Professional Documents
Culture Documents
alternative secondary school. This is a unique educational environment in that it is
incredibly small, with only about 40 students in attendance. The students who
attend this alternative secondary school are in grades nine through eleven; usually,
they attend because they struggled to succeed in a traditional school environment.
community in which students are encouraged to grow academically, personally, and
culturally. Given the low student population, class sizes are quite small with
approximately nine to sixteen students in each class. The secondary III class I will be
speaking about is comprised of fifteen lively and unique students. They come from a
variety of socioeconomic backgrounds and tend to vary greatly in terms of academic
ability. With no less than three class clowns, this group of students keeps me
challenged on a daily basis. Their behaviour can become off-‐task quite easily,
however many students are excited to learn and engage in class debates -‐ most
students are quite eager to share their opinions. There are no students with EIP’s in
this class but there are several students with anxiety and attendance can be erratic.
2. Vignette
Given the culture of the secondary three class and the pedagogical goals of
my
host
school,
I
decided
dialogical
instruction
would
work
well
in
my
English
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Language Arts class. I designed a lesson that focused heavily on dialogic teaching in
which students would view various video clips and discuss as a class whether the
featured characters fit the anti-‐hero or villain archetypes. I would give the students
a handout to read together at the beginning of class, defining and giving examples of
the two archetypes. Additionally, students would fill out a worksheet while viewing
the video clips, based on the class discussion. I curated a large collection of video
clips that were culturally relevant to my students, hoping this would help get
discussion flowing. As students arrived I greeted them individually, hoping to
establish a friendly rapport. Before beginning class I reintroduced myself and made
I began class by handing out an information sheet describing villains, anti-‐
heroes, and the difference between these two archetypes. As students took turns
reading from the handout, I paused to elaborate and check for understanding. I also
asked students to give examples from movies or books that they had read. This
initial activity served two purposes: it helped students to develop the foundation
knowledge for the following activity while also allowing them to become
comfortable talking to me and to each other in a learning context. Next I handed out
the response sheets and explained the activity to the class. On the response sheet
students were asked to indicate whether they felt the character in each film clip was
an anti-‐hero, a villain, or neither, and to give their justification. I asked students to
base their responses around class discussions, but to form their own opinions.
It took about two video clips before students seemed to feel comfortable and
confident
discussing
their
opinions.
I
tried
my
best
to
encourage
students
to
talk
by
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asking helping-‐questions and praising students for giving responses. I also never
refuted student answers. Instead, I invited other students to respond to their peer’s
statements. After the second video clip, discussion really picked up. I could tell
students were beginning to trust me and to understand that there were no wrong
answers in this exercise. Almost every student (but not all) voluntarily shared his or
confident students lead (and at times dominated) the discussion. There were even
several points where students began to debate the archetype of the character in a
film clip. These debates actually ended up getting rather heated and I had to step in
as many students were yelling over each other. At one point I had to ask students to
close their eyes and put their heads on their desks in meditation for a few moments
to re-‐establish peace. However, for the most part, discussion was on topic and (I felt)
very profitable for my students. When I graded the response sheets, I saw that most
of my students had met the lesson objectives; they had a very good understanding of
anti-‐heroes and villains and were able to formulate educated opinions.
Dialogic instruction, on a very basic level, refers to teaching that is based in
students and educators. In his chapter titled, “Dialogic Instruction: When recitation
becomes conversation”, Nystrand describes two types of teaching: monologic and
dialogic (1997). Monologic teaching is often based in recitation, that is, closed-‐ended
questions
with
expected
short,
precise
answers
(Nystrand,
1997).
By
contrast,
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dialogic instruction “highlight[s] the role that intersecting multiple voices play in
1997, p.10). It does this by giving students space to authentically express their own
knowledge and opinions in the classroom under loose guidance from an educator.
Nystrand argues that effective teaching combines both monologic and dialogic
I decided to implement dialogic instruction into my secondary three ELA
class for several reasons. Firstly, this group is very talkative, and can easily become
students’ engagement with their studies” (1997, p.28). I hoped that dialogic
instruction would help maintain student focus by allowing for opinionated,
constructive talk. Secondly, as a student teacher, I am not very confident in my
ability to give long lectures. When I try to plan a lecture-‐based lesson, I feel like I am
memorizing a script and putting on an act. I constantly fear that I am going to run
out of things to say. I’ve also found that as a student, I don’t enjoy passively listening
to a professor lecture. I much prefer (and learn more from) class discussions,
debates, and group activities. My last reason for implementing more dialogic
instruction is that thirty-‐three percent of my students’ marks come from
participation. Thus, I needed to find a way to generate participation marks -‐
something that would be more difficult to do during a monologic lesson.
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Overall, I would say my application of this theory was successful. My students
were engaged and most of them achieved the outlined objectives. I also noticed that
I felt much more comfortable in my role as a moderator/facilitator than I have
previously as a lecturer. I was not focused on filling time and space with my voice
(this is something that gives me stress), but rather I relied on my students to do so.
This allowed my students to take on an active role in their learning which, in turn,
helped to prevent the occurrence of off-‐task, disruptive behaviours, which made
Further, dialogic discourse allowed and encouraged my students to take a
position on the issues being discussed. Nystrand states “discourse is dialogic not
because the speakers take turns, but because it is continually structured by tension,
even conflict, between the conversants” (1997, p.8). This sentence accurately
depicts the scene of my classroom during this particular lesson. Not only did my
students form strong opinions about the true archetype(s) of the characters we
observed, they challenged each other’s opinions and engaged in heated debate. This
was very encouraging for me. I was able to see that my students truly understood
villain and anti-‐hero archetypes and that they were passionate about accurately
classifying these well-‐known movie and television characters. I feel my students
learned a great deal from each other by listening to and examining each other’s
points of view. In this way, my students were able to construct their own knowledge
One pitfall in my application of this theory is that certain students tended to
dominate the discussion. While my stronger students flourished during this
exercise, several of my weaker students struggled to find their place within the
discussion. Nystrand states that in a dialogic exchange, the “teacher frames and
facilitates the activity and can respond at any time, but keeps utterances and
intervention to a minimum” (1997, p.26), additionally, he says that there should be
“minimal teacher selection of students” (1997, p.27). During my implementation of
this theory, I tried to keep true to these suggestions. In doing so, my shyer students
(who tend not to speak unless called upon) remained silent for most of the activity.
While I certainly feel that it was valuable for my students to be able to respond to
each other and to speak at will, this seemed to encourage my talkative students to
speak even more (effectively dominating the discussion), while my shyer students
spoke even less. Thus, not all of my students benefited equally from this type of
instruction.
5. Implications in my Own Teaching Practice and Relevance to Colleagues
Upon examination, I will continue to use this theory in my classes, though I
will slightly tweak my implementation given that my shyer students didn’t benefit
as greatly from this style of instruction as my more talkative students did. In order
to prevent this in the future, I will consider using a random selection process (such
as pulling names out of a hat) to choose starting-‐speakers for each sub-‐topic. In this
way, my shyer students would be encouraged to participate more while I could
avoid intervening too much during the actual discussion. Though Nystrom
recommends
that
teachers
avoid
choosing
speakers
(1997),
I
think
it
is
necessary
to
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do so with this particular group of students because they vary so greatly in terms of
personality and ability. I realize that, in choosing student speakers, I need to be
careful to not stall productive, explorative conversation. This is why I would only
select students to begin conversation on new subtopics. I believe this is the least
disruptive way in which I can encourage all of my students to participate in these
discussions.
Reflecting on my application and exploration of this theory, I would highly
recommend dialogic instruction to my colleagues for a variety of reasons. Firstly,
dialogic instruction may help to cut down on preparation time, consequently taking
some of the pressure off of (particularly new) teachers. It can be exhausting trying
to fill an entire period when teaching in lecture format. During a dialogic lesson,
students’ voices occupy the majority of class time, thus the teacher does not need to
prepare an hour-‐long presentation (often accompanied by detailed PowerPoints) for
each class. Secondly, dialogic instruction fosters student debate and disagreement,
which helps all students to gain a more nuanced perspective of the issues being
discussed in class. In doing so, dialogic instruction encourages students to become
critical thinkers and to communicate their views effectively. Lastly, in my
experience, dialogic instruction is helpful in keeping students engaged and on-‐task,
feel this theory could be applied in nearly any classroom, and that a wide variety of
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Works Cited
Nystrand, M. (1997). Dialogic Instruction: When recitation becomes conversation In
Opening dialogue: understanding the dynamics of language and learning in the