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Over the years I have seen a number of Photoshop fire effects. Unfortunately, they
were not very flexible or realistic, so I decided to develop my own. The technique I
came up with was more realistic than I had hoped for. It can be used to start a fire
on almost any image.
This sequence employs a great, hidden, feature of Liquify that allows you to save
and load a distortion mesh. With this enhancement Liquify becomes a much more
functional distortion tool that offers multiple levels of control that would not be
available without it. The fire distortion can take a little practice so you may want to
start with a single letter before you attempt a more complex image like the one I
created here.
Image Specs: 1117 x 790 pixels at 266 dpi, RGB color.
Trajan, Regular, 85 point.
Have fun getting burned ;)
Level: Advanced
In this first step we will start by creating the fire text as
white, rotated 90 degrees counter clockwise, on a black
1.
background.
Note: If you don't have the font listed above, select another
font and set it to the same point size.
1
In this step we run four wind filtrations on the merged layer
then rotate it back.
2.
2b
Now we will Blur and colorize Layer 1.
3.
With Layer 1 active go to Filter, Blur, Gaussian Blur. In the
dialog box set the Radius to 7.5 pixels and click OK.
3b
Duplicate Layer 1 and make it red.
4.
Duplicate Layer 1 by dragging it to the create new layer icon
or with Cmd + J or Ctrl + J to create Layer 1 copy.
4b
2
Set Layer 1 copy to Color Dodge mode and merge down.
5.
With Layer 1 copy active, go to the Mode drop down menu
at the top of the Layers palette and click-drag it from
Normal to Color Dodge or Option + Shift + D or Alt + Shift
+ D.
5b
Distort the image into flames with the Warp tool in the
Liquify dialog.
6.a
6b
If you want to start over you can Reset back to the
undistorted version by holding down Option for Mac or Alt
for PC and clicking the Reset button that appears to replace
6a
the Cancel button. You can also use the Reconstruct tool (E)
to remove or rework your distortions until you are pretty
happy with your flames but don't click Okay just yet.
When you are pretty happy with your flame shapes, press
the Shift key and click Okay.
3
Duplicate the FIRE text layer, rotate it back, fill it with black
and then move FIRE copy above Layer 1.
7.
Fill the text shape with black by pressing the D key for 7a
default colors then Option + Delete or Alt + Backspace to fill
with foreground color.
Figure 7a shows the new, black, text over the fire. Figure 7b
shows the layer stack.
7b
Duplicate the liquified flame layer, move the copy above the
black text, then mask and Screen.
8.
Drag Layer 2 above the layer FIRE copy in the layer stack.
Set the mode for Layer 2 to Screen with Option + Shift + S.
Then add a layer mask by clicking on the Add Layer Mask
icon at the bottom of the Layers palette. 8a
Turn the view on for all layers and merge to Layer 3 with 9a
Cmd + Option + Shift + E or Ctrl + Alt + Shift + E.
Set the mode for Layer 3 to Screen with (V) then Option +
Shift + S or Alt + Shift + S.
Set the opacity of Layer 3 to 50% with (V) and then (5).
4
show the layer stack.
Merge all layers to a new layer at the top of the stack, then transform the
resulting image down under.
10.
Click on the Create Layer icon at the bottom of the Layers palette or Cmd +
Option + Shift + N or Ctrl + Alt + Shift + N to create Layer 4.
With Layer 4 active and all views on, merge to Layer 4 with Cmd + Option + Shift
+ E or Ctrl + Alt + Shift + E. Set the mode for Layer 4 to Screen and set the
opacity to 60% with (V) and then (6).
Now zoom back so you have some gray non-document space around your image
(make sure Resize Windows To Fit is off in your Zoom tool options bar). Go to
Edit, Free Transform or Cmd + T or Ctrl + T. Click-drag the top center handle
down beyond the bottom of the transform bounding box, then drag the bottom
center handle up to create the inverted reflection. Apply the transform (Enter)
and position with the Move tool (V) if needed.
Figure 10a shows the final layer stack and Figure 10b shows the completed
image.
10a
10b
Key Techniques
Merge to target (Cmd + Option + Shift + E or Ctrl + Alt + Shift + E) is a great way to create a composite of a number of layers quickly. It
5
simplifies the build process by bringing together a number of layers into a single layer and when applied to a new layer, it does no damage to
the component layers.
To envelope an image element in an effect, sandwich it between two layers holding the effect. This makes the enveloped element appear to be
inside the overall effect. Here we used this to enclose the text in fire.
Duplicate a bright layer, blur it and set it to Screen mode to create a glow. This can offer a much more sophisticated, image-based glow than a
Layer Style glow can offer.
To save and load a Liquify distortion mesh use Shift when applying and entering Liquify . This gives you the ability to Undo and re-work your
distortions with much more control over the result.
Enhancements
To make the fire appear to have more depth run another liquify pass on either one of the flame layers, Layer 1 and Layer 2 above. This will
increase the separation of the flames in the foreground and background.
To make the surface of the floor a bit more realistic. Run a Filter, Stylize, Wind on the reflection to roughen up the texture of the floor.
To place the fire over other backgrounds, merge your fire with black background onto one layer. Then put your background image on a layer
underneath. Finally, target the fire layer and set the mode from Normal to Screen. Screen stacks the light stuff from the fire layer onto the
background image but ignores the dark stuff. To keep the text black I would predict that I would need the black text as a separate layer. So I
would merge the fire in front of the text into one layer, merge the fire in back of the text onto one layer, set both fire layers to Screen and
replace the background. If you are looking for more fire intensity against a light background try the Lighten mode instead. It will hold more
"fire" against lightness but the edges will carry some unwanted density sometimes. If you have this edge problem try going to Blending options
for the fire layer by double-clicking it and then splitting the black "This Layer" slider by pressing the option/alt key and dragging it right. This
will fade the edge transition. You may need to drag the right slider "ear" all the way over to 255. Also try duplicating the layer when it is set to
Screen to intensify the effect.