble were usual finishes for the areas
between the divisions.
The best Federal fire surrounds were made of marble, although painted wooden
ones (with marble slips) were also in widespread use. Some are relatively plain,
more decorative surrounds featured neo-classical motif such as vases, swags,
garlands, pateras and mythological scenes.
Floors. Pine boards were the standard flooring in Federal houses and often
stenciled with neo-classical motifs or diamond patterns. Floor coverings include
straw matting, stenciled or marbled floor-cloths and in the grandest houses
carpets with floral or neo-classical motifs set in geometric patterns.
AMERICAN EMPIRE
HISTORY
The Empire style overlaps the Federal era and dates from 1820 to 1860. The
period is officially known as Greek Revival, which was the exterior architectural
style of the period. The interiors, however, are known as American Empire.
Overall, this style has became more popular than Federal today, inspiring the
design of countless contemporary traditional interiors.
American furniture makers began to break away from things English, and took
inspiration from Neoclassical, Grecian style of French designers of the French
empire period. Napoleon’s admiration for the Roman Empire, his trip to Egypt,
and several archeological expeditions to Greece and Rome all influenced
French, and then American styles and décor. The general appearance is often
related to neo-classicism since the elegant lines are similar to the classical forms.
Fewer architects made their marks during this period. Rather, every thing was
adapted to look Empire. The Empire style developed in America about the same
time as the Victorian era. Both enjoyed the display of vivid design, sometimes
refined, sometimes overwhelming, but both rich and fearless.
American Empire encompasses the period of 1805 – 1830. Late Empire refers to
pieces made between 1830 and 1860, however, this term is often questionable
and in debate among furniture collectors and experts due to the anomalous form
of the later period which served as transition to the Victorian style. These pieces
had very little in common with their French counterparts.
CHARACTERISTICS
Strong, bold forms and furnishings similar to those Napoleon himself
would have used and looked like a revival of classical Rome.
American version was much plainer than the French style.
Simple often massive, yet graceful curves and dark woods and veneers
The curved lines of ancient Greek furniture (klismos) were used in leg of
tables and chairs.
Interesting transition from the simplicity of decoration and the line found in
the 18th century furniture to the more ponderous and heavy ornamented
styles of the Victorian era.
While many consider the period to be excessive in ornamentation, careful
study and searching can produce some marvelous finds of beautifully
decorated furniture with crisp lines.
MOTIFS
Lyre motif and occasionally a bird’s wing shape or dolphin’s head and
eagle (become popular after the adoption of the United States Constitution
in 1789).
Fruits (pineapple), flowers, foliage, cornucopias, Pillars and scrolls were
often incorporated
MATERIALS
Mahogany, oak, pine maple and ash was common wood used in American
Empire style
Stains are often in very bright red-mahogany
The dominant decorative medium for American Empire pieces consisted
of painted designs and stencils. Often the painting or stenciling would be
gilded. These types of inexpensive but decorative chairs were known as
“Fancy chairs” or “Hitchcock chairs”. Most of these pieces were painted
black. After 1820 stenciling was used almost exclusively.
Tables were made with marble top.
COLORS
Two palettes existed side-by-side – one strong and powerful, the other muted
and subdued. The strong colors include imperial red (rich orange-cast red),
empire green (a deep green), Napoleonic gold (rich, clear), purple, tobacco
brown (medium value, lustrous).
Fireplaces were painted black then streaked with white to imitate white marble. In
the White House the Red room and the Green room are prime examples of the
American Empire style.
Softer versions of these intense colors were preferred by some who felt subtle
hues to live with. Known by today’s name, these hues include mauve (faded
imperial red), sage green (neutralized empire green), spun honey gold (pale
Napoleonic gold), and gray violet.
WINDOW TREATMENT
Long draperies were the order of the day, and they were seen as pairs of
asymmetrical panels. Drapery pairs were operable as traverse hardware become
available during this era. Stationary panels may have paddled on the floor but not
always.
Asymmetry was in vogue, and draperies took on the look of Roman toga, often
draped across the entire window and tied back on the side with ropes and
tassels. Layers of fabric were in fashion; semi-sheers beneath and decorative
fabric on top.
FLOORS
Broadloom carpeting became widely available in strong colors and geometric
designs, although some Oriental and French rugs were still used in many rooms.
Marble floors and floor-cloths faux painted or stenciled (with Greek fretwork)
were popular.
FLOORING
Walls often were covered with wallpaper, murals of distant places to architectural
or faux stone design. Marbleizing and other faux paint technique were popular.
Moldings became very deep and sometimes elaborate. Cast plaster anaglyptic or
decorative detailing, were frequently used on walls and ceilings.
FURNITURE
American Empire – the heavy, masculine
and commanding pieces, many of which
were very popular today as adapted by
Beidermeier.
The Regency pieces designed by Duncan
Phyfe and others show refined curves as
seen in tables and chairs with splayed leg
and scrolled, turned backrests evoking
Grecian elegance.