Cecco del Caravaggio

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Not to be confused with Caravaggio.

The Resurrection

Cecco del Caravaggio (active c. 1610 – mid-1620s), is the notname given to a painter who worked
in Rome in the early decades of the 17th century and was an important early follower of Caravaggio.
In the past art historians have suggested he may have been a Flemish, French or
Spanish Caravaggist but more recently some have identified the artist with Francesco Boneri (or
Buoneri), although this is not universally accepted.[1][2] In his work the artist responded in a very
individual and original manner to Caravaggio's naturalism.[3]

Contents

 1Life
 2Work
 3Gallery
 4References
 5Further reading
 6External links

Life[edit]
Little is known about Cecco del Caravaggio. His active period appears to have been from 1610 to
the mid 1620s.[1] In his guide to contemporary artists written for fellow-collectors in about 1620
entitled Considerazioni sulla Pittura, Giulio Mancini mentions a 'Francesco detto Cecco del
Caravaggio' as one of the great master's more noteworthy followers. A 'Cecco' is recorded among
French artists working with Agostino Tassi at Bagnaia in 1613–15, and hence the artist has been
thought to be of French origin. Other scholars have detected a Spanish or even Flemish influence. In
2001 the scholar Gianni Papi identified this Cecco del Caravaggio as the Lombard artist Francesco
Boneri (or Buoneri), and this now seems to be generally although not universally accepted.[3]

Christ Driving the Money Changers from the Temple

An identification has also been made between Francesco Boneri/Cecco del Caravaggio and the boy
who models for a number of paintings done by Caravaggio in the period 1600/1606, including the
famous Amor Vincit and the John the Baptist in the Capitoline Museum in Rome. The identification is
based on the statements found in early authors that the model for Amor Vincit was a boy named
Cecco who was also Caravaggio's servant and possibly pupil.[4]

Work[edit]
None of Cecco's works are signed or dated and hence his oeuvre is difficult to identify and date. He
is associated with a number of genre pieces, portraits and religious works showing a clear debt to
Caravaggio. He had an interest in depictions of low life themes but also painted religious
compositions.[5] His important religious works include Resurrection (Art Institute of Chicago)
and Christ Driving the Money Changers from the Temple (Gemäldegalerie, Berlin).[1]
The key influence on Cecco was Caravaggio, but other Caravaggisti such as Bartolomeo
Manfredi formed an additional influence. His style exhibits common traits with the works of these
other Caravaggisti such as the depiction of large, solid figures, strong contrasts between li