ART AND ILLUSION A STUDY IN THE PSYCHOLOGY OF PICTORIAL REPRESENTATION BY E-H-GOMBRICH WITH 320 ILLUSTRATIONS PHAIDONU1 Pygmalion’s Power vex sic the Grek pibwpbers alle aa inion of ath ens hine bes ry tring, denying or Gaines detain. The two chp hs ochre thc se pape, They 0 bow ‘ome of the mie af this an ova a pet iment’ ey the aa of he ‘eum o he ns ban aod bythe poly a ait proatue on he er "Eyerbndy Haw th he iit ceed 1 Be he concer fats. -utisthia ew deparare? Were the Gress ight va in thet Sesion he tio he ti nthe pst? “Tei onm mythsogy wos Ive then ies sry For tll fa carta ne ening fant of a when the ati id tam making "iene bt a rivaling cenon ie. The ment amos of thse myth ‘tle eli nthe ower of at rat rather tan 0 Fry the ary of Pygmalion. Ovid tuned Ie oan ete nowt, Bt chen is pefaned ‘ein we can fl someting fe il whic tears mses powers "Oris Pogson ea selon who win hon 4 wort afer Bit own teat an feo fove with te tue emake. He pay 0 Venus fra bise ‘dled fer sh ge ote pes i the col rary it = ing By. eis myth thn ape te imagination ofa, the sea nd ‘ema mun des f Bar Jones 6] nls tha the eee chery cE Daumic (sl Witout te undying prom of hie myth, the seca ope ed ears tha asopny theatre, thee mip emo at ka One af the move oil young ptr of Engin, cen Fea, note ery resent A monet of complete hepine never cer in the eno Wak ff ar. The promise of ft a thew freon, bt dappears ward tbe Completion ofthe wok. For thn hatte pase ess ths only 2 ste epg, Unl then be ad alse ret ope atthe pire oh arog ie “Only pc ays Lacen Feu, Is «mot we in the we isry sf ese a; Vear el af Dopo at wor on is Zao 4] looking tit ‘deny tienen the tne with «dren ere, ‘Speak peste, Joo, oe eg decane” ad he pete wi of hem a, Leonard Vins, ened the power ofthe art to cee To Ut yma of pra to Diting, he Paragon’ be ls the pith Lard all maser of pope sd (a hing’ I the pir wihes se besa olin one th in ik wer ring them rhs he wats osec monstrous ht ight ot te folsh or ipabie onde te pit, he mh ord and Gol 16 6art Tes: Function and Form [atk he oes Be wot, he pain ao sabe the mins af ea that they will ve ithasiting tha ee ae reprenentenwomsn ‘I bappenedo th he cots tht {made ligoon ping wich wa ght By Se wb sic wibou sic, Fal hi coscence peal over hi si and, et fd wo oon the pte fe sae fe chk «wok Ee the ‘Si Jbn an i raenaton in 4 Bach fr, ay 5 the pay fon sso eli finde inexorable Kani the estrone 111 Pygmaion's Peer 83 tha we un in Laven Feu when ea i Lena ots: Pinter en faint despir = when they ee tht hpi Ink te rade the relnes which we fd nob som inte mito bu ipo fra fae aly? ton with is ai elas to rach the al memento penal the ‘en painting, anit wil ok at Small wonder ht contemporaries describe him ‘jes ob ig mihi bf ok nto Lasse’ ates we wl ot Fr voc an expeo. Whit be wants 0 ake» Bir ht wil and ooce foie ht san rene nthe master's prope that te ad eal fy. Td ot. Aad aby aired we End Leora Indging in the Vat — 2 te tine when Michelangelo med Raphael were tere cing tir mos owned wets—quaeing witha Gena mivermae: ad ing wings td tarda ame ins inorer io aghen histor. He made a dag, tits fall comolaion fbeinga maker otras