PROYECTOS PICTÓRICOS

LAZAR STANKOVIC 2018

mentors: Pedro Osakar

Rosa Brun
To paint in expressive way, start from idea/skech and let it grow through process of painting.
Memories of moment past, painted in present, made for future opinion. Step by step growing with the
work. Building composition and rhythm with parts put in whole. (painting) Play with medium and
known rules. Progressing. Presentation of self. Expectation of strong emotion. Role of materialization.

How dispersonalised can figure be to still hold its character?

ARTIST THAT INSPIRED ME

EDVARD MUNCH

"Without anxiety and illness, I am a ship without a

rudder....My sufferings are part of my self and my art.
They are indistinguishable from me, and their
destruction would destroy my art." Munch believed that a
painter mustn't merely transcribe external reality but
should record the impact a remembered scene had on
his own sensibility.

Worker and Child 1908 - by Edvard Munch

oil on canvas
76 x 90 cm
The day after The dance of life
1894 - 1895 1899-1900
oil on canvas oil on canvas
115 x 152 cm 125 x 191 cm
FRANCIS BACON
“For instance, the other day I painted a head of
somebody, and what made the sockets of the eyes,
the nose, the mouth were, when you analysed them,
just forms which had nothing to do with eyes, nose or
mouth; but the paint moving from one contour into
another made a likeness of this person I was trying to
paint. I stopped; I thought for a moment I'd got
something much nearer to what I want. Then the next
day I tried to take it further and tried to make it more
poignant, more near, and I lost the image completely.
Because this image is a kind of tightrope walk
between what is called figurative painting and
abstraction. It will go right out from abstraction, but
will really have nothing to do with it. It's an attempt to
bring the figurative thing up on to the nervous system
more violently and more poignantly.” Francis Bacon

 Study for Portrait of Van

1946, Gogh IV
Oil and pastel on 1957,
linen,
(197.8 x 132.1 cm) 160 x 122,5 x 90 cm
FINAL PROJECT
Painting is a process, first there is idea and a will to paint. That idea is then
processed and build upon with art theory and put to test through sketches and
studies. Constructing with brush strokes, rethinking, remodeling and presenting
idea as a project. With work that I did I used multiple composition rules as dynamic
and static lines, triangle composition, mixed composition to tell a story. Painting
being a process is do to change with more work there is a lot to be thought about,
some shapes appear and recognized can be used really well. Connection between
psychology and art. I believe it is important segment of ones work since with
painting or any other way of expressing, person is revealing their most intimate.

Connection between painter-painting-painting-viewer.

PROCESS
OTHER WORKS
BIBLIOGRAPHY

• https://www.tate.org.uk/art/artworks/bacon-study-for-portrait-of-van-
gogh-iv-t00226

• https://www.wikiart.org/en/edvard-munch/worker-and-child-1908

• https://www.edvardmunch.org

• Interviews with Francis Bacon by David Sylvester in 1963, 1966 and 1979