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 = 180 What if?

Saúl Martínez

Vamp
4 
Guitarra Archtop  4              

Bajo acústico
 44        
    
  
3  3  3  3  3  3  3 3 3 
                         
Set de percusión  44                 
 

Guit.                  

     
Bajo
   

    
33  3  3  3 3  3 3  3 
  
                         
Perc.                    
 
3
 3

Intro a Tema E- E♭


    
Guit.

    
   
           


Bajo
   


  
  
 
  
 3 3  3  3  3  3  3 3 3 
                       
Perc.                  
D- D♭ C D♭ B
       
Guit.              
    
        
Bajo       
3 3  3  3  3 3  3 3  3 
  
                         
Perc.                    
 
3
 3

Tema E- E♭


   
 
  
      
Guit.                             
   
E-  E♭ 
             
Bajo
    
  
  
                        
Perc.                
     

D- D♭ 3 C 3 D♭ B
     
Guit.             
 
   
D-   D♭   B
     C D♭
Bajo
        
      
        
             
Perc.               
     
  

2
Solo break E- E♭
Guit.                 

Bajo
    
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
               
Perc.                
         
   
3
 3
 3
 3
3 3 3
12/8 Feel Blues

D- D♭ C D♭  B
   
 
Guit.                   

Bajo
       
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
                        
Perc.                            
      
3
 3
 3
 3
3 3 3

A E- E♭ D-


Guit.                     
 
Bajo
              
       
           
Perc.     
          

  
    
 
      

3
D♭ C D♭ B
Guit.             
   
Bajo
           
                    
Perc.     
              
  

B E- E♭
Guit.                 
 
Bajo
            
     
                 
Perc.     
      
           
    

D- D♭ C D♭ B
Guit.                 
    
Bajo
       
      

                           
Perc.                     
    

4
C E- E♭
Guit.                 
   
Bajo
            
     
         
Perc.        
              
     

D- D♭ C D♭ B
Guit.                 
 
Bajo
     
   
      

                    
Perc.      
 
   


     
        
     

Intro a Tema E- E♭


 
       
Guit.                 

Bass solo
Bajo
      
          
 
  
  
                      
Perc.                    

5
D- D♭ C D♭ B 
     
Guit.             
        
    

Bajo
                 
 

                   
          
Perc.        
              
 

B E- E♭
   
 
  
      
Guit.                             
   
E-  E♭ 
             
Bajo
    
  
  
                        
Perc.                
     

D- D♭ 3
C 3 D♭ B
     
Guit.             
 
   
D-   D♭   B
     C D♭
Bajo
        

     
                     
Perc.               
     
  

6
Drum Solo
E- E♭
  Guitar fills
Guit.              

Bajo
             
  

Perc.                  

D- D♭ C D♭ B 
  
Guit.                 
    

     
Bajo
    

    

Perc.                  

Tema E- E♭


          
Guit.                                  
   
E- E♭ 
   
 

     
Bajo
    
  
  
                     
Perc.                 
   

7
D- D♭ 3
C 3 D♭ B
  
Guit.

             
      
    
D-   D♭   B
     C D♭
Bajo
        

     
                     
Perc.   
            
     
   

8
Guitarra
What if? Saúl Martínez

Vamp  = 180
44                                  
  
Intro a Tema E♭ D- D♭ C D♭ B
  E-                
                                 
   
Tema E- E♭
         
  
         
                       
 
D- D♭ 3 C 3 D♭ B
  

                    
 
  
 
Solo break E- E♭

                

D- D♭ C D♭  B
  
                
   

A E- E♭ D- D♭ C D♭ B


            

B E- E♭ D- D♭ C D♭ B


            

C E- E♭ D- D♭ C D♭ B



                              
Intro a Tema
E-  solo
 Bass E♭ D- D♭ C D♭ B
                     
    
                 

    
      
  

B E- E♭ D-


           
    
                                      
   
 

D♭ 3
C 3 D♭ B
        
         
 
Drum Solo
E♭ D♭
 
E- D- C D♭ B
                                    
   
Guitar fills

Tema E- E♭


                         
                   
 

D- D♭ 3
C 3 D♭ B
         
                  
 

2
Bajo acústico
What if? Saúl Martínez

Vamp  = 180
 4                   
4             

Intro a Tema
                       
        

Tema E-  D♭
      
   E♭    D-     
   C D♭ B 

           

Solo break
7
    

A     

                  
      
       
B      
                   
      
     
C
 
       
     

                   
   
     
Intro a Tema

   Bass
 
solo
        
 
B E-  D♭ 
    
   E♭    D-            C D♭ B 
  

           

Drum SoloGuitar fills
        
                   
     


Tema
E- E♭  D♭
                  C D♭ B 
D-  
    
 
  
        


2
Set de percusión
 = 180
What if? Saúl Martínez

Vamp  3 3 3  3  3  3  3 3 3  3  3  3 
 
                         
 44                             
           

3 3 3 3 3 3 
       
  

 
    
    
 

  
 
3
 3

Intro a Tema 3  3 3  3  3  3 

               
3

3
   3 
       
             

3 3 3  3  3 3  3 3  3 
   
                         
                   
 
3
 3

Tema     
          
                       
         
              

    
                    
      

        
 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Solo break
                                             3
                            
      
3
 3
 3
 3
12/8 Feel Blues 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                                             3 
                              
3
 3
 3
 3
3 3 3
A
                                         
                      
       
             
     
    
 
B
           
           
                    
       

   

  

  

    

    
 
C
          
                
               
        
               
             
          
Intro a Tema
   
 
       
                          
               
              
Bass solo  
     
               
            
              

B     
                                
            

   
                   
               

 
 
2
Drum Solo Guitar fills
 
                                  

Tema     
                               
             
              

   
      

    

      






          
  

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