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‫ﺭﺋﻴﺲ ﺍﻟﺘﺤﺮﻳﺮ ‪ :‬ﳏﻤـﺪ ﺍﻷﲪـﺪ‬

‫ﺃﻣﲔ ﺍﻟﺘﺤﺮﻳﺮ ‪ :‬ﺑﻨﺪﺭ ﻋﺒﺪ ﺍﳊﻤﻴﺪ‬
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 : ‫ﺍﻟﻌﻨﻮﺍﻥ ﺍﻷﺻﻠﻲ ﻟﻠﻜﺘﺎﺏ‬

James Dean
Short Life
By: Venable Herndon
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‫ﺫﻫﺒﺕ ﻤﻊ ﺍﻝﻤﺼﻭﺭ "ﺃﻭﻨﻭﺭ ﻤﻭﺭ ‪ "Honor Moore‬ﺒﺎﻝﺴﻴﺎﺭﺓ ﻓﻲ ‪ 30‬ﺃﻴﻠﻭل‪/‬ﺴﺒﺘﻤﺒﺭ ‪ 1972‬ﺇﻝﻰ ﻤﻘﺒﺭﺓ ﺼـﻐﻴﺭﺓ‬
‫ﺸﻤﺎل ﺒﻠﺩﺓ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺯﺭﺍﻋﻴﺔ ﻓﻲ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ ﻓﻲ ﺍﻝﺫﻜﺭﻯ ﺍﻝﺴﺎﺒﻌﺔ ﻋﺸﺭﺓ ﻝﺭﺤﻴل "ﺠﻴﻤﺱ ﺩﻴﻥ ‪"James Dean‬‬
‫ﺍﻝﺫﻱ ﺘﻭﻓﻲ ﻓﻲ ﺤﺎﺩﺙ ﺴﻴﺎﺭﺓ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ ،‬ﻭﺃﺨﺫﻨﺎ ﻨﻨﻅﺭ ﺇﻝﻰ ﻗﺒﺭ ﺍﻝﻨﺠﻡ ﺍﻝﻤﺘﻭﻓﻰ‪ .‬ﺃﺨﺒﺭﺘﻨﺎ ﻋﻤﺔ "ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫"ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭﺯﻭﺠﻬﺎ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ ‪ "Marcus Winslow‬ﺒﺄﻨﻪ ﻭﺤﺘﻰ ﺒﻌﺩ ﻜل ﻫﺫﻩ ﺍﻝﺴـﻨﻭﺍﺕ ﻓـﺈﻥ‬
‫ﺍﻝﻨﺎﺱ ﻴﺄﺘﻭﻥ ﻝﺯﻴﺎﺭﺓ ﺍﻝﻘﺒﺭ ﻓﻲ ﻋﻴﺩ ﻤﻴﻼﺩﻩ ﻭﻓﻲ ﻴﻭﻡ ﻭﻓﺎﺘﻪ ﻫﺫﺍ‪.‬‬
‫ﻼ ﻝﻠﻭﻥ ﺍﻝﺯﻫﺭﻱ )ﺠـﻴﻤﺱ ﺏ‪ .‬ﺩﻴـﻥ ‪-1931‬‬ ‫ﺍﺤﺘﺠﻨﺎ ﺇﻝﻰ ﺤﻭﺍﻝﻲ ﻨﺼﻑ ﺍﻝﺴﺎﻋﺔ ﻝﻨﺠﺩ ﺤﺠﺭ ﻏﺭﺍﻨﻴﺕ ﻤﺎﺌ ﹰ‬
‫‪ (1955‬ﻴﻘﻊ ﻓﻲ ﺃﻋﻠﻰ ﻤﺭﺘﻔﻊ ﺼﻐﻴﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻐﺭﺏ‪ .‬ﺃﻭﻗﻔﻨﺎ ﺴﻴﺎﺭﺘﻨﺎ ﺍﻝﻤﺴﺘﺄﺠﺭﺓ ﻓﻲ ﺃﺤﺩ ﺃﺯﻗﺔ ﺍﻝﻤﻘﺒـﺭﺓ ﺍﻝﻀـﻴﻘﺔ‬
‫ﺍﻝﻤﻔﺭﻭﺸﺔ ﺒﺎﻝﺤﺼﻰ‪.‬‬
‫ﻝﻡ ﻴﺤﺩﺙ ﺸﻲﺀ ﻝﻔﺘﺭﺓ ﻁﻭﻴﻠﺔ‪ .‬ﻜﺎﻨﺕ ﺘﻤﺭ ﺃﺤﻴﺎﻨﹰﺎ ﻋﺩﺓ ﺴﻴﺎﺭﺍﺕ ﻭﺠﺭﺍﺭ ﻋﻠﻰ ﺍﻝﻁﺭﻴﻕ ﺒﺠﺎﻨﺏ ﺍﻝﻤﻘﺒﺭﺓ‪ ،‬ﻭﻝـﻡ‬
‫ﻴﺩﺨل ﺃﺤﺩ‪ .‬ﺒﺩﺃﻨﺎ ﻨﻌﺘﻘﺩ ﺃﻥ ﻤﻌﺠﺒﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﻫﺠﺭﻭﻩ ﺃﺨﻴﺭﺍﹰ‪ ،‬ﺇﻝﻰ ﺃﻥ ﺩﺨﻠﺕ ﺴﻴﺎﺭﺓ ﺴﻭﺩﺍﺀ ﻗﺩﻴﻤﺔ ﺍﻝﺒﻭﺍﺒﺔ‬
‫ﻭﺘﻭﺠﻬﺕ ﻤﺒﺎﺸﺭﺓ ﻨﺤﻭ ﺍﻝﻘﺒﺭ ﻭﺘﻭﻗﻔﺕ‪ .‬ﺨﺭﺝ ﻤﻨﻬﺎ ﺭﺠل ﻤﺴﻥ ﻓﻲ ﻤﻌﻁﻑ ﻏﺎﻤﻕ ﻭﻗﺒﻌﺔ ﻋﺎﻤل‪ .‬ﻨﻅـﺭ ﺒﺎﺘﺠﺎﻫﻨـﺎ‬
‫ﻝﻠﺤﻅﺔ ﻭﺴﺎﺭ ﻨﺤﻭ ﺸﺎﻫﺩﺓ ﺍﻝﻘﺒﺭ ﻭﺤﺩﻕ ﻓﻴﻬﺎ ﺒﺩﻭﻥ ﺃﻱ ﻓﻀﻭل ﺨﺎﺹ‪ ،‬ﺜﻡ ﻋﺎﺩ ﺇﻝﻰ ﺴﻴﺎﺭﺘﻪ ﻭﻭﻗﻑ ﺒﺠﺎﻨﺒﻬﺎ‪ .‬ﺃﺨـﺫ‬
‫ﻴﻨﻅﺭ ﻤﻥ ﻝﺤﻅﺔ ﻷﺨﺭﻯ ﻨﺤﻭ ﺒﻭﺍﺒﺔ ﺍﻝﻤﻘﺒﺭﺓ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻴﻨﺘﻅﺭ ﺍﻝﻨﺎﺱ ﺃﻴﻀﹰﺎ‪.‬‬
‫ﻤﺭﺕ ﻋﺸﺭﻭﻥ ﺩﻗﻴﻘﺔ‪ .‬ﻭﺒﺩﺃﺕ ﺍﻝﺸﻤﺱ ﺘﻤﻴل ﻝﻠﻐﺭﻭﺏ‪ ،‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺭﻴﺢ ﻓﺈﻥ ﺍﻝﺠﻭ‬
‫ﺃﺼﺒﺢ ﺃﻜﺜﺭ ﺒﺭﻭﺩﺓ ﺒﺸﻜل ﻭﺍﻀﺢ‪ .‬ﻭﻓﺠﺄﺓ ﻅﻬﺭﺕ ﺴﻴﺎﺭﺓ ﻓﻭﻝﻜﺱ ﻓﺎﻏﻥ ﺒﺭﺘﻘﺎﻝﻴﺔ ﺍﻝﻠﻭﻥ ﻤﻥ ﻓﻭﻕ ﺍﻝﺘﻠـﺔ‪ .‬ﺘﻭﻗﻔـﺕ‬
‫ﻻ ﺃﺯﺭﻕ ﻭﻗﺩ ﺴﺭﺡ‬ ‫ﺒﺠﺎﻨﺏ ﺍﻝﻘﺒﺭ ﻭﺨﺭﺝ ﻤﻨﻬﺎ ﺜﻼﺜﺔ ﺸﺒﺎﻥ‪ .‬ﻜﺎﻥ ﺃﺤﺩﻫﻡ ﻴﺭﺘﺩﻱ ﺴﺘﺭﺓ ﻨﺎﻴﻠﻭﻥ ﺤﻤﺭﺍﺀ ﺍﻝﻠﻭﻥ ﻭﺒﻨﻁﺎ ﹰ‬
‫ﺸﻌﺭﻩ ﺍﻷﺸﻘﺭ ﺍﻝﻤﺘﻤﺭﺩ ﻝﻠﺨﻠﻑ ﺒﺎﺴﺘﻘﺎﻤﺔ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺠﺒﻬﺘﻪ‪ .‬ﻭﻝﻠﻭﻫﻠﺔ ﺍﻷﻭﻝﻰ‪ ،‬ﻓﻘﺩ ﺒﺩﺍ ﻭﻜﺄﻥ "ﺠﻴﻤﺱ ﺩﻴـﻥ ‪James‬‬
‫‪ "Dean‬ﻴﻘﻑ ﺃﻤﺎﻡ ﻗﺒﺭﻩ‪ ،‬ﺇﻝﻰ ﺃﻥ ﻻﺤﻅﻨﺎ ﺃﻥ ﺸﻌﺭﻩ ﻤﺼﺒﻭﻍ ﻭﻭﺠﻬﻪ ﻝﻡ ﻴﻜﻥ ﻴﺸﺒﻪ ﻭﺠﻪ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﻤﺎﻤـﹰﺎ‪.‬‬
‫ﻨﻅﺭﺕ ﺃﻨﺎ ﻭ"ﺃﻭﻨﻭﺭ ‪ "Honor‬ﺃﺤﺩﻨﺎ ﺇﻝﻰ ﺍﻵﺨﺭ ﻭﺍﺭﺘﺠﻔﻨﺎ‪ .‬ﻭﻀﻊ ﺃﺤﺩ ﻤﺭﺍﻓﻘﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺯﻴﻑ ﺴﻠﺔ ﻤـﻥ‬
‫ﺍﻝﺯﻫﻭﺭ ﺒﺠﺎﻨﺏ ﺸﺎﻫﺩﺓ ﺍﻝﻘﺒﺭ‪ ،‬ﺤﻴﺙ ﻜﺎﻨﺕ ﺘﻭﺠﺩ ﺯﻫﻭﺭ ﺒﻼﺴﺘﻴﻜﻴﺔ ﻭﺃﺨﺭﻯ ﺤﻘﻴﻘﻴﺔ ﺫﺍﺒﻠﺔ‪.‬‬
‫ﺴﺎﺭ ﺍﻝﺭﺠل ﺫﻭ ﺍﻝﻘﺒﻌﺔ ﺍﻝﺨﺎﺼﺔ ﺒﺎﻝﻌﻤﺎل ﻨﺤﻭ ﺍﻝﺸﺒﺎﻥ ﺍﻝﺜﻼﺜﺔ‪ ،‬ﻭﺒﺩﺃ ﺒﺎﻝﺘﺤﺩﺙ ﺇﻝﻴﻬﻡ‪ ،‬ﻭﻗﺩ ﻜﻨﺎ ﺒﻌﻴـﺩﻴﻥ ﺠـﺩﹰﺍ‬
‫ﻻﺴﺘﺭﺍﻕ ﺍﻝﺴﻤﻊ‪ .‬ﻝﻡ ﻴﺒﺩ ﺍﻝﺭﺠل ﺍﻝﻤﺴﻥ ﺃﻱ ﺍﻫﺘﻤﺎﻡ ﺨﺎﺹ ﺒﺸﺒﻴﻪ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﻝﻡ ﻴﺒﺘﺴﻡ ﺍﻝﺸﺒﺎﻥ ﺍﻝﺜﻼﺜﺔ‪ .‬ﻜﺎﻨﻭﺍ‬
‫ﻤﻬﺘﻤﻴﻥ ﺒﻤﺎ ﻴﻘﻭﻝﻪ ﺍﻝﺭﺠل‪ ،‬ﻭﻝﻜﻥ ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺃﻥ ﻭﺠﻭﺩﻩ ﻗﺩ ﺩﻨﺱ ﻤﺎ ﻜﺎﻥ ﻤﻘﺩﺴﹰﺎ ‪ -‬ﻝﺤﻅﺔ ﺼﻤﺕ ﻋﻨﺩ ﺍﻝﻘﺒﺭ‪.‬‬
‫ﻭﺒﺴﺭﻋﺔ ﺼﻌﺩ ﺍﻝﺜﻼﺜﺔ ﺇﻝﻰ ﺴﻴﺎﺭﺓ ﺍﻝﻔﻭﻝﻜﺱ ﻓﺎﻏﻥ ﺍﻝﺒﺭﺘﻘﺎﻝﻴﺔ ﻭﺴﺎﺭﻭﺍ ﻤﺒﺘﻌﺩﻴﻥ ﻭﻤﺭﻭﺍ ﺒﻘﺭﺒﻨﺎ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﻝﻨﺸﺎﻫﺩ‬
‫ﻝﻭﺤﺔ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﻤﺴﺠﻠﺔ ﻓﻲ "ﺇﻴﻠﻴﻨﻭﻱ"‪.‬‬
‫ﻻ ﻤﻥ ﺫﻝﻙ‪ ،‬ﺃﺸﺎﺭ ﻝﻨﺎ‬ ‫ﺘﻭﻗﻌﻨﺎ ﺃﻥ ﻴﻌﻭﺩ ﺍﻝﺭﺠل ﺍﻝﻤﺴﻥ ﺇﻝﻰ ﻤﻜﺎﻨﻪ ﻗﺭﺏ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺴﻭﺩﺍﺀ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﻭﻝﻜﻨﻪ ﺒﺩ ﹰ‬
‫ﻝﻨﺘﻘﺩﻡ ﺇﻝﻴﻪ ﻗﺭﺏ ﺍﻝﻘﺒﺭ‪ .‬ﻨﻅﺭﻨﺎ ﺇﻝﻴﻪ ﻋﻥ ﻗﺭﺏ ﻓﺒﺩﺍ ﺃﻜﺜﺭ ﺸﺒﻬﹰﺎ ﺒـ "ﺃﻨﺩﺭﻴﻪ ﻏﺎﻴﺩ ‪ "André Gide‬ﺍﻝﻌﻨﻴﻑ ﺒﻌﻴﻨـﻴﻥ‬
‫ﺼﺎﻓﻴﺘﻴﻥ ﺫﻜﻴﺘﻴﻥ ﻭﻨﻅﺎﺭﺘﻪ ﺫﺍﺕ ﺍﻹﻁﺎﺭ ﺍﻷﺴﻭﺩ ﻭﻗﺩ ﻨﺯﻉ ﻗﺒﻌﺘﻪ ﻭﺍﺴﺘﺒﺩل ﺒﻬﺎ ﻗﺒﻌﺔ "ﺒﻴﺭﻴﻪ" ﻤﻥ ﺍﻝﺒﺎﺴﻙ‪ .‬ﻗـﺎل ﺇﻥ‬
‫ﺍﺴﻤﻪ "ﺒﻴﻨﻎ ﺘﺭﺍﺴﺘﺭ ‪ "Bing Traster‬ﻭﺇﻨﻪ ﻜﺎﻥ ﺒﺴﺘﺎﻨﻴﹰﺎ ﻝﺘﻨﺴﻴﻕ ﺍﻝﺤﺩﺍﺌﻕ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺤﻴﺙ ﺘﻌﺭﻑ ﻋﻠﻰ "ﺠﻴﻤﻲ‬
‫ﺩﻴﻥ ‪ "Jimmy Dean‬ﻭﻫﻭ ﺼﺒﻲ‪ .‬ﻴﺄﺘﻲ ﻝﺯﻴﺎﺭﺓ ﺍﻝﻘﺒﺭ ﻓﻲ ﺃﻴﺎﻡ ﺃﻋﻴﺎﺩﻩ ﻭﺫﻜﺭﻯ ﻭﻓﺎﺘﻪ ﻝﻠﺘﺤﺩﺙ ﻝﻠﺯﺍﺌﺭﻴﻥ ﻭﺇﺨﺒـﺎﺭﻫﻡ‬
‫ﺒﻘﺼﺼﻪ‪ :‬ﻜﻴﻑ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺯﻤﻼﺅﻩ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﻴﺘﺴﻜﻌﻭﻥ ﻋﻨﺩ ﺍﻝﻤﺸـﺘل ﺍﻝﺯﺭﺍﻋـﻲ ﻭﻴﺴـﺘﺠﺩﻭﻥ‬
‫ﺍﻝﺴﺠﺎﺌﺭ ﺍﻝﻤﺤﺭﻤﺔ ﻋﻠﻴﻬﻡ ﻤﻥ ﺍﻝﻌﺎﻤﻠﻴﻥ‪ ،‬ﻭﻜﻴﻑ ﻜﺎﻥ ﻴﺯﻤﺠﺭ ﺒﺩﺭﺍﺠﺘﻪ ﺍﻝﻨﺎﺭﻴﺔ ﺍﻷﻭﻝﻰ ﻫﺎﺒﻁﹰﺎ ﺸﺎﺭﻉ ﻤﻴﻥ ﺴـﺘﺭﻴﺕ‪،‬‬
‫ﻭﻜﻴﻑ ﻜﺎﻥ ﻴﺴﻤﻊ ﺍﻝﻘﺼﺹ ﻋﻥ ﻭﺍﻝﺩﻩ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﺍﻝﺫﻱ ﻋﺭﻓﻪ "ﺒﻴﻨﻎ ‪ "Bing‬ﺃﻴﻀﹰﺎ ﻭﻫﻭ ﺸﺎﺏ‪.‬‬
‫ﻼ ﻓﻲ ﺍﻝﻜﺫﺏ‪ ،‬ﻭﺴﺤﺏ ﺠﺭﻴﺩﺓ ﻅﻬﺭﺕ ﺼﻭﺭﺘﻪ ﻓﻴﻬﺎ ﻭﻗﺩ ﻓﺎﺯ‬ ‫ﺒﻌﺩ ﺫﻝﻙ ﺃﺨﺒﺭﻨﺎ "ﺒﻴﻨﻎ ‪ "Bing‬ﺒﺄﻨﻪ ﻗﺩ ﻜﺎﻥ ﺒﻁ ﹰ‬
‫ﻓﻴﻬﺎ ﺒﺎﻝﻔﻌل ﺒﻤﺴﺎﺒﻘﺔ ﺍﻝﻭﻻﻴﺔ ﻓﻲ ﺍﻝﻜﺫﺏ ﻗﺒل ﺜﻼﺙ ﺴﻨﻭﺍﺕ ﻓﻲ ﺒﻠﻭﻤﻴﻨﻐﺘﻭﻥ ﻓﻲ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﺒﺩﺕ ﺍﻝﺩﻫﺸﺔ ﻋﻠﻴﻨـﺎ‬
‫ﻭﺤﺘﻰ ﻨﻅﺭﺓ ﺍﻻﻨﺯﻋﺎﺝ‪ .‬ﺘﻔﻬﻡ ﺫﻝﻙ‪ ،‬ﻭﺒﺴﺭﻋﺔ ﺃﻋﺎﺩ ﻁﻤﺄﻨﺘﻨﺎ ﺒﺄﻨﻪ ﻜﺎﻥ ﻴﻘﻭل ﺍﻝﺤﻘﻴﻘﺔ ﻜﺎﻤﻠﺔ ﻋﻥ "ﺠﻴﻤـﻲ ‪."Jimmy‬‬
‫ﻭﺒﻌﺩ ﻫﺫﺍ ﻜﻠﻪ‪ ،‬ﺃﻝﻡ ﺘﻠﺯﻡ ﻜﺎﺫﺒﹰﺎ ﺠﻴﺩﹰﺍ ﻤﻌﺭﻓﺔ ﻤﺎ ﻜﺎﻥ ﺤﻘﻴﻘﻴﺎﹰ؟ ﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺱ ﺍﻝﺘﻲ ﺃﺼﺒﺤﺕ ﺍﻵﻥ ﻓـﻲ ﺍﻝﺸـﻔﻕ‪.‬‬
‫ﻭﻗﺭﺭ ﺃﻥ ﻴﺴﻤﻲ ﺫﻝﻙ ﻴﻭﻤﺎﹰ‪ ،‬ﻭﻋﺎﺩ ﺇﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺴﻭﺩﺍﺀ ﻤﺒﺩﻴﹰﺎ ﺍﺒﺘﺴﺎﻤﺔ ﺭﻗﻴﻘﺔ ﺠﺩﹰﺍ ﻭﻗﺎﺩﻫﺎ ﻤﺒﺘﻌﺩﹰﺍ‪.‬‬
‫ﻭﻗﻔﻨﺎ ﻋﻨﺩ ﺍﻝﻤﻘﺒﺭﺓ ﻝﻌﺩﺓ ﺩﻗﺎﺌﻕ ﺃﺨﺭﻯ‪ ،‬ﻭﻨﺤﻥ ﻨﺤﺎﻭل ﺃﻥ ﻨﺯﻴل ﺍﻝﺸﻌﻭﺭ ﺃﻨﻨﺎ ﻜﻨﺎ ﻓﻲ ﺤﻠﻡ‪ .‬ﻜﺎﻥ ﻤـﻥ ﺍﻝﺠﻴـﺩ‬
‫ﺴﻤﺎﻉ ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻫﻭ ﻴﺩﻭﺭ ﻭﻜﻨﺎ ﻓﺭﺤﻴﻥ ﺒﺎﻝﻌﻭﺩﺓ ﺇﻝﻰ ﻏﺭﻓﺔ ﺍﻝﻔﻨﺩﻕ ﺍﻝﺩﺍﻓﺌﺔ ﻓﻲ ﻋﺎﻝﻡ ﺍﻷﺤﻴﺎﺀ‪.‬‬
‫ﻭﺒﻌﺩ ﺍﻷﺴﺎﺒﻴﻊ ﻭﺍﻝﺸﻬﻭﺭ ﺍﻝﺘﻲ ﺘﻠﺕ ﺘﻠﻙ ﺍﻝﺯﻴﺎﺭﺓ ﻝﻠﻤﻘﺒﺭﺓ‪ ،‬ﻻﺤﻘﺕ ﻭﺘﺘﺒﻌﺕ ﺤﻴﺎﺓ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪"James Dean‬‬
‫ﻤﻥ ﺒﻠﺩﺓ ﻷﺨﺭﻯ ﻭﻤﻥ ﻤﺴﺭﺤﻴﺔ ﻷﺨﺭﻯ ﻭﻤﻥ ﻓﻴﻠﻡ ﻵﺨﺭ‪ .‬ﺘﺤﺩﺜﺕ ﺇﻝﻰ ﺃﻗﺭﺒﺎﺌﻪ ﻭﺯﻤﻼﺌﻪ ﻓﻲ ﺍﻝﻤﺩﺭﺴـﺔ ﻭﻤﻌﻠﻤﻴـﻪ‬
‫ﻭﺯﻤﻼﺌﻪ ﺍﻝﻤﻤﺜﻠﻴﻥ ﻭﺍﻝﻤﺨﺭﺠﻴﻥ ﻭﻤﺤﺒﻴﻪ ﻭﺃﺼﺩﻗﺎﺌﻪ ﻭﺃﻋﺩﺍﺌﻪ‪ .‬ﺴﺎﻓﺭﺕ ﺒﺎﻝﺴﻴﺎﺭﺓ ﻭﺍﻝﻁﻴﺎﺭﺓ ﻵﻻﻑ ﺍﻷﻤﻴﺎل ﻭﺩﻓﻌـﺕ‬
‫ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﻓﻭﺍﺘﻴﺭ ﺍﻝﻬﺎﺘﻑ ﺍﻝﻤﻜﻠﻔﺔ ﻭﺴﺠﻠﺕ ﺍﻝﻌﺸﺭﺍﺕ ﻤﻥ ﺍﻷﺸﺭﻁﺔ ﻭﻗﺭﺃﺕ ﺍﻝﻤﻼﻴﻴﻥ ﻤﻥ ﺍﻝﻜﻠﻤﺎﺕ ﻭﻨﻅﺭﺕ ﻓـﻲ‬
‫ﻤﺌﺎﺕ ﺍﻝﺼﻭﺭ‪ ،‬ﻭﺸﺎﻫﺩﺕ ﺃﻓﻼﻡ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻤﺭﺍﺭﹰﺍ ﻭﺘﻜﺭﺍﺭﹰﺍ‪ .‬ﻭﻷﻨﻪ ﻜﺎﻥ ﻤﻥ ﻤﻭﺍﻝﻴﺩ ﺒـﺭﺝ ﺍﻝـﺩﻝﻭ‬
‫ﻭﻋﻠﻰ ﻋﺘﺒﺔ ﻋﺼﺭ ﻤﻭﺍﻝﻴﺩ ﻫﺫﺍ ﺍﻝﺒﺭﺝ‪ ،‬ﻓﻘﺩ ﻗﻤﺕ ﺒﺘﻜﻠﻴﻑ ﺍﻝﻌﺎﻝﻡ ﺍﻝﻔﻠﻜﻲ "ﺠﻭﻥ ﺒﻴﻙ ‪ "John Beck‬ﺍﻝﺫﻱ ﻝﻡ ﻴﻌﻠﻡ ﺸﻴﺌﹰﺎ ﻋﻥ‬
‫ﺤﻴﺎﺓ " ﺩﻴﻥ ‪ "Dean‬ﻝﻴﻨﺠﺯ ﺩﺭﺍﺴﺘﻪ ﻋﻨﻪ‪ .‬ﻭﻋﻨﺩ ﺍﻨﺘﻬﺎﺀ " ﺒﻴﻙ ‪ "Beck‬ﻤﻥ ﻋﻤﻠﻪ‪ ،‬ﻜﺎﻨﺕ ﻤﻘﺎﺒﻼﺘﻲ ﻭﺒﺤﺜﻲ ﻭﻜﺘﺎﺒﺎﺘﻲ ﻗـﺩ‬
‫ﺍﻨﺘﻬﺕ‪ .‬ﻭﻜﻡ ﻜﻨﺕ ﻤﻨﺩﻫﺸﹰﺎ ﻋﻨﺩﻤﺎ ﺭﺃﻴﺕ ﺃﻥ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺴﺭﺍﺭ ﺍﻝﺘﻲ ﺍﻜﺘﺸﻔﺘﻬﺎ ﻋﻠﻰ ﺍﻷﺭﺽ‪ ،‬ﻜﺎﻨﺕ ﻤﻭﺠﻭﺩﺓ ﻓﻲ‬
‫ﺍﻝﻨﺠﻭﻡ‪.‬‬
‫ﻏﺎﺩﺭ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻤﺯﺭﻋﺔ ﻋﻤﻪ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ ﻋﺎﻡ ‪ ،1949‬ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻓﻲ ﺍﻝﺜﺎﻤﻨﺔ ﻋﺸﺭﺓ ﻤﻥ‬
‫ﻋﻤﺭﻩ‪ .‬ﻭﺒﻌﺩ ﺫﻝﻙ ﺒﺨﻤﺱ ﺴﻨﻭﺍﺕ ﻓﻘﻁ‪ ،‬ﺃﺼﺒﺢ ﻤﻥ ﻨﺠﻭﻡ ﺍﻷﻓﻼﻡ‪ .‬ﻓﻲ ﺨﺭﻴﻑ ﻋﺎﻡ ‪ 1955‬ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻓﻘﻁ ﻓﻲ‬
‫ﺍﻝﺭﺍﺒﻌﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ ﺘﻭﻓﻲ ﺨﻠﻑ ﻤﻘﻭﺩ ﺴﻴﺎﺭﺘﻪ ﻤﻥ ﻨﻭﻉ "ﺒﻭﺭﺸﻴﻪ ﺴﺒﺎﻴﺩﺭ"‪ .‬ﻭﺃﻝﻬﺒﺕ ﻭﻓﺎﺘﻪ ﻨﻭﺒﺔ ﺍﻝﺠﻨﻭﻥ ﺍﻝﻤﺅﻗﺘﺔ ﺍﻝﺘﻲ‬
‫ﺍﻋﺘﺭﺕ ﺍﻝﻤﻌﺠﺒﻴﻥ ﻭﺍﻝﺘﻲ ﻨﺎﻓﺴﺕ ﺍﻨﻔﺠﺎﺭ ﺍﻝﻤﺸﺎﻋﺭ ﺒﻌﺩ ﻭﻓﺎﺓ "ﺭﻭﺩﻭﻝﻑ ﻓـﺎﻝﻨﺘﻴﻨﻭ ‪ ."Rudolph Valentino‬ﻭﺘﻠﻘـﺕ‬
‫ﺸﺭﻜﺔ "ﻭﺭﻨﺭ ﺒﺭﺫﺭﺯ ‪ "Warner Brothers‬ﻭﻝﻌﺩﺓ ﺴﻨﻭﺍﺕ ﺒﻌﺩ ﺍﻝﺤﺎﺩﺙ ﺍﻝﻤﻤﻴﺕ ﺴﺒﻌﺔ ﺁﻻﻑ ﺭﺴـﺎﻝﺔ ﻜـل ﺸـﻬﺭ‬
‫ﻤﺭﺴﻠﺔ ﺇﻝﻰ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺤﻴﺙ ﺭﻓﺽ ﺍﻝﻤﻌﺠﺒﻭﻥ ﻭﺒﺒﺴﺎﻁﺔ ﻗﺒﻭل ﻓﻜﺭﺓ ﻏﻴﺎﺒﻪ‪ .‬ﻭﻝﺴﻨﻭﺍﺕ ﻋﺩﻴـﺩﺓ‪،‬‬
‫ﻜﺎﻨﺕ ﺍﻷﻨﺒﺎﺀ ﺍﻝﻤﺜﻴﺭﺓ ﺒﻌﻨﺎﻭﻴﻨﻬﺎ ﺍﻝﺭﺌﻴﺴﻴﺔ ﻜﻤﺎ ﻓﻲ "ﻨﺎﺸﻴﻭﻨﺎل ﺍﻴﻜﺯﺍﻤﻴﻨﺭ ‪ "Examiner National‬ﺘﻨـﺎﺩﻱ‪" :‬ﻝـﻡ ﻴﺘـﻭﻑ‬
‫ﻻ ﻭﻤﺸﻭﻫﹰﺎ ﻓﻲ ﻤﺼﺢ"‪.‬‬ ‫"ﺠﻴﻤﺱ ﺩﻴﻥ ‪ " James Dean‬ﻓﻲ ﺤﺎﺩﺙ ﺴﻴﺎﺭﺓ ﻤﻤﻴﺕ‪ ،‬ﺒل ﻫﻭ ﻴﻘﺒﻊ ﻤﺨﺘﺒﺌﹰﺎ ﻤﺸﻠﻭ ﹰ‬
‫ﻤﺜﹼل "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻋﻠﻰ ﺍﻝﺸﺎﺸﺔ )ﻓﻲ ﺃﻓﻼﻤﻪ ﺍﻝﺜﻼﺜﺔ‪" :‬ﺸـﺭﻕ ﺠﻨـﺔ ﻋـﺩﻥ ‪"East of Eden‬‬
‫ﻭ"ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪ "Rebel Without a Cause‬ﻭ"ﺍﻝﻌﻤﻼﻕ ‪ ("Giant‬ﻭﻤﺜﹼل ﻓﻲ ﺍﻝﺤﻴﺎﺓ ﻗﻠﻕ ﻭﺘﻤﺭﺩ ﺍﻝﺸﺒﺎﺏ ﺍﻝـﺫﻱ‬
‫ﻋﺎﺸﻭﻩ ﻓﻲ ﺍﻝﺤﺎﻝﺔ ﺍﻝﺭﺍﻫﻨﺔ ﻝﻔﺘﺭﺓ ﺍﻝﺨﻤﺴﻴﻨﻴﺎﺕ ﻭﻝﻡ ﻴﺴﺘﻁﻴﻌﻭﺍ ﺍﻝﺘﻌﺒﻴﺭ ﻋﻨﻪ‪ .‬ﺤﺭﻜﺕ ﻤﻭﺍﺠﻬﺎﺘﻪ ﺍﻝﻌﺎﻁﻔﻴـﺔ ﻋﺩﻴﻤـﺔ‬
‫ﺍﻝﻔﺎﺌﺩﺓ ﻤﻊ ﺍﻝﺴﻠﻁﺔ ﻤﻭﺠﺎﺕ ﻤﻥ ﺍﻝﺼﺩﻤﺔ ﻤﻥ ﺍﻝﺘﻘﻤﺹ ﺍﻝﻌﺎﻁﻔﻲ ﻋﻨﺩ ﺍﻝﻤﻼﻴﻴﻥ ﺍﻝﺫﻴﻥ ﺃﺤﺴﻭﺍ ﺒﺄﻥ ﻫﻨﺎﻙ ﺸﻴﺌﹰﺎ ﻓﺎﺴـﺩﹰﺍ‬
‫ﺘﺤﺕ ﺍﻝﻼﻤﺒﺎﻻﺓ ﺍﻝﻤﺘﻐﻁﺭﺴﺔ ﺨﻼل ﻓﺘﺭﺓ "ﺁﻴﺯﻴﻨﻬﺎﻭﺭ ‪ ،"Eisenhower‬ﻭﺸﻴﺌﹰﺎ ﻤﺸﺅﻭﻤﹰﺎ ﺒﻁﺭﻴﻘﺔ ﻏﻴﺭ ﺠﺩﻴﺭﺓ ﺒﺎﻝـﺫﻜﺭ‬
‫ﺤﻭل ﺘﺤﻘﻴﻕ "ﻤﻜﺎﺭﺜﻲ ‪ -‬ﻨﻴﻜﺴﻭﻥ ‪."McCarthy – Nixon‬‬
‫ﻜﺎﻥ ﺘﻤﺭﺩ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺒﻼ ﻗﻀﻴﺔ ﺒﺎﻝﻨﺴﺒﺔ ﻝﻠﺭﺠﺎل ﺍﻝﺒﻴﺽ ﻤﻥ ﺍﻝﻁﺒﻘﺔ ﺍﻝﻤﺘﻭﺴـﻁﺔ ﻭﺍﻝﻔﺌـﺔ‬
‫ﺍﻝﻌﻤﺭﻴﺔ ﺍﻝﻤﺘﻭﺴﻁﺔ ﻓﻘﻁ ﻭﺍﻝﺫﻴﻥ ﻴﺴﻴﻁﺭﻭﻥ ﻭﺒﺸﻜل ﺘﻘﻠﻴﺩﻱ ﻋﻠﻰ ﺍﻝﻤﺠﺘﻤﻊ ﺍﻷﻤﺭﻴﻜﻲ‪ .‬ﺃﻤـﺎ ﺒﺎﻝﻨﺴـﺒﺔ ﻝﻸﻁﻔـﺎل‪،‬‬
‫ﻭﺍﻝﻨﺴﺎﺀ‪ ،‬ﻭﺍﻝﺴﻭﺩ‪ ،‬ﻓﺈﻥ ﺍﻝﻘﻀﻴﺔ ﻜﺎﻨﺕ ﺤﻘﻴﻘﻴﺔ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻬﺎ ﻝﻡ ﺘﺸﻌل ﺍﻝﻨﻀﺎل ﻓﻲ ﺍﻝﺸـﻭﺍﺭﻉ ﻤـﻥ ﺃﺠـل‬
‫ﺍﻷﺼﻭﺍﺕ ﺍﻻﻨﺘﺨﺎﺒﻴﺔ ﻝﻠﺸﺒﺎﺏ ﺫﻭﻱ ﺍﻝﺜﻤﺎﻨﻴﺔ ﻋﺸﺭ ﻋﺎﻤﺎﹰ‪ ،‬ﻭﻤﻥ ﺃﺠل ﺍﻝﺘﺤﺭﺭ ﻭﺍﻝﺤﻘﻭﻕ ﺍﻝﻤﺩﻨﻴﺔ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘـﺫﻭﻱ‬
‫ﺨﻼل ﻓﺘﺭﺓ ﺍﻝﺴﺘﻴﻨﻴﺎﺕ‪.‬‬
‫ﻼ ﺃﺴﻁﻭﺭﻴﹰﺎ ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﻻ ﻴﺯﺍل ﺤﻴﹰﺎ‪ .‬ﻭﺃﻨﻬـﻰ‬
‫ﻜﺎﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺠﻴﺩﹰﺍ ﻓﻲ ﻁﺭﻴﻘﻪ ﻝﻴﻜﻭﻥ ﺒﻁ ﹰ‬
‫ﻤﻭﺘﻪ ﺍﻝﺘﻜﺭﻴﺱ ﻤﺜﺒﺘﹰﺎ ﻝﻪ ﻤﻜﺎﻨﹰﺎ ﻓﻲ ﻤﺩﺍﻓﻥ ﻋﻅﻤﺎﺀ ﺍﻷﻤﺔ ﺍﻝﺘﻲ ﺘﺤﻭﻱ ﺃﻨﺎﺴﹰﺎ ﻤﺠﺭﻭﺤﻴﻥ ﻭﻤﻭﻫﻭﺒﻴﻥ ﺁﺨﺭﻴﻥ ﺃﺤﺴـﻭﺍ‬
‫ﺒﺎﻝﺤﻴﺎﺓ ﺒﻘﻭﺓ ﻝﺘﺤﻤل ﺍﻝﻌﻴﺵ ﻓﻴﻬﺎ ﻤﺜـل‪" :‬ﺁﺭﺜـﺭ ﻝﻴﻤﺒـﺎﻭﺩ ‪ "Arthur Limbaud‬ﻭ"ﺘﺸـﺎﺭﻝﺯ ﺒـﺎﻭﺩﻴﻠﻴﺭ ‪Charles‬‬
‫‪ "Baudelaire‬ﻭ" ﻝﻴﻨﻲ ﺒﺭﻭﺱ ‪ "Lenny Bruce‬ﻭ"ﺒﻴﻠﻲ ﻫﻭﻝﻴﺩﺍﻱ ‪ "Billie Holiday‬ﻭ"ﺘﺸـﺎﺭﻝﻲ ﺒـﺎﺭﻜﺭ ‪Charlie‬‬
‫‪ "Parker‬ﻭ"ﺩﻴﻼﻥ ﺘﻭﻤﺎﺱ ‪ "Dylan Thomas‬ﻭ"ﺠﺎﻜﺴﻭﻥ ﺒﻭﻝﻭﻙ ‪ "Jackson Pollock‬ﻭ"ﺴﻴﻠﻔﻴﺎ ﺒﻼﺙ ‪"Sylvia Plath‬‬
‫ﻭ"ﺠﺎﻨﻴﺱ ﺠﻭﺒﻠﻴﻥ ‪ "Janis Joplin‬ﻭ"ﺠﻴﻤﻲ ﻫﻴﻨﺩﺭﻴﻜﺱ ‪."Jimi Hendreix‬‬
‫ﻝﻜﻥ ﻤﺸﻜﻠﺔ ﺍﻷﺴﻁﻭﺭﺓ ﻫﻲ ﺃﻨﻬﺎ ﺘﺨﻔﻲ ﺃﻜﺜﺭ ﻤﻤﺎ ﺘﻅﻬﺭ ﺍﻝﻁﺒﻴﻌﺔ ﺍﻝﺤﻘﻴﻘﻴﺔ ﻝﻠﺒﻁل ﺃﻭ ﺍﻝﺒﻁﻠﺔ‪ .‬ﻭﻤـﻊ ﻤـﺭﻭﺭ‬
‫ﺍﻝﺴﻨﻴﻥ‪ ،‬ﺃﺼﺒﺤﺕ ﺼﻭﺭﺓ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻜﻘﺎﺘل ﺍﻝﺘﻨﻴﻥ ﻭﺩﺍﻭﻭﺩ ﺍﻝﺫﻱ ﻭﺍﺠﻪ ﺍﻝﻌﻤﻼﻕ ﻭﺇﻴﻜﺎﺭﻭﺱ ﺍﻝﺫﻱ‬
‫ﺫﺍﺒﺕ ﺃﺠﻨﺤﺘﻪ ﺒﺎﻝﺸﻤﺱ ﺃﻭﻀﺢ ﻭﺃﻭﻀﺢ‪ .‬ﻭﺃﺼﺒﺤﺕ ﺼﻭﺭﺓ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺒﺎﻫﺘﺔ ﺃﻜﺜﺭ‪.‬‬
‫ﻭﻤﻥ ﺨﻼل ﺴﻨﺘﻴﻥ ﻤﻥ ﺍﻝﺒﺤﺙ ﻭﺍﻝﺘﻔﻜﻴﺭ ﻭﺍﻝﻜﺘﺎﺒﺔ‪ ،‬ﺃﺘﺕ ﺼﻭﺭﺓ ﺸﺨﺹ‪ ،‬ﺼﺒﻲ ﺃﺼﺒﺢ ﺭﺠﻼ‪ ،‬ﺃﺤﻴﺎﻨـﹰﺎ ﻓـﻲ‬
‫ﺼﺭﺍﻉ ﺤﺎﺩ ﻤﻊ ﺃﺴﻁﻭﺭﺘﻪ ﻭﺃﺤﻴﺎﻨﹰﺎ ﺃﺨﺭﻯ ﻻ ﻴﻤﻜﻥ ﺘﻤﻴﻴﺯﻩ ﻋﻨﻬﺎ‪.‬‬
‫ﻭﺨﻠﻑ ﻫﺫﺍ ﺍﻝﺸﺨﺹ ﺍﻝﺨﺎﺹ ﻭﺍﻝﺒﻁل ﺍﻝﻨﺠﻡ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺁﺨﺭ‪ ،‬ﺍﻝﻤﻤﺜل ﺍﻝـﺫﻱ‬
‫ﺍﺠﺘﻤﻊ ﻓﻴﻪ ﻜﻼﻫﻤﺎ‪ .‬ﻜﺎﻨﺕ ﺇﻨﺠﺎﺯﺍﺘﻪ ﻫﻲ ﺍﻝﺘﻲ ﺃﻝﻬﻤﺘﻨﻲ ﺍﻝﺒﺤﺙ ﺒﻔﻀﻭل ﻋﻥ ﺸﺨﺹ ﺍﺴﺘﻁﺎﻉ ﺃﻥ ﻴﺸﻥ ﺤﺭﺒﹰﺎ ﻭﺤﺘﻰ‬
‫ﺃﻥ ﻴﺭﺒﺢ ﺍﻝﻤﻌﺭﻜﺔ ﻝﻔﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻷﻭل‬

‫" ﺃﻨﺎ "ﺠﻴﻤﺱ ﺒﺎﻴﺭﻭﻥ ﺩﻴﻥ ‪ "James Byron Dean‬ﻭﻝﺩﺕ ﻓﻲ ‪ 8‬ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ‪ 1931‬ﻓﻲ ﻤﺩﻴﻨـﺔ ﻤـﺎﺭﻴﻭﻥ‬
‫ﺒﻭﻻﻴﺔ ﺍﻨﺩﻴﺎﻨﺎ‪ .‬ﻭﺍﻝﺩﺍﻱ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﻭ"ﻤﻠﺩﺭﻴﺩ ﺩﻴﻥ ‪ "Mildred Dean‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﺩﻋﻰ "ﻤﻠﺩﺭﻴـﺩ‬
‫ﻭﻴﻠﺴﻭﻥ ‪ ،"Mildred Wilson‬ﺤﻴﺙ ﺒﻘﻴﻨﺎ ﻓﻲ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ ﺤﺘﻰ ﺒﻠﻐﺕ ﺍﻝﺴﺎﺩﺴﺔ‪.‬‬
‫ﺴﺒﺏ ﻋﻤل ﻭﺍﻝﺩﻱ ﻤﻊ ﺍﻝﺤﻜﻭﻤﺔ ﺘﻐﻴﻴﺭﺍﹰ‪ ،‬ﻭﺒﺤﻜﻡ ﻋﻤﻠﻪ ﻜﺘﻘﻨﻲ ﺁﻻﺕ ﻁﺏ ﺍﻷﺴﻨﺎﻥ ﺍﻨﺘﻘل ﺇﻝـﻰ ﻜﺎﻝﻴﻔﻭﺭﻨﻴـﺎ‪.‬‬
‫ﻋﺸﻨﺎ ﻫﻨﺎﻙ ﻝﻤﺩﺓ ﺃﺭﺒﻊ ﺴﻨﻭﺍﺕ‪ .‬ﺃﺼﺒﺤﺕ ﺃﻤﻲ ﻤﺭﻴﻀﺔ ﻭﻓﺎﺭﻗﺕ ﺤﻴﺎﺘﻲ ﻭﺃﻨﺎ ﻓﻲ ﻋﻤﺭ ﺍﻝﺘﺎﺴﻌﺔ‪ .‬ﻝﻡ ﺍﻋﻠﻡ ﺃﺒﺩﹰﺍ ﺴﺒﺏ‬
‫ﻭﻓﺎﺓ ﺃﻤﻲ‪ ،‬ﻭﻓﻲ ﺍﻝﺤﻘﻴﻘﺔ ﻓﺈﻥ ﻫﺫﺍ ﻤﺎ ﺯﺍل ﻴﻐﺯﻭ ﺘﻔﻜﻴﺭﻱ‪.‬‬
‫ﻝﻁﺎﻝﻤﺎ ﻋﺸﺕ ﺤﻴﺎﺓ ﻤﻭﻫﻭﺒﺔ‪ .‬ﺩﺭﺴﺕ ﺍﻝﻜﻤﺎﻥ‪ ،‬ﻭﻋﺯﻓﺕ ﻓﻲ ﺍﻝﺤﻔﻼﺕ‪ ،‬ﻭﺭﻗﺼﺕ ﺍﻝﺭﻗﺹ ﺍﻹﻴﻘـﺎﻋﻲ ﻋﻠـﻰ‬
‫ﻱ‪.‬‬
‫ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ ﻭﻝﻜﻨﻨﻲ ﺃﺤﺒﺒﺕ ﺍﻝﻔﻥ ﺃﻜﺜﺭ‪ ،‬ﺤﻴﺙ ﺃﺴﺘﻁﻴﻊ ﺘﺸﻜﻴل ﻭﺼﻨﻊ ﺍﻷﺸﻴﺎﺀ ﺒﻴﺩ ‪‬‬
‫ﻋﺩﺕ ﺇﻝﻰ ﺇﻨﺩﻴﺎﻨﺎ ﻝﻠﻌﻴﺵ ﻤﻊ ﻋﻤﻲ‪ .‬ﻭﻓﻘﺩﺕ ﺍﻝﺭﻗﺹ ﻭﺍﻝﻜﻤﺎﻥ ﻝﻜﻥ ﻝﻡ ﺃﻓﻘﺩ ﺍﻝﻔﻥ‪ .‬ﺃﻅﻥ ﺃﻥ ﺤﻴـﺎﺘﻲ ﺴـﻭﻑ‬
‫ﺘﻜﺭﺱ ﻝﻠﻔﻥ ﻭﺍﻝﻤﺴﺭﺡ‪ .‬ﻭﻫﻨﺎﻙ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﻤﺠﺎﻻﺕ ﺍﻝﻔﻥ ﺒﺤﻴﺙ ﺇﻨﻪ ﻤﻥ ﺍﻝﺼﻌﺏ ﺍﻝﺘﻌﺜﺭ‪ ،‬ﻭﺤﺘﻰ ﺇﻥ ﻓﻌﻠـﺕ ﻫـﺫﺍ‬
‫ﻓﻬﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻴﻨﺒﻐﻲ ﻋﻤﻠﻬﺎ ﻜﺎﻝﺯﺭﺍﻋﺔ ﻭﺍﻝﺭﻴﺎﻀﺔ ﻭﺍﻝﻌﻠﻭﻡ ﻭﺍﻝﺠﻴﻭﻝﻭﺠﻴـﺎ ﻭﺍﻝﺘـﺩﺭﻴﺏ ﻭﺘﻌﻠـﻴﻡ‬
‫ﺍﻝﻤﻭﺴﻴﻘﺎ‪ .‬ﻜﺎﻨﺕ ﻜﻠﻬﺎ ﻋﻨﺩﻱ ﻭﻋﺭﻓﺕ ﺒﺄﻨﻨﻲ ﺇﺫﺍ ﺤﺴﻨﹼﺕ ﻨﻔﺴﻲ ﻓﻠﻥ ﻴﻜﻭﻥ ﻝﻲ ﻤﻨﺎﻓﺱ‪ .‬ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﻤﺭﺀ ﺃﻥ ﺘﻜـﻭﻥ‬
‫ﻋﻨﺩﻩ ﺜﻘﺔ‪.‬‬
‫ﺸﺎﻫﺩﺕ ﻋﻴﻨﺎﻱ ﺍﻝﻴﺎﻓﻌﺘﺎﻥ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺸﻴﺎﺀ ﻋﻨﺩﻤﺎ ﻜﻨﺕ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺤﺴﻥ ﺤﻅﻲ ﺃﻴﻀﹰﺎ ﺍﻝﻘﻴﺎﻡ‬
‫ﺒﺜﻼﺙ ﺯﻴﺎﺭﺍﺕ ﺇﻝﻰ ﺇﻨﺩﻴﺎﻨﺎ ‪ ،‬ﻗﺎﺩﻤﹰﺎ ﻭﻤﻐﺎﺩﺭﹰﺍ ﻓﻲ ﻜل ﻤﺭﺓ ﻤﻥ ﻁﺭﻴﻕ ﻤﺨﺘﻠﻑ‪ .‬ﻝﻘﺩ ﻜﻨﺕ ﺘﻘﺭﻴﺒﹰﺎ ﻓﻲ ﻜل ﻭﻻﻴﺔ ﻏﺭﺏ‬
‫ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﺃﺫﻜﺭ ﻜل ﻫﺫﺍ‪.‬‬
‫ﻜﺎﻨﺕ ﻫﻭﺍﻴﺘﻲ‪ ،‬ﺃﻭ ﻤﺎ ﻜﻨﺕ ﺃﻤﺎﺭﺴﻪ ﻓﻲ ﺃﻭﻗﺎﺕ ﻓﺭﺍﻏﻲ ‪ -‬ﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ‪ .‬ﻋﺭﻓﺕ ﺍﻝﻜﺜﻴﺭ ﻋﻨﻬﺎ ﻤﻴﻜﺎﻨﻴﻜﻴﹰﺎ‬
‫ﻭﺃﺤﺒﺒﺕ ﻗﻴﺎﺩﺘﻬﺎ‪ .‬ﺸﺎﺭﻜﺕ ﻓﻲ ﺒﻌﺽ ﺍﻝﺴﺒﺎﻗﺎﺕ ﻭﻜﺎﻥ ﺃﺩﺍﺌﻲ ﺠﻴﺩﹰﺍ‪ .‬ﻭﻗﺩ ﺍﻤﺘﻠﻜﺕ ﺩﺭﺍﺠﺔ ﺼﻐﻴﺭﺓ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻝﻡ ﺃﻜـﻥ‬
‫ﺃﻓﻌل ﻫﺫﺍ‪ ،‬ﻜﻨﺕ ﻋﺎﺩﺓ ﺃﻤﺎﺭﺱ ﺍﻝﺭﻴﺎﻀﺔ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻨﺒﺽ ﻗﻠﺏ ﻜل ﻓﺘﻰ ﺃﻤﺭﻴﻜﻲ‪ .‬ﻭﻤﻊ ﻤﺤﺎﻭﻻﺕ ﺘﺴﺠﻴل ﻫـﺩﻑ‬
‫ﻓﻲ ﻝﻌﺒﺔ ﻤﺎ‪ ،‬ﻓﻤﻥ ﺍﻝﻀﺭﻭﺭﻱ ﺃﻥ ﻴﻜﻭﻥ ﻫﺩﻓﹰﺎ ﻓﻲ ﻫﺫﺍ ﺍﻝﻌﺎﻝﻡ ﺍﻝﻤﺠﻨﻭﻥ ﺍﻝﺨﺎﺹ ﺒﻜل ﻭﺍﺤﺩ ﻤﻨﺎ‪ .‬ﻭﺃﺭﺠﻭ ﺃﻥ ﺃﻋﺭﻑ‬
‫ﺃﻴﻥ ﻫﻭ ﻋﺎﻝﻤﻲ‪ ،‬ﻭﻋﻠﻰ ﻜل ﺤﺎل ﻓﺄﻨﺎ ﺃﺒﺤﺙ ﻋﻨﻪ‪.‬‬
‫ﻻ ﻤﺎﻨﻊ ﻝﺩﻱ ﺃﻥ ﺃﺨﺒﺭﻙ ﺴﻴﺩ "ﺩﻭﺒﻭﺍ ‪ ،"Dubois‬ﺒﺄﻥ ﻫﺫﺍ ﺃﺼﻌﺏ ﻤﻭﻀﻭﻉ ﺤﺎﻭﻝﺕ ﻓﻴﻪ ﺍﻝﻜﺘﺎﺒـﺔ ﺃﻱ ﻋـﻥ‬
‫ﺍﻝﻤﻌﻠﻭﻤﺎﺕ ﺍﻝﺘﻲ ﻴﻌﺭﻓﻬﺎ ﺍﻝﺸﺨﺹ ﻋﻥ ﻨﻔﺴﻪ ”‪.‬‬
‫ﻜﺘﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﺫﻩ ﺍﻝﻔﻘﺭﺍﺕ ﺍﻝﻨﺒﻭﺌﻴﺔ ﺍﻝﺘﻲ ﺴﻤﺎﻫﺎ "ﺩﺭﺍﺴﺔ ﻋﻥ ﺤﺎﻝﺘﻲ ‪ "My Case Study‬ﻓﻲ ﺨﺭﻴﻑ‬
‫ﻋﺎﻡ ‪ 1948‬ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﺒﻠﻎ ﺍﻝﺴﺎﺒﻌﺔ ﻋﺸﺭﺓ ﻤﻥ ﻋﻤﺭﻩ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻓﻲ ﻭﻻﻴـﺔ ﺇﻨـﺩﻴﺎﻨﺎ‪.‬‬
‫ﺍﻨﺘﻘل ﺍﻝﻤﺩﻴﺭ ﺍﻝﺠﺩﻴﺩ "ﺭﻭﻻﻨﺩ ﺩﻭﺒﻭﺍ ‪ "Roland Dubois‬ﻤﻥ ﻤﺩﺭﺴﺔ ﺃﺨﺭﻯ ﻭﻁﻠﺏ ﻤﻥ ﻁﻼﺒﻪ ﻜﺘﺎﺒﺔ ﺴـﻴﺭﺓ ﺫﺍﺘﻴـﺔ‬
‫ﻗﺼﻴﺭﺓ ﺤﺘﻰ ﻴﺘﺴﻨﻰ ﻝﻪ ﻤﻌﺭﻓﺘﻬﻡ‪ .‬ﻭﺇﺫﺍ ﻁﻠﺏ ﻤﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﻘﺭًﺃ ﻝﻪ ﻤﻭﻀﻭﻋﻪ ﺒﺼﻭﺕ ﻋﺎل ﺭﺒﻤﺎ ﺴﻤﻌﻪ ﻴﻘﻭل‬
‫"ﻤﻭﺘﻭﺭﺴﻴﻜل ‪ "motorsickle‬ﻋﻥ ﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ‪ ،‬ﺤﻴﺙ ﻻ ﻴﺯﺍل ﻋﺸﺎﻕ ﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨـﺕ ﻴﻠﻔﻅﻭﻨﻬـﺎ‬
‫ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ‪.‬‬
‫ﻝﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﻴﻜﻥ ﻴﻨﺘﻤﻲ ﺇﻝﻰ ﺃﻫل ﺍﻝﺭﻴﻑ‪ .‬ﻭﻜﻤﺎ ﺘﺨﺒﺭﻨﺎ ﺴﻴﺭﺘﻪ ﺍﻝﺫﺍﺘﻴﺔ ﻓﺈﻥ ﻤﻜﺎﻥ ﻤﻭﻝـﺩﻩ ﻫـﻭ‬
‫"ﻤﺎﺭﻴﻭﻥ" ﻓﻲ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﻤﺩﻴﻨﺔ )ﺫﺍﺕ ‪ 50000‬ﻨﺴﻤﺔ ﻓﻲ ﺍﻝﻌﺎﻡ ‪ (1930‬ﺘﺒﻌﺩ ﻋﺸﺭﺓ ﺃﻤﻴﺎل ﺸﻤﺎل ﻓﻴﺭﻤﺎﻭﻨـﺕ‬
‫ﺍﻝﺭﻴﻔﻴﺔ‪ .‬ﻭﺤﺘﻰ ﻓﻲ ﺍﻝﺜﻼﺜﻴﻨﻴﺎﺕ ﻓﻘﺩ ﻜﺎﻨﺕ ﺃﻜﺜﺭ ﻤﻥ ﻤﺠﺭﺩ ﻤﺤﻁﺔ ﺘﻭﻗﻑ‪ .‬ﻜﺎﻨﺕ ﻤﺨﺩﻤﺔ ﻤﻥ ﺸﻴﻜﺎﻏﻭ‪ -‬ﺴﻴﻨﺴﻴﻨﺎﺘﻲ‬
‫ﻭﻝﻭﻴﺴﻔﻴل ﻭﻜﻠﻴﻔﻼﻨﺩ ﻭﺴﻴﻨﺴﻴﻨﺎﺘﻲ ﻭﺸﻴﻜﺎﻏﻭ ‪ -‬ﺴﺎﻨﺕ ﻝﻭﻴﺱ ﻭﺘﻭﻝﻴﺩﻭ‪ ،‬ﻭﺴـﺎﻨﺕ ﻝـﻭﻴﺱ ‪ -‬ﺍﻝﻐـﺭﺏ ﻭﺒـﺎﻝﺨﻁﻭﻁ‬
‫ﺍﻝﻜﻬﺭﺒﺎﺌﻴﺔ ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ ﺒﻭﻝﻴﺱ ﺍﻝﻘﺭﻴﺒﺔ ﻭﻤﻭﻨﺴﻲ ﻭﻜﻭﻜﻭﻤﻭ ﻭﻭﺍﺒﺎﺵ ﻭﺒﻴﺭﻭ ﻭﻻﺌﺤﺔ ﻁﻭﻴﻠـﺔ ﻤـﻥ ﻤﺭﺍﻜـﺯ ﺍﻝﺘﺼـﻨﻴﻊ‬
‫ﻭﺍﻝﺯﺭﺍﻋﺔ ﻋﻠﻰ ﺴﻬل ﺘﻴل ﺍﻝﻭﺍﺴﻊ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪.‬‬
‫ﺘﺼﻨﻊ ﻤﺎﺭﻴﻭﻥ ﺍﻝﻤﻭﺍﻗﺩ ﻭﻫﻴﺎﻜل ﺍﻷﺴﺭ‪‬ﺓ ﺍﻝﺤﺩﻴﺩﻴﺔ ﻭﺍﻝﺯﺠﺎﺝ ﺍﻝﻤﻨﻔﻭﺥ ﻭﺍﻷﺩﻭﺍﺕ ﺍﻝﻤﺼـﻨﻭﻋﺔ ﻤـﻥ ﺍﻝﺤﺩﻴـﺩ‬
‫ﺍﻝﻤﻁﺭﻭﻕ ﻭﺘﻌﺎﻝﺞ ﻋﺠﻴﻨﺔ ﺍﻝﻭﺭﻕ ﻭﺘﺩﺒﻎ ﺠﻠﻭﺩ ﺍﻝﺤﻴﻭﺍﻨﺎﺕ‪ ،‬ﻭﻜﺎﻨﺕ ﺫﺍﺕ ﻤﺭﺓ ﻤﺯﻭﺩﹰﺍ ﻤﻬﻤﹰﺎ ﻝﻠﻐﺎﺯ ﺍﻝﻁﺒﻴﻌـﻲ‪ :‬ﺃﻗﻨـﻊ‬
‫ﻼ ﻭﻫﻭ ﻴﺤﺜﻬﻡ‬ ‫ﺴﻴﻨﺎﺘﻭﺭ ﻤﻥ ﺍﻝﻭﻻﻴﺔ ﺒﻌﺩ ﺍﻝﺤﺭﺏ ﺍﻷﻫﻠﻴﺔ ﻭﺍﺸﻨﻁﻥ ﺒﺒﻨﺎﺀ ﻤﻜﺎﻥ ﺇﻗﺎﻤﺔ ﻝﻠﺠﻨﻭﺩ ﺍﻝﻘﺩﺍﻤﻰ ﻓﻲ ﻤﺎﺭﻴﻭﻥ ﻗﺎﺌ ﹰ‬
‫ﺇﻥ ﻤﺎﺭﻴﻭﻥ ﻤﻭﺭﺩ ﻻ ﻴﻨﻀﺏ ﻤﻥ ﺍﻝﻐﺎﺯ ﺍﻝﻁﺒﻴﻌﻲ ﺍﻝﺫﻱ ﻴﻭﻓﺭ ﺇﻨﺎﺭﺓ ﻭﺘﺩﻓﺌﺔ ﻤﺠﺎﻨﻴﺔ ﻝﺠﻨﻭﺩﻨﺎ ﺍﻝﺸﺠﻌﺎﻥ ﻭﺫﻝـﻙ ﻤـﻊ‬
‫ﻤﺸﺎﺭﻴﻊ ﻝﻠﻌﻘﺎﺭﺍﺕ‪ .‬ﻭﺒﺤﻭﺍﻝﻲ ﺍﻝﻌﺎﻡ ‪ 1906‬ﻨﻀﺏ ﻫﺫﺍ ﺍﻝﻐﺎﺯ ﺍﻷﺒﺩﻱ‪ ،‬ﻝﻜﻥ ﺒﻘﻲ ﻫﻨﺎﻙ ﺍﻝﺠﻨﻭﺩ ﻭﺃﺼﺒﺢ ﺒﻴﺘﻬﻡ ﺒﻌـﺩ‬
‫ﺍﻝﺤﺭﺏ ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻷﻭﻝﻰ ﻴﺩﻋﻰ ﺍﻝﻤﺸﻔﻰ ﺍﻝﺤﻜﻭﻤﻲ ﻝﻠﻤﺤﺎﺭﺒﻴﻥ ﺍﻝﻘﺩﺍﻤﻰ‪.‬‬
‫ﺃﻨﻬﻰ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﺘﺩﺭﻴﺒﻪ ﻓﻲ ﺸﻴﻜﺎﻏﻭ ﻭﺤﺼل ﻋﻠﻰ ﻋﻤل ﻓﻲ ﺍﻝﻤﺴﺘﺸﻔﻰ ﻜﺘﻘﻨﻲ ﺃﺴﻨﺎﻥ‪.‬‬
‫ﻜﺎﻥ ﻤﻥ ﺍﻝﻘﻼﺌل ﺍﻝﻤﺤﻅﻭﻅﻴﻥ‪ ،‬ﻓﻘﺩ ﺒﺩﺃ ﺍﻝﻜﺴﺎﺩ ﺍﻝﻜﺒﻴﺭ‪ .‬ﻴﻭﺠﺩ ﺤﻭل ﻤﺎﺭﻴﻭﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺤﻘﻭل ﺍﻝﺨﺼﺒﺔ ﺍﻝﺘﻲ ﺘﻨﺘﺞ‬
‫ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺫﺭﺓ ﻭﺍﻝﻘﻤﺢ ﻭﺍﻝﻘﺵ ﻭﺍﻝﺸﻭﻓﺎﻥ ﻭﻨﺒﺎﺕ ﺍﻝﺠﺎﻭﺩﺍﺭ ﻭﺍﻝﺒﻁﺎﻁﺎ ﻭﺍﻝﺘﻔﺎﺡ ﻭﺍﻷﺠﺎﺹ‪ .‬ﻭﻴﻤﻜﻥ ﻝﻬﺎ ﺃﻥ ﺘـﻭﻓﺭ‬
‫ﺍﻝﻤﺭﻋﻰ ﻝﻘﻁﻌﺎﻥ ﻜﺒﻴﺭﺓ ﻤﻥ ﺍﻝﻤﺎﺸﻴﺔ‪ .‬ﻝﻜﻥ ﻴﻭﺠﺩ ﺍﻵﻥ ﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﻤﺎل ﻤﻥ ﺃﺠل ﺍﻝﺒـﺫﺍﺭ ﺃﻭ ﺍﻹﻁﻌـﺎﻡ‪ ،‬ﻭﺒﺎﻝﻜـﺎﺩ‬
‫ﻴﺴﺘﻁﻴﻊ ﺍﻝﻨﺎﺱ ﻓﻲ "ﻏﺭﺍﻨﺕ ﻜﺎﻭﻨﺘﻲ" ﺘﺩﺒﺭ ﺍﻝﻁﻌﺎﻡ ﻭﺍﻝﺒﻘﺎﺀ ﺩﺍﻓﺌﻴﻥ‪ .‬ﻭﺒﻐﺽ ﺍﻝﻨﻅﺭ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ "ﻭﻴﻨﺘـﻭﻥ ‪"Winton‬‬
‫ﻭﺯﻭﺠﺘﻪ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﺍﻝﺘﻲ ﻤﻀﻰ ﻋﻠﻰ ﺯﻭﺍﺠﻬﺎ ﻋﺎﻡ ‪ -‬ﺍﺒﻨﺔ "ﺠﻭﻥ ﻭﻴﻠﺴﻭﻥ ‪ "John Wilson‬ﻋﺎﻤل ﺍﻝﺤﺩﻴﺩ‬
‫ﺍﻝﻘﺼﻴﺭ ﻭﺍﻝﻤﻤﺘﻠﺊ ﻤﻥ ﻤﺩﻴﻨﺔ ﺍﻝﻐﺎﺯ‪ -‬ﻴﻌﻴﺸﺎﻥ ﺤﻴﺎﺓ ﻋﺎﺩﻴﺔ ﺒﺭﺍﺘﺏ ﺤﻜﻭﻤﻲ ﻋﺎﺩﻱ‪ .‬ﻭﻜﺎﻨﺎ ﻴﺘﻭﻗﻌﺎﻥ ﻤﻭﻝﻭﺩﹰﺍ ﻓﻲ ﻅـل‬
‫ﻤﻌﺩﻻﺕ ﺍﻝﻭﻻﺩﺓ ﺍﻝﻬﺎﺒﻁﺔ‪.‬‬
‫ﻜﺎﻨﺕ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﺍﻝﺘﻲ ﺘﺒﻠﻎ ﺍﻝﻭﺍﺤﺩﺓ ﻭﺍﻝﻌﺸﺭﻴﻥ ﻓﻲ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺤﺎﺩﻴﺔ ﻋﺸﺭﺓ ﻤﻥ ﻝﻴﻠـﺔ ‪ 7‬ﺸـﺒﺎﻁ ‪/‬‬
‫ﻓﺒﺭﺍﻴﺭ ‪ 1931‬ﻓﻲ ﺍﻝﻤﺨﺎﺽ‪ ،‬ﻓﻁﻠﺏ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻁﺒﻴﺏ ﺍﻝﻌﺎﺌﻠﺔ‪ .‬ﻭﺒﻌﺩ ﻤﻨﺘﺼﻑ ﺍﻝﻠﻴل ﺒﻘﻠﻴل‪ ،‬ﻭﺼل ﺍﻝﻁﺒﻴﺏ‬
‫ﺇﻝﻰ ﺍﻝﻤﻨﺯل ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺴﻤﻰ "ﺍﻝﺠﻤﻠﻭﻨﺎﺕ ﺍﻝﺴﺒﻌﺔ ‪ "The Seven Gables‬ﻓﻲ ﺯﺍﻭﻴﺔ ﺸﺎﺭﻉ ﺴﺎﻭﺙ ﻤﺎﻜﻠﻭﺭ ﻭﺇﻴﺴﺕ‬
‫ﻓﻭﺭﺙ ﻭﺍﻝﻤﻜﺴﻭ ﺒﺄﻝﻭﺍﺡ ﺍﻝﺨﺸﺏ‪ .‬ﻭﻀﻌﺕ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻓﻲ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺜﺎﻨﻴﺔ ﺼﺒﺎﺤﹰﺎ ﻤﻥ ﻴـﻭﻡ ‪ 8‬ﺸـﺒﺎﻁ ‪/‬‬
‫ﻓﺒﺭﺍﻴﺭ ﻤﻭﻝﻭﺩﹰﺍ ﺫﻜﺭﹰﺍ‪.‬‬
‫ﺴﻤﺕ ﺍﻷﺴﺭﺓ ﺍﺒﻨﻬﺎ "ﺠﻴﻤﺱ ﺒﺎﻴﺭﻭﻥ ‪" :"James Byron‬ﺠﻴﻤﺱ ‪ "James‬ﺘﻴﻤﻨ ﹰﺎ ﺒـ "ﺠـﻴﻤﺱ ﺃﻤﻴـﻙ ‪James‬‬
‫‪ "Amick‬ﻁﺒﻴﺏ ﺍﻷﺴﻨﺎﻥ ﻓﻲ ﺍﻝﻤﺸﻔﻰ ﺍﻝﺫﻱ ﺃﻋﺠﺏ ﺒﻪ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻭ"ﺒﺎﻴﺭﻭﻥ ‪ "Byron‬ﺘﻴﻤﻨﹰﺎ ﺒـ "ﺒـﺎﻴﺭﻭﻥ‬
‫ﻓﺎﻴﺱ ‪ "Byron Vice‬ﺃﺤﺩ ﺃﺼﺩﻗﺎﺀ "ﻭﻴﻨﺘﻭﻥ ‪."Winton‬‬
‫ﻴﻭﺠﺩ ﻝﺩﻯ ﻫﻭﻝﻴﻭﻭﺩ ﻗﻨﺎﻋﺔ ﺍﻵﻥ ﺒﺄﻥ ﺃﺴﻁﻭﺭﺘﻬﺎ ﻗﺩ ﺴﻤﻲ ﺒﻬﺫﺍ ﺍﻻﺴﻡ ﻤﻥ ﻗﺒل ﺃﻤﻪ ﺍﻝﻤﻭﻫﻭﺒﺔ )ﺍﻝﺘﻲ ﻋﺯﻓـﺕ‬
‫ﺍﻝﺒﻴﺎﻨﻭ( ﺘﻴﻤﻨﹰﺎ ﺒـ "ﻝﻭﺭﺩ ﺒﺎﻴﺭﻭﻥ "‪ ."Lord Byron‬ﻭﺭﺒﻤﺎ ﻜﺎﻥ ﻫﺫﺍ ﺃﺤﺩ ﺍﻷﺴﺒﺎﺏ ﺍﻝﺘﻲ ﺩﻋﺕ "ﻤﻴﻠﺩﺭﻴـﺩ ‪"Mildred‬‬
‫ﻝﺤﺏ ﻫﺫﺍ ﺍﻻﺴﻡ‪ ،‬ﻭﻝﻜﻥ ﻻ ﻴﺘﺫﻜﺭ ﺃﺤﺩ ﻓﻲ ﺍﻝﻌﺎﺌﻠﺔ ﺃﻱ ﺫﻜﺭ ﻝﻠﺸﺎﻋﺭ ﺒﺄﻱ ﻭﻗﺕ ﻋﻨﺩ ﺘﺴﻤﻴﺔ ﺍﻝﻁﻔل‪) .‬ﻝـﻥ ﻴـﺘﻡ ﺘﻌﻤﻴـﺩ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻷﻥ ﻁﺎﺌﻔﺔ ﺍﻝﻜﻭﻴﻜﺭ ﺍﻝﺘﻲ ﺘﻨﺘﻤﻲ ﺇﻝﻴﻬﺎ ﺍﻝﻌﺎﺌﻠﺔ ﻝﻡ ﺘﻜﻥ ﺘﺅﻤﻥ ﺒﻬﺫﺍ(‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻝﺩﹰﺍ ﺼﻐﻴﺭﹰﺍ ﻨﺎﺌﻤﺎﹰ ﻋﻠﻰ ﻅﻬﺭﻩ ﻴﺨﺒﻁ ﺒﺭﺠﻠﻴﻪ ﺒﻤﺎ ﻜﺎﻥ ﻗﺩ ﺘﻡ ﺘﻘﺩﻴﻤﻪ ﻋﻠﻰ ﺃﻨـﻪ‬
‫"ﺒﺎﻨﻴﻭ ﻝﻠﺼﻐﺎﺭ"‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻓﺭﺩ ﺁﺨﺭ ﻤﻥ ﺍﻝﻁﺎﺌﻔﺔ ﻭﻫﻭ "ﻫﻴﺭﺒﻴﺭﺕ ﻫﻭﻓﺭ ‪ "Herbert Hoover‬ﺘﺘﻘﺎﺫﻓﻪ ﺍﻷﻤﻭﺍﺝ ﻓﻲ‬
‫ﺍﻝﺒﻴﺕ ﺍﻷﺒﻴﺽ‪ .‬ﻓﻲ ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﻋﺎﻡ ‪ 1931‬ﺍﺭﺘﻔﻌﺕ ﺤﺎﻻﺕ ﻓﺸل ﺍﻝﻤﺼﺎﺭﻑ ﻝﻤـﺎ ﻤﺠﻤﻭﻋـﻪ ‪.2342‬‬
‫ﻭﻓﻲ ﻝﻴﻠﺔ ﺘﺤﻭل ﺍﻝﻤﻌﺒﺩ ﺍﻝﻴﻭﻨﺎﻨﻲ ﻓﻲ ﺸﺎﺭﻉ ﻤﻴﻥ ﺇﻝﻰ ﻤﺤﻼﺕ ﺼﻐﻴﺭﺓ ﻝﺘﻠﻤﻴﻊ ﺍﻷﺤﺫﻴﺔ ﻭﺃﺨﺭﻯ ﻝﻠﻔﺎﻜﻬﺔ‪ ،‬ﻓﻜﺎﻥ ﻤﺜل‬
‫ﺘﺤﻭل ﺃﻝﻴﺱ ﻓﻲ ﺒﻼﺩ ﺍﻝﻌﺠﺎﺌﺏ ﺒﻐﺭﺍﺒﺘﻪ ﻭﺨﻭﻓﻪ‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺸﺭﻜﺎﺕ ﺘﺄﻤﻴﻥ ﺇﻴﺩﺍﻉ ﻓﻴﺩﺭﺍﻝﻴﺔ ﻝﺘﺠﻌل ﻫﺫﺍ ﺍﻝﻤﺸـﻬﺩ‬
‫ﺃﻗل ﺸﻨﺎﻋﺔ‪.‬‬
‫ﻓﻲ ﺍﻝﺸﻬﺭ ﻨﻔﺴﻪ‪ ،‬ﻭﺒﻤﺴﺎﻋﺩﺓ ﺍﻵﺨﺭﻴﻥ ﻭﺤﺘﻰ ﺍﻷﻜﺜﺭ ﺇﺨﺎﻓﺔ ﻜﺎﻥ "ﻫﻭﻓﺭ ‪ "Hoover‬ﻭ "ﺠﻲ ﺇﻴﺩﻏﺎﺭ ‪"J Edgar‬‬
‫ﻭﻤﻜﺘﺏ ﺍﻝﺘﺤﻘﻴﻘﺎﺕ ﺍﻝﻔﻴﺩﺭﺍﻝﻲ ﻭﻫﻭ ﻴﺴﺘﺨﺩﻡ ﺒﺭﺍﻋﺘﻪ ﺒﺎﻻﺘﻬﺎﻡ ﺒﺎﻝﺘﺤﺎﻴل ﻤﻥ ﺍﻝﺘﻬﺭﺏ ﺍﻝﻀﺭﻴﺒﻲ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻴﻌﺘﻘل "ﺁل‬
‫ﻜﺎﺒﻭﻥ ‪ "Al Capon‬ﻓﻲ ﺸﻴﻜﺎﻏﻭ ﺍﻝﺫﻱ ﻜﺎﻥ ﻤﻌﺭﻭﻓﹰﺎ ﺒﻌﺩﻡ ﺍﺴﺘﻁﺎﻋﺔ ﺍﻝﻭﺼﻭل ﺇﻝﻴﻪ‪ .‬ﻜﺎﻨﺕ ﻏﺭﺍﻤﺘﻪ ﻋﺒـﺎﺭﺓ ﻋـﻥ‬
‫ﺨﻤﺴﻴﻥ ﺃﻝﻔﺎﹰ‪ ،‬ﻝﻜﻥ ﺤﻜﻤﻪ ﻜﺎﻥ ﺃﺤﺩ ﻋﺸﺭ ﻋﺎﻤﹰﺎ ﻁﻭﻴﻠﺔ ﻓﻲ ﺍﻝﺴﺠﻥ‪ .‬ﻭﻤﻊ ﺘﻌﻔﻨﻪ ﻓﻲ ﺴﺠﻥ ﺍﻝﻜﺎﺘﺭﺯ ﺒﻌـﺩ ﺇﺼـﺎﺒﺘﻪ‬
‫ﺒﻤﺭﺽ ﺍﻝﺯﻫﺭﻱ ﻴﺘﺎﺒﻊ ﻤﺭﺅﻭﺴﻭﻩ ﺒﻨﺎﺀ ﻤﺎﻓﻴﺎ ﺠﺩﻴﺩﺓ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺍﻷﻭﻗﺎﺕ ﺍﻝﻌﺼﻴﺒﺔ ﻭﺍﻷﻏﻨﻴﺎﺀ ﻋﻠﻰ ﻁﺭﻑ ﻭﺍﻝﻤﺒﺘﺯﻴﻥ ﻋﻠﻰ ﺍﻝﻁﺭﻑ ﺍﻵﺨﺭ‪ ،‬ﻓﻘﺩ ﺫﻫﺒﻭﺍ ﺇﻝـﻰ‬
‫ﻭﺍﺸﻨﻁﻥ ﺤﺎﻤﻠﻴﻥ ﻫﺩﺍﻴﺎ ﻤﺤﻠﻴﺔ ﻤﻔﺎﺠﺌﺔ ﻝﻠﺭﺌﻴﺱ‪ .‬ﻭﻴﺴﻤﺢ ﺍﻝﺴﻴﺩ "ﻫﻭﻓﺭ ‪" "Hoover‬ﻝﺭﺠﺎل ﺍﻝﺼﺤﺎﻓﺔ" ﺍﻵﺨﺫﻴﻥ ﻝﻜـل‬
‫ﻭﻗﺘﻪ ﺒﺎﻝﺘﻘﺎﻁ ﺼﻭﺭﻩ ﻤﻊ ﻤﺤﺎﺭ ﻝﻭﻨﻎ ﺁﻴﻼﻨﺩ‪ ،‬ﻭﺃﺴﻤﺎﻙ ﺒﻭﺴﺘﻥ ﻭﺜﻴﺭﺍﻥ ﺁﻴﻭﺍ‪ .‬ﻭﻝﺴﻭﺀ ﺍﻝﺤﻅ ﻓﻘﺩ ﻜﺎﻨﺕ ﺍﻻﺒﺘﺴـﺎﻤﺎﺕ‬
‫ﺍﻝﻤﺘﻜﻠﻔﺔ ﺍﻝﺘﻲ ﻴﻭﺯﻋﻬﺎ ﻤﻊ ﻤﻭﺍﺩ ﺨﺒﺭﺍﺀ ﺍﻷﻜل ﻗﺩ ﻓﻌﻠﺕ ﺍﻝﻘﻠﻴل ﻹﻋﺎﺩﺓ ﺍﻝﺘﺄﻜﻴﺩ ﻝﻬﺅﻻﺀ ﺍﻝﻨﺎﺱ ﺍﻝﻭﺍﻗﻔﻴﻥ ﻓﻲ ﺼـﻔﻭﻑ‬
‫ﺍﻹﻋﺎﻨﺔ ﺃﻭ ﺃﻥ ﻴﺤﻴﻲ ﺍﻝﻨﺎﺱ ﺍﻝﻤﻬﺯﻭﻤﻴﻥ ﺍﻝﺫﻴﻥ ﻴﺭﻜﺒﻭﻥ ﺍﻷﻝﻭﺍﺡ ﺍﻝﺨﺸﺒﻴﺔ‪ .‬ﺁﻻﻑ ﺍﻷﺸﺨﺎﺹ ﻴﻨﺎﻤﻭﻥ ﻓﻲ ﺴـﻴﺎﺭﺍﺕ‬
‫ﻜﺎﻝﻌﻠﺏ ﻭﻴﺠﻭﻝﻭﻥ ﺤﻭل ﺍﻝﻨﺎﺭ ﻓﻲ ﻏﺎﺒﺎﺕ ﺍﻝﻤﺸﺭﺩﻴﻥ ﺤﻴﺙ ﻴﻘﺘﻠﻭﻥ ﺃﺤﻴﺎﻨﹰﺎ ﻤﻥ ﻗﺒل ﺭﺠﺎل ﺍﻝﻌﺼﺎﺒﺎﺕ ﺃﻭ ﺍﻝﻠﺼﻭﺹ‪.‬‬
‫ﻜﺫﻝﻙ ﻜﺎﻥ ﺍﻹﻋﺩﺍﻡ ﻤﻥ ﻏﻴﺭ ﻤﺤﺎﻜﻤﺔ ﻁﻘﺴﹰﺎ ﺫﺍ ﺸﻌﺎﺌﺭ ﻤﻥ ﺍﻝﺘﻀﺤﻴﺔ ﻭﺍﻝﺫﻱ ﻭﻓﺭ ﺍﻝﺭﺍﺤﺔ‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺇﻋـﺩﺍﻡ ﻤـﻥ‬
‫ﻏﻴﺭ ﻤﺤﺎﻜﻤﺔ ﻓﻲ ﻤﺎﺭﻴﻭﻥ ﻋﺎﻡ ‪ 1930‬ﺃﻭ ‪ .1931‬ﻭﺒﺎﻝﻁﺒﻊ ﻓﺈﻥ "ﺁﻤﻭﺱ ﻭﺁﻨﺩﻱ ‪ "Amos 'n' Andy‬ﻻ ﻴﺘﻤﺎﺯﺤـﺎﻥ‬
‫ﺤﻭل ﻫﺫﻩ ﺍﻷﺸﻴﺎﺀ ﻜﻤﺎ ﻴﻔﻌﻼﻥ ﻓﻲ ﺘﻠﻙ ﺍﻷﺸﻴﺎﺀ ﺍﻝﻤﺒﺜﻭﺜﺔ ﻋﻠﻰ ﺍﻝﻬﻭﺍﺀ ﺒﺎﻝﻁﺒﻊ‪ .‬ﻓﻜﻼﻫﻤﺎ ﺃﺒﻴﺽ‪.‬‬
‫ﻴﺠﻠﺱ ﺍﻝﺭﻀﻴﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﻤﺭ ﺍﻷﺭﺒﻌﺔ ﺃﺸﻬﺭ ﻓﻲ ﺜﻭﺏ ﻓﻀﻔﺎﺽ ﺃﺒﻴﺽ ﻭﻫﻭ ﻴﺒﺘﺴﻡ ﺒﻤﻜـﺭ ﺇﻝـﻰ‬
‫ﻋﺩﺴﺔ ﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﺩﻩ‪.‬‬
‫ﻭﻓﻲ ﻴﻭﻡ ﺘﻨﺼﻴﺏ ﺍﻝﺭﺌﻴﺱ ﻋﺎﻡ ‪ 1933‬ﻴﺨﺭﺝ "ﻫﺭﺒﺭﺕ ﻫﻭﻓﺭ ‪ "Herbert Hoover‬ﻤﻥ ﻤﻜﺘﺒﻪ ﻭﻴﺠﻠﺱ ﻓﻲ‬
‫ﺍﻝﻤﻘﻌﺩ ﺍﻝﺨﻠﻔﻲ ﻝﺴﻴﺎﺭﺓ "ﻜﺎﺩﻴﻼﻙ" ﻴﻘﻭﺩﻫﺎ ﺴﺎﺌﻕ ﺒﻴﻨﻤﺎ ﻴﺩﺨل "ﻓـﺭﺍﻨﻜﻠﻴﻥ ﺩﻴﻼﻨـﻭ ﺭﻭﺯﻓﻴﻠـﺕ ‪Franklin Delano‬‬
‫‪ ."Roosevelt‬ﺃﺼﺒﺤﺕ ﺍﻷﻤﻭﺭ ﺴﻴﺌﺔ ﺍﻵﻥ ﺒﺤﻴﺙ ﺇﻨﻪ ﺤﺘﻰ ﺼﺤﻴﻔﺔ "ﺩﻴﻠـﻲ ﻨﻴـﻭﺯ ‪ "Daily News‬ﺍﻝﻨﻴﻭﻴﻭﺭﻜﻴـﺔ‬
‫ﺘﻌﻬﺩﺕ )ﻓﻲ ‪ 16‬ﺁﺫﺍﺭ‪/‬ﻤﺎﺭﺱ ‪“ (1933‬ﺩﻋﻡ ﺴﻴﺎﺴﺔ ﺍﻝﺭﺌﻴﺱ "ﻓﺭﺍﻨﻜﻠﻴﻥ ﺩﻱ‪ .‬ﺭﻭﺯﻓﻴﻠﺕ ‪"Franklin D. Roosevelt‬‬
‫ﻝﻤﺩﺓ ﺴﻨﺔ ﻋﻠﻰ ﺍﻷﻗل ﻤﻥ ﺍﻝﻴﻭﻡ‪ ،‬ﻭﺃﻁﻭل ﻤﻥ ﺫﻝﻙ ﺇﺫﺍ ﻜﻔﻠﺕ ﺍﻝﻅﺭﻭﻑ ﺫﻝﻙ”‪ .‬ﻜﺫﻝﻙ ﺍﻋﺘﺭﻓﺕ ﺍﻻﻓﺘﺘﺎﺤﻴﺔ ﺒﺄﻨـﻪ ﻝـﻡ‬
‫“ﺘﻜﻥ ﺘﻀﺤﻴﺔ ﺼﻐﻴﺭﺓ ﻝﺠﺭﻴﺩﺓ ﺃﻥ ﺘﻨﻔﺫ ﺍﻝﺘﻌﻬﺩ ﺍﻝﻤﺫﻜﻭﺭ ﺴﺎﺒﻘﹰﺎ”‪.‬‬
‫ﺃﺼﺒﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻵﻥ ﻓﻲ ﺍﻝﺜﺎﻨﻴﺔ ﻭﻫﻭ ﻴﻘﻑ ﻓﻲ ﻗﻤﻴﺹ ﺃﺒﻴﺽ ﺒﻜﻤﻴﻥ ﻗﺼﻴﺭﻴﻥ ﻭﺒﻨﻁـﺎل ﺃﺒـﻴﺽ‬
‫ﻗﺼﻴﺭ ﻭﺠﻭﺍﺭﺏ ﺒﻴﻀﺎﺀ ﻭﺤﺫﺍﺀ ﺃﺒﻴﺽ ﺒﺠﺎﻨﺏ ﻋﻤﺘﻪ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺍﻷﺨﺕ ﺍﻝﻜﺒﺭﻯ ﻝـ "ﻭﻴﻨﺘﻭﻥ ‪"Winton‬‬
‫ﻭﺍﺒﻨﺔ ﻋﻤﺘﻪ "ﺠﻭﺍﻥ ‪ "Joan‬ﻤﻥ ﺃﺠل ﺼﻭﺭﺓ ﻝﻔﺤﺘﻬﺎ ﺍﻝﺸﻤﺱ ﺃﻤﺎﻡ ﺍﻝﺤﻅﻴﺭﺓ ﺍﻝﺒﻴﻀﺎﺀ ﺍﻝﻜﺒﻴﺭﺓ ﻓـﻲ ﻤﺯﺭﻋـﺔ ﺍﻝﻌـﻡ‬
‫"ﻤﺎﺭﻜﻭﺱ ‪."Marcus‬‬
‫ﻗﺎﺭﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺜﺎﻝﺜﺔ ﻤﻥ ﻋﻤﺭﻩ‪ ،‬ﻭﻴﻌﻴﺵ "ﻭﻴﻨﺘـﻭﻥ ‪ "Winton‬ﻭ "ﻤﻴﻠﺩﺭﻴـﺩ ‪ "Mildred‬ﺤﻴﺎﺘﻬﻤـﺎ‬
‫ﺒﺼﻤﺕ ﻭﺒﺩﻭﻥ ﺃﻱ ﺸﻜﻭﻯ ﻭﺒﻬﺩﻭﺀ ﻨﺴﺒﻲ ﻭﺴﻁ ﺍﻝﻌﺎﺼﻔﺔ ﺍﻻﻗﺘﺼﺎﺩﻴﺔ‪ .‬ﻴﻌﻤل "ﻭﻴﻨﻭﺘﻭﻥ ‪ "Winton‬ﺒﻜﺩ ﻓﻲ ﺤﺸﻭﺍﺕ‬
‫ﺍﻷﺴﻨﺎﻥ ﻭﺍﻝﺠﺴﻭﺭ‪ ،‬ﺒﻴﻨﻤﺎ ﺘﻁﻬﻭ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻭﺘﻨﻅﻑ ﻭﺘﺭﻋﻰ ﺍﺒﻨﻬﺎ ﺍﻝﺼﻐﻴﺭ "ﺠﻴﻤـﻲ ﺒـﺎﻴﺭﻭﻥ ‪Jimmy‬‬
‫‪ "Byron‬ﻜﻤﺎ ﻜﺎﻨﺕ ﺘﺤﺏ ﺃﻥ ﺘﺴﻤﻴﻪ‪.‬‬
‫ﺩﺨل ﺍﻝﻌﺎﻝﻡ ﺍﻝﺨﺎﺭﺠﻲ ﺤﻴﺎﺘﻬﻡ ﻋﻥ ﻁﺭﻴﻕ ﺼﻭﺕ ﺍﻝﻤﺫﻴﺎﻉ‪ ،‬ﻓﻜﺎﻨﺕ ﻓﻲ ﻓﺘﺭﺓ ﻤﺎ ﺒﻌﺩ ﺍﻝﻅﻬـﺭ ﺍﻝﻤﺴﻠﺴـﻼﺕ‬
‫ﺍﻹﺫﺍﻋﻴﺔ ﺍﻝﺘﻲ ﺼﺎﺤﺒﻬﺎ ﺼﻭﺕ ﺍﻷﺭﻏﻥ ﻤﺜل‪" :‬ﻁﺭﻴﻕ ﺍﻝﺤﻴﺎﺓ ‪ "Road of Life‬ﻭ "ﻓﺘﺎﺘﻨﺎ ﺴـﺎﻨﺩﻱ ‪"Our Gal Sandy‬‬
‫ﻭ"ﺃﺴﺭﺓ ﺃﺤﺩﻫﻡ ‪ "One Man's Family‬ﻭﺍﻝﻘﺼﺹ ﺍﻝﺒﻁﻭﻝﻴﺔ ﺍﻝﺘﻲ ﺘﺤﻭل ﻓﻴﻬﺎ ﺍﻝﻤﻌﻀﻠﺔ ﺍﻝﺴﻴﻜﻭﻝﻭﺠﻴﺔ ﺍﻝﻌﻘـل ﻋـﻥ‬
‫ﺍﻝﺸﺭﻭﺭ ﺍﻻﺠﺘﻤﺎﻋﻴﺔ ﻝﻠﺤﺎﻀﺭ‪ .‬ﻭﺃﻤﻜﻥ ﺍﻝﻀﺤﻙ ﻤﺴﺎ ‪‬ﺀ ﻤﻊ "ﺍﻝﻜﻭﻝﻭﻨﻴل ﻝﻴﻤﻴﻭل ﻜﻴﻭ ﺴـﺘﻭﺒﻨﺎﻏل ﻭ ﺒـﺩ ‪Colonel‬‬
‫‪ "Lemuel Q. Stoopnagle and Budd‬ﺃﻭ ﺍﻝﺫﻫﺎﺏ ﻓﻲ ﺭﺤﻠﺔ ﺴﺎﺨﺭﺓ ﻤﻊ "ﺯﻗﺎﻕ ﺁﻝﻥ ‪ "Allen's Alley‬ﻤـﻊ "ﻓﺭﻴـﺩ‬
‫‪ "Fred‬ﻭﺯﻭﺠﺘﻪ ﻭﺍﻷﺼﺩﻗﺎﺀ‪ :‬ﺍﻝﺴﻴﻨﺎﺘﻭﺭ "ﻜﻼﻏﻬﻭﺭﻥ ‪ "Claghorn‬ﻭ"ﺘﻴﺘـﻭﺱ ﻤـﻭﺩﻱ ‪ "Titus Moody‬ﻭﺍﻝﺴـﻴﺩﺓ‬
‫"ﻨﻭﺴﺒﺎﻭﻡ ‪ "Nussbaum‬ﻭﺁﺨﺭﻴﻥ ) ﻝﻡ ﻴﺠﺩ "ﺁﻝﻥ ‪ "Allen‬ﻜل ﺸﻲﺀ ﻤﻀﺤﻜﹰﺎ ﻜﻤﺎ ﺃﻭﻀﺢ ﻓﻴﻤﺎ ﺒﻌـﺩ ﻓـﻲ ﺴـﻴﺭﺘﻪ‬
‫ﺍﻝﺫﺍﺘﻴﺔ ﺍﻝﻤﻌﻨﻭﻨﺔ ﺒﻭﺤﺸﻴﺔ "ﻤﻁﺤﻨﺔ ﻝﻠﻨﺴﻴﺎﻥ ‪.("Treadmill to Oblivion‬‬
‫ﺠﻠﺱ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﺘﺼﻭﻴﺭ ﻝﻠﻘﻁﺔ ﻓﻭﺘﻭﻏﺭﺍﻓﻴﺔ ﻭﻫﻭ ﻓﻲ ﺍﻝﺜﺎﻝﺜﺔ ﻓﻲ ﻏﺭﻓﺔ ﺍﻝﻤﻌﻴﺸﺔ ﺒﺒﻴﺎﻀﺎﺘﻪ ﺍﻝﻨﻅﻴﻔـﺔ‬
‫ﻭﺍﻝﻤﻜﻭﻴﺔ ﻜﻤﺎ ﻫﻲ ﺍﻝﻌﺎﺩﺓ ﺩﺍﺌﻤﺎﹰ‪ ،‬ﻭﻗﻤﻴﺹ ﺍﻝﺒﺤﺎﺭﺓ ﺒﻜﻤﻴﻪ ﺍﻝﻘﺼﻴﺭﻴﻥ ﺍﻝﺫﻱ ﺤﻤل ﻨﺠﻤﺔ ﺯﺭﻗﺎﺀ ﻜﺒﻴـﺭﺓ ﻋﻠـﻰ ﻜـل‬
‫ﻁﺭﻑ ﻤﻥ ﺍﻝﻴﺎﻗﺔ ﺍﻝﻌﺭﻴﻀﺔ ﻤﻊ ﻤﺭﺴﺎﺓ ﻤﻌﺩﻨﻴﺔ ﻝﻤﺎﻋﺔ ﺘﺒﺩﻭ ﺒﻜل ﺘﺒﺎﻩ ﻋﻠﻰ ﻁﺭﻓﻲ ﺤﻤـﺎﻻﺕ ﺒﻨﻁﺎﻝـﻪ‪ .‬ﻭﻤﺸـﻁﺕ‬
‫"ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﺸﻌﺭﻩ ﻤﻥ ﺍﻝﻤﻨﺘﺼﻑ ﺘﻘﺭﻴﺒ ﹰﺎ ﻨﺤﻭ ﺃﺫﻨﻴﻪ ﺍﻝﻨﺎﺘﺌﺘﻴﻥ‪ ،‬ﻭﻋﻴﻨﺎﻩ ﺘﺒﺭﻗﺎﻥ ﻋﺎﻜﺴﺘﻴﻥ ﺍﻝﺤﻨﺎﻥ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺘﻰ ﺤﺫﺭﹰﺍ‪ .‬ﺘﻌﻠﻡ ﺍﻝﻜﻼﻡ ﺒﺎﻜﺭﺍﹰ‪ ،‬ﻭﺘﻌﻠﻡ ﺍﻝﻤﺸﻲ ﺒﺎﻜﺭﹰﺍ‪ .‬ﻭﺍﻜﺘﺸﻑ ﺍﻷﺒﻭﺍﻥ ﺒﺎﻜﺭﹰﺍ ﺠﺩﹰﺍ ﻋﻨﺎﺩ‬
‫ﻼ‪“ :‬ﺒﺈﻤﻜﺎﻨﻙ ﻤﺤﺎﻭﻝﺔ ﺍﻝﻁﻠﺏ ﻤﻨـﻪ‬ ‫ﻭﻝﺩﻫﻤﺎ ﺍﻝﺸﺭﺱ‪ .‬ﻜﺎﻨﺕ ﻝﺩﻯ ﺍﻝﻔﺘﻰ ﺇﺭﺍﺩﺓ ﻤﺴﺘﻘﻠﺔ‪ .‬ﻴﺘﺫﻜﺭ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻗﺎﺌ ﹰ‬
‫ﻋﻤل ﺃﻭ ﺘﺭﻙ ﺸﻲﺀ ﻤﺎ ﺒﻴﻨﻤﺎ ﻫﻭ ﻴﺠﻠﺱ ﺒﻭﺠﻬﻪ ﺍﻝﻤﻜﻔﻬﺭ‪ .‬ﻭﻝﻥ ﺘﺤﺘﺎﺝ ﺇﻝﻰ ﻭﻗﺕ ﻁﻭﻴل ﻝﻤﻌﺭﻓﺔ ﺃﻨﻙ ﻝﻥ ﺘﺼل ﺇﻝﻰ‬
‫ﺃﻱ ﻨﺘﻴﺠﺔ ﻤﻌﻪ‪ .‬ﻭﻝﻡ ﻴﻔﺩ ﺼﻔﻌﻪ ﻋﻠﻰ ﻗﻔﺎﻩ ﺃﻴﻀﹰﺎ ﻭﻻ ﺤﺘﻰ ﺍﻝﺘﻌﻨﻴﻑ‪ ،‬ﻭﻝﻡ ﺘﺴﺘﻁﻊ ﻜﺫﻝﻙ ﺭﺸﻭﺘﻪ‪ ،‬ﻭﻝﻜﻥ ﻜﺎﻥ ﺒﺈﻤﻜﺎﻨﻙ‬
‫ﺩﺍﺌﻤﹰﺎ ﺍﻝﺘﻜﻠﻡ ﻤﻌﻪ ﺒﺘﻌﻘل ﺃﻭ ﻤﻨﺎﺸﺩﺓ ﻏﺭﻴﺯﺘﻪ”‪ .‬ﺒﻘﻲ ﻫﻜﺫﺍ ﺤﺘﻰ ﺤﻴﻥ ﺃﺼﺒﺢ ﺸﺎﺒﹰﺎ‪.‬‬
‫ﺍﻋﺘﺎﺩ ﺍﻝﻭﺍﻝﺩﺍﻥ ﺃﺨﺫ ﺍﻝﺼﻐﻴﺭ ﺇﻝﻰ ﻤﺯﺭﻋﺔ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻓﻲ ﻋﻁل ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ ﺒﺎﻝﻘﺭﺏ ﻤـﻥ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﻭﺴﻤﺢ ﻝﻪ ﺒﺎﻝﺠﻠﻭﺱ ﻋﻠﻰ ﺍﻝﻤﺎﺌﺩﺓ ﻝﻐﺩﺍﺀ ﻴﻭﻡ ﺍﻷﺤﺩ ﺍﻝﻜﺒﻴﺭ‪ .‬ﻭﺒﻌﺩ ﺫﻝﻙ‪ ،‬ﺴﻤﺢ ﻝﻪ ﺒﺎﻝﺨﺭﻭﺝ ﻝﻠﻌـﺏ ﻤـﻊ‬
‫"ﺠﻭﺍﻥ ‪ "Joan‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﻜﺒﺭﻩ ﺒﺨﻤﺱ ﺴﻨﻴﻥ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﻤل ﻜﺜﻴﺭﹰﺍ ﻤﻊ "ﺍﻝﻁﻔل"‪ .‬ﻭﻝﻁﺎﻝﻤـﺎ ﺘﺤـﺭﻕ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺸﻭﻗﹰﺎ ﺇﻝﻰ ﺫﻝﻙ ﺍﻝﻴﻭﻡ ﺍﻝﺫﻱ ﻴﻜﻭﻥ ﻓﻴﻪ ﻜﺒﻴﺭﹰﺍ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﻻﺴﺘﻜﺸﺎﻑ ﺍﻝﻤﺯﺭﻋﺔ ﺍﻝﻜﺒﻴﺭﺓ ﺒﻨﻔﺴﻪ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻝﻡ ﺘﻜﻥ ﺍﻷﺴﺭﺓ ﺘﺫﻫﺏ ﺇﻝﻰ ﺁل "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻜﺎﻨﺕ ﺘﺫﻫﺏ ﻝﺯﻴﺎﺭﺓ ﺠﺩﻴﻪ ﻤﻥ ﻁﺭﻑ ﺃﺒﻴﻪ ﻓـﻲ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﻜﺎﻥ "ﺘﺸﺎﺭﻝﺯ ﻭﺃﻴﻤﺎ ﻭﻭﻝﻥ ﺩﻴﻥ ‪ "Charles and Emma Woolen Dean‬ﻴﻌﻴﺸﺎﻥ ﻓﻲ ﺒﻴﺕ ﺃﺒـﻴﺽ ﺫﻱ‬
‫ﺃﻝﻭﺍﺡ ﺨﺸﺒﻴﺔ ﻓﻲ ﺸﺎﺭﻉ ﻭﺍﺸﻨﻁﻥ‪ ،‬ﺤﻴﺙ ﻗﻁﻨﺕ ﺍﻝﻌﺎﺌﻠﺔ ﻓﻲ ﻏﺭﺍﻨﺕ ﻜﺎﻭﻨﺘﻲ ﻤﻨﺫ ﺍﻝﻌﺎﻡ ‪ 1815‬ﻋﻨﺩﻤﺎ ﺃﺘﻰ ﺒﻌـﺽ‬
‫ﻤﻥ ﺃﻓﺭﺍﺩ ﺃﺴﺭﺓ "ﺩﻴﻥ ‪ "Dean‬ﻤﻥ ﻝﻴﻜﺴﻴﻨﻐﺘﻭﻥ ﻓﻲ ﻭﻻﻴﺔ ﻜﻨﺘﺎﻜﻲ ﻏﺭﺒﹰﺎ ﻤﻥ ﺃﺠل ﺃﺭﺍﺽ ﺃﻓﻀل ﻜﻤﺎ ﻓﻌل ﺍﻝﻌﺩﻴﺩ ﻤﻥ‬
‫ﺠﻴﺭﺍﻨﻬﻡ‪ .‬ﻜﺎﻨﻭﺍ ﻤﺯﺍﺭﻋﻴﻥ ﻭﺩﻻﻝﻴﻥ ﻓﻲ ﺒﻴﻊ ﺍﻝﺤﺭﺍﺝ‪ .‬ﻭﺍﻝﺠﺩ "ﺩﻴﻥ ‪ "Dean‬ﺩﺍﺌﻡ ﺍﻻﻨﺸﻐﺎل ﺒﺸﻲﺀ ﻤﺎ‪ ،‬ﻴﺸﺘﺭﻱ ﻭﻴﺒﻴﻊ‬
‫ﺍﻷﺒﻘﺎﺭ ﻭﺍﻷﺤﺼﻨﺔ ﻭﻴﺩﻝل ﻋﻠﻰ ﺍﻝﺒﻴﻭﺕ ﻭﺍﻝﻤﺯﺍﺭﻉ ﻭﻴﺩﻴﺭ ﺍﻹﺴﻁﺒﻼﺕ ﻭﻴﺒﻴﻊ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﻴﺴﺎﺒﻕ ﻗﻭﺍﻓل ﺍﻝﻤﻬـﻭﺭ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺘﻴﻤﹰﺎ ﺒﻪ‪ .‬ﻭﻝﻁﺎﻝﻤﺎ ﺃﺠﻠﺱ "ﺘﺸﺎﺭﻝﻲ ‪ "Charlie‬ﺤﻔﻴﺩﻩ ﻋﻠﻰ ﺭﻜﺒﺘﻪ ﻭﺘﻅﺎﻫﺭ ﺒﺄﻨﻪ ﻴﺒﻴﻌـﻪ ﻓـﻲ‬
‫ﺍﻝﻤـــﺯﺍﺩ‪ .‬ﻝﻁﺎﻝﻤـــﺎ ﻅﻠـــﺕ ﺍﻝﺠـــﺩﺓ ﺘﺭﻓـــﻊ ﺍﻝﻤـــﺯﺍﺩ ﺤﺘـــﻰ ﻴﺼـــﺭﺥ ﺍﻝﺠـــﺩ‪:‬‬
‫“ ﺘﻡ ﺒﻴﻌﻪ ﻝﺼﺎﺤﺏ ﺃﻋﻠﻰ ﻤﺯﺍﺩ”‪ ،‬ﻭﻴﻌﻁﻴﻪ ﻝﻠﺠﺩﺓ‪ .‬ﻭﻴﻀﺤﻙ ﺍﻝﺠﻤﻴﻊ‪.‬‬
‫ﺍﺸﺘﻬﺭﺕ ﺍﻝﻌﺎﺌﻠﺔ ﺒﺤﺒﻬﺎ ﻝﻠﻤﺭﺡ ﻭﻓﺭﺤﻬﺎ ﻭﺫﻜﺎﺌﻬﺎ‪ .‬ﻓﻔﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻭﺒﻌﺩ ﻭﻗﺕ ﻁﻭﻴل ﻤـﻥ ﻭﻓـﺎﺓ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ "ﺘﺸﺎﺭﻝﻲ ﺩﻴﻥ ‪ "Charlie Dean‬ﺃﻜﺒﺭ ﻤﻥ ﺃﻥ ﻴﻤﺸﻲ ﺒﺩﻭﻥ ﻋﻜﺎﺯ ﺃﻭ ﻴﻘﻭﺩ ﺍﻝﺴﻴﺎﺭﺓ‪ ،‬ﺘﻭﻗﻔـﺕ‬
‫ﺴﻴﺎﺭﺘﻪ ﻓﺠﺄﺓ ﻋﻠﻰ ﺴﻜﺔ ﺍﻝﻘﻁﺎﺭ ﻭﻜﺎﻥ ﻴﺴﺘﻁﻴﻊ ﻤﺸﺎﻫﺩﺓ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻗﺎﺩﻡ ﻤﺒﺎﺸﺭﺓ ﻨﺤﻭﻩ ﻭﻝﺩﻴـﻪ ﺍﻝﻭﻗـﺕ ﺍﻝﻜـﺎﻓﻲ‬
‫ﻝﻠﺨﺭﻭﺝ ﻗﺒل ﺤﺼﻭل ﺍﻻﺼﻁﺩﺍﻡ‪ .‬ﺴﻤﻊ "ﺠﻴﺭﻱ ﺒﻴﻥ ‪ "Jerry Payne‬ﻋﻨﺩ ﻤﺤﻁﺘﻪ ﺼﻭﺘﹰﺎ ﺤﺎﺩﹰﺍ ﻻﺼﻁﻜﺎﻙ ﻤﻌـﺎﺩﻥ‪.‬‬
‫ﺭﻜﺽ ﺒﺎﺘﺠﺎﻩ ﺍﻝﺘﻘﺎﻁﻊ‪ ،‬ﻭﻭﺠﺩ ﺍﻝﻌﺠﻭﺯ ﻤﺘﻜﺌﹰﺎ ﻋﻠﻰ ﻋﻜﺎﺯﻩ ﻭﻤﻤﺴﻜﹰﺎ ﻭﺴﺎﺩﺓ ﻤﻘﻌﺩ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻫﻭ ﻴﺩﻤﺩﻡ ﻤﺘﺫﻤﺭﹰﺍ‪ “ :‬ﻝﻘﺩ‬
‫ﺃﺘﻰ ﺍﻝﻘﻁﺎﺭ ﻭﺃﺨﺫ ﻤﻥ ﻴﺩﻱ ﺘﻠﻙ ﺍﻝﺴﻴﺎﺭﺓ”‪.‬‬
‫ﺃﺼﺒﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺨﺎﻤﺴﺔ ﻭﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻜﺎﻥ ﻴﺄﺘﻲ "ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ﺩﻴﻥ ‪ "Charlie Nolan Dean‬ﺃﺨﻭ‬
‫"ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻝﻠﺒﻴﺕ ﻻﺼﻁﺤﺎﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺠﻭﻝﺔ ﻋﻠﻰ "ﺍﻝﻤﻭﺘﻭﺴﻴﻜل"‪ ،‬ﻓﻴﺠﻠﺴﻪ ﺃﻤﺎﻤﻪ ﻋﻠـﻰ ﺨـﺯﺍﻥ‬
‫ﺍﻝﻭﻗﻭﺩ ﺒﻴﻥ ﻴﺩﻱ ﺍﻝﻤﻘﻭﺩ ﻭﺍﻀﻌﹰﺎ ﺤﺯﺍﻤﻪ ﺍﻝﻜﺒﻴﺭ ﺤﻭﻝﻪ ﻭﻴﻤﻀﻴﺎﻥ ﻭﻫﻤﺎ ﻴﺸﻘﺎﻥ ﺍﻝﺸﺎﺭﻉ‪ .‬ﻭﻴﺯﻋﻕ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻓﺭﺤﹰﺎ‪.‬‬
‫ﻴﺘﻭﺴل ﺇﻝﻰ "ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ‪ "Charlie Nolan‬ﺒﺄﻥ ﻴﺄﺨﺫﻩ ﻓﻲ ﺠﻭﻝﺔ "ﺤﻘﻴﻘﻴﺔ" ﻭﻴﻀـﺎﻴﻘﻪ ﻝﺩﺭﺠـﺔ ﺘـﺩﻋﻭ‬
‫"ﺘﺸﺎﺭﻝﻲ ‪ "Charlie‬ﻝﻠﺘﻔﻜﻴﺭ ﻓﻲ ﻫﺫﺍ ﺍﻝﻤﻭﻀﻭﻉ‪ .‬ﻭﻜﺎﻨﺕ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﺘﻘﻁﻊ ﻋﻠﻴﻬﻤﺎ ﺫﻝﻙ ﻗﺎﺌﻠﺔ ﺇﻨﻬﺎ ﻻ ﺘﺭﻴﺩ‬
‫ﺃﻥ ﺘﺴﻤﻊ ﻋﻥ ﻫﺫﺍ ﺍﻝﻤﻭﻀﻭﻉ‪ ،‬ﻭﺇﻥ ﻫﺫﺍ ﺨﻁﺭ ﺠﺩﹰﺍ ﺇﻀﺎﻓﺔ ﺇﻝﻰ ﺃﻥ ﺜﻴﺎﺒﻪ ﺴﺘﺘﺴﺦ ﺠﺭﺍﺀ ﺠﻠﻭﺴﻪ ﻋﻠﻰ ﻫﺫﻩ ﺍﻝﺩﺭﺍﺠﺎﺕ‬
‫ﺍﻝﻘﺫﺭﺓ‪ .‬ﻭﻜﺎﻥ ﻴﺤﻀﺭ ﻤﻌﻪ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺃﺤﺩ ﺃﺼﺩﻗﺎﺌﻪ ﺍﻝﻔﻨﻲ "ﻤﺎﺭﻓﻴﻥ ﻜﺎﺭﺘﺭ ‪ "Marven Carter‬ﺍﻝﺫﻱ ﻴﻌﻤل‬
‫ﺃﻴﻀﹰﺎ ﻜﻤﻴﻜﺎﻨﻴﻜﻲ ﺩﺭﺍﺠﺎﺕ‪ .‬ﻭﺒﻌﺩ ﻋﺸﺭ ﺴﻨﻭﺍﺕ ﺴﻭﻑ ﻴﺒﻴﻊ "ﻤﺎﺭﻓﻴﻥ ‪ "Marven‬ﺃﻭل ﺩﺭﺍﺠﺔ‪.‬‬
‫ﺒﻠﻎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1936‬ﺍﻝﺴﺎﺩﺴﺔ ﻤﻥ ﻋﻤﺭﻩ ﻭﺘﻨﻘل ﺍﻝﺤﻜﻭﻤﺔ ﺍﻷﺏ ﺇﻝـﻰ ﻋﻤـل ﺩﺍﺌـﻡ ﻓـﻲ‬
‫ﻤﺴﺘﺸﻔﻰ ﺴﻭﻴﺘل ﻝﻠﻤﺤﺎﺭﺒﻴﻥ ﺍﻝﻘﺩﺍﻤﻰ ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠﺱ‪ .‬ﻭﻫﻜﺫﺍ ﺘﻭﺠﺏ ﻋﻠﻰ ﺍﻷﺴﺭﺓ ﺃﻥ ﺘﻘﻁﻊ ﻤﻥ ﺠـﺫﻭﺭﻫﺎ ﻓـﻲ‬
‫ﺇﻨﺩﻴﺎﻨﺎ ﻭﺃﻥ ﺘﺴﺘﻘﺭ ﻓﻲ ﻤﺴﺎﻜﻥ ﻀﻭﺍﺤﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﺍﻹﺴﻤﻨﺘﻴﺔ ﺍﻝﻀﺤﻠﺔ ﺍﻝﻤﻨﺘﺸﺭﺓ‪.‬‬
 ‫ﻭﺩﻉ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻭ"ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺁل "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻭﺍﻝﺠﺩ ﻭﺍﻝﺠـﺩﺓ‬
‫"ﺩﻴﻥ ‪ ."Dean‬ﻗﺎﻤﻭﺍ ﺒﺸﺤﻥ ﺃﻤﺘﻌﺘﻬﻡ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻐﺭﺏ ﺒﺎﻝﻘﻁﺎﺭ ﻭﺨﺭﺠﻭﺍ ﻝﻠﺴﻔﺭ ﻓﻲ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﻤﺴﺘﻌﻤﻠﺔ ﺍﻝﺘﻲ ﺍﺸﺘﺭﻭﻫﺎ‬
‫ﺤﺩﻴﺜﹰﺎ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻤﻥ ﺍﻝﺼﻌﺏ ﺇﻴﺠﺎﺩ ﺒﻴﺕ ﻝﻠﺴﻜﻥ ﻋﺎﻡ ‪ .1936‬ﻭﻝﻡ ﻴﻜﻥ ﺍﻹﻴﺠﺎﺭ ﺭﺨﻴﺼﹰﺎ ﻜﺜﻴﺭﹰﺍ‪ .‬ﻓﺎﻨﺘﻘﻠﻭﺍ ﺇﻝﻰ ﻤﻨـﺯل‬
‫ﺼﻐﻴﺭ ﻤﺭﻴﺢ ﻤﻔﺭﻭﺵ ﺒﺎﻝﺤﺼﻰ ﻤﻊ ﻗﺭﻤﻴﺩ ﺇﺴﺒﺎﻨﻲ ﻭﺸﺠﺭ ﻨﺨﻴل ﻭﻤﺭﺁﺏ ﻝﺴﻴﺎﺭﺓ ﻭﺍﺤﺩﺓ ﻓﻲ ﻤﻨﻁﻘﺔ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‬
‫ﺫﺍﺕ ﺍﻝﻁﺒﻘﺔ ﺍﻝﻭﺴﻁﻰ‪.‬‬
‫ﺃﺼﺒﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻵﻥ ﻓﻲ ﺍﻝﺴﺎﺩﺴﺔ‪ ،‬ﻭﻴﺭﺴل ﻷﻗﺭﺒﺎﺌﻪ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺼﻭﺭﹰﺍ ﻓﻭﺘﻭﻏﺭﺍﻓﻴـﺔ ﺘﻅﻬـﺭﻩ‬
‫ﻭﺍﻗﻔــــﹰﺎ ﺃﻤــــﺎﻡ ﺃﺸــــﺠﺎﺭ ﺍﻝﻨﺨﻴــــل ﺍﻝﻤﻨﺤﻨﻴــــﺔ ﻨﺤــــﻭ ﺍﻝﺸــــﻤﺱ ﻭﻫــــﻭ‬
‫ﻻ ﻴﺯﺍل ﻤﺨﻠﺼﹰﺎ ﺒﻠﺒﺴﻪ )ﺃﻓﺭﻭل( ﺍﻨﺩﻴﺎﻨﺎ ﻭﺤﻤﻠﻪ ﻗﺒﻌﺔ ﺍﻝﻘﺵ ﺍﻝﺨﺎﺼﺔ ﺒﺎﻝﻤﺯﺍﺭﻋﻴﻥ‪.‬‬
‫ﻭﺘﺒﻊ ﺫﻝﻙ ﺼﻭﺭ ﺃﺨﺭﻯ‪" :‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺒﺯﺓ ﺒﺒﻨﻁﺎل ﻁﻭﻴل ﻭﻫﻭ ﻴﻘﻑ ﻋﻠﻰ ﺍﻝﺭﺼـﻴﻑ ﺍﻝﻤﻼﺼـﻕ‬
‫ﻝﻠﻤﻨﺯل ﻭﺒﺼﻭﺭﺓ ﺠﺫﺍﺒﺔ ﻭﻏﻴﺭ ﻤﻤﺴﻙ ﺒﻴﺩﻴﻪ‪ ،‬ﻭﻤﻊ ﻓﺘﺎﺓ ﺒﺒﻠﻭﺯﺓ ﻤﺨﻁﻁﺔ‪" .‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻗﻤـﻴﺹ ﻤﺤـﺎﻙ‬
‫ﺒﻜﻤﻴﻥ ﻗﺼﻴﺭﻴﻥ ﻭﺤﺯﺍﻡ ﺒﺒﻜﻠﺔ ﻜﺒﻴﺭﺓ ﻭﺒﻨﻁﺎل ﻏﺎﻤﻕ ﻭﻫﻭ ﺠﺎﻝﺱ ﺍﻝﻘﺭﻓﺼﺎﺀ ﺘﺤﺕ ﺸﺠﺭﺓ ﻴﺴﻘﻲ ﺍﻝﻤـﺭﺝ ﺒﻤـﺭﺵ‬
‫ﺼﻐﻴﺭ‪ .‬ﻝﻘﺩ ﺒﺩﺃ ﺍﻝﻭﻋﻲ ﻴﻅﻬﺭﻋﻠﻴﻪ‪ .‬ﻜﺎﻥ ﻴﺒﺘﺴﻡ ﺒﺘﻜﻠﻑ‪.‬‬
‫ﻓﻲ ﺃﻴﻠﻭل‪/‬ﺴﺒﺘﻤﺒﺭ ﻋﺎﻡ ‪ ،1937‬ﺃﺼﺒﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺼﻑ ﺍﻷﻭل ﻓﻲ ﻤﺩﺭﺴﺔ ﺒﺭﻴﻨﺘﻭﻭﺩ ﺍﻝﻌﺎﻤـﺔ‪.‬‬
‫ﻜﺎﻥ ﻴﺘﻌﻠﻡ ﺒﺎﻝﻐﻨﺎﺀ ﺃﻜﺜﺭ ﻤﻤﺎ ﻴﺘﻌﻠﻤﻪ ﻓﻲ ﺍﻝﺼﻑ‪ .‬ﻜﺎﻥ ﺍﻷﻭﻻﺩ ﻴﺴﺨﺭﻭﻥ ﻤﻥ ﻝﻜﻨﺔ ﺇﻨﺩﻴﺎﻨﺎ ﺍﻝﺘﻲ ﻴﺘﺤﺩﺙ ﺒﻬﺎ‪ ،‬ﻭﻤـﻥ‬
‫ﺍﺴﻤﻪ ﺍﻝﺜﺎﻨﻲ ﺍﻝﺫﻱ ﻻ ﻴﻌﺭﻓﻭﻥ ﺃﻥ ﺃﻤﻪ ﻻ ﺘﻤﺎﻨﻊ ﻤﻥ ﺍﺴﺘﺨﺩﺍﻤﻪ‪ .‬ﻓﻜﺎﻥ ﺍﻷﻭﻻﺩ ﺩﺍﺌﻤﹰﺎ ﻭﺘﻜﺭﺍﺭﹰﺍ ﻴﻘﻭﻝـﻭﻥ‪ “ :‬ﻤﺭﺤﺒـﹰﺎ‬
‫"ﺠﻴﻤﺱ ﺒﺎﻴﺭﻭﻥ ‪ ."James Byron‬ﻭﺩﺍﻋ ﹰﺎ "ﺠﻴﻤﺱ ﺒﺎﻴﺭﻭﻥ ‪ ."James Byron‬ﻤﺎ ﻫﻭ ﺍﺴﻤﻲ "ﺠﻴﻤﺱ ﺒﺎﻴﺭﻭﻥ ‪James‬‬
‫‪"Byron‬؟ ” ﻓﻴﻘﻭل ﻝﻬﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻥ ﺍﺴﻤﻪ "ﺩﻴﻨﻲ ‪ "Deanie‬ﺍﻻﺴﻡ ﺍﻝﺫﻱ ﻜﺎﻥ ﺃﺒـﻭﻩ ﻴـﺩﻋﻭﻩ ﺒـﻪ‪ .‬ﻝﻜـﻨﻬﻡ‬
‫ﻴﺴﺘﻤﺭﻭﻥ ﺒﺎﻝﻀﺠﺔ ﻭﻴﺴﺨﺭﻭﻥ ﺃﻴﻀﹰﺎ ﻤﻥ ﻜﻤﺎﻨﻪ‪ .‬ﻗﺭﺭﺕ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Milderd‬ﺃﻨـﻪ ﻴﺠـﺏ ﺃﻥ ﻴﺤﻀـﺭ ﺩﺭﻭﺴـﹰﺎ‬
‫ﺨﺼﻭﺼﻴﺔ ﻝﻠﻤﻭﺴﻴﻘﺎ ﺒﻌﺩ ﺍﻝﻤﺩﺭﺴﺔ‪ .‬ﻭﺒﺎﻝﺤﻘﻴﻘﺔ ﻓﺈﻥ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﺤﺏ ﺍﻝﻌﺯﻑ‪ ،‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻻﻋﺘﺭﺍﻑ‬
‫ﺒﻬﺫﺍ ﻝﻸﻭﻻﺩ‪.‬‬
‫ﻜﺎﻨﺕ ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻜﺜﺭ ﺴﻌﺎﺩﺓ ﻓﻲ ﻭﻁﻨﻪ‪ .‬ﻝﻡ ﻴﺭﺩ ﺍﻷﺏ ﻭﺍﻷﻡ ﺇﻓﺴﺎﺩ ﺍﺒﻨﻬﻤﺎ‪ ،‬ﻝﻜﻨﻪ ﻜـﺎﻥ ﺍﺒﻨﻬﻤـﺎ‬
‫ﺍﻝﻭﺤﻴﺩ ﻭﺍﻝﺫﻱ ﻨﺎل ﻜل ﺍﻝﺤﺏ ﻭﺍﻝﺭﻋﺎﻴﺔ ﺍﻝﺘﻲ ﻴﻤﻜﻥ ﺃﻥ ﻴﻘﺩﻤﺎﻫﺎ ﻝﻪ‪ .‬ﺍﺼﻁﺤﺒﺎﻩ ﺇﻝﻰ ﺍﻝﺤﺩﻴﻘﺔ ﻤﻥ ﺃﺠل ﺭﻜﻭﺏ ﺍﻝﻤﻬﺭ‪،‬‬
‫ﻭﻓﻲ ﻨﺯﻫﺎﺕ ﺒﺎﻝﺴﻴﺎﺭﺓ ﻋﻠﻰ ﻁﻭل ﻁﺭﻴﻕ ﺒﺎﺴﻴﻔﻴﻙ ﻜﻭﺴﺕ ﺍﻝﺴﺭﻴﻊ‪ .‬ﻭﺤﺎﻭﻻ ﺠﻬﺩﻫﻤﺎ ﻓﻲ ﺤﺼﻭﻝﻪ ﻋﻠﻰ ﺍﻝﻜﺜﻴﺭ ﻤﻥ‬
‫ﺍﻝﻜﺘﺏ ﻭﺍﻷﻝﻌﺎﺏ‪.‬‬
‫ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺈﻅﻬﺎﺭ ﺒﺭﺍﻋﺔ ﻋﺎﻝﻴﺔ ﻓﻲ ﺍﻝﻌﺯﻑ ﻋﻠﻰ ﺍﻝﻜﻤﺎﻥ‪ .‬ﻭﺃﺼﺒﺤﺕ ﻭﺍﻝﺩﺘﻪ ﻤﻘﺘﻨﻌﺔ ﺒﺄﻨﻬﺎ ﺘﺭﺒـﻲ‬
‫ﻋﺒﻘﺭﻴﺎﹰ‪ ،‬ﻓﻜﺎﻨﺕ ﺘﻤﺩﺤﻪ ﻜﺜﻴﺭﹰﺍ ﻋﻨﺩﻤﺎ ﻴﺠﻴﺩ ﺍﻝﻌﺯﻑ ﻭﺘﺸﺠﻌﻪ ﻋﻨﺩ ﻓﺸﻠﻪ‪ .‬ﻭﻜﺎﻥ ﺍﻷﺏ ﻜﺫﻝﻙ ﻴﺸـﺠﻌﻪ‪ ،‬ﻝﻜﻨـﻪ ﻜـﺎﻥ‬
‫ﻴﻘﻀﻲ ﺍﻏﻠﺏ ﻨﻬﺎﺭﻩ ﻓﻲ ﺍﻝﻤﺸﻔﻰ‪ .‬ﻭﻝﻡ ﻴﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻻﺒﻥ ﺍﻝﺫﻱ ﺤﻠﻡ ﺒﻪ‪ .‬ﻓﻘﺩ ﺃﺭﺍﺩﻩ ﺃﻥ ﻴﻤﺎﺭﺱ ﺍﻝﺭﻴﺎﻀـﺔ‬
‫ﻭﺤﺘﻰ ﻋﺭﺍﻙ ﺍﻝﻘﺒﻀﺎﺕ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﻴﺩﹰﺍ ﻓﻲ ﺍﻝﻤﻀﻲ ﻭﺘﺠﺎﻭﺯ ﻋﺫﺍﺒﻪ ﻭﺠﺭﻭﺤﻪ ﺍﻝﻁﻔﻭﻝﻴﺔ‪ ،‬ﻭﺒﻌﺩ ﺫﻝﻙ ﻭﻓﻲ ﺭﺒﻴﻊ ﺃﻴﺎﺭ‪/‬ﻤﺎﻴﻭ‬
‫ﻋﺎﻡ ‪ 1940‬ﺍﺯﺩﺍﺩﺕ ﺁﻻﻡ ﺃﻤﻪ ﺍﻝﺘﻲ ﺘﻌﺎﻨﻲ ﻤﻨﻬﺎ ﻭﺃﺨﺫﺕ ﺇﻝﻰ ﺍﻝﻤﺴﺘﺸﻔﻰ‪ .‬ﻭﻴﻜﺘﺏ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﺇﻝﻰ ﻭﺍﻝﺩﺘﻪ ﻓﻲ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ ﺒﺄﻥ ﺯﻭﺠﺘﻪ ﺘﻌﺎﻨﻲ ﻤﻥ ﺴﺭﻁﺎﻥ ﻓﻲ ﺁﺨﺭ ﻤﺭﺍﺤﻠﻪ‪ .‬ﺘﺄﺨﺫ ﺍﻝﺭﺴﺎﻝﺔ ﺇﻝﻰ ﻁﺒﻴﺒﻬﺎ‪ ،‬ﺍﻝﺫﻱ ﻴﺨﺒﺭﻫﺎ ﺒﺄﻨﻪ ﻝـﺩﻯ‬
‫"ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻋﻠﻰ ﺍﻷﻏﻠﺏ ﻓﻘﻁ ﺴﺘﺔ ﺃﻭ ﺜﻤﺎﻨﻴﺔ ﺃﺴﺎﺒﻴﻊ ﻝﺘﻌﻴﺸﻬﺎ‪ .‬ﺘﻐﺎﺩﺭ ﻋﻠﻰ ﻋﺠل ﺇﻝﻰ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻝﺭﻋﺎﻴﺔ‬
‫ﻁﻔل ﺯﻭﺠﺔ ﺍﺒﻨﻬﺎ ﻭﺍﻝﺯﻭﺝ ﻭﺍﻝﺒﻴﺕ‪ .‬ﺘﻤﻭﺕ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻓﻲ ‪ 14‬ﺘﻤﻭﺯ‪/‬ﻴﻭﻝﻴﻭ ﻋﺎﻡ ‪ 1940‬ﺒﻌﺩ ﻤﻌﺎﻨﺎﺓ ﻗﺎﺴﻴﺔ‪.‬‬
‫ﻴﺘﺭﻙ ﻤﻭﺘﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻨﻐﺼﹰﺎ ﻭﻤﻬﺠﻭﺭﹰﺍ‪ .‬ﻴﻘﻭل ﺒﻌﺩ ﺫﻝﻙ‪ “ :‬ﻝﻘﺩ ﺘﻭﻓﻴﺕ ﺃﻤﻲ ﻭﺘﺭﻜﺘﻨﻲ ﻋﻨﺩﻤﺎ ﻜﻨﺕ‬
‫ﻓﻲ ﺍﻝﺘﺎﺴﻌﺔ‪ .‬ﻤﺎﺫﺍ ﻜﺎﻨﺕ ﺘﺘﻭﻗﻊ ﻤﻨﻲ ﻋﻤﻠﻪ؟ ﺃﻥ ﺃﻓﻌل ﻜل ﺸﻲﺀ ﻭﺤﻴﺩﺍﹰ؟”‬
 ‫ﺒﻌﺩ ﻤﺭﺍﺴﻡ ﺍﻝﺠﻨﺎﺯﺓ ﻓﻲ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪ ،‬ﺘﻨﻘل "ﺇﻴﻤﺎ ﺩﻴﻥ ‪ "Emma Dean‬ﺇﻝﻰ ﺍﺒﻨﻬﺎ ﺭﺴﺎﻝﺔ ﻤﻥ ﺃﺨﺘﻪ "ﺃﻭﺭﺘﻴﻨﺱ‬
‫‪ "Ortense‬ﻭﺯﻭﺠﻬﺎ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻗﺎﺌﻠﺔ‪“ :‬ﺃﺭﻴﺩﻙ ﻴﺎ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﺍﻵﻥ ﺃﻥ ﺘﻔﻜﺭ ﻓﻲ ﻫﺫﺍ ﻤﻠﻴـﹰﺎ‪ .‬ﺇﺫﺍ‬
‫ﺍﺭﺘﺄﻴﺕ ﺃﻥ ﺘﺩﻉ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻌﻭﺩ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﻓﺈﻥ ﺃﺨﺘﻙ ﻭﺯﻭﺠﻬﺎ ﻴﺭﻏﺒﺎﻥ ﻓﻲ ﺃﻥ ﻴﻌﻴﺵ ﻤﻌﻬﻤﺎ‪ .‬ﺴﻭﻑ‬
‫ﻴﺭﺒﻴﺎﻨﻪ ﻝﻙ‪ ،‬ﺇﺫﺍ ﺃﺭﺩﺕ”‪ .‬ﻭﺘﻌﻭﺩ ﻝﻠﻨﻘﺎﺵ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻜﻭﻥ ﻝﻁﻴﻔﹰﺎ ﻝﻌﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺃﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻬﺎ ﻭﻝﺩ ﻓﻲ‬
‫ﺍﻝﻤﺯﺭﻋﺔ‪ ،‬ﻜﺫﻝﻙ ﻷﻥ "ﻤﺎﺭﻜﻲ ‪ "Markie‬ﺍﻻﺒﻥ ﻝﻡ ﻴﻭﻝﺩ ﺒﻌﺩ‪.‬‬
‫ﻝﻡ ﻴﺘﻔﻭﻩ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﺒﺄﻴﺔ ﻜﻠﻤﺔ ﻝﺒﺭﻫﺔ‪ ،‬ﻭﻅل ﻤﺤﺩﻗﹰﺎ ﻤﻥ ﺨﻼل ﻋﺩﺴﺘﻲ ﻨﻅﺎﺭﺘﻪ‪ .‬ﻻ ﻴﻭﺠﺩ‬
‫ﻝﺩﻱ ﺃﻱ ﻗﺭﻴﺏ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ ،‬ﻭﻻ ﺃﺤﺩ ﻴﻤﻜﻥ ﺍﻻﻋﺘﻤﺎﺩ ﻋﻠﻴﻪ‪ .‬ﻤﺎﺫﺍ ﺴﻭﻑ ﻴﺤﺩﺙ ﺇﺫﺍ ﻤﺭﺽ "ﺠﻴﻤـﻲ ‪"Jimmy‬؟‬
‫ﻭﺃﺴﻭﺃ ﻤﺎ ﻫﻨﺎﻙ ﺃﻨﻪ ﻴﻐﻴﺏ ﻤﻥ ﺍﻝﺼﺒﺎﺡ ﺍﻝﺒﺎﻜﺭ ﺤﺘﻰ ﺍﻝﺴﺎﺩﺴﺔ ﺃﻭ ﺍﻝﺴﺎﺒﻌﺔ ﻤﺴﺎ ‪‬ﺀ‪ .‬ﻜﺎﻨﺕ ﻓﻜﺭﺓ ﺍﻝﺯﻭﺍﺝ ﻤـﺭﺓ ﺜﺎﻨﻴـﺔ‬
‫ﺒﻌﻴﺩﺓ ﻜل ﺍﻝﺒﻌﺩ ﻋﻥ ﺘﻔﻜﻴﺭﻩ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﺍﻷﻝﻡ ﺍﻝﻨﺎﺘﺞ ﻋﻥ ﻭﻓﺎﺓ ﺯﻭﺠﺘﻪ ﻋﻅﻴﻤﹰﺎ‪.‬‬
‫ﻼ‬‫ﺘﻌﻁﻲ "ﺇﻴﻤﺎ ‪ "Emma‬ﺍﺒﻨﻬﺎ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻭﻗﺕ ﻝﻠﺘﻔﻜﻴﺭ‪ .‬ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﻴﺒﺩﺃ ﺍﻝﺘﺤﺩﺙ‪ “ :‬ﻻ ﻴﻤﻜﻥ ﺃﻥ ﺃﺠﺩ ﺭﺠ ﹰ‬
‫ﺃﻓﻀل ﻤﻥ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ ‪ ،"Marcus Winslow‬ﻭﻝﻴﺱ ﻫﻨﺎﻙ ﻤﺠﺎل ﻝﻠﺸﻙ ﺒﻴﻥ ﺍﺨﺘﻴﺎﺭ ﺃﺨﺘﻲ ﺤﺘﻰ ﺘﻜﻭﻥ ﻜـﺄﻡ‬
‫ﻻﺒﻨﻲ ﻭﺒﻴﻥ ﺍﺤﺩﻯ ﻤﺩﺒﺭﺍﺕ ﺍﻝﻤﻨﺯل ﺍﻝﺘﻲ ﻴﻤﻜﻥ ﺃﻥ ﺘﻌﺘﻨﻲ ﺒﻪ”‪.‬‬
‫ﻴﻘﺭﺭ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﺃﻥ ﻴﺩﻉ "ﺇﻴﻤﺎ ‪ "Emma‬ﺘﺄﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻨﺩﻴﺎﻨﺎ‪ ،‬ﻭﺍﻝﺘﻲ ﺘﻭﺍﻓﻘﻪ ﺒﺄﻥ ﻫـﺫﺍ‬
‫ﻫﻭ ﺍﻻﺨﺘﻴﺎﺭ ﺍﻝﺼﺤﻴﺢ‪ .‬ﻜﻤﺎ ﻴﺘﻀﺢ ﺒﺄﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻭﻑ ﻴﺘﻡ ﺍﺴﺘﺌﺼﺎﻝﻪ ﻤﻥ ﺠﺫﻭﺭﻩ ﺒﻌﺩ ﺜﻤﺎﻨﻴﺔ ﻋﺸﺭ ﺸﻬﺭﹰﺍ‬
‫ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ .‬ﻓﻲ ﺃﻭﺍﺨﺭ ﻋﺎﻡ ‪ 1942‬ﺴﻭﻑ ﻴﻨﻘل "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﺇﻝﻰ ﻓﻴﻠﻕ ﺍﻝﺠﻴﺵ ﺍﻝﻁﺒﻲ‪ .‬ﻭﻫﻜﺫﺍ‪ ،‬ﻭﺒﻌـﺩ‬
‫ﺴﺒﻌﺔ ﺃﺴﺎﺒﻴﻊ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ )ﻜﻴﻑ ﻜﺎﻥ ﺼﺤﻴﺤﹰﺎ ﺘﺸﺨﻴﺹ ﻁﺒﻴﺒﻬﺎ ﻝﺭﺴﺎﻝﺔ "ﻭﻴﻨﺘﻭﻥ ‪ ،("Winton‬ﺼـﻌﺩﺕ "ﺇﻴﻤـﺎ‬
‫‪ "Emma‬ﺇﻝﻰ ﺍﻝﻘﻁﺎﺭ ﻤﻊ ﺤﻔﻴﺩﻫﺎ ﺍﻝﺒﺎﻝﻎ ﺍﻝﺘﺎﺴﻌﺔ ﻤﻥ ﻋﻤﺭﻩ ﻤﻊ ﺠﺴﺩ ﺯﻭﺠﺔ ﺍﺒﻨﻬﺎ ﻭﺍﺘﺠﻬﻭﺍ ﺒﺭﺤﻠﺘﻬﻡ ﺍﻝﻁﻭﻴﻠﺔ ﻝﻠﻌﻭﺩﺓ‬
‫ﺇﻝﻰ ﺍﻨﺩﻴﺎﻨﺎ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺘﺭﺠل ﻤﻥ ﻋﺭﺒﺘﻪ ﻋﻨﺩ ﺘﻭﻗﻑ ﺍﻝﻘﻁﺎﺭ ﻓﻲ ﻜل ﻤﺤﻁﺔ ﻝﻴﺭﻜﺽ ﺒﺎﺘﺠـﺎﻩ ﻋﺭﺒـﺔ‬
‫ﺍﻷﻤﺘﻌﺔ ﻭﻴﺘﺄﻜﺩ ﻤﻥ ﺃﻥ ﺘﺎﺒﻭﺕ ﻭﺍﻝﺩﺘﻪ ﻻ ﻴﺯﺍل ﻫﻨﺎﻙ‪.‬‬
‫ﻴﺠﺩ ﺍﻝﺠﺩ "ﺩﻴﻥ ‪ "Dean‬ﻓﻲ ﺍﻨﺩﻴﺎﻨﺎ ﻗﻁﻌﺔ ﻤﻨﺎﺴﺒﺔ ﻤﻥ ﺍﻷﺭﺽ ﻤﻥ ﺃﺠل ﺯﻭﺠﺔ ﺍﺒﻨﻪ ﻓـﻲ ﻤﻘﺒـﺭﺓ "ﻏﺭﺍﻨـﺕ‬
‫ﻤﻴﻤﻭﺭﻴﺎل ﺒﺎﺭﻙ" ﻓﻲ ﺠﻨﻭﺏ ﻤﺎﺭﻴﻭﻥ‪ .‬ﺴﻭﻑ ﺘﺩﻓﻥ "ﻤﻴﻠﺩﺭﻴﺩ ‪ "Mildred‬ﻫﻨﺎﻙ ﺘﺤﺕ ﺒﻼﻁﺔ ﺼﻐﻴﺭ ﻤﻨﺒﺴﻁﺔ ﻜﺘـﺏ‬
‫ﻋﻠﻴﻬﺎ‪" “ :‬ﻤﻴﻠﺩﺭﻴﺩ ﻤﺎﺭﻱ ﺩﻴﻥ ‪ 15 "Mildred Marry Dean‬ﺃﻴﻠﻭل‪/‬ﺴﺒﺘﻤﺒﺭ ‪ 14 – 1910‬ﺘﻤﻭﺯ‪/‬ﻴﻭﻝﻴﻭ ‪.”1940‬‬
‫ﺘﺤﺎﻭل ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻤﻨﺫ ﺍﻝﻠﻴﻠﺔ ﺍﻷﻭﻝﻰ ﻝﻭﺼﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻤل ﻜل ﺸﻲﺀ ﻝﻤﺴـﺎﻋﺩﺘﻪ‬
‫ﻼ ﺠﺩﹰﺍ‪ .‬ﻝﻘﺩ ﺃﺤﺒﺒﻨﺎﻩ”‪ .‬ﻭﻓـﻲ ﻝﻴﻠﺘـﻪ‬
‫ﺒﺘﺠﺎﻭﺯ ﻭﻓﺎﺓ ﻭﺍﻝﺩﺘﻪ‪ .‬ﺘﻘﻭل "ﺃﻭﺭﺘﻴﻨﺱ ‪ “ :"Ortense‬ﻝﻘﺩ ﺃﺭﺩﻨﺎﻩ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺠﻤﻴ ﹰ‬
‫ﺍﻝﺜﺎﻨﻴﺔ ﻓﻲ ﺍﻝﻤﺯﺭﻋﺔ‪ ،‬ﺒﻜﻰ ﺤﺘﻰ ﻏﻠﺏ ﻋﻠﻴﻪ ﺍﻝﻨﻭﻡ ﻤﻥ ﺸﺩﺓ ﺍﻹﻋﻴﺎﺀ ﻓﻲ ﺴﺭﻴﺭﻫﻡ ﺍﻝﻜﺒﻴﺭ‪ .‬ﻝﻘﺩ ﺒﺩﺃ ﻴﺤﺱ ﺃﻨﻪ ﻴﺸـﻌﺭ‬
‫ﺒﺎﻷﻤﺎﻥ ﻫﻨﺎﻙ‪ .‬ﺃﻋﻁﻭﻩ ﻏﺭﻓﺔ ﻨﻭﻤﻬﻡ ﻭﺍﻨﺘﻘﻠﻭﺍ ﺇﻝﻰ ﻏﺭﻓﺔ ﺃﺨﺭﻯ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻝﻤﻤﺭ‪ .‬ﻜﺎﻨﺕ ﺍﻝﺠﺩﺓ ﺘﺅﻜﺩ ﻗﺎﺌﻠﺔ‪“:‬ﻝﻘﺩ ﻜﺎﻥ‬
‫ﺍﻝﺴﺭﻴﺭ ﻤﺼﻨﻭﻋﹰﺎ ﻤﻥ ﺨﺸﺏ ﺍﻝﻘﻴﻘﺏ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻤﻨﺎﺴﺒﹰﺎ ﺘﻤﺎﻤﹰﺎ ﻝﻭﻝﺩ”‪.‬‬
‫ﻭﻤﻊ ﻤﻀﻲ ﺍﻷﺸﻬﺭ‪ ،‬ﺘﺯﺩﺍﺩ ﻗﻨﺎﻋﺔ "ﺇﻴﻤﺎ ﺩﻴﻥ ‪ "Emma Dean‬ﺒﺄﻨﻬﺎ ﻗﺩ ﻓﻌﻠﺕ ﺍﻝﺼﻭﺍﺏ ﺒﺈﻋﺎﺩﺓ ﺤﻔﻴﺩﻫﺎ ﻤـﻥ‬
‫ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﺘﻘﻭل‪“ :‬ﻻ ﺃﻗﺼﺩ ﺍﻝﺘﺒﺎﻫﻲ‪ ،‬ﻝﻜﻥ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭ"ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻫﻤﺎ ﺍﺒﻨـﺔ ﻭﺯﻭﺝ ﺍﺒﻨـﺔ‬
‫ﺘﺘﻔﺎﺨﺭ ﺒﻬﻤﺎ ﻜل ﺍﻤﺭﺃﺓ‪ .‬ﻭﻫﻤﺎ ﻴﻔﻌﻼﻥ ﻤﺎ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻬﻤﺎ ﻓﻲ ﺍﻝﻤﺠﺘﻤﻊ‪ .‬ﺇﻀﺎﻓﺔ ﻝﺫﻝﻙ‪ ،‬ﻓﺈﻥ "ﺃﻭﺭﺘﻴـﻨﺱ ‪"Ortense‬‬
‫ﺘﻌﺯﻑ ﺍﻝﺒﻴﺎﻨﻭ ﻝـ "ﻤﺩﺭﺴﺔ ﺃﻴﺎﻡ ﺍﻷﺤﺩ ﻝﻸﺼﺩﻗﺎﺀ ‪ "Friend's Sundya School‬ﻭ"ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻴﻬﺘﻡ ﺒﺠﺎﻤﻌﺔ‬
‫"ﺍﻴﺭﻝﻬﺎﻡ ‪ "Eralham‬ﺍﻝﻘﺭﻴﺒﺔ ﻭﺍﻝﻌﺎﺌﺩﺓ ﻝﻁﺎﺌﻔﺔ ﺍﻝﻜﻭﻴﻜﺭ‪ .‬ﻜﻼﻫﻤﺎ ﺤﻜﻴﻡ ﻭﻝﻁﻴﻑ ﻭﻝﺩﻴﻪ ﺍﻝﻤﻭﻫﺒﺔ ﻝﻠﻤﺤﺒﺔ‪ .‬ﻭﻤﻨﺯﻝﻬﻤـﺎ‬
‫ﻜﻤﺎ ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﻋﻠﻴﻪ ﺃﻱ ﻤﻨﺯل ﻤﻥ ﻤﻨﺎﺯل ﺍﻝﻜﻭﻴﻜﺭ‪ ،‬ﺤﻴﺙ ﻻ ﺘﺴﻤﻊ ﺃﻴﺔ ﻜﻠﻤﺔ ﻨﺎﺒﻴﺔ‪ .‬ﻭﺃﻓﻀل ﺸـﻲﺀ ﺃﻨﻬﻤـﺎ‬
‫ﺴﻌﻴﺩﺍﻥ ﻭﺠﻴﺩﺍﻥ ﻭﻫﺫﺍ ﻤﺎ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺤﺎﺠﺔ ﺇﻝﻴﻪ ﻜﺜﻴﺭﹰﺍ ﺒﻌﺩ ﺼﺩﻤﺔ ﻓﻘﺩﺍﻨﻪ ﻷﻤﻪ”‪.‬ﺒﺩﺃ ﺤﺎل ﻭﺠﻪ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﺒﺎﻝﺘﻐﻴﺭ‪ .‬ﻴﺤﺎﻭل ﺍﻻﺒﺘﺴﺎﻡ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻴﺭﺘﺩﻱ ﻗﺒﻌﺘﻪ ﺍﻝﻤﻜﺴﻭﺓ ﺒﺎﻝﺭﻴﺵ ﺫﺍﺕ ﻁﺭﺍﺯ ﺃﻫﺎﻝﻲ ﺠﺒﺎل ﺍﻷﻝـﺏ‬
‫ﻭﺴﺘﺭﺘﻪ ﺍﻝﻐﺎﻤﻘﺔ ﺫﺍﺕ ﺍﻝﺴﺤﺎﺏ‪ .‬ﻭﻴﺸﻕ ﻓﻤﻪ ﻨﺼﻑ ﺍﻝﻁﺭﻴﻕ ﻨﺤﻭ ﺫﻝﻙ‪ ،‬ﺒﻴﻨﻤﺎ ﻻ ﺘﻔﻌل ﻋﻴﻨﺎﻩ ﺫﻝﻙ ﺃﺒﺩﹰﺍ‪ .‬ﻝﻘﺩ ﺤﺠﺒـﺕ‬
‫ﺒﺭﺍﺀﺘﻬﻤﺎ‪ .‬ﻓﻬﻤﺎ ﺘﺴﺄﻻﻥ ﺃﺴﺌﻠﺔ ﺘﺸﻜﺎﻥ ﺒﻭﺠﻭﺩ ﺇﺠﺎﺒﺔ ﻋﻨﻬﺎ‪.‬‬
‫ﻜﺎﻥ ﺭﻭﺘﻴﻥ ﺍﻝﻨﻭﻡ ﻭﺍﻻﺴﺘﻴﻘﺎﻅ ﺍﻝﻤﺒﻜﺭ ﻝﻠﻤﺯﺭﻋﺔ ﻗﺩ ﺃﻋﻁﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﻭﻗﺕ ﻋﻠﻰ ﺍﻷﻗـل‬
‫ﺃﺜﻨﺎﺀ ﺍﻝﻨﻬﺎﺭ ﻝﻴﻔﻜﺭ ﻤﻠﻴﹰﺎ ﺒﺨﺴﺎﺭﺓ ﻭﺍﻝﺩﺘﻪ ﻭﺍﻨﻔﺼﺎﻝﻪ ﻋﻥ ﻭﺍﻝﺩﻩ‪ .‬ﻜﺎﻥ ﻫﻭ ﻭﺍﺒﻨﺔ ﻋﻤﺘﻪ "ﺠﻭﺍﻥ ‪ "Joan‬ﻴﺴﺘﻴﻘﻅﺎﻥ ﻓـﻲ‬
‫ﺍﻝﺴﺎﺩﺴﺔ ﺼﺒﺎﺤﹰﺎ ﻤﻥ ﺃﺠل ﺍﻝﻔﻁﻭﺭ ﻭﺒﻘﻴﺔ ﺍﻷﻋﻤﺎل ﺍﻝﺭﻭﺘﻴﻨﻴﺔ‪ ،‬ﺜﻡ ﻴﻜﻭﻨﺎﻥ ﻋﻠﻰ ﺍﻝﻁﺭﻴﻕ ﻗﺒل ﺍﻝﺜﺎﻤﻨﺔ ﺼﺒﺎﺤﹰﺎ ﻝﻠﺼﻌﻭﺩ‬
‫ﺇﻝﻰ ﺒﺎﺹ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻷﺼﻔﺭ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺜﺎﻨﻲ‬

‫ﺇﻥ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻓﻲ ﻭﻻﻴﺔ ﺍﻨﺩﻴﺎﻨﺎ ﻫﻲ ﻤﻴﻥ ﺴﺘﺭﻴﺕ ﺃﻤﺭﻴﻜﺎ ﺍﻝﻤﻨﺒﺴﻁﺔ‪ ،‬ﻭﻝﻜﻥ ﺒﻌﻀﹰﺎ ﻤـﻥ ﺃﺒﻨﻴﺘﻬـﺎ ﺍﻝﺨﺎﺼـﺔ‬
‫ﺒﺎﻷﻋﻤﺎل ﻤﺜل ﺍﻝﻤﺼﺭﻑ ﺫﻱ ﺍﻝﻨﻭﺍﻓﺫ ﺍﻝﻨﺎﺘﺌﺔ ﻭﺍﻝﻘﺒﺔ ﺍﻝﺫﻫﺒﻴﺔ ﻴﺘﻡ ﻁﻼﺅﻫﺎ ﻭﺘﻠﻤﻴﻌﻬﺎ ﺒﺸﻜل ﻜﺎﻑ ﻤﻤﺎ ﻴﺠﻌل ﺍﻝﺯﺍﺌـﺭ‬
‫ﻴﺸﻙ ﺒﺄﻥ ﺍﻝﻤﺩﻴﻨﺔ ﻜﻠﻬﺎ ﻗﺩ ﺭﺸﺤﺕ ﻓﻲ ﻗﺭﻋﺔ ﻝﻸﻓﻼﻡ‪.‬‬
‫ﻴﻭﺠﺩ ﺤﻼﻗﺎﻥ ﻭﻗﺎﻋﺔ ﺴﺒﺎﺤﺔ ﻤﻊ ﺒﺎﺭ ﻤﺠﺎﻭﺭ ﻭﺼﻴﺩﻝﻴﺔ ﻭﻤﻜﺘﺏ ﺍﺴﺘﺼﺩﺍﺭ ﺸﻬﺎﺩﺍﺕ ﺴﻴﺎﻗﺔ ﻭﺴﻭﺒﺭ ﻤﺎﺭﻜـﺕ‬
‫ﻭﻋﺩﺓ ﻤﺤﻁﺎﺕ ﻭﻗﻭﺩ‪ .‬ﻭﺒﻌﻴﺩﹰﺍ ﺨﺎﺭﺝ "ﻤﻴﻥ" ﻴﻭﺠﺩ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺒﻴﻭﺕ ﺍﻝﻌﺎﺌﻠﻴﺔ ﺍﻝﺒﻴﻀﺎﺀ ﺍﻝﻘﺎﺒﻌـﺔ ﻋﻠـﻰ ﺍﻝﻤـﺭﻭﺝ‬
‫ﺍﻝﻭﺍﺴﻌﺔ‪ .‬ﻋﻨﺩﻤﺎ ﻋﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻋﺎﻡ ‪ ،1940‬ﻜﺎﻥ ﺍﻝﻨﺎﺱ ﻤﺎﺯﺍﻝﻭﺍ ﻴﺴﺘﻁﻴﻌﻭﻥ ﺍﻝﻌﻴﺵ ﻓﻲ ﺘﻠﻙ‬
‫ﺍﻝﻤﻨﺎﺯل‪ .‬ﺃﻤﺎ ﺍﻵﻥ‪ ،‬ﻓﻘﺩ ﺘﺤﻭل ﺍﻝﻌﺩﻴﺩ ﻤﻨﻬﺎ ﺇﻝﻰ ﺩﻭﺭ ﻝﻠﺠﻨﺎﺯﺍﺕ ﻭﻤﺠﻤﻌﺎﺕ ﻁﺒﻴﺔ ﺃﻭ ﻤﻜﺎﺘـﺏ ﻋﻘﺎﺭﻴـﺔ ﻭﻤﺤـﻼﺕ‬
‫ﺯﻫﻭﺭ ﻭﻤﺅﺴﺴﺎﺕ ﺘﺠﻤﻴل‪.‬‬
‫ﻜﺎﻨﺕ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺤﻴﺙ ﺍﻨﻀﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺼﻔﻬﺎ ﺍﻝﺭﺍﺒﻊ ﻤﻌﺭﻭﻓﺔ ﻷﻫـل ﺍﻝﻤﺩﻴﻨـﺔ ﺒــ‬
‫"ﺍﻷﻜﺎﺩﻴﻤﻴﺔ"‪ .‬ﻜﺎﻥ ﻝﻬﺎ ﻗﺭﻤﻴﺩ ﺃﺤﻤﺭ ﻭﻨﻭﺍﻓﺫ ﻁﻭﻴﻠﺔ ﻭﺴﻁﺢ ﺃﺴﻭﺩ ﻤﻊ ﺒﺭﺝ ﺤﺠﺭﻱ‪ ،‬ﻭﺘﻘﻊ ﻓﻲ ﺃﻋﻠﻰ ﺘل ﻓﻲ ﻁﺭﻑ‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﺒﻠﺩﺓ ﺍﻝﻐﺭﺒﻲ ﻭﻜﺄﻨﻬﺎ ﺤﺼﻥ ﻤﻬﺠﻭﺭ‪.‬‬
‫ﺒﻌﺩ ﻤﺩﺭﺴﺔ ﺒﺭﻴﻨﺘﻭﻭﺩ ﺍﻝﻌﺎﻤﺔ‪ ،‬ﻜﺎﻨﺕ "ﺍﻷﻜﺎﺩﻴﻤﻴﺔ" ﺘﺒﺩﻭ ﻭﻜﺄﻨﻬﺎ ﻅﺎﻝﻤﺔ ﻭﻜﺌﻴﺒﺔ‪ .‬ﺘﻡ ﺍﺴﺘﺒﺩﺍل ﺠﺩﺭﺍﻥ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‬
‫ﺍﻝﻤﺸﻤﺴﺔ ﺒﺄﻝﻭﺍﺡ ﺨﺸﺒﻴﺔ ﻏﺎﻤﻘﺔ ﻤﻊ ﺠﺹ ﺃﺼﻔﺭ ﻭﺃﻀﻭﺍﺀ ﻤﻜﻭﺭﺓ ﺒﺎﻫﺘﺔ ﻤﻠﻴﺌﺔ ﺒﺎﻝﻔﺭﺍﺸﺎﺕ ﺍﻝﻤﻴﺘﺔ ﻭﺍﻷﺭﺽ ﺍﻝﺘـﻲ‬
‫ﺯﻴﺘﺕ ﻜﺜﻴﺭﹰﺍ ﺠﺩﹰﺍ ﺒﺤﻴﺙ ﺃﻨﻬﺎ ﺃﺼﺒﺤﺕ ﺘﻘﺭﻴﺒﹰﺎ ﺴﻭﺩﺍﺀ‪ .‬ﻜﺎﻨﺕ ﺍﻷﻤﺎﻜﻥ ﺍﻝﻤﻀﻴﺌﺔ ﻓﻲ ﻜل ﺍﻝﺼـﻑ ﻫـﻲ ﺍﻝﺸـﻤﻭﺱ‬
‫ﻭﺍﻷﻗﻤﺎﺭ ﺍﻝﻤﻀﻴﺌﺔ ﺍﻝﺘﻲ ﺭﺴﻤﺕ ﻋﻠﻰ ﺍﻝﻤﻘﺎﻋﺩ ﺍﻝﻤﻁﻠﻴﺔ ﺍﻝﻤﺼﻨﻭﻋﺔ ﻤﻥ ﺨﺸﺏ ﺍﻝﻤﺎﻫﻭﻏﻨﻲ‪ .‬ﻜﺎﻥ ﻓﻲ ﻜـل ﻤﻘﻌـﺩ‬
‫ﻭﻋﻠﻰ ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻴﻤﻨﻰ ﺜﻘﺏ ﻝﻠﻤﺤﺒﺭﺓ ﺍﺨﺘﻔﻰ ﻤﻨﺫ ﺯﻤﻥ‪ ،‬ﻭﺘﻡ ﺍﻻﺤﺘﻔﺎﻅ ﺒﺎﻝﻜﺘﺏ ﻓﻲ ﻤﻜﺎﻥ ﻤﻅﻠل ﺒﺎﻷﺴﻔل‪.‬‬
‫ﻗﺎﻤﺕ ﺍﻝﺴﻴﺩﺓ "ﺇﻨﺩﻴﺎ ﻨﻭﺯ ‪ "India Nose‬ﺒﺘﺩﺭﻴﺱ ﺍﻝﺼﻑ ﺍﻝﺭﺍﺒﻊ ﺼﺒﺎﺤﺎﹰ‪ ،‬ﺒﻴﻨﻤﺎ ﺃﺨﺫ ﺍﻝﺴﻴﺩ "ﺇﻴﻔـﺎﻥ ﺴـﻴﻭﺍﺭﺩ‬
‫‪ "Ivan Seward‬ﺤﺼﺹ ﻤﺎ ﺒﻌﺩ ﺍﻝﻅﻬﻴﺭﺓ‪.‬‬
‫ﻜﺎﻥ ﻴﻭﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻷﻭل ﺼﻌﺒﹰﺎ‪ .‬ﺒﻜﻰ‪ .‬ﻭﻭﺍﺠﻪ ﺼﻌﻭﺒﺔ ﻓﻲ ﺍﻝﻁﺭﺡ‪ .‬ﺃﺸﻔﻕ ﺍﻝﺼﺒﻲ "ﺠﻴﺭﻱ ﻏﺎﺭﻨﺭ‬
‫‪ "Jerry Garner‬ﺍﻝﺠﺎﻝﺱ ﺨﻠﻔﻪ ﻋﻠﻰ ﺍﻝﻘﺎﺩﻡ ﺍﻝﺠﺩﻴﺩ ﺍﻝﺨﺎﺌﻑ ﻭﺤﺸﺭ ﻨﻔﺴﻪ ﺒﺠﺎﻨﺒﻪ ﻝﻤﺴﺎﻋﺩﺘﻪ ﻓﻲ ﺤل ﻫﺫﻩ ﺍﻝﻤﺸـﻜﻠﺔ‪.‬‬
‫ﻭﻝﻡ ﻴﻨﺱ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﺫﺍ ﺃﺒﺩﹰﺍ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻏﺎﺩﺭ "ﺠﻴﺭﻱ ‪ "Jerry‬ﺍﻷﻜﺎﺩﻴﻤﻴﺔ ﻝﻤﺩﺭﺴﺔ ﺃﺨﺭﻯ ﻭﻋﺎﺩ ﺇﻝﻰ ﻤﺩﺭﺴـﺔ‬
‫)ﻓﻴﺭﻤﺎﻭﻨﺕ ﻫﺎﻱ( ﻜﻤﺒﺘﺩﺉ ﺭﻋﺎﻩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﻀﻭﹰﺍ ﻤﺅﺴﺴﹰﺎ ﻓﻲ ﺍﻝﺼـﻑ ﻓـﻲ ﺨـﻼل ﺃﻴﺎﻤـﻪ‬
‫ﺍﻝﻤﻀﻁﺭﺒﺔ‪.‬‬
‫ﻭﺤﺘﻰ ﻭﻫﻭ ﺼﺒﻲ ﺒﻌﻤﺭ ﺍﻝﻌﺎﺸﺭﺓ ﻓﺈﻨﻪ ﻝﻡ ﻴﺘﺴﻜﻊ ﻜﺜﻴﺭﹰﺍ ﺒﻌﺩ ﺍﻝﻤﺩﺭﺴﺔ‪ .‬ﻴﺘﺫﻜﺭ"ﻏﺎﺭﻨﺭ ‪ “ :"Garner‬ﻝﻘﺩ ﻋﺎﺵ‬
‫ﺤﻴﺎﺘﻪ ﻓﻲ ﺍﻝﻤﺯﺭﻋﺔ‪ .‬ﻭﻜﺎﻥ ﻫﺫﺍ ﺃﺤﺩ ﺍﻷﺸﻴﺎﺀ‪ ،‬ﻝﻜﻨﻪ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻷﺼﺩﻗﺎﺀ ﺍﻝﻤﻘﺭﺒﻴﻥ‪ .‬ﻜﺫﻝﻙ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ‬
‫ﺃﻱ ﺃﻋﺩﺍﺀ‪ .‬ﻭﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﺍﺴﺘﻘﺭ ﻤﺜل ﺒﻘﻴﺘﻨﺎ ﻜﻭﻝﺩ ﻋﺎﺩﻱ ﻤﺎ ﻋﺩﺍ ﺃﻨﻪ ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﻤﺎ ﻴﻤﻜﻥ‬
‫ﺃﻥ ﺘﺩﻋﻭﻩ ﺃﺸﻴﺎﺀ ﻏﺒﻴﺔ ﻭﺃﻋﻨﻲ ﺤﺭﻜﺎﺕ ﺒﻬﻠﻭﺍﻨﻴﺔ ﺨﻁﺭﺓ ﻝﺠﺫﺏ ﺍﻻﻨﺘﺒﺎﻩ‪ .‬ﻭﺃﻨﺎ ﻤﺘﺄﻜﺩ ﻤﻥ ﺃﻥ ﻝﻬﺫﺍ ﻋﻼﻗـﺔ ﺒﻤـﻭﺕ‬
‫ﻭﺍﻝﺩﺘﻪ ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﺼﻐﻴﺭﹰﺍ”‪.‬‬
 ‫ﻜﺎﻥ ﻴﺴﺘﻘل ﺍﻝﺒﺎﺹ ﻋﺎﺌﺩﹰﺍ ﺒﻌﺩ ﺍﻝﻤﺩﺭﺴﺔ ﻝﻠﻤﺯﺭﻋﺔ ﻝﻠﻌﻤل ﺒﺄﺤﺩ ﻤﺸﺎﺭﻴﻊ ﻤﻨﻅﻤﺔ "‪ (1)"4-H‬ﻝﻠﺸﺒﺎﺏ‪ .‬ﻓﻲ ﺍﻝﺴﻨﺔ‬
‫ﺍﻷﻭﻝﻰ‪ ،‬ﻗﺎﻡ ﺒﺘﺭﺒﻴﺔ ﺼﻐﺎﺭ ﺍﻝﺩﺠﺎﺝ‪ ،‬ﺤﻴﺙ ﻋﻠﻤﺘﻪ ﺫﻝﻙ ﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺇﻀﺎﻓﺔ ﻷﻋﻤﺎﻝﻬﺎ ﺍﻝﺭﻭﺘﻴﻨﻴﺔ ﺍﻝﺘﻲ‬
‫ﻜﺎﻨﺕ ﺘﻘﻭﻡ ﺒﻬﺎ‪.‬‬
‫ﻓﻲ ﺍﻝﺴﻨﺔ ﺍﻝﺜﺎﻨﻴﺔ ﺴﻤﺢ ﻝﻪ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﺒﺄﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻪ ﻗﻁﻌﺔ ﺃﺭﺽ ﺼﻐﻴﺭﺓ ﻜﺤﺩﻴﻘﺔ‪ ،‬ﻭﺍﻝﺘـﻲ‬
‫ﻻ ﻗﺯﻤﹰﺎ ﻝﻔﻼﺡ ﻴﺯﺭﻉ ﺍﻝﺒﺫﺍﺭ‪ .‬ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺈﺭﻀﺎﻉ‬ ‫ﺤﺭﺜﻬﺎ ﻭﺯﺭﻋﻬﺎ ﻭﺍﻋﺘﻨﻰ ﺒﻬﺎ ﻭﺤﺩﻩ‪ .‬ﻜﺫﻝﻙ ﺃﻋﻁﺎﻩ ﺘﻤﺜﺎ ﹰ‬
‫ﺼﻐﻴﺭ ﺍﻝﺨﻨﺯﻴﺭ ﺒﺎﻝﺯﺠﺎﺠﺔ ﺤﺘﻰ ﻭﺼﻭﻝﻪ ﻝﻠﺤﺠﻡ ﺍﻝﻁﺒﻴﻌﻲ ﻭﺃﺼﺒﺢ ﺤﻴﻭﺍﻨﹰﺎ ﺃﻝﻴﻔﹰﺎ‪ .‬ﻭﺘﺫﻜﺭ ﺍﻝﺠﺩﺓ ﻤﺸﺎﻫﺩﺘﻪ ﻤﻊ ﻜﻠﺒـﻪ‬
‫ﻻ ﺍﻝﻠﺤﺎﻕ ﺒﻬﻤﺎ‪ .‬ﺒﻌﺩ ﻫﺫﺍ ﻗﺎﻡ "ﺠﻴﻤـﻲ‬ ‫ﻤﻨﺩﻓﻌﻴﻥ ﺒﺴﺭﻋﺔ ﻋﺒﺭ ﻓﻨﺎﺀ ﺍﻝﺤﻅﻴﺭﺓ ﻭﺍﻝﺨﻨﺯﻴﺭ ﺨﻠﻔﻬﻤﺎ ﻴﺼﺩﺭ ﺼﻭﺘﹰﺎ ﻤﺤﺎﻭ ﹰ‬
‫)‪(2‬‬
‫‪ "Jimmy‬ﺒﺘﺭﺒﻴﺔ ﺍﻝﻤﺎﺸﻴﺔ‪ ،‬ﻭﻓﺎﺯ ﺃﺤﺩ ﺜﻴﺭﺍﻨﻪ ﻤﻥ ﻨﻭﻉ "ﻏﻭﻴﺭﻨﺴﻲ ‪ "Guernsey‬ﺒـﺎﻝﻤﺭﻜﺯ ﺍﻷﻭل ﻓـﻲ ﻤﻌـﺭﺽ‬
‫ﺍﻝﻤﻘﺎﻁﻌﺔ‪.‬‬
‫ﻜﺎﻨﺕ ﻭﺠﺒﺔ ﺍﻝﻌﺸﺎﺀ ﻓﻲ ﺍﻝﻤﺯﺭﻋﺔ ﻓﻲ ﻭﻗﺕ ﻤﺒﻜﺭ‪ ،‬ﻓﻲ ﺍﻝﺨﺎﻤﺴﺔ ﻭﺍﻝﻨﺼﻑ ﺃﻭ ﺍﻝﺴﺎﺩﺴﺔ‪ .‬ﻜﺎﻥ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ‬
‫ﻼ ﻴﺩﻋﻰ "ﺭﺍﻙ ‪ "Rack‬ﻴﺄﺘﻲ ﻤﻥ ﺍﻝﺤﻘل‪ .‬ﻭﻜﺎﻥ ﺍﻝﻌﻤﺎل ﺍﻝﻤﺴﺘﺄﺠﺭﻭﻥ ﻴـﺄﺘﻭﻥ ﺃﺤﻴﺎﻨـﹰﺎ‬ ‫‪ "Marcus‬ﺍﻝﺫﻱ ﺍﺴﺘﺄﺠﺭ ﻋﺎﻤ ﹰ‬
‫ﻝﺘﻨﺎﻭل ﺍﻝﻁﻌﺎﻡ ﻤﻊ ﺍﻝﻌﺎﺌﻠﺔ‪ .‬ﻭﻜﺎﻨﺕ "ﺠﻭﺍﻥ ‪ "Joan‬ﺃﺤﻴﺎﻨﹰﺎ ﺘﺩﻋﻭ ﺇﺤﺩﻯ ﺼﺩﻴﻘﺎﺘﻬﺎ ﻤﻥ ﺍﻝﻤﺩﺭﺴﺔ ﻝﻠﺒﻘﺎﺀ ﻭﺘﻤﻀﻴﺔ ﺍﻝﻠﻴﻠﺔ‬
‫ﻋﻨﺩﻫﺎ‪ .‬ﻜﺎﻨﺕ ﻭﺠﺒﺔ ﺍﻝﻌﺸﺎﺀ ﺃﻜﺒﺭ ﻭﺃﻓﻀل ﻭﺠﺒﺔ ﻓﻲ ﺍﻝﻴﻭﻡ‪ .‬ﻜﺎﻨﺕ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺘﻁﻬﻭ ﺠﻴﺩﹰﺍ ﺍﻝﻠﺤﻡ ﺍﻝﻤﺸﻭﻱ‬
‫ﻭﻜﺎﻓﺔ ﺃﻨﻭﺍﻉ ﺍﻝﻠﺤﻭﻡ ﺍﻷﺨﺭﻯ ﻭﺍﻝﺴﻤﻙ ﻭﺍﻝﺨﻀﺎﺭ ﻭﺍﻝﺤﺴﺎﺀ ﻭﺍﻝﺴﻠﻁﺔ ﻭﺍﻝﻜﺎﺘﻭ ﻭﺍﻝﻔﻁﺎﺌﺭ‪ .‬ﻭﻜﺎﻨﺕ ﺍﻷﻴﺎﻡ ﺍﻝﻁﻭﻴﻠﺔ ﺍﻝﺘﻲ‬
‫ﺘﻤﻀﻴﻬﺎ ﻓﻲ ﺍﻝﻤﻁﺒﺦ ﻗﺩ ﺴﺒﺒﺕ ﺍﻷﻝﻡ ﻓﻲ ﻤﻔﺎﺼل ﺃﺼﺎﺒﻌﻬﺎ‪ .‬ﻋﻨﺩﻤﺎ ﻋﺎﺩ ﺒﻌﺩ ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ ﺃﻭ ﻫﻭﻝﻴﻭﻭﺩ‬
‫ﺘﺤﺩﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻤﻭﻀﻭﻉ ﻨﻘﻠﻬﺎ ﺇﻝﻰ ﻤﻨﺎﺥ ﺃﻜﺜﺭ ﺠﻔﺎﻓﹰﺎ ﺤﻴﺙ ﻻ ﺘﺅﻝﻤﻬﺎ ﻴﺩﺍﻫﺎ ﻜﺜﻴﺭﹰﺍ‪.‬‬
‫ﻼ ﺃﻭ ﻴﺴﺘﻤﻊ ﻝﻠﻤﺫﻴﺎﻉ ﺃﻭ ﻴﻌﻤل ﻓـﻲ‬ ‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﺍﻝﻌﺸﺎﺀ ﻴﻨﺠﺯ ﻓﺭﻭﻀﻪ ﺍﻝﻤﺩﺭﺴﻴﺔ‪ ،‬ﺜﻡ ﻴﻘﺭﺃ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ‪ .‬ﻜﺎﻨﺕ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺘﺼﻌﺩ ﻝﺘﻀﻌﻪ ﻓﻲ ﺍﻝﺴﺭﻴﺭ ﻭﺘﻘﺒﻠﻪ ﻗﺒﻠﺔ ﺍﻝﻤﺴﺎﺀ ﻭﺘﻁﻔﺊ ﺍﻝﻤﺼﺒﺎﺡ‪ .‬ﻭﻜﺎﻥ‬
‫ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻴﺄﺨﺫ ﺍﻝﻤﺫﻴﺎﻉ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﻫﺫﺍ ﻜﺎﻥ ﻤﻤﻨﻭﻋﹰﺎ ﻤﻥ ﻋﻠﻰ ﺍﻝﻤﻨﻀﺩﺓ ﺍﻝﻘﺭﻴﺒﺔ ﻤﻨـﻪ ﻝﻴﺸـﻐﻠﻪ‬
‫ﺒﺼﻭﺕ ﺨﺎﻓﺕ ﻭﻴﻀﻐﻁﻪ ﻋﻠﻰ ﺃﺫﻨﻪ‪ .‬ﻜﺎﻥ ﻴﺴﺘﻤﻊ ﻁﻭﺍل ﺍﻝﻠﻴل ﺇﻝﻰ ﻤﺤﻁﺎﺕ ﺒﻌﻴﺩﺓ ﺤﺘﻰ ﺒـﺎﻝﺘﻴﻤﻭﺭ ﺃﻭ ﻨﻴﻭﻴـﻭﺭﻙ‪.‬‬
‫ﻭﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻜﺎﻥ ﻴﻐﻔﻭ ﻭﻫﻭ ﻴﺴﺘﻤﻊ ﺇﻝﻰ ﺍﻝﻤﻭﺴﻴﻘﺎ ﻝﻴﺴﺘﻴﻘﻅ ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻭﺃﺫﻨﺎﻩ ﻤﻠﻴﺌﺘﺎﻥ ﺒﺄﺨﺒـﺎﺭ ﺃﺴـﻌﺎﺭ‬
‫ﺍﻝﺨﻨﺎﺯﻴﺭ ﻭﺍﻝﺜﻴﺭﺍﻥ ﻤﻥ ﻤﺤﻁﺔ ﺇﻨﺩﻴﺎﻨﺎﺒﻭﻝﻴﺱ ﺍﻝﺘﻲ ﺍﺴﺘﻌﺎﺩﺕ ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﺍﻝﺴﻴﻁﺭﺓ ﻋﻠﻰ ﺍﻷﺜﻴﺭ ﺍﻝﻤﺤﻠﻲ‪.‬‬
‫ﺃﻋﻁﻰ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻭﻗﺕ ﻭﺍﻝﻌﻨﺎﻴﺔ ﻭﺤﺘﻰ ﺃﻜﺜﺭ ﻤﻤﺎ ﺃﻋﻁﻴـﺎﻩ‬
‫ﻻﺒﻨﺘﻬﻤﺎ "ﺠﻭﺍﻥ ‪ "Joan‬ﻓﻲ ﻋﺩﺓ ﻤﻨﺎﺴﺒﺎﺕ ﺃﻭ ﺍﺒﻨﻬﻤﺎ "ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ ‪ "Markie Jr.‬ﺍﻝﺫﻱ ﻭﻝﺩ ﻋﺎﻡ ‪ 1943‬ﺒﻌﺩ ﺜـﻼﺙ‬
‫ﺴﻨﻭﺍﺕ ﻤﻥ ﻗﺩﻭﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﻤﺯﺭﻋﺔ‪ .‬ﻭﺘﺸﺭﺡ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻗﺎﺌﻠﺔ‪ “ :‬ﻜﺎﻥ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻼ ﻏﻴﺭ ﻋﺎﺩﻱ‪ ،‬ﻝﻘﺩ ﻁﺎﻝﺏ ﺒﺫﻝﻙ ﻨﻭﻋﹰﺎ ﻤﺎ”‪.‬‬ ‫ﻁﻔ ﹰ‬
‫ﻻﺤﻅﺕ ﺍﻝﺠﺩﺓ ﺃﻴﻀﹰﺎ ﺃﻥ ﺤﻔﻴﺩﻫﺎ ﻜﺎﻥ ﻏﻴﺭ ﻋﺎﺩﻱ‪ .‬ﺘﻘﻭل‪“ :‬ﺇﺫﺍ ﺠﻠﺱ ﺍﻝﺠﺩ ﻭﻗـﺎﻁﻊ ﺴـﺎﻗﻴﻪ ﻓـﺈﻥ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻴﻔﻌل ﻤﺜل ﺫﻝﻙ‪ ،‬ﻭﺇﺫﺍ ﻗﺎﻡ ﺒﻤﺩﻫﻤﺎ ﻓﺈﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻔﻌل ﺫﻝﻙ ﺃﻴﻀﹰﺎ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺫﻝﻙ ﺃﻜﺜﺭ ﻤﻥ ﻤﺠـﺭﺩ‬
‫ﺘﻘﻠﻴﺩ ﻝﺤﺭﻜﺎﺕ ﺍﻝﺠﺩ‪ .‬ﺒﺩﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩﻫﺎ ﻗﺎﺩﺭﹰﺍ ﻋﻠﻰ ﺃﻥ ﻴﻜﻭﻥ ﺸﺨﺼﹰﺎ ﺁﺨﺭ”‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻜﺎﻨﺕ "ﺠﻭﺍﻥ ‪ "Joan‬ﺘﺄﺨﺫ ﺩﺭﻭﺴﹰﺎ ﻓﻲ ﺍﻝﺭﻗﺹ‪ ،‬ﻗﺎﻤﺕ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺒﺘﺸﺠﻴﻌﻪ ﻋﻠـﻰ ﺍﻝـﺘﻌﻠﻡ‬
‫ﺃﻴﻀﹰﺎ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺤﺎﺯ ﻋﻠﻰ ﺍﻝﻌﻼﻤﺔ ﺍﻝﺘﺎﻤﺔ ﻓﻲ ﺍﻝﻔﻨﻭﻥ ﻗﺎﻤﺕ ﺒﺘﺴﺠﻴﻠﻪ ﺒﺩﺭﻭﺱ ﻝﻠﺭﺴﻡ ﻤﻊ ﺭﺴﺎﻤﺔ ﺍﻝﻤﻨﺎﻅﺭ ﺍﻝﻁﺒﻴﻌﻴﺔ‬
‫ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ "ﻤﺎﺭﻱ ﻜﺎﺭﺘﺭ ‪ ."Mary Carter‬ﻭﻋﻨﺩﻤﺎ ﺃﺒﺩﻯ ﺍﻫﺘﻤﺎﻤﹰﺎ ﺒﺎﻝﻤﻭﺴﻴﻘﺎ‪ ،‬ﺤﺎﻭﻝﺕ ﺘﺩﺭﻴﺴﻪ ﺍﻝﻌﺯﻑ ﻋﻠﻰ ﺍﻝﺒﻴﺎﻨﻭ‪،‬‬
‫ﻝﻜﻨﻬﺎ ﺴﺭﻋﺎﻥ ﻤﺎ ﺍﻜﺘﺸﻔﺕ ﻋﺩﻡ ﻗﺩﺭﺘﻬﺎ ﻋﻠﻰ ﺨﺩﺍﻋﻪ ﺒﺘﺭﻙ ﺍﻝﺤﻅﻴﺭﺓ ﻭﺍﻝﺩﺨﻭل ﺇﻝﻰ ﻏﺭﻓﺔ ﺍﻝﻤﻌﻴﺸﺔ‪ .‬ﻝـﻡ ﺘﺴﺘﺴـﻠﻡ‪،‬‬
‫ﻓﺎﺸﺘﺭﺕ ﻝﻪ ﻜﻼﺭﻴﻨﻴﺕ ﻭﺍﻝﺘﻲ ﺘﻌﻠﻕ ﺒﻬﺎ‪ .‬ﺜﻡ ﻁﻠﺏ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﻁﺒﻭل‪ ،‬ﻭﺍﻝﺘﻲ ﺍﺨﺫ ﻴﺘﺩﺭﺏ ﻋﻠﻴﻬﺎ ﺒﺸﻜل ﻤﺴـﺘﻤﺭ‬

‫)‪ (1‬ﻡ‪8 % 12 %3#‬ت ‪ A$‬ا‪ %‬ا‪

B‬ن ا=‪ A$ 
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9:; <#‬ا‪ 18‬ب ﻡ ‪ 19-5
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‫‪9 A$‬ا‪ 80 A‬دو‪
 %‬ﻡ‪ H‬إ< ‪) Head, Heart, Hands, and Health‬ا
أس‪ ،‬ا‪ ،LMB‬ا‪J‬ي وا>‪.(%‬‬
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1‬‬
‫ﺒﺩﻭﻥ ﺇﻝﺤﺎﺡ ﻋﻨﺩﻤﺎ ﺤﺼل ﻋﻠﻴﻬﺎ‪ .‬ﺒﻌﺩ ﺫﻝﻙ ﻭﺃﺜﻨﺎﺀ ﺍﻝﺴﻨﺔ ﺍﻝﻨﻬﺎﺌﻴﺔ ﻝﻠﻤﺭﺤﻠﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ ،‬ﻋﺯﻑ ﻋﻠﻰ ﺍﻝﻁﺒل ﻤﻊ ﺇﺤﺩﻯ‬
‫ﺍﻝﻔﺭﻕ ﺍﻝﺘﻲ ﻋﺯﻓﺕ ﻓﻲ ﺤﻔﻼﺕ ﺍﻝﺭﻗﺹ ﺤﻭل ﻏﺭﺍﻨﺕ ﻜﺎﻭﻨﺘﻲ‪.‬‬
‫ﺭﺃﻯ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﺠﻠﻴﹰﺎ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺘﻌﻠﻡ ﻜل ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻴﻌﺭﻓﻬـﺎ‪ .‬ﻗـﺎل ﺃﺤـﺩ‬
‫ﺯﻤﻼﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺼﻑ ﻝﻠﺠﺩﺓ‪ “:‬ﻝﻁﺎﻝﻤﺎ ﺤﺴﺩﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﺍﺌﻤﹰﺎ‪ .‬ﻝﻡ ﻴﻜﻥ ﻝﺩﻯ ﻭﺍﻝـﺩﻱ ﺍﻝﻭﻗـﺕ‬
‫ﻝﻴﻌﺯﻑ ﻤﻌﻲ‪ ،‬ﻝﻜﻥ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺩﺍﺌﻤﹰﺎ ﻭﻫﻭ ﻴﺴﺩﺩ ﻋﻠﻰ ﺍﻝﺴﻠﺔ ﺃﻭ ﻴﻤﺭﺭ ﻝﻪ ﻜﺭﺓ ﺍﻝﻘﺩﻡ ﺃﻭ ﻴﺄﺨﺫﻩ‬
‫ﻝﻠﺼﻴﺩ ﺃﻭ ﻴﺭﻴﻪ ﻜﻴﻔﻴﺔ ﺃﺩﺍﺀ ﺍﻝﺤﺭﻜﺎﺕ ﺍﻝﺨﻁﺭﺓ”‪ .‬ﻭﻨﺎﺩﺭﹰﺍ ﻤﺎ ﺸﺠﻊ ﻤﺯﺍﺭﻋﻭ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻷﺒﻨﺎﺀ ﻋﻠﻰ ﺍﻝﻘﺩﻭﻡ ﻷﺭﻀﻬﻡ‬
‫ﺇﻻ ﻝﻠﻌﻤل‪ .‬ﻝﻘﺩ ﺫﻫﺏ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﺒﻌﻴﺩﹰﺍ ﻋﻨﺩﻤﺎ ﺤﻭل ﻤﺯﺭﻋﺘﻪ ﺇﻝﻰ ﻤﻠﻌﺏ‪ ،‬ﺤﻴﺙ ﻗـﺎﻡ ﺒﻭﺼـل ﺸـﺭﻴﻁ‬
‫ﻜﻬﺭﺒﺎﺌﻲ ﻝﻺﻨﺎﺭﺓ ﻋﻠﻰ ﺍﻷﺸﺠﺎﺭ ﻤﻥ ﺍﻝﺤﻅﻴﺭﺓ ﻨﺤﻭ ﺍﻝﺒﺭﻜﺔ ﺍﻝﻤﺠﻤﺩﺓ ﺤﺘﻰ ﻴﺴﻤﺢ ﻝﻸﻭﻻﺩ ﺒﺎﻝﺘﺯﺤﻠﻕ ﺒﻌـﺩ ﻫﺒـﻭﻁ‬
‫ﺍﻝﻅﻼﻡ‪ .‬ﻜﺎﻥ ﺒﺎﺴﺘﻁﺎﻋﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻥ ﻴﺸﻌل ﺍﻝﻨﺎﺭ ﻭﻴﺸﺭﺏ ﻋﺼﻴﺭ ﺍﻝﻔﺎﻜﻬﺔ ﻭﻴﺄﻜل ﺤﻠﻭﻯ ﺍﻝﺨﻁﻤﻲ‪ ،‬ﻝﻜـﻥ‬
‫ﻜﺎﻥ ﺍﻝﺘﺩﺨﻴﻥ ﻭﺸﺭﺏ ﺍﻝﺒﻴﺭﺓ ﻤﻤﻨﻭﻋﹰﺎ ﻨﻬﺎﺌﻴﹰﺎ‪.‬‬
‫ﺴﻤﺢ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻝﻸﻭﻻﺩ ﺒﺎﻝﻠﻌﺏ ﻓﻲ ﺍﻝﺤﻅﻴﺭﺓ ﺃﻴﻀﹰﺎ‪ .‬ﻭﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ "ﻭﺍﻴﺘﻲ ﺭﺍﺴـﺘﻲ‬
‫‪ "Whitey Rusty‬ﺠﺎﺭﻩ ﺍﻝﻭﻝﺩ ﺍﻝﺫﻱ ﻴﻘﻁﻥ ﻓﻲ ﺍﻝﻤﻨﺯل ﺍﻝﻤﺠﺎﻭﺭ ﻝﻠﻜﻨﻴﺴﺔ ﻓﻲ ﺁﺨﺭ ﺍﻝﺸﺎﺭﻉ ﺒﺒﻨﺎﺀ ﻤﺘﺎﻫﺔ ﻤﻥ ﺍﻷﻨﻔـﺎﻕ‬
‫ﻓﻲ ﺍﻝﻘﺵ‪ .‬ﻭﺩﻋﺎ ﺍﻝﻭﻝﺩﺍﻥ ﺍﻷﻭﻻﺩ ﻤﻥ ﺍﻝﻤﺩﺭﺴﺔ ﻝﻠﻌﺏ ﺍﻝﻐﻤﻴﻀﺔ‪ .‬ﻭﺒﻤﺎ ﺃﻨﻬﻤﺎ ﻋﺭﻓﺎ ﺍﻝﻘﺵ ﻋﻥ ﻅﻬـﺭ ﻗﻠـﺏ‪ ،‬ﻜـﺎﻥ‬
‫ﺒﺈﻤﻜﺎﻨﻬﻤﺎ ﺍﻝﺒﻘﺎﺀ ﻤﺨﺘﺒﺌﻴﻥ ﻁﻴﻠﺔ ﺍﻝﻭﻗﺕ ﺍﻝﺫﻱ ﻴﺭﻏﺒﺎﻥ ﻓﻴﻪ‪ .‬ﺤﺘﻰ ﺇﻥ ﺍﻷﻭﻻﺩ ﺫﺍﺕ ﻤﺭﺓ ﻋﺎﺩﻭﺍ ﺇﻝﻰ ﻤﻨﺎﺯﻝﻬﻡ ﻏﺎﻀﺒﻴﻥ‬
‫ﺩﻭﻥ ﺃﻥ ﻴﺠﺩﻭﻫﻤﺎ‪.‬‬
‫ﻜﺎﻨﺎ ﻴﻘﻭﻤﺎﻥ ﺒﺒﻨﺎﺀ ﻋﺭﺒﺎﺕ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻋﻥ ﻁﺭﻴﻕ ﺘﺜﺒﻴﺕ ﺍﻝﺩﻭﺍﻝﻴﺏ ﺍﻝﺼﻐﻴﺭﺓ ﻋﻠﻰ ﺼﻨﺎﺩﻴﻕ ﺨﺸﺒﻴﺔ‬
‫ﻜﺒﻴﺭﺓ‪ ،‬ﺜﻡ ﻴﺘﺴﺎﺒﻘﺎﻥ ﺒﻌﺩ ﺍﻝﺠﻠﻭﺱ ﻋﻨﺩ ﺍﻝﻠﻭﺡ ﺍﻝﺨﺸﺒﻲ ﺍﻝﻤﻨﺤﺩﺭ ﺒﺸﺩﺓ ﻤﻥ ﻤﺨﺯﻥ ﺍﻝﺘﺒﻥ‪ .‬ﻝﻘﺩ ﻗﺎﻡ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﺒﺄﻭل ﻗﻴﺎﺩﺓ ﻤﺘﻬﻭﺭﺓ ﻓﻲ ﺤﻅﻴﺭﺓ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪."Marcus‬‬
‫ﻜﺎﻨﺎ ﻓﻲ ﺍﻝﺭﺒﻴﻊ ﻴﺨﺭﺠﺎﻥ ﺒﻨﺎﺩﻗﻬﻤﺎ ﻻﺼﻁﻴﺎﺩ ﺍﻝﺴﻼﺤﻑ ﻓﻲ ﺍﻝﺒﺭﻜﺔ‪ .‬ﻜﺎﻥ "ﻭﺍﻴﺘـﻲ ‪ "Whitey‬ﻴﺤـﺏ ﻝﺤـﻡ‬
‫ﺍﻝﺴﻼﺤﻑ‪ ،‬ﻭﻜﺫﻝﻙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻝﻡ ﻴﺤﺏ ﺍﺼﻁﻴﺎﺩ ﺍﻝﻀﻔﺎﺩﻉ ﺤﻴﺙ ﻜﺎﻨﺕ ﺒﺎﻝﻨﺴﺒﺔ ﻝﻪ ﺠﻴﺩﺓ ﻓﻲ ﺍﻝﺒﺭﻜـﺔ‪،‬‬
‫ﺇﻀﺎﻓﺔ ﺇﻝﻰ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﺃﺤﺩ ﻴﺄﻜﻠﻬﺎ )ﻜﺎﻨﺕ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻓﻲ ﺘﻠﻙ ﺍﻝﻤﺭﺤﻠﺔ ﻤﺎ ﺯﺍﻝﺕ ﺒﺭﻴﺌﺔ ﻤـﻥ ﻭﺼـﻔﺎﺕ ﺍﻝﺘﻠﻔـﺎﺯ‬
‫ﺍﻝﺨﺎﺼﺔ ﺒﺨﺒﺭﺍﺀ ﺍﻝﻁﻌﺎﻡ ﻤﺜل ﻭﺼﻔﺔ ﺒﺭﻭﻓﻴﻨﻴﻜﺎل ﺍﻝﻔﺭﻨﺴﻴﺔ ﺍﻝﺨﺎﺼﺔ ﺒﺄﺭﺠل ﺍﻝﻀﻔﺎﺩﻉ(‪.‬‬
‫ﻝﻜﻥ‪ ،‬ﻋﺭﻑ "ﻭﺍﻴﺘﻲ‪ "Whitey‬ﺃﻥ ﻋﻴﻨﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﺘﻜﻭﻨﺎ ﺠﻴﺩﺘﻴﻥ ﺠـﺩﹰﺍ ﻭﻻﺴـﻴﻤﺎ ﺒﻤـﺎ ﻴﺘﻌﻠـﻕ‬
‫ﺒﺎﻝﻤﺴﺎﻓﺎﺕ ﺍﻝﺒﻌﻴﺩﺓ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺒﺎﺏ ﺍﻝﻤﺸﺎﻜﺴﺔ ﻴﺸﻴﺭ ﺇﻝﻰ ﺭﺃﺱ ﻀﻔﺩﻉ ﻅﺎﻫﺭ ﻤﻥ ﺍﻝﺒﺭﻜﺔ ﻭﻴﺼﺭﺥ‪ “:‬ﺃﻁﻠﻕ ﻋﻠﻴـﻪ‬
‫ﺍﻝﻨﺎﺭ ﻴﺎ "ﺠﻴﻤﻲ ‪ .”!"Jimmy‬ﺍﻝﺫﻱ ﻴﻁﻠﻕ ﺍﻝﻨﺎﺭ ﻭﻨﺎﺩﺭﹰﺍ ﻤﺎ ﻴﺼﻴﺏ‪ .‬ﻜﺎﻥ ﻴﺴﺘﺸﻴﻁ ﻤﻥ ﺍﻝﻐﻀﺏ ﻋﻨﺩﻤﺎ ﻴﺩﺭﻙ ﺃﻥ ﻤـﺎ‬
‫ﺍﺼﻁﺎﺩﻩ ﻜﺎﻥ ﻀﻔﺩﻋﹰﺎ‪ .‬ﻜﺎﻥ "ﻭﺍﻴﺘﻲ‪ "Whitey‬ﻴﻀﺤﻙ ﻭﻴﺨﺒﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺸﺭﺍﺀ ﺯﻭﺝ ﺠﺩﻴﺩ‬
‫ﻤﻥ ﺍﻝﻨﻅﺎﺭﺍﺕ ﺇﻥ ﺃﺭﺍﺩ ﺃﻥ ﻴﺼﺒﺢ ﺒﻁل ﺍﻝﻌﺎﻝﻡ ﺒﺼﻴﺩ ﺍﻝﺴﻼﺤﻑ‪.‬‬
‫ﻭﻜﺜﻴﺭﹰﺍ ﻤﺎ ﻜﺎﻥ ﻴﺸﺘﺭﻱ ﺯﻭﺠﹰﺎ ﺠﺩﻴﺩﹰﺍ ﻤﻥ ﺍﻝﻨﻅﺎﺭﺍﺕ ﻭﻝﻜﻥ ﻝﻴﺱ ﺒﺴﺒﺏ ﺘﻐﻴﻴﺭ ﻓﻲ ﺍﻝﻭﺼﻔﺔ ﺍﻝﻁﺒﻴـﺔ‪ ،‬ﺇﻨﻤـﺎ‬
‫ﺒﺴﺒﺏ ﻜﺴﺭ ﺃﻭ ﻀﻴﺎﻉ ﺍﻝﻨﻅﺎﺭﺓ ﺍﻝﻘﺩﻴﻤﺔ ﺃﺜﻨﺎﺀ ﺘﺄﺩﻴﺘﻪ ﻹﺤﺩﻯ ﺤﺭﻜﺎﺘﻪ ﺍﻝﺨﻁﺭﺓ ﻤﺜل ﺍﻝﻐﻁﺱ ﻓﻲ ﺍﻝﺒﺭﻜﺔ ﺒﺎﺩﺌﹰﺎ ﺒﺭﺃﺴﻪ‬
‫ﻝﻴﺭﻯ ﻋﻤﻘﻬﺎ‪ .‬ﻜﺎﻥ ﻝﺩﻯ ﻁﺒﻴﺒﺔ ﻋﻴﻭﻥ ﺍﻝﺒﻠﺩﺓ "ﺭﻭﺙ ﻤﺎﻜﺩﻭﻨﺎﻝﺩ ‪ "Ruth MacDonald‬ﺇﻁﺎﺭﺍﺕ ﺃﻭ ﻋﺩﺴﺎﺕ ﺠـﺎﻫﺯﺓ‬
‫ﻝﻠﻁﻠﺏ ﻝـ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﻋﻨﺩﻤﺎ ﺒﺩﺃ ﺒﻠﻌﺏ ﻜﺭﺓ ﺍﻝﺴﻠﺔ ﺼﻨﻌﺕ ﻝﻪ ﻨﻅﺎﺭﺍﺕ ﺨﺎﺼﺔ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺜﺎﻝﺙ‬

‫ﻤﻊ ﺍﻗﺘﺭﺍﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺍﻝﻌﻤﺭ ﺍﻝﺫﻱ ﻴﺴﻤﺢ ﻝﻪ ﺒﺎﻝﻘﻴﺎﺩﺓ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﺍﻝﺴﺎﺩﺴﺔ ﻋﺸﺭﺓ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﻓﻘﺩ‬
‫ﺍﻨﺘﻘل ﺍﻫﺘﻤﺎﻤﻪ ﻤﻥ ﺍﻝﺤﻴﻭﺍﻨﺎﺕ ﻨﺤﻭ ﺍﻵﻻﺕ‪ .‬ﻋﻠﻤﻪ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻗﻴﺎﺩﺓ ﺍﻝﺠﺭﺍﺭ ﺍﻝﻜﺒﻴﺭ‪ ،‬ﻭﺴـﺭﻋﺎﻥ ﻤـﺎ‬
‫ﻜﺎﻥ ﻴﺴﻭﻱ ﺍﻝﺘﺭﺒﺔ ﻭﻴﻘﻭﻡ ﺒﺎﻝﺤﺼﺎﺩ ﻤﻊ ﺍﻝﻌﻤﺎل ﺍﻝﻤﺴﺘﺄﺠﺭﻴﻥ‪ .‬ﺜﻡ ﺍﺸﺘﺭﻯ ﻝﻪ ﺩﺭﺍﺠﺔ ﺒﻤﺤﺭﻙ ﺫﻱ ﺼﻭﺕ ﻋﺎل ﺤﺴﺏ‬
‫ﻤﺎ ﺘﻘﻭﻝﻪ ﺍﻝﺠﺩﺓ‪ “:‬ﻜﻨﺕ ﺘﺴﺘﻁﻴﻊ ﺴﻤﺎﻉ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺎﺩﻤﹰﺎ ﻤﻥ ﻋﻠﻰ ﺒﻌﺩ ﺜﻼﺜﺔ ﺃﻤﻴﺎل”‪.‬‬
‫ﻝﻡ ﻴﻤﺽ ﻭﻗﺕ ﻁﻭﻴل ﺤﺘﻰ ﺃﺭﺍﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺸﻴﺌﹰﺎ ﺃﻗل ﻀﺠﺔ ﻭﺃﻜﺜﺭ ﻗـﻭﺓ‪ .‬ﻓـﺘﺢ "ﻤـﺎﺭﻓﻴﻥ ﻜـﺎﺭﺘﺭ‬
‫‪ "Marvin Carter‬ﺼﺩﻴﻕ ﺍﻝﻌﻡ "ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ‪ "Charlie Nolan‬ﺍﻝﻘﺩﻴﻡ ﻓﻲ ﺭﻜﻭﺏ ﺍﻝﺩﺭﺍﺠﺎﺕ ﻤﺘﺠﺭﹰﺍ ﻝﻠﺩﺭﺍﺠﺎﺕ ﻓﻲ‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﺸﺎﺭﻉ ﻓﻲ ﺇﺤﺩﻯ ﻏﺭﻑ ﻤﺩﺭﺴﺔ ﻤﻬﺠﻭﺭﺓ‪ .‬ﻝﻘﺩ ﺸﺎﻫﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺩﺭﺍﺠﺔ ﺍﻝﺘﻲ ﻴﺭﻴﺩﻫﺎ‪ ،‬ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‬
‫ﺍﺴﺘﺴﻠﻡ "ﻤﺎﺭﻜﻭﺱ ‪."Marcus‬‬
‫ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻘﻀﺎﺀ ﻭﻗﺕ ﻤﺎ ﺒﻌﺩ ﺍﻝﻅﻬﺭ ﻓﻲ ﺍﻝﻤﺘﺠﺭ ﻭﺍﻝﺫﻱ ﺒﻔﻀل ﺘﺭﺤﻴﺒﻪ ﺍﻝﺤﺎﺭ ﻭﻤﺎﻜﻴﻨﺔ ﺍﻝﻜـﻭﻻ‬
‫ﻼ‬
‫ﺍﻝﻤﻭﺠﻭﺩﺓ ﻗﺩ ﺃﺼﺒﺢ ﻜﻨﺎﺩ ﻝﻜل ﺴﺎﺌﻘﻲ ﺍﻝﺩﺭﺍﺠﺎﺕ ﻤﻥ ﺭﺠﺎل ﻭﺼﺒﻴﺔ ﻓﻲ ﺍﻝﺭﻴﻑ‪ .‬ﻜﺎﻥ " ﻜـﺎﺭﺘﺭ ‪ "Carter‬ﺭﺠـ ﹰ‬
‫ﻼ ﻭﻗﻭﻴﹰﺎ ﺍﻋﺘﺎﺩ ﺍﺭﺘﺩﺍﺀ ﻗﻤﺼﺎﻥ ﺒﻴﻀﺎﺀ ﻭﺒﻨﻁﺎل ﻤﻥ ﺍﻝﻜﺘﺎﻥ ﻭﺍﺴﻊ ﻤﻥ ﺍﻷﻋﻠﻰ ﻭﻀﻴﻕ ﻤﻥ ﺍﻷﺴﻔل ﻤﻥ ﺃﺠـل‬ ‫ﻁﻭﻴ ﹰ‬
‫ﺍﻝﺭﻜﻭﺏ‪ .‬ﻜﺎﻥ ﺫﻜﻴﹰﺎ ﻭﻓﻅﹰﺎ‪ .‬ﻭﻗﺩ ﺃﺤﺒﻪ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻴﺘﺫﻜﺭ " ﻜﺎﺭﺘﺭ ‪“:"Carter‬ﺍﻋﺘﺎﺩ ﺍﻝﺩﺨﻭل ﻭﺍﻝﺨﺭﻭﺝ ﻜﺜﻴﺭﹰﺍ‪.‬‬
‫ﻭﻜﻨﺕ ﺩﺍﺌﻤﹰﺎ ﺃﻤﺎﺯﺤﻪ ﺤﻭل ﺘﻠﻙ ﺍﻝﺩﺭﺍﺠﺔ ﺍﻝﺼﻐﻴﺭﺓ‪ .‬ﻓﻜﺎﻥ ﻴﺫﻫﺏ ﻭﻻ ﻴﻠﻭﺡ ﺒﻴﺩﻩ ﻤﻭﺩﻋـﹰﺎ ﺃﺒـﺩﹰﺍ ﻭﻴﺘﺠـﻪ ﻝﻠﻤﻨـﺯل‬
‫ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻴﻌﻭﺩ ﺇﻝﻰ ﻫﻨﺎ‪ .‬ﻜﻨﺕ ﺃﻗﻭل ﺤﺴﻨﹰﺎ ﻝﻤﺎﺫﺍ ﻻ ﺘﺸﻐل ﻫﺫﻩ ﺃﺤﻴﺎﻨﺎﹰ؟ ﻜﺎﻨﺕ ﺩﺭﺍﺠﺘﻪ ﺘﺼـﺩﺭ ﺍﻝﻜﺜﻴـﺭ ﻤـﻥ‬
‫ﺍﻝﻀﺠﻴﺞ ﺤﻴﺙ ﻜﺎﻥ ﻴﻭﺠﺩ ﻓﻲ ﻨﻬﺎﻴﺘﻬﺎ ﻋﺎﺩﻡ ﻤﺜل ﻗﻤﻊ ﻜﺒﻴﺭ‪ .‬ﻜﺎﻨﺕ ﺩﺭﺍﺠﺘﻪ ﺘﺴﻴﺭ ﺒﺴﺭﻋﺔ ﺘﻘﺎﺭﺏ ﺍﻝﺨﻤﺴﻴﻥ ﺃﻭ ﻝﻨﻘل‬
‫ﻼ‪ .‬ﻜﺎﻥ ﻤﺤﺭﻜﻬﺎ ﺒﺴﻌﺔ ‪125‬ﺴﻨﺘﻤﺘﺭﹰﺍ ﻤﻜﻌﺒﹰﺎ‪ .‬ﻭﻜﻨﺕ ﺃﻗﻭل ﻝﻪ ﻝﻤﺎﺫﺍ ﻻ ﺘﻔﺘﺤﻬﺎ؟ ﻭﻴﺭﺩ ﻋﻠﻲ‬ ‫ﺍﻝﺨﻤﺴﺔ ﻭﺍﻝﺨﻤﺴﻴﻥ ﻤﻴ ﹰ‬
‫ﺤﺴﻨﹰﺎ ﻜﻤﺎ ﺘﻌﻠﻡ ﻴﺎ " ﻜﺎﺭﺘﺭ ‪ "Carter‬ﻓﺄﻨﺎ ﻻ ﺃﻗﻭﺩ ﺒﺸﻜل ﺨﺸﻥ ﻜﺜﻴﺭﹰﺍ‪ .‬ﻓﺄﺭﺩ ﻋﻠﻴﻪ ﻝﻜﻥ ﻝﺩﻴﻙ ﻓﻘﻁ ﺴﺭﻋﺔ ﻭﺍﺤﺩﺓ‪ .‬ﻓﻘﻁ‬
‫ﺴﺭﻋﺔ ﻭﺍﺤﺩﺓ‪ .‬ﺴﺭﻋﺔ ﻭﺍﺤﺩﺓ ﻴﺎ "ﺩﻴﻥ ‪ "Dean‬ﻜﻤﺎ ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺴﻤﻴﻪ‪ ،‬ﻓﻜﺎﻥ ﻴﻀﺤﻙ”‪.‬‬
‫“ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺘﻰ ﻝﻁﻴﻔﺎﹰ‪ ،‬ﻝﻡ ﻴﻔﻬﻤﻪ ﺃﺤﺩ ﺒﺤﻕ ﻓﺎﻝﺤﻘﻴﻘﺔ ﺃﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺍﻋﺘﻘﺩﻭﺍ ﺃﻨﻪ ﻤﺘﺤﺎﺫﻕ‪.‬‬
‫ﻭﻜﻤﺎ ﻗﻠﺕ ﻓﺈﺫﺍ ﺃﺘﻰ ﺇﻝﻰ ﻫﻨﺎ ﻭﻜﺎﻥ ﺤﻴﹰﺎ ﺍﻝﻴﻭﻡ ﻓﻠﻤﺎﺫﺍ ﺴﻭﻑ ﻴﺩﺨل ﻭﻻ ﻴﺒﺘﺴﻡ ﻭﻻ ﺤﺘﻰ ﻴﻨﺒﺱ ﺒﺒﻨﺕ ﺸـﻔﺔ‪ .‬ﺴـﻭﻑ‬
‫ﻴﺴﻴﺭﻋﺎﺌﺩﹰﺍ ﺇﻝﻰ ﺍﻝﻤﻘﻌﺩ ﻝﻴﺄﺨﺫ ﺃﺩﺍﺓ ﻭﻴﺨﺭﺝ ﻝﻴﻌﻤل ﺸﻴﺌﹰﺎ ﻤﺎ ﻝﺩﺭﺍﺠﺘﻪ‪ ،‬ﺜﻡ ﻴﻌﻭﺩ ﻝﻠﺩﺍﺨل ﻝﻴﻌﻴﺩ ﺍﻷﺩﺍﺓ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﺩﻭﻥ‬
‫ﺃﻥ ﻴﻨﻁﻕ ﺒﺄﻴﺔ ﻜﻠﻤﺔ ﺜﻡ ﺴﻴﺴﻴﺭ ﺨﺎﺭﺠﹰﺎ‪ .‬ﻭﺭﺒﻤﺎ ﻴﺼل ﺇﻝﻰ ﺍﻝﺒﺎﺏ ﻭﻴﻔﻜﺭ ﺒﺸﻲﺀ ﻤﺎ ﻜﻤﺎ ﺘﻌﻠﻡ ﻭﻴﺨﺒﺭﻙ ﻋﻥ ﻁﺭﻓـﺔ‬
‫ﺼﻐﻴﺭﺓ ﺃﻭ ﻋﻥ ﻤﺎ ﻗﺎﻝﻪ ﺃﺤﺩﻫﻡ ﺜﻡ ﻴﻀﺤﻙ ﻭﻴﺨﺭﺝ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻤﻥ ﻫﺫﺍ ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻷﻭﻻﺩ‪ .‬ﻜـﺎﻥ ﻋﻠﻴـﻙ ﻓﻘـﻁ ﺃﻥ‬
‫ﺘﻌﺭﻓﻪ”‪.‬‬
‫ﻜﺎﻥ ﻤﺠﺭﺩ ﻓﺘﻰ ﻋﻨﺩﻤﺎ ﺒﺩﺃ ﻤﺒﻜﺭًﹰﺍ ﺍﻝﺭﻜﻭﺏ ﻭﻗﺩ ﺃﻋﺠﺏ ﺒﻪ ﺒﻘﻴﺔ ﺍﻷﺸﺨﺎﺹ‪ ،‬ﺤﻴﺙ ﻜﺎﻥ ﻴﺩﺨل ﻝﻴﺭﻭﻱ ﻝﻬـﻡ‬
‫ﻭﻴﺭﻭﻭﺍ ﻝﻪ ﺒﻌﺽ ﺍﻝﻘﺼﺹ ﻤﻥ ﺍﻝﺫﺍﻜﺭﺓ‪ .‬ﻜﺎﻥ ﻝﺩﻱ ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻤﺭﺍﺕ ﻨﻅﺎﻡ ﻋﻨﺎﻭﻴﻥ ﻋﺎﻡ ﻭﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺍﻝﻠﻌﺏ ﺒﻪ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻗﺩ ﺸﺎﻫﺩ ﺴﺒﺎﻕ ﺩﺭﺍﺠﺎﺕ ﻓﻲ ﺤﻴﺎﺘﻪ ﻤﻥ ﻗﺒل‪ .‬ﻜﺎﻥ ﻓﻘﻁ ﻴﺴﻤﻊ ﺍﻷﺸﺨﺎﺹ ﻴﺘﺤﺩﺜﻭﻥ ﻋﻨﻪ ﻭﻗﺩ ﺃﺭﻴﻨﺎﻩ ﺒﻌـﺽ‬
‫ﺍﻝﺼﻭﺭ ﻭﻤﺸﺎﻫﺩ ﻤﻥ ﺒﻌﺽ ﺍﻷﻓﻼﻡ ﻫﻨﺎ‪ ،‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺸﺎﻫﺩ ﺴﺒﺎﻗﹰﺎ ﺤﻘﻴﻘﻴﹰﺎ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻗﺎﻡ ﺒﻭﻀﻊ ﻤﻜﺒﺭﺍﺕ ﺍﻝﺼﻭﺕ ﻓـﻲ‬
‫ﺍﻝﺨﺎﺭﺝ ﻝﻴﻌﻭﺩ ﻝﻠﺩﺍﺨل ﺇﻝﻰ ﺍﻝﺯﺍﻭﻴﺔ‪ ،‬ﻭﻜﻤﺎ ﺃﻗﻭل ﻝﻜﻡ ﻓﻠﻘﺩ ﺃﺩﺨل ﺍﻝﺠﻤﻴﻊ ﻓﻲ ﺤﺎﻝﺔ ﺼﺨﺏ‪ .‬ﻜﺎﻥ ﻴﺼﻨﻊ ﺴﺒﺎﻗﹰﺎ ﻝـﻡ‬
‫ﺘﻜﻥ ﻝﺘﺴﻤﻊ ﺸﻴﺌﹰﺎ ﻤﺜﻠﻪ‪ .‬ﻭﻜﺎﻥ ﻴﻘﻭﻡ ﺒﺈﺼﺩﺍﺭ ﺍﻷﺼﻭﺍﺕ ﻤﻥ ﻓﻤﻪ‪ ،‬ﻭﻜﺄﻥ ﺠﻬﻨﻡ ﻗﺩ ﻓﺘﺤﺕ ﺃﺒﻭﺍﺒﻬﺎ‪ .‬ﻭﻜﺎﻥ ﺍﻷﺸﺨﺎﺹ‬
 ‫ﺍﻝﺫﻴﻥ ﺘﺴﺎﺒﻘﻭﺍ ﻫﻡ ﻤﻥ ﺃﺘﻭﺍ ﺇﻝﻰ ﻫﻨﺎﻙ‪" :‬ﺒﻭﺘﺴﻲ ‪" ،"Bottsey‬ﻭﻴﻔـﺭ ‪ "Weaver‬ﻭ"ﺠـﻭﻨﺯ ‪ "Jones‬ﻭ "ﻓﻭﻏﻠﺴـﻭﻥ‬
‫‪ ."Fogelson‬ﻜﺎﻨﻭﺍ ﻜﻠﻬﻡ ﻫﻨﺎﻙ‪ .‬ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﻭﺼﻔﻬﻡ‪ ،‬ﻭﻜﺎﻥ ﻴﻌﺭﻑ ﺃﻨﻬﻡ ﻗﺩ ﺤﺼﻠﻭﺍ ﻋﻠﻰ ﺴﺘﺔ ﻭﺜﻤﺎﻨﻴﺔ ﻓﻲ ﺍﻝﺴﺒﺎﻕ‬
‫ﻭﻫﻭ ﻴﻘﻭﻡ ﺒﺈﺼﺩﺍﺭ ﺼﻭﺕ )ﻭﻭﻩ‪ ،‬ﻭﻭﻭﻩ ‪ .............‬ﻭﻭﻭﻭﻭﻭﻭﻭﻭﻩ( ﻫﻜﺫﺍ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻫﺫﺍ ﺭﺍﺌﻌﹰﺎ!”‬
‫ﺃﻋﺠﺏ "ﻜﺎﺭﺘﺭ ‪ "Carter‬ﻜﺫﻝﻙ ﺒـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻹﺒﺩﺍﻋﻪ ﺍﻹﻨﺩﻴﺎﻨﻲ‪ “ .‬ﻜﻤﺎ ﺘﻌﻠﻤﻭﻥ ﻓﻲ ﺍﻷﻋﻭﺍﻡ ‪ 1948‬ﻭ‬
‫‪ 1946‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﺘﻲ ﺘﺼل ﻓﻲ ﺃﻗﻔﺎﺹ ﻜﺒﻴﺭﺓ ﺘﺤﻭﻱ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺨﺸﺏ ﺒﺩﺍﺨﻠﻬﺎ‪ ،‬ﻝﻜـﻥ‬
‫ﻜﺎﻥ ﻴﺠﺏ ﻋﻠﻴﻙ ﺃﻥ ﺘﺴﺤﺏ ﻤﻨﻬﺎ ﺍﻝﻤﺴﺎﻤﻴﺭ ﻭﺘﻘﻭﻡ ﺒﺘﻜﺩﻴﺴﻬﺎ‪ .‬ﺃﺘﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻲ ﺫﺍﺕ ﻤﺭﺓ ﻭﻗـﺎل ﻝـﻲ‪‘ :‬‬
‫"ﻜﺎﺭﺘﺭ ‪ "Carter‬ﻴﺠﺏ ﺃﻥ ﺃﺤﺼل ﻋﻠﻰ ﺒﻌﺽ ﺍﻝﻤﺎل‪ .‬ﻝﺩﻱ ﻤﻭﻋﺩ ﻭﻴﺠﺏ ﺃﻥ ﺍﺤﺼل ﻋﻠﻰ ﺩﻭﻻﺭﻴﻥ ﺃﻭ ﺜﻼﺜﺔ‪ .‬ﻫل‬
‫ﻝﺩﻴﻙ ﻋﻤل ﻝﻲ؟’‪ .‬ﻗﻠﺕ‪‘:‬ﻻ‪ ،‬ﻝﻜﻥ ﺴﻭﻑ ﺃﻋﻁﻴﻙ ﺍﻝﻤﺎل’‪ .‬ﻓﺄﺠﺎﺏ‪‘:‬ﻻ‪ ،‬ﺃﺭﻴﺩ ﺃﻥ ﺃﻋﻤل ﻷﻜﺴﺒﻪ’‪ .‬ﻓﻘﻠﺕ‪‘:‬ﻻ ﺃﻋﻠـﻡ’‪.‬‬
‫ﺇﻻ ﺃﻨﻨﻲ ﻓﻜﺭﺕ ﻭﻓﻜﺭﺕ ﻭﻗﻠﺕ‪‘:‬ﺤﺴﻨﺎﹰ‪ ،‬ﻝﺩﻱ ﻋﻤل ﻝﻙ’‪ .‬ﻭﻫﻜﺫﺍ ﺃﺨﺫﺘﻪ ﻝﻠﺨﺎﺭﺝ ﻭﺃﺭﻴﺘـﻪ ﺘﻠـﻙ ﺍﻝﻤﺠﻤﻭﻋـﺔ ﻤـﻥ‬
‫ﺍﻝﺼﻨﺎﺩﻴﻕ ﺍﻝﻤﻜﻭﻤﺔ ﺍﻝﺘﻲ ﺘﺤﻭﻱ ﺍﻝﻤﺴﺎﻤﻴﺭ ﺍﻝﺘﻲ ﻴﺠﺏ ﺴﺤﺒﻬﺎ ﻭﺍﻗﺘﻼﻋﻬﺎ‪ .‬ﻓﻘﺎل ﻝﻲ‪ ‘:‬ﺤﺴﻨﺎﹰ‪ ،‬ﺴـﻭﻑ ﺃﻗـﻭﻡ ﺒـﺫﻝﻙ‬
‫ﻓﻭﺭﹰﺍ’‪.‬‬
‫“ﻜﺎﻥ ﺫﻝﻙ ﺍﻝﻴﻭﻡ ﺸﺩﻴﺩ ﺍﻝﺤﺭﺍﺭﺓ‪ .‬ﺫﻫﺏ ﺒﻌﻴﺩﹰﺍ ﻭﻋﺎﺩ ﺒﻌﺩ ﻓﺘﺭﺓ ﺒﺼﺤﺒﺔ ﺼﺒﻲ ﺁﺨﺭ ﺒﻨﻔﺱ ﺤﺠﻤﻪ ﻭﻗﺎل‪‘:‬ﻫـل‬
‫ﻝﺩﻴﻙ ﻤﻁﺭﻗﺔ ﺍﺴﺘﻁﻴﻊ ﺍﺴﺘﻌﺎﺭﺘﻬﺎ؟’‪ .‬ﻓﺄﺤﻀﺭﺕ ﻝﻪ ﻤﻁﺭﻗﺔ ﻭﺯﻭﺠﹰﺎ ﻤﻥ ﺍﻝﻜﻤﺎﺸﺎﺕ ﻭﺃﺩﺍﺓ ﻝﺴﺤﺏ ﺍﻝﻤﺴﺎﻤﻴﺭ‪ .‬ﺨـﺭﺝ‬
‫ﺜﻡ ﻋﺎﺩ ﺴﺭﻴﻌﹰﺎ ﻝﻠﺩﺍﺨل ﺤﻴﺙ ﺃﺭﺍﺩ ﺒﻌﺽ ﺍﻝﺤﺒﺎل ﻭﺃﺸﻴﺎﺀ ﺃﺨﺭﻯ ﻓﺄﺨﺒﺭﺘﻪ ﻋﻥ ﺍﻝﻤﻜﺎﻥ ﺍﻝﺫﻱ ﻴﻤﻜﻥ ﺃﻥ ﻴﺠـﺩﻫﺎ ﻓﻴـﻪ‬
‫ﻓﺨﺭﺝ ﻭﺃﺤﻀﺭﻫﺎ‪ .‬ﺨﺭﺠﺕ ﺒﻌﺩ ﻓﺘﺭﺓ ﺇﻝﻰ ﻫﻨﺎﻙ ﻓﻭﺠﺩﺘﻪ ﻭﻗﺩ ﻤﺩ ﺒﻴﻥ ﺍﻝﻤﺘﺠﺭ ﻭﺍﻝﺴﻘﻴﻔﺔ ﻗﻁﻌﺔ ﻤﻥ ﺍﻝﻭﺭﻕ ﺍﻝﻤﻘـﻭﻯ‬
‫ﻜﻨﻭﻉ ﻤﻥ ﺍﻝﺴﻘﻑ ﺤﻴﺙ ﻜﺎﻥ ﺍﻝﺼﺒﻲ ﺍﻝﺫﻱ ﻗﺎﻡ ﺒﺈﺨﺭﺍﺝ ﺍﻝﻤﺴﺎﻤﻴﺭ ﻤﻥ ﺃﺠﻠﻪ ﻴﺠﻠﺱ ﻓﻲ ﺍﻝﻅل ﺘﺤﺘﻬﺎ‪ .‬ﺜﻡ ﺃﺘﻰ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻻﺤﻘﹰﺎ ﻝﺸﺭﺍﺀ ﻋﻠﺒﺔ ﻜﻭﻻ ﻝﺫﻝﻙ ﺍﻝﺼﺒﻲ ﻭﺍﻝﻌﻭﺩﺓ ﻹﻋﻁﺎﺌﻬﺎ ﻝﻪ‪ .‬ﻗﻠﺕ ﻝﻪ‪‘:‬ﻴﺎ ﻓﺘﻰ‪ ،‬ﺃﻨﺎ ﺃﻓﻬﻤﻙ‪ .‬ﺃﻨـﺕ ﺭﺠـل‬
‫ﺠﻴﺩ’‪ .‬ﻗﺎل ﻝﻲ‪‘:‬ﺤﺴﻨﹰﺎ ﺃﻨﺎ ﺃﺴﺘﺨﺩﻡ ﻋﻘﻠﻲ‪ .‬ﻻ ﻴﺘﻭﺠﺏ ﻋﻠﻲ ﺃﻥ ﺃﻋﻁﻴﻪ ﺍﻝﻜﺜﻴﺭ ﺒﻴﻨﻤﺎ ﺃﺤﺼل ﺃﻨﺎ ﻋﻠﻰ ﺍﻝﺒﺎﻗﻲ‪ .‬ﻻ ﻴﺠﺏ‬
‫ﻋﻠﻲ ﺃﻥ ﺃﻋﻤل ﺃﻱ ﺸﻲﺀ‪ ،‬ﻓﺄﻨﺎ ﻓﻘﻁ ﻤﺘﻌﺎﻗﺩ ﻤﻌﻪ!’”‪.‬‬
‫ﻜﺎﻥ ﻋﺎﻝﻡ "ﺠﻴﻤﻲ ‪"Jimmy‬ﻓﻲ ﺴﻨﻭﺍﺕ ﺍﻝﺤﺭﺏ ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ ﻭﺍﻝﺴﻨﻭﺍﺕ ﺍﻝﺘﻲ ﺘﻠﺘﻬﺎ ﺘﻤﺎﻤﺎﹰ‪ ،‬ﻤﺎ ﻋﺩﺍ ﺍﻝﺜﺎﻨﻭﻴﺔ‬
‫ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﺫﻝﻙ ﺍﻝﻤﻴل ﻭﺍﻝﻨﺼﻑ ﻤﻥ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺭﻴﻔﻲ ﺍﻝﺫﻱ ﻓﻴﻪ ﻤﺘﺠـﺭ "ﻤـﺎﺭﻓﻴﻥ ﻜـﺎﺭﺘﺭ ‪"Marvin Carter‬‬
‫ﻝﻠﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ ﻭﻤﻨﺯل "ﻭﺍﻴﺘﻲ ﺭﺍﺴﺕ ‪ "Whitey Rust‬ﻭﺍﻝﻜﻨﻴﺴﺔ ﻭﻤﺯﺭﻋﺔ ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪."Winslow‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺴﻤﻊ ﻋﻥ ﺍﻝﺤﺭﺏ ﺒﺎﻝﻤﺫﻴﺎﻉ ﻭﻗﺭﺃ ﻋﻨﻬﺎ ﻓـﻲ ﺍﻝﺼـﺤﻑ ﻭﺍﺴـﺘﻤﻊ‬
‫ﻷﺤﺎﺩﻴﺜﻬﺎ ﺤﻭل ﻤﺎﺌﺩﺓ ﺍﻝﻌﺸﺎﺀ‪ ،‬ﻓﺈﻥ ﻜل ﻫﺫﺍ ﺒﺩﺍ ﺒﻌﻴﺩﹰﺍ ﺠﺩﹰﺍ‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺘﻐﻴﻴﺭ ﻓﻲ ﺤﻴﺎﺘﻪ ﻋﻨﺩﻤﺎ ﺍﻨﻀﻡ ﻭﺍﻝـﺩﻩ‬
‫ﺇﻝﻰ ﺍﻝﻔﻴﻠﻕ ﺍﻝﻁﺒﻲ‪ .‬ﻝﻘﺩ ﺤﺼل ﺍﻻﻨﻔﺼﺎل ﺒﺎﻝﻔﻌل‪ .‬ﻭﺤﺘﻰ ﺘﻭﺯﻴﻊ ﺤﺼﺹ ﺍﻝﻁﻌﺎﻡ ﺍﻝﺘﻲ ﺠﻠﺒﺕ ﺘﺄﺜﻴﺭ ﺍﻝﺤـﺭﺏ ﺇﻝـﻰ‬
‫ﺃﻏﻠﺏ ﺍﻷﺴﺭ ﻓﻲ ﺃﻤﺭﻴﻜﺎ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﻝﻬﺎ ﺍﻝﺘﺄﺜﻴﺭ ﺍﻝﻘﻠﻴل ﻋﻠﻰ ﻤﺯﺭﻋﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺫﺍﺘﻴﺔ ﺍﻻﻜﺘﻔـﺎﺀ ﺘﻘﺭﻴﺒـﹰﺎ‬
‫ﺤﻴﺙ ﻜﺎﻥ ﺍﻝﻠﺤﻡ ﻭﺃﻨﻭﺍﻉ ﺍﻝﻤﻌﺠﻨﺎﺕ ﻭﺍﻝﻤﺨﺯﻭﻥ ﻗﺩ ﺍﺴﺘﻤﺭﺕ ﻜﺎﻝﻌﺎﺩﺓ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺭﺍﺒﻊ‬

‫ﻋﻨﺩﻤﺎ ﺍﻨﺘﻘل "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻓﻲ ﺍﻝﺼﻑ ﺍﻝﺴﺎﺒﻊ ﻤﻥ ﻤﺩﺭﺴﺔ "ﺍﻷﻜﺎﺩﻴﻤﻴﺔ ﺍﻝﻘﺩﻴﻤﺔ" ﺇﻝﻰ ﺍﻝﻤﺩﺭﺴﺔ‬
‫ﺍﻝﺜﺎﻨﻭﻴﺔ ﺍﻝﻜﺒﻴﺭﺓ ﻓﻲ ﺸﺎﺭﻉ "ﺴﺎﻭﺙ ﻓﺎﻴﻥ ‪ ،"South Vine‬ﻗﺎﺒل ﺃﺤﺩﻫﻡ ﺍﻝﺫﻱ ﺃﺩﺭﻙ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻤﻘﺩﺭﹰﺍ ﻝﻪ ﺃﻥ ﻴﻤﻀﻲ‬
‫ﺒﻘﻴﺔ ﺤﻴﺎﺘﻪ ﻤﺭﺘﺩﻴﹰﺎ "ﺍﻷﻓﺭﻭل"‪.‬‬
‫ﺃﺘﺕ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻫﺎﻱ ﻓﻲ ﺨﺭﻴﻑ ﻋﺎﻡ ‪ 1940‬ﻝﺘﻌﻠﻴﻡ ﺍﻝﻠﻐﺔ ﺍﻝﻔﺭﻨﺴـﻴﺔ ﻭﺍﻻﺴـﺒﺎﻨﻴﺔ ﻭﺍﻝﻨﻁـﻕ ﻭﺍﻝﻔـﻥ‬
‫ﺍﻝﻤﺴﺭﺤﻲ‪ .‬ﺤﺼل ﻫﺫﺍ ﻓﻘﻁ ﺒﻌﺩ ﺒﻀﻌﺔ ﺃﺴﺎﺒﻴﻊ ﻤﻥ ﺇﺤﻀﺎﺭ ﺍﻝﺠﺩﺓ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﻭﻝﻡ ﺘﻜـﻥ‬
‫"ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻏﺭﻴﺒﺔ ﻋﻥ ﺭﻴﻑ ﺇﻨﺩﻴﺎﻨﺎ ﻭﻫﻲ ﺍﻝﺘﻲ ﻭﻝﺩﺕ ﻓﻲ "ﻤﺎﺭﻴﻭﻥ ‪ "Marion‬ﻗﺒل ﺨﻤﺴﺔ ﻭﻋﺸﺭﻴﻥ ﻋﺎﻤـﹰﺎ‬
‫ﻤﻥ ﻭﻻﺩﺓ ﺘﻠﻤﻴﺫﻫﺎ ﺍﻝﻤﺴﺘﻘﺒﻠﻲ ﻓﻲ ﻨﻔﺴﻬﺎ ﺘﻠﻙ ﺍﻝﻤﺩﻴﻨﺔ‪.‬‬
‫ﺘﻭﻓﻲ ﻭﺍﻝﺩﻫﺎ ﻋﻨﺩﻤﺎ ﻜﺎﻨﺕ ﻓﻲ ﺍﻝﺭﺍﺒﻌﺔ ﻤﻥ ﻋﻤﺭﻫﺎ‪ ،‬ﻭﺴﺎﻋﺩﻫﺎ ﻫﺫﺍ ﻓﻲ ﻓﻬﻤﻬﺎ ﻝﻠﻜﺭﺏ ﺍﻝﺫﻱ ﻋﺎﻨـﺎﻩ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺒﻌﺩ ﻭﻓﺎﺓ ﺃﻤﻪ ﻭﺍﻷﻝﻡ ﺍﻝﻜﺎﻤﻥ ﻭﺍﻝﺫﻱ ﺃﺨﻔﺘﻪ ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻨﻭﻉ ﻤﻥ ﺍﻝﻤﺭﺡ ﺍﻝﺠﺎﻑ‪.‬‬
‫ﺃﺭﺍﺩﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺃﻜﺜﺭ ﻤﻥ ﺃﻱ ﺸﻲﺀ ﻓﻲ ﺍﻝﻌﺎﻝﻡ ﺃﻥ ﺘﺼﺒﺢ ﻤﻤﺜﻠﺔ‪ ،‬ﻤﻤﺜﻠﺔ ﻋﻅﻴﻤﺔ‪ .‬ﻓﺒﻌﺩ ﺘﺨﺭﺠﻬـﺎ‬
‫ﻼ ﺫﻜﻴﹰﺎ ﻝﻜﻨﻪ ﻏﻴﺭ ﻋﻤﻠﻲ ﻴﺩﻋﻰ "ﺩﺍﺭل ﺃﻭﺘﻭ ﻨﻭل ‪ "Darl Otto Nall‬ﺍﻝﺫﻱ ﻜﺎﻥ‬ ‫ﻓﻲ ﺠﺎﻤﻌﺔ "ﻤﺎﺭﻴﻭﻥ"‪ ،‬ﺘﺯﻭﺠﺕ ﺭﺠ ﹰ‬
‫ﻝﻪ ﻓﻀل ﻓﻲ ﺇﺨﺭﺍﺝ ﺍﻷﻓﻼﻡ ﺍﻝﺼﺎﻤﺘﺔ ﺍﻷﻭﻝﻰ‪ ،‬ﺜﻡ ﺍﻨﺘﻘﻠﺕ ﺇﻝﻰ ﺸﻴﻜﺎﻏﻭ ﺤﻴﺙ ﺃﺼﺒﺢ ﺯﻭﺠﻬﺎ ﻤﺩﻴﺭﹰﺍ ﻝﺒﻴﺕ ﻤﻥ ﺒﻴﻭﺕ‬
‫ﺍﻝﺭﻋﺎﻴﺔ‪ .‬ﺍﻋﺘﺎﺩﺕ "ﺠﻴﻥ ﺁﺩﺍﻤﺯ ‪ "Jane Adams‬ﺍﻝﻘﺩﻭﻡ ﻝﺘﻨﺎﻭل ﺍﻝﻐﺩﺍﺀ ﻭﺘﺸﺠﻴﻊ ﺍﻝﺯﻭﺠﻴﻥ ﺍﻝﺸﺎﺒﻴﻥ‪ .‬ﺸﻌﺭ "ﺩﺍﺭل ‪Darl‬‬
‫" ﺒﺄﻨﻪ ﻴﺤﺭﺯ ﺘﻘﺩﻤﹰﺎ ﻜﻌﺎﻝﻡ ﺍﺠﺘﻤﺎﻉ‪ ،‬ﻭﺃﺨﺫﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺒﺘﻘﺩﻴﻡ ﺍﻝﻤﺴﺭﺤﻴﺎﺕ ﻭﺍﻝﺘﺩﺭﻴﺱ ﻓﻲ ﻤﺩﺭﺴﺔ ﻝﻴﻠﻴﻠـﺔ‬
‫ﻭﺤﺼﻠﺕ ﻋﻠﻰ ﺒﻌﺽ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺠﻴﺩﺓ ﻓﺸﻌﺭﺕ ﺒﺄﻨﻬﺎ ﺘﺼﺒﺢ ﻤﻤﺜﻠﺔ ﺃﻓﻀل‪ .‬ﻭﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1933‬ﺭﺯﻗﺕ ﺒﻤﻭﻝﻭﺩ ﺫﻜﺭ‪.‬‬
‫ﻜﺎﻓﺢ "ﺩﺍﺭل ‪ "Darl‬ﻭ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻤﻌﹰﺎ ﻝﻤﺩﺓ ﺴﺒﻊ ﺴﻨﻭﺍﺕ ﺃﺨﺭﻯ‪ .‬ﺜﻡ ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ،‬ﺃﺩﺭﻜﺕ "ﺁﺩﻴﻠﻴﻥ‬
‫‪ "Adeline‬ﺒﺄﻨﻬﻡ ﻜﺎﻨﻭﺍ ﻓﻘﺭﺍﺀ ﻜﻤﺎ ﺍﻋﺘﺎﺩﻭﺍ ﺃﻥ ﻴﻜﻭﻨﻭﺍ ﻭ ﺃﻥ ﻤﺴﺘﻘﺒﻠﻬﺎ ﻭ ﻤﺴﺘﻘﺒل ﺯﻭﺠﻬﺎ ﺍﻝﻤﻬﻨﻲ ﻤﺎ ﺯﺍﻻ ﻴﺭﺍﻭﺤﺎﻥ‬
‫ﻓﻲ ﻤﻜﺎﻨﻴﻬﻤﺎ‪ ،‬ﻭﺃﻥ ﺍﺒﻨﻬﻤﺎ "ﺩﻴﻔﻴﺩ ‪ "David‬ﻴﺤﺘﺎﺝ ﺇﻝﻰ ﺒﻌﺽ ﺍﻝﻬﻭﺍﺀ ﺍﻝﻨﻘﻲ ﻭﺍﻷﻤﺎﻜﻥ ﺍﻝﻤﻔﺘﻭﺤﺔ ﻝﻠﻌﻴﺵ ﻓﻴﻬـﺎ‪ .‬ﻝـﺫﺍ‪،‬‬
‫ﻭﻓﻲ ﺼﻴﻑ ﻋﺎﻡ ‪ 1940‬ﺘﺨﻠﺕ ﻋﻥ ﺸﻴﻜﺎﻏﻭ ﻭﻋﻥ ﺍﻝﺘﻤﺜﻴل ﻭﻋﻥ ﺍﻝﺯﻭﺍﺝ ﻭﺃﺤﻀـﺭﺕ ﺍﺒﻨﻬـﺎ ﻝﻤﻭﻁﻨﻬـﺎ ﺇﻨـﺩﻴﺎﻨﺎ‬
‫ﻭﺤﺼﻠﺕ ﻝﻨﻔﺴﻬﺎ ﻋﻠﻰ ﻭﻅﻴﻔﺔ ﻤﺩﺭﺴﺔ ﻓﻲ ﺜﺎﻨﻭﻴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻤﻌﺭﻓﺘﻬﺎ ﺒﻭﺠﻭﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻨﺫ ﺍﻝﺴﻨﺔ ﺍﻷﻭﻝﻰ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ )ﺴﻤﻌﺕ ﻤﺜـل ﺠﻤﻴـﻊ‬
‫ﺍﻵﺨﺭﻴﻥ ﻓﻲ ﺍﻝﺒﻠﺩﺓ ﺒﻭﻓﺎﺓ ﻭﺍﻝﺩﺘﻪ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﻭﻋﻭﺩﺘﻪ ﻝﻠﻌﻴﺵ ﻤﻊ ﻋﻤﺘﻪ ﻭﺯﻭﺠﻬﺎ(‪ ،‬ﻓﻬﻲ ﻝﻡ ﺘﻜﻥ ﺘﻌﺭﻓﻪ ﺠﻴﺩﹰﺍ ﺇﻻ‬
‫ﺒﻌﺩ ﺜﻼﺙ ﺴﻨﻭﺍﺕ ﻤﻥ ﺫﻝﻙ ﻋﻨﺩﻤﺎ ﺃﺘﻰ ﺇﻝﻴﻬﺎ ﻭﻫﻭ ﻓﻲ ﺍﻝﺼﻑ ﺍﻝﺴﺎﺒﻊ ﻤﻥ ﺃﺠل ﻁﻠﺏ ﻤﺴﺎﻋﺩﺘﻬﺎ ﻓﻲ ﺍﻝﻘﺭﺍﺀﺓ ﺍﻝﺘـﻲ‬
‫ﻜﺎﻥ ﻴﺭﻴﺩ ﺃﻥ ﻴﺅﺩﻴﻬﺎ ﻓﻲ ﺍﺠﺘﻤﺎﻋﺎﺕ ﻋﻤﺘﻪ ﻓﻲ " ﺍﻻﺘﺤﺎﺩ ﺍﻝﻤﺴـﻴﺤﻲ ﺍﻝﻨﺴـﺎﺌﻲ ﻝﻼﻋﺘـﺩﺍل ‪Woman's Christian‬‬
‫‪."Temperance Union‬‬
‫ﻭﻜﻤﺩﻴﺭﺓ ﻝﻠﻔﻥ ﺍﻝﻤﺴﺭﺤﻲ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﻜﺎﻥ ﺭﻗﻡ ﻏﺭﻓﺘﻬﺎ ‪ 21‬ﻓﻲ ﺍﻝﻁﺎﺒﻕ ﺍﻝﺜﺎﻨﻲ‪ .‬ﺤﻴﺙ ﻴﺅﺩﻱ ﺒﺎﺏ ﻁﻭﻴل‬
‫ﺨﻠﻑ ﻤﻘﺎﻋﺩ ﺍﻝﺩﺭﺍﺴﺔ ﻨﺤﻭ ﺤﺠﺭﺓ ﻁﻭﻴﻠﺔ ﻭﻀﻴﻘﺔ ﻹﻴﺩﺍﻉ ﺍﻝﻤﻼﺒﺱ ﻴﻭﺠﺩ ﻓﻲ ﻨﻬﺎﻴﺘﻬﺎ ﻤﻤﺭ ﻗﺼﻴﺭ ﻤﻥ ﺍﻝﺩﺭﺝ ﻴﺅﺩﻱ‬
‫ﺇﻝﻰ ﺨﺸﺒﺔ ﻤﺴﺭﺡ ﺍﻝﻤﺩﺭﺝ‪.‬‬
‫ﻫﻨﺎ ﺩﺭﺒﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺃﺠل ﺃﺩﺍﺌﻪ ﺍﻝﻌﻠﻨﻲ ﺍﻷﻭل‪ .‬ﺘﻘـﻭل‪ “:‬ﻜـﺎﻥ ﺍﻻﺨﺘﻴـﺎﺭ ﺍﻝـﺩﺭﺍﻤﻲ ﺍﻝﻘـﻭﻱ‬
‫ﻝـ"ﺍﻝﻘﻀﺒﺎﻥ ‪ "Bars‬ﺍﻝﺫﻱ ﺘﻡ ﻤﻥ ﺃﺠل ﺍﻝﻤﺴﺎﺒﻘﺔ ﻗﺩ ﺒﺩﺍ ﻭﻜﺄﻨﻪ ﻤﺘﻘﺩﻡ ﺠﺩﹰﺍ ﻝﻔﺘﻰ‪ .‬ﻝﻜﻥ ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل ﻓﻘـﺩ ﻋﻤﻠﻨـﺎ‬
‫ﻝﻌﺩﺓ ﺃﻴﺎﻡ‪ .‬ﺘﺩﻭﺭ ﺍﻝﻘﺼﺔ ﺤﻭل ﺍﻋﺘﺭﺍﻑ ﺭﺠل ﺴﻜﻴﺭ ﻤﻥ ﺨﻠﻑ ﺍﻝﻘﻀﺒﺎﻥ ﺒﻘﺘل ﺭﺠل ﺁﺨﺭ ﻓﻲ ﺒـﺎﺭ ﺘﺤـﺕ ﺘـﺄﺜﻴﺭ‬
‫ﺸﺭﺍﺏ ﺍﻝﺭﻭﺡ ﺍﻝﺸﻴﻁﺎﻨﻲ‪ .‬ﺍﻝﻤﻐﺯﻯ‪ :‬ﺍﻗﺽ ﻭﻗﺘﻙ ﻓﻲ ﺍﻝﺒﺎﺭﺍﺕ )‪ (bars‬ﻭﺴـﻭﻑ ﻴﻨﺘﻬـﻲ ﺒـﻙ ﺍﻝﻤﻁـﺎﻑ ﺨﻠـﻑ‬
‫ﺍﻝﻘﻀﺒﺎﻥ)‪.” (1)(bars‬‬
‫ﻋﻨﺩﻤﺎ ﺤﺎﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻤﺎ ﻴﺠﺏ ﻋﻠﻴﻪ ﻋﻤﻠﻪ ﺒﻴﺩﻴﻪ‪ ،‬ﺍﻗﺘﺭﺤﺕ ﻋﻠﻴﻪ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺃﻥ ﻴﻘﻑ ﺨﻠﻑ‬
‫ﻜﺭﺴﻲ ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﻪ ﻤﻥ ﺃﺠل ﺍﻝﺘﺄﺜﻴﺭ ﺍﻝﺩﺭﺍﻤﻲ )ﺃﻴ ‪‬ﺩ ﺨﻠﻑ ﺍﻝﻘﻀﺒﺎﻥ(‪ .‬ﺃﺘﺕ ﺃﻤﺴﻴﺔ ﺍﻝﻤﺴـﺎﺒﻘﺔ‪ ،‬ﻓﺎﻨـﺩﻓﻊ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺨﺎﺭﺠﹰﺎ ﻨﺤﻭ ﺍﻝﺨﺸﺒﺔ ﻭﺘﺤﺭﻙ ﺨﻠﻑ ﺍﻝﻜﺭﺴﻲ ﺍﻝﺫﻱ ﺃﻁﺒﻕ ﻋﻠﻴﻪ ﺒﻜﻠﺘﺎ ﻴﺩﻴﻪ ﻭﻗﺎل ﻓﻘﺭﺘﻪ ﺒﺼـﻭﺕ ﺜﺎﺒـﺕ‬
‫ﻗﻭﻱ‪ .‬ﻭﻋﺭﻑ ﺃﻨﻪ ﻗﺩ ﺃﺠﺎﺩ ﺩﻭﺭﻩ‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺘﺼﻔﻴﻕ ﻭﻝﻜﻥ ﺒﺩﻭﻥ ﺃﻴﺔ ﺠﺎﺌﺯﺓ ﻭﻻ ﺤﺘﻰ ﺫﻜﺭ ﻤﺸﺭﻑ‪.‬‬
‫ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻭﺍﺠﻪ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻭﺃﺨﺒﺭﻫﺎ ﺩﻭﻥ ﺃﻴﺔ ﻜﻠﻤﺔ ﻤﺘﺼﻨﻌﺔ ﺃﻨﻬﺎ ﻗﺩ ﺘﺤﻁـﻡ ﺃﺩﺍﺀﻩ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﺍﻝﺤﻜﺎﻡ ﻝﻡ ﻴﺸﻴﺭﻭﺍ ﺇﻝﻰ ﺫﻝﻙ ﻤﺒﺎﺸﺭﺓ‪ ،‬ﺇﻻ ﺃﻨﻪ ﻜﺎﻥ ﻤﺘﺄﻜﺩﹰﺍ ﺃﻨﻬﻡ ﻗﺩ ﺍﻋﺘﺒـﺭﻭﻩ ﻤﺨﻁﺌـﹰﺎ ﺒﺴـﺒﺏ‬
‫ﺍﺴﺘﺨﺩﺍﻤﻪ ﻝﺸﻲﺀ ﻴﺴﺘﻌﻴﻥ ﺒﻪ‪ .‬ﺼﺭﺥ ﺒﻌﻨﻑ ﺸﺩﻴﺩ ﻗﺎﺌﻼ‪ “:‬ﺫﻝﻙ ﺍﻝﻜﺭﺴﻲ ﺍﻝﻠﻌﻴﻥ!”‪ ،‬ﺤﺘﻰ ﺇﻨﻪ ﺍﺴﺘﺨﺩﻡ ﻜﻠﻤﺎﺕ ﺒﺫﻴﺌـﺔ‬
‫ﺃﻤﺎﻡ ﻤﻌﻠﻤﺘﻪ‪.‬‬
‫ﺃﻗﻠﻘﺕ ﻤﻭﺠﺔ ﺍﻝﻐﻀﺏ ﺍﻝﺸﺩﻴﺩ ﻫﺫﻩ ﺍﻝﺘﻲ ﺒﺩﺕ ﻏﻴﺭ ﻤﻼﺌﻤﺔ ﻝﺸﺎﺏ ﺼﻐﻴﺭ "ﺁﺩﻴﻠﻴﻥ ‪ ."Adeline‬ﻭﻋﻨﺩﻤﺎ ﺫﻫﺒﺕ‬
‫ﺇﻝﻰ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ ‪ "Marcus Winslow‬ﻓﻲ ﻤﺘﺠﺭ ﺭﻴﻜﺴﺎل ﻝﻸﺩﻭﻴﺔ ﻻﺤﻘﹰﺎ ﻓﻲ ﺫﻝﻙ ﺍﻝﻴﻭﻡ‪ ،‬ﺃﻝﻘﺕ ﺍﻝﺘﺤﻴﺔ ﻭﺴﺄﻝﺕ‬
‫ﻋﻥ ﺼﺤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭﺩﺨﻠﺕ ﻤﺒﺎﺸﺭﺓ ﻓﻲ ﺼﻠﺏ ﺍﻝﻤﻭﻀﻭﻉ‪ .‬ﺍﺒﺘﺴﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭﺃﺨﺒﺭﻫﺎ ﺒﺄﻥ‬
‫ﻻ ﺘﻘﻠﻕ ﺒﺸﺄﻥ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﻔﺘﻰ ﺃﻥ ﻴﺘﻌﻠﻡ‪ ،‬ﺃﻨﻪ ﻻ ﻴﺴﺘﻁﻴﻊ ﺍﻝﻔﻭﺯ ﺒﻜل ﺸﻲﺀ‪.‬‬
‫ﺘﻌﺭﻑ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺤﺩﻫﻤﺎ ﻋﻠﻰ ﺍﻵﺨﺭ ﺃﻜﺜﺭ ﺤـﻴﻥ ﺒـﺩﺃ ﺒﺄﺨـﺫ ﺩﺭﻭﺱ ﺍﻝﻠﻐـﺔ‬
‫ﺍﻻﺴﺒﺎﻨﻴﺔ ﻝﻠﻤﺒﺘﺩﺌﻴﻥ‪ ،‬ﺤﻴﺙ ﻏﻠﺒﻪ ﺍﻝﻨﻌﺎﺱ ﻓﻲ ﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺤﻴﺎﻥ ﺨﻼل ﺍﻝﺩﺭﻭﺱ ﻭﺍﻝﺘﻲ ﻤﻨﺤﺘﻪ ﻓﻴﻬﺎ ﻋﻼﻤﺔ ﻀـﻌﻴﻑ‬
‫ﺠﺩﹰﺍ‪ .‬ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﻘﺩ ﻻﺤﻅﺕ ﺒﺄﻨﻪ ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﺼﺎﺤﻴﹰﺎ ﺠﺩﹰﺍ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺤﻴﻥ ﻜـﺎﻥ ﻴﻌﻤـل ﻷﺠﻠﻬـﺎ ﻓـﻲ‬
‫ﺍﻝﻤﺴﺭﺡ‪ .‬ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﺘﺭﻜﻴﺏ ﺍﻹﻀﺎﺀﺓ ﻭﺨﻴﺎﻁﺔ ﺍﻷﺯﻴﺎﺀ ﻭﺍﻝﻁﻼﺀ ﻭﺍﻝﺒﺤﺙ ﻭﺍﻝﻤﺴﺎﻋﺩﺓ ﻓﻲ ﺍﻝﻨﺼـﻭﺹ‪ .‬ﻭﺍﻝﺸـﻲﺀ‬
‫ﺍﻷﻜﺜﺭ ﺇﺜﺎﺭﺓ ﻫﻭ – ﻭﺃﺜﻨﺎﺀ ﺒﺤﺜﻬﺎ ﺍﻝﺩﺍﺌﻡ ﻋﻥ ﻁﺎﻝﺏ ﻤﻤﺜل ﺠﻴﺩ – ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻁﺒﻴﻌﻴﹰﺎ ﻋﻠﻰ ﺍﻝﺨﺸـﺒﺔ‪.‬‬
‫ﻭﺤﺘﻰ ﻓﻲ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺘﻲ ﺃﻋﻁﺘﻪ ﺇﻴﺎﻫﺎ ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻓﻘﺩ ﺘﺤﺭﻙ ﻭﺘﺤﺩﺙ ﻭﻜﺄﻥ ﺩﻭﺭﻩ ﻭﺤﺭﻜﺎﺘﻪ ﻗﺩ ﻭﻝﺩﺕ ﻓﻲ‬
‫ﻋﻘﻠﻪ ﺍﻝﺨﺎﺹ‪.‬‬
‫ﻼ‪ .‬ﻜـﺎﻥ ﻤﻘﻁـﻊ "ﺠﻴﻤـﻲ‬ ‫ﻜﺎﻥ ﻴﺠﺏ ﻋﻠﻰ ﻜل ﻁﺎﻝﺏ ﺃﻥ ﻴﻜﺘﺏ ﻓﻲ ﺍﻝﺴﻨﻭﺍﺕ ﺍﻷﻭﻝﻰ ﻤﻘﻁﻌﹰﺎ ﻤﺴﺭﺤﻴﹰﺎ ﺃﺼﻴ ﹰ‬
‫‪ - "Jimmy‬ﻴﺨﺘﺎﺭ ﺍﻝﺸﺎﺏ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺼﺤﻴﺢ ﺤﺘﻰ ﻝﻭ ﻜﺎﻥ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺨﻁﺄ ﻴﺒﺩﻭ ﺃﻜﺜﺭ ﺇﺸﺭﺍﻗﹰﺎ ‪ -‬ﻭﺍﺤﺩﹰﺍ ﻤﻥ ﺜﻼﺜﺔ ﺘﻡ‬
‫ﺍﺨﺘﻴﺎﺭﻫﺎ ﻝﺘﻘﺩﻡ ﻋﻠﻰ ﻤﺩﺭﺝ ﺍﻝﻤﺴﺭﺡ‪ ،‬ﻭﺍﻝﺘﻲ ﺃﺨﺭﺠﺘﻬﺎ "ﺁﺩﻴﻠﻴﻥ ‪ ."Adeline‬ﻝﻌﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﺤـﺩﹰﺍ ﻤـﻥ‬
‫ﺍﻷﺩﻭﺍﺭ ﺍﻝﺭﺌﻴﺴﻴﺔ‪ ،‬ﻭﺃﺩﺭﻜﺕ ﺨﻼل ﻤﺭﺍﻗﺒﺘﻪ ﻭﻫﻭ ﻴﺅﺩﻱ ﺩﻭﺭﻩ ﺒﺄﻨﻪ ﺴﻴﺼﺒﺢ ﻭﺍﺤﺩﹰﺍ ﻤﻥ ﻨﺠﻭﻡ ﺇﻨﺘﺎﺠﺎﺘﻬﺎ ﺍﻝﻤﺴﺘﻘﺒﻠﻴﺔ‪.‬‬
‫ﺍﺨﺘﺎﺭﺕ ﺍﻝﻠﺠﻨﺔ ﺍﻝﻤﺴﺭﺤﻴﺔ ﻁﺎﻝﺏ ﺍﻝﺴﻨﺔ ﺍﻝﺜﺎﻨﻴﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﻨﺘﻘﺕ ﻤﺴﺭﺤﻴﺔ " ﻤﻭﻏﻔﻭﺭﺩ ﺸﺎﺭﺩ ﺍﻝﺫﻫﻥ‬
‫‪ "Mooncalf Mugford‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﺒﺎﺭﺓ ﻋﻥ ﺩﺭﺍﻤﺎ ﻓﻲ ﺜﻼﺜﻴﻥ ﺩﻗﻴﻘﺔ ﻝـ " ﺒﺭﻴﻨﻴﺭﺩ ﺩﺍﻓﻴﻠـﺩ ‪"Brainerd Duffield‬‬
‫ﻭ " ﻫﻴﻠﻴﻥ ‪ "Helen‬ﻭ "ﻨﻭﻻﻥ ﻝﻴﺭﻱ ‪."Nolan Leary‬‬
‫ﺍﺴﺘﺤﻭﺫ ﻫﺫﺍ ﺍﻝﻭﺼﻑ ﺍﻝﻤﻭﺠﻭﺩ ﻋﻠﻰ ﺍﻝﻜﺘﺎﻝﻭﺝ ﻋﻠﻰ ﺍﻫﺘﻤﺎﻡ ﺍﻝﻠﺠﻨﺔ‪ “ :‬ﻴﺴﺨﺭ ﺃﻭﻻﺩ ﺍﻝﺠﻴﺭﺍﻥ ﻭﻴﻬﺯﺅﻭﻥ ﻤﻥ‬
‫"ﺠﻭﻥ ﻤﻭﻏﻔﻭﺭﺩ ‪ "John Mugford‬ﺍﻝﻌﺠﻭﺯ ﺍﻝﺫﻱ ﻴﺩﻋﻭﻨﻪ " ﻤﻭﻏﻔﻭﺭﺩ ﺸﺎﺭﺩ ﺍﻝﺫﻫﻥ ‪ ."Mooncalf Mugford‬ﺃﺼﺒﺢ‬
‫ﻋﻘﻠﻪ ﻴﺘﺸﺘﺕ‪ ،‬ﻓﻜﺎﻥ ﻴﺘﺤﺩﺙ ﻤﻊ ﺃﺼﺩﻗﺎﺌﻪ ﺍﻝﻤﺘﻭﻓﻴﻥ ﻤﻨﺫ ﻤﺩﺓ ﻭﻴﻤﻀﻲ ﺃﻴﺎﻤﻪ ﻋﻨﺩ ﺍﻝﻤﺤﻴﻁ ﻭﻫﻭ ﻴﺸﺎﻫﺩ ﺍﻝﺩﻴﻨﺎﺼﻭﺭﺍﺕ‬
‫ﺍﻝﺨﻀﺭﺍﺀ ﻜﺜﻴﺭﺓ ﺍﻝﺤﺭﺍﺸﻑ ﺍﻝﺨﻴﺎﻝﻴﺔ ﻭﻫﻲ ﺘﺨﺘﺒﺊ ﻓﻲ ﺍﻝﻤﻴﺎﻩ‪ .‬ﻭﻤﺎ ﺘﺯﺍل ﺯﻭﺠﺘﻪ "ﺇﻴﺘﺎ ‪ "Etta‬ﺘﺤﺒﻪ ﻭﺘﻬﺘﻡ ﻷﻤﺭﻩ ﻋﻠﻰ‬
‫ﺍﻝﺭﻏﻡ ﻤﻥ ﺘﺨﻴﻠﻪ ﺒﺄﻨﻬﺎ ﺘﺤﻴﻙ ﺍﻝﻤﻜﺎﺌﺩ ﻀﺩ ﺤﻴﺎﺘﻪ‪ .‬ﻴﺤﺜﻬﺎ ﺠﺎﺭﻫﻡ "ﺘﺎﺒﻲ ‪ "Tabby‬ﻋﻠﻰ ﺇﺭﺴﺎل ﺍﻝﺭﺠل ﺍﻝﻌﺠﻭﺯ ﺇﻝـﻰ‬
‫ﻤﺄﻭﻯ ﻤﺎ‪ ،‬ﻝﻜﻨﻬﺎ ﺘﺭﻓﺽ‪ .‬ﺘﺼﺒﺢ ﻨﺒﺭﺓ "ﺇﻴﺘﺎ ‪ "Etta‬ﻗﻭﻴﺔ‪ ،‬ﻭﻴﺩﺭﻙ ﺍﻝﺠﻤﻬﻭﺭ ﺸﻴﺌﹰﺎ ﻓﺸﻴﺌﹰﺎ ﺃﻥ ﻋﻘﻠﻬﺎ ﺃﻴﻀـﹰﺎ ﻗـﺩ ﺒـﺩﺃ‬
‫ﺒﺎﻝﺘﺠﻭﺍل‪ .‬ﻭﻴﺤﺜﻬﺎ "ﺠﻭﻥ ‪ "John‬ﻓﻲ ﺍﻝﻤﺸﻬﺩ ﺍﻷﺨﻴﺭ ﻋﻠﻰ ﺃﻥ ﺘﺄﺘﻲ ﺇﻝﻰ ﻋﺎﻝﻡ ﺃﺤﻼﻤﻪ‪ .‬ﻭﺘﺒﺩﺃ ﺒﺭﺅﻴﺔ ﺍﻝﻌـﺎﻝﻡ ﻤـﻥ‬

‫)‪ :Bars (1‬آ‪6 "> %M‬ة ﻡ= ن ﻡ‪ : E#‬ا‪ 1TB‬ن وا‪ 1‬رات‬

‫ﺨﻼل ﻋﻴﻨﻴﻪ‪ .‬ﻋﻨﺩﻤﺎ ﻴﺤﻀﺭ ﻝﻬﺎ ﺍﻝﺠﺎﺭ ﺴﻠﺔ ﻤﻸﻯ ﺒﺎﻝﺘﻔﺎﺡ‪ ،‬ﻻ ﺘﺭﺍﻩ "ﺇﻴﺘﺎ ‪ "Etta‬ﻜﺼﺩﻴﻕ ﻝﻜﻥ ﻜﺩﺨﻴل ﻤـﺎﻜﺭ ﻭﺇﻥ‬
‫ﻜﺎﻥ ﻤﻀﺤﻜﹰﺎ‪ .‬ﻴﺭﻜﺽ "ﺘﺎﺒﻲ ‪ "Tabby‬ﻝﻠﺨﺎﺭﺝ ﻤﺭﺘﻌﺒﹰﺎ‪ .‬ﺘﺴﺩل ﺍﻝﺴﺘﺎﺭﺓ ﻋﻠﻰ "ﺠﻭﻥ ‪ "John‬ﻭ "ﺇﻴﺘﺎ ‪ "Etta‬ﺴـﻌﻴﺩﻴﻥ‬
‫ﻭﻫﻤﺎ ﻴﺘﺠﻬﺎﻥ ﻨﺤﻭ ﺍﻝﺸﺎﻁﺊ ﻝﻠﺘﺤﺩﺙ ﻝﻠﺭﻴﺢ ﻭﺍﻷﻤﻭﺍﺝ”‪.‬‬
‫ﺃﻋﻁﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺩﻭﺭ "ﻤﻭﻏﻔﻭﺭﺩ ﺸـﺎﺭﺩ ﺍﻝـﺫﻫﻥ ‪ "Mooncalf Mugford‬ﺇﻝـﻰ "ﺠﻴﻤـﻲ ‪."Jimmy‬‬
‫ﻭﺍﺴﺘﺩﻋﻰ ﺍﻝﺩﻭﺭ ﻤﻨﻪ – ﻜﻤﺎ ﺤﺼل ﻓﻲ ﺩﻭﺭﻩ ﺍﻷﺨﻴﺭ ﺃﺜﻨﺎﺀ ﺤﻴﺎﺘﻪ ﺍﻝﻌﻤﻠﻴﺔ ﻜـ "ﺠﻴﺕ ﺭﺍﻨﻙ ‪ "Jett Rank‬ﻓﻲ ﻓـﻴﻠﻡ‬
‫"ﺍﻝﻌﻤﻼﻕ ‪ – "Giant‬ﺃﻥ ﻴﻤﺜل ﺩﻭﺭ ﺭﺠل ﺃﻜﺒﺭ ﺴﻨﹰﺎ ﻤﻨﻪ‪ .‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻜﻭﻨﻪ ﻓﻲ ﺍﻝﺨﺎﻤﺴﺔ ﻋﺸﺭﺓ ﻤﻥ ﻋﻤﺭﻩ ﻓﺈﻨﻪ‬
‫ﻗﺩ ﺒﺩﺍ ﻗﺎﺩﺭﹰﺍ ﻋﻠﻰ ﺍﻹﻗﻨﺎﻉ ﻓﻲ ﻝﻌﺏ ﺩﻭﺭ ﺸﺨﺼﻴﺎﺕ ﺃﻜﺒﺭ ﻋﻤﺭﹰﺍ‪ .‬ﻭﺭﺒﻤﺎ ﻜﺎﻥ ﺤﺒﻪ ﻝﺠﺩﻩ "ﺘﺸﺎﺭﻝﻲ ﺩﻴـﻥ ‪Charlie‬‬
‫‪ "Dean‬ﻫﻭ ﻤﺎ ﻤﻨﺤﻪ ﻫﺫﻩ ﺍﻝﻤﻬﺎﺭﺓ‪ .‬ﻭﻓﻲ ﺍﻝﻌﺎﻡ ﻨﻔﺴﻪ ﺍﺨﺘﺎﺭﺘﻪ "ﺠﻤﻌﻴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﻤﺴـﺭﺤﻴﺔ ﺍﻝﻌﻠﻴـﺎ ‪Fairmount‬‬
‫‪ "High Thespian Society‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻫﻭ ﺍﺤﺩ ﺃﻋﻀﺎﺌﻬﺎ ﺍﻝﻤﺨﺘﺎﺭﻴﻥ ﺤﺩﻴﺜﹰﺎ ﻝﻠﻌﺏ ﺩﻭﺭ ﺭﺠل ﻤﺴﻥ ﺁﺨﺭ‪" :‬ﺍﻝﺭﺍﺌـﺩ‬
‫ﻤﻭﺭﻴﺱ ‪ "Major Morris‬ﻓﻲ "ﻤﺨﻠﺏ ﺍﻝﻘﺭﺩ ‪ "The Monkey's Paw‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻤﺴﺭﺤﻴﺔ ﺸﺎﺌﻘﺔ ﻤﻥ ﺃﺭﺒﻌﻴﻥ ﺩﻗﻴﻘﺔ‬
‫ﻝﻠﻜﺎﺘﺒﻴﻥ "ﺩﺒﻠﻴﻭ ﺩﺒﻴﻠﻭ ﺠﺎﻜﻭﺒﺯ ‪ "W.W. Jacobs‬ﻭ "ﻝﻭﻴﺱ ﺇﻥ ﺒﺎﺭﻜﺭ ‪ “ ."Lewis N. Parker‬ﻴﺘﺤﺩﺙ ﺍﻝﺭﺍﺌﺩ "ﻤﻭﺭﻴﺱ‬
‫‪ " Morris‬ﻋﻥ ﻤﺨﻠﺏ ﻗﺭﺩ‪ ،‬ﺘﻘﻭل ﺍﻝﺨﺭﺍﻓﺔ ﺇﻥ ﻤﻥ ﻴﻘﺘﻨﻴﻪ ﻴﻤﻜﻥ ﻝﻪ ﺃﻥ ﻴﺤﺼل ﻋﻠﻰ ﺜﻼﺙ ﺃﻤﻨﻴﺎﺕ‪ .‬ﻴﺴﺘﻤﻊ ﺍﻝﺴـﻴﺩ‬
‫"ﻭﺍﻴﺕ ‪ "White‬ﺇﻝﻰ ﺘﻨﺒﻴﻪ ﺍﻝﺠﻨﺩﻱ ﺍﻝﻜﺒﻴﺭ ﺒﺎﻝﺴﻥ ﺒﺄﻥ ﺍﻝﻤﺨﻠﺏ ﻝﻡ ﻴﺠﻠﺏ ﺇﻻ ﺍﻝﻜﻭﺍﺭﺙ‪ .‬ﻴﺘﻡ ﻤﻨﺢ ﻫﺫﺍ ﺍﻝﺸﻲﺀ ﺍﻝﺭﻫﻴﺏ‬
‫ﻝﻠﻌﺎﺌﻠﺔ ﻭﻴﻁﻠﺏ ﺍﻝﺴﻴﺩ "ﻭﺍﻴﺕ ‪ "White‬ﻤﺒﻠﻎ ﻤﺎﺌﺘﻲ ﺩﻭﻻﺭ‪ .‬ﻴﻅﻬﺭ ﺍﻝﺴﻴﺩ "ﺴﻴﻤﺒﺴﻭﻥ ‪ "Simpson‬ﻤﻊ ﺨﺒﺭ ﻭﻓﺎﺓ ﻭﻝﺩﻫﻡ‬
‫ﻓﻲ ﺍﻝﻌﻤل ﻭﻷﻥ ﺍﻝﺸﺭﻜﺔ ﺍﻝﺘﻲ ﻴﻌﻤل ﻓﻴﻬﺎ ﻗﺩ ﺃﺭﺴﻠﺕ ﻤﺒﻠﻎ ﻤﺎﺌﺘﻲ ﺩﻭﻻﺭ ﻜﺒﺎﺩﺭﺓ ﻤﻭﺍﺴﺎﺓ‪ .‬ﻭﻜﺎﻨﺕ ﺍﻷﻤﻨﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ ﻫﻲ‬
‫ﻋﻭﺩﺓ ﺍﺒﻨﻬﻡ ﻝﻠﺤﻴﺎﺓ‪ .‬ﻴﺴﻤﻊ ﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‪ ،‬ﻭﺃﺜﻨﺎﺀ ﻤﺤﺎﻭﻝﺔ ﺍﻷﻡ ﺍﻝﺜﻜﻠﻰ ﻓﺘﺢ ﺍﻝﺒﺎﺏ ﻴﻁﻠﻕ ﺍﻝﻌﺠﻭﺯ ﺃﻤﻨﻴﺔ ﺜﺎﻝﺜﺔ ﺒـﺄﻥ‬
‫ﻴﻌﻭﺩ ﺍﺒﻨﻪ ﻝﻠﻘﺒﺭ‪ .‬ﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻻ ﻴﻭﺠﺩ ﺃﺤﺩ ﻫﻨﺎﻙ”‪ .‬ﻋﻤل ﻤﻴﻠﻭﺩﺭﺍﻤﻲ ﺨﺎﻝﺹ‪ ،‬ﻝﻜﻥ ﺒﺎﻝﻁﺒﻊ ﻭﻓﻲ ﺒﻌﺽ ﺍﻝﻤﻘـﺎﻁﻊ‬
‫ﻓﺈﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﻘﺩﻡ ﺃﻋﻤﺎل ﺃﻓﻼﻤﻪ ﺍﻷﺨﻴﺭﺓ – ﻭﻫﻭ ﻴﺭﻤﻲ ﺒﺄﻭﺭﺍﻕ ﺍﻝﺩﻭﻻﺭﺍﺕ ﻓﻭﻕ ﻭﺍﻝﺩﻩ ﻓﻲ "ﺸـﺭﻕ‬
‫ﻋﺩﻥ ‪ "East of Eden‬ﻋﻠﻰ ﺴﺒﻴل ﺍﻝﻤﺜﺎل – ﺍﻝﺘﻲ ﻴﻤﻜﻨﻨﺎ ﺃﻥ ﻨﺸﺎﻫﺩ ﻓﻴﻬﺎ ﺃﻥ ﺨﺒﺭﺍﺘﻪ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻷﻭﻝﻰ ﻗـﺩ ﻨﻔﻌﺘـﻪ‬
‫ﻻﺤﻘﹰﺎ‪.‬‬
‫ﻋﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻫﺩﹰﺍ ﻝﻴﻜﻭﻥ ﻤﻤﺜﻼﹰ‪ ،‬ﻭﻋﻤل ﺠﺎﻫﺩﹰﺍ ﺃﻜﺜﺭ ﻝﻴﻜﻭﻥ ﺭﻴﺎﻀﻴﹰﺎ‪.‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻁﻭﻝﻪ ﺍﻷﻗل‬
‫ﻤﻥ ﺍﻝﻌﺎﺩﻱ ﻓﻲ ﺴﻨﻭﺍﺘﻪ ﺍﻷﻭﻝﻰ ﻓﻘﺩ ﻭﻗﻑ ﺒﻁﻭل ﺨﻤﺴﺔ ﺃﻗﺩﺍﻡ ﻭﺴﺒﻌﺔ ﺇﻨﺸﺎﺕ ﻭﻨﺼﻑ ﻭﻜﺎﻥ ﺍﻷﻗﺼﺭ‪ ،‬ﻜﺄﺤﺩ ﻻﻋﺒﻲ‬
‫ﻓﺭﻴﻕ ﻜﺭﺓ ﺍﻝﺴﻠﺔ ﺤﻴﺙ ﻤﺎﺭﺱ ﻜل ﺃﻨﻭﺍﻉ ﺍﻝﺭﻴﺎﻀﺔ ﻓﻲ "ﻓﻴﺭﻤﺎﻭﻨﺕ ﻫﺎﻱ ‪."Fairmount High‬‬
‫ﻋﺎﺩ "ﺒﻭل ﻭﻴﻔﺭ ‪ "Paul Weaver‬ﺍﻝﺫﻱ ﺘﺨﺭﺝ ﻋﺎﻡ ‪ 1940‬ﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1947‬ﻜﺭﺌﻴﺱ ﻝﻘﺴﻡ ﺍﻝﺭﻴﺎﻀـﺔ ﻓـﻲ‬
‫ﻼ‪ “ :‬ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻜﺎﻥ ﻤﻥ ﺍﻝﺩﺍﺭﺝ ﺍﺭﺘﺩﺍﺀ ﻜﻨﺯﺓ ﺒﻴﻀﺎﺀ ﻗﻁﻨﻴﺔ ﺒﻜﻡ ﻗﺼﻴﺭ ﻭﺍﻝﺠﻴﻨﺯ‪ ،‬ﻭﻫﻜﺫﺍ‬ ‫ﻤﺩﺭﺴﺘﻪ‪ .‬ﻴﺘﺫﻜﺭ ﻗﺎﺌ ﹰ‬
‫ﺃﺘﺫﻜﺭ ﻤﺸﺎﻫﺩﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺸﻌﺭﻩ ﺍﻝﻤﺤﻠﻭﻕ ﻗﺼﻴﺭﺍﹰ ﻤﺜل ﺘﻠﻙ ﺍﻝﻘﺼﺔ ﺍﻝﺘﻲ ﺍﻨﺘﺸﺭﺕ ﺒﻌﺩ ﺍﻝﺤـﺭﺏ ﺍﻝﻌﺎﻝﻤﻴـﺔ‬
‫ﺍﻝﺜﺎﻨﻴﺔ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺸﺎﺒﹰﺎ ﺠﻤﻴل ﺍﻝﻤﻅﻬﺭ‪.‬‬
‫ﻼ ﻋﻥ ﺃﻏﻠﺏ ﺍﻝﻔﺘﻴﺔ‪ ،‬ﻝﻜﻥ ﻝﻴﺱ ﻤﺨﺘﻠﻔﹰﺎ ﻜﺜﻴﺭﹰﺍ ﻋﻥ ﻓﺘﻴﺔ ﻫﺫﻩ ﺍﻷﻴـﺎﻡ‪ .‬ﻜـﺎﻥ‬‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺨﺘﻠﻔﹰﺎ ﻗﻠﻴ ﹰ‬
‫ﻤﺨﺘﻠﻔﹰﺎ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻷﻨﻪ ﻭﻜﻤﺎ ﺃﺫﻜﺭ ﻜﺎﻥ ﻭﺤﻴﺩﹰﺍ ﻓﻲ ﺃﻏﻠﺏ ﺍﻷﺤﻴﺎﻥ‪ .‬ﻓﻌﻠﻰ ﺴﺒﻴل ﺍﻝﻤﺜﺎل‪ ،‬ﺇﺫﺍ ﺃﺭﺍﺩ ﻓﺭﻴـﻕ ﻜـﺭﺓ‬
‫ﺍﻝﺴﻠﺔ ﺍﻝﺘﺩﺭﺏ‪ ،‬ﻜﺎﻥ ﺍﻷﻭﻻﺩ ﻴﺄﺘﻭﻥ ﻤﻌﹰﺎ ﻓﻲ ﺴﻴﺎﺭﺓ ﺃﻭ ﺸﺎﺤﻨﺔ‪ ،‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﻴﺼل ﻫﻭ ﻭﺤﺩﻩ ﺩﺍﺌﻤﹰﺎ‪.‬‬
‫ﻼ ﺘﻤﺎﻤﹰﺎ‪ .‬ﻝﻡ ﻴﻜﻥ ﻴﺄﺨﺫ ﺍﻝﺘﻌﻠﻴﻤﺎﺕ ﻓـﻲ ﻝﻌﺒـﺔ‬
‫ﻤﺎ ﺃﻗﻭﻝﻪ ﺤﻘﺎﹰ‪ ،‬ﺃﻅﻥ‪ ،‬ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﺸﺨﺼﹰﺎ ﻤﺴﺘﻘ ﹰ‬
‫ﺍﻝﺒﻴﺴﺒﻭل ﺃﻭ ﻓﻲ ﺍﻝﻤﻀﻤﺎﺭ ﻜﻤﺎ ﺠﺭﺕ ﺍﻝﻌﺎﺩﺓ ﻤﻊ ﺃﻏﻠﺏ ﺭﻓﺎﻗﻪ ﺍﻝﺸﺒﺎﻥ‪ .‬ﻝﻜﻨﻪ ﺍﻝﺘﺯﻡ ﺒﻬﺫﺍ ﻓﻲ ﻜﺭﺓ ﺍﻝﺴﻠﺔ‪ ،‬ﺤﻴﺙ ﺇﻨﻬـﺎ‬
‫ﺭﻴﺎﻀﺔ ﺠﻤﺎﻋﻴﺔ ﻭﻗﺩ ﺍﺤﺘﺎﺝ ﻓﻴﻬﺎ ﻝﺭﻓﺎﻗﻪ ﻭﻝﻤﺩﺭﺒﻪ‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻓﻲ ﻫﺫﻩ ﺍﻝﻠﻌﺒﺔ ﻤﻘﺩﺭﺓ ﻤﻘﺒﻭﻝﺔ ﻭﺴﺭﻋﺔ ﻭﺭﺸﺎﻗﺔ‪ ،‬ﻭﻝﻜﻥ‬
‫ﺭﺒﻤﺎ ﻝﻴﺴﺕ ﺘﻠﻙ ﺍﻝﻤﻘﺩﺭﺓ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻝﺩﻴﻪ ﻓﻲ ﺍﻝﺒﻴﺴﺒﻭل ﻭﻋﻠﻰ ﺍﻝﻤﻀﻤﺎﺭ‪ .‬ﻭﻗﺩ ﻓﻬﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜل ﻫﺫﺍ‪ .‬ﻝﺫﻝﻙ‬
‫ﻓﻘﺩ ﻜﺎﻥ ﻤﺴﺘﻤﻌﹰﺎ ﺠﻴﺩﹰﺍ ﻓﻲ ﻜﺭﺓ ﺍﻝﺴﻠﺔ ﻭﻤﻥ ﺍﻝﻤﻤﻜﻥ ﺘﺩﺭﻴﺒﻪ ﻭﺭﺠل ﻓﺭﻴﻕ ﺠﺩﻱ‪ ،‬ﻭﻨﺘﻴﺠﺔ ﻝﻬﺫﺍ ﻓﻘﺩ ﺴﺎﻋﺩﻩ ﺍﻝﻔﺭﻴـﻕ‬
‫ﻭﺍﻝﻤﺩﺭﺏ ﻝﻴﺼﺒﺢ ﻻﻋﺏ ﻜﺭﺓ ﺴﻠﺔ ﺠﻴﺩﹰﺍ ﺤﺴﺏ ﻤﻘﺎﻴﻴﺱ ﻋﺎﻡ ‪ .1948‬ﻝﻡ ﻴﻜﻥ ﻁﻭﻝﻪ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻤﺸﻜﻠﺔ‪ .‬ﻝﻌـﺏ‬
‫ﻜﺩﻓﺎﻉ ﺤﻴﺙ ﻜﺎﻥ ﻫﻨﺎﻙ ﻜﺫﻝﻙ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺸﺒﺎﻥ ﺒﻁﻭل ‪ 5‬ﺃﻗﺩﺍﻡ ﻭ ‪ 8‬ﺇﻨﺸﺎﺕ ﻤﺜﻠﻪ ﻴﻠﻌﺒﻭﻥ ﺒـﺎﻝﻤﺭﻜﺯ ﻨﻔﺴـﻪ ﻓـﻲ‬
‫ﺍﻝﻤﺩﺍﺭﺱ ﺍﻝﺜﺎﻨﻭﻴﺔ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﻴﺩﹰﺍ ﻋﻠﻰ ﺍﻝﻤﻀﻤﺎﺭ ﻭﺨﺎﺼﺔ ﻓﻲ ﺍﻝﻭﺜﺏ ﺒﺎﻝﺯﺍﻨﺔ‪ .‬ﻜﺎﻨﺕ ﻋﺸﺭﺓ ﺍﻷﻗـﺩﺍﻡ ﻓـﻲ ﻓﺘـﺭﺓ‬
‫‪ 1948-1947‬ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻭﺍﻨﺩﻴﻨﺎﻥ ﻭﻏﺭﺍﻨﺕ ﻜﺎﻭﻨﺘﻲ ﻭﺜﺒﺔ ﻤﻘﺒﻭﻝﺔ ﺠﺩﹰﺍ‪ .‬ﺃﻤﺎ ﺍﻵﻥ ﻭﻋﻠﻰ ﺍﻝﻤﺴﺘﻭﻯ ﺍﻝﻤﺤﻠـﻲ‪،‬‬
‫ﻓﺈﻨﻬﺎ ﺇﺜﻨﺎ ﻋﺸﺭ ﻗﺩﻤﹰﺎ ﻝﻁﻼﺏ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ .‬ﻜﺎﻥ ﺍﻝﻤﻀﻤﺎﺭ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻤﺼﻨﻭﻋﹰﺎ ﻤﻥ ﻨﻭﻉ ﺼـﺨﺭﻱ ﻭﻝـﻡ‬
‫ﺘﻜــــــــــــــــــــــــــــــــــــــــــــــــــــﻥ‬
‫ﻝﺘﺤﺼل ﻋﻠﻰ ﻗﻭﺓ ﺍﻻﺤﺘﻜﺎﻙ ﺘﻠﻙ‪ .‬ﻭﻜﺎﻨﺕ ﻋﺼﺎ ﺍﻝﺯﺍﻨﺔ ﻤﻥ ﺍﻝﻔﻭﻻﺫ ﻭﻏﻴﺭ ﻤﺭﻨﺔ ﻋﻠﻰ ﺍﻹﻁﻼﻕ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻨﺎﻓﺴﹰﺎ ﺠﻴﺩﹰﺍ ﻝﻜﻥ ﻝﻡ ﻴﻜﻥ ﻫﺫﺍ ﻅﺎﻫﺭﹰﺍ ﺒﺸﻜل ﺩﺍﺌﻡ‪ .‬ﻝﻜﻨﻲ ﺃﻋﻠﻡ ﺃﻨﻪ ﻜـﺎﻥ ﻴﻤﻠـﻙ ﻫـﺫﺍ‬
‫ﺒﺩﺍﺨﻠﻪ‪ .‬ﻗﺎل – ﻝﻡ ﺃﺴﻤﻌﻪ ﻴﻘﻭل ﻫﺫﺍ ﻝﻜﻥ ﺃﺤﺩﻫﻡ ﺃﺨﺒﺭﻨﻲ ‪ -‬ﺨﻼل ﺴﻨﻭﺍﺘﻪ ﺍﻷﺨﻴﺭﺓ ﺒﺄﻨﻪ ﺴـﻭﻑ ﻴﺘﺨـﺭﺝ ﻗﺭﻴﺒـﹰﺎ‬
‫ﻭﺴﻭﻑ ﻴﻐﺎﺩﺭ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﻘﺩﻴﻤﺔ‪ .‬ﻭﻜﻤﺎ ﺘﻌﻠﻡ‪ ،‬ﻓﻬﻭ ﻝﻡ ﻴﻜﻥ ﺴﻴﻌﻭﺩ ﻗﺒل ﺃﻥ ﻴﺼﺒﺢ ﺸﺨﺼﹰﺎ ﻤﻬﻤﹰﺎ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺫﻝﻙ ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻷﻭﻻﺩ ‪ -‬ﻜﻤﺎ ﻜﺎﻨﻭﺍ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ‪ -‬ﺍﻝﺫﻱ ﻴﺴﺘﻁﻴﻊ ﺍﻝﻤـﺩﺭﺏ ﺃﻥ‬
‫ﻴﻀﻊ ﻴﺩﻩ ﻋﻠﻰ ﻜﺘﻔﻪ‪ ،‬ﺤﺴﻨﹰﺎ ﺭﺒﻤﺎ ﺒﺸﻜل ﺠﺯﺌﻲ ﻝﻴﺱ ﺒﺴﺒﺏ ﺍﻝﻌﻁﻑ‪ ،‬ﻭﻝﻜﻥ ﻝﻼﻗﺘﺭﺍﺏ ﻭﺍﻝﺘﺤﺩﺙ‪ .‬ﻭﻜﻤﺎ ﺘﻌﻠﻡ ﻓﻘـﺩ‬
‫ﻜﺎﻥ ﻫﺫﺍ ﺸﺎﺌﻌﹰﺎ ﻓﻲ ﻜﺭﺓ ﺍﻝﺴﻠﺔ‪ .‬ﻭﺤﺘﻰ ﻓﻲ ﺭﻴﺎﻀﺎﺕ ﺃﺨﺭﻯ ﻤﺜل ﻜﺭﺓ ﺍﻝﻘﺩﻡ ﺍﻷﻤﺭﻴﻜﻴﺔ‪ ،‬ﻻ ﺃﻋﻠﻡ‪ .‬ﻝﻜﻨﻨﻲ ﻤﺘﺄﻜﺩ ﻤﻥ‬
‫ﻼ ﺒﻌﺩﻡ ﺍﻻﺭﺘﻴﺎﺡ ﻤﻥ ﻫﺫﺍ ﺍﻝﻘﺭﺏ‪ .‬ﻭﺭﺒﻤﺎ ﻝـﻡ‬ ‫ﺃﻨﻨﻲ ﺃﺤﺴﺴﺕ ﺒﺫﻝﻙ ﺍﻝﻭﻗﺕ ﺒﺄﻨﻪ ﻝﻡ ﻴﻜﻥ ﻴﺤﺱ ﺒﺎﺭﺘﻴﺎﺡ‪ .‬ﻝﻘﺩ ﺃﺤﺱ ﻗﻠﻴ ﹰ‬
‫ﻴﻜﻥ ﻝﻴﺤﺱ ﺒﻬﺫﺍ ﺍﻝﺸﻌﻭﺭ ﻝﻭ ﺃﻨﻨﺎ ﻜﻨﺎ ﻭﺤﺩﻨﺎ‪ .‬ﻻ ﺃﻋﻠﻡ‪ ،‬ﻝﻜﻨﻪ ﺸﻌﺭ ﺒﻌﺩﻡ ﺍﺭﺘﻴﺎﺡ ﺒﻭﺠﻭﺩ ﺍﻝﺒﻘﻴﺔ‪ .‬ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺃﻭﻗﺎﺕ ﻝﻡ‬
‫ﻴﻜﻥ ﻴﻠﻌﺏ ﺒﻬﺎ ﺒﺎﻝﻘﺩﺭ ﻨﻔﺴﻪ ﺍﻝﺫﻱ ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﺴﻭﻑ ﻴﻠﻌﺏ ﺒﻪ‪ .‬ﻭﺒﺎﻝﻁﺒﻊ ﻓﻌل ﺫﻝﻙ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻤﺘﻀﺎﻴﻘﹰﺎ ﻤﻨﻲ ﻭﻝﻜﻨﻪ ﻝﻡ‬
‫ﻴﻅﻬﺭ ﻤﺎ ﻴﺸﻴﺭ ﺇﻝﻰ ﻫﺫﺍ ﺍﻝﻀﻴﻕ‪.‬‬
‫ﻻ ﺃﺘﺫﻜﺭ ﻤﻁﻠﻘﹰﺎ ﺭﺅﻴﺘﻪ‪ ،‬ﻜﻤﺎ ﻓﻲ ﺍﻝﻤﻭﺍﻋﻴﺩ‪ ،‬ﻤﻊ ﻓﺘﻴﺎﺕ‪ .‬ﻭﻝﻜﻥ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺼﻐﻴﺭﺓ ﻜـﺎﻥ ﻤـﻥ‬
‫ﺍﻝﺼﻌﺏ ﻭﺠﻭﺩﻙ ﺩﺍﺨل ﺒﻨﺎﺀ ﺍﻝﻤﺩﺭﺴﺔ ﺩﻭﻥ ﺃﻥ ﺘﺤﻴﻁ ﺒﻙ ﺍﻝﻔﺘﻴﺎﺕ‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﻨﺎﺩ ﻝﻠﻔﺘﻴـﺎﺕ ﺃﻭ ﺠﻤﻌﻴـﺎﺕ‬
‫ﻝﻺﺨﺎﺀ ﺃﻭ ﻏﻴﺭﻫﺎ‪ .‬ﻭﺒﺎﻝﺘﺄﻜﻴﺩ ﻓﻘﺩ ﺫﻫﺏ ﺒﻌﻀﻬﻡ ﻓﻲ ﻤﻭﺍﻋﻴﺩ ﻤﻊ ﻓﺘﻴﺎﺕ‪ ،‬ﻭﺇﺫﺍ ﻜﺎﻥ ﻤﻭﻋﺩﻫﻡ ﺍﻷﻭل ﻓﻠﻤـﺎﺫﺍ ﻜـﺎﻨﻭﺍ‬
‫ﻴﺫﻫﺒﻭﻥ ﺒﺎﻝﺴﻴﺎﺭﺓ ﺇﻝﻰ ﻤﺒﻨﻰ ﻤﺠﻠﺱ ﺍﻝﻤﻘﺎﻁﻌﺔ ﻓﻲ "ﻤﺎﺭﻴﻭﻥ"‪ .‬ﺤﺼل ﺃﻏﻠﺏ ﺍﻷﻭﻻﺩ ﻋﻠﻰ ﺭﺨﺹ ﺍﻝﺴﻴﺎﻗﺔ ﻓﻲ ﻋﻤﺭ‬
‫ﺍﻝﺴﺎﺩﺴﺔ ﻋﺸﺭﺓ‪ ،‬ﻭﻝﻜﻨﻲ ﺃﺫﻜﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﺍﺌﻤﹰﺎ ﻴﺭﻜﺏ ﺩﺭﺍﺠﺘﻪ ﺍﻝﻨﺎﺭﻴﺔ ﻭﻻ ﺃﺘﺫﻜﺭ ﺭﻜﻭﺏ ﺃﻴﺔ ﻓﺘﺎﺓ ﻋﻠﻴﻬﺎ‪.‬‬
‫ﻜﺎﻨﺕ ﺃﻜﺜﺭ ﺍﻝﻤﺒﺎﺭﻴﺎﺕ ﺍﻝﺘﻲ ﺃﺘﺫﻜﺭﻫﺎ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻓﻲ ﺍﻝﺴﻨﺔ ﺍﻝﻨﻬﺎﺌﻴﺔ ﺘﻠﻙ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺁﺨﺭ ﻤﺒﺎﺭﺍﺓ ﻝﻌﺒﻬﺎ ﻓـﻲ‬
‫ﻤﺩﺭﺴﺘﻪ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ .‬ﻝﻌﺒﻨﺎ ﻀﺩ ﻤﺎﺭﻴﻭﻥ‪ .‬ﻭﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ‪ ،‬ﻝﻡ ﺘﻜﻥ ﺍﻝﻤﺩﺍﺭﺱ ﺍﻝﺼﻐﻴﺭﺓ ﻝﺘﻔﻭﺯ ﻓﻲ ﻤﺒﺎﺭﻴﺎﺘﻬـﺎ ﻤـﻊ‬
‫ﺍﻝﻤﺩﺍﺭﺱ ﺍﻝﻜﺒﻴﺭﺓ‪ .‬ﻓﺎﺯ ﻓﺭﻴﻕ ﻤﺎﺭﻴﻭﻥ ﻋﻠﻰ ﻓﺭﻴﻕ ﻓﻴﺭﻤﺎﻭﻨﺕ ‪ 40‬ﻤﻘﺎﺒل ‪ 34‬ﺤﻴﺙ ﺴﺠل ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪15 Jimmy‬‬
‫ﻨﻘﻁﺔ ﻤﻥ ﺃﺼل ‪ .34‬ﺭﺒﻤﺎ ﻜﺎﻨﺕ ﻫﺫﻩ ﺃﻓﻀل ﻝﻌﺒﺔ ﻝﻌﺒﻬﺎ‪ .‬ﻝﻘﺩ ﺃﻋﻁﺎﻫﺎ ﻜل ﻤﺎ ﻋﻨﺩﻩ‪.‬‬
‫ﻅﻬﺭ ﻓﻲ ﻜﺘﺎﺏ ﺍﻝﺼﻑ ﺍﻝﺴﻨﻭﻱ "ﺃﺴﻭﺩ ﻭﺫﻫﺒﻲ ‪ "Black & Gold‬ﺍﻹﻋﺠﺎﺏ ﺒﺄﺩﺍﺌـﻪ‪" “ :‬ﺠـﻴﻡ ﺩﻴـﻥ ‪Jim‬‬
‫‪ ،"Dean‬ﻻﻋﺏ ﺫﻜﻲ ﻜﺎﻥ ﻭﺍﺤﺩﹰﺍ ﻤﻥ ﺍﻷﺸﺨﺎﺹ ﺍﻷﺴﺎﺴﻴﻴﻥ ﻓﻲ ﺼﻔﻭﻑ ﺍﻝﻜﻭﻴﻜﺭ ﻫﺫﺍ ﺍﻝﻤﻭﺴﻡ”‪.‬‬
‫ﻨﺎﻀل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻫﺩﹰﺍ ﻭﺒﺸﻜل ﻴﺎﺌﺱ ﺤﺘﻰ ﻴﺒﺭﻉ ﻓﻲ ﺍﻝﺭﻴﺎﻀﺔ ﻭﺤﺼل ﻋﻠﻰ ﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺜﻨﺎﺀ ﺍﻝﺫﻱ‬
‫ﻼ ﻤﻤﺎ ﻫﻭ ﻓﻭﻕ ﺍﻻﻋﺘﻴﺎﺩﻱ ﻤﻥ ﻤﻭﻫﺒﺘﻪ ﺍﻝﻔﻁﺭﻴﺔ‪ .‬ﺃﻤﺎ ﻋﻠﻰ ﺍﻝﻤﺴﺭﺡ‬ ‫ﺃﺭﺍﺩﻩ‪ ،‬ﻝﻜﻥ ﺘﺼﻤﻴﻤﻪ ﻭﺘﺩﺭﻴﺒﻪ ﻝﻡ ﻴﻜﺸﻑ ﺇﻻ ﻗﻠﻴ ﹰ‬
‫ﻓﻜﺎﻥ ﻫﺫﺍ ﻤﺨﺘﻠﻔﹰﺎ‪ .‬ﺘﻘﺭﻴﺒﹰﺎ‪ .‬ﻭﺒﺩﻭﻥ ﻤﺜل ﻫﺫﺍ ﺍﻝﻌﺯﻡ ﻭﺍﻝﺠﻬﺩ ﻓﻘﺩ ﺃﺒﺩﻯ ﻤﻭﻫﺒﺔ ﺍﺴﺘﺜﻨﺎﺌﻴﺔ‪ .‬ﻋﺭﻑ ﺯﻤﻼﺅﻩ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ‬
‫ﺍﻝـــﺫﻴﻥ ﺸـــﺎﻫﺩﻭﻩ ﻭﻫـــﻭ ﻴﻠﻌـــﺏ‪ ،‬ﻤـــﻥ ﺃﻤﺜـــﺎل "ﻓﻴﻠـــﻴﺱ ﻜـــﻭﻜﺱ ‪"Phyllis Cox‬‬
‫ﻭ "ﺠﻴﻡ ﻏﺭﻴﻨﺩل ‪ "Jim Grindle‬ﺃﻭ ﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻤﺜﻠﻭﺍ ﻤﻌﻪ ﻤﻥ ﺃﻤﺜﺎل "ﺒﺎﺭﺒﺭﺍ ﻝﻴﺘﺵ ‪ "Barbara Leach‬ﻭ "ﺒـﻭﺏ‬
‫ﺒﻭﻝﻲ ‪ "Bob Pulley‬ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﺠﻴﺩﹰﺍ ﺒﺎﻝﻔﻌل‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﺤﺩ‪ ،‬ﻤﺎ ﻋﺩﺍ "ﺁﺩﻝﻴﻥ ﻨﻭل ‪"Adeline Nall‬‬
‫ﻤﻌﻠﻤﺘﻪ ﻭﻤﺨﺭﺠﺘﻪ‪ ،‬ﻝﺩﻴﻪ ﺘﻠﻙ ﺍﻝﺭﺅﻴﺔ ﺍﻝﻔﻨﻴﺔ ﻭﺍﻝﺨﺒﺭﺓ ﺍﻝﻤﺴﺭﺤﻴﺔ ﻝﺭﺅﻴﺔ ﺃﻥ ﻋﻤﻠﻪ ﺴﻭﻑ ﻴﺒﺭﺯ ﺤﺘﻰ ﺒـﻴﻥ ﺃﻭﻝﺌـﻙ‬
‫ﺍﻝﻤﺤﺘﺭﻓﻴﻥ‪ .‬ﻜﺎﻨﺕ ﺘﺘﺤﺩﺙ ﻋﻨﻪ ﻜﺯﻤﻴل ﻭﺼﺩﻴﻕ ﺃﻜﺜﺭ ﻤﻥ ﻜﻭﻨﻪ ﺘﻠﻤﻴﺫﹰﺍ ﻭﺸﺨﺼﹰﺎ ﻴﺄﺨﺫ ﺍﻝﻨﺼﻴﺤﺔ‪ “ .‬ﺃﺨـﺫ ﻋﻤﻠـﻪ‬
‫ﺒﺎﻝﻨﻀﺞ ﻓﻲ ﺨﺭﻴﻑ ﺴﻨﺘﻪ ﺍﻷﻭﻝﻰ‪ .‬ﺘﻁﻠﺒﺕ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻝﻤﺩﺭﺴﻴﺔ "ﻜﺎﻨﺕ ﻗﻠﻭﺒﻨﺎ ﺸﺎﺒﺔ ﻭﻓﺭﺤـﺔ ‪Our Hearts Were‬‬
‫‪ "young and gay‬ﺇﺨﺭﺍﺠﹰﺎ ﻤﺴﺭﺤﻴﹰﺎ ﻤﻌﺘﺒﺭﹰﺍ‪ .‬ﻭﻋﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﻤﺴﺎﻋﺩ ﻋﻠﻰ ﺍﻝﻤﺴﺭﺡ ﻭﻝﻌﺏ ﺩﻭﺭ "ﺃﻭﺘـﻴﺱ‬
‫ﺴﻜﻴﻨﺭ ‪ "Otis Skinner‬ﻭﺃﺼﺭ ﻋﻠﻰ ﻜﻭﺓ ﻋﻤﻠﻴﺔ – ﻭﻝﻴﺱ ﻓﻘﻁ ﻭﺍﺤﺩﺓ ﻤﺭﺴﻭﻤﺔ – ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻭﻫـﺫﺍ ﻤـﺎ‬
‫ﻋﻤﻠﻪ”‪.‬‬
‫ﻗﺩﻡ "ﺩﻴﻔﻴﺩ ﻨﻭل ‪ "David Nall‬ﺍﺒﻥ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻓﻲ ﺴﻨﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻷﺨﻴﺭﺓ ﻓـﻲ ﻤﻬﺭﺠـﺎﻥ‬
‫ﺍﻝﻬﺎﻝﻭﻴﻥ‪/‬ﻋﻴﺩ ﺒﺭﺒﺎﺭﺓ ﻤﻊ "ﺠﻭﺍﻥ ﺠﻭﻨﺯ ‪ "Joan Jones‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﻀﻭﹰﺍ ﻓﻲ "ﺠﻤﻌﻴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻝﻌﻠﻴﺎ‬
‫‪ "Fairmount High Thespian Society‬ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺩﻭﺭ ﺍﻷﻭل ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻝﻬﺯﻝﻴﺔ "ﺫﻫﺏ ﻤﻊ ﺍﻝﺭﻴﺢ‬
‫‪ ،"Goon with the Wind‬ﻭﺍﻝﺘﻲ ﺘﺩﻭﺭ ﺃﺤﺩﺍﺜﻬﺎ ﻓﻲ ﺠﻭ ﻤﻥ ﺍﻝﺤﺭﺏ ﺍﻷﻫﻠﻴﺔ ﺍﻝﺨﺎﺹ ﺒﺭﻭﺍﻴﺔ "ﻤﺎﺭﻏﺭﻴﺕ ﻤﻴﺘﺸـﻴل‬
‫‪ "Margaret Mitchell‬ﺍﻝﻌﻅﻴﻤﺔ‪ .‬ﻜﺎﻥ "ﺩﻴﻔﻴﺩ ‪ "David‬ﻭ "ﺠﻭﺍﻥ ‪ "Joan‬ﻋﺎﺸﻘﻴﻥ ﺒﺭﻴﺌﻴﻥ ﻏﻴﺭ ﻤﺸﺘﺒﻪ ﺒﻬﻤﺎ‪ ،‬ﻭﻝﻌﺏ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﻭﺭ ﺍﻝﺸﺭﻴﺭ ﺍﻝﻤﻨﺒﻭﺫ ﻭﺍﻝﻤﻠﻲﺀ ﺒﺎﻝﺜﺄﺭ ﻤﻊ ﺍﻝﻘﺒﻌﺔ ﺍﻝﻤﺴﺘﺩﻴﺭﺓ ﻭﺍﻝﺭﺩﺍﺀ ﻭﺍﻝﺸﺎﺭﺏ ﻭﺍﻝﻨﻅﺭﺓ ﺍﻝﺨﺒﻴﺜـﺔ‪.‬‬
‫ﺼﻔﻕ ﺍﻝﺠﻤﻬﻭﺭ ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺭﺸﻑ ﻋﺼﻴﺭ ﺍﻝﺘﻔﺎﺡ ﻭﻫﻠل ﻭﺭﻗﺹ ﻭﺼﺎﺡ ﻤﺴﺘﻬﺯﺌﹰﺎ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﺃﺴﺩل ﺍﻝﺴﺘﺎﺭ ﻋﻠﻰ ﺁﺨﺭ ﻤﺴﺭﺤﻴﺔ ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ – ﺤﻴﺙ ﻤﺜل ﺍﻝﺒﻘﻴﺔ "ﻋﻨﺩﻤﺎ ﺩﻗﺕ ﺍﻝﺴـﺎﻋﺔ ﺍﻝﺜﺎﻨﻴـﺔ‬
‫ﻋﺸﺭﺓ ‪ "At the Stroke of Twelve‬ﻭ " ﻨﻴﻠﻲ ﻋﻨﺩ ﺍﻝﻤﻀﺨﺔ ‪ – "Nellie at the Pump‬ﻅﻬﺭ ﻭﺤﺵ ﻓﺭﺍﻨﻜﻨﺸـﺘﺎﻴﻥ‬
‫ﺒﻴﻥ ﺍﻝﺠﻤﻬﻭﺭ‪ .‬ﺼﺭﺥ ﺍﻷﻭﻻﺩ ﻭﺃﺨﺫﻭﺍ ﺒﻀﺭﺏ ﺒﻌﻀﻬﻡ ﺒﻌﻀﺎ‪ ،‬ﺒﻴﻨﻤﺎ ﺃﺨﺫﺕ ﺍﻝﻔﺘﻴﺎﺕ ﺒﺎﻝﻘﻬﻘﻬﺔ ﻭﺍﻝﺼﺭﺍﺥ‪ .‬ﺨـﺭﺝ‬
‫ﺍﻝﻭﺤﺵ ﺇﻝﻰ ﺍﻷﺭﻭﻗﺔ ﺍﻝﻤﺯﻴﻨﺔ ﺒﻤﺼﺎﺒﻴﺢ ﺍﻝﻴﻘﻁﻴﻥ ﻭﺍﻝﺠﻨﻴﺎﺕ ﻭﺍﻝﺴﺎﺤﺭﺍﺕ‪ ،‬ﻭﺘﻌﺜﺭ ﻭﻫﻭ ﻴﺤـﺎﻭل ﺍﻝﻤﺤﺎﻓﻅـﺔ ﻋﻠـﻰ‬
‫ﺘﻭﺍﺯﻨﻪ ﺒﺼﻌﻭﺒﺔ ﻭﺃﺨﺫ ﻴﺘﺨﺒﻁ ﺒﺎﻝﺠﺩﺭﺍﻥ ﻭﺍﻷﺒﻭﺍﺏ‪ .‬ﻜﺎﻥ ﺍﻝﺩﺨﻭل ﻨﺎﺠﺤﹰﺎ ﺠﺩﹰﺍ ﺒﺤﻴﺙ ﺇﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺃﺤﺩ ﺃﻥ ﻴﺤﺯﺭ‬
‫ﻤﻥ ﻜﺎﻥ‪ .‬ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﻭﻷﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﻴﻅﻬﺭ ﻓﻲ ﺍﻻﺤﺘﻔﺎل ﻤﻊ ﺒﻘﻴﺔ ﺍﻝﻤﻤﺜﻠﻴﻥ‪ ،‬ﻓﻘﺩ ﻋﺭﻑ ﺯﻤﻼﺅﻩ ﺒﺄﻨـﻪ‬
‫ﻫﻭ ﺍﻝﻭﺤﺵ‪ .‬ﻝﻜﻥ ﺍﻝﻤﺨﻠﻭﻕ ﻝﻡ ﻴﺘﺤﺩﺙ ﻭﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﺘﺤﺩﺙ ﻜﻤﺎ ﻫﻭ ﻅﺎﻫﺭ‪ ،‬ﺇﻻ ﺃﻨﻪ ﺍﺨﺘﻔﻰ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻓﻲ ﺍﻝﻅﻼﻡ‪.‬‬
‫ﺼﻨﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺭﺃﺱ ﺍﻝﻜﺒﻴﺭ ﺍﻝﻤﺨﻴﻑ ﻤﻥ ﺼﻨﺩﻭﻕ ﺃﺤﺫﻴﺔ‪ ،‬ﺤﻴﺙ ﺍﺴﺘﺨﺩﻡ ﺍﻝﻤﻘﺹ ﻭﻝﺼـﻕ ﻋﻠﻴـﻪ‬
‫ﺃﺸﻴﺎﺀ ﻭﻝﻭﻨﻪ ﺤﺘﻰ ﺠﻌﻠﻪ ﺤﻴﹰﺎ‪ .‬ﺘﺭﻜﺕ ﺍﻝﻤﺘﻌﺔ ﺍﻝﺘﻲ ﺸﻌﺭ ﺒﻬﺎ ﻓﻲ ﺼﻨﻊ ﻭﺠﻪ ﻫﺫﺍ ﺍﻝﻭﺤﺵ ﻭﺍﻝﻘﻭﺓ ﺍﻝﺘﻲ ﺃﺨﺫﻫﺎ ﻜﻭﻨـﻪ‬
‫ﺍﻝﻭﺤﺵ ﺁﺜﺎﺭﹰﺍ ﻋﻤﻴﻘﺔ ﻓﻲ ﺫﺍﻜﺭﺘﻪ‪ .‬ﺃﺨﺒﺭ ﻓﻲ ﺃﻴﺎﻡ ﺘﻤﺜﻴﻠﻪ ﺍﻷﻭﻝﻰ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﺃﺼﺩﻗﺎﺀﻩ ﻋﻥ ﻗﺼـﺔ ﻓﺭﺍﻨﻜﺸـﺘﺎﻴﻥ‬
‫ﺨﻼل ﺩﺭﺍﺴﺘﻪ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ .‬ﻭﻜﺎﻥ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻴﺨﺭﺝ ﺍﻝﻘﻨﺎﻉ ﺍﻝﺫﻱ ﺃﺒﻘﺎﻩ ﻜﺘﺫﻜﺎﺭﻋﻥ ﻨﺠﺎﺤﻪ‪.‬‬
‫ﺃﺤﺏ ﺍﻝﻔﻜﺎﻫﺔ ﺒﻘﺩﺭ ﻤﺎ ﺃﺤﺏ ﺃﺩﺍﺀ ﺍﻷﺩﻭﺍﺭ‪ .‬ﻓﻲ ﺍﻝﺤﺼﺔ ﺍﻝﺨﺎﻤﺴﺔ‪ ،‬ﺍﻷﻭﻝﻰ ﺒﻌـﺩ ﺍﻝﻐـﺩﺍﺀ‪ ،‬ﺘﺤـﺩﺙ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻭﺃﺤﺩ ﺃﺼﺩﻗﺎﺌﻪ‪" ،‬ﺠﻴﻡ ‪ "Jim‬ﺁﺨﺭ )"ﺠﻴﻤﺱ ﻏﺭﻴﻨﺩل ‪ "James Grindel‬ﺍﻝﺫﻱ ﺍﺼﺒﺢ ﻓﻴﻤـﺎ ﺒﻌـﺩ ﻀـﺎﺒﻁ‬
‫ﺸﺭﻁﺔ ﻓﻲ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ( ﻤﻊ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ ."Adeline Nall‬ﻜﺎﻥ ﺍﻝﻁﻼﺏ ﻴﻨﺘﻅﺭﻭﻨﻬﺎ ﻤﺠﺘﻤﻌﻴﻥ ﺨﺎﺭﺝ ﻏﺭﻓﺘﻬـﺎ‬
‫ﺤﺘﻰ ﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﻓﻴﺘﺭﻴﺎ ﻭﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ‪ .‬ﻝﻜﻥ ﺍﻜﺘﺸﻑ "ﺍﻝﺠﻴﻤﻴﺎﻥ" ﺍﻜﺘﺸﺎﻓﹰﺎ ﻤﻬﻤﹰﺎ‪ .‬ﺍﺴﺘﻁﺎﻋﺎ ﻋﻥ ﻁﺭﻴﻕ ﺘﺴﻠﻕ ﺩﺭﺝ‬
‫ﺍﻹﻁﻔﺎﺀ ﺍﻝﺨﻠﻔﻲ ﺍﻝﺘﺴﻠل ﺇﻝﻰ ﺍﻝﻤﺩﺭﺝ ﻤﻥ ﺨﻼل ﻨﺎﻓﺫﺓ ﻤﻔﺘﻭﺤﺔ ﻋﺒﺭ ﺍﻝﻤﺴﺭﺡ ﻭﺍﻝﺩﺨﻭل ﻝﻠﺼﻑ ﻋﺒﺭ ﺭﻭﺍﻕ ﻭﺍﺼل‪.‬‬
‫ﻭﻋﻨﺩ ﺩﺨﻭﻝﻬﻤﺎ ﻜﺎﻨﺎ ﻴﻀﻴﺌﺎﻥ ﺍﻷﻨﻭﺍﺭ ﻭﻴﻔﺘﺤﺎﻥ ﺍﻷﺒﻭﺍﺏ ﺤﺘﻰ ﻴﺩﺨل ﺒﻘﻴﺔ ﺍﻷﻭﻻﺩ‪.‬‬
‫ﻜﺎﻨﺕ ﺘﺩﺨل "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻓﻲ ﻓﺘﺭﺓ ﺍﻝﻐﺩﺍﺀ ﻝﺘﺠﺩ ﺍﻝﺼﻑ ﻭﻗﺩ ﺠﻠﺱ ﺠﻤﻴﻊ ﺃﻓـﺭﺍﺩﻩ ﻋﻠـﻰ ﻤﻘﺎﻋـﺩﻫﻡ‬
‫ﺠﺎﻫﺯﻴﻥ ﻝﻠﺒﺩﺀ ﺒﺎﻝﺩﺭﺱ‪ .‬ﻜﺎﻨﺕ ﺘﺤﺎﺭ ﻝﻠﺤﻅﺔ‪ ،‬ﺘﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺼﻑ‪ ،‬ﻭﺇﻝﻰ ﺍﻝﺒﺎﺏ ﻭﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻝﻠﺼﻑ‪ .‬ﻜﺎﻥ ﺍﻝﺼـﻤﺕ‬
‫ﻴﻁﺒﻕ ﻤﻊ ﺒﻌﺽ ﺍﻻﺒﺘﺴﺎﻤﺎﺕ‪ ،‬ﻭﻻ ﺸﻲﺀ ﻏﻴﺭ ﺍﻋﺘﻴﺎﺩﻱ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻻ ﺒﺩ ﺃﻨﻬﺎ ﺘﺭﻜﺘﻪ ﻤﻔﺘﻭﺤﺎﹰ‪ ،‬ﻓﺎﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺸـﻴﺎﺀ‬
‫ﺘﺩﻭﺭ ﻓﻲ ﻋﻘﻠﻬﺎ‪ .‬ﻭﻏﺩﹰﺍ ﺴﻭﻑ ﺘﺤﺭﺹ ﻋﻠﻰ ﺇﻗﻔﺎل ﺍﻝﺒﺎﺏ ﻗﺒل ﺍﻝﻐﺩﺍﺀ‪.‬‬
‫ﺒﻤﺎ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﺎﺵ ﻓﻲ ﻤﺯﺭﻋﺔ‪ ،‬ﻜﺎﻥ ﻴﺒﻘﻰ ﻓﻲ ﺃﻏﻠﺏ ﺍﻷﺤﻴﺎﻥ ﻓﻲ ﻤﻨـﺯل "ﺠـﻴﻤﺱ ﻏﺭﻴﻨـﺩل‬
‫‪ "James Grindel‬ﻓﻲ ﻝﻴﻠﺔ ﻤﺒﺎﺭﺍﺓ ﻜﺭﺓ ﺴﻠﺔ ﺤﺎﺴﻤﺔ‪ .‬ﻜﺎﻥ ﺍﻝﻭﻝﺩﺍﻥ ﻴﺫﻫﺒﺎﻥ ﻤﺒﺎﺸﺭﺓ ﻝﻠﻤﻨﺯل ﺒﻌﺩ ﺍﻝﻤﺩﺭﺴـﺔ ﻝﻴﺄﺨـﺫﺍ‬
‫ﺴﺎﻋﺔ ﻤﻥ ﺍﻝﻘﻴﻠﻭﻝﺔ‪ .‬ﻴﻁﻠﺒﺎﻥ ﺒﻌﺩﻫﺎ ﻤﻥ ﺍﻝﺴﻴﺩﺓ " ﻏﺭﻴﻨﺩل ‪ "Grindel‬ﺃﻥ ﺘﻌﺩ ﻝﻬﻤﺎ ﺒﻴﻀﹰﺎ ﻤﺴﻠﻭﻗﹰﺎ ﻤﻊ ﺍﻝﺨﺒﺯ‪ ،‬ﺤﻴـﺙ‬
‫ﺍﻋﺘﻘﺩﺍ ﺃﻥ ﺍﻝﺒﻴﺽ ﺍﻝﻤﺴﻠﻭﻕ ﻴﻤﻨﺤﻬﻤﺎ ﻤﺯﻴﺩﹰﺍ ﻤﻥ ﺍﻝﻘﻭﺓ ﻋﻠﻰ ﺃﺭﺽ ﺍﻝﻤﻠﻌﺏ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻡ ‪ "Jim‬ﺍﻝﺜﺎﻝﺙ ﻭﻫﻭ ﺍﻝﻜﺎﻫﻥ ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻌﻴﺵ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻴﻭﺼﻠﻬﻡ ﺒﻌﺩ ﺍﻝﻤﺒﺎﺭﺍﺓ ﺇﻝـﻰ‬
‫ﻤﻨﺯﻝﻪ ﻝﻼﺤﺘﻔﺎل ﺒﻔﻭﺯﻫﻡ ﺃﻭ ﻝﺘﺠﺎﻭﺯ ﺨﺴﺎﺭﺘﻬﻡ‪) .‬ﻓﺎﺯ ﺍﻝﻔﺭﻴﻕ ﺒﻌﺸﺭ ﻤﺒﺎﺭﻴﺎﺕ ﻤﻥ ﺃﺼل ﺇﺤﺩﻯ ﻭﻋﺸﺭﻴﻥ ﺨـﻼل‬
‫ﺴﻨﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻷﺨﻴﺭﺓ(‪.‬‬
‫ﻼ ﻭﺴﻴﻤﹰﺎ ﺒﻌﻴﻨﻴﻥ ﺯﺭﻗﺎﻭﻴﻥ ﺜﺎﻗﺒﺘﻴﻥ ﻭﺸـﻔﺘﻴﻥ‬ ‫ﻜﺎﻥ ﺍﻝﻜﺎﻫﻥ ﻓﻲ ﺍﻝﺜﻼﺜﻴﻨﻴﺎﺕ ﻤﻥ ﻋﻤﺭﻩ‪ ،‬ﻗﺼﻴﺭﹰﺍ ﻤﻤﺘﻠﺌﺎﹰ‪ ،‬ﻭﺭﺠ ﹰ‬
‫ﻏﻠﻴﻅﺘﻴﻥ‪ .‬ﺘﺨﺭﺝ ﻫﻭ ﺃﻴﻀﹰﺎ ﻓﻲ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻭﻴﺫﻜﺭ ﻤﻥ ﻗﺒل ﺭﻓﺎﻗﻪ ﺒﻠﻐﺘﻪ‪ ،‬ﺍﻝﺘﻲ ﻋﻠﻰ ﺍﻷﻗل ﺤﺴـﺏ‬
‫ﻤﻌﺎﻴﻴﺭ ﺍﻝﻜﻭﻴﻜﺭ ﺃﻭ ﺍﻝﻭﻴﺯﻝﻴﻴﻥ ﺍﻝﻤﻴﺜﻭﺩﻴﻴﻥ‪ ،‬ﺍﻝﻌﺎﻁﻔﻴﺔ ﻭﺍﻝﻤﺅﺜﺭﺓ‪ .‬ﻜﺎﻥ ﻴﺤﺏ ﺃﻥ ﻴﻠﻘﻲ ﺍﻝﻨﻜﺎﺕ‪ ،‬ﻭ"ﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻗﺎل ﺃﺸﻴﺎﺀ"‬
‫ﻜﺎﻥ ﺍﻵﺨﺭﻭﻥ ﻴﻔﻜﺭﻭﻥ ﻓﻴﻬﺎ ﻓﻘﻁ‪.‬‬
‫ﺒﻌﺩ ﻫﺫﺍ ﻭﻓﻲ ﺨﻼل ﺤﻴﺎﺘﻪ ﻜﺭﺍﺸﺩ ﺃﺠﺒﺭ ﻋﻠﻰ ﺘﺤﻭﻴل ﻤﺜل ﻫﺫﻩ ﺍﻝﺘﻌﺎﺒﻴﺭ ﺍﻝﺨﺎﺼﺔ ﺒﻁﺎﻗﺘﻪ ﺍﻝﺤﺴﻴﺔ ﺇﻝﻰ ﻏﻠـﻭ‬
‫ﻭﺇﻏﺭﺍﻕ ﻝﻠﺤﻘﺎﺌﻕ ﻭﻋﻅﺎﺕ ﺩﻴﻨﻴﺔ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﺱ ﺩﻴﻭﻴﺭﺩ ‪ "James DeWeerd‬ﻤﻊ ﻤﺯﺍﺠﻪ ﺍﻝﻔﺭﻴﺩ ﻤﻥ ﺍﻝﺘﻬﺫﻴﺏ ﻭﺍﻝﺭﻴﺎﺀ ﺒﺎﻝﻨﺴـﺒﺔ ﻝــ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺍﻝﺫﻱ ﻝﻡ ﻴﺠﺘﻤﻊ ﺒﺎﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺫﻭﻱ ﺍﻝﺜﻘﺎﻓﺔ ﺍﻝﻌﺎﻝﻴﺔ ﺒﺎﺴﺘﺜﻨﺎﺀ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﻤﺩﻫﺸـﹰﺎ‪.‬‬
‫ﻭﻜﺎﻥ "ﺠﻴﻡ ﺩﻴﻭﻴﺭﺩ ‪ "Jim DeWeerd‬ﻤﺤﺘﺭﻤﹰﺎ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﻭﻋﻨﻰ ﻫﺫﺍ ﺒﺄﻨﻪ ﻜﺎﻥ ﻻ ﺒﺄﺱ ﻝﺭﺠل ﺃﻥ ﻴﻜﻭﻥ ﻭﺍﻗﻌﹰﺎ‬
‫ﻓﻲ ﺍﻝﺤﺏ ﻤﻊ ﺍﻝﻠﻐﺔ‪ ،‬ﻭﺃﻥ ﻴﻜﺘﺏ ﺍﻝﺸﻌﺭ ﻭﺃﻥ ﻴﺅﺩﻱ ﺩﻭﺭﺍﹰ‪ ،‬ﻓﻜﺎﻥ ﻜل ﺫﻝﻙ ﻭﻭﺍﻋﻅﹰﺎ ﻤﻤﺘﺎﺯﹰﺍ! ﻜﺎﻨﺕ ﻝﺩﻴﻪ ﺍﻝﻘﺩﺭﺓ ﻋﻠﻰ‬
‫ﺇﻀﺤﺎﻙ ﺍﻝﻨﺎﺱ ﻭﺇﺒﻜﺎﺌﻬﻡ ﻭﺇﺨﺎﻓﺘﻬﻡ ﺤﺘﻰ ﻴﺭﺘﺠﻔﻭﺍ ﻤﻥ ﺍﻝﺨﻭﻑ‪ .‬ﻝﻡ ﻴﻜﻥ "ﺠﻴﻡ ﺩﻴﻭﻴﺭﺩ ‪ "Jim DeWeerd‬ﻓﻲ ﺒﻠﺩﺓ ﺁﻤﻥ‬
‫ﻓﻴﻬﺎ ﺍﻝﻜﺜﻴﺭﻭﻥ ﺃﻥ ﻝﻌﺏ ﺍﻝﻭﺭﻕ ﻭﺍﻷﻓﻼﻡ ﻭﺍﻝﺭﻗﺹ ﻤﻥ ﺍﺨﺘﺭﺍﻋﺎﺕ ﺍﻝﺸﻴﻁﺎﻥ ﺨﺎﺌﻔﹰﺎ ﻤﻥ ﺃﻥ ﻴﻜﻭﻥ "ﻓـﺎﺨﺭﹰﺍ"‪ .‬ﻜـﺎﻥ‬
‫ﺍﻝﻐﺩﺍﺀ ﻓﻲ ﻤﻨﺯﻝﻪ ﻴﻌﻨﻲ ﺍﻝﻔﻀﺔ ﻭﺍﻝﻤﺨﻤل ﻭﺍﻝﺸﻤﻌﺩﺍﻨﺎﺕ ﻭﺍﻝﻜﺭﻴﺴﺘﺎل ﻤﻊ ﻤﻭﺴﻴﻘﺎ ﻜﻼﺴﻴﻜﻴﺔ ﻓﻲ ﺍﻝﺨﻠﻔﻴﺔ‪ .‬ﺒﻌﺩ ﻫـﺫﺍ‬
‫ﻜﺎﻥ ﺍﻝﻘﺱ ﻴﺭﻱ ﺍﻷﻭﻻﺩ ﺃﻓﻼﻤﹰﺎ ﺃﺨﺫﻫﺎ ﻤﻥ ﻤﺼﺎﺭﻋﺔ ﺍﻝﺜﻴﺭﺍﻥ ﻓﻲ ﻤﻜﺴﻴﻜﻭ‪ .‬ﻜﺎﻥ ﻤﻭﻝﻌﹰﺎ ﺒﺄﺴﻠﻭﺏ ﺇﻝﻘﺎﺀ ﺍﻝﻤﺤﺎﻀﺭﺍﺕ‬
‫ﻝﻤﻌﺠﺒﻴﻪ ﺍﻝﺼﻐﺎﺭ‪ ،‬ﻓﻜﺎﻥ ﻴﻘﻭل‪ “ :‬ﻜﻠﻤﺎ ﺍﺯﺩﺍﺩﺕ ﻤﻌﺭﻓﺘﻙ ﺒﻁﺭﻴﻘﺔ ﻋﻤل ﺍﻷﺸﻴﺎﺀ ﺍﻝﻜﺜﻴﺭﺓ ﺍﻝﺘﻲ ﺍﻜﺘﺴﺒﺘﻬﺎ‪ ،‬ﺃﺼـﺒﺤﺕ‬
‫ﺃﻓﻀل”‪.‬‬
‫ﻜﺎﻥ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻴﺄﺨﺫ ﺍﻷﻭﻻﺩ ﺇﻝﻰ "ﺁﻨﺩﺭﺴﻭﻥ ‪ "Anderson‬ﻤﻥ ﺃﺠل ﺍﻝﺴﺒﺎﺤﺔ ﻓﻲ ﺍﻝـ "‪ ،"Y‬ﻭﺇﻝـﻰ‬
‫ﻋﻅﺔ ﻓﻲ ﺃﺤﻴﺎﻥ ﺃﺨﺭﻯ‪ .‬ﺫﺍﺕ ﻤﺭﺓ ﻭﺒﻴﻨﻤﺎ ﻫﻡ ﺠﺎﻝﺴﻭﻥ ﻓﻲ ﺴﻴﺎﺭﺓ ﺃﻤﺎﻡ ﺍﻝﻜﻨﻴﺴﺔ ﺤﻴﺙ ﻜﺎﻥ ﻴﺘﺤﺩﺙ‪ ،‬ﺸﺎﻫﺩ ﺍﻤـﺭﺃﺓ‬
‫ﺒﺴﺭﻭﺍل ﻓﻀﻔﺎﺽ‪ “ .‬ﺃﻴﻬﺎ ﺍﻷﻭﻻﺩ‪ ،‬ﺴﺄﻗﻭل ﻝﻜﻡ ﺸﻴﺌﹰﺎ‪ .‬ﺇﺫﺍ ﺩﺨﻠﺕ ﻫﺫﻩ ﺍﻝﺴﻴﺩﺓ ﺇﻝﻰ ﺍﻝﻜﻨﻴﺴﺔ ﺍﻝﻠﻴﻠﺔ‪ ،‬ﻓﺴـﻭﻑ ﺃﻋـﻅ‬
‫ﺍﻝﻨﺎﺱ ﻋﻥ ﺍﻝﺴﺭﺍﻭﻴل ﺍﻝﻔﻀﻔﺎﻀﺔ”‪.‬‬
‫ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ،‬ﺃﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺒﻌﺽ ﺯﻤﻼﺌﻪ ﺇﻝـﻰ ﺃﻨـﺩﻴﺎﻨﺎﺒﻭﻝﻴﺱ ﻭﺇﻝـﻰ ﺤﻠﺒـﺔ "ﺴـﺒﻴﺩﻭﺍﻱ‬
‫‪ ."Speedway‬ﻗﺎﺒﻠﻭﺍ ﻫﻨﺎﻙ ﺴﺎﺌﻘﹰﺎ ﻴﺩﻋﻰ "ﻜﺎﻨﻭﻨﺒﻭل ﺒﻴﻜﺭ ‪ "Cannonball Baker‬ﻭﺸﺎﻫﺩﻭﺍ ﺘﺠﺭﺒﺔ ﺴﺒﺎﻕ‪ .‬ﻭﺘﺤـﺩﺜﻭﺍ‬
‫ﻓﻲ ﻁﺭﻴﻕ ﺍﻝﻌﻭﺩﺓ ﻋﻥ ﺍﻝﺴﺒﺎﻕ ﻭﺍﻝﻤﻭﺕ‪ .‬ﻴﻘﻭل " ﺩﻴﻭﻴﺭﺩ ‪ "DeWeerd‬ﻤﺘﺫﻜﺭﹰﺍ ﺘﻠﻙ ﺍﻝﺭﺤﻠـﺔ‪ “ :‬ﻋﻠﻤـﺕ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺃﻥ ﻴﺅﻤﻥ ﺒﺎﻝﺨﻠﻭﺩ ﺍﻝﺸﺨﺼﻲ‪ .‬ﻝﻡ ﻴﻜﻥ ﻴﺨﺎﻑ ﻤﻥ ﺍﻝﻤﻭﺕ ﻷﻨﻪ ﺁﻤﻥ ﻤﺜﻠﻲ ﺒﺄﻥ ﺍﻝﻤﻭﺕ ﻫﻭ ﻤﺠـﺭﺩ ﺘﺤﻜـﻡ‬
‫ﺒﺎﻝﻌﻘل ﻋﻠﻰ ﺍﻝﻤﺎﺩﺓ”‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻀﻴﻑ " ﺩﻴﻭﻴﺭﺩ ‪ "DeWeerd‬ﺍﻝﻭﺤﻴﺩ ﻋﻠﻰ ﺍﻝﻐﺩﺍﺀ‪ .‬ﻴﺨﺒﺭﻩ ﺨﻼﻝـﻪ‬
‫ﻋﻥ ﻤﺨﺎﻭﻓﻪ ﻭﺃﺤﻼﻤﻪ ﺍﻝﺭﻫﻴﺒﺔ‪ .‬ﺃﻝﻡ ﻴﻜﻥ ﺴﻴﺌﺎﹰ؟ ﺃﻝﻡ ﻴﻜﻥ ﺸﺭﻴﺭﺍﹰ؟ ﻝﻤﺎﺫﺍ ﺘﺭﻜﺘﻪ ﺃﻤﻪ؟ ﻝﻤﺎﺫﺍ ﺃﺭﺴﻠﻪ ﻭﺍﻝﺩﻩ ﺒﻌﻴﺩﺍﹰ؟ ﻓﻜﺎﻥ "‬
‫ﺩﻴﻭﻴﺭﺩ ‪ "DeWeerd‬ﻴﻘﺎﺒل ﺨﻭﻓﻪ ﺒﻜﻼﻡ ﺴﻬل ﻋﻥ ﺍﻝﺨﻼﺹ‪ ،‬ﻭﻜﺎﻥ ﻴﺤﺜﻪ ﺃﻥ ﻴﻨﺎﺸﺩ ﺍﷲ ﺍﻝﻤﺨﻠﺹ ﺒﻘﺩﺭ ﺍﻝﻤﺴﺘﻁﺎﻉ‪.‬‬
‫ﻜﺎﻨﻭﺍ ﻴﺨﺭﺠﻭﻥ ﻝﻤﻭﺍﻋﺩﺓ ﺍﻝﻔﺘﻴﺎﺕ ﺇﺫﺍ ﻝﻡ ﻴﺫﻫﺒﻭﺍ ﺇﻝﻰ ﻤﻨﺯل " ﺩﻴﻭﻴﺭﺩ ‪ "DeWeerd‬ﺒﻌﺩ ﺍﻝﻤﺒﺎﺭﺍﺓ‪ .‬ﻜﺎﻥ "ﺒـﻭﺏ‬
‫ﺒﻭﻝﻲ ‪) "Bob Pulley‬ﺭﺠل ﺍﻝﺼﻴﺎﻨﺔ ﻋﻨﺩ "ﺇﻨﺩﻴﺎﻨﺎ ﺒﻴـل ‪ "Indiana Bell‬ﺍﻵﻥ( ﻭ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻓـﻲ ﺒﻌـﺽ‬
‫ﺍﻝﻤﻨﺎﺴﺒﺎﺕ ﻴﻭﺍﻋﺩﺍﻥ ﺍﻝﺘﻭﺃﻤﻴﻥ "ﺇﺩﻴﺙ ﻤﺎﻱ ‪ "Edith May‬ﻭ "ﺇﻴﺜل ﻓﺎﻱ ﺘﻭﻤﺎﺱ ‪ "Ethel Fay Thomas‬ﻤﻥ ﻁﺎﻝﺒـﺎﺕ‬
‫ﺼﻑ ﻋﺎﻡ ‪ .1949‬ﻴﺘﺫﻜﺭ " ﺒﻭﻝﻲ ‪ “ :"Pulley‬ﻜﻨﺎ ﻓﻲ ﺃﻏﻠﺏ ﺍﻷﺤﻴﺎﻥ ﻨﺨﺭﺝ ﻝﻨﺄﻜل ﺸﻴﺌﹰﺎ ﻤﺎ‪ .‬ﻫﺫﺍ ﻤﺎ ﻜﺎﻥ ﻴﺤﺼل‪،‬‬
‫ﺃﻭ ﻨﺨﺭﺝ ﻭﻨﻘﻑ ﻓﻲ ﻤﻜﺎﻥ ﻤﺎ ﺇﺫﺍ ﺍﺴﺘﻁﻌﻨﺎ ﻭﺇﻥ ﻝﻡ ﻴﻜﻥ ﻓﺎﻝﻌﻭﺩﺓ ﻝﻠﻤﻨﺯل”‪.‬‬
‫ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺤﻔﻼﺕ ﻤﺨﺎﺯﻥ ﺍﻝﺤﺒﻭﺏ ﺤﻴﺙ ﻴﺭﻗﺹ ﺍﻷﻭﻻﺩ ﻭﻴﺘﻤﺎﻴﻠﻭﻥ ﺒﺎﻝﻠﻌﺏ ﻤﻥ ﺃﺠل ﺍﻝﺘﻔﺎﺡ ﺃﻭ ﻴﻠﻬـﻭﻥ‬
‫ﺒﺎﻝﻘﺵ‪ .‬ﻜﺎﻥ ﺍﻷﻭﻻﺩ ﻴﺴﺘﻌﺭﻀﻭﻥ ﺒﺄﺭﺠﺤﺎﺕ ﻁﺭﺍﺯﺍﻥ ﺍﻝﻁﻭﻴﻠﺔ ﻋﻠﻰ ﺍﻝﺤﺒل ﺃﻭ ﻴﺘﺴﻠﻘﻭﻥ ﻷﻋﻠﻰ ﻋﺎﺭﻀﺔ ﺨﺸـﺒﻴﺔ‬
‫ﻭﻴﺤﺎﻭﻝﻭﻥ ﺴﻜﺏ ﻋﺼﻴﺭ ﺍﻝﺘﻔﺎﺡ ﻓﻲ ﺃﻓﻭﺍﻩ ﺍﻝﻔﺘﻴﺎﺕ ﺍﻝﻭﺍﻗﻔﺎﺕ ﻓﻲ ﺍﻷﺴﻔل‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﺃﻴﻀﹰﺎ ﺭﻜﻭﺏ ﺍﻝﻘﺵ ﻓﻲ ﻁﺭﻕ ﺍﻝﻠﻴل ﺍﻝﻬﺎﺩﺉ ﺨﻼل ﺍﻝﺤﻘﻭل ﺍﻝﻤﻐﻁﺎﺓ ﺒﺎﻝﺜﻠﺞ‪ .‬ﺒﺎﻝﻁﺒﻊ ﻜـﺎﻥ ﻋﻠـﻰ‬
‫ﺃﺤﺩﻫﻡ ﺃﻥ ﻴﻘﻭﺩ ﺍﻝﺠﺭﺍﺭ‪ ،‬ﻝﻜﻥ ﻜﺎﻥ ﺍﻝﻤﺤﻅﻭﻅﻭﻥ ﺃﻭﻝﺌﻙ ﺍﻝﺠﺎﻝﺴﻴﻥ ﻓﻲ ﺍﻝﻌﺭﺒﺔ ﻓﻲ ﺍﻝﺨﻠﻑ ﻭﻫـﻡ ﻴﻠﻘـﻭﻥ ﺍﻝﻨﻜـﺎﺕ‬
‫ﻭﻴﺘﻌﺎﻨﻘﻭﻥ ﺃﻭ ﻓﻘﻁ ﻴﺘﺄﻤﻠﻭﻥ ﺍﻝﻘﻤﺭ ﻭﻫﻡ ﻴﺴﺘﻤﺘﻌﻭﻥ ﻜﻭﻨﻬﻡ ﻓﻲ ﺍﻝﺨﺎﺭﺝ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺃﻋﻴﻥ ﺍﻝﻜﺒﺎﺭ ﻝﻌﺩﺓ ﺴﺎﻋﺎﺕ‪.‬‬
‫ﻻ ﻤﺜل ﺠﺩﻩ‪ .‬ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻜل ﺍﻨﻬﻤﺎﻜﻪ ﺒﺎﻝﺭﻴﺎﻀـﺔ ﻭﺍﻝﺘﻤﺜﻴـل‬ ‫ﺍﻋﺘﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﻜﻭﻥ ﻤﺸﻐﻭ ﹰ‬
‫ﻭﺘﺴﻠﻴﺔ ﻨﻔﺴﻪ‪ ،‬ﻓﻘﺩ ﺍﺴﺘﻁﺎﻉ ﺃﻥ ﻴﺤﺎﻓﻅ ﻋﻠﻰ ﺒﻌﺽ ﺍﻝﻁﺎﻗﺔ ﺍﻝﻤﺘﺒﻘﻴﺔ ﻤﻥ ﺃﺠل ﺍﻝﻤﻨﺎﻅﺭﺓ‪ .‬ﻜﺎﻨﺕ ﺯﻤﻴﻠﺘﻪ ﻓـﻲ ﻨـﺎﺩﻱ‬
‫ﺍﻝﻤﻨﺎﻅﺭﺓ ﻓﺘﺎﺓ ﺠﻤﻴﻠﺔ ﺫﺍﺕ ﺸﻌﺭ ﻏﺎﻤﻕ ﺘﺩﻋﻰ "ﺒﺎﺭﺒﺭﺍ ﻝﻴﺘﺵ ‪ ."Barbara Leach‬ﻴﺫﻜﺭ ﻜﺘﺎﺏ ﺍﻝﺼﻑ ﺍﻝﺴـﻨﻭﻱ‪“ :‬‬
‫"ﺒﺎﺭﺏ ‪ "Barb‬ﻝﺩﻴﻬﺎ ﻋﻴﻨﺎﻥ ﺘﻠﻤﻌﺎﻥ ﺩﺍﺌﻤﺎﹰ‪ ،‬ﻭﻜﺎﻨﺕ ﺠﻴﺩﺓ ﻓﻲ ﺩﺭﺍﺴﺘﻬﺎ”‪.‬‬
‫ﺩﺍﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﺎﺭﺒﺭﺍ ‪ "Barbara‬ﻋﻥ ﺍﻝﻨﻅﺭﺓ ﺍﻝﺴﻠﺒﻴﺔ‪ “ :‬ﺤﻭل ﻗﻀﻴﺔ ﺃﻥ ﺍﻷﻤﻡ ﺍﻝﻤﺘﺤﺩﺓ ﻴﺠﺏ ﺃﻥ‬
‫ﺘﻌﺩل ﺇﻝﻰ ﺤﻜﻭﻤﺔ ﻋﺎﻝﻤﻴﺔ ﻓﻴﺩﺭﺍﻝﻴﺔ”‪ .‬ﻜﺎﻨﺎ ﺠﻴﺩﻴﻥ ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻁﻠﺏ ﻤﻨﻬﻤﺎ ﻤﻨﺎﻅﺭﺓ ﻤﺩﺭﺴﺔ ﻤﺎﺭﻴﻭﻥ ﺍﻝﺜﺎﻨﻭﻴـﺔ ﻓـﻲ‬
‫ﺇﺤﺩﻯ ﻤﺤﻁﺎﺕ ﺇﺫﺍﻋﺔ ﻤﺤﻠﻴﺔ‪ .‬ﻓﻲ ﻴﻭﻡ ﺍﻝﺴﺒﺕ ﻭﻗﺒل ﺍﻝﺒﺙ ﺫﻫﺒﺎ ﺇﻝﻰ ﻤﺎﺭﻴﻭﻥ ﻝﺠﻤﻊ ﺫﺨﻴﺭﺘﻬﻤﺎ ﻤﻥ ﺍﻝﻤﻜﺘﺒﺔ‪ .‬ﺒﻌـﺩ‬
‫ﻼ"‪.‬‬
‫ﺫﻝﻙ‪ ،‬ﺍﻗﺘﺭﺡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﻤﺸﻴﺎ ﺇﻝﻰ ﻤﻴﺩﺍﻥ ﺍﻝﻤﺤﻜﻤﺔ "ﺤﺘﻰ ﻴﻠﻬﻭ ﻗﻠﻴ ﹰ‬
‫ﻝﻜﻥ ﻭﻝﺩﻯ ﻭﺼﻭﻝﻬﻡ ﻝﻠﺴﺎﺤﺔ‪ ،‬ﻗﺎﺩ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺒﺎﺭﺒﺭﺍ ‪ "Barbara‬ﻤﺒﺎﺸﺭﺓ ﻨﺤـﻭ ﻤﺘﺠـﺭ "ﺭﻴﺴـﻨﻴﻙ‬
‫‪ "Resnick‬ﻝﻠﻤﺠﻭﻫﺭﺍﺕ ﺒﻭﺍﺠﻬﺘﻪ ﺍﻝﺯﺠﺎﺠﻴﺔ ﺍﻝﻜﺒﻴﺭﺓ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﺨﺎﺭﺝ ﺍﻝﻤﺩﺨل‪ .‬ﻓﺘﻌﺠﺒﺕ ﻤﻤﺎ ﻓﻌﻠﻪ‪.‬‬
‫ﻗﺎﺩﻫﺎ ﻨﺤﻭ ﺇﺤﺩﻯ ﺍﻝﻭﺍﺠﻬﺎﺕ ﻭﻁﻠﺏ ﻤﻨﻬﺎ ﺃﻥ ﺘﻨﺤﻨﻲ ﻭﺘﻨﻅﺭ ﻋﺒﺭ ﺍﻝﺯﺠﺎﺝ‪ .‬ﺜﻡ ﺫﻫﺏ ﺇﻝﻰ ﺍﻝﻨﺎﺤﻴﺔ ﺍﻷﺨـﺭﻯ‬
‫ﻭﺭﻓﻊ ﺇﺤﺩﻯ ﻴﺩﻴﻪ ﻭﺇﺤﺩﻯ ﺴﺎﻗﻴﻪ ﺒﺤﻴﺙ ﺒﺩﺍ ﻝﻬﺎ ﻭﻜﺄﻨﻪ ﻴﺭﻓﻊ ﻜﻠﺘﺎ ﻴﺩﻴﻪ ﻭﺴﺎﻗﻴﻪ ﻓﻲ ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ‪ .‬ﻓﺄﺨﺫﺕ ﺘﻀـﺤﻙ‬
‫ﺒﺼﻭﺕ ﻋﺎل ﻭﻫﻲ ﻤﺩﻫﻭﺸﺔ‪ .‬ﻭﻀﺤﻙ ﻜﺫﻝﻙ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻋﻨﺩﻤﺎ ﺴﺎﻝﺘﻪ ﺇﻥ ﻜﺎﻥ ﻫﻨﺎ ﺴﺎﺒﻘﹰﺎ ﻝﻠﺘـﺩﺭﺏ ﻋﻠـﻰ‬
‫"ﻫﺫﻩ ﺍﻝﺤﺭﻜﺔ ﺍﻝﺴﺨﻴﻔﺔ"‪ ،‬ﺍﺒﺘﺴﻡ ﻓﻘﻁ‪ .‬ﻭﺘﻭﻗﻔﺎ ﻓﻲ ﻁﺭﻴﻕ ﻋﻭﺩﺘﻬﻤﺎ ﻋﻨﺩ ﻤﺤل ﻓﻁﺎﺌﺭ "ﺍﻝﺩﻭﻨﺎﺕ" ﻭﺍﺸﺘﺭﻯ ﺒﻌﻀﹰﺎ ﻤﻨﻬﺎ‬
‫ﻭﺃﻜﻼﻫﺎ ﻜﻠﻬﺎ‪.‬‬
‫ﺫﻫﺒﺎ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻝﺴﻨﺔ ﺍﻝﺜﺎﻨﻴﺔ ﺇﻝﻰ ﻭﻝﻴﻤﺔ ﻝﻤﻨﺎﻅﺭﺓ ﺘﺎﺒﻌﺔ ﻝﻠﻤﻘﺎﻁﻌﺔ ﻓﻲ "ﺴـﻭﻴﺯﻱ ‪ "Swayzee‬ﺃﻭ "ﺴـﻭﻴﺘﺯﻴﺭ‬
‫‪) "Sweetzer‬ﻻ ﺘﺘﺫﻜﺭ "ﺒﺎﺭﺒﺭﺍ ‪ "Barbara‬ﺃﻴﻬﻤﺎ(‪ .‬ﺍﺭﺘﺩﺕ ﺤﻴﻨﻬﺎ ﺜﻭﺒﹰﺎ ﻤﺼﻨﻭﻋﹰﺎ ﻤﻥ ﻤﺎﺩﺓ ﺒﺩﺕ ﻭﻜﺄﻨﻬﺎ ﻨﻭﻉ ﻤـﻥ‬
‫ﺍﻝﺨﻴﺵ‪ ،‬ﻓﺄﻏﺎﻅﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻁﻭﺍل ﺍﻷﻤﺴﻴﺔ ﺒـ "ﻜﻴﺱ ﺍﻝﺒﻁﺎﻁﺎ"‪.‬‬
‫ﻜﺎﻨﺕ "ﻻ ﺘﺴﺘﻁﻴﻊ ﺃﺨﺫﻫﺎ ﻤﻌﻙ ‪ "You Can't Take It with You‬ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻷﺨﻴـﺭﺓ ﻝـﻪ ﻓـﻲ ﻤﺩﺭﺴـﺔ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ ‪ ،‬ﺤﻴﺙ ﺃﻋﻁﺘﻪ "ﺁﺩﻴﻠـﻴﻥ ‪ "Adeline‬ﻓﻴﻬـﺎ ﺩﻭﺭ "ﺒـﻭﺭﻴﺱ ﻜﻭﻝﻴﻨﺨـﻭﻑ ‪"Boris Kolenkhov‬‬
‫"ﺍﻝﺭﻭﺴﻲ ﺍﻝﻤﺠﻨﻭﻥ"‪ .‬ﺃﺭﺍﺩﺕ ﻝﻪ ﺩﻭﺭ ﺍﻝﺠﺩ "ﻓﺎﻨﺩﻴﺭﻫﻭﻑ ‪ "Vanderhof‬ﺃﺤﺩ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺭﺌﻴﺴﻴﺔ‪ ،‬ﻝﻜﻨﻬﺎ ﻜﺎﻨﺕ ﻤﺠﺒـﺭﺓ‬
‫ﻋﻠﻰ ﺍﻝﺘﻀﺤﻴﺔ ﺒﻨﺠﻤﻬﺎ ﻓﻲ ﺩﻭﺭ ﺜﺎﻨﻭﻱ ﺒﺴﺒﺏ ﻋﺩﻡ ﻭﺠﻭﺩ ﻤﻤﺜل ﺁﺨﺭ ﻴﻀﻔﻲ ﺍﻝﺤﻴـﺎﺓ ﻋﻠـﻰ ﺩﻭﺭ " ﻜﻭﻝﻴﻨﺨـﻭﻑ‬
‫‪ ."Kolenkhov‬ﺘﺘﺫﻜﺭ "ﺁﺩﻴﻠﻴﻥ ‪ “ :"Adeline‬ﺒﻐﺽ ﺍﻝﻨﻅﺭ‪ ،‬ﻓﻘﺩ ﻝﻌﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﻭﺭ ﺍﻝﻤﺤﺎﺭﺏ ﺍﻝﻘﺩﻴﻡ ﺒﻜـل‬
‫ﺤﻴﻭﻴﺔ ﻭﻨﺸﺎﻁ”‪.‬‬
‫ﻓﻲ ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ‪ ،‬ﺃﻋﻁﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻤﺜل ﺍﻝﺼﻑ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺯﻫﻭﺭﹰﺍ ﺃﺭﺠﻭﺍﻨﻴـﺔ‬
‫ﺘﻭﻀﻊ ﻋﻠﻰ ﺍﻝﺼﺩﺭ‪ .‬ﺴﺎﻋﺩﻫﺎ ﻋﻠﻰ ﻭﻀﻌﻬﺎ‪ ،‬ﺜﻡ ﻗﺒﻠﻬﺎ‪ ،‬ﻭﺼﻔﻕ ﺍﻝﺠﻤﻴﻊ ﻭﺒﻜﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺤﻴﺙ ﻝﻡ ﻴﻔﻌـل‬
‫ﺃﻱ ﺼﻑ ﺴﺎﺒﻕ ﻤﺜل ﻫﺫﻩ ﺍﻝﺒﺎﺩﺭﺓ ﻤﻥ ﻗﺒل‪ .‬ﺤﺘﻰ ﻫﺫﺍ ﺍﻝﺼﻑ ﻝﻡ ﻴﻌﺭﻑ ﺃﻥ ﻫﺫﻩ ﻫﻲ ﺍﻝﻭﺭﻭﺩ ﺍﻷﻭﻝﻰ ﻝﻬﺎ‪ .‬ﻋﻨـﺩﻤﺎ‬
‫ﺴﺎﺭﺕ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺒﺸﻜل ﻤﻤﺘﺎﺯ‪ ،‬ﺒﺩﺕ ﺍﻷﻤﺴﻴﺔ ﻭﻜﺄﻨﻬﺎ ﻏﻴﺭ ﺤﻘﻴﻘﻴﺔ ﻤﻥ ﺤﺴﻨﻬﺎ‪.‬‬
‫ﻭﻀﻌﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻫﺫﻩ ﺍﻝﻭﺭﻭﺩ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺒﻤﺜﺎﺒﺔ ﺘﺫﻜﺎﺭ ﻗﺎﺒل ﻝﻠﺘﻠﻑ ﻻﻨﺘﺼﺎﺭ ﻴﻭﻡ‬
‫ﺃﻤﺱ ﻓﻲ ﻜﺄﺱ ﻤﺎﺀ ﻋﻠﻰ ﻤﻜﺘﺒﻬﺎ‪ .‬ﺃﺘﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺒل ﺍﻝﻅﻬﻴﺭﺓ ﺒﻘﻠﻴل ﻭﻁﻠﺏ ﺍﺴﺘﻌﺎﺭﺘﻬﺎ‪ .‬ﺘﻌﺠﺒﺕ ﻤﻥ ﺍﻝﺴﺒﺏ‬
‫ﺇﻻ ﺃﻨﻪ ﻝﻡ ﻴﻘل‪ .‬ﺒﻌﺩ ﺍﻨﺘﺯﺍﻉ ﹶﻗﺴ‪‬ﻡ ﻤﻘﺩﺱ ﻤﻨﻪ ﺒﺈﻋﺎﺩﺓ ﺍﻝﻭﺭﻭﺩ ﺴﺎﻝﻤﺔ ﺴﻤﺤﺕ ﻝﻪ ﺒﺄﺨﺫﻫﺎ‪.‬‬
 ‫ﻋﺎﺩ ﺒﻌﺩ ﺴﺎﻋﺔ ﻭﺍﻝﻭﺭﻭﺩ ﻓﻲ ﻴﺩ ﻭﺼﻔﺤﺔ ﻤﻠﻔﻭﻓﺔ ﻓﻲ ﺍﻝﻴﺩ ﺍﻷﺨﺭﻯ‪ .‬ﻓﺭﺩ ﺍﻝﻭﺭﻗﺔ ﺃﻤﺎﻤﻬﺎ‪ ،‬ﻓﻠﻡ ﺘﺼﺩﻕ ﻤﺎ ﺭﺃﺘﻪ‬
‫ﻋﻴﻨﺎﻫﺎ‪ .‬ﻜﺎﻨﺕ ﺼﻭﺭﺓ ﺭﻗﻴﻘﺔ ﻤﺭﺴﻭﻤﺔ ﺒﺄﻗﻼﻡ ﻤﻠﻭﻨﺔ ﻝﻠﻭﺭﻭﺩ ﺒﻀﻌﻑ ﺤﺠﻤﻬﺎ ﺍﻝﻁﺒﻴﻌﻲ‪ ،‬ﻭﻗﺩ ﻜﺘﺏ ﻓـﻲ ﺍﻷﺴـﻔل‬
‫‪“:‬ﻤﻔﺨﺭﺘﻬﺎ ‪ .”Her Pride‬ﻋﺭﻑ ﺃﻥ ﺍﻝﻭﺭﺩﺓ ﺍﻝﺤﻘﻴﻘﻴﺔ ﺴﻭﻑ ﺘﺫﺒل ﻝﺫﻝﻙ ﻗﺎﻡ ﺒﻌﻤل ﻭﺍﺤﺩﺓ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﺤـﺘﻔﻅ ﺒﻬـﺎ‬
‫ﻝﻸﺒﺩ‪ .‬ﻭﻤﺭﺓ ﺃﺨﺭﻯ ﺃﺤﺴﺕ ﺒﺎﻝﺩﻤﻭﻉ ﻓﻲ ﻋﻴﻨﻴﻬﺎ‪.‬‬
‫ﺫﻫﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻝﻠﻌﺭﺽ ﺍﻝﺜﺎﻨﻲ ﻭﺍﻷﺨﻴﺭ ﻤﻊ ﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭ"ﺁﺩﻴﻠﻴﻥ‬
‫‪ "Adeline‬ﺒﺎﻝﺴﻴﺎﺭﺓ ﺇﻝﻰ "ﺒﻴﺭﻭ ‪ "Preu‬ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ )ﺒﻠﺩﺓ "ﻜﻭل ﺒﻭﺭﺘﺭ ‪ ،("Cole Porter‬ﺤﻴﺙ ﻨﺎﻓﺱ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻓﻲ ﺍﺠﺘﻤﺎﻉ ﺍﻝﻤﺘﺤﺩﺜﻴﻥ ﻋﻠﻰ ﻨﻁﺎﻕ ﺍﻝﻭﻻﻴﺔ ﻭﺍﻝﺫﻱ ﺭﻋﺘﻪ " ﻋﺼﺒﺔ ﺍﻝﻘﻀﺎﺀ ﺍﻝﻭﻁﻨﻴﺔ ‪National‬‬
‫‪."Forensic League‬‬
‫ﻭﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺜﺎﻨﻲ ﻤﻥ ﺍﻝﻤﻨﺎﻓﺴﺔ‪ ،‬ﻗﺩﻤﺕ ﻗﺭﺍﺀﺘﻪ ﺍﻝﻤﺘﻘﺩﺓ ﺍﻝﺠﺎﺌﺯﺓ ﻝﻪ‪ .‬ﺤﻴﺙ ﺍﻨﻔﺠﺭ ﺨﻼل ﺍﻝﺴـﺘﺎﺭﺓ ﺒﺼـﺭﺨﺔ‬
‫ﻤﺭﻭﻋﺔ‪ ،‬ﻭﻫﻭ ﻴﻤﺜل ﺃﻋﺭﺍﺽ ﺍﻝﻬﻠﻭﺴﺔ ﻤﻤﺎ ﺠﻌﻠﻪ ﻴﺼل ﺫﺭﻭﺓ ﻋﻤﻠﻪ ﻤﺅﺩﻴﹰﺎ "ﺍﻝﻤﺠﻨﻭﻥ ‪ "The Madman‬ﻝـ "ﺩﻴﻜﻨﺯ‬
‫‪ "Dickens‬ﻭﻫﻭ ﻴﻨﻬﺎﺭ ﻋﻠﻰ ﺍﻝﺨﺸﺒﺔ‪ .‬ﺘﺄﺜﺭ ﺍﻝﺤﻜﺎﻡ ﺒﺸﻜل ﻜﺒﻴﺭ ﺒﺄﺩﺍﺌﻪ ﻝﺩﺭﺠﺔ ﻗﺭﻴﺒﺔ ﻤﻥ ﺍﻝﺨﻭﻑ‪ .‬ﻭﻋﻠـﻕ ﺃﺤـﺩﻫﻡ‬
‫ﻻﺤﻘﹰﺎ ﻋﻠﻰ ﺍﻝﺘﺄﻝﻕ ﺍﻝﻐﺭﻴﺏ ﺍﻝﻤﻭﺠﻭﺩ ﻓﻲ ﻋﻴﻨﻲ ﺍﻝﻤﺘﺒﺎﺭﻱ‪.‬‬
‫ﻜﺫﻝﻙ ﺘﺄﺜﺭﺕ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﺫﻜﺭﺕ ﺼﺤﻴﻔﺔ "ﻨﻴﻭﺯ ‪ "News‬ﻓﻲ ﻋﺩﺩﻫﺎ ﺍﻝﺼﺎﺩﺭ ﻴﻭﻡ ﺍﻝﺨﻤﻴﺱ ‪ 14‬ﻨﻴﺴﺎﻥ‪/‬ﺍﺒﺭﻴل‬
‫‪ 1949‬ﺒﺎﻝﺨﻁ ﺍﻝﻌﺭﻴﺽ‪ “ :‬ﻁﺎﻝﺏ ﻤﻥ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻴﻔﻭﺯ ﺒﺎﺠﺘﻤﺎﻋﺎﺕ ﺍﻝﻭﻻﻴﺔ ”‪ .‬ﻭﺘﺤـﺕ ﻋﻨـﻭﺍﻥ‬
‫ﺼﻐﻴﺭ‪" “ :‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻴﻔﻭﺯ ﺒﺎﻝﻤﺭﺘﺒﺔ ﺍﻷﻭﻝﻰ ﺒﺎﻹﻝﻘﺎﺀ ﺍﻝﺩﺭﺍﻤﻲ”‪ .‬ﻭﻜـﺎﻥ ﺍﻝﻔـﺎﺌﺯ ﺍﻵﺨـﺭ ﻤـﻥ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ ﻫﻭ "ﺩﻴﻔﻴﺩ ‪ "David‬ﺍﺒﻥ "ﺁﺩﻴﻠﻴﻥ ‪ ."Adeline‬ﻜﺎﻨﺕ ﺠﻴﺩﺓ ﻜﻭﺍﻝﺩﺓ ﻭﻜﻤﺩﺭﺒﺔ ﻝﻠﺩﺭﺍﻤﺎ‪.‬‬
‫ﻼ ﻝﺩﺨﻭل ﻤﺴﺎﺒﻘﺔ ﺍﻹﻝﻘﺎﺀ ﺍﻝﻭﻁﻨﻴﺔ ﻝـ "ﺩﻭﺭﻱ ﻜﺭﺓ ﺍﻝﻘﺩﻡ ‪ "NFL‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻤﻥ ‪-29‬‬ ‫ﺠﻌﻠﻪ ﻫﺫﺍ ﺍﻝﻔﻭﺯ ﻤﺅﻫ ﹰ‬
‫‪ 30‬ﻨﻴﺴﺎﻥ‪/‬ﺍﺒﺭﻴل ﻓﻲ "ﻝﻭﻨﻎ ﻤﻭﻨﺕ ‪ "Longmont‬ﻓﻲ ﻭﻻﻴﺔ ﻜﻭﻝﻭﺭﺍﺩﻭ‪ .‬ﺸﻌﺭ ﺍﻝﺠﻤﻴـﻊ ﺒـﺎﻝﻔﺨﺭ ﺒـﺎﻥ ﻤﺩﺭﺴـﺔ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻤﻤﺜﻠﺔ ﺒﻪ ﺴﻭﻑ ﺘﻤﺜل ﺍﻝﻭﻻﻴﺔ ﻓﻲ ﻤﺴﺎﺒﻘﺔ ﻜل ﺃﻤﺭﻴﻜﺎ‪ .‬ﻭﺒﺴﺭﻋﺔ ﺘﻡ ﺠﻤﻊ ﺘﻜـﺎﻝﻴﻑ ﺍﻝﺭﺤﻠـﺔ‪.‬‬
‫ﻭﺘﺒﺭﻉ ﺍﻝﻤﺼﺭﻓﻲ ﻭﺍﻝﻁﺒﻴﺏ ﻭﺍﻝﺼﻴﺩﻻﻨﻲ ﻭﺒﺎﺌﻊ ﺍﻝﺯﻫﻭﺭ ﻭﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺭﺠﺎل ﺍﻷﻋﻤﺎل ﻭﺤﺘﻰ ﺍﻝﻨﺎﺱ ﺍﻝﻌﺎﺩﻴﻭﻥ ﺒﻤﺎ‬
‫ﻴﻌﺎﺩل ‪ 105‬ﺩﻭﻻﺭ ﻹﺭﺴﺎل "ﺠﻴﻡ ‪ " Jim‬ﻭ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺇﻝﻰ ﻝﻭﻨﻎ ﻤﻭﻨﺕ‪.‬‬
‫ﻓﻲ ﻴﻭﻡ ﺍﻝﺨﻤﻴﺱ ‪ 28‬ﻨﻴﺴﺎﻥ‪/‬ﺍﺒﺭﻴل ﻋﺎﻡ ‪ 1949‬ﻭﻗﺒل ﻴﻭﻡ ﻤﻥ ﺍﻝﻤﺴﺎﺒﻘﺔ‪ ،‬ﻨﺸﺭﺕ "ﻨﻴﻭﺯ ‪ "News‬ﻓﻴﺭﻤﺎﻭﻨﺕ‬
‫ﻋﻠــــﻰ ﺍﻝﺼــــﻔﺤﺔ ﺍﻷﻭﻝــــﻰ ﻭﻋﻠــــﻰ ﺜﻼﺜــــﺔ ﺃﻋﻤــــﺩﺓ ﺘﺤــــﺕ ﻋﻨــــﻭﺍﻥ‪:‬‬
‫“ﺤﻅﹰﺎ ﺴﻌﻴﺩﹰﺍ ﻴﺎ ﺠﻴﻡ ﻓﻲ ﻝﻭﻨﻎ ﻤﻭﻨﺕ!”‪ .‬ﻭﺤﺼل ﺍﻝﻘﺭﺍﺀ ﻋﻠﻰ ﻜل ﺍﻝﺘﻔﺎﺼﻴل ﺍﻝﻤﻤﺘﻌﺔ‪ “ .‬ﺒﺩﺀ "ﺠﻴﻡ ‪ " Jim‬ﻭﺍﻝﺴﻴﺩﺓ‬
‫"ﺒﺭﻭﻜﺸﺎﻴﺭ ‪) "Brookshire‬ﺘﺯﻭﺠﺕ ﻤﺭﺓ ﺜﺎﻨﻴﺔ( ﺠﻭﻝﺘﻬﻤﺎ ﻭﻴﻭﻡ ﺍﻷﺭﺒﻌﺎﺀ ﺍﻝﺴﺎﻋﺔ ‪ 11:03‬ﺼﺒﺎﺤﹰﺎ )ﺤﺴﺏ ﺘﻭﻗﻴـﺕ‬
‫ﻭﺴﻁ ﺃﻤﺭﻴﻜﺎ( ﻭﻭﺼﻼ ﺸﻴﻜﺎﻏﻭ ﺍﻝﺴﺎﻋﺔ ‪ 2:30‬ﻤﺴﺎ ‪‬ﺀ‪ .‬ﺍﺴﺘﻘﻼ ﺍﻝﻘﻁﺎﺭ "ﺒﻴﺭﻝﻴﻨﻐﺘﻭﻥ ﺯﻴﻔﺭ ‪ "Burlington Zephyr‬ﻓـﻲ‬
‫ﻻ‬‫ﺍﻝﺴﺎﻋﺔ ‪ 5:30‬ﻤﺴﺎﺀ ﻤﻥ ﺸﻴﻜﺎﻏﻭ ﻭﻭﺼﻼ ﺩﻴﻨﻔﺭ‪-‬ﻜﻭﻝﻭﺭﺍﺩﻭ ﺍﻝﺴﺎﻋﺔ ‪ 8:30‬ﺼﺒﺎﺡ ﻴﻭﻡ ﺍﻝﺨﻤﻴﺱ‪ .‬ﺜﻡ ﺍﺘﺠﻬﺎ ﺸﻤﺎ ﹰ‬
‫ﻤﻥ ﺩﻴﻨﻔﺭ ﻝﺘﻨﺘﻬﻲ ﺍﻝﺭﺤﻠﺔ ﻓﻲ ﻤﺩﻴﻨﺔ ﻝﻭﻨﻎ ﻤﻭﻨﺕ ﺍﻝﺴﺎﻋﺔ ‪ 10:00‬ﺼﺒﺎﺤﹰﺎ ”‪.‬‬
‫ﺍﻗﺘﺭﺤﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻓﻲ ﺒﺩﺍﻴﺔ ﺘﻭﻗﻑ ﺍﻝﺭﺤﻠﺔ ﺍﻝﺘﻲ ﺴﺘﻤﺘﺩ ﺇﻝﻰ ﺜﻼﺙ ﺴﺎﻋﺎﺕ ﻓـﻲ ﺸـﻴﻜﺎﻏﻭ ﺍﻝﻘﻴـﺎﻡ‬
‫ﺒﻨﺯﻫﺔ ﻋﻠﻰ ﺍﻷﻗﺩﺍﻡ ﻓﻲ ﺍﻝﻤﺩﻴﻨﺔ‪ .‬ﺃﺭﺍﺩﺕ ﺃﻥ ﺘﺸﺎﻫﺩ ﺍﻝﺠﻭﺍﺭ ﺍﻝﺫﻱ ﻋﺎﺸﺕ ﻭﻋﻤﻠﺕ ﻓﻴﻪ ﻝﻌﺩﺓ ﺴﻨﻭﺍﺕ ﻤﻥ ﻗﺒل‪ .‬ﻝﻡ ﻴﺭﺩ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻐﺎﺩﺭﺓ ﺍﻝﻤﺤﻁﺔ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﺨﺎﺌﻔﹰﺎ ﺃﻥ ﻴﻐﺎﺩﺭ ﺍﻝﻘﻁﺎﺭ ﺒﺩﻭﻨﻬﺎ‪ .‬ﺃﻗﻨﻌﺘﻪ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺒﺄﻥ ﻗﻁﺎﺭﹰﺍ ﻤﺸﻬﻭﺭﹰﺍ‬
‫ﻤﺜل "ﺒﻴﺭﻝﻴﻨﻐﺘﻭﻥ ﺯﻴﻔﺭ ‪ "Burlington Zephyr‬ﻝﻥ ﻴﻐﺎﺩﺭ ﻗﺒل ﺜﺎﻨﻴﺔ ﻤﻥ ﻤﻭﻋﺩﻩ ﺍﻝﻤﺤﺩﺩ ﻓﻲ ﺍﻝﺠـﺩﻭل ﺍﻝﺭﺴـﻤﻲ‪،‬‬
‫‪ 5:30‬ﻤﺴﺎﺀ‪.‬‬
‫ﻝﻴﺱ ﺒﺒﻌﻴﺩ ﻋﻥ ﺍﻝﻤﺤﻁﺔ ﻭﺠﺩﺍ ﻨﻔﺴﻴﻬﻤﺎ ﻓﻲ ﺸﺎﺭﻉ "ﻫﺎﻝﺴﺘﻴﺩ ‪ "Halsted‬ﻓﻲ ﺃﺯﻗﺔ ﺸﻴﻜﺎﻏﻭ‪ .‬ﻓﺠﺄﺓ ﻜﺎﻥ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻴﺸﺩ ﻜﻡ ﻤﻌﻁﻑ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺒﻘﻭﺓ‪ ،‬ﺤﻴﺙ ﻝﻡ ﻴﺸﺎﻫﺩ ﺍﻝﻤﺘﺴﻜﻌﻴﻥ ﺴﺎﺒﻘﹰﺎ‪ .‬ﻝﻘﺩ ﺃﺨﺎﻓﻪ ﻤﻨﻅـﺭ ﺍﻝﺭﺠـﺎل‬
‫ﺍﻝﻤﺸﺭﺩﻴﻥ ﻭﻭﺠﻭﻫﻬﻡ ﺍﻝﺤﻤﺭﺍﺀ ﺍﻝﻤﺭﺒﻜﺔ‪ .‬ﻭﻝﻡ ﺘﺴﺘﻁﻊ "ﺁﺩﻴﻠﻴﻥ ‪"Adeline‬ﺤﻤﻠﻪ ﻋﻠﻰ ﺍﻝﻤﻀﻲ ﻗﺩﻤﺎﹰ‪ ،‬ﻭﻗﺎﺩﺘﻪ ﻋﺎﺌﺩﺓ ﺇﻝﻰ‬
 ‫ﺍﻝﻤﺤﻁﺔ‪ .‬ﻓﻜﺭﺕ ﺒﺎﻝﺫﻫﺎﺏ ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻭﺤﺩﻫﺎ ﻝﻜﻥ ﻓﻜﺭﺓ ﺘﺭﻜﻪ ﻭﺤﺩﻩ ﻝﻡ ﺘﻜﻥ ﺠﻴﺩﺓ ﻷﻨﻪ ﺍﺴﺘﻤﺭ ﺒﺎﻝﺘﺤﺩﺙ ﻋﻥ ﻫﺅﻻﺀ‬
‫ﺍﻝﺭﺠﺎل ﺍﻝﻔﻘﺭﺍﺀ‪ .‬ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﻭﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺍﻝﻘﻁﺎﺭ ﻴﺸﻕ ﻁﺭﻴﻘﻪ ﺨﻼل ﺍﻝﻅﻼﻡ‪ ،‬ﺘﻘﻠﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺜﻴﺭﹰﺍ ﻓـﻲ‬
‫ﻤﻘﻌﺩﻩ‪ .‬ﺸﺎﻫﺩ ﻭﺠﻭﻫﹰﺎ ﺸﺎﺤﺒﺔ ﻭﺃﻋﻴﻨﹰﺎ ﻤﺤﺘﻘﻨﺔ ﺒﺎﻝﺩﻤﺎﺀ‪ ،‬ﻜﻠﻤﺎ ﺃﻏﻤﺽ ﻋﻴﻨﻴﻪ‪ .‬ﻨﻬﺽ ﻭﺃﺨﺫ ﻴﺴﻴﺭ ﺒﺎﻝﻤﻤﺸـﻰ ﺤﺘـﻰ‬
‫ﺍﻝﺼﺒﺎﺡ‪.‬‬
‫ﺍﺴﺘﻁﺎﻉ ﻤﺼﻭﺭ ﺍﻝﻤﺴﺎﺒﻘﺔ ﺃﻥ ﻴﺄﺨﺫ ﺼﻭﺭﺓ ﻝﻬﻤﺎ ﻭﻫﻤﺎ ﻴﺴﺠﻼﻥ ﻨﻔﺴﻴﻬﻤﺎ‪ .‬ﺍﺴـﺘﻁﺎﻋﺕ "ﺁﺩﻴﻠـﻴﻥ ‪"Adeline‬‬
‫ﺒﺒﺯﺘﻬﺎ ﺍﻝﺠﻤﻴﻠﺔ ﻤﻊ ﻗﺒﻌﺘﻬﺎ ﺍﻷﻨﺜﻭﻴﺔ ﻭﺒﻌﺩ ﺍﻝﺴﺎﻋﺎﺕ ﺍﻝﻁﻭﻴﻠﺔ ﻤﻥ ﺍﻝﺠﻠﻭﺱ ﻓﻲ ﺍﻝﻘﻁﺎﺭ ﺃﻥ ﺘﺒﺘﺴﻡ ﻝﺒﻘﻴﺔ ﺍﻷﻓﺭﺍﺩ ﺍﻝﺫﻴﻥ‬
‫ﻜﺎﻨﻭﺍ ﻴﺴﺠﻠﻭﻥ ﺃﺴﻤﺎﺀﻫﻡ‪ .‬ﻝﻜﻥ ﻭﺠﻪ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻋﺎﺒﺴﹰﺎ ﻭﻋﻴﻨﺎﻩ ﻏﺎﺌﺭﺘﻴﻥ‪ .‬ﻭﺃﺨﺫ ﻴﺤﺩﻕ ﺒﻜﺂﺒﺔ ﺒﺎﻝﻨﻤـﺎﺫﺝ‬
‫ﺍﻝﺘﻲ ﻴﺠﺏ ﻋﻠﻴﻪ ﺘﻌﺒﺌﺘﻬﺎ‪.‬‬
‫ﻤﺭﺕ ﺍﻷﻴﺎﻡ ﺍﻷﻭﻝﻰ ﻤﻥ ﺍﻝﺠﻭﻻﺕ ﺒﺸﻜل ﺠﻴﺩ‪ ،‬ﻝﻜﻥ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻜﺎﻨﺕ ﻗﻠﻘﺔ‪ .‬ﻭﺤﺴﺏ ﻤﺭﺍﻗﺒﺘﻬـﺎ ﻓﻘـﺩ‬
‫ﻜﺎﻨﺕ ﻗﺭﺍﺀﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻤﻘﻁﻌﻪ ﺃﻁﻭل ﺒﺩﻗﻴﻘﺘﻴﻥ ﻤﻥ ﺍﻝﻌﺸﺭ ﺩﻗﺎﺌﻕ ﺍﻝﻤﺴﻤﻭﺤﺔ ﻝﻪ‪ .‬ﺍﻜﺘﺸﻔﺕ ﺒﻌـﺩ ﻗﺭﺍﺀﺘﻬـﺎ‬
‫ﻝﻼﺌﺤﺔ ﺃﺴﻤﺎﺀ ﺍﻝﺤﻜﺎﻡ ﺃﻥ ﻭﺍﺤﺩﺓ ﻤﻨﻬﻡ ﻜﺎﻨﺕ ﺯﻤﻴﻠﺔ ﺴﺎﺒﻘﺔ ﻝﻬﺎ‪.‬‬
‫ﺫﻫﺒﺕ ﺨﻼل ﺍﻻﺴﺘﺭﺍﺤﺔ ﺇﻝﻴﻬﺎ ﻭﺴﺄﻝﺘﻬﺎ ﺇﻥ ﻜﺎﻥ ﺍﻝﻭﻗﺕ ﺍﻝﻤﺤﺩﺩ ﻴﺅﺜﺭ ﺒﺸﻜل ﻜﺒﻴﺭ ﻋﻠـﻰ ﻁﺭﻴﻘـﺔ ﺇﻋﻁـﺎﺀ‬
‫ﺍﻝﻌﻼﻤﺎﺕ‪ .‬ﻓﺄﺠﺎﺒﺕ ﺍﻝﺤﻜﻡ ﻭﻫﻲ ﺘﺤﺎﻭل ﻗﺭﺍﺀﺓ ﻤﺎ ﻜﺎﻥ ﺒﺎﻝﻔﻌل ﺒﺫﻫﻥ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺒﺄﻨﻬﺎ ﻗﺩ ﺃﻋﺠﺒـﺕ ﺒﻌﻤـل‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻝﻜﻥ ﻗﺭﺍﺀﺘﻪ ﺍﻷﻭﻝﻰ ﻜﺎﻨﺕ ﺒﺎﻝﻔﻌل ﻁﻭﻴﻠﺔ ﺠﺩﹰﺍ‪ .‬ﻭﺇﻥ ﻜﺎﻨﺕ ﺒﻘﻴﺔ ﺍﻝﻌﻭﺍﻤل ﺍﻝﻤﺅﺜﺭﺓ ﻤﺘﺴﺎﻭﻴﺔ ‪ ،‬ﻓﺈﻥ‬
‫ﺯﻴﺎﺩﺓ ﺍﻝﻭﻗﺕ ﻴﻤﻜﻥ ﺃﻥ ﺘﺤﺩﺙ ﺍﻝﻔﺭﻕ ﺒﻴﻥ ﺍﻝﺭﺒﺢ ﻭﺍﻝﺨﺴﺎﺭﺓ‪ ،‬ﻝﺩﺭﺠﺔ ﺃﻨﻬﺎ ﻴﻤﻜﻥ ﺃﻥ ﺘﺴﺤﺏ ﻤﺘﺴـﺎﺒﻘﹰﺎ ﻤـﻥ ﺍﻷﺩﻭﺍﺭ‬
‫ﺍﻝﻨﻬﺎﺌﻴﺔ‪.‬‬
‫ﻋﺎﺩﺕ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺇﻝﻰ ﺍﻝﻤﺩﺭﺝ ﻭﺴﺤﺒﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺃﺫﻨﻪ‪ ،‬ﻭﻗﺎﻝﺕ ﻝﻪ ﻤـﺎ ﺴـﻤﻌﺘﻪ‪ .‬ﺃﺭﺘـﻪ‬
‫ﺒﻌﺽ ﺍﻝﻤﻘﺎﻁﻊ ﺍﻝﺘﻲ ﺠﻬﺯﺘﻬﺎ ﻝﻤﺜل ﻫﺫﻩ ﺍﻝﺤﺎﻝﺔ ﺍﻝﻁﺎﺭﺌﺔ ﻭﺍﻝﻔﻘﺭﺍﺕ ﺍﻝﻤﺸﻁﻭﺒﺔ ﺍﻝﺘﻲ ﻨﺎﻗﺸﺘﻬﺎ ﻤﻊ ﻤﻬﺎﺭﺍﺘﻬﺎ ﺍﻝﺨﺎﺼـﺔ‬
‫ﺍﻝﻤﻌﻘﻭﻝﺔ ﺒﺎﻝﻤﻨﺎﻅﺭﺍﺕ ﻭﺒﺄﻨﻬﺎ ﻝﻴﺱ ﻓﻘﻁ ﻝﻥ ﺘﻌﻁل ﺤﺱ ﺍﻝﻘﺭﺍﺀﺓ ﻝﻜﻥ ﺴﺘﺯﻴﺩ ﺘﺄﺜﻴﺭﻫﺎ ﻓﻌﻠﻴﹰﺎ‪“ .‬ﻗﺼﻴﺭﺓ ﻭﺤﻠﻭﺓ ﻴﺎ ﺠﻴﻡ‪،‬‬
‫ﻼ‪ .‬ﻝﻡ ﻴﺭﺩ ﻝﺩﻭﺭﻩ ﺃﻥ ﻴﺠﺘـﺯﺃ ﻭﻻ ﺤﺘـﻰ‬ ‫ﻫﺫﻩ ﻫﻲ ﺍﻝﻁﺭﻴﻘﺔ ﻝﻠﺭﺒﺢ”‪ .‬ﻝﻜﻨﻪ ﻝﻡ ﻴﻜﻥ ﻝﻴﺴﺘﻤﻊ ﻝﻬﺎ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺒﺎﻝﻔﻌل ﻤﻤﺜ ﹰ‬
‫ﺒﻌﺒﺎﺭﺓ ﻭﺍﺤﺩﺓ ﻭﻻ ﺤﺘﻰ ﺒﻜﻠﻤﺔ ﻭﺍﺤﺩﺓ‪.‬‬
‫ﺘﻡ ﻓﻲ ﺫﻝﻙ ﺍﻝﻤﺴﺎﺀ ﻭﺒﻌﺩ ﺭﺤﻠﺔ ﺒﺎﻝﺤﺎﻓﻠﺔ ﺇﻝﻰ ﻤﻨﻁﻘﺔ "ﺭﻭﻝﻴﺯ ‪ "Rolies‬ﺍﻝﻤﺠﺎﻭﺭﺓ ﺍﻝﺩﻋﻭﺓ ﺇﻝﻰ ﻝﺤﻡ ﺍﻝﺒﻘﺭ ﻤﻊ‬
‫ﺍﻝﻔﺎﺼﻭﻝﻴﺎﺀ ﻓﻲ ﻋﺭﺒﺔ ﻁﻌﺎﻡ ﻜﺒﻴﺭﺓ ﺘﺠﺭﻫﺎ ﺍﻝﺨﻴل ﺃﺜﻨﺎﺀ ﺍﻝﻨﺯﻫﺔ‪ .‬ﺃﺨﺫ ﻴﺠﻭل ﺤـﻭل "ﺁﺩﻴﻠـﻴﻥ ‪ "Adeline‬ﻤﻤﺴـﻜﹰﺎ‬
‫ﻼ ﻭﻴﻘﺎﺒل ﺒﻌﺽ ﺍﻝﺸﺒﺎﻥ ﺍﻵﺨـﺭﻴﻥ"‪.‬‬ ‫ﺒﺫﺭﺍﻋﻬﺎ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ .‬ﺍﻗﺘﺭﺤﺕ ﻋﻠﻴﻪ ﺒﻌﺩ ﺍﻝﻐﺩﺍﺀ ﺒﺄﻥ "ﻴﺫﻫﺏ ﻭﺤﺩﻩ ﻗﻠﻴ ﹰ‬
‫ﻭﺒﺴﺭﻋﺔ ﺍﺨﺘﻔﻰ ﺒﻴﻥ ﺍﻝﺤﺸﻭﺩ‪ .‬ﻭﻝﻡ ﺘﺭﻩ ﺤﺘﻰ ﻅﻬﺭ ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺜﺎﻨﻲ ﻓﻲ ﺍﻝﻨﻬﺎﺌﻴﺎﺕ‪ .‬ﻭﻝﻜﻥ ﻫل ﺍﻗﺘﻁﻊ ﻤـﻥ‬
‫ﺨﻁﺒﺘﻪ؟ ﻝﻡ ﺘﺭﻓﻊ ﻋﻴﻨﻴﻬﺎ ﻋﻥ ﺴﺎﻋﺘﻬﺎ‪ .‬ﻻ‪ ،‬ﻝﻴﺱ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻝﻘﺩ ﺘﺠﺎﻭﺯ ﺍﻝﻭﻗﺕ ﺒﺩﻗﻴﻘﺘﻴﻥ ﻭﺭﺒﻤﺎ ﺤﺘﻰ ﺒﻀﻊ ﺜـﻭﺍﻥ‬
‫ﺃﻁﻭل ﻤﻥ ﺍﻝﻴﻭﻡ ﺍﻝﺴﺎﺒﻕ‪ .‬ﻝﻜﻥ ﺃﺩﺍﺀﻩ ﻜﺎﻥ ﺃﻓﻀل ﻝﺩﺭﺠﺔ ﺃﻥ ﺍﻝﺤﻀﻭﺭ ﻗﺎﻁﻌﻭﻩ ﺒﺎﻝﺘﺼﻔﻴﻕ‪ .‬ﻭﺍﻨﺘﻅﺭﺕ ﺇﻋﻼﻥ ﺍﻝﻔﺎﺌﺯ‪.‬‬
‫ﻗﺭﺃ ﺍﻝﺤﻜﺎﻡ ﺍﻷﺴﻤﺎﺀ‪ ،‬ﺇﻻ ﺃﻥ ﺍﺴﻤﻪ ﻝﻡ ﻴﻜﻥ ﻤﻥ ﺒﻴﻨﻬﺎ‪ .‬ﺃﺘﻰ ﻤﺴﺭﻋﹰﺎ ﺇﻝﻴﻬﺎ ﻭﺍﻝﺩﻤﻭﻉ ﻓﻲ ﻋﻴﻨﻴﻪ‪ .‬ﻭﻝﻡ ﺘﺴـﺘﻁﻊ‬
‫ﺍﻝﺘﻜﻠﻡ ﺒﺴﺒﺏ ﺍﻝﻐﺼﺔ ﺍﻝﺘﻲ ﺍﻋﺘﺭﺘﻬﺎ‪ .‬ﻗﺎﺩﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺼﺩﻴﻘﺘﻬﺎ ﺍﻝﺤﻜﻡ ﻭﻗﺩﻤﺘﻪ ﻝﻬﺎ‪ .‬ﻗﺎﻝﺕ ﻤﺒﺘﺴﻤﺔ‪“ :‬ﻝﻘـﺩ‬
‫ﻗﺩﻤﺕ ﻗﺭﺍﺀﺓ ﻤﻤﺘﺎﺯﺓ ﺃﻴﻬﺎ ﺍﻝﺸﺎﺏ‪ ،‬ﺇﻻ ﺃﻥ ﻤﺩﺘﻬﺎ ﻜﺎﻨﺕ ﺍﺜﻨﺘﻲ ﻋﺸﺭﺓ ﺩﻗﻴﻘﺔ‪ .‬ﺃﻨﺎ ﺁﺴـﻔﺔ”‪ .‬ﻜـﺎﻥ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻤﺤﻁﻤﺎﹰ‪ ،‬ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﺴﺘﺠﻤﺎﻉ ﺼﻭﺘﻪ ﻝﺸﻜﺭ ﺍﻝﺤﻜﻡ ﻋﻠﻰ ﻤﺠﺎﻤﻠﺘﻬﺎ ﻝﻪ ﺒﺸﺭﺡ ﻗﺭﺍﺭﺍﻫﻡ‪.‬‬
‫ﻭﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻴﻭﻡ ﺍﻷﺤﺩ‪ ،‬ﺤﺩﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﺎﺭﺝ ﻨﺎﻓﺫﺓ ﺍﻝﻘﻁﺎﺭ ﺭﺍﻓﻀﹰﺎ ﺍﻝﺘﺤﺩﺙ‪ .‬ﻗﺭﺭﺕ "ﺁﺩﻴﻠﻴﻥ‬
‫‪ "Adeline‬ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺤﺯﻨﻬﺎ ﻤﺘﺎﺒﻌﺔ ﺨﻁﺘﻬﺎ ﺍﻝﻤﺴﺒﻘﺔ ﺒﺎﻝﺘﻭﻗﻑ ﻋﻨﺩ ﺩﻴﻨﻔﺭ ﻝﻤﺸﺎﻫﺩﺓ ﺒﻌﺽ ﺍﻝﻤﻨﺎﻅﺭ‪ .‬ﻓﻤﻥ ﻜﺎﻥ‬
‫ﻝﻪ ﺃﻥ ﻴﻨﺒﺌﻬﺎ ﻤﺘﻰ ﻴﻤﻜﻥ ﻝﻬﺫﻩ ﺍﻝﻔﺭﺼﺔ ﺃﻥ ﺘﺴﻨﺢ ﻝﻬﺎ ﻤﺭﺓ ﺜﺎﻨﻴﺔ؟‬
‫ﺃﺨﺫﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﻤﺘﻨﺯﻩ "ﺭﻴﺩ ﺭﻭﻜﺱ ‪ "Red Rocks‬ﻝﻤﺸﺎﻫﺩﺓ ﺍﻝﻤﺩﺭﺝ ﺍﻝﻁﺒﻴﻌﻲ ﻝﻠﻤﺎﻤﻭﺙ ﺍﻝـﺫﻱ‬
‫ﺃﻋﻠﻨﺕ ﻤﺭﺓ "ﻤﺎﺭﻱ ﻏﺎﺭﺩﻴﻥ ‪ (1)"Mary Garden‬ﺃﻥ ﺍﻷﺼﻭﺍﺕ ﻓﻴﻪ ﺘﻌﺎﺩل ﺃﻱ ﺩﺍﺭ ﺃﻭﺒﺭﺍ ﻓﻲ ﺃﻭﺭﻭﺒﺎ ﺃﻭ ﺃﻤﺭﻴﻜـﺎ‪.‬‬
‫ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺭﻭﺡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺘﺄﻝﻤﺔ ﻓﺈﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﻤﻘﺎﻭﻤﺔ ﺼﻌﻭﺩﻩ ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ ﺍﻝﻌﻅﻴﻤـﺔ‬
‫ﻭﺘﺄﺩﻴﺘﻪ ﻝﺒﻌﺽ ﺍﻝﺴﻁﻭﺭ ﻤﻥ ﺨﻁﺒﺘﻪ "ﺍﻝﻤﺠﻨﻭﻥ ‪ ."Madman‬ﻭﺒﻌﺩ ﺫﻝﻙ ﻭﻋﻨﺩ ﻗﺒﺭ "ﺒﻭﻓﺎﻝﻭ ﺒﻴل ‪ "Buffalo Bill‬ﻋﻠﻰ‬
‫ﺠﺒل "ﻝﻭﻙ ﺁﻭﺕ ‪ "Lookout‬ﺍﻨﺤﻨﻰ ﺒﻌﺩ ﺃﻥ ﻫﻤﺱ ﺁﺨﺫﹰﺍ ﺍﻹﺫﻥ ﻤﻥ ﺍﻝﺒﻁل ﺍﻝﻤﺘﻭﻓﻰ ﻭﻭﻀـﻊ ﻓـﻲ ﺠﻴﺒـﻪ ﺒﻌـﺽ‬
‫ﺍﻝﺤﺼﻴﺎﺕ ﻜﺘﺫﻜﺎﺭ‪ .‬ﻭﻝﻡ ﻴﺨﻁﺭ ﺒﺒﺎﻝﻪ ﻓﻲ ﻤﻨﺘﺼﻑ ﻋﺎﻤﻪ ﺍﻝﺜﺎﻤﻥ ﻋﺸﺭ ﺒﺄﻨﻪ ﻭﺒﻌﺩ ﺴﺕ ﺴﻨﻴﻥ ﻓﻘﻁ ﻓﺈﻥ ﺍﻝﻌﺸﺭﺍﺕ ﻤﻥ‬
‫ﻤﻌﺠﺒﻲ ﺃﻓﻼﻤﻪ ﺴﻭﻑ ﻴﺄﺨﺫﻭﻥ ﻗﻁﻌﹰﺎ ﻤﻥ ﺒﻼﻁﺔ ﻀﺭﻴﺤﻪ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻋﺩﻡ ﺍﻋﺘﺭﺍﻓﻪ ﻝـ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﻭﻤﻌﺭﻓﺘﻪ ﺒﺄﻥ ﺴﺒﺏ ﺨﺴـﺎﺭﺘﻪ ﻓـﻲ "ﻝﻭﻨـﻎ ﻤﻭﻨـﺕ‬
‫‪ "Longmont‬ﻜﺎﻥ ﺒﺴﺒﺏ ﺨﻁﺌﻪ ﻫﻭ ﻭﺤﺩﻩ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﻋﻠﻰ ﺍﻷﺨﺹ ﺨﺎﺌﻔﹰﺎ ﻤﻤﺎ ﺴﻭﻑ ﻴﻘﻭﻝﻪ ﻝﻪ ﺍﻝﻨﺎﺱ ﺒﻌﺩ ﻋﻭﺩﺘـﻪ‬
‫ﻝﺒﻠﺩﺘﻪ‪ .‬ﺇﻻ ﺃﻥ ﺃﺤﺩﹰﺍ ﻝﻡ ﻴﺴﺨﺭ ﻤﻨﻪ‪ .‬ﻭﻗﺎل ﻝﻪ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻝﻠﻤﺭﺓ ﺍﻷﻝﻑ‪ “:‬ﻻ ﺘﺴﺘﻁﻴﻊ ﺍﻝﻔﻭﺯ ﺩﺍﺌﻤـﹰﺎ”‪.‬‬
‫ﻭﻻﺤﻅ ﺯﻤﻼﺅﻩ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺒﺄﻨﻪ ﻜﺎﻥ ﻴﻌﺎﻨﻲ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﺒﺩﻭﻥ ﻤﺴﺎﻋﺩﺘﻬﻡ‪.‬‬
‫ﻻ ﺒﺎﻝﺘﺤﻀﻴﺭ ﻝﺭﺤﻠﺔ ﺍﻝﺴﺘﺔ ﺃﻴﺎﻡ ﺇﻝﻰ ﻭﺍﺸﻨﻁﻥ‪ ،‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﻭﺍ ﻴﺠﻤﻌﻭﻥ ﻝﻬﺎ‬ ‫ﺇﻀﺎﻓﺔ ﻝﻬﺫﺍ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﺍﻝﺼﻑ ﻤﺸﻐﻭ ﹰ‬
‫ﺍﻝﻤﺎل ﻋﻠﻰ ﻤﺩﺍﺭ ﺍﻝﻌﺎﻡ‪ .‬ﻋﻤﻠﻭﺍ ﻋﻠﻰ ﺘﻘﺩﻴﻡ ﻭﺠﺒﺎﺕ ﺒﺘﻜﺎﻝﻴﻑ ﺒﺴﻴﻁﺔ ﻓﻲ ﺍﻝﻜﺎﻓﺘﺭﻴﺎ )ﻭﺠﺒﺔ ﻏـﺩﺍﺀ ﺒﺭﺴـﻭﻡ ﺩﺨـﻭل‬
‫ﺼﻐﻴﺭﺓ‪ ،‬ﺤﻴﺙ ﻜﺎﻨﺕ ﺍﻷﻤﻬﺎﺕ ﻴﺯﻭﺩﻥ ﺍﻷﻭﻻﺩ ﺒﺎﻝﻁﻌﺎﻡ ﻤﺠﺎﻨﹰﺎ( ﻭﻗﺎﻤﻭﺍ ﺒﺒﻴﻊ ﺍﻝﻬﻭﺕ ﺩﻭﻍ ﻓﻲ ﻤـﺯﺍﺩﺍﺕ ﺍﻝﻤـﺯﺍﺭﻉ‬
‫ﻭﺠﺎﻝﻭﺍ ﻝﺒﻴﻊ ﺍﺸﺘﺭﺍﻜﺎﺕ ﺍﻝﻤﺠﻼﺕ ﻤﻥ ﺒﺎﺏ ﻵﺨﺭ‪ .‬ﺤﺘﻰ ﺇﻨﻪ ﻜﺎﻥ ﻫﻨﺎﻙ ﺭﺒﺢ ﺼﻐﻴﺭ ﻓﻲ ﺤﻔل ﺍﻝﺼﻑ‪ ،‬ﻓﺠﻤﻌﻭﺍ ﻤﺒﻠﻎ‬
‫‪ 1760‬ﺩﻭﻻﺭﹰﺍ‪.‬‬
‫ﺍﺤﺘﻔﻅﺕ "ﺠﻭﻴﺱ ﺠﻭﻥ ‪ "Joyce John‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺜﺎﻨﻲ ﺃﻓﻀل ﻁﺎﻝﺒﺔ ﻋﻨﺩ "ﺁﺩﻴﻠﻴﻥ ‪ "Adeline‬ﺒﻌـﺩ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺒﻤﺫﻜﺭﺍﺕ ﺤﻭل ﺍﻝﺭﺤﻠﺔ‪ .‬ﺯﺍﺭ ﺍﻝﺼﻑ ﻀﺭﻴﺢ ﻝﻴﻨﻜﻭﻝﻥ ﻭﻜﺎﺘﺩﺭﺍﺌﻴﺔ ﻭﺍﺸـﻨﻁﻥ ﻭﻤﺘﺤـﻑ "ﺴﻤﻴﺜﺴـﻭﻨﻴﺎﻥ‬
‫ﻼ ﻋﺒﺭ ﻨﻬﺭ "ﺒﻭﺘﻭﻤﺎﻙ ‪ "Potomac‬ﻋﻠﻰ ﻤـﺘﻥ ﺍﻝﻘـﺎﺭﺏ ﺍﻝﺒﺨـﺎﺭﻱ‬ ‫‪ ،"Smithsonian‬ﻭﺃﺨﺫﻭﺍ “ﺠﻭﻝﺔ ﺍﻷﺭﺒﻌﻴﻥ ﻤﻴ ﹰ‬
‫"ﻤﺎﻭﻨﺕ ﻓﻴﺭﻨﻭﻥ ‪ ."Mount Vernon‬ﻭﺃﺤﺒﺒﻨﺎ ﺍﻝﺭﺫﺍﺫ ﺍﻝﻤﺎﻝﺢ ﻋﻠﻰ ﻭﺠﻭﻫﻨﺎ ﻭﺍﻋﺘﻘﺩﻨﺎ ﺒﺄﻥ ﻫﺫﻩ ﺃﺠﻤـل ﻝﺤﻅـﺔ ﻓـﻲ‬
‫ﺍﻝﺭﺤﻠﺔ ﺤﻴﺙ ﻜﺎﻨﺕ ﺍﻷﻀﻭﺍﺀ ﺘﺘﻸﻷ ﻋﻠﻰ ﺍﻝﺸﺎﻁﺊ‪ .‬ﻭﺍﺴﺘﻁﻌﻨﺎ ﻤﺸﺎﻫﺩﺓ ﻗﺒﺔ ﺒﻨﺎﺀ ﺍﻝﻜﺎﺒﻴﺘﻭل ﻭﻀﺭﻴﺢ ﻭﺍﺸﻨﻁﻥ ﻤـﻥ‬
‫ﺒﻌﻴﺩ”‪.‬‬
‫ﺇﻻ ﺃﻨﻬﺎ ﻝﻡ ﺘﺨﺒﺭ ﻓﻲ ﻤﺫﻜﺭﺍﺘﻬﺎ ﺒﺄﻥ "ﻭﺠﻭﻫﻨﺎ" ﻗﺩ ﻋﻨﺕ ﻭﺠﻬﻬﺎ ﻭﻭﺠﻪ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺍﻨﺴﻼ ﻤﻥ ﺍﻝﺤﻔـل‬
‫ﻼ ﻋﻥ ﺍﻝﻤﺴﺘﻘﺒل‪ .‬ﻭﻝﻡ ﺘﺫﻜﺭ ﻜﺫﻝﻙ ﺒﺄﻥ "ﺠﻴﻤﻲ ‪"Jimmy‬‬ ‫ﺍﻝﺭﺍﻗﺹ ﺇﻝﻰ ﺴﻁﺢ ﺍﻝﺴﻔﻴﻨﺔ ﻭﺘﺤﺩﺜﺎ ﺤﺩﻴﺜﹰﺎ ﺭﻭﻤﺎﻨﺴﻴﹰﺎ ﻁﻭﻴ ﹰ‬
‫ﻭﺃﺤﺩ ﺃﺼﺩﻗﺎﺌﻪ ﺸﺭﺒﺎ ﻓﻲ ﺍﻝﻠﻴﻠﺔ ﺍﻝﺘﺎﻝﻴﺔ ﺤﺘﻰ ﺍﻝﺜﻤﺎﻝﺔ ﻓﻲ ﻏﺭﻓﺔ ﺍﻝﻔﻨﺩﻕ‪ .‬ﺭﺒﻤﺎ ﻝﻡ ﺘﻜﺘﺸﻑ ﻫﺫﻩ ﺍﻝﺤﺎﺩﺜﺔ ﺃﻭ ﺭﺒﻤﺎ ﺃﺭﺍﺩﺕ‬
‫ﻭﺒﻜل ﺒﺴﺎﻁﺔ ﺃﻥ ﺘﻜﻭﻥ ﻤﺘﺄﻜﺩﺓ ﻤﻥ ﺃﻥ ﺨﺒﺭ ﻋﻥ ﻫﺫﺍ ﻝﻡ ﻴﺘﺴﺭﺏ ﻝﻤﺠﺘﻤﻊ ﺍﻝﻜﻭﻴﻜﺭ ﺍﻝﻬﺎﺩﺉ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻋﺎﺩ ﺍﻷﻋﻀﺎﺀ ﺍﻝﺘﺴﻌﺔ ﻭﺍﻷﺭﺒﻌﻭﻥ ﺇﻝﻰ ﺍﻝﺼﻑ ﻜﺎﻥ ﻗﺩ ﺘﺒﻘﻰ ﻝﻬﻡ ﻓﻘﻁ ﺃﺭﺒﻌﺔ ﺃﻴـﺎﻡ ﻤـﻥ ﺍﻝﻤﺩﺭﺴـﺔ‬
‫ﺍﻝﺜﺎﻨﻭﻴﺔ ﻓﻲ ﺤﻴﺎﺘﻬﻡ‪ .‬ﻭﻗﺭﻴﺒﹰﺎ ﻝﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻬﻡ ﺴﻭﻯ ﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﺫﻜﺭﻴﺎﺕ ﻭﻜﺘﺎﺏ ﺍﻝﺴﻨﺔ ﺍﻝﻤﺩﺭﺴﻲ‪ “ :‬ﻜﻨﺎ ﻓـﻲ ‪16‬‬
‫ﺃﻴﺎﺭ‪/‬ﻤﺎﻴﻭ ﻗﺩ ﺘﺨﺭﺠﻨﺎ ﻭﻗﺩ ﺍﻨﺘﻬﺕ ﺤﻴﺎﺘﻨﺎ ﺍﻝﺩﺭﺍﺴﻴﺔ ﻝﻜﻨﻨﺎ ﺴﻭﻑ ﻨﺘﺫﻜﺭ ﺩﺍﺌﻤ ﹰﺎ ﺃﻭﻗﺎﺘﻨﺎ ﺍﻝﺠﻤﻴﻠﺔ ﻓﻲ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ‬
‫ﺍﻝﺜﺎﻨﻭﻴﺔ”‪ .‬ﻭﺘﺤﺕ “ ﻭﻗﻊ ﺍﻝﺨﻁﻭﺍﺕ ﻋﻠﻰ ﺭﻤﺎل ﺍﻝﺯﻤﻥ” ﻭ “ﻤﺯﺍﺠﻲ ﺍﻝﺴﻴﺊ ﻨﺤﻭ "ﺩﺍﻓﻴﺩ ﻓﻭﻜﺱ ‪ ،”"David Fox‬ﺍﻝﻔﺘﻰ‬
‫ﺍﻝﺫﻱ ﻝﻜﻤﻪ ﻷﻨﻪ ﺴﺨﺭ ﻤﻨﻪ ﺃﺜﻨﺎﺀ ﺇﻝﻘﺎﺌﻪ ﻹﺤﺩﻯ ﺍﻝﺨﻁﺏ ﻓﻲ ﺍﻝﺼﻑ‪ .‬ﻭﻓﻲ ﻗﺭﺍﺀﺓ ﻁﺭﻴﻔﺔ ﻝﻠﻤﺴﺘﻘﺒل‪ ،‬ﺴﺒﺒﺕ ﺇﺤـﺩﻯ‬
‫ﻝﻭﺤﺎﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺸﻬﺭﺓ ﻤﻥ ﻨﻭﻉ ﻓﻀﻭﻝﻲ‪ “ :‬ﻴﻭﺠﺩ ﻝﺩﻯ "ﺠﻴﻡ ﺩﻴﻥ ‪ "Jim Dean‬ﻝﻭﺤﺘﻪ ﻝـ "ﺒﺎﺭﺒﺭﺍ ﻝﻴـﺘﺵ‬
‫‪ "Barbara Leach‬ﺍﻝﻤﻌﻠﻘﺔ ﻓﻲ ﻗﺎﻋﺔ "ﻜﺎﺭﻨﻴﻐﻲ ‪ .”"Carnegie‬ﻭﻝﻜﻥ ﻫل ﻋﻨﻭﺍ ﺍﻝﻤﻴﺘﺭﻭﺒﻭﻝﻴﺘﺎﻥ؟‬
‫ﺫﻫﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺘﺠﺎﻩ ﺍﻝﻐﺭﺏ ﻋﺩﺓ ﻤﺭﺍﺕ ﻗﺒل ﺘﺨﺭﺠﻪ ﻝﺯﻴﺎﺭﺓ ﻭﺍﻝﺩﻩ ﻭﺯﻭﺠﺘﻪ‪ .‬ﺘﻘﺎﻋﺩ "ﻭﻴﻨﺘﻭﻥ ﺩﻴـﻥ‬
‫‪ "Winton Dean‬ﻤﻥ ﺍﻝﺠﻴﺵ ﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1945‬ﻭﻋﺎﺩ ﻝﻭﻅﻴﻔﺘﻪ ﻜﻤﺸﺭﻑ ﻓﻲ ﺍﻝﻤﺨﺒﺭ ﺍﻝﺴﻨﻲ ﻓـﻲ ﻤﺸـﻔﻰ ﺴـﻭﻴﺘل‬

‫)‪ 1967 -1874 (1‬ﻡ‪ %#X‬ﺱ‪

9‬ا ‪ 9‬اﺱ‪ %#M;U‬ا ;‪ WMB‬ﻡ ‪ A$ V=M E;MQ 6‬أﻡ
‪ 5#6 5U‬ﺱ‪ 5‬ا; ﺱ‪ &5Y 9Z U52 A5$ W5
 . %=5‬ا ;‪W5MB‬‬
‫إ<  ر‪.‬‬
‫ﻝﻠﻤﺤﺎﺭﺒﻴﻥ ﺍﻝﻘﺩﻤﺎﺀ ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠﺱ‪ .‬ﻭﻓﻲ ﺍﻝﻌﺎﻡ ﻨﻔﺴﻪ ﺘﺯﻭﺝ " ﺇﻴﺜل ﻜﻴﺱ ‪ "Ethel Case‬ﺍﻝﺘﻲ ﺃﺼﺒﺤﺕ ﺍﻝﺴﻴﺩﺓ "ﺩﻴﻥ‬
‫‪ "Dean‬ﺍﻝﺜﺎﻨﻴﺔ‪.‬‬
‫ﻜﺎﻥ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻴﺄﺘﻲ ﻓﻲ ﺒﻌﺽ ﺍﻝﻤﻨﺎﺴﺒﺎﺕ ﺃﻴﻀﹰﺎ ﺇﻝﻰ ﺇﻨﺩﻴﺎﻨﺎ ﻝﺭﺅﻴﺔ ﺃﻗﺭﺒﺎﺌﻪ ﻭﺍﺒﻨﻪ‪ .‬ﻝﻜﻥ‪ ،‬ﻜﺎﻥ ﻤﻥ‬
‫ﺍﻝﻐﺭﻴﺏ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﺃﺤﺩ ﻤﻥ ﺃﺼﺩﻗﺎﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺴﺘﻁﻴﻊ ﺘﺫﻜﺭ ﻤﺸﺎﻫﺩﺓ ﺍﻷﺏ ﻭﺍﻻﺒﻥ ﻤﻌﹰﺎ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ‬
‫ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻴﺄﺘﻲ ﻝﻤﺸﺎﻫﺩﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻫﻭ ﻴﻤﺜل ﺃﻭ ﻴﺸﺎﺭﻙ ﻓﻲ ﺍﻝﻤﻨﺎﻅﺭﺍﺕ ﺃﻭ ﻴﻠﻌﺏ ﻜﺭﺓ ﺍﻝﺴﻠﺔ‪.‬‬
‫ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﻤﻬﺘﻤﹰﺎ ﺒﻤﺴﺘﻘﺒل "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻓﻔﻲ ﺭﺒﻴﻊ ﺴﻨﺔ ﺍﻝﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ‪،‬‬
‫ﺒﺩﺃ ﺒﻜﺘﺎﺒﺔ ﺭﺴﺎﺌل ﻴﺤﺩﺙ ﻓﻴﻬﺎ ﺍﺒﻨﻪ ﺒﺄﻨﻪ ﻭﺒﻌﺩ ﺍﻝﺘﺨﺭﺝ ﻓﺈﻨﻪ ﻴﺘﻭﻗﻊ ﻤﻨﻪ ﺍﻝﻘﺩﻭﻡ ﻝﻠﻌﻴﺵ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﻜﺫﻝﻙ ﻗﺩﻡ ﻝـﻪ‬
‫ﻁﻠﺒﺎﺕ ﺩﺨﻭل ﺍﻝﺠﺎﻤﻌﺔ‪ .‬ﺃﺭﺍﺩ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﺩﺨل ﺠﺎﻤﻌﺔ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ ﻜﻁﺎﻝﺏ ﺤﻘﻭﻕ‪ .‬ﻭﺒﺩﺍ ﺍﺨﺘﻴﺎﺭ ﻤﺜل‬
‫ﻫﺫﺍ ﺍﻝﻤﺴﺘﻘﺒل ﺍﻝﻤﻬﻨﻲ ﻤﺅﺸﺭﹰﺍ ﻝﻸﺸﻴﺎﺀ ﺍﻝﺘﻲ ﺴﻤﻌﻬﺎ ﻋﻥ ﻤﻬﺎﺭﺍﺕ ﺍﺒﻨﻪ ﺒﺎﻝﺘﺤﺩﺙ ﺒﺎﻝﻌﻠﻥ ﻭﺍﻝﻤﻨﺎﻅﺭﺍﺕ‪.‬‬
‫ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺘﻌﺒﺌﺔ ﻜل ﺍﻝﻨﻤﺎﺫﺝ ﺍﻝﻼﺯﻤﺔ ﻭﺃﻋﺎﺩ ﺇﺭﺴﺎﻝﻬﺎ ﺇﻝﻰ ﺴﺎﻨﺘﺎﻤﻭﻨﻴﻜﺎ ﻭﻨﺴﻴﻬﺎ‪ .‬ﻜـﺎﻥ ﺠﺩﻭﻝـﻪ‬
‫ﻻ ﺠﺩﹰﺍ ﻝﻠﺘﻔﻜﻴﺭ ﺒﺄﻱ‬
‫ﺍﻝﻤﻠﻲﺀ ﺒﺎﻝﻜﺘﺏ ﺍﻝﻤﺩﺭﺴﻴﺔ ﻭﺍﻷﻝﻌﺎﺏ ﻭﺍﻝﻤﺴﺭﺤﻴﺎﺕ ﻭﺍﻝﻤﻨﺎﻅﺭﺍﺕ ﻭﺍﻝﻘﺭﺍﺀﺓ ﻗﺩ ﺃﺒﻘﺎﻩ ﺒﻌﻴﺩﹰﺍ ﻭﻤﺸﻐﻭ ﹰ‬
‫ﺸﻲﺀ ﺁﺨﺭ ﺇﻻ ﺒﻘﻀﺎﺀ ﺍﻝﻴﻭﻡ ﺍﻝﺫﻱ ﺴﻴﻠﻲ‪ .‬ﺇﻀﺎﻓﺔ ﻝﻬﺫﺍ ﻓﻠﻡ ﻴﻜﻥ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺘﺨﻴل ﻭﺒﻌﻼﻤﺎﺘﻪ ﺍﻝﻌﺎﺩﻴﺔ ﺠﺩﹰﺍ ﺃﻥ ﺘﻘﺒل‬
‫ﺃﻴﺔ ﺠﺎﻤﻌﺔ ﻁﻠﺒﻪ‪.‬‬
‫ﺒﻌﺩ ﺃﻴﺎﻡ ﻤﻥ ﺤﺼﻭﻝﻪ ﻋﻠﻰ ﺍﻝﺸﻬﺎﺩﺓ ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﺘﻁﻠﻊ ﻝﻘﻀﺎﺀ ﺒﻌﺽ ﺍﻝﻭﻗﺕ ﺒﻬﺩﻭﺀ‪ ،‬ﻭﺼﻠﺘﻪ ﺭﺴﺎﻝﺔ ﻤـﻥ‬
‫ﻭﺍﻝﺩﻩ ﺘﻌﻠﻤﻪ ﺒﺄﻨﻪ ﻗﺩ ﺘﻡ ﻗﺒﻭﻝﻪ ﻓﻲ ﺠﺎﻤﻌﺔ ﻤﺩﻴﻨﺔ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪ .‬ﻭﻜﺎﻥ ﻫﻨﺎﻙ ﺸﺭﻁ ﻭﺍﺤﺩ‪ .‬ﻜﺎﻥ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺤﻀﻭﺭ‬
‫ﺩﻭﺭﺓ ﺼﻴﻔﻴﺔ ﻝﻜﻲ ﻴﺒﺩﺃ ﺒﺎﻝﺨﺭﻴﻑ ﻤﻊ ﺃﺴﺎﺱ ﺃﻜﺎﺩﻴﻤﻲ ﻤﻊ ﺃﻭﻝﺌﻙ ﺍﻝﻁﻠﺒﺔ ﺍﻝﻘﺎﺩﻤﻴﻥ ﻤﻥ ﻤﺩﺍﺭﺱ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﺍﻝﻜﺒﻴﺭﺓ‪.‬‬
‫ﻜﺎﻥ ﻋﻠﻰ ﺍﻝﻁﻼﺏ ﺃﻥ ﻴﺴﺠﻠﻭﺍ ﻝﻠﺩﻭﺭﺓ ﺍﻝﺼﻴﻔﻴﺔ ﻓﻲ ﺍﻷﺴﺒﻭﻉ ﺍﻷﻭل ﻤﻥ ﺤﺯﻴﺭﺍﻥ‪/‬ﻴﻭﻝﻴﻭ‪.‬‬
‫ﻝﻡ ﻴﺴﺘﻁﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﺼﺩﻴﻕ ﻫﺫﺍ ﺒﺴﻬﻭﻝﺔ‪ .‬ﻭﻜﺎﻥ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺒﻌﺩ ﺃﻴﺎﻡ ﻗﻠﻴﻠـﺔ ﺃﻥ ﻴـﻭﺩﻉ ﺍﻝﻌﻤـﺔ‬
‫"ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭ"ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ ‪ "Markie Jr.‬ﻭﺩﺭﺍﺠﺘﻪ ﺍﻝﻨﺎﺭﻴﺔ ﻭﺍﻷﺒﻘﺎﺭ ﻭﺇﻨﺎﺙ‬
‫ﺍﻝﺨﻨﺎﺯﻴﺭ ﻭﺍﻝﺼﻴﺼﺎﻥ ﻭﺍﻝﻜﻼﺏ ﻭﺍﻝﻘﻁﻁ ﻭﺍﻷﺸﺠﺎﺭ ﻭﺍﻝﺤﻘﻭل ﻭﺍﻝﺒﺭﻙ ﻭﺍﻝﺠﺩﺍﻭل ﻭﺍﻝﺴﻘﺎﺌﻑ ﻭﺍﻝﺤﻅﺎﺌﺭ ﺍﻝﺘﻲ ﻋﺎﺵ‬
‫ﻤﻌﻬﺎ ﻝﺘﺴﻊ ﺴﻨﻴﻥ‪ .‬ﺘﺒﺩﻭ ﻤﺩﺓ ﻁﻭﻴﻠﺔ ﺤﻴﻥ ﺘﺫﻜﺭﻫﺎ‪ ،‬ﻝﻜﻨﻬﺎ ﺘﻤﺭ ﺒﺴﺭﻋﺔ ﺤﻴﻥ ﺘﻌﻴﺸﻬﺎ‪.‬‬
‫ﺃﺨﺫﺘﻪ ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺇﻝﻰ "ﻤﺎﺭﻴﻭﻥ ‪ "Marison‬ﻓﻲ ﺴﻴﺎﺭﺘﻬﻡ ﺍﻝﺠﺩﻴﺩﺓ ﻤﻥ ﻨﻭﻉ ﻓﻭﺭﺩ ﻭﻋـﺎﻨﻘﻭﻩ‬
‫ﻭﻭﻀﻌﻭﻩ ﻓﻲ ﺍﻝﻘﻁﺎﺭ ﻭﺒﻜﻭﺍﻭﻝﻭﺤﻭﺍ ﻤﻭﺩﻋﻴﻥ‪ .‬ﻭﻝﻭﺡ ﻝﻬﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻴﻀﹰﺎ ﻤﻥ ﺨﻠـﻑ ﺍﻝﺯﺠـﺎﺝ ﺍﻝﺴـﻤﻴﻙ‪.‬‬
‫ﻭﻋﺭﻑ ﻤﻊ ﺍﻨﺩﻓﺎﻉ ﺍﻝﻘﻁﺎﺭ ﻋﺒﺭ ﺍﻝﺤﻘﻭل ﺍﻝﺴﺎﻁﻌﺔ ﺒﺸﻤﺱ ﺍﻝﺼﻴﻑ ﺍﻝﺒﺎﻜﺭﺓ ﺃﻥ ﻁﻔﻭﻝﺘﻪ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ ﻗﺩ ﺍﻨﺘﻬﺕ‪.‬‬
‫ﺃﺨﺫ ﻴﻔﻜﺭ ﺒﺤﻴﺎﺘﻪ ﺍﻝﺠﺩﻴﺩﺓ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ ،‬ﻓﻌﺭﻑ ﺃﻨﻪ ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﺘﺠﻪ ﻝﻠﻜﺘﺏ ﻓﻲ ﺍﻝﺠﺎﻤﻌﺔ‪ ،‬ﻓﺎﻝﺭﻴﺎﻀـﺔ‬
‫ﻭﺍﻝﺘﻤﺜﻴل ﻭﺍﻝﺘﻬﺭﻴﺞ ﻝﻥ ﺘﺠﻌﻠﻪ ﻴﺠﺘﺎﺯ ﺍﻝﺼﻔﻭﻑ‪ .‬ﻭﺘﺫﻜﺭ ﺃﻴﻀﹰﺎ ﺃﻨﻪ ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﺘﻭﺍﺼل ﻤﻊ ﻤﺠﻠﺱ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪.‬‬
‫ﺴﺠل ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻓﻲ ﺁﺨﺭ ﻋﻴﺩ ﻤﻴﻼﺩ ﻝﻪ ﻓﻲ ‪ 8‬ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ﻋﺎﻡ ‪ 1949‬ﻋﺎﻤﻪ ﺍﻝﺜﺎﻤﻥ ﻋﺸﺭ‪ .‬ﻭﻜﺎﻨﺕ ﻓﻴﺭﻤﺎﻨﺕ‬
‫ﺴﻭﻑ ﺘﻘﺩﻡ ﺃﻭﺭﺍﻗﻪ‪.‬‬
‫ﺍﻋﺘﻘﺩ ﺒﻌﺽ ﻤﻥ ﻋﺭﻓﻭﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻋﻴﻨﻴﻪ ﺍﻝﻤﺼﺎﺒﺘﻴﻥ ﺒﻘﺼﺭ ﺍﻝﻨﻅﺭ ﺴﻭﻑ ﺘﻌﻁﻴﺎﻨﻪ ﺘﺼﻨﻴﻑ ‪،4-F‬‬
‫ﺒﻴﻨﻤﺎ ﺍﻋﺘﻘﺩ ﺁﺨﺭﻭﻥ ﺃﻨﻪ ﻗﺩ ﺘﻡ ﺇﻨﻘﺎﺫﻩ ﺒﺤﻘﻴﻘﺔ ﺃﻨﻪ ﻜﺎﻥ ﻴﻭﺠﺩ ﻤﺎ ﻴﻜﻔﻲ ﻤﻥ ﺍﻷﻭﻻﺩ ﺍﻵﺨﺭﻴﻥ ﺍﻝﺫﻴﻥ ﻫﻡ ﻓـﻲ ﺤﺎﻝـﺔ‬
‫ﺠﺴﺩﻴﺔ ﻤﻤﺘﺎﺯﺓ ﻝﻤلﺀ ﺍﻝﺤﺼﺹ ﺍﻝﻨﺴﺒﻴﺔ ﺍﻝﻤﺤﻠﻴﺔ‪ .‬ﻭﺍﻋﺘﻘﺩ ﺁﺨﺭﻭﻥ ﺃﻨﻪ ﻗﺩ ﺴﺠل ﻜﻤﻌﺎﺭﺽ ﺤﻲ ﺍﻝﻀﻤﻴﺭ‪ ،‬ﻭﺒﻌﺩ ﻫﺫﺍ‬
‫ﻜﻠﻪ ﻓﻘﺩ ﺘﻤﺕ ﺘﺭﺒﻴﺘﻪ ﻜﻔﺭﺩ ﻤﻥ ﺍﻝﻜﻭﻴﻜﺭ‪ .‬ﻭﻗﺎل ﺍﻝﺒﻌﺽ ﺒﻤﻥ ﻓﻴﻬﻡ ﻤﻭﻅﻑ ﺴﺎﺒﻕ ﻓﻲ ﻭﺤﺩﺓ ﺍﻝﺨﺩﻤﺔ ﺍﻻﻨﺘﻘﺎﺌﻴﺔ ﻓـﻲ‬
‫ﻓﻴﺭﻤﺎﻭﻨﺕ ﻭﺃﺤﺩ ﺃﺼﺩﻗﺎﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﻘﺭﺒﻴﻥ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﺇﻨﻪ ﻗﺩ ﻗﺎل ﻷﻋﻀﺎﺀ ﻤﺠﻠـﺱ ﺍﻝﺘﺴـﺠﻴل‪ “ :‬ﻻ‬
‫ﻴﻤﻜﻨﻜﻡ ﺘﺴﺠﻴﻠﻲ ﻓﺄﻨﺎ ﺸﺎﺫ ﺠﻨﺴﻴﹰﺎ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺨﺎﻤﺱ‬

‫ﻴﻤﺘﺩ ﻤﺸﻔﻰ ﺴﻭﺘﻴل ﺍﻹﺩﺍﺭﻱ ﻝﻠﻤﺤﺎﺭﺒﻴﻥ ﺍﻝﻘﺩﺍﻤﻰ ﻤﺌﺎﺕ ﺍﻹﻴﻜﺭﺍﺕ ﻏﺭﺏ ﻝﻭﺱ ﺃﻨﺠﻠـﺱ ﺒـﻴﻥ "ﻭﻴﺴـﺘﻭﻭﺩ"‬
‫ﻭ"ﺒﺭﻴﻨﺘﻭﻭﺩ"‪ .‬ﻭﺘﻘﻁﻊ "ﻭﻴﻠﺸﺎﻴﺭ ﺒﻭﻝﻔﺎﺭﺩ" ﺒﻁﺭﻴﻘﻬﺎ ﻨﺤﻭ "ﺴﺎﻨﺘﺎﻤﻭﻨﻴﻜﺎ" ﻭﺍﻝﻤﺤﻴﻁ ﺍﻝﻬﺎﺩﻱ ﺨﻼل ﺍﻝﻨﻬﺎﻴـﺔ ﺍﻝﺠﻨﻭﺒﻴـﺔ‬
‫ﻼ ﺍﻷﺤﻴﺎﺀ ﺍﻝـﺫﻴﻥ ﻴﻌﻴﺸـﻭﻥ‬ ‫ﻝﻠﻤﺤﻤﻴﺔ ﺍﻝﻜﺒﻴﺭﺓ‪ .‬ﻜﺫﻝﻙ ﻴﺸﻕ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﻝـ "ﺴﺎﻥ ﺩﻴﺎﻏﻭ" ﺨﻼﻝﻬﺎ ﻁﺭﻴﻘﻪ ﻓﺎﺼ ﹰ‬
‫ﺒﺎﻝﻌﺸﺭﺍﺕ ﻓﻲ ﺃﺤﻴﺎﺀ ﺫﺍﺕ ﺃﺒﻨﻴﺔ ﻗﺭﻤﻴﺩﻴﺔ ﺒﺄﺭﺒﻌﺔ ﻁﻭﺍﺒﻕ ﻋﻥ ﺍﻷﻤﻭﺍﺕ ﺍﻝﻤﺩﻓﻭﻨﻴﻥ ﺒﺼﻔﻭﻑ ﻤﺘﺸﺎﺒﻬﺔ ﻭﻤﺘﻼﺼـﻘﺔ‬
‫ﺘﺸﺒﻪ ﺍﻝﺼﻠﻴﺏ ﺍﻷﺒﻴﺽ‪ .‬ﻭﺘﻠﺘﻑ ﺍﻝﻤﺩﻴﻨﺔ ﺤﻭل ﺍﻝﻤﺸﻔﻰ ﻏﻴﺭ ﻤﺩﺭﻜﺔ ﺘﻘﺭﻴﺒﹰﺎ ﺤﺘﻰ ﻝﻭﺠﻭﺩﻩ‪.‬‬
‫ﺘﻌﺭﻑ ﺍﻷﺒﻨﻴﺔ ﺒﺄﺭﻗﺎﻤﻬﺎ‪ ،‬ﺒﻴﻨﻤﺎ ﻴﻭﺠﺩ ﻝﻠﺸﻭﺍﺭﻉ ﺃﺴﻤﺎﺀ‪" :‬ﺁﻴﺯﻴﻨﻬﺎﻭﺭ"‪" ،‬ﺒﻴﺭﺸﻴﻨﻎ"‪" ،‬ﻏﺭﺍﻨـﺕ" ﻭ"ﻭﺍﺸـﻨﻁﻥ"‪.‬‬
‫ﻴﻭﺠﺩ ﻤﻜﺘﺏ ﻝﻠﺒﺭﻴﺩ ﻭﻜﺸﻙ ﻝﻠﺼﺤﻑ ﻭﻜﺎﻓﻴﺘﻴﺭﻴﺎ‪ ،‬ﻭﻤﻜﺎﻥ ﻝﻠﺠﻠﻭﺱ ﻋﻠﻴﻪ ﻓﻭﻕ ﺍﻝﻌﺸﺏ ﺍﻝﺒـﺎﻝﻲ ﻭﺘﺤـﺕ ﺍﻷﺸـﺠﺎﺭ‬
‫ﻭﻝﺴﻤﺎﻉ ﺍﻝﻤﻭﺴﻴﻘﺎ ﺍﻝﺼﺎﺩﺭﺓ ﻋﻥ ﺍﻝﻤﻜﺒﺭﺍﺕ ﺍﻝﻤﺸﻭﺸﺔ‪ .‬ﻭﻴﺴﺘﻁﻴﻊ ﻓﻌل ﻫﺫﺍ ﺍﻝﺠﻨـﻭﺩ ﺍﻝـﺫﻴﻥ ﻴﺴـﺘﻁﻴﻌﻭﻥ ﺍﻝﺴـﻴﺭ‪.‬‬
‫ﻭﻴﻨﻅﺭﻭﻥ ﻝﻠﺴﻴﺎﺭﺍﺕ ﺩﻭﻥ ﺃﻱ ﻓﻀﻭل‪ ،‬ﻤﺩﺭﻜﻴﻥ ﺃﻨﻬﻡ ﻝﻥ ﻴﺫﻫﺒﻭﺍ ﺇﻝﻰ ﺃﻱ ﻤﻜﺎﻥ ﺁﺨـﺭ‪ .‬ﺃﻤـﺎ ﺃﻭﻝﺌـﻙ ﺍﻝـﺫﻴﻥ ﻻ‬
‫ﻴﺴﺘﻁﻴﻌﻭﻥ ﺍﻝﺴﻴﺭ‪ ،‬ﻓﻴﺒﻘﻭﻥ ﻤﺴﺘﻠﻘﻴﻥ ﻓﻲ ﻏﺭﻓﻬﻡ ﺃﻭ ﺃﻗﺴﺎﻤﻬﻡ ﺒﺎﻨﺘﻅﺎﺭ ﺯﺍﺌﺭ ﻤﺎ ﻤﻥ ﺍﻝﻌﺎﻝﻡ ﺍﻝﺨﺎﺭﺠﻲ‪ .‬ﻴﺘﺫﻜﺭ ﺼﺎﺤﺏ‬
‫ﻤﺤل ﻤﻜﺴﻴﻜﻲ ﻝﻠﺴﻼل ﻗﺭﺏ ﺍﻝﻤﺸﻔﻰ ﺘﺴﻠﻴﻡ ﺍﻝﺼﺤﻑ ﻝﺩﺍﺨل ﺍﻝﻤﺸﻔﻰ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﺼﺒﻴﹰﺎ‪ .‬ﻝﻡ ﻴﻜﻥ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻌﺭﻑ‬
‫ﻤﺎﺫﺍ ﻜﺎﻥ ﺴﻭﻑ ﻴﺸﺎﻫﺩ ﻋﻨﺩﻤﺎ ﻴﻔﺘﺢ ﺒﺎﺒﹰﺎ ﻤﺎ‪ .‬ﻜﺎﻥ ﺒﻌﺽ ﺍﻝﺭﺠﺎل ﺒﻼ ﺃﻴ ‪‬ﺩ ﻭﺒﻌﻀﻬﻡ ﺒﻼ ﺴﻴﻘﺎﻥ‪ ،‬ﻭﺁﺨﺭﻭﻥ ﻭﻜـﺄﻨﻬﻡ‬
‫ﻝﻔﺎﻓﺎﺕ ﻤﻥ ﺍﻝﻀﻤﺎﺩﺍﺕ ﺘﻅﻬﺭ ﻤﻥ ﺨﻼﻝﻬﺎ ﻋﻴﻭﻨﻬﻡ ﻓﻘﻁ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﻤﺨﺘﺒﺭ ﺍﻝﺴﻨﻲ ﺍﻝﺫﻱ ﺃﺸﺭﻑ ﻋﻠﻴﻪ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﻴﻘﻊ ﻓﻲ ﺠﻨﻭﺏ "ﻭﻴﻠﺸﺎﻴﺭ ﺒﻭﻝﻴﻔـﺎﺭﺩ"‬
‫ﻓﻲ "ﻭﺩﺍﺯﻭﺭﺙ" ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻷﺒﻨﻴﺔ ﺍﻝﺨﺸﺒﻴﺔ ﺫﺍﺕ ﺃﺴﻘﻑ ﻤﺎﺌﻠﺔ ﻭﺸﺭﻓﺎﺕ ﺃﻤﺎﻤﻴﺔ ﻁﻭﻴﻠـﺔ‪ ،‬ﺘﺘﻭﻀـﻊ‬
‫ﻭﺴﻁ ﺃﺸﺠﺎﺭ ﺍﻝﻨﺨﻴل ﺍﻝﻁﻭﻴﻠﺔ ﺍﻝﺘﻲ ﺒﺩﺕ ﻭﻜﺄﻨﻬﺎ ﻏﻨﺎﺌﻡ ﺤﻤﻼﺕ ﻓﺘﺭﺓ "ﺘﻴﺩﻱ ﺭﻭﺯﻓﻠﺕ ‪ "Teddy Roosevelt‬ﺍﻝﻜﻭﺒﻴﺔ‬
‫ﻭﺍﻝﻔﻴﻠﻴﺒﻴﻨﻴﺔ‪ .‬ﺍﻝﺘﻬﻡ "ﻭﺩﺍﺯﻭﺭﺙ" ﺤﺭﻴﻕ ﻫﺎﺌل ﻗﺒل ﻫﺫﺍ ﺒﺴﻨﺘﻴﻥ‪ ،‬ﻭﻝﻡ ﻴﺒﻕ ﺴﻭﻯ ﺒﻌﺽ ﺃﺸـﺠﺎﺭ ﺍﻝﻨﺨﻴـل ﻭﺍﻝﻤﺒـﺎﻨﻲ‬
‫ﺍﻝﺼﻐﻴﺭﺓ‪.‬‬
‫ﻻ ﻓﻲ ﺠﺎﺩﺓ "ﺴﻭﻝﺕ ﺇﻴﺭ" ﻋﻠﻰ ﺒﻌﺩ ﺜﻼﺜﺔ ﻤﺒﺎﻥ ﻏﺭﺏ ﻤﺠﻤﻊ‬ ‫ﺍﺴﺘﺄﺠﺭ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻭ"ﺇﻴﺜل ‪ "Ethel‬ﻤﻨﺯ ﹰ‬
‫ﺍﻝﻤﺸﻔﻰ ﻴﺤﻤل ﺭﻗﻡ ½‪ .1527‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻏﺭﻓﺔ ﺇﻀﺎﻓﻴﺔ ﻗﺎﻤﺎ ﺒﺘﺠﻬﻴﺯﻫﺎ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓـﻲ ﺼـﻴﻑ ﻋـﺎﻡ‬
‫‪ ،1949‬ﻭﻋﻨﺩﻤﺎ ﻭﺼل ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ ﻓﻌﻼ ﻤﺎ ﺒﺎﺴﺘﻁﺎﻋﺘﻬﻤﺎ ﻤﻥ ﺃﺠل ﺃﻥ ﻴﺤﺱ ﻭﻜﺄﻨﻪ ﻓﻲ ﻤﻨﺯﻝﻪ‪ .‬ﻝﻜﻥ ﺍﻻﺨﺘﻼﻑ ﺒﻴﻥ‬
‫ﺍﻝﻜﻭﺥ ﺍﻝﺼﻐﻴﺭ "ﺍﻝﺠﻤﻴل" ﻓﻲ ﻏﺭﺏ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻭﺍﻝﺒﻴﺕ ﺍﻝﺭﻴﻔﻲ ﺍﻝﻜﺒﻴﺭ ﻝﻌﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺍﻝﺫﻱ ﻴﺘﻭﺴﻁ‬
‫ﻤﺌﺎﺕ ﺍﻹﻴﻜﺭﺍﺕ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ ﻜﺎﻥ ﻀﺎﺭﺒﹰﺎ‪ .‬ﻜﺫﻝﻙ ﻜﺎﻥ ﺍﻻﺨﺘﻼﻑ ﺒﻴﻥ ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺍﻝﻘﻭﻴﺔ ﻭﺍﻝﺒﺴـﻴﻁﺔ‬
‫ﻭﻋﺎﺌﻠﺔ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﺤﺫﺭﺓ ﻭﺍﻝﻤﻌﻘﺩﺓ‪ .‬ﺤﻭﻝﺕ ﺴﻨﻭﺍﺕ ﺍﻻﻨﻔﺼﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻭﺍﻝﺩﻩ ﺇﻝﻰ ﻏﺭﺒـﺎﺀ ﻭﻋـﺭﻑ‬
‫ﺯﻭﺠﺔ ﻭﺍﻝﺩﻩ ﺒﺼﻌﻭﺒﺔ ﺒﺎﻝﻐﺔ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﺸﺨﺹ ﺍﻝﺫﻱ ﺸﻌﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺄﻨﻪ ﺍﻷﻗﺭﺏ ﺇﻝﻴﻪ ﻓﻲ ﺘﻠﻙ ﺍﻝﻔﺘﺭﺓ ﻫﻭ "ﺠﻴﻥ ﺃﻭﻴﻥ ‪"Gene Owen‬‬
‫ﻤﺩﻴﺭﺓ ﻗﺴﻡ ﺍﻝﺩﺭﺍﻤﺎ ﻓﻲ ﺠﺎﻤﻌﺔ ﻤﺩﻴﻨﺔ "ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ"‪ .‬ﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1949‬ﻝﻡ ﺘﻜﻥ ﺍﻝﺠﺎﻤﻌﺔ ﻗﺩ ﺍﻨﺘﻘﻠﺕ ﺇﻝـﻰ ﺤﺭﻤﻬـﺎ‬
‫ﺍﻝﺠﺩﻴﺩ ﻓﻲ "ﺒﻴﻜﻭ" ﻭ "ﺘﻭﻴﻨﺘﻴﺙ" ﻭﻜﺎﻨﺕ ﻻ ﺘﺯﺍل ﺘﺸﺎﺭﻙ ﺍﻷﺭﺽ ﻤﻊ ﻤﺩﺭﺴﺔ "ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ" ﺍﻝﺜﺎﻨﻭﻴﺔ ﺍﻝﺘﻲ ﺘﺤﻤـل‬
‫ﺍﺴﻡ "ﺩﻭﺴﻭﻥ ﻫﺎﻱ ‪ "Dawson High‬ﻭﻗﺩ ﺍﺴﺘﺨﺩﻤﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﻨﻴﻜﻭﻻﺱ ﺭﺍﻱ ‪ "Nicolas Ray‬ﻜﻤﻭﻗـﻊ‬
‫ﺃﺴﺎﺴﻲ ﻓﻲ ﻓﻴﻠﻡ "ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪."Rebel Without Cause‬‬
‫ﻭﻝﺴﻭﺀ ﺍﻝﺤﻅ‪ ،‬ﻭﺒﺴﺒﺏ ﻤﺸﺎﺭﻜﺘﻬﻡ ﻝﻨﻔﺱ ﺍﻝﻤﻭﻗﻊ ﻓﻘﺩ ﻋﻨﻰ ﻫﺫﺍ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻝـﺩﻯ ﺍﻝﺠﺎﻤﻌـﺔ ﻭﻻ ﺍﻝﻤﺩﺭﺴـﺔ‬
‫ﺍﺴﺘﺨﺩﺍﻡ ﺩﺍﺌﻡ ﻝﻠﻤﺴﺭﺡ‪ .‬ﻜﺎﻨﺕ ﺍﻝﻘﺎﻋﺩﺓ ﺃﺩﺍﺀ ﺘﺠﺎﺭﺏ ﺍﻝﺘﻤﺜﻴل ﻭﺍﻝﻘﺭﺍﺀﺓ ﻓﻲ ﺍﻝﺼﻑ‪ .‬ﻭﻝﻜﻥ ﺤﺘﻰ ﻓﻲ ﻗﺭﺍﺀﺍﺕ ﺍﻝﺼﻑ‬
‫ﻓﻘﺩ ﻻﺤﻅﺕ ﺍﻝﺴﻴﺩﺓ "ﺃﻭﻴﻥ ‪ "Owen‬ﻤﻭﻫﺒﺔ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻗﺩ ﺃﺤﺒﺘﻪ ﻭﻻﺴﻴﻤﺎ ﻓﻲ "ﻫﺎﻤﻠﺕ ‪ ."Hamlet‬ﺘﻘـﻭل‪“:‬‬
‫ﻜﺎﻥ ﻝﺩﻴﻪ ﻨﻔﺎﺫ ﺒﺼﻴﺭﺓ ﻏﻴﺭ ﺍﻋﺘﻴﺎﺩﻱ ﻝﻠﺩﻭﺭ‪ ،‬ﺇﻨﻪ ﻤﻜﻬﺭﺏ ﻭﻤﺨﺘﻠﻑ‪ .‬ﻝﻘﺩ ﺃﺒﻬﺭﻨﻲ ﻋﻤﻠﻪ ﻻﺴﻴﻤﺎ ﻤﻊ ﻤﻘﺎﻁﻊ ﻤﻨﺎﺠـﺎﺓ‬
‫ﺍﻝﻨﻔﺱ”‪.‬‬
‫ﻋﻠﻤﺕ "ﺠﻴﻥ ﺃﻭﻴﻥ ‪" "Gene Owen‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﺎﺭﻴﺦ ﺍﻝﻤﺴﺭﺡ ﻭﺒﺩﺍﻴﺔ ﺍﻝﺘﻤﺜﻴل ﻭﺍﻝﺼـﻭﺕ ﻭﺍﻹﻤـﻼﺀ‬
‫ﻭﺍﻝﺭﺍﺩﻴﻭ‪ .‬ﻭﺤﺼل ﺩﺍﺌﻤﹰﺎ ﻋﻠﻰ ﺃﻋﻠﻰ ﺍﻝﻌﻼﻤﺎﺕ ﻓﻲ ﺼﻔﻭﻑ ﺍﻝﺩﺭﺍﻤﺎ‪ ،‬ﺒﻴﻨﻤﺎ ﺤﺼل ﻋﻠﻰ ﻋﻼﻤﺎﺕ ﻤﺘﻭﺴـﻁﺔ ﻓـﻲ‬
‫ﻤﻭﺍﻀﻴﻊ ﺍﻝﻘﺎﻨﻭﻥ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻋﺩﻡ ﺍﺴﺘﻁﺎﻋﺔ ﻗﺴﻡ ﺍﻝﺩﺭﺍﻤﺎ ﺘﺄﻤﻴﻥ ﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻔﺭﺹ ﻝﻠﻌﻤل ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴـﺭﺡ‪ ،‬ﻓﺈﻨـﻪ‬
‫ﺍﺴﺘﻁﺎﻉ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻤﺤﻁﺔ ﺇﺫﺍﻋﻴﺔ‪ .‬ﺤﺎﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺒﻌﺽ ﺍﻻﻋﻼﻨﺎﺕ ﻭﻗﺭﺃ ﻤﻘﺎﻁﻊ ﻤﻥ ﻤﺴﺭﺤﻴﺎﺕ‬
‫ﻭﺘﺴﻜﻊ ﻭﻫﻭ ﻴﺴﺘﻤﻊ ﺇﻝﻰ ﺒﺭﺍﻤﺞ ﺍﻵﺨﺭﻴﻥ‪ .‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﺃﺘﺕ ﺍﻝﺴﻴﺩﺓ "ﺃﻭﻴﻥ ‪ "Owen‬ﺇﻝﻰ ﺍﻝﻤﺤﻁﺔ ﺒﻴﻨﻤﺎ ﻜـﺎﻥ‬
‫ﻓﺭﻴﻕ ﻜﻭﻤﻴﺩﻱ ﻤﻥ ﺍﻝﻁﺎﻝﺒﻴﻥ‪" ،‬ﻓﺭﻴﺩ ﻭﻤﺎﻜﻲ ‪ "Fred and Mackie‬ﻴﺴﺨﺭ ﻤﻥ ﺍﻝﺸﺭﻁﺔ ﺍﻝﻤﻠﻜﻴﺔ ﺍﻝﻜﻨﺩﻴﺔ‪ .‬ﻭﺍﺴﺘﻁﺎﻋﺕ‬
‫ﺭﺅﻴﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﺒﺎﺭﺓ ﻋﻥ ﺠﻤﻬﻭﺭ ﻝﻁﻴﻑ ﻤﻥ ﺸﺨﺹ ﻭﺍﺤﺩ ﻤﻥ ﺨﻼل ﻨﺎﻓﺫﺓ ﻏﺭﻓـﺔ ﺍﻝـﺘﺤﻜﻡ‬
‫ﻭﻫﻭ ﻴﺠﻠﺱ ﻓﻲ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻴﻀﺤﻙ ﻋﻨﺩ ﻜل ﻨﻜﺘﺔ‪.‬‬
‫ﻜﺎﻥ ﺃﺤﺩ ﺃﺴﺒﺎﺏ ﻤﻭﻫﺒﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﻁﻭﺭﺓ ﺍﻝﻬﺎﻤﺔ ﻜﻭﻨﻪ ﻤﻌﺠﺒﹰﺎ ﺒﻤﻭﺍﻫﺏ ﺍﻵﺨـﺭﻴﻥ‪ .‬ﻜـﺎﻥ ﺩﺍﺌـﻡ‬
‫ﺍﻝﻤﺸﺎﻫﺩﺓ ﻭﺍﻻﺴﺘﻤﺎﻉ ﻭﺍﻝﺘﻘﻭﻴﻡ‪ .‬ﺍﻜﺘﺴﺏ ﻜﺜﻴﺭﹰﺍ ﻤﻥ ﺃﺼﺎﻝﺘﻪ ﻭﻨﻀﺎﺭﺘﻪ ﻤﻥ ﺨـﻼل ﺍﻝﻤﺠﻤﻭﻋـﺔ ﺍﻝﻜﺒﻴـﺭﺓ ﻝﻠﺼـﻭﺭ‬
‫ﺍﻝﻤﺨﺯﻨﺔ ﻝﺩﻴﻪ‪ .‬ﺃﺤﺏ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺍﻝﺘﺤﺩﺙ ﻭﺍﻝﻨﻅﺭ ﻭﺍﻻﺴﺘﻤﺎﻉ‪ .‬ﺍﻋﺘﺎﺩﺕ ﺍﻝﺴﻴﺩﺓ "ﺃﻭﻴﻥ ‪ "Owen‬ﺍﻝﻌﻭﺩﺓ ﺇﻝـﻰ‬
‫ﻤﻜﺘﺒﻬﺎ ﻓﻲ ﺒﻨﺎﺀ ﺍﻝﻤﻜﺘﺒﺔ ﺍﻝﻘﺩﻴﻡ ﻝﺘﺠﺩﻩ ﺠﺎﻝﺴﹰﺎ ﻋﻠﻰ ﺍﻝﻤﺸﻊ ﺍﻝﺤﺭﺍﺭﻱ ﻜﻘﻁ ﺃﻝﻴﻑ‪ .‬ﻭﻜﺎﻨﺕ ﺘﻌﺭﻑ ﺃﻨﻪ ﻴﺭﻴﺩ ﻤﺤﺎﺩﺜﺘﻬـﺎ‬
‫ﺇﺫﺍ ﺘﺴﻨﻰ ﻝﻪ ﺍﻝﻭﻗﺕ ﻝﺫﻝﻙ ﻓﺈﻨﻬﻤﺎ ﺴﻭﻑ ﻴﺘﺤﺩﺜﺎﻥ ﻝﺴﺎﻋﺎﺕ ﻭﺴﺎﻋﺎﺕ‪ .‬ﻭﺃﻀﺤﻰ ﻭﺍﻀﺤﹰﺎ ﻭﻤﻊ ﺍﻷﺴـﻑ ﺃﻥ ﺘﻌﻠﻴﻤـﻪ‬
‫ﺍﻝﻌﺎﻡ ﺃﻗل ﻤﻤﺎ ﺘﺼﻭﺭﺘﻪ‪ ،‬ﻭﻝﻜﻨﻬﺎ ﻝﻡ ﺘﺴﺘﻁﻊ ﻤﻨﻊ ﻨﻔﺴﻬﺎ ﻤﻥ ﺇﻅﻬﺎﺭ ﺇﻋﺠﺎﺒﻬﺎ ﺒﻌﻘﻠﻪ ﺍﻝﻤﺘﻘـﺩ ﻭﻤﻭﻫﺒﺘـﻪ ﺍﻝﻤﺴـﺭﺤﻴﺔ‬
‫ﺍﻻﺴﺘﺜﻨﺎﺌﻴﺔ‪ .‬ﻭﺒﺩﺃﺕ ﺘﺤﺱ ﺒﺘﻌﺎﻁﻑ ﻜﺒﻴﺭ ﻨﺤﻭ ﺨﺠل ﻭﺍﺭﺘﺒﺎﻙ ﺍﻝﻔﺘﻰ ﺍﻝﻤﻭﻫﻭﺏ‪.‬‬
‫ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩ ﻨﻬﺎﻴﺔ ﺴﻨﺘﻪ ﺍﻝﺘﺤﻀﻴﺭﻴﺔ ﺍﻷﻭﻝﻰ ﻓﻲ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ ﺍﻻﻨﺘﻘﺎل ﺇﻝﻰ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‬
‫– ﻝﻭﺱ ﺃﻨﺠﻠﻴﺱ ‪ ."UCLA‬ﻭﻨﺼﺤﺘﻪ ﺍﻝﺴﻴﺩﺓ "ﺃﻭﻴﻥ ‪ "Owen‬ﺒﻠﻁﻑ ﻭﻝﻜﻥ ﺒﺤﺯﻡ ﺒﻌﺩﻡ ﺍﻝﺘﻐﻴﻴﺭ‪ ،‬ﻝﻜﻨﻬﺎ ﻝـﻡ ﺘﺴـﺘﻁﻊ‬
‫ﺍﻝﺒﻭﺡ ﺃﻜﺜﺭ ﺒﻤﺎ ﻜﺎﻨﺕ ﺘﺭﻴﺩﻩ ﺨﻭﻓﹰﺎ ﻤﻥ ﺠﺭﺡ ﻤﺸﺎﻋﺭﻩ‪ .‬ﺸﻌﺭﺕ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻜﻭﻥ ﻏﺎﺭﻗﹰﺎ ﺃﻜﺎﺩﻴﻤﻴﺎﹰ‪ ،‬ﻓﻬﻭ ﻝـﻡ ﻴﻜـﻥ‬
‫ﻤﺴﺘﻌﺩﹰﺍ ﻝﻠﻤﻨﺎﻓﺴﺔ ﺍﻝﻘﺎﺴﻴﺔ ﻓﻲ ﻗﺴﻡ ﻓﻨﻭﻥ ﺍﻝﻤﺴﺭﺡ ﻓﻲ ﺘﻠﻙ ﺍﻝﺠﺎﻤﻌﺔ‪ ،‬ﻭﺒﺄﻨﻪ ﻴﺤﺘﺎﺝ ﺇﻝـﻰ ﺘﺤﻀـﻴﺭ ﺨـﺎﺹ ﺃﻜﺜـﺭ‬
‫ﻝﻴﺴﺘﻁﻴﻊ ﻤﻥ ﺨﻼﻝﻪ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻋﻼﻗﺔ ﺸﺨﺼﻴﺔ ﻤﻊ ﺃﺴﺎﺘﺫﺘﻪ‪ .‬ﻝﻜﻨﻪ ﻗﺭﺭ ﺃﻥ ﻴﺄﺨﺫ ﻫﺫﻩ ﺍﻝﺨﻁﻭﺓ‪ .‬ﻝﻘـﺩ ﺃﺭﺍﺩ ﺃﻥ‬
‫ﻴﻌﻤل ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ‪ ،‬ﺤﻴﺙ ﻜﺎﻥ ﻝﺩﻯ ﺍﻝﺠﺎﻤﻌﺔ ﻤﺴﺭﺡ "ﺭﻭﻴﺱ ﻫﻭل ‪ "Royce Hall‬ﺍﻝﻤﻌﺩ ﺒﺸﻜل ﻜﺎﻤل‪ .‬ﺘـﻡ‬
‫ﺘﻤﺜﻴل ﺇﻨﺘﺎﺠﺎﺕ ﺤﻘﻴﻘﻴﺔ ﺠﻴﺩﺓ ﻋﻠﻰ ﺨﺸﺒﺔ ﻫﺫﺍ ﺍﻝﻤﺴﺭﺡ ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺃﻓﻀل ﻤﻥ ﺃﻱ ﺸﻲﺀ ﺁﺨﺭ ﻓﻲ ﻝـﻭﺱ‬
‫ﺃﻨﺠﻠﺱ‪.‬‬
‫ﺍﻝﺘﺤﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﻤل ﺼﻴﻔﻲ ﻝﺠﻤﻊ ﺍﻝﻤﺎل ﺍﻝﺨﺎﺹ ﺒﻤﺼﺭﻭﻑ ﺍﻝﻌﺎﻡ ﺍﻝﻘﺎﺩﻡ ﻜﻤﺩﺭﺏ ﺭﻴﺎﻀـﻲ ﻓـﻲ‬
‫ﺍﻷﻜﺎﺩﻴﻤﻴﺔ ﺍﻝﻌﺴﻜﺭﻴﺔ‪ ،‬ﻭﺩﺨل ﺍﻝﺠﺎﻤﻌﺔ ﻓﻲ ﺍﻝﺨﺭﻴﻑ‪ .‬ﻭﻤﻊ ﺍﺴﺘﻤﺭﺍﺭﻩ ﻓﻲ ﺘﺤﻘﻴﻕ ﺃﻤﻨﻴﺔ ﺃﺒﻴﻪ ﻓﻘﺩ ﺴﺠل ﻓﻲ ﺍﻝﺤﻘـﻭﻕ‬
‫ﻜﻔﺭﻉ ﺭﺌﻴﺴﻲ ﻭﺒﻔﻨﻭﻥ ﺍﻝﻤﺴﺭﺡ ﻜﺎﺨﺘﺼﺎﺹ ﺜﺎﻨﻭﻱ ﻭﺍﻨﻀﻡ ﺇﻝﻰ ﺠﻤﻌﻴﺔ ﺍﻹﺨﺎﺀ ﺍﻝﻤﻌﺭﻭﻓﺔ ﺒﺎﺴﻡ "ﺴﻴﺠﻤﺎ ﻨﻭ ‪Sigma‬‬
‫‪ .(1)"Nu‬ﺇﻻ ﺃﻥ ﺍﻝﺘﺯﺍﻤﺎﺘﻪ ﺍﻝﻤﻨﺯﻝﻴﺔ ﻭﺘﻌﻠﻴﻤﻪ ﻭﻜﺘﺒﻪ ﻭﻤﻼﺒﺴﻪ ﺍﻝﻘﻠﻴﻠﺔ ﺍﻝﺘﻲ ﺍﺸﺘﺭﺍﻫﺎ ﻜﺎﻨﺕ ﺩﺍﺌﻤﹰﺎ ﺘﺯﻴﺩ ﻋﻤﺎ ﺍﺴـﺘﻁﺎﻉ‬
‫ﻼ ﻜﻤﺸﻐل ﻝﻠﻤﺴﻼﻁ ﺍﻝﺴﻴﻨﻤﺎﺌﻲ ﻝﻸﺴﺎﺘﺫﺓ ﺍﻝﺫﻴﻥ ﺍﺴﺘﺨﺩﻤﻭﺍ ﺍﻷﻓﻼﻡ ﻓﻲ‬ ‫ﺇﻴﺩﺍﻋﻪ ﻓﻲ ﺍﻝﺒﻨﻙ‪ .‬ﻗﺩﻡ ﻝﻪ ﻤﻜﺘﺏ ﺍﻝﺘﻭﻅﻴﻑ ﻋﻤ ﹰ‬
‫ﺩﺭﻭﺴﻬﻡ‪.‬‬

‫)‪ %= (1‬إ^ ء أ‪ T6‬ؤه ﻡ دون ا;[

 و‪
$ E‬وع ‪ A$‬آ" ﻡ ا‪ @9‬ت ا;>ة وآ‪#‬ا‪ .‬ﺱ‪ 56 W‬م ‪1869‬و‪ `[M;5‬ﻡ‪ 1‬د‪ 5EQ‬‬
‫ @;‪H‬ام  >‪ L‬ا‪9^J‬ي‪ ،‬وا>‪ %BB‬وا‪
8‬ف‪.‬‬
‫ﻝﻡ ﺘﻜﻥ ﺍﻝﺤﻴﺎﺓ ﻓﻲ ﺍﻝﺠﻤﻌﻴﺔ ﺴﻬﻠﺔ ﺃﻴﻀﹰﺎ‪ .‬ﻴﺘﺫﻜﺭ ﺃﺤﺩ ﺃﻓﺭﺍﺩﻫﺎ‪ “ :‬ﻗﺎﺒﻠﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩﻤﺎ ﻜﻨـﺕ ﻓـﻲ‬
‫ﺍﻝﺴﻨﺔ ﺍﻷﻭﻝﻰ ﻋﺎﻡ ‪ 1950‬ﺨﻼل ﺍﻨﻁﻼﻕ ﺍﻝﻔﺼل ﺍﻝﺩﺭﺍﺴﻲ ﻓﻲ ﺍﻝﺨﺭﻴﻑ‪ .‬ﻜﺎﻥ ﺍﻨﻁﺒﺎﻋﻲ ﺍﻷﻭل ﺒﺄﻨﻪ ﻜﺎﻥ ﻤﺨﻠﺼـﹰﺎ‬
‫ﺠﺩﹰﺍ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻝﻘﺩ ﻗﺎﻡ ﺒﺄﺩﺍﺀ ﺍﻝﻌﻬﺩ ﺜﻡ ﺃﺼﺒﺢ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺒﻌﺩ ﻋﺩﺓ ﺃﺴﺎﺒﻴﻊ ﺃﻥ ﺍﻻﻝﺘﺯﺍﻡ ﺒﻬﺫﺍ ﺍﻝﻌﻬﺩ ﻜﺎﻥ ﻀﻌﻴﻔًﹰﺎ ‪ -‬ﻝﻡ‬
‫ﻴﺴﺘﻁﻊ ﺘﻘﺒﻠﻪ ‪ -‬ﻤﺜل ﻋﺩﻡ ﺍﻝﻘﺩﻭﻡ ﺇﻝﻰ ﺍﺠﺘﻤﺎﻋﺎﺕ ﻴﻭﻡ ﺍﻻﺜﻨﻴﻥ‪ .‬ﺍﺴﺘﻁﺎﻉ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺨﻴﺭﹰﺍ ﺍﻝﺩﺨﻭل ﻭﺍﻝﺘﻌﺭﻑ‬
‫ﻋﻠﻰ ﺍﻝﺴﻜﻥ‪ ،‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻭﺠﻭﺩ ﻨﻘﺎﺵ ﻋﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﻴﺠﺏ ﻋﻠﻴﻪ ﺨﻭﺽ ﻓﺼل ﺩﺭﺍﺴﻲ ﺁﺨﺭ ﻤﻥ ﺍﻝﺘﻌﻬـﺩﺍﺕ ﺜـﻡ‬
‫ﺍﻝﺫﻫﺎﺏ ﺇﻝﻰ ﺃﺴﺒﻭﻉ ﻤﺎﻗﺒل ﺍﻝﺒﺩﺀ ﺒﺎﻝﻌﻤل‪ ،‬ﻝﻜﻨﻬﻡ ﻗﺭﺭﻭﺍ ﺃﺨﻴﺭﹰﺍ ﺃﻥ ﻴﺩﻋﻭﻩ ﻴﺨﻭﻀﻬﺎ‪ .‬ﺃﺴﺘﻁﻴﻊ ﺍﻝﻘﻭل ﺇﻨﻪ ﻭﻓﻲ ﻫﺫﻩ ﺍﻝﻤـﺭﺓ‬
‫ﻗﺩ ﻨﺎل ﺤﺼﺘﻪ ﺍﻷﺨﻴﺭﺓ ﻤﻥ ﺍﻝﻤﺸﻜﻼﺕ ﺍﻝﺘﻲ ﺍﻨﺘﻬﺕ ﺒﺎﻝﻤﺸﺎﺠﺭﺓ ﺍﻷﻭﻝﻰ”‪.‬‬
‫ﻗﺎﻡ ﺒﻌﺽ ﺍﻷﻋﻀﺎﺀ ﺍﻝﻘﺩﺍﻤﻰ ﻓﻲ ﺍﻝﺠﻤﻌﻴﺔ ﺃﺜﻨﺎﺀ ﺇﺤﺩﻯ ﺍﻝﻤﺸﺎﺠﺭﺍﺕ ﺍﻷﻭﻝﻰ ﻭﺸﺭﺏ ﺍﻝﺒﻴﺭﺓ ﺒﺈﺨﺒـﺎﺭﻩ ﻋـﻥ‬
‫ﺍﻝﻭﺍﺠﺒﺎﺕ ﺍﻝﻤﻬﻨﻴﺔ ﻭﺍﻝﺼﺒﻴﺎﻨﻴﺔ ﺍﻝﺘﻲ ﻴﺠﺏ ﻋﻠﻴﻪ ﺘﻭﻗﻊ ﻋﻤﻠﻬﺎ ﺨـﻼل ﺍﻷﺴـﺒﻭﻉ ﺍﻷﻭل‪ .‬ﻭﻗـﺎﻡ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﺒﺈﺨﺒﺎﺭﻫﻡ ﻋﻤﺎ ﻴﻤﻜﻥ ﻫﻡ ﺃﻥ ﻴﻌﻤﻠﻭﻩ‪ ،‬ﻓﺎﺴﺘﺸﺎﻁﻭﺍ ﻏﻀﺒﹰﺎ ﻭﺒﺩﺅﻭﺍ ﺒﻤﻀﺎﻴﻘﺘﻪ ﺒﺎﻝﻸﺴﺌﻠﺔ ﻋﻥ ﻭﺠﻭﺩﻩ ﻓﻲ ﻗﺴﻡ ﺍﻝﻔﻨﻭﻥ‬
‫ﺍﻝﻤﺴﺭﺤﻴﺔ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻜﻤﺎ ﻴﻘﻭﻝﻭﻥ ﻝﻠﻤﺨﻨﺜﻴﻥ‪ .‬ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩﻫﺎ ﺒﻠﻜﻡ ﺃﺤﺩﻫﻡ ﻭﺨﺭﺝ ﻤﻥ ﺍﻝﻨﺯل‪ ،‬ﻭﻝﻡ ﻴﻌﺩ‬
‫ﺇﻝﻴﻪ ﺃﺒﺩﹰﺍ‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ‪ ،‬ﻭﺃﺜﻨﺎﺀ ﻋﻭﺩﺘﻪ ﺒﺎﻝﺤﺎﻓﻠﺔ ﻤﻥ ﻫﻭﻝﻴﻭﻭﺩ ﻤﻥ ﺃﺠل ﺃﺩﻭﺍﺭ ﻓﻲ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﻭﺍﻝﺴﻴﻨﻤﺎ‪ ،‬ﺼﺎﺩﻑ "ﺒﻴـل‬
‫ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻲ ﺴﻨﺘﻪ ﻗﺒل ﺍﻷﺨﻴﺭﺓ ﻤﻥ ﺍﺨﺘﺼﺎﺼﻪ ﻓﻲ ﻓﻨﻭﻥ ﺍﻝﻤﺴﺭﺡ‪ ،‬ﻭﺍﻗﺘﺭﺡ ﻋﻠﻴﻪ ﺃﻥ ﻴﺒﺤﺜـﺎ‬
‫ﻋﻥ ﺸﻘﺔ ﻝﻬﻤﺎ ﻤﻌﹰﺎ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﻗﺎﺒل "ﺒﻴل ‪ "Bill‬ﺨﻼل ﺇﻨﺘﺎﺝ "ﺭﻭﻴﺱ ﻫﻭل ‪ "Royce Hall‬ﻤﺴـﺭﺤﻴﺔ‬
‫"ﻤﺎﻜﺒﻴﺙ ‪ "Macbeth‬ﺍﻝﺘﻲ ﻤﺜل ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ "ﺠﻭﺍﻥ ‪ "Joan‬ﺼﺩﻴﻘﺔ "ﺒﻴل ‪ ."Bill‬ﻜﺎﻨـﺕ ﻤﺠﻠـﺔ ﻗﺴـﻡ‬
‫ﺍﻝﻔﻨﻭﻥ ﺍﻝﻤﺴﺭﺤﻴﺔ "ﺴﺒﻭﺕ ﻻﻴﺕ ‪ "Spotlight‬ﻏﻴﺭ ﻤﺘﺤﻤﺴﺔ ﺤﻭل ﺍﻹﻨﺘﺎﺝ ﺒﺸﻜل ﻋﺎﻡ ﻭﻋﻥ ﺃﺩﺍﺀ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﺒﺸﻜل ﺨﺎﺹ‪ “ :‬ﻓﺸل "ﻤﺎﻝﻜﻭﻝﻡ ‪ "Malcolm‬ﺍﻝﺫﻱ ﻤﺜل ﺩﻭﺭﻩ "ﺠﻴﻤﺱ ﺩﻴـﻥ ‪ "James Dean‬ﺒﺈﻅﻬـﺎﺭ ﺃﻱ ﺘﻁـﻭﺭ‬
‫ﻭﺼﻨﻊ ﻤﻠﻜﹰﺎ ﻤﺠﻭﻓﹰﺎ ”‪ .‬ﻭﻝﻡ ﺘﻤﻨﺢ "ﺠﻭﺍﻥ ‪ "Joan‬ﺤﺘﻰ ﻤﺠﺎﻤﻠﺔ ﺫﻜﺭﻫﺎ‪.‬‬
‫ﺤﺎﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻻ ﻴﺯﺍل ﻴﻤﻠﻙ ﻤﻭﻗﻔﹰﺎ ﺠﻴﺩﹰﺍ ﻓﻲ "ﺴﻴﺠﻤﺎ ﻨﻭ ‪ "Sigma Nu‬ﺒﻌﺩ ﺫﻝﻙ ﺍﻝﻠﻘـﺎﺀ‬
‫ﺍﻝﻘﺼﻴﺭ ﺍﻷﻭل ﺃﻥ ﻴﺠﻌل "ﺒﻴل ‪ "Bill‬ﻴﻨﻀﻡ ﺇﻝﻴﻬﻡ‪ .‬ﺇﻻ ﺃﻥ "ﺒﻴل ‪ "Bill‬ﺃﺨﻔﻕ ﻓﻲ ﻝﻘﺎﺌﻪ ﺍﻷﻭل ﺍﻝﺤﺎﺴﻡ ﻤـﻊ "ﺍﻷﻭﻻﺩ"‬
‫ﻭﺃﺠﺒﺭ ﻋﻠﻰ ﺍﻝﻤﻀﻲ ﺒﺎﻝﺴﻜﻥ ﻓﻲ ﺍﻝﻤﻬﺠﻊ‪.‬‬
‫ﺃﻭﻝﻰ "ﺒﻴل ‪ "Bill‬ﺍﻗﺘﺭﺍﺡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻤﺸﺎﺭﻜﺘﻪ ﺍﻝﺸﻘﺔ ﺒﻌﺽ ﺍﻝﺘﻔﻜﻴﺭ ﺍﻝﻤﺭﻜﺯ‪ .‬ﺭﺒﻤـﺎ ﻜﺎﻨـﺕ ﻓﻜـﺭﺓ‬
‫ـﺒﺢ‬‫ـﻊ ﺃﺼــــ‬ ‫ـﺒﺏ ﺃﻥ ﺍﻝﻤﻬﺠــــ‬ ‫ـﺎ ﻝﺴــــ‬ ‫ـﺩﺓ‪ .‬ﻭﺭﺒﻤــــ‬ ‫ـﻪ ﺠﻴــــ‬ ‫ـﺘﺭﺍﻙ ﻤﻌــــ‬ ‫ﺍﻻﺸــــ‬
‫ﻻ ﻴﻁﺎﻕ‪ ،‬ﺃﻭ ﻝﺴﺒﺏ ﺁﺨﺭ ﺤﻴﺙ ﻴﻭﺠﺩ ﻝﺩﻯ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺼﻔﺎﺕ ﺍﻻﻋﺘﻤﺎﺩ ﻋﻠﻰ ﺍﻝﺫﺍﺕ ﻭﺍﻝﻘﻴـﺎﺩﺓ ﻭﺍﻻﺴـﺘﻘﻼﻝﻴﺔ‬
‫ﺍﻝﺘﻲ ﻻ ﻴﻤﺎﻨﻊ ﺒﺎﻝﺤﺼﻭل ﻋﻠﻴﻬﺎ ﻭﺭﺒﻤﺎ ﻴﺴﺘﻁﻴﻊ ﺫﻝﻙ ﺇﺫﺍ ﺍﺴﺘﻁﺎﻉ ﺩﺭﺍﺴﺘﻬﺎ ﻋﻥ ﻜﺜﺏ‪ .‬ﺃﻤﺎ ﺍﻝﺴﺒﺏ ﺍﻝﺜﺎﻝﺙ ﻓﻜـﺎﻥ ﺃﻥ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺴﺠل ﻋﻨﺩ ﻭﻜﻴل ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﻻ ﻴﻤﺎﻨﻊ ﺭﺒﻤﺎ ﺒﺘﻘﺩﻴﻤﻪ ﻝﻪ‪ .‬ﺃﻝﻡ ﻴﻌﻤل ﺠﺎﻫﺩﹰﺍ ﻋﻠﻰ ﺇﺩﺨﺎﻝﻪ ﺇﻝـﻰ‬
‫"ﺴﻴﺠﻤﺎ ﻨﻭ ‪"Sigma Nu‬؟ ﺇﺫﹰﺍ ِﻝ ‪‬ﻡ ﻻ ﻴﺤﺎﻭل ﺫﻝﻙ؟ ﺍﺘﻔﻕ ﺍﻻﺜﻨﺎﻥ ﻭﺘﺼﺎﻓﺤﺎ ﻋﻠﻰ ﺍﻝﺼﻔﻘﺔ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻌﻴﺩﹰﺍ ﻝﻠﻐﺎﻴﺔ ﻷﻥ "ﺒﻴل ‪ "Bill‬ﻝﻡ ﻴﺭﻓﺽ ﻓﻜﺭﺘﻪ ﺒﺄﻨﻪ ﻗﺩ ﻗﺩﻡ ﻨﻔﺴﻪ ﺒﻬﺫﻩ ﺍﻷﻨﺎ ﺍﻝﺠﻨﻭﻨﻴﺔ‪.‬‬
‫ﺴﺄل‪ “ :‬ﻫل ﺍﻋﺘﺭﺍﻙ ﺫﻝﻙ ﺍﻝﺸﻌﻭﺭ ﺒﺄﻥ ﺍﻷﻤﻭﺭ ﻝﻴﺴﺕ ﺒﻴﺩﻙ؟”‪ .‬ﺃﻭﻤﺄ "ﺒﻴل ‪ "Bill‬ﺒﺭﺃﺴﻪ ﺒﻠﻁـﻑ‪ .‬ﻭﺘـﺎﺒﻊ "ﺠﻴﻤـﻲ‬
‫‪ “ :"Jimmy‬ﻤﺎ ﺃﻋﻨﻴﻪ‪ ،‬ﻫل ﺘﻌﻠﻡ ﺒﺄﻨﻙ ﺘﻤﻠﻙ ﺸﻴﺌﹰﺎ ﻝﻌﻤﻠﻪ ﻭﻝﻜﻨﻙ ﻻ ﺘﺘﺤﻜﻡ ﺒﺎﻷﻤﻭﺭ؟ ﻜل ﻤﺎ ﺃﻋﺭﻓﻪ ﻫﻭ ﺃﻨﻨﻲ ﻴﺠـﺏ‬
‫ﺃﻥ ﺃﻋﻤل ﺸﻴﺌﹰﺎ ﻤﺎ‪ .‬ﻻ ﺃﻋﺭﻑ ﻤﺎ ﻫﻭ ﺒﺎﻝﻀﺒﻁ ﺇﻝﻰ ﺍﻵﻥ‪ ،‬ﻝﻜﻨﻨﻲ ﺴﻭﻑ ﺃﻋﺭﻑ ﻋﻨﺩﻤﺎ ﻴﺤﻴﻥ ﺍﻝﻭﻗﺕ‪ .‬ﻴﺠﺏ ﻋﻠﻲ ﺃﻥ‬
‫ﻻ ﺃﺘﻭﻗﻑ ﻋﻥ ﺍﻝﻤﺤﺎﻭﻝﺔ ﺤﺘﻰ ﻭﺼﻭﻝﻲ ﻝﻠﻬﺩﻑ‪ .‬ﻫل ﻓﻬﻤﺕ ﻗﺼﺩﻱ؟”‪ .‬ﺃﻭﻤﺄ "ﺒﻴل ‪ "Bill‬ﻤﺭﺓ ﺃﺨﺭﻯ ﺒﺭﺃﺴﻪ‪“ .‬ﻜﺄﻨﻨﻲ‬
‫ﻼ ﺃﻭ ﻤﺨﺭﺠﺎﹰ‪ ،‬ﻭﺤﺘﻰ‬ ‫ﻼ ﻭﻝﻜﻥ ﻫﺫﻩ ﻝﻴﺴﺕ ﻫﻲ ﺍﻝﺤﺎﻝﺔ‪ .‬ﻓﻬﺫﺍ ﻝﻴﺱ ﻜل ﺸﻲﺀ‪ .‬ﻭﻤﺠﺭﺩ ﻜﻭﻨﻲ ﻤﻤﺜ ﹰ‬ ‫ﺃﺭﻴﺩ ﺃﻥ ﺃﺼﺒﺢ ﻤﻤﺜ ﹰ‬
‫ﻝﻭ ﻜﺎﻥ ﻭﺍﺤﺩﹰﺍ ﺠﻴﺩﺍﹰ‪ ،‬ﻻ ﻴﻜﻔﻲ‪ .‬ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﺍﻝﻤﺯﻴﺩ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻻ ﻴﻭﺠﺩ ﺸـﻲﺀ ﻻ ﺘﺴـﺘﻁﻴﻊ ﻋﻤﻠـﻪ ﺇﺫﺍ‬
‫ﻭﻀﻌﺕ ﻜل ﻁﺎﻗﺘﻙ ﻝﻪ”‪.‬‬
‫ﺘﺎﺒﻊ "ﺒﻴل ‪ "Bill‬ﺘﺤﺭﻴﻙ ﺭﺃﺴﻪ ﻤﻭﺍﻓﻘﺎﹰ‪ ،‬ﻭﺒﺩﺃ ﻴﺸﻌﺭ ﺒﺎﻝﺘﺄﺜﻴﺭ ﺍﻝﻤﻐﻨﺎﻁﻴﺴﻲ ﻝﻜﻠﻤـﺎﺕ "ﺠﻴﻤـﻲ ‪ “ ."Jimmy‬ﺇﺫﺍ‬
‫ﺒﺩﺃﺕ ﺒﺘﻘﺒل ﺍﻝﻌﺎﻝﻡ ﺍﻝﺫﻱ ﺤﻭﻝﻙ ﻭﺘﺭﻜﺕ ﺍﻷﺸﻴﺎﺀ ﺘﺤﺩﺙ ﻤﻌﻙ‪ ،‬ﻓﺈﻥ ﺍﻷﻤﻭﺭ ﺴﻭﻑ ﺘﺤﺩﺙ ﺒﺸﻜل ﺃﻓﻀل ﻤﻤﺎ ﺤﻠﻤﺕ‬
‫ﻼ ﺠﻴﺩﹰﺍ ﻓﻘﻁ‪ ،.‬ﻭﻻ ﺃﺭﻴﺩ ﺤﺘﻰ ﺃﻥ ﺃﻜـﻭﻥ‬ ‫ﺒﻪ‪ .‬ﻭﻝﻬﺫﺍ ﻓﺈﻨﻨﻲ ﺴﻭﻑ ﺃﺒﻘﻰ ﻤﻠﺘﺯﻤﹰﺎ ﺒﻬﺫﺍ ﺍﻝﺸﻲﺀ‪ .‬ﻻ ﺃﺭﻴﺩ ﺃﻥ ﺃﻜﻭﻥ ﻤﻤﺜ ﹰ‬
‫ﺍﻷﻓﻀل ﻓﻘﻁ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﻜﺒﺭ ﻭﺃﻜﺒﺭ ﻝﺩﺭﺠﺔ ﻻ ﻴﺴﺘﻁﻴﻊ ﻓﻴﻬﺎ ﺃﺤﺩ ﺃﻥ ﻴﺠﺎﺭﻴﻨﻲ”‪.‬‬
‫ﺘﺎﺒﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﺤﺩﺙ ﻭﺍﻝﺘﺤﺩﺙ ﻭﻫﻭ ﻴﺼل ﻝﻸﻋﻠﻰ ﻭﻴﺸﺠﻊ ﻨﻔﺴﻪ ﺒﻜﻠﻤﺎﺘﻪ‪ “ .‬ﺒﺎﻝﻨﺴﺒﺔ ﻝـﻲ‪ ،‬ﻓـﺈﻥ‬
‫ﺍﻝﻨﺠﺎﺡ ﺍﻝﻭﺤﻴﺩ ﻭﺍﻝﻌﻅﻤﺔ ﺍﻝﻭﺤﻴﺩﺓ ﻝﻺﻨﺴﺎﻥ ﻫﻲ ﺍﻝﺨﻠﻭﺩ‪ .‬ﺃﻥ ﻴﺘﺫﻜﺭﻭﺍ ﻋﻤﻠﻙ ﻤﻥ ﺨﻼل ﺍﻝﺘﺎﺭﻴﺦ‪ ،‬ﻭﺃﻥ ﺘﺘﺭﻙ ﺸﻴﺌﹰﺎ ﻓﻲ‬
‫ﻫﺫﺍ ﺍﻝﻌﺎﻝﻡ ﻴﺒﻘﻰ ﻝﻘﺭﻭﻥ‪ .‬ﺘﻠﻙ ﻫﻲ ﺍﻝﻌﻅﻤﺔ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﺼﺒﺢ ﻜﺒﻴﺭﹰﺍ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﻜل ﻫﺫﺍ ﺍﻝﻬﺭﺍﺀ ﻭﻫﺫﺍ ﺍﻝﻌﺎﻝﻡ ﺍﻝﺼﻐﻴﺭ‬
‫ﺍﻝﺫﻱ ﻨﺤﻴﺎ ﻓﻴﻪ‪ .‬ﻫﻨﺎﻙ ﻤﺴﺘﻭﻯ ﻓﻲ ﻤﻜﺎﻥ ﻤﺎ ﺤﻴﺙ ﻜل ﺸﻲﺀ ﺜﺎﺒﺕ ﻭﻤﻬﻡ‪ .‬ﺴﻭﻑ ﺃﺤﺎﻭل ﺍﻝﻭﺼـﻭل ﺇﻝـﻰ ﻫﻨـﺎﻙ‬
‫ﻭﺍﻝﺒﺤﺙ ﻋﻥ ﻤﻜﺎﻥ ﺃﻋﺭﻑ ﺃﻨﻪ ﻗﺭﻴﺏ ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﻜﻤﺎل”‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻤﻥ ﺍﻝﺼﻌﺏ ﻓﻲ ﻋﻤﺭ ﺍﻝﺘﺎﺴﻌﺔ ﻋﺸﺭﺓ ﻋﻠﻰ ﺍﻹﻨﺴﺎﻥ ﺃﻥ ﻴﻨﺘﺸﻲ ﻓﻲ ﺃﺤﻼﻤﻪ‪ ،‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﻤﻥ ﺍﻝﺼﻌﺏ‬
‫ﺃﻥ ﻴﺤﻘﻘﻬﺎ ﺒﻌﺩ ﺍﻻﺴﺘﻴﻘﺎﻅ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻝﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻤﺨﺘﻠﻔﹰﺎ‪ .‬ﻗﺎﻡ ﺒﻭﻀﻊ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺠﻬـﺩ ﺍﻝﻴـﻭﻤﻲ‬
‫ﺍﻝﻤﻀﻨﻲ ﻓﻲ ﻤﺴﺘﻘﺒﻠﻪ ﺍﻝﻤﻬﻨﻲ‪.‬‬
‫ﺸﺎﻫﺩﺕ ﺍﻝﻭﻜﻴﻠﺔ "ﺇﻴﺯﺍﺒﻴل ﺩﺭﺍﻴﺴﻤﻴﺭ ‪ "Isabelle Draesmer‬ﻋﺭﻀﻪ ﻓـﻲ "ﻤـﺎﻝﻜﻭﻝﻡ ‪ "Malcolm‬ﻭﺃﺒـﺩﺕ‬
‫ﺇﻋﺠﺎﺒﻬﺎ ﺒﺄﺩﺍﺌﻪ ﺃﻜﺜﺭ ﻤﻥ ﻨﻘﺎﺩ "ﺴﺒﻭﺕ ﻻﻴﺕ ‪ ."Spotlight‬ﻋﺎﺩﺕ ﺇﻝﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ ﻭﻫﻨﺄﺘﻪ ﻋﻠﻰ ﻋﻤﻠﻪ ﻭﺘﺭﻜﺕ ﻝﻪ‬
‫ﺒﻁﺎﻗﺘﻬﺎ‪ .‬ﻗﺎﻡ ﺒﺎﻻﺘﺼﺎل ﺒﻬﺎ ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻭﻗﺎﺩ ﺴﻴﺎﺭﺘﻪ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﻤﻥ ﺃﺠل ﺍﻝﻤﻘﺎﺒﻠﺔ‪ .‬ﻭﻗﻌﺕ ﻤﻌﻪ ﻋﻘﺩﹰﺍ ﻭﻗﺎﻤﺕ‬
‫ﺒﺈﺭﺴﺎﻝﻪ ﻤﻥ ﺃﺠل ﺍﻷﺩﻭﺍﺭ‪ ،‬ﺒﻴﻨﻤﺎ ﻗﺎﻡ ﻫﻭ ﺃﻴﻀﹰﺎ ﺒﺎﻝﺒﺤﺙ ﻋﻥ ﺃﺩﻭﺍﺭ ﺒﻤﻔﺭﺩﻩ ‪ .‬ﻗﺎﻡ ﺒﻌﻤل ﻤﺴﺢ ﻜﺎﻤل ﻝﻠﻤﺠﻼﺕ ﻤﺜل "‬
‫‪" Daily‬‬ ‫ﺩﻴﻠـــــــــــــــــﻲ ﻓـــــــــــــــــﺎﺭﻴﺘﻲ ‪Variety‬‬
‫ﻭ "ﻫﻭﻝﻴﻭﻭﺩ ﺭﻴﺒﻭﺭﺘﺭ ‪ "Hollywood Reporter‬ﻭﺒﺎﻝﻘﻴﺎﻡ ﺒﺎﻻﺘﺼﺎﻻﺕ ﺍﻝﻬﺎﺘﻔﻴﺔ ﻭﺍﻝﺘﺴـﻜﻊ ﻓـﻲ ﺼـﻴﺩﻝﻴﺔ "ﺸـﺎﻭﺏ‬
‫‪ "Schawb‬ﻭﺤﺎﻭل ﻤﻘﺎﺒﻠﺔ ﺍﻝﻤﻨﺘﺠﻴﻥ ﻭﺃﻀﺠﺭ ﻤﺨﺭﺠﻲ ﻓﺤﺹ ﺍﻷﺩﺍﺀ ﺒﺄﺴﺌﻠﺘﻪ‪.‬‬
‫ﺘﻐﻴﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﻴل ‪ "Bill‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻝﻠﻘﺎﺌﻬﻡ ﻓﻲ ﺍﻝﺤﺎﻓﻠﺔ ﻋﻥ ﺤﺼﺼﻬﻡ ﻝﻠﺒﺤﺙ ﻋﻥ ﺸـﻘﺔ‪.‬‬
‫ﺃﺭﺍﺩﺍﻫﺎ ﺃﻥ ﺘﻜﻭﻥ ﻓﻲ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ ﻗﺭﺏ ﺍﻝﺸﺎﻁﺊ‪ ،‬ﻝﻜﻥ ﻜﺎﻥ ﻜل ﻤﺎ ﺸﺎﻫﺩﻭﻩ ﺇﻤﺎ ﺼﻐﻴﺭﹰﺍ ﺠﺩﹰﺍ ﺃﻭ ﻏﺎﻝﻴﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻭﻤﻊ‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﻴﻭﻡ ﺤﻴﺙ ﻜﺎﻨﺎ ﻋﻠﻰ ﻭﺸﻙ ﺍﻻﺴﺘﺴﻼﻡ‪ ،‬ﻗﺎﻤﺕ ﺴﻴﺩﺓ ﻤﺸﺭﻗﺔ ﺍﻝﻭﺠﻪ ﻭﻤﺘﻭﺴﻁﺔ ﺍﻝﻌﻤﺭ ﺒﻌﺭﺽ ﺸﻘﺔ ﻋـﺯﺍﺏ‬
‫ﻤﻌﺘﻤﺔ ﺠﺩﹰﺍ ﻭﻤﻨﻐﺼﺔ ﺒﺤﻴﺙ ﺭﻓﻀﺎﻫﺎ ﺒﻤﺠﺭﺩ ﺩﺨﻭﻝﻬﻤﺎ ﻋﺘﺒﺔ ﺍﻝﺒﺎﺏ‪.‬‬
‫ﺃﺤﺴﺕ ﺒﺎﻝﺸﻔﻘﺔ ﻋﻠﻴﻬﻤﺎ ﺒﻭﺠﻬﻴﻬﻤﺎ ﺍﻝﺤﺯﻴﻨﻴﻥ ﻓﻘﺎﺩﺘﻬﻤﺎ ﻝﺴﻁﺢ ﺍﻝﺒﻨﺎﺀ ﻭﺃﺭﺘﻬﻤﺎ ﺸﻘﺔ ﺼﻐﻴﺭﺓ ﻝﻡ ﺘﻜـﻥ ﺘﻨـﻭﻱ‬
‫ﺘﺄﺠﻴﺭﻫﺎ‪ .‬ﻜﺎﻨﺕ ﻏﺭﻓﻬﺎ ﺍﻝﺜﻼﺙ ﺫﺍﺕ ﻨﻤﻁ ﺇﺴﺒﺎﻨﻲ ﻭﻤﻜﺴﻴﻜﻲ ﻭﻫﻨﺩﻱ ﻤﻊ ﻤﺴﺤﺔ ﻤﻥ ﺘﺄﺜﻴﺭ ﺍﻴﻁﺎﻝﻲ‪ .‬ﻝﻡ ﺘﻜﻥ ﺍﻷﺠﺭﺓ‬
‫ﻋﺎﻝﻴﺔ ﻝﻜﻥ ﻜﺎﻥ ﻫﻨﺎﻙ ﺸﺭﻁ‪ .‬ﺸﺭﺤﺕ ﺍﻝﻤﺭﺃﺓ ﺃﻨﻬﺎ ﺤﺎﺌﺯﺓ ﻋﻠﻰ ﺸﻬﺎﺩﺓ ﻋﻠﻴﺎ ﻓﻲ ﺍﻝﻔﻨﻭﻥ ﻤﻥ ﺠﺎﻤﻌﺔ ﻭﻴﺴﺕ ﻓﻴﺭﺠﻴﻨﻴﺎ‪،‬‬
‫ﻭﺃﻥ ﺍﻝﺸﻘﺔ ﻜﺎﻨﺕ ﻤﺸﺭﻭﻋﻬﺎ ﻓﻲ ﺍﻝﺩﻴﻜﻭﺭ‪ .‬ﻭﺇﺫﺍ ﻜﺎﻨﺎ ﺴﻭﻑ ﻴﺴﻜﻨﺎﻨﻬﺎ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻬﻤﺎ ﻋﺩﻡ ﺘﺤﺭﻴـﻙ ﺃﻴـﺔ ﻗﻁﻌـﺔ‬
‫ﻭﺒﺎﻝﻁﺒﻊ ﺍﻹﺒﻘﺎﺀ ﻋﻠﻰ ﺍﻝﻤﻜﺎﻥ ﻨﻅﻴﻔﹰﺎ ﻭﻤﺭﺘﺒﹰﺎ ﺩﺍﺌﻤﹰﺎ‪ .‬ﺃﺒﺩﻯ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺤﻤﺎﺴﺔ ﻜﺒﻴﺭﺓ‪ ،‬ﻓﺠﻠﺱ ﻋﻠﻰ ﻜﺭﺴﻲ ﻭﻗﻔﺯ‬
‫ﻋﻠﻰ ﺴﺭﻴﺭ ﻭﻗﺎﻡ ﺒﻔﺘﺢ ﺍﻝﺩﺵ ﻭﺍﻝﺒﺭﺍﺩ ﻭﻭﻀﻊ ﺭﺃﺴﻪ ﻓﻲ ﺍﻝﻔﺭﻥ ﻭﺃﺨﺭﺝ ﺭﺃﺴﻪ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ ﻤﻨﻬﻴﹰﺎ ﻫﺫﻩ ﺍﻝﺤﺎﻝـﺔ ﻤـﻥ‬
‫ﺨﻼل ﺩﻓﻊ ﻨﻔﺴﻪ ﻓﻭﻕ ﺍﻝﺴﺠﺎﺩﺓ ﻭﺴﻁ ﻏﺭﻓﺔ ﺍﻝﻤﻌﻴﺸﺔ ﻤﺒﺘﺴﻤﹰﺎ ﺒﻔﺭﺡ ﻁﻔﻭﻝﻲ ﻝﻠﺴﻴﺩﺓ ﺍﻝﺘﻲ ﺴﺘﺼﺒﺢ ﻤﺅﺠﺭﺓ ﺍﻝﺸـﻘﺔ‪.‬‬
‫ﻜﺎﻨﺕ ﺍﻝﺸﻘﺔ ﻝﻬﻤﺎ‪ ،‬ﻝﻜﻥ ﺍﻝﺩﻓﻌﺔ ﺍﻝﻤﻘﺩﻤﺔ ﻤﻥ ﺍﻷﺠﺭﺓ ﺘﺭﻜﺘﻬﻤﺎ ﻤﻔﻠﺴﻴﻥ‪.‬‬
‫ﻭﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﺤﻴﺙ ﻜﺎﻥ ﻤﺎ ﻴﺩﻋﻰ ﻤﻁﺎﺭ"ﺁﻴﺩﻝﻭﺍﻴﻠﺩ"‪ ،‬ﺭﻜﺏ "ﺒﻴﻥ ﺁﻝﻜـﻭﻙ ‪ "Ben Alcock‬ﺍﻝﻤﺤﺎﺴـﺏ ﻓـﻲ‬
‫ﺸﺭﻜﺔ ﺒﻴﺒﺴﻲ ﻜﻭﻻ ﻓﻲ ﻭﻜﺎﻝﺔ "ﻤﻴﻠﺘﻭﻥ ﺒﻴﻭ ‪ "Milton Biow‬ﺇﻝﻰ ﻝﻭﺱ ﺃﻨﺠﻠﺱ‪ .‬ﻜﺎﻥ ﺴﻭﻑ ﻴﺫﻫﺏ ﺇﻝـﻰ ﺍﻝﺴـﺎﺤل‬
‫ﻝﻴﻌﻁﻲ ﻤﻭﺍﻓﻘﺘﻪ ﻋﻠﻰ ﺒﻌﺽ ﺍﻝﻔﺘﻴﺔ ﻤﻥ ﻤﺅﺴﺴﺔ "ﺠﻴﺭﻱ ﻓﻴﺭﺒﺎﻨﻜﺱ ‪"Jerry Fairbanks‬ﺍﻝﺫﻴﻥ ﺘﺠﻤﻌـﻭﺍ ﻤـﻥ ﺃﺠـل‬
‫ﺩﻋﺎﻴﺎﺕ ﻤﺴﻠﺴل ﺘﻠﻔﺯﻴﻭﻨﻲ ﺠﺩﻴﺩ‪ .‬ﻭﻤﻊ ﻭﺼﻭﻝﻪ ﺇﻝﻰ ﻝﻭﺱ ﺍﻨﺠﻠﺱ ﻤﻊ ﺯﻭﺠﺘﻪ "ﺴﻭﺯﺍﻥ ‪ "Suzan‬ﺍﻝﺘﻲ ﺃﺘـﺕ ﻤﻌـﻪ‬
‫ﻝﻠﻬﺭﻭﺏ ﻤﻥ ﺒﺭﻭﺩﺓ ﺍﻝﺴﺎﺤل ﺍﻝﺸﺭﻗﻲ ﻝﻌﺩﺓ ﺃﻴﺎﻡ ﻨﺯﻻ ﻓﻲ ﻓﻨﺩﻕ "ﺒﻴﻔﺭﻝﻲ ﻫﻴﻠﺯ" ﺤﻴﺙ ﻗﺎﻤﺕ ﺒﺎﻝﻨﻅﺭ ﺇﻝﻰ ﺍﻝﻨﺠﻭﻡ ﻓـﻲ‬
‫ﺼﺎﻝﺔ "ﺒﻭﻝﻭ"‪ .‬ﺍﺴﺘﻴﻘﻅﺎ ﺒﺎﻜﺭﹰﺍ ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻭﻁﻠﺒﺎ ﺴﻴﺎﺭﺘﻬﻤﺎ ﺍﻝﻤﺴﺘﺄﺠﺭﺓ ﻭﺫﻫﺒﺎ ﺇﻝﻰ ﺤﺩﻴﻘـﺔ "ﻏﺭﻴﻔﻴـﺙ"‬
‫ﺤﻴﺙ ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﺍﻝﺩﻋﺎﻴﺎﺕ ﺴﺘﺼﻭﺭ ﻻﺤﻘﹰﺎ ﻋﻨﺩ ﻝﻌﺒﺔ ﺍﻷﺤﺼﻨﺔ ﺍﻝﺩﻭﺍﺭﺓ ﻓﻲ ﻨﻬﺎﻴﺔ ﺫﻝﻙ ﺍﻝﻨﻬﺎﺭ‪.‬‬
‫ﻗﺎﻤﺕ ﺍﻝﻤﺅﺴﺴﺔ ﺒﺼﻑ ﻁﺎﺒﻭﺭ ﻤﻥ ﺸﺒﺎﺏ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﺍﻝﺸﻘﺭ ﺃﻤﺎﻤﻪ ﻝﻠﻨﻅﺭ ﺇﻝﻴﻬﻡ‪ .‬ﻗﺎﻡ ﺒﺎﻨﺘﻘـﺎﺀ ﻭﻝـﺩ ﻝـﺩﻭﺭ‬
‫ﺍﻝﺒﻁﻭﻝﺔ ﺫﻱ ﺍﺒﺘﺴﺎﻤﺔ ﻤﻤﻴﺯﺓ ﻋﻥ ﺍﻝﺒﻘﻴﺔ‪ ،‬ﻜﺎﻨﺕ ﻤﺸﻌﺔ ﺤﻠﻭﺓ ﻭﺤﺯﻴﻨﺔ ﺒﻐﻤﻭﺽ ﺠـﺫﺍﺏ‪ .‬ﻭﺃﻴـﺩﺕ ﺯﻭﺠﺘـﻪ ﻫـﺫﺍ‬
‫ﺍﻻﺨﺘﻴﺎﺭ‪ .‬ﻜﺎﻥ ﺍﻝﺩﻭﺭ ﺒﺴﻴﻁﹰﺎ‪ :‬ﺘﺠﺎﻭﺯ ﻋﺩﺓ ﺯﺠﺎﺠﺎﺕ ﻤﺒﺭﺩﺓ ﻭﺃﻭﻻﺩ ﻜﺒﺎﺭ ﻭﻫﻡ ﻴﻤﺘﻁﻭﻥ ﺠﻴﺎﺩﻫﻡ ﺍﻝﺨﺎﺼﺔ ﺒﻌﺭﻭﺽ‬
‫ﺍﻝﻔﺭﺴﺎﻥ ﻭﺍﻝﻤﻠﻭﻨﺔ ﺒﺠﻨﻭﻥ‪ .‬ﻭﺒﺸﻜل ﻤﺎ ﺒﺩﺕ ﺍﺒﺘﺴﺎﻤﺔ ﻫﺫﺍ ﺍﻝﺸﺎﺏ ﻭﻗﺩ ﺤﺎﻓﻅﺕ ﻋﻠﻰ ﻨﻀﺎﺭﺘﻬﺎ ﻝﻘﻁﺔ ﺒﻌﺩ ﻝﻘﻁﺔ‪ .‬ﻜﺎﻥ‬
‫ﻴﻭﻤﹰﺎ ﻋﻅﻴﻤﹰﺎ ﻝﻠﺘﺼﻭﻴﺭ‪ .‬ﺃﺩﺭﻙ "ﺒﻴﻥ ﺁﻝﻜﻭﻙ ‪ "Ben Alcock‬ﺒﻌﺩ ﻫﺫﺍ ﺒﺴﻨﻭﺍﺕ ﺃﺜﻨﺎﺀ ﺘﺼﻔﺤﻪ ﺇﺤﺩﻯ ﺍﻝﻤﺠﻼﺕ ﻓـﻲ‬
‫ﻏﺭﻓﺔ ﺍﻻﻨﺘﻅﺎﺭ ﻋﻨﺩ ﻁﺒﻴﺏ ﺍﻷﺴﻨﺎﻥ ﺃﻥ ﻫﺫﺍ ﺍﻝﻔﺘﻰ ﺍﻝﺫﻱ ﻭﻀﻌﻪ ﻓﻲ ﺩﻋﺎﻴﺔ ﺒﻴﺒﺴﻲ ﻜﺎﻥ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪"Jimmy Dean‬‬
‫ﻜﺎﻥ ﻫﺫﺍ ﺃﻭل ﻅﻬﻭﺭ ﻝﻪ ﻓﻲ ﻓﻴﻠﻡ‪.‬‬
‫ﻤﻨﺤﺕ ﺸﻘﺔ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﻴل ‪ "Bill‬ﺘﺠﺭﺒﺘﻬﻤﺎ ﺍﻷﻭﻝﻰ ﻤﻥ ﺍﻝﺨﺼﻭﺼﻴﺔ ﺍﻝﺭﺍﺸﺩﺓ‪ .‬ﻜـﺎﻥ‬
‫ﺒﺎﺴﺘﻁﺎﻋﺘﻬﻤﺎ ﺍﻝﺴﻬﺭ ﻭﺍﻝﺘﺤﺩﺙ ﺤﺘﻰ ﺍﻝﻔﺠﺭ‪ ،‬ﻭﻗﺭﺍﺀﺓ ﺍﻝﻜﺘﺏ ﺍﻝﻤﻤﻨﻭﻋﺔ ﺒﺩﻭﻥ ﺨﻭﻑ ﻤﻥ ﺍﻝﺭﻗﺎﺒـﺔ ﺃﻭ ﺍﻝﻤﺼـﺎﺩﺭﺓ‪.‬‬
‫ﻭﺍﻋﺘﻘﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻗﺭﺍﺀﺓ ﻤﻘﺎﻁﻊ ﺴﺎﺨﻨﺔ ﻤﻥ ﺭﻭﺍﻴﺔ "ﺴﻴﻜﺱ ﺁﺹ ‪ "Sexus‬ﻝـ "ﻫﻨـﺭﻱ ﻤﻴﻠـﺭ ‪Henry‬‬
‫‪ "Miller‬ﻝﺼﺩﻴﻘﺎﺘﻪ ﺍﻝﻼﺘﻲ ﺃﺘﻴﻥ ﻝﻼﺤﺘﻔﺎل ﻤﻊ ﺍﻝﺸﺒﺎﻥ ﻓﻲ ﺸﻘﺘﻪ ﻋﻠﻰ ﺍﻝﺴﻁﺢ ﻫﻭ ﻨﻭﻉ ﻤﻥ ﺍﻝﺘﺒﺠﺢ ﻭﺍﻝﺘﺯﻭﺩ ﺒﺎﻝﻭﻗﻭﺩ‪.‬‬
‫ﺠﻠﺒﺕ ﻫﺫﻩ ﺍﻝﺤﺭﻴﺔ ﺍﻝﺠﺩﻴﺩﺓ ﺍﻝﻤﺯﻴﺩ ﻤﻥ ﺍﻝﻼﺸﻌﻭﺭ ﻋﻨﺩﻩ ﺇﻝﻰ ﺍﻝﺴﻁﺢ‪ .‬ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﻗﺎﻡ ﺒﺭﺴﻡ ﺤﻘـل ﻝــ‬
‫"ﺁﺩﻴﻠﻴﻥ ‪ "Adeline Nall‬ﻭﺒﻨﺤﺕ ﻤﺠﺴﻡ ﺩﻋﺎﻩ "ﺍﻝﻨﻔﺱ" ﻝـ "ﺠﻴﻤﺱ ﺩﻴـﻭﻴﺭﺩ ‪ ."James Deweered‬ﻭﻓـﻲ ﺴـﺎﻨﺘﺎ‬
‫ﻤﻭﻨﻴﻜﺎ‪ ،‬ﻗﺎﻡ ﺒﺭﺴﻡ ﻝﻭﺤﺔ ﺯﻴﺘﻴﺔ ﻝﻬﻴﻜل ﻋﻅﻤﻲ ﻤﻠﻔﻭﻑ ﺒﺠﻠﺩ ﺃﺨﻀﺭ ﺸﻔﺎﻑ ﻭﻏﺎﺭﻕ ﻝﻨﺼﻔﻪ ﻓﻲ ﺍﻝـﺭﻭﺙ ﺒﻨﻔـﻕ ﻻ‬
‫ﻨﻬﺎﻴﺔ ﻝﻪ‪ .‬ﻭﺴﻤﻰ ﻫﺫﻩ ﺍﻝﻠﻭﺤﺔ "ﺭﺠل ﻓﻲ ﺭﺤﻡ ﺍﻤﺭﺃﺓ"‪.‬‬
‫ﻗﺎﻡ ﺒﺘﺤﻭﻴل ﺭﺠل ﻓﻲ ﺇﺤﺩﻯ ﻝﻭﺤﺎﺘﻪ ﺇﻝﻰ ﻤﻨﻔﻀﺔ ﻝﻠﺴﺠﺎﺌﺭ‪ .‬ﻓﻤﻥ ﻗﺎﻋﺩﺓ ﺩﺍﺌﺭﻴﺔ ﻴﺭﺘﻔﻊ ﺍﻝﺠﺫﻉ ﻭﺭﻗﺒﺔ ﻁﻭﻴﻠﺔ‬
‫ﻝﺩﻋﻡ ﺍﻝﺭﺃﺱ ﺃﺩﺨل ﺨﻼﻝﻪ ﻜﻤﺎ ﻋﻨﺩ "ﺩﺍﻝﻲ ‪ "Dali‬ﻓﻤﹰﺎ ﻴﺩﺨﻥ ﺴﻴﺠﺎﺭﹰﺍ‪ .‬ﺘﺴﺎﻋﺩ ﻓﻴﻪ ﻴﺩ ﺒﺫﺭﺍﻉ ﻁﻭﻴﻠﺔ ﺘﺸﺒﻪ ﺍﻝﻤﺎﺴـﻭﺭﺓ‬
‫ﺒﺤﻤل ﺍﻝﺴﻴﺠﺎﺭ‪ ،‬ﺒﻴﻨﻤﺎ ﺘﺤﻤل ﺍﻝﺫﺭﺍﻉ ﺍﻷﺨﺭﻯ ﺒﻌﺽ ﺍﻝﺴﺠﺎﺌﺭ ﺍﻝﻤﺸﺘﻌﻠﺔ‪.‬‬
‫ﺭﺒﻤﺎ ﻜﺎﻨﺕ ﻫﺫﻩ ﺍﻝﻠﻭﺤﺔ ﻤﺴﺅﻭﻝﺔ ﺠﺯﺌﻴﹰﺎ ﻋﻥ ﺇﺼﺭﺍﺭ ﻜﻴﻨﻴﺙ ﺁﻨﻐﺭ ‪ "Kenneth Anger‬ﻓﻲ ﻓﻴﻠﻡ "ﻫﻭﻝﻴﻭﻭﺩ ﺒﺎﺒل‬
‫‪ "Hollywood Babylon‬ﻋﻠﻰ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻀﻊ “ﺇﻴﺤﺎﺀﺍﺕ ﺠﻨﺴﻴﺔ ﻤﻊ ﺍﻝﻀﺭﺏ ﻭﺍﻷﺤﺫﻴﺔ ﺍﻝﻨﺴﺎﺌﻴﺔ ﺍﻝﻌﺎﻝﻴﺔ‬
‫ﻭﺍﻷﺤﺯﻤﺔ ﻭﺍﻝﺘﻜﺒﻴل – ﻤﺒﻬﺭﺓ ﻤﻊ ﻨﺩﻭﺏ ﺤﺭﻭﻕ ﺴﺠﺎﺌﺭ )ﻭﺍﻝﺘﻲ ﻤﻨﺤﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﺴﻤﻪ ﺍﻝﺴﺭﻱ‪":‬ﻤﻨﻔﻀـﺔ‬
‫ﺍﻝﺴﺠﺎﺌﺭ ﺍﻝﺒﺸﺭﻴﺔ"(‪.”...‬‬
‫ﻓﺘﺢ "ﺒﻴل ‪ "Bill‬ﻋﻴﻨﻴﻪ ﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻓﻲ ﻋﺘﻤﺔ ﺍﻝﻔﺠﺭ ﻝﻴﻨﻅﺭ ﺇﻝﻰ ﺴﺎﻋﺔ ﺍﻝﻤﻨﺒﻪ ﻝﻴﺸﺎﻫﺩ ﻓﻲ ﻤﻜﺎﻨﻬﺎ ﻤﺎ‬
‫ﺃﺩﺭﻜﻪ ﺒﺒﻁﺀ ﺃﻨﻪ ﻤﻘﻁﻊ ﻁﻭﻝﻲ ﺃﺨﻀﺭ ﻤﻥ ﺍﻝﻁﻴﻥ ﻝﺤﻭﺽ ﺍﻤﺭﺃﺓ ﻤﻘﻠﻭﺏ ﺒﺤﻴﺙ ﺃﺼﺒﺢ ﺍﻝﻤﻬﺒل ﻜﺤﺎﻤـل ﻝﺸـﻤﻌﺔ‬
‫ﺒﻴﻀﺎﺀ ﻜﺒﻴﺭﺓ ﻤﺸﺘﻌﻠﺔ ﺒﺴﻁﻭﻉ ﻭﻫﻲ ﺘﻘﻁﺭ ﺍﻝﺸﻤﻊ ﺍﻝﺴﺎﺨﻥ ﻋﻠﻰ ﺍﻷﻓﺨﺎﺫ‪ .‬ﺒﻘﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺴﺘﻴﻘﻅﹰﺎ ﻁـﻭﺍل‬
‫ﺍﻝﻠﻴل ﻭﻫﻭ ﻴﻨﺤﺕ ﻫﺫﺍ ﺍﻝﻌﻤل ﺍﻝﻔﻨﻲ‪ .‬ﻜﺎﻥ ﻴﻘﻑ ﺍﻵﻥ ﻗﺭﺏ ﺍﻝﺴﺭﻴﺭ ﻀﺎﺤﻜﹰﺎ ﻭﻤﺴﺘﻤﺘﻌﹰﺎ ﺒﺘﺄﺜﻴﺭﻩ ﻋﻠﻰ ﺯﻤﻴﻠﻪ ﻨﺼـﻑ‬
‫ﺍﻝﻨﺎﺌﻡ‪.‬‬
‫ﻭﻤﻥ ﺃﺠل ﺘﺨﻔﻴﺽ ﻜﻠﻔﺔ ﻓﻭﺍﺘﻴﺭ ﺍﻹﻴﺠﺎﺭ ﻭﺍﻝﻤﺭﺍﻓﻕ ﺍﻷﺨﺭﻯ )ﻜﺎﻨﺎ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻴﻀﻴﺌﺎﻥ ﺃﻤﺴـﻴﺎﺘﻬﻤﺎ‬
‫ﺒﺎﻝﺸﻤﻊ “ﺃﻴﺎﻡ ﺠﻤﻊ ﺒﺈﻀﺎﺀﺓ ﺃﻗل” – ﻤﻥ ﺃﺠل ﺍﻝﺤﻔﺎﻅ ﻋﻠﻰ ﺍﻝﻜﻬﺭﺒﺎﺀ( ﺴﺎﻋﺩ ﺃﺤﺩﻫﻤﺎ ﺍﻵﺨﺭ ﻗﺩﺭ ﺍﻝﻤﺴـﺘﻁﺎﻉ‪ .‬ﻗـﺎﻡ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺘﻘﺩﻴﻡ "ﺒﻴل ‪ "Bill‬ﺇﻝﻰ "ﺍﻴﺯﺍﺒﻴل ﺩﺭﻴﺴﻤﺭ ‪ "Isabelle Draesmer‬ﻭﺤﺼل "ﺒﻴل ‪ "Bill‬ﻝـ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻋﻠﻰ ﻭﻅﻴﻔﺔ ﺤﺎﺠﺏ ﻓﻲ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ ."CBS‬ﻝﻜﻨﻪ ﻁﺭﺩ ﻓﻲ ﻨﻬﺎﻴﺔ ﺃﻭل ﺃﺴﺒﻭﻉ ﻝﻪ ﻷﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺘﻜﻠﻑ‬
‫ﺍﺒﺘﺴﺎﻤﺔ ﻋﻨﺩﻤﺎ ﺍﺼﺩﺭ ﻝﻪ ﺭﺌﻴﺴﻪ ﺍﻷﻭﺍﻤﺭ‪ .‬ﻭﻝﻡ ﻴﺴﺘﻁﻊ ﺘﺩﺒﺭ ﺃﻥ ﻴﺒﺩﻭ ﺃﻨﻴﻘﹰﺎ ﻓﻲ ﺯﻴﻪ‪.‬‬
‫ﻜﺎﻥ ﺃﺤﺴﻥ ﺸﻲﺀ ﺴﺎﻋﺩﻩ ﺒﻪ "ﺒﻴل ‪ "Bill‬ﻋﻨﺩﻤﺎ ﻗﺩﻤﻪ ﺇﻝﻰ "ﺠـﻴﻤﺱ ﻭﻴﺘﻤـﻭﺭ ‪ "James Whitmore‬ﺍﻝﻤﻤﺜـل‬
‫ﺼﺎﺤﺏ ﺍﻝﺜﻼﺜﻴﻥ ﻋﺎﻤﹰﺎ ﺍﻝﺫﻱ ﻗﺎﺒﻠﻪ "ﺒﻴل ‪ "Bill‬ﻓﻲ ﻤﻘﺎﺒﻠﺔ ﺃﺩﺍﺀ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﺩﺭﺱ " ﻭﻴﺘﻤـﻭﺭ ‪ "Whitmore‬ﻓـﻲ‬
‫"ﺠﻨﺎﺡ ﺍﻝﻤﺴﺭﺡ ﺍﻷﻤﺭﻴﻜﻲ ‪ "American Theater wing‬ﻓﻲ "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠـﻴﻥ ‪ "Actors Studio‬ﻭﻅﻬـﺭ ﻓـﻲ‬
‫ﺒﺭﻭﺩﻭﺍﻱ ﻓﻲ " ﻗﺭﺍﺭ ﺁﻤﺭ ‪ "Command Decision‬ﻭﺃﺘﻰ ﺇﻝﻰ ﺍﻝﺴﺎﺤل ﻝﻴﻠﻌﺏ ﺩﻭﺭﹰﺍ ﻤﻬﻤﹰﺎ ﻓﻲ ﻓﻴﻠﻡ "ﺃﺭﺽ ﺍﻝﻤﻌﺭﻜﺔ‬
‫‪ "Battle Ground‬ﻭﺍﻝﺫﻱ ﺴﻭﻑ ﻴﻔﻭﺯ ﺒﻪ ﻻﺤﻘﹰﺎ ﺒﺘﺭﺸﻴﺢ ﻝﻸﻭﺴﻜﺎﺭ ﻜﺄﻓﻀل ﻤﻤﺜل ﻤﺴﺎﻋﺩ‪.‬‬
‫ﻜﺎﻥ " ﻭﻴﺘﻤﻭﺭ ‪ "Whitmore‬ﻤﺘﺯﻭﺠﹰﺎ ﻭﺍﺜﻨﺎﻥ ﻤﻥ ﺃﺒﻨﺎﺌﻪ ﺍﻝﺜﻼﺜﺔ ﻜﺎﻨﺎ ﻗﺩ ﻭﻝﺩﺍ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗـﺕ‪ .‬ﻭﺍﻋﺘﻘـﺩ ﺃﻥ‬
‫ﻼ ﻤﻨﺘﻅﻤـﹰﺎ‪.‬‬‫ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻤﻜﺎﻥ ﺃﻓﻀل ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ ﻝﺘﺭﺒﻴﺔ ﺃﻭﻻﺩﻩ ﻭﻗﺩ ﺃﻋﺠﺒﺘﻪ ﺤﻘﻴﻘﺔ ﺃﻥ ﻫﻭﻝﻴﻭﻭﺩ ﺘﻤﻨﺤﻪ ﻋﻤـ ﹰ‬
‫ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﻘﺩ ﺍﻓﺘﻘﺩ ﺩﺍﻓﻊ ﺍﻹﺜﺎﺭﺓ ﺫﻝﻙ ﻝﻤﺴﺭﺡ ﻨﻴﻭﻴﻭﺭﻙ ﻭﻓﺭﺼﺔ ﺍﻝﺘﺠﺭﺒﺔ ﻤﻊ ﺍﻝﻤﻤﺜﻠـﻴﻥ ﺍﻵﺨـﺭﻴﻥ ﻓـﻲ‬
‫"ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ ‪ ."Actors Studio‬ﻭﻫﻜﺫﺍ ﻋﻨﺩﻤﺎ ﻁﻠﺏ ﻤﻨﻪ ﻁﻼﺏ " ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ –ﻝﻭﺱ ﺍﻨﺠﻠﺱ ‪"UCLA‬‬
‫ﻝﻔﻨﻭﻥ ﺍﻝﻤﺴﺭﺡ ﺒﻤﻥ ﻓﻴﻬﻡ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺃﻥ ﻴﺭﺃﺱ ﻤﺠﻤﻭﻋﺔ ﺘﻤﺜﻴل‪ .‬ﻭﺍﻓﻕ‪ ،‬ﻋﻠﻰ ﺃﻥ ﻴﺘﻡ ﻫﺫﺍ ﺩﻭﻥ ﻤﻘﺎﺒل‪،‬‬
‫ﻷﻨﻪ ﻭﺒﻜل ﺘﻭﺍﻀﻊ ﺃﺼﺭ ﺒﺄﻨﻪ ﻻ ﻴﻌﺭﻑ ﺃﻱ ﺸﻲﺀ ﻋﻥ ﺍﻝﺘﻤﺜﻴل ﺃﻭ ﺤﺘﻰ ﺘﺩﺭﻴﺴﻪ‪.‬‬
‫ﺘﻡ ﺇﻴﺠﺎﺩ ﻏﺭﻓﺔ ﻓﻲ "ﺒﻴﻨﺘﻭﻭﺩ ﻤﺎﺭﺕ ‪ "Bentwood Mart‬ﻭﺒﺩﺃﺕ ﺍﻝﻤﺠﻤﻭﻋﺔ ﺒﺎﻻﺠﺘﻤﺎﻉ ﻤﺭﺓ ﺒﻌﺩ ﻅﻬﺭ ﺃﺤـﺩ‬
‫ﺍﻷﻴﺎﻡ ﻤﻥ ﻜل ﺃﺴﺒﻭﻉ‪ .‬ﺤﻀﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﺫﻩ ﺍﻝﺠﻠﺴﺎﺕ ﺒﺎﻨﺘﻅﺎﻡ‪ ،‬ﻝﻜﻨﻪ ﺒﺩﺃ ﺒﺎﻝﺘﻐﻴﺏ ﻋﻥ ﺤﺼﺹ ﺍﻝﺠﺎﻤﻌـﺔ‪.‬‬
‫ﺫﻫﺏ ﻓﻲ ﺃﻜﺜﺭ ﺍﻷﻭﻗﺎﺕ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﻤﻥ ﺃﺠل ﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ ﻝﻠﺘﻠﻔﺯﻴﻭﻥ ﺃﻭ ﺃﺩﻭﺍﺭ ﻓﻲ ﺃﻓﻼﻡ‪ .‬ﻜﺎﻥ ﺍﻝﺸـﻲﺀ ﺍﻝﻭﺤﻴـﺩ‬
‫ﺍﻝﺫﻱ ﻻ ﻴﺯﺍل ﻴﺠﺫﺒﻪ ﻓﻲ ﺍﻝﺠﺎﻤﻌﺔ ﻫﻭ ﺍﻨﻀﻤﺎﻤﻪ ﺇﻝﻰ ﺇﺤﺩﻯ ﺍﻝﻤﺴﺭﺤﻴﺎﺕ ﺍﻝﻤﻨﺘﺠﺔ ﻓﻲ "ﻗﺎﻋﺔ ﺭﻭﻴﺱ ‪."Royce Hall‬‬
‫ﻜﺎﻨﺕ ﺍﻝﻤﻨﺎﻓﺴﺔ ﻗﻭﻴﺔ‪ .‬ﻭﻜﺎﻥ ﺍﻝﺘﻤﺜﻴل ﻴﻤﺜل ﺩﻋﻭﺓ ﻝﻼﺴﺘﻭﺩﻴﻭ ﺍﻝﻘﺩﻴﻡ‪ .‬ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺼﻔﻭﻑ ﻁﻭﻴﻠﺔ ﻴﻘﻑ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻓﻲ ﺃﺤﺩﻫﺎ ﻤﻊ ﺃﺤﺩ ﺃﺼﺩﻗﺎﺌﻪ "ﺠﻭ ﺒﺭﺍﻭﻥ ‪ "Joe Brown‬ﻴﻨﺘﻅﺭﺍﻥ ﺩﻭﺭﻴﻬﻤﺎ ﻝﻠﺼﻌﻭﺩ ﻋﻠﻰ ﺍﻝﺨﺸﺒﺔ ﺍﻝﻌﻅﻴﻤﺔ‬
‫ﻭﻗﺭﺍﺀﺓ ﻨﺼﻭﺹ ﻤﻥ ﺍﻝﻨﺴﺦ ﺍﻝﺘﻲ ﺃﻋﻁﻴﺕ ﻝﻬﻤﺎ‪.‬‬
‫ﻜﺎﻨﺕ ﻤﺴﺭﺤﻴﺔ ﺍﻝﺭﺒﻴﻊ "ﻅﻠﻤﺔ ﺍﻝﻘﻤﺭ ‪ "Dark of the Moon‬ﻝﻜﺎﺘﺒﻴﻬـﺎ "ﻫـﻭﺍﺭﺩ ﺭﻴﺘﺸﺎﺭﺩﺴـﻥ ‪Howard‬‬
‫‪ "Richardson‬ﻭ"ﻭﻴﻠﻴﺎﻡ ﺒﻴﺭﻨﻲ ‪ ."William Berny‬ﻭﺃﺭﺍﺩ ﻜل ﻤﻥ "ﺠﻭ ‪ "Joe‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﻴل ﺩﻭﺭ ﺍﻝﻭﻝـﺩ‬
‫ﺍﻝﺴﺎﺤﺭ – ﺒﻌﺩ ﺭﺅﻴﺘﻬﻤﺎ ﻝﻠﺠﻤﻴﻠﺔ "ﺒﺎﺭﺒﺭﺍ ﺁﻝﻴﻥ ‪ "Barbra Allen‬ﺍﻝﺘﻲ ﺘﻐﻨﻲ ﺃﻏﻨﻴﺘﻬﺎ ﺍﻝﺸﻌﺒﻴﺔ ﻓﻲ ﻋﺩﺓ ﻨﺴﺦ – ﺍﻝـﺫﻱ‬
‫ﻼ ﺇﻨﺴﺎﻨﻴﹰﺎ ﻤﻥ ﺃﺠل ﺍﻝﺯﻭﺍﺝ ﺒﻬﺎ‪ .‬ﻝﻜﻥ ﻫﻨﺎﻙ ﺸﺭﻁﹰﺎ ﺒﺤﻴﺙ ﺇﻨﻪ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺒﻘﻰ ﺇﻨﺴﺎﻨﹰﺎ‬ ‫ﻴﻘﻊ ﺒﺤﺒﻬﺎ ﻭﺍﻝﺫﻱ ﻴﻌﻁﻲ ﺸﻜ ﹰ‬
‫ﻓﻘﻁ ﺇﻥ ﺒﻘﻴﺕ ﻤﺨﻠﺼﺔ‪.‬‬
‫ﻜﺎﻥ ﺇﺫﺍ ﻭﺼل ﻤﻤﺜل ﻤﺎ ﺇﻝﻰ ﺃﺩﺍﺀ ﺍﻝﺘﺠﺎﺭﺏ ﺍﻝﻌﺎﻡ ﻓﺈﻥ ﺍﺴﻤﻪ ﺃﻭ ﺍﺴﻤﻬﺎ ﺴﻭﻑ ﻴﻅﻬﺭ ﻋﻠﻰ ﻻﺌﺤﺔ ﻤﻥ ﺴﻭﻑ‬
‫ﻴﻌﺎﺩ ﻁﻠﺒﻬﻡ ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺃﻥ ﺍﻝﻤﺨﺭﺝ "ﺇﺩﻭﺍﺭﺩ ﻫﻴﺭﻥ ‪ "Edward Hearn‬ﺍﻋﺘﻘﺩ ﺃﻥ ﻜﻠﻴﻬﻤﺎ ﻗﺩ‬
‫ﺃﻅﻬﺭﺍ ﺇﻤﻜﺎﻨﺎﺕ ﺍﻝﻭﻝﺩ ﺍﻝﺴﺎﺤﺭ‪ .‬ﻭﻅﻬﺭ ﺍﺴﻤﺎﻫﻤﺎ ﻋﻠﻰ ﺍﻝﻼﺌﺤﺔ ﻓـﻲ ﺍﻝﻴـﻭﻡ ﺍﻝﺘـﺎﻝﻲ‪ .‬ﻴﺘـﺫﻜﺭ"ﺠـﻭ ‪ "Joe‬ﺒـﺄﻥ‬
‫“ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻭﺍﺜﻘﹰﺎ ﻤﻥ ﻤﺴﺄﻝﺔ ﺇﻋﺎﺩﺓ ﻁﻠﺒﻬﻤﺎ‪ .‬ﻭﻜﻨﺕ ﺘﻌﻠﻡ ﺒﺄﻨﻪ ﻴﻬﺘﻡ ﻝﻬﺫﺍ ﻜﻠﻪ ﻝﻜﻨﻪ ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻭﻜﺄﻨﻪ‬
‫ﺸﺨﺹ ﻤﻨﻌﺯل”‪.‬‬
‫ﻓﻲ ﺃﺤﺩ ﺃﺒﻨﻴﺔ ﺜﻜﻨﺔ ﺍﻝﺠﻨﻭﺩ ﺍﻝﺘﻲ ﻭﻀﻌﺕ ﺨﻠﻑ "ﻤﺴﺭﺡ ﺭﻭﻴﺱ ‪ "Royce Hall‬ﻤﻥ ﺃﺠل ﺇﻗﺎﻤﺔ ﺍﻝﻤﺘﺩﻓﻘﻴﻥ ﻤﻥ‬
‫ﺠﻨﻭﺩ ﺍﻝﺤﺭﺏ ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ ﺍﻝﻌﺎﺌﺩﻴﻥ‪ ،‬ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺠﻭ ‪ "Joe‬ﺒﺒﻌﺽ ﺍﻝﻘﺭﺍﺀﺓ ﺍﻹﻀﺎﻓﻴﺔ ﻝﻠﻤﺨﺭﺝ "ﻫﻴﺭﻥ‬
‫‪ ."Hearn‬ﻭﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻷﺨﻴﺭ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺜﻼﺜﺔ ﻤﻤﺜﻠﻴﻥ ﻓﻘﻁ ﻓﻲ ﺍﻝﺩﻭﺭ‪" :‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺠﻭ ‪ "Joe‬ﻤﻊ ﻓﺘﻰ ﺁﺨﺭ‬
‫ﺃﻁﻭل ﻤﻨﻬﻤﺎ ﺒﺸﻜل ﻤﻌﺘﺒﺭ‪ .‬ﻴﻘﻭل "ﺠﻭ ‪ “ :"Joe‬ﻝﻡ ﺘﻜﻥ ﺤﻘﻴﻘﺔ ﻜﻭﻥ ﺍﻝﺸﺨﺼﻴﺔ ﻏﻴﺭ ﺍﻋﺘﻴﺎﺩﻴﺔ ﺘﻌﻨﻲ ﺃﻨﻪ ﻴﺠـﺏ ﺃﻥ‬
‫ﻼ ﺃﻭ ﻗﻭﻴﹰﺎ‪ .‬ﺍﻋﺘﻘﺩﺕ ﺃﻥ ﻜل ﻤﺎ ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺸﺨﺼﻴﺔ ﻓﻌﻠﻪ ﻫﻭ ﺃﻥ ﺘﺘﺤﺭﻙ ﺠﻴﺩﹰﺍ‪ .‬ﻭﺒﺎﻝﻤﻨﺎﺴـﺒﺔ‪،‬‬ ‫ﻴﻜﻭﻥ ﻜﺒﻴﺭﹰﺍ ﻭﻁﻭﻴ ﹰ‬
‫ﻼ ﻓﻲ ﺒﻌﺽ ﺍﻷﻭﻗﺎﺕ‪ ،‬ﻭﻝﻜﻥ ﻫﺫﺍ ﻝـﻡ ﻴﻅﻬـﺭ‬ ‫ﻓﺈﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﺘﺤﺭﻙ ﺒﺸﻜل ﺠﻤﻴل؛ ﻤﻤﺘﻠﺊ ﺍﻝﻜﺘﻔﻴﻥ ﻗﻠﻴ ًﹰ‬
‫ﺒﺸﻜل ﻭﺍﻀﺢ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﺤﺘﻰ ﺭﺃﻴﺘﻪ ﻻﺤﻘﹰﺎ ﺒﻌﺩ ﺘﺠﺭﺒﺔ "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ ‪ ."Actors Studio‬ﺜﻡ ﻋﺎﺩ ﺒﺄﺴﻠﻭﺏ‬
‫"ﺒﺭﺍﻨﺩﻭ"‪ ،‬ﻭﻝﻜﻥ ﺒﺎﻝﻁﺒﻊ ﺍﻋﺘﺎﺩ ﺍﻝﺠﻤﻴﻊ ﻓﻌل ﻫﺫﺍ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ‪ .‬ﺃﺼﺒﺤﻭﺍ ﻭﺒﺸﻜل ﻤﻔﺎﺠﺊ ﻤﺘﺄﺜﺭﻴﻥ ﺒﺎﻝﻁﺭﻴﻘﺔ ﻭﺍﻝﻜﻼﻡ‬
‫ﺍﻝﺠﺩﻴﺩﻴﻥ‪ .‬ﻭﻝﻜﻥ ﻝﻡ ﻴﻜﻥ ﻫﻜﺫﺍ ﻓﻲ ﻫﺫﺍ ﺍﻝﻭﻗﺕ‪ ،‬ﺒل ﻤﺎل ﺇﻝﻰ ﺃﻥ ﻴﻜﻭﻥ ﻤﻤﺘﻠﺊ ﺍﻝﻜﺘﻔﻴﻥ‪ .‬ﻝﻜﻥ ﺃﺫﻜﺭ ﻭﻝﻬـﺫﺍ ﺍﻝـﺩﻭﺭ‪،‬‬
‫ﺍﻝﻭﻝﺩ ﺍﻝﺴﺎﺤﺭ‪ ،‬ﺒﺄﻨﻪ ﻗﺩ ﺍﺴﺘﻘﺎﻡ‪ ،‬ﻭﺃﻥ ﻜﻼﻤﻪ ﻜﺎﻥ ﻭﺍﻀﺤﺎﹰ‪ ،‬ﺠﺩﻴﺩﹰﺍ‪ .‬ﻜﺎﻥ ﺫﻝﻙ ﺃﺤﺩ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻻﺤﻅﻬﺎ ﺒﻌﺩ ﺃﻥ ﺭﺃﻴﺘﻪ‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻋﻨﺩﻤﺎ ﻋﻤﻠﻨﺎ ﻤﻌﹰﺎ ﻓﻲ "ﺍﻝﻌﻤﻼﻕ ‪ - "Giant‬ﺨﻁﺎﺒﻪ‪ .‬ﺃﺫﻜﺭ ﺃﻨﻨﻲ ﺸﻌﺭﺕ ﻭﻜـﺄﻨﻲ ﺃﻗـﻭل ﻝـﻪ‪ ،‬ﺁﻩ‪،‬‬
‫ﺘﺨﻠﺹ ﻤﻥ ﻫﺫﺍ!‪ .‬ﺇﻝﻰ ﺃﻴﻥ ﺘﺫﻫﺏ ﺒﻬﺫﺍ ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻝﻜﻼﻡ؟ ﻝﻜﻨﻲ ﻝﻡ ﺃﻓﻌل‪ .‬ﻜﺎﻥ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻤﻊ ﻓﺌﺔ ﻤﺨﺘﻠﻔﺔ‪ .‬ﻜﺎﻥ‬
‫ﻫﺫﺍ ﺍﻝﺘﻐﻴﻴﺭ ﺍﻷﻜﺒﺭ ﺍﻝﺫﻱ ﺭﺃﻴﺘﻪ‪ ،‬ﻷﻨﻙ ﻭﻜﻤﺎ ﺘﻌﻠﻡ‪ ،‬ﺃﺭﺍﺩ ﺃﻥ ﻴﻤﺜل "ﻤﺎﻜﺒﻴﺙ ‪ "Macbeth‬ﻭ"ﻫﺎﻤﻠﻴﺕ ‪ "Hamlet‬ﻭﻜـل‬
‫ﺃﺩﻭﺍﺭ ﺸﻜﺴﺒﻴﺭ ﻝﻜﻨﻙ ﻻ ﺘﺴﺘﻁﻴﻊ ﻋﻤل ﻫﺫﺍ ﻭﺍﻝﻜﺭﺍﺕ ﺍﻝﺯﺠﺎﺠﻴﺔ ﻓﻲ ﻓﻤﻙ”‪.‬‬
‫“ﻭﺒﺄﻴﺔ ﺤﺎل‪ ،‬ﻓﻘﺩ ﺍﻨﺘﺼﺏ ﺒﻜﺎﻤل ﻗﺎﻤﺘﻪ ﻭﺭﻓﻊ ﺭﺃﺴﻪ ﻋﺎﻝﻴﹰﺎ ﺤﻴﻥ ﻗﺭﺃﻨﺎ "ﻅﻠﻤﺔ ﺍﻝﻘﻤـﺭ ‪."Dark of the Moon‬‬
‫ﻜﺎﻥ "ﻫﻴﺭﻥ ‪ "Hearn‬ﻭﺍﻗﻔﹰﺎ ﻓﻲ ﺍﻝﺨﻠﻑ ﻤﻊ ﺒﻌﺽ ﺍﻝﻁﻼﺏ ﺍﻵﺨﺭﻴﻥ‪ ،‬ﻭﺒﺩﺃ‪ ،‬ﻭﺒﺼﻭﺘﻪ ﺫﺍﻙ ‪ -‬ﻜﺎﻥ ﺍﻝﻤﺸﻬﺩ ﺒﺤﻴـﺙ‬
‫ﻴﺄﺘﻭﻥ ﻭﻴﺘﻬﻤﻭﻨﻪ ﺒﺄﻨﻪ ﺍﻝﺸﻴﻁﺎﻥ ﻭﻴﻜﺘﺸﻑ ﺒﺄﻥ ﺍﺒﻨﻪ ﻗﺩ ﻤﺎﺕ ‪ -‬ﻭﻜﺎﻥ ﺍﻝﻨﺹ‪" :‬ﻝﻘﺩ ﻓﻘﺩﺕ ﺍﺒﻨﻲ‪ .‬ﻝﻘﺩ ﻤﺎﺕ‪ .‬ﻝﻘﺩ ﻓﻘـﺩﺕ‬
‫ﺍﺒﻨﻲ"‪ .‬ﻭﻜﻤﺎ ﺘﻌﻠﻡ ﻓﻘﺩ ﻫﺯ ﺫﻝﻙ ﺍﻝﺒﻨﺎﺀ ﺍﻝﻠﻌﻴﻥ ﺒﺼﻭﺘﻪ‪ .‬ﻝﻘﺩ ﺸﻌﺭﺕ ﺒﺎﻝﻘﺸﻌﺭﻴﺭﺓ ﻭﺍﻨﺘﺼﺏ ﺸﻌﺭ ﺠﺴﺩﻱ‪ .‬ﻴـﺎ ﻝﺘﻠـﻙ‬
‫ﻼ‪ ،‬ﻭﻫﺫﺍ ﺸﻲﺀ ﻻ ﺘﺭﺍﻩ ﻋﻨﺩ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﺸﺒﺎﻥ‪ .‬ﻭﺭﺒﻤﺎ ﻴﻜﻭﻨﻭﻥ ﺠﻤﻴﻌﻬﻡ ﻤﻨـﺩﻤﺠﻴﻥ‬ ‫ﺍﻝﻘﻭﺓ! ﻝﻘﺩ ﺃﺤﺱ ﺒﺫﻝﻙ ﺠﺴﺩﻴﹰﺎ ﻓﻌ ﹰ‬
‫ﺒﺎﻝﺩﻭﺭ ﻋﺎﻁﻔﻴﹰﺎ ﻭﺤﺴﻴﹰﺎ ﻭﻝﻜﻥ ﻝﻴﺱ ﺠﺴﺩﻴﹰﺎ‪ .‬ﻝﻜﻥ ﻜﺎﻥ ﻫﻨﺎﻙ ﻜل ﺠﺴﺩ ﻭﻜل ﺭﻭﺡ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻋﻨﺩﻤﺎ ﻜـﺎﻥ‬
‫ﻴﺅﺩﻱ ﻫﻜﺫﺍ ﻜﺎﻥ ﺍﻝﺠﻤﻴﻊ ﻴﺼﻔﻕ ﻝﻪ‪ .‬ﻭﻜﻨﺕ ﺃﻨﺎ ﻗﺩ ﺃﺩﻴﺕ ﻭﻜﺎﻥ ﻴﻘﻭل ﻝﻲ‪“ :‬ﺃﻨﺕ ﻝﺩﻴﻙ ﺫﻝﻙ ﻴﺎ "ﺠـﻭ ‪ .’’"Joe‬ﻝﻜـﻥ‬
‫ﻭﺒﻌﺩ ﺃﺩﺍﺌﻪ ﺫﻝﻙ ﻜﻨﺕ ﺃﻗﻭل ﻭﺒﺘﺸﺩﻴﺩ‪“ :‬ﺍﺴﻤﻌﻨﻲ ﻴﺎ ﺼﺩﻴﻘﻲ‪ ،‬ﺃﻨﺎ ﺃﻋﻠﻡ ﺒﺄﻨﻙ ﺃﻨﺕ ﻤﻥ ﻝﺩﻴﻪ ﻫﺫﺍ’’‪ .‬ﻓﻜﺎﻥ ﻴﺭﺩ ﻋﻠﻲ‪‘‘:‬‬
‫ﻫل ﺘﻌﺘﻘﺩ ﻫﺫﺍ ﺤﻘﺎﹰ؟’’‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻓﻲ ﺘﻠﻙ ﺍﻷﻭﻗﺎﺕ ﻁﺒﻴﻌﺔ ﺘﺸﺒﻪ ﻤﺎ ﻝﺩﻯ ﺍﻷﻁﻔﺎل ﻤﻥ ﺤﻴﺙ ﺇﻨﻬﺎ ﺤﻘﻴﻘﻴﺔ ﺠﺩﹰﺍ ﻭﻏﻴﺭ‬
‫ﻤﺘﻜﻠﻔﺔ‪ .‬ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل ﻝﻡ ﻴﺤﺼل ﻜﻼﻨﺎ ﻋﻠﻰ ﺍﻝﺩﻭﺭ‪ ،‬ﺒل ﺤﺼل ﻋﻠﻴﻪ ﺫﻝﻙ ﺍﻝﻁﻭﻴل‪ .‬ﻭﻜﻤﺎ ﺘﻌﻠـﻡ‪ ،‬ﻓﻌﻨـﺩﻤﺎ ﻻ‬
‫ﺘﺤﺼل ﻋﻠﻰ ﺍﻝﺩﻭﺭ ﻓﺈﻨﻙ ﺘﺠﻠﺱ ﻤﻊ ﺍﻵﺨﺭﻴﻥ ﻝﻤﻨﺎﻗﺸﺔ ﻋﺩﻡ ﺤﺼﻭﻝﻙ ﻋﻠﻴﻪ ﻭﺘﺤﺎﻭل ﺃﻥ ﺘﻜﻭﻥ ﻤﻭﻀﻭﻋﻴﹰﺎ‪ .‬ﻝﻜـﻥ‬
‫"ﺠﻴﻤــــﻲ ‪ "Jimmy‬ﻭﺒﻌــــﺩ ﺨﺴــــﺎﺭﺘﻪ ﻝﻠــــﺩﻭﺭ ﺍﻨﻁــــﻭﻯ ﻋﻠــــﻰ ﻨﻔﺴــــﻪ‬
‫ﻭﻝﻡ ﻴﺘﻭﺍﺼل ﻤﻊ ﺃﺤﺩ‪ .‬ﻜﻨﺕ ﺃﻋﺭﻑ ﺃﻨﻪ ﻏﺎﻀﺏ ﻭﺤﺯﻴﻥ ﻋﻠﻰ ﺫﻝﻙ‪ ،‬ﺇﻻ ﺃﻨﻪ ﺍﻨﻁﻠﻕ ﺒﻌﺩﻫﺎ”‪.‬‬
‫ﻭﻝﻬﺫﺍ ﺍﻝﺤﺩ‪ ،‬ﻓﻘﺩ ﺃﺜﺒﺕ ﻋﺎﻡ ‪ 1951‬ﺍﻝﺠﺩﻴﺩ ﻜﺎﺭﺜﺔ‪ .‬ﻓﻘﺩ ﻋﻤﻠﻪ ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ "ﺴﻲ ﺒﻲ ﺍﺱ ‪ "CBS‬ﻭﺴﺤﺏ ﻤﻨﻪ‬
‫ﺩﻭﺭ ﺃﺭﺍﺩﻩ ﺒﺸﻜل ﻜﺒﻴﺭ ﻭﺃﻨﻔﻕ ﻜل ﻤﺩﺨﺭﺍﺘﻪ ﻤﻥ ﺩﻋﺎﻴﺎﺕ ﺒﻴﺒﺴﻲ ﻋﻠﻰ ﺒﻌﺽ ﺍﻷﻭﺭﺍﻕ ﻭﺍﻝﺼﻭﺭ ﻭﺃﺠﺒﺭ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‬
‫ﻋﻠﻰ ﺍﺴﺘﻼﻑ ﻤﺼﺭﻭﻑ ﺠﻴﺒﻪ ﻤﻥ "ﺒﻴل ‪) "Bill‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻝﺩﻴﻪ ﺍﻝﻘﻠﻴل ﻹﻗﺭﺍﻀﻪ(‪ ،‬ﻭﻜﺎﻥ ﺍﻹﻴﺠﺎﺭ ﺍﻵﻥ ﻭﺍﺠﺏ ﺍﻝﺩﻓﻊ‬
‫ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻭﻝﻡ ﻴﻌﺭﻑ ﻤﻥ ﺃﻴﻥ ﻴﺄﺘﻲ ﺒﻨﺼﻔﻪ‪.‬‬
‫ﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﺍﺘﺼل ﺒﻪ ﺍﻝﻤﻨﺘﺞ "ﺠﻴﺭﻱ ﻓﻴﺭﺒﺎﻨﻜﺱ ‪ "Jerry Fairbanks‬ﻝﻴﺨﺒﺭﻩ ﺒﺄﻨﻪ ﻗﺩ ﺃﻋﻁﻲ ﺩﻭﺭ‬
‫"ﻴﻭﺤﻨﺎ ﺍﻝﻤﻌﻤﺩﺍﻥ ‪ "John the Baptist‬ﻓﻲ "ﺍﻝﺘل ﺭﻗﻡ ﻭﺍﺤﺩ ‪ "Hill Number One‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺩﺭﺍﻤﺎ ﺘﻠﻔﺯﻴﻭﻨﻴﺔ ﻜـﺎﻥ‬
‫ﻗﺩ ﺃﺩﻯ ﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ ﻝﻬﺎ ﻗﺒل ﻋﺩﺓ ﺃﺴﺎﺒﻴﻊ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺍﻝﻤﻘﺭﺭ ﻝﻬﺎ ﺃﻥ ﺘﺒﺙ ﻓﻲ ﻋﻴﺩ ﺍﻝﻔﺼﺢ‪.‬‬
‫ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺭﺤﹰﺎ ﻝﺩﺭﺠﺔ ﻜﺒﻴﺭﺓ‪ ،‬ﺜﻡ ﻏﺭﻕ ﻓﻲ ﻴﺄﺱ ﺃﻋﻤﻕ ﻤﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ﻗﺒل ﺴﻤﺎﻋﻪ‬
‫ﺍﻝﺨﺒﺭ ﺍﻝﺠﻴﺩ‪ .‬ﻜﺎﻥ ﻭﺍﻀﺤﹰﺎ ﻝـ "ﺒﻴل ‪ "Bill‬ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﺨﺎﺌﻔﹰﺎ ﻤﻥ ﺃﻨﻪ ﻝﻥ ﻴﺴﺘﻁﻴﻊ ﺍﻝﻤﻀﻲ ﺒﻬﺫﺍ ﺍﻝﺩﻭﺭ‪،‬‬
‫ﻝﻜﻨﻪ ﺭﻓﺽ ﺍﻝﺘﺤﺩﺙ ﻋﻥ ﻫﺫﺍ‪ .‬ﺒﺩﺍ ﻓﺠﺄﺓ ﻭﻗﺩ ﺃﺼﺒﺢ ﻤﺘﻭﻫﻤﹰﺎ ﺃﻥ ﻤﺠﺭﺩ ﺫﻜﺭ ﺍﻝﻤﺸﺭﻭﻉ ﺴﻭﻑ ﻴﺭﺴﻠﻪ ﺃﺩﺭﺍﺝ ﺍﻝﺭﻴﺎﺡ‪.‬‬
‫ﻭﺍﻷﺴﻭﺃ‪ ،‬ﻜﺎﻥ ﺸﻙ "ﺒﻴل ‪ "Bill‬ﺒﺄﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﻭﻓﺭ ﻓﺭﺤﺘﻪ ﻭﻴﺒﻘﻴﻬﺎ ﻜﻠﻬﺎ ﻝﻪ ﻭﺤﺩﻩ‪.‬‬
‫ﻗﺎﻁﻊ "ﻭﻴﺘﻤﻭﺭ ‪ "Withemore‬ﺍﻝﺘﺩﺭﻴﺏ ﺍﻻﻋﺘﻴﺎﺩﻱ ﻓﻲ ﺍﻝﻠﻘﺎﺀ ﺍﻝﺫﻱ ﺠﻤﻊ ﺃﻋﻀﺎﺀ ﻤﺠﻤﻭﻋﺔ ﺍﻝﺘﻤﺜﻴل ﻗﺒل ﻋﺩﺓ‬
‫ﺃﻴﺎﻡ ﻤﻥ ﺫﻫﺎﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﺘﺩﺭﺏ ﻋﻠﻰ "ﺍﻝﺘل ﺭﻗﻡ ﻭﺍﺤﺩ ‪ "Hill Number One‬ﻭﻁﻠﺏ ﺃﺸﻴﺎﺀ ﻤﺭﺘﺠﻠﺔ‪ .‬ﻭﻤﻥ‬
‫ﺍﻝﻤﺜﻴﺭ ﻝﻠﺴﺨﺭﻴﺔ ﺃﻨﻪ ﺠﻤﻊ ﺒﻴﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﻴل ‪ "Bill‬ﺍﻝﻠﺫﻴﻥ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻝﻡ ﻴﺘﻜﻠﻡ ﺃﺤﺩﻫﻤﺎ ﻤﻊ ﺍﻵﺨﺭ‪.‬‬
‫ﺃﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻨﺒﹰﺎ ﻭﺃﺨﺒﺭﻩ ﺃﻥ ﻁﺎﻝﺒﹰﺎ ﺠﺎﻤﻌﻴﹰﺎ ﺴﺭﻕ ﺴﺎﻋﺔ‪ .‬ﻭﺃﺨﺫﻫﺎ ﻻﺤﻘﹰﺎ ﺇﻝﻰ ﺼﺎﺌﻎ ﻤـﻥ ﺃﺠـل‬
‫ﺇﺼﻼﺤﻬﺎ‪ ،‬ﻝﻜﻨﻪ ﻴﺩﺭﻙ ﺃﻥ ﺍﻝﺸﺭﻁﺔ ﻓﻲ ﺃﺜﺭﻩ‪ .‬ﺍﻵﻥ‪ ،‬ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﻌﻭﺩ ﻝﻠﻤﺤل ﻭﺃﺨﺫ ﺍﻝﺴﺎﻋﺔ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺍﻝﺼـﺎﺌﻎ‬
‫ﻤﻥ ﺃﺠل ﻫﺭﺒﻪ ﺨﺎﺭﺝ ﺍﻝﺒﻠﺩﺓ ﻓﻲ ﺤﺎﻓﻠﺔ ﺘﻐﺎﺩﺭ ﺒﻌﺩ ﺨﻤﺱ ﻋﺸﺭﺓ ﺩﻗﻴﻘﺔ‪.‬‬
‫ﺜﻡ‪ ،‬ﻭﺒﺩﻭﻥ ﺃﻥ ﻴﺩﻉ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺴﻤﻌﻪ‪ ،‬ﺃﺨﺒﺭ "ﺒﻴل‪ "Bill‬ﺃﻨﻪ ﺍﻝﺼﺎﺌﻎ ﺍﻝﺫﻱ ﺍﺘﺼل ﺒﺎﻝﺸﺭﻁﺔ ﻭﺃﺨﺒـﺭﻭﻩ‬
‫ﻋﻥ ﻝﺹ ﺒﻤﻭﺍﺼﻔﺎﺕ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻴﺘﺫﻜﺭ ﺒﺄﻥ ﺸﺎﺒﹰﺎ ﺒﻬﺫﻩ ﺍﻝﻤﻭﺍﺼﻔﺎﺕ ﻗﺩ ﺃﺤﻀﺭ ﺴﺎﻋﺔ ﻹﺼﻼﺤﻬﺎ ﻗﺒل ﻴـﻭﻡ‬
‫ﺃﻭ ﻨﺤﻭ ﻫﺫﺍ‪ .‬ﻭﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺼﺎﺌﻎ ﺃﻥ ﻴﻤﺎﻁل ﺍﻝﺸﺎﺏ ﻓﻭﺭ ﻋﻭﺩﺘﻪ ﻝﻴﺒﻠﻎ ﺍﻝﺸﺭﻁﺔ ﻭﻴﺒﻘﻲ ﺍﻝﻤﺸﺘﺒﻪ ﺒﻪ ﻓﻲ ﻤﺤﻠﻪ ﻝﺤﻴﻥ‬
‫ﻗﺩﻭﻡ ﺴﻴﺎﺭﺓ ﺍﻝﺩﻭﺭﻴﺔ‪.‬‬
‫ﻼ ﻭﻏﻴﺭ ﻤﻘﻨﻊ‪.‬‬ ‫ﻜﺎﻥ ﺍﻝﺘﻭﺘﺭ ﺒﻴﻥ ﺯﻤﻴﻠﻲ ﺍﻝﺴﻜﻥ ﻗﺩ ﺠﻌل ﺍﻻﺭﺘﺠﺎل ﻤﺘﻔﺠﺭﹰﺍ‪ .‬ﻭﺒﺎﻝﻌﻜﺱ ﻓﻘﺩ ﻜﺎﻥ ﻤﺸﻬﺩﻫﻤﺎ ﻤﻤ ﹰ‬
‫ﺒﺎﻝﻎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺤﺭﻓﺔ ﺍﻝﻠﺹ ﺇﻝﻰ ﺩﺭﺠﺔ ﺍﻝﻤﺴﺭﺤﻴﺎﺕ ﺍﻝﻬﺯﻝﻴﺔ‪ ،‬ﺒﻴﻨﻤﺎ ﺍﻨﺴﺤﺏ "ﺒﻴل ‪ "Bill‬ﻨﺤـﻭ ﺼـﻔﺎﺕ‬
‫ﺸﺨﺼﻴﺔ ﺍﻝﺼﺎﺌﻎ ﺍﻝﻔﻘﻴﺭﺓ ﻋﺎﻁﻔﻴﹰﺎ ﻭﺍﻨﺘﻬﺕ ﻋﻨﺩﻩ ﻭﺒﺴﺭﻋﺔ ﺍﻷﺴﺒﺎﺏ ﻹﺒﻘﺎﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻤﺤـل‪ .‬ﻓـﺄﻭﻗﻑ‬
‫"ﻭﻴﺘﻤﻭﺭ ‪ "Withemore‬ﺍﻝﻌﺭﺽ‪.‬‬
 ‫ﻴﻘﻭل "ﻭﻴﺘﻤﻭﺭ ‪ “ : "Withemore‬ﻝﻡ ﻴﻜﻥ ﻫﺫﺍ ﻨﺎﺠﺤﹰﺎ ﻷﻥ ﺫﻝﻙ ﻝﻡ ﻴﻜﻥ ﻤﻬﻤﹰﺎ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴـﺔ ﻝﻜﻠﻴﻬﻤـﺎ‪ .‬ﻻ‬
‫ﺃﺫﻜﺭ ﻤﺎ ﺤﺩﺙ ﺒﺎﻝﻀﺒﻁ‪ ،‬ﻝﻜﻨﻲ ﺃﺫﻜﺭ ﺃﻥ ﺍﻷﻤﻭﺭ ﻗﺩ ﺘﺭﺍﺠﻌﺕ ﺒﻁﺭﻴﻘﺔ ﻤﺎ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻗـﺩ ﺃﺘـﻰ‬
‫ﻭﻗﺎل‪‘،‬ﺃﺭﻴﺩ ﺃﻥ ﺃﺸﺎﻫﺩ ﺍﻝﺒﻀﺎﻋﺔ’‪ .‬ﻭﺍﺠﺎﺏ "ﺒﻴل ‪‘ ،"Bill‬ﻻ ﺘﺴﺘﻁﻴﻊ ﺫﻝﻙ’‪ .‬ﻓﺭﺩ "ﺠﻴﻤﻲ ‪‘ ،"Jimmy‬ﺤﺴـﻨﹰﺎ’‪ .‬ﺃﻨـﺎ‬
‫ﺃﻗﻭل ﺫﻝﻙ ﻭﺃﻨﺎ ﺃﺒﺎﻝﻎ ﻓﻘﺩ ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺤﺩﻴﺙ ﺒﻴﻨﻬﻤﺎ ﻭﻝﻜﻥ ﻭﺒﺸﻜل ﺃﺴﺎﺴﻲ ﻜﺎﻥ ﻫﺫﺍ ﻫـﻭ ﺍﻷﻤـﺭ‪ .‬ﺇﻥ‬
‫ﺍﻝﺸﻲﺀ ﺍﻝﺫﻱ ﺘﻔﻌﻠﻪ ﻓﻲ ﻤﺜل ﻫﺫﻩ ﺍﻝﻠﺤﻅﺔ ﻫﻭ ﺃﻥ ﺘﻘﻭل ﻷﺤﺩ ﺍﻝﻤﺅﺩﻴﻥ‪‘ ،‬ﺍﺒﺤﺙ ﻋﻥ ﺸﻲﺀ ﺫﻱ ﻤﻌﻨﻰ ﻝﻙ ﻜﺸﺨﺹ’‪.‬‬
‫ﻭﻫﺫﺍ ﺴﻭﻑ ﻴﺨﺘﻠﻑ ﺒﺎﻝﻨﺴﺒﺔ ﻝﻠﺸﺨﺹ‪ ،‬ﺒﺄﻥ ﺸﻴﺌﹰﺎ ﻤﺎ ﻴﻌﻨﻲ ﺒﺎﻝﻔﻌل ﺸﻴﺌﹰﺎ ﻤﺎ ‪ -‬ﺯﻭﺠﺘﻙ‪ ،‬ﺃﺒﻨﺎﺅﻙ ﺃﻭ ﺃﻱ ﺸﻲﺀ ﺁﺨﺭ ‪-‬‬
‫ﻭﻝﻜﻥ ﻋﻨﺩﻤﺎ ﺘﻜﻭﻥ ﻝﺩﻴﻙ ﻫﺫﻩ ﺍﻷﺸﻴﺎﺀ‪ ،‬ﺴﻭﻑ ﻴﻜﻭﻥ ﻝﺩﻴﻙ ﻤﺸﻬﺩ ﻷﻥ ﺫﻝﻙ ﺴﻭﻑ ﻴﻜﻭﻥ ﻫﺎﻤﹰﺎ ﻝﻙ ﻜﻤﺎ ﻝﻠﻤﺸﺎﻫﺩﻴﻥ”‪.‬‬
‫ﺒﺩﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻴﻔﻬﻡ ﺒﺎﻝﻀﺒﻁ ﻤﺎ ﻜﺎﻥ ﻴﻘﻭﻝﻪ "ﻭﻴﺘﻤﻭﺭ ‪ ."Withemore‬ﻭﻓﻲ ﻫﺫﻩ ﺍﻝﻤﺭﺓ ﻗﺎﻡ ﺒﺘﺤﻀﻴﺭ‬
‫ﺍﻝﻤﺸﻬﺩ ﺒﺘﺭﻜﻴﺯ ﻋﻤﻴﻕ‪ .‬ﺃﻋﻁﻰ "ﻭﻴﺘﻤﻭﺭ ‪ "Withemore‬ﺇﺸﺎﺭﺓ ﺍﻝﺒﺩﺀ‪ .‬ﺩﺨل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻭﺤﺸﻴﺔ ﺒﺎﺭﺩﺓ ﺃﺭﻋﺒﺕ‬
‫ﺒﺎﻝﻔﻌل ﺯﻤﻴﻠﻪ ﻓﻲ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻭﺃﺭﺍﺩ "ﺒﻴل ‪ "Bill‬ﺍﻻﺴﺘﺴﻼﻡ ﺒﺩﻭﻥ ﺃﻴﺔ ﻜﻠﻤﺔ‪ ،‬ﺇﻻ ﺃﻨﻪ ﺘﺫﻜﺭ ﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ﻓﻌﻠﻪ‪ .‬ﺭﻓـﺽ‬
‫ﺇﻋﻁﺎﺀ ﺍﻝﺴﺎﻋﺔ‪ ،‬ﻭﺃﺼﺒﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻜﺜﺭ ﺇﻝﺤﺎﺤﹰﺎ‪ .‬ﻭﺃﺼﺒﺢ "ﺒﻴل ‪ "Bill‬ﺃﻜﺜﺭ ﻋﻨﺎﺩﺍﹰ‪ ،‬ﻓﺒﺩﺃ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﺒﺈﻁﻼﻕ ﺍﻷﺴﻤﺎﺀ ﻋﻠﻰ "ﺒﻴل ‪ – "Bill‬ﺍﺒﻥ ﺍﻝﺤﺭﺍﻡ ﺍﻝﻤﻐﺭﻭﺭ ﻭﻏﻴﺭﻫﺎ – ﻭﻫﻭ ﻴﺴﺘﺨﺩﻡ ﻤﻌﻠﻭﻤـﺎﺕ ﺤﻤﻴﻤـﺔ ﺘﺠـﺭﺡ‬
‫ﺒﺎﻝﻔﻌل‪ .‬ﻭﺒﺩﺃ ﺍﻝﺼﺎﺌﻎ ﺒﺎﻝﺭﺠﻔﺎﻥ‪ .‬ﺼﺭﺥ ﻓﻲ ﻏﻀﺏ ﺤﻘﻴﻘﻲ‪ “ :‬ﻝﻤﺎﺫﺍ ﻴﺎ ﺍﺒﻥ ﺍﻝﺤﺭﺍﻡ ﻗﺼـﻴﺭ ﺍﻝﻨﻅـﺭ!”‪ .‬ﻭﺃﻤﺴـﻙ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒـ "ﺒﻴل ‪ "Bill‬ﻭﻀﺭﺒﻪ‪ ،‬ﻓﻘﻔﺯ "ﻭﻴﺘﻤﻭﺭ ‪ "Withemore‬ﻭﺒﻘﻴﺔ ﺃﻋﻀﺎﺀ ﺍﻝﺼـﻑ ﻭﻓﺼـﻠﻭﺍ ﺒـﻴﻥ‬
‫ﺍﻝﻤﻤﺜﻠﻴﻥ‪.‬‬
‫ﺃﺩﺭﻙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩﻤﺎ ﺍﻝﺘﻘﻁ ﺃﻨﻔﺎﺴﻪ ﺜﺎﻨﻴﺔ ﺃﻨﻪ ﻗﺩ ﺍﺨﺘﺒﺭ ﺸﻴﺌﹰﺎ ﺠﺩﻴﺩﹰﺍ‪ :‬ﺇﻥ ﺍﻝﺘﻤﺜﻴل ﻫﻭ ﺍﻷﺩﺍﺀ ﻭﺍﻝﻔﻌل‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻜﺎﻓﻴ ﹰﺎ ﻓﻬﻡ ﻜل ﺍﻝﺘﻘﻨﻴﺎﺕ ﺍﻝﻤﺨﺘﻠﻔﺔ ﻝﻠﻌﻘل ﻭﺍﻝﺠﺴﺩ ﻓﻲ ﺍﻝﻤﻨﺎﻭﺭﺓ‪ .‬ﻜﺎﻥ ﻴﺠﺏ ﻋﻠﻰ ﻜل ﺸﻲﺀ ﺃﻥ ﻴﻜﻭﻥ ﻤﻠﺘﺤﻤـﹰﺎ‬
‫ﺒﺎﻝﻔﻌل‪ .‬ﺭﻜﺯ ﺒﺸﻜل ﻜﺒﻴﺭ ﺒﺤﻴﺙ ﺃﻨﻪ ﺫﻫﺏ ﺒﻌﻴﺩﹰﺍ ﻝﻤﺎ ﺨﻠﻑ ﺘﻘﻠﻴﺩ ﺍﻝﺸﺨﺼﻴﺔ‪ .‬ﻝﻘﺩ ﺃﺼﺒﺢ ﺍﻝﺸﺨﺼﻴﺔ‪ ،‬ﻭﻫﺫﺍ ﺒﺎﻝﻀﺒﻁ‬
‫ﻤﺎ ﻋﻨﺎﻩ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻝﻘﺩ ﺃﺼﺒﺢ ﺍﻵﻥ ﻭﺍﺜﻘﹰﺎ ﻤﻥ ﺃﻨﻪ ﺴﻭﻑ ﻴﺅﺩﻱ ﺩﻭﺭﻩ ﺠﻴﺩﹰﺍ ﻓﻲ "ﺍﻝﺘل ﺭﻗﻡ ﻭﺍﺤﺩ ‪."Hill Number One‬‬
‫ﻤﻀﻰ ﺍﻝﺘﺼﻭﻴﺭ ﺠﻴﺩﹰﺍ ﻭﻗﺒﺽ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺠﺭﻩ ﺍﻝﺘﻤﺜﻴﻠﻲ ﺍﻝﻤﻤﻴﺯ ﺍﻷﻭل‪ ،‬ﺍﻝﺫﻱ ﺼﺭﻑ ﺃﻏﻠﺒـﻪ ﻋﻠـﻰ‬
‫ﺍﻻﻴﺠﺎﺭ ﻭﺍﻝﺒﻨﺯﻴﻥ‪ .‬ﻭﻫﻜﺫﺍ ﺃﺼﺒﺢ ﻤﻔﻠﺴﹰﺎ ﻤﺭﺓ ﺃﺨﺭﻯ‪ .‬ﻓﻲ ﺒﻌﺽ ﺍﻷﻭﻗﺎﺕ‪ ،‬ﺤﻴﻨﻤﺎ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﻤﺎل ﺤﺘﻰ ﻝﺸـﺭﺍﺀ‬
‫ﺍﻝﻁﻌﺎﻡ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻘﻭﻡ ﺒﺎﻝﺨﺭﻭﺝ ﺒﻭﺼﻔﺎﺕ ﻏﺭﻴﺒﺔ ﻤﺜل ﺍﻝﺸﻭﻓﺎﻥ ﺍﻝﺠﺎﻑ ﺍﻝﻤﻤﺯﻭﺝ ﻤﻊ ﺍﻝﻤﺎﻴﻭﻨﻴﺯ‪ ،‬ﺃﻤﺎ‬
‫ﻝﻠﺘﺤﻠﻴﺔ‪ ،‬ﻓﺎﻝﻤﺯﻴﺩ ﻤﻥ ﺍﻝﺸﻭﻓﺎﻥ ﻭﻝﻜﻥ ﻤﻤﺯﻭﺠﹰﺎ ﺒﺎﻝﻤﺭﺒﻰ‪ .‬ﻭﻝﻡ ﻴﻜﻥ ﺍﻝﺨﺭﻭﺝ ﻨﺼﻑ ﺠﺎﺌﻊ ﻓﻲ ﻜل ﺍﻷﻭﻗﺎﺕ ﻴﺤﺴـﻥ‬
‫ﻤﺯﺍﺠﻪ ﺃﻭ ﻤﺯﺍﺝ "ﺒﻴل ‪."Bill‬‬
‫ﺤﺎﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻋﻤل ﺜﺎﻥ ﻓﻲ ﺍﻝﺘﻤﺜﻴل‪ ،‬ﻓﺼﺎﺭ ﻴﺫﻫﺏ ﻜل ﺼﺒﺎﺡ ﺒﺴﻴﺎﺭﺘﻪ "ﺍﻝﺸـﻴﻔﻲ"‬
‫ﻤﻥ ﻁﺭﺍﺯ ﻋﺎﻡ ‪ 1939‬ﺍﻝﺘﻲ ﺍﺸﺘﺭﺍﻫﺎ ﻝﻪ ﻭﺍﻝﺩﻩ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﻓﻲ ﺠﻭﻻﺕ‪ .‬ﻭﻝﻜﻥ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﻋﻤل ﺒﺎﻝﺘﻤﺜﻴـل‬
‫ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﺤﺎﻀﺭ ﻤﻥ ﺃﺠل "ﺠﻴﻤﻲ ﺩﻴﻥ ‪."Jimmy Dean‬‬
‫ﺒﺩﺃ ﺒﺎﻝﺫﻫﺎﺏ ﻓﻲ ﺠﻭﻻﺕ ﻝﻴﻠﻴﺔ ﻤﺘﺄﺨﺭﺓ ﻭﻤﻁﻭﻝﺔ ﻭﺤﻴﺩﹰﺍ‪ .‬ﻜﺎﻥ ﻴﻤﺸﻲ ﺤﺘﻰ ﺤﺩﻴﻘﺔ "ﻓﻴﻨﻴﺱ ﺒﺎﺴـﻴﻔﻴﻙ ﺃﻭﺸـﻥ‬
‫‪ "Venice's Pacific Ocean‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﺒﺎﺭﺓ ﻋﻤﺎ ﻴﺸﺒﻪ ﺭﺼﻴﻔﹰﺎ ﻝﻠﺘﺴﻠﻴﺔ‪ .‬ﻜﺎﻥ ﻴﺘﺴﻜﻊ ﻫﻨﺎﻙ ﻋﻨﺩ ﺃﻜﺸﺎﻙ ﺍﻝﻬـﻭﺕ‬
‫ﺩﻭﻍ ﻭﻴﺭﺍﻗﺏ ﺍﻝﻨﺎﺱ ﻭﻫﻡ ﻴﺄﻜﻠﻭﻥ ﻭﻴﺨﺘﻠﺱ ﺍﻝﺴﻤﻊ ﻤﻥ ﺍﻝﺴﻜﺎﺭﻯ ﺍﻝﺫﻴﻥ ﻴﻐﻤﻐﻤﻭﻥ ﻤﺘﺤﺩﺜﻴﻥ ﻋﻥ ﻤﺸﻜﻼﺘﻬﻡ‪ ،‬ﻭﻴﻤﺯﺡ‬
‫ﻼ ﻤﻊ ﺍﻝﻤﻘﺎﻤﺭﻴﻥ ﻭﺍﻝﻘﻭﺍﺩﻴﻥ ﺍﻝﺫﻴﻥ ﻴﻌﻤﻠﻭﻥ ﻋﻨﺩ ﺍﻝﺸﺎﻁﺊ‪ .‬ﻭﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻜﺎﻥ ﻴﻨﻬﻲ ﻝﻴﻠﺘﻪ ﻤﻊ ﻓﻨﺠـﺎﻥ ﻤـﻥ ﺍﻝﻘﻬـﻭﺓ‬ ‫ﻗﻠﻴ ﹰ‬
‫ﻭﺤﺩﻴﺙ ﻤﻊ ﺇﺤﺩﻯ ﺍﻝﺒﺎﺌﻌﺎﺕ ﺍﻝﺘﻌﺒﺎﺕ‪ .‬ﻜﺎﻥ ﻴﻌﻭﺩ ﺒﻌﺩ ﻫﺫﺍ ﺇﻝﻰ ﺍﻝﺸﻘﺔ ﻝﻴﻨﻬﺎﺭ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻤﻨﻬﻜﹰﺎ ﺠﺩﹰﺍ ﻝﺩﺭﺠﺔ ﻋـﺩﻡ‬
‫ﺍﻝﺘﻔﻜﻴﺭ ﺒﺎﻝﻔﻭﻀﻰ ﻓﻲ ﺤﺎﻝﻪ ﺃﻭ ﺼﺭﺍﻋﻪ ﻤﻊ ﺍﻝﻌﺎﻝﻡ‪.‬‬
‫ﺤﻀﺭﺕ ﺃﻡ "ﺒﻴل ‪ "Bill‬ﻓﻲ ﺯﻴﺎﺭﺓ ﻗﺼﻴﺭﺓ ﻓﻤﻸﺕ ﺍﻝﺜﻼﺠﺔ ﻭﻁﺒﺨﺕ ﻭﺠﺒﺎﺕ ﻜﺒﻴﺭﺓ‪ .‬ﻭﺃﺯﻋﺞ ﺤﻀﻭﺭﻫﺎ ﻓﻲ‬
‫ﻼ ﺒﺩﻭﻥ ﺃﻥ ﻴﺘﺤﺩﺙ ﻤﻌﻬﺎ ﺃﻴﺔ ﻜﻠﻤﺔ‪ ،‬ﺇﻻ ﺃﻨﻪ‬ ‫ﻼ ﻓﻲ ﺍﻝﻤﺒﻨﻰ ﻤﺘﻨﻘ ﹰ‬‫ﺍﻝﺸﻘﺔ "ﺠﻴﻤﻲ ‪ -"Jimmy‬ﺃﻤﻀﻰ ﺫﺍﺕ ﻤﺭﺓ ﻴﻭﻤﹰﺎ ﻜﺎﻤ ﹰ‬
‫ﺭﻜﺽ ﺨﺎﺭﺠﹰﺎ ﻓﻲ ﻋﻴﺩ ﺍﻷﻡ ﻭﺍﺸﺘﺭﻯ ﻋﻠﺒﺔ ﺤﻠﻭﻯ ﻭﻗﺩﻤﻬﺎ ﻝﻬﺎ ﻤﻊ ﺼﻭﺭﺓ ﻝﻪ ﻜﺘﺏ ﻋﻠﻴﻬﺎ‪ “:‬ﺇﻝﻰ ﺃﻤﻲ ﺍﻝﺜﺎﻨﻴﺔ‪ ،‬ﻤـﻊ‬
‫ﺤﺒﻲ‪" ،‬ﺠﻴﻤﻲ ‪.”"Jimmy‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ ﻤﻥ ﻤﻐﺎﺩﺭﺓ ﺃﻡ "ﺒﻴل ‪ ،"Bill‬ﻋﺎﺩﺕ ﺍﻝﺜﻼﺠﺔ ﻓﺎﺭﻏﺔ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﺒﺤﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺸـﻜل‬
‫ﺃﻗﻭﻯ ﻋﻥ ﺍﻷﺩﻭﺍﺭ‪ ،‬ﺒﻴﻨﻤﺎ ﺒﻘﻲ "ﺒﻴل ‪ "Bill‬ﻓﻲ ﻭﻅﻴﻔﺘﻪ ﻝﺩﻯ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ ."CBS‬ﻭﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻗﺎﺒل ﻓﻲ ﺍﻝﺭﻭﺍﻕ‬
‫"ﺒﻴﻔﺭﻝﻲ ﻭﻴﻠﺯ ‪ "Beverly Wills‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﻤﺜل ﺩﻭﺭ "ﻓﻼﻓﻲ ﺁﺩﺍﻤﺯ ‪ "Fluffy Adams‬ﻓـﻲ ﺍﻝﻜﻭﻤﻴﺩﻴـﺔ ﺍﻝﻜﺒﻴـﺭﺓ‬
‫"ﺠﻭﻨﻴﻭﺭ ﻤﻴﺱ ‪ ."Junior Miss‬ﻋﺎﺸﺕ ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻤﻊ ﺃﻤﻬﺎ ﺍﻝﻤﻤﺜﻠﺔ ﺍﻝﻜﻭﻤﻴﺩﻴﺔ "ﺠﻭﺍﻥ ﺩﺍﻓﻴﺱ ‪"Joan Davis‬‬
‫ﻓﻲ ﻗﺼﺭ ﻓﻲ "ﺒﻴل ﺇﻴﺭ‪ "Bel Air‬ﺒﻤﻼﻋﺏ ﺍﻝﺘﻨﺱ ﻭﺍﻝﻤﺴﺒﺢ ﻭﺍﻝﺤﻤﺎﻡ ﺍﻝﻜﺒﻴﺭ ﻭﺍﻝﺒﺎﺭ‪.‬‬
‫ﺒﺩﺃ "ﺒﻴل ‪ "Bill‬ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﺘﺭﺩﺩ ﻋﻠﻰ ﻤﻨﺯﻝﻬﺎ ﻝﺤﻀﻭﺭ ﻤﻭﺍﺌﺩ ﺍﻝﻁﻌﺎﻡ ﻭﺍﻝﺸﺭﺍﺏ ﺍﻝﻌﺎﻤﺭﺓ ﻭﺍﻝﺴﺒﺎﺤﺔ‬
‫ﻭﺍﻝﺭﻗﺹ ﻭﺍﻝﺘﺸﻤﺱ ﻭﺴﻤﺎﻉ ﺍﻝﻤﻭﺴﻴﻘﺎ‪ .‬ﻭ ﻜﺎﻨﺎ ﻴﺫﻫﺒﺎﻥ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻋﻨﺩﻤﺎ ﺍﺴﺘﻁﺎﻋﺎ ﺘﻭﻓﻴﺭ ﺒﻌﺽ ﺍﻝﻤﺎل ﻓﻲ‬
‫ﻤﻭﻋﺩ ﻤﺸﺘﺭﻙ‪" :‬ﺒﻴل ‪ "Bill‬ﻤﻊ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺇﺤﺩﻯ ﺼﺩﻴﻘﺎﺘﻬﺎ‪.‬‬
‫ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ "ﺒﻴل ‪ "Bill‬ﻭ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺠﻭﺒـﻭﻥ ﻫﻭﻝﻴـﻭﻭﺩ‬
‫ﺒﺴﻴﺎﺭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻘﺩﻴﻤﺔ‪ ،‬ﺍﺴﺘﺩﺍﺭﺕ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻨﺤﻭ "ﺒﻴل ‪ "Bill‬ﻭﺃﺨﺒﺭﺘﻪ ﺒﺄﻨﻬﺎ ﻭ"ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫ﻭﺍﻗﻌﺎﻥ ﻓﻲ ﺍﻝﺤﺏ‪ .‬ﻭﺫﻜﺭﺘﻪ ﻓﻲ ﻋﺩﺓ ﻤﺭﺍﺕ ﺒﺄﻨﻪ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻌﻤل ﻝﻭﻗﺕ ﻤﺘﺄﺨﺭ ﻓﻲ ﺍﺴﺘﻭﺩﻴﻭﻫﺎﺕ "ﺴﻲ ﺒـﻲ ﺇﺱ‬
‫‪ "CBS‬ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﺈﺭﺴﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻹﻴﺼﺎﻝﻬﺎ ﻝﻠﺒﻴﺕ‪ ،‬ﻭﻫﻜﺫﺍ ﻓﻘﺩ ﺘﻡ ﺠﻤﻌﻬﻤﺎ ﻤﻌﹰﺎ ﻭﻗﺎﺩﺕ ﺇﺤـﺩﻯ ﺍﻷﺸـﻴﺎﺀ‬
‫ﻷﺸﻴﺎﺀ ﺃﺨﺭﻯ – ﻝﻜﻥ ﻝﻡ ﻴﺴﺘﻁﻴﻌﻭﺍ ﺠﻤﻴﻌﻬﻡ ﺃﻥ ﻴﺒﻘﻭﺍ ﺃﺼﺩﻗﺎﺀ ﻷﻥ ﻫﺫﺍ ﻜﺎﻥ ﺸﻴﺌﹰﺎ ﺃﻜﺜﺭ ﺃﻫﻤﻴﺔ ﻤﻥ ﺃﻱ ﺸﻲﺀ ﺁﺨﺭ‪.‬‬
‫ﻻ‪ .‬ﺤﺎﻭل ﺃﻥ ﻴﺨﺒﺭ ﻨﻔﺴﻪ ﺒﺄﻨﻪ ﻝﻡ ﻴﻜﻥ ﻤﺭﺓ ﺠﺎﺩﹰﺍ ﺒﺎﻝﻔﻌل ﺘﺠﺎﻩ "ﺒﻴﻔﺭﻝـﻲ ‪،"Beverly‬‬ ‫ﻜﺎﻥ "ﺒﻴل ‪ "Bill‬ﻤﺫﻫﻭ ﹰ‬
‫ﻭﺭﺒﻤﺎ ﻜﺎﻥ ﻝﺩﻴﻬﺎ ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻷﺸﻴﺎﺀ ﺍﻝﻤﺸﺘﺭﻜﺔ ﺃﻜﺜﺭ ﻤﻤﺎ ﻜﺎﻥ ﻝﺩﻴﻬﺎ ﻤﻌﻪ ﻭﺃﻨﻪ ﺭﺒﻤﺎ ﺃﻓﺎﺩﻩ ﻫﺫﺍ –‬
‫ﺃﻝﻡ ﻴﻜﻥ ﻴﺴﺘﺨﺩﻤﻬﺎ ﻤﻥ ﺃﺠل ﺤﻔﻼﺕ ﺍﻝﺸﺭﺍﺏ ﻭﺍﻝﻁﻌﺎﻡ ﻭﺍﻝﺴﺒﺎﺤﺔ؟‬
‫ﻝﻜﻥ ﻭﺒﻌﺩ ﺫﻝﻙ‪ ،‬ﺘﺎﺒﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﻴﺎﻨﺘﻬﺎ ﻋﻥ ﻁﺭﻴﻕ ﻭﻋﺩ "ﺒﻴل ‪ "Bill‬ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﺘﺭﻙ ﺸﻘﺘﻬﺎ ﺇﻥ ﻜﺎﻥ‬
‫ﻤﻬﺘﻤﹰﺎ ﺤﻘﹰﺎ‪ .‬ﻜﺎﻥ "ﺒﻴل ‪ "Bill‬ﻤﻬﺘﻤﹰﺎ ﺠﺩﹰﺍ ﺒﺎﻝﺤﻔﺎﻅ ﻋﻠﻰ ﻤﻅﻬﺭ "ﺭﺠﻭﻝﻲ" ﺒﻌﺩﻡ ﺇﻅﻬﺎﺭ ﺃﻴﺔ ﻋﻭﺍﻁﻑ ﺘﺠﺎﻫﻬﺎ‪ ،.‬ﻓﺒﻌـﺩ‬
‫ﻫﺫﺍ ﻜﻠﻪ ﻫﻲ ﻤﺠﺭﺩ "ﻓﺘﺎﺓ" ﻭﺃﻗﺴﻡ ﺒﺄﻨﻬﺎ ﻝﻡ ﺘﻌﻥ ﻝﻪ ﺸﻴﺌﹰﺎ‪.‬‬
‫ﻭﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻭﻤﻊ ﻤﺤﺎﻭﻝﺘﻬﻡ ﺍﻝﺤﻔﺎﻅ ﻋﻠﻰ ﺫﻝﻙ ﺍﻻﺩﻋﺎﺀ ﺍﻝﻤﺘﻜﻠـﻑ ﺒـﺄﻨﻬﻡ ﺃﺼـﺩﻗﺎﺀ‪ ،‬ﺫﻫﺒـﻭﺍ‬
‫ﺒﺎﻝﺴﻴﺎﺭﺓ ﺇﻝﻰ "ﻓﺎﻥ ﻨﻭﻴﺱ ‪ "Van Nuys‬ﺤﻴﺙ ﻜﺎﻥ ﻝﺩﻯ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻭﻋﺩ ﻝﻠﻤﺜﻭل ﺃﻤﺎﻡ ﻤﺤﻜﻤﺔ ﺍﻝﻤﺭﻭﺭ‪ .‬ﻜﺎﻥ‬
‫ﻗﺒل ﺤﺼﻭﻝﻪ ﻋﻠﻰ ﺴﻴﺎﺭﺘﻪ ﺍﻝﺨﺎﺼﺔ ﻗﺩ ﺍﺴﺘﻌﺎﺭ ﺴﻴﺎﺭﺓ ﻭﺍﻝﺩﻩ ﻝﻨﻘل ﺃﻏﺭﺍﻀﻪ ﺇﻝﻰ ﺍﻝﺒﻴﺕ ﻓﻲ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪ ،‬ﻭﺃﺜﻨـﺎﺀ‬
‫ﻋﻭﺩﺘﻪ ﺤﺼل ﻋﻠﻰ ﻤﺨﺎﻝﻔﺔ ﺴﻴﺭ‪ .‬ﻭﺠﺩﺕ ﺍﻝﻤﺨﺎﻝﻔﺔ ﺍﻷﻭﻝﻰ ﻁﺭﻴﻘﻬﺎ ﻨﺤﻭ ﺴﻠﺔ ﺍﻝﻤﻬﻤﻼﺕ ﻝﻜﻥ ﺍﻝﻤﺨﺎﻝﻔـﺔ ﺍﻷﺨﻴـﺭﺓ‬
‫ﺭﻓﻌﺕ ﺍﻝﻤﺒﻠﻎ ﺍﻝﻤﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺩﻓﻌﻪ ﻤﻥ ‪ 10‬ﺩﻭﻻﺭﺍﺕ ﺇﻝﻰ ‪ 25‬ﺩﻭﻻﺭﹰﺍ ﻓﺄﺘﺎﻩ ﺘﺤﺫﻴﺭ ﺒﺄﻨﻪ ﻗﺩ ﺘﺼﺩﺭ ﺒﺤﻘﻪ ﻤـﺫﻜﺭﺓ‬
‫ﺘﻭﻗﻴﻑ ﻓﻲ ﺤﺎل ﻋﺩﻡ ﺩﻓﻌﻪ ﻝﻠﻤﺒﻠﻎ ﺃﻭ ﻋﺩﻡ ﻤﺜﻭﻝﻪ ﺃﻤﺎﻡ ﺍﻝﻤﺤﻜﻤﺔ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﺭﺠل ﺼﺎﺤﺏ ﺍﻝﻘﻀﻴﺔ ﺍﻝﺘﻲ ﻗﺒﻠﻪ ﻤﺘﻬﻤﹰﺎ ﺒﺄﻨﻪ ﻤﺨﺘﻠﺱ ﻝﻠﻨﻅﺭ‪ ،‬ﻓﻌﺎﻤﻠﻪ ﺍﻝﻘﺎﻀﻲ ﺒﺸـﺩﺓ‪ .‬ﻜـﺎﻥ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺨﺎﺌﻔﹰﺎ ﻭﻋﻨﺩﻤﺎ ﻨﻬﺽ ﻝﻠﻜﻼﻡ ﻜﺎﻥ ﺼﻭﺘﻪ ﺨﺎﻓﺘﹰﺎ ﺠﺩﹰﺍ ﻝﺩﺭﺠﺔ ﺘﺼﻌﺏ ﻤﻌﻬﺎ ﺴﻤﺎﻋﻪ ﻭﺒﺩﺃ‪ “ :‬ﺴﻴﺩﻱ ﺍﻝﻘﺎﻀﻲ‪،‬‬
‫ﺃﻋﺭﻑ ﺃﻨﻨﻲ ﻗﺩ ﺍﻗﺘﺭﻓﺕ ﺨﻁﺄ ﺒﻌﺩﻡ ﺩﻓﻌﻲ ﻝﻬﺫﻩ ﺍﻝﻤﺨﺎﻝﻔﺎﺕ ﻗﺒل ﺍﻵﻥ ﻝﻜﻨﻨﻲ ﻜﻨﺕ ﺨﺎﺌﻔﹰﺎ‪ .‬ﻨﻌﻡ ﺴﻴﺩﻱ‪ .‬ﻭﻜﻤﺎ ﺘﺭﻯ ﻓﺄﻨﺎ‬
‫ﻁﺎﻝﺏ ﻓﻲ ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﻭﻗﺩ ﻜﻨﺕ ﺃﻭﺍﺠﻪ ﺃﻭﻗﺎﺘﹰﺎ ﻋﺼﻴﺒﺔ ﻓﻴﻬﺎ‪ .‬ﺃﻋﻨﻲ ﻤﻥ ﺍﻝﻨﺎﺤﻴﺔ ﺍﻝﻤﺎﺩﻴﺔ‪ .‬ﻻ ﺃﻤﻠﻙ ﺍﻝﻜﺜﻴـﺭ‪،‬‬
‫ﻭﻤﻌﻅﻡ ﻤﺎ ﺃﻤﻠﻜﻪ ﻴﺫﻫﺏ ﻝﻸﻜل ﻭﺍﻝﻜﺘﺏ‪ .‬ﺃﻋﺭﻑ ﺒﺄﻥ ﻤﺒﻠﻎ ‪ 25‬ﺩﻭﻻﺭﹰﺍ ﻻ ﻴﺒﺩﻭ ﻤﺒﻠﻐﹰﺎ ﻜﺒﻴﺭﹰﺍ ﺒﺎﻝﻨﺴﺒﺔ ﻝـﻙ ﺴـﻴﺩﻱ‪،‬‬
‫ﻝﻜﻨﻬﺎ ﺘﻌﻨﻲ ﻁﻌﺎﻡ ﺸﻬﺭ ﻜﺎﻤل ﺃﻭ ﻜﺘﺒﹰﺎ ﻝﻔﺼل ﻜﺎﻤل”‪.‬‬
‫ﻻﺤﺕ ﺘﻌﺎﺒﻴﺭ ﻝﻁﻴﻔﺔ ﻋﻠﻰ ﻭﺠﻪ ﺍﻝﻘﺎﻀﻲ‪.‬‬
‫ﻼ ﻨﺠﺎﺤﻪ‪ “ :‬ﻝﻡ ﺃﻜﻥ ﻷﻓﻌل ﻫﺫﺍ ﺴﻴﺩﻱ ﺍﻝﻘﺎﻀﻲ‪ ،‬ﻝﻭ ﻝـﻡ‬ ‫ﺘﺎﺒﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺘﺤﺩﺜﹰﺎ ﺒﺼﻭﺕ ﺃﻋﻠﻰ ﻤﺴﺘﻐ ﹰ‬
‫ﺃﻋﺩ ﺃﺒﻲ ﺒﺈﻋﺎﺩﺓ ﺍﻝﺴﻴﺎﺭﺓ ﻝﻪ ﻓﻲ ﻋﺼﺭ ﺫﻝﻙ ﺍﻝﻴﻭﻡ ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺨﺎﻤﺴﺔ‪ .‬ﻝﻘﺩ ﺃﻋﺎﺭﻨﻲ ﺇﻴﺎﻫﺎ ﻤﻥ ﺃﺠل ﺘﻠﻙ ﺍﻝﻤﻘﺎﺒﻠـﺔ‬
‫ﻝﻌﻤل ﺒﺩﻭﺍﻡ ﺠﺯﺌﻲ ﻝﻲ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﻲ ﻝﻡ ﺃﺭﺩ ﺃﻥ ﺃﺨﺫل ﻭﺍﻝﺩﻱ ﻓﻘﻁ ”‪ .‬ﺜﻡ ﺍﻨﺨﻔﺽ ﺼﻭﺘﻪ‪ ،‬ﻭﺍﻨﺤﻨﻰ ﺒﺭﺃﺴـﻪ ﻭﻜﺄﻨـﻪ‬
‫ﺨﺠل ﺠﺩﹰﺍ ﻤﻥ ﺇﻜﻤﺎل ﻜﻼﻤﻪ‪.‬‬
 ‫“ﺨﻤﺴﺔ ﺩﻭﻻﺭﺍﺕ” ﻗﺎل ﺍﻝﻘﺎﻀﻲ ﻭﻫﻭ ﻴﻀﺭﺏ ﺒﻤﻁﺭﻗﺘﻪ‪.‬‬
‫ﺩﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺒﻠﻎ ﻝﺤﺎﺠﺏ ﺍﻝﻤﺤﻜﻤﺔ ﻭﻏﻤﺯ "ﺒﻴل ‪ "Bill‬ﻭ"ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﺒﻌﻴﻨﻪ ﻋﺒـﺭ ﻗﺎﻋـﺔ‬
‫ﺍﻝﻤﺤﻜﻤﺔ ﻤﻤﺎ ﺍﻀﻁﺭﻫﻤﺎ ﻝﻠﺨﺭﻭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ ﺒﺴﺭﻋﺔ ﻗﺒل ﺃﻥ ﻴﻨﻔﺠﺭﺍ ﺒﺎﻝﻀﺤﻙ ﺃﻤﺎﻡ ﺍﻝﻘﺎﻀﻲ‪ ،‬ﻭﻫﻨﺂﻩ ﻓﻲ ﺍﻝﻤـﺭﺁﺏ‬
‫ﻋﻠﻰ ﺃﺩﺍﺌﻪ ﺍﻝﻤﺘﻘﻥ‪.‬‬
‫ﺤﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﻤﺯﻴﺩ ﻤﻥ ﺍﻹﻁﺭﺍﺀ ﻓﻲ ﻋﻴﺩ ﺍﻝﻔﺼﺢ ﻋﻠﻰ ﺃﺩﺍﺌﻪ ﻓﻲ ﺍﻝﺼﺤﻑ ﻭﺍﻝﻤﺠﻼﺕ ﻫـﺫﻩ‬
‫ﺍﻝﻤﺭﺓ ﻋﻨﺩﻤﺎ ﻋﺭﺽ "ﺍﻝﺘل ﺭﻗﻡ ﻭﺍﺤﺩ ‪ ."Hill Number One‬ﻭﻝﺴﻭﺀ ﺍﻝﺤﻅ‪ ،‬ﻝﻡ ﺘﺘﺠﺴﺩ ﺘﻠﻙ ﺍﻝﻌﺭﻭﺽ ﺍﻝﺘـﻲ ﻜـﺎﻥ‬
‫ﻴﺘﻭﻗﻊ ﺃﻥ ﺘﻨﻬﺎل ﻋﻠﻴﻪ ﺒﻌﺩ ﻫﺫﺍ ﺍﻝﻨﺠﺎﺡ‪.‬‬
‫ﺍﺘﺼﻠﺕ "ﺇﻴﺯﺍﺒﻴل ﺩﺭﻴﺴﻤﺭ ‪ "Isabelle Draesmer‬ﻝﺘﺨﺒﺭﻩ ﻓﻘﻁ ﺒﺄﻥ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﻓﺘﻴﺎﺕ ﻤﺩﺭﺴﺔ "ﺇﻴﻤﺎﻜﻴﻭﻝﻴﺕ‬
‫ﻫﺎﺭﺕ ‪ "Immaculate Heart‬ﻗﺩ ﺃﺴﺴﺕ ﻨﺎﺩﻱ ﻤﻌﺠﺒﻴﻥ ﻝـ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ."James Dean‬ﻜﺎﻥ ﺍﻝﺒـﺙ ﺍﻝﺘﻠﻔﺯﻴـﻭﻨﻲ‬
‫ﻝﻠﻤﺴﻠﺴل‪ ،‬ﻜﻤﺎ ﺒﺩﺍ‪ ،‬ﻤﻁﻠﻭﺒﹰﺎ ﻤﻨﻬﻡ ﻤﺸﺎﻫﺩﺘﻪ ﻓﻲ ﺃﺤﺩ ﻤﻨﺎﻫﺠﻬﻡ ﺍﻝﺩﻴﻨﻴﺔ ﺤﻴﺙ ﺨﺎﻓﻭﺍ ﺤﻘﹰﺎ ﻋﻠﻰ ﻴﻭﺤﻨﺎ ﺍﻝﻤﻌﻤﺩﺍﻥ‪ .‬ﺃﻤـﺎ‬
‫ﺍﻵﻥ ﻓﺄﺭﺍﺩﻭﺍ ﺃﻥ ﻴﺸﺎﻫﺩﻭﻩ ﺸﺨﺼﻴﺎﹰ‪ ،‬ﻭﻴﻘﻴﻤﻭﺍ ﺤﻔﻠﺔ ﻜﺒﻴﺭﺓ ﻋﻠﻰ ﺸﺭﻓﻪ‪ .‬ﻓﻬﻼ ﺃﺘﻰ ﺭﺠﺎﺀ‪‬؟‬
‫ﺍﺼﻁﺤﺏ ﻤﻌﻪ "ﺒﻴل ‪ ،"Bill‬ﻭﺘﻭﻗﻌﺎ ﺒﺴﺒﺏ ﻓﺎﺭﻕ ﺍﻝﻌﻤﺭ ﻝﻜﻭﻨﻬﻤﺎ ﻓﻲ ﺍﻝﻜﻠﻴﺔ ﺃﻥ ﻴﺠﺩﺍ ﻨﻔﺴـﻴﻬﻤﺎ ﻓـﻲ ﺤﻔﻠـﺔ‬
‫ﺭﻭﻀﺔ ﺃﻁﻔﺎل‪ .‬ﻝﻜﻥ ﻭﻤﻊ ﻝﺤﻅﺔ ﻋﺒﻭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﺒﺎﺏ ﺤﻭﺼﺭ ﺒﻔﺘﻴﺎﺕ ﺠﻤﻴﻼﺕ ﺘﺠﻤﻌﻥ ﺤﻭﻝـﻪ ﻭﻫـﻥ‬
‫ﻴﺄﻜﻠﻨﻪ ﺒﻌﻴﻭﻨﻬﻥ ﻭﻴﻀﺤﻜﻥ ﻭﻫﻥ ﻴﺤﺎﻭﻝﻥ ﻝﻤﺴﻪ‪ .‬ﺍﻀﻁﺭﺏ ﻝﻠﺤﻅﺔ ﺇﻻ ﺃﻨﻪ ﺴﺭﻋﺎﻥ ﻤﺎ ﺘﺄﻗﻠﻡ ﻤﻊ ﺍﻝﻤﺠﺩ ﺍﻝﺠﺩﻴﺩ‪ .‬ﺒـﺩﺃ‬
‫ﺒﺎﻝﺘﺼﺭﻑ ﻜﻨﺠﻡ ﻭﻫﻭ ﺒﻌﻴﻨﻴﻪ ﺍﻝﺯﺭﻗﺎﻭﻴﻥ ﺍﻝﻼﻤﻌﺘﻴﻥ ﻤﺒﺘﺴﻤﹰﺎ ﻴﻌﻠﻡ ﺘﻤﺎﻤﹰﺎ ﺃﻥ ﺍﻻﺒﺘﺴﺎﻤﺎﺕ ﻫﻲ ﺃﻜﺜﺭ ﻤﺎ ﻴﺜﻴﺭ ﺍﻝﻔﺘﻴﺎﺕ‪،‬‬
‫ﻭﺃﻥ ﺍﻝﺸﺨﺹ ﺍﻷﻗل ﺤﻅﹰﺎ )ﺼﺩﻴﻘﻲ ﺍﻝﻌﺯﻴﺯ "ﺒﻴل ‪.( "Bill‬‬
‫ﺇﻻ ﺃﻥ ﺍﻨﺘﺼﺎﺭ ﻭﻨﺠﺎﺡ ﻨﺎﺩﻱ ﺍﻝﻤﻌﺠﺒﻴﻥ ﻝﻡ ﻴﺠﻌل ﺍﻝﺯﻤﻴﻠﻴﻥ ﺒﺤﺎل ﺃﻜﺜﺭ ﺜﺭﺍﺀ‪ .‬ﻓﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ ﻭﺒﻴﻨﻤـﺎ ﻜﺎﻨـﺎ‬
‫ﻴﺭﺍﺠﻌﺎﻥ ﻨﻔﻘﺎﺕ ﺍﻝﺒﻴﺕ‪ ،‬ﺍﻗﺘﺭﺡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ "ﺒﻴل ‪ "Bill‬ﺃﻥ ﻴﺘﺼل ﺒﺒﻌﺽ ﻤﻥ ﺃﺼﺩﻗﺎﺌﻪ ﻤﻥ ﺃﺠل ﻗﺭﺽ‪،‬‬
‫ﺇﻻ ﺃﻥ "ﺒﻴل ‪ "Bill‬ﺍﻝﺫﻱ ﻜﺎﻥ ﺒﺎﻷﺼل ﻤﻘﺘﺭﻀﹰﺎ ﻤﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺃﺼﺩﻗﺎﺌﻪ ﺘﺴﺎﺀل ﻋﻥ ﻋﺩﻡ ﻁﻠﺏ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻝﻬﺫﺍ ﻤﻥ ﺃﺼﺩﻗﺎﺌﻪ ﻫﻭ‪ .‬ﻫل ﻜﺎﻥ "ﺒﻴل ‪ "Bill‬ﻴﺴﻌﻰ ﺨﻠﻑ ﺍﻝﻤﺎل ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻘﺭﻀﻪ ﻝـ "ﺠﻴﻤـﻲ ‪"Jimmy‬؟ ﺍﺨﺘـﺎﺭ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﻔﺴﻴﺭ ﺫﻝﻙ ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻝﻘﺩ ﻜﺎﻥ ﻴﻨﻭﻱ ﺃﻥ ﻴﺭﺩ ﻝﻪ ﻜل ﺴﻨﺕ ﻝﻌﻴﻥ ﺍﻗﺘﺭﻀﻪ ﻤﻨﻪ! ﻝﻜﻥ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﺭﻑ ﻤﺎ ﻜﺎﻥ ﻴﺯﻋﺞ "ﺒﻴل ‪ ."Bill‬ﻤﺎﺫﺍ؟ ﻤﺎ ﺤﺼل ﻤﻊ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻫﺫﺍ ﻫﻭ ﺍﻷﻤﺭ!‪.‬‬
‫ﻭﺠﺩ ﺃﻨﺎﺱ ﺁﺨﺭﻭﻥ ﺼﻌﻭﺒﺔ ﻓﻲ ﺍﻝﺘﻼﺅﻡ ﻤﻊ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﻜﺎﻨﺕ "ﺠﻭﺍﻥ ﺩﺍﻓﻴﺱ ‪ "Joan Davis‬ﺃﺤﺩﻫﻡ‪.‬‬
‫ﺍﻋﺘﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﻌﻠﻴﻕ ﻓﻲ ﻤﻠﻌﺏ ﺍﻝﻐﻭﻝﻑ ﻤﻊ ﻭﺠﻭﺩ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻋﻠﻰ ﻝﻌﺏ "ﺠﻭﺍﻥ ‪ ."Joan‬ﻜـﺎﻥ‬
‫ﻴﻘﻭﻡ ﺒﺎﻗﺘﺭﺍﺤﺎﺕ ﻗﺒل ﺇﺤﺩﻯ ﺍﻝﻀﺭﺒﺎﺕ ﺍﻝﻘﻭﻴﺔ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻌﺭﻑ ﺒﺄﻥ ﺍﻝﺘﺨﺭﻴﺏ ﺍﻝﻨﻔﺴﻲ ﻴﻜﻭﻥ ﻓﻲ ﺃﻋﻠﻰ ﻤﺴﺘﻭﻴﺎﺘﻪ‪.‬‬
‫ﺒﺩﺃﺕ "ﺠﻭﺍﻥ ‪ "Joan‬ﺒﺎﻻﺸﻤﺌﺯﺍﺯ ﻤﻨﻪ‪.‬‬
‫ﻜﺎﻨﺕ "ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻫﺫﺍ ﺘﺠﺩﻩ ﺴﺎﺤﺭﹰﺍ‪ .‬ﻋﻨﺩ ﺍﻗﺘﺭﺍﺏ ﻭﻗﺕ ﺤﻔﻠﺔ ﻋﻴﺩ ﻤﻴﻼﺩﻫﺎ‪ ،‬ﻭﺍﻝﺘـﻲ‬
‫ﻜﺎﻨﺕ ﺤﺩﺜﹰﺎ ﻫﺎﻤﹰﺎ ﻝﺠﻤﻭﻉ ﺍﻝﻤﺭﺍﻫﻘﻴﻥ ﺍﻝﺴﻴﻨﻤﺎﺌﻴﻴﻥ‪ ،‬ﻗﺎﻤﺕ ﺒﺩﻋﻭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻴﻜﻭﻥ ﺭﻓﻴﻘﻬﺎ ﻭﻭﻀﻌﺕ ﻋﺸﻴﻘﻬﺎ‬
‫ﺍﻝﺴﺎﺒﻕ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﻋﻠﻰ ﻻﺌﺤﺔ ﺍﻝﻀﻴﻭﻑ‪ .‬ﺍﺸﺘﻤﻠﺕ ﻻﺌﺤﺔ ﺍﻝﻤﺩﻋﻭﻴﻥ ﻓﻲ ﺘﻠﻙ ﺍﻝﺴـﻨﺔ ﻋﻠـﻰ "ﺩﻴﺒـﻲ‬
‫ﺭﻴﻨﻭﻝﺩﺯ ‪ "Debbie Reynolds‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻗﺩ ﺴﻁﻌﺕ ﻝﻠﺘﻭ ﻓﻲ ﻓﻴﻠﻡ "ﺜﻼﺙ ﻜﻠﻤﺎﺕ ﺼﻐﻴﺭﺓ ‪"Three Little Words‬‬
‫ﻤﻥ ﺇﻨﺘﺎﺝ "ﺇﻡ‪ .‬ﺠﻲ‪ .‬ﺇﻡ ‪ ،"M.G.M‬ﻭ"ﻝﻭﺠﻴﻥ ﺴﺎﻨﺩﺭﺯ ‪ "Lugene Sanders‬ﻨﺠﻤﺔ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﺍﻝﺘﻲ ﻏﺎﺒﺕ ﺸﻴﺌﹰﺎ ﻓﺸﻴﺌﹰﺎ‬
‫ﻤﻥ ﺘﺤﺕ ﻗﺒﺔ ﺴﻤﺎﺀ ﺍﻷﻓﻼﻡ‪.‬‬
‫ﻜﺫﻝﻙ ﻭﻤﻥ ﻀﻤﻥ ﺍﻝﻘﻼﺌل ﺍﻝﻤﻔﻀﻠﻴﻥ ﻜﺎﻥ ﺒﻁل ﺍﻝﺭﻤﺎﻴﺔ ﻝﻜل ﺃﻤﺭﻴﻜﺎ ﻓﻲ ﺫﻝﻙ ﺍﻝﻌﺎﻡ ﺍﻝـﺫﻱ ﺘﻌﺭﻓـﺕ ﻋﻠﻴـﻪ‬
‫"ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺃﺤﺩ ﺤﻘﻭل ﺍﻝﺭﻤﺎﻴﺔ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻋﻨﺩﻤﺎ ﻜﺎﻨﺕ ﺍﻝﺤﻔﻠﺔ ﺘﺴﻴﺭ ﺠﻴﺩﹰﺍ ﻭﻜﺎﻥ‬
‫ﺒﻌﺽ ﺍﻝﻀﻴﻭﻑ ﻤﻜﺘﺌﺒﻴﻥ ﻁﻠﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻤﻥ "ﺠﻭﺍﻥ ‪ "Joan‬ﺃﻥ ﺘﺸﺎﺭﻙ ﻓﻲ ﻋـﺭﺽ‬
‫ﺭﻤﺎﻴﺔ ﻤﺭﺘﺠل‪ .‬ﺍﻀﻁﺭﺒﺕ ﻭﺘﻅﺎﻫﺭﺕ ﺒﺄﻨﻬﺎ ﺨﺎﺌﻔﺔ ﺠﺩﹰﺍ )ﻭﻗﺩ ﻜﺎﻨﺕ ﻜﺫﻝﻙ(‪ ،‬ﻝﻜﻨﻬﺎ ﻭﺍﻓﻘﺕ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ .‬ﺃﻭﻗﻔﻬﺎ ﺭﺠل‬
‫ﺍﻝﻘﻭﺱ ﺃﻤﺎﻡ ﺸﺠﺭﺓ ﻜﺒﻴﺭﺓ ﻭﺃﻋﻁﺎﻫﺎ ﺒﺎﻝﻭﻨﹰﺎ ﺯﻫﺭﻴﹰﺎ ﻻﻤﻌﹰﺎ ﻭﺃﺨﺒﺭﻫﺎ ﺒﺄﻥ ﺘﻤﺴﻜﻪ ﺠﺎﻨﺒﹰﺎ ﻝﻤﺴﺎﻓﺔ ﺍﻤﺘﺩﺍﺩ ﺫﺭﺍﻋﻬﺎ‪ .‬ﺸـﺩ‬
‫ﻭﺘﺭ ﻗﻭﺴﻪ ﻭﺃﻁﻠﻕ‪ .‬ﺃﻁﻠﻕ ﺍﻝﺴﻬﻡ ﺍﻷﻭل‪ ،‬ﺯﻴﻨﻎ! ﻓﺄﺼﺎﺏ ﺠﺫﻉ ﺍﻝﺸﺠﺭﺓ‪ .‬ﺃﻁﻠﻕ ﺍﻝﺴﻬﻡ ﺍﻝﺜﺎﻨﻲ‪ ،‬ﺯﻴﻨﻎ! ﻓﺄﺼﺎﺏ ﺍﻝﺠﺫﻉ‬
‫ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺒﺄﻥ ﺍﻝﺭﺍﻤﻲ ﺍﻝﻌﻅﻴﻡ ﻜﺎﻥ ﻴﻤﺯﺡ ﻓﻘﻁ ﺒﻘﺼﺩ ﺍﻹﺜﺎﺭﺓ‪ .‬ﻜﺎﻨﺕ "ﺠﻭﺍﻥ ‪ "Joan‬ﺘﺭﺘﺠـﻑ‪.‬‬
‫ﺯﻴﻨﻎ! ﺒﺎﻡ! ﺇﺼﺎﺒﺔ ﺒﻤﻨﺘﺼﻑ ﺍﻝﺒﺎﻝﻭﻥ ﻤﻊ ﺍﻝﺴﻬﻡ ﺍﻝﺜﺎﻝﺙ‪ .‬ﺃﻁﻠﻘﺕ ﺩﺍﺌﺭﺓ ﺍﻝﻤﺸﺎﻫﺩﻴﻥ ﺘﻨﻬﻴﺩﺓ ﺭﻀﹰﺎ ﻋﻤﻴﻘﺔ ﻭﺼﻔﻘﻭﺍ‪.‬‬
‫ﺜﻡ‪ ،‬ﻭﺒﺩﻫﺸﺔ ﻤﻥ ﻜل ﺍﻝﺤﺎﻀﺭﻴﻥ‪ ،‬ﻭﺤﺘﻰ "ﺒﻴﻔﺭﻝﻲ ‪ ،"Beverly‬ﺘﻘﺩﻡ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻭﻫﻭ ﻴﻠﻭﺡ‬
‫ﺒﺘﻔﺎﺤﺔ ﺤﻤﺭﺍﺀ ﻻﻤﻌﺔ‪ .‬ﻭﻀﻌﻬﺎ ﻋﻠﻰ ﺭﺃﺴﻪ ﻭﺩل ﻋﻠﻴﻬﺎ ﻋﻠﻰ ﺃﻨﻬﺎ ﺍﻝﻬﺩﻑ ﺍﻝﺜﺎﻨﻲ‪ .‬ﻭﺒﺨﻭﻑ ﺃﻗل ﻤﺴﺘﺫﻜﺭﹰﺍ ﺃﺴﻁﻭﺭﺓ‬
‫"ﻭﻴﻠﻴﺎﻡ ﺘﻴل ‪ "William Tell‬ﻭﻀﻊ ﺍﻝﺭﺍﻤﻲ ﺴﻬﻤﹰﺎ ﺁﺨﺭ ﻓﻲ ﻗﻭﺴﻪ‪ ،‬ﺸﺩ ﺍﻝﻭﺘﺭ ﻝﻠﺨﻠﻑ‪ ،‬ﻭﻗﺎﻡ ﺒﺎﻝﺘﺴﺩﻴﺩ ﺒﺸﻜل ﺠﻴﺩ ﻜﺎﻥ‬
‫ﻋﻠﻰ ﻭﺸﻙ ﺍﻹﻁﻼﻕ ﺤﻴﻥ ﺘﻘﺩﻤﺕ "ﺠﻭﺍﻥ ﺩﺍﻓﻴﺱ ‪ "Joan Davis‬ﺒﺴﺭﻋﺔ ﻭﺃﻭﻗﻔﺕ ﺍﻝﻌﺭﺽ‪ .‬ﻝﻡ ﺘﺭﺩ ﻝﻤﺫﺒﺤﺔ ﻁﺎﺌﺸﺔ‬
‫ﺃﻥ ﺘﺤﺼل ﻋﻠﻰ ﻤﺭﺠﻬﺎ‪ .‬ﻜﺎﻨﺕ ﺘﻔﻀل ﺃﻥ ﺘﻌﻴﺵ ﺤﻴﺎﺘﻬﺎ ﺩﻭﻥ ﺃﻥ ﺘﺄﺨﺫ ﺤﺼﺘﻬﺎ ﻤﻥ ﻓﻀﻴﺤﺔ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪.‬‬
‫ﻨﻅﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺤﺒﻁ ﻭﺍﻝﺫﻱ ﻗﺩ ﺴﻠﺏ ﻓﺭﺼﺔ ﺍﻝﻅﻬﻭﺭ ﻤﻠﻘﻴﹰﺎ ﺒﺴﻬﺎﻡ ﻨﻅﺭﺍﺘﻪ ﻋﻠﻰ ﺍﻵﻨﺴﺔ "ﺩﺍﻓـﻴﺱ‬
‫‪ ،"Davis‬ﻭﺍﻝﺘﻲ ﻭﻝﻤﺭﺓ ﻨﺠﺤﺕ ﻓﻲ ﺇﻓﺤﺎﻡ ﺍﻝﺸﺎﺏ ﺍﻝﻘﺭﻭﻱ ﺍﻝﻤﺩﻋﻲ ﺍﻝﻌﺸﻴﻕ ﻻﺒﻨﺘﻬـﺎ ﻭﻏـﺎﺩﺭﺕ ﺍﻝﺤﻘـل ﻤﺘﺒﺎﻫﻴـﺔ‬
‫ﺒﺎﺒﺘﺴﺎﻤﺔ ﺍﻝﻨﺼﺭ‪.‬‬
‫ﻓﻲ ﻋﺼﺭ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻭﻝﻴﺱ ﺒﻤﺩﺓ ﻁﻭﻴﻠﺔ ﻤﻥ ﺤﻔﻠﺔ "ﺒﻴﻔﺭﻝﻲ ‪ ،"Beverly‬ﻋﺭ‪‬ﺽ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺒﻴل ‪"Bill‬‬
‫ﻼ ﻝﻠﺘﺭﻭﻴﺢ ﻋـﻥ ﻨﻔﺴـﻪ‪.‬‬ ‫ﻝﺜﻼﺙ ﺃﻭ ﺃﺭﺒﻊ ﺴﺎﻋﺎﺕ ﻤﻥ ﻤﺯﺍﺠﻪ ﺍﻝﺒﻐﻴﺽ ﺍﻝﺴﻴﺊ ﻓﻘﺭﺭ "ﺒﻴل ‪ "Bill‬ﺍﻝﺨﺭﻭﺝ ﻝﻠﻤﺸﻲ ﻝﻴ ﹰ‬
‫ﺴﺎﺭ ﻨﺤﻭ ﺍﻝﺴﻴﺎﺝ ﻭﺃﺨﺫ ﻴﻨﻅﺭ ﻨﺤﻭ ﺍﻝﻤﺤﻴﻁ ﺍﻝﻬﺎﺩﻱ‪ .‬ﻜﺎﻥ ﻗﺩ ﻭﺼل ﺇﻝﻰ ﻨﻬﺎﻴﺔ ﻤﺎ ﻴﺴﺘﻁﻴﻊ ﺘﺤﻤﻠﻪ ﻝﻤﺯﺍﺠﻴﺔ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﺍﻝﻌﺩﺍﺌﻴﺔ ﻭﺘﻨﺎﻓﺴﻪ ﺍﻝﻤﻬﻠﻙ‪ ،‬ﻭﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺠﺩﻭﻯ ﻤﻥ ﺤل ﻫﺫﻩ ﺍﻷﻤﻭﺭ ﻤﻌﻪ‪ .‬ﻝﻜﻥ "ﺒﻴل ‪ "Bill‬ﻋـﺭﻑ‬
‫ﺒﺄﻨﻪ ﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺍﻝﺘﺤﺩﺙ ﺇﻝﻰ ﺃﺤﺩ ﻤﺎ‪ ،‬ﺜﻡ ﺘﺫﻜﺭ "ﺠﻴﻨﻴﺘﺎ ﻝﻭﻴﺱ ‪ "Jeanetta Lweis‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﺨﺘﺹ ﻓﻴﻤﺎ ﻤﻀـﻰ‬
‫ﺒﻔﻨﻭﻥ ﺍﻝﻤﺴﺭﺡ ﻓﻲ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ – ﻝﻭﺱ ﺃﻨﺠﻠﺱ ‪ "UCLA‬ﻭﻗﺩ ﺍﺴﺘﺄﺠﺭﺕ ﺸﻘﺔ ﻋﻠﻰ ﺒﻌﺩ ﻋﺩﺓ ﻤﺒـﺎﻥ ﻤـﻥ‬
‫ﺸﻘﺘﻬﻡ‪.‬‬
‫ﻜﺎﻨﺕ ﺃﻀﻭﺍﺀ ﺸﻘﺘﻬﺎ ﻤﻨﺎﺭﺓ‪ .‬ﻗﺭﻉ ﺍﻝﺒﺎﺏ‪ .‬ﻜﺎﻨﺕ ﻤﺴﺭﻭﺭﺓ ﺠﺩﹰﺍ ﺒﺭﺅﻴﺘﻪ‪ .‬ﺍﺴﺘﻤﻌﺕ ﺒﺘﻌﺎﻁﻑ ﻝﻤﻌﺎﻨﺎﺘﻪ ﺍﻝﻤﺴﺘﻤﺭﺓ‬
‫ﻝﺤﺎﻝﺘﻪ ﻤﻊ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻋﻨﺩﻤﺎ ﻭﺼل ﺇﻝﻰ ﺍﻝﺠﺯﺀ ﺍﻝﺨﺎﺹ ﺒﻘﺼﺘﻪ ﻤﻊ "ﺒﻴﻔﺭﻝـﻲ ﻭﻴﻠـﺯ ‪" Beverly Wills‬‬
‫ﺍﻨﻔﺠﺭﺕ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭﻩ ﻗﺎﺌﻠﺔ‪ “ :‬ﺫﻝﻙ ﺍﻝﻨﻤﺱ ﺫﻭ ﺍﻝﻭﺠﻬﻴﻥ !”‪.‬‬
‫ﺸﻌﺭ "ﺒﻴل ‪ "Bill‬ﺒﺎﻝﻤﻔﺎﺠﺄﺓ ﻭﺍﻹﻁﺭﺍﺀ ﻤﻥ ﺯﺨﻡ ﺸﻔﻘﺘﻬﺎ ﻭﺘﻌﺎﻁﻔﻬﺎ ﻤﻌﻪ‪ .‬ﻭﻓﻬﻡ ﻤﻨﻬﺎ ﺠﻴﺩﹰﺍ ﻋﻨﺩﻤﺎ ﺃﺨﺒﺭﺘﻪ ﻜﻴﻑ‬
‫ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﻌﺎﻤﻠﻬﺎ ﻁﻭﺍل ﻜل ﻫﺫﻩ ﺍﻝﺸﻬﻭﺭ ﻓﻴﺘﺼل ﺒﻬﺎ ﻭﻴﻤﺭ ﻝﺯﻴﺎﺭﺘﻬﺎ ﺃﺤﻴﺎﻨًﺄ ﺒﺤﻴﺙ ﺃﺒﻘﻰ ﺍﻝﻠﻬﻴـﺏ‬
‫ﻏﻴﺭ ﻤﻨﻁﻔﺊ ﺘﻤﺎﻤﹰﺎ‪ .‬ﺃﺼﺒﺢ "ﺒﻴل ‪ "Bill‬ﻤﺸﻤﺌﺯﹰﺍ ﺒﺸﻜل ﻤﻀﺎﻋﻑ‪.‬‬
‫ﺃﺨﺒﺭﺘﻪ ﻗﺒل ﻤﻐﺎﺩﺭﺘﻪ ﺒﺄﻨﻬﺎ ﺴﻭﻑ ﺘﻨﺘﻘل ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻓﻭﺭﹰﺍ ﺇﻝﻰ ﺸﻘﺔ ﺃﻗﺭﺏ ﺇﻝﻰ ﻋﻤﻠﻬﺎ‪ .‬ﻫل‬
‫ﺴﻴﺴﺎﻋﺩﻫﺎ؟ ﻗﺎل ﺇﻨﻪ ﺴﻭﻑ ﻴﻔﻌل‪.‬‬
‫ﻅﻬﺭﺕ ﻋﻨﺩ ﺍﻝﺸﻘﺔ ﺒﺎﻜﺭﹰﺍ ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ .‬ﻤﺸﺕ ﻋﻠﻰ ﺃﻁﺭﺍﻑ ﺃﺼﺎﺒﻌﻬﺎ ﺇﻝﻰ ﺍﻝﻐﺭﻓﺔ ﺍﻝﺘـﻲ ﻜـﺎﻥ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻨﺎﻡ ﻓﻴﻬﺎ ﻭﺴﺤﺒﺕ ﺼﻭﺭﺓ ﻜﺒﻴﺭﺓ ﻤﻥ ﺇﻁﺎﺭ ﻤﺭﺁﺘﻪ‪ .‬ﻜﺎﻨﺕ ﺼﻭﺭﺘﻬﺎ ﻤﻌﻪ ﻴﺭﻗﺼـﺎﻥ ﻓـﻲ ﺤﻔﻠـﺔ‬
‫"ﺴﻴﻐﻤﺎ ﻨﻭ ‪ ."Sigma Nu‬ﻗﺎﻤﺕ ﺒﺘﻤﺯﻴﻕ ﺍﻝﺼﻭﺭﺓ ﻭﻫﻲ ﺘﻬﻤﺱ ﺒﺒﻌﺽ ﺍﻝﻠﻌﻨﺎﺕ ﺒﺤﻴﺙ ﻭﻗﻌﺕ ﺍﻝﻘﻁﻊ ﺍﻝﺼﻐﻴﺭﺓ ﻋﻠﻰ‬
‫ﻼ ﺴﺎﺫﺠﹰﺎ ﻝﻜﻥ ﻤﺭﻀﻴﹰﺎ‪.‬‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻨﺎﺌﻡ‪ .‬ﺍﺴﺘﻴﻘﻅ ﻝﻴﺠﺩ ﻨﻔﺴﻪ ﻤﻐﻁﻰ ﺒﺎﻝﺼﻭﺭﺓ ﺍﻝﻤﻤﺯﻗﺔ ‪ .‬ﻜﺎﻥ ﻋﻤ ﹰ‬
‫ﺜﻡ ﺍﺼﻁﺤﺒﺕ "ﺒﻴل ‪ "Bill‬ﻝﻠﻔﻁﻭﺭ‪ ،‬ﻭﺃﺨﺒﺭﺘﻪ ﺃﻨﻪ ﻜﺎﻥ ﻏﺒﻴﹰﺎ ﻭﻴﺠﺏ ﻋﻠﻴﻪ ﻋﺩﻡ ﺍﻝﺨﺭﻭﺝ ﻤﻊ ﺸـﺨﺹ ﻤﺜـل‬
‫"ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻓﻭﺍﻓﻕ‪ .‬ﺨﻁﺭﺕ ﻋﻠﻰ ﺒﺎﻝﻬﺎ ﻓﻜﺭﺓ‪ .‬ﺒﻤﺎ ﺃﻨﻬﻤﺎ ﻴﻨﻘﻼﻥ ﺃﻏﺭﺍﻀﻬﺎ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﻓﻠﻡ ﻻ ﻴﺒﺤﺜﺎﻥ ﻝـﻪ‬
‫ﻋﻥ ﺸﻘﺔ ﺠﺩﻴﺩﺓ ﻓﻲ ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ؟ ﺃﺜﺭﺕ ﺸﺩﺓ ﻏﻀﺒﻬﺎ ﻋﻠﻰ ﻗﺭﺍﺭﻩ‪ .‬ﻭﻓﻲ ﻋﺼﺭ ﺫﻝﻙ ﺍﻝﻴﻭﻡ‪ ،‬ﻭﺠﺩﺍ ﻝﻪ ﺸﻘﺔ ﻓﺎﺘﺼل‬
‫ﺒﺼﺎﺤﺒﺔ ﺸﻘﺘﻪ ﺍﻝﺴﺎﺒﻘﺔ ﻝﻴﺨﺒﺭﻫﺎ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻨﺘﻘل ﻓﻭﺭﹰﺍ‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻨﺘﻅﺎﺭﻫﻤﺎ ﻋﻨﺩﻤﺎ ﻋﺎﺩﺍ ﺇﻝﻰ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪ .‬ﺭﻜﺽ ﻷﺴﻔل ﺍﻝﺩﺭﺝ ﻝﻴﺄﺨﺫ ﻤﻜﺎﻨﻪ ﻋﻠـﻰ‬
‫ﺍﻝﻌﺸﺏ‪ .‬ﻭﻤﻊ ﻅﻬﻭﺭ "ﺒﻴل ‪ "Bill‬ﺭﻤﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﻅﺎﺭﺘﻪ ﻭﺃﻤﺴﻙ ﺒﻪ ﻭﺼﺭﺥ ﻤﻨﻔﺠﺭﹰﺍ ﻓﻲ ﻭﺠﻬﻪ‪ “ :‬ﻴﺎ ﺒـﻥ‬
‫ﺍﻝﺴﺎﻓﻠﺔ‪ .‬ﻴﺎ ﺒﻥ ﺍﻝﺴﺎﻓﻠﺔ ﺍﻝﻘﺫﺭ”‪.‬‬
‫ﺭﻜﻀﺕ "ﺠﻴﻨﻴﺘﺎ ‪ "Jeanetta‬ﻝﻸﻋﻠﻰ ﻭﺸﺩﺕ ﻜﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻘﻭﺓ ﻭﺒﺩﺃﺕ ﺒﺎﻝﺼﺭﺍﺥ‪ :‬ﻝﻤﺎﺫﺍ ﻻ ﻴﻀﺭﺒﻬﺎ؟‬
‫ﻫﻲ ﻻ ﺘﺴﺘﻁﻴﻊ ﺍﻝﺩﻓﺎﻉ ﻋﻥ ﻨﻔﺴﻬﺎ‪ .‬ﺃﻝﻡ ﻴﻜﻥ ﺃﺴﻠﻭﺒﻪ ﻀﺭﺏ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﻻ ﻴﺴﺘﻁﻴﻌﻭﻥ ﺍﻝﺩﻓﺎﻉ ﻋﻥ ﺃﻨﻔﺴﻬﻡ؟‬
‫ﺃﺨﺒﺭﻫﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺄﻥ ﺘﺫﻫﺏ ﻝﻠﺠﺤﻴﻡ‪ .‬ﺩﻓﻌﺕ ﺒﺎﺘﺠﺎﻫﻪ ﻓﻀﺭﺒﻬﺎ ﻋﻠﻰ ﻓﻤﻬﺎ ﺒﻘﻭﺓ‪ .‬ﺘﻤﺎﻴﻠـﺕ ﻝﻠﺨﻠـﻑ‬
‫ﻭﻜﺎﺩﺕ ﺃﻥ ﺘﻘﻊ ﺜﻡ ﺍﺴﺘﻘﺎﻤﺕ ﺜﺎﻨﻴﺔ‪ ،‬ﻭﻫﻲ ﺘﺼﺭﺥ‪ “ :‬ﻫﻴﺎ ﻴﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻤﺎﺫﺍ ﻻ ﺘﻀـﺭﺒﻨﻲ ﻤـﺭﺓ ﺜﺎﻨﻴـﺔ؟”‪.‬‬
‫ﻓﻀﺭﺒﻬﺎ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﻤﺭﺘﻴﻥ‪ ،‬ﻭﻓﻲ ﻜل ﻤﺭﺓ ﺃﻗﻭﻯ ﻤﻥ ﺍﻝﻤﺭﺓ ﺍﻝﺘﻲ ﻗﺒﻠﻬﺎ ﻓﺘﺩﻓﻕ ﺍﻝﺩﻡ ﻤﻥ ﺸﻔﺘﻴﻬﺎ‪ .‬ﺠﻤﺩﻩ ﻫـﺫﺍ ﻓـﻲ‬
‫ﻼ ﻝﻬـﺫﺍ‬‫ﻤﻜﺎﻨﻪ ﻭﺃﻭﻗﻔﻪ‪ ) .‬ﺒﻌﺩ ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻭﻓﻲ ﻓﻴﻠﻡ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﺴﻭﻑ ﻴﻤﺜل ﺘﻘﺭﻴﺒﹰﺎ ﻤﺸﻬﺩﹰﺍ ﻤﻤﺎﺜ ﹰ‬
‫ﻤﻊ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ "Guli Harris‬ﻭ "ﺩﻴﻙ ﺩﺍﻓﺎﻝﻭﺱ ‪.("Dick Davalos‬‬
‫ﻗﺎﺩ "ﺒﻴل ‪" "Bill‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺠﻴﻨﻴﺘﺎ ‪ "Jeanetta‬ﻝﻸﻋﻠﻰ ﺇﻝﻰ ﺍﻝﺸﻘﺔ‪ .‬ﺩﺨﻠﺕ ﺇﻝﻰ ﺍﻝﺤﻤﺎﻡ ﻭﺘﻘﻴﺄﺕ ﻭﻫـﻲ‬
‫ﺘﻨﺘﺤﺏ ﻭﺘﺒﻜﻲ ﺒﻴﻥ ﻜل ﻝﻬﺜﺔ ﻭﺇﺠﻬﺎﺸﺔ‪ .‬ﺩﺨل "ﺒﻴل ‪ "Bill‬ﺇﻝﻰ ﻏﺭﻓﺘﻪ ﻝﻴﻭﻀﺏ ﺃﻏﺭﺍﻀﻪ‪ .‬ﻋﻨﺩﻤﺎ ﺨﺭﺠﺕ "ﺠﻴﻨﻴﺘـﺎ‬
‫‪ "Jeanetta‬ﺘﻭﺴل ﺇﻝﻴﻬﺎ ﻝﺘﺴﺎﻤﺤﻪ ﻭﺃﺤﻀﺭ ﻝﻬﺎ ﺍﻷﺴﺒﺭﻴﻥ ﻤﻊ ﺒﻌﺽ ﺍﻝﻤﻨﺎﺩﻴل ﻭﻋﺭﺽ ﻋﻠﻴﻬﺎ ﺃﻥ ﻴﺴﻘﻴﻬﺎ ﻓﻨﺠﺎﻨﹰﺎ ﻤﻥ‬
‫ﺍﻝﺸﺎﻱ ﺍﻝﺴﺎﺨﻥ ﻭﻗﺎﻡ ﺒﺎﻻﻋﺘﺫﺍﺭ ﺍﻝﻤﺴﺘﻤﺭ ﺤﺘﻰ ﻝﺤﻅﺔ ﺇﺨﺭﺍﺝ "ﺒﻴل ‪ "Bill‬ﻝﺤﻘﻴﺒﺘﻪ ﺍﻷﺨﻴﺭﺓ ﻝﻠﺴﻴﺎﺭﺓ‪ .‬ﺜﻡ ﺒﺩﺃ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺒﺎﻝﺒﻜﺎﺀ‪ ،‬ﻭﻗﺎﻡ ﺒﻤﺩ ﻜﻔﻪ ﻜﻜﻠﺏ ﺘﻌﺭﺽ ﻝﻠﺠﻠﺩ‪ .‬ﻝﻡ ﻴﺴﺘﻁﻊ "ﺒﻴل ‪ "Bill‬ﺇﻗﻨﺎﻉ ﻨﻔﺴﻪ ﺒﻬﺫﺍ‪ ،‬ﻭﺍﻋﺘﻘﺩ ﺒﺄﻥ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻜﺎﻥ ﻴﺅﺩﻱ ﻋﺭﻀﹰﺎ ﻤﺒﻜﻴﹰﺎ ﻤﺜل ﺫﻝﻙ ﺍﻝﺫﻱ ﺭﺁﻩ ﺃﻤﺎﻡ ﺍﻝﻘﺎﻀﻲ‪ .‬ﺍﺴﺘﺩﺍﺭ ﻭﻨﺯل ﻫﺎﺒﻁﹰﺎ ﺍﻝﺩﺭﺝ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺴﺎﺩﺱ‬

‫ﻜﺎﻥ ﻓﺼل "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ‪ -‬ﻝﻭﺱ ﺃﻨﺠﻠﺱ ‪ "UCLA‬ﺍﻝﺨﺭﻴﻔﻲ ﻋﻠﻰ ﻭﺸﻙ ﺍﻝﺒﺩﺀ‪ ،‬ﻭﻝﻜﻥ ﻭﺒﻌﺩ ﺒﻀـﻌﺔ‬
‫ﺃﻴﺎﻡ ﻤﻥ ﺘﺭﻙ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﻝﻤﻨﺯل ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ ﺍﻨﺘﻘل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﺃﻴﻀﹰﺎ‪ .‬ﻓﻠﺘـﺫﻫﺏ‬
‫ﺍﻝﺠﺎﻤﻌﺔ ﻝﻠﺠﺤﻴﻡ‪ ،‬ﺤﻴﺙ ﻝﻡ ﺘﻜﻥ ﺘﺫﻫﺏ ﺒﻬﻡ ﺇﻝﻰ ﺃﻱ ﻤﻜﺎﻥ ﻭﻝﺫﻝﻙ ﻓﺴﻭﻑ ﻴﻀﻊ ﻜل ﻁﺎﻗﺘﻪ ﻓﻲ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻝﻘﺩ ﺃﺼـﺒﺢ‬
‫ﺭﺍﺌﺩ ﺍﻝﻤﻨﺴﺤﺒﻴﻥ‪.‬‬
‫ﺒﻘﻲ ﻓﻲ ﺍﻷﺴﺒﻭﻉ ﺍﻷﻭل ﻤﻊ "ﺘﻴﺩ ﺃﻓﻴﺭﻱ ‪ "Ted Avery‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻌﻤل ﻜﺒﻭﺍﺏ ﻗﺎﺒﻠﻪ ﺨﻼل ﺯﻭﺒﻌﺔ ﺘﻌﻴﻴﻨـﻪ‬
‫ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ " ﺴﻲ ﺒﻲ ﺇﺱ ‪ ."CBS‬ﻜﺎﻨﺕ ﺯﻭﺠﺔ "ﺘﻴﺩ ‪ "Ted‬ﺨﺎﺭﺝ ﺍﻝﻤﺩﻴﻨﺔ ﻝﺯﻴﺎﺭﺓ ﺃﻗﺎﺭﺒﻬﺎ ﻓﻘﺎﻡ ﺒـﺩﻋﻭﺓ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻝﻤﺸﺎﺭﻜﺘﻪ ﺍﻝﺸﻘﺔ ﻝﺤﻴﻥ ﻋﻭﺩﺘﻬﺎ‪ .‬ﻭﺍﺤﺘﺎﺝ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻌﻤل ﻭﻝﺴﺭﻴﺭ ﺃﻴﻀﺎﹰ‪ ،‬ﻭﻫﻜﺫﺍ ﺘﺤﺩﺙ "ﺘﻴﺩ ‪"Ted‬‬
‫ﺍﻝﺫﻱ ﺘﺨﻠﻰ ﻋﻥ ﻋﻤﻠﻪ ﻓﻲ ﺭﻜﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻓﻲ ﺍﻝﺴﺎﺤﺔ ﺍﻝﻤﺠﺎﻭﺭﺓ ﺇﻝﻰ ﻤﺩﻴﺭﻩ ﻝﺘﺸﻐﻴل ﺼﺩﻴﻘﻪ‪.‬‬
‫ﻜﺎﻥ " ﺃﻓﻴﺭﻱ ‪ "Avery‬ﺇﻀﺎﻓﺔ ﻝﻜﻭﻨﻪ ﺴﺎﺌﻕ ﺴﻴﺎﺭﺍﺕ ﻤﺤﺘﺭﻓﹰﺎ ﺭﺍﻋﻲ ﺒﻘﺭ ﻤﻤﺘﺎﺯﹰﺍ‪ ،‬ﻭﻜﺎﻥ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴـﺎﻥ‬
‫ﻴﺄﺨﺫ ﺩﻭﺭﹰﺍ ﺼﻐﻴﺭﹰﺍ ﻓﻲ ﺃﻓﻼﻡ ﺭﻋﺎﺓ ﺍﻝﺒﻘﺭ‪ .‬ﻭﺒﻤﺎ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺭﺍﺩ ﺃﻥ ﻴﻜﻭﻥ ﺠـﺎﻫﺯﹰﺍ ﻷﻱ ﺩﻭﺭ ﻴﻤﻜـﻥ ﺃﻥ‬
‫ﻴﺄﺘﻲ ﺒﻁﺭﻴﻘﻪ‪ ،‬ﻓﻘﺩ ﺘﻭﺴل ﺇﻝﻴﻪ ﻝﻴﻌﻠﻤﻪ ﻜﻴﻔﻴﺔ ﺍﻻﻤﺘﻁﺎﺀ ﻭﺤﻴل ﺍﻝﺤﺒل‪ .‬ﻜﺎﻨﺎ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻭﺒﻌﺩ ﺭﻜﻭﺒﻬﻤﺎ ﻋﻠـﻰ‬
‫ﺍﻝﺴﺭﺝ ﻴﻤﺭﺤﺎﻥ ﻓﻲ ﺒﻬﻭ ﺍﺴﺘﻭﺩﻴﻭ " ﺴﻲ ﺒﻲ ﺇﺱ ‪ "CBS‬ﺒﻜﺎﻤل ﻝﺒﺎﺴﻬﻤﺎ ﺍﻝﻐﺭﺒﻲ‪ ،‬ﻤﻤـﺎ ﺯﺍﺩ ﻤـﻥ ﻜـﺭﺏ ﺍﻝﺴـﺎﺌﺤﻴﻥ‬
‫ﺍﻝﻤﺒﺠﻠﻴﻥ ﺍﻝﺫﻱ ﻗﻁﻌﻭﺍ ﻤﺴﺎﻓﺔ ﻁﻭﻴﻠﺔ ﻝﺯﻴﺎﺭﺓ ﻤﻌﺒﺩ ﺃﺴﻴﺎﺩ ﺍﻝﺭﺍﺩﻴﻭ‪.‬‬
‫ﻭﺃﻜﺜﺭ ﻤﻥ ﻫﺫﺍ‪ ،‬ﻜﺎﻨﺕ ﺍﻝﺤﻴﺎﺓ ﻓﻲ ﻤﻭﻗﻑ ﺍﻝﺴﻴﺎﺭﺍﺕ ﺒﺎﺌﺴﺔ‪ .‬ﻭﻜﺎﻥ ﺃﻜﺜﺭ ﺍﻝﺭﻭﺍﺩ ﻤﻥ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﻌﺎﻁﻠﻴﻥ ﻋـﻥ‬
‫ﺍﻝﻌﻤل‪ .‬ﻝﻡ ﻴﻜﻥ ﻝﺩﻯ ﺃﺤﺩ ﺍﻝﻤﺎل‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺤﻴﺎﻨﹰﺎ ﻴﻁﻠﺏ ﻤﻥ ﺃﺤﺩ ﺯﻤﻼﺌﻪ ﻓﻲ ﺍﻝﻌﻤل ﺃﻥ ﻴﺤـل ﻤﺤﻠـﻪ‬
‫ﻝﺴﺎﻋﺘﻴﻥ ﻤﻥ ﺃﺠل ﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ ﻭﻜﺎﻥ ﻴﺫﻫﺏ ﻷﻴﺎﻡ‪ .‬ﻨﺎﻡ ﻓﻲ ﺒﻌﺽ ﺍﻷﻭﻗﺎﺕ ﻓﻲ ﺴﻴﺎﺭﺘﻪ ﻷﻨـﻪ ﻝـﻡ ﻴﻤﻠـﻙ ﺍﻝﻤـﺎل‬
‫ﻻﺴﺘﺌﺠﺎﺭ ﻏﺭﻓﺔ‪ ،‬ﻭﻜﺎﻥ ﻓﻲ ﺃﺤﻴﺎﻥ ﺃﺨﺭ ﻭﻋﻨﺩﻤﺎ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﺍﻝﻤﺎل ﻤﻥ ﺃﺠل ﺍﻝﻁﻌﺎﻡ ﻴﻘﺒل ﺩﻋﻭﺍﺕ ﺍﻝﻐـﺩﺍﺀ ﻤـﻥ‬
‫ﺭﺠﺎل ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺒﺄﻨﻬﻡ ﺸﻭﺍﺫ‪ .‬ﻭﺇﺫﺍ ﺃﺭﺍﺩ ﺃﺤﺩ ﺃﻥ ﻴﻀﺤﻙ ﻤﻌﻪ ﺤﻭل ﻫﺫﻩ "ﺍﻝﻤﻭﺍﻋﻴﺩ" ﻜﺎﻥ ﻴﻀﺤﻙ ﻭﻴﻘـﻭل‬
‫ﺇﻨﻪ ﻴﺠﺏ ﺍﻋﺘﺒﺎﺭﻫﺎ "ﺘﺫﺍﻜﺭ ﻭﺠﺒﺎﺕ ﻤﺠﺎﻨﻴﺔ"‪ .‬ﺇﻻ ﺃﻥ ﻭﻜﻴﻠﺔ ﺃﻋﻤﺎﻝﻪ "ﺇﻴﺯﺍﺒﻴل ﺩﺭﻴﺴـﻤﺭ ‪ "Isabelle Draesmer‬ﺭﺃﺕ‬
‫ﻫﺫﺍ ﺍﻝﻤﺸﻬﺩ ﻭﻗﺩ ﺘﻤﺕ ﺘﺄﺩﻴﺘﻪ ﻋﺩﺓ ﻤﺭﺍﺕ ﻝﺩﺭﺠﺔ ﺍﻝﺤﻴﺭﺓ ﺤﻭل ﻤﺎ ﻜﺎﻥ ﻴﺤﺩﺙ ﺒﺎﻝﻔﻌل‪ .‬ﺘﻘﻭل‪ “:‬ﻜﺎﻥ ﺍﻝﺴﺅﺍل ﺍﻝﺯﻭﺍﺝ‬
‫ﻤﻥ ﺍﺒﻨﺔ "ﺠﻭﺍﻥ ﺩﺍﻓﻴﺱ ‪ "Joan Davis‬ﺃﻭ ﺍﻝﺫﻫﺎﺏ ﻝﻠﻌﻴﺵ ﻤﻊ ﻤﺨﺭﺝ ﺃﺴﺘﻭﺩﻴﻭ”‪.‬‬
‫ﺴﺭﻋﺎﻥ ﻤﺎ ﻭﺠﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻁﺭﻴﻘﺔ ﻝﻠﺘﺨﻠﺹ ﻤﻥ "ﺒﻴﻔﺭﻝﻲ ‪ ."Beverly‬ﺠﻌﻠﺕ ﺤﺎﺩﺜـﺔ "ﻭﻴﻠﻴـﺎﻡ ﺘﻴـل‬
‫‪ "William Tell‬ﻓﻲ ﺤﻔﻠﺔ ﻋﻴﺩ ﺍﻝﻤﻴﻼﺩ ﻤﻨﻪ ﺍﻝﺸﺨﺹ ﺭﻗﻡ ﻭﺍﺤﺩ ﻏﻴﺭ ﺍﻝﻤﺭﺤﺏ ﺒﻪ ﻓﻲ ﻤﻨﺯل "ﺒﻴل ﺃﻴـﺭ ‪."Bill Air‬‬
‫ﻭﺃﺨﺫ ﻫﻭ ﻭ"ﺒﻴﻔﺭﻝﻲ ‪ "Beverly‬ﻴﻠﺘﻘﻴﺎﻥ ﻋﻭﻀﹰﺎ ﻋﻥ ﻫﺫﺍ ﻓﻲ "ﺒﺎﺭﺍﺩﺍﻴﺱ ﻜﻭﻑ ‪ "Paradise Cove‬ﻤﻭﻗﻊ ﺯﺭﻱ ﻝﻠﻤﺭﺡ‬
‫ﻴﻘﻊ ﻋﻠﻰ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﻝﻠﻤﺤﻴﻁ ﺍﻝﻬﺎﺩﻱ ﻗﺭﺏ "ﻤﺎﻝﻴﺒﻭ" ﺤﻴﺙ ﻭﻀﻊ ﻭﺍﻝﺩﻫﺎ ﻋﺭﺒﺔ ﻓﺭﺍﺭﻱ ﺘﺴﺘﺨﺩﻡ ﻨﻬﺎﻴـﺔ ﻜـل‬
‫ﺃﺴﺒﻭﻉ‪ .‬ﺃﺤﺒﺕ ﺭﻗﺼﺎﺕ ﺍﻝﻔﺭﻗﺔ ﺍﻝﻜﺒﻴﺭﺓ ﻓﻲ "ﺨﻴﻤﺔ ﺍﻝﺠﻨﺔ ‪ ،"Paradise Pavilion‬ﺒﻴﻨﻤﺎ ﻝﻡ ﺘﻜﻥ ﺘﻌﺠﺒﻪ‪ .‬ﻓﻌﻠﻰ ﺍﻝﺭﻏﻡ‬
‫ﻤﻥ ﻜل ﻤﻬﺎﺭﺍﺘﻪ ﺍﻝﺭﻴﺎﻀﻴﺔ ﻓﺈﻨﻪ ﻝﻡ ﻴﻜﻥ ﺭﺍﻗﺼﹰﺎ ﺠﻴﺩﹰﺍ ﻤﺜﻠﻬﺎ‪ ،‬ﺤﻴﺙ ﻜﺎﻨﺕ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻻ ﺘﺴﺘﻁﻴﻊ ﻤﻘﺎﻭﻤـﺔ‬
‫ﺍﻨﺘﻘﺎﺀ ﺸﺎﺏ ﻴﺴﺘﻁﻴﻊ ﻤﺠﺎﺭﺍﺘﻬﺎ ﻓﻲ ﺍﻝﺭﻗﺹ ﺨﻁﻭﺓ ﺨﻁﻭﺓ‪ .‬ﻨﺘﺞ ﻋﻥ ﻫﺫﺍ ﺃﻜﺜﺭ ﻤﻥ ﻤﺠﺭﺩ ﺸﻌﻭﺭ ﺒﺄﻨـﻪ ﻤﺘـﺭﻭﻙ‪،‬‬
‫ﻭﻤﻨﺫ ﺍﻵﻥ ﺃﺭﺍﺩ ﺍﻝﺨﺭﻭﺝ‪ ،‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ‪ ،‬ﻭﺒﻴﻨﻤﺎ ﻜﺎﻨﺕ ﺒﻴﻥ ﻴﺩﻱ ﺸﺭﻴﻙ ﺃﻜﺜﺭ ﺭﺸﺎﻗﺔ ﻤﻨـﻪ‪ ،‬ﺨـﺭﺝ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻤﻥ ﺤﻴﺎﺘﻬﺎ ﻝﻸﺒﺩ‪.‬‬
 ‫“ ﻗﺎل ﺇﻨﻨﺎ ﻨﺴﺘﻁﻴﻊ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﺴﺭﻴﺭﻴﻥ ﻓﻲ ﻏﺭﻓﺔ ﻭﺍﺤﺩﺓ”‪ ،‬ﺃﺨﺒﺭ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺇﻴﺯﺍﺒﻴل ﺩﺭﻴﺴـﻤﺭ‬
‫‪ "Isabelle Draesmer‬ﺒﺎﻝﻌﺭﺽ ﺍﻝﻤﻘﺩﻡ ﻝﻪ ﻤﻥ ﺍﻝﻤﺨﺭﺝ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻲ "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴـﺕ ‪ "Rogers Brackett‬ﺍﻝـﺫﻱ‬
‫ﻴﻌﻤل ﻓﻲ " ﺴﻲ ﺒﻲ ﺇﺱ ‪ "CBS‬ﻭﺍﻝﺫﻱ ﺃﺭﺍﺩ ﺘﺨﻠﻴﺼﻪ ﻤﻥ ﻤﻭﻗﻑ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﺍﻝﺒﺩﺀ ﺒﺎﻝﺘﺴﻭﻴﻕ ﻷﻋﻤﺎﻝﻪ‪ .‬ﺘﻘﻭل ﻭﻜﻴﻠﺔ‬
‫ﺍﻷﻋﻤﺎل " ﺩﺭﻴﺴﻤﺭ ‪“ :"Draesmer‬ﻭﻜﺎﻥ ﺍﻝﺸﻲﺀ ﺍﻝﺫﻱ ﺘﻼ ﻫﺫﺍ ﺍﻨﺘﻘﺎﻝﻬﻤﺎ ﻝﻠﻌﻴﺵ ﻤﻌﹰﺎ‪ .‬ﻭﺫﻫﺏ ﻤﻌﻪ ﻫﺫﺍ ﺍﻝﺭﺠل ﺇﻝﻰ‬
‫ﺸﻴﻜﺎﻏﻭ ﻭﺘﺎﺒﻌﺎ ﻨﺤﻭ ﻨﻴﻭﻴﻭﺭﻙ”‪.‬‬
‫ﺃﺘﻰ "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴﺕ ‪ "Rogers Brackett‬ﺇﻝﻰ ﺍﻝﺴﺎﺤل ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ ﺤﻴﺙ ﻜﺎﻥ ﻤﻨﺘﺠﹰﺎ ﺘﻠﻔﺯﻴﻭﻨﻴﹰﺎ ﻤﻊ ﺸﺭﻜﺔ‬
‫ﺍﻹﻋﻼﻨﺎﺕ "ﻏﺭﺍﻱ ﺍﺩﻓﻴﺭﺘﺎﻴﺯﻴﻨﻎ ‪ ."Grey Advertising‬ﺸﻙ ﺯﻤﻼﺅﻩ ﻓﻲ ﺍﻝﻭﻜﺎﻝﺔ ﻤﻨﺫ ﺯﻤﻥ ﺒﻌﻴﺩ ﺒﺄﻨﻪ ﻜﺎﻥ ﻤﻠﺘﺯﻤـﹰﺎ‬
‫ﺒﺎﻝﻤﺴﺭﺡ ﻭﺍﻝﺒﺎﻝﻴﺔ ﻭﺍﻝﺴﻴﻨﻤﺎ ﺃﻜﺜﺭ ﻤﻥ ﺍﻝﺘﺯﺍﻤﻪ ﺍﻝﻤﺘﻌﻠﻕ ﺒﺈﻋﻼﻨﺎﺕ ﻤﺴﺭﺡ ﺍﻝﻌﺭﺍﺌﺱ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻲ ﻭﺍﻝﺘﻲ ﻤﺭ ﻤﻥ ﺨﻼﻝﻬﺎ‬
‫ﺒﻌﻤﻠﻴﺔ ﺩﻓﻊ ﺸﻴﻙ ﺃﺠﺭﺘﻪ ﻤﺭﺓ ﻜل ﺃﺴﺒﻭﻋﻴﻥ‪.‬‬
‫ﻜﺎﻨﺕ ﺍﻝﺤﺭﻜﺔ ﻨﺤﻭ ﺃﺤﻴﺎﺀ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﺍﻝﻤﺭﻴﺤﺔ ﻓﻲ ﺠﺎﺩﺓ "ﺼﺎﻨﺴﻴﺕ ﺒـﻼﺯﺍ ﺩﺭﺍﻴـﻑ" ﺒـﺎﻝﻁﺭﻴﻕ‬
‫ﺍﻝﻤﻨﺤﺩﺭ ﺍﻝﺫﻱ ﻴﺘﺠﻪ ﺼﻌﻭﺩﹰﺍ ﻨﺤﻭ ﺘﻼل ﻫﻭﻝﻴﻭﻭﺩ ﻤﻥ ﻤﻨﻁﻘﺔ "ﺼﺎﻨﺴﻴﺕ ﺴﺘﺭﻴﺏ" ﻗﺩ ﺃﻋﻁﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺫﻭﻗﹰﺎ‬
‫ﻤﻥ ﺍﻝﺭﺨﺎﺀ ﻝﻡ ﻴﻌﻬﺩﻩ ﻤﻥ ﻗﺒل‪ .‬ﻜﺎﻥ ﺍﻝﻌﻴﺵ ﻋﺎﻝﻴﹰﺎ ﻫﻜﺫﺍ ﻓﻲ ﻤﺩﻴﻨﺔ ﺘﻀﻊ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﻓﻲ ﺍﻷﺴﻔل ﻴﺒﻌﺙ ﺍﻝﻔﺭﺡ‬
‫ﺒﻨﻔﺴﻪ‪ .‬ﺃﻋﻁﺕ ﺍﻝﺼﻭﺭﺓ ﺍﻝﺒﺎﻨﻭﺭﺍﻤﻴﺔ ﺍﻝﺘﻲ ﺍﺴﺘﺤﻭﺫﺕ ﻋﻠﻰ ﻜل ﺍﻝﻁﺭﻴﻕ ﻤﻥ ﺒﺭﺝ ﺍﻝﺒﻠﺩﻴﺔ ﺍﻝﺭﻤﺎﺩﻱ ﺇﻝـﻰ ﺍﻝﻴﺨـﻭﺕ‬
‫ﺍﻝﺒﻴﻀﺎﺀ ﺍﻝﺒﺎﻫﺘﺔ ﻤﻥ ﺭﺼﻴﻑ "ﺩﻴل ﺭﺍﻱ" ﺤﺴﹰﺎ ﻤﻔﺭﺤﹰﺎ ﺒﺎﻝﻁﺎﻗﺔ‪ .‬ﻭﺒﺎﻝﻠﻴل‪ ،‬ﻜﺎﻥ ﺤﻭﺽ ﺍﻝﺴﺒﺎﺤﺔ ﻜﺎﻝﺴﺠﺎﺩﺓ ﺍﻝﺴﺤﺭﻴﺔ‬
‫ﺒﻀﻭﺀ ﻤﻠﻭﻥ‪ .‬ﻭﺤﺘﻰ ﻓﻲ ﺍﻷﻴﺎﻡ ﺍﻝﻀﺒﺎﺒﻴﺔ ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﺍﻝﻤﻨﻅﺭ ﻤﺨﺘﻔﻴﺎﹰ‪ ،‬ﺒﻘﻲ ﻫﻨﺎﻙ ﺸﻌﻭﺭ ﺒﺎﻝﺴﻤﻭ‪ .‬ﺘﻨﻔﺱ ﻗـﺎﻁﻨﻭ‬
‫ﺍﻝﺘﻠﺔ ﻫﻭﺍ ‪‬ﺀ ﺃﻨﻘﻰ ﻤﻥ ﻤﻼﻴﻴﻥ ﺍﻝﻨﻤل ﺍﻝﺯﺍﺤﻑ ﺍﻝﺫﻱ ﻴﺨﺘﻨﻕ ﻫﻨﺎﻙ ﻓﻲ ﺍﻷﺴﻔل ﺘﺤﺕ ﺘﻠﻙ ﺍﻝﺴﺤﺎﺒﺔ ﺍﻝﺒﺭﺘﻘﺎﻝﻴﺔ ﺍﻝﻘﺫﺭﺓ‪.‬‬
‫ﻜﺫﻝﻙ‪ ،‬ﻏﻴﺭ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﻬﻨﻴﺔ ﺃﻴﻀﹰﺎ‪ .‬ﺍﺴﺘﻁﺎﻉ ﺃﻥ ﻴﺘﺩﺒﺭ ﻝـﻪ ﻋـﺩﺓ ﺃﺩﻭﺍﺭ‬
‫ﺼﻐﻴﺭﺓ ﻓﻲ ﻋﺭﻭﺽ ﺘﺒﺙ ﻋﻠﻰ ﺍﻝﺭﺍﺩﻴﻭ ﻋﻨﺩ " ﺴﻲ ﺒﻲ ﺇﺱ ‪ "CBS‬ﻤﺜل "ﻨﺠـﻭﻡ ﻓـﻭﻕ ﻫﻭﻝﻴـﻭﻭﺩ ‪Stars over‬‬
‫‪ "Hollywood‬ﻭ "ﺇﻝﻴﺎﺱ ﺠﻴﻥ ﺩﻭ ‪ ،"Alias Jane Doe‬ﻭﺒﻌﺩ ﻫﺫﺍ ﺒﻭﻗﺕ ﻗﺼﻴﺭ ﺤﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠـﻰ ﺩﻭﺭ‬
‫ﺼﻐﻴﺭ ﻓﻲ ﻓﻴﻠﻡ ﻤﻥ ﺇﻨﺘﺎﺝ "ﺒﺎﺭﺍﻤﺎﻭﻨﺕ ‪ :"Paramount‬ﺜﻼﺜﺔ ﺃﺴﻁﺭ ﻓﻲ ﻜﻭﻤﻴﺩﻴﺎ "ﺍﺤـﺫﺭ ﺃﻴﻬـﺎ ﺍﻝﺒﺤـﺎﺭ ‪Sailor‬‬
‫‪ "Beware‬ﻝـ "ﺠﻴﻤﻲ ﻤﺎﺭﺘﻥ ‪ "Jimmy Martin‬ﻭ "ﺠﻴﺭﻱ ﻝﻭﻴﺱ ‪ ."Jerry Lewis‬ﺍﻨﺘﻬﺕ ﺍﻝﺴﻁﻭﺭ ﺇﻝﻰ ﺒﺭﻤﻴل ﻓـﻲ‬
‫ﻏﺭﻓﺔ ﺘﻭﺼﻴل ﺍﻷﻓﻼﻡ‪ ،‬ﻝﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻘﻲ ﻤﺒﺘﺴﻤﹰﺎ ﻓﻲ ﺨﻠﻔﻴﺔ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻤﺸﺎﻫﺩ‪ .‬ﻭﺒﻌﺩ ﻫﺫﺍ ﺒﻔﺘﺭﺓ ﻝﻴﺴـﺕ‬
‫ﻁﻭﻴﻠﺔ‪ ،‬ﻝﻌﺏ ﺩﻭﺭﹰﺍ ﻗﺼﻴﺭﹰﺍ ﻜﺠﻨﺩﻱ ﻓﻲ ﻓﻴﻠﻡ "ﺍﻝﺤﺭﺍﺏ ﺍﻝﻤﺜﺒﺘﺔ ‪ "Fixed Bayonets‬ﻝـ "ﺴﺎﻤﻭﻴل ﻓـﻭﻝﺭ ‪Samouel‬‬
‫‪ "Fuller‬ﻭﻤﻥ ﺇﻨﺘﺎﺝ ﺸﺭﻜﺔ "ﺘﻭﻴﻨﺘﻴﺙ ﺴﻴﻨﺘﺸﻴﺭﻱ ﻓﻭﻜﺱ ‪ ."Twentieth Century Fox‬ﻭﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻭﻓﻲ ﺍﻝﺨﻠﻔﻴـﺔ‪،‬‬
‫ﻭﻝﻜﻨﻪ ﻤﻐﻁﻰ ﺒﺎﻝﻁﻴﻥ‪ ،‬ﻜﺎﻥ ﻤﺤﺎﺭﺒﹰﺎ ﻗﺩﻴﻤﹰﺎ ﻤﻤﺯﻗﹰﺎ ﻓﻲ ﺍﻝﺤﺭﺏ ﻭﻫﻭ ﻴﻭﺯﻉ ﺍﻝﻤﻭﺕ ﻋﻠﻰ "ﺍﻝﺭﺠﺎل ﺍﻝﺼﻔﺭ ﺍﻝﺼـﻐﺎﺭ"‬
‫ﻓﻲ ﻜﻭﺭﻴﺎ‪ .‬ﻭﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻋﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻔﻴﻠﻡ ﺍﻝﻤﻭﺴﻴﻘﻲ "ﻝﻘﺩ ﺴﺭﻕ ﺃﺤﺩﻫﻡ ﻓﺘﺎﺘﻲ ‪Somebody Stole My‬‬
‫‪ "Gal‬ﻤﻥ ﺇﻨﺘﺎﺝ "ﻴﻭﻨﻴﻔﻴﺭﺴﺎل ﺇﻨﺘﺭﻨﺎﺸﻴﻭﻨﺎل ‪ "Universal International‬ﻭﺒﻁﻭﻝﺔ "ﺭﻭﻙ ﻫﺩﺴـﻭﻥ ‪"Rock Hudson‬‬
‫ﻭ"ﺒﻴﺒﺭ ﻝﻭﺭﻱ ‪ "Piper Laurie‬ﺇﻝﻰ ﻜﻭﻨﻪ ﺍﻝﻤﺭﺍﻫﻕ ﺫﺍ ﺍﻷﺴﻨﺎﻥ ﺍﻝﻨﺎﺘﺌﺔ ﺼﺎﺤﺏ ﺩﻋﺎﻴﺔ ﺒﻴﺒﺴﻲ ﻜﻭﻻ‪ ،‬ﻋﺩﺍ ﺃﻥ ﺭﻏﺒﺎﺘﻪ‬
‫ﺍﻝﻤﻠﺤﺔ ﻫﺫﻩ ﺍﻝﻤﺭﺓ ﻜﺎﻨﺕ ﻤﻌﻠﻘﺔ ﺒﺒﻭﻅﺔ ﻤﻊ ﻗﻁﻊ ﻜﺒﻴﺭﺓ ﻤﻥ ﺍﻝﻤﻭﺯ ﻭﺍﻝﻔﺭﻴﺯ ﻤﻊ ﺍﻝﺸﻭﻜﻭﻻ‪ .‬ﻭﻜﺎﻥ ﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﺼﻭﺭ‬
‫ﻝﻤﺸﻬﺩﻩ "ﺍﻝﻜﺒﻴﺭ" ﻤﻊ "ﺘﺸﺎﺭﻝﺯ ﻜﻭﺒﺭﻥ ‪ "Charlaes Coburn‬ﻫﻲ ﺍﻝﺘﻲ ﻗﺩ ﺘﺤﻭﻝﺕ ﺇﻝﻰ ﻤﻁﺒﻭﻋﺎﺕ ﺍﻝﺘﻭﺯﻴﻊ ﻓﻌﻠﻴﹰﺎ‪.‬‬
‫ﻭﺃﺜﻨﺎﺀ ﺸﻕ ﻁﺭﻴﻘﻪ ﻜﻤﻤﺜل‪ ،‬ﻗﺎﻴﺽ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻌﺎﻝﻡ ﺍﻝﺴﺎﺫﺝ ﻝﻁﻼﺏ ﺍﻝﺠﺎﻤﻌﺔ ﺒﺼـﺭﺍﻉ ﻗـﻭﻱ ﻤـﻊ‬
‫ﻭﺍﻋﺩﻱ ﻫﻭﻝﻴﻭﻭﺩ ﻭﻤﻭﻤﺴﺎﺘﻬﺎ ﻭﻏﻴﺭﻫﻥ‪ .‬ﻭﺍﻋﺘﺎﺩ ﻤﺎ ﺒﻴﻥ ﻤﻘﺎﻁﻊ ﺍﻷﻓﻼﻡ ﻭﺍﻝﺭﺍﺩﻴﻭ ﺍﻝﺴﻬﺭ ﻓﻲ ﺠﺎﺩﺓ ﻫﻭﻝﻴﻭﻭﺩ ﺒﻨـﺎﺩ‬
‫ﺼﻐﻴﺭ ﺸﺭﻕ ﻁﺭﻴﻕ ﻫﻭﻝﻴﻭﻭﺩ ﺍﻝﺴﺭﻴﻊ‪ .‬ﻭﻝﻔﺘﺭﺓ ﻗﺼﻴﺭﺓ‪ ،‬ﺒﺩﺍ ﻝﻪ ﺃﻨﻪ ﻗﺩ ﺘﻠﻘﻰ ﺼﻔﻌﺔ ﻋﻨﻴﻔﺔ ﻓﻲ ﻤﻨﺘﺼـﻑ ﻁﺭﻴـﻕ‬
‫ﺘﺤﻘﻴﻕ ﻤﺎ ﻴﺭﻴﺩﻩ‪ .‬ﺘﺤﺩﺙ ﺍﻝﺠﻤﻴﻊ ﻋﻥ ﺍﻝﻠﻌﺒﺔ ﺍﻝﻜﺒﻴﺭﺓ ﻤﻥ ﺍﻝﺘﻤﺜﻴل ﻭﺍﻝﻔﻥ‪ .‬ﻭﺘﻁﻠﺏ ﻤﻨﻪ ﺒﻌﺽ ﺍﻝﻭﻗﺕ ﻝﻴﺩﺭﻙ ﺃﻨﻪ ﻜﺎﻥ‬
‫ﻴﺴﺒﺢ ﻓﻲ ﻤﻴﺎﻩ ﺭﺍﻜﺩﺓ ﻤﻥ ﺃﺸﺨﺎﺹ ﻴﺫﻜﺭﻭﻥ ﺃﺴﻤﺎﺀ ﺃﺸﺨﺎﺹ ﺁﺨﺭﻴﻥ ﻝﻴﻭﻫﻤـﻭﺍ ﺒـﺄﻨﻬﻡ ﻴﻌﺭﻓـﻭﻨﻬﻡ ﻭﺃﺸـﺨﺎﺹ‬
‫ﻤﻬﻭﻭﺴﻴﻥ ﺒﺎﻝﻤﻼﺒﺱ ﺍﻝﺠﻠﺩﻴﺔ ﻭﻋﺸﺎﻕ ﻨﺠﻭﻡ‪ ،‬ﻭﺍﻝﻘﺴﻡ ﺍﻷﻜﺒﺭ ﻜﺎﻥ ﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﺃﺩﻭﺍ ﺃﻓﻀل ﺃﺩﻭﺍﺭﻫﻡ ﻓﻲ ﺍﻝﺒـﺎﺭ ﺃﻭ‬
‫ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ‪.‬‬
 ‫ﻴﺫﻜﺭ ﺍﻝﺘﺎﺭﻴﺦ ﺍﻝﺸﻔﻬﻲ ﻓﻲ ﺇﺤﺩﻯ ﺤﺎﻨﺎﺕ ﺍﻝﻤﻼﺒﺱ ﺍﻝﺠﻠﺩﻴﺔ ﻭﺍﻝﺴﻼﺴل ﻋﻨﺩ ﺍﻝﻭﺍﺠﻬﺔ ﺍﻝﻤﺎﺌﻴـﺔ ﻝﻨﻴﻭﻴـﻭﺭﻙ ﺃﻥ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺎﻡ ﺒﺒﻌﺽ ﺍﻷﻓﻌﺎل ﺨﻼل ﺃﻴﺎﻡ ﻫﻭﻝﻴﻭﻭﺩ ﺍﻷﻭﻝﻰ ﻭﺃﻨﻪ ﻜﺎﻥ ﺒﺎﻝﻔﻌل ﺃﺸﺒﻪ "ﺒﻀـﺭﺒﺔ ﻋﺎﺠﻠـﺔ ﻤـﻊ‬
‫ﻤﺠﻤﻭﻋﺔ ﺃﺸﻴﺎﺀ ﺘﺴﺒﺏ ﺍﻷﻝﻡ" ﻷﻨﻪ ﻜﺎﻥ ﺴﻭﻑ ﻴﻔﻌل ﺃﺸﻴﺎﺀ ﻝﻡ ﻴﺘﺠﺭﺃ ﺃﺤﺩ ﻋﻠﻰ ﻓﻌﻠﻬﺎ‪.‬‬
‫ﻫل ﻫﻨﺎﻙ ﺤﻘﻴﻘﺔ ﻓﻲ ﻤﺜل ﻫﺫﻩ ﺍﻝﻘﺼﺹ ﺃﻡ ﻫل ﻫﻲ ﻓﻘﻁ ﺘﻌﺩﺍﺩ ﻤﻐﺎﻤﺭﺍﺕ ﺍﻝﻌﻬﺩ ﺍﻝﻘﺩﻴﻡ ﻝﺒﻁل ﻤﻌﺒﻭﺩ؟ ﻤﻬﻤـﺎ‬
‫ﻜﺎﻨﺕ ﺍﻝﻨﺘﻴﺠﺔ‪ ،‬ﻓﺈﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻭﻑ ﻴﻜﻭﻥ ﻭﺒﻜل ﺼﻌﻭﺒﺔ ﺍﻝﻤﻤﺜل ﺍﻝﺸﺎﺏ ﺍﻷﻭل ﺍﻝﺫﻱ ﻭﺠﺩ ﻨﻔﺴـﻪ ﻤﺠﺒـﺭﹰﺍ‬
‫ﻋﻠﻰ ﺘﺴﻠﻕ ﺴﻠﻡ ﺍﻝﻨﺠﺎﺡ ﻭﺒﻨﻁﺎﻝﻪ ﻓﻲ ﺍﻷﺴﻔل‪ .‬ﻜﺎﻥ ﺍﺒﺘﺯﺍﺯ ﺍﻝﺤﻘﻭﻕ ﺍﻝﺠﻨﺴﻴﺔ ﻤﻥ ﺃﻭﻝﺌﻙ ﺍﻝﻤﻭﺠـﻭﺩﻴﻥ ﻋﻠـﻰ ﺭﺃﺱ‬
‫ﺍﻝﺴﻠﻁﺔ ﺘﻘﻠﻴﺩﹰﺍ ﻫﻭﻝﻴﻭﻭﺩﻴﹰﺎ ﻤﺸﺭﻓﹰﺎ ﺍﺤﺘﻭﻯ ﻜﻼ ﺍﻝﺠﻨﺴﻴﻥ ﻭﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻴﺭﻏﺒﻭﻥ ﺒﺠﻨﺴﻬﻡ ﺃﻭ ﺒﻐﻴﺭﻩ ﺃﻭ ﻤﺎ ﺒﻴﻨﻬﻤﺎ‪.‬‬
‫ﻨﺎل ﺃﺤﺩ ﻁﻐﺎﺓ ﺍﻷﺴﺘﻭﺩﻴﻭ ﺍﻝﺸﻬﻴﺭﻴﻥ ﺍﻝﺫﻱ ﺃﺨﺫ ﺍﺴﻡ "ﺍﻝﻤﺨﻠﺏ ﺍﻷﺒﻴﺽ" ﺍﻝﻤﺨﻴﻑ ﺸﻬﺭﺓ ﺒﺄﻨﻪ ﻜﺎﻥ ﻴﻀﻊ ﻜـل‬
‫ﻤﻤﺜل ﺸﺎﺏ ﺃﺭﺍﺩ ﺍﻝﻅﻬﻭﺭ ﻓﻲ "ﺍﺨﺘﺒﺎﺭ ﺸﺎﺸﺔ" ﺴﺎﺩﻱ‪ .‬ﻭﻜﺎﻨﺕ ﺍﻝﻤﺼﻴﺩﺓ ﻁﺒﻌﹰﺎ ﺍﻹﻏﻭﺍﺀ ﺒﻌﺭﺽ ﻝﻌﻘﺩ ﻴـﺘﻡ ﻻﺤﻘـﹰﺎ‬
‫ﺍﻜﺘﺸﺎﻑ ﺃﻨﻪ ﻤﺯﻴﻑ ﻤﺜل ﺠﻭﻫﺭﺓ ﺘﻭﻋﺩ ﺒﻬﺎ ﻓﺘﺎﺓ ﻓﻘﻴﺭﺓ‪،‬ﺇﺫﺍ ﺍﺴﺘﻁﺎﻋﺕ‪ ،‬ﻭﻓﻲ ﺫﺭﻭﺓ ﻤﺤﻨﺘﻬﺎ ﺍﻝﻔﺎﺤﺸﺔ‪ ،‬ﺍﻹﻓﺼﺎﺡ ﻋﻥ‬
‫ﻫﺫﺍ ﺍﻝﻭﻀﻊ ﺍﻝﻔﻀﻭﻝﻲ‪.‬‬
‫ﻭﻫﻨﺎﻙ ﺍﻴﻀﹰﺎ ﻗﺼﺹ ﺃﻜﺜﺭ ﻅﻠﻤﺔ ﻋﻥ ﺠﻤﻴﻼﺕ ﺸﺎﺒﺎﺕ )ﻭﺸﺒﺎﻥ( ﺍﻝﺫﻴﻥ‪ ،‬ﻭﻷﻨﻬﻡ ﺭﻓﻀﻭﺍ ﺃﻥ ﻴﺒﻘﻭﺍ ﻤﻨﺴـﻴﻴﻥ‬
‫ﻭﻤﻨﺘﻬﻜﻴﻥ‪ ،‬ﺘﻡ ﺭﻤﻴﻬﻡ ﻓﻲ ﺍﻷﻤﻭﺍﺝ ﺍﻝﻤﻠﻴﺌﺔ ﺒﺎﻝﻁﺤﺎﻝﺏ ﻓﻲ "ﻤﺎﻝﻴﺒﻭ" ﺃﻭ ﺘﻡ ﺭﻤﻴﻬﻡ ﻋﺒﺭ ﺍﻝﺴﻴﺎﺝ ﺍﻝﺨﻠﻔﻲ ﻓﻲ ﺃﺴـﺘﻭﺩﻴﻭ‬
‫ﻤﻨﺎﻓﺱ ﻝﻴﻅﻬﺭﻭﺍ ﺒﻌﺩ ﺃﻴﺎﻡ ﻜﺠﺜﺙ ﻤﺤﺭﺠﺔ ﻻ ﻤﻜﺎﻥ ﻝﻬﺎ ﻓﻲ ﺍﻝﻨﺹ‪.‬‬
‫ﻋﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻝﻌﺒﺔ ﺍﻝﺸﻬﺭﺓ ﻜﺎﻨﺕ ﺨﻁﺭﺓ‪ ،‬ﻭﺒﺤﺙ ﻋﻥ ﺍﻝﺭﺍﺤﺔ ﻤﻨﻬﺎ ﻓﻲ ﺃﻭﻗﺎﺕ ﻋﺒـﺭ ﺘﻨﺎﻭﻝـﻪ‬
‫ﺍﻝﻐﺩﺍﺀ ﻤﻊ ﺯﻤﻴل ﺴﻜﻨﻪ ﺍﻝﺴﺎﺒﻕ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻻ ﻴﺯﺍل ﻴﺫﻫﺏ ﺇﻝﻰ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ‪ -‬ﻝﻭﺱ‬
‫ﺃﻨﺠﻠﺱ ‪ "UCLA‬ﺍﺠﺘﻤﻌﺎ ﻓﻲ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻋﻼﻨﺎﺕ ﺍﺨﺘﻴﺎﺭ ﺍﻝﻤﻤﺜﻠﻴﻥ ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻋﺎﺩﺍ ﻝﺸـﺭﻭﻁ ﺍﻝﺘﺤـﺩﺙ‪ .‬ﺍﻋﺘـﺎﺩ‬
‫ﻼ ﻤﻥ ﺍﻝﺴﺨﺭﻴﺔ‪ .‬ﻭﻝﻜﻥ ﻭﻓﻲ ﺇﺤﺩﻯ‬ ‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺤﻔﺎﻅ ﻋﻠﻰ ﻤﻅﻬﺭ ﻜﺎﺫﺏ ﻤﻥ ﺍﻝﺜﻘﺔ ﺒﺎﻝﻨﻔﺱ ﻭﻝﻜﻥ ﻤﺭﺘﺠﻑ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻠﻴﺎﻝﻲ‪ ،‬ﻭﻓﻲ ﻤﻁﻌﻡ ﺼﻐﻴﺭ ﻴﺩﻋﻰ "ﺘﺎﻡ ﺃﻭ ﺸﺎﻨﺘﺭ ‪ "Tam O'Shanter‬ﺩﺨل ﻓﻲ ﺨﻁﺒﺔ ﻤﺴﻬﺒﺔ ﻤﺘﻘﺩﺓ‪ :‬ﻜﺎﻨﺕ ﻤﺤﺎﻭﻝﺔ‬
‫ﺃﻥ ﺘﻌﻴﺵ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﻜﺎﻝﻌﻴﺵ ﻓﻲ ﺭﻭﻤﺎ ﺘﺤﺕ ﺤﻜﻡ "ﻜﺎﻝﻴﻐﻭﻻ ‪ ."Caligula‬ﻫﻜﺫﺍ ﻜﺎﻥ ﺃﺼﺤﺎﺏ ﺍﻝﻨﻔﻭﺫ‪ ،‬ﻴﻘﻭﻤـﻭﻥ‬
‫ﻼ ﻤﻬﻨﻴﹰﺎ‪ .‬ﻭﺒﺎﻝﻁﺒﻊ ﻓﺈﺫﺍ ﻝﻡ ﺘﻁﻊ‬
‫ﻻ ﻷﺩﺍﺌﻪ‪ ،‬ﺜﻡ ﻴﻌﺎﻗﺒﻭﻨﻙ ﻜﺸﺨﺹ ﺒﻼ ﺃﻴﺔ ﻗﻴﻤﺔ ﻷﺩﺍﺌﻙ ﻋﻤ ﹰ‬ ‫ﻼ ﻤﻘﺭﻓﹰﺎ ﻭﻤﺫ ﹰ‬
‫ﺒﺈﻋﻁﺎﺌﻙ ﻋﻤ ﹰ‬
‫ﺍﻷﻭﺍﻤﺭ ﻓﺴﻭﻑ ﻴﺘﻡ ﻀﺭﺏ ﻋﻨﻘﻙ‪ ،‬ﺒﺴﺒﺏ ﺍﻝﻌﺼﻴﺎﻥ‪ .‬ﻜﺎﻥ ﻫﺫﺍ ﻓﻅﻴﻌﹰﺎ ﺒﺤﻴﺙ ﺃﻥ ﻜل ﻫﺅﻻﺀ ﺍﻷﻭﻻﺩ ﺍﻝﻤﺴﺎﻜﻴﻥ ﻜﺎﻨﻭﺍ‬
‫ﻴﺭﻜﻀﻭﻥ ﺨﻠﻔﻬﻡ ﻜﺎﻝﻤﻐﻔﻠﻴﻥ ﻭﻫﻡ ﻴﺘﺸﻘﻠﺒﻭﻥ ﻭﻴﻘﺘﻠﻭﻥ ﺃﻨﻔﺴﻬﻡ ﻤﻥ ﺃﺠل ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﺍﻻﻤﺘﻴﺎﺯﺍﺕ ﺍﻝﺘﻲ ﻴﻤﻨﺤﻭﻨﻬﺎ‪،‬‬
‫ﻭﻓﻘﻁ ﻝﻴﺜﺎﺒﻭﺍ ﺒﺭﻓﺴﺔ ﺴﺭﻴﻌﺔ ﻤﻔﺎﺠﺌﺔ ﻤﻥ ﺍﻝﺨﻠﻑ‪.‬‬
‫ﺍﻋﺘﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺄﻨﻪ ﻗﺩ " ﻋﻤل ﺒﻌﺽ ﺍﻝﺭﻗﺼﺎﺕ ﺍﻝﺼﻐﻴﺭﺓ" ﻭﻭﺠﺩ ﺃﻨﻬﺎ ﻻ ﺘﻌﻁﻲ ﺍﻝﻜﺜﻴﺭ‪ .‬ﻝﻘﺩ ﻜﺎﺩ‬
‫ﻴﺼﺭﺥ‪ ،‬ﺇﺫﺍ ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﻨﺠﺎﺡ ﺒﻤﻭﻫﺒﺘﻪ‪ ،‬ﻓﻬﻭ ﻻﻴﺭﻴﺩ ﺍﻝﻤﻀﻲ ﺒﻬﺫﺍ ﺒﺎﻝﻤﺭﺓ‪ .‬ﺭﺒﻤﺎ ﻝﻡ ﺘﺴﻨﺢ ﻝﻪ ﺍﻝﻔﺭﺼﺔ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‬
‫ﺍﻝﻠﻌﻴﻨﺔ‪ ،‬ﻝﻜﻥ ﺴﻭﻑ ﻴﺤﺘﺭﻤﻪ ﺃﻭﻝﺌﻙ ﺍﻝﻤﻼﻋﻴﻥ‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺍﻴﺎﻡ ﻤﻥ ﻏﺩﺍﺀ "ﺘﺎﻡ ﺃﻭ ﺸﺎﻨﺘﺭ ‪ ،"Tam O'Shanter‬ﺭﺠﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ "ﺠـﻴﻤﺱ ﻭﻴﺘﻤـﻭﺭ‬
‫‪ "James Whitmore‬ﻤﻥ ﺃﺠل ﺍﻝﻨﺼﻴﺤﺔ‪ .‬ﻭﻤﻥ ﺨﻼل ﺍﻝﺴﻴل ﺍﻝﺠﺎﺭﻑ ﻝﻠﻤﺸﻜﻼﺕ ﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﻤﺅﻝﻤﺔ ﺍﺴﺘﻤﻊ ﺇﻝـﻰ‬
‫ﻼ‪ .‬ﻗﺎل ﻝﻪ‪ “ :‬ﻴﺠﺏ ﻋﻠﻴﻙ ﺃﻥ ﺘﺫﻫﺏ ﺇﻝﻰ‬ ‫"ﻭﻴﺘﻤﻭﺭ ‪ "Whitmore‬ﺍﻝﺸﺎﺏ ﻭﻫﻭ ﻴﻘﻭل ﺇﻨﻪ ﺃﺭﺍﺩ ﺒﺎﻝﻔﻌل ﺃﻥ ﻴﺼﺒﺢ ﻤﻤﺜ ﹰ‬
‫ﻨﻴﻭﻴﻭﺭﻙ”‪.‬‬
‫ﺃﺜﺒﺕ ﺍﻝﺘﺤﺩﺙ ﻤﻊ "ﻭﻴﺘﻤﻭﺭ ‪ "Whitmore‬ﻤﺎ ﺃﺨﺒﺭﻩ ﺒﻪ "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴـﺕ ‪ "Rogers Brackett‬ﻭﺃﺼـﺩﻗﺎﺀ‬
‫ﻼ ﺤﻘﻴﻘﻴـﹰﺎ ﻫـﻭ‬ ‫ﺁﺨﺭﻭﻥ‪ .‬ﻭﺤﺘﻰ ﺍﻝﻤﻨﺠﺭﻓﻭﻥ ﻓﻲ "ﺸﻭﺍﺏ ‪ "Schwab‬ﺍﻋﺘﺭﻓﻭﺍ ﺒﺄﻥ ﺍﻝﻤﻜﺎﻥ ﺍﻝﻭﺤﻴﺩ ﻝﻜﻲ ﺘﺼﺒﺢ ﻤﻤﺜ ﹰ‬
‫ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﻜﺎﻥ ﺍﻝﻤﺴﺭﺡ ﻫﻨﺎﻙ‪ ،‬ﻭﻜﺎﻥ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﺍﻝﺤﻲ ﻴﺯﺩﻫﺭ ﻫﻨﺎﻙ‪ .‬ﻭﻓﻭﻕ ﻫﺫﺍ ﻜﻠﻪ ﻜﺎﻥ ﻫﻨﺎﻙ "ﺍﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ‬
‫‪."Actors Studio‬‬
‫ﻭﺒﻴﻨﻤﺎ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻌﻴﺩ ﺍﻝﺘﻔﻜﻴﺭ ﺒﻬﺫﺍ ﻜﻠﻪ‪ ،‬ﺤﺼل "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﻋﻠﻰ ﻤﻬﻤﺔ ﺇﺨـﺭﺍﺝ ﻓـﻲ‬
‫ﺸﻴﻜﺎﻏﻭ ﻭﺃﺨﺭﻯ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﺒﺩﺍ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺍﺴـﺘﻘﺒل ﺍﻝﺨﺒـﺭ ﺒﻬـﺩﻭﺀ‪ ،‬ﻭﻝﻜـﻥ ﻭﺠـﺩﺕ ﻭﺍﻝـﺩﺓ‬
‫"ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﻭﻗﺒل ﻋﺩﺓ ﺃﻴﺎﻡ ﻤﻥ ﻤﻐﺎﺩﺭﺓ ﺍﺒﻨﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻫﻭ ﻴﺘﻨﻬﺩ ﺒﺄﻨﻔﺎﺱ ﺴﺭﻴﻌﺔ ﺘﺨﺭﺝ ﻤﻥ ﺃﻋﻤﺎﻕ‬
‫ﻗﻠﺒﻪ ﻓﻲ ﺍﻝﺤﻤﺎﻡ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺃﺨﺒﺭﺕ ﺍﺒﻨﻬﺎ ﻋﻥ ﻫﺫﺍ‪ ،‬ﺃﺩﺭﻙ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻤﺭﻋﻭﺒﹰﺎ ﻤﻥ ﻓﻜﺭﺓ ﻜﻭﻨﻪ ﺴﻴﺘﺭﻙ‬
‫ﻭﺤﻴﺩﹰﺍ ﺨﻠﻔﻪ‪ .‬ﻓﺘﺩﺒﺭ ﺃﻤﺭ ﺃﺨﺫﻩ ﻤﻌﻪ‪.‬‬
‫ﺴﺭﻋﺎﻥ ﻤﺎ ﻻﺤﻅ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﻓﻲ ﺸﻴﻜﺎﻏﻭ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﻜﺎﺩ ﻴﺠﻥ ﻤﻥ ﺍﻝﻤﻠـل ﻭﻗـﺭﺭ ﺃﻥ‬
‫ﻴﺭﺴﻠﻪ ﻗﺒﻠﻪ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﺍﺘﺼل ﺒﺼﺩﻴﻘﻪ ﺍﻝﻤﺅﻝﻑ ﺍﻝﻤﻭﺴﻴﻘﻲ "ﺁﻝﻴﻙ ﻭﺍﻴﻠﺩﺭ ‪ "Alec Wilder‬ﺍﻝﺫﻱ ﻋﺎﺵ ﻓﻲ ﻓﻨـﺩﻕ‬
‫"ﺁﻝﻐﻭﻨﻜﻭﻴﻥ ‪ "Algonquin‬ﻭﻁﻠﺏ ﻤﻨﻪ ﺃﻥ ﻴﺴﺘﺄﺠﺭ ﻏﺭﻓﺔ ﻤﻥ ﺃﺠل "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻓـﻲ ﻓﻨـﺩﻕ "ﺁﻴﺭﻭﻜـﻭﻴﺱ‬
‫ﻼ‪ .‬ﻴﺘﺫﻜﺭ " ﻭﺍﻴﻠﺩﺭ‪ “ :"Wilder‬ﺤﺴﻨﺎﹰ‪ ،‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺨﺘﺭﺍﻉ ﻤﺼﺎﺩﺭﻩ ﺍﻝﺨﺎﺼﺔ‪.‬‬ ‫‪ "Iroquois‬ﺍﻝﺫﻱ ﻴﺒﻌﺩ ﻗﻠﻴ ﹰ‬
‫ﻜﺎﻥ ﺫﻝﻙ ﻤﺴﻠﻴﹰﺎ‪ .‬ﺠﺎﺀ ﺒﻤﻘﺼﻭﺭﺓ ﻋﻠﻰ ﺤﺴﺎﺏ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﺇﻝﻰ "ﺘﻭﻴﻨﺘﻴﺙ ﺴﻴﻨﺘﺸﻴﺭﻱ ‪"Twenteth Century‬‬
‫ﻭﺩﺨل ﺒﻘﻭﺓ ﺇﻝﻰ ﻏﺭﻓﺔ ﺍﻝﻐﺩﺍﺀ ﻓﻲ "ﺁﻝﻐﻭﻨﻜﻭﻴﻥ ‪ "Algonquin‬ﻭﺘﻨﺎﻭل ﺇﻓﻁﺎﺭﹰﺍ ﻜﺒﻴﺭﹰﺍ ﻭﻤﻜﻠﻔﹰﺎ‪ .‬ﻭﺒﺩﺃ ﻓﻭﺭﹰﺍ ﺒﺴﺭﺩ ﻗﺼﺔ‬
‫ﺴﺨﻴﻔﺔ ﻝﻲ‪ ،‬ﻭﻻ ﺃﺫﻜﺭ ﻤﺎﻫﻲ‪ ،‬ﻭﺫﻝﻙ ﻝﻜﻲ ﻴﺒﻬﺭﻨﻲ‪ .‬ﻜﻨﺕ ﻏﺭﻴﺒﹰﺎ ﻭﻜﺎﻥ ﻴﺭﻴﺩ ﺃﻥ ﻴﺭﻴﻨﻲ ﺒﺄﻨﻪ ﻜﺎﻥ ﺸﺎﺒﹰﺎ ﺠﺎﻤﺤﹰﺎ‪ .‬ﻜﺎﻨﺕ‬
‫ﻗﺼﺔ ﻏﺭﻴﺒﺔ ﺤﻭل ﺤﺭﻴﻕ ﻤﺎ ﻓﻲ ﺸﻴﻜﺎﻏﻭ‪ ،‬ﺃﻭ ﺸﻲﺀ ﻤﻥ ﻫﺫﺍ ﺍﻝﻘﺒﻴل‪ .‬ﻭﻜﻨﺕ ﺃﻋﻠﻡ ﺒﺄﻥ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﻗﺩ ﻝﻘﺒﻪ‬
‫"ﻫﺎﻤﻠﺕ"‪ ،‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﺍﺴﻤﻪ ﻫﻭ‪ ،‬ﻭﻜﺎﻥ "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﻴﻌﻠﻡ ﻋﻥ ﺜﺒﺎﺘﻪ ﻓﻲ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﺃﻤﻨﺕ ﻝﻪ‬
‫ﺍﻝﻐﺭﻓﺔ ﻭﻜﺎﻥ ﻫﻭ ﻗﺩ ﺃﺨﺫ ﺒﺎﻝﺘﺴﻜﻊ ﻻ ﻴﻔﻌل ﺸﻴﺌﹰﺎ ﺠﺎﻝﺴﹰﺎ ﻋﻠﻰ ﻜﺭﺴﻲ ﺨﺎﺩﻡ ﺍﻝﻔﻨﺩﻕ ﻓﻲ "ﺁﻝﻐﻭﻨﻜـﻭﻴﻥ ‪"Algonquin‬‬
‫ﺃﻏﻠﺏ ﺍﻝﻭﻗﺕ‪ .‬ﻭﺒﻤﻜﺎﻥ ﻤﺎ ﻋﺒﺭ ﺍﻝﻁﺭﻴﻕ‪ ،‬ﻗﺎﻡ ﺒﺸﺭﺍﺀ ﻤﺴﺠﻠﺔ‪ .‬ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﻜﺘﺏ ﻝﻪ ﺒﻌﺽ ﺍﻷﻝﺤﺎﻥ ﻓﻜﺎﻥ ﻴﺘﺼل ﺒﻲ‬
‫ﻭﻴﺤﺎﻭل ﺃﻥ ﻴﻌﺯﻓﻬﺎ ﻝﻲ ﻋﻠﻰ ﺍﻝﻬﺎﺘﻑ”‪.‬‬
‫ﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻻﺤﻘﹰﺎ‪ “ :‬ﻝﻘﺩ ﻏﻤﺭﺘﻨﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﻜﻨﺕ ﻁﻭﺍل ﺍﻷﺴﺎﺒﻴﻊ ﺍﻷﻭﻝﻰ ﻤﺭﺘﺒﻜﹰﺎ ﺠﺩﹰﺍ ﺒﺤﻴﺙ ﺇﻨﻨﻲ‬
‫ﻫﻤﺕ ﻝﻤﺴﺎﻓﺔ ﻗﺼﻴﺭﺓ ﻓﻘﻁ ﻤﻥ ﻓﻨﺩﻗﻲ ﺤﺘﻰ ﺴﺎﺤﺔ "ﺘﺎﻴﻤﺯ ﺴﻜﻭﻴﺭ ‪ ."Times Square‬ﻜﻨﺕ ﺃﺸﺎﻫﺩ ﺜﻼﺜﺔ ﺃﻓﻼﻡ ﻴﻭﻤﻴﹰﺎ‬
‫ﻓﻲ ﻤﺤﺎﻭﻝﺔ ﻝﻠﻬﺭﺏ ﻤﻥ ﻭﺤﺩﺘﻲ ﻭﻴﺄﺴﻲ‪ .‬ﻝﻘﺩ ﺃﻨﻔﻘﺕ ﻤﺎ ﻴﺯﻴﺩ ﻋﻠﻰ ﻤﺎﺌﺔ ﻭﺨﻤﺴﻴﻥ ﺩﻭﻻﺭﹰﺍ ﻤﻥ ﻤﺩﺨﺭﺍﺘﻲ ﺍﻝﻤﺤـﺩﻭﺩﺓ‬
‫ﻋﻠﻰ ﻤﺸﺎﻫﺩﺓ ﺍﻷﻓﻼﻡ”‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻭﺼل "ﺭﻭﺠﺭﺯ ‪ "Rogers‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺴﺘﻌﺎﺩﺓ ﺸﺠﺎﻋﺘﻪ‪ .‬ﻗﺎﻡ ﺒﺎﻻﺘﺼﺎل ﺒﺄﺤﺩ ﺍﻷﺭﻗﺎﻡ ﺍﻝﺘﻲ‬
‫ﺤﺼل ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻝﺴﺎﺤل‪ .‬ﻜﺎﻥ ﺍﻝﻤﺨﺭﺝ "ﺠﻴﻤﺱ ﺸﻴﻠﺩﻭﻥ ‪ "James Sheldon‬ﻤﻥ ﺍﺴﺘﻭﺩﻴﻭ " ﺇﻥ ﺒﻲ ﺴـﻲ ‪"NBC‬‬
‫ﻭﺍﻝﺫﻱ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﻤﻬﻤﺎﺕ ﻤﻔﺘﻭﺤﺔ ﺤﺎﻝﻴﹰﺎ ﻤﺄﺨﻭﺫﹰﺍ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﺒﺎﻝﺸﻜل ﺍﻝﺠﻤﻴل ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺘﺠﺭﺒـﺔ‬
‫ﺃﺩﺍﺌﻪ ﺍﻝﺠﻴﺩﺓ ﻝﻴﺭﺴﻠﻪ ﺇﻝﻰ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﻌﻤل ﻝﺩﻯ ﻭﻜﺎﻝﺔ "ﻝﻭﻴﺱ ﺸﻭﺭ ‪."Louis Shurr‬‬
‫ﻜﺎﻨﺕ ﻫﺫﻩ ﺍﻝﻤﺭﺃﺓ ﺍﻝﻤﻠﻔﺘﺔ ﻝﻠﻨﻅﺭ ﻭﺍﻝﺘﻲ ﺘﻬﺘﻡ ﺍﻵﻥ ﺒﻨﻔﺴﻬﺎ ﻭﺒﺸﻜل ﺤﺼﺭﻱ ﺒﻌﻤل "ﺠﻭﺭﺝ ﺴـﻲ ﺴـﻜﻭﺕ‬
‫‪ ،"George C. Scott‬ﻗﺩ ﺒﺩﺃﺕ ﻋﻤﻠﻬﺎ ﺍﻝﺨﺎﺹ ﻋﺎﻤﻠﺔ ﻤﻘﺴﻡ ﻓﻲ ﺍﻝﻭﻜﺎﻝﺔ‪ .‬ﻭﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﺫﻱ ﺃﺘﻰ ﻓﻴﻪ "ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫ﻻ ﻝﻤﻘﺎﺒﻠﺘﻬﺎ‪ ،‬ﻜﺎﻨﺕ ﻗﺩ ﺃﺼﺒﺤﺕ ﻭﻜﻴﻠﺔ ﺃﻋﻤﺎل ﻭﺘﻔﻜﺭ ﺤﺘﻰ ﺒﺘﺄﺴﻴﺱ ﻭﻜﺎﻝﺘﻬﺎ ﺍﻝﺨﺎﺼﺔ‪.‬ﻋﺭﻓﺕ ﺘﻤﺎﻤﹰﺎ‬ ‫ﻭﻫﻭ ﻴﻤﺸﻲ ﻤﺘﻬﺩ ﹰ‬
‫ﻤﻥ ﺍﻝﻨﻅﺭﺓ ﺍﻷﻭﻝﻰ ﻜﻤﺎ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻭ"ﺠﻴﻥ ﺃﻭﻴﻥ ‪ "Gene Owen‬ﻓﻲ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‬
‫ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﺘﻨﻅﺭ )ﻋﻨﺩﻤﺎ ﺤﺼل ﺍﻝﻭﻝﺩ ﻋﻠﻰ ﺍﻝﺩﻭﺭ ﺃﺨﻴﺭﹰﺍ ﻝﻠﺘﺤﺩﺙ( ﻭﺘﺴﺘﻤﻊ ﺇﻝﻰ ﻜﺎﺌﻥ ﺒﺸﺭﻱ ﺍﺴﺘﺜﻨﺎﺌﻲ‪.‬‬
‫ﻜﺎﻥ ﻭﻜﻼﺀ ﺍﻝﻤﻭﺍﻫﺏ ﺍﻵﺨﺭﻭﻥ ﻤﺜل "ﺒﻴﺘﺭ ﻭﻴﺕ ‪ "Peter Witt‬ﺍﻝﺫﻴﻥ ﻏﺎﻝﺒﹰﺎ ﻤﺎ ﺭﺃﻭﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻝﺴـﹰﺎ‬
‫ﻋﻠﻰ ﻁﺎﻭﻝﺔ ﺼﻴﺩﻝﻴﺔ "ﻜﺭﻭﻤﻭﻴل ‪ "Cromwell‬ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ "ﺇﻥ ﺒﻲ ﺴﻲ ‪) "NBC‬ﺍﻝﻤﻤﺎﺜﻠﺔ ﻝـ "ﺸـﻭﺍﺏ ‪"Schwab‬‬
‫ﻓﻲ ﺍﻝﺴﺎﺤل ﺍﻝﺸﺭﻗﻲ( ﻝﻁﻔﺎﺀ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﻝﻴﻬﻤﺴﻭﺍ ﺒﻨﺼﻴﺤﺔ ﻓﻲ ﺃﺫﻨﻪ ﺒﻴﻥ ﻓﺘﺭﺓ ﻭﺃﺨﺭﻯ ﻋﻨﺩ ﺍﺨﺘﻴﺎﺭ ﺍﻝﻤﻤﺜﻠـﻴﻥ‬
‫)ﺤﻴﺙ ﺴﺎﻋﺩﻩ " ﻭﻴﺕ ‪ "Witt‬ﻓﻲ ﻋﺭﻀﻪ ﺍﻷﻭل ﻓﻲ ﺒﺭﻭﺩﻭﺍﻱ‪" ،‬ﺸﺎﻫﺩ ﺍﻝﺠﺎﻏﻭﺍﺭ ‪ ،("See the Jaguar‬ﻝﻜـﻨﻬﻡ ﻝـﻡ‬
‫ﻴﻔﻜﺭﻭﺍ ﻗﻁ ﺒﺘﻜﻠﻴﻔﻪ ﺃﺤﺩ ﺍﻷﺩﻭﺍﺭ‪.‬‬
‫ﻻ ﻭﻋﻤﻠﺕ ﺠﻴﺩﹰﺍ ﻋﻠﻰ ﺘﺤﻘﻴﻕ ﻤﺴﺘﻘﺒﻠﻪ ﺍﻝﻤﻬﻨﻲ‪ .‬ﻭﻝﻡ ﻴﻜﻥ ﻋﻤﻠـﻪ ﺍﻷﻭل‬ ‫ﻜﻠﻔﺘﻪ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﺤﺎ ﹰ‬
‫ﺤﺘﻰ ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ .‬ﻜﺎﻥ ﻗﺩ ﻭﻅﻑ ﻋﻠﻰ ﺃﺴﺎﺱ ﻜﻭﻤﻴﺩﻱ ﺍﺤﺘﻴﺎﻁﻲ ﻓﻲ ﺍﺴﺘﻌﺭﺍﺽ ﻝﻴﻠﺔ ﺍﻝﺴﺒﺕ ﺍﻝﺘﻠﻔﺯﻴـﻭﻨﻲ ﻓـﻲ‬
 ‫ﺃﺴﺘﻭﺩﻴﻭ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ "CBS‬ﻭﻴﺩﻋﻰ " ﺍﻗﺭﻉ ﺍﻝﺴﺎﻋﺔ ‪ ."Beat the Clock‬ﺘﻁﻠﺏ ﻤﻥ ﺍﻝﻤﺘﺒﺎﺭﻴﻥ ﺃﻥ ﻴﻤﺜﻠﻭﺍ ﺒﺸـﻜل‬
‫ﻋﻔﻭﻱ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻤﻘﺎﻝﺏ ﺍﻝﻤﻀﺤﻜﺔ ﻭﺍﻝﻤﻨﺎﻅﺭ‪ ،‬ﻭﻜﺎﻥ ﺩﻭﺭ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺃﻥ ﻴـﺩﺭﺏ ﺍﻝﻤﺘﺴـﺎﺒﻘﻴﻥ "ﻏﻴـﺭ‬
‫ﺍﻝﻤﺴﺘﻌﺩﻴﻥ ﺘﻤﺎﻤﹰﺎ" ﻋﻠﻰ ﻫﺫﻩ ﺍﻝﻤﻘﺎﻁﻊ ﺍﻝﻤﻀﺤﻜﺔ‪.‬‬
‫ل‪ .‬ﻜـﺎﻥ‬ ‫ﺃﺜﺒﺕ ﺃﻨﻪ ﻤﺩﺭﺏ ﻤﻬﺭﺠﻴﻥ ﻤﺘﻤﺭﺱ‪ .‬ﻜﺎﻥ ﺤﺴﻪ ﺍﻝﺴﺨﻴﻑ‪ ،‬ﻭﻻ ﻨﻘﻭل ﺍﻝﺴﺎﺫﺝ‪ ،‬ﻤﺘﻁﻭﺭﹰﺍ ﺒﺸﻜل ﻋـﺎ ٍ‬
‫ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻅﻬﺭ ﻨﻔﺴﻪ ﺇﻝﻰ ﺃﻋﻠﻰ ﺩﺭﺠﺎﺕ ﺍﻝﺘﻬﺭﻴﺞ ﻭﻴﻤﺜل ﺫﻝﻙ ﻜﻭﺍﻗﻊ ﺩﻭﻥ ﺃﻱ ﺇﺤﺭﺍﺝ ﻴﺫﻜﺭ‪ .‬ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﺃﻁﻠﻘﻪ‬
‫ﺍﻝﻤﺨﺭﺝ ﻋﻠﻰ ﻜل ﺍﻝﻤﺸﺎﻫﺩﻴﻥ‪ ،‬ﻭﺃﺼﺒﺢ ﺭﺠل ﺍﻻﺴﺘﻌﺭﺍﺽ ﺍﻝﺨﺎﺹ ﺒﻌﻤﻠﻴﺔ ﺍﻹﺤﻤﺎﺀ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﻤﻊ ﺒﺩﺍﻴﺔ ﺍﻝﺨﻤﺴﻴﻨﻴﺎﺕ ﻤﻤﺘﻌﹰﺎ ﻭﻤﺜﻴﺭﹰﺍ‪ .‬ﻭﻜﺎﻨﺕ ﺸـﺒﻜﺎﺕ ﻨﻴﻭﻴـﻭﺭﻙ ﺘﻌﻁـﻲ ﺍﺴـﺘﻭﺩﻴﻭﻫﺎﺕ‬
‫ﻫﻭﻝﻴﻭﻭﺩ ﺠﻭﻝﺔ ﻤﻥ ﺃﺠل ﺃﺭﺒﺎﺤﻬﺎ‪ .‬ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻗﺭﺭ ﺍﻻﺜﻨﺎﻥ ﺃﻨﻪ ﻤﻥ ﺍﻷﻓﻀل ﻝﻠﻌﻤل ﺃﻥ ﺘﻬﺩﺃ ﺍﻝﻤﻨﺎﻓﺴﺔ‪ ،‬ﻭﻤﻊ ﺤﻠـﻭل‬
‫ﺍﻝﻌﺎﻡ ‪ 1957‬ﻭﻅﻬﻭﺭ ﺍﻝﺸﺭﻴﻁ ﺍﻝﺫﻱ ﻴﻌﺭﻑ ﺒـ "‪ ،"tape‬ﻜﺎﻥ ﻭﺍﻀﺤﹰﺎ ﺒﺄﻥ ﺍﻝﺜـﻭﺭﺓ ﺍﻝﺜﻘﺎﻓﻴـﺔ ﺍﻝﻜﺒﻴـﺭﺓ ﻝﻸﻨﺒـﻭﺏ‬
‫ﺍﻝﻤﻌﺭﻭﻑ ﺒـ "‪ "tube‬ﻗﺩ ﺍﻨﺘﻬﺕ ﺒﻜل ﺘﺄﻜﻴﺩ‪.‬‬
‫ﻝﻜﻥ ﻭﻓﻲ ﺃﺤﺩ ﺃﺴﺎﺒﻴﻊ ﻋﺎﻡ ‪ 1953‬ﺍﻻﻋﺘﻴﺎﺩﻴﺔ )ﻨﻴﺴﺎﻥ‪/‬ﺃﺒﺭﻴل ‪ ،(7-1‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺃﻜﺜﺭ ﻤﻥ ﺜﻼﺜﻴﻥ ﻋﺭﻀـﹰﺎ‬
‫ﺃﺒﻘﺕ ﻜﺎﻤﻴﺭﺍﺘﻬﺎ ﻤﺘﺠﻬﺔ ﻨﺤﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻷﺤﻴﺎﺀ‪ .‬ﻭﻤﻥ ﺒﻴﻨﻬﻡ‪" :‬ﻤﺴـﺭﺡ ﻗﺎﻋـﺔ ﺍﻝﺸـﻬﺭﺓ ‪"Hall of Fame Theatre‬‬
‫ﻭ"ﺍﺴﺘﻌﺭﺍﺽ ﺭﻭﺒﺭﺕ ﻤﻭﻨﺘﻐﻤﺭﻱ ‪ "Robert Montgomery Presents‬ﻭ"ﺃﺴﺘﻭﺩﻴﻭ ﻭﺍﺤﺩ ‪ "Studio One‬ﻭ"ﻤﺴـﺭﺡ‬
‫ﺍﻝﻨﺠﻭﻡ ‪ "Star Theatre‬ﻭ"ﻤﺴﺭﺡ ﻓﺎﻴﺭﺴﺎﻴﺩ ‪ "Fireside Theatre‬ﻭ"ﻤﺴـﺭﺡ ﺍﻝـﺩﺍﺌﺭﺓ ‪ "Circle Theatre‬ﻭ"ﻤﺴـﺭﺡ‬
‫ﺘﻠﻔﺯﻴﻭﻥ ﺇﻥ ﺒﻲ ﺴﻲ ‪ "NBC Television Theatre‬ﻭ"ﺩﺍﺭ ﺍﻝﺘﻤﺜﻴل ﺒﺄﺭﺒﻌﺔ ﻨﺠﻭﻡ ‪ "Four Star Playhouse‬ﻭ"ﻤﺴﺭﺡ‬
‫ﺍﻝﻔﻴﺩﻴﻭ ‪ "Video Theatre‬ﻭ"ﺩﺍﺭ ﺘﻤﺜﻴل ﺍﻝﻨﺠﻭﻡ ‪ ."Playhouse of Stars‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤـﻥ ﺍﻝﻐﻤـﻭﺽ ﺍﻝﺤـﻲ‬
‫ﻭﺍﻝﻜﻭﻤﻴﺩﻴﺔ ﺍﻝﺤﻴﺔ ﻭﺒﺭﻨﺎﻤﺞ "ﻋﺭﺽ ﺍﻝﻌﺭﻭﺽ ‪ "Show of the Shows‬ﺍﻝﺴﺎﺨﺭ ﻝـ "ﺴﻴﺩ ﺴﻴﺯﺍﺭ ‪."Sid Caesar‬‬
‫ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﺃﺼﺒﺤﺕ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻗﺎﺩﺭﺓ ﻋﻠﻰ ﺘﺩﺒﺭ ﺒﻌﺽ ﺍﻝﻤﺸﺎﻫﺩ ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ .‬ﻓﺤﺼل‬
‫ﻋﻠﻰ ﺩﻭﺭ ﺘﻤﺜﻴﻠﻲ ﻴﺩﺨل ﻓﻴﻪ ﻭﻴﺨﺭﺝ ﺩﻭﻥ ﻜﻼﻡ ﻤﻥ ﺃﺤﺩ ﺇﻨﺘﺎﺠﺎﺕ "ﺃﺴﺘﻭﺩﻴﻭ ﻭﺍﺤﺩ ‪ ،"Studio One‬ﻭ ﻗﺎﻡ ﺒـﺒﻌﺽ‬
‫ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﺼﻐﻴﺭﺓ ﻓﻲ "ﺭﺠﺎل ﻭﺯﺍﺭﺓ ﺍﻝﻤﺎﻝﻴﺔ ﻓﻲ ﺍﻝﻌﻤل ‪ "Treasury Men in Action‬ﻭ"ﻗﺼﺹ ﻴﻭﻡ ﻏﺩ ‪Tales of‬‬
‫‪ "Tomorrow‬ﻭ"ﺍﻝﺸﺒﻜﺔ ‪ "The Web‬ﻭ"ﻤﺎﺭﺘﻥ ﻜﻴﻥ ‪ "Martin Kane‬ﻭ"ﻤﺴﺭﺡ ﺍﻝﻤﻬﻨـﺔ ‪ "Kraft Theatre‬ﻭ"ﺍﻝﺨﻁـﺭ‬
‫‪ ."Danger‬ﻜﻤﺎ ﺤﺼﻠﺕ ﻝﻪ ﻋﻠﻰ ﺩﻭﺭ ﺭﺌﻴﺴﻲ ﻓﻲ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻹﺫﺍﻋﻴﺔ "ﺍﻝﻠﺹ ‪ "The Thief‬ﻋﻠﻰ "ﺭﺍﺒﻁﺔ ﺍﻝﻤﺴـﺭﺡ‬
‫ﻝﻠﻬﻭﺍﺀ ‪."Theatre Guild of the Air‬‬
‫ﻭﺒﻌﺩ ﻋﺩﺓ ﺃﺴﺎﺒﻴﻊ ﻤﻥ ﻭﺼﻭل "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴﺕ ‪ "Rogers Brackett‬ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ ﻭﺠﺩ ﺸﻘﺔ »ﺃﺴـﺘﻭﺩﻴﻭ«‬
‫ﻓﻲ ﻤﺒﻨﻰ ﻋﻠﻰ ﻋﻠﻭ ﺨﻤﺴﺔ ﻁﻭﺍﺒﻕ ﻓﻲ "ﻭﻴﺴﺕ ﺘﻭﻴﻨﺘﻴﺯ ‪ ،"West Twenties‬ﻭﺍﻨﺘﻘل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﻌﻴﺵ ﻤﻌـﻪ‬
‫ﻜﻤﺎ ﻫﻭ ﻤﺨﻁﻁ‪ ،‬ﻝﻜﻨﻪ ﺒﺩﺃ ﺃﻴﻀﹰﺎ ﺒﻠﻘﺎﺀ ﺸﺎﺒﺔ ﺘﺩﻋﻰ "ﺩﻴﺯﻱ ﺸﻴﺭﻴﺩﺍﻥ ‪ ."Dizzy Sheridan‬ﺃﺭﺍﺩﺕ ﻫﺫﻩ ﺍﻝﻔﺘـﺎﺓ ﺍﺒﻨـﺔ‬
‫ﻋﺎﺯﻑ ﺍﻝﺒﻴﺎﻨﻭ "ﻓﺭﺍﻨﻙ ﺸﻴﺭﻴﺩﺍﻥ ‪ "Frank Sheridan‬ﺃﻥ ﺘﺼﺒﺢ ﺭﺍﻗﺼﺔ‪ .‬ﻭﻋﻤﻠﺕ ﺤﺎﺠﺒ ﹰﺔ ﻓﻲ ﺴﻴﻨﻤﺎ "ﺒﺎﺭﻴﺱ ‪"Paris‬‬
‫ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﺍﻝﺜﺎﻤﻥ ﻭﺍﻝﺨﻤﺴﻴﻥ ﻹﻋﺎﻝﺔ ﻨﻔﺴﻬﺎ ﺨﻼل ﺍﻝﺩﺭﺍﺴﺔ‪ .‬ﻜﺎﻨﺕ ﻤﻌﺭﻜﺘﻬﺎ ﻝﻠﻨﺠﺎﺡ ﺍﻝﻔﻨﻲ ﻤﺅﻝﻤﺔ ﻜﺘﺠﺭﺒﺔ "ﺠﻴﻤﻲ‬
‫‪ ."Jimmy‬ﺃﺨﺫ ﺍﻝﺘﻌﺭﻑ ﻋﻠﻴﻬﺎ ﺒﻌﻀﹰﺎ ﻤﻥ ﺍﻝﺘﻨﺎﻓﺱ ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺤﺱ ﺒﻪ ﺩﺍﺌﻤﹰﺎ ﻓﻲ ﻫﺫﻩ ﺍﻝﻤﺩﻴﻨـﺔ ﺍﻝﻜﺒﻴـﺭﺓ ﺍﻝﻘﺎﺴـﻴﺔ‪.‬‬
‫ﻭﻜﺎﻨﺕ "ﺩﻴﺯﻱ ‪ "Dizzy‬ﺸﺨﺼﹰﺎ ﻴﺴﺘﻁﻴﻊ ﺍﻻﻋﺘﺭﺍﻑ ﻝﻪ ﻋﻥ ﻋﻼﻗﺎﺘﻪ ﺍﻝﺠﻨﺴﻴﺔ ﺍﻝﺸﺎﺫﺓ‪ .‬ﻜﺎﻨﺕ ﺒﺘﺠﺭﺒﺘﻬﺎ ﻓـﻲ ﻋـﺎﻝﻡ‬
‫ﺍﻝﺭﻗﺹ ﻋﺎﺭﻓﺔ ﺘﻤﺎﻤﹰﺎ ﺒﻨﻤﻁ ﺍﻝﺤﻴﺎﺓ ﺍﻝﺫﻱ ﻭﺼﻔﻪ ﻝﻬﺎ‪.‬‬
‫ﻭﺒﻌﺩ ﻋﺩﺓ ﺃﺸﻬﺭ ﻭﻋﻨﺩﻤﺎ‪ ،،‬ﻅﻬﺭ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺒﺤﺙ ﻋﻥ ﻋﻤل ﻓﻲ ﻨﻴﻭﻴـﻭﺭﻙ ﻓـﻲ‬
‫ﺇﺤﺩﻯ ﻭﻜﺎﻻﺕ ﺍﻹﻋﻼﻥ ﻓﻲ ﺠﺎﺩﺓ "ﻤﺎﺩﻴﺴﻭﻥ"‪ ،‬ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﺠﺭﺒﺔ ﺍﻝﻌﻴﺵ ﻤﻌﹰﺎ ﻤﺭﺓ ﺃﺨﺭﻯ‪ .‬ﺍﻨﺘﻘل "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻤﻥ ﺸﻘﺔ "ﺃﺴﺘﻭﺩﻴﻭ" "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴﺕ ‪ ."Rogers Brackett‬ﻭﺠﺩﺍ ﻏﺭﻓـﺔ ﺒﺴـﺭﻴﺭﻴﻥ ﺒﺘﺴـﻌﻴﻥ ﺩﻭﻻﺭﹰﺍ‬
‫ﺒﺎﻝﺸﻬﺭ ﻓﻲ ﻓﻨﺩﻕ "ﺁﻴﺭﻭﻜﻭﻴﺱ ‪."Iroquois‬‬
‫ﻭﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻭﺒﻭﻗﺕ ﻝﻴﺱ ﺒﻌﻴﺩ ﻋﻥ ﺍﻻﻨﺘﻘﺎل ﻤﺠﺩﺩﹰﺍ ﺇﻝﻰ ﺍﻝﻔﻨﺩﻕ ‪ ،‬ﺘﻭﻗﻑ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻤـﻥ‬
‫ﻤﻜﺘﺏ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻝﻴﺠﺩ ﻓﺘﺎﺓ ﺸﻘﺭﺍﺀ ﻨﺤﻴﻠﺔ ﺒﻔﺴﺘﺎﻥ ﺃﺤﻤﺭ ﺘﺨﺭﺝ ﻋﻨﺩ ﻤﻜﺘﺏ ﻋﺎﻤﻠﺔ ﺍﻵﻝﺔ ﺍﻝﻜﺎﺘﺒـﺔ‪.‬‬
 ‫ﺍﻨﺴل ﺇﻝﻰ ﺠﺎﻨﺒﻬﺎ ﻭﺤﺩﻕ ﺒﻬﺎ ﻤﻥ ﻋﻨﺩ ﻜﺘﻔﻬﺎ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻨﻅﺭﺕ ﺇﻝﻴﻪ‪ ،‬ﺴﺄﻝﻬﺎ ﻋﻤﺎ ﻜﺎﻨﺕ ﺘﻔﻌﻠﻪ‪ .‬ﻓﺄﺨﺒﺭﺘﻪ ﺒﺄﻥ ﻴﻐـﺭﺏ‬
‫ﻋﻥ ﻭﺠﻬﻬﺎ‪.‬‬
‫ﻭﺒﻌﺩ ﻨﺼﻑ ﺴﺎﻋﺔ ﺃﻨﻬﺕ ﻁﺒﺎﻋﺘﻬﺎ‪ .‬ﻭﻤﻊ ﻤﺭﻭﺭﻫﺎ ﻤﻥ ﻏﺭﻓﺔ ﺍﻻﻨﺘﻅﺎﺭ ﻭﻫﻲ ﻓﻲ ﻁﺭﻴﻘﻬﺎ ﻝﻠﺨﺭﻭﺝ‪ ،‬ﻻﺤﻅﺕ‬
‫ﺍﻝﺸﺎﺏ ﺍﻝﺼﻐﻴﺭ ﺒﻨﻅﺎﺭﺘﻪ ﺍﻝﺫﻱ ﺃﺘﻰ ﺇﻝﻴﻬﺎ ﺴﺎﺒﻘﹰﺎ ﻻ ﻴﺯﺍل ﻫﻨﺎﻙ ﺠﺎﻝﺴﹰﺎ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ‪ .‬ﻭﺒﺸـﻜل ﻻ ﺇﺭﺍﺩﻱ ﺘﻭﻗﻔـﺕ‬
‫ﻭﺘﻤﺎﻴﻠﺕ ﻭﻜﺄﻨﻬﺎ ﺘﺭﻴﺩ ﺭﺩ ﺍﻝﺘﺤﺩﻱ ﻝﻪ ﻓﺴﺄﻝﺘﻪ ﻋﻥ ﺍﺴﻤﻪ‪.‬‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺎل ﺍﻝﺸﺎﺏ ﺒﻐﻤﻭﺽ ﻭﺩﻋﺎﻫﺎ ﺇﻝﻰ ﻓﻨﺠﺎﻥ ﻗﻬﻭﺓ ﻤﻌﻪ‪.‬‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺃﺨﺒﺭﺘﻪ ﺒﺎﺴﻤﻬﺎ‪" :‬ﻜﺭﻴﺴﺘﻴﻥ ﻭﺍﻴﺕ ‪ ."Christine White‬ﻭﺃﺨﺒﺭﺘﻪ ﺃﻴﻀﹰﺎ ﺒﺄﻨﻬﺎ ﻤﻤﺜﻠﺔ ﺘﻌﻤل ﻋﻠـﻰ‬
‫ﻤﺸﻬﺩ ﺃﺼﻠﻲ ﻓﻲ ﻤﻜﺘﺏ "ﺠﻴﻥ ‪ ."Jane‬ﻗﺭﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺸﻬﺩ ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﺒﺎﺭﺓ ﻋﻥ ﻤﻨﺎﻭﺸﺔ ﻋﻠﻰ ﺍﻝﺸﺎﻁﺊ‬
‫ﺒﻴﻥ ﻭﻝﺩ ﻭﻓﺘﺎﺓ‪ .‬ﺃﻋﺠﺒﻪ ﺍﻝﻤﺸﻬﺩ ﻭﻗﺭﺭﺍ ﺃﻥ ﻴﺴﺘﺨﺩﻤﺎﻩ ﻝﺘﺠﺭﺒﺔ ﺍﻝﺩﺨﻭل ﺇﻝﻰ "ﺃﺴـﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠـﻴﻥ ‪"Actors Studio‬‬
‫ﺁﻤﻠﻴﻥ ﺒﺄﻥ ﻫﺫﺍ ﺍﻝﻤﺯﻴﺞ ﻤﻥ ﻤﻭﻫﺒﺘﻴﻬﻤﺎ ﻤﻊ ﺍﻝﻤﺎﺩﺓ ﺍﻷﺼﻠﻴﺔ ﺴﻭﻑ ﻴﺠﺩ ﺍﺴﺘﺤﺴﺎﻨﹰﺎ ﻋﻨـﺩ "ﺴﺘﺭﺍﺴـﺒﺭﻍ ‪"Strasberg‬‬
‫ﻭ"ﻜﺎﺯﺍﻥ ‪."Kazan‬‬
‫ﻭﻝﺨﻤﺴﺔ ﺍﻷﺴﺎﺒﻴﻊ ﺍﻝﺘﻲ ﺘﻠﺕ‪ ،‬ﺘﻤﺭﻨﺎ ﻴﻭﻤﻴﹰﺎ ﻓﻲ ﻜل ﻤﻜﺎﻥ ﻤﻥ ﺍﻝﺒﻠﺩ – ﻓﻲ ﺸﻘﺔ "ﻜﺭﻴﺱ ‪ "Chris‬ﻭﻓﻲ ﻏﺭﻓـﺔ‬
‫ﺍﻝﻔﻨﺩﻕ ﻋﻨﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻓﻲ ﺍﻝﺤﺎﻨﺎﺕ ﻭﺍﻝﻤﻘﺎﻫﻲ ﻭﻓﻲ ﺤﺩﻴﻘﺔ ﺴﻨﺘﺭﺍل ﺒﺎﺭﻙ‪ .‬ﻭﺃﺘﻰ ﺃﺨﻴﺭﹰﺍ ﻴﻭﻡ ﺍﻻﻤﺘﺤﺎﻥ ﻷﺩﺍﺀ‬
‫ﺍﻷﺩﻭﺍﺭ ﻭﻜﺎﻥ ﻴﻭﻤﹰﺎ ﺒﺎﺭﺩﹰﺍ ﺸﺩﻴﺩ ﺍﻝﺭﻴﺎﺡ‪ .‬ﻭﻋﻨﺩ ﺨﺭﻭﺠﻬﻤﺎ ﻤﻥ ﺍﻝﻤﺼﻌﺩ ﻓﻲ ﺍﻝﻁﺎﺒﻕ ﺍﻝﺭﺍﺒﻊ ﻋﺸـﺭ ‪ -‬ﺒـﺭﻭﺩﻭﺍﻱ‬
‫‪ ،1697‬ﺘﺴﻠﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﺤﺩﻯ ﺴﺨﺎﻨﺎﺕ ﺍﻝﺸﻭﻓﺎﺝ ﺍﻝﺒﺨﺎﺭﻴﺔ ﻭﺒﻘﻲ ﻫﻨﺎﻙ ﺤﺘﻰ ﺫﺍﺏ ﻤﻥ ﺍﻝﺤـﺭﺍﺭﺓ‪ .‬ﻜـﺎﻥ‬
‫ﺍﻝﻤﻜﺎﻥ ﻤﻠﻴﺌﹰﺎ ﺒﺎﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﺨﺎﺌﻔﻴﻥ ﺍﻝﻤﻨﺘﻅﺭﻴﻥ ﻝﺩﺨﻭﻝﻬﻡ ﺇﻝﻰ ﺘﻠﻙ ﺍﻝﻘﺎﻋﺔ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺒﺎﻝﻴﺔ ﻋﻨﺩ ﻨﻬﺎﻴﺔ ﺍﻝﻤﻤﺭ‪.‬‬
‫ﺒﻌﺩ ﺒﺭﻫﺔ ﻗﺼﻴﺭﺓ‪ ،‬ﻨﻬﻀﺕ "ﻜﺭﻴﺱ ‪ "Chris‬ﻭﺫﻫﺒﺕ ﺇﻝﻰ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺃﻻ ﻴﺠـﺏ ﻋﻠﻴﻬﻤـﺎ ﻤﺭﺍﺠﻌـﺔ‬
‫ﺍﻝﺴﻁﻭﺭ ﻝﻠﻤﺭﺓ ﺍﻷﺨﻴﺭﺓ؟ ﺩﻤﺩﻡ ﻤﻊ ﻨﻅﺭﺓ ﻤﻥ ﺍﻝﺭﻫﺒﺔ ﻓﻲ ﻋﻴﻨﻴﻪ ﺒﺄﻨﻪ ﻻ ﻴﺭﻴﺩ ﺃﻥ ﻴﻘﺭﺃ ﺍﻝﺩﻭﺭ ﻭﻗﺎل ﺒﻌﺩﻫﺎ ﻭﺒﺼﻭﺕ‬
‫ﻭﺍﻀﺢ ﺒﺄﻨﻪ ﻝﻥ ﻴﺅﺩﻱ ﺍﻝﻤﺸﻬﺩ ﺒﺎﻝﻤﺭﺓ‪.‬‬
‫ﺼﻌﻘﺕ "ﻜﺭﻴﺱ ‪ ."Chris‬ﺒﻌﺩ ﺨﻤﺴﺔ ﺃﺴﺎﺒﻴﻊ ﻤﻥ ﺍﻝﻌﻤل ﺃﻥ ﺘﺘﻡ ﺨﻴﺎﻨﺘﻬﺎ ﺍﻵﻥ؟ ﻭﻗﺩ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﻭ‬
‫ﻻ ﻤﻥ ﺍﺴﺘﺨﺩﺍﻡ "ﺍﻝﺼﺎﻨﻊ ﺍﻝﺴﻴﺩ ‪ "The Master Builder‬ﻜﻤـﺎ ﺃﺭﺍﺩﺕ‪ .‬ﻜـﺎﻥ‬ ‫ﺍﻝﺫﻱ ﺃﻗﻨﻌﻬﺎ ﺒﺄﺩﺍﺀ ﺍﻝﻤﺸﻬﺩ ﺍﻷﺴﺎﺴﻲ ﺒﺩ ﹰ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺃﺼﺭ ﻋﻠﻰ ﺃﺨﺫ ﺍﻝﻤﺠﺎﺯﻓﺔ ﻤﻌﹰﺎ‪.‬‬
‫ﻝﻘﺩ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻗﺩﻤﻬﺎ ﻷﺼﺩﻗﺎﺌﻪ ﺨﻼل ﺍﻷﺴﺎﺒﻴﻊ ﺍﻝﻘﻠﻴﻠﺔ ﺍﻝﻤﺎﻀﻴﺔ ﻴﻘﻭل ‪“ :‬ﺇﻨﻨﺎ ﻨﻌﻤل ﻤﻌـﹰﺎ‬
‫ﻋﻠﻰ ﻤﺸﻬﺩ ﻤﻥ ﺃﺠل "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ‪ ."Actors Studio‬ﺇﻨﻪ ﺠﺩﺍﺭ ﻤﻥ ﺍﻝﺼﻌﺏ ﺃﻥ ﺘﺤﺩﺙ ﻓﻴﻪ ﺸﻘﺎﹰ‪ ،‬ﻝﺫﻝﻙ ﻗﺎﺒﻠﻭﺍ‬
‫ﺸﺭﻴﻜﺘﻲ ﻓﻲ ﺍﻝﺠﺭﻴﻤﺔ”‪ .‬ﻋﺒﺭﺕ ﻜل ﻫﺫﻩ ﺍﻝﺼﻭﺭﺓ ﻤﺨﻴﻠﺘﻬﺎ ﺼﺎﺭﺨﺔ‪.‬‬
‫ﺃﻤﺴﻜﺕ ﻴﺩﺍﻫﺎ ﺍﻝﺤﻘﻴﺒﺔ ﺍﻝﺘﻲ ﺃﺤﻀﺭﺍ ﻓﻴﻬﺎ ﻤﺎ ﺴﻭﻑ ﻴﺴﺘﺨﺩﻤﺎﻨﻪ ﻓﻲ ﻤﺸﻬﺩﻫﻤﺎ‪ :‬ﻋﻠﺒﺘﺎ ﺒﻴـﺭﺓ‪ .‬ﻓﺘﺤـﺕ ﻜـﻼ‬
‫ﺍﻝﻌﻠﺒﺘﻴﻥ ﻭﺃﺨﺫﺕ ﻭﺍﺤﺩﺓ ﻝﻬﺎ ﻭﺃﻋﻁﺕ ﺍﻷﺨﺭﻯ ﻝﻪ‪ .‬ﻓﺘﺢ ﻭﺠﻬﻪ ﺍﻝﻤﺘﺠﻤﺩ ﺍﻝﻔﻡ ﻝﻴﺸﺭﺏ ﺍﻝﺒﻴﺭﺓ‪ ،‬ﺜﻡ ﺤﺎﻭﻝـﺕ "ﻜـﺭﻴﺱ‬
‫‪ "Chris‬ﺍﻝﺘﻤﺎﺴﻙ ﻝﺘﺨﺒﺭﻩ ﺒﺄﻨﻪ ﻴﺩﻤﺭ ﺍﺨﺘﺒﺎﺭ ﺍﻷﺩﺍﺀ ﺍﻝﺨﺎﺹ ﺒﻬﺎ ﻭﺒﻪ‪ .‬ﻫل ﻜﺎﻥ ﻴﻌﻠﻡ ﺫﺍﻙ؟ ﻫل ﻜﺎﻥ ﻴﻔﻬﻡ ﻤﺎ ﻴﻘﻭﻡ ﺒﻪ؟‬
‫ﺃﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺸﺭﺏ ﺍﻝﻤﺯﻴﺩ ﻤﻥ ﺍﻝﺒﻴﺭﺓ‪.‬‬
‫“ "ﺩﻴﻥ ‪" ،"Dean‬ﺩﻴﻥ ‪ .”"Dean‬ﺴﻤﻌﺎ ﺍﻝﺴﻜﺭﺘﻴﺭﺓ ﻭﻫﻲ ﺘﺼﻴﺢ‪ .‬ﺴﺠﻼ ﺘﺤﺕ ﺍﺴﻡ "ﺩﻴﻥ ‪ "Dean‬ﻷﻥ ﺍﻝﺤﺭﻑ‬
‫"‪ "D‬ﻜﺎﻥ ﺃﻗﺭﺏ ﻤﻥ "‪ "W‬ﻝـ "ﻭﺍﻴﺕ ‪ "White‬ﺤﺴﺏ ﺍﻝﺘﺭﺘﻴﺏ ﺍﻝﻬﺠﺎﺌﻲ ﻝﻸﺤﺭﻑ‪ .‬ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪" “ :‬ﺩﻴـﻥ ‪.” !"Dean‬‬
‫ﺭﻤﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﺒﺘﻪ ﻋﻠﻰ ﺍﻷﺭﺽ ﺜﻡ ﺩﺍﺱ ﻋﻠﻴﻬﺎ ﻭﻨﺯل ﻤﺴﺭﻋﹰﺎ ﻋﻠﻰ ﺍﻝﺩﺭﺝ ﻭﺍﺨﺘﻔﻰ‪.‬‬
‫ﺍﻗﺘﺭﺤﺕ ﺍﻝﺴﻜﺭﺘﻴﺭﺓ ﺍﻝﺘﻲ ﺭﺍﻗﺒﺕ ﺫﻝﻙ ﻭﻝﻡ ﺘﻔﻬﻡ ﻤﺎ ﺠﺭﻯ ﻤﻥ ﺘﺼﺭﻑ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻋﻠـﻰ "ﻜـﺭﻴﺱ‬
‫‪ "Chris‬ﺃﻥ ﺘﺴﺠل ﺒﺎﺴﻡ "ﻭﺍﻴﺕ ‪ "White‬ﺤﺘﻰ ﺘﻌﻁﻲ ﻝﻨﻔﺴﻬﺎ ﻭﻝﺸﺭﻴﻜﻬﺎ ﻤﺯﻴﺩﹰﺍ ﻤﻥ ﺍﻝﻭﻗﺕ‪ .‬ﺃﻭﻤﺄﺕ "ﻭﺍﻴـﺕ ‪"White‬‬
‫ﺒﺭﺃﺴﻬﺎ ﻤﻭﺍﻓﻘﺔ ﺜﻡ ﺍﻨﻬﺎﺭﺕ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﺒﻌﻴﻨﻴﻬﺎ ﺍﻝﻤﻐﻠﻘﺘﻴﻥ ﻭﻫﻲ ﺘﺘﺴﺎﺀل ﻝﻤﺎﺫﺍ ﻝﻡ ﺘﻔﻘﺩ ﺍﻝﻭﻋﻲ؟‪.‬‬
‫ﺘﺠﻤﺩ ﺍﻝﻭﻗﺕ‪ .‬ﺜﻡ ﺸﻌﺭﺕ ﺒﺸﻲﺀ ﺭﻁﺏ ﻭﺒﺎﺭﺩ ﻭﺼﻠﺏ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻘﻑ ﺃﻤﺎﻤﻬﺎ ﻭﻫـﻭ ﻴـﺩﺤﺭﺝ‬
‫ﻋﻠﺒﺔ ﻤﻥ ﺍﻝﺒﻴﺭﺓ ﻋﻠﻰ ﺭﺃﺴﻬﺎ )ﺘﻠﻤﻴﺢ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻜﺭﺭ ﻫﺫﺍ ﻤﻊ ﺯﺠﺎﺠﺔ ﺤﻠﻴﺏ ﻋﻠﻰ ﺠﺒﻬﺘﻪ ﻓﻲ ﻓﻴﻠﻡ "ﻤﺘﻤـﺭﺩ ﺒـﻼ‬
‫ﻗﻀﻴﺔ ‪.("Rebel Without a Cause‬‬
‫“ﻤﺭﺤﺒﹰﺎ "ﻜﻠﻴﺘﻭﻥ ‪ .” "Clayton‬ﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺴﺘﺨﺩﻤﹰﺎ ﺍﺴﻡ ﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﺘﻲ ﺴﺘﻘﻭﻡ ﺒـﺄﺩﺍﺀ ﺩﻭﺭﻫـﺎ‬
‫ﻙ ﻋﻠﻰ ﺍﻝﺸﺎﻁﺊ”‪ .‬ﻝﻘﺩ ﺫﻫﺏ ﻝﻴﺤﻀﺭ ﺍﻝﻤﺯﻴﺩ ﻤﻥ ﺍﻝﺒﻴﺭﺓ‪ .‬ﻝﻡ ﻴﺭﺩ ﺃﻥ ﻴﺅﺩﻴﺎ ﺍﻝﻤﺸﻬﺩ ﻤـﻊ ﻋﻠـﺏ ﺒﻴـﺭﺓ‬ ‫ﻭﺘﺎﺒﻊ “ﺃﺭﺍ ‪‬‬
‫ﻓﺎﺭﻏﺔ‪ .‬ﺭﻜﺽ ﺃﺭﺒﻌﺔ ﻋﺸﺭ ﻁﺎﺒﻘﹰﺎ ﺤﺘﻰ ﻴﻨﻬﻙ ﺨﻭﻓﻪ‪ .‬ﺒﺩﺃ ﺒﺎﻝﻘﻔﺯ ﻓﻲ ﻤﻜﺎﻨﻪ ﻭﺃﺨﺫ ﻴﻼﻜﻡ ﺨﻴﺎﻝﻪ ﻭﻫﻭ ﻴﺩﻤﺩﻡ ﺒﺒﻌﺽ‬
‫ﺍﻝﻜﻠﻤﺎﺕ ﻤﻊ ﻨﻔﺴﻪ‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺩﻗﺎﺌﻕ ﻭﻋﻨﺩﻤﺎ ﻨﺎﺩﺕ ﺍﻝﺴﻜﺭﺘﻴﺭﺓ ﺒﺎﺴﻡ "ﻜﺭﻴﺱ ‪ ،"Chris‬ﺍﻨﺩﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﺤﻭ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ‬
‫ﻭﺍﺭﺘﻤﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﺍﻝﺼﻠﺒﺔ ﻭﻜﺄﻨﻬﺎ ﻜﺎﻨﺕ ﺒﺎﻝﻔﻌل ﻤﻥ ﺍﻝﺭﻤﺎل ﻭﻓﺘﺢ ﻋﻠﺒﺔ ﺍﻝﺒﻴﺭﺓ‪ .‬ﻭﺒﺩﻭﻥ ﻨﻅﺎﺭﺘﻪ‪ ،‬ﺃﺴﺎﺀ ﺘﻘـﺩﻴﺭ‬
‫ﺍﻝﻤﺴﺎﻓﺔ ﻭﻫﺒﻁ ﺒﻌﻴﺩﹰﺍ ﻋﻠﻰ ﺃﺤﺩ ﺍﻝﺠﺎﻨﺒﻴﻥ‪ .‬ﺘﺭﺩﺩﺕ "ﻜﺭﻴﺱ ‪ "Chris‬ﻝﻠﺤﻅﺔ ﺜﻡ ﺨﺭﺠﺕ ﻭﺠﻠﺴﺕ ﻓﻲ ﺍﻝﻤﻨﺘﺼﻑ ﺤﻴﺙ‬
‫ﺨﻁﻁﺎ ﻷﺩﺍﺀ ﺍﻝﻤﺸﻬﺩ‪ .‬ﻤﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻨﻅﺭﻩ ﻝﻴﺠﺩﻫﺎ ﻭﺍﺴﺘﻁﺎﻉ ﺃﻥ ﻴﺭﻯ ﺍﻝﻤﺭﺒﻌﺎﺕ ﺍﻝﺒﻴﻀﺎﺀ ﺍﻝﻜﺒﻴﺭﺓ ﻋﻠـﻰ‬
‫ﻗﻤﻴﺼﻬﺎ‪ ،‬ﺜﻡ ﺘﺩﺤﺭﺝ ﻨﺤﻭﻫﺎ‪ ،‬ﻭﺃﻁﻠﻕ ﻜﻠﻤﺔ “ﻤﺭﺤﺒﹰﺎ” ﺍﻝﺘﻲ ﻝﻡ ﺘﻜﻥ ﻓﻲ ﺴﻴﺎﻕ ﺍﻝﻨﺹ‪ .‬ﺜﻡ ﺍﻨﻐﻤﺴﺎ ﻓﻲ ﺍﻝﻤﺸﻬﺩ‪.‬‬
‫ﻤﻀﻰ ﺍﻝﻤﺸﻬﺩ ﻷﻜﺜﺭ ﻤﻥ ﺍﻝﺩﻗﺎﺌﻕ ﺍﻝﺨﻤﺱ ﺍﻝﻤﺨﺼﺼﺔ ﻝﻪ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺍﻨﺘﻬﻰ ‪ -‬ﺩﻋﺎ ﺍﻝﻭﻝﺩ ﺍﻝﻔﺘﺎﺓ ﺇﻝـﻰ ﺍﻝﻜـﻭﺥ‬
‫ﻝﻜﻨﻬﺎ ﻫﺭﺒﺕ ﻓﻲ ﺍﻝﻅﻼﻡ‪ .‬ﻭﺘﻼ ﺫﻝﻙ ﺼﻤﺕ‪ .‬ﺜﻡ ﺨﺭﺝ ﺼﻭﺕ ﻴﻘﻭل‪ “ :‬ﺍﺴﻤﻲ "ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ ."Elia Kazan‬ﻭﻫـﺫﺍ‬
‫"ﻝﻲ ﺴﺘﺭﺍﺴﺒﻴﺭﻍ ‪ "Lee Strasberg‬ﻭ"ﺸﻴﺭﻴل ﻜﺭﻭﻓﻭﺭﺩ ‪ ."Cheryl Crawford‬ﻤﻥ ﻜﺘﺏ ﻫﺫﺍ ﺍﻝﻨﺹ؟”‪.‬‬
‫ﺭﻜﻀﺕ "ﻜﺭﻴﺱ ‪ "Chris‬ﻨﺤﻭ ﺍﻝﺨﺸﺒﺔ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪“ .‬ﺃﻨﺎ”‪.‬‬
‫“ ﺠﻤﻴل ﺠﺩﹰﺍ ”‪ .‬ﻗﺎل "ﻜﺎﺯﺍﻥ ‪ ."Kazan‬ﺜﻡ ﺘﻼ ﺫﻝﻙ ﺼﻤﺕ ﺠﺩﻴﺩ‪.‬‬
‫“ ﺤﺴﺎﺱ ﺠﺩﺍﹰ‪ ،‬ﺠﺩﹰﺍ ”‪ .‬ﻗﺎل "ﺴﺘﺭﺍﺴﺒﻴﺭﻍ ‪ ."Strasberg‬ﺍﻝﻤﺯﻴﺩ ﻤﻥ ﺍﻝﺼﻤﺕ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﻗﻔـﹰﺎ‬
‫ﻫﻨﺎﻙ ﻓﻘﻁ‪ ،‬ﻭﺍﻀﻁﺭﺕ "ﻜﺭﻴﺱ ‪ "Chris‬ﺇﻝﻰ ﺴﺤﺒﻪ ﻋﻥ ﺍﻝﺨﺸﺒﺔ‪.‬‬
‫ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ‪ ،‬ﻜﺘﺏ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﺍﻝﺫﻱ ﻝﻡ ﻴﻜﺘﺏ ﺘﻘﺭﻴﺒﹰﺎ ﺃﻴﺔ ﺭﺴﺎﻝﺔ‪ ،‬ﺇﻝﻰ ﺍﻝﻌـﻡ "ﻤـﺎﺭﻜﻭﺱ ‪"Marcus‬‬
‫ﻭﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ “ :"Ortense‬ﻝﻘﺩ ﻗﻤﺕ ﺒﺨﻁﻭﺍﺕ ﻋﻅﻴﻤﺔ ﻓﻲ ﻤﻬﻨﺘﻲ‪ .‬ﻓﺒﻌﺩ ﺸﻬﻭﺭ ﻤﻥ ﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ‪ ،‬ﺃﻨﺎ ﻓﺨﻭﺭ‬
‫ﻷﻋﻠﻥ ﺃﻨﻨﻲ ﺍﻵﻥ ﻋﻀﻭ ﻓﻲ "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ ‪ ،"Actors Studio‬ﺃﻋﻅﻡ ﻤﺩﺭﺴﺔ ﻝﻠﻤﺴﺭﺡ”‪ .‬ﻭﺸﺭﺡ ﺃﻥ ﺍﻝﻤﺩﺭﺴـﺔ‬
‫ﻗﺩ "ﺍﺴﺘﻀﺎﻓﺕ" ﺃﻨﺎﺴﹰﺎ ﻤﺸﻬﻭﺭﻴﻥ ﻤﻥ ﺃﻤﺜﺎل "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﻭ"ﺠﻭﻝﻲ ﻫـﺎﺭﻴﺱ ‪"Julie Harris‬‬
‫ﻭ"ﺁﺭﺜﺭ ﻜﻴﻨﻴﺩﻱ ‪ "Arthur Kennedy‬ﻭ"ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ "Elia Kazan‬ﻭ"ﻤﻴﻠﺩﺭﻴﺩ ﺩﻭﻨﻭﻙ ‪ "Mildred Dunnock‬ﻭ"ﻜﻴﻔﻴﻥ‬
‫ﻤﻜﺎﺭﺜﻲ ‪ "Kevin McCarthy‬ﻭ"ﻤﻭﻨﺘﻐﻤﺭﻱ ﻜﻠﻴﻔﺕ ‪ "Montgomery Clift‬ﻭ"ﺠﻭﻥ ﻫﺎﻓﻭﻙ ‪ ."June Havoc‬ﻭﺘـﺎﺒﻊ‪:‬‬
‫“ﺇﺫﺍ ﺍﺴﺘﻁﻌﺕ ﻤﺠﺎﺭﺍﺓ ﻫﺫﺍ ﻭﻝﻡ ﻴﺘﺩﺨل ﺃﻱ ﺸﻲﺀ ﻓﻲ ﻁﺭﻴﻕ ﺘﻘﺩﻤﻲ‪ ،‬ﻓﺭﺒﻤﺎ ﺴﺄﺼﺒﺢ ﻗﺎﺩﺭﹰﺍ ﻓﻲ ﺃﺤﺩ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻋﻠﻰ‬
‫ﺍﻝﻤﺴﺎﻫﻤﺔ ﺒﺸﻲﺀ ﻤﺎ ﻨﺤﻭ ﺍﻝﻌﺎﻝﻡ”‪.‬‬
‫ﻭﻁﻠﺏ ﻤﻥ ﺍﻝﻌﻡ ﻭﺍﻝﻌﻤﺔ ﺃﻥ ﻴﺨﺒﺭﺍ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﺒﺄﻨﻪ ﻝﻡ ﻴﻨﺱ ﻗﻁ ﺸﻌﺎﺭ ﺍﻝﻌﻘﻴﺩﺓ ﺍﻝﻤﺴﺭﺤﻲ‪“ :‬‬
‫‪‬ﻤﺜﹼل ﺩﻭﺭﻙ ﺠﻴﺩﺍﹰ‪ ،‬ﻷﻥ ﺍﻝﺸﺭﻑ ﻜﻠﻪ ﻫﻨﺎﻙ”‪.‬‬
‫ﺴﺄﻝﻬﻡ ﻜﺫﻝﻙ ﺇﻥ ﻜﺎﻨﻭﺍ ﻴﺴﺘﻁﻴﻌﻭﻥ ﺍﻻﺴﺘﻐﻨﺎﺀ ﻋﻥ "ﻋﺸﺭﺓ ﺩﻭﻻﺭﺍﺕ ﺃﻭ ﻨﺤﻭ ﺫﻝﻙ"‪ ،‬ﻭﺒﻌﺩ ﺍﻻﻋﺘﺫﺍﺭ ﻋﻥ ﺴﺅﺍﻝﻪ‬
‫ﺃﺨﺒﺭﻫﻡ ﺒﺄﻨﻪ ﻝﻥ ﻴﻨﺴﻰ ﻤﺎ ﻓﻌﻠﻭﻩ ﻷﺠﻠﻪ‪ .‬ﻭﻗﺎل ﺨﺎﺘﻤﹰﺎ‪“ :‬ﺃﺭﻴﺩ ﺃﻥ ﺃﻋﻭﻀﻜﻡ ﻭﺃﺭﺩ ﻝﻜﻡ ﻫﺫﺍ‪ .‬ﺴﻭﻑ ﻴﺘﻁﻠﺏ ﻫﺫﺍ ﻭﻗﺘـﹰﺎ‬
‫ﻼ”‪.‬‬
‫ﻭﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻻﻨﺘﻜﺎﺴﺎﺕ‪ .‬ﺴﻭﻑ ﺃﺤﺎﻭل ﺃﻥ ﻻ ﺁﺨﺫ ﻭﻗﺘﹰﺎ ﻁﻭﻴ ﹰ‬
‫ﻭﺭﺩ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭ"ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻤﺒﺎﺸﺭﺓ ﻭﺃﺭﺴﻼ ﻝﻪ ﺘﻬﻨﺌﺘﻬﻡ ﻭﺤﺒﻬﻡ ﻭﺍﻝﻤﺎل‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺴﺎﺒﻊ‬

‫ﻴﻌﻴﺵ ﺍﻝﻤﻤﺜﻠﻭﻥ ﺤﻴﺎﺓ ﺼﻌﺒﺔ‪ ،‬ﺨﺎﺼﺔ ﻓﻲ ﺴﻨﻭﺍﺘﻬﻡ ﺍﻷﻭﻝﻰ‪ .‬ﻭﻴﺘﻁﻠﺏ ﺍﻝﺘﻤﻴﺯ ﻤﻭﻫﺒﺔ ﻭﻗﻴﺎﺩﺓ ﻻ ﺘﻘﻬـﺭ ﻤـﻊ‬
‫ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺤﻅ‪.‬‬
‫ﻭﺭﺒﻤﺎ ﻜﺎﻨﺕ ﺃﺴﻭﺃ ﻤﺨﺎﻁﺭ ﻤﻬﻨﺔ ﺍﻝﺘﻤﺜﻴل ﻫﻲ ﺍﻻﻨﺘﻅﺎﺭ‪ :‬ﺍﻻﻨﺘﻅﺎﺭ ﻝﺭﺅﻴـﺔ ﺍﻝـﻭﻜﻼﺀ‪ ،‬ﻭﺍﻻﻨﺘﻅـﺎﺭ ﻝﺭﺅﻴـﺔ‬
‫ﺍﻝﻤﺨﺭﺠﻴﻥ‪ ،‬ﻭﺍﻻﻨﺘﻅﺎﺭ ﻝﺭﺅﻴﺔ ﺍﻝﻤﻨﺘﺠﻴﻥ‪ ،‬ﻭﺍﻻﻨﺘﻅﺎﺭ ﺨﺎﺭﺝ ﻏﺭﻓﺔ ﺍﻝﻤﻼﺒﺱ ﻝﺘﻬﻨﺌﺔ ﺃﺤﺩﻫﻡ ﻭﻗﺩ ﺴﻁﻊ ﻓﻲ ﺩﻭﺭ ﻗﻤﺕ‬
‫ﺒﺄﺩﺍﺀ ﺘﺠﺭﺒﺔ ﻝﻪ ﺇﻻ ﺃﻨﻙ ﻝﻡ ﺘﺤﺼل ﻋﻠﻴﻪ‪ ،‬ﻭﺍﻨﺘﻅﺎﺭ ﻤﺴﺘﻤﺭ ﻋﻨﺩﻤﺎ ﺘﺤﺼل ﻋﻠﻰ ﺩﻭﺭ‪ ،‬ﻭﺍﻻﻨﺘﻅﺎﺭ ﻓﻴﻤﺎ ﺒﻌﺩ ﻝﻤﺎ ﻴﻘﻭﻝﻪ‬
‫ﺍﻝﻨﻘﺎﺩ‪ ،‬ﻭﺍﻨﺘﻅﺎﺭ ﺭﺅﻴﺘﻙ ﺇﻥ ﻜﺎﻥ ﻝﻙ ﻓﻲ ﺍﻷﺼل ﻤﺴﺘﻘﺒل ﻤﻬﻨﻲ ﻓﻲ ﺍﻝﺘﻤﺜﻴل‪.‬‬
‫ﻭﺇﻥ ﺘﺨﺒﻁﺕ ﻓﻲ ﻴﺄﺱ ﺍﻝﻁﻭﺍﺒﻴﺭ ﺍﻝﻁﻭﻴﻠﺔ ﻓﻲ ﻤﻜﺘﺏ ﺍﻝﺘﻭﻅﻴﻑ ﻓﻬﻭ ﺃﻤﺭ ﻴﻌﻭﺩ ﺇﻝﻰ ﺃﻝـﻡ ﺘﺠـﺎﺭﺏ ﺍﻷﺩﺍﺀ‪ .‬ﻻ‬
‫ﻴﺴﺘﻁﻴﻊ ﺃﻏﻠﺏ ﺍﻝﻨﺎﺱ ﺒﺴﻬﻭﻝﺔ ﺘﺤﻤل ﺤﺘﻰ ﺘﺫﻜﺭ ﺃﻝﻡ ﻓﻘﺩﺍﻥ ﻭﻅﻴﻔﺔ ﺃﻭ ﺍﻝﺒﺤﺙ ﻋﻥ ﻭﺍﺤﺩﺓ ﺠﺩﻴﺩﺓ‪ .‬ﻓﻜﻭﻥ ﺍﻝﻤﻤﺜـل ﻻ‬
‫ﻴﻌﻤل ﻫﻭ ﻨﻤﻁ ﺤﻴﺎﺓ‪ .‬ﻭﺍﻝﺒﺤﺙ ﻋﻥ ﺍﻝﻌﻤل ﻫﻭ ﻨﺼﻑ ﻭﻅﻴﻔﺔ‪.‬‬
‫ﻭﺇﺫﺍ ﻨﺠﺤﺕ‪ ،‬ﻓﻴﺒﺩﻭ ﻫﺫﺍ ﻭﻜﺄﻨﻪ ﺃﺘﻰ ﻓﺠﺄﺓ‪ .‬ﻴﻌﺘﻘﺩ ﺃﺼﺩﻗﺎﺅﻙ ﺃﻥ ﻫﺫﺍ ﻗﺩ ﺤﺼل ﺒﻴﻥ ﻝﻴﻠﺔ ﻭﻀﺤﺎﻫﺎ‪ .‬ﺘﺘﺫﻜﺭ ﻜل‬
‫ﻼ‬
‫ﺍﻝﻌﻤل ﺍﻝﻤﻀﻨﻲ ﻭﺘﻅل ﺘﻌﻠﻡ ﺃﻥ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻭﻗﺕ ﻤﺴﺘﻘﻁﻊ ﺃﻤﺭ ﻴﺘﻌﻠﻕ ﻜﺜﻴﺭﹰﺍ ﺒﻨﺠﺎﺤﻙ‪ .‬ﻭﺘﺘﺴﺎﺀل ﺃﻜﻨـﺕ ﻓﻌـ ﹰ‬
‫ﺘﺴﺘﺤﻕ ﻜل ﻫﺫﺍ ﺍﻝﺜﻨﺎﺀ‪ .‬ﺘﻜﺘﺸﻑ ﻜﺫﻝﻙ ﺃﻨﻙ ﺘﺤﺘﺎﺝ ﻝﻠﻤﺯﻴﺩ ﻭﺍﻝﻤﺯﻴﺩ ﻤﻨﻪ ﺤﺘﻰ ﺘﻘﻨﻊ ﻨﻔﺴﻙ ﺃﻨﻙ ﺒﺎﻝﻔﻌل ﺘﺴﺘﺤﻘﻪ‪ .‬ﺘﺒﺩﺃ‬
‫ﺒﺎﻝﺸﻌﻭﺭ ﺒﺎﻝﺫﻨﺏ ﺤﻭل ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺘﺭﻜﺘﻬﻡ ﺨﻠﻔﻙ ﻴﺼﺎﺭﻋﻭﻥ ﻓﻲ ﺍﻝﻅﻠﻤﺔ‪.‬‬
‫ﻻ ﻋﺠﺏ ﺃﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺠﻭﻡ ﻴﺘﺼﺭﻓﻭﻥ ﻋﻠﻰ ﻨﺤﻭ ﺒﻐﻴﺽ‪ .‬ﻻ ﺘﺒﺩﻭ ﻜل ﺍﻝﻘﻭﺓ ﻭﺍﻝﺒﺭﻴﻕ ﻓﻲ ﻋﺎﻝﻡ ﻫﻭﻝﻴﻭﻭﺩ‬
‫ﻜﺎﻓﻴﺔ ﻝﺘﻌﻭﺽ ﺫﻝﻙ ﺍﻝﺤﺭﻤﺎﻥ ﻭﺍﻝﺫل ﺍﻝﺫﻱ ﺘﻡ ﺘﺤﻤﻠﻪ ﺨﻼل ﺍﻝﻤﺴﻴﺭﺓ ﻨﺤﻭ ﺍﻷﻋﻠﻰ‪ .‬ﻭﺤﺘﻰ ﺃﺨﺫ ﺫﻝﻙ ﻤﻥ ﺍﻵﺨﺭﻴﻥ ﻻ‬
‫ﻴﻔﺭﻍ ﻜل ﺫﻝﻙ ﺍﻝﻐﻀﺏ ﺍﻝﻤﺘﺭﺍﻜﻡ‪.‬‬
‫ﺒﻌﺩ ﺫﻝﻙ‪ ،‬ﻭﺃﺤﻴﺎﻨﺎﹰ‪ ،‬ﺘﺨﺘﻔﻲ ﺍﻝﺸﻬﺭﺓ ﻭﺍﻝﺜﺭﻭﺓ ﺒﺴﺭﻋﺔ ﻭﻋﻠﻰ ﻨﺤﻭ ﻤﺘﻘﻠﺏ ﻭﺘﻨﺯﻭﻱ ﻜﻤﺎ ﺃﺘﺕ‪ ،‬ﻭﺒﺎﻝﻁﺒﻊ ﻫﻨـﺎﻙ‬
‫ﻋﻤﻠﻴﺔ ﺇﻋﺎﺩﺓ ﺍﻝﺘﻌﺩﻴل ﺍﻝﻤﻘﺭﻓﺔ ﺍﻝﺘﻲ ﺘﻌﻴﺩﻩ ﻤﺠﺭﺩ ﺇﻨﺴﺎﻥ ﻋﺎﺩﻱ ﻤﺭﺓ ﺃﺨﺭﻯ ﻭﺍﻝﺨﻭﻑ ﻤﻥ ﺍﻝﺘﺤﻭل ﺇﻝﻰ ﺇﻨﺴﺎﻥ ﻴـﺎﺌﺱ‬
‫ﻜﺎﻥ ﺸﺨﺼﹰﺎ ﻨﻜﺭ ﹰﺓ ﻓﻴﻤﺎ ﻤﻀﻰ‪.‬‬
‫ﺸﻌﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﻋﺎﻡ ﻓﻘﻁ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﺒﺄﻨﻪ ﻗﺩ ﺒﺩﺃ ﻴﺘﺤﺭﻙ‪ .‬ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺇﺸﺎﺭﺍﺕ ﺠﻴـﺩﺓ‪ .‬ﺒـﺩﺃ‬
‫ﺍﻝﻤﺨﺭﺠﻭﻥ ﻴﻌﺎﻤﻠﻭﻨﻪ ﺒﻤﺯﻴﺩ ﻤﻥ ﺍﻻﺤﺘﺭﺍﻡ‪ .‬ﻭﺤﺼﻠﺕ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻋﻠﻰ ﺍﺴﺘﻔﺴﺎﺭﺍﺕ ﻋﻨﻪ ﻤﻥ ﺃﻨﺎﺱ‬
‫ﻤﺨﺘﺼﻴﻥ ﺒﺎﻨﺘﻘﺎﺀ ﻁﺎﻗﻡ ﺍﻝﺘﻤﺜﻴل‪ .‬ﻭﻝﻜﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺤﺘﻰ ﻭﺴﻁ ﺍﺯﺩﻫﺎﺭ ﺍﻝﺤﻴﺎﺓ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴـﺔ ﺍﺨﺘﻴـﺎﺭ ﺃﺩﻭﺍﺭ ﻜﺎﻓﻴـﺔ‬
‫ﻹﻁﻌﺎﻡ ﻨﻔﺴﻪ ﺒﺎﻨﺘﻅﺎﻡ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﻔﻁﻭﺭ ﻋﺎﺩﺓ ﺘﻘﺩﻤﻪ ﺨﺎﺩﻤﺔ ﻓﻲ ﻤﻘﻬﻰ ﺘﺩﻋﻰ "ﻤﺎﺭﻱ ‪ "Marie‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﻘﺩﻡ ﻝـ ""ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ‬
‫"ﺒﻴل ‪ "Bill‬ﺍﻝﺒﻴﺽ ﻭﺘﻁﻠﺏ ﻤﻨﻬﻤﺎ ﺴﻌﺭ ﻗﻬﻭﺓ ﻭﺨﺒﺯ‪ .‬ﻜﺫﻝﻙ ﺘﺭﻙ ﺍﻝﻐﺩﺍﺀ ﻭﺍﻝﻌﺸﺎﺀ ﻭﺃﺠﺭﺓ ﺍﻝﻐﺭﻓﺔ ﻓﻲ ﺍﻝﻔﻨﺩﻕ ﺤﻴﺙ ﻝﻡ‬
‫ﻴﺴﺘﻁﻊ ﻋﺎﻤل ﺍﻻﺴﺘﻘﺒﺎل ﻫﻨﺎﻙ ﺸﻁﺏ ﻓﺎﺘﻭﺭﺘﻬﻤﺎ ﺒﻐﺽ ﺍﻝﻨﻅﺭ ﻋﻤﺎ ﺃﺤﺱ ﺒﻪ ﻤﻥ ﺃﺴﻰ ﺘﺠﺎﻩ ﺍﻝﺸﺎﺒﻴﻥ ﺍﻝﻭﺴﻴﻤﻴﻥ‪.‬‬
‫ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل ﻓﻘﺩ ﻁﻠﻊ ﺃﺤﻴﺎﻨﹰﺎ ﺒﺒﻌﺽ ﺍﻝﻤﺴﺎﻋﺩﺓ‪ .‬ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ،‬ﻭﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺍﻝﻤﺼـﻭﺭ ﺍﻝـﺫﻱ ﻜـﺎﻥ‬
‫ﺍﺴﺘﻭﺩﻴﻭﻩ ﻗﺭﻴﺒﹰﺎ ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﺒﻬﻭ ﻴﺘﺫﻤﺭ ﻝﻪ ﺒﺄﻥ ﺍﻝﻤﻭﺩﻴل ﻓﺸل ﻓﻲ ﺍﻝﻘﺩﻭﻡ ﻝﻠﻌﻤل ﻁﺭﻕ ﺒﺎﺏ ﻏﺭﻓﺔ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻭ"ﺒﻴل‪ ."Bill‬ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻜﺎﻨﺎ ﻴﺠﻠﺴﺎﻥ ﻝﻠﺘﺼﻭﻴﺭ‪ ،‬ﻭﺒﻌﺩ ﻫﺫﺍ ﺤﺼل "ﺒﻴل ‪ "Bill‬ﻋﻠﻰ ﻭﻅﻴﻔﺔ ﻓﻲ ﻗﺴـﻡ ﺍﻝﻌﻼﻗـﺎﺕ‬
‫ﺍﻝﺼﺤﻔﻴﺔ ﻓﻲ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ ."CBS‬ﻭﻝﻜﻥ ﻭﻤﻊ ﻤﺭﻭﺭ ﺃﺸﻬﺭ ﺍﻝﺭﺒﻴﻊ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻘﻠﻴل ﻭﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﺘﺼﻭﻴﺭ ﻝــ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﺴﺘﻁﺎﻉ ﺃﻥ ﻴﺭﻯ ﺃﻥ ﺃﺠﻭﺭ ﺍﻝﻌﻤل ﻜﻤﻭﺩﻴل ﻭﺭﺍﺘﺏ "ﺒﻴل" ﺍﻝﻘﻠﻴل ﻓﻲ ﺍﻝﺸﺒﻜﺔ ﻝﻡ ﻴﻜﻭﻨﺎ ﻜﺎﻓﻴﻴﻥ ﻝﻬﻤﺎ‬
‫ﻓﻲ ﻓﺘﺭﺓ ﺍﻝﺼﻴﻑ‪.‬‬
 ‫ﺘﺒﻊ ﻜل ﺍﻝﻭﺴﺎﺌل‪ .‬ﻭﺤﺎﻭل ﺃﻥ ﻴﺤﺼل ﻋﻠﻰ ﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ ﻝﻸﺩﻭﺍﺭ ﻓﻲ ﻤﺴﺭﺤﻴﺔ "ﺒﻴﺭﻨﺎﺩﻴﻥ ‪ "Bernadine‬ﻝــ‬
‫"ﻤﺎﺭﻱ ﺘﺸﺎﻴﺱ ‪ ،"Mary Chase‬ﻝﻜﻥ ﺍﻵﻨﺴﺔ " ﺘﺸﺎﻴﺱ ‪ "Chase‬ﻏﺎﺩﺭﺕ ﺇﻝﻰ ﻜﻭﻝﻭﺭﺍﺩﻭ ﻗﺒل ﺃﻥ ﻴﺴﺘﻁﻴﻊ ﺍﻻﺘﺼـﺎل‬
‫ﺒﻬﺎ‪ .‬ﻭﺤﺎﻭل ﻜﺫﻝﻙ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﺩﻭﺭ ﻓﻲ ﻤﺴﻠﺴل "ﺍﻝﺤﻴﺎﺓ ﻤﻊ ﺍﻝﻭﺍﻝﺩ ‪ "Life with Father‬ﻝــ "ﻜﻼﺭﻴـﻨﺱ ﺩﺍﻱ‪.‬‬
‫ﺠﻲ ﺁﺭ ‪ "Clarance Day Jr.‬ﺍﻝﻤﻘﺘﺭﺡ ﻤﻥ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ ،"CBS‬ﺇﻻ ﺃﻥ ﺍﻝﻤﻨﺘﺠﻴﻥ ﻗﺎﻝﻭﺍ ﺇﻨﻬﻡ ﻝﻴﺴﻭﺍ ﻋﻠﻰ ﺍﺴـﺘﻌﺩﺍﺩ‬
‫ﺒﻌﺩ ﻻﺨﺘﻴﺎﺭ ﻁﺎﻗﻡ ﺍﻝﺘﻤﺜﻴل‪.‬‬
‫ﺍﺘﺼل ﻤﻌﻪ "ﺭﻭﺠﺭﺯ ﺒﺭﺍﻜﻴﺕ ‪ "Rogers Brackett‬ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻭﻗﺭﺭ ﺃﻥ ﻴﻘﺒل ﺩﻋﻭﺘﻪ ﻝﻘﻀﺎﺀ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ‬
‫ﻓﻲ ﺒﻴﺕ "ﻝﻴﻤﻭﻴل ﺁﻴﺭﻴﺱ ‪ "Lemuel Ayres‬ﻓﻲ "ﻫﺩﺴﻭﻥ ‪ ."Hudson‬ﻜﺎﻥ ﺍﻝﻬﻭﺍﺀ ﺍﻝﺭﻴﻔﻲ ﺍﻝﺒﺎﺭﺩ ﺍﻝﻨﻅﻴﻑ ﺭﺍﺤﺔ ﻤﻥ‬
‫ﺤﺭﺍﺭﺓ ﺍﻝﻤﺩﻴﻨﺔ ﺍﻝﻭﺴﺨﺔ‪ .‬ﺴﻤﻊ ﻋﻠﻰ ﺍﻝﻐﺩﺍﺀ ﻤﺤﺎﺩﺜﺔ ﺤﻭل ﺇﻨﺘﺎﺝ "ﺁﻴﺭﻴﺱ ‪ "Ayres‬ﺍﻝﻭﺸﻴﻙ ﻝﻤﺴﺭﺤﻴﺔ "ﺇﻥ ﺭﻴﺘﺸـﺎﺭﺩ‬
‫ﻨﺎﺵ ‪ "N. Richard Nash‬ﺍﻝﺠﺩﻴﺩﺓ "ﺍﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺠﺎﻏﻭﺍﺭ ‪."See the Jaguar‬‬
‫ﺃﻋﺠﺒﺕ ﻋﺎﺌﻠﺔ "ﺁﻴﺭﻴﺱ ‪ "Ayres‬ﺒـ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺩﻋﻭﻩ ﺇﻝﻰ ﻋﺩﻴﺩ ﻤﻥ ﻋﻁل ﺍﻹﺴﺒﻭﻉ‪ ،‬ﻤـﻊ ﻭﺒـﺩﻭﻥ‬
‫"ﺭﻭﺠﺭﺯ ‪ ."Rogers‬ﻝﻡ ﻴﻨﺩﻓﻊ ﺒﻬﺫﻩ ﺍﻝﻌﻼﻗﺔ‪ .‬ﻝﻘﺩ ﺘﻌﻠﻡ ﻤﻤﺎ ﻤﻀﻰ ﺃﻥ ﻴﻜﻭﻥ ﺃﻜﺜﺭ ﺘﻬﺫﻴﺒﹰﺎ ﻓﻲ ﺍﻗﺘﺭﺍﺒﻪ‪ .‬ﻝﻡ ﻴﻌﺭﻑ "ﻝﻴﻡ‬
‫ﻼ ﺤﺘﻰ ﻨﻬﺎﻴﺔ ﺁﺏ ‪ /‬ﺃﻏﺴﻁﺱ ﺤﻴﻨﻤﺎ ﻗﺎﻡ ﻭﺯﻭﺠﺘﻪ ﺒﺩﻋﻭﺘﻪ ﻝﻜﻲ ﻴﻜﻭﻥ ﺃﺤـﺩ‬ ‫ﺁﻴﺭﻴﺱ" ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻤﻤﺜ ﹰ‬
‫ﺃﻋﻀﺎﺀ ﺭﺤﻠﺔ ﺒﺤﺭﻴﺔ ﻝﻤﺩﺓ ﻋﺸﺭﺓ ﺃﻴﺎﻡ ﻋﻠﻰ ﻤﺭﻜﺒﻬﻡ ﺍﻝﺸﺭﺍﻋﻲ‪ .‬ﻭﺨﻼل ﺍﻝﺭﺤﻠﺔ‪ ،‬ﻭﺠﺩ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺍﻝﻭﻗـﺕ‬
‫ﻭﺍﻝﻤﻜﺎﻥ ﺍﻝﻤﻨﺎﺴﺒﻴﻥ ﺤﺘﻰ ﻴﺩﻉ ﺍﻝﻤﻨﺘﺞ ﻴﻌﺭﻑ ﺼﺭﺍﻋﻪ ﻤﻥ ﺃﺠل ﺍﻝﻨﺠﺎﺡ ﻜﻤﻤﺜل‪ .‬ﻭﻋﺩ "ﺁﻴـﺭﻴﺱ ‪" "Ayres‬ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺃﻨﻪ ﺴﻭﻑ ﻴﻌﻁﻴﻪ ﺩﻭﺭﹰﺍ ﺼﻐﻴﺭﹰﺍ ﻓﻲ "ﺍﻝﺠﺎﻏﻭﺍﺭ ‪ "Jaguar‬ﺍﻝﺘﻲ ﺃُﻋﺩﺕ ﻝﻼﻨﺘﺎﺝ ﺫﻝﻙ ﺍﻝﺨﺭﻴﻑ‪.‬‬
‫ﺃﺨﺒﺭ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﻗﺒل ﺍﻝﻤﻐﺎﺩﺭﺓ ﻝﻠﺭﺤﻠﺔ ﺍﻝﺒﺤﺭﻴﺔ ﺃﻨﻪ ﻝﻥ ﻴﺘﻭﺍﻓﺭ ﻝﻪ ﺍﻝﻤﺒﻠﻎ ﻝـﺩﻓﻊ‬
‫ﺤﺼﺘﻪ ﻤﻥ ﺇﻴﺠﺎﺭ ﻏﺭﻓﺘﻬﻡ ﻓﻲ ﺍﻝﻔﻨﺩﻕ ﺃﺜﻨﺎﺀ ﻭﺠﻭﺩﻩ ﺒﻌﻴﺩﹰﺍ‪ .‬ﻝﻡ ﻴﺴﺘﻁﻊ "ﺒﻴل ‪ "Bill‬ﻭﺤﺩﻩ ﺇﺒﻘﺎﺀ ﺍﻝﻐﺭﻓﺔ‪ ،‬ﻓﺎﻨﺘﻘل ﺇﻝـﻰ‬
‫ﺒﻴﺕ ﻤﺴﺘﺄﺠﺭ ﻤﻥ ﻓﺘﺎﺓ ﻜﺎﻥ ﻴﻌﺭﻓﻬﺎ ﻤﻥ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻴﻨﺎ ‪ -‬ﻝﻭﺱ ﺃﻨﺠﻠﺱ‪."UCLA‬‬
‫ﻋﻨﺩﻤﺎ ﻋﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﻤﺩﻴﻨﺔ ﺍﻨﺘﻘل ﻝﻠﻌﻴﺵ ﻤﻊ "ﺒﻴل ‪ "Bill‬ﻭﺍﻝﻔﺘﺎﺓ‪ ،‬ﻝﻜﻥ ﺍﻝﺯﻭﺠﻴﻥ ﺍﻝﻠﺫﻴﻥ ﺃﺠـﺭﺍ‬
‫ﺍﻝﺸﻘﺔ ﻭﺍﻝﻠﺫﻴﻥ ﻜﺎﻨﺎ ﻤﻥ ﺍﻝﻤﻔﺘﺭﺽ ﺃﻥ ﻴﺒﻘﻴﺎ ﺒﻌﻴﺩﺍﹰ ﻁﻭﺍل ﻓﺘﺭﺓ ﺍﻝﺼﻴﻑ ﻋﺎﺩﺍ ﺒﺸﻜل ﻏﻴﺭ ﻤﺘﻭﻗﻊ ﻭﻁـﺭﺩﻭﻫﻡ ﺇﻝـﻰ‬
‫ﺍﻝﺸﺎﺭﻉ‪.‬‬
‫ﻗﺭﺭ ﺍﻝﺜﻼﺜﺔ ﺍﻝﺒﺤﺙ ﻋﻥ ﺸﻘﺔ ﻝﻬﻡ‪ ،‬ﻝﻜﻨﻬﻡ ﺃﺩﺭﻜﻭﺍ ﻓﻲ ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ ﺃﻨﻬﻡ ﻭﺤﺘﻰ ﺇﻥ ﻜـﺎﻨﻭﺍ ﻤﺘﺤـﺩﻴﻥ ﻓـﺈﻥ‬
‫ﻤﺩﺨﺭﺍﺘﻬﻡ ﻝﻥ ﺘﺴﺘﻁﻴﻊ ﺘﻭﻓﻴﺭ ﺃﺠﺭﺓ ﺍﻝﺸﻘﺔ ﺍﻝﻌﺎﺩﻴﺔ‪ .‬ﺍﻗﻨﻊ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺩﻴﺯﻱ ﺸـﻴﺭﻴﺩﺍﻥ ‪ "Dizzy Sheridan‬ﺃﻥ‬
‫ﺘﻨﻀﻡ ﻝﻬﻡ ﻝﻴﻜﻭﻨﻭﺍ ﺭﺒﺎﻋﻴﹰﺎ‪ .‬ﻭﺠﺩﻭﺍ ﺸﻘﺔ ﺒﺎﻝﻴﺔ ﻓﻲ "ﻭﻴﺴﺕ ﺇﻴﺘﻴﺯ ‪ "West Eighties‬ﻓﻲ " ﺴﻴﻨﺘﺭﺍل ﺒـﺎﺭﻙ ﻭﻴﺴـﺕ‬
‫‪ "Central Park West‬ﻭﺍﻨﺘﻘﻠﻭﺍ ﺇﻝﻴﻬﺎ‪ .‬ﻜﺎﻥ ﺍﻝﻤﻜﺎﻥ ﻓﺎﺭﻏﹰﺎ ﺇﻻ ﻤﻥ ﻋﺩﺓ ﺃﺴﺭﺓ ﻗﺩﻴﻤﺔ‪ .‬ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻬﻡ ﺍﻝﻤﺎل ﻤﻥ ﺃﺠـل‬
‫ﺍﻝﻁﺎﻭﻻﺕ ﻭﺍﻝﻜﺭﺍﺴﻲ ﻭﺍﻝﻤﻼﺀﺍﺕ ﻭﺍﻝﻭﺴﺎﺌﺩ ﻭﺍﻝﻘﺩﻭﺭ ﻭﺍﻷﻭﺍﻨﻲ‪ .‬ﻜﺎﻥ ﺍﻝﻁﻌﺎﻡ ﺸﺤﻴﺤﹰﺎ ﺃﻴﻀﹰﺎ ﻓﻲ ﺃﻏﻠﺏ ﺍﻷﺤﻴﺎﻥ‪.‬‬
‫ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ‪ ،‬ﺩﻋﺎ "ﻤﺎﺭﺘﻴﻥ ﻻﻨﺩﺍﻭ ‪ "Martin Landau‬ﺍﻝﺼﺩﻴﻕ ﺍﻝﻤﻤﺜل ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﻐﺩﺍﺀ ﻓﻲ‬
‫ﻤﻨﺯل ﻭﺍﻝﺩﺘﻪ ﻓﻲ "ﻜﻭﻴﻨﺯ‪ ."Queens‬ﺤﺸﺕ ﺍﻝﺴﻴﺩﺓ "ﻻﻨﺩﺍﻭ ‪" " Landau‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﻁﻌﺎﻡ ﻭﺃﻋﻁﺘﻪ ﺼـﻨﺩﻭﻗﹰﺎ‬
‫ﻜﺒﻴﺭﹰﺍ ﺒﻴﺩﻴﻪ‪.‬‬
‫ﻭ ﻋﻨﺩ ﻋﻭﺩﺘﻪ ﺇﻝﻰ ﺸﻘﺘﻪ‪ ،‬ﻜﺎﻥ ﺯﻤﻼﺅﻩ ﻓﻲ ﺍﻝﺴﻜﻥ ﻤﺘﺸﻭﻗﻴﻥ ﻝﻤﻌﺭﻓﺔ ﻤﺎ ﺍﺤﺘﻭﺍﻩ ﺍﻝﺼﻨﺩﻭﻕ ﺍﻝﻐﺎﻤﺽ‪ .‬ﺭﺒﻤﺎ‬
‫ﺒﻌﺽ ﻤﺎ ﺘﺒﻘﻰ ﻤﻥ ﺍﻝﻁﻌﺎﻡ؟ ﻝﻡ ﻴﻜﻭﻨﻭﺍ ﻤﺤﻅﻭﻅﻴﻥ ﻜﻔﺎﻴﺔ ﺒﺎﻝﺤﺼﻭل ﻋﻠﻰ ﺩﻋﻭﺓ ﻝﻠﻐﺩﺍﺀ‪ .‬ﻭﺒﺩﻭﻥ ﺃﻥ ﻴﻨـﺒﺱ ﺒﺄﻴـﺔ‬
‫ﻜﻠﻤﺔ‪ ،‬ﺤﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺼﻨﺩﻭﻕ ﺇﻝﻰ ﻏﺭﻓﺔ ﻨﻭﻤﻪ‪ .‬ﻭﺘﺒﻌﻪ ﺯﻤﻼﺅﻩ‪ .‬ﻓﺘﺢ ﺍﻝﺼـﻨﺩﻭﻕ‪ ،‬ﻭﺴـﺤﺏ ﺸﺭﺸـﻔﻴﻥ‬
‫ﺃﺯﺭﻗﻴﻥ‪ ،‬ﻭﻏﻁﺎﺀ ﻭﺴﺎﺩﺓ ﺃﺯﺭﻕ‪ ،‬ﻭﻭﺴﺎﺩﺓ ﺯﺭﻗﺎﺀ ﻜﺒﻴﺭﺓ ﻭﺒﻁﺎﻨﻴﺔ ﺯﺭﻗﺎﺀ‪ .‬ﺘﺎﺒﻊ ﺘﻭﻀﻴﺏ ﺴﺭﻴﺭﻩ ﻭﺘﺴﻭﻴﺔ ﻜل ﺜﻨﻴـﺔ‬
‫ﻭﺘﺠﻌﻴﺩﺓ ﺒﺘﺒﺎ ‪‬ﻩ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺃﻨﺠﺯ ﺍﻝﻌﻤل ﺒﺸﻜل ﻜﺎﻤل‪ ،‬ﺭﺍﻗﺒﻪ‪ ،‬ﻭﺴﻤﺢ ﻝﻨﻔﺴﻪ ﺒﺎﺒﺘﺴﺎﻤﺔ ﺭﻀﺎ‪ ،‬ﺨﻠﻊ ﺒﻨﻁﺎﻝﻪ ﻭﺍﻨﺩﺱ ﻓـﻲ‬
‫ﻋﺸﻪ ﺍﻝﺠﺩﻴﺩ ﺍﻷﻨﻴﻕ‪.‬‬
 ‫ﻋﻨﺩﻫﺎ‪ ،‬ﻭﺒﺩﻭﻥ ﺃﻱ ﺍﺨﺘﻼﻑ ﻓﻲ ﺘﻔﺴﻴﺭ ﻤﺎ ﻓﻌﻠﻪ‪ ،‬ﺴﺤﺏ ﺍﻝﺜﻼﺜﺔ ﺍﻝﺸﺭﺍﺸﻑ ﻤﻥ ﺘﺤﺘﻪ‪ ،‬ﻭﺃﻭﻗﻌﻭﻩ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻭﺘﺭﻜﻭﻩ ﻴﺼﺎﺭﻉ ﻤﺨﺘﻨﻘﹰﺎ ﺘﺤﺕ ﻭﻁﺄﺓ ﺍﻝﻬﺠﻭﻡ ﻭﻗﻬﻘﻬﺎﺘﻪ ﺘﺤﺕ ﺍﻝﺸﺭﺍﺸﻑ ﺍﻝﻤﻠﺘﻔﺔ ﺍﻝﺘﻲ ﺍﺴﺘﺤﻜﻤﺕ ﺒﻪ‪ .‬ﺃﺤﺏ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺍﻹﻏﺎﻅﺔ‪ ،‬ﻝﻜﻨﻪ ﺍﺴﺘﻁﺎﻉ ﺍﻝﻀﺤﻙ ﺤﺘﻰ ﻋﻨﺩﻤﺎ ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﻤﺯﺤﺎﺘﻪ ﺘﻌﻭﺩ ﻋﻠﻴﻪ‪.‬‬
‫ﻜﺎﻥ ﻴﻤﻜﻥ ﻝﻬﺫﺍ ﺍﻝﻤﺯﺍﺡ ﺍﻝﺨﺸﻥ ﺍﻝﺫﻱ ﺤﺭﻕ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻁﺎﻗﺔ ﻓﻲ ﺘﻠﻙ ﺍﻷﺸﻬﺭ ﺍﻝﻌﺼﻴﺒﺔ ﺃﻥ ﻴﺘﺤـﻭل ﻓﻘـﻁ‬
‫ﻼ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻝﻡ ﻴﻜﻥ ﻴﺤﻀﺭ ﻝﺤﻴﻠﺔ ﻤـﺎ‪ ،‬ﻓﺈﻨـﻪ‬ ‫ﻝﻐﻀﺏ‪ .‬ﻭﺒﺩﺍ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺘﻔﻬﻡ ﻫﺫﺍ‪ .‬ﺤﺎﻭل ﺃﻥ ﻴﺒﻘﻰ ﻤﻨﺸﻐ ﹰ‬
‫ﻜﺎﻥ ﻴﻌﻤل ﻋﻠﻰ ﺃﻥ ﻴﻜﻭﻥ ﻤﺼﺎﺭﻋﹰﺎ ﻓﻲ ﺤﻠﺒﺔ ﺜﻴﺭﺍﻥ‪ .‬ﺃﺤﻀﺭ ﻤﻥ ﻫﻭﻝﻴﻭﻭﺩ ﻗﺒﻌﺔ ﻤﺼﺎﺭﻉ ﺜﻴﺭﺍﻥ ﻭﻤﺠﻤﻭﻋﺔ ﻤـﻥ‬
‫ﻗﺭﻭﻥ ﺍﻝﺜﻭﺭ ﻜﺘﺫﻜﺎﺭ ﻤﻥ ﺯﻴﺎﺭﺓ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ ﻓﻲ "ﺘﻴﺠﻭﺍﻨﺎ ‪ ."Tijuana‬ﻜﺎﻥ ﻴﻘﻨﻊ ﺃﺤﺩ ﺯﻤﻼﺌـﻪ ﺒـﺎﻝﻬﺠﻭﻡ ﻋﻠﻴـﻪ‬
‫ﺒﺎﻝﻘﺭﻭﻥ ﺜﻡ ﻴﺩﻭﺭ ﻤﺒﺘﻌﺩﹰﺍ ﻋﻥ ﺍﻝﺨﻁﺭ ﻤﻊ ﺍﻨﺤﻨﺎﺀﺓ ﻝﺒﻘﺔ ﻤﻥ ﻗﺒﻌﺘﻪ‪.‬‬
‫ﺒﺩﺃ ﻓﺼل ﺍﻝﺨﺭﻴﻑ‪ .‬ﻭﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺭﺓ ﺃﺨﺭﻯ ﺒﺎﻝﺤﺼﻭل ﻋﻠﻰ ﺒﻌـﺽ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺼـﻐﻴﺭﺓ ﻓـﻲ‬
‫ﺍﻝﺘﻠﻔﺯﻴﻭﻥ‪ .‬ﻭﻓﻲ ﺒﻌﺽ ﺍﻝﻤﻨﺎﺴﺒﺎﺕ ﺃﻴﻀﹰﺎ ﻜﺎﻥ ﻴﻘﺒل ﺒﺄﺩﻭﺍﺭ ﻓﻲ ﻤﺴﺭﺤﻴﺔ ﻤﺎ ﻭﻝﻭ ﺃﻥ ﺍﻝﻤﻴﺯﺍﻨﻴﺔ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻝﻡ‬
‫ﺘﻜﻥ ﺘﺴﻤﺢ ﺒﺄﻱ ﺘﻭﻓﻴﺭ ﻝﻠﺩﻓﻊ ﻝﻠﻤﻤﺜﻠﻴﻥ‪ .‬ﻋﺭﺽ "ﻫﻭﺍﺭﺩ ﺴﺎﻜﻠﻴﺭ ‪ "Howard Sackler‬ﺍﻝﺫﻱ ﺴـﻭﻑ ﻴﻜﺘـﺏ ﻻﺤﻘـﹰﺎ‬
‫"ﺍﻷﻤل ﺍﻷﺒﻴﺽ ﺍﻝﻜﺒﻴﺭ ‪ "Graet White Hope‬ﺩﻭﺭﹰﺍ ﺇﻝﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺘﺭﺠﻤﺔ "ﺇﺯﺭﺍ ﺒﺎﻭﻨـﺩ ‪"Ezra Pound‬‬
‫ﻝﻠﺘﺭﺍﺠﻴﺩﻱ ﺍﻝﻴﻭﻴﺎﻨﻲ ﺍﻝﻌﻅﻴﻡ "ﻴﻭﺭﻴﺒﻴﺩﻴﺱ ‪" " Euripides‬ﺍﻤﺭﺃﺓ ﺘﺭﺍﻜﻴﺱ ‪ "Woman of Trachis‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻘـﻭﻡ‬
‫ﺒﺈﺨﺭﺍﺠﻬﺎ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺠﺩﻴﺩﺓ‪ .‬ﺃﻋﻁﺕ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺒﻌﺽ ﺍﻝﻤﻼﺤﻅﺔ‪ ،‬ﻝﻜﻥ ﻭﺨﻼل ﺘﻤﺎﺭﻴﻥ ﺍﻷﺩﺍﺀ ﻗﺎﺒل "ﻝﻴﻭﻨﺎﺭﺩ‬
‫ﺭﻭﺯﻨﻤﺎﻥ‪ "Leonard Rosenman‬ﺍﻝﺫﻱ ﺃﻝﻑ ﺍﻝﻤﻭﺴﻴﻘﺎ ﻝﻠﻌﺭﺽ ﻭﺍﻝﺫﻱ ﺴﻭﻑ ﻴﻜﺘﺏ ﻻﺤﻘﹰﺎ ﺍﻝﻤﻘﻁﻭﻋﺎﺕ ﺍﻝﻤﻭﺴﻴﻘﻴﺔ‬
‫ﻤﻥ ﺃﺠل ﻜل ﻤﻥ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻭ "ﻤﺘﻤﺭﺩ ﺩﻭﻥ ﻗﻀﻴﺔ‪. "Rebel without a Cause‬‬
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‫ﻜﺎﻥ "ﺭﻭﺯﻨﻤﺎﻥ ‪ " Rosenman‬ﺃﻜﺒﺭ ﻓﻘﻁ ﺒﺴﺒﻊ ﺴﻨﻴﻥ ﻤﻥ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻝﻜﻨـﻪ ﻜـﺎﻥ ﻓﻨﺎﻨـﹰﺎ ﻤﺼـﻘﻭ ﹰ‬
‫ﻭﺒﺎﺭﻋﹰﺎ‪ .‬ﻜﺎﻥ ﻤﺅﻝﻔﹰﺎ ﻝﻠﻤﻭﺴﻴﻘﺎ ﻓﻲ ﺃﺜﻨﺎﺀ ﺇﻗﺎﻤﺘﻪ ﻓﻲ "ﺘﺎﻨﻐل ﻭﻭﺩ ‪ ."Tanglewood‬ﻜﺘﺏ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺃﻋﻤﺎل ﺍﻷﻭﺭﻜﺴﺘﺭﺍ‬
‫ﻻ ﺴﺤﺏ ﻜل ﺍﻝﺜﻘﺎﻓﺔ ﺍﻝﻤﻭﺴـﻴﻘﻴﺔ‬ ‫ﺍﻝﻬﺎﻤﺔ‪ .‬ﻭﻜﺎﻥ ﻜﺫﻝﻙ ﻋﺎﺯﻑ ﺒﻴﺎﻨﻭ ﺠﻴﺩﹰﺍ‪ .‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﺴﻜﻊ ﺤﻭﻝﻪ ﻤﺤﺎﻭ ﹰ‬
‫ﺍﻝﺘﻲ ﻴﺴﺘﻁﻴﻊ‪ .‬ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻁﻠﺏ ﺃﻥ ﻴﺘﻡ ﻗﺒﻭﻝﻪ ﺘﻠﻤﻴﺫﹰﺍ ﻓﻲ ﺩﺭﻭﺱ ﺍﻝﺒﻴﺎﻨﻭ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻪ ﻝﻡ ﻴﻜﻤل ﻋﻤﻠﻪ ﻜﻤﺒﺘﺩﺉ‬
‫ﻋﻠﻰ ﻝﻭﺤﺔ ﺍﻝﻤﻔﺎﺘﻴﺢ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺃﺸﺎﺭ "ﺭﻭﺯﻨﻤﺎﻥ ‪ "Rosenman‬ﺇﻝﻰ ﺫﻝﻙ‪ ،‬ﺃﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﺘﻭﺴل ﺃﻜﺜﺭ ﻓﺄﻜﺜﺭ‪.‬‬
‫ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺍﺴﺘﺴﻠﻡ ﺍﻝﻤﺅﻝﻑ ﺍﻝﻤﻭﺴﻴﻘﻲ‪.‬‬
‫ﻝﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﻴﺤﺭﺯ ﺫﻝﻙ ﺍﻝﺘﻘﺩﻡ ﺍﻝﻜﺒﻴﺭ ﻋﻠﻰ ﺍﻝﺒﻴﺎﻨﻭ ﻷﻨﻪ ﻓﻘﻁ ﺃﺼﺭ ﻋﻠﻰ ﻤﺤﺎﻭﻝﺔ ﺘﻌﻠﻡ ﻤﻘﻁﻭﻋﺎﺕ‬
‫ﻝﻠﺘﺒﺎﻫﻲ ﻜﺎﻨﺕ ﺒﻌﻴﺩﺓ ﺠﺩﹰﺍ ﻋﻥ ﻤﻬﺎﺭﺍﺘﻪ‪ .‬ﻋﻨﺩﻤﺎ ﺴﻤﻊ "ﺭﻭﺯﻴﻨﻤﺎﻥ" ﻭﻫﻭ ﻴﺘﺩﺭﺏ ﻋﻠﻰ ﻤﻘﻁﻭﻋﺔ ﺒﻴﺘﻬﻭﻓﻥ ﺍﻝﺼﻌﺒﺔ ﺠﺩﹰﺍ‬
‫"ﺃﻭﺒﻭﺱ ‪ ."Opus 111‬ﻗﺭﺭ ﺃﻥ ﻴﺘﻌﻠﻤﻬﺎ ﺃﻴﻀﹰﺎ‪ .‬ﺤﺎﻭل "ﺭﻭﺯﻴﻨﻤﺎﻥ ‪ " Rosenman‬ﺃﻥ ﻴﺨﺒﺭﻩ ﺒﺄﻨـﻪ ﻤـﻥ ﺍﻝﺤﻤﺎﻗـﺔ‬
‫ﻤﺤﺎﻭﻝﺔ ﺍﻝﻌﻤل ﻷﻨﻪ ﺤﺘﻰ ﻫﻭ "ﺭﻭﺯﻴﻨﻤﺎﻥ" ﺍﻝﺫﻱ ﺩﺭﺱ ﺍﻝﺒﻴﺎﻨﻭ ﻤﻨﺫ ﺍﻝﻁﻔﻭﻝﺔ ﻴﺴﺘﻁﻴﻊ ﻋﺯﻓﻬﺎ ﺒﺼﻌﻭﺒﺔ ﺒﺎﻝﻐﺔ ﻭﺸﻜﻙ‬
‫ﺃﻴﻀﹰﺎ ﺒﺄﻨﻪ ﻋﺎﺯﻑ ﻜﻤﺎﻥ ﻤﺜل "ﺸﻨﺎﺒل ‪ "Schnabel‬ﻴﻤﻜﻥ ﺃﻥ ﻴﺅﺩﻴﻬﺎ‪ .‬ﻝﻜﻥ ﺘﺎﺒﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻌـﺯﻑ ﺒﺎﺭﺘﺒـﺎﻙ‬
‫ﻝﻠﻤﻘﻁﻭﻋﺔ ﻭﻝﻡ ﻴﻘﺘﻨﻊ ﺒﺄﻨﻪ ﻻ ﻴﺴﺘﻁﻴﻊ ﺍﺘﻘﺎﻨﻬﺎ‪.‬‬
‫ـﺏ‬ ‫ـﻥ ﺍﻝﻜﺘـ‬‫ـﺭﹰﺍ ﻤـ‬‫ـﺩﺩﹰﺍ ﻜﺒﻴـ‬
‫ـل ﻋـ‬ ‫ـﻭ ﻴﺤﻤـ‬‫ـﻪ ﻭﻫـ‬
‫ـل ﺩﺭﻭﺴـ‬ ‫ـﻥ ﺃﺠـ‬ ‫ـﺎﺩﺓ ﻤـ‬ ‫ـﻲ ‪ "Jimmy‬ﻋـ‬ ‫ـﺭ "ﺠﻴﻤـ‬ ‫ﻅﻬـ‬
‫)"ﻜﻴﺭﻜﻴﻐﺎﺭﺩ ‪ "Kierkeygaard‬ﻭ"ﻫﺎﻜﺴﻠﻲ ‪ "Huxley‬ﻭ"ﻭﻭﻝﻑ ‪ ( "Woolf‬ﻭﻝﻜﻥ ﻻﺤﻘﹰﺎ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻴﻨﺎ ﻋﻨـﺩﻤﺎ ﻜـﺎﻥ‬
‫"ﺭﻭﺯﻴﻨﻤﺎﻥ ‪ " Rosenman‬ﻴﻌﻤل ﻋﻠﻰ ﻓﻴﻠﻡ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﺍﻷﻭل‪ ،‬ﺍﻜﺘﺸﻑ ﺃﻥ ﺼﺩﻴﻘﻪ ﺭﺒﻤﺎ ﻝﻡ ﻴﻘﺭﺃ ﺃﻴﹰﺎ ﻤﻨﻬـﺎ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﺭﺠﻼﻥ ﻴﺠﻠﺴﺎﻥ ﻋﻠﻰ ﺸﺎﻁﺊ ﺴﺎﻨﺘﺎ ﺒﺎﺭﺒﺎﺭﺍ‪ .‬ﻜﺎﻥ ﺍﻝﻤﺅﻝﻑ ﺍﻝﻤﻭﺴﻴﻘﻲ ﻴﻘﺭﺃ ﺭﻭﺍﻴﺔ ﺃﻋﻁﺎﻫﺎ ﺇﻴـﺎﻩ ﺍﻝﻤﺨـﺭﺝ‬
‫"ﻭﻴﻠﻴﺎﻡ ﻭﺍﻴﻠﺭ ‪ "William Wyler‬ﻝﻴﺭﻯ ﻓﻴﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﻴﺭﻴﺩ ﺃﻥ ﻴﺴﺠل ﻨﺴﺨﺔ ﺍﻝﻔﻴﻠﻡ‪ .‬ﻋﻨﺩﻤﺎ ﺍﻨﺘﻬﻰ ﻤﻥ ﻤﺎﺌﺔ ﺼﻔﺤﺔ ﺃﻭ‬
‫ﻨﺤﻭ ﺫﻝﻙ ﺭﻓﻊ ﻨﻅﺭﻩ ﻓﻼﺤﻅ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺎﺯﺍل ﻓﻲ ﺜﻼﺙ ﺍﻝﺼﻔﺤﺎﺕ ﺍﻷﻭﻝﻰ ﻤﻥ ﺍﻝﻜﺘـﺎﺏ ﺍﻝـﺫﻱ ﻜـﺎﻥ‬
‫ﻴﻘﺭﺅﻩ‪ .‬ﻭﺸﺎﻫﺩ ﺃﻴﻀﹰﺎ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻴﺤﺭﻙ ﺇﺼﺒﻌﻪ ﻋﺒﺭ ﺍﻝﺴﻁﻭﺭ ﻭﻴﺤﺭﻙ ﺸـﻔﺘﻴﻪ‪ .‬ﻗـﺎل ‪" “:‬ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻝﻡ ﺃﻻﺤﻅ ﺫﻝﻙ ﻤﻥ ﻗﺒل‪ .‬ﻫل ﻝﺩﻴﻙ ﻤﺸﻜﻠﺔ ﻓﻲ ﺍﻝﻘﺭﺍﺀﺓ؟ ﻷﻥ ﻫﺫﺍ ﻭﻜﻤﺎ ﺘﻌﻠﻡ ﻴﻤﻜـﻥ ﺃﻥ ﻴﻌـﺎﻝﺞ ﺒﺴـﻬﻭﻝﺔ‬
‫ﺒﺎﻝﻐﺔ”‪ .‬ﺤﺩﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻪ ﺒﻭﺤﺸﻴﺔ ﻝﻠﺤﻅﺔ ﺜﻡ ﺍﻨﻔﺠﺭ‪ .‬ﻋﻨﺩﻤﺎ ﺃﻭﻗﻑ ﺍﻝﻤﺅﻝﻑ ﺍﻝﻤﻭﺴﻴﻘﻲ ﺼﺭﺍﺨﻪ ﻭﺸﺘﺎﺌﻤﻪ‪،‬‬
‫ﺍﻋﺘﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﻴﻭﻨﻪ ﺍﻝﺩﺍﻤﻌﺔ ﺃﻥ ﻝﺩﻴﻪ ﻤﺸﻜﻠﺔ ﻓﻲ ﺍﻝﻘﺭﺍﺀﺓ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺩﺍﺌﻤﹰﺎ ﻝﺩﻴﻪ‪ .‬ﻜﺎﻥ ﻴﺘﻭﺠﺏ ﻋﻠﻴـﻪ‬
‫ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﺃﻥ ﻴﺒﺫل ﺠﻬﺩﹰﺍ ﻤﻀﺎﻋﻔﹰﺎ ﻋﻥ ﺒﻘﻴﺔ ﺍﻷﻭﻻﺩ ﺤﺘﻰ ﻴﺒﻘﻰ ﺒﻤﺴﺘﻭﺍﻫﻡ‪.‬‬
‫ﻭﻤﻊ ﺒﺩﺍﻴﺔ ﺸﻬﺭ ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪ /‬ﺃﻭﻜﺘﻭﺒﺭ ﻜﺎﻥ ﺍﻝﺯﻤﻼﺀ ﻓﻲ ﺍﻝﺴﻜﻥ ﻤﻔﻠﺴﻴﻥ ﺒﺤﻴﺙ ﺇﻨﻬﻡ ﺍﻀﻁﺭﻭﺍ ﻻﻗﺘﺴـﺎﻡ‬
‫ﻗﺩﺭ ﺍﻝﻔﻠﻔل‪ .‬ﻭﻤﻊ ﻭﻀﻊ ﺁﺨﺭ ﻗﻁﻌﺔ ﻤﻥ ﺍﻝﻔﺎﺼﻭﻝﻴﺎﺀ ﻓﻲ ﻓﻤﻪ ﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺸﻴﺌﹰﺎ ﻏﻴﺭ ﻭﺍﻀﺢ ﻋﻥ ﻗـﺭﺍﺭﻩ‬
‫ﺍﻝﻘﻴﺎﻡ ﺒﺭﺤﻠﺔ ﺇﻝﻰ ﻤﺯﺭﻋﺔ ﻋﻤﻪ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﺃﺨﺫ ﻴﺭﺍﻗﺹ ﺼﻭﺭ ﻋﻤﺘﻪ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭﻫﻲ ﺘﻁﺒﺦ ﺃﻤﺎﻡ ﺃﻋﻴﻥ‬
‫ﺯﻤﻼﺌﻪ ﺍﻝﺠﺎﺌﻌﻴﻥ‪ :‬ﻗﻁﻊ ﺍﻝﻠﺤﻡ ﺍﻝﻤﺸﻭﻴﺔ ﻭﺍﻝﻔﻁﺎﺌﺭ‪ .‬ﺒﻌﺩ ﺴﺎﻋﺎﺕ ﻗﻠﻴﻠﺔ ﻜﺎﻨﻭﺍ ﻓﻲ ﻁﺭﻴﻘﻬﻡ ﺇﻝﻰ ﻫﻨﺎﻙ‪ .‬ﺃﻨﺯﻝﺘﻬﻡ ﺇﺤﺩﻯ‬
‫ﺍﻝﺤﺎﻓﻼﺕ ﻋﻨﺩ ﻁﺭﻴﻕ "ﻨﻴﻭﺠﺭﺴﻲ"‪ .‬ﻗﺎﻤﻭﺍ ﺒﻌﺩ ﺫﻝﻙ ﺒﺭﻓﻊ ﺃﺼﺎﺒﻌﻬﻡ ﻝﻺﺸﺎﺭﺓ ﻝﻠﺴﻴﺎﺭﺍﺕ ﺤﺘﻰ ﺘﻘﻠﻬﻡ‪ .‬ﻭﺒﻌﺩ ﻤـﺭﺘﻴﻥ‬
‫ﻤﻥ ﺍﻝﺭﻜﻭﺏ )ﻭﺍﻝﺘﻲ ﺃﻭﺤﻰ ﺍﻝﺴﺎﺌﻕ ﻓﻲ ﺇﺤﺩﺍﻫﻤﺎ ﻝﻬﻡ ﺒﺤﻔﻠﺔ ﺭﺒﺎﻋﻴﺔ ﻓﻲ ﺃﺤﺩ ﺍﻝﻔﻨﺎﺩﻕ ﺍﻝﺼﻐﻴﺭﺓ(‪ .‬ﻭﺠﺩﻭﺍ ﺃﻨﻔﺴـﻬﻡ‬
‫ﻓﻲ ﻨﻬﺎﻴﺔ ﻁﺭﻴﻕ "ﺒﻨﺴﻠﻔﺎﻨﻴﺎ"‪.‬‬
‫ﻜﺎﻨﺕ ﺤﻭﺍﻝﻲ ﺍﻝﺴﺎﻋﺔ ﺍﻝﻌﺎﺸﺭﺓ ﻤﺴﺎ ‪‬ﺀ ﻋﻨﺩﻫﺎ‪ ،‬ﻭﻜﺎﻨﺕ ﺍﻝﻅﻠﻤﺔ ﻭﺍﻝﺒﺭﺩ ﺍﻝﻘﺎﺭﺱ‪ .‬ﻜﺎﻨﻭﺍ ﺠﺎﺌﻌﻴﻥ ﺠـﺩﹰﺍ‪ .‬ﻜـﺎﻥ‬
‫ﺍﻝﻤﺤل ﺍﻝﻭﺤﻴﺩ ﺍﻝﻤﻔﺘﻭﺡ ﻫﻭ ﻜﺸﻙ ﻝﻶﻴﺱ ﻜﺭﻴﻡ‪ .‬ﺃﻜﻠﻭﺍ ﺍﻝﻌﺩﻴﺩ ﻤﻨﻬﺎ ﻭﻋﺎﺩﻭﺍ ﺇﻝﻰ ﺍﻝﻁﺭﻴﻕ‪ .‬ﻭﺒﻌﺩﻤﺎ ﺒﺩﺍ ﻭﻜﺄﻨﻪ ﺍﻝـﺩﻫﺭ‪،‬‬
‫ﺘﻭﻗﻔﺕ ﺴﻴﺎﺭﺓ ﻋﺎﺌﻠﻴﺔ ﺃﺨﺫﺘﻬﻡ‪ .‬ﻜﺎﻥ ﺍﻝﺴﺎﺌﻕ ﻻﻋﺏ ﺒﻴﺴﺒﻭل ﻤﺤﺘﺭﻓ ﹰﺎ ﻴﺩﻋﻰ "ﻜﻼﻴﺩ ﻤﺎﻙ ﻜﻭﻝﻭﻑ ‪Clyde Mc Cullough‬‬
‫" ﻓﻲ ﻁﺭﻴﻘﻪ ﺇﻝﻰ ﻝﻌﺒﺔ ﺍﺴﺘﻌﺭﺍﻀﻴﺔ ﻓﻲ "ﺩﻴﺱ ﻤﻭﻨﺱ ‪ ."Des Moines‬ﺍﻋﺘﻘﺩ "ﻜﻼﻴﺩ ‪ "Clyde‬ﻨﻔﺴﻪ ﺃﻨﻪ ﻤﺅ ‪‬ﺩ‪ .‬ﺘﻌﺎﻁﻑ‬
‫ﺒﺸﻜل ﻜﺒﻴﺭ ﻨﺤﻭ ﺴﻭﺀ ﺍﻝﺤﻅ ﺍﻝﻤﺤﺎﻝﻑ ﻝﻠﺭﺍﻗﺼﺔ ﺍﻝﺸﺎﺒﺔ ﻭﺍﻝﻤﻤﺜل ﺍﻝﺸﺎﺏ ﻭﺍﻝﻜﺎﺘﺏ ﺍﻝﺸﺎﺏ‪ .‬ﺃﻝﻘﻰ ﺨﻁﺒﺔ ﻤﺘﻘﺩﺓ ﻋـﻥ‬
‫ﻏﺒﺎﺀ ﺍﻷﻤﺔ ﺍﻝﺘﻲ ﻻ ﺘﺴﺘﻁﻴﻊ ﺭﺅﻴﺔ ﺃﻫﻤﻴﺔ ﺘﻘﺩﻴﻡ ﺍﻝﻌﻭﻥ ﻝﻔﻨﺎﻨﻴﻬﺎ‪ .‬ﺒﻌﺩ ﻫﺫﺍ ﻗﺩﻡ ﻝﻬﻡ ﺍﻝﻌﻭﻥ ﺒﺩﻋﻭﺘﻬﻡ ﻝﻠﻌﺸﺎﺀ ﻭﺒﻌﺩ ﻫﺫﺍ‬
‫ﺒﺴﺎﻋﺎﺕ ﻭﺒﺩﻭﻥ ﺃﻱ ﺘﻠﻤﻴﺢ ﺃﻨﺯﻝﻬﻡ ﻋﻨﺩ ﺘﻘﺎﻁﻊ ﻋﻠﻰ ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ ﻤﻥ ﺸﻤﺎل ﻓﻴﺭﻤﺎﻭﻨﺕ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﻔﺠﺭ ﻴﻨﺸﻕ‪ ،‬ﻝﻜﻥ ﺴﻭﺍﺀ ﻜﺎﻥ ﺫﻝﻙ ﺒﺎﻜﺭﺍﹰﺃﻭ ﻤﺘﺄﺨﺭﹰﺍ ﺃﻭ ﻤﻌﻠﻨﹰﺎ ﺃﻭ ﻏﻴﺭ ﻤﻌﻠـﻥ ﻜـﺎﻥ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻭﺭﻓﺎﻗﻪ ﻤﻭﻀﻊ ﺘﺭﺤﻴﺏ ﻓﻲ ﻤﺯﺭﻋﺔ "ﻭﻴﻨﺴﻠﻭ ‪ ."Winslow‬ﺃﻜل ﺍﻝﺜﻼﺜﺔ ﺍﻝﻤﺘﻁﻔﻠﻭﻥ ﻋﻠﻰ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﺍﻝﻤﻨﻬﻜﻭﻥ ﻤﻥ‬
‫ﺍﻝﺘﻌﺏ ﻭﺃﺨﺫﻭﺍ ﺤﻤﺎﻤﹰﺎ ﺜﻡ ﺃﻭﻭﺍ ﺇﻝﻰ ﺍﻝﻔﺭﺍﺵ‪ .‬ﻋﻨﺩﻤﺎ ﺍﺴﺘﻴﻘﻅﻭﺍ‪ ،‬ﻗﺎﻤﻭﺍ ﺒﺄﻜل ﺍﻝﻤﺯﻴﺩ‪ .‬ﺘﺤﺩﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺍﻝﻌﻡ‬
‫"ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻋﻥ ﺍﻝﺯﺭﺍﻋﺔ ﻭﺃﺨﺒﺭ ﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻜل ﺸﻲﺀ ﻋﻥ ﻤﺴﺘﻘﺒﻠﻪ ﺍﻝﻤﻬﻨـﻲ ﻜﻤﻤﺜـل‪،‬‬
‫ﻭﻝﻌﺏ ﻤﻊ ﺍﺒﻥ ﻋﻤﺘﻪ "ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ ‪ "Markie Jr.‬ﻭﺘﺒﺎﻫﻰ ﺃﻤﺎﻡ "ﺒﻴل ‪ "Bill‬ﻭ"ﺩﻴﺯﻱ ‪ "Dizzy‬ﺨﻼل ﻗﻴﺎﻤـﻪ ﺒـﺄﺩﺍﺀ‬
‫ﺍﻝﺤﺭﻜﺎﺕ ﺍﻝﺨﻁﺭﺓ ﺒﺩﺭﺍﺠﺘﻪ ﺍﻝﻨﺎﺭﻴﺔ ﺍﻝﺘﺸﻴﻜﻴﺔ ﺍﻝﻘﺩﻴﻤﺔ‪ .‬ﻭﻋﻨﺩ ﻨﺯﻭﻝﻪ ﻤﻨﻬﺎ ﺒﻌﺩ ﻫﺫﺍ ﺃﺨﺒﺭ ﻋﻤﻪ ﺸﻴﺌﹰﺎ‪ “ :‬ﺃﻅﻥ ﺃﻨﻨﻲ ﻝﻥ‬
‫ﺃﺒﻴﻌﻬﺎ ﺃﺒﺩﹰﺍ‪ .‬ﺇﻨﻬﺎ ﻜﺼﺩﻴﻕ ﻗﺩﻴﻡ‪ .‬ﻤﻥ ﺍﻝﺼﻌﺏ ﺇﻴﺠﺎﺩ ﺍﻷﺼﺩﻗﺎﺀ ﻓﻲ ﺍﻝﻤﺴﺭﺡ”‪.‬‬
‫ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺜﺎﻨﻲ‪ ،‬ﺃﺨﺫ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺩﻴﺯﻱ ‪ "Dizzy‬ﻭ"ﺒﻴل ‪ "Bill‬ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻝﺯﻴﺎﺭﺓ ﻤﻌﻠﻤﺔ ﺍﻝﺩﺭﺍﻤﺎ‬
‫ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ ."Adeline Nall‬ﻁﻠﺒﺕ ﻤﻨﻬﻡ ﺍﻝﺘﺤﺩﺙ ﺇﻝﻰ ﺼﻔﻬﺎ‪ .‬ﺘﺤﺩﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻥ‬
‫ﺍﻝﺘﻤﺜﻴل‪ ،‬ﻭﺘﺤﺩﺜﺕ "ﺩﻴﺯﻱ ‪ "Dizzy‬ﻋﻥ ﺍﻝﺭﻗﺹ ﺒﻴﻨﻤﺎ ﺘﺤﺩﺙ "ﺒﻴل ‪ "Bill‬ﻋﻥ ﺍﻝﻜﺘﺎﺒﺔ ﻭﺍﻹﺨﺭﺍﺝ‪ .‬ﺍﺴﺘﻤﺘﻌﻭﺍ ﺒﻜﻭﻨﻬﻡ‬
‫ﺃﻨﺎﺴﹰﺎ ﻤﻬﻤﻴﻥ ﻗﺎﺩﻤﻴﻥ ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ‪.‬‬
‫ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻭﻤﻊ ﺍﻝﺒﺩﺀ ﺒﺎﻝﺘﻭﻗﻑ ﻤﻥ ﺍﻝﻘﻠﻕ ﺤﻭل ﻭﺠﺒﺘﻬﻡ ﺍﻝﺜﺎﻨﻴﺔ ﺍﺘﺼﻠﺕ "ﺠـﻴﻥ ﺩﻴﺴـﻲ ‪ "Jane Deacy‬ﻤـﻥ‬
‫ﻨﻴﻭﻴﻭﺭﻙ ﻝﺘﻘﻭل ﺇﻥ "ﻝﻴﻤﻭﻴل ﺁﻴﺭﻴﺱ" ﻁﻠﺏ ﻤﻨﻬﺎ ﺃﻥ ﺘﺭﺴل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻘﺭﺍﺀﺓ ﺩﻭﺭ ﻓﻲ "ﺸﺎﻫﺩ ﺍﻝﺠﺎﻏﻭﺍﺭ ‪See‬‬
‫‪ ."the Jaguar‬ﻭﻝﻡ ﻴﻜﻥ ﺩﻭﺭﹰﺍ ﺜﺎﻨﻭﻴﹰﺎ ﺒل ﺭﺌﻴﺴﻲ‪ .‬ﻫل ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻌﻭﺩ ﺒﺄﺴـﺭﻉ ﻭﻗـﺕ ﻤﻤﻜـﻥ؟ ﻭﺩﻉ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻭ "ﺒﻴل ‪ "Bill‬ﻭ"ﺩﻴﺯﻱ ‪ "Dizzy‬ﻤﻜﺭﻫﻴﻥ ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻭﺨﺭﺠﻭﺍ ﺇﻝﻰ ﺍﻝﻁﺭﻴﻕ ﻤـﺭﺓ ﺜﺎﻨﻴـﺔ‬
‫ﻝﻴﻭﻗﻔﻭﺍ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻓﻲ ﻁﺭﻴﻕ ﻋﻭﺩﺘﻬﻡ ﻝﻨﻴﻭﻴﻭﺭﻙ‪.‬‬
‫ﻼ ﺸﺎﺒﹰﺎ ﺁﺨﺭ ﻜﺎﻥ ﻴﺅﺩﻱ ﺍﺨﺘﺒﺎﺭ ﺍﻷﺩﺍﺀ‬‫ﺒﻌﺩ ﺃﻥ ﻋﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﻤﺩﻴﻨﺔ ﺒﻌﺩ ﻴﻭﻤﻴﻥ‪ ،‬ﺍﻜﺘﺸﻑ ﺃﻥ ﻤﻤﺜ ﹰ‬
‫ﻻ ﻝﻠﻤﻨـﺘﺞ "ﺁﻴـﺭﻴﺱ ‪"Ayres‬‬ ‫ﻭﻜﺎﻥ ﺍﻝﻤﺭﺸﺢ ﺍﻷﻭل ﻝﻠﺩﻭﺭ‪ .‬ﻜﺎﻥ ﺃﻤﻠﻪ ﺍﻝﻭﺤﻴﺩ ﺍﻝﻘﺭﺍﺀﺓ ﺒﺘﺄﻝﻕ ﺒﺤﻴﺙ ﻻ ﻴﺘﺭﻙ ﻤﺠـﺎ ﹰ‬
‫ﻭﺍﻝﻤﺨﺭﺝ "ﻤﺎﻴﻜل ﺠﻭﺭﺩﻭﻥ ‪ "Michael Gordon‬ﺇﻻ ﻻﺨﺘﻴﺎﺭﻩ ﻝﻠﺩﻭﺭ‪.‬‬
 ‫ﺘﺠﺭﻱ ﺃﺤﺩﺍﺙ ﺍﻝﻤﺴﺭﺤﻴﺔ ﻓﻲ ﻤﺤﻁﺔ ﻝﻠﻭﻗﻭﺩ ﻓﻲ )ﺍﻝﺠﺒﺎل ﺍﻝﻘﺭﻴﺒﺔ ﻝﻠﻭﻻﻴﺔ ﺍﻝﻐﺭﺒﻴـﺔ( ﻭﺘﺤـﺎﻭل ﺍﻝﻤﺴـﺭﺤﻴﺔ‬
‫ﺍﻝﻭﺼﻭل ﺇﻝﻰ ﺍﻝﻌﺎﻁﻔﺔ ﺍﻝﺭﺌﻴﺴﻴﺔ ﻭﺍﻝﺸﻌﺭ ﺍﻝﻌﺎﻝﻲ ﻝﻜﻨﻬﺎ ﺘﺴﻘﻁ ﻓﻲ ﻤﻜﺎﻥ ﻤﺎ ﻓﻲ ﺍﻝﺤﺎﻝـﺔ ﺍﻻﻨﺘﻘﺎﻝﻴـﺔ ﺒـﻴﻥ "ﺸـﺎﺭﻉ‬
‫ﺘﻭﺒﺎﻜﻭ ‪ "Tobacco Road‬ﻭ "ﺭﻏﺒﺔ ﺘﺤﺕ ﺍﻹﻝﻤﺱ ‪ ."Desire Under the Elms‬ﺇﻀﺎﻓﺔ ﺇﻝﻰ ﺍﻝﻤﻀﺨﺔ ﻭﺒﺭﺍﺩ ﻜﻭﻜـﺎ‬
‫ﻜﻭﻻ ﻴﻭﺠﺩ ﻓﻲ ﺍﻝﻤﺤﻁﺔ ﺤﺩﻴﻘﺔ ﺤﻴﻭﺍﻥ ﺼﻐﻴﺭﺓ‪ .‬ﻴﻭﺠﺩ ﺇﺸﺎﺭﺍﺕ ﺘﻘﻭل‪ “:‬ﺸﺎﻫﺩ ﺍﺒﻥ ﻤﻘﺭﺽ! ﺸﺎﻫﺩ ﺍﻝﺜﻌﻠﺏ!” ﻝﺘﺠﺫﺏ‬
‫ﺴﺎﺌﻘﻲ ﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ ﺍﻝﺫﻴﻥ ﻴﻤﺭﻭﻥ‪ .‬ﻜﺎﻥ "ﺒﺭﺍﺩ ‪ "Brad‬ﺼﺎﺤﺏ ﺍﻝﻤﺤﻁﺔ ﻴﺤﻠﻡ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻨﺼﺏ ﻓـﻲ ﺃﺤـﺩ‬
‫ﺍﻷﻴﺎﻡ ﻓﺨﹰﺎ ﻝﺠﺎﻏﻭﺍﺭ ﺸﻭﻫﺩ ﻓﻲ ﺍﻝﻐﺎﺒﺔ‪ .‬ﻝﻘﺩ ﺤﻀﺭ ﺒﺎﻝﻔﻌل ﻗﻔﺼﹰﺎ ﻜﺒﻴﺭﹰﺍ ﻭﻗﺩ ﺨﻁ ﺇﺸﺎﺭﺓ ﺘﻘﻭل‪“:‬ﺸﺎﻫﺩ ﺍﻝﺠﺎﻏﻭﺍﺭ!”‪.‬‬
‫ﻤﻊ ﺘﻘﺩﻡ ﺃﺤﺩﺍﺙ ﺍﻝﻤﺴﺭﺤﻴﺔ‪ ،‬ﻨﻌﻠﻡ ﺃﻥ ﺴﻴﺩﺓ ﺠﺒﻠﻴﺔ ﻜﺒﻴﺭﺓ ﺘﺩﻋﻰ ﺍﻝﺴﻴﺩﺓ " ﻭﻴﻠﻜﻴﻨﺯ ‪ "Wilkins‬ﺘﺤﺘﺠـﺯ ﺍﺒﻨﻬـﺎ‬
‫"ﻭﺍﻝﻲ ‪ "Wally‬ﻓﻲ ﻤﺴﺘﻭﺩﻉ ﺠﻠﻴﺩ ﻤﻬﺠﻭﺭ‪ .‬ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻗﺒل ﻤﻭﺘﻬﺎ‪ ،‬ﺘﻁﻠﻕ ﺴﺭﺍﺤﻪ ﻤﻊ ﺒﻨﺩﻗﻴﺔ‪ .‬ﺒﻌﺩ ﺍﻝﻌﺩﻴـﺩ‬
‫ﻤﻥ ﺍﻝﻤﻐﺎﻤﺭﺍﺕ ﻋﻠﻰ ﺍﻝﺠﺒل ﻤﻊ "ﺠﺎﻨﺎ ‪ "Jana‬ﺍﺒﻨﺔ "ﺒﺭﺍﺩ ‪ "Brad‬ﻭ"ﻏﺭﺍﻤﻑ ‪ "Gramf‬ﺭﺠل ﻋﺠﻭﺯ ﻴﻤـﻭﺕ ﻀـﺭﺒﹰﺎ‬
‫ﺒﺎﻝﻬﺭﺍﻭﺍﺕ ﺒﻴﺩ ﻋﺼﺎﺒﺔ ﺠﻠﻴﺩﻴﺔ‪ ،‬ﻴﻘﺘل ﺍﻝﺒﺭﻱﺀ ﻭﺍﻝﻐﺒﻲ ﺘﻘﺭﻴﺒﹰﺎ "ﻭﺍﻝﻲ ﻭﻴﻠﻜﻨﺯ ‪ "Wally Wilkins‬ﺍﻝﻨﻤﺭ‪ .‬ﻴﺤﺒﻁ ﻫـﺫﺍ‬
‫ﺼﺎﺤﺏ ﻤﺤﻁﺔ ﺍﻝﻭﻗﻭﺩ ﺒﺤﻴﺙ ﻴﻭﻗﻑ ﺍﻝﻭﻝﺩ ﻭﻴﺭﻤﻴﻪ ﺒﺎﻝﻘﻔﺹ ﺍﻝﺫﻱ ﺠﻬﺯﻩ ﻝﻠﺤﻴﻭﺍﻥ‪ .‬ﻋﻨﺩﻤﺎ ﻴﺄﺘﻲ "ﺩﻴﻑ ‪ "Dave‬ﻋﺸﻴﻕ‬
‫"ﺠﺎﻨﺎ ‪ "Jana‬ﻭﻴﺤﻁﻡ ﺍﻝﻘﻔﺹ ﺍﻝﻤﻘﻔﻭل ﻻﻴﺭﻴﺩ "ﻭﺇﻝﻲ ‪ "Wally‬ﺤﺘﻰ ﺍﻝﺨﺭﻭﺝ‪.‬‬

‫"ﻭﺇﻝﻲ ‪"Wally‬‬
‫ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺴﺄل ﺃﻤﻲ‬
‫ﺩﻋﻴﻨﻲ ﺃﺨﺭﺝ ﻤﻥ ﻤﺴﺘﻭﺩﻉ ﺍﻝﺠﻠﻴﺩ‬
‫ﺤﺘﻰ ﺃﺴﺘﻁﻴﻊ ﻤﺸﺎﻫﺩﺓ ﺍﻝﻁﻴﻭﺭ‬
‫ﻭﻜل ﺍﻷﺸﻴﺎﺀ ﺍﻝﺨﻀﺭﺍﺀ ﻋﻠﻰ ﺍﻝﺘل‬
‫ﻓﻜﺎﻨﺕ ﺘﻘﻭل‪:‬‬
‫ﻝﻥ ﺘﺤﺏ ﺍﻝﺤﻴﺎﺓ ﻫﻨﺎﻙ ﻓﻲ ﺍﻝﺨﺎﺭﺝ‬
‫ﺤﻴﺙ ﺇﻥ ﺍﻝﻨﺎﺱ‪............‬‬
‫ﺃﻓﺘﺭﺽ ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﻤﺤﻘﺔ‬

‫"ﺩﻴﻑ ‪"Dave‬‬
‫)ﻤﻊ ﺸﻔﻘﺔ ﻴﺎﺌﺴﺔ(‬
‫ﺃﻻ ﺘﻌﺘﻘﺩ ﻫﺫﺍ ﻴﺎ ﻭﻝﺩﻱ!‬
‫ﺴﻭﻑ ﺘﺘﺤﺴﻥ ﺍﻷﻤﻭﺭ ﺘﺠﺎﻫﻙ‪،‬‬
‫ﺇﺫﺍ ﺍﺴﺘﻁﻌﺕ ﺇﺨﺭﺍﺠﻙ!‬

‫"ﻭﺍﻝﻲ ‪"Wally‬‬
‫ﺤﺘﻰ ﺘﺨﺭﺠﻴﻨﻲ‪..............‬‬
‫ﻫل ﺃﺴﺘﻁﻴﻊ ﺍﻝﻌﻭﺩﺓ ﺇﻝﻰ ﻤﺴﺘﻭﺩﻉ ﺍﻝﺠﻠﻴﺩ؟‪.‬‬

‫ﻼ‪ .‬ﺨﻁﻭﺓ ﺨﺎﻁﺌﺔ ﻭﺍﺤﺩﺓ ﻭﺘﺼﺒﺢ ﺍﻝﺸﺨﺼﻴﺔ ﻋﺎﻁﻔﻴﺔ ﺃﻭ ﺍﻷﺴﻭﺃ ﺴﺨﻴﻔﺔ‪ .‬ﻝﻜـﻥ "ﺠﻴﻤـﻲ‬ ‫ﻝﻡ ﻴﻜﻥ ﺩﻭﺭﹰﺍ ﺴﻬ ﹰ‬
‫‪ "Jimmy‬ﻗﺭﺃ ﺩﻭﺭ "ﻭﺍﻝﻲ ‪ "Wally‬ﺒﺸﻜل ﻤﻘﻨﻊ ﺠﺩﹰﺍ ﺒﺤﻴﺙ ﻭﺍﻓﻕ ﺍﻝﻤﻨﺘﺞ ﻭﺍﻝﻤﺨﺭﺝ ﻭﻜﺎﺘﺏ ﺍﻝﻨﺹ ﻋﻠﻰ ﺃﻥ ﺍﻝـﺩﻭﺭ‬
‫ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﻝﻪ‪.‬‬
‫ﺴﺎﺭﺕ ﺍﻝﺘﻤﺎﺭﻴﻥ ﺠﻴﺩﹰﺍ‪ .‬ﻭﺠﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺁﺭﺜﺭ ﻜﻴﻨﻴـﺩﻱ ‪ "Arthur Kennedy‬ﺍﻝـﺫﻱ ﻤﺜـل ﺩﻭﺭ‬
‫ﻼ ﻴﺴﺘﻁﻴﻊ ﺍﺤﺘﺭﺍﻤﻪ‪ .‬ﻭﻭﺠﺩ ﻓﻲ "ﻤﺎﻴﻜل ﻏﻭﺭﺩﻭﻥ ‪ "Michael Gordon‬ﻤﺨﺭﺠﹰﺎ ﻜﻔﺅ ﺃﻜﺜـﺭ ﻤـﻥ‬ ‫"ﺒﺭﺍﺩ ‪ "Brad‬ﻤﻤﺜ ﹰ‬
‫ﺃﻭﻝﺌﻙ ﺍﻝﺭﺠﺎل ﺍﻝﺫﻱ ﻋﻤل ﻋﻨﺩﻫﻡ ) ﻭﺍﻝﺫﻴﻥ ﻏﺎﻝﺒ ﹰﺎ ﻤﺎ ﺘﻘﺎﺘل ﻤﻌﻬﻡ( ﻓﻲ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ‪ .‬ﺃﺘﺕ "ﻤﻴﻠﺩﺭﻴﺩ ﺩﺍﻨـﻭﻙ ‪Mildred‬‬
‫‪ "Dunnock‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻨﺠﻤﺔ ﻤﻊ "ﻜﻴﻨﻴﺩﻱ ‪ "Kennedy‬ﻓﻲ ﺒﺭﻭﺩﻭﺍﻱ ﻓﻲ " ﻭﻓﺎﺓ ﺍﻝﺒﺎﺌﻊ ‪ "Death of Salesman‬ﻗﺒل‬
‫ﺜﻼﺙ ﺴﻨﻭﺍﺕ ﻭﺍﻝﺘﻲ ﻓﻴﻤﺎ ﺒﻌﺩ ﺴﺘﻤﺜل ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻤﺴﺭﺤﻴﺔ ﺘﻠﻔﺯﻴﻭﻨﻴﺔ ﻓﻲ ﺍﻓﺘﺘﺎﺡ ﻓﻲ "ﻤﺴﺭﺡ ﻜﻭﺭﺕ‬
‫‪ "Theater Cort‬ﻓﻲ ‪ 3‬ﻜﺎﻨﻭﻥ ﺍﻷﻭل‪ /‬ﺩﻴﺴﻤﺒﺭ‪ .1952‬ﺘﻘﻭل‪ “ :‬ﻝﻥ ﺃﻨﺴﻰ ﺫﻝﻙ‪ .‬ﻜﺎﻥ ﻓﻲ ﻗﻔـﺹ‪ .‬ﻜﺎﻨـﺕ ﺒﻌـﺽ‬
‫ﺍﻷﺴﻁﺭ ﻻ ﺘﺼﺩﻕ ﻝﺩﺭﺠﺔ ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﻤﻀﺤﻜﺔ‪ .‬ﻭﺴﺎﻋﺩ ﻫﺫﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺘﺴﻠﻕ ﺍﻝﺤﺎﺌﻁ‪ .‬ﻜﺎﻥ ﻤﺘﺄﻝﻘﹰﺎ ﺠﺩﺍﹰ‪،‬‬
‫ﻤﻊ ﻤﻭﻫﺒﺔ ﻏﺭﻴﺯﻴﺔ ﻤﻁﻠﻘﺔ‪ .‬ﻜﺎﻥ ﻴﺴﺘﻁﻴﻊ ﺸﻡ ﺍﻝﺘﺯﻭﻴﺭ ﻭﺍﻝﺘﺼﻨﻊ‪ .‬ﻜﺎﻥ ﺃﺸﺒﻪ ﺒﺸﻌﺎﻉ ﻤﻥ ﻀﻭﺀ”‪.‬‬
‫“ ﻜﺎﻥ ﺒﺸﻜل ﺃﺴﺎﺴﻲ ﺸﺨﺼﹰﺎ ﻴﺤﺎﻭل ﺇﻴﺠﺎﺩ ﻨﻔﺴﻪ ﻭﺇﻴﺠﺎﺩ ﺍﻝﺤﻘﻴﻘﺔ ﻤﻥ ﺨﻼل ﻨﻔﺴﻪ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻥ ﺇﺤﺩﻯ ﻤﺸﻜﻼﺕ‬
‫"ﺍﻝﻁﺭﻴﻘﺔ" ﻫﻲ ﺃﻨﻙ ﻋﻨﺩﻤﺎ ﺘﺘﻁﺭﻕ ﻝﻬﺎ ﻭﺘﺩﻫﺸﻙ ﻜﻤﺎ ﺃﺩﻫﺸﺘﻪ ﻓﺈﻨﻙ ﺘﺼﺒﺢ ﻤﻬﻭﻭﺴﹰﺎ ﺒﺒﻌﺽ ﺍﻝﻤﻌﺘﻘـﺩﺍﺕ ﺍﻝﻤﻌﻴﻨـﺔ‬
‫ﻭﺍﻝﺘﻲ ﻫﻲ ﻋﺒﺎﺭﺓ ﻋﻥ ﺍﻝﺤﻘﻴﻘﺔ ﺍﻝﻤﺒﺴﻁﺔ – ﻤﻥ ﺍﻷﻓﻀل ﺃﻥ ﻻ ﺘﻜﻭﻥ ﺃﺤﺩﹰﺍ ﻤﺎ ﻭﻝﻜﻥ ﺃﻥ ﺘﻜﻭﻥ ﺼﺎﺩﻗﹰﺎ‪ .‬ﻭﻫﺫﺍ ﻴﻘـﻭﺩ‬
‫ﺇﻝﻰ ﻨﻭﻉ ﻤﻥ ﺍﻝﺼﻔﺎﺀ ﻭﺍﻝﺒﺴﺎﻁﺔ ﺒﺄﻥ ﺸﺨﺼﹰﺎ ﻤﺴﺭﺤﻴﹰﺎ ﻤﺜل "ﺠﻴﻤﻲ ‪ – "Jimmy‬ﻭﻷﻨﻪ ﻜﺎﻥ ﻤﺴﺭﺤﻴﹰﺎ ﻜﺎﻨـﺕ ﻝﺩﻴـﻪ‬
‫ﺤﺴﺎﺴﻴﺔ ﺒﺎﻝﻐﺔ – ﻻ ﻴﺴﺘﻁﻴﻊ ﺫﻝﻙ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻝﻘﺩ ﺴﺒﺒﺕ ﺸﻌﻭﺭﹰﺍ ﻤﺯﺩﻭﺠﹰﺎ ﻤﺘﻨﺎﻗﻀﹰﺎ ﻓﻲ ﻁﺒﻴﻌﺘﻪ‪ .‬ﻜﺎﻥ ﻓـﻲ ﺤـﺭﺏ‬
‫ﻤﺴﺘﻤﺭﺓ ﻤﻊ ﺫﻝﻙ ﺍﻝﺘﻨﺎﻗﺽ‪ ،‬ﻓﻲ ﺤﺭﺏ ﻤﻊ ﺍﻝﺭﻏﺒﺔ ﺒﺄﻥ ﻴﻜﻭﻥ ﻤﺴﺭﺤﻴﹰﺎ ﻭﺍﻝﺭﻏﺒﺔ ﺒﺄﻥ ﻴﻜﻭﻥ ﺼﺎﺩﻗﹰﺎ‪ .‬ﻭﺒﻤـﺎ ﺃﻨﻬـﺎ‬
‫ﻜﺎﻨﺕ ﻓﺘﺭﺓ ﺃﺨﻤﺩ ﺨﻼﻝﻬﺎ ﺃﻱ ﺸﻲﺀ ﻓﻴﻪ ﻨﻜﻬﺔ ﺍﻝﻤﺴﺭﺡ ‪ ،‬ﺇﻻ ﺇﺫﺍ ﻜﺎﻨﺕ ﻤﺴﺭﺤﻴﺔ ﻤﻥ ﻻ ﺸﻲﺀ‪ ،‬ﻓﺈﻥ ﺫﻝﻙ ﺘﻁﻠﺏ ﺠﻬﺩًﹰﺍ‬
‫ﻜﺒﻴﺭﹰﺍ”‪.‬‬
‫ﺤﻅﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺤﻔﻠﺔ ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﻓﻲ ﻤﺴﺭﺡ "ﺴﺎﺭﺩﻱ ‪ "Sardi‬ﺒﺈﺤﺴﺎﺴﻪ ﺍﻷﻭل ﺒﻤﻌﺎﻤﻠﺔ ﻨﺠﻭﻡ‬
‫ﺒــــﺭﻭﺩﻭﺍﻱ‪ .‬ﻓﺠــــﺄﺓ ﺃﺼــــﺒﺢ ﺃﺤــــﺩﹰﺍ ﻤــــﺎ‪ .‬ﺃﺘــــﻰ ﺇﻝﻴــــﻪ ﺃﻨــــﺎﺱ‬
‫ﻻ ﻴﻌﺭﻓﻬﻡ ﻭﺸﺩﻭﺍ ﻋﻠﻰ ﻴﺩﻩ ﻭﻫﻤﺴﻭﺍ ﻝﻪ ﺒﻌﺒﺎﺭﺍﺕ ﺍﻝﻤﺒﺎﺭﻜﺔ‪ .‬ﻜﺫﻝﻙ ﻫﻨﺄﺕ ﺠﺭﺍﺌﺩ ﺍﻝﺼﺒﺎﺡ ﺍﻝﻤﻤﺜﻠﻴﻥ‪ ،‬ﻝﻜﻨﻬﺎ ﺃﺩﺍﻨـﺕ‬
‫ﺍﻝﻤﺴﺭﺤﻴﺔ‪ .‬ﻜﺘﺏ "ﻭﺍﻝﺘﺭ ﻜﻴﺭ ‪ "Walter Kerr‬ﻓﻲ "ﺍﻝﻬﻴﺭﺍﻝﺩﺘﺭﻴﺒﻴﻭﻥ ‪ “ :"Herald Tribune‬ﺇﻥ ﻤﺎ ﻗﺩ ﺒـﺩﺃ ﻜﻤﺴـﺎﺀ‬
‫ﻤﻔﺎﺠﺊ ﻤﻘﻨﻊ ﺍﻨﺘﻬﻰ ﻤﺨﻴﺒﹰﺎ ﻝﻶﻤﺎل”‪ .‬ﻗﺎل "ﻜﻴﺭ ‪ "Kerr‬ﺒﻌﺩ ﻫﺫﺍ ﻓﻲ ﻨﻘﺩﻩ‪ “ :‬ﻴﻀﻴﻑ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺃﺩﺍ ‪‬ﺀ‬
‫ﻤﻤﻴﺯﹰﺍ ﺇﻝﻰ ﺩﻭﺭ ﻤﺴﺘﺤﻴل ﺘﻘﺭﻴﺒﹰﺎ”‪ .‬ﻭﻏﻨﻰ ﺒﻘﻴﺔ ﺍﻝﻨﻘﺎﺩ ﺍﻷﻏﻨﻴﺔ ﻨﻔﺴﻬﺎ ﺘﻘﺭﻴﺒﹰﺎ ﻭﺘﻭﻗﻑ ﺍﻝﻌﺭﺽ ﺒﻌﺩ ﺴﺘﺔ ﺃﻴﺎﻡ‪.‬‬
‫ﺒﺩﺃ ﺍﻝﻤﺴﺘﻘﺒل ﺍﻝﻤﻬﻨﻲ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﻨﻬﻭﺽ ﻤﻥ ﺍﻝﺭﻤﺎﺩ ﺍﻝﺩﺍﻓﺊ ﻝـ "ﺠﺎﻏﻭﺍﺭ ‪ ."Jaguar‬ﺒﺩﺃ ﺍﻝﻨـﺎﺱ‬
‫)ﺒﻤﻥ ﻓﻴﻬﻡ ﺍﻝﻤﻨﺘﺠﻭﻥ‪ ،‬ﻭﺍﻝﻤﺨﺭﺠﻭﻥ ﻭﺍﻝﻭﻜﻼﺀ ﻭﺍﻝﻤﻤﺜﻠﻭﻥ ﻭﺍﻝﻤﻤﻭﻝﻭﻥ ﻭﺍﻝﺭﻋﺎﺓ( ﺒﺎﻝﺘﺤﺩﺙ ﻋﻨﻪ‪ .‬ﺍﺘﺼل ﺒـ "ﺠـﻴﻥ‬
‫ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺼﺤﻔﻴﻴﻥ ﻝﻴﺭﻭﺍ ﺇﻤﻜﺎﻨﻴﺔ ﺇﺠﺭﺍﺀ ﻤﻘﺎﺒﻠﺔ ﻤﻊ ﺯﺒﻭﻨﻬﺎ ﺍﻝﺸﺎﺏ‪ .‬ﻜﺫﻝﻙ ﺍﺘﺼﻠﺕ "ﺇﻡ ﺠﻲ‬
‫ﺇﻡ ‪ "MGM‬ﻤﻊ ﻋﺭﺽ ﻹﺭﺴﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﺸﺎﻁﺊ ﻤﻥ ﺃﺠل ﺇﺠﺭﺍﺀ ﻓﺤﺹ ﺍﺨﺘﺒﺎﺭ ﻝﻠﺸﺎﺸﺔ‪ .‬ﻗﺭﺭ "ﺠﻴﻥ‬
‫‪ "Jane‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻨﻬﺎ ﻝﻡ ﺘﻜﻥ ﺍﻝﻠﺤﻅﺔ ﺍﻝﻤﻨﺎﺴﺒﺔ ﻝﻪ ﻝﻠﺫﻫﺎﺏ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﻨﺘﻅـﺭ ﺤﺘـﻰ‬
‫ﻴﺄﺨﺫ ﺩﻭﺭﹰﺍ ﻜﺒﻴﺭﹰﺍ ﺒﺎﻝﺤﻘﻴﻘﺔ ﻗﺒل ﺃﻥ ﻴﻀﻊ ﻨﻔﺴﻪ ﻀﻤﻥ ﻗﻭﺓ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻭﺯﺨﻤﻪ‪.‬‬
‫ﺘﺴﻠﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﺤﻭ "ﺒﻼﺘﻭ" ﺠﺩﻴﺩ‪ .‬ﺃﺨﺫ ﻴﺒﺩﺃ ﺒﻜﺴﺏ ﻤﺎل ﺤﻘﻴﻘﻲ‪ .‬ﺍﺴﺘﻁﺎﻉ ﺍﻵﻥ ﺃﻥ ﻴﻤﺘﻠـﻙ ﺍﻝﻤـﺎل‬
‫ﺍﻝﻜﺎﻓﻲ ﻝﻜﻲ ﻴﻌﻴﺵ ﻭﺤﺩﻩ ﻭﻗﺭﺭ ﺘﺠﺭﺒﺔ ﺫﻝﻙ‪ .‬ﺍﻨﺘﻘل ﻤﻥ ﺍﻝﺸﻘﺔ ﺍﻝﺘﻲ ﻜﺎﻥ ﻴﺸﺎﺭﻙ ﻓﻴﻬﺎ "ﺩﻴﺯﻱ ‪ "Dizzy‬ﻭ"ﺒﻴل ‪" Bill‬‬
‫ﺇﻝﻰ ﻓﻨﺩﻕ "ﺁﺭﻭﻜﻭﻴﺱ ‪ "Iroquois‬ﻭﻝﻜﻥ ﻝﻐﺭﻓﺔ ﻤﻔﺭﺩﺓ ﻫﺫﻩ ﺍﻝﻤﺭﺓ‪ .‬ﻭﻤﻨﺫ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻭﺒﺩﻭﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻝـﻡ‬
‫ﻴﺴﺘﻁﻊ "ﺩﻴﺯﻱ ‪ "Dizzy‬ﻭ"ﺒﻴل ‪ "Bill‬ﺍﻝﻤﻀﻲ ﻓﻲ ﺍﻹﻴﺠﺎﺭ ﻭﻜﺎﻨﺎ ﻤﺠﺒﺭﻴﻥ ﻝﻼﻨﺘﻘﺎل ﺃﻴﻀﹰﺎ‪ .‬ﻭﺠﺩ "ﺒﻴل" ﻤﻜﺎﻨﹰﺎ ﻝﻪ ﻝﻠﺒﻘﺎﺀ‬
‫ﻓﻲ ﺸﻘﺔ ﺃﺤﺩ ﺍﻷﺼﺩﻗﺎﺀ‪ ،‬ﺒﻴﻨﻤﺎ ﺍﺴﺘﺄﺠﺭﺕ "ﺩﻴﺯﻱ" ﻏﺭﻓﺔ ﺼﻐﻴﺭﺓ ﻓﻲ ﻭﺴﻁ ﺍﻝﺒﻠﺩﺓ‪.‬‬
‫ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﺍﻻﻨﺘﻘﺎل‪ ،‬ﻏﺎﺩﺭﺕ "ﺩﻴﺯﻱ ‪ "Dizzy‬ﻨﻴﻭﻴﻭﺭﻙ ﻝﻠﻌﻤل ﺭﺍﻗﺼـﺔ ﻓـﻲ "ﺍﻝﻜـﺎﺭﻴﺒﻲ ‪The‬‬
‫‪ "Caribbean‬ﻭﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺸﺎﻫﺩﺓ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻔﺘﻴﺎﺕ ﺍﻝﺠﺩﺩ‪ .‬ﺍﻋﺘﺎﺩ ﻋﻠﻰ ﻤﻘﺎﺒﻠﺘﻬﻥ ﻓـﻲ ﻤﻜﺘـﺏ "ﺠـﻴﻥ‬
‫ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻭﻓﻲ ﺇﺤﺩﻯ ﺍﻝﺼﻴﺩﻝﻴﺎﺕ ﺍﻝﺨﺎﺼﺔ ﺒﺎﻝﻌﻤل ﺍﻻﺴﺘﻌﺭﺍﻀـﻲ ﻭﻋﻨـﺩ "ﻭﺍﻝﻐـﺭﻴﻥ ‪ "Walgreen‬ﺃﻭ‬
‫"ﻜﺭﻭﻤﻭﻴل ‪ ،"Cromwell‬ﻓﻲ ﺇﺤﺩﻯ ﺤﺎﻨﺎﺕ ﺍﻝﻤﺴﺎﺭﺡ ﻤﺜل ﺤﺎﻨﺔ "ﺠﻴﺭﻱ ‪ "Jerry‬ﻋﻨﺩ ﺍﻝﺤﺎﺭﺓ ﺍﻝﺴﺎﺩﺴﺔ ﻭﻓﻲ ﺍﻝﺸﺎﺭﻉ‬
‫ﺍﻝﺭﺍﺒﻊ ﻭﺍﻝﺨﻤﺴﻴﻥ‪ ،‬ﺃﻭ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﺨﺎﺭﺠﹰﺎ‪ .‬ﻜﺎﻨﺕ ﺍﻝﻌﻼﻗﺔ ﺘﺩﻭﻡ ﻝﻌﺩﺓ ﺴﺎﻋﺎﺕ ﺃﻭ ﻝﻌﺩﺓ ﺃﻴـﺎﻡ‪ .‬ﻜـﺎﻥ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻴﺼﻁﺤﺏ ﺍﻝﻔﺘﺎﺓ ﺇﻝﻰ ﺍﻝﻌﺸﺎﺀ ﻭﺇﻝﻰ ﻨﺯﻫﺔ ﻋﻠﻰ ﺍﻷﻗﺩﺍﻡ ﻭ ﻝﻤﻘﺎﺒﻠﺔ ﻭﻝﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ ﻭﻝﺠﻭﻝﺔ ﻤﺘﻭﺤﺸـﺔ ﻓـﻲ‬
‫ﻙ ﻻﺤﻘﹰﺎ ﻭﻫﺫﺍ ﻤﺎ ﻻ ﻴﺤﺩﺙ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﺜﻡ ﺇﻝﻰ ﺤﺩﻴﻘﺔ ﺍﻝﺤﻴﻭﺍﻨﺎﺕ ﺜﻡ ﺇﻝﻰ ﺍﻝﻔﺭﺍﺵ ﻭﺒﻌﺩﻩ ﺍﻝﻔﻁﻭﺭ ﻭﻤﻥ ﺜﻡ ﺇﻝﻰ ﺍﻝﻠﻘﺎﺀ ﺃﺭﺍ ‪‬‬
‫ﺃﺒﺩﹰﺍ‪.‬‬
‫ﻭﻓﻲ ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ ﺍﻝﻭﻗﺕ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻠﺘﻘﻲ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻤﻤﺜﻠﻴﻥ ﻤﺜل "ﻓﺭﺍﻨﻙ ﻜﻭﺭﺴـﺎﺭﻭ ‪Frank‬‬
‫ﻼ‬
‫‪ "Corsaro‬ﺍﻝﺫﻱ ﻤﺜل ﻓﻲ "ﺍﻝﺴﻴﺩﺓ ﻤﺎﻙ ﺜﻴﻨﻎ ‪ "Mrs. Mc Thing‬ﻤﻊ "ﻫﻴﻠﻴﻥ ﻫﻴﺯ‪ "Helen Hayes‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﺭﺠـ ﹰ‬
‫ﻤﻬﺫﺒﹰﺎ ﻋﻠﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻜﺜﻴﺭ ﻋﻥ ﺍﻝﻔﻥ ﻭﻋﻥ ﺍﻷﺩﺏ ﻭﻋﻥ ﺍﻝﻤﻭﺴﻴﻘﺎ ﻭﻋﻥ ﺍﻝﺤﻴﺎﺓ‪.‬‬
‫ﺃﺼﺒﺢ ﻫﺫﺍ ﺍﻝﻨﻤﻭﺫﺝ ﺃﺴﺎﺴﻴﹰﺎ ﻝـ"ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺤﺎﻭل ﺇﺒﻘﺎﺀ ﺍﻝﻨﺎﺱ ﻋﻠﻰ ﺼﻠﺔ ﻝﺼﻴﻘﺔ ﺒﻪ‪ .‬ﻝﻡ ﻴﻜﻥ ﻝﺒﻌﺽ‬
‫ﺍﻝﻨﺎﺱ ﻓﻲ ﺤﻴﺎﺘﻪ ﺃﻴﺔ ﻓﻜﺭﺓ ﺃﻥ ﺍﻵﺨﺭﻴﻥ ﺍﻝﺫﻴﻥ ﻜﺎﻥ ﺤﻤﻴﻤ ﹰﺎ ﻤﻌﻬﻡ ﺒﺸﻜل ﻤﻤﺎﺜل ﻜﺎﻨﻭﺍ ﻴﺒﺎﺩﻝﻭﻨﻪ ﺃﺩﻨﻰ ﺩﺭﺠﺎﺕ ﺫﻝـﻙ‬
‫ﺍﻝﺸﻌﻭﺭ‪ .‬ﻭﻜﺎﻥ ﻜﺫﻝﻙ ﻤﻐﻠﻘﹰﺎ ﻝﻔﻤﻪ ﺩﺍﺌﻤﹰﺎ ﺒﻤﺎ ﻴﺨﺹ ﻤﺴﺘﻘﺒﻠﻪ ﺍﻝﻤﻬﻨﻲ‪ .‬ﻨﻤﺎ ﻫﺫﺍ ﺍﻝﺘﻌﻘل ﻭﺍﻻﺘﺠﺎﻩ ﺍﻝﺩﻓﺎﻋﻲ ﻜﺜﻴﺭﹰﺍ ﻝﻠﺤﻔﺎﻅ‬
‫ﻋﻠﻴﻬﻤﺎ ﻤﻊ ﺘﻘﺭﻴﺏ ﺘﻤﺜﻴﻠﻪ ﺇﻝﻰ ﺃﻋﻴﻥ ﺍﻝﻌﺎﻤﺔ‪.‬‬
‫ﻓﻲ ﻜﺎﻨﻭﻥ ﺍﻝﺜﺎﻨﻲ ‪ /‬ﻴﻨﺎﻴﺭ ‪ ،‬ﺤﺼل ﻋﻠﻰ ﺩﻭﺭ ﺠﻴﺩ ﻓﻲ "ﻤﺄﺨﻭﺫ ﻤﻥ ﻜﻼﺏ ﺍﻝﺠﻨﺔ ‪Taken from the Hound‬‬
‫‪ "of‬ﻭﺍﻝﺘـــــــﻲ ﻜﺎﻨـــــــﺕ ﻤﻘﺩﻤـــــــﺔ ﺩﺭﺍﻤﺎﺘﻴﻜﻴـــــــﺔ‬ ‫‪Heaven‬‬
‫ﻝـــ "ﻜﻴــﺕ ﺴــﻤﻴﺙ ‪ ."Kate Smith‬ﻭﻓــﻲ ﺍﻷﺸــﻬﺭ ﺍﻝﺘــﻲ ﺘﻠــﺕ ﺤﺼــل ﻋﻠــﻰ ﺃﺩﻭﺍﺭ ﻤﺴــﺎﻨﺩﺓ‬
‫ﻓﻲ "ﺭﺠﺎل ﻭﺯﺍﺭﺓ ﺍﻝﻤﺎﻝﻴﺔ ﻓﻲ ﺍﻝﻌﻤل ‪ "Treasury Men in Action‬ﻭﻓﻲ "ﺍﻝﻘﺼﺔ ﺍﻝﻜﺒﻴـﺭﺓ ‪ "The Big Story‬ﻭﺍﻝﺘـﻲ‬
‫ﻜﺎﻨﺕ ﻤﺴﻠﺴﻼﺕ ﻤﻥ ﺇﻨﺘﺎﺝ "ﺇﻥ ﺒﻲ ﺴﻲ‪ "NBC‬ﺘﺩﻭﺭ ﺃﺤﺩﺍﺜﻬﺎ ﻋﻥ ﺭﺠﺎل ﺍﻝﺼﺤﺎﻓﺔ‪ .‬ﻭﻤﻊ ﺘﻘﺩﻡ ﺍﻝﻌﺎﻡ ‪ 1953‬ﺤﺼل‬
‫ﻋﻠﻰ ﺃﺩﻭﺍﺭ ﻓﻲ "ﻤﺴﺭﺡ ﺃﺭﻤﺴﺘﺭﻭﻨﻴﻎ ﺍﻝﺩﺍﺌﺭﻱ ‪") "Armstrong Circle Theatre‬ﺃﺠﺭﺍﺱ ﻜـﻭﻜﻴﻥ ‪The Bells of‬‬
‫‪ ("Cockaigne‬ﻭ"ﻤﺴﺭﺡ ﺍﻝﻤﻬﻥ ‪") "Kraft Theatre‬ﺃﺒﻕ ﺸـﺭﻓﻨﺎ ﻤﺸـﺭﻗﹰﺎ‪ ("Keep Our Honor Bright‬ﻭ"ﻤﺴـﺭﺡ‬
‫ﺼﻭﺘﻴﺎﺕ ﻜﺎﻤﺒﻴل ‪") "Campbell Sound Stage‬ﺍﻝﺤﻜﻡ ﻤﺩﻯ ﺍﻝﺤﻴﺎﺓ ‪ .("Life Sentence‬ﻭﻓﻲ ﻨﻬﺎﻴﺔ ﻅﻬﻭﺭﻩ ﻋﻠـﻰ‬
‫"ﻤﺴﺭﺡ ﻝﻭﻜﺱ ﻓﻴﺩﻴﻭ ‪ "Lux Video Theatre‬ﺘﻡ ﺘﺸﺭﻴﻔﻪ ﺒﻤﻘﺎﺒﻠﺔ‪ .‬ﺒﻌﺩ ﺫﻝﻙ ﻓﻲ ﺘﺸﺭﻴﻥ ﺍﻝﺜﺎﻨﻲ‪ /‬ﻨﻭﻓﻤﺒﺭ ﺤﺼل ﻋﻠﻰ‬
‫ﺩﻭﺭﻩ ﺍﻷﻭل ﻜﻨﺠﻡ ﻓﻲ ﺩﻭﺭ ﺭﺌﻴﺴﻲ ﺃﻤﺎﻡ "ﻨﺎﻭﻤﻲ ﺭﻴﺭﺩﻭﻥ ‪ "Naomi Reardon‬ﻓﻲ ﻤﺴﺭﺤﻴﺔ ﻋﻠﻰ "ﻤﺴﺭﺡ ﺍﻝﻤﻬـﻥ‬
‫‪ " Kraft Theatre‬ﻤﻥ ﺘﺄﻝﻴﻑ "ﺭﻭﺩ ﺴﻴﺭﻝﻴﻨﻎ ‪ "Rod Serling‬ﻭﺘﺤﻤل ﻋﻨﻭﺍﻥ "ﻭﻗﺕ ﻁﻭﻴل ﺤﺘـﻰ ﺍﻝﻔﺠـﺭ ‪A Long‬‬
‫‪."Time Until Dawn‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺘﺤﺫﻴﺭ "ﻤﺎﺭﻴﻭﻥ ﺩﻭﻓﻴﺭﺘﻲ ‪ "Marion Dougherty‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﺸﺎﺭﻙ ﻓﻲ ﺍﺨﺘﻴﺎﺭ ﺍﻝﻤﻤﺜﻠـﻴﻥ‬
‫ﻝﺩﻯ "ﻜﺭﺍﻓﺕ ‪ "Kraft‬ﻝـ "ﺩﻴﻙ ﺩﺍﻨﻼﺏ ‪ "Dick Dunlap‬ﻤﺨﺭﺝ ﺍﻻﺴﺘﻌﺭﺍﺽ ﻤﻥ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻤﻜـﻥ ﺃﻥ‬
‫ﻴﻜﻭﻥ‪ ،‬ﻜﻤﺎ ﻴﺼﻔﻪ "ﺩﺍﻨﻼﺏ ‪“ "Dunlp‬ﻨﻤﻭﺫﺝ ﺍﺴﺘﻭﺩﻴﻭ ﻋﻤﻴﻘﹰﺎ ﺠﺩﺍﹰ‪ ،‬ﻏﻴﺭ ﻤﻨﻀﺒﻁ”‪ .‬ﺼﻌﻕ ﻋﻨﺩﻤﺎ ﻅﻬـﺭ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻤﺘﺄﺨﺭﹰﺍ ﻭﻫﻭ ﺃﺸﻌﺙ ﺍﻝﺸﻌﺭ ﻭﻤﺘﺴﺦ‪.‬‬
‫ﻭﻓﻭﺭ ﺍﺴﺘﻁﺎﻋﺔ "ﺩﺍﻨﻼﺏ ‪ "Dunlap‬ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻫﺎﺘﻑ ﺍﺘﺼل ﺒـ "ﺩﻭﻓﻴﺭﺘﻲ ‪ " Dougherty‬ﻭﻗﺎل‪“ :‬ﻝﻘـﺩ‬
‫ﻼ ﺠﺎﻫﺯﹰﺍ ﻓﻭﺭﹰﺍ ﻭﻁﻠﺒﺕ‬
‫ﺘﺄﺨﺭ‪ ،‬ﻭﺇﻥ ﺘﺄﺨﺭ ﺜﺎﻨﻴﺔ ﻓﺎﻨﺴﻲ ﺍﻷﻤﺭ ﻭﺃﺤﻀﺭﻱ ﺸﺨﺼﹰﺎ ﺁﺨﺭ”‪ .‬ﻗﺎﻝﺕ ﺇﻨﻬﺎ ﺴﻭﻑ ﺘﺠﺩ ﺒﺩﻴ ﹰ‬
‫ﻤﻥ "ﺩﺍﻨﻼﺏ ‪ "Dunlap‬ﺃﻥ ﻴﺭﺴل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﻤﻜﺘﺒﻬﺎ ﺒﻌﺩ ﺍﻝﺘﺩﺭﻴﺏ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻭﺼل "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﺃﺠﻠﺴﺘﻪ ﻭﺃﺨﺒﺭﺘﻪ ﺒﺘﻬﺫﻴﺏ ﻝﻜﻥ ﺒﺤﺯﻡ ‪ :‬ﺃﻝﻡ ﻴﻜﻥ ﻴﺩﺭﻙ ﺒﺄﻥ ﻫﺫﺍ ﺍﻝﺩﻭﺭ ﺴﻭﻑ‬
‫ﻴﻜﻭﻥ ﺨﻁﻭﺓ ﻤﻬﻤﺔ ﺒﺎﻝﻔﻌل ﻓﻲ ﻤﺴﺘﻘﺒﻠﻪ ﺍﻝﻤﻬﻨﻲ؟ ﻜﺎﻥ ﺴﻴﺠﻥ ﺇﻥ ﻝﻡ ﻴﻔﻌل ﻫﺫﺍ! ﻝﻜﻥ ﻭﻤﻬﻤﺎ ﻜﺎﻥ ﻤﺎﻓﻬﻤـﻪ ﺃﻭ ﻝـﻡ‬
‫ﻴﻔﻬﻤﻪ‪ ،‬ﻓﺈﻨﻪ ﻜﺎﻥ ﺴﻭﻑ “ﻴﺘﻁﻭﺭ ﺃﻭ ﻴﻁﺭﺩ”‪.‬‬
‫ﻓﻲ ﻫﺫﻩ ﺍﻝﻨﻘﻁﺔ ﻨﻅﺭﺕ ﻋﺒﺭ ﻤﻜﺘﺒﻬﺎ ﻭﺸﺎﻫﺩﺕ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﻨﺎﻡ‪ .‬ﻭﻝﻡ ﺘﺴﺘﻁﻊ ﺘﺼﺩﻴﻕ ﻤـﺎ ﺘـﺭﺍﻩ‬
‫ﻋﻴﻨﺎﻫﺎ‪ .‬ﻝﻡ ﻴﻘﻡ ﺃﺤﺩ ﺒﺄﺩﺍﺀ ﻤﺜل ﻫﺫﺍ ﺃﻤﺎﻤﻬﺎ‪ .‬ﺒﺩﺃﺕ ﺒﺎﻝﻀﺤﻙ‪ .‬ﺍﺴﺘﻴﻘﻅ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺘﻭﻗﻔـﺕ ﻋـﻥ ﺍﻝﻀـﺤﻙ‬
‫ﻭﺃﻋﻁﺘﻪ ﺍﻹﻨﺫﺍﺭ ﺍﻷﺨﻴﺭ ﻭﺼﺭﻓﺘﻪ‪.‬‬
‫ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻅﻬﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻗﺎﻋﺔ ﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﻤﺤﺩﺩ‪ .‬ﻭﻜﺎﻥ ﻨﻅﻴﻔـﹰﺎ‪ .‬ﺤـﺩﻕ‬
‫ﺒﺒﺩﻴﻠﻪ ﺍﻝﺫﻱ ﺤﻀﺭ ﺒﺎﻜﺭﹰﺍ ﺒﻨﻅﺭﺓ ﻤﻥ ﺍﻻﺸﻤﺌﺯﺍﺯ ﻭﺍﻝﺨﻭﻑ ﻭﺫﻫﺏ ﻝﻠﻌﻤل‪ .‬ﻭﻋﻤل ﺒﺘﺭﻜﻴﺯ‪ .‬ﺤﺘﻰ ﺇﻨﻪ ﺒﺩﺃ ﺒﺎﻝﺘﺤﻤﻴﺔ ﻤﻊ‬
‫ﻤﺴﺎﻋﺩ "ﺩﺍﻨﻼﺏ ‪ ،"Dunlap‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻘﻭﺩ ﺩﺭﺍﺠﺔ ﻨﺎﺭﻴﺔ‪ ،‬ﻝﻜﻥ "ﺩﺍﻨﻼﺏ‪ " Dunlap‬ﻨﻔﺴﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﻭﺼﻭل ﺇﻝﻴﻪ‪.‬‬
‫ﻝﻡ ﺘﻨﻜﺴﺭ ﺍﻝﺤﻭﺍﺠﺯ ﺤﺘﻰ ﺍﻝﻴﻭﻡ ﺍﻝﺫﻱ ﺴﺒﻕ ﺘﻭﻗﻴﺕ ﺍﻻﺴﺘﻌﺭﺍﺽ ﻝﻼﻨﺘﻘﺎل ﺇﻝﻰ "ﺇﻥ ﺒـﻲ ﺴـﻲ‪ ."NBC‬ﺩﻋـﺎ‬
‫"ﺩﺍﻨﻼﺏ ‪ "Dunlap‬ﻭﺍﻝﺩﻩ ﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻓﻲ ﺯﻴﺎﺭﺓ ﻤﻥ "ﺁﻴﻭﺍ" ﺇﻝﻰ ﺍﻝﻐﺩﺍﺀ ﻓﻲ "ﺁل ﻫﺎﻭﺱ ‪ "Ale House‬ﻓﻲ‬
‫"ﻤﺎﻙ ﺴﻭﺭﻝﻲ ‪ "McSorley‬ﻋﻠﻰ ﺒﻌﺩ ﻋﺩﺓ ﺨﻁﻭﺍﺕ ﻤﻥ ﻗﺎﻋﺔ ﺍﻝﺘﺩﺭﻴﺏ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺨﺭﺠﺎ ﻤﻥ ﺍﻝﺼﺎﻝﻭﻥ ﺍﻝﻘﺩﻴﻡ‪ ،‬ﻝﻤـﺢ‬
‫"ﺩﺍﻨﻼﺏ ‪" "Dunlap‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﻭﻫﻭ ﻴﺸﻴﺭ ﺇﻝﻰ ﺴﻴﺎﺭﺓ ﺘﻜﺴﻲ ﻭﺴﺄﻝﻪ ﺇﻥ ﻜﺎﻥ ﻻ ﻴﻤﺎﻨﻊ ﺒﻤﺸـﺎﺭﻜﺘﻪ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﻝﻠﺫﻫﺎﺏ ﻷﺤﺩ ﺃﺤﻴﺎﺀ ﺍﻝﺒﻠﺩﺓ‪.‬ﺃﺠﺎﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩﻡ ﺍﻝﻤﻤﺎﻨﻌﺔ‪ .‬ﺍﻜﺘﺸﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﻼل ﺍﻝﺭﺤﻠﺔ‬
‫ﺃﻥ ﻭﺍﻝﺩ "ﺩﺍﻨﻼﺏ ‪ "Dunlap‬ﻜﺎﻥ "ﻤﺯﺍﺭﻋﹰﺎ ﻗﺩﻴﻤﹰﺎ ﻓﻲ ﺃﻴﻭﺍ" ﻭﺩﺨل ﺍﻻﺜﻨﺎﻥ ﻓﻲ ﻨﻘﺎﺵ ﻤﻔﻌﻡ ﺒﺎﻝﺤﻴﻭﻴﺔ ﻋﻥ ﺍﻝﺨﻨـﺎﺯﻴﺭ‪:‬‬
‫ﺴﻼﻻﺕ ﺒﻭﻝﻨﺩﺍ ‪ ،‬ﻭ"ﺘﺎﻤﻭﺭﺙ" ﻭ"ﻫﺎﻤﺒﺸﺎﻴﺭ"‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺴﺭﻭﺭﹰﺍ ﺤﻴﻥ ﺍﻜﺘﺸﻑ ﺃﻥ "ﺩﺍﻨـﻼﺏ‪"Dunlap‬‬
‫ﻜﺎﻥ ﻓﺘﻰ ﻤﺯﺭﻋﺔ ﻤﺜﻠﻪ‪ .‬ﺃﻅﻬﺭ ﺍﻝﻤﺨﺭﺝ ﻓﻲ ﺘﺠﺎﺭﺏ ﺍﻝﺘﻤﺜﻴل ﺍﻝﻤﺘﺒﻘﻴﺔ ﻜل ﺘﻌﺎﻭﻨﻪ‪.‬‬
‫ﻻﺤﻘﹰﺎ ﻭﻓﻲ ﺍﻝﺸﻬﺭ ﻨﻔﺴﻪ‪ ،‬ﺤﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠـﻰ ﺩﻭﺭ ﻤﻬـﻡ ﺁﺨـﺭ ﺒﻅﻬـﻭﺭﻩ ﻤـﻊ "ﺩﻭﺭﻭﺜـﻲ‬
‫ﻏﻴﺵ ‪ "Dorothy Gish‬ﻭ"ﻓﻭﺠﻥ ﺘﺎﻴﻠﺭ ‪ "Vaughn Taylor‬ﻭ"ﺇﻴﺩ ﺒﻴﻐﻠﻲ ‪ "Ed Begley‬ﻓﻲ ﺩﺭﺍﻤﺎ "ﺍﻝﺤﺼـﺎﺩ ‪"Harvest‬‬
‫ﻝـ "ﺭﻭﺒﺭﺕ ﻤﻭﻨﺘﻐﻤﺭﻱ ‪ ."Robert Montgomery‬ﻭﺸﺎﺭﻙ ﺍﻝﺒﻁﻭﻝﺔ ﻤﻊ "ﻤﻴﻠﺩﺭﻴﺩ ﺩﻭﻨﻭﻙ ‪ "Mildred Dunnock‬ﻓﻲ‬
‫"ﺍﻷﻗﻔﺎل ‪ "Padlocks‬ﻝـ "ﺴﻲ ﺒﻲ ﺇﺱ ‪ ."CBS‬ﻓﻲ ﻤﺴﻠﺴﻠﻬﺎ "ﺨﻁﺭ ‪ ."Danger‬ﺘﺘﺫﻜﺭ ﻓﻲ ﺘﺠـﺎﺭﺏ ﺍﻷﺩﺍﺀ “ ﻜـﺎﻥ‬
‫ﻴﺘﺄﺨﺭ ﻝﺩﻗﻴﻘﺘﻴﻥ ﻝﻴﺱ ﺃﻜﺜﺭ ﻝﻴﺩﺨل ﻭﻜﺄﻨﻪ ﻗﺫﻴﻔﺔ ﻤﺩﻓﻊ ﻝﻴﺘﺴﻠﻕ ﻓﻌﻠﻴﹰﺎ ﺍﻝﺤﻴﻁﺎﻥ‪ .‬ﻤﺎ ﺃﻋﻨﻴﻪ ﻫﻭ ﺃﻨﻙ ﺘﻌﻠﻡ ﻜﻴﻑ ﻴﻤﻜﻨﻙ ﺃﻥ‬
‫ﺘﺘﺴﻠﻕ ﺍﻝﺤﻴﻁﺎﻥ‪ :‬ﻝﺩﻴﻙ ﺍﻝﺯﺨﻡ ﺍﻝﻜﺎﻓﻲ‪ -‬ﻴﻤﻜﻨﻙ ﺘﺴﻠﻕ ﺍﻝﺤﺎﺌﻁ‪ .‬ﻭﻜﺎﻥ ﺍﻝﻨﺎﺱ ﺨﺎﺌﻔﻴﻥ ﻤﻨﻪ‪ .‬ﻤﺎ ﺃﻋﻨﻴﻪ‪ ،‬ﻝﻴﺴﻭﺍ ﺨـﺎﺌﻔﻴﻥ‬
‫ﻤﻨﻪ‪ ،‬ﻝﻜﻨﻬﻡ ﺤﺫﺭﻭﻥ ﻤﻨﻪ‪ ،‬ﻷﻨﻪ ﻜﺎﻥ ﻴﻌﺒﺭ ﻋﻥ ﻨﻔﺴﻪ ﺠﺴﺩﻴﹰﺎ ﻜﺜﻴﺭﹰﺍ‪ .‬ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻤﻌﻲ ﻤﻬﺫﺒﹰﺎ ﺠﺩﹰﺍ”‬
‫“ ﺃﻨﺕ ﻻ ﺘﻘﺎﺒل ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺍﻝﻤﺸﻭﻗﻴﻥ ﻓﻲ ﺤﻴﺎﺘﻙ‪ .‬ﺘﻘﺎﺒل ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﻗﺩ ﻴﻌﺠﺒﻭﻨﻙ‪ ،‬ﺍﻝﻌﺩﻴﺩ‬
‫ﻤﻥ ﺍﻝﻨﺎﺱ ﺍﻝﺠﻴﺩﻴﻥ ﺠﺩﺍﹰ‪ ،‬ﻝﻜﻨﻙ ﻻ ﺘﺭﻯ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻠﻬﻴﺏ‪ .‬ﻋﻨﺩﻤﺎ ﺘﻘﺎﺒل ﺍﻝﻨﺎﺭ‪ ،‬ﺤﺴﻨﹰﺎ‪ -‬ﻓﺈﻥ ﺤﻴﺎﺘﻲ ﺨﻼل ﺘﻤﺜﻴﻠـﻲ‬
‫ﻫﻲ ﻤﺩ ﻭﺘﻭﺴﻊ ﻝﻠﺤﻴﺎﺓ‪ .‬ﻴﺤﻤل ﻫﺫﺍ ﺍﻝﻤﺯﻴﺩ ﻝﻲ‪ ،‬ﻭﺘﺤﻤل ﻤﺨﻴﻠﺘﻲ ﻝﻲ ﺃﺸﻴﺎﺀ ﺃﻜﺜﺭ ﻤﻥ ﺍﻴﺔ ﺤﻘﻴﻘﺔ ﻋﺭﻓﺘﻬـﺎ‪ .‬ﻭﺃﻋﺘﻘـﺩ‬
‫ﻻ”‪.‬‬
‫ﺭﺒﻤﺎ ﺒﺄﻥ ﻫﺫﺍ ﻜﺎﻥ ﺤﻘﻴﻘﻴﹰﺎ ﻝـ "ﺠﻴﻤﻲ ‪ -"Jimmy‬ﻓﻠﻡ ﺘﻅﻬﺭ ﺃﻴﺔ ﺤﻘﻴﻘﺔ ﻓﻲ ﻤﺨﻴﻠﺘﻪ‪ .‬ﻭﻝﻬﺫﺍ ﻓﻘﺩ ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻤﺨﺫﻭ ﹰ‬
‫ﻝﻌﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺍﺭﻜﺽ ﻤﺜل ﺍﻝﻠـﺹ ‪ "Run Like a Thief‬ﺩﺭﺍﻤـﺎ "ﻤﺴـﺭﺡ ﻓﻴﻠﻜـﻭ ‪Philco‬‬
‫‪ "Playhouse‬ﺩﻭﺭ ﺤﻤﺎل ﺃﻤﺘﻌﺔ ﻓﻲ ﻓﻨﺩﻕ ﻤﻨﺘﺠﻊ ﻴﺸﻙ ﺒﻪ ﺍﻝﻤﺎﻝﻜﺎﻥ "ﻜﻭﺭﺕ ﻜﺎﺯﻨـﺎﺭ ‪ "Kurt Kaznar‬ﻭ"ﻏﻭﺴـﺘﻲ‬
‫ﻼ‪ “ :‬ﻝﻘﺩ ﻜﺎﻥ ﻏﺭﻴﺒﹰﺎ ﺸﻴﺌﹰﺎ ﻤﺎ‪،‬‬‫ﻫﻭﺒﺭ ‪ "Gusti Huber‬ﺒﺎﻝﺘﺨﻁﻴﻁ ﻝﺴﺭﻗﺔ ﺍﻝﻤﺠﻭﻫﺭﺍﺕ‪ .‬ﻴﺘﺫﻜﺭ "ﻜﺎﺯﻨﺎﺭ ‪ "Kaznar‬ﻗﺎﺌ ﹰ‬
‫ﻼ ﺠﻴﺩﹰﺍ ﺒﺸﻜل ﻜﺒﻴﺭ‪ .‬ﻨﺤﻥ ﻨﺘﻤﺭﻥ ﻋﻠﻰ ﺃﺩﺍﺀ ﺍﻷﺩﻭﺍﺭ ﻓﻲ ﻤﺸـﻬﺩ ﻭ"ﺠﻴﻤـﻲ‬ ‫ﻝﻜﻨﻪ ﺃﻋﺠﺒﻨﻲ ﻜﺜﻴﺭﹰﺍ ” ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻤﻤﺜ ﹰ‬
‫‪ "Jimmy‬ﺼﻌﺏ‪ .‬ﻜﺎﻥ ﻴﺴﺘﻤﺭ ﺒﺎﻝﻘﻭل‪“ :‬ﻻ ﺃﻓﻬﻡ ﺍﻝﺩﺍﻓﻊ‪ .‬ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻷﺩﺍﺀ ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ‪ .‬ﺃﻋﻁﻨﻲ ﺴﺒﺒﹰﺎ ﻭﺍﺤﺩﹰﺍ‪.‬‬
‫ﻝﻡ ﻴﺠﺏ ﻋﻠﻲ ﺃﻥ ﺃﻤﺜل ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ؟”‪ .‬ﻴﻘﻭل ﺍﻝﻤﺨﺭﺝ‪“ :‬ﺤﺴﻨﹰﺎ‪ .‬ﺴﻭﻑ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﻀﻭﺀ ﺃﺤﻤـﺭ ﻭﺍﻝﻜـﺎﻤﻴﺭﺍ‬
‫ﺘﺼﻭﺭ‪ ،‬ﺭﺒﻤﺎ ﻝﻥ ﺘﻜﻭﻥ ﻋﻠﻴﻙ‪ ،‬ﺭﺒﻤﺎ ﺘﺘﺤﺭﻙ ﻝﻸﻤﺎﻡ ﻭﻝﻠﺨﻠﻑ”‪ -‬ﻝﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﻴﻌﺘﺭﻑ ﻗﻁ ﺒﻔﻬﻤﻪ ﻝﻬـﺫﻩ‬
‫ﺍﻝﻭﺴﻴﻠﺔ‪ .‬ﺍﻨﺘﺎﺒﻨﻲ ﺸﻌﻭﺭ ﺴﻴﺊ ﺠﺩﹰﺍ‪ -‬ﻜﺎﻥ ﺍﻝﻴﻭﻡ ﺍﻝﺭﺍﺒﻊ ﺃﻭ ﻨﺤﻭ ﺫﻝﻙ ﻤﻥ ﺍﻝﺘﺩﺭﻴﺏ‪ -‬ﺒﺤﻴﺙ ﺇﻨﻨﻲ ﻭ"ﻏﻭﺴﺘﻲ ‪"Gusti‬‬
‫ﺩﺨﻠﻨﺎ ﻝﻤﻘﺎﺒﻠﺔ ﺍﻝﻤﺨﺭﺝ ﻭﻗﻠﻨﺎ ﻝﻪ‪“ :‬ﺇﻥ ﻝﻡ ﻴﻭﻗﻑ ﺠﻨﻭﻨﻪ ﺍﻝﺫﻱ ﻴﻌﻴﻘﻨﺎ‪ ،‬ﻓﺄﻨﺕ ﺘﻌﻠﻡ‪ -‬ﻨﺤﻥ ﻝﻥ ﻨﻘﻭﻡ ﺒﺘﻤﺜﻴل ﺃﻱ ﻤﺸـﻬﺩ‪.‬‬
‫ﺇﻨﻪ ﻴﻤﺜل ﺒﻁﺭﻴﻘﺔ ﻤﺴﺭﺤﻴﺔ‪ .‬ﺃﻋﻠﻡ ﺒﺄﻨﻨﻲ ﻴﺠﺏ ﺃﻥ ﺃﺘﺤﻤل ﻫﺫﺍ ﺒﻌﻴﺩﹰﺍ ﻋﻥ "ﻏﻭﺴﺘﻲ ‪ "Gusti‬ﻤﻥ ﺃﺠل ﺠﻌل ﺍﻝﻤﺸﻬﺩ‬
‫ﻤﻤﻜﻨﹰﺎ ”‪ .‬ﻝﻡ ﻴﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻁﻴﻕ ﻤﺎ ﻴﻘﺎل ﻝﻪ‪ .‬ﻭﺃﺼﺒﺢ ﻫﺫﺍ ﺸﻴﺌﹰﺎ ﺒﺤﺩ ﺫﺍﺘﻪ‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻨﻘﺎﺵ‪ .‬ﺫﻫﺏ ﻤـﺭﺓ‬
‫ﻝﻠﻐﺩﺍﺀ ﻤﻊ ﺍﻝﻤﺨﺭﺝ ﻭﻋﺎﺩ ﻤﻌﺘﺫﺭﹰﺍ ﻭﻤﻘﺭﹰﺍ ﺒﺨﻁﺌﻪ‪ .‬ﺜﻡ ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﺴﺘﺭﺍﺤﺔ ﻝﺸﺭﺏ ﺍﻝﻘﻬﻭﺓ‪ ،‬ﻓﻨﺯل ﺍﻝﺩﺭﺝ ﺒﻌﺩ ﺃﻥ ﺃﺨﺫ‬
‫ﺍﻹﺫﻥ ﻝﺭﺒﻊ ﺴﺎﻋﺔ ﻭﺃﺤﻀﺭ ﻤﻥ ﺘﻠﻙ ﺍﻝﻤﺘﺎﺠﺭ ﺍﻝﻘﺭﻴﺒﺔ "ﺃﻴﻘﻭﻨﺔ ﺒﺭﺍﻫﻤﺎﺘﻴﺔ" ﻝﻲ ﻭﻨﻭﻋﹰﺎ ﻤﻥ ﻤﻴﺩﺍﻝﻴﺔ ﻜﺎﺜﻭﻝﻴﻜﻴـﺔ ﻝــ‬
‫"ﻏﻭﺴﺘﻲ ‪ ."Gusti‬ﺃﺭﺍﺩ ﺃﻥ ﻴﻘﻭل‪ “ :‬ﻝﻡ ﺃﻗﺼﺩ ﺃﻥ ﺃﺠﺭﺡ ﺃﺤﺩﹰﺍ”‪ .‬ﻭﺴﺎﺭ ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻨﺤﻭ ﺃﻓﻀـل ﻓـﻲ ﺍﻷﻴـﺎﻡ‬
‫ﺍﻝﻘﻠﻴﻠﺔ ﺍﻝﺘﻲ ﺘﻠﺕ‪.‬‬
 ‫ﻫﻨﺎﻙ ﻤﺸﻬﺩ ﻴﺘﻡ ﺃﺩﺍﺅﻩ ﻓﻲ ﻏﺭﻓﺔ ﻨﻭﻤﻨﺎ ﻭﺍﻝﻤﺠﻭﻫﺭﺍﺕ ﺘﺤﺕ ﺍﻝﻔﺭﺍﺵ ﺃﺼﺭﻓﻪ ﻓﻴﺘﺭﻙ ﺍﻝﻐﺭﻓﺔ‪ .‬ﺃﻨﺎ ﻭﺤﺩﻱ ﻤﻊ‬
‫"ﻏﻭﺴﺘﻲ ‪"Gusti‬ﻭﻫﺫﺍ ﻫﻭ ﺍﻝﻤﻔﺘﺎﺡ ﻝﻠﻤﺴﺭﺤﻴﺔ‪ .‬ﻴﻨﺩﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﺎﺭﺠﹰﺎ ﻭﻻ ﻴﻐﻠـﻕ ﺍﻝﺒـﺎﺏ‪ .‬ﺍﻵﻥ ﺍﻝﺸـﻲﺀ‬
‫ﺍﻝﻀﺭﻭﺭﻱ ﻭﺍﻝﻤﻬﻡ ﻫﻭ ﺇﻏﻼﻕ ﺍﻝﺒﺎﺏ‪ .‬ﻝﺫﻝﻙ ﻴﻘﻭل ﺍﻝﻤﺨﺭﺝ ﻝـ "ﺠﻴﻤﻲ ‪“ :"Jimmy‬ﺃﻏﻠﻕ ﺍﻝﺒﺎﺏ ”‪ .‬ﻓﻴﺠﻴﺏ "ﺠﻴﻤـﻲ‬
‫‪“ :"Jimmy‬ﻻ ﺃﺴﺘﻁﻴﻊ ﺇﻏﻼﻕ ﺍﻝﺒﺎﺏ‪ .‬ﻓﺒﺎﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﺃﻤﺸﻲ ﺒﻬﺎ ﻻﺃﺴﺘﻁﻴﻊ ﺇﻏﻼﻕ ﺍﻝﺒﺎﺏ‪ .‬ﺇﻥ ﺫﻝﻙ ﻤﺴﺘﺤﻴل”‪ .‬ﻗﻠﺕ‬
‫ﻝﻪ‪ “ :‬ﺃﻻ ﺘﻔﻬﻡ؟ ﺇﺫﺍ ﻭﻗﻔﺕ ﻋﻨﺩ ﺍﻝﺒﺎﺏ ﺴﻤﻌﺘﻨﺎ ﻓﺈﻥ ﻜل ﺍﻝﺤﺒﻜﺔ ﺘﺼﺒﺢ ﺨﺎﺭﺝ ﺍﻝﻨﺎﻓﺫﺓ”‪ .‬ﺜﻡ ﻗﺎل‪ “ :‬ﻻ ﺃﺴﺘﻁﻴﻊ”‪ .‬ﻝﻜﻥ‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﻭﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺫﻱ ﺴﺒﻕ ﺫﻫﺎﺒﻨﺎ ﻝﻼﺴﺘﻭﺩﻴﻭ‪ ،‬ﻴﻘﻭﻡ ﺒﺈﻏﻼﻕ ﺍﻝﺒﺎﺏ‪ .‬ﺜﻡ ﻨﺫﻫﺏ ﻝﻼﺴﺘﻭﺩﻴﻭ ﻤﻥ ﺃﺠل ﺍﺨﺘﻴـﺎﺭ‬
‫ﺍﻝﻤﻼﺒﺱ ﻭﻴﺘﺭﻙ ﺍﻝﺒﺎﺏ ﻤﻔﺘﻭﺤﹰﺎ! ﺜﻡ ﻴﺄﺘﻲ ﺍﻻﺴﺘﻌﺭﺍﺽ ﻭﻴﺘﺭﻙ ﺍﻝﺒﺎﺏ ﻤﻔﺘﻭﺤﹰﺎ! ﻭ ﻻ ﺃﻗﻭل ﺃﻱ ﺸﻲﺀ ﻀﺩﻩ‪ ،‬ﻝﻜﻥ ﻜﺎﻥ‬
‫ﻫﻨﺎﻙ ﺸﻲﺀ ﻤﺎ ﺃﺯﻋﺠﻪ‪ ،‬ﺸﻴﺊ ﻤﺎ ﺃﺤﺱ ﺒﻪ‪ -‬ﺒﺄﻨﻪ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻜﺎﻥ ﺒﻌﻴﺩﹰﺍ ﻭﻓﻭﻕ ﻫﺭﺍﺀ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﺍﻝﻤﺒﺎﺸﺭ‪ ،‬ﺃﻭ ﻤﺎ‬
‫ﻴﻤﻜﻥ ﺃﻥ ﻴﺴﻤﻰ ﺒﻪ‪ .‬ﺸﻌﺭ ﺃﻨﻪ ﻜﺎﻥ ﺴﻭﻑ ﻴﺼﺒﺢ ﻨﺠﻤﹰﺎ‪ .‬ﻜﺎﻥ ﻤﻘﺘﻨﻌﹰﺎ ﺃﻨﻪ ﻜﺎﻥ ﻋﻠﻰ ﺤﻕ‪ .‬ﺃﻤﺎ ﻓﻴﻤﺎ ﻴﺨﺹ ﺘﺼـﺭﻓﻪ‬
‫ﻜﻤﺎ ﻓﻌل‪ ،‬ﺃﺤﺴﺴﺕ ﺒﺄﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ ﻤﻨﻊ ﻨﻔﺴﻪ ﻓﻌل ﻫﺫﺍ ﺒﻁﺭﻴﻘﺔ ﻤﺎ ﺒﺤﻴﺙ ﺇﻨﻪ ﻝﻡ ﻴﻌﺭﻑ ﺍﻝﻔﺭﻕ ﺒﻴﻥ ﺃﻥ ﻴﻜﻭﻥ ﻝﻁﻴﻔﹰﺎ‬
‫ﺃﻭ ﺃﻥ ﻴﻜﻭﻥ ﻤﺸﺎﻜﺴﹰﺎ ﻋﻨﻴﺩﹰﺍ”‪.‬‬
‫ﺴﺭﻋﺎﻥ ﻤﺎﺍﻨﺘﺸﺭ ﺍﻝﺨﺒﺭ ﺒﺄﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻜﺎﻥ ﻤﻥ ﺍﻝﺼﻌﺏ ﺍﻝﻌﻤل ﻤﻌﻪ(‪ .‬ﻜـﺎﻥ ﻤﺨﺭﺠـﻭ‬
‫ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﻓﻲ ﺘﻠﻙ ﺍﻝﺤﻘﺒﺔ ﻤﺴﺎﺠﻴﻥ ﻨﻅﺎﻡ ﺍﻝﺸﺒﻜﺎﺕ ﺘﻤﺎﻤﹰﺎ ﻤﺜل ﻤﺨﺭﺠﻲ ﻫﻭﻝﻴﻭﻭﺩ ﺍﻝﺫﻴﻥ ﻜـﺎﻨﻭﺍ ﻤﺴـﺎﺠﻴﻥ ﻨﻅـﺎﻡ‬
‫ﺍﻻﺴﺘﻭﺩﻴﻭ‪ .‬ﻜﺎﻥ ﺍﻝﻤﻨﺘﺞ ﻫﻭ ﺍﻝﻤﻠﻙ ﺒﻴﻨﻤﺎ ﻝﻡ ﻴﻜﻥ ﺍﻝﻔﻥ ﻜﺫﻝﻙ‪ .‬ﺤﺼل ﺍﻝﻤﺨﺭﺠﻭﻥ ﻋﻠﻰ ﻋﻼﻤﺎﺕ ﻋﺎﻝﻴﺔ ﻝﻠﻜﻡ ﻭﻝـﻴﺱ‬
‫ﻝﻠﻜﻴﻑ‪ .‬ﻝﻡ ﺘﺭﺒﺢ ﻋﺎﺩﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺇﺘﻤﺎﻡ ﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ ﻓﻲ ﺠﻭ ﺨﻁ ﺍﻝﺘﺠﻤﻴﻊ ﻫﺫﺍ ﺒﻁﺭﺡ ﺃﺴـﺌﻠﺘﻪ ﺤـﻭل‬
‫ﺤﺎﻓﺯ ﺸﺨﺼﻴﺔ ﻭﻋﻥ ﻨﻭﺍﻴﺎ ﺍﻝﻜﺎﺘﺏ ﺃﻭ ﺤﺘﻰ ﺘﺭﺠﻤﺔ ﺍﻝﻤﺨﺭﺝ ﺃﻴﺔ ﻤﺴﺎﺒﻘﺎﺕ ﺸﻬﻴﺭﺓ‪ .‬ﻭﺜﻘـﺕ "ﺠـﻴﻥ ﺩﻴﺴـﻲ ‪Jane‬‬
‫‪ "Deacy‬ﺒﺼﺩﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺸﺠﻌﺘﻪ ﺒﺎﻝﻤﻀﻲ ﻤﻥ ﺃﺠل ﺤﻘﻴﻘﺘﻪ ﺍﻝﺨﺎﺼﺔ‪ ،‬ﻝﻜﻥ ﺃﺸﺨﺎﺼﹰﺎ ﺁﺨﺭﻴﻥ ﻀﻤﻥ ﺍﻝﻌﻤل‬
‫ﻜﺎﻨﻭﺍ ﻴﺸﻜﹼﻭﻥ‪ :‬ﻜﺎﻥ "ﺠﻴﻤﻲ ﺩﻴﻥ" ﻴﻠﻌﺏ ﻓﻘﻁ ﺃﻝﻌﺎﺒﹰﺎ ﻓﻲ ﺍﻷﻨﺎﻨﻴﺔ‪ ،‬ﻜﻭﻨﻪ ﺒﻐﻴﻀﺎﹰ‪ ،‬ﻭﺴﺨﻴﻔﹰﺎ ﻭﺤﺘﻰ ﻏﺒﻴﹰﺎ!‪.‬‬
‫ﻓﻀل ﻤﺨﺭﺠﻭ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﺍﻝﻌﻤل ﻤﻊ )ﻤﺤﺘﺭﻓﻴﻥ ﻤﻭﺴﻤﻴﻴﻥ(‪ ،‬ﻭ ﻤﻤﺜﻠﻴﻥ ﻴﻅﻬﺭﻭﻥ ﻝﻤﺭﺓ ﻭﺍﺤـﺩﺓ‪ ،‬ﻴﺤﻔﻅـﻭﻥ‬
‫ﻨﺼﻬﻡ‪ ،‬ﻭﻴﻘﻔﻭﻥ ﺤﻴﺙ ﻴﻁﻠﺏ ﻤﻨﻬﻡ‪ ،‬ﻭﺍﻝﺫﻴﻥ ﻓﻭﻕ ﻫﺫﺍ ﻜﻠﻪ ﻝﻥ ﻴﻬﺎﺠﻤﻭﺍ ﺍﻝﻨﺹ‪ .‬ﻝﻘﺩ ﻜﺎﻨﻭﺍ ﺒﺎﻝﻔﻌل ﻤﻭﺴﻤﻴﻴﻥ‪ ،‬ﺃﻭ‪ ،‬ﻜﻤﺎ‬
‫ﻴﺼﻑ ﺫﻝﻙ "ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ "Elia Kazan‬ﺒﻤﻘﺎﺒﻠﺔ ﻤﻊ "‪“ : "Cahiers du Cinéma‬ﻜﻠﻤﺎ ﺯﺍﺩ ﻨﺠﺎﺡ ﺍﻝﻤﻤﺜل‪ ،‬ﻨﺎل ﻨﻅﺭﺓ‬
‫ﺍﻝﻔﺎﻜﻬﺔ ﺍﻝﺸﻤﻌﻴﺔ ‪.‬ﻝﻡ ﺘﻌﺩ ﺍﻝﺤﻴﺎﺓ ﺘﺴﺘﺒﺩ ﺒﻪ‪ .‬ﺃﺤﺎﻭل ﺃﻥ ﺃﻤﺴﻙ ﻤﻤﺜﻠﻲ ﻓﻲ ﺍﻝﻠﺤﻅﺔ ﺍﻝﺘﻲ ﻴﻜﻭﻨﻭﻥ ﻓﻴﻬﺎ ﺜﺎﺒﺘﻴﻥ‪ ،‬ﺃﻭ ﻤﺭﺓ‬
‫ﺜﺎﻨﻴﺔ ﺇﻨﺴﺎﻨﻴﻴﻥ‪ .‬ﻭ ﺇﺫﺍ ﻜﺎﻥ ﻝﺩﻴﻙ ﻤﻤﺜل ﺇﻨﺴﺎﻥ‪ ،‬ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﺤﻅﺔ‪ ،‬ﻓﺈﻨﻙ ﺘﺴﺘﻁﻴﻊ ﺩﺱ ﻴﺩﻙ ﻓـﻲ ﺍﻝـﺩﺍﺨل‪ ،‬ﻝﺘﻠﻤﺴـﻪ‬
‫ﻭﺘﻭﻗﻅﻪ‪ .....‬ﻜﺎﻥ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻓﻘﻁ ﻤﺠﺭﺩ ﺸﺎﺏ ﻁﺎﻑ ﺨﻠﺴﺔ ﻓﻲ ﺍﻝﻤﻜﺎﺘﺏ ﺍﻷﻤﺎﻤﻴﺔ‪ .‬ﻝﻜـﻥ ﻜـﺎﻥ‬
‫ﺒﺩﺍﺨﻠﻪ ﻋﻨﻑ ﻭﺠﻭﻉ”‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻤﻔﺎﺠﺌﹰﺎ ﺃﻥ ﺃﻏﻠﺏ ﺍﻝﻤﺨﺭﺠﻴﻥ ﻝﻡ ﻴﻜﻭﻨﻭﺍ ﻤﺘﺤﻤﺴﻴﻥ ﺃﻥ ﻴﺠﺩﻭﺍ ﺃﻨﻔﺴﻬﻡ ﻓﻲ ﺍﻻﺴﺘﻭﺩﻴﻭ ﻨﻔﺴﻪ ﻤﻊ "ﺠﻴﻤﻲ‬
‫‪ ."Jimmy‬ﻜﺎﻨﺕ ﺍﻝﻔﻭﺍﻜﻪ ﺍﻝﺸﻤﻌﻴﺔ ﻤﻤﺘﺎﺯﺓ‪ .‬ﻓﻬﻲ ﻻﺘﻅﻬﺭ ﺍﻝﻜﺩﻤﺎﺕ ﺃﻭ ﺍﻝﺒﻘﻊ ﺍﻝﻌﻔﻨﺔ ﻓﻲ ﺩﺭﺍﻤﺎ ﺍﻝﺤﻴﺎﺓ ﺍﻝﺜﺎﺒﺘـﺔ ﺍﻝﺘـﻲ‬
‫ﻜﺎﻨﻭﺍ ﻴﺼﻨﻌﻭﻨﻬﺎ ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍﺕ‪ .‬ﻭﺤﺘﻰ ﺃﻭﻝﺌﻙ ﺍﻝﻤﺨﺭﺠﻭﻥ ﺍﻝﺫﻴﻥ ﻜﺎﻥ ﻝﺩﻴﻬﻡ ﺫﻝﻙ ﺍﻝﺫﻜﺎﺀ ﻭﺍﻝﺒﺼﻴﺭﺓ ﻝﺘﻤﻴﻴﺯ ﻤﻭﻫﺒﺔ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺠﺩﻭﺍ ﺼﻌﻭﺒﺔ ﻓﻲ ﻤﻭﺍﺠﻬﺘﻪ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ‪ .‬ﻝﻘﺩ ﺫﻜﺭﻫﻡ ﺃﻴﻀﹰﺎ ﻭﺒﺸﻜل ﻤﺅﻝﻡ ﺠﺩﹰﺍ ﺒﺎﻝﻤﺭﺍﺤل‬
‫ﺍﻷﻭﻝﻰ ﻤﻥ ﻋﻤﻠﻬﻡ ﻋﻨﺩﻤﺎ ﻜﺎﻨﻭﺍ ﺃﻴﻀﹰﺎ ﻤﺤﺘﺭﻓﻴﻥ ﺒﺎﻷﺤﻼﻡ ﻭﺘﻜﺭﻴﺱ ﺤﻴﺎﺘﻬﻡ ﻝﻬﺫﺍ‪.‬‬
‫ﻜﺎﻨﺕ ﺃﻏﻠﺏ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺘﻲ ﻤﺜﻠﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ ﻤﺘﺸﺎﺒﻬﺔ‪ .‬ﻜﺎﻥ ﻤﺭﺍﻫﻘﹰﺎ ﻤﺤﺭﻭﻤﹰﺎ ﻭﻫﻭ ﻴﻘﺎﺘل‬
‫ﻤﻥ ﺃﺠل ﺍﻝﻌﻁﻑ ﻭﺍﻝﺘﻔﻬﻡ ﻓﻲ ﻋﺎﻝﻡ ﺒﺎﺭﺩ ﻓﻭﻀﻭﻱ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﻌﺎﺩﺓ ﻜﺫﻝﻙ ﺤﺎﺠﺔ ﺍﻝﺸﺨﺼـﻴﺔ ﻝﻠﺤـﺏ‪ ،‬ﺃﻥ ﺘﻜـﻭﻥ‬
‫ﻤﺤﺒﻁﺔ ﺒﻴﺄﺱ ﻓﺘﻘﺫﻑ ﺒﻨﻔﺴﻬﺎ ﻓﻲ ﻤﻭﺍﺠﻬﺔ ﻗﺎﺴﻴﺔ ﻤﻊ ﺍﻝﺴﻠﻁﺔ ‪ :‬ﺍﻷﺏ ‪ ،‬ﺍﻷﻡ‪ ،‬ﻭﺍﻷﺴﺎﺘﺫﺓ ﻭ ﻭﻤﺩﻴﺭﻱ ﺍﻝﻌﻤل ﻭﺭﺠﺎل‬
‫ﺍﻝﺸﺭﻁﺔ‪.‬‬
‫ﻜﺎﻥ ﺩﻭﺭﻩ ﺍﻷﻭل ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ‪" ،‬ﻭﺍﻝﻲ ﻭﻴﻠﻜﻨﺯ ‪ "Wally Wilkins‬ﻓﻲ "ﺸـﺎﻫﺩ ﺍﻝﺠـﺎﻏﻭﺍﺭ ‪See The‬‬
‫‪ "Jaguar‬ﺘﻘﺭﻴﺒ ﹰﺎ ﺒﺸﻜل ﺘﺤﻠﻴﻠﻲ ﻨﺴﺨﺔ ﻤﺒﺎﻝﻐﹰﺎ ﺒﻬﺎ ﻋﻥ ﻫﺫﺍ ﺍﻝﻨﻤﻭﺫﺝ‪ .‬ﻭﻜﺎﻥ ﺩﻭﺭﻩ ﺍﻝﺜﺎﻨﻲ‪" ،‬ﺒﺎﻜﻴﺭ‪ "Bachir‬ﻓﻲ "ﺍﻝـﻼ‬
‫ﺃﺨﻼﻗﻲ ‪ "The Immoralist‬ﺍﻝﺫﻱ ﺠﻌﻠﻪ ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻤﺭﺍﻫﻘﹰﺎ ﻀﺤﻴﺔ‪ ،‬ﻝﻜﻨﻪ ﻫﺫﻩ ﺍﻝﻤﺭﺓ ﻤﻊ ﻗﻭﺓ ﺍﻹﻏﻭﺍﺀ ﻭﺍﻝﺘﺩﻤﻴﺭ‪.‬‬
‫ﺘﺤﻜﻲ ﺭﻭﺍﻴﺔ "ﻏﺎﻴﺩ ‪ "Gide‬ﻗﺼﺔ ﺭﺠل ﻴﺘﺯﻭﺝ‪ ،‬ﻓﻘﻁ ﻝﻴﻜﺘﺸﻑ ﺃﺜﻨﺎﺀ ﺸﻬﺭ ﺍﻝﻌﺴل‪ ،‬ﺃﻨﻪ ﺸﺎﺫ‪ .‬ﺴـﺤﺭﺕ "ﺭﻭﺙ‬
‫ﻏﻭﻴﺘﺯ ‪ "Ruth Goetz‬ﻭﺯﻭﺠﻬﺎ "ﺃﻭﻏﻭﺴﺘﻭﺱ ‪ "Augustus‬ﺒﺎﻝﻘﺼﺔ ﻤﻥ ﺍﻝﻠﺤﻅﺔ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﻗﺭﺃﺘﻬﺎ ﺨﻼل ﺍﻝﻌﻤل ﻤـﻊ‬
‫ﺍﻝﻨﺎﺸﺭ ﺍﻷﻤﺭﻴﻜﻲ "ﺃﻝﻔﺭﻴﺩ ﻜﻨﻭﺒﻑ" ﻭﺤﻭﻝﺕ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺍﻝﻘﺼﺔ ﺇﻝﻰ ﻤﺴﺭﺤﻴﺔ‪.‬‬
‫ﺒﻌﺩ ﻓﻭﺯ "ﺭﻭﺙ ‪ "Ruth‬ﻭ"ﺃﻭﻏﻭﺴﺘﻭﺱ ‪ "Augustus‬ﻓﻲ ﻝﻨﺩﻥ ﺒﻤﺴﺭﺤﻴﺔ "ﺍﻝﻭﺭﻴﺜﺔ ‪ "The Heiress‬ﺍﻝﻤﻘﺘﺒﺴـﺔ‬
‫ﻋﻥ "ﺴﺎﺤﺔ ﻭﺍﺸﻨﻁﻥ ‪ "Washimgton Square‬ﻝـ "ﻫﻨﺭﻱ ﺠﻴﻤﺱ ‪ "Henry James‬ﻗﺭﺭﺍ ﺍﻝﻁﻴـﺭﺍﻥ ﺇﻝـﻰ ﺒـﺎﺭﻴﺱ‬
‫ﻝﻁﺭﺡ ﻓﻜﺭﺓ ﺘﺒﻨﻲ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ " The Immoralist‬ﺒﻌﻤل ﻤﺴﺭﺤﻲ ﻋﻠﻰ "ﻏﺎﻴﺩ ‪."Gide‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺍﺴﺘﻘﺒﺎﻝﻪ ﺍﻝﻜﺎﺘﺒﻴﻥ ﺒﻜﻴﺎﺴﺔ ﻭﻤﺠﺎﻤﻠﺔ ﻜﺒﻴﺭﺘﻴﻥ‪ ،‬ﻜﺎﻥ "ﻏﺎﻴﺩ ‪ "Gide‬ﺤﺎﺯﻤﹰﺎ ﺒﺭﻓﻀـﻪ ﺇﻋﻁـﺎﺀﻫﻡ‬
‫ـﻪ‬‫ـﺎﻁﺔ ﺇﻨــــ‬ ‫ـﺎل ﺒﺒﺴــــ‬ ‫ـﻪ‪ .‬ﻗــــ‬ ‫ـﻲ ﻜﺘﺎﺒــــ‬ ‫ـﺭﺤﻴﺔ ﻓــــ‬ ‫ـﻊ ﺍﻝﻤﺴــــ‬ ‫ﺍﻹﺫﻥ ﻝﻭﻀــــ‬
‫ﻻ ﻴﺴﺘﻁﻴﻊ ﺘﺼﻭﺭ ﻜﻴﻔﻴﺔ ﻋﻤﻠﻬﺎ‪.‬‬
‫ﻝﻡ ﺘﻜﻥ ﺍﻝﻘﺼﺔ ﻤﺎﺩﺓ ﺩﺭﺍﻤﻴﺘﻴﻜﻴﺔ‪ ،‬ﻝﻜﻥ "ﺭﻭﺙ ﻏﻭﻴﺘﺯ ‪ " Ruth Goetz‬ﻜﺎﻨﺕ ﻤﺼـﻤﻤﺔ‪ .‬ﺘﺎﺒﻌـﺕ ﺒﻔﺭﻨﺴـﻴﺘﻬﺎ‬
‫ﺍﻝﻤﻤﺘﺎﺯﺓ ﻤﺤﺎﺠﺠﺘﻪ ﻗﺎﺌﻠﺔ ﺒﺸﺠﺎﻋﺔ‪ “ :‬ﺘﻭﺠﺩ ﻨﻭﻋﻴﺔ ﻻﺒﺩ ﺃﻥ ﺘﻜﻭﻥ ﻓﻲ ﺍﻝﻤﺴﺭﺡ”‪.‬‬
‫ﺃﺠﺎﺏ "ﻏﺎﻴﺩ ‪ "Gide‬ﺒﺒﺭﻭﺩﺘﻪ ﺍﻝﻤﻌﺘﺎﺩﺓ ‪“ :‬ﺃﻭﻩ‪ .‬ﻤﺎﻫﻲ ﻫﺫﻩ ﺴﻴﺩﺘﻲ؟”‪.‬‬
‫)‪(1‬‬
‫ﻗﺎﻝﺕ ﻤﺘﻤﺘﻤﺔ ﺒﺎﻝﻔﺭﻨﺴﻴﺔ ﺒﻜل ﻤﺎﻴﻤﻜﻥ ﺃﻥ ﻴﻨﻁﻕ ﺒﻪ ﻝﺴﺎﻨﻬﺎ‪. ”fatalité La“ :‬‬
‫ﻼ‪ .‬ﻭﻝﻠﻤﺭﺓ ﺍﻷﻭﻝﻰ ﻓﻲ ﺍﻝﻨﻘﺎﺵ‪ ،‬ﺃﻭﻤﺄ ﺒﺭﺃﺴﻪ‪.‬‬ ‫ﻓﺘﺢ "ﻏﺎﻴﺩ ‪ "Gide‬ﻋﻴﻨﻴﻪ ﻗﻠﻴ ﹰ‬
‫ﻗﺎل ﺒﻌﺩ ﻝﺤﻅﺔ ﺒﻁﻴﺌﺔ‪“ :‬ﻨﻌﻡ‪ ،‬ﻫﺫﺍ ﺒﺎﻝﻀﺒﻁ ﻫﻭ ﻤﺤﺘﻭﻯ ﺍﻝﻜﺘﺎﺏ”‪.‬‬
‫ﺃﻋﻁﻰ ﻤﻭﺍﻓﻘﺘﻪ ﻝﻠﻤﺸﺭﻭﻉ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﺍﻨﺘﻬﻰ ﺍﻻﻗﺘﺒﺎﺱ‪ ،‬ﻨﺎل "ﺒﻴﻠﻲ ﺭﻭﺯ ‪ "Billy Rose‬ﺤﻕ ﺍﻻﺨﺘﻴﺎﺭ ﻓﻭﻅﻑ "ﻫﻴﺭﻤـﺎﻥ ﺸـﻭﻤﻠﻴﻥ ‪Herman‬‬
‫‪ "Shumlin‬ﻝﻺﺨﺭﺍﺝ‪ .‬ﻭﺒﻌﺩ ﻤﻭﺍﻓﻘﺔ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻴﺞ ‪ "Geraldine Page‬ﻭ"ﻝﻭﻴﺱ ﺠـﻭﺭﺩﺍﻥ ‪ "Louis Jordan‬ﻋﻠـﻰ‬
‫ﺘﻤﺜﻴل ﺩﻭﺭ ﺍﻝﺜﻨﺎﺌﻲ ﻓﻲ ﺸﻬﺭ ﺍﻝﻌﺴل‪ ،‬ﺍﺴﺘﺩﻋﻰ "ﺸﻭﻤﻠﻴﻥ ‪" "Shumlin‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻝﻴﻘـﺭﺃ ﺩﻭﺭ ﺍﻝﻔﺘـﻰ‬
‫"ﺒﺎﻜﻴﺭ ‪ ."Bachir‬ﺘﻘﻭل "ﺭﻭﺙ ﻏﻭﻴﺘﺯ ‪“ :"Ruth Goetz‬ﻓﺘﺢ "ﻫﻴﺭﻤﺎﻥ ‪ "Herman‬ﺒﺎﺏ ﻤﻜﺘﺒـﺔ "ﺒﻴﻠـﻲ ‪ "Billy‬ﻝﻴـﺩﺨل‬
‫ﻤﺨﻠﻭﻕ ﺸﺎﺏ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﺒﺎﻝﻁﺒﻊ ﻓﻲ ﺍﻝﻌﺸﺭﻴﻥ ﻤﻥ ﻋﻤﺭﻩ ﻗﺒل ﻭﻗﺘﻪ‪ .‬ﻝﻡ ﺃﺭ ﻤﻥ ﻗﺒل ﺃﺤﺩﹰﺍ ﻴﻠﺒﺱ ﻫﻜﺫﺍ ﺒﺤﻴﺎﺘﻲ‪ .‬ﻝﻘﺩ‬
‫ﻝﺒﺱ ﻜﺎﻝﺩﻭﺭ ﺤﺘﻰ ﻗﺒل ﺃﻥ ﺃﻋﺭﻑ ﻋﻨﻪ‪ .‬ﺍﺴﺘﻌﺎﺭ ﺒﻌﺽ ﺍﻝﺤﻠﻲ ﺍﻝﻤﺒﻬﺭﺠﺔ ﻤﻥ ﺃﺠل ﺘﺠﺭﺒﺔ ﺍﻷﺩﺍﺀ‪ .‬ﺍﻋﺘﻤﺭ ﻗﺒﻌﺔ ﻓﺭﺍﺀ‬
‫ﺭﻭﺴﻴﺔ‪ ،‬ﻭﻝﺒﺱ ﺠﻴﻨﺯﻩ ﺍﻷﺯﺭﻕ ﺍﻝﻭﺤﻴﺩ ﺒﺜﻘﺒﻪ ﺍﻝﻜﺒﻴﺭ ﻝﻴﺱ ﻝﻠﻌﺏ ﺍﻝﺩﻭﺭ‪ ،‬ﻝﻜﻥ ﻜﺎﻥ ﻫﺫﺍ ﻤﻥ ﻀﺭﻭﺭﻴﺎﺕ ﺍﻝﺤﻴﺎﺓ‪ .‬ﻝﺒﺱ‬
‫ﺯﻭﺠﹰﺎ ﻤﺴﺘﻌﺎﺭﺍﹰ ﻤﻥ ﺍﻷﺤﺫﻴﺔ ﺍﻝﻁﻭﻴﻠﺔ ﻤﺜل ﺘﻠﻙ ﺍﻝﺘﻲ ﻴﻠﺒﺴﻭﻨﻬﺎ ﻓﻲ ﺍﻝﺭﻭﺩﻴﻭ‪ .‬ﻝﻘﺩ ﻜﺎﻨﺎ ﺇﻤـﺎ ﻜﺒﻴـﺭﻴﻥ ﺠـﺩﹰﺍ ﻝـﻪ ﺃﻭ‬
‫ﺼﻐﻴﺭﻴﻥ ﺠﺩﺍﹰ‪ ،‬ﻻ ﺃﻋﺭﻑ ﺃﻴﻬﻤﺎ‪ ،‬ﻝﻜﻨﻲ ﺃﻋﺭﻑ ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﺘﺅﻝﻤﻪ‪ .‬ﺍﺭﺘﺩﻯ ﺼﺩﺭﻴﺔ ﻭﺴﺘﺭﺓ ﻋﻤﺭﻫﻤﺎ ﺤﻭﺍﻝﻲ ﺍﻝﺴﺘﻴﻥ‬
‫ﻋﺎﻤﹰﺎ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻝﺒﺎﺴﹰﺎ ﺭﺴﻤﻴﹰﺎ ﻗﺩﻴﻤﹰﺎ‪”.‬‬
‫“ ﻗﺎل ﺇﻨﻪ ﻴﺤﺏ ﺃﻥ ﻴﻘﺭﺃ ﺍﻝﻤﺸﻬﺩ ﺍﻝﺫﻱ ﻤﻥ ﺍﻝﻤﻔﺘﺭﺽ ﺃﻥ ﻴﻜﻭﻥ ﻓﻴـﻪ "ﺒـﺎﻜﻴﺭ ‪ "Bachir‬ﻴﻨﻅـﻑ‪ ”.‬ﻭﺍﻓـﻕ‬
‫ﻻ ﺼﻐﻴﺭﹰﺍ ﻝﻡ ﻴﻨﺠﺯ ﺃﻱ‬‫"ﻫﻴﺭﻤﺎﻥ ‪ "Herman‬ﻋﻠﻰ ﻗﺭﺍﺀﺓ ﺩﻭﺭ ﺍﻝﻤﺭﺃﺓ‪ .‬ﻜﺎﻥ ﻤﺸﻬﺩﹰﺍ ﻗﺼﻴﺭﹰﺍ ﻋﻠﻰ ﺍﻝﺴﻁﺢ‪ -‬ﻜﺎﻥ ﻜﺴﻭ ﹰ‬
‫ﺸﻲﺀ ﻓﻲ ﻋﻤل ﺍﻝﺒﻴﺕ‪ .‬ﺍﻨﺤﻨﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﺍﻨﻬﻤﻙ ﻓﻲ ﺍﻝﺩﻭﺭ ﻭﻜﺎﻥ ﻤﺒﻬﺭﹰﺍ!‬
‫“ ﻝﻡ ﻴﻘﺭﺃ ﺃﻜﺜﺭ ﻤﻥ ﺜﻼﺙ ﺃﻭ ﺃﺭﺒﻊ ﺩﻗﺎﺌﻕ‪ .‬ﻨﺴﻴﺕ ﻤﻅﻬﺭﻩ‪ ،‬ﻭﻨﻅﺭﺍﺘﻪ‪ ،‬ﻭﻋﺩﻡ ﻭﺴﺎﻤﺘﻪ‪ ،‬ﻭﺠﻭﻋﻪ‪ ،‬ﻭﻜﻤﺎ ﻗﻠـﺕ‬
‫ﺃﺴﻼﻓﻪ ﺍﻻﺴﻜﺘﻠﻨﺩﻴﻴﻥ‪ -‬ﺍﻹﻴﺭﻝﻨﺩﻴﻴﻥ‪ .‬ﻻ ﺃﻋﺭﻑ ﻤﺎ ﻜﺎﻨﻭﺍ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻗﻀﺎ ‪‬ﺀ ﻭﻗﺩﺭﹰﺍ ﺃﺸﻘﺭ‪ -‬ﻤﺸﻘﺭ ﻭ ﺃﺤﻤﺭ‪ -‬ﻤﺸـﻘﺭ‬
‫ﻤﻊ ﺒﺸﺭﺓ ﺸﺎﺤﺒﺔ‪ .‬ﺍﻋﺘﻘﺩﺕ ﺃﻥ ﻜل ﻫﺫﺍ ﻻ ﻴﻬﻡ ﻷﻨﻪ ﻤﻭﻫﻭﺏ ﻜﺜﻴﺭﹰﺍ”‪.‬‬
‫“ﺍﻵﻥ ﻭﺒﻌﺩ ﺘﻠﻙ ﺍﻝﻤﻘﺩﻤﺔ ﺍﻝﺠﻴﺩﺓ‪ ،‬ﺤﻴﺙ ﻜﺎﻥ ﻭﺍﻀﺤﹰﺎ ﻝﻨﺎ ﺠﻤﻴﻌﹰﺎ ﺃﻨﻪ ﻜﺎﻥ ﻋﻅﻴﻤﺎﹰ‪ ،‬ﺫﻫﺒﻨﺎ ﻝﺘﻤـﺎﺭﻴﻥ ﺍﻝﻤﺸـﺎﻫﺩ‬
‫ﻓﻜﺎﻥ ﺍﺒﻥ ﺍﻝﺤﺭﺍﻡ ﺫﻝﻙ ﺃﺤﺩ ﺃﻜﺜﺭ ﺍﻷﺸﺨﺎﺹ ﺍﻝﻤﻘﻴﺘﻴﻥ ﺒﺸﻜل ﻏﻴﺭ ﻗﺎﺒل ﻝﻠﻨﻘﺎﺵ ﻤﻥ ﺍﻝﺫﻴﻥ ﻋﺭﻓﺘﻬﻡ ﺒﺤﻴﺎﺘﻲ‪ .‬ﻝﻡ ﻴﻜﻥ‬
‫ﻴﺘﻌﻠﻡ ﺍﻝﻜﻠﻤﺎﺕ‪ ،‬ﻭﻝﻡ ﻴﻜﻥ ﻴﺤﺎﻭل ﺠﺩﻴﹰﺎ ﺇﻋﻁﺎﺀ ﻤﺎ ﻝﺩﻴﻪ ﻓﻲ ﺍﻷﺩﺍﺀ ﻭﻝﻡ ﻴﻜﻥ ﺤﺘﻰ ﻴﺘﻤﺭﻥ ﻷﺩﺍﺀ ﺍﻝﻤﺸﺎﻫﺩ ﺒﺸﻜل ﺠﺩﻱ‪.‬‬
‫ﻻ ﻋـﻥ ﺘـﺩﺒﻴﺭ ﺍﻝـﺩﻭﺭ ﻝـﻪ‪ .‬ﻜـﺎﻥ‬ ‫ﻝﻘﺩ ﻜﺎﻥ ﻭﺒﺸﻜل ﻤﻁﻠﻕ ﻤﺤﺘﻘﺭﹰﺍ ﻝـ "ﻫﻴﺭﻤﺎﻥ ‪ "Herman‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻤﺴـﺅﻭ ﹰ‬

‫)‪ (1‬ا‪ TB‬ء وا‪B‬ر‪.‬‬

 ‫"ﻫﻴﺭﻤﺎﻥ ‪ "Herman‬ﻴﻘﻭل ﺸﻴﺌﹰﺎ ﻝﻪ ﻓﻜﺎﻥ ﻴﺴﻭ‪‬ﻍ ﻋﺩﻡ ﻓﻌل ﺫﻝﻙ‪ .‬ﻜﺎﻥ ﻴﺩﻓﻌﻨﺎ ﻝﻠﺠﻨﻭﻥ‪ .‬ﺘﺠﺎﻫﻠﻨﻲ ﻭ"ﻏﺎﺱ ‪ ."Gus‬ﻜﺎﻥ‬
‫ﺍﻝﺸﺨﺹ ﺍﻝﻭﺤﻴﺩ ﺍﻝﺫﻱ ﻴﺘﻭﺍﺼل ﻤﻌﻪ ﻫﻲ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻴﺞ ‪ ،"Geraldine Page‬ﻷﻥ "ﺠﻴﺭﻱ ‪ "Gerry‬ﻜﺎﻨـﺕ ﻓﻨﺎﻨـﺔ‬
‫ﻴﺴﺘﻁﻴﻊ ﻓﻬﻤﻬﺎ‪ .‬ﻭﻜﺎﻨﺕ ﺘﻜﻥ ﻝﻪ ﺸﻌﻭﺭﹰﺍ ﻋﻅﻴﻤﹰﺎ ﻜﺯﻤﻴل ”‪.‬‬
‫ﺤﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺩﻭﺭ "ﺒﺎﻜﻴﺭ ‪ "Bachir‬ﻓﻲ ﻨﻬﺎﻴﺔ ﺘﺸﺭﻴﻥ ﺍﻝﺜـﺎﻨﻲ‪ /‬ﻨـﻭﻓﻤﺒﺭ ‪ .1953‬ﻭﺒـﺩﺃﺕ‬
‫ﺍﻝﺘﻤﺎﺭﻴﻥ ﻋﻠﻰ ﺍﻷﺩﻭﺍﺭ ﻓﻲ "ﻤﺴﺭﺡ ﺯﻴﻐﻔﻴﻠﺩ ‪ "Ziegfeld Theatre‬ﻝـ "ﺒﻴﻠﻲ ﺭﻭﺯ‪ "Billy Rose‬ﺍﻝﻤﻭﺠﻭﺩ ﻓﻲ ﺍﻝﺠﺎﺩﺓ‬
‫ﺍﻝﺭﺍﺒﻌﺔ ﻭﺍﻝﺨﻤﺴﻴﻥ ﻭﺍﻝﺴﺘﻴﻥ ﺤﺘﻰ ﺃﺼﺒﺢ ﻨﺎﻁﺤﺔ ﺴﺤﺎﺏ ﻤﻥ ﺍﻝﻌﺩﻡ ﺨﻼل ﻤﻭﺴﻡ ﺃﻋﻴﺎﺩ ﺭﺃﺱ ﺍﻝﺴﻨﺔ‪ .‬ﻴﻭﻤﹰﺎ ﺒﻌﺩ ﻴﻭﻡ‬
‫ﺍﺯﺩﺍﺩ ﻗﻠﻕ "ﺭﻭﺙ ‪ "Ruth‬ﻭ "ﺃﻭﻏﻭﺴﺘﻭﺱ ‪ "Augustus‬ﺒﺄﺩﺍﺀ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺒﺩﺃ ﻤﻨﺎﻗﺸـﺔ ﺇﻤﻜﺎﻨﻴـﺔ ﺍﺴـﺘﺒﺩﺍﻝﻪ‪.‬‬
‫ﻭﻋﺎﺭﻀﺕ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻴﺞ ‪ "Geraldine Page‬ﺫﻝﻙ ﻀﻤﻥ ﻨﺼﻴﺤﺘﻬﺎ‪ .‬ﻜﺫﻝﻙ ﻓﻌل "ﻫﻴﺭﻤـﺎﻥ ﺸـﻭﻤﻠﻴﻥ ‪Herman‬‬
‫‪ ."Shumlin‬ﻭﻗﺎل ﺍﻻﺜﻨﺎﻥ ﺇﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻭﻑ ﻴﺼﺒﺢ "ﺒﺎﻜﻴﺭ ‪ "Bachir‬ﺭﺍﺌﻌﹰﺎ‪ .‬ﻝﻡ ﻴﻜﻥ ﻝـﺩﻯ "ﺒﻴﻠـﻲ ﺭﻭﺯ‬
‫‪ "Belly Rose‬ﺃﻱ ﺭﺃﻱ ﺤﻭل ﺍﻝﻤﻭﻀﻭﻉ ﻷﻨﻪ ﻭﺨﻼﻓﹰﺎ ﻝﻤﻌﻅﻡ ﺍﻝﻤﻨﺘﺠﻴﻥ ﻜﺎﻥ ﻴﺒﻘﻰ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺍﻝﺘﻤﺎﺭﻴﻥ ﻓﻲ ﺇﺸـﺎﺭﺓ‬
‫ﻝﺜﻘﺘﻪ ﺍﻝﺘﺎﻤﺔ ﻓﻲ "ﻫﻴﺭﻤﺎﻥ ‪ "Herman‬ﻭ"ﺭﻭﺙ ‪ "Ruth‬ﻭ"ﺃﻭﻏﻭﺴﺘﻭﺱ ‪."Augustus‬‬
‫ﻝﻡ ﻴﻜﻥ ﺩﻭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺒﻴﺭﺍﹰ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻨﻘﻁﺔ ﺍﺭﺘﻜﺎﺯ ﺘﻭﺍﺯﻨﺕ ﻋﻠﻴﻬﺎ ﻜل ﺍﻷﺭﺠﻭﺤﺔ ﺍﻝﺩﺭﺍﻤﺎﺘﻴﻜﻴـﺔ‬
‫ﻝـ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ ."The Immoralist‬ﺇﺫﺍ ﻝﻌﺏ ﺩﻭﺭ "ﺒﺎﻜﻴﺭ ‪ "Bachir‬ﺒﺸﻜل ﻻﻤﻊ ﻓﺴﻭﻑ ﻴﻨﺘﺞ ﺸـﻌﻭﺭﹰﺍ ﺒﺎﻝﺸـﻲﺀ‬
‫ﺍﻝﻤﻘﺩﺭ ﻤﺜل ﺫﻝﻙ ﺍﻝﺫﻱ ﺼﺩﺭ ﻋﻨﺩﻤﺎ ﺃﺒﺩﺕ "ﺭﻭﺙ ‪ "Ruth‬ﻭﺠﻬﺔ ﻨﻅﺭﻫﺎ ﺇﻝﻰ "ﻏﺎﻴﺩ ‪ ،"Gide‬ﺃﻤﺎ ﺇﺫﺍ ﻝﻌـﺏ ﺍﻝـﺩﻭﺭ‬
‫ﺒﺸﻜل ﺴﻴﺊ ﻓﺴﻭﻑ ﻴﻨﻘﻠﺏ ﺍﻝﺸﻲﺀ ﺍﻝﻤﻘﺩﺭ ﺇﻝﻰ ﺸﻲﺀ ﻤﻤﻠﺢ ﺒﺎﻝﻨﻜﺘﺔ‪ ،‬ﺃﻭ ﺃﺴﻭﺃ ﻤﻥ ﻫﺫﺍ‪ ،‬ﺇﻝﻰ ﺘﻜﻠﻑ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻨﻘﺹ ﺍﻝﺤﻤﺎﺴﺔ ﺍﻝﻤﺸﻜﻠﺔ ﺍﻝﻭﺤﻴﺩﺓ ﺍﻝﺘﻲ ﺘﺅﺭﻕ "ﺭﻭﺙ ‪ "Ruth‬ﻭ"ﻏﺎﺱ ‪ ."Gus‬ﻜﺎﻨﺕ ﺍﻝﺸﻜﻭﻙ ﺤـﻭل‬
‫ﺍﻝﻤﺨﺭﺝ ﻗﺩ ﺒﺩﺃﺕ ﺘﺴﺎﻭﺭﻫﻤﺎ ﺃﻴﻀﹰﺎ‪ .‬ﻝﻡ ﺘﻌﺠﺒﻬﻤﺎ ﺍﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﻋﺎﻝﺞ ﺒﻬﺎ " ﺸﻭﻤﻠﻴﻥ ‪ "Shumlin‬ﺍﻝﻤﺸﻬﺩ ﺍﻝﻬﺎﻡ ﺠـﺩﹰﺍ‬
‫ﺍﻝﺫﻱ ﻴﺤﺎﻭل ﻓﻴﻪ "ﺒﺎﻜﻴﺭ ‪ "Bachir‬ﺇﻏﻭﺍﺀ ﺍﻝﺯﻭﺝ‪ .‬ﻜﺎﻥ ﺇﻅﻬﺎﺭ ﺍﻝﻤﺤﺘﻭﻯ ﺍﻝﺸﺎﺫ ﺠﻨﺴﻴﹰﺎ ﺃﺴﺎﺴﻴﹰﺎ‪ .‬ﻜﺎﻥ ﺍﻝﻔﺘﻰ ﻴﻌﻠﻡ ﺇﻝﻰ‬
‫ﺃﻴﻥ ﻴﺴﻴﺭ‪ ،‬ﻭﺘﻭﺠﺏ ﻋﻠﻰ ﺍﻝﻤﺸﺎﻫﺩﻴﻥ ﺃﻥ ﻴﻌﺭﻓﻭﺍ ﺃﻨﻪ ﻴﻌﻠﻡ‪ .‬ﻝﻡ ﻴﻜﻥ " ﺸﻭﻤﻠﻴﻥ ‪ "Shumlin‬ﻴﻘﻭﻡ ﺒﺎﻹﺨﺭﺍﺝ ﻤﻥ ﺃﺠل‬
‫ﻫﺫﻩ ﺍﻝﻨﺘﻴﺠﺔ‪ ،‬ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻴﺒﺩﻭ ﺤﺘﻰ ﺇﻨﻪ ﻴﻔﻬﻡ ﺃﻥ ﺫﻝﻙ ﻤﻬﻡ‪.‬‬
‫ﻁﻠﺏ "ﺭﻭﺙ ‪ "Ruth‬ﻭ"ﻏﺎﺱ ‪ "Gus‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻤﻥ "ﺒﻴﻠﻲ ﺭﻭﺯ ‪ "Belly Rose‬ﺍﻝﻘﺩﻭﻡ ﻝﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ‪ .‬ﺃﺘـﻰ‬
‫ﻭﺸﺎﻫﺩ ﻭﻭﺍﻓﻕ ﻤﻌﻬﻤﺎ‪ .‬ﻜﺎﻥ "ﺩﺍﻨﻴﻴل ﻤﺎﻥ ‪ "Daniel Mann‬ﺍﻝﻤﺨﺭﺝ ﺍﻝﺠﺩﻴﺩ‪.‬‬
‫ﻝﻜﻥ ﻝﻡ ﻴﺴﺘﺒﺩل"ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﻓﻲ ﺒﺩﺍﻴﺔ ﻜﺎﻨﻭﻥ ﺍﻝﺜﺎﻨﻲ ‪ /‬ﻴﻨﺎﻴﺭ ﻜﺎﻨﺕ ﺍﻝﻔﺭﻗﺔ ﺍﻝﻤﻌﺩﺓ ﻝﻠﻤﻌﺭﻜﺔ ﻗﺩ ﺍﻨﻁﻠﻘﺕ‬
‫ﺇﻝﻰ ﻤﺩﻴﻨﺔ ﺍﻝﺤﺏ ﺍﻷﺨﻭﻱ ﺤﻴﺙ "ﻤﺴﺭﺡ ﻓﻭﺭﻴﺴﺕ ‪ "Forrest Theater‬ﻤﻥ ﺃﺠل ﺘﺠﺭﺒﺔ ﺍﻝﻤﺴﺭﺤﻴﺔ‪.‬‬
‫ﺘﻘﻭل "ﺭﻭﺙ ‪“ :"Ruth‬ﻭﺼﻠﻨﺎ ﺇﻝﻰ ﻓﻴﻼﺩﻝﻔﻴﺎ ﻭﺒﺩﺃﻨﺎ ﺒﺠﻤﻊ ﺍﻷﺸﻴﺎﺀ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺫﻝﻙ ﻜﺎﻝﻜﺎﺒﻭﺱ‪ .‬ﻜـﺎﻥ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺴﻴﺌﺎﹰ‪ ،‬ﻭﻭﺍﺠﻬﻨﺎ ﻜل ﺃﻨﻭﺍﻉ ﺍﻝﻤﺼﺎﻋﺏ ﺍﻝﺘﻘﻨﻴﺔ ﻭﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺇﻋﺎﺩﺓ ﺍﻝﻜﺘﺎﺒﺔ”‪.‬‬
‫“ ﻝﻜﻨﻨﺎ ﺒﺩﺃﻨﺎ ﻤﻥ ﺠﺩﻴﺩ‪ ،‬ﻭﻤﻨﺤﻨﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺩﺍ ‪‬ﺀ ﺠﻴﺩﹰﺍ ﺠﺩﹰﺍ ﻓﻲ ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﺜﻡ ﺃﺼﺒﺢ ﻤﺭﻭﻋﹰﺎ ﺠﺩﹰﺍ ﻓﻲ‬
‫ﻻ ﺇﻝﻰ ﺍﻝﻨﻘﻁﺔ ﺍﻝﺘﻲ ﻜﺎﻥ ﻓﻴﻬﺎ "ﺒﻴﻠﻲ ‪ "Belly‬ﺠﺎﻫﺯﹰﺍ ﻝﻘﺘﻠﻪ‪ .‬ﻭﺍﺠﻪ "ﺠﻴﻤـﻲ‬ ‫ﺍﻷﻴﺎﻡ ﺍﻝﺜﻼﺜﺔ ﺃﻭ ﺍﻷﺭﺒﻌﺔ ﺍﻝﺘﻲ ﺘﻠﺕ ﻭﺼﻭ ﹰ‬
‫‪ "Jimmy‬ﺨﻼل ﺍﻝﺘﻤﺭﻴﻥ ﻭﻗﺎل ﻝﻪ‪ ‘ :‬ﺍﺴﻤﻌﻨﻲ ﺃﻴﻬﺎ ﺍﻝﺸﺎﺏ ﺍﻝﺘﺎﻓﻪ‪ ،‬ﺇﺫﺍ ﻝﻡ ﺘﺅ ِ‪‬ﺩ ﻋﻤﻠﻙ‪ ،‬ﻓﺈﻨﻨﻲ ﺴﻭﻑ ﺃﺤﻁﻤﻙ’‪ .‬ﻜﺎﻨﺕ‬
‫ﻫﻨﺎﻙ ﻤﻭﺍﺠﻬﺔ ﻗﺒﻴﺤﺔ ﺸﺭﺴﺔ‪ ،‬ﻭﺒﺎﻝﻁﺒﻊ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻓﻀل ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ”‪.‬‬
‫“ ﻜﺎﻥ ﺃﺩﺍﺀ "ﺠﻴﺭﻱ ‪ "Gerry‬ﺠﻴﺩﹰﺍ ﺩﺍﺌﻤﹰﺎ‪ .‬ﻜﺎﻨﺕ ﻨﺠﻤﺔ‪ .‬ﻭﺘﺤﺴﻥ "ﺠﻭﺭﺩﺍﻥ ‪ "Jordan‬ﻜﺜﻴﺭﹰﺍ ﻭﻜﺎﻥ ﺠﻴﺩﹰﺍ ﺒﺎﻝﻨﺴﺒﺔ‬
‫ﻝﻨﺎ‪ .‬ﻜﺎﻥ ﺍﻝﺠﻤﻴﻊ ﺠﻴﺩﻴﻥ ﺒﺸﻜل ﺜﺎﺒﺕ ﻤﺎ ﻋﺩﺍ ﺫﻝﻙ ﺍﻝﻭﺤﺵ ﺍﻝﺼﻐﻴﺭ ﺍﻝﺫﻱ ﻜﺎﻥ ﺭﺍﺌﻌﹰﺎ ﻓﻲ ﻝﻴﻠﺔ ﻭﻤﺭﻭﻋﹰﺎ ﻓﻲ ﺍﻝﻠﻴﻠـﺔ‬
‫ﺍﻝﺘﺎﻝﻴﺔ”‪.‬‬
‫“ ﺒﻴﻨﻤﺎ ﻜﻨﺎ ﻓﻲ ﻓﻴﻼﺩﻝﻔﻴﺎ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺘﻌﻠﻴﻘﺎﺕ ﺍﻝﺴﻴﺌﺔ ﺤﻭل ﺍﻝﻤﺴﺭﺤﻴﺔ ﻓﻲ ﺼﺤﺎﻓﺔ ﻨﻴﻭﻴـﻭﺭﻙ‪.‬‬
‫ﻭﻓﻲ ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ ﺃﻁﻠﻕ "ﺒﻭﺏ ﺃﻨﺭﺴﻭﻥ‪" "Bob Anderson‬ﺍﻝﺸﺎﻱ ﻭﺍﻝﺘﻌﺎﻁﻑ ‪ "Tea and Sympathy‬ﻭﺍﻝﺘـﻲ ﻜـﻥ‬
‫ﻴﻨﺘﺠﻬﺎ "ﻏﻴﺩﺝ – ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ ،"Gadge – Elia Kazan‬ﻭﻜﺎﻥ "ﻏﻴﺩﺝ ‪ "Gadge‬ﻤﺘﺸﻭﻗﹰﺎ ﺠﺩﹰﺍ ﻝﻤﺸﺎﻫﺩﺓ ﻤﺎ ﻜﺎﻥ ﻝﺩﻴﻨﺎ‪.‬‬
‫ﻭﻝﻡ ﺃﻋﻠﻡ ﺤﺘﻰ ﺒﻘﺩﻭﻤﻪ ﺇﻝﻰ ﻓﻴﻼﺩﻝﻔﻴﺎ‪ ،‬ﻝﻜﻨﻪ ﺃﺘﻰ‪ ،‬ﻭﺸﺎﻫﺩ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻭﺍﻝﺘﻘﺎﻩ ﻓﻲ ﺤﻔﻠﺔ ﻨﻬﺎﺭﻴﺔ‪ ،‬ﻭﻗﺩ‬
‫ﺍﻝﺘﻘﺎﻩ ﺠﻴﺩﹰﺍ‪ .‬ﻻ ﺒﺩ ﺃﻨﻪ ﺸﺎﻫﺩ ﺒﻌﺽ ﺃﺩﺍﺌﻪ ﺍﻝﻘﻠﻴل ﺍﻝﺠﻴﺩ ﻓﻲ ﻓﻴﻼﺩﻝﻔﻴﺎ‪ .‬ﻭﻨﺤﻥ ﺒﺎﻝﻁﺒﻊ ﻻ ﻨﻌﺭﻑ ﺸﻴﺌﹰﺎ ﻋﻥ ﻫﺫﺍ”‪.‬‬
‫“ ﻝﻜﻥ‪ ،‬ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻐﺘﺎﻅﹰﺎ ﻤﻨﺎ ﺒﺸﻜل ﻭﺍﻀﺢ ﺒﺴﺒﺏ ﺃﻨﻨﺎ ﻜﻨـﺎ ﻗﺴـﺎﺓ ﻤﻌـﻪ‪،‬‬
‫ﻭﺃﻋﻁﺎﻨﺎ ﻓﻲ ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﺃﺩﺍ ‪‬ﺀ ﺠﻴﺩﺍﹰ‪ ،‬ﺃﺩﺍ ‪‬ﺀ ﺭﺍﺌﻌﹰﺎ ﺒﺎﻝﻔﻌل‪ ،‬ﻝﻜﻥ ﺤﻴﻥ ﺍﻨﺘﻬﻰ ﻓـﻲ ﺍﻝﺴـﺎﻋﺔ ﺍﻝﺤﺎﺩﻴـﺔ‬
‫ﻋﺸﺭﺓ‪ ،‬ﺃﻋﻁﺎﻨﺎ ﻤﻼﺤﻅﺘﻪ!”‪.‬‬
‫“ ﻭﻋﻨﺩﻤﺎ ﺴﻤﻌﻨﺎ ﺍﻝﺨﺒﺭ ﻜﻨﺎ ﻤﺫﻫﻭﻝﻴﻥ ﺒﺎﻝﻨﺴﺒﺔ ﻝﻤﻤﺜل ﺸﺎﺏ ﻨﺎل ﺍﻹﻋﺠﺎﺏ ﻓﻲ ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﻓﻲ ﻨﻴﻭﻴـﻭﺭﻙ‪.‬‬
‫ﻤﺎﺫﺍ‪ ...‬ﻤﺎﺫﺍ ﻴﻌﻨﻲ؟ ﻭﺃﺨﺒﺭ ﻤﺩﻴﺭ ﺍﻝﻤﺴﺭﺡ ﺒﺄﻨﻪ ﺴﻴﺭﺤل‪ ،‬ﻭﻫﻜﺫﺍ ﻋﺎﺩ ﻤﺨﺭﺠﻨـﺎ "ﺩﺍﻨـﻲ ﻤـﺎﻥ ‪"Danny Mann‬‬
‫ﻝﻠﺘﺤﺩﺙ ﻤﻌﻪ ﻝﻴﻜﺘﺸﻑ ﻤﺎ ﻴﺤﺩﺙ‪ ،‬ﻭﻗﺎل "ﺠﻴﻤﻲ ‪ ‘:"Jimmy‬ﻝﻘﺩ ﺤﺼﻠﺕ ﻋﻠﻰ ﻋﺭﺽ‪ .‬ﺴﻭﻑ ﺃﻗﻭﻡ ﺒﺘﻤﺜﻴل ﻓﻴﻠﻡ ﻝـ‬
‫"ﻏﻴﺩﺝ – ﻜﺎﺯﺍﻥ ‪ ."Gadge – Kazan‬ﺴﻭﻑ ﻴﻘﻭﻤﺎﻥ ﺒﺈﻨﺘﺎﺝ ﻓﻴﻠﻡ ﻴﺩﻋﻰ "ﺸﺭﻕ ﻋﺩﻥ ‪ .’"East of Eden‬ﻝﻘـﺩ ﻓﻌـل‬
‫"ﻏﻴﺩﺝ ‪ "Gadge‬ﻫﺫﺍ‪ ،‬ﻭﺍﻋﺘﻘﺩﺕ ﺃﻥ ﺫﻝﻙ ﻜﺎﻥ ﺨﺩﻋﺔ ﻤﻘﺯﺯﺓ ”‪.‬‬
‫“ ﺤﺴﻨﺎﹰ‪ ،‬ﺒﻌﺩ ﺃﻥ ﻋﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻓﻌل ﻫﺫﺍ ﻤﻌﻨﺎ‪ ،‬ﻤﻨﺤﻨﺎ ﺜﻼﺜﺔ ﺃﺴﺎﺒﻴﻊ ﻤﻥ ﺍﻝﺘﺄﻝﻕ ﺍﻝﻔﺭﻴﺩ ﺒﺤﻴﺙ ﺇﻨﻪ‬
‫ﻝﻡ ﻴﺴﺘﻁﻊ ﺃﺤﺩ ﻤﻥ ﺍﻝﺫﻴﻥ ﺤﺎﻭﻝﻭﺍ ﺍﻝﻠﺤﺎﻕ ﺒﻪ ﺃﻥ ﻴﻜﻭﻥ ﺒﻤﺜل ﺠﻭﺩﺘﻪ”‪.‬‬
‫ﻤﺘﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﻔﺴﻪ ﻓﻲ ﺘﻠﻙ ﺍﻷﺴﺎﺒﻴﻊ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﺠﺩﻱ ﻜﺴﺏ ﺍﻷﻤﻭﺍل ﺃﻭ ﺍﺴﺘﺨﺩﺍﻡ ﺒﻌـﺽ ﻤﻨﻬـﺎ‬
‫ﻝﺸﺭﺍﺀ ﺩﺭﺍﺠﺔ ﻨﺎﺭﻴﺔ ﻜﺎﻨﺕ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﺍﺸﺘﺭﺍﻫﺎ ﻤﻨﺫ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﺃﺤﻀﺭﻫﺎ ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﻝﺨﻠـﻑ ﺍﻝﻤﺴـﺭﺡ‬
‫ﻤﺒﺎﺸﺭﺓ ﺇﻝﻰ ﻏﺭﻓﺔ ﺘﺒﺩﻴل ﺍﻝﻤﻼﺒﺱ ﺍﻝﺨﺎﺼﺔ ﺒـ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻴﺞ ‪ "Geraldine Page‬ﻭﺤﺎﻭل ﺇﻗﻨﺎﻋﻬﺎ ﺒﺎﻝﺫﻫﺎﺏ ﻤﻌـﻪ‬
‫ﻓﻲ ﺠﻭﻝﺔ‪.‬‬
‫ﻓﻲ ﻫﺫﻩ ﺍﻷﺜﻨﺎﺀ ﺘﻌﺭﻓﺕ ﻋﻠﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺃﻋﺠﺒﺕ ﺒﻪ ﻭﻨﺎﺩﺭﹰﺍ ﻤﺎ ﻜﺎﻨﺕ ﻤﻨﺩﻫﺸﺔ ﻤﻥ ﺃﻱ ﺸﻲﺀ ﻴﻌﻤﻠﻪ‪،‬‬
‫ﻼ ﻓﻲ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪."The Immoralist‬‬
‫ﻝﻜﻨﻪ ﺒﻬﺭﻫﺎ ﺒﺎﻝﻔﻌل ﻋﻨﺩﻤﺎ ﻗﺎﺒﻠﺘﻪ ﻷﻭل ﻤﺭﺓ ﺨﻼل ﺘﺠﺭﺒﺔ ﻝﻸﺩﻭﺍﺭ ﻗﺒ ﹰ‬
‫ﻨﻅﺭﺕ ﺤﻭﻝﻬﺎ ﻓﺭﺃﺕ ﺃﻥ ﻜل ﺍﻝﻤﻤﺜﻠﻴﻥ ﻜﺎﻨﻭﺍ ﺒﺄﺤﺴﻥ ﺘﺼﺭﻓﺎﺘﻬﻡ ﻭﻤﺘﺸﻭﻗﻴﻥ ﻹﺭﻀﺎﺀ ﺍﻝﻤﺨﺭﺝ‪ .‬ﺜﻡ ﺃﺩﺭﻜـﺕ‬
‫ﺃﻨﻬﺎ ﻝﻡ ﺘﻼﺤﻅ ﺸﺎﺒﺎﹰ‪ ،‬ﻫﺒﻁ ﻓﺠﺄﺓ ﺒﻘﺒﻌﺘﻪ ﺍﻝﻤﻠﺘﻔﺔ ﻋﻠﻰ ﻨﻅﺎﺭﺘﻪ ﻭﻗﺒﺘﻪ ﺍﻝﻭﺍﻗﻔﺔ‪ .‬ﻭﺤﺯﺭﺕ ﺒﺄﻥ ﻫﺫﺍ ﻻ ﺒﺩ ﺃﻨﻪ "ﺠﻴﻤﻲ ﺩﻴﻥ‬
‫‪."Jimmy Dean‬‬
‫ﺒﺩﺃ " ﺸﻭﻤﻠﻴﻥ ‪ "Shumlin‬ﺨﻼل ﺍﻝﻤﺸﻬﺩ ﺍﻷﻭل ﺒﺈﻋﻁﺎﺀ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺒﻌﺽ ﺍﻷﺴﻁﺭ ﻝﻠﻘﺭﺍﺀﺓ )ﻤﺒﻴﻨﹰﺎ ﻝﻬﻡ ﺍﻹﻴﻘﺎﻉ‬
‫ﻭﺍﻝﻭﺘﻴﺭﺓ ﺍﻝﺼﺤﻴﺤﻴﻥ ﻝﻜﻼﻤﻬﻡ(‪ .‬ﻜﺎﻨﻭﺍ ﺨﺎﺌﻔﻴﻥ ﻤﻥ ﻫﺫﺍ ﺍﻝﺘﺤﻘﻴﺭ ﻤﻥ ﻜﻤﺎﻝﻬﻡ ﺍﻝﻔﻨﻲ‪ ،‬ﻝﻜﻥ ﻝﻡ ﻴﺠﺭﺅ ﺃﺤﺩ ﻋﻠﻰ ﻗﻭل ﺃﻱ‬
‫ﺸﻲﺀ‪ .‬ﺤﺎﻥ ﻭﻗﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﻘﺭﺍﺀﺓ‪ ،‬ﻓﺩﻤﺩﻡ ﺃﻭل ﺴﻁﺭ ﻝﻪ ﻋﻠﻰ ﻨﺤﻭ ﻏﻴﺭ ﻤﺴﻤﻭﻉ‪.‬‬
‫“ ﺃﺴﺘﻤﻴﺤﻙ ﻋﺫﺭﹰﺍ‪ .‬ﻴﺠﺏ ﺃﻥ ﺘﻘﺭﺃ ﺍﻝﺴﻁﺭ ﺍﻷﻭل ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﻨﺤﻭ‪ :‬ﺘﺎ – ﺩﻭﻡ‪ ،‬ﺘﺎ‪ -‬ﺩﻭﻡ – ﺘﺎ‪ -‬ﺩﻭﻡ”‪ .‬ﻗـﺎل "‬
‫ﺸﻭﻤﻠﻴﻥ ‪."Shumlin‬‬
‫ﺴﺎﺩ ﺍﻝﺼﻤﺕ‪ .‬ﻭﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ “ :‬ﺴﻴﺩ " ﺸﻭﻤﻠﻴﻥ ‪ ،"Shumlin‬ﻝﻤﺎﺫﺍ ﺘﻬﻴﻥ ﺫﻜﺎﺌﻲ؟”‪.‬‬
‫ﺍﻨﺘﻅﺭ ﺍﻝﻤﻤﺜﻠﻭﻥ ﺍﻵﺨﺭﻭﻥ ﺍﻻﻨﻔﺠﺎﺭ‪ .‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺄﺕ‪.‬‬
‫ﻥ ﻫﺫﺍ‪ .‬ﻜﻴﻑ ﺃﻫﻨﺕ ﺫﻜﺎﺀﻙ؟”‪.‬‬
‫ﻗﺎل" ﺸﻭﻤﻠﻴﻥ ‪ "Shumlin‬ﺒﺼﻭﺕ ﻤﻨﺨﻔﺽ‪ “ :‬ﻝﻡ ﺃﻋ ﹺ‬
‫ﻗﺎل "ﺠﻴﻤﻲ ‪ “ :"Jimmy‬ﺤﺴﻨﺎﹰ‪ ،‬ﻫﺫﻩ ﻫﻲ ﺍﻝﻘﺭﺍﺀﺓ ﺍﻷﻭﻝﻰ ﻭﺘﺭﻴﺩﻨﻲ ﺃﻥ ﺃﻗﺭﺃ ﺍﻝﺴﻁﺭ ﺒﻁﺭﻴﻘﺔ ﻤﻌﻴﻨﺔ‪ .‬ﺃﺭﻴﺩ ﺃﻥ‬
‫ﻴﺘﺎﺡ ﻝﻲ ﺍﻝﻭﻗﺕ ﻝﻠﺘﻌﺭﻑ ﻋﻠﻰ ﺍﻷﺸﺨﺎﺹ ﺍﻝﺫﻴﻥ ﻤﻥ ﺍﻝﻤﻔﺘﺭﺽ ﺃﻥ ﺃﺘﻜﻠﻡ ﻤﻌﻬﻡ ﻭﺃﻥ ﺘﺘﺴﻨﻰ ﻝﻲ ﺍﻝﻔﺭﺼﺔ ﻷﻗﺭﺭ ﺸﻴﺌﹰﺎ‬
‫ﻻ”‪.‬‬
‫ﻤﺎ ﺃﻭ ﹰ‬
‫ﺍﻵﻥ ﺴﻭﻑ ﺘﻬﺏ ﺍﻝﻌﺎﺼﻔﺔ‪.‬‬
‫ﻝﻜﻥ ﻗﺎل" ﺸﻭﻤﻠﻴﻥ ‪ "Shumlin‬ﻓﻘﻁ‪ “ :‬ﺃﻨﺎ ﺁﺴﻑ ﺠﺩﹰﺍ”‪.‬‬
‫ﻋﺭﻓﺕ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻴﺞ ‪ "Geraldine Page‬ﺃﻨﻬﺎ ﺴﺘﻌﺠﺏ ﺒﻬﺫﺍ ﺍﻝﻤﻤﺜل ﺍﻝﺸﺎﺏ ﺍﻝﺠﺩﻴﺩ‪.‬‬
‫ﺍﻓﺘﺘﺢ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ "The Immoralist‬ﻓﻲ ‪ 8‬ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ﻋﺎﻡ ‪ ،1954‬ﻓﻲ ﻋﻴﺩ ﻤـﻴﻼﺩ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﺍﻝﺜﺎﻝﺙ ﻭﺍﻝﻌﺸﺭﻴﻥ‪ .‬ﻝﻡ ﻴﻜﻥ ﺍﻝﻨﻘﺩ ﻤﻐﺎﻻﺓ ﺒﺎﻝﻤﺩﻴﺢ ﻝﻜﻨﻪ ﻜﺎﻥ ﻤﺤﺘﺭﻤـﹰﺎ ﻴﻘـﻭل "ﻭﺍﻝﺘـﺭ ﻜﻴـﺭ ‪ "Walter Kerr‬ﻓـﻲ‬
‫"ﺍﻝﻬﻴﺭﺍﻝﺩﺘﺭﻴﺒﻴﻭﻥ ‪ “ :"Herald Tribune‬ﻓﻲ ﺍﻗﺘﺒﺎﺱ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ "The Immoralist‬ﻝـ "ﺁﻨﺩﺭﻴـﻪ ﻏﺎﻴـﺩ ‪André‬‬
‫‪ "Gide‬ﻝﻠﻤﺴﺭﺡ‪ ،‬ﺃﻅﻬﺭ "ﺭﻭﺙ ‪ "Ruth‬ﻭ "ﺁﻏﻭﺴﺘﻭﺱ ﻏﻭﻴﺘﺯ ‪ "Augustus Goetz‬ﺼﺭﺍﺤﺔ ﻫﺎﺩﺌﺔ ﻭﺼـﺒﻭﺭﺓ ﻓـﻲ‬
‫ﻤﻭﻀﻭﻉ ﺍﻝﺸﺫﻭﺫ ﺍﻝﺠﻨﺴﻲ‪ ،‬ﻝﻜﻥ ﻫﺫﺍ ﻻ ﻴﻌﻨﻲ ﻤﺯﺍﺠﹰﺎ ﻤﺴﺭﺤﻴﹰﺎ ﻤﺒﺘﻬﺠﹰﺎ‪ .‬ﻫﻨﺎﻙ ﺫﻭﻕ ﻓﻲ ﻭﻓﺭﺓ ﺍﻝﻜﺘﺎﺒـﺔ ﻭﺍﻹﺨـﺭﺍﺝ‬
‫ﻭﺍﻝﺘﻤﺜﻴل ﻓﻲ "ﺍﻝﺭﻭﻴﺎل ‪ ،"Royale‬ﻝﻜﻥ ﻫﻨﺎﻙ ﻋﺎﻁﻔﺔ ﻗﻠﻴﻠﺔ ﺠﺩﹰﺍ‪ ...‬ﺠﻌل "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻴﺒﺩﻭ ﺒـﺄﻝﻭﺍﻥ‬
‫ﻤﺘﻌﺩﺩﺓ ﺸﺨﺼﹰﺎ ﺫﻤﻴﻤﹰﺎ ﺨﺒﻴﺜﹰﺎ ﻤﺜﻴﺭﹰﺍ ﻝﻠﺸﻙ”‪.‬‬
‫ﻴﻘﻭل "ﺭﻴﺘﺸﺎﺭﺩ ﻭﺍﺘﺱ ‪ "Richard Watts‬ﻓﻲ "ﺍﻝﺒﻭﺴﺕ ‪ “ :"Post‬ﺇﻥ "ﺠﻴﻤﺱ ﺩﻴـﻥ ‪ "James Dean‬ﺒﻐـﻴﺽ‬
‫ﺒﺸﻜل ﻭﺍﻗﻌﻲ ﺘﻤﺎﻤﹰﺎ ﻜﺎﻝﺸﺨﺹ ﺍﻝﻘﺫﺭ”‪ .‬ﺃﻤﺎ ﻓﻲ "ﻭﺭﻝﺩ ﺘﻴﻠﻴﻐـﺭﺍﻡ ‪ "World Telegram‬ﻓﻴﻘـﻭل "ﻭﻴﻠﻴـﺎﻡ ﻫـﻭﻜﻴﻨﺯ‬
‫‪“:"William Hawkins‬ﺇﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻜﻔﺘﻰ ﺍﻝﻤﻨﺯل ﻫﻭ ﺍﻝﺫﻱ ﻴﺭﻤﺯ ﺒﺎﻷﺼل ﻭﺒﺸﻜل ﻭﺍﻀﺢ ﺇﻝﻰ‬
‫ﺸﺨﺼﻴﺔ ﺍﻝﺸﺨﺹ ﺍﻝﻭﻗﺢ ﺍﻝﺭﺨﻴﺹ ﻭﺍﻻﻨﺘﻬﺎﺯﻴﺔ ﺍﻝﻼ ﺃﺨﻼﻗﻴﺔ ﺍﻝﺘﻲ ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺯﻭﺝ ﺃﻥ ﻴﺤﺎﺭﺒﻬﺎ”‪.‬‬
‫ﻤﺭﺓ ﺃﺨﺭﻯ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻓﻀل ﻤﻥ ﺍﻝﻤﺴﺭﺤﻴﺔ‪ .‬ﻜﺴﺏ ﺒﻌﻤﻠﻪ ﻜـ "ﺒﺎﻜﻴﺭ ‪" "Bachir‬ﺠﺎﺌﺯﺓ ﻤﺴﺭﺡ‬
‫‪"Daniel‬‬ ‫‪Blum‬‬ ‫‪world‬‬ ‫‪Award‬‬ ‫ـﻭﻡ‬
‫ـل ﺒﻠــــــــــ‬
‫ﺩﺍﻨﻴﻴــــــــــ‬
‫ﻜـ “ﺃﻓﻀل ﻭﺍﻓﺩ ﻝﻠﻌﺎﻡ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺜﺎﻤﻥ‬

‫ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ ﻋﻠﻰ ﻤﻐﺎﺩﺭﺓ " ﺠﻴﻤﻲ ‪ " Jimmy‬ﻝﻜﺎﺩﺭ " ﺍﻝﻼﺃﺨﻼﻗـﻲ‪ ،"The Immoralist‬ﺃﻁﻠﻘـﺕ "ﻭﺭﻨـﺭ‬
‫ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﺍﻷﺨﺒﺎﺭ ﻋﻥ ﺍﻨﻔﺼﺎﻝﻪ ﺍﻝﻜﺒﻴﺭ‪ .‬ﺤﻤﻠﺕ ﺍﻝﺼﻔﺤﺎﺕ ﺍﻝﻤﺴﺭﺤﻴﺔ ﻝﻌﺩﺩ ‪ 8‬ﺁﺫﺍﺭ‪/‬ﻤـﺎﺭﺱ‬
‫ﻋﺎﻡ ‪ 1945‬ﻤﻥ ﺼﺤﻴﻔﺔ "ﺘﺎﻴﻤﺯ ‪ "Times‬ﺍﻝﻨﻴﻭﻴﻭﺭﻜﻴﺔ ‪" “ :‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ، "James Dean‬ﺍﻝﺫﻱ ﺼﻨﻊ ﺩﻭﺭ ﺍﻝﺨﺎﺩﻡ‬
‫ﺍﻝﻌﺭﺒﻲ ﺍﻝﺸﺎﺏ ﻓﻲ ﺒﺭﻭﺩﻭﺍﻱ ﻤﺎﻨﺤ ﹰﺎ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ ،"The Immoralist‬ﻗﺩ ﺘﻡ ﺍﺨﺘﻴﺎﺭﻩ ﻤﻥ ﻗﺒل "ﺇﻴﻠﻴﺎ ﻜـﺎﺯﺍﻥ ‪Elia‬‬
‫‪ "Kazan‬ﻝﻠﺩﻭﺭ ﺍﻝﺫﻜﻭﺭﻱ ﺍﻝﺭﺌﻴﺴﻲ ﻓﻲ ﻨﺴﺨﺔ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻤﻥ ﺭﻭﺍﻴﺔ "ﺠـﻭﻥ ﺸـﺘﺎﻴﻨﺒﻴﻙ‬
‫‪" "John Steinbeck‬ﺸﺭﻕ ﻋﺩﻥ ‪.”"East of Eden‬‬
‫ﻜﺎﻥ ﺍﻝﺒﻁل ﺍﻝﺫﻱ ﺃﻭﺸﻙ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪"Jimmy Dean‬ﻋﻠﻰ ﺘﺠﺴﻴﺩﻩ ﻴﺘﻁﻭﺭ ﺨﻼل ﻋﻘﻭﺩ ﻜﺜﻴﺭﺓ‪ .‬ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ‪،‬‬
‫ﻝﺒﺱ ﺍﻝﺸﺨﺹ ﺍﻝﺠﻴﺩ ﻗﺒﻌﺔ ﺒﻴﻀﺎﺀ ﻭﺩﺍﻓﻊ ﻋﻥ ﺍﻷﺨﻼﻗﻴﺎﺕ ﺍﻝﻤﻘﺩﺴﺔ ﻤﻥ ﺍﻝﻤﻠﻜﻴﺔ ﺍﻝﺨﺎﺼﺔ ﺤﺘﻰ ﺍﻝﻤﻭﺕ‪ ،‬ﻝﻜﻨﻪ ﻨـﺎﺩﺭﹰﺍ‬
‫ﻤﺎ ﺘﻭﻓﻲ‪ ،‬ﻭﺩﺍﺌﻤﹰﺎ ﻜﺎﻥ ﻴﺤﺼل ﻋﻠﻰ ﺍﻝﻔﺘﺎﺓ ﺇﺫﺍ ﺒﻘﻲ ﺤﻴﹰﺎ‪ .‬ﻭﺒﻬﺫﺍ ﻜﺎﻥ ﻴﻬﺯﻡ ﺍﻷﺸﺨﺎﺹ ﺍﻝﺴﻴﺌﻴﻥ )ﺒﻘﺒﻌﺎﺘﻬﻡ ﺍﻝﺴﻭﺩﺍﺀ(‪،‬‬
‫ﻭﺤﺎل ﺩﻭﻥ ﺍﻏﺘﺼﺎﺏ ﺍﻝﻔﺘﺎﺓ ﺍﻝﺒﻴﻀﺎﺀ )ﻋﻠﻰ ﺍﻷﻗل ﻤﻥ ﺍﻷﺸﺨﺎﺹ ﺍﻝﺴﻴﺌﻴﻥ( ﻭﻗﺘل ﺒﻭﺤﺸﻴﺔ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺴـﻤﺭ‬
‫ﺍﻝﺒﺸﺭﺓ ﺍﻝﺫﻴﻥ ﻜﺎﻥ ﺃﻏﻠﺒﻬﻡ ﻤﻥ ﺍﻝﻬﻨﻭﺩ ﺃﻭ ﺍﻝﻤﻜﺴﻴﻜﻴﻴﻥ‪.‬‬
‫ﻻ‬
‫ﺜﻡ‪ ،‬ﻭﺒﻁﺭﻴﻘﺔ ﻤﺎ‪ ،‬ﻭﻓﻲ ﺨﻼل ﻓﺘﺭﺓ ﺍﻝﺜﻼﺜﻴﻨﻴﺎﺕ ﺒﻜﺴﺎﺩﻫﺎ ﺍﻝﻤﻘﻴﺩ‪ ،‬ﺒﺩﺃ ﺍﻷﺸﺨﺎﺹ ﺍﻝﺴﻴﺌﻭﻥ ﻴﺒﺩﻭﻥ ﺃﻜﺜﺭ ﻗﺒـﻭ ﹰ‬
‫ﻭﻝﻡ ﻴﻜﻥ ﻤﻥ ﺍﻝﺴﻬل ﺩﻋﻡ ﺍﻷﺨﻼﻗﻴﺔ ﺍﻝﻘﺩﻴﻤﺔ “ ﺍﺸﻨﻘﻬﻡ ﻝﺴﺭﻗﺔ ﺭﻏﻴﻑ ﻤﻥ ﺍﻝﺨﺒﺯ” ﻋﻨـﺩﻤﺎ ﻜـﺎﻥ ﺍﻝﻨـﺎﺱ ﺤﻘﻴﻘـﺔ‬
‫ﻴﺠﻭﻋﻭﻥ‪ .‬ﺃﻁﻠﻕ ﺍﻝﻨﺎﺭ ﻋﻠﻰ ﺃﺒﻁﺎل ﺃﻤﺜﺎل "ﻜﺎﻏﻨﻲ ‪ "Cagny‬ﻋﻠﻰ ﺩﺭﺠﺎﺕ ﺍﻝﻜﻨﻴﺴﺔ‪ ،‬ﺒﻴﻨﻤﺎ ﺘﺭﻨﺢ ﺁﺨـﺭﻭﻥ ﺃﻤﺜـﺎل‬
‫"ﻏﺎﺭﻓﻴﻠﺩ ‪ "Garfield‬ﻋﻠﻰ ﻋﺘﺒﺔ ﺍﻝﺒﻴﺕ ﺍﻝﺫﻱ ﻻ ﻤﺜﻴل ﻝﻪ ﻝﻴﻤﻭﺕ ﺒﻴﻥ ﺫﺭﺍﻋﻲ ﺃﻤﻪ‪ .‬ﻜﺎﻨﺕ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﻤﻴل ﺃﻗل ﻨﺤـﻭ‬
‫ﺍﻷﺴﻔل ﻤﻥ ﺍﻷﻋﻠﻰ‪ ،‬ﺒل ﺃﻜﺜﺭ ﻤﻥ ﺍﻷﺴﻔل ﻨﺤﻭ ﺍﻷﻋﻠﻰ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺍﻝﺼﻌﺏ ﻜﺭﻩ ﺃﻱ ﺸﺨﺹ ﻴﻤﻜﻥ ﺃﻥ ﺘﻌﺭﻓﻪ ﺤﻘﹰﺎ‪.‬‬
‫ﻓﻲ ﺍﻷﺭﺒﻌﻴﻨﻴﺎﺕ‪ ،‬ﺤﺭﻙ ﺒﻁل "ﺒﻭﻏﺎﺭﺕ ‪ "Bogart‬ﻗﺎﺴﻲ ﺍﻝﻤﻼﻤﺢ ﺼﺎﺤﺏ ﺍﻝﻘﻠﺏ ﺍﻝﺭﻗﻴﻕ ﺍﻝﺼﻭﺭﺓ ﺒﻌﻴﺩﹰﺍ ﻨﺤﻭ‬
‫ﻭﺴﻁ ﻤﻴﺯﺍﻥ ﺍﻝﺨﻴﺭ ﻭﺍﻝﺸﺭ‪ .‬ﻋﺭﻑ ﺃﻨﻪ ﻤﺤﻜﻭﻡ ﻋﻠﻴﻪ ﻤﻥ ﻤﺠﺘﻤﻊ ﻓﺎﺴﺩ ﺃﻥ ﻴﻜﻭﻥ ﻓﺎﺴﺩﹰﺍ‪ .‬ﻋﺭﻑ ﺃﻨﻪ ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ‬
‫ﻴﻐﺵ ﻭﻴﻘﺘل ﻝﻴﻌﻴﺵ ﻝﻜﻥ ﻫﺫﺍ ﻝﻡ ﻴﻤﻨﻌﻪ ﻤﻥ ﻋﻤل ﻤﺎ ﻫﻭ ﺠﻴﺩ ﺒﻘﺩﺭ ﻤﺎ ﻴﺴﺘﻁﻴﻌﻪ ﺨﻼل ﻜل ﺍﻝﻁﺭﻴﻕ‪.‬‬
‫ﻝﺫﻝﻙ ﺭﺒﻤﺎ ﻜﺎﻥ ﻫﻨﺎﻙ ﺒﺎﻝﻔﻌل ﻭﺠﻬﺎﻥ ﻝﻜل ﻗﺼﺔ‪ ،‬ﻭﺭﺒﻤﺎ‪ ،‬ﻋﻠﻰ ﺍﻷﻗل ﻓﻲ ﺒﻌﺽ ﺍﻷﻭﻗﺎﺕ‪ ،‬ﻜﺎﻥ ﺍﻝﻭﺠﻪ ﺍﻝﺴﻴﺊ‬
‫ﺤﻘﻴﻘﺔ ﻓﻴﻬﺎ ﺍﻝﻭﺠﻪ ﺍﻝﺠﻴﺩ‪ .‬ﻭﺒﻨﻅﺭﺓ ﻤﺘﻔﺤﺼﺔ ﺩﻗﻴﻘﺔ‪ ،‬ﺒﺩﺍ ﻫﻨﺎﻙ ﺒﻌﺽ ﺍﻝﻔﺠﻭﺍﺕ ﻓﻲ ﺍﻝﺒﻨﺎﺀ ﺍﻝﻤﻘﺩﺱ ﻝﻸﻤﻼﻙ ﺍﻝﺨﺎﺼﺔ‬
‫ﻭﺍﻝﺘﻤﻴﻴﺯ ﺍﻝﻌﻨﺼﺭﻱ‪.‬‬
‫ﺒﻌﺩ ﻫﺫﺍ ﻭﻓﻲ ﺍﻝﻌﺎﻡ ‪ ،1947‬ﻗﺎﻡ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﺒـﺸﻕ ﻁﺭﻴﻘﻪ ﺒﺸﺨﺼﻴﺔ ‪,‬ﻭﺒﺴـﻁﻭﺭﻩ‬
‫ﺍﻷﺨﻴﺭﺓ ﻨﺤﻭ ﺍﻝﺸﻌﻭﺭ ﺍﻝﻘﻭﻤﻲ ﻓﻲ "ﻋﺭﺒﺔ ﺍﺴﻤﻬﺎ ﺍﻝﺭﻏﺒﺔ ‪ "Streetcar Named Desire‬ﻝــ "ﺘﻴﻨﻴﺴـﻲ ﻭﻴﻠﻴـﺎﻤﺯ‬
‫‪) "Tennessee Williams‬ﻤﻊ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻜﻘﺎﺌﺩ(‪ .‬ﻜﺎﻥ ﺍﻝﺒﻁل ﻫﻨﺎ ﻭﺒﻜل ﻋﻤﻕ ﻤﻌﺭﻀﹰﺎ ﻝﻠﻬﺠﻭﻡ ﻭﺤﺴﺎﺴﹰﺎ ﺠﺩﹰﺍ‬
‫ﺒﺤﻴﺙ ﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺍﻝﺘﻅﺎﻫﺭ ﺒﻌﺩﻡ ﺍﻻﻫﺘﻤﺎﻡ ﺒﺎﻝﻤﺭﺓ ﻓﻘﻁ ﻝﻴﺤﻴﺎ ﻭﻴﻌﻴﺵ‪ .‬ﻝﻘﺩ ﺃﺼﺒﺢ ﺍﻝﺴﻴﺊ ﺍﻝﻭﺤﺸﻲ ﺍﻝﻁﺎﻫﺭ ﺍﻝﻭﺭﻉ‪.‬‬
‫ﻜﺎﻥ "ﻜﻭﺍﻝﺴﻜﻲ ‪ "Kowalski‬ﺸﻬﻴﺩﹰﺍ ﺃﻤﻴﹰﺎ ﺩﺍﺌﻡ ﺍﻝﻐﻤﻐﻤﺔ ﻝﻠﺘﺤﺎﻤل ﻭﺍﻝﺘﺤﻴﺯ ﻝﻠﻁﺒﻘﺔ ﺍﻝﻬﺯﻴﻠﺔ ﺍﻝﺤﺎﻜﻤﺔ‪ .‬ﻤﻥ ﺴﻭﻑ ﻴﻠﻭﻤﻪ‬
‫ﻝﺨﻁﻔﻪ ﻋﺩﺓ ﻝﺤﻅﺎﺕ ﻤﻥ ﺍﻝﺨﻀﻭﻉ ﺍﻝﺤﺴﻲ ﻜﻬﺭﻭﺏ ﻤﻥ ﻭﻋﻴﻪ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻨﺴﻴﺎﻥ ﺍﻝﺫﻱ ﻗﺩﺭﻩ ﻝﻪ ﺍﻝﻤﺠﺘﻤﻊ؟‬
‫ﻝﻜﻥ ﻝﻡ ﻴﻜﻥ "ﺒﺭﺍﻨﺩﻭ ‪ "Brando‬ﻤﻊ ﺍﻝﻌﺎﻡ ‪“ 1954‬ﺍﻝﺜﺎﺌﺭ ﺍﻝﺸﺎﺏ” ﺸﺎﺒﹰﺎ ﻜﻤﺎ ﻜﺎﻥ‪ .‬ﻜﺎﻥ‪ ،‬ﻭﻋﻠﻰ ﺍﻷﻗل ﺤﺴـﺏ‬
‫ﺭﺃﻱ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ ،‬ﺠﺎﻫﺯﹰﺍ ﻝﻔﻠﻙ ﻫﻭﻝﻴﻭﻭﺩ ﺍﻷﻜﺜﺭ ﺜﺒﺎﺘﹰﺎ ﻝﻠﻨﺠﻡ ﺍﻝﻤﺘﻘﻠﺏ ﻝﻜﻥ ﺍﻝﻤﻭﺜﻭﻕ ﺒﻪ‪ .‬ﺍﺤﺘﺎﺝ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺇﻝﻰ‬
‫ﻓﺘﻰ ﺠﺩﻴﺩ ﻝﻴﻠﺒﺱ ﺍﻷﺤﺫﻴﺔ ﺍﻝﻁﻭﻴﻠﺔ ﻤﻊ ﺍﻝﺴﺘﺭﺓ ﻭﻴﺄﺨﺫ ﻫﺫﺍ ﺍﻝﻤﺤل‪.‬‬
‫ﻴﻌﻁﻲ ﻤﻠﺨﺹ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻋﻥ ﺍﻝﻔﻴﻠﻡ ﺒﻌﺽ ﺍﻝﻔﻜﺭﺓ ﻋﻥ ﺍﻝﺒﻁل ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺤﺎﻭل‬
‫"ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺍﻝﺒﺤﺙ ﻋﻨﻪ‪.‬‬
‫"ﺸﺭﻕ ﻋﺩﻥ ‪"EAST OF EDEN‬‬

‫ﻜﺎﻥ ﻤﻥ ﺒﻴﻥ ﺍﻝﻁﻼﺏ ﺍﻝﻤﻨﺩﻓﻌﻴﻥ ﺨﺎﺭﺠ ﹰﺎ ﻤﻥ ﺼﻔﻭﻓﻬﻡ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻝﻴﻭﻡ "ﺁﺭﻭﻥ ﺘﺭﺍﺴﻙ ‪Aron‬‬
‫‪) "Trask‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺭﻴﺘﺸﺎﺭﺩ ﺩﺍﻓﺎﻝﻭﺱ ‪ ("Richard Davalos‬ﻭﺼﺩﻴﻘﺘﻪ "ﺁﺒـﺭﺍ ‪"Abra‬‬
‫)ﺍﻝﺘﻲ ﺘﻠﻌﺏ ﺩﻭﺭﻫﺎ " ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ ("Julie Harris‬ﻤﻊ "ﻜﺎل ‪ "Cal‬ﺃﺨﻲ "ﺁﺭﻭﻥ ‪) "Aron‬ﺍﻝﺫﻱ‬
‫ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ .("James Dean‬ﻴﺭﺍﻓﻕ ﺍﻻﺜﻨﻴﻥ ﺇﻝﻰ ﻤﺤل ﻝﻠﺘﺒﺭﻴﺩ ﺤﻴﺙ ﺃﺒـﻭﻫﻡ "ﺁﺩﻡ‬
‫ﺘﺭﺴﺎﻙ ‪)"Adam Trask‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ " ﺭﻴﻤﻭﻨﺩ ﻤﺎﺴـﻲ ‪ ("Raymond Massey‬ﻴﺸـﺭﺡ‬
‫ﺒﺈﺜﺎﺭﺓ ﺇﻝﻰ "ﻭﻴل ﻫﺎﻤﻠﺘﻭﻥ ‪) "Will Hamilton‬ﺍﻝﺫﻱ ﻴﻠﻌـﺏ ﺩﻭﺭﻩ "ﺃﻝﺒﻴـﺭﺕ ﺩﻴﻜـﺭ ‪Albert‬‬
‫‪ ("Dekker‬ﺨﻁﺘﻪ ﻤﻥ ﺃﺠل ﺍﻝﺤﻔﺎﻅ ﻋﻠﻰ ﺍﻝﺨﻀﺎﺭ ﻁﺎﺯﺠﺔ ﺒﺎﻝﺘﺒﺭﻴﺩ‪ .‬ﻴﻔﺼﺢ "ﺁﺩﻡ ‪ "Adam‬ﻭﻫﻭ‬
‫ﻴﻘﺩﻡ ﺃﺒﻨﺎﺀﻩ ﻋﻠﻨﹰﺎ ﺃﻥ "ﺁﺭﻭﻥ ‪ "Aron‬ﻫﻭ ﺍﺒﻨﻪ ﺍﻝﻤﻔﻀل‪ .‬ﻴﻌﺭﻑ "ﻜﺎل ‪ "Cal‬ﻤﻥ ﺍﻝﻤـﺄﻤﻭﺭ"ﺴـﺎﻡ‬
‫ﻜﻭﺒﺭ ‪) "Sam Cooper‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺒﺭل ﺁﻴﻔﺯ ‪ ("Burl Ives‬ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﺃﻥ ﺃﻤﻪ "ﻜﻴﺕ‬
‫‪) "Cate‬ﺍﻝﺘﻲ ﺘﻠﻌﺏ ﺩﻭﺭﻫﺎ "ﺠﻭ ﻓﺎﻥ ﻓﻠﻴﺕ ‪ ("Jo Van Fleet‬ﺍﻝﺘﻲ ﻫﺠﺭﺕ ﻭﺍﻝـﺩﻩ ﻗﺒـل ﻋـﺩﺓ‬
‫ﺴﻨﻭﺍﺕ ﻫﻲ ﺼﺎﺤﺒﺔ ﻗﺎﻋﺔ ﺍﻝﺭﻗﺹ ﻭﺍﻝﻘﻤﺎﺭ ﺴﻴﺌﺔ ﺍﻝﺴﻤﻌﺔ‪ .‬ﻋﻨﺩﻤﺎ ﻴﻔﺸل ﻤﺸﺭﻭﻉ "ﺁﺩﻡ ‪"Adam‬‬
‫ﻝﻠﺘﺒﺭﻴﺩ‪ ،‬ﻴﺩﺨل "ﻜﺎل ‪ "Cal‬ﺍﻝﻤﺘﺸﻭﻕ ﻝﺭﺒﺢ ﺘﻌﺎﻁﻑ ﺃﺒﻴﻪ ﻓﻲ ﺸﺭﺍﻜﺔ ﺭﺍﺒﺤﺔ ﻤـﻊ "ﻭﻴـل ‪."Will‬‬
‫ﻭﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﻓﻲ ﻤﺩﻴﻨﺔ ﺍﻝﻤﻼﻫﻲ‪ ،‬ﻴﻌﺭﺽ "ﻜﺎل ‪ "Cal‬ﻋﻠﻰ "ﺁﺒـﺭﺍ ‪ "Abra‬ﺠﻭﻝـﺔ ﻓـﻲ‬
‫ﺍﻝﺩﻭﻻﺏ ﺍﻝﻜﺒﻴﺭ‪ .‬ﺘﺼﺭﺡ ﺒﺤﺒﻬﺎ ﻝـ "ﺁﺭﻭﻥ ‪ "Aron‬ﻝﻜﻨﻬﺎ ﺘﻌﻴﺩ ﻗﺒﻠﺔ "ﻜﺎل ‪ "Cal‬ﺒﺎﻨﻔﻌﺎل ﺸـﺩﻴﺩ‪.‬‬
‫ﻴﻘﻭﻡ "ﻜﺎل ‪ "Cal‬ﺃﺜﻨﺎﺀ ﺍﻻﺤﺘﻔﺎل ﺒﻌﻴﺩ ﻤﻴﻼﺩ "ﺁﺩﻡ ‪ "Adam‬ﺒﺎﻝﺘﺤﻀﻴﺭ ﺍﻝﺩﻗﻴﻕ ﻝﺘﻘﺩﻴﻡ ﻜل ﺃﺭﺒﺎﺤـﻪ‬
‫ﻤﻥ ﺍﻝﻤﻀﺎﺭﺒﺔ ﻝﻭﺍﻝﺩﻩ‪ .‬ﻭﻫﻜﺫﺍ‪ ،‬ﻴﺅﻨﺏ "ﺁﺩﻡ ‪ "Adam‬ﺍﺒﻨﻪ ﻝﻬﺫﺍ ﺍﻻﺴﺘﻐﻼل ﻭﻴﻨﺩﺩ ﺒـ "ﻜـﺎل ‪"Cal‬‬
‫ﻤﻥ ﻗﺒل ﺃﺨﻴﻪ‪ .‬ﻴﻘﺭﺭ "ﻜﺎل ‪ "Cal‬ﻋﻨﺩﻫﺎ ﻜﺸﻑ ﺴﺭ ﻭﺍﻝﺩﺘﻬﻡ‪ .‬ﻭﺒﻌﺩ ﺍﻻﺠﺘﻤﺎﻉ ﻤﻌﻬﺎ ﻭﻤﻊ ﺍﻜﺘﺸﺎﻑ‬
‫ﺤﺏ "ﺁﺒﺭﺍ ‪ "Abra‬ﻝـ "ﻜﺎل ‪ ،"Cal‬ﻴﻭﺩﻉ "ﺁﺭﻭﻥ ‪ "Aron‬ﺍﻝﻤﺘﻐﻴﺭ ﻜﻠﻴﹰﺎ ﻭﺍﻝﺴـﻜﺭﺍﻥ "ﺁﺩﻡ ‪"Adam‬‬
‫ﻗﺒل ﻤﻐﺎﺩﺭﺘﻪ ﻝﻼﻝﺘﺤﺎﻕ ﺒﺎﻝﺠﻴﺵ‪ .‬ﻴﺘﻡ ﺤﻤل "ﺁﺩﻡ ‪ "Adam‬ﺍﻝﻤﺠﺭﻭﺡ ﺒﻤﺠﺭﻴﺎﺕ ﺍﻷﺤﺩﺍﺙ ﻝﻠﺒﻴـﺕ‪.‬‬
‫ﻭﻴﻌﺘﺭﻑ ﻫﻨﺎﻙ ﻤﻊ ﻤﻨﺎﺸﺩﺓ "ﺁﺒﺭﺍ ‪ "Abra‬ﻝﻪ ﺒـ ﻜﺎل ‪ "Cal‬ﺃﺨﻴﺭﹰﺍ ﻭﻴﺒﺎﺭﻜﻬﻤﺎ ﻤﻌﹰﺎ‪.‬‬

‫ﻤﻊ ﺍﺴﺘﺜﻨﺎﺀ ﺍﻝﺘﻌﺒﻴﺭ “ﻗﺎﻋﺔ ﺍﻝﺭﻗﺹ” ﺍﻝﺘﻲ ﻋﻨﺕ ﺒﻴﺕ ﺍﻝﺒﻐﺎﺀ‪ ،‬ﻓﺈﻥ ﻫﺫﻩ ﻫﻲ ﺍﻝﻘﺼﺔ ﺍﻝﺘﻲ ﺘﺭﺠﻤﻬﺎ ﻜﺎﺘﺏ ﻨﺹ‬
‫ﺍﻝﻔﻴﻠﻡ "ﺒﻭل ﺃﻭﺯﺒﻭﺭﻥ ‪ "Paul Osborn‬ﻤﻥ ﺍﻝﺭﻭﺍﻴﺔ ﺍﻝﺴﻤﻴﻜﺔ ﻝـ "ﺸﺘﺎﻴﻨﺒﻴﻙ ‪."Steinbeck‬‬
‫ﻴﻘﻭل "ﻜﺎﺯﺍﻥ ‪“ :"Kazan‬ﻋﻨﺩﻤﺎ ﻗﺩﻤﺕ "ﺠﻭﻥ ‪ "John‬ﺇﻝﻰ "ﺩﻴﻥ ‪ ،"Dean‬ﺃﻋﻨﻲ‪ ،‬ﻋﻨﺩﻤﺎ ﻗﺩﻤﺕ "ﺩﻴـﻥ ‪"Dean‬‬
‫ﺇﻝﻰ "ﺠﻭﻥ ‪ ،"John‬ﺍﺼﻁﺤﺒﺘﻪ ﺇﻝﻰ ﻫﻨﺎﻙ ﻓﺄﻋﺠﺏ ﺒﻪ "ﺠﻭﻥ ‪ "John‬ﻓﻭﺭﹰﺍ ﻝﻠﺩﻭﺭ‪ .‬ﻗﺎل‪ ‘ ،‬ﻴﺎ ﺇﻝﻬﻲ‪ ،‬ﺇﻨﻪ "ﻜﺎل ‪.’"Cal‬‬
‫ﻭﻜﺎﻥ ﺫﻝﻙ ﻗﺭﻴﺒﹰﺎ ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﺤﻘﻴﻘﺔ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻜﺫﻝﻙ ﺒﺎﻝﻔﻌل”‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺤﺴﺎﺴﹰﺎ ﺒﺸﻜل ﻤﺭﻭﻉ ﻜﻤﻤﺜل‪ ،‬ﻭﻫﺫﺍ ﻤﺎ ﺍﻋﺘﺎﺩﻭﺍ ﻋﻠﻰ ﺘﺴﻤﻴﺘﻪ ﺃﺩﺍﺓ‪ .‬ﻜﺎﻥ ﺒﺎﺴـﺘﻁﺎﻋﺘﻙ‬
‫ﺍﻝﺭﺅﻴﺔ ﻤﻥ ﺨﻼل ﻤﺸﺎﻋﺭﻩ‪ .‬ﻜﺎﻥ ﻤﻠﺘﻭﻴﹰﺎ ﺠﺩﹰﺍ ﻭﻤﺭﻴﻀﹰﺎ‪ .‬ﻗﺎل ﺍﻝﻨﺎﺱ ﺇﻨﻪ ﻴﺸﺒﻪ "ﺒﺭﺍﻨﺩﻭ ‪ ،"Barndo‬ﻝﻜﻥ ﻻ ﻴﻭﺠﺩ ﺃﺤﺩ‬
‫ﻤﺜل "ﺒﺭﺍﻨﺩﻭ ‪ "Barndo‬ﺒﺎﻝﻤﺭﺓ‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﺍﻝﻘﻠﻴل ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﻤﺭﻭﻨﺔ ﻭﻗﺎﺒﻠﻴﺔ ﺍﻝﺘﻜﻴﻑ‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻜﺫﻝﻙ ﻁﺒﻴﻌﺔ ﺸﺨﺹ‬
‫ﻤﺠﺭﻭﺡ‪ ،‬ﻭﻤﺠﺭﻭﺡ ﺠﺩﹰﺍ‪ .‬ﻜﺎﻥ ﺍﻝﺸﻲﺀ ﺍﻝﺭﺌﻴﺴﻲ ﺍﻝﺫﻱ ﺘﺸﻌﺭ ﺒﻪ ﻤﻨﻪ ﻫﻭ ﺍﻝﺠﺭﺡ‪ ،‬ﻭﻜﺎﻥ ﺍﻝﺸﻲﺀ ﺍﻝﺭﺌﻴﺴـﻲ ﺍﻝـﺫﻱ‬
‫ﺸﻌﺭﺕ ﺒﻪ ﺍﻝﻔﺘﻴﺎﺕ ﻭﺍﻷﻭﻻﺩ ﻭﺍﻝﺸﻭﺍﺫ ﻨﺤﻭﻩ ﻫﻭ ﺃﻨﻙ ﺴﻭﻑ ﺘﻀﻊ ﺫﺭﺍﻋﻙ ﺤﻭﻝﻪ ﻭﺘﺤﻤﻴﻪ ﻭﺘﺭﻋﺎﻩ – ﻻ ﺘﺨﻑ ﻴـﺎ‬
‫ﻓﺘﻰ‪ .‬ﺃﻨﺎ ﺇﻝﻰ ﺠﺎﻨﺒﻙ”‪.‬‬
‫“ﻜﺎﻥ ﻏﺎﺭﻗﹰﺎ ﺒﺎﻝﺸﻔﻘﺔ ﻋﻠﻰ ﺍﻝﺫﺍﺕ‪ ،‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻪ ﻝﻡ ﻴﻅﻬﺭ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺫﻝﻙ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻏﺎﺭﻗﹰﺎ ﻓﻲ ﻋﺫﺍﺏ‬
‫ﻭﺃﻝﻡ ﺍﻝﺭﻓﺽ‪ .‬ﻭﻜﺎﻥ ﺒﻘﻴﺔ ﺍﻝﻤﻤﺜﻠﻴﻥ ﻤﻬﺘﻤﻴﻥ ﻜﺜﻴﺭﹰﺍ ﻷﻤﺭﻩ‪ .‬ﻜﺎﻥ ﺍﻝﺸﺨﺹ ﺍﻷﻜﺜﺭ ﺤﻅﹰﺎ ﻓﻲ ﺍﻝﻌﺎﻝﻡ ﺒﺤﺼـﻭﻝﻪ ﻋﻠـﻰ‬
‫"ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ "Julie Harris‬ﻝﻠﻌﻤل ﻤﻌﻪ‪ ،‬ﻷﻨﻪ ﻜﺎﻥ ﻴﻤﻜﻥ ﻝﻪ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻓﺘﺎﺓ ﺘﻐﻀﺏ ﻤﻨﻪ ﻓﺘﺨﺼﻴﻪ‪ .‬ﻜﺎﻥ ﻤﻥ‬
‫ﺍﻝﺴﻬل ﺇﺨﺼﺎﺅﻩ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﺴﻬل ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﻓﺘﺎﺓ ﺘﺠﻤﺩﻩ‪ ،‬ﻝﻜﻨﻬﺎ ﻜﺎﻨﺕ ﻝﻁﻴﻔﺔ ﺠﺩﺍﹰ‪ ،‬ﻤﻬﺫﺒﺔ‪ ،‬ﻤﺤﺒﻭﺒﺔ ﻭﺸﺨﺼـﹰﺎ‬
‫ﻤﺘﻔﻬﻤﹰﺎ‪ .‬ﺇﻨﻬﺎ ﺘﺸﺒﻪ ﺸﺨﺼﻴﺘﻬﺎ "ﺁﺒﺭﺍ ‪ "Abra‬ﻜﺜﻴﺭﹰﺍ‪ .‬ﺇﻥ "ﺠﻭﻝﻲ ‪ "Julie‬ﻗﺩﻴﺴﺔ‪ .‬ﻜﺎﻨﺕ ﻤﺩﻫﺸﺔ ﻤﻌـﻪ‪ ،‬ﺍﻋﺘﻨـﺕ ﺒـﻪ‬
‫ﻭﺸﺠﻌﺘﻪ ﻭﺩﻋﻤﺘﻪ‪ .‬ﻭﺃﺤﺱ ﺍﻝﻤﻤﺜﻠﻭﻥ ﺍﻵﺨﺭﻭﻥ ﺃﻨﻪ ﻜﺎﻥ ﻤﻭﻫﻭﺒﹰﺎ ﺠﺩﹰﺍ‪ ،‬ﺍﻝﺸﻲﺀ ﺍﻝﺫﻱ ﻜﺎﻥ ﻭﺍﻀﺤﺎﹰ‪ ،‬ﻭﻝﻜﻥ ﻓﻭﻕ ﻜـل‬
‫ﻫﺫﺍ ﺃﺤﺴﻭﺍ‪ :‬ﺒﺄﻨﻙ ﻻ ﺘﺴﺘﻁﻴﻊ ﻫﺯﻴﻤﺔ ﻫﺫﺍ‪ ،‬ﻭﻫﺫﺍ ﻫﻭ ﺍﻝﺩﻭﺭ! ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﺘﻠﻙ ﺍﻝﻤﻌﺠﺯﺍﺕ ﺍﻝﺨﺎﺼﺔ ﺒﺈﻋﻁﺎﺀ ﺍﻝﺩﻭﺭ‬
‫ﺤﻴﺙ ﻨﺠﺤﺕ ﺘﻤﺎﻤﹰﺎ”‪.‬‬
‫ﺘﺨﺘﻠﻑ ﺫﺍﻜﺭﺓ "ﻜﺎﺯﺍﻥ ‪"Kazan‬ﻋﻥ ﻜﻴﻔﻴﺔ ﺇﻴﺠﺎﺩﻩ "ﺩﻴﻥ ‪ "Dean‬ﺒﺸﻜل ﻤﻼﺤﻅ ﻋﻥ ﻗﺼﺔ "ﺭﻭﺙ ﻏﻭﻴﺘﺯ ‪Ruth‬‬
‫‪ "Goetz‬ﺤﻭل ﺍﻻﻜﺘﺸﺎﻑ‪ .‬ﻴﻘﻭل‪ “ :‬ﻝﻡ ﻴﻜﻥ ﺃﺤﺩ ﻤﺎ ﺒﺒﺎﻝﻲ‪ ،‬ﻓﺒﺩﺃﺕ ﺍﻝﺒﺤﺙ‪ .‬ﺃﺨﺒﺭﻨﻲ "ﺒﻭل ﺃﻭﺯﺒﻭﺭﻥ ‪"Paul Osborn‬‬
‫ﺒﺄﻨﻪ ﻗﺩ ﺸﺎﻫﺩ ﻤﺴﺭﺤﻴﺔ "ﺍﻝﻼﺃﺨﻼﻗﻲ ‪ "The Immoralist‬ﻝـ "ﻏﺎﻴﺩ ‪ "Gide‬ﻋﻠﻰ "ﻤﺴﺭﺡ ﺭﻭﻴـﺎل ‪"Royal Theatre‬‬
‫ﻭﺃﻥ "ﺩﻴﻥ ‪ "Dean‬ﻗﺩ ﺃﺩﻯ ﺸﻴﺌﹰﺎ ﻤﻤﻴﺯﹰﺍ ﻫﻨﺎﻙ‪ .‬ﻗﺎل ﻝﻲ ﺇﻨﻪ ﻴﺠﺏ ﻋﻠﻲ ﺃﻥ ﺃﺭﺍﻩ‪ .‬ﻓﺎﺘﺼﻠﺕ ﺒﻪ ﻭﻝﻡ ﺃﺫﻫﺏ ﻗﻁ ﻝﻤﺸﺎﻫﺩﺓ‬
‫ﺍﻝﻤﺴﺭﺤﻴﺔ‪ .‬ﻓﺎﺘﺼﻠﺕ ﺒـ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﻌﺠﻭﺯ ﻭﺫﻫﺒﺕ ﻝﻠﻘﺎﺌﻪ ﻓﻜﺎﻥ ﺠﺎﻝﺴﹰﺎ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ‪ .‬ﻭﻤﺎ ﺃﺤﺎﻭل ﻓﻌﻠـﻪ ﻫـﻭ‬
‫ﻤﺤﺎﻭﻝﺘﻲ ﺍﻝﺘﺤﺩﺙ ﺇﻝﻰ ﺍﻝﻨﺎﺱ”‪.‬‬
‫ﻻ ﻤﻌﺭﻓﺔ ﻤﺎﻫﻴﺘﻪ‪ ،‬ﻭﺒﻌﺩ ﻓﺘﺭﺓ ﺃﺨﺫﻨﻲ ﻓﻲ ﺠﻭﻝﺔ ﺨﻠﻔﻪ ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ ﺍﻝﻨﺎﺭﻴﺔ‪ .‬ﻜﺎﻥ ﻫـﺫﺍ‬ ‫“ ﺘﺤﺩﺜﺕ ﺇﻝﻴﻪ ﻤﺤﺎﻭ ﹰ‬
‫ﻻ‪ .‬ﺃﻨﺎ ﻝﺴﺕ ﻤﺘﺤﻤﺴﹰﺎ ﻝﻠﺩﺭﺍﺠﺎﺕ ﻝﻜﻥ ﻭﺒﺄﻱ ﺤﺎل‪ ،‬ﺍﺠﺘﻤﻌﻨﺎ ﻤﺭﺘﻴﻥ ﺃﻭ ﺜﻼﺙ ﻤﺭﺍﺕ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻭﺍﻀـﺤﹰﺎ ﻤﻨـﺫ‬ ‫ﻤﻘﺒﻭ ﹰ‬
‫ﺍﻝﺒﺩﺍﻴﺔ ﺃﻨﻪ ﻜﺎﻥ ﻤﻼﺌﻤﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺴﺅﺍل ﻗﻁ‪ .‬ﻜﺎﻥ ﺍﻝﻤﻭﻀﻭﻉ ﻫﻭ ﺇﻗﻨﺎﻉ ﺸﺭﻜﺔ "ﻭﺭﻨﺭ‪ " Warner‬ﺃﻨﻨﻲ‬
‫ﺃﺭﺩﺕ ﺇﻨﺠﺎﺯ ﺍﻝﻔﻴﻠﻡ ﺒﺩﻭﻥ ﻨﺠﻡ”‪.‬‬
‫“ ﻜﻨﺕ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﺃﺠﻨﻲ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻤﺎل ﻝﻬﻡ ﺒﺤﻴﺙ ﺃﻨﻬﻡ ﻜﺎﻨﻭﺍ ﺸﺩﻴﺩﻱ ﺍﻻﻫﺘﻤﺎﻡ ﺒﺄﻥ ﺃﻓﻌل ﻤﺎ ﺃﺭﻴﺩﻩ‪.‬‬
‫ﻻ‪ .‬ﻋﻨﺩﻫﺎ ﻗﻠﺕ ﺇﻨﻲ ﺃﺭﻴﺩ ﻋﻤل ﻓﻴﻠﻡ ﻤﻊ ﻓﺘﻰ‪ .‬ﻭﻫﺫﺍ ﻜل ﻤﺎ ﻜﺎﻥ ﻝﻪ‪ .‬ﻭﻭﺍﻓﻘﻭﺍ”‪.‬‬
‫ﻜﺫﻝﻙ‪ ،‬ﻓﻘﺩ ﻜﺎﻨﻭﺍ ﺃﺤﺴﻥ ﺤﺎ ﹰ‬
‫“ ﻻ ﺃﻋﺘﻘﺩ ﺃﻥ "ﺠﺎﻙ ﻭﺭﻨﺭ ‪ "Jack Warner‬ﻗﺩ ﺸﺎﻫﺩﻩ ﺤﺘﻰ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺃﺤﻀﺭﺘﻪ ﺇﻝﻰ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ‬
‫ﺤﺘﻰ ﺃﻴﺔ ﺃﻤﺘﻌﺔ‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻓﻘﻁ ﺒﻌﺽ ﺍﻷﻜﻴﺎﺱ ﻭﺍﻝﻁﺭﻭﺩ ﺍﻝﻭﺭﻗﻴﺔ‪ ،‬ﻭﺒﺩﺍ ﻜﺄﻨﻪ ﻝﻡ ﻴﻜﻥ ﻋﻠﻰ ﻤﺘﻥ ﻁﺎﺌﺭﺓ ﻤﻥ ﻗﺒـل‪.‬‬
‫ﺍﺴﺘﻤﺭ ﺒﺎﻝﻨﻅﺭ ﻤﻥ ﻨﺎﻓﺫﺓ ﺍﻝﻁﺎﺌﺭﺓ ﻝﺭﺅﻴﺔ ﻝﻤﺎﺫﺍ ﻜﺎﻨﺕ ﺘﻁﻴﺭ ﺒﺎﻝﺠﻭ ﻭﻜﻴﻑ ﻜﺎﻨﺕ ﻤﺤﻤﻭﻝﺔ ﻫﻨﺎﻙ ﺒﺤﻕ ﺍﻝﺴﻤﺎﺀ‪ .‬ﺤﺴﻨﹰﺎ‬
‫ﻝﻡ ﻴﻜﻥ ﺴﺎﺫﺠﹰﺎ ﻝﻬﺫﻩ ﺍﻝﺩﺭﺠﺔ‪ .‬ﻁﻠﺒﺕ ﺴﻴﺎﺭﺓ ﻝﻴﻤﻭﺯﻴﻥ ﻝﺘﻘﻠﻨﻲ ﻭﺘﻘﻠﻪ ﻤﻊ ﻁﺭﻭﺩﻩ ﺍﻝﻭﺭﻗﻴﺔ‪ .‬ﻝﻜﻥ ﻭﺒﺠﻤﻴـﻊ ﺍﻷﺤـﻭﺍل‪،‬‬
‫ﺨﺭﺠﻨﺎ ﻤﻥ ﻫﻨﺎﻙ‪ ،‬ﻭﻻ ﺃﻋﻠﻡ ﺃﻴﻥ ﻜﺎﻥ ﺍﻝﻤﻜﺎﻥ‪ ،‬ﻭﻭﺠﺩ ﻝﻪ ﺃﺤﺩﻫﻡ ﺒﻴﺘﺎﹰ‪ ،‬ﻭﻜﻴل ﺃﻭ ﺸﺨﺹ ﻤﺎ‪" ،‬ﺩﻴﻙ ﻜﻠﻴﺘـﻭﻥ ‪Dick‬‬
‫‪.”"Clayton‬‬
‫ﻜﺎﻥ ﺍﻝﺒﻴﺕ ﺍﻝﺫﻱ ﻭﺠﺩﻩ ﻝﻪ "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﻭﻜﻴل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﻋﺒﺎﺭﺓ ﻋـﻥ‬
‫ﻏﺭﻓﺘﻴﻥ ﻤﺯﺩﻭﺠﺘﻴﻥ ﻓﻭﻕ ﺼﻴﺩﻝﻴﺔ ﻤﻭﺍﺠﻬﺔ ﻝﺴﺎﺤﺔ "ﺒﺭﺒﺎﻨـﻙ ﻭﺭﻨـﺭ ﺒـﺭﻭﺫﺭﺯ ‪."Warner Brother's Burbank‬‬
‫ﺘﺸﺎﺭﻙ ﺨﻼل ﺍﻷﺴﺎﺒﻴﻊ ﺍﻷﻭﻝﻰ ﻤﻥ ﺍﻝﺘﺼﻭﻴﺭ ﻓﻲ ﺍﻝﻤﺴﻜﻥ ﻤﻊ ﺍﻝﻤﻤﺜل ﺍﻝﺸﺎﺏ ﺍﻝﻤﻭﻫـﻭﺏ "ﺩﻴـﻙ ﺩﺍﻓـﺎﻝﻭﺯ ‪Dick‬‬
‫‪ "Davalos‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻠﻌﺏ ﺩﻭﺭ ﺃﺨﻴﻪ "ﺁﺭﻭﻥ ‪ ."Aron‬ﻭﻝﻡ ﻴﻤﺽ ﻭﻗﺕ ﻁﻭﻴل ﺤﺘﻰ ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺘﻌﺭﻴﺽ‬
‫" ﺩﺍﻓﺎﻝﻭﺯ ‪ "Davalos‬ﻝﻨﻔﺱ ﺍﻷﻤﺯﺠﺔ ﺍﻝﻤﺨﺘﻠﻔﺔ ﺍﻝﺘﻲ ﺘﻌﺭﺽ ﻝﻬﺎ "ﺒﻴل ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺴﺎﺒﻘﹰﺎ‪ .‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻗـﺭﺭ "‬
‫ﺩﺍﻓﺎﻝﻭﺯ ‪ "Davalos‬ﺃﻨﻪ ﻗﺩ ﺍﻜﺘﻔﻰ ﻤﻥ ﻫﺫﺍ‪ ،‬ﻓﺄﺨﺒﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻭﻀﻭﺡ ﺘﺎﻡ‪ ،‬ﻭﻤﻨﺫ ﺫﻝﻙ ﺍﻝﺤﻴﻥ ﻗﺎﻡ ﺒﺘﺠﺎﻫﻠﻪ ﺇﻻ‬
‫ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻤﺠﺒﺭﹰﺍ ﻋﻠﻰ ﺍﻝﺘﺤﺩﺙ ﻤﻌﻪ ﺒﺎﻝﺸﺨﺼﻴﺔ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ‪ .‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﺎﺭﺝ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ‬
‫ﻼ ﻝﻠﻤـﺭﺓ‬
‫ﺒﻤﻁﺎﺭﺩﺓ " ﺩﺍﻓﺎﻝﻭﺯ ‪ "Davalos‬ﻭﻫﻭ ﻴﻨﺘﺤﺏ ﻭﻴﻌﺘﺫﺭ‪ ،‬ﻝﻜﻥ " ﺩﺍﻓﺎﻝﻭﺯ ‪ "Davalos‬ﺭﻓﺽ ﺃﻥ ﻴﻜﻭﻥ ﻤﻐﻔـ ﹰ‬
‫ﺍﻝﺜﺎﻨﻴﺔ‪.‬‬
‫ﻋﺭﻑ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺒﻐﺭﻴﺯﺘﻪ ﺃﻨﻪ ﻴﺠﺏ ﻋﻠﻴﻪ ﺍﻝﺒﻘﺎﺀ ﻗﺭﻴﺒﹰﺎ ﻝﻤﺭﺍﻗﺒﺔ ﻫﺫﺍ ﺍﻝﻘﺎﺌﺩ ﺍﻝﺸﺎﺏ‪ “ .‬ﻜﻨﺕ ﺃﻋﻴﺵ ﻓﻲ‬
‫ﺸﻘﺔ‪ ،‬ﻭﻝﻡ ﺘﻜﻥ ﺯﻭﺠﺘﻲ ﻭﺃﻭﻻﺩﻱ ﻤﻌﻲ‪ .‬ﺨﻁﺭﺕ ﻝﻲ ﻓﻜﺭﺓ ﺍﻻﻨﺘﻘﺎل ﺇﻝﻰ ﻏﺭﻓﺔ ﺍﻝﻤﻼﺒﺱ ﻓﻲ ﺍﻝﺴﺎﺤﺔ‪ .‬ﻭﺃﺨﺫﺕ ﻝـﻪ‬
‫ﻏﺭﻓﺔ ﺍﻝﻤﻼﺒﺱ ﺍﻝﺘﺎﻝﻴﺔ ﻝﻪ‪ ،‬ﺒﺤﻴﺙ ﻜﺎﻥ ﺘﺤﺕ ﻨﺎﻅﺭﻱ ﻁﻭﺍل ﺍﻝﻭﻗﺕ‪ .‬ﺍﺴﺘﻁﻌﺕ ﻤﺭﺍﻗﺒﺘﻪ‪ ،‬ﻭﺘﺸﺠﻴﻌﻪ‪ ،‬ﻭﺍﻝﺘﺄﻜﻴﺩ ﻋﻠـﻰ‬
‫ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻤﺸﻭﺸﹰﺎ ﻤﻥ ﺃﻱ ﺸﻲﺀ‪ .‬ﻜﺎﻨﺕ ﻏﺭﻑ ﻤﻼﺒﺱ ﻜﺒﻴﺭﺓ‪ :‬ﻜﺎﻥ ﻓﻴﻬﺎ ﻏﺭﻓﺔ ﺠﻠﻭﺱ ﻭﻏﺭﻓـﺔ ﻨـﻭﻡ ﻭﺤﻤـﺎﻡ‬
‫ﻭﻤﻁﺒﺦ – ﺸﻘﻕ ﻝﻠﻨﺠﻭﻡ‪ .‬ﻭﻜﺎﻥ ﻫﻨﺎﻙ ﺍﺜﻨﺘﺎﻥ ﻓﺎﺭﻏﺘﺎﻥ ﻤﺘﺠﺎﻭﺭﺘﺎﻥ‪ ،‬ﻓﺎﻨﺘﻘﻠﺕ ﺇﻝﻰ ﻭﺍﺤﺩﺓ ﻭﻨﻘﻠﺘﻪ ﻝﻸﺨﺭﻯ ﻭﻜﺎﻥ ﺸﻴﺌﹰﺎ‬
‫ﻼ ﺠﺩﹰﺍ‪ .‬ﻝﻘﺩ ﺃﺭﺍﺤﻨﻲ ﺫﻝﻙ‪ ،‬ﻭﺴﻤﺢ ﻝﻪ ﺒﺎﻝﺤﺼﻭل ﻋﻠﻰ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻨﻭﻡ‪ .‬ﻝﻡ ﻴﻜﻥ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻪ ﺍﻝﻘﻴﺎﺩﺓ ﻜﺜﻴـﺭﹰﺍ‪.‬‬ ‫ﺠﻤﻴ ﹰ‬
‫ـﺔ‪.‬‬ ‫ـﻪ ﺍﻝﻨﺎﺭﻴـ‬
‫ـﺘﻥ ﺩﺭﺍﺠﺘـ‬ ‫ـﻰ ﻤـ‬‫ـﺎﺩﺭﺓ ﻋﻠـ‬‫ـﺔ ﺍﻝﻬـ‬‫ـﻙ ﺍﻝﺠﻭﻝـ‬ ‫ـﺫﻨﻲ ﺒﺘﻠـ‬
‫ـﺫ ﺃﺨـ‬‫ـﻪ ﻤﻨـ‬ ‫ـﻥ ﻗﻴﺎﺩﺘـ‬‫ـﹰﺎ ﻤـ‬‫ـﺕ ﺨﺎﺌﻔـ‬ ‫ﻜﻨـ‬
‫ﻴﺎ ﺇﻝﻬﻲ‪ ،‬ﻝﻡ ﺃﻜﻥ ﻷﺫﻫﺏ ﻝﻭ ﻋﻠﻤﺕ ﺒﺨﺼﻭﺹ ﻋﻴﻨﻴﻪ ﺍﻝﻠﻌﻴﻨﺘﻴﻥ ﺍﻝﺴﻴﺌﺘﻴﻥ‪ .‬ﻝﻜﻥ ﺘﻭﺠﺏ ﻋﻠﻲ ﺃﻥ ﺃﻗـﻭل ﻝـﻪ ﻓـﻲ‬
‫ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪‘ :‬ﻝﻥ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﻗﻴﺎﺩﺓ ﻝﻠﺩﺭﺍﺠﺔ ﺍﻝﻨﺎﺭﻴﺔ ﺤﺘﻰ ﺘﻨﺘﻬﻲ ﻤﻥ ﺍﻝﻔﻴﻠﻡ‪ .‬ﺍﺫﻫﺏ ﻭﺍﻗﺘل ﻨﻔﺴﻙ ﺒﻌﺩ ﺍﻻﻨﺘﻬﺎﺀ‪ ،‬ﻝﻜﻥ‬
‫ﻻ ﺘﻘﺩ ﺃﺒﺩﹰﺍ’‪ .‬ﺍﻀﻁﺭﺭﺕ ﻷﻥ ﺃﻀﻊ ﻫﺫﺍ ﻓﻲ ﺫﻫﻨﻪ‪ ،‬ﻤﻤﺎ ﺃﺩﻯ ﺇﻝﻰ ﺘﺨﻠﻴﻪ ﻋﻥ ﻫﺫﺍ ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﺤﺎﻀﺭ‪ .‬ﻭﻜﺎﻥ ﻫـﺫﺍ‬
‫ﺸﻴﺌﹰﺎ ﻝﻁﻴﻔﹰﺎ ﻓﻲ ﺍﻝﺴﺎﺤﺔ ﻭﻜﺎﻥ ﻫﻭ ﺠﻴﺩﹰﺍ ﺠﺩﹰﺍ ﺠﺩﹰﺍ‪ .‬ﻋﻤل ﺒﺠﺩ ﻷﻨﻪ ﻋﺭﻑ ﺒﺄﻥ ﻫﺫﺍ ﺴﻭﻑ ﻴﻐﻴﺭ ﺤﻴﺎﺘﻪ”‪.‬‬
‫ﻼ‪ .‬ﻓﻜﺭ ﺒﻜل ﻤﺸﻬﺩ ﻤﺴﺒﻘﹰﺎ ﻭﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻨﺎﻗﺵ ﻤﻘﺎﻁﻊ ﻤﻥ ﺍﻝﻌﻤل ﺃﻤﺎﻡ ﺍﻝﻜـﺎﻤﻴﺭﺍ‬‫ﻋﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺠﺩ ﻓﻌ ﹰ‬
‫ﻼ ﻤﻊ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺃﻭ ﺃﻱ ﻤﻤﺜل ﺁﺨﺭ‪ .‬ﻓﻲ ﺴﻴﺎﻕ ﺤﻔﻠﺔ ﻋﻴﺩ ﺍﻝﻤﻴﻼﺩ ﻴﻘﺩﻡ "ﻜﺎل ‪"Cal‬‬ ‫ﺍﻝﺘﻲ ﻝﻡ ﻴﻜﻥ ﻗﺩ ﻨﺎﻗﺸﻬﺎ ﻗﺒ ﹰ‬
‫ﺇﻝﻰ ﺃﺒﻴﻪ ﻫﺩﻴﺔ ﻤﻥ ﺍﻝﻤﺎل ﺍﻝﺫﻱ ﻜﺴﺒﻪ ﺒﺎﻝﻤﻀﺎﺭﺒﺔ ﺒﻤﺤﺼﻭل ﺍﻝﻔﺎﺼﻭﻝﻴﺎ ﻓﻲ ﺯﻤﻥ ﺍﻝﺤﺭﺏ‪ ،‬ﻴﺭﻓﺽ ﺍﻝﻭﺍﻝﺩ ﻗﺒﻭل ﻤـﺎ‬
‫ﻻ ﻤﻥ ﺍﻝﺨﺭﻭﺝ ﻓﻭﺭﹰﺍ ﻤﻥ ﺍﻝﺒﺎﺏ‪ ،‬ﺩﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﻔﻭﺍﺘﻴﺭ ﺒﻭﺠﻪ "ﺭﻴﻤﻭﻨﺩ‬ ‫ﻴﻌﺘﺒﺭﻩ ﺃﺭﺒﺎﺤﹰﺎ ﻤﻠﻁﺨﺔ ﻓﺎﺴﺩﺓ‪ .‬ﻭﺒﺩ ﹰ‬
‫ﻤﺎﺴﻲ ‪ "Raymond Massey‬ﺜﻡ ﺃﻝﻘﻰ ﺒﻨﻔﺴﻪ ﻋﻠﻴﻪ ﻭﻫﻭ ﻴﺘﻨﻬﺩ ﻭﻴﺌﻥ‪ .‬ﻜﺎﻨﺕ ﺭﺩﺓ ﻓﻌل " ﻤﺎﺴﻲ ‪ "Massey‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ‬
‫ﺼﺩﻤﺔ ﺤﻘﻴﻘﻴﺔ‪ ،‬ﻗﺩ ﺃﺩﺕ ﻋﻤﻠﻬﺎ ﺒﻨﺠﺎﺡ ﻤﻥ ﺨﻼل ﺩﻫﺸﺔ ﺍﻷﺏ ﻭﺤﻴﺭﺘﻪ‪ .‬ﺤﺎﻓﻅ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻋﻠﻰ ﻫﺫﺍ ﺍﻝﺭﺒﺢ‪.‬‬
‫ﻴﻘﻭل "ﻜﺎﺯﺍﻥ ‪ “ :"Kazan‬ﻝﻡ ﻴﻌﺠﺏ " ﻤﺎﺴﻲ ‪ "Massey‬ﺒـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻷﻨﻪ ﻜﺎﻥ ﻋﻜﺱ ﻜل ﺘﻘﻨﻴﺎﺘـﻪ‬
‫ﻼ ﺒﻭﻀﻊ ﺫﺭﺍﻋﻴﻪ‬ ‫ﻭﺘﺩﺭﻴﺒﺎﺘﻪ‪ .‬ﻭﻗﺩ ﺃﺩﻫﺸﻨﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻴﻀﹰﺎ‪ .‬ﻗﺎﻡ ﺒﻌﻤل ﺒﻌﺽ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺭﺍﺌﻌﺔ‪ ،‬ﺤﻴﺙ ﻗﺎﻡ ﻤﺜ ﹰ‬
‫ﺤﻭل " ﻤﺎﺴﻲ ‪ "Massey‬ﺒﻠﻔﺘﺔ ﻤﺜﻴﺭﺓ ﻝﻠﺸﻔﻘﺔ ﻭﻤﺸﻔﻘﺔ ﻝﻠﺫﺍﺕ‪ .‬ﻭﻫﺫﺍ ﻴﻠﻴﻕ ﺒﻪ‪ ،‬ﻭﺍﻋﺘﻘﺩﺕ ﺃﻥ ﻫﺫﺍ ﺸﻲﺀ ﺭﺍﺌﻊ ﻭﻜﺎﻤل‪.‬‬
‫ﻜﺎﻥ ﺴﺭﻴﻌﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻜﺎﻥ ﻴﻔﻌل ﻜل ﺸﻲﺀ ﺒﻁﺭﻴﻘﺔ ﺨﺎﺼﺔ ﻤﻤﻴﺯﺓ‪ .‬ﻜﺎﻥ ﺍﻝﻌﻤل ﻓﻲ ﺍﻝﻤﺸﻬﺩ ﻓﻭﻕ ﻋﺭﺒﺔ ﺍﻝﺴﻜﻙ ﺍﻝﺤﺩﻴﺩﻴﺔ‬
‫ﻓﻜﺭﺘﻪ ﺃﻴﻀﹰﺎ‪ .‬ﻭﻀﻊ ﺫﺭﺍﻋﻴﻪ ﺩﺍﺨل ﺍﻝﺴﺘﺭﺓ ﺜﻡ ﺴﺤﺏ ﺍﻷﻜﻤﺎﻡ ﻤﻨﻬﺎ ﻭﻝﻔﻬﺎ ﺤﻭل ﺭﻗﺒﺘﻪ‪ .‬ﺒﺩﺍ ﻫﻨﺎﻙ ﻭﻜﺄﻨﻪ ﻗﺭﺩ ﺼﻐﻴﺭ‬
‫ﻤﺠﻤﺩ‪ .‬ﻜﺎﻥ ﺫﺍﻙ ﻫﻭ‪ .‬ﻭﺤﻴﺩﹰﺍ ﻓﻲ ﺍﻝﻌﺎﻝﻡ ﻻ ﻴﻔﻬﻤﻪ ﺃﺤﺩ ﺒﺎﻝﺨﺎﺭﺝ ﻓﻲ ﺍﻝﺒﺭﺩ”‪.‬‬
‫ﻤﺜﻠﺕ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ "Julie Harris‬ﻓﻲ ﺸﺘﺎﺀ ﻋﺎﻡ ‪ 1954‬ﺩﻭﺭ ﺍﻝﺒﻁﻭﻝﺔ ﻓﻲ ﻋﻤل ﻋﻠﻰ ﺒـﺭﻭﺩﻭﺍﻱ ﻫـﻭ‬
‫"ﺍﻵﻨﺴﺔ ﻜﻭﻝﻭﻤﺏ ‪ "Mademoiselle Colombe‬ﻝـ "ﺠﺎﻥ ﺁﻨﻭﻴل ‪ ."Jean Anouilh‬ﻁﻠﺏ ﻤﻨﻬﺎ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻓﻲ‬
‫ﺍﻝﺭﺒﻴﻊ ﺃﻥ ﺘﺠﺭﻱ ﺍﺨﺘﺒﺎﺭ ﺃﻝﻭﺍﻥ ﻤﻊ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ ."Jimmy Dean‬ﺘﺘﺫﻜﺭ‪ “ :‬ﺃﺠﺭﻴﺕ ﺍﺨﺘﺒﺎﺭ ﺍﻷﻝﻭﺍﻥ ﻤـﻊ "ﺠـﻭﻥ‬
‫ﻤﻴﻠﻠﻲ ‪) "Gjon Mili‬ﺍﻝﻤﺼﻭﺭ ﺍﻝﺫﻱ ﺴﺎﻫﻡ ﺒﺎﺴﺘﻤﺭﺍﺭ ﻓﻲ ﻤﺠﻠﺔ "ﻻﻴﻑ ‪ "Life‬ﺍﻝﻤﺘﻭﻗﻔﺔ ﺍﻵﻥ(‪ ،‬ﺍﻝﺫﻱ ﺃﺠﺭﻯ ﺍﻻﺨﺘﺒﺎﺭ‬
‫ﻝﻲ ﻭﻝـ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻜﺎﻨﺕ ﺍﻝﻤﺭﺓ ﺍﻷﻭﻝﻰ ﻜﻤﺎ ﺃﺫﻜﺭ ﺍﻝﺘﻲ ﻗﺎﺒﻠﺕ ﻓﻴﻬﺎ "ﺠﻴﻡ ‪ – "Jim‬ﻝﻡ ﺃﺸﺎﻫﺩ "ﺍﻝﻼ ﺃﺨﻼﻗﻲ‬
‫‪ "The Immoralist‬ﻝﻘﺩ ﻓﺎﺘﻨﻲ ﻫﻨﺎﻙ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﻲ ﻝﻡ ﺃﺸﺎﻫﺩﻩ ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ – ﻜﺎﻨﺕ ﺍﻝﻤﺭﺓ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﻗﺎﺒﻠﺘﻪ‬
‫ﻓﻴﻬﺎ ﻓﻲ ﺤﻔﻠﺔ ﻤﺎ ﻓﻲ "ﻓﻴﻠﻴﺞ ‪ – "Village‬ﻝﻴﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﻝﻤﺴﺭﺤﻴﺔ ﻤﺎ ﻓﻲ "ﻤﺴﺭﺡ ﺩﻱ ﻝﻴﺱ ‪ "Theatre de Lys‬ﻜﻤـﺎ‬
‫ﺃﻋﺘﻘﺩ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﻨﺎﻙ ﻭﺘﻌﺎﺭﻓﻨﺎ ﻭﻨﻅﺭ ﺇﻝﻲ ﻋﻠﻰ ﻨﺤﻭ ﻏﺭﻴﺏ ﻭﻗﺎل ﻝﻲ‪‘ ،‬ﺤﺴﻨﺎﹰ‪ ،‬ﻫل ﺃﺤﺒﺒﺕ ﺍﻝﺘﻤﺜﻴـل‬
‫ﻓﻲ "ﺍﻝﻘﻤﺭ ﺤﺯﻴﻥ ‪"The Moon Is Blue‬؟ ’‪).‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺒﺎﻝﺤﻘﻴﻘﺔ ﻤﻥ ﺒﻁﻭﻝﺔ "ﺒﺎﺭﺒﺭﺍ ﺒﻴل ﻏﻴﺩﻴﺱ ‪Barbara Bel‬‬
‫‪ .("Geddes‬ﻭﻓﻜﺭﺕ‪ ،‬ﻤﺎﺫﺍ ﻜﺎﻥ ﻴﻔﻌل‪ ،‬ﻫل ﻜﺎﻥ ﻴﺠﺎﻤﻠﻨﻲ؟ ﻭﻗﻠﺕ‪ ‘ ،‬ﺃﻨﺎ ﻝﻡ ﺃﻜﻥ ﻓﻲ "ﺍﻝﻘﻤﺭ ﺤﺯﻴﻥ ‪The Moon Is‬‬
‫‪ .’"Blue‬ﻝﻡ ﺃﻜﻥ ﻗﻁ ﻓﻴﻪ‪ .‬ﻨﻅﺭ ﺇﻝﻲ ﻭﺍﺒﺘﺴﻡ‪ .‬ﻭﻜﻨﺕ ﻤﺤﻘﺔ ﺘﻤﺎﻤ ﹰﺎ ﻭﻗﻠﺕ‪‘ ،‬ﺤﻘ ﹰﺎ ﻝﻡ ﺃﻜﻥ ﻓﻲ "ﺍﻝﻘﻤﺭ ﺤﺯﻴﻥ ‪The Moon‬‬
‫‪ .’"Is Blue‬ﻝﻡ ﻴﻘل ﺍﻝﻜﺜﻴﺭ ﺒﻌﺩ ﻫﺫﺍ‪”.‬‬
‫ﻻﻗﺕ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪" "Julie Harris‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﻫﺫﺍ ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﺼﻭﺭ "ﺠﻭﻥ ﻤﻴﻠﻠﻲ ‪Gjon‬‬
‫‪ "Mili‬ﻓﻲ ﺍﻝﺸﺎﺭﻉ ‪ .14‬ﺍﺘﺼل ﺒﻬﺎ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻭﺍﺴﺘﺩﻋﺎﻫﺎ ﻭﻁﻠﺏ ﻤﻨﻬﺎ ﺃﻥ ﻴﺄﺨﺫ "ﻤﻴﻠﻲ ‪ "Mili‬ﺒﻌﺽ ﺍﻝﺼﻭﺭ‬
‫ﺍﻝﻤﻠﻭﻨﺔ ﻝﻬﺎ ﻭﻝـ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻝﻜﻥ ﻝﻡ ﻴﻜﻥ ﻫﺫﺍ ﺍﺨﺘﺒﺎﺭﹰﺍ ﻋﺎﺩﻴﺎ ً ﻝﻠﺸﺎﺸﺔ – ﻝﻡ ﻴﻌﻤﻼ ﻋﻠﻰ ﻤﺸﻬﺩ‪ ،‬ﺒل ﺍﺭﺘﺠﻼ –‬
‫ﻭﻫﻜﺫﺍ ﺸﻜﺕ ﻤﻥ ﺃﻥ ﻴﻜﻭﻥ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻤﻬﺘﻤﹰﺎ ﻓﻘﻁ ﺒﺭﺅﻴﺔ ﻓﻴﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﺍﻝﻔﺎﺭﻕ ﺍﻝﻌﻤﺭﻱ )ﻜﺎﻨﺕ ﺃﻜﺒﺭ ﺒﺒﻀـﻊ‬
‫ﺴﻨﻭﺍﺕ ﻤﻥ "ﺠﻴﻤﻲ ‪ ("Jimmy‬ﺴﻭﻑ ﻴﻅﻬﺭ ﻓﻲ ﺍﻝﻔﻴﻠﻡ‪.‬‬
‫ﺍﻨﻁﻠﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﺎﺩﺭﺍﹰ ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ ﻭﺨﺒﺄﻫﺎ ﺒﻴﻥ ﺴﻴﺎﺭﺘﻴﻥ ﻭﺼﻌﺩ ﺩﺭﺝ ﺍﻷﺴﺘﻭﺩﻴﻭ ﺒﻬﺫﻩ ﺍﻝﻬﻴﺌﺔ ﻏﻴﺭ‬
‫ﺤﻠﻴﻕ ﺍﻝﺫﻗﻥ‪ .‬ﻗﺎل "ﻤﻴﻠﻲ ‪ "Milli‬ﺒﺒﺴﺎﻁﺔ‪ “ :‬ﻴﺠﺏ ﻋﻠﻴﻙ ﺃﻥ ﺘﺤﻠﻕ ﺫﻗﻨﻙ!”‪ .‬ﻗﺎﺩﻩ ﻨﺤﻭ ﺍﻝﻤﻐﺴﻠﺔ ﻭﺃﻋﻁـﺎﻩ ﻤﻭﺴـﻰ‬
‫ﺤﻼﻗﺔ‪ .‬ﺤﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺤﻼﻗﺔ ﺒﺴﻴﻁﺔ ﺇﻝﻰ ﻁﻘﺱ ﻤﺘﻘﻥ ﻭﻫﻭ ﻴﻁﻠﻕ ﺃﻓﻜﺎﺭﹰﺍ ﻝﻠﻔﻴﻠﻡ ﻁﻭﺍل ﺍﻝﻤﺩﺓ ﺍﻝﺘﻲ ﺍﻨﺘﻅﺭﺍﻩ‬
‫ﻓﻴﻬﺎ ﻭﺭﺍﻗﺒﺎﻩ‪ .‬ﻜﺎﻥ ﻴﺤﻀﺭ ﺒﻌﺽ ﺍﻝﺒﺎﻝﻭﻨﺎﺕ‪ ،‬ﻭﻜﺎﻥ ﻫﻭ ﻭ "ﺠﻭﻝﻲ ‪ "Julie‬ﻴﺩﻋﻴﺎﻥ ﺃﻨﻬﻤﺎ ﻜﺎﻨﺎ ﻓﻲ ﺍﻝﻜﺭﻨﻔﺎل ﺤﺴـﺏ‬
‫ﻨﺹ "ﺸﺭﻕ ﻋﺩﻥ ‪."East of Eden‬‬
‫ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻜﺎﻥ ﻴﻀﻊ ﻤﻭﺴﻰ ﺍﻝﺤﻼﻗﺔ ﻝﻴﻨﻔﺦ ﻭﺠﻨﺘﻴﻪ ﺍﻝﻤﺤﻠﻭﻗﺘﻴﻥ ﻝﻠﺘﻭ ﻨﺎﻓﺨﹰﺎ ﺍﻝﺒﺎﻝﻭﻨﺎﺕ ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻜﺎﻥ ﻫـﻭ‬
‫ﻭ"ﺠﻭﻝﻲ ‪ "Julie‬ﻴﺭﻗﺼﺎﻥ‪ ،‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ "ﻤﻴﻠﻲ ‪ "Mili‬ﻴﻠﺘﻘﻁ ﺍﻝﺼﻭﺭ‪ .‬ﺘﺘﺫﻜﺭ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪“ :"Julie Harris‬ﻝﻘﺩ ﻜﺎﻥ‬
‫ﻼ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻜﺎﻝﺤﺭﺒﺎﺀ‪ ،‬ﺤﻴﺙ ﻝﻡ ﺘﻜﻥ ﻤﺘﺄﻜﺩ ﹰﺓ ﺘﻤﺎﻤﹰﺎ ﻤﻤﺎ ﻜﺎﻥ ﻴﻔﻌﻠﻪ‪ .‬ﻜﻨﺕ ﻓﻲ ﻨﻘﻁﺔ ﻤﺎ ﺃﻀﻊ ﻴﺩﻱ ﻋﻠﻰ ﻭﺠﻬﻲ‪.‬‬ ‫ﻤﺫﻫ ﹰ‬
‫ﻓﻜﺎﻥ ﻴﻘﻭل‪ ‘ ،‬ﻝﻡ ﺘﻔﻌﻠﻴﻥ ﻫﺫﺍ؟’ ﻭﻜﻨﺕ ﺃﻓﻜﺭ‪ ،‬ﻤﺎﺫﺍ ﻴﻔﻌل؟ ﺇﻨﻪ ﻴﺨﺒﺭﻨﻲ ﻜﻴﻑ ﺃﻤﺜل‪ ،‬ﺃﻭ ﻴﻌﻁﻴﻨﻲ ﺩﺭﻭﺴﹰﺎ‪ .‬ﻗﻠﺕ ﻝﻪ‪‘ ،‬‬
‫ﻻ ﺃﻋﻠﻡ ﻝﻤﺎﺫﺍ ﺃﻓﻌل ﻫﺫﺍ’‪ .‬ﻓﻘﺎل‪ ‘ ،‬ﺤﺴﻨﺎﹰ‪ ،‬ﺭﺒﻤﺎ ﻷﻨﻙ ﺘﺭﻴﺩﻴﻥ ﺃﻥ ﺘﺒﺩﻱ ﺃﺼﻐﺭ ﻤﻤﺎ ﺃﻨﺕ ﻋﻠﻴﻪ‪ ،‬ﻷﻨﻙ ﺃﻜﺒـﺭ ﻤﻨـﻲ‬
‫ﻭﻫﺫﺍ ﻴﺠﻌﻠﻙ ﺘﺒﺩﻴﻥ ﺃﺼﻐﺭ’‪ .‬ﻭﻗﻠﺕ‪ ‘ ،‬ﺤﺴﻨﺎﹰ‪ ،‬ﺃﻨﺎ ﻻ ﺃﻓﻌل ﻫﺫﺍ ﻝﻬﺫﺍ ﺍﻝﺴﺒﺏ‪ ،‬ﻭﻝﻜﻨﻨﻲ ﻓﻘﻁ ﺃﻓﻌـل ﺫﻝـﻙ’‪ .‬ﻭﻫﻜـﺫﺍ‬
‫ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﻘﺩ ﺸﻌﺭﺕ ﻭﻜﺄﻨﻪ ﻴﺤﺎﻭل ﺃﻥ ﻴﻀﻌﻨﻲ ﻓﻲ ﻤﻜﺎﻨﻲ‪ .‬ﻓﻘﻠﺕ ﻓﻲ ﻨﻔﺴﻲ ﺒﺄﻨﻨﻲ ﻻ ﺃﻜﺘﺭﺙ ﻝﺫﻝﻙ ﻝـﻡ‬
‫ﺃﻋﺎﺭﻜﻪ‪ .‬ﻝﻘﺩ ﺘﺭﻜﺘﻪ ﻴﻘﻭل ﻤﺎ ﻴﺭﻴﺩ ﻷﻨﻨﻲ ﺸﻌﺭﺕ ﺒﺄﻨﻪ ﻜﺎﻥ ﻴﺘﺨﺫ ﻤﻭﻗﻔﹰﺎ ﺩﻓﺎﻋﻴﹰﺎ ﻭﺃﺭﺩﺘﻪ ﺃﻥ ﻴﺤﺒﻨﻲ”‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﻁﺭﻕ ﻋﻠﻰ ﺒﺎﺏ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ‪ "Juli Harris‬ﻓﻲ ﺍﻝﻠﻴﻠﺔ ﻨﻔﺴﻬﺎ ﺍﻝﺘﻲ ﻭﺼﻠﺕ ﻓﻴﻬﺎ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪.‬‬
‫ﻝﻘﺩ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻗﺎل‪ “:‬ﺘﻌﺎﻝﻲ ﻭﺍﺨﺭﺠﻲ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﺭﻴﻙ ﺸﻴﺌﹰﺎ ﻤﺎ”‪ .‬ﺃﺨﺫﻫﺎ ﺨﺎﺭﺠﹰﺎ ﻝﻠﺸﺎﺭﻉ ﻭﺃﺭﺍﻫﺎ ﺴﻴﺎﺭﺓ‬
‫ﺼﻐﻴﺭﺓ ﻤﻥ ﻨﻭﻉ "ﺇﻡ ﺠﻲ ‪ ."MG‬ﻝﻘﺩ ﺍﺸﺘﺭﺍﻫﺎ ﻝﻠﺘﻭ‪ .‬ﻭﺩﻋﺎﻫﺎ ﺇﻝﻰ ﺠﻭﻝﺔ‪.‬‬
‫ﺘﺘﺫﻜﺭ‪ “ :‬ﻭﻫﻜﺫﺍ‪ ،‬ﺃﺨﺫﻨﻲ ﻓﻲ ﺠﻭﻝﺔ ﻋﺎﺼﻔﺔ ﺇﻝﻰ ﺘﻼل ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻜﻨﺕ ﺨﻼﻝﻬﺎ ﻤﺘﻤﺴﻜﺔ ﺒﺸﺩﺓ ﺤﻴﺙ ﺍﻋﺘﻘﺩﺕ‬
‫ﺒﺄﻨﻲ ﺴﻭﻑ ﺃﺴﻘﻁ ﺨﺎﺭﺠﹰﺎ‪ .‬ﺃﺤﺴﺴﺕ ﺤﻘﹰﺎ ﺒﺄﻨﻨﻲ ﺍﺤﺘﺎﺝ ﻝﻠﺘﺸﺒﺙ ﺒﻤﻘﻌﺩﻱ ﻝﻠﺒﻘﺎﺀ ﻓﻲ ﺍﻝﺴﻴﺎﺭﺓ‪ .‬ﻝﻡ ﺃﻜﻥ ﻷﻗﻭل ﻝـﻪ‪‘ ،‬‬
‫"ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻗﺩ ﺒﺒﻁﺀ!’‪ .‬ﻋﺭﻓﺕ ﺒﺄﻥ ﻫﺫﺍ ﺴﻭﻑ ﻴﺠﻌﻠﻪ ﻴﻘﻭﺩ ﺒﺴﺭﻋﺔ ﺃﻜﺜﺭ‪ .‬ﻜﺎﻥ ﻴﺨﺘﺒﺭﻨﻲ ﻝﻴﻌﺭﻑ ﻓﻴﻤـﺎ ﺇﺫﺍ‬
‫ﻜﻨﺕ ﺴﻭﻑ ﺁﺨﺫ ﻜل ﻤﺎ ﻴﻌﻁﻴﻪ ﻭﺴﻭﻑ ﺃﺘﻘﺒل ﻜل ﻤﺎ ﻴﻔﻌﻠﻪ‪ .‬ﺘﻭﻗﻑ ﻓﻲ ﻤﻜﺎﻥ ﻤﺎ ﺤﻴﺙ ﻨﻅﺭﻨﺎ ﻝﻠﺨﺎﺭﺝ ﻨﺤﻭ ﺍﻝﺘﻼل‪.‬‬
‫ﻭﻋﻨﺩﻤﺎ ﻋﺎﺩ ﻝﻠﻤﻨﺯل‪ ،‬ﺸﻜﺭﺘﻪ‪ ،‬ﺜﻡ ﻏﺎﺩﺭ‪ .‬ﻭﻤﻨﺫ ﺫﻝﻙ ﺍﻝﻭﻗﺕ‪ ،‬ﻝﻡ ﻴﻘﻡ ﺒﻤﺜل ﻫﺫﺍ ﺍﻝﻌﻤل‪ .‬ﻜﻨﺎ ﻗﺭﻴﺒﻴﻥ ﺠﺩﺍﹰ‪ ،‬ﻭﻗﻀﻴﻨﺎ ﻭﻗﺘﹰﺎ‬
‫ﻤﻤﺘﻌﹰﺎ ﻨﻌﻤل ﻓﻴﻪ ﻤﻌﹰﺎ ﻭﻝﻡ ﻴﻘل ﻝﻲ ﺨﻼﻝﻪ ﻤﺎ ﺃﻓﻌل”‪.‬‬
‫“ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﻨﺴﺒﺔ ﻝﻲ ﻤﺜل "ﺘﻭﻡ ﺴﻭﻴﺭ ‪ ،"Tom Sawyer‬ﻭﻜﺄﻨﻪ ﺠﻌل ﺍﻝﺠﻤﻴﻊ ﻴﻘﻭﻤﻭﻥ ﺒﻁـﻼﺀ‬
‫ﻼ‪ :‬ﻴﺎﻝﻪ ﻤﻥ ﻋﻤل ﺭﺍﺌﻊ ﺘﻘﻭﻤﻭﻥ ﺒﻪ ﺠﻤﻴﻌﹰﺎ!‪ .‬ﺘﻼﻋﺏ ﺒﺎﻝﻨﺎﺱ‪ ،‬ﻭﻋﺭﻑ ﺒﺄﻨـﻪ‬ ‫ﺍﻝﺴﻴﺎﺝ ﻋﻨﻪ ﺒﻴﻨﻤﺎ ﻭﻗﻑ ﻫﻭ ﻫﻨﺎﻙ ﻗﺎﺌ ﹰ‬
‫ﻴﻔﻌل ﺫﻝﻙ‪ ،‬ﻷﻨﻪ ﻜﺎﻥ ﺫﻜﻴﹰﺎ ﺠﺩﹰﺍ ﻭﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺸﻲﺀ ﻴﺘﻌﻠﻕ ﺒﺎﻝﺘﻤﺜﻴل ﻝﻡ ﻴﺴﺘﻁﻊ ﻋﻤﻠﻪ‪ .‬ﻝﻘﺩ ﻋﺭﻑ ﺒﺎﻝﻀﺒﻁ ﻤﺘﻰ‬
‫ﻼ ﺒﺄﻨﻨﺎ ﻨﺅﺩﻱ ﺍﻷﺩﻭﺍﺭ‪ .‬ﻓﻌﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻨﻅﺭ ﺇﻝـﻲ ﺒﺎﻝﻤﺸـﻬﺩ‪،‬‬ ‫ﻭﻤﺎﺫﺍ‪ .‬ﻭﻜﺎﻥ ﺤﺴﺎﺴﹰﺎ ﻝﺩﺭﺠﺔ ﻜﺒﻴﺭﺓ ﻤﻌﻲ‪ .‬ﺃﺤﺴﺴﺕ ﻓﻌ ﹰ‬
‫ﻜﻨﺕ "ﺁﺒﺭﺍ ‪ "Abra‬ﺒﺎﻝﻨﺴﺒﺔ ﻝﻪ‪ .‬ﻝﻘﺩ ﻜﻨﺕ ﻓﺘﺎﺓ ﺃﺨﻴﻪ‪ ،‬ﻭﻜﻨﺕ ﺩﺍﺌﻤﹰﺎ ﺃﻗﻭل‪ ،‬ﻭﺃﺤﺎﻭل ﺍﻝﻘﻭل ﻓﻲ ﻋﻘﻠﻲ‪ :‬ﻻ ﺘﻨﻅـﺭ ﺇﻝـﻲ‬
‫ﻜﻔﺘﺎﺓ "ﺁﺭﻭﻥ ‪ ،"Aron‬ﺒل ﺍﻨﻅﺭ ﺇﻝﻲ ﻓﻘﻁ ﻜـ "ﺁﺒﺭﺍ ‪.”"Abra‬‬
‫“ ﻋﻨﺩﻤﺎ ﻜﻨﺎ ﻨﻌﻤل ﻋﻠﻰ ﻤﺸﻬﺩ ﻤﺤل ﺍﻝﺘﺒﺭﻴﺩ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﺍﺌﻤﹰﺎ ﺒﺎﻝﺠﻭﺍﺭ‪ .‬ﻓﻲ ﺫﻝﻙ ﺍﻝﻤﺸﻬﺩ ﻜـﺎﻥ‬
‫ﻫﻨﺎﻙ ﺩﺍﺌﻤﹰﺎ ﺫﻝﻙ ﺍﻝﻭﺠﻭﺩ‪ .‬ﻤﺎ ﺃﻋﻨﻴﻪ ﻫﻭ‪ ،‬ﺃﻨﻪ ﻗﺩ ﺃﺒﻘﻲ ﺍﻝﻘﺼﺔ ﺘﺴﺘﻤﺭ ﻭﻜﺎﻥ ﻤﺘﻌﻠﻘﹰﺎ ﺠﺩﹰﺍ ﺒﻬﺎ ﺒﺎﻝﻔﻌل‪ .‬ﻜﺎﻥ ﻤﺨﺘﻠﻔﹰﺎ ﻤﻊ‬
‫ﻜل ﺸﺨﺹ‪ :‬ﻋﻨﺩﻤﺎ ﺸﺎﻫﺩ ﺃﻤﻪ "ﺠﻭ ﻓﺎﻥ ﻓﻠﻴﺕ ‪ ،"Jo Van Fleet‬ﻭﻋﻨﺩﻤﺎ ﺘﺤﺩﺙ ﻤﻊ "ﻭﻴل ‪ ،"Will‬ﻭﺍﻝـﺩﻭﺭ ﺍﻝـﺫﻱ‬
‫ﻝﻌﺒﻪ "ﺃﻝﺒﺭﺕ ﺩﻴﻜﺭ ‪ ،"Albert Dekker‬ﻭﻤﻊ ﻭﺍﻝﺩﻩ ‪ -‬ﻨﻌﻡ‪ ،‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﺭﺒﻤﺎ ﻗﺩ ﺃﺤـﺏ "ﺭﺍﻱ ﻤﺎﺴـﻲ ‪"Ray Massey‬‬
‫ﺒﺩﺍﺨﻠﻪ‪ .‬ﻝﻘﺩ ﺃﺤﺒﻪ ﺒﺎﻝﻔﻌل‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻴﻌﻤل ﻤﻊ ﺫﻝﻙ ﺍﻝﺸﻌﻭﺭ ﺒﺄﻥ ﺫﻝﻙ ﺍﻝﺭﺠل ﻝﻡ ﻴﻜﻥ ﻤﻥ ﺠﻴﻠﻪ‪ ،‬ﻭﺍﻝﺫﻱ ﻝﻡ ﻴﺭﺩﻩ ﺃﻥ‬
‫ﻴﻘﻭل ‪ -‬ﺤﺴﻨﺎﹰ‪" ،‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻭﻑ ﻴﻘﻭل ﺍﻝﻜﺜﻴﺭ‪ ،‬ﺴﻭﻑ ﻴﺸﺘﻡ‪ .‬ﻻ ﺍﺴﺘﻁﻴﻊ ﺍﻝﺘﺫﻜﺭ ﺍﻵﻥ‪ .‬ﺃﺘـﺫﻜﺭ ﺸـﻴﺌﹰﺎ ﻤﻤـﺎ‬
‫ﻼ‪ .‬ﻗـﺎل ﺫﺍﺕ ﻤـﺭﺓ‬ ‫ﺴﻭﻑ ﻴﻘﻭﻝﻪ ‪‘ -‬ﺍﻝﻠﻌﻨﺔ’ ﺃﻭ ﺸﻴﺌﹰﺎ ﻤﻥ ﻫﺫﺍ ﺍﻝﻘﺒﻴل ﻓﻴﺘﺤﻭل ﻝﻭﻥ "ﺭﺍﻱ ‪ "Ray‬ﺇﻝﻰ ﺍﻝﻘﺭﻤﺯﻱ ﺨﺠ ﹰ‬
‫ﺃﺨﻴﺭﹰﺍ‪ ‘ :‬ﻴﺠﺏ ﻋﻠﻴﻙ ﺃﻥ ﻻ ﺘﺘﺤﺩﺙ ﻫﻜﺫﺍ‪ ،‬ﻴﻭﺠﺩ ﺴﻴﺩﺍﺕ ﺤﺎﻀﺭﺍﺕ’ ﻭﻫﺫﺍ ﻤﺎ ﺤﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻜﺜﺭ”‪.‬‬
‫“ ﻝﻜﻥ ﻜﺎﻨﺕ ﺘﻠﻙ ﻤﺴﺄﻝﺔ ﺃﻨﺎﺱ ﻴﺯﺤﻔﻭﻥ ﺤﻘﹰﺎ ﺇﻝﻰ ﺘﻠﻙ ﺍﻷﺩﻭﺍﺭ‪ .‬ﻤﻥ ﺍﻝﺼﻌﺏ ﺠﺩﹰﺍ ﻓﻲ ﺃﺜﻨﺎﺀ ﻋﻤـل ﻓـﻴﻠﻡ ﺃﻥ‬
‫ﺘﺠﻌل ﺍﻝﻘﺼﺔ ﺘﺼﺒﺢ ﺤﻴﺔ ﺤﻘﻴﻘﺔ‪ ،‬ﻴﻭﻤﹰﺎ ﺒﻌﺩ ﻴﻭﻡ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﺎ ﺠﻤﻴﻌﹰﺎ ﻜﻨﺎ ﺒﺎﻝﻔﻌل ﻨﻔﻌل ﺫﻝﻙ‪ ،‬ﻓﻘﺩ ﻜﻨﺎ ﺤﻘﹰﺎ ﻨﺤﻤﻠﻬﺎ ﻓﻲ‬
‫ﻋﻘﻭﻝﻨﺎ”‪.‬‬
‫“ ﻝﻡ ﺘﻜﻥ ﻤﻥ ﻋﺎﺩﺘﻲ ﺃﺒﺩﹰﺍ ﺍﻝﻭﻗﻭﻉ ﻓﻲ ﺍﻝﺤﺏ ﻤﻊ ﺍﻝﺸﺒﺎﻥ‪ ،‬ﻭﻝﻜﻥ ﺇﻥ ﻝﻡ ﻴﻜﻥ ﻝﺩﻱ ﺴﻭﻯ ﺍﻝﺤﻅ ﺒﺎﻝﻭﻗﻭﻉ ﻓـﻲ‬
‫ﺍﻝﺤﺏ ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺴﻭﻑ ﺃﻜﻭﻥ ﻓﻲ ﻤﺸﻜﻠﺔ‪ .‬ﻝﻜﻨﻨﻲ ﻝﻡ ﺃﻓﻌل‪ .‬ﻝﻡ ﺃﻜﻥ ﻤﺘﻭﺭﻁﺔ ﻤﻌـﻪ ﺒﺘﻠـﻙ ﺍﻝﻁﺭﻴﻘـﺔ‪.‬‬
‫ﻭﺒﺎﻝﺤﻘﻴﻘﺔ ﻭﻤﻊ ﺒﺩﺍﻴﺔ ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﻓﻘﺩ ﻭﻗﻊ ﻓﻲ ﺤﺏ "ﺒﻴﻴﺭ ﺁﻨﺠﻴﻠﻲ ‪ "Pier Angeli‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺘﺼﻭﺭ ﻓـﻴﻠﻡ "ﺍﻝﻜـﺄﺱ‬
‫ﺍﻝﻔﻀﻴﺔ ‪ "The Silver Chalice‬ﻓﻲ ﺍﻝﻤﻭﻗﻊ ﻨﻔﺴﻪ‪ .‬ﺘﻡ ﺍﻝﺘﻌﺎﺭﻑ ﻓﻴﻤﺎ ﺒﻴﻨﻬﻤﺎ ﻭﺍﻋﺘﺎﺩ ﺍﻝﻘﻭل ﻝﻲ‪ :‬ﻜﻴـﻑ ﻜـﺎﻥ ﻤـﻥ‬
‫ﺍﻝﻤﻤﻜﻥ ﻝﻬﺫﺍ ﺍﻝﺤﺏ ﺃﻥ ﻴﺄﺘﻲ ﺇﻝﻴﻪ ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﻤﻨﺎﺴﺏ ﻤﻥ ﺤﻴﺎﺘﻪ؟ ﻝﻘﺩ ﺠﻌﻠﻪ ﺤﺴﺎﺴﹰﺎ ﺠﺩﹰﺍ ﺘﺠﺎﻩ ﻜل ﺸـﻲﺀ ﻭﻤﻬﺘﻤـﹰﺎ‬
‫ﺒﺄﻤﺭﻫﺎ‪ .‬ﻭﻗﺩ ﺃﻋﻁﺘﻪ ﻗﻼﺩﺓ ﺼﻐﻴﺭﺓ ﻤﺯﺨﺭﻓﺔ ﻤﺜل ﻤﻭﻤﻴﺎﺀ ﻤﺼﺭﻴﺔ‪ .‬ﻜﺎﻨﺕ ﺠﻤﻴﻠﺔ ﺘﻔﺘﺢ ﻭﺒﺩﺍﺨﻠﻬﺎ ﻗﻁﻌﺔ ﺼﻐﻴﺭﺓ ﻤﻥ‬
‫ﺍﻝﺜﻭﺏ ﺍﻝﺫﻱ ﺍﺭﺘﺩﺘﻪ ﻋﻨﺩﻤﺎ ﺘﻘﺎﺒﻼ ﻷﻭل ﻤﺭﺓ ﻤﻊ ﺨﺼﻠﺔ ﻤﻥ ﺸﻌﺭﻫﺎ‪ .‬ﻝﺒﺴﻬﺎ ﺤﻭل ﻋﻨﻘﻪ‪ ،‬ﻭﻜﺎﻥ ﺴﻌﻴﺩﹰﺍ ﺠﺩﹰﺍ ﺒﻬﺎ”‪.‬‬
‫“ ﻜﻨﺕ ﻭﺍﺜﻘﺔ ﻤﻥ ﺃﻥ ﺍﻝﻌﺎﺌﻠﺔ ﻜﺎﻨﺕ ﺨﺎﺌﻔﺔ ﺒﺸﺄﻥ "ﺒﻴﻴﺭ ‪ ."Pier‬ﺃﺘﺫﻜﺭ ﻤﺭﺓ ﺤﻴﻥ ﻁﻠﺒﺕ ﻤﻥ ﺒﻌﺽ ﺍﻷﺼـﺩﻗﺎﺀ‬
‫ﺘﻨﺎﻭل ﺍﻝﻐﺩﺍﺀ ﻓﻲ ﺍﻝﻤﻁﻌﻡ ﻭﺃﻋﺘﻘﺩ ﺃﻨﻬﺎ ﺴﺄﻝﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻴﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﺴﻴﺄﺘﻲ؟ ﺃﺘﻰ ﻭﺴﺨﹰﺎ ﻤﻥ ﺩﻭﻥ ﻗﻤـﻴﺹ‬
‫ﻼ ﺠﺩﹰﺍ‪ .‬ﻤﺎ ﺃﻋﻨﻴﻪ ﻫﻭ‬
‫ﻤﻥ ﺍﻝﻤﻭﻗﻊ ﺒﺒﻨﻁﺎﻝﻪ ﺍﻝﻜﺘﺎﻨﻲ ﺍﻝﺨﺸﻥ‪ .‬ﻭﻜﺎﻨﺕ "ﺒﻴﻴﺭ ‪ "Pier‬ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻤﺨﻠﻭﻗﹰﺎ ﺼﻐﻴﺭﹰﺍ ﺠﻤﻴ ﹰ‬
‫ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﺩﺍﺌﻤﹰﺎ ﺘﺭﺘﺩﻱ ﻁﻘﻤﹰﺎ ﻤﻥ ﻗﻁﻌﺘﻴﻥ‪ ،‬ﺩﺍﺌﻤﹰﺎ ﻜﺎﻤﻠﺔ‪ ،‬ﺤﻘﻴﺒﺔ‪ ،‬ﺤﺫﺍﺀ‪ ،‬ﻜل ﺸﻲﺀ ﻤﻊ ﻗﺒﻌﺔ ﺼـﻐﻴﺭﺓ ﺃﻭ ﻤﻨـﺩﻴل‬
‫ﻤﻠﻭﻥ ﺤﻭل ﺍﻝﻌﻨﻕ‪ .‬ﻭﻜل ﻴﻭﻡ ﻝﺒﺎﺱ ﻤﺨﺘﻠﻑ‪ .‬ﺍﻨﻔﺠﺭﺕ ﺒﺎﻝﺒﻜﺎﺀ ﻋﻨﺩﻤﺎ ﻅﻬﺭ ﻫﻜﺫﺍ ﻝﻠﻐﺩﺍﺀ ﻭﻝﻡ ﻴﺘﺤﺎﺩﺜﺎ ﻝﻔﺘـﺭﺓ ﻤـﻥ‬
‫ﺍﻝﺯﻤﻥ”‪.‬‬
‫“ ﺍﺸﺘﺭﻯ ﺒﻌﺩ ﻓﺘﺭﺓ ﻜﺎﻤﻴﺭﺍ‪ ،‬ﺃﻭ ﺭﺒﻤﺎ ﺍﺸﺘﺭﺍﻫﺎ ﻝﻪ "ﻏﺎﺩﺝ ‪ ،"Gadge‬ﺃﻭ ﺭﺒﻤﺎ ﺃﺨﺒﺭﻩ ﺒﻤﺎ ﻴﺠﺏ ﻋﻠﻴﻪ ﺸـﺭﺍﺅﻩ‬
‫ﻤﺜل ﻤﺎﺭﻜﺔ "ﺭﻭﻝﻴﻔﻠﻴﻜﺱ ‪ ،"Rolleiflex‬ﻭﺒﺩﺃ ﺒﺎﻝﺘﻘﺎﻁ ﺍﻝﺼﻭﺭ ﺤﻭل ﺍﻝﻤﻭﻗﻊ‪ .‬ﺘﺤﺩﺙ ﺇﻝﻲ ﻋﻥ ﺨﻁﻁﻪ‪ ،‬ﺤﻴـﺙ ﻜـﺎﻥ‬
‫ﻻ ﺒﺎﻷﻀﻭﺍﺀ ﻭﻝﻤﺎﺫﺍ ﻜﺎﻨﻭﺍ ﻴﻔﻌﻠﻭﻥ ﻫﺫﺍ ﺒﺘﻠﻙ ﺍﻝﻁﺭﻴﻘﺔ ﻭﺫﻝﻙ ﺒﺘﻠﻙ ﺍﻝﻁﺭﻴﻘﺔ‪ .‬ﺃﺭﺍﺩ ﺃﻥ‬ ‫ﻴﺄﻤل ﺒﺼﻨﻊ ﺃﻓﻼﻡ‪ .‬ﻜﺎﻥ ﻤﺫﻫﻭ ﹰ‬
‫ﻴﺼﻭﺭ "ﺍﻷﻤﻴﺭ ﺍﻝﺼﻐﻴﺭ ‪ "Le Petit Prince‬ﻝـ "ﺇﻜﺴﻭﺒﻴﺭﻱ ‪ "Exupéry‬ﺤﻴﺙ ﻜﺎﻥ ﻫﺫﺍ ﻫﻭ ﺍﻝﻔﻴﻠﻡ ﺍﻝﺫﻱ ﻁﺎﻝﻤﺎ ﺃﺭﺍﺩ‬
‫ﺘﺼﻭﻴﺭﻩ‪ .‬ﺸﺎﻫﺩﺕ ﻜﺫﻝﻙ ﻋﻨﺩﻫﺎ ﺃﻥ "ﻝﻴﻨﻲ ﺭﻭﺯﻴﻨﻤﺎﻥ ‪ "Lenny Rosenman‬ﻜﺎﻥ ﻴﻌﻠﻤﻪ ﻜﻴﻔﻴﺔ ﻗﺭﺍﺀﺓ ﺍﻝﻤﻭﺴﻴﻘﺎ ﻭﻜﺎﻥ‬
‫ﻴﻌﺯﻑ "ﺒﺎﺥ ‪ "Bach‬ﻋﻠﻰ ﻤﺴﺠﻠﻪ‪ .‬ﻜﻨﺕ ﻝﺘﺘﻌﺜﺭ ﺒﻪ ﻴﻌﺯﻑ "ﺒﺎﺥ ‪ "Bach‬ﻭﻫﻭ ﻴﺒﺩﻭ ﻜﻤﻼﻙ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺒﺎﻝﻔﻌـل ﻓﺘـﻰ‬
‫ﻼ ﺒﺎﻝﻔﻌل‪ .‬ﻜﺎﻨﺕ ﻝﺩﻴﻪ ﻤﻭﻫﺒﺔ ﻋﻅﻴﻤﺔ ﺒﺎﻝﺭﺴﻡ ﺃﻴﻀﹰﺎ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻤﻭﻝﻌﹰﺎ ﺒﻜل ﺸﻲﺀ”‪.‬‬
‫ﻼ‪ .‬ﻭﺠﻤﻴ ﹰ‬
‫ﺠﻤﻴ ﹰ‬
‫“ ﻭﺃﺫﻜﺭ ﺁﺨﺭ ﻴﻭﻡ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺼﻌﺒﹰﺎ ﺒﺎﻝﻨﺴﺒﺔ ﻝﻲ‪ .‬ﻜﻨﺕ ﺘﺤﺱ ﺃﻨﻙ ﻭﺤﻴﺩ ﻓﻲ ﻫﺫﺍ ﺍﻝﺸﻌﻭﺭ‪ ،‬ﻭﻤﻬﻤﺎ ﺃﺤﺴﺴـﺕ‪،‬‬
‫ﻓﺈﻨﻙ ﺘﺤﺱ ﺒﺄﻨﻪ ﻻ ﺃﺤﺩ ﻏﻴﺭﻙ ﻴﺨﺘﺒﺭ ﻫﺫﺍ‪ .‬ﻜﻨﺕ ﺍﻷﺨﻴﺭﺓ ﺍﻝﺘﻲ ﺼﻭﺭﺕ – ﻭﻻ ﺃﻋﻠﻡ ﻤﺎ ﻫﻭ ﺍﻝﻤﺸﻬﺩ ﺍﻝﺫﻱ ﻋﻤﻠﻨـﺎ‬
‫ﻋﻠﻴﻪ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺨﺎﺭﺝ ﺍﻝﺒﻴﺕ‪ ،‬ﺃﻋﺭﻑ ﻫﺫﺍ‪ .‬ﻜﺎﻥ ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﺤﻔﻠﺔ ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﺘﻘﺎﻡ ﻓﻲ ﻤﻜﺎﻥ ﻤﺎ ﻜﻤـﺎ‬
‫ﺃﻋﺘﻘﺩ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﺴﻴﺊ ﻝﻲ ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻷﺨﻴﺭ ﺃﻥ ﺃﻓﻜﺭ ﺒﺄﻥ ﻜل ﻫﺫﺍ ﻗﺩ ﻤﻀﻰ‪ ،‬ﺘﻠﻙ ﺍﻝﺤﻴﺎﺓ ﺍﻝﺘـﻲ ﻋﺸـﻨﺎﻫﺎ ﻝﻤـﺩﺓ‬
‫ﺸﻬﺭﻴﻥ ﻭﻨﺼﻑ‪ .‬ﻝﻥ ﺘﺭﻯ ﺃﺤﺩﹰﺍ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﻭﻝﻥ ﺘﺄﺘﻲ ﺇﻝﻰ ﻫﻨﺎﻙ ﻜل ﻴﻭﻡ ﻭﻝﻥ ﺘﺘﻁﻠﻊ ﻝﻬﺫﺍ‪ .‬ﻝﻘﺩ ﺫﻫﺒـﺕ ﺒﺎﻝﻔﻌـل‪.‬‬
‫ﺃﺘﺫﻜﺭ ﺍﻝﻨﻅﺭ ﺤﻭﻝﻲ ﺒﻴﻨﻤﺎ ﻜﻨﺕ ﺃﻓﻜﺭ‪ ،‬ﻴﺠﺏ ﺃﻥ ﺃﻭﺩﻉ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻓﺠﺄﺓ‪ ،‬ﻜﺎﻥ ﻤﻭﻗـﻊ ﺍﻝﺘﺼـﻭﻴﺭ ﻤﻬﺠـﻭﺭﹰﺍ‬
‫ﻭﺍﻝﺠﻤﻴﻊ ﻗﺩ ﺭﺤل‪ .‬ﻜﺎﻥ ﻋﻨﺩﻩ ﻏﺭﻓﺔ ﺘﺒﺩﻴل ﺍﻝﻤﻼﺒﺱ‪ ،‬ﻋﺭﺒﺔ ﻤﺘﻨﻘﻠﺔ‪ ،‬ﻓﻲ ﺍﻝﻤﻭﻗﻊ ﻓﺼﻌﺩﺕ ﺇﻝﻴﻬﺎ ﻭﻁﺭﻗـﺕ ﺍﻝﺒـﺎﺏ‬
‫ﻭﺍﻋﺘﻘﺩﺕ ﺒﺄﻨﻲ ﻗﺩ ﺴﻤﻌﺕ ﺸﻴﺌﹰﺎ ﻤﺎ ﻤﺜل ﺘﻨﻬﻴﺩﺓ‪ .‬ﻨﺎﺩﻴﺕ ‘ "ﺠﻴﻤﻲ ‪ ’"Jimmy‬ﻭﻁﺭﻗﺕ ﺜﺎﻨﻴﺔ‪ .‬ﺘﺄﻜﺩﺕ ﻤـﻥ ﺼـﻭﺕ‬
‫ﺍﻝﺘﻨﻬﺩ ﻓﻔﺘﺤﺕ ﺍﻝﺒﺎﺏ ﻭﻭﺠﺩﺘﻪ ﻏﺎﺭﻗﹰﺎ ﺒﺎﻝﺩﻤﻭﻉ ‪ -‬ﻭﻗﻠﺕ‪‘ :‬ﻤﺎ ﺍﻝﻤﺸﻜﻠﺔ؟’‪ .‬ﻓﻘﺎل ﻝﻲ‪ ‘:‬ﻝﻘﺩ ﺍﻨﺘﻬﻰ‪ ،‬ﻝﻘﺩ ﺍﻨﺘﻬﻰ’‪ ،‬ﻭﻜﺎﻥ‬
‫ﻜﺎﻝﻁﻔل ﺍﻝﺼﻐﻴﺭ ﻭﺤﻴﺩﹰﺍ ﺠﺩﹰﺍ”‪.‬‬
‫ﻝﻜﻥ ﻝﻡ ﺘﺴﺘﺠﺏ ﻜل ﺍﻤﺭﺃﺓ ﺒﻤﺜل ﺘﻌﺎﻁﻑ "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ ."Juli Harris‬ﻓﺒﻌﺩ ﺃﻥ ﺩﻋﺎ ﻤﺩﻴﺭ ﺍﻝﻌﻼﻗﺎﺕ ﺍﻝﻌﺎﻤﺔ‬
‫ﻓﻲ ﺸﺭﻜﺔ "ﻭﺍﺭﻨﺭ ‪" "Warner‬ﻫﻴﺩﺍ ﻫﻭﺒﺭ ‪ "Hedda Hopper‬ﻝﻠﻐﺩﺍﺀ ﻓﻲ ﻤﻁﻌﻡ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻝﻠﻘـﺎﺀ ﺍﻝﺸـﺎﺏ ﺍﻝﺠﺩﻴـﺩ‬
‫"ﺠﻴﻤﺱ ﺩﻴﻥ ‪‘ "James Dean‬ﺍﻝﻌﺒﻘﺭﻱ’‪ ،‬ﺘﻘﻭل‪“:‬ﺃﺼﺎﺩﻑ ‘ﺍﻝﻌﺒﻘﺭﻱ’ ﻓﻲ ﻋﻤﻠﻲ ﻜل ﻴﻭﻡ ﻤﺜل ﺒﺭﻴﺩﻱ ﺍﻝﺼـﺒﺎﺤﻲ‪.‬‬
‫ﻭﻝﺘﺼﺩﻴﻕ ﻭﻜﻼﺀ ﺍﻝﺼﺤﺎﻓﺔ‪ ،‬ﻓﺈﻥ ﻜل ﻓﺘﻰ ﻭﺴﺦ ﺍﻝﻘﻤﻴﺹ ﻭﻴﺭﺘﺩﻱ ﺒﻨﻁﺎل ﺍﻝﺠﻴﻨﺯ ﺍﻷﺯﺭﻕ ﻗﺎﺩﻤﹰﺎ ﻤـﻥ ﺍﻝﺘـل ﻤـﻥ‬
‫"ﺃﺴﺘﻭﺩﻴﻭ ﻝﻲ ﺴﺘﺭﺍﺴﺒﻴﺭﻍ ﻝﻠﻤﻤﺜﻠﻴﻥ ‪ "Lee Straberg's Actors Studio‬ﻫﻭ ﺍﻝﺸﻲﺀ ﺍﻝﻜﺒﻴـﺭ ﺍﻝـﺫﻱ ﺴـﻭﻑ ﻴﻐﻴـﺭ‬
‫ﺍﻝﺼﻨﺎﻋﺔ ﻤﻨﺫ ﺯﻤﻥ "ﺠﺎﻙ ﺒﺎﺭﻴﻤﻭﺭ ‪ "Jack Barrymore‬ﺍﻝﺫﻱ ﻝﻌﺏ ﺩﻭﺭ "ﺍﻝﺩﻭﻥ ﺠﻭﺍﻥ"‪ .‬ﺘﺴﻌﺎ ﻭﺘﺴﻌﻴﻥ ﻤﺭﺓ ﻤـﻥ‬
‫ﺃﺼل ﻤﺎﺌﺔ ﻓﺈﻥ ﺍﻝﺭﺠل ﺜﻘﻴل ﺍﻝﺤﺭﻜﺔ ﻫﻭ ﻤﺜل ﺤﻠﻡ ﻴﺄﺘﻲ ﺒﻌﺩ ﺃﻜل ﺠﺒﻨﺔ "ﺒﻭﺭ ﺴﺎﻝﻭ ‪ "Port Salut‬ﻤﺘﺄﺨﺭﹰﺍ ﻓﻲ ﺍﻝﻠﻴل‪،‬‬
‫ﻼ ﻓﺈﻥ ﺘﺄﺜﻴﺭﻫﺎ ﺴﻴﺫﻫﺏ”‪.‬‬ ‫ﺒﺤﻴﺙ ﺇﺫﺍ ﺍﻨﺘﻅﺭﺕ ﻁﻭﻴ ﹰ‬
‫ﺘﺒﻴﻥ ﺃﻥ ﺍﻻﺠﺘﻤﺎﻉ ﻝﻡ ﻴﻜﻥ ﺍﺠﺘﻤﺎﻋﹰﺎ‪ .‬ﺴﺎﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺴﺘﺭﺨﺎﺀ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ ﻭﺴـﺨﹰﺎ ﺃﻭ‬
‫ﺃﻜﺜﺭ ﻭﺴﺎﺨﺔ ﻋﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ﻁﻭﺍل ﺍﻝﻴﻭﻡ ﺒﺤﻴﺙ ﺇﻨﻪ ﺼﺩﻡ " ﺒﻴﻴﺭ ﺁﻨﺠﻴﻠﻲ ‪ ."Pier Angeli‬ﺘﺨﺒﻁ ﻤﺼﺩﺭﹰﺍ ﺼﻭﺘﹰﺎ ﻋﻨﺩ‬
‫ﺍﻝﻁﺎﻭﻝﺔ ﻗﺭﺏ ﻁﺎﻭﻝﺔ ﺍﻵﻨﺴﺔ "ﻫﻭﺒﺭ ‪ ،"Hopper‬ﻭﻭﻀﻊ ﻗﺩﻤﻴﻪ ﻋﻠﻰ ﺍﻝﻜﺭﺴﻲ ﻭﻨﻅﺭ ﺇﻝﻴﻬـﺎ ﺒﻜـل ﺩﻑﺀ ﺤﻴـﻭﺍﻥ‬
‫ﻤﺘﻭﺤﺵ ﺘﻡ ﻝﻠﺘﻭ ﻭﻀﻌﻪ ﺒﺎﻷﺴﺭ‪ .‬ﺒﻌﺩ ﻫﺫﺍ ﺒﺩﻗﻴﻘﺔ‪ ،‬ﻨﻬﺽ ﻭﺍﻗﻔﹰﺎ ﻭﺘﻔﺤﺹ ﺼﻭﺭ ﺍﻝﻨﺠﻭﻡ ﻋﻠﻰ ﺍﻝﺤﺎﺌﻁ‪ ،‬ﺭﻜﺯ ﻋﻠـﻰ‬
‫ﻭﺍﺤﺩ‪ ،‬ﻭﺒﺼﻕ ﻓﻲ ﻋﻴﻨﻴﻪ‪ ،‬ﺜﻡ ﻤﺴﺢ ﺍﻝﺯﺠﺎﺝ ﺒﻤﻨﺩﻴل ﻭﺭﻤﻰ ﺒﻨﻔﺴﻪ ﻋﻠﻰ ﺍﻝﻜﺭﺴﻲ ﻭﺒﺩﺃ ﺒﺎﻝﺘﻬﺎﻡ ﻁﻌﺎﻤﻪ‪.‬‬
‫ﺭﻓﻀﺕ ﺍﻵﻨﺴﺔ "ﻫﻭﺒﺭ ‪ "Hopper‬ﺒﺤﺯﻡ ﻋﺭﺽ ﻤﺩﻴﺭ ﺍﻝﻌﻼﻗﺎﺕ ﺍﻝﻌﺎﻤﺔ ﺍﻝﻤﺤﺭﺝ ﻝﺩﻋﻭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ‬
‫ﻁﺎﻭﻝﺘﻬﺎ‪ .‬ﻜﺎﻨﺕ ﻗﺩ ﺃﺨﺫﺕ ﻗﺭﺍﺭﺍﻫﺎ ﺒﻤﺎ ﺴﻭﻑ ﺘﺨﺒﺭ ﺒﻪ ﻋﺎﻤل ﺍﻵﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ ﻓﻭﺭ ﻋﻭﺩﺘﻬﺎ ﻝﻠﻤﻜﺘﺏ‪.‬‬
‫ﻭﻫﻜﺫﺍ‪ ،‬ﻭﻝﻁﻭﺍل ﻋﺩﺓ ﺸﻬﻭﺭ ﺃﺨﺭﻯ‪ ،‬ﻭﺤﺘﻰ ﻝﺒﻌﺽ ﻋﺭﻭﺽ ﺍﻝﻔﻴﻠﻡ ﺍﻷﻭﻝﻴﺔ ﺍﻝﺘﻲ ﺘﻡ ﺍﺨﺘﻼﺴﻬﺎ ﻝﻔﻴﻠﻡ "ﺸـﺭﻕ‬
‫ﻋﺩﻥ ‪ "East of Eden‬ﻭﺍﻝﺘﻲ ﺒﺩﺃﺕ ﺒﺘﻭﻝﻴﺩ ﺫﻝﻙ ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻻﺒﺘﻬﺎﺝ ﻭﺍﻝﺤﻤﺎﺴﺔ ﺍﻝﺘﻲ ﺘﻌﻠﻥ ﻋﻥ ﺍﻝﻨﺠﻡ ﺍﻝﺠﺩﻴﺩ‪ ،‬ﻓـﺈﻥ‬
‫ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺨﺎﺼﺔ ‪ ،‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻓﻲ ﺘﻠﻙ ﺍﻝﻔﺘﺭﺓ ﻋﻼﻗﺘﻪ ﻤﻊ "ﺒﻴﻴﺭ ﺁﻨﺠﻴﻠﻲ ‪ "Pier Angeli‬ﺒﻘﻴﺕ ﺸﺄﻨﻪ‬
‫ﻭﺸﺄﻨﻬﺎ‪.‬‬
‫ﻜﺎﻨﺕ "ﺁﻨﺎ ﺒﻴﺭﺃﻨﺠﻴﻠﻲ ‪ - "Anna Pierangeli‬ﻜﺎﻥ ﺫﻝﻙ ﺍﺴﻤﻬﺎ ﺍﻝﺤﻘﻴﻘﻲ ‪ -‬ﺍﻝﻤﺭﺃﺓ ﺍﻝﻭﺤﻴﺩﺓ ﻋﺩﺍ ﺃﻤـﻪ )ﺍﻝﺘـﻲ‬
‫ﻜﺎﻨﺕ ﺃﻴﻀﹰﺎ ﺼﻐﻴﺭﺓ ﻭﺫﺍﺕ ﺸﻌﺭ ﺒﻨﻲ ﻏﺎﻤﻕ( ﺍﻝﺘﻲ ﺃﺤﺒﻬﺎ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻜﺎﻨﺕ "ﺁﻨﺎ ‪ "Anna‬ﻭ"ﻤﺎﺭﻴﺴﺎ ﺒﻴﺭﺃﻨﺠﻴﻠـﻲ‬
‫‪ - "Marisa Pierangeli‬ﺍﻝﺘﻲ ﺃﺼﺒﺤﺕ ﻓﻴﻤﺎ ﺒﻌﺩ "ﻤﺎﺭﻴﺴﺎ ﺒﺎﻓﺎﻥ ‪ - "Marisa Pavan‬ﺘﻭﺀﻤﻴﻥ ﻏﻴﺭ ﺤﻘﻴﻘﻴﻴﻥ‪ .‬ﻭﻝـﺩﺘﺎ‬
‫ﻓﻲ ‪ 19‬ﺤﺯﻴﺭﺍﻥ ‪ /‬ﻴﻭﻨﻴﻭ ﻤﻥ ﺍﻝﻌﺎﻡ ‪ 1933‬ﻓﻲ ﺠﺯﻴﺭﺓ ﺴﺭﺩﻴﻨﻴﺎ‪ .‬ﻭﺒﻴﻨﻤﺎ ﻜﺎﻨﺘﺎ ﻁﻔﻠﺘﻴﻥ‪ ،‬ﺍﻨﺘﻘل ﻭﺍﻝﺩﻫﻤﺎ ﺍﻝﻤﻬﻨـﺩﺱ‬
‫ﺍﻝﻤﻌﻤﺎﺭﻱ "ﻝﻭﻴﺠﻲ ﺒﻴﺭﺃﻨﺠﻴﻠﻲ ‪ "Luigi Pierangeli‬ﻤﻊ ﺍﻝﻌﺎﺌﻠﺔ ﺇﻝﻰ ﺭﻭﻤﺎ ﺤﻴﺙ ﺃﺼﺒﺢ ﻤﺼﻤﻤﹰﺎ ﻭﺒﻨﹼﺎﺀ ﻤﻬﻤﹰﺎ‪ .‬ﻜﺎﻨﺘـﺎ‬
‫ﻓﻲ ﺍﻝﺴﺎﺩﺴﺔ ﻋﻨﺩﻤﺎ ﺍﺸﺘﻌﻠﺕ ﺍﻝﺤﺭﺏ ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ‪.‬‬
‫ﺘﺫﻜﺭ "ﺒﻴﻴﺭ ‪ "Pier‬ﻜﻴﻑ ﺃﻥ ﻭﺍﻝﺩﻫﺎ ﻜﺎﻥ ﻴﺫﻫﺏ ﺇﻝﻰ ﺍﻝﺭﻴﻑ ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ ﺍﻝﻬﻭﺍﺌﻴﺔ ﻝﻴﺒﺤﺙ ﻋﻥ ﺍﻝﻘﺭﻭﻴﻴﻥ ﻝﺒﻴﻌﻪ‬
‫ﺍﻝﻘﻠﻴل ﻤﻥ ﺍﻝﺤﻠﻴﺏ ﻭﺒﻌﺽ ﺍﻝﺨﻀﺎﺭ ﺇﻥ ﻭﺠﺩﺕ‪ .‬ﺜﻡ ﺍﺤﺘل ﺍﻝﻨﺎﺯﻴﻭﻥ ﺍﻝﻤﺩﻴﻨﺔ‪ ،‬ﻭﺃﻀﺤﺕ ﺤﻴﺎﺓ ﺍﻝﻌﺎﺌﻠﺔ ﺃﻜﺜﺭ ﺼﻌﻭﺒﺔ‪.‬‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﺍﻨﺘﻬﺕ ﺍﻝﺤﺭﺏ ﻓﻲ ﺍﻝﻌﺎﻡ ‪.1945‬‬
‫ﺒﺩﺃﺕ ﺍﻝﻌﺎﺌﻠﺔ ﺍﻝﺘﻲ ﻨﺠﺕ ﻤﻥ ﺍﻝﻔﺎﺸﻴﺔ ﻭﺍﻝﻨﺎﺯﻴﺔ ﻭﺍﻝﻤﺠﺎﻋﺔ ﺸﻴﺌﹰﺎ ﻓﺸﻴﺌﹰﺎ ﺒﺎﺴﺘﻌﺎﺩﺓ ﺸﻌﻭﺭﻫﺎ ﺒﺎﻷﻤﺎﻥ‪ ،‬ﻓﻘﻁ ﻝﺘﻌﺎﻨﻲ‬
‫ﺸﻴﺌﹰﺎ ﻤﺨﺘﻠﻔﹰﺎ ﺭﺒﻤﺎ ﺠﺭﺡ ﺃﻜﺜﺭ ﺃﻝﻤﺎﹰ‪ ،‬ﺤﻴﺙ ﺘﻌﺭﻀﺕ "ﺒﻴﻴﺭ ‪ "Pier‬ﻓﺘـﺎﺓ ﺍﻝﻤﺩﺭﺴـﺔ ﺫﺍﺕ ﺍﻝﺨﻤﺴـﺔ ﻋﺸـﺭ ﺭﺒﻴﻌـﹰﺎ‬
‫ﻝﻼﻏﺘﺼﺎﺏ ﻋﻠﻰ ﻴﺩ ﺠﻨﺩﻱ ﺃﻤﺭﻴﻜﻲ‪.‬‬
‫ﻭﺒﻌﺩ ﺴﻨﺔ‪ ،‬ﻋﺭﺽ "ﻓﻴﺘﻭﺭﻴﻭ ﺩﻱ ﺴﻴﻜﺎ ‪ "Vittorio De Sica‬ﻋﻠﻴﻬﺎ ﺩﻭﺭﹰﺍ ﺼﻐﻴﺭﹰﺍ ﻓﻲ ﻓﻴﻠﻤﻪ "ﺍﻝﻐﺩ ﻤﺘﺄﺨﺭ ﺠﺩﹰﺍ‬
‫‪ ."Tomorrow Is Too Late‬ﺭﻓﺽ ﺍﻝﻭﺍﻝﺩ ﺒﺼﻭﺭﺓ ﻗﺎﻁﻌﺔ‪ ،‬ﻝﻜﻥ ﺃﻤﻬﺎ ﺍﻝﺘﻲ ﺘﺭﻜﺕ ﻋﻤﻠﻬﺎ ﺍﻝﻤﺴﺭﺤﻲ ﻝﻠﺯﻭﺍﺝ ﺒﻘﻴﺕ‬
‫ﺘﻨﺎﺸﺩﻩ ﺤﺘﻰ ﺃﻋﻁﻰ ﻤﻭﺍﻓﻘﺘﻪ‪.‬‬
‫ﻜﺎﻨﺕ "ﺒﻴﻴﺭ ‪ "Pier‬ﺠﻤﻴﻠﺔ ﺠﺩﹰﺍ‪ .‬ﻴﻘﻭل " ﺩﻱ ﺴﻴﻜﺎ ‪ “ :"De Sica‬ﻤﻨﺫ ﺍﻝﻠﺤﻅﺔ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﺸﺎﻫﺩﺕ ﺒﻬﺎ ﺍﻝﻁﻔﻠﺔ‪،‬‬
‫ﺒﺠﺴﺩﻫﺎ ﺭﻗﻴﻕ ﺍﻝﻘﻭﺍﻡ ﻭﻭﺠﻬﻬﺎ ﺍﻝﺤﺴﺎﺱ‪ ،‬ﻋﺭﻓﺕ ﺃﻨﻬﺎ ﺍﻝﺸﺨﺹ ﺍﻝﻤﻨﺎﺴﺏ”‪ .‬ﺘﻁﻠﺏ ﺃﺤﺩ ﺍﻝﻤﺸﺎﻫﺩ ﻤﻥ ﻤﻤﺜل ﺸﺎﺏ ﺃﻥ‬
‫ﻴﻘﺒﻠﻬﺎ‪ ،‬ﻭﻋﻨﺩﻤﺎ ﻓﻌل ﻫﺫﺍ‪ ،‬ﺃﻏﻤﻲ ﻋﻠﻴﻬﺎ‪.‬‬
‫ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﺍﻨﺘﻬﺎﺀ ﻓﻴﻠﻡ " ﺩﻱ ﺴﻴﻜﺎ ‪ ،"De Sica‬ﻭﻀﻊ "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ "Stewart Stern‬ﺍﻝـﺫﻱ‬
‫ﺴﻭﻑ ﻴﻜﺘﺏ ﻻﺤﻘﹰﺎ ﻨﺹ ﻓﻴﻠﻡ "ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪" "Rebel Without a Cause‬ﺒﻴﻴﺭ ‪ "Pier‬ﻓﻲ ﺃﻭل ﻓﻴﻠﻡ ﺃﻤﺭﻴﻜﻲ ﻝﻬﺎ‬
‫ﺒﻌﻨﻭﺍﻥ "ﺘﻴﺭﻴﺯﺍ ‪ ،"Teresa‬ﻭﻭﻗﻌﺕ ﻋﻠﻰ ﺍﻝﻌﻘﺩ ﺍﻝﺫﻱ ﺴﻭﻑ ﻴﺄﺨﺫﻫﺎ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﺘﻭﻓﻲ ﻭﺍﻝﺩﻫﺎ ﺍﻝﻤﺘﻌﺏ ﻤﻥ ﺍﻝﺤﺭﺏ‬
‫ﺇﺜﺭ ﻨﻭﺒﺔ ﻗﻠﺒﻴﺔ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﺫﻫﺒﺕ ﺍﻝﻌﺎﺌﻠﺔ ﺍﻝﻔﺎﻗﺩﺓ ﻝﻸﺏ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪ ،‬ﻝﻡ ﺘﺩﻉ ﺍﻝﺴﻴﺩﺓ " ﺒﻴﺭﺃﻨﺠﻴﻠﻲ ‪ "Pierangeli‬ﺍﺒﻨﺘﻬﺎ "ﺒﻴﻴﺭ ‪"Pier‬‬
‫ﺘﻐﻴﺏ ﻋﻥ ﻨﺎﻅﺭﻫﺎ‪ .‬ﻜﺎﻨﺕ ﺍﻷﻡ ﺘﺫﻫﺏ ﺤﻴﺜﻤﺎ ﺘﺫﻫﺏ ﺍﻻﺒﻨﺔ ‪ -‬ﻝﻸﺴﺘﻭﺩﻴﻭ ﻭﻝﺤﻔﻼﺕ ﺍﻻﻓﺘﺘـﺎﺡ ﻭﻝﻠﺤﻔـﻼﺕ ﻭﺤﺘـﻰ‬
‫ﻝﻠﻤﻭﺍﻋﻴﺩ‪ .‬ﻜﺎﻨﺕ ﺍﻷﻡ ﺩﺍﺌﻤﹰﺎ ﻤﻭﺠﻭﺩﺓ ﺘﺭﺍﻗﺏ‪ ،‬ﺘﺤﺫﺭ‪ ،‬ﺘﻭﺒﺦ ﻭﺘﻨﺼﺢ‪.‬‬
‫ﻜﺎﻨﺕ "ﺒﻴﻴﺭ ‪ "Pier‬ﻓﻲ ﺍﻝﺤﺎﺩﻴﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ ﻓﻲ ﺍﻝﺼﻴﻑ ﺍﻝﺫﻱ ﻗﺎﺒﻠﺕ ﺒﻪ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻜﺎﻥ ﻋﻴـﺩ ﻤـﻴﻼﺩ‬
‫ﻤﻬﻤﹰﺎ ﺠﺩﺍﹰ‪ ،‬ﺤﻴﺙ ﺴﻤﺢ ﻝﻬﺎ ﻭﻷﻭل ﻤﺭﺓ ﺒﺄﻥ ﻴﻜﻭﻥ ﻝﻬﺎ ﺤﺴﺎﺒﻬﺎ ﺍﻝﻤﺼﺭﻓﻲ ﺍﻝﺨﺎﺹ )ﻜﺘﺒﺕ ﺸـﻴﻜﻬﺎ ﺍﻷﻭل ﻝﺸـﺭﺍﺀ‬
‫ﺨﺎﺘﻡ ﻤﻥ ﺍﻝﻴﺎﻗﻭﺕ ﺍﻷﺯﺭﻕ( ﻭﺴﻴﺎﺭﺓ )ﺴﻴﺎﺭﺓ "ﻜﺎﺩﻴﻼﻙ" ﺯﺭﻗﺎﺀ ﻤﻜﺸﻭﻓﺔ( ﻭﺍﻝﺫﻫﺎﺏ ﻝﻠﻤﻭﺍﻋﻴﺩ ﺒﺩﻭﻥ ﻤﺎﻤﺎ‪.‬‬
‫ﻗﺎﻝﺕ‪" “ :‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺘﻰ ﺭﺍﺌﻊ ﻭﻤﻤﺜل ﻋﻅﻴﻡ‪ .‬ﻝﻜﻨﻨﺎ ﻴﺎﻓﻌﺎﻥ ﺠﺩﹰﺍ ﻭﻗﺭﻴﺒﹰﺎ ﺴﻭﻑ ﻴﺼﺒﺢ ﻫﻭ ﻓﻲ ﺍﻝﺭﺍﺒﻌﺔ‬
‫ﻭﺍﻝﻌﺸﺭﻴﻥ‪ .‬ﻫﺫﻩ ﻫﻲ ﺍﻝﺴﻨﺔ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﻴﺴﻤﺢ ﻝﻲ ﻓﻴﻬﺎ ﺒﺎﻝﺨﺭﻭﺝ ﻭﺤﺩﻱ‪ .‬ﻫﻨﺎﻙ ﻨﻜﺘﺔ ﻗﺩﻴﻤﺔ ﺠﺩﹰﺍ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﺇﺫﺍ‬
‫ﻭﺍﻋﺩﻨﻲ ﺸﺎﺏ ﻓﺈﻨﻪ ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﻭﺍﻋﺩ ﺃﻤﻲ ﺃﻴﻀـﺎﹰ‪ ،‬ﻭﺃﺨﺘﹼـﻲ ) "ﻤﺎﺭﻴﺴـﺎ ‪ "Marisa‬ﻭﺍﻝﺼـﻐﺭﻯ "ﺒﺎﺘﺭﻴﺯﻴـﺎ‬
‫‪ ،("Patrizia‬ﻭﻜﻼﺒﻲ ﻭﺒﺒﻐﺎﻭﺍﺘﻲ‪ .‬ﻝﻡ ﻴﻌﺩ ﻫﺫﺍ ﺼﺤﻴﺤﹰﺎ ﺒﻌﺩ ﺍﻵﻥ”‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺴﻤﺎﺡ ﺍﻷﻡ ﻻﺒﻨﺘﻬﺎ ﺒﺭﺅﻴﺔ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻓﺈﻨﻬﺎ ﺃﻭﻀﺤﺕ ﺘﻤﺎﻤﹰﺎ ﺃﻨﻬﺎ ﻀﺩ ﻫـﺫﺍ‪ .‬ﻴﺘـﺫﻜﺭ‬
‫ﺍﻝﻭﻜﻴل "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﺇﺤﺩﻯ ﻭﺴﺎﺌﻠﻬﺎ ﺍﻷﻜﺜﺭ ﻋﺩﺍﺌﻴﺔ‪“ :‬ﺃﺭﺍﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﺘﺼل ﺒـ "ﺒﻴﻴﺭ‬
‫‪ ،"Pier‬ﻝﻜﻥ ﺃﻤﻬﺎ ﻗﺎﻤﺕ ﺒﺘﻐﻴﻴﺭ ﺭﻗﻡ ﺍﻝﻬﺎﺘﻑ ﻓﻠﻡ ﻴﺴﺘﻁﻊ ﺍﻝﺘﺤﺩﺙ ﺇﻝﻴﻬﺎ‪ .‬ﻝﺫﻝﻙ ﺤﺼﻠﺕ ﻝﻪ ﻋﻠﻰ ﺍﻝﺭﻗﻡ ﺍﻝﺠﺩﻴﺩ‪ .‬ﻜـﺎﻥ‬
‫ﻴﺼﻭﺭ ﻓﻴﻠﻤ ﹰﺎ ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ "ﻭﺍﺭﻨﺭﺯ ‪ "Warner's‬ﻭﻜﻨﺕ ﻫﻨﺎﻙ ﺃﺴﻴﺭ ﻤﻊ ﻤـﺩﻴﺭﻱ "ﺘﺸـﺎﺭﻝﻲ ﻓﻴﻠـﺩﻤﺎﻥ ‪Charlie‬‬
‫‪ "Feldman‬ﺤﻴﺙ ﺼﺎﺩﻓﻨﺎ "ﺠﺎﻙ ﻭﺍﺭﻨﺭ ‪ "Jack Warner‬ﻓﺘﻭﻗﻔﻨﺎ ﻭﺘﺤﺩﺜﻨﺎ ﺤﻭل ﺒﻌـﺽ ﺍﻷﺸـﻴﺎﺀ‪ .‬ﺃﺘـﻰ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﻭﻭﺜﺏ ﻭﺴﻠﻡ ﻋﻠﻰ ﺍﻝﺠﻤﻴﻊ ﻓﻘﻤﺕ ﺒﺩﺱ ﻗﻁﻌﺔ ﻤﻥ ﺍﻝﻭﺭﻕ ﻓﻲ ﺠﻴﺒﻪ ﻭﻗﻠﺕ ‪‘ :‬ﻫﺫﺍ ﻫﻭ ﺍﻝﺭﻗﻡ ﺍﻝﺫﻱ ﺃﺭﺩﺘﻪ’‪.‬‬
‫ﺼﺭﺥ ﻭﻭﻝﻭل ﺜﻡ ﻀﻤﻨﻲ ﻭﺃﻤﺴﻜﻨﻲ ﻭﻗﺒﻠﻨﻲ ﺜﻡ ﻀﻤﻨﻲ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﺘﻤﺎﻤﹰﺎ ﻜﻭﻝﺩ ﺃﻋﻁﻲ ﺠﺎﺌﺯﺓ ﻜﺒﻴﺭﺓ”‪.‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﺩﹰﺍ ﺤﻭل "ﺒﻴﻴﺭ ‪ "Pier‬ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻜﺎﻥ ﻤﺴﺘﻌﺩﹰﺍ ﻝﻠﺒﺱ ﺍﻝﺒﺯﺓ ﺍﻝﺭﺴﻤﻴﺔ‪ .‬ﻗﺎل ﻓﻲ ﺇﺤﺩﻯ‬
‫ﻤﻘﺎﺒﻼﺘﻪ ﻝﻤﺠﻠﺔ ﻤﻌﺠﺒﻴﻥ‪ “ :‬ﺇﻥ "ﺒﻴﻴﺭ ﺁﻨﺠﻴﻠﻲ ‪ "Pier Angeli‬ﺸﺨﺹ ﻨﺎﺩﺭ‪ .‬ﻭﺒﻌﻜﺱ ﺃﻏﻠﺏ ﻓﺘﻴﺎﺕ ﻫﻭﻝﻴﻭﻭﺩ ﻓﺈﻨﻬـﺎ‬
‫ﺤﻘﻴﻘﻴﺔ ﻭﺃﺼﻴﻠﺔ‪ .‬ﻜﺎﻨﺕ ﻤﺸﻜﻠﺘﻬﺎ ﺍﻝﻭﺤﻴﺩﺓ ﻫﻲ ﺃﻨﻬﺎ ﺘﺤﺎﺭ ﻝﺴﻤﺎﻋﻬﺎ ﺍﻝﻜﺜﻴﺭ ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﻨﺎﺼﺤﻴﻥ”‪.‬‬
‫ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺼﻁﺤﺎﺒﻬﺎ ﻓﻲ ﺃﺤﺩ ﺃﻭل ﺍﻝﻤﻭﺍﻋﻴﺩ ﻝﻠﻐﺩﺍﺀ ﻓﻲ ﻤﻁﻌﻡ "ﻓﺭﺍﺴﻜﺎﺘﻲ ‪ "Frascati‬ﻤﻊ ﻭﺍﻝـﺩﻩ‬
‫ﻭﺯﻭﺠﺘﻪ‪ .‬ﺃﺤﺒﺕ "ﺒﻴﻴﺭ ‪ "Pier‬ﺍﻝﻌﺎﺌﻠﺔ‪ ،‬ﻓﻘﺎﻝﺕ ﻓﻴﻤﺎ ﺒﻌﺩ‪“ :‬ﺇﻨﻬﻡ ﺃﻨﺎﺱ ﺭﺍﺌﻌﻭﻥ”‪.‬‬
‫ﺍﻋﺘﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺃﻴﺎﻡ ﺍﻵﺤﺎﺩ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻴﻭﻡ ﻋﻁﻠﺘﻪ ﺍﻝﻭﺤﻴﺩ ﻋﻥ ﺍﻝﻌﻤـل ﺃﻥ ﻴﺼـﻁﺤﺒﻬﺎ ﺇﻝـﻰ‬
‫"ﺒﺎﺴﻴﻔﻴﻙ ﺒﺎﻝﻴﺴﺎﺩﻴﺱ ‪ "Pacific Palisades‬ﻤﻨﺯل "ﺠﻴﻥ ﺃﻭﻴﻥ ‪ "Gene Owen‬ﺍﻝﺴﻴﺩﺓ ﺍﻝﺘﻲ ﻋﻠﻤﺘﻪ ﺍﻝﺘﻤﺜﻴل ﻓﻲ ﺠﺎﻤﻌﺔ‬
‫ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ‪ .‬ﻝﻡ ﺘﺴﻤﻊ ﺍﻝﺴﻴﺩﺓ " ﺃﻭﻴﻥ ‪ "Owen‬ﻤﻨﻪ ﻤﻨﺫ ﻤﻐﺎﺩﺭﺘﻪ ﻨﻴﻭﻴﻭﺭﻙ‪ ،‬ﻝﻜﻨﻪ ﻋﻨﺩﻤﺎ ﻋﺎﺩ ﻝﻠﻌﻤل ﻓـﻲ "ﺸـﺭﻕ‬
‫ﻋﺩﻥ ‪ "East of Eden‬ﺃﺨﺫ ﻜل ﻭﻗﺘﻪ ﺒﺎﻝﻘﻴﺎﺩﺓ ﺇﻝﻰ ﺴﺎﻨﺘﺎ ﻤﻭﻨﻴﻜﺎ ﻝﻤﻔﺎﺠﺄﺘﻬﺎ‪.‬‬
‫ﻻ ﻤﻥ ﺇﺯﻋﺎﺠﻬﺎ‪ ،‬ﺍﻨﺘﻅﺭ ﻓﻲ ﺍﻝﻤﻤﺭ‪ .‬ﻋﻨﺩﻤﺎ ﺨﺭﺠﺕ ﻤﻥ ﺍﻝﺼﻑ ﺃﺤﺎﻁﻬـﺎ‬ ‫ﻜﺎﻨﺕ ﺘﹸﺩ ‪‬ﺭﺱ ﻋﻨﺩﻤﺎ ﻭﺼل‪ .‬ﻭﺒﺩ ﹰ‬
‫ﻻ ﺇﻝﻰ ﺍﻝﻤﻜﺘﺏ‪ .‬ﻭﻜﻡ ﻜﺎﻨﺕ ﻤﺘﻔﺎﺠﺌﺔ ﺃﻜﺜﺭ ﻋﻨﺩﻤﺎ ﺃﺨﺒﺭﻫﺎ ﺒﺄﻨﻪ ﺴﻭﻑ ﻴﻤﺜل ﻓﻲ ﻓﻴﻠﻡ "ﺇﻴﻠﻴـﺎ‬
‫ﺒﺫﺭﺍﻋﻴﻪ ﻭﺤﻤﻠﻬﺎ ﻭﺼﻭ ﹰ‬
‫ﻜﺎﺯﺍﻥ ‪ ."Elia Kazan‬ﻝﻡ ﺘﺴﺘﻁﻊ ﻨﺴﻴﺎﻥ ﻫﺫﺍ‪ ،‬ﻓﻤﻨﺫ ﺨﻤﺱ ﺴﻨﻴﻥ ﻓﻘﻁ ﻜﺎﻥ ﻤﺠﺭﺩ ﻁﺎﻝﺏ ﺠﺩﻴﺩ ﺨﺎﺌﻑ‪.‬‬
‫ﺘﺘﺫﻜﺭ ﺍﻝﺴﻴﺩﺓ " ﺃﻭﻴﻥ ‪ "Owen‬ﺇﺤﺩﻯ ﺯﻴﺎﺭﺍﺕ ﻴﻭﻡ ﺍﻷﺤﺩ ﺒﺸﻜل ﺨـﺎﺹ‪ .‬ﻭﺼـل "ﺒﻴﻴـﺭ ‪ "Pier‬ﻭ"ﺠﻴﻤـﻲ‬
‫ﻻ ﺍﻝﺸﻔﺎﺀ ﻤﻥ ﺍﻝﺼﺩﻤﺔ ﺍﻝﺘﻲ ﺘﻠﻘﺎﻫﺎ‬
‫‪ "Jimmy‬ﻓﻲ ﺴﻴﺎﺭﺘﻪ ﺍﻝﺤﻤﺭﺍﺀ ﺍﻝﺼﻐﻴﺭﺓ ﻭﺃﻤﻀﻰ ﻜل ﻓﺘﺭﺓ ﻤﺎ ﺒﻌﺩ ﺍﻝﻅﻬﺭ ﻤﺤﺎﻭ ﹰ‬
‫ﺤﻴﺙ ﻜﺎﺩ ﺃﻥ ﻴﺼﺩﻡ ﺴﻴﺎﺭﺓ ﺃﺨﺭﻯ ﻓﻲ "ﺼﺎﻨﺴﻴﺕ ﺒﻭﻝﻴﻔﺎﺭﺩ ‪ ."Sunset Boulevard‬ﻭﻭﻋـﺩ "ﺒﻴﻴـﺭ ‪ "Pier‬ﻤـﺭﺍﺭﹰﺍ‬
‫ﻭﺘﻜﺭﺍﺭﹰﺍ ﺒﺄﻥ ﻴﻘﻭﺩ ﺒﺤﺫﺭ ﺃﻜﺜﺭ ﻓﻲ ﺍﻝﻤﺴﺘﻘﺒل‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻝﻡ ﻴﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻘﺎﺒل "ﺒﻴﻴﺭ ‪ ،"Pier‬ﻜﺎﻥ ﻴﻘﻀﻲ ﻤﻌﻅﻡ ﺃﻭﻗﺎﺘﻪ ﻋﻨﺩ ﻤﻨﺯل "ﺁﺭﺜﺭ ﻝﻭﻴﻭ ﺍﻻﺒﻥ‬
‫‪ "Arthur Loew Jr.‬ﻓﻲ "ﻤﻴﻠﺭ ﺩﺭﺍﻴﻑ ‪ "Miller Drive‬ﻝﻴﺱ ﺒﺒﻌﻴﺩ ﻋﻥ ﺸﻘﺔ ﺍﺴﺘﺄﺠﺭﻫﺎ ﻓﻲ ‪" 1741‬ﺼﺎﻨﺴﻴﺕ ﺒﻼﺯﺍ‬
‫ﺩﺭﺍﻴﻑ ‪ ."Sunset Plaza Drive‬ﻜﺎﻥ "ﺁﺭﺜﺭ ‪ "Arthur‬ﺍﻝﺫﻱ ﺠﺩﻩ "ﻤﺎﺭﻜﻭﺱ ﻝﻭﻴﻭ ‪ "Marcus Loew.‬ﻤﺅﺴﺱ "ﻤﻴﺘﺭﻭ‬
‫ﻏﻭﻝﺩﻭﻴﻥ ﻤﺎﻴﺭ ‪ "Metro-Goldwyn-Mayer‬ﻭﺠﺩﻩ ﺍﻝﺜﺎﻨﻲ "ﺃﺩﻭﻝﻑ ﺯﻭﻜﺭ ‪ "Adolph Zucker‬ﻤﺅﺴﺱ "ﺒﺎﺭﺍﻤﺎﻭﻨـﺕ‬
‫‪ "Paramount‬ﺸﺨﺼﹰﺎ ﻤﻬﻤﹰﺎ ﻝﻜﻨﻪ ﻗﻠﻴل ﺍﻝﺸﻬﺭﺓ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﺘﻠﻙ ﺍﻝﻔﺘﺭﺓ‪ .‬ﻋﻤل ﻜﻤﻨﺘﺞ ﻓﻲ "ﻤﻴﺘﺭﻭ ‪ " Metro‬ﻨﻬـﺎﺭﹰﺍ‬
‫ﻼ‪ .‬ﻜﺎﻨﺕ ﺼﺩﺍﻗﺎﺘﻪ ﺘﺘﺩﺭﺝ ﻤﻥ "ﻝﻭﻴﺱ ﻜـﺎﻝﻬﻴﺭﻥ ‪ "Louis Calhern‬ﺇﻝـﻰ‬ ‫ﻭﻜﻤﻀﻴﻑ ﻝﻜﻭﻜﺒﺔ ﻤﺸﺎﻫﻴﺭ ﻫﻭﻝﻴﻭﻭﺩ ﻝﻴ ﹰ‬
‫"ﺒﻭل ﻨﻴﻭﻤﺎﻥ ‪ "Paul Newman‬ﻭﻤﻥ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ ‪ "Elizabeth Taylor‬ﺇﻝﻰ "ﺇﻴﺭﺜﺎ ﻜﻴﺕ ‪."Ertha Kitt‬‬
‫ﻴﻘﻭل‪ “ :‬ﻜﻨﺕ ﺫﺍﻫﺒﹰﺎ ﻓﻲ ﺍﻝﻤﺭﺓ ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﺼﺎﺩﻓﺕ ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺍﻝﻤﻤﺜﻠـﺔ ﺍﻻﻴﻁﺎﻝﻴـﺔ "ﺒﻴﻴـﺭ‬
‫ﺁﻨﺠﻴﻠﻲ ‪ "Pier Angeli‬ﺍﻝﺘﻲ ﺍﻜﺘﺸﻔﻬﺎ "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ ."Stewart Stern‬ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺭﺍﻫﺎ ﻭﺒﻌـﺩ ﻋـﺩﺓ ﺴـﻨﻴﻥ‬
‫ﺍﻋﺘﺩﺕ ﻤﻘﺎﺒﻠﺔ ﺃﺨﺘﻬﺎ "ﻤﺎﺭﻴﺴﺎ ‪ ،"Marisa‬ﻭﺨﻼل ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻋﻨﺩﻤﺎ ﺫﻫﺒﺕ ﻻﺼﻁﺤﺎﺒﻬﺎ ﻓﻲ ﺃﺤﺩ ﺍﻷﻴـﺎﻡ ﻭﺩﺨﻠـﺕ‬
‫ﺍﻝﻤﻨﺯل )ﻓﻲ "ﺒﺭﻴﻨﺘﻭﻭﺩ ‪ ("Brentwood‬ﻭﺸﺎﻫﺩﺕ ﺃﺨﺘﻬﺎ "ﺁﻨﺎ ‪") "Ana‬ﺒﻴﻴﺭ ‪ ("Pier‬ﻓﻲ ﺍﻝﻔﻨﺎﺀ ﻤـﻊ ﺃﺤـﺩ ﺍﻝﺸـﺒﺎﻥ‪.‬‬
‫ﻭﻋﻨﺩﻤﺎ ﻫﻤﻤﺕ ﻝﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻹﻝﻘﺎﺀ ﺍﻝﺘﺤﻴﺔ ﻋﻠﻴﻬﻤﺎ‪ ،‬ﻗﺎﻝﺕ "ﻤﺎﺭﻴﺴﺎ ‪ ‘ : "Marisa‬ﺘﻭﻗـﻑ‪ ،‬ﻻ ﺘﺯﻋﺠﻬﻤـﺎ’‪ .‬ﻓﻘﻠـﺕ‪:‬‬
‫‘ﺃﺯﻋﺞ ﻤﻥ؟’‪ .‬ﻗﺎﻝﺕ‪" ‘ :‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﻨﺎ‪ ،‬ﻭﻫﻭ ﻴﺘﺩﺭﺏ’‪ .‬ﻓﻘﻠﺕ‪ ‘ :‬ﻤﻥ ﻫﻭ "ﺠﻴﻤﺱ ﺩﻴـﻥ ‪"James Dean‬؟’‪.‬‬
‫ﻗﺎﻝﺕ‪ ‘:‬ﺍﻝﻤﻤﺜل ﺍﻝﻨﻴﻭﻴﻭﺭﻜﻲ ﺍﻝﺭﺍﺌﻊ’‪ .‬ﻗﻠﺕ ﻝﻬﺎ‪ ‘ :‬ﻝﻡ ﺃﺴﻤﻊ ﺒﻪ ﻗﻁ’‪ .‬ﺍﻋﺘﻘﺩﺕ ﺃﻨﻪ ﺸﺨﺹ ﺘﺎﻓﻪ‪ .‬ﺸﺎﺏ ﻝﻡ ﺃﺴﻤﻊ ﺒـﻪ‬
‫ﻴﺘﺩﺭﺏ ﻓﻲ ﺍﻝﻔﻨﺎﺀ ﻭﺍﻝﺠﻤﻴﻊ ﻴﺴﻴﺭ ﻓﻲ ﺍﻝﻤﻨﺯل ﻋﻠﻰ ﺃﻁﺭﺍﻑ ﺃﺼﺎﺒﻌﻪ ﻭﻜﺄﻥ "ﻝﻭﺭﺍﻨﺱ ﺃﻭﻝﻴﻔﻴﻴﺭ ‪"Laurance Olivier‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ”‪.‬‬
‫“ ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻭﺒﻌﺩ ﻋﺩﺓ ﺃﺸﻬﺭ‪ ،‬ﺃﺘﻰ ﺼﺩﻴﻘﻲ "ﻜﻴﻨﺎﻥ ﻭﻴﻥ ‪ "Keenan Wynn‬ﻤﻊ "ﺭﻭﺩ ﺴـﺘﺎﻴﻐﺭ ‪Rod‬‬
‫‪ "Steiger‬ﺍﻝﺫﻱ ﻜﻨﺕ ﻗﺩ ﺒﺩﺃﺕ ﺒﺎﻝﺘﻌﺭﻑ ﻋﻠﻴﻪ ﺤﺩﻴﺜﹰﺎ ﻝﻠﺒﻴﺕ ﻭﺃﺤﻀﺭﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻌﻬﻤﺎ”‪.‬‬
‫“ ﺍﻵﻥ ﻭﻜﻤﺎ ﺃﺫﻜﺭ ﻓﻘﺩ ﻤﻨﺢ ﺍﻝﺘﺭﺤﻴﺏ ﻨﻔﺴﻪ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻜﺎﻥ ﻫﻨﺎﻙ ﺨﺎﺭﺠﹰﺎ ﺒﺎﻝﺴﻴﺎﺭﺓ ﻭﺃﺘﻰ ﻜﻴﻨـﺎﻥ ‪"Keenan‬‬
‫ﻭ"ﺭﻭﺩ ‪ "Rod‬ﻭﻗﺎﻻ‪ ‘:‬ﺍﺴﻤﻊ ﻤﻌﻨﺎ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻭﻜﻤﺎ ﺘﻌﻠﻡ ﻓﺈﻨﻪ – ﻭﻜﻤﺎ ﻗﺎﻝﺕ "ﻤﺎﺭﻴﺴـﺎ ‪"Marisa‬‬
‫ﻓﺈﻥ ﻫﺫﺍ ﺍﻝﺸﺎﺏ ﻴﺠﺏ ﻤﻌﺎﻤﻠﺘﻪ ﻭﻜﺄﻨﻙ ﺘﺭﺘﺩﻱ ﻗﻔﺎﺯﹰﺍ ﺨﺎﺼﹰﺎ ﺒﺎﻷﻁﻔﺎل ﻭﺇﻻ ﻓﺈﻨﻪ ﺴﻭﻑ ﻴﻜﻭﻥ ﻤﻌﺭﻀﹰﺎ ﻝﻤﺯﺍﺠـﻪ ﺃﻭ‬
‫ﻋﺼﺒﻴﺘﻪ’‪ .‬ﻭﻜﺄﻨﻬﻡ ﻴﻘﻭﻝﻭﻥ ﺇﻥ ﻫﺫﻩ ﺍﻝﻔﺘﺎﺓ ﻋﺫﺭﺍﺀ – ﻭﻻ ﻴﻤﻜﻨﻙ ﺃﻥ ﺘﺘﻠﻔﻅ ﺒﺄﻱ ﺴﺒﺎﺏ ﺃﻤﺎﻤﻬﺎ‪ .‬ﻭﻫﻜﺫﺍ ﺩﺨل ﻭﻜـﺎﻥ‬
‫ﻭﻜﺄﻨﻪ ﺜﻘﻴل ﺍﻝﻜﻼﻡ ﻜﻤﺎ ﻴﺒﺩﻭ ﻋﻠﻰ ﺍﻝﺸﺎﺸﺔ ﺃﺤﻴﺎﻨﹰﺎ‪ .‬ﻋﻠﻰ ﺃﻴﺔ ﺤﺎل‪ ،‬ﻜﺎﻨﺕ ﺘﺭﺒﻁﻨﻲ ﻤﻊ "ﻜﻴﻨـﺎﻥ ‪ "Keenan‬ﻋﻼﻗـﺔ‬
‫ﻁﻭﻴﻠﺔ ﻋﻤﻠﻨﺎ ﺨﻼﻝﻬﺎ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻌﺭﻭﺽ ﻤﻌﹰﺎ ﻭﻝﻬﻭﻨﺎ ﻜﺜﻴﺭﺍﹰ‪ ،‬ﻭﻜﺎﻥ "ﺭﻭﺩ ‪ "Rod‬ﻴﻘـﺩﺭ ﺍﻝﻤـﺯﺍﺡ ﻭﻫﻜـﺫﺍ ﺒـﺩﺃﻨﺎ‬
‫ﺒﺎﻝﺸﺭﺏ ﻭﺒﺩﺃﺕ ﺒﺎﻝﺘﻨﻘﻴﺭ ﻋﻠﻰ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺃﻅﻥ ﺃﻨﻲ ﻭﺼﻔﺕ ﺼﺩﺍﻤﻲ ﺍﻷﻭل ﻤﻌﻪ – ﺤﺴﻨﹰﺎ ﻝﻡ ﻴﻜﻥ ﺒﺼـﺩﺍﻡ‬
‫ﺒﺴﺒﺏ ﺤﻘﻴﻘﺔ ﺃﻨﻪ ﻋﻨﺩﻤﺎ ﺩﺨﻠﺕ ﺍﻀﻁﺭﺭﺕ ﺇﻝﻰ ﺨﻠﻊ ﺤﺫﺍﺌﻲ ﺤﺘﻰ ﻻ ﺃﺤﺩﺙ ﺃﻴﺔ ﻀﺠﺔ‪ .‬ﻭﻋﻤﻠﺕ ﻤﻥ ﻫﺫﻩ ﻤﺤﺎﻜـﺎﺓ‬
‫ﻼ‪.‬‬
‫ﺴﺎﺨﺭﺓ ﻋﻅﻴﻤﺔ ﻓﺒﺩﺃ ﺒﺎﻝﻀﺤﻙ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﺃﻋﺠﺏ ﺒﻜﻭﻨﻪ ﻤﻥ ﻨﻀﺤﻙ ﻋﻠﻴﻪ ﻨﻭﻋﹰﺎ ﻤﺎ‪ .‬ﻭﻫﻜﺫﺍ ﻓﻘﺩ ﺍﺭﺘﺨـﻰ ﻗﻠـﻴ ﹰ‬
‫ﻭﻗﺎﻝﻭﺍ – ﺇﻨﻪ ﺫﻫﺏ ﻝﻠﺤﻤﺎﻡ ﺃﻭ ﻤﻜﺎﻥ ﺁﺨﺭ – ﻗﺎل "ﺭﻭﺩ ‪ "Rod‬ﺇﻥ ﺫﻝﻙ ﻜﺎﻥ ﻏﻴﺭ ﻤﺄﻝﻭﻑ ﺒﺎﻝﻤﺭﺓ ﻷﻨـﻪ ﺒﺎﻝﻌـﺎﺩﺓ –‬
‫ﺤﻴﺙ ﺇﻨﻲ ﻝﻡ ﺃﻋﺭﻑ ﺇﺫﺍ ﻜﺎﻥ ﻫﺫﺍ ﻏﻴﺭ ﻤﺄﻝﻭﻑ ﺃﻭ ﺭﺒﻤﺎ ﺃﻥ ﺃﺤﺩﹰﺍ ﻝﻡ ﻴﺯﻋﺠﻪ ﺃﻭ ﻴﻤﺯﺡ ﻤﻌﻪ‪ .‬ﻭﻝﻜﻲ ﻻ ﻴﺘﻡ ﺘﺤﻭﻴـل‬
‫ﻫﺫﺍ ﺇﻝﻰ ﻗﺼﺔ‪ ،‬ﻭﻤﻨﺫ ﺍﻝﻠﻘﺎﺀ ﺍﻷﻭل ﻓﻘﺩ ﺃﻋﺠﺒﺕ ﺒﻪ ﻜﺜﻴﺭﹰﺍ ﻭﻗﺩ ﺍﺴﺘﺠﺎﺏ ﻝﻨﻭﻉ ﻤﺯﺍﺤﻲ”‪.‬‬
‫“ ﻭﻫﻜﺫﺍ ﻭﻤﻨﺫ ﺘﻠﻙ ﺍﻝﻠﺤﻅﺔ ﺘﻘﺎﺒﻠﻨﺎ ﻜﺜﻴﺭﹰﺍ‪ .‬ﻜﺎﻥ ﻴﺄﺘﻲ ﻝﻠﻤﻨﺯل ﻜل ﻴﻭﻡ ﺘﻘﺭﻴﺒﹰﺎ ﻝﻨﺨﺭﺝ ﻝﺘﻨﺎﻭل ﺍﻝﻐﺩﺍﺀ ﺃﻭ ﻨﺒﻘـﻰ‬
‫ﻫﻨﺎﻙ‪ ،‬ﻭﻜﺎﻥ ﺨﻼل ﺘﻠﻙ ﺍﻝﻔﺘﺭﺓ ﻤﺜل ﺸﻲﺀ ﻤﺜﺒﺕ ﻓﻲ ﻤﻜﺎﻥ ﻤﻥ ﺍﻝﻤﻨﺯل ﻨﻭﻋﹰﺎ ﻤﺎ‪ .‬ﻤﺎ ﺯﻝﺕ ﻻ ﺃﻋﺭﻑ ﻋﻨﻪ ﺃﻱ ﺸﻲﺀ‬
‫ﻜﻤﻤﺜل‪ .‬ﻜﺎﻥ ﻤﻔﻬﻭﻡ ﻫﻭﻝﻴﻭﻭﺩ ﻝﻠﻤﻤﺜل‪ ،‬ﺤﺴﻨﺎﹰ‪ ،‬ﻅﻬﺭ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺸﺒﺎﻥ ﻭﻭﻗﻌﺕ ﺍﻝﻌﻘﻭﺩ ﻤﻌﻬﻡ ﻭﻝﻡ ﻴﻜـﻥ ﺃﻜﺜـﺭﻫﻡ‬
‫ﻤﻭﻫﻭﺒﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻜﺎﻨﻭﺍ ﻴﻘﻭﻤﻭﻥ ﺒﺘﺼﻭﻴﺭ ﻓﻴﻠﻡ ﺜﻡ ﻴﺘﻡ ﻨﺴﻴﺎﻨﻬﻡ‪ ،‬ﻭﻝﻬﺫﺍ ﻝﻡ ﺃﻓﻜﺭ ﻜﺜﻴﺭﹰﺍ ﺒـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﻤﻤﺜل‪ .‬ﻝﻘﺩ‬
‫ﻗﻀﻴﻨﺎ ﻭﻗﺘﹰﺎ ﻤﻤﺘﻌﹰﺎ ﺴﻭﻴﺔ”‪.‬‬
‫“ ﺃﺘﻰ ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻭﺴﺄل ﻓﻴﻤﺎ ﺇﺫﺍ ﻜﻨﺕ ﺃﺭﻏﺏ ﻓﻲ ﺍﻝﺫﻫﺎﺏ ﺇﻝﻰ ﺍﻝﺴﻴﻨﻤﺎ ﻻﺴﺘﺭﺍﻕ ﺍﻝﻨﻅﺭ ﻋﻠﻰ "ﺸﺭﻕ ﻋﺩﻥ‬
‫‪ ."East of Eden‬ﻝﻡ ﻴﻜﻥ ﻗﺩ ﺸﺎﻫﺩﻩ ﺒﻌﺩ‪ ،‬ﻭﻜﺎﻥ ﺍﻝﻌﺭﺽ ﺍﻷﻭل‪ .‬ﻭﻫﻜﺫﺍ ﺩﻋﻭﻨﺎ "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪"Stewart Stern‬‬
‫ﻭﺫﻫﺒﻨﺎ ﻨﺤﻥ ﺍﻝﺜﻼﺜﺔ ﻭﻝﻡ ﺘﻜﻥ ﻝﺩﻴﻨﺎ ﺃﺩﻨﻰ ﻓﻜﺭﺓ ﻋﻤﺎ ﻜﻨﺎ ﺴﻨﺭﺍﻩ‪ .‬ﻭﻫﻜﺫﺍ‪ ،‬ﺠﻠﺴﻨﺎ ﻤﻊ ﻫﺫﺍ ﻝﺸﺨﺹ‪ ،‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻘـﻁ‬
‫ﻼ ﺠﺩﹰﺍ ﻭﺭﺍﺌﻌﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻜﺎﻥ ﺃﺩﺍﺅﻩ ﺭﺍﺌﻌﹰﺎ‪.‬‬
‫ﻼ ﺘﺠﺭﺒﺔ ﻏﺎﻤﺭﺓ‪ .‬ﻜﺎﻥ ﺍﻝﻔﻴﻠﻡ ﺠﻤﻴ ﹰ‬
‫ﻤﺠﺭﺩ ﺸﺨﺹ‪ ،‬ﻭﺸﺎﻫﺩﻨﺎ ﺍﻝﻔﻴﻠﻡ ﻭﻜﺎﻨﺕ ﻓﻌ ﹰ‬
‫ﻝﻘﺩ ﻜﺎﻥ ﺒﻤﺜﺎﺒﺔ ﺸﺨﺹ ﺫﻫﺏ ﻝﻤﺸﺎﻫﺩﺓ "ﺒﺎﺭﻴﻤﻭﺭ ‪ "Barrymore‬ﻓﻲ "ﻫﺎﻤﻠﺕ ‪ "Hamlet‬ﻝﻠﻤﺭﺓ ﺍﻷﻭﻝﻰ‪ .‬ﻜـﺎﻥ ﺸـﻴﺌﹰﺎ‬
‫ﻤﻭﻗﻅﹰﺎ ﻭﻓﺎﺘﺤﹰﺎ ﻝﻸﻋﻴﻥ ﺒﺴﺏ ﻭﺠﻭﺩ ﺸﺨﺹ ﻫﻨﺎ ﻜﻨﺕ ﺘﻤﻀﻲ ﺃﻭﻗﺎﺘﻙ ﺍﻝﻤﻤﻠﺔ ﻤﻌﻪ ﻷﺸﻬﺭ ﺩﻭﻥ ﺃﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻙ ﺃﻴﺔ‬
‫ﻓﻜﺭﺓ ﻋﻤﻥ ﻫﻭ ﻓﻲ ﺍﻝﺤﻘﻴﻘﺔ”‪.‬‬
‫“ ﻭﻫﻜــﺫﺍ ﺨﺭﺠﻨــﺎ ﺒﺩﺍﻴــﺔ ﻤــﻥ ﺍﻝﺴــﻴﻨﻤﺎ‪ ،‬ﻭﻝــﻡ ﻨﻜــﻥ ﻨﺴــﺘﻁﻴﻊ ﺍﻝﺘﺤــﺩﺙ‪ ،‬ﺤﻴــﺙ ﻜﻨــﺕ‬
‫ﻭ"ﺴﺘﻴﻭﺍﺭﺕ ‪ "Stewart‬ﻤﺎ ﺯﻝﻨﺎ ﺒﺸﻌﻭﺭﻨﺎ ﺍﻝﻐﺎﻤﺭ ﺫﺍﻙ – ﻨﻬﻀﻨﺎ ﻤﺒﺎﺸﺭﺓ ﻭﻏﺎﺩﺭﻨﺎ ﻭﺭﻜﺒﻨﺎ ﺍﻝﺴﻴﺎﺭﺓ‪ .‬ﻓـﻲ ﺍﻝﻨﻬﺎﻴـﺔ‬
‫ﺍﺴﺘﻁﻌﺕ ﺘﺩﺒﺭ ﺒﻌﺽ ﺍﻝﻜﻠﻤﺎﺕ‪‘ :‬ﺩﻋﻭﻨﺎ ﻨﺘﻭﻗﻑ ﻋﻨﺩ ﺃﻭل ﺒﺎﺭ ﻨﺼﺎﺩﻓﻪ’ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻲ ﺍﻝﻭﺍﺩﻱ ﻭﻫﺫﺍ ﻤﺎ ﻓﻌﻠﻨـﺎﻩ‪.‬‬
‫ﺩﺨﻠﻨﺎ ﺇﻝﻰ ﻫﻨﺎﻙ ﻭﺒﺩﺃﻨﺎ ﺒﺘﻨﺎﻭل ﺍﻝﺸﺭﺍﺏ‪ .‬ﺜﻡ ﻗﻠﻨﺎ‪ ‘ :‬ﻴﺎ ﺇﻝﻬﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﺕ ﺭﺍﺌﻊ ﺤﻘﹰﺎ’‪ .‬ﻜﺎﻥ ﺨﺎﻀﻌﹰﺎ ﺠـﺩﹰﺍ‬
‫ﻝﻸﻤﺭ ﻜﻠﻪ ﻭﻝﻡ ﻴﻜﻥ ﻜﻤﺎ ﺘﻌﻠﻡ ﻭﺒﻜل ﺒﺴﺎﻁﺔ ﺃﺭﻋﻥ ﻨﺘﻴﺠﺔ ﻝﻬﺫﺍ‪ .‬ﻜﺎﻨﺕ ﺍﻝﻤﺸﻜﻠﺔ ﺃﻨﻪ ﻋﻨﺩﻤﺎ ﺫﻫﺒﻨﺎ ﺇﻝﻰ ﻫﻨﺎﻙ‪ ،‬ﻜـﺎﻥ‬
‫ﻓﻘﻁ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﺍﻝﺫﻱ ﻝﻡ ﻴﻌﺭﻓﻪ ﺴﻭﻯ ﺍﻝﺒﻌﺽ ﻓﻲ "ﻭﺭﻨﺭ ﺒـﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻋﻠﻨـﹰﺎ‪،‬‬
‫ﻝﻜﻥ ﻋﻨﺩﻤﺎ ﺃﻨﻴﺭﺕ ﺍﻷﻀﻭﺍﺀ ﻜﺎﻥ ﻨﺠﻤﹰﺎ”‪.‬‬
‫“ ﻭﻭﺠﺩﻭﻩ ‪ -‬ﺃﻨﺎﺱ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ – "Warner Brothers‬ﻻ ﺒﺩ ﺃﻨﻬﻡ ﺘﻭﻗﻔﻭﺍ ﻓﻲ ﻜل ﻤﻜـﺎﻥ – ﻭﺒـﺒﻁﺀ‪،‬‬
‫ﺃﺼﺒﺤﺕ ﺍﻝﺤﺎﻨﺔ ﺍﻝﺼﻐﻴﺭﺓ ﻤﻸﻯ ﺒﻬﻡ‪ .‬ﻭﻓﺠﺄﺓ‪ ،‬ﻜﺎﻥ ﺍﻝﻤﻠﻙ‪ .‬ﻜﺎﻨﻭﺍ ﻴﺄﺘﻭﻥ ﻝﻠﻁﺎﻭﻝﺔ ﻭﻴﻘﻭﻝﻭﻥ ‪ ،‬ﺍﻝﺴﻴﺩ "ﺩﻴﻥ ‪ "Dean‬ﺃﻨﺎ‬
‫ﻜﺫﺍ ﻭﻜﺫﺍ ﻭﻤﺎ ﻓﻌﻠﻭﻩ ﺒﺎﻝﻀﺒﻁ‪ ،‬ﻭﻫﺫﺍ ﻭﺫﺍﻙ‪ .‬ﻭﻫﻜﺫﺍ ﻭﻝﺩ ﻨﺠﻡ ﻜﺎﻥ ﺒﺎﻝﻔﻌل ﻤﺎ ﺸﻬﺩﻨﺎﻩ ﻓﻲ ﺴﺎﻋﺘﻴﻥ ﻭﻨﺼﻑ ﺃﻭ ﻤﻬﻤﺎ‬
‫ﻜﺎﻨﺕ ﻤﺩﺓ ﻁﻭل ﺍﻝﻔﻴﻠﻡ‪ .‬ﻷﻨﻪ ﻋﻨﺩﻤﺎ ﺃﻀﻴﺌﺕ ﺍﻷﻨﻭﺍﺭ ﻜﺎﻥ ﺍﻝﺠﻤﻴﻊ ﻤﻨﻭﻤﻴﻥ ﻤﻐﻨﺎﻁﻴﺴﻴﺎﹰ‪ ،‬ﻭﻜﺎﻥ ﺍﻷﻤﺭ ﻭﻜﺄﻥ – ﺃﻋﻨﻲ‬
‫ﺒﺄﻥ ﻜل ﺸﺨﺹ ﻜﺎﻥ ﻤﺩﻫﻭﺸﹰﺎ‪ .‬ﻭﻝﻡ ﻴﺤﺼل ﺸﻲﺀ ﻜﻤﺎ ﺘﻌﻠﻡ‪ ،‬ﻭﺍﻝﺼﺩﻤﺔ ﻤﻥ ﻜل ﺸﻲﺀ ﺘﺭﻜﺕ ﺍﻝﺠﻤﻴﻊ ﻫﻜﺫﺍ!!ﻭﻫﻜﺫﺍ‬
‫ﻓﻠﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﻫﺘﺎﻑ ﻜﺒﻴﺭ ﻓﻲ ﺍﻝﻤﺴﺭﺡ‪ .‬ﻝﻜﻥ ﻋﻨﺩﻫﺎ‪ ،‬ﻭﻤﻊ ﻤﻌﺭﻓﺔ ﺍﻝﻨﺎﺱ ﺒﻤﻜﺎﻨﻬﻡ ﻜﻤﺎ ﻓﻌﻠﻨﺎ ﻨﺤﻥ‪ ،‬ﺒﺩﺃﻭﺍ ﺒﻬﺫﺍ‬
‫– ﺒﺤﻴﺙ ﺇﻨﻪ ﻭﻜﻤﺎ ﺃﻗﻭل ﺃﺼﺒﺢ ﻨﺠﻤﹰﺎ ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ”‪.‬‬
‫“ ﻭﻫﻜﺫﺍ ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﻨﺕ ﻋﺎﺭﻓﹰﺎ ﺠﺩﹰﺍ ﻋﻨﺩﻫﺎ ﺒﻤﻭﻫﺒﺘﻪ ﻭﻗﺩﺭﺘﻪ ﺜﻡ ﺘﺎﺒﻌﻨﺎ ﺭﺅﻴﺔ ﺒﻌﻀـﻨﺎ ﺒﺎﻝﻁﺭﻴﻘـﺔ‬
‫ﻨﻔﺴﻬﺎ ﻜﻤﺎ ﺍﻋﺘﺩﻨﺎ ﺃﻥ ﻨﻔﻌل ﺴﺎﺒﻘﹰﺎ‪ .‬ﻤﺎ ﺃﻋﻨﻴﻪ‪ ،‬ﺒﺒﺴﺎﻁﺔ ‪ -‬ﻜﻨﺎ ﻨﺫﻫﺏ ﻝﺘﻨﺎﻭل ﺍﻝﻁﻌﺎﻡ ﺒﺄﻤﺎﻜﻥ ﻤﺨﺘﻠﻔﺔ ‪ -‬ﻜﺎﻥ ﻓﻲ ﺘﻠﻙ‬
‫ﺍﻷﻴﺎﻡ ﺒﺩﻭﻥ ﺘﻜﻠﻑ‪ .‬ﺍﻝﻴﻭﻡ‪ ،‬ﺍﻝﺠﻤﻴﻊ ﺒﺩﻭﻥ ﺘﻜﻠﻑ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻤﺘﻤﺭﺩﹰﺍ ﻜﺎﻝﻬﺒﻴﻴﻥ ﺃﻭ ﻭﺍﺤﺩﹰﺍ ﻤﻨﻬﻡ ﻷﻨﻪ ﻝﻡ ﻴﺭﺩ ﺃﺒـﺩﹰﺍ ﺃﻥ‬
‫ﻴﺭﺘﺩﻱ ﻝﺒﺎﺴﹰﺎ ﺭﺴﻤﻴﹰﺎ ﺃﻭ ﺭﺒﻁﺔ ﻋﻨﻕ‪ .‬ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﺒﻠﺒﺎﺱ ﻏﻴﺭ ﺭﺴﻤﻲ ﻭﻝﻡ ﻴﻜﻥ ﻤﻬﺘﻤ ﹰﺎ ﺒﺎﻝﺴـﻴﺭ ﺒﻁﺭﻴـﻕ "ﺘﺸﻴﺴـﻥ‬
‫‪ "Chasen‬ﺃﻭ "ﻤﻭﻜﺎﻤﺒﻭ ‪ "Mocambo‬ﺃﻭ ﻤﺎ ﻴﺸﺒﻬﻬﻤﺎ‪ .‬ﻜﺎﻥ "ﺒﺭﺍﻨﺩﻭ ‪ "Brando‬ﻤﺸﺎﺒﻬﹰﺎ ﻓﻲ ﻫﺫﺍ‪ .‬ﺒﻨﻁﺎل ﺠﻴﻨﺯ "ﻝﻴﻔﻴﺯ‬
‫‪ "Levi's‬ﻤﻊ ﺴﺘﺭﺓ ﺠﻠﺩﻴﺔ ‪ -‬ﺒﺤﻴﺙ ﻜﻨﺎ ﻨﺨﺭﺝ ﻷﻤﺎﻜﻥ ﻝﻡ ﻴﻜﻥ ﻤﺘﻭﺠﺒﹰﺎ ﻋﻠﻴﻙ ﻓﻴﻬﺎ ﺃﻥ ﺘﻜﻭﻥ ﻤﺘﺄﻨﻘﹰﺎ ﺠﺩﹰﺍ‪ .‬ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻻ‬
‫ﺃﻋﻠﻡ‪ ،‬ﻝﻜﻥ ﻫﻨﺎﻙ ﻤﻊ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺫﻜﺭﺘﻬﻡ‪" :‬ﺴﺘﺎﻴﻐﺭ ‪" ،"Steiger‬ﻨﻴﻭﻤﺎﻥ ‪" ،"Newman‬ﺁﺭﺘﻲ ﺸﻭ ‪Artie‬‬
‫‪" ،"Shaw‬ﻭﺍﻝﺘﺭ ﺒﻴﺩﻏﻴﻭﻥ ‪" ،"Walter Pidgeon‬ﺒﻭﺏ ﻤﻴﺘﺸﻭﻡ ‪ "Bob Mitchum‬ﻭ"ﺃﻭﺴﻜﺎﺭ ﻝﻴﻔﺎﻨﺕ ‪"Oscar Levant‬‬
‫”‪.‬‬
‫“ ﻜﺎﻨﺕ ﺍﺒﻨﺔ "ﺃﻭﺴﻜﺎﺭ ‪ "Oscar‬ﻤﻔﺘﻭﻨﺔ ﺠﺩﹰﺍ ﺒـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﺩﺭﺠﺔ ﺍﻝﺠﻨﻭﻥ‪ .‬ﻝﻡ ﻴﺘﻘﺎﺒﻼ ﻗﻁ ‪ ،‬ﺒـﺎﻝﻁﺒﻊ‪.‬‬
‫ﻗﺎل ﻝﻲ "ﺃﻭﺴﻜﺎﺭ ‪ - "Oscar‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﺎ ﻜﻨﺎ ﻓﻲ ﻤﻁﻌﻡ "ﻻ ﺴﻜﺎﻻ ‪ "La Scala‬ﻓﻲ ﺒﻴﻔﺭﻝﻲ ﻫﻴﻠﺯ ‪ -‬ﺇﻥ ﺃﻋﻅﻡ ﻓﺭﺤـﺔ‬
‫ﻓﻲ ﺤﻴﺎﺓ ﺍﺒﻨﺘﻪ ﻴﻤﻜﻥ ﺃﻥ ﺘﺤﺼل ﻋﻠﻴﻬﺎ ﻫﻲ ﻤﻘﺎﺒﻠﺔ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻫﻜﺫﺍ ﺍﻋﺘﻘﺩ "ﺠﻴﻤﻲ ‪ - "Jimmy‬ﻜﻨﺎ ﻤﻌـﹰﺎ ‪-‬‬
‫ﻼ ﻭﻜﺎﻨﺕ ﺍﻝﻔﺘﺎﺓ ﻨﺎﺌﻤﺔ ”‪.‬‬
‫ﺫﻫﺒﻨﺎ ﻤﻌﹰﺎ ﺇﻝﻰ ﻤﻨﺯل "ﺃﻭﺴﻜﺎﺭ ‪ "Oscar‬ﻭﻜﺎﻥ ﺍﻝﻭﻗﺕ ﻤﺘﺄﺨﺭﹰﺍ ﻗﻠﻴ ﹰ‬
‫“ ﻗﺎﻝﺕ "ﺠﻭﻥ ‪ "June‬ﺯﻭﺠﺔ "ﺃﻭﺴﻜﺎﺭ ‪ ‘ :"Oscar‬ﻫﻴﺎ ﺒﻨﺎ‪ .‬ﻓﻠﻨﺼﻌﺩ ﻝﻠﻁﺎﺒﻕ ﺍﻝﻌﻠﻭﻱ’‪ .‬ﺼﻌﺩﻨﺎ ﻝﻠﻐﺭﻓﺔ ﺤﻴـﺙ‬
‫ﻜﺎﻨﺕ ﺍﻝﻔﺘﺎﺓ ﻨﺎﺌﻤﺔ – ﺇﻨﻪ ﺸﻲﺀ ﻓﻅﻴﻊ ﺘﻔﻌﻠﻪ ﻝﻔﺘﺎﺓ – ﺘﻭﻗﻔﺕ "ﺠﻭﻥ ‪ "June‬ﻭ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺭﻴﺒﹰﺎ ﻤـﻥ ﺍﻝﺴـﺭﻴﺭ‬
‫ﻭﺃﻀﺎﺀﺕ ﺍﻷﻨﻭﺍﺭ ﻝﺘﻭﻗﻅ ﺍﻝﻔﺘﺎﺓ ﻭﺘﻘﻭل ﻝﻬﺎ‪" ‘ :‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺭﻴﺩ ﺭﺅﻴﺘﻙ’‪ .‬ﻨﻬﻀﺕ ﺍﻝﻔﺘﺎﺓ ﻤﺒﺘﻬﺠﺔ ﻝﺩﺭﺠﺔ ﺃﻨﻬـﺎ‬
‫ﺒﺎﻝﺕ ﻓﻲ ﺴﺭﻭﺍﻝﻬﺎ ﺍﻝﺩﺍﺨﻠﻲ ﻤﻠﻴﹰﺎ‪ .‬ﻜﺎﻨﺕ ﻓﺭﺤﺔ ﺠﺩﹰﺍ ﻭﻜﺎﻨﺕ ﻤﺤﺭﺠﺔ ‪ -‬ﻜﺎﻨﺕ ﺼﻐﻴﺭﺓ‪ ،‬ﻭﻜﻤﺎ ﺘﻌﻠﻡ ‪ -‬ﻭﻝﻜﻥ ﻭﺒﺠﻤﻴﻊ‬
‫ﺍﻷﺤﻭﺍل ﻓﻘﺩ ﻜﺎﻥ ﺸﻴﺌﹰﺎ ﻅﺭﻴﻔﹰﺎ‪.‬ﺃﺨﺒﺭﻨﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﺃﻨﻬﺎ ﺃﺤﺎﻁﺕ ﺍﻝﻤﻜﺎﻥ ﺤﻴﺙ ﻜـﺎﻥ ﻴﻘـﻑ‬
‫ﺒﺎﻝﺤﺒﺎل ﺤﺘﻰ ﻻ ﻴﻨﻅﻔﻪ ﺃﺤﺩ‪ .‬ﻜﺎﻨﺕ ﻤﺜل ﺃﻴﺎﻡ "ﻓﺭﺍﻨﻙ ﺴﻴﻨﺎﺘﺭﺍ ‪ "Frank Sinatra‬ﺍﻝﻘﺩﻴﻤﺔ ﺤﻴﺙ ﻜﺎﻨﺕ ﺍﻝﻔﺘﻴﺎﺕ ﻴﻠﺘﻘﻁﻥ‬
‫ﻋﻘﺏ ﺴﻴﺠﺎﺭﺓ ﺭﻤﺎﻫﺎ ﻝﻴﻀﻌﻨﻬﺎ ﺘﺤﺕ ﺍﻝﺯﺠﺎﺝ”‪.‬‬
‫ﺃﺤﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﺯﺍﺡ ﻭﺍﻝﻨﻜﺎﺕ‪ .‬ﻭﻏﺎﻝﺒ ﹰﺎ ﻤﺎ ﻗﺎﻡ ﺒﺘﺴﻠﻴﺔ‪ ،‬ﻭﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺇﺨﺎﻓﺔ "ﺁﺭﺜﺭ ﻝﻭﻴﻭ ‪Arthur‬‬
‫‪ "Loew‬ﻭﺍﻝﻀﻴﻭﻑ ﻓﻲ ﺍﻝﻤﻨﺯل‪ .‬ﻗﺎﻡ ﺫﺍﺕ ﻤﺭﺓ ﺒﺎﻻﺴﺘﺌﺫﺍﻥ ﻝﻠﺼﻌﻭﺩ ﻝﻸﻋﻠﻰ ﻝﻠﺤﻤﺎﻡ‪ .‬ﺜﻡ‪ ،‬ﻭﺒﻤﺎ ﺒﺩﺍ ﺃﻨﻪ ﺃﻗـل ﻤـﻥ‬
‫ﺜﻼﺜﻴﻥ ﺜﺎﻨﻴﺔ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻗﺭﻉ ﺼﺎﺨﺏ ﻋﻠﻰ ﺍﻝﺒﺎﺏ ﺍﻷﻤﺎﻤﻲ‪ .‬ﻓﺘﺢ " ﻝﻭﻴﻭ ‪ "Loew‬ﺍﻝﺒﺎﺏ ﻓﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻘﻑ‬
‫ﻼ ﻤـﻥ‬ ‫ﻫﻨﺎﻙ ﻤﺒﺘﺴﻤﹰﺎ ﻤﺘﻅﺎﻫﺭﹰﺍ ﺒﺄﻨﻪ ﻗﺩ ﻭﺼل ﻝﻠﺘﻭ‪ .‬ﺍﻜﺘﺸﻑ " ﻝﻭﻴﻭ ‪ "Loew‬ﻓﻴﻤﺎ ﺒﻌﺩ ﺃﻥ ﺒﺎﺏ ﺍﻝﺤﻤﺎﻡ ﻜـﺎﻥ ﻤﻘﻔـ ﹰ‬
‫ﺍﻝﺩﺍﺨل‪ ،‬ﻭﻋﻨﺩﻤﺎ ﻓﺘﺤﻪ ﺒﺎﻝﻘﻭﺓ ﺘﻔﺤﺹ ﺍﻝﻨﺎﻓﺫﺓ ﻝﻴﻌﺭﻑ ﺍﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﺨﺭﺝ ﻤﻨﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻬﺫﻩ ﺍﻝﺴﺭﻋﺔ‪ .‬ﻜﺎﻥ‬
‫ﺍﻝﺸﺒﻙ ﻻ ﻴﺯﺍل ﻤﺜﺒﺘﹰﺎ ﻭﻻ ﻴﺯﺍل " ﻝﻭﻴﻭ ‪ "Loew‬ﻻ ﻴﻌﺭﻑ ﺍﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﻬﺎ ﺒﻬﺫﻩ ﺍﻝﺤﻴﻠﺔ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ‬
‫ﺘﻜﺭﺍﺭﻩ ﻝﻬﺎ ﻋﺩﺓ ﻤﺭﺍﺕ‪ ،‬ﺒﺩﻭﻥ ﻗﻔل ﺒﺎﺏ ﺍﻝﺤﻤﺎﻡ ﻋﻨﺩ ﻋﻭﺩﺘﻪ‪ .‬ﻜﺎﻥ ﺤﺘﻰ ﺇﺤﺴﺎﺱ" ﻝﻭﻴﻭ ‪ "Loew‬ﺒﺎﻝﻤﺭﺡ ﻝﻪ ﺤﺩﻭﺩ‪.‬‬
‫ﻓﻲ ﻝﻴﻠﺔ ﺃﺨﺭﻯ‪ ،‬ﺘﻡ ﺍﺨﺘﺒﺎﺭ ﻫﺫﻩ ﺍﻝﺤﺩﻭﺩ ﺒﻘﻭﺓ‪ .‬ﻗﺭﺭ " ﻝﻭﻴﻭ ‪ "Loew‬ﻤﻊ ﺒﻌﺽ ﺃﺼﺩﻗﺎﺌﻪ ﺍﻝﺫﻫﺎﺏ ﻓﻲ ﺠﻭﻝـﺔ‬
‫ﻤﺘﺄﺨﺭﺓ ﻓﻲ "ﺼﺎﻨﺴﻴﺕ ﺒﻭﻝﻴﻔﺎﺭﺩ ‪ ."Sunset Boulevard‬ﻭﻤﻊ ﺨﺭﻭﺠﻬﻡ ﻤﻥ ﺍﻝﺒﻭﺍﺒﺔ ﺼﺎﺩﻓﻬﻡ ﻀﻭﺀ ﻤﺒﺎﺸﺭ ﻗﺎﺩﻡ ﻤﻥ‬
‫ﺍﻝﻅﻠﻤﺔ‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﻤﻔﺭ ﻤﻥ ﺘﺼﺎﺩﻡ ﻤﺒﺎﺸﺭ‪ .‬ﻓﻘﻁ ﻋﻨﺩﻤﺎ ﺃﺤﺱ " ﻝﻭﻴﻭ ‪ "Loew‬ﺒﺄﻨﻪ ﻴﻌﻴﺵ ﻝﺤﻅﺎﺘـﻪ ﺍﻷﺨﻴـﺭﺓ‪،‬‬
‫ﺍﺒﺘﻌﺩﺕ ﺍﻷﻀﻭﺍﺀ ﻤﻨﻘﺴﻤﺔ ﻭﺴﻤﻊ ﻀﺠﻴﺞ ﺩﺭﺍﺠﺎﺕ ﻨﺎﺭﻴﺔ ﻋﻠﻰ ﺍﻝﺠﺎﻨﺒﻴﻥ‪.‬ﻜﺎﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻴﻘـﻭﺩ ﺇﺤـﺩﺍﻫﺎ‬
‫ﻭﺼﺩﻴﻕ ﻝﻪ ﻋﻠﻰ ﺍﻷﺨﺭﻯ ﻭﻗﺩ ﺍﻨﺘﻅﺭﺍ ﺨﺎﺭﺝ ﺍﻝﺒﻭﺍﺒﺔ ﻝﺴﺎﻋﺎﺕ ﻝﻌﻤل ﻫﺫﻩ ﺍﻝﻤﺨﺎﻁﺭﺓ‪.‬‬
‫ﻴﻘﻭل " ﻝﻭﻴﻭ ‪“ :"Loew‬ﻜﺎﻨﺕ ﺁﺨﺭ ﻤﺭﺓ ﺸﺎﻫﺩﺕ ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺤﻴﻥ ﺃﺭﺍﺩ ﺍﻝﺫﻫﺎﺏ ﺇﻝـﻰ ﻨﻴﻭﻴـﻭﺭﻙ‬
‫ﻓﺄﺭﺍﺩ ﺍﺴﺘﻌﺎﺭﺓ ﻤﻌﻁﻑ ﻓﺄﻋﻁﻴﺘﻪ ﻤﻌﻁﻔﻲ‪ .‬ﻜﺎﻥ ﻴﺸﻌﺭ ﺒﺎﻝﺒﺭﺩ ﺃﻭ ﻨﺤﻭ ﺫﻝﻙ ﻭﺫﻫﺏ ﻝﻠﻨﻭﻡ‪ ،‬ﻭﻜﺎﻥ ﺍﻋﺘﺎﺩ ﻓﻌـل ﺫﻝـﻙ‬
‫ﻜﺜﻴﺭﺍﹰ‪ ،‬ﺤﻴﺙ ﻜﺎﻥ ﻴﺴﺘﻐﺭﻕ ﺒﺎﻝﻨﻭﻡ ﻋﻠﻰ ﺍﻝﻜﺭﺴﻲ‪ .‬ﻜﺎﻥ ﺍﻝﻭﻗﺕ ﻤﺘﺄﺨﺭﹰﺍ ﻭﻻ ﺃﻋﻠﻡ ﻤﻥ ﺃﻴﻀﹰﺎ ﻜﺎﻥ ﻤﻌﻪ‪ .‬ﻜﺎﻥ ﻫﻨـﺎﻙ‬
‫ﺍﺜﻨﺎﻥ ﺁﺨﺭﺍﻥ ﺤﻴﻥ ﻏﺎﺩﺭ ﺍﻝﺠﻤﻴﻊ‪ .‬ﺃﻴﻘﻅﺘﻪ ﻭﻗﻠﺕ‪ ‘:‬ﺇﻨﻬﺎ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺜﺎﻨﻴﺔ’‪ .‬ﻭﻫﻜﺫﺍ ﺼﺤﺎ ﻭﻭﻀﻊ ﺍﻝﻤﻌﻁـﻑ ﺍﻝـﺫﻱ‬
‫ﺃﻋﻁﻴﺘﻪ ﻝﻪ ﻋﻠﻰ ﻜﺘﻔﻴﻪ ﻭﺫﻫﺏ ﻨﺤﻭ ﺍﻝﺒﺎﺏ‪ ،‬ﻭﻜﻤﺎ ﻗﻠﺕ ﻜﺎﻥ ﻤﺼﺎﺒﹰﺎ ﺒﻬﺫﺍ ﺍﻝﺯﻜﺎﻡ‪ ،‬ﻭﻝﺫﻝﻙ ﻭﻀﻊ ﺍﻝﻤﻌﻁﻑ ﻋﻠﻰ ﻜﺘﻔﻴﻪ‬
‫ﻭﻗﺎل ﻝﻲ‪ ‘:‬ﺇﻥ ﻋﻤل ﺍﻝﺴﻴﻨﻤﺎ ﻓﻲ ﺤﺎﻝﺔ ﺴﻴﺌﺔ‪ .‬ﺃﻨﺎ ﻻ ﺃﺸﻌﺭ ﺒﺄﻨﻲ ﺒﺼﺤﺔ ﺠﻴﺩﺓ ﻭ "ﺒﺎﺭﻴﻤﻭﺭ ‪ "Barrymore‬ﻤﺘـﻭﻓﻰ’‪.‬‬
‫ﺜﻡ ﺍﺴﺘﺩﺍﺭ ﻭﺴﺎﺭ ﺨﺎﺭﺠﹰﺎ ﻓﻘﻁ”‪.‬‬
‫ﻓﻲ ﻨﻬﺎﻴﺔ ﺨﺭﻴﻑ ﻋﺎﻡ ‪1954‬ﻡ ﺍﻨﻔﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺒﻴﻴﺭ ﺁﻨﺠﻴﻠـﻲ ‪ "Pier Angeli‬ﺍﻝﺘـﻲ ﺘﺯﻭﺠـﺕ‬
‫ﺍﻝﻤﻁﺭﺏ "ﻓﻴﻙ ﺩﺍﻤﻭﻥ ‪ "Vic Damone‬ﺍﻝﺸﺎﺏ ﺍﻻﻴﻁﺎﻝﻲ ﺍﻝﺠﻴﺩ ﻤﻥ "ﺒﺭﻭﻜﻠﻴﻥ"‪ .‬ﺤﺩﺙ ﻜل ﻫﺫﺍ ﺒﺴﺭﻋﺔ ﺠﺩﹰﺍ ﻝﺩﺭﺠـﺔ‬
‫ﺃﻥ ﻤﺭﻭﺠﻲ ﺇﺸﺎﻋﺎﺕ ﻫﻭﻝﻴﻭﻭﺩ ﺍﻝﻤﺨﻀﺭﻤﻴﻥ ﺘﻔﺎﺠﺅﻭﺍ‪ .‬ﺇﻻ ﺃﻨﻬﻡ ﺍﺴﺘﻁﺎﻋﻭﺍ ﺍﻝﺫﻫﺎﺏ ﻝﻜﻨﻴﺴﺔ "ﺴﺎﻨﺕ ﺘﻴﻤـﻭﺜﻲ ‪St.‬‬
 ‫‪ "Timothy‬ﺒﺎﻝﻭﻗﺕ ﺍﻝﻤﻨﺎﺴﺏ‪ ،‬ﻝﻴﺸﺎﻫﺩﻭﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻝﺴﹰﺎ ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ ﻋﺒﺭ ﺍﻝﺸﺎﺭﻉ ﻴﻌﺫﺏ ﻨﻔﺴﻪ ﺒﻤﺸـﺎﻫﺩﺓ‬
‫ﺍﻝﻌﺭﻭﺴﻴﻥ ﺍﻝﺴﻌﻴﺩﻴﻥ ﺍﻝﻤﺘﻭﺠﻬﻴﻥ ﺇﻝﻰ "ﻻﺱ ﻓﻴﻐﺎﺱ" ﻝﻘﻀﺎﺀ ﺸﻬﺭ ﺍﻝﻌﺴل‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺃﺸﻬﺭ ﻭﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ ،‬ﺍﻋﺘﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝـ "ﻝﻴﻨﻲ ﺭﻭﺯﻴﻨﻤﺎﻥ ‪ "Lenny Rosenman‬ﺃﻨﻪ ﻗﺎﻡ‬
‫ﺒﻀﺭﺏ "ﺒﻴﻴﺭ ‪ "Pier‬ﺒﻌﻨﻑ ﻗﺒل ﻋﺩﺓ ﻝﻴﺎل ﻤﻥ ﺯﻓﺎﻓﻬﺎ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺴﺌل ﺴﺎﺒﻘ ﹰﺎ ﻤﻥ ﻗﺒل "ﻤﻭﺩﻴﺭﻥ ﺴـﻜﺭﻴﻥ ‪Modern‬‬
‫‪ "Screen‬ﻓﻴﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﻴﻨﻭﻱ ﺍﻻﺭﺘﺒﺎﻁ ﻤﻊ "ﺒﻴﻴﺭ ‪ ،"Pier‬ﺃﺠﺎﺏ‪ “ :‬ﻫل ﺘﻌﻨﻲ ﺃﻨﺎ ﻭﺍﻵﻨﺴﺔ ﺒﻴﺘﺯﺍ؟ ﻤﻥ ﻴﻌﻠﻡ؟ ﺃﻨﺎ ﺍﻵﻥ‬
‫ﻤﺼﺎﺏ ﺒﺎﻀﻁﺭﺍﺏ ﻋﺼﺒﻲ”‪ .‬ﺭﺒﻤﺎ ﺃﺜﺎﺭﺘﻪ ﺒﻘﻭﻝﻬﺎ ﺇﻨﻬﺎ ﻗﺩ ﻗﺭﺭﺕ )ﺃﻭ ﺃﺠﺒﺭﺕ ﻤﻥ ﻗﺒل ﺃﻤﻬﺎ( ﻋﻠﻰ ﺍﻝـﺯﻭﺍﺝ ﻤـﻥ‬
‫"ﻓﻴﻙ ﺩﺍﻤﻭﻥ ‪ ."Vic Damone‬ﻭﺭﺒﻤﺎ ﺍﻜﺘﺸﻑ ﺃﻥ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﺍﻝـﺫﻱ ﻜـﺎﻥ ﺃﻴﻀـﹰﺎ ﺃﺤـﺩ‬
‫ﻤﻌﺠﺒﻴﻬﺎ ﻜﺎﻥ ﺯﺍﺌﺭﹰﺍ ﺩﺍﺌﻤﹰﺎ ﺇﻝﻰ ﻤﻨﺯل ﻋﺎﺌﻠﺔ "ﺒﻴﻴﺭﺁﻨﺠﻴﻠﻲ ‪ "Pierangeli‬ﻓﻲ "ﺒﻴﺭﻨﺘﻭﻭﺩ"‪.‬‬
‫ﺍﻨﺘﻬﻰ ﺯﻭﺍﺝ "ﺒﻴﻴﺭ ‪ "Pier‬ﻤﻥ "ﻓﻴﻙ ﺩﺍﻤﻭﻥ ‪ "Vic Damone‬ﺒﻌﺎﺼﻔﺔ ﻤﻥ ﺍﻻﺘﻬﺎﻤﺎﺕ ﺍﻝﻤﺘﺒﺎﺩﻝﺔ‪ ،‬ﻭﻫﺭﺒﺕ ﻤـﻊ‬
‫ﺍﺒﻨﻬﺎ "ﺒﻴﺭﻱ ‪) "Perry‬ﺍﻝﺫﻱ ﺴﻤﻲ ﺒﺎﺴﻡ ﺍﻝﺼﺩﻴﻕ "ﺒﻴﺭﻱ ﻜﻭﻤﻭ ‪ ("Perry Como‬ﺇﻝﻰ ﺇﻴﻁﺎﻝﻴﺎ‪ .‬ﺒﻌﺩ ﻋـﺩﺓ ﺴـﻨﻭﺍﺕ‪،‬‬
‫ﻜﺎﻨﺕ ﻤﻔﻠﺴﺔ ﺘﻤﺎﻤﹰﺎ ﻓﻘﺒﻠﺕ ﺒﺄﻥ ﻴﻌﻴﺩ ﺍﻝﻭﺍﻝﺩ ﺍﻻﺒﻥ ﺇﻝﻰ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ .‬ﺜﻡ ﺘﺯﻭﺠﺕ ﻤﻭﺴﻴﻘﻴﹰﺎ ﺁﺨـﺭ ﻴـﺩﻋﻰ "ﺃﺭﻤﺎﻨـﺩﻭ‬
‫ﺘﺭﺍﻓﺎﺠﻭﻝﻲ ‪ "Armando Travajoli‬ﻭﺭﺯﻗﺕ ﺒﻤﻭﻝﻭﺩ ﺜﺎﻥ ﺃﺴﻤﺘﻪ "ﺁﻨﺩﺭﻭ ‪ ."Andrew‬ﺘﺤﻁﻡ ﻫـﺫﺍ ﺍﻝـﺯﻭﺍﺝ ﺃﻴﻀـﹰﺎ‬
‫ﻭﺃﻋﻁﺕ ﺍﻝﻤﺤﺎﻜﻡ ﺍﻹﻴﻁﺎﻝﻴﺔ ﺤﻕ ﺤﻀﺎﻨﺔ ﺍﻻﺒﻥ ﺫﻱ ﺍﻝﺴﺒﻊ ﺴﻨﻴﻥ ﻝﻸﺏ‪.‬‬
‫ﻋﺎﺩﺕ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﺒﻌﺩ ﺃﻥ ﻜﺎﻨﺕ ﻤﻬﺠﻭﺭﺓ ﻭﻤﻔﻠﺴﺔ ﺘﻘﺭﻴﺒﹰﺎ ﻓﻲ ﺍﻝﻌﺎﻡ ‪ 1970‬ﻭﺸﺎﺭﻜﺕ "ﻫﻴﻠﻴﻨـﺎ ﺴـﻭﺭﻴل‬
‫‪ "Helena Sorrel‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻤﺩﺭﺴﺔ ﺩﺭﺍﻤﺎ ﺴﺎﺒﻘﺔ ﺍﻝﺸﻘﺔ‪ .‬ﻜﺎﻥ ﺍﻝﻌﻤل ﺍﻝﻭﺤﻴﺩ ﺍﻝﺫﻱ ﺍﺴﺘﻁﺎﻋﺕ ﺍﻝﺤﺼﻭل ﻋﻠﻴﻪ ﻫﻭ‬
‫ﻓﻴﻠﻡ ﺍﻝﺒﺎﻝﻐﻴﻥ "ﺃﺤﺒﻨﻲ‪ ،‬ﺃﺤﺏ ﺯﻭﺠﺘﻲ ‪ ."Love Me, Love My Wife‬ﺨﺴﺭﺕ ﺩﻭﺭﹰﺍ )ﻜﺯﻭﺠﺔ ﺃﺤـﺩ ﺍﻷﺒﻨـﺎﺀ( ﻓـﻲ‬
‫"ﺍﻝﻌﺭﺍﺏ ‪ "The Godfather‬ﺍﻝﺫﻱ ﻜﺎﻥ ﺭﺒﻤﺎ ﻗﺩ ﻴﻨﻌﺵ ﻋﻤﻠﻬﺎ‪“ .‬ﻜﺒﻴﺭﺓ ﺠﺩﹰﺍ” ﺃﺨﺒﺭ ﺍﻝﻤﻨﺘﺠﻭﻥ ﻭﻜﻴﻠﻬﺎ‪.‬‬
‫ﻅﻬﺭﺕ ﻝﺩﻴﻬﺎ ﻤﺸﺎﻜل ﻓﻲ ﺍﻝﻤﻌﺩﺓ‪ ،‬ﻭﺒﺩﺃﺕ ﺒﺘﻨﺎﻭل ﺍﻝﺤﺒﻭﺏ ﻝﻤﻌﺎﻝﺠﺔ ﺍﻷﻝﻡ‪ .‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﺃﺨﺫﺕ ﺍﻝﻜﺜﻴـﺭ‪،‬‬
‫ﻭﻜﺎﻥ ﺘﻘﺭﻴﺭ ﺍﻝﻁﺒﻴﺏ ﺍﻝﺸﺭﻋﻲ ﻤﻭﺕ ﺒﺴﺒﺏ ﺠﺭﻋﺔ ﺯﺍﺌﺩﺓ‪ .‬ﺒﻌﺩ ﻤﻭﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻗﺒل ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻗﺎﻝـﺕ‪:‬‬
‫“ﻝﻘﺩ ﻜﺎﻥ ﺤﺏ ﺸﺒﺎﺒﻲ – ﻭﺭﺒﻤﺎ ﺃﻋﻅﻡ ﺤﺏ ﻝﻲ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺘﺎﺴﻊ‬

‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻤﻥ ﻓﺘﺭﺓ ﺍﻝﺸﻬﻭﺭ ﺍﻝﺘﻲ ﺘﻠﺕ ﺘﺼﻭﻴﺭ ﻓﻴﻠﻡ "ﺸﺭﻕ ﻋـﺩﻥ ‪East of‬‬
‫‪ "Eden‬ﻴﻁﻴﺭ ﻋﺎﺌﺩﹰﺍ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﻭ ﻜﺎﻥ ﻤﺜل ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﺫﻴﻥ "ﺘﻠﻘﻭﺍ ﺍﻝﻨﺩﺍﺀ ﺍﻝﺫﻱ ﻴﺘﻭﻗﻑ ﻋﻠﻴﻪ ﺍﻝﻤﺼﻴﺭ‬
‫ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ" ﻤﺼﻤﻤﹰﺎ ﻋﻠﻰ ﺍﻝﻌﻭﺩﺓ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ ﺒﻌﺩ ﻜل ﻓﻴﻠﻡ ﺤﺘﻰ ﻴﻌﻭﺩ ﺇﻝﻰ ﻤﺎ ﺃﺴﻤﺎﻩ "ﺍﻝﺤﻴﺎﺓ ﻭ ﺍﻝﻌﻴﺵ ﺒﻬﺎ"‪.‬‬
‫ﻜﺎﻥ ﻴﺒﻘﻰ ﻝﻌﺩﺓ ﺃﻴﺎﻡ ﺃﻭ ﻝﻌﺩﺓ ﺃﺴﺎﺒﻴﻊ ﻭﻫﻭ ﻴﻌﻴﺵ ﻓﻲ ﺸﻘﺔ ﻓﻲ ﺍﻝﻁﺎﺒﻕ ﺍﻝﺨﺎﻤﺱ ﻓﻲ )ﺸﺎﺭﻉ ‪ 19‬ﻭﻴﺴﺕ ‪(68‬‬
‫ﺍﻝﺘﻲ ﺍﺴﺘﺄﺠﺭﻫﺎ ﻗﺒل ﺍﻝﺫﻫﺎﺏ ﺇﻝﻰ ﻝﻭﺱ ﺃﻨﺠﻠﻭﺱ‪ ،‬ﺜﻡ ﻴﺨﺘﻔﻲ ﺒﺸﻜل ﻏﺎﻤﺽ ﻜﻤﺎ ﻅﻬﺭ ﺘﺎﺭﻜﹰﺎ ﻜل ﺸـﺨﺹ ﻭﻜـل‬
‫ﺸﻲﺀ‪.‬‬
‫ﺃﺤﺏ ﺍﻝﻅﻬﻭﺭ ﺍﻝﻤﻔﺎﺠﺊ ﻓﻲ ﺤﻴﺎﺓ ﺍﻝﻨﺎﺱ‪ .‬ﻴﻅﻬﺭ ﻓﻲ ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﺼﻭﺭ "ﺭﻭﻱ ﺸﺎﺕ ‪ "Roy Schat‬ﻝﻴﻁﻠـﺏ‬
‫ﺩﺭﺴﹰﺎ ﻤﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ .‬ﻭﻴﻁﺭﻕ ﺒﺎﺏ ﺍﻝﻤﺅﻝﻑ "ﻝﻴﻨﻲ ﺭﻭﺯﻨﻤﺎﻥ ‪ "Lenny Rosenman‬ﻝﻴﻁﻠﺏ ﺴـﺎﻋﺔ ﻋﻠـﻰ ﺍﻝﺒﻴـﺎﻨﻭ‪.‬‬
‫ﻭﻴﻀﺎﻴﻕ ﺒﺎﺴﺘﻤﺭﺍﺭ "ﺇﺭﺜﺎ ﻜﻴﺕ ‪ "Ertha Kitt‬ﻝﺘﺄﺨﺫﻩ ﻷﺤﺩ ﺩﺭﻭﺴﻬﺎ ﻓﻲ ﺍﻝﺭﻗﺹ ﺍﻝﺤﺩﻴﺙ‪.‬‬
‫ﺒﻘﻲ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻓﻲ ﺍﻝﻤﻨﺯل ﻝﻴﻀﺭﺏ ﻋﻠﻰ ﺍﻝﻁﺒﻠﺔ ﺃﻭ ﻝﻴﺭﺴﻡ ﺃﻭ ﻝﻴﺴﺘﻤﻊ ﻝﻠﻤﺴـﺠل‪ .‬ﻭﻓـﻲ ﺃﺤﻴـﺎﻥ‬
‫ﺃﺨﺭﻯ‪ ،‬ﻜﺎﻥ ﻴﺴﺤﺏ ﻁﺒﻠﺘﻪ ﻓﻲ ﺍﻝﺠﺎﺩﺓ ﺍﻝﺜﺎﻝﺜﺔ ﻝﻴﺼﺩﺭ ﺃﺩﺍ ‪‬ﺀ ﺼﺎﺨﺒﹰﺎ ﺤﺘﻰ ﻴﻁﺭﺩ‪ .‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺃﺤﻴﺎﻨﹰﺎ ﻴﺠﻠـﺱ ﻫﺎﺩﺌـﹰﺎ‬
‫ﻴﻠﻌﺏ ﺍﻝﺸﻁﺭﻨﺞ ﻓﻲ ﺇﺤﺩﻯ ﺯﻭﺍﻴﺎ ﺤﺎﻨﺔ "ﺠﻴﺭﻱ" ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﺍﻝﺭﺍﺒﻊ ﻭﺍﻝﺨﻤﺴﻴﻥ‪.‬‬
‫ﻓﻲ ﺇﺤﺩﻯ ﺃﻤﺴﻴﺎﺕ ﺍﻝﺨﺭﻴﻑ ﺍﻝﺩﺍﻓﺌﺔ‪ ،‬ﺘﺴﻜﻊ ﻓﻲ ﻤﻭﻋﺩ ﻤﺯﺩﻭﺝ ﻤﻊ "ﺘﺎﻱ ﻤﻭﺭﻭ ‪ "Tye Morrow‬ﺍﻝﻤﻤﺜل ﺍﻝﺫﻱ‬
‫ﻼ‪ “:‬ﺫﻫﺒﻨﺎ ﺇﻝﻰ ﺤﻔﻠﺔ ﺍﺭﺘﺠﺎﻝﻴـﺔ ﻭﺍﻝـﺫﻱ‬ ‫ﻗﺎﺒﻠﻪ ﺤﻴﻨﻤﺎ ﻜﺎﻥ ﻴﺅﺩﻱ ﺍﻷﺩﻭﺍﺭ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﺔ‪ .‬ﻴﺘﺫﻜﺭ "ﻤﻭﺭﻭ ‪ "Morrow‬ﻗﺎﺌ ﹰ‬
‫ﻴﻌﻨﻲ ﺃﻨﻬﺎ ﻗﺩ ﺒﺩﺃﺕ ﺘﻭﹰﺍ‪ .‬ﻜﺎﻨﺕ ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﺍﻝﺜﺎﻝﺙ ﻭﺍﻝﺨﻤﺴﻴﻥ‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺸﺨﺹ ﻓﻨﺎﻥ‪ ،‬ﺒﺭﻭﺡ ﺠﻴﺩﺓ ﻜﺒﻴﺭﺓ‪ ،‬ﻴﺩﻋﻰ‬
‫"ﺁﺭﺜﺭ ﺠﺎﻜﻭﺒﺯ ‪ "Arthur Jacobs‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻝﺩﻴﻪ ﺸﻘﺔ ﻓﻲ ﺍﻝﻁﺭﻑ ﺍﻝﺠﻨﻭﺒﻲ ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﺍﻝﺜﺎﻝﺙ ﻭﺍﻝﺨﻤﺴﻴﻥ ﺍﻝﻐﺭﺒﻲ‬
‫ﻼ ﻤﻥ ﺍﻝﺒﻴﺭﺓ ﺤﻴﺙ ﻜﺎﻥ ﻴﻭﺠﺩ ﺜـﻼﺙ ﺃﻭ‬ ‫ﺘﻤﺎﻤﹰﺎ ﻤﻘﺎﺒل "ﻨﺎﺩﻱ ﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ‪ ."Rehearsal Club‬ﺤﺴﻨﺎﹰ‪ ،‬ﺍﺸﺘﺭﻴﻨﺎ ﻗﻠﻴ ﹰ‬
‫ﺃﺭﺒﻊ ﻓﺘﻴﺎﺕ ﻤﻥ ﺍﻝﻨﺎﺩﻱ ﻤﻌﻲ ﻭ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻭ "ﺁﺭﺜـﺭ‪ "Arthur‬ﻭ ﻗﻤـﺕ ﺒـﺎﻝﻌﺯﻑ ﻋﻠـﻰ ﺍﻝﻬﺎﺭﻤﻭﻨﻴﻜـﺎ‬
‫ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺍﻝﻁﺒﻠﺔ ﺒﻴﻨﻤﺎ ﻋﺯﻑ "ﺁﺭﺜﺭ‪"Arthur‬ﻋﻠﻰ ﺯﺠﺎﺠﺎﺕ ﺍﻝﻜﻭﻜﺎ ﻜﻭﻻ‪ -‬ﺸﺭﺒﻨﺎ ﺠﻤﻴﻌـﹰﺎ ﺍﻝﺒﻴـﺭﺓ‬
‫ﻭﺍﺤﺘﻔﻠﻨﺎ”‪.‬‬
‫“ﻭﺃﺘﺫﻜﺭ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﺍﻝﺘﻲ ﺘﻌﺭﻓﻨﺎ ﻓﻴﻬﺎ ﺃﻨﺎ ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺃﻭﻝﺌﻙ ﺍﻝﻔﺘﻴﺎﺕ‪ ،‬ﻜﻤﺎ ﺘﻌﻠﻡ ‪ -‬ﺍﺼـﻁﺤﺒﻨﺎ‬
‫ﻼ ﻤﻥ ﺍﻝﺒﻴﺭﺓ ﻝﻨﺫﻫﺏ‬‫ﺍﺜﻨﺘﻴﻥ ﻭﻗﻠﻨﺎ‪ ،‬ﺤﺴﻨﹰﺎ ‪ -‬ﻝﻘﺩ ﻜﺎﻥ ﺍﻝﻭﻗﺕ ﻤﺘﺄﺨﺭﹰﺍ ﺠﺩﺍﹰ‪ ،‬ﺤﻭﺍﻝﻲ ﺍﻝﺜﺎﻤﻨﺔ ﺼﺒﺎﺤﹰﺎ‪ -‬ﺩﻋﻭﻨﺎ ﻨﺸﺭﺏ ﻗﻠﻴ ﹰ‬
‫ﺇﻝﻰ ﻤﻨﺯﻝﻲ ﺃﻭ ﻤﻨﺯﻝﻜﻡ ﻝﻨﻘﻴﻡ ﺤﻔﻠﺔ”‪ .‬ﻭﻴﻘﻭل "ﺠﻴﻤﻲ ‪ ‘:"Jimmy‬ﻝﺩﻱ ﺒﻌﺽ ﺍﻻﺴﻁﻭﺍﻨﺎﺕ ﺍﻝﻤﺠﻨﻭﻨﺔ‪ .‬ﻓﻠﻨﺫﻫﺏ ﺇﻝـﻰ‬
‫ﻤﻨﺯﻝﻲ‪ .‬ﻝﺩﻱ ﺒﻌﺽ ﺍﻷﺸﻴﺎﺀ ﺍﻝﻌﻅﻴﻤﺔ’‪ .‬ﻭﻜﺎﻥ ﻤﺎ ﻝﺩﻴﻪ ﻤﻥ ﺍﻷﺸﻴﺎﺀ ﺍﻝﻌﻅﻴﻤﺔ ﻤﺜل "ﻝـﻴﺱ ﺒﺎﻜﺴـﺘﺭ ‪،"Les Baxter‬‬
‫ﻼ ﻤﻥ ﺍﻝﺒﻴﺭﺓ‪ .‬ﺫﻫﺒﻨﺎ ﺇﻝـﻰ‬‫ﻭﻁﺒﻼﺕ ﺃﻓﺭﻴﻘﻴﺔ‪ .‬ﺃﻗﻠﹼﺘﻨﺎ ﺴﻴﺎﺭﺓ ﺃﺠﺭﺓ ﻤﻊ ﺘﻠﻙ ﺍﻝﻔﺘﺎﺘﻴﻥ ﺍﻝﺠﻤﻴﻠﺘﻴﻥ ﺠﺩﹰﺍ ﻓﺘﻭﻗﻔﻨﺎ ﻭﺸﺭﺒﻨﺎ ﻗﻠﻴ ﹰ‬
‫ﺘﻠﻙ ﺍﻝﺸﻘﺔ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺃﻗﺭﺏ ﺇﻝﻰ ﺍﻝﻌﻠﻴﺔ ﻭﺼﻌﺩﻨﺎ ﺍﻝﺩﺭﺝ ﻋﻠﻰ ﺃﻁﺭﺍﻑ ﺃﺼﺎﺒﻌﻨﺎ ﻝﻨﺩﺨل‪ -‬ﺤﻴﺙ ﻝﻡ ﺘﺫﻫﺏ ﺍﻝﻔﺘﺎﺘـﺎﻥ‬
‫ﺇﻝﻰ ﻫﻨﺎﻙ ﺴﺎﺒﻘﹰﺎ ﻭﻝﻡ ﺘﺴﺘﻁﻴﻌﺎ ﺘﺼﺩﻴﻕ ﺫﻝﻙ‪ .‬ﺍﺴﺘﻁﻌﺕ ﺭﺅﻴﺔ ﻭﺠﻬﻴﻬﻤﺎ‪ ،‬ﻝﻡ ﺘﺼﺩﻗﺎ ﺫﻝﻙ ‪ -‬ﻓﺘﺢ ﻋﻠﺒﺔ ﻤـﻥ ﺍﻝﻠﺤـﻡ‬
‫ﻭﺍﻝﻔﺎﺼﻭﻝﻴﺎ ﺃﻭ ﺸﻲﺀ ﺒﺩﺍ ﻜﺄﻨﻪ ﻗﺩ ﻓﺘﺢ ﻤﻨﺫ ﺸﻬﺭﻴﻥ ﻷﻨﻪ ﻭﺒﻌﺩ ﺘﻨﺎﻭل ﻋﺩﺓ ﻤﻼﻋﻕ ‪ ،‬ﻅﻬﺭ ﻤﺎ ﻴﺸﺒﻪ ﺸﺒﻜﺔ ﺍﻝﻌﻨﻜﺒﻭﺕ‪.‬‬
‫ﺘﻜﻭﻥ ﺍﻝﻠﻭﻥ ﺍﻷﺨﻀﺭ ﻓﻲ ﺃﻋﻼﻫﺎ ﻭ ﺍﻝﻤﻠﻌﻘﺔ ﻓﻲ ﻤﻜﺎﻨﻬﺎ ﻨﻔﺴﻪ‪ .‬ﻝﻡ ﻴﺴﺘﻁﻴﻌﺎ ﺘﺼﺩﻴﻕ ﻫﺫﺍ‪ ،‬ﻭﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺃﻜﻭﺍﻡ ﻤـﻥ‬
‫ﺍﻝﻤﻼﺒﺱ ﻋﻠﻰ ﺍﻷﺭﺽ‪ .‬ﻓﺎﻗﺘﺭﺤﺕ ﺭﻓﻌﻬﺎ”‪.‬‬
‫“ ﺒﺄﻱ ﺸﻲﺀ ﻜﻨﺕ ﺴﺘﺸﺭﺏ ﺍﻝﺒﻴﺭﺓ؟ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﻜﺅﻭﺱ‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻏﻼﻴﺔ ﺯﺠﺎﺠﻴﺔ‪ .‬ﻜﺎﻥ ﻴﺼﻨﻊ ﺍﻝﻘﻬﻭﺓ ﻋﻠﻰ‬
‫ﺤﺭﺍﻕ ﺼﻐﻴﺭ ﻝﺩﻴﻪ‪ .‬ﻭﻫﻜﺫﺍ ﺃﺨﺫ ﺯﺠﺎﺠﺘﻪ ﻭﺴﺩﻫﺎ ﺒﻔﻠﻴﻨﺔ ﻷﻥ ﺇﺤﺩﻯ ﺍﻝﻔﺘﻴﺎﺕ ﻗﺎﻝﺕ ﺇﻨﻬﺎ ﻝﻥ ﺘﺸﺭﺏ ﻤﻥ ﺍﻝﺯﺠﺎﺠـﺔ‪.‬‬
‫ﻏﺴﻠﻬﺎ ﻭﻭﻀﻊ ﻓﻠﻴﻨﺔ ﻓﻲ ﺍﻷﺴﻔل ﻭﺴﻜﺏ ﺍﻝﺒﻴﺭﺓ‪ .‬ﻜﺎﻨﺕ ﻝﺩﻴﻨﺎ ﺘﻠﻙ ﺍﻝﺯﺠﺎﺠﺎﺕ ﺍﻝﻜﺒﻴﺭﺓ ﺍﻝﺘﻲ ﺸﺭﺒﻨﺎ ﻓﻴﻬﺎ ﺃﻨﺎ ﻭ"ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﺒﺎﻝﻁﺒﻊ‪ .‬ﻗﺎﻝﺕ ﺇﺤﺩﻯ ﺍﻝﻔﺘﻴﺎﺕ ﺍﻝﺘﻲ ﺤﻤﻠﺕ ﺯﺠﺎﺠﺔ ﺍﻝﻐﻼﻴﺔ‪‘:‬ﺤﺴﻨﺎﹰ‪ ،‬ﻫﺫﻩ ﻀﻴﺎﻓﺔ ﻤﻤﻴﺯﺓ’‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﺴﺭﻴﺭ‬
‫ﻜﺒﻴﺭ ﻤﻊ ﺴﺠﺎﺩﺓ ﺒﺎﻫﺘﺔ ﺒﻴﻀﺎﺀ ﻭﺴﺨﺔ ﺒﺠﺎﻨﺒﻪ‪ .‬ﻭ ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻴﻘﻭل‪ ‘:‬ﺘﻌﺎل "ﺘﺎﻱ ‪ ،"Tye‬ﻋﻥ ﺇﺫﻨﻜﻥ ﻴﺎ ﻓﺘﻴﺎﺕ!‘ ﻭﻜﻨﺎ‬
‫ﻨﺨﺭﺝ ﻝﻠﺒﻬﻭ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻝﻐﺭﻓﺔ ﻝﻨﺭﻤﻲ ﻗﻁﻌﺔ ﻨﻘﺩ ﻝﻨﻌﺭﻑ ﻤﻥ ﺴﻴﺤﺼل ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻭﻤﻥ ﺴﻴﺤﺼل ﻋﻠﻰ ﺍﻝﺴﺠﺎﺩﺓ‬
‫ﺍﻝﺨﺸﻨﺔ”‪.‬‬
‫“ﺤﺼل ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ‪ .‬ﺍﻵﻥ ﻻ ﺘﺴﺊ ﻓﻬﻤﻲ‪ ،‬ﻓﺄﻨﺎ ﻻ ﺃﻗﻭل ﺇﻨﻨﺎ ﻜﻨﺎ ﻨﺨﺭﺝ ﻝﻠﺠﻨﺱ ﻓﻘﻁ ﺃﻤـﺎﻡ‬
‫ﺍﻝﺠﻤﻴﻊ‪ .‬ﻜﺎﻨﺕ ﺍﻷﻀﻭﺍﺀ ﺘﻨﻁﻔﺊ ﻝﺩﺭﺠﺔ ﺃﻨﻙ ﻝﻥ ﺘﺭﻯ ﻴﺩﻙ ﺃﻤﺎﻡ ﻭﺠﻬﻙ‪ .‬ﺠﻠﺴﻨﺎ ﺃﻨﺎ ﻭ ﺍﻝﻔﺘﺎﺓ ﻋﻠﻰ ﺍﻝﺴﺠﺎﺩﺓ ﺍﻝﺨﺸـﻨﺔ‬
‫ﻨﺴﺘﻨﺩ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ‪ ،‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺍﻝﻔﺘﺎﺓ ﺍﻷﺨﺭﻯ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻴﺘﻌﺎﻨﻘـﺎﻥ ﻭﻴﻘـﺒﻼﻥ ﺒﻌﻀـﻬﻤﺎ‬
‫ﺍﻝﺒﻌﺽ ﻭﻴﺘﺒﺎﺩﻻﻥ ﺍﻝﻘﺒل ﻭﻨﺤﻥ ﻨﺘﺤﺴﺱ ﺠﻭﺍﺭﻨﺎ ﻭﺍﻝﻤﻭﺴﻴﻘﺎ ﺘﻌﺯﻑ‪.‬ﻜﻨﺎ ﻨﺘﺤﺩﺙ ﻭ ﻓﺠﺄﺓ ﺘﺘﻭﻗﻑ ﺍﻝﻤﺤﺎﺩﺜﺔ ﻭﻝﻡ ﻨﺴﻤﻊ‬
‫ﺸﻴﺌﹰﺎ ﻝﻔﺘﺭﺓ ﻤﻌﻘﻭﻝﺔ ﻤﻥ ﺍﻝﻭﻗﺕ‪ .‬ﺒﻌﺩﻫﺎ‪ ،‬ﻭﻓﻲ ﺃﻜﺜﺭ ﺍﻝﻠﺤﻅﺎﺕ ﺍﻝﺘﻲ ﻓﻲ ﻏﻴﺭ ﻤﺤﻠﻬﺎ‪ -‬ﺃﻗﻭل ﺭﺒﻤﺎ ﻝﺤﻭﺍﻝﻲ ﻋﺸـﺭﻴﻥ‬
‫ﺩﻗﻴﻘﺔ ﻤﺭﺕ ﻭ ﺒﺩﻭﻥ ﺃﻱ ﺼﻭﺕ ﺃﻭ ﻨﻘﺎﺵ‪ -‬ﺍﻵﻥ ﻤﺎ ﺍﻝﺫﻱ ﻴﻔﻌﻠﻪ ﻝﻡ ﺘﻜﻥ ﻝﺩﻱ ﺃﺩﻨﻰ ﻓﻜﺭﺓ‪ -‬ﻝﻜﻨـﻪ ﻴﻅﻬـﺭ ﻓﺠـﺄﺓ‬
‫ﺒﻌﺒﺎﺭﺓ‪" ‘:‬ﺘﺎﻱ ‪ ،"Tye‬ﻫل ﻓﻌﻠﺘﻬﺎ؟‘ ﺜﻡ ﻴﺘﺎﺒﻊ‪‘:‬ﻫﺎ ‪،‬ﻫﺎ‪،‬ﻫﺎ’‪ ،‬ﻓﺄﺭﺩ ﻋﻠﻴﻪ‪ ‘:‬ﻴﺎ ﻝﺴﻤﺎﺠﺘﻙ! ﻷﻱ ﻤﺩﻯ ﻴﻤﻜﻥ ﺃﻥ ﺘﺼـل‬
‫ﻭﻗﺎﺤﺘﻙ؟’ ﻭ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻜﻨﺎ ﻨﻔﻌل ﻫﺫﺍ ﺤﺘﻰ ﺍﻝﻔﺠﺭ”‪.‬‬
‫“ ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻭﺒﺸﻜل ﻋﺎﻡ‪ ،‬ﺤﺴﻨﺎﹰ‪ ،‬ﺃﻋﻠﻡ ﺃﻨﻪ ﺒﻬﺫﻩ ﺍﻝﻤﻨﺎﺴﺒﺔ‪ ،‬ﻜﺎﻨﺕ ﺍﻝﺸﻤﺱ ﺘﺸﺭﻕ ﻓﻲ ﺍﻝﺴـﺎﺒﻌﺔ ﺃﻭ ﺍﻝﺴـﺎﺒﻌﺔ‬
‫ﻭﺍﻝﻨﺼﻑ‪ -‬ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﺎﻨﺕ ﺍﻝﺸﻤﺱ ﻗﺩ ﺃﺸﺭﻗﺕ‪ .‬ﻜﻨﺕ ﺃﻋﻴﺩ ﺘﻠﻙ ﺍﻝﻔﺘﺎﺓ ﺇﻝﻰ ﺍﻝﻨـﺎﺩﻱ ﺒﻴﻨﻤـﺎ ﺒﻘﻴـﺕ ﺍﻝﻔﺘـﺎﺓ‬
‫ﺍﻷﺨﺭﻯ ﻫﻨﺎﻙ ﻝﻔﺘﺭﺓ ﺃﻁﻭل‪ .‬ﺭﺃﻴﺕ ﺘﻠﻙ ﺍﻝﻔﺘﺎﺓ ﺍﻝﺘﻲ ﺒﻘﻴﺕ ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﻫﺫﺍ ﻤﺘﺄﺨﺭﹰﺍ ﻓﻲ ﺘﻠﻙ ﺍﻷﻤﺴﻴﺔ ﻭ‬
‫ﻗﺎﻝﺕ ﻝﻲ‪‘ :‬ﻫل ﺘﻌﻠﻡ‪ ،‬ﻝﻡ ﻴﺤﺩﺙ ﺃﻱ ﺸﻲﺀ ﻫﻨﺎﻙ؟’‪ .‬ﻭ ﺃﺠﺒﺕ‪ ‘:‬ﻝﻡ ﺃﺴﺄﻝﻙ ﺃﺤﺩﺙ ﺸﻲﺀ ﺃﻡ ﻻ’‪ .‬ﻝﻜﻨﻬﺎ‪ ،‬ﻜﺎﻨﺕ ﻤﻥ ﻫﺫﺍ‬
‫ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻝﻔﺘﻴﺎﺕ ﺍﻝﺘﻲ ﻗﺎﻝﺕ ﺇﻥ ﺸﻴﺌﹰﺎ ﻝﻡ ﻴﺤﺩﺙ‪ .‬ﻭ ﻗﻠﺕ‪ ‘ :‬ﺁﻭﻩ ﻫﻲ‪ .‬ﺃﻭﻩ’‪ .‬ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ ﺸﺎﻫﺩﺘﻬﺎ ﻤﺭﺓ ﺜﺎﻨﻴـﺔ ﻭ‬
‫ﻗﺎﻝﺕ‪‘ :‬ﻫل ﺘﻌﺭﻑ‪،‬ﻝﻡ ﻴﺘﺼل ﺒﻲ ﺃﻭ ﺃﻱ ﺸﻲﺀ ﺁﺨﺭ‪ .‬ﻝﻘﺩ ﺘﻭﻗﻌﺘﻪ ﺃﻥ ﻴﻔﻌل‪ .‬ﻝﻘﺩ ﺃﻋﺠﺒﺕ ﺒﻪ’‪ .‬ﻝﻜﻨﻲ ﺃﺸﻙ ﺃﻨـﻪ ﻗـﺩ‬
‫ﺭﺁﻫﺎ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻻ ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻓﻌل ﻫﺫﺍ ﺒﺎﻝﻤﺭﺓ”‪.‬‬
‫ﻓﻲ ﻋﺩﺓ ﺯﻴﺎﺭﺍﺕ ﻝﻪ ﻝﻨﻴﻭﻴﻭﺭﻙ‪ ،‬ﺃﺘﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﻤﺸﺎﻫﺩﺓ ﻓﻲ "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠـﻴﻥ‪."Actors Studio‬‬
‫ﺘﻭﻗﻑ ﻋﻥ ﻤﺤﺎﻭﻝﺔ ﺍﻝﻌﻤل ﻫﻨﺎﻙ ﺒﻌﺩ ﺃﻥ ﺍﻨﺘﻘﺩﻩ "ﻝﻲ ﺴﺘﺭﺍﺴﺒﻴﺭﻍ ‪ "Lee Strasberg‬ﻓﻲ ﻤﺸﻬﺩ ﻗﺩﻤﻪ‪ .‬ﺃﺨﺒـﺭ "ﺒﻴـل‬
‫ﺒﺎﺴﺕ ‪ "Bill Bast‬ﺒﻌﺩ ﺘﻠﻙ ﺍﻝﺘﺠﺭﺒﺔ ‪“:‬ﻻ ﺃﻋﻠﻡ ﻤﺎ ﻴﻭﺠﺩ ﺒﺩﺍﺨﻠﻲ‪ .‬ﻭ ﻻ ﺃﻋﺭﻑ ﻤﺎ ﻴﺤﺩﺙ ﻋﻨﺩﻤﺎ ﺃﻤﺜل‪ -‬ﺒـﺩﺍﺨﻠﻲ‪.‬‬
‫ﻝﻜﻥ ﺇﺫﺍ ﺴﻤﺤﺕ ﻝﻬﻡ ﻓﺴﻴﺸﺭﺤﻭﻨﻨﻲ ﻤﺜل ﺃﺭﻨﺏ ﻓﻲ ﺒﺤﺙ ﺴﺭﻴﺭﻱ ﻓﻲ ﺍﻝﻤﺨﺘﺒﺭ‪ .‬ﺭﺒﻤﺎ ﻝﻥ ﺃﻜﻭﻥ ﻗﺎﺩﺭﹰﺍ ﻋﻠﻰ ﺍﻹﻨﺘﺎﺝ‬
‫ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﺒﺎﷲ ﻋﻠﻴﻜﻡ‪ ،‬ﺭﺒﻤﺎ ﻜﺎﻨﻭﺍ ﺴﻴﻌﻘﻤﻭﻨﻨﻲ!”‪.‬‬
‫ﺃﺭﺍﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﻤﺜﻴل ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ .‬ﺃﺭﺍﺩ ﺘﻤﺜﻴل ﻤﺴﺭﺤﻴﺔ ﺃﺨﺭﻯ ﻓﻲ ﺒﺭﻭﺩﻭﺍﻱ )ﻭﻫﺫﻩ ﺍﻝﻤﺭﺓ ﻜـﺎﻥ‬
‫ﻴﻤﻜﻥ ﻝﻪ ﺍﻝﺤﺼﻭل ﻋﻠﻰ ﺩﻭﺭ ﺍﻝﻨﺠﻡ(‪ ،‬ﻝﻜﻥ ﻋﺒﺎﺭﺓ ﺍﻝﺤﺼﻭل ﻋﻠﻴﻪ ﺍﻝﻤﺫﻜﻭﺭﺓ ﻓﻲ ﻋﻘﺩﻩ ﻤﻊ ﺸﺭﻜﺔ "ﻭﺍﺭﻨﺭ‪"Warner‬‬
‫ﻼ ﺒﻤﺎ ﻴﺘﻌﻠﻕ ﺒﻌﻤل ﻋﻠﻰ ﺍﻝﻤﺩﻯ ﺍﻝﻁﻭﻴل‪ .‬ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﻘﺩ ﺴﻤﺢ ﺍﻝﻌﻘﺩ ﻝﻪ ﺒﻠﻴﻠﺔ ﻭﺍﺤﺩﺓ ﻋﻠﻰ‬ ‫ﺠﻌﻠﺕ ﺫﻝﻙ ﻤﺴﺘﺤﻴ ﹰ‬
‫ﺍﻝﺘﻠﻔﺯﻴﻭﻥ‪ .‬ﺤﺼﻠﺕ ﻝﻪ "ﺠﻴﻥ ﺩﻴﺎﺴﻲ ‪ "Jean Deacy‬ﻋﻠﻰ ﺩﻭﺭ ﺭﺌﻴﺴﻲ ﻓﻲ ﺩﺭﺍﻤﺎ "ﺃﻨﺎ ﻤﻐﻔـل ‪ "I Am a Fool‬ﻤـﻥ‬
‫ﺇﻨﺘﺎﺝ "ﻤﺴﺭﺡ ﺠﻨﺭﺍل ﺍﻝﻴﻜﺘﺭﻴﻙ‪ "General Electric Theatre‬ﻭﺍﻝﺫﻱ ﻤﺜل ﻓﻴﻬﺎ ﻤﻊ "ﺇﻴـﺩﻱ ﺃﻝﺒـﺭﺕ‪"Eddie Albert‬‬
‫ﻭﻤﻤﺜﻠﺔ ﺸﺎﺒﺔ ﻏﻴﺭ ﻤﻌﺭﻭﻓﺔ ﺘﺩﻋﻰ "ﻨﺎﺘﺎﻝﻲ ﻭﻭﺩ ‪."Natalie Wood‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﻌﺎﺸﺭ‬

‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻘﺴﻡ ﺍﻷﻭل ﻤﻥ ﺍﻝﺴﻨﺔ ﺍﻝﺠﺩﻴﺩﺓ )‪ (1955‬ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻴﺴﺘﻤﺘﻊ ﺒﻜﻭﻨﻪ ﻤﺠﻬـﻭ ﹰ‬
‫ﻻ‬
‫ﻼ ﻋﻠﻰ ﺍﻝﺸﺎﻁﺊ‪ .‬ﺃﺼﺒﺢ ﻓﻲ ‪ 8‬ﻓﺒﺭﺍﻴﺭ‪/‬ﺸـﺒﺎﻁ‬ ‫ﺫﻝﻙ ﺍﻝﺫﻱ ﺠﻌﻠﺘﻪ ﺍﻝﻌﺭﻭﺽ ﺍﻷﻭﻝﻴﺔ ﻝﻔﻴﻠﻡ "ﺸﺭﻕ ﻋﺩﻥ" ﺍﻵﻥ ﻤﺴﺘﺤﻴ ﹰ‬
‫ﻓﻲ ﺍﻝﺭﺍﺒﻌﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ‪ ،‬ﻭﻓﻲ ﺍﻝﺴﺎﺒﻊ ﻭﺍﻝﻌﺸﺭﻴﻥ ﻤﻥ ﺍﻝﺸﻬﺭ ﻨﻔﺴﻪ ﻗﺎﻤﺕ "ﻭﺍﺭﻨﺭ ﺒﺭﻭﺫﻭﺭﺯ ﺒﻌﻤل ﺩﻋﺎﻴﺔ ﻜﺒﻴﺭﺓ ﻓﻲ‬
‫ﻨﻴﻭﻴﻭﺭﻙ ﺘﺎﻴﻤﺯ ﻭ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﺒﺎﺭﺓ ﻋﻥ ﺒﺩﺍﻴﺔ ﻨﻬﺎﻴﺔ ﻋﺩﻡ ﺭﺅﻴﺘﻪ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ 10“:‬ﺁﺫﺍﺭ‪/‬ﻤﺎﺭﺱ‪ -‬ﺁﺴﺘﻭﺭ‪ ،‬ﻓـﻲ‬
‫ﺍﻝﺸﺎﺭﻉ ﺍﻝﺨﺎﻤﺱ ﻭﺍﻷﺭﺒﻌﻴﻥ‪" .‬ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪" -"Elia Kazan‬ﺠﻭﻥ ﺸﺘﺎﻴﻨﺒﻴﻙ ‪ -"John Steinbeck‬ﻭ ‘ﺍﻝﺸـﻲﺀ’‬
‫ﺍﻝﺫﻱ ﻴﻌﻨﻲ ‘ﻜل ﺸﻲﺀ ’ ﻓﻲ ﻋﻅﻤﺔ ﺍﻷﻓﻼﻡ! ﺃﺴﺄل ﺃﻱ ﺸﺨﺹ – "ﺸـﺭﻕ ﻋـﺩﻥ ‪ "East of Eden‬ﻫـﻭ ﺘﺤﻔـﺔ‬
‫"ﺸﺘﺎﻴﻨﺒﻴﻙ ‪ "Steinbeck‬ﺍﻝﻔﻨﻴﺔ‪ .‬ﺃﺒﻨﺎﺀ ﻭﻋﺸﺎﻕ‪ ،‬ﻗﺩﻴﺴﻭﻥ ﻭﺨﺎﻁﺌﻭﻥ‪ ،‬ﺨﺎﺴﺭﻭﻥ ﻭﺭﺍﺒﺤﻭﻥ ﻝﺩﻴﻬﻡ ﺍﻝﻨﻅﺭﺓ ﻭ ﺍﻝﺸـﻭﻕ‬
‫ﻨﺤﻭ ﺍﻝﺤﻴﺎﺓ‪ .‬ﺇﺫﺍ ﺜﺎﺭ ﺃﻭﻝﺌﻙ ﺍﻝﻨﺎﺱ ﺍﻝﻬﺯﻝﻴﻭﻥ ﺃﻭ ﺍﻝﻤﻤﺘﻠﺌﻭﻥ ﻤﻌﹰﺎ ﻓﻲ ﺼﻔﺤﺎﺕ "ﺸﺘﺎﻴﻨﺒﻴﻙ ‪ "Steinbeck‬ﺍﻝﻜﻬﺭﺒﺎﺌﻴـﺔ‪،‬‬
‫ﻓﺈﻨﻙ ﺘﺴﺘﻁﻴﻊ ﺘﺼﻭﺭ ﻤﺎ ﺴﻭﻑ ﻴﺤﺩﺙ ﻝﻬﻡ ﺘﺤﺕ ﺃﻴﺩﻱ "ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ "Elia Kazan‬ﺍﻝﺫﻱ ﺍﺨﺘﺭﻉ ﻭﺍﻗﻌﻴﺔ ﺍﻝﺸﺎﺸﺔ ﻜﻤﺎ‬
‫ﻫﻲ ﻤﻌﺭﻭﻓﺔ ﺍﻝﻴﻭﻡ‪" .‬ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻫﻭ ﻝﻠﺴﺠﻼﺕ‪ -‬ﺤﻴﺙ ﻴﺤﺘﻔﻅﻭﻥ ﺒﻜل ﺍﻝﺴﺠﻼﺕ ﻝﻜل ﺍﻝﺠﻭﺍﺌﺯ!”‪.‬‬
‫ﻴﺤﺩﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﻗﺼﺭ ﻨﻅﺭﻩ ﺒﺭﻭﻤﺎﻨﺴﻴﺔ ﻋﻠﻰ ﺍﻝﻌﻨﻭﺍﻥ‪ “ :‬ﺇﻨﻪ "ﺠـﻴﻤﺱ ﺩﻴـﻥ ‪ – "James Dean‬ﻨﺠـﻡ‬
‫ﺨﺎﺹ ﺠﺩﹰﺍ!”‪.‬‬
‫ﺒﺎﻹﻀﺎﻓﺔ ﺇﻝﻰ ﻫﺫﻩ ﺍﻝﺤﻤﻠﺔ ﺍﻹﻋﻼﻨﻴﺔ ﺍﻝﻤﺅﺜﺭﺓ‪ ،‬ﻓﻘﺩ ﺨﻁﻁﺕ "ﻭﺍﺭﻨﺭ ﺒـﺭﻭﺫﻭﺭﺯ ‪ "Warner Brothers‬ﺇﻝـﻰ‬
‫ﻋﺭﺽ ﻤﺸﺎﻫﻴﺭ ﺨﺎﺹ ﻓﻲ "ﻤﺴﺭﺡ ﺁﺴﺘﻭﺭ ‪ "Astor Theatre‬ﻓﻲ ﺃﻤﺴﻴﺔ ‪ 9‬ﻤﺎﺭﺱ‪/‬ﺁﺫﺍﺭ ‪) 1955‬ﻜـﺎﻥ ﺍﻻﻓﺘﺘـﺎﺡ‬
‫ﺍﻝﺭﺴﻤﻲ ﺍﻝﻌﺎﻡ ﻓﻲ ‪ 10‬ﺁﺫﺍﺭ‪ /‬ﻤﺎﺭﺱ(‪ .‬ﻜﺎﻥ ﺍﻻﻓﺘﺘﺎﺡ ﻤﻌﻠﻨﹰﺎ ﻋﻠﻰ ﺃﻨﻪ ﻋﻤل ﺨﻴﺭﻱ ﻤﻥ ﺃﺠل "ﺃﺴـﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠـﻴﻥ‬
‫‪ ."Actors Studio‬ﺤﻀﺭ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﻤﺸﺎﻫﻴﺭ ﺒﺭﻭﺩﻭﺍﻱ ﻭﻫﻭﻝﻴﻭﻭﺩ‪ ،‬ﻭﺴﻠﻤﺕ "ﻤﺎﺭﻝﻴﻥ ﻤﻭﻨﺭﻭ ‪"Marilyn Monroe‬‬
‫ﺍﻝﺒﺭﺍﻤﺞ‪.‬‬
‫ﻜﺎﻨﺕ ﻫﻭﻝﻴﻭﻭﺩ ﺒﺎﻝﻨﺴﺒﺔ ﻝـ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﺄﺘﻲ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ ﺒﻜﺎﻤل ﺍﻝﻘﻭﺓ‪ .‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺴﺎﺒﻕ ﻝﻠﻌـﺭﺽ‪،‬‬
‫ﻼ ﻤﻥ "ﺃﻭﺭﺘﻴﻨﺱ ﻭﻴﻨﺴـﻠﻭ ‪Ortense‬‬ ‫ﺍﺘﺼل ﻤﻊ "ﺠﻴﻥ ﺩﻴﺎﺴﻲ ‪ "Jane Deacy‬ﻭﻗﺎل‪ “ :‬ﺃﻨﺎ ﺁﺴﻑ ﺃﻤﻲ‪‘ .‬ﻜﺎﻥ ﻴﺩﻋﻭ ﻜ ﹰ‬
‫‪ "Winslow‬ﻭ "ﺠﻴﻥ ﺩﻴﺎﺴﻲ ‪ " Jane Deacy‬ﺒﺄﻤﻲ’ ﻭﻝﻜﻥ ﻜﻤﺎ ﺘﻌﻠﻤﻴﻥ ﻓﺄﻨﺎ ﻻ ﺃﺴﺘﻁﻴﻊ ﻋﻤـل ﻫـﺫﺍ ﺍﻝﻤﺸـﻬﺩ‪ .‬ﻻ‬
‫ﺃﺴﺘﻁﻴﻊ ﺘﺤﻤﻠﻪ‪ .‬ﺴﻭﻑ ﺃﻋﻭﺩ ﻝﻠﺴﺎﺤل ﻫﺫﻩ ﺍﻝﻠﻴﻠﺔ”‪.‬‬
‫ﻭﻫﻜﺫﺍ ﺘﻡ ﺍﻓﺘﺘﺎﺡ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﺒﺩﻭﻥ ﺤﻀﻭﺭ )ﺍﻝﻨﺠﻡ ﺍﻝﺠﺩﻴﺩ ﺍﻝﺨﺎﺹ ﺠﺩﹰﺍ(‪.‬‬
‫ﻜﺎﻥ "ﺒﻭﺴﻠﻲ ﻜﺭﺍﻭﺜﻴﺭ ‪ "Bosley Crowther‬ﻓﻲ ﺍﻝـ "ﻨﻴﻭﻴﻭﺭﻙ ﺘﺎﻴﻤﺯ‪ "New York Times‬ﻤﺘﺨﻴﺭﹰﺍ ﻭﻨﻜـﺩﹰﺍ‪“:‬‬
‫ﻓﻘﻁ ﺩﻭﺭ ﺼﻐﻴﺭ ﻓﻲ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻝـ "ﺠﻭﻥ ﺸﺘﺎﻴﻨﺒﻴﻙ ‪ "John Steinbeck‬ﻜﺎﻥ ﻤﺴﺘﺨﺩﻤﹰﺎ ﻓﻲ ﻨﺴﺨﺔ‬
‫ﺍﻝﻔﻴﻠﻡ ﺍﻝﺘﻲ ﺃﻨﺠﺯﻫﺎ "ﺇﻴﻠﻴﺎ ﻜﺎﺯﺍﻥ ‪ "Elia Kazan‬ﻭﻤﻥ ﺍﻝﻤﺭﻴﺏ ﻓﻬﻲ ﺇﺫﺍ ﻜﺎﻥ ﻫﺫﺍ ﺍﻝﺩﻭﺭ ﻴﺤﻭﻱ ﻋﻠﻰ ﺃﻓﻀل ﻤﺎ ﻓـﻲ‬
‫ﺍﻝﻜﺘﺎﺏ‪ ..........‬ﻭﻻ ﻴﺯﺍل ﺍﻝﺴﻴﺩ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻝﺩﻴﻪ ﻓﻴﻪ‪.............‬ﻤﻊ ﻫﺫﺍ ﺍﻝﺒﻨﺎﺀ ﺍﻝﻤﺼﻭﺭ ﺍﻝﻤﺴﻬﺏ ﻭﺘﻠـﻙ‬
‫ﻼ ﺃﻜﺜﺭ ﻤﻤﺎ ﻫﻲ ﻋﻠﻴﻪ‪..........‬ﻝﻜﻥ ﺍﻝﺤﻘﻴﻘﺔ‬‫ﺍﻝﺒﺭﺍﻋﺔ ﺍﻝﻔﻨﻴﺔ ﻓﻲ ﺩﻭﺭ ﻤﻤﺜﻠﺔ ﺒﺤﻴﺙ ﺇﻨﻪ ﻴﺩﺨل ﻓﻲ ﻭﻫﻡ ﺩﺭﺍﻤﺎ ﻤﺎ ﺤﺎﻓ ﹰ‬
‫ﺍﻝﻤﻌﺎﻨﺩﺓ ﺃﻥ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﻴﺘﺠﻭﻝﻭﻥ ﻓﻲ ﺍﻝﻔﻴﻠﻡ ﻝﻴﺴﻭﺍ ﻤﺅﻫﻠﻴﻥ ﻜﻔﺎﻴﺔ ﺒﺸﻜل ﺠﻴﺩ ﻹﻋﻁﺎﺀ ﻭﺠﻬﺔ ﺍﻝﻨﻅﺭ ﻝﻠﻌﺫﺍﺏ ﻭﺍﻝﺫﻱ‬
‫ﻤﻥ ﺨﻼﻝﻪ ﻴﺫﻫﺒﻭﻥ ﻭﻴﻤﻀﻭﻥ‪ ،‬ﻭﺃﻥ ﺍﻻﻋﺘﺭﺍﻀﺎﺕ ﺍﻝﺨﺎﺼﺔ ﺒﻌﺫﺍﺒﻬﻡ ﺘﺘﺒﻊ ﺃﺴﻠﻭﺒﹰﺎ ﻤﻌﻴﻨﹰﺎ ﻭﺭﺴـﻤﹰﺎ ﺘﻬﻭﻴﻠﻴـﹰﺎ ﻴﻤﻜـﻥ‬
‫ﺇﺩﺭﺍﻜﻪ‪ .‬ﻭﻻﺴﻴﻤﺎ ﻫل ﻫﺫﺍ ﺤﻘﻴﻘﻲ ﺒﺎﻝﻨﺴﺒﺔ ﻝـ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻓﻲ ﺩﻭﺭ "ﻜﺎل ‪ ."Cal‬ﺇﻥ ﻫـﺫﺍ ﺍﻝﻤﻤﺜـل‬
‫ﺍﻝﺸﺎﺏ‪ ،‬ﺍﻝﺫﻱ ﻴﺘﺒﺎﺨل ﺒﺩﻭﺭﻩ ﺍﻝﺴﻴﻨﻤﺎﺌﻲ ﺍﻝﻜﺒﻴﺭ ﺍﻷﻭل ﻫﻭ ﻋﺒﺎﺭﺓ ﻋﻥ ﻜﺩﺴﺔ ﻤﻥ ﻜﻌﻜﺔ ﺍﻝﺯﻨﺠﺒﻴل ﺍﻝﺨﺎﺹ ﺒﺎﻝﻤﺴﺭﺡ‬
‫ﻭﺍﻝﺘﻤﺜﻴل‪ .‬ﺇﻨﻪ ﻴﺠﺭ ﻗﺩﻤﻴﻪ‪ ،‬ﻭﻴﺩﻭﺭ‪ ،‬ﻭﻴﺒﺭﻁﻡ ﺒﺸﻔﺘﻴﻪ‪ ،‬ﻭﻴﺘﻔﺘﻑ‪ ،‬ﻭﻴﻨﺤﻨﻲ ﻋﻠﻰ ﺍﻝﺤﺎﺌﻁ‪ ،‬ﻭﻴﺤـﺭﻙ ﻋﻴﻨﻴـﻪ‪ ،‬ﻭﻴﺒﺘﻠـﻊ‬
‫ﻜﻠﻤﺎﺘﻪ‪ ،‬ﻴﺴﻴﺭ ﺭﻭﻴﺩﹰﺍ ﺒﺭﻜﺒﻪ ﺍﻝﻤﺘﺭﺍﺨﻴﺔ ﻜﻤﺎ ﺍﻋﺘﺎﺩ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ" ﺃﻥ ﻴﻜﻭﻥ‪ .‬ﻝﻡ ﻨﺸﺎﻫﺩ ﻤﺅﺩﻴﹰﺎ ﺒﻬﺫﺍ ﺍﻝﻭﻀﻭﺡ ﻴﺘﺒﻊ‬
‫ﺃﺴﻠﻭﺏ ﺃﺤﺩ ﺁﺨﺭ‪ .‬ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺴﻴﺩ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺃﻥ ﻴﻀﺭﺏ ﻋﻠﻰ ﻤﺅﺨﺭﺘﻪ ﻝﺴﻤﺎﺤﻪ ﻝﻪ ﺒﻌﻤل ﻤﺜل ﻫﺫﺍ ﺍﻝﺸﻲﺀ‬
‫ﺍﻝﺠﺎﻫل ﺍﻝﻤﺩﻋﻲ ﻏﻴﺭ ﺍﻝﻨﺎﻀﺞ ﻓﻜﺭﻴﹰﺎ‪ .‬ﻤﻬﻤﺎ ﻜﺎﻥ ﻫﻨﺎﻙ ﺭﺒﻤﺎ ﻤﻥ ﺍﻝﻌﺫﺍﺏ ﺍﻝﻤﻌﻘﻭل ﻓﻲ ﻫﺫﺍ ﺍﻝﺸﺎﺏ ﻓﺈﻨﻪ ﻤﺩﻓﻭﻥ ﺘﺤﺕ‬
‫ﻫﺫﺍ ﺍﻝﻌﺭﺽ ﺍﻷﺨﺭﻕ”‪.‬‬
‫ﻜﺘﺏ "ﻭﻴﻠﻴﺎﻡ ﻜﻲ‪ .‬ﺯﻴﻨﺴﺭ ‪ "William K. Zinsser‬ﻓﻲ ﺍﻝـ" ﻫﻴﺭﺍﻝﺩ ﺘﺭﻴﺒﻭﻥ ﺍﻝﻨﻴﻭﻴﻭﺭﻜﻴﺔ ‪New York Herald‬‬
‫‪ "Tribune‬ﺒﻨﻜﺩ ﺃﻗل‪“:‬ﺴﻭﻑ ﺘﺘﻡ ﻤﻘﺎﺭﻨﺘﻪ ﺒﺸﻜل ﻤﺤﺘﻭﻡ ﻤﻊ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﻷﻥ "ﻜﺎﺯﺍﻥ ‪Kazan‬‬
‫" ﻁﺒﻌﻪ ﺒﻨﻔﺱ ﺍﻝﻁﺒﻊ ﺍﻝﻤﺘﺭﺩﺩ ﻓﻲ ﺍﻝﻜﻼﻡ‪ ،‬ﻭﻨﻔـﺱ ﺍﻝﺘﺤﺴـﺱ ﺍﻷﻋﻤـﻰ ﻝﻠﺤـﺏ ﻭﺍﻝﻁﻤﺄﻨﻴﻨـﺔ ﺍﻝﺘـﻲ ﺃﻋﻁﺎﻫـﺎ‬
‫ﻝـ"ﺒﺭﺍﻨﺩﻭ‪ "Barndo‬ﻓﻲ "ﻓﻲ ﺍﻝﻭﺍﺠﻬﺔ ﺍﻝﻤﺎﺌﻴﺔ ‪ ."On the Water Front‬ﻝﻜﻥ ﺇﻥ ﻜﺎﻥ ﺍﻷﺩﺍﺀ ﻗﺭﻴﺒﺎﹰ‪ ،‬ﻭﻫﻜﺫﺍ ﺍﻷﺩﻭﺍﺭ‪،‬‬
‫ﻓﺈﻥ ﺍﻝﺘﺫﻤﺭ ﻤﻥ ﺍﻝﺘﺸﺎﺒﻪ ﺴﻭﻑ ﻴﻜﻭﻥ ﻤﺭﺍﻭﻏﺔ ﻓﻲ ﺍﻝﻜﻼﻡ‪ ...‬ﻜل ﺸﻲﺀ ﻋﻥ "ﺩﻴﻥ" ﻴﻘﺘﺭﺡ ﺍﻝﻔﺘﻰ ﺫﻭ ﺍﻝﺘﺎﺴﻌﺔ ﻋﺸﺭﺓ‬
‫ﺍﻝﻭﺤﻴﺩ ﻭﺍﻝﻤﺴﺎﺀ ﻓﻬﻤﻪ‪ .‬ﻭﺤﺘﻰ ﺒﻌﺩ ﺫﻝﻙ ﻓﺈﻨﻙ ﺘﻌﻠﻡ ﺍﻝﻜﺜﻴﺭ ﻋﻨﻪ ﻭﺒﺎﻝﻤﻨﺎﺴﺒﺔ ﻓﺈﻨﻪ ﻴﺴﻴﺭ ﻭﻴﺩﺍﻩ ﻓـﻲ ﺠﻴﺒﻴـﻪ ﻭﺭﺃﺴـﻪ‬
‫ﻤﻨﺨﻔﺽ‪ ،‬ﻭﻫﻭ ﻴﻨﺴل ﻜﻜﻠﺏ ﻴﻨﺘﻅﺭ ﻋﻅﻤﺔ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻴﺘﺤﺩﺙ‪ ،‬ﻓﺈﻨﻪ ﻴﺘﻤﺘﻡ ﻭﻴﺘﻭﻗﻑ‪ ،‬ﻭﻫﻭ ﻤﻠﻲﺀ ﺒﻁﺎﻗﺔ ﻗﻠﻘﺔ‪ -‬ﻴﺘﻤﻁﻰ‬
‫ﻭﻴﺘﺩﺤﺭﺝ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻴﺤﺘﺞ ﻋﻠﻰ ﺍﻝﺸﺭﻓﺔ ﻤﺜل ﻓﺘﻰ ﺼﻐﻴﺭ ﻋﺩﻴﻡ ﺍﻝﺼﺒﺭ ﻝﺤﺩﻴﺙ ﻭﺍﻝﺩﻴـﻪ‪ ...‬ﻭﻓـﻲ ﺒﻌـﺽ‬
‫ﺍﻝﻤﻨﺎﺴﺒﺎﺕ‪ ،‬ﻴﺒﺘﺴﻡ ﺒﺸﻜل ﻏﻴﺭ ﻤﺴﺅﻭل ﻭﻜﺄﻨﻪ ﻴﺴﺘﻤﻊ ﻝﻤﺯﺤﺔ ﻗﺎﺘﻤﺔ ﻤﻌﺭﻭﻓﺔ ﻓﻘﻁ ﻝﻪ‪ .‬ﺘﻘﻭل ﺼﺩﻴﻘﺔ ﺃﺨﻴﻪ "ﺁﺒﺭﺍ ‪Abra‬‬
‫"‪" -‬ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪“ - "Juli Harris‬ﺇﻨﻪ ﻴﺨﻴﻔﻨﻲ”‪ .‬ﺇﻨﻙ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﺤﺱ ﺍﻝﻭﺤﺩﺓ ﺒﺩﺍﺨﻠﻪ‪ ،‬ﻝﻜﻨﻙ ﺃﻴﻀﹰﺎ ﺴـﺘﺤﺒﻪ‪...‬‬
‫ﻴﺨﺘﻡ "ﺯﻴﻨﺴﺭ ‪ “ :"Zinsser‬ﻝﺩﻯ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻨﻅﺭﺓ ﺤﻘﻴﻘﻴﺔ‪ ،‬ﻜﻤﺎ ﻝﺩﻴﻪ ﺫﻝﻙ ﺍﻝﺠﻤﺎل ﺍﻝﺤﺯﻴﻥ ﻭﺍﻝﻜﺜﻴﺭ‬
‫ﻤﻥ ﺍﻝﻘﻭﺓ‪ .‬ﺇﻨﻪ ﻴﺨﻔﻑ ﻓﻲ ﺍﻝﻠﻭﻡ”‪.‬‬
‫ﺒﺩﺍ ﻓﻲ ﻤﻘﺎﻝﺘﻪ ﻓﻲ ﻴﻭﻡ ﺍﻷﺤﺩ ﺍﻝﻤﺘﺎﺒﻌﺔ ﻝﻠﻤﻭﻀﻭﻉ "ﻫﻴﺭﺍﻝﺩ ﺘﺭﻴﺒﻭﻥ ‪ 13-‬ﺁﺫﺍﺭ‪/‬ﻤﺎﺭﺱ ‪ " 1955‬ﺃﻨﻪ ﻴـﺯﺩﺍﺩ‬
‫ﺇﻋﺠﺎﺒﹰﺎ ﺒـ"ﺠﻴﻤﻲ ‪ “: "Jimmy‬ﻓﻲ ﻜل ﺘﻜﻠﻑ ﺼﻐﻴﺭ‪ ،‬ﻭﻜﻤﺎ ﻓﻲ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻴﻘﻭﻝﻬﺎ‪ ،‬ﻴﺠﺴﺩ "ﺩﻴـﻥ ‪ "Dean‬ﻫـﺫﻩ‬
‫ﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﺴﺭﻴﺔ‪ ،‬ﻤﺜل "ﻫﺎﻤﻠﺕ‪ "Hamlet‬ﻓﻲ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻁﺭﻕ‪ ،‬ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻓﻨﺤﻥ ﻨﺸﻌﺭ ﺃﻨﻨﺎ ﻨﻌﺭﻓﻪ ﻋﻠﻰ ﺍﻷﻗل‬
‫ﻜﻤﺎ ﻴﻔﻌل ﺫﻝﻙ ﻭﺍﻝﺩﻩ”‪.‬‬
‫ﻗﺎﺭﺒﺕ ﻤﻘﺎﻝﺔ ﻤﺠﻠﺔ ﺍﻝﺘﺎﻴﻡ )‪ 21‬ﺁﺫﺍﺭ ‪/‬ﻤﺎﺭﺱ‪ (1955‬ﻫﺫﺍ ﺍﻹﻁﺭﺍﺀ‪ “:‬ﺇﻥ ﺍﻝﺼﻭﺭﺓ ﻫﻲ ﺘﺴﻠﻴﺔ ﺫﻜﻴﺔ ﻭﺃﻜﺜﺭ ﻤﻥ‬
‫ﻫﺫﺍ‪ ،‬ﻓﻬﻲ ﺘﻌﻠﻥ ﻋﻥ ﻨﺠﻡ ﺠﺩﻴﺩ‪" ،‬ﺠﻴﻤﺱ ﺩﻴﻥ"‪ ،‬ﻭﺍﻝﺫﻱ ﺘﻅﻬﺭ ﻓﻴﻪ ﻤﺸﺎﻫﺩﺓ ﻤﻀﻴﺌﺔ ﻤﺜل ﺘﻠﻙ ﺍﻝﻌﺎﺌﺩﺓ ﻝﻤﻤﺜل ﺸـﺎﺏ‬
‫ﻤﻨﺫ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ‪" ."Marlon Brando‬ﺩﻴﻥ ‪ ،"Dean‬ﺸﺎﺏ ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ ﻭﺒﻼ ﺸﻙ ﻫﻭ ﺃﻜﺒﺭ ﺨﺒﺭ ﺼﻨﻌﺘﻪ ﻫﻭﻝﻴﻭﻭﺩ‬
‫ﻓﻲ ﺍﻝﻌﺎﻡ ‪" .1955‬ﺩﻴﻥ ‪ "Dean‬ﻤﺜل "ﺠﻭﻝﻲ ﻫﺎﺭﻴﺱ ‪ "Juli Harris‬ﻭ"ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ‪ "Marlon Brando‬ﻭ"ﺇﻴﻔﺎ ﻤﺎﺭﻱ‬
‫‪"Eva‬‬ ‫‪Marie‬‬ ‫ﺴـــــــــــــــــــــــــﻴﻨﺕ ‪Saint‬‬
‫ﻭﺃﻏﻠﺏ ﺍﻝﺸﺒﺎﺏ ﺍﻝﺫﻴﻥ ﻴﺴﺘﺨﺩﻤﻬﻡ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻫﻭ ﻨﺘﺎﺝ "ﺃﺴﺘﻭﺩﻴﻭ ﺍﻝﻤﻤﺜﻠﻴﻥ‪ "Studio Actors‬ﻭﺸـﻲﺀ ﻤﻌـﺭﻭﻑ‬
‫ﺒـ‘ﺍﻝﺤﻭﺽ ﺍﻝﻤﺎﺌل’ ﻝﻤﺩﺭﺴﺔ ﺍﻝﺘﻤﺜﻴل ﺍﻝﻭﺍﻗﻌﻲ‪ .‬ﻭﻤﺜل ﺍﻝﻌﺩﻴﺩ ﻤـﻥ ﺍﻝﻁـﻼﺏ ﺍﻝـﺫﻴﻥ ﺘﺭﺒـﻭﺍ ﻋﻠـﻰ ‘ ﻁﺭﻴﻘـﺔ‬
‫"ﺴﺘﻴﻨﺴﻼﻓﺴﻜﻲ ‪ ،’ "Stainslavsky‬ﻴﺤﺎﻭل "ﺩﻴﻥ ‪ "Dean‬ﺠﺩﻴﹰﺎ ﺍﻝﺒﺤﺙ ﻋﻥ ﺍﻝﺩﻭﺭ ﺒﺩﺍﺨﻠﻪ ﺍﻝﺫﻱ ﻴﻨﺴﺎﻩ ﺩﺍﺌﻤﹰﺎ ﻝﻴﻀـﻊ‬
‫ﻨﻔﺴﻪ ﻓﻲ ﺍﻝﺩﻭﺭ‪ .‬ﻭﻝﻜﻥ ﺒﻐﺽ ﺍﻝﻨﻅﺭ ﻋﻤﺎ ﻴﻔﻌﻠﻪ‪ .‬ﻓﺈﻥ ﻝﺩﻴﻪ ﺤﻀﻭﺭ ﺃﺴﺩ ﻴﺎﻓﻊ ﻭﻨﻔﺱ ﺍﻹﺤﺴﺎﺱ ﺒﺎﻝﺨﻁﺭ ﺤﻭﻝﻪ‪.‬ﻋﻴﻨﻪ‬
‫ﻓﺎﺭﻏﺔ ﻤﺜل ﻋﻴﻥ ﺍﻝﺤﻴﻭﺍﻥ‪ ،‬ﻭﻫﻭ ﻴﺘﺩﻝﻰ ﻭﻴﻌﺩﻭ ﻤﻊ ﺒﺭﺍﺀﺓ ﻭﻜﻴﺎﺴﺔ ﺍﻝﺤﻴﻭﺍﻥ‪ .‬ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻭﻓﻲ ﺒﻌﺽ ﺍﻝﻤﻨﺎﺴﺒﺎﺕ‪ ،‬ﻓﺈﻨﻪ‬
‫ﻴﺄﺨﺫ ﻨﻅﺭﺓ ﻤﺨﺘﻠﺴﺔ ﺼﻐﻴﺭﺓ ﺘﺒﺩﻭ ﻭﻜﺄﻨﻬﺎ ﺘﻘﻭل‪“:‬ﺤﺴﻨﺎﹰ‪ ،‬ﻜل ﻫﺫﺍ ﺇﻨﺴﺎﻨﻲ‪ ،‬ﻜﺜﻴﺭﹰﺍ‪ -‬ﺃﻡ ﺃﻨﻙ ﻨﺴﻴﺕ؟”‪.‬‬
‫ﻜﺎﻨﺕ ﻤﻘﺎﻝﺔ "ﻨﻴﻭﺯﻭﻴﻙ ‪ "Newsweek‬ﻨﻘﺩﹰﺍ ﻭﻤﻘﺎﺒﻠﺔ‪") .‬ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻫﻭ ﻗﻁﻌـﺔ ﺫﺍﺕ ﻤـﺯﺍﺝ‬
‫ﻜﺌﻴﺏ ﻻ ﺘﺴﺘﻁﻴﻊ ﻜﺴﺭ ﺸﺒﺎﻙ ﺍﻝﺘﺫﺍﻜﺭ‪ .‬ﻝﻜﻥ ﺴﻭﻑ ﻴﺘﻡ ﺍﺴﺘﻘﺒﺎﻝﻪ ﺒﺸﻜل ﻋﻅﻴﻡ ﻤﻥ ﻗﺒل ﺃﻱ ﺸﺨﺹ ﻝﺩﻴﻪ ﺃﻜﺜﺭ ﻤـﻥ‬
‫ﺍﻫﺘﻤﺎﻡ ﻓﻲ ﺍﻝﺸﺎﺸﺔ‪ ....‬ﻤﺜل "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ‪ "Marlon Brando‬ﺍﻗﺘﺭﺏ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻤﻥ ﻫﻭﻝﻴـﻭﻭﺩ‬
‫ﺒﻼ ﻤﺒﺎﻻﺓ ﺼﺭﻴﺤﺔ ﺒﺎﻝﻠﺒﺎﺱ ﻭﺍﻷﺨﻼﻕ‪ .‬ﺍﺭﺘﺩﻯ ﻗﻤﺼﺎﻨﹰﺎ ﺭﻴﺎﻀﻴﺔ ﺭﺜﺔ ﻭﺠﻴﻨﺯﹰﺍ ﺃﺯﺭﻕ ﺒﺎﻫﺘﹰﺎ ﻭﺴﺘﺭﺓ ﺠﻠﺩﻴﺔ‪ .‬ﺭﻜـﺏ‬
‫ﺩﺭﺍﺠﺔ ﻨﺎﺭﻴﺔ ﻝﻠﻌﻤل‪ ،‬ﻭﺃﺤﺏ ﻋﺯﻑ ﺍﻝﻤﻭﺴﻴﻘﺎ )ﺍﻝﺒﻴﺎﻨﻭ‪ ،‬ﺍﻝﻁﺒﻠﺔ‪ ،‬ﻭﺁﻝﺔ ﺍﻝﺘﺴﺠﻴل( ﻭﻗﺭﺍﺀﺓ ﺍﻝﻜﺘﺏ )ﺴـﺘﺔ ﻜﺘـﺏ ﻓـﻲ‬
‫ﺍﻝﻭﻗﺕ ﻨﻔﺴﻪ‪ ،‬ﻜﻤﺎ ﻴﺩﻋﻲ( ‪.‬‬
‫“ ﻋﻨﺩﻤﺎ ﺼﻨﻔﺘﻪ ﻫﻭﻝﻴﻭﻭﺩ ﻜﻀﺤﻴﺔ "ﻝﻠﺒﺭﺍﻨﺩﻭﻨﻴﺔ"‪ -‬ﻋﻠﺔ ﺠﺩﻴﺭﺓ ﺒﺎﻝﻤﻼﺤﻅﺔ ﻋﻠﻰ ﺍﻷﻗل ﻓـﻲ ﻋﺸـﺭﺓ ﻤـﻥ‬
‫ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﻴﻥ ﻭﺍﻝﻤﺴﺭﺤﻴﻴﻥ‪ -‬ﻝﻡ ﻴﻜﻥ ﻴﻘﻭل‪‘ :‬ﻜﺎﻥ ﺍﻝﻨﺎﺱ ﻴﺨﺒﺭﻭﻨﻨﻲ ﺃﻨﻨﻲ ﺘﺼﺭﻓﺕ ﻤﺜل "ﺒﺭﺍﻨﺩﻭ‪"Barndo‬‬
‫ﺤﺘﻰ ﻗﺒل ﺃﻥ ﺃﻋﺭﻑ ﻤﻥ ﻫﻭ‪ .‬ﺃﻨﺎ ﻝﺴﺕ ﻤﻨﺯﻋﺠﹰﺎ ﻤﻥ ﺍﻝﻤﻘﺎﺭﻨﺔ ﻭﻝﺴﺕ ﺃﺸﻌﺭ ﺒﺈﻁﺭﺍﺀ‪ .‬ﻝﺩﻱ ﺘﻤﺭﺩﻱ ﺍﻝﺨـﺎﺹ ﻭ ﻻ‬
‫ﻴﺠﺏ ﺃﻥ ﺃﻋﺘﻤﺩ ﻋﻠﻰ ﻤﺎ ﻝﺩﻯ "ﺒﺭﺍﻨﺩﻭ‪ .’..."Brando‬ﻜﺎﻥ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﺭﻴﺎﻀﻲ ﺒﻁﻭل ﺨﻤﺴـﺔ ﺃﻗـﺩﺍﻡ ﻭﺜﻤﺎﻨﻴـﺔ‬
‫ﺇﻨﺸﺎﺕ‪ ،‬ﺍﺸﺘﺭﻯ ﺤﺼﺎﻨﹰﺎ‪ -‬ﻓﺭﺴﹰﺎ ﺃﺸﻘﺭ ﻴﺩﻋﻰ "ﺴﻴﺴﻜﻭ ‪ - "Cisco‬ﻓﻭﺭﹰﺍ ﺒﻌﺩ ﺃﻥ ﻫﺒﻁ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﺍﻵﻥ ﻭﺒﺎﻹﻀـﺎﻓﺔ‬
‫ﺇﻝﻰ ﺍﻝﺩﺭﺍﺠﺔ ﺍﻝﻨﺎﺭﻴﺔ ﻜﺎﻥ ﻝﺩﻴﻪ ﺴﻴﺎﺭﺓ ﺭﻴﺎﻀﻴﺔ ﺃﻝﻤﺎﻨﻴﺔ )ﻋﻠﻰ ﺍﻷﺭﺠﺢ‪ ،‬ﻴﺸﺭﺡ ﺃﺤﺩ ﺍﻷﺼـﺩﻗﺎﺀ‪ ،‬ﻷﻥ ‘ﺍﻝﻔﺘﻴـﺎﺕ ﻻ‬
‫ﻴﺭﻏﺒﻥ ﺭﻜﻭﺏ ﺩﺭﺍﺠﺘﻪ’(‪.‬ﺤﺼل ﻜﺫﻝﻙ ﻋﻠﻰ ﺤﺼﺔ ﺃﻜﺜﺭ ﻤﻥ ﺍﻝﺜﻘﺔ ﻓﻲ ﻁﺒﻌﻪ ﻤﻊ ﺍﻝﻌﻨﺎﺩ‪ .‬ﻴﻘﻭل ﻋﻥ ﻨﻔﺴﻪ‪‘:‬ﺃﻨﺎ ﺠﺎﺩ‬
‫ﻭﺸﻴﻁﺎﻥ ﺼﻐﻴﺭ ﺤﺎﺩ ﺍﻝﻨﺸﺎﻁ‪ .‬ﻭﺃﺨﺭﻕ ﺒﺸﻜل ﻓﻅﻴﻊ ﻭﻤﺘﻭﺘﺭ ﻝﺩﺭﺠﺔ ﺃﻨﻨﻲ ﻻ ﺃﺭﻯ ﻜﻴﻑ ﻴﺒﻘﻰ ﺍﻝﻨﺎﺱ ﻤﻌـﻲ ﻓـﻲ‬
‫ﺴﺌل ﻜﻴﻑ ﺃﺤﺏ ﻫﻭﻝﻴﻭﻭﺩ ﺃﺠﺎﺏ‪‘:‬ﺇﻥ ﺍﻝﻤﻭﻗﻊ ﺍﻝﺠﻐﺭﺍﻓﻲ‬ ‫ﺍﻝﻐﺭﻓﺔ ﻨﻔﺴﻬﺎ‪ .‬ﺃﻋﻠﻡ ﺃﻨﻨﻲ ﻻ ﺃﺴﺘﻁﻴﻊ ﺘﺤﻤل ﻨﻔﺴﻲ’‪ .‬ﻋﻨﺩﻤﺎ ‪‬‬
‫ﻻ ﻴﻌﻨﻲ ﻝﻲ ﺸﻴﺌﹰﺎ ﻜﺫﻝﻙ ﺍﻝﻘﺩﻭﻡ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻴﻤﻜﻥ ﻝﻺﻨﺴﺎﻥ ﺃﻥ ﻴﻨﺘﺞ ﺒﻐﺽ ﺍﻝﻨﻅﺭ ﻋﻥ ﻤﻜﺎﻨﻪ’ ”‪.‬‬
‫ﻝﺨﺼﺕ ﺇﺤﺩﻯ ﺍﻝﺠﺭﺍﺌﺩ ﺍﻝﺘﺠﺎﺭﻴﺔ‪" ،‬ﻫﻭﻝﻴﻭﻭﺩ ﺭﻴﺒﻭﺭﺘﺭ ‪ "Hollywood Reporter‬ﺒﺸﻜل ﻋﻤﻠﻲ ﻭﺒﻠﻐﺔ ﻤـﺩﻴﺭ‬
‫ﺍﻝﻤﺴﺭﺡ‪ “:‬ﻓﻴﻠﻤﺎ ﺒﺼﻔﺔ ﻤﻤﻴﺯﺓ ﻤﻘﺘﺒﺴﹰﺎ ﻋﻥ ﺭﻭﺍﻴﺔ "ﺸﺘﺎﻴﻨﺒﻴﻙ ‪ ."Steinbeck‬ﺒﺈﻨﺘﺎﺝ ﻭﺘﻤﺜﻴل ﻭﺇﺨﺭﺍﺝ ﻤﻤﺘـﺎﺯ‪ .‬ﻴﻘـﺩﻡ‬
‫"ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﺍﻝﺫﻱ ﻫﻭ ﺭﺒﻤﺎ ﻤﺜﻴﺭ ﻓﻲ ﺸﺒﺎﻙ ﺍﻝﺘﺫﺍﻜﺭ”‪.‬‬
‫ﻏﻴﺭﺕ "ﻫﻴﺩﺍ ﻫﻭﺒﺭ‪ "Hedda Hopper‬ﻤﻭﻗﻔﻬﺎ ﻋﻠﻰ ﻋﻜﺱ ﻤﺎ ﻜﺎﻥ ﻭﺒﺩﺃﺕ ﺒﺘﺤﺭﻴﻙ ﻤﻘﺎﻻﺕ ﺍﻝﻤـﺩﻴﺢ ﻝﻠـﻨﺠﻡ‬
‫ﺍﻝﺠﺩﻴﺩ‪ “ .‬ﻫﻭﻝﻴﻭﻭﺩ "ﻫﻴﺩﺍ ﻫﻭﺒﺭ‪ 702 ،"Hedda Hopper‬ﺒﻨﺎﺀ ﻏﺎﺭﺍﻨﺘﻲ‪ ،‬ﻫﻭﻝﻴﻭﻭﺩ‪ ،28،‬ﻜﺎﻝﻴﻔﻭﺭﻨﻴـﺎ‪ .‬ﻤـﻥ ﺃﺠـل‬
‫ﺍﻹﻁﻼﻕ ﻴﻭﻡ ﺍﻷﺤﺩ ‪ 28‬ﻤﺎﺭﺱ‪ /‬ﺁﺫﺍﺭ ‪" .1955‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ :"James Dean‬ﻻ ﺃﺴﺘﻁﻴﻊ ﺘﺫﻜﺭ ﺍﻝﻭﻗﺕ ﺍﻝﺫﻱ ﺃﻁﻠـﻕ‬
‫ﻓﻴﻪ ﻗﺎﺩﻡ ﺠﺩﻴﺩ ﻤﺜل ﻫﺫﻩ ﺍﻹﺜﺎﺭﺓ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﻜﻤﺎ ﻓﻌل "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ " James Dean‬ﻓـﻲ ﻓﻴﻠﻤـﻪ ﺍﻷﻭل "ﺸـﺭﻕ‬
‫ﻋﺩﻥ ‪.” "East of Eden‬‬
‫“ ﺨﺭﺠﺕ ﺍﻝﻜﻠﻤﺎﺕ ﺇﻥ ﻝﺩﻴﻨﺎ ‘ﺸﺎﺒ ﹰﺎ ﻋﺒﻘﺭﻴﹰﺎ’ ﻓﻲ ﻭﺴﻁﻨﺎ ﺍﻝﺫﻱ ﻜﺎﻥ ﺜﺎﺌﺭﹰﺍ ﻜﻤﺎ ﻜﺎﻥ ﻤﻭﻫﻭﺒﹰﺎ‪ .‬ﺘﺠﻤﻊ ﺍﻝﻤﻨﺘﺠﻭﻥ‬
‫ﻭﺍﻝﻤﺨﺭﺠﻭﻥ ﻭﺍﻝﻨﻘﺎﺩ ﻝﻤﺸﺎﻫﺩﺓ ﻓﻴﻠﻤﻪ ﻗﺒل ﺇﻁﻼﻗﻪ‪ .‬ﻭﻭﺠﺩﻭﺍ ﺒﺸﻜل ﻤﺤﺘﻭﻡ ﺍﻫﺘﻤﺎﻤﻬﻡ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺍﻝﻌﻤل ﺍﻝﺠﻴـﺩ‬
‫ﻝﻠﻤﻤﺜﻠﻴﻥ ﺍﻵﺨﺭﻴﻥ ﺍﻝﺫﻴﻥ ﻜﺎﻨﻭﺍ ﻤﺸﺩﻭﺩﻴﻥ ﻨﺤﻭ ﻓﺘﻰ ﺍﻝﻤﺯﺭﻋﺔ ﺫﻱ ﺍﻝﺜﻼﺜﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ ﻋﺎﻤﹰﺎ ﺍﻝﻘﺎﺩﻡ ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ‪ ...‬ﻝﻘﺩ‬
‫ﻼ ﻝﻤﻠﺒﺴﻪ ﻓﻲ ﻤﻁﻌـﻡ ﺼـﻐﻴﺭ ﻷﺤـﺩ‬ ‫ﺸﺎﻫﺩﺕ "ﺩﻴﻥ ‪ "Dean‬ﻤﺭﺓ ﻓﻴﻤﺎ ﻤﻀﻰ‪ ،‬ﻴﻤﺸﻲ ﻤﺴﺘﺭﺨﻴﺎﹰ‪ ،‬ﻴﺒﺩﻭ ﻭﺍﺜﻘﹰﺎ ﻤﻬﻤ ﹰ‬
‫ﺍﻻﺴﺘﻭﺩﻴﻭﻫﺎﺕ‪ .‬ﻝﻡ ﻴﻜﻥ ﻤﺅﺜﺭﺍﹰ‪ ،‬ﻝﻜﻥ ﺒﻌﺩ ﻤﺸﺎﻫﺩﺓ ﺃﺩﺍﺌﻪ‪ ،‬ﻓﺄﻨﺎ ﺃﻋﺘﺭﻑ ﺒﺄﻨﻪ ﻜﺎﻥ ﻴﺴﺘﺤﻕ ﻜل ﻫﺫﺍ ﺍﻝﻤﺩﻴﺢ‪ -‬ﻭﺭﺒﻤـﺎ‬
‫ﺃﻜﺜﺭ‪ ...‬ﻭﻝﻤﺤﺎﻭﻝﺔ ﻤﻌﺭﻓﺔ ﻤﺎ ﺍﻝﺫﻱ ﺠﻌﻠﻪ ﻴﺴﻠﻙ ﻫﺫﺍ ﺍﻝﻁﺭﻴﻕ‪ ،‬ﻗﻤﺕ ﺒﺩﻋﻭﺘﻪ ﺇﻝﻰ ﻤﻨﺯﻝﻲ ﻝﻠﺘﺤﺩﺙ‪ .‬ﻭﺼل ﺒﺎﻝﻤﻭﻋـﺩ‬
‫ﻼ‪ .‬ﻋﻨﺩﻤﺎ ﺘﺭﺍﻩ ﻋﻠﻰ ﺍﻝﺸﺎﺸﺔ‪ ،‬ﻓﺈﻨﻙ ﻻ‬ ‫ﺍﻝﻤﺤﺩﺩ ﻻﺒﺴﹰﺎ ﺒﺯﺓ ﻓﺤﻤﻴﺔ ﺍﻝﻠﻭﻥ ﻭﻗﻤﻴﺼﹰﺎ ﺃﺴﻭﺩ ﻭﺭﺒﻁﺔ ﻋﻨﻕ ﻭﺤﺫﺍﺀ ﻗﻴﺎﺩﺓ ﺜﻘﻴ ﹰ‬
‫ﺘﺩﺭﻙ ﺃﻥ ﻁﻭﻝﻪ ﺴﺘﺔ ﺃﻗﺩﺍﻡ‪ .‬ﻜﺎﻥ ﻁﻭﻝﻪ ﻨﻘﻁﺔ ﻤﺅﻝﻤﺔ ﻝﻪ‪.‬ﺍﺴﺄﻝﻪ ﻋﻥ ﻁﻭﻝﻪ ﻭﺴﻭﻑ ﻴﺭﺩ ﺒﺤﺩﺓ ‪’:‬ﺇﻥ ﻗـﺩﻤﻲ ﺘﻠﻤﺴـﺎﻥ‬
‫ﺍﻷﺭﺽ! ﻝﻘﺩ ﻗﺎل "ﺁﺒﻲ ﻝﻴﻨﻜﻭﻝﻥ ‪ "Abe Lincoln‬ﺒﺄﻨﻬﻤﺎ ﻝﻴﺴﺘﺎ ﻜﺫﻝﻙ‘‪ .‬ﻜﺎﻥ ﺸﺎﺒﹰﺎ ﺠﺎﺩﺍﹰ‪ ،‬ﻤﻬﺘﻤﹰﺎ ﻭﻭﺍﻀﺤﹰﺎ ﺒﺸﻜل ﺭﺍﺌﻊ‪،‬‬
‫ﻴﺄﺨﺫﻙ ﻋﻠﻰ ﺤﻴﻥ ﻏﺭﺓ ﺒﻭﻤﻀﺎﺕ ﻤﻥ ﺭﻭﺡ ﺍﻝﺩﻋﺎﺒﺔ ﻏﻴﺭ ﺍﻝﻤﺘﻭﻗﻌﺔ”‪.‬‬
‫ﻭﺼﻔﺕ "ﻫﻴﺩﺍ ‪ "Hedda‬ﻻﺤﻘ ﹰﺎ ﻓﻲ ﻜﺘﺎﺒﻬﺎ "ﺍﻝﺤﻘﻴﻘﺔ ﻜﻠﻬﺎ ﻭﻻﺸﻲﺀ ﻏﻴﺭﻫﺎ ‪The Whole Truth and Nothing‬‬
‫‪ "But‬ﺍﻝﻠﻘﺎﺀ ﺍﻷﻭل ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﻝﻜﻥ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻷﺴﻁﻭﺭﺓ ﻗﺩ ﻤﻭﻩ ﺭﺅﻴﺘﻬﺎ ﻝﻠﺤﻘﻴﻘﺔ‪ .‬ﻫﺫﻩ‬
‫ﺍﻝﻤﺭﺓ‪ ،‬ﻜﺎﻥ "ﻜﻠﻴﻔﺘﻭﻥ ﻭﻴﺏ ‪ "Clifton Webb‬ﻭ "ﺠﺎﻙ ﻭﺭﻨﺭ ‪ "Jack Warner‬ﻤﺘﻭﺭﻁﻴﻥ ﻭﻝﺒﺱ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺯﺘﻪ‬
‫ﺍﻝﺒﺭﺍﻨﺩﻭﻴﺔ ﻭﻫﻭ ﻴﺤﻤل ﺒﻴﺩﻴﻪ ﻫﺩﻴﺔ ﻤﻥ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﻴﻠﻭﺭ ‪ ."Elizabeth Taylor‬ﺍﺴﻤﻊ ﺍﻵﻥ‪ ،‬ﻭﻜﻤﺎ ﻋﺩﻨﺎ ﻭﺍﻨﻀـﻤﻤﻨﺎ‬
‫ﺇﻝﻰ "ﻫﻴﺩﺍ ‪ "Hedda‬ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪“ :‬ﻋﻨﺩﻤﺎ ﻭﺼﻠﺕ ﺩﻋﻭﺓ ﻝﻤﺸﺎﻫﺩﺓ "ﺸﺭﻕ ﻋﺩﻥ‪ ،"East of Eden‬ﻝﻡ ﻴﺴـﺘﻁﻊ ﺃﺤـﺩ‬
‫ﻤﻌﺭﻓﺔ ﻤﺎ ﺠﺭﻯ ﻫﻨﺎﻙ‪ .‬ﻝﻜﻨﻲ ﺴﻤﻌﺕ ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻤﻥ "ﻜﻠﻴﻔﺘﻭﻥ ﻭﻴﺏ ‪ " Clifton Webb‬ﺍﻝﺫﻱ ﺍﺤﺘﺭﻡ ﺤﻜﻤـﻪ‬
‫‪‘:‬ﻓﻲ ﺍﻝﻠﻴﻠﺔ ﺍﻝﻤﺎﻀﻴﺔ ﺸﺎﻫﺩﺕ ﺃﺤﺩ ﺍﻷﺩﺍﺀﺍﺕ ﺍﻝﺒﺎﺭﻋﺔ ﻓﻲ ﺤﻴﺎﺘﻲ‪ .‬ﺤﻀﺭ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻝﻌﺭﺽ ﺫﻝﻙ ﺍﻝﻔﻴﻠﻡ ﻝﻙ‪ .‬ﺴﻭﻑ‬
‫ﻴﺼﻴﺒﻙ ﺍﻝﺠﻨﻭﻥ ﺒﻬﺫﺍ ﺍﻝﻔﺘﻰ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪.”’"Jimmy Dean‬‬
 ‫ﻗﻠﺕ ﺒﺒﺭﻭﺩﺓ‪ “ :‬ﻝﻘﺩ ﺸﺎﻫﺩﺘﻪ ”‪.‬‬
‫ﺱ ﺫﻝﻙ – ﻝﻘﺩ ﻗﺭﺃﺕ ﻤﻘﺎﻝﺘﻙ‪ .‬ﻓﻘﻁ ﺸﺎﻫﺩﻩ ﻓﻲ ﻫﺫﺍ ﺍﻝﻔﻴﻠﻡ”‪.‬‬ ‫“ ﺍﻨ ‪‬‬
‫“ﺠﻠﺴﺕ ﻤﻔﺘﻭﻨﹰﺎ ﻓﻲ ﻏﺭﻓﺔ ﺍﻝﻌﺭﺽ‪ .‬ﻝﻡ ﺃﺘﺫﻜﺭ ﺃﻨﻲ ﺸﺎﻫﺩﺕ ﻓﻴﻤﺎ ﻤﻀﻰ ﺸﺎﺒﹰﺎ ﺒﻤﺜل ﻫﺫﻩ ﺍﻝﻘﻭﺓ‪ ،‬ﺒﺄﻭﺠﻪ ﻋﺩﻴﺩﺓ‬
‫ﻝﻠﺘﻌﺒﻴﺭ‪ ،‬ﻭﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻹﺒﺩﺍﻉ ﺍﻝﻤﺤﺽ ﻜﻤﺎ ﻓﻌل ﺍﻝﻤﻤﺜل‪ .‬ﺍﺘﺼﻠﺕ ﻤﻊ "ﺠﺎﻙ ﻭﺭﻨﺭ‪ "Jack Warner‬ﺒﺎﻝﻬﺎﺘﻑ‪‘ .‬ﺃﺭﻴـﺩ‬
‫ﺍﻝﺘﺤﺩﺙ ﺇﻝﻰ ﺍﻝﺴﻴﺩ "ﺩﻴﻥ ‪ "Dean‬ﺨﺎﺼﺘﻙ‪ .‬ﺭﺒﻤﺎ ﻻ ﻴﺭﻴﺩ ﺇﺠﺭﺍﺀ ﻤﻘﺎﺒﻠﺔ ﻤﻌﻲ‪ .‬ﻭﺇﺫﺍ ﻝﻡ ﻴﺭﺩ ﺫﻝﻙ‪ ،‬ﻓﻠﻥ ﺃﺤﻤـل ﺃﻴـﺔ‬
‫ﻀﻐﻴﻨﺔ ﺘﺠﺎﻫﻪ‪ ،‬ﻝﻜﻨﻲ ﺃﺤﺏ ﺃﻥ ﻴﺄﺘﻲ ﺇﻝﻰ ﻤﻨﺯﻝﻲ”‪.‬‬
‫“ ﻭﺒﺩﻗﺎﺌﻕ ﻤﻌﺩﻭﺩﺓ‪ ،‬ﺘﻡ ﺇﻋﻼﻤﻲ ﺒﺭﺩﺓ ﻓﻌﻠﻪ‪‘:‬ﺴﻭﻑ ﻴﻜﻭﻥ ﻤﺴﺭﻭﺭﹰﺍ’‪ .‬ﺒﻌﺩ ﻴﻭﻡ ﺃﻭ ﻨﺤﻭ ﺫﻝﻙ ﺩﻕ ﻋﻠﻰ ﺠﺭﺱ‬
‫ﻻ ﺃﺴﻭﺩ ﻭﺴﺘﺭﺓ ﺠﻠﺩ ﺴﻭﺩﺍﺀ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﺸﻌﺭﻩ ﻜﺎﻥ ﺃﺸﻌﺙ ﻭﻴﺭﺘﺩﻱ ﺠﺯﻤﺔ‬ ‫ﺒﺎﺒﻲ ﺃﻨﻴﻘﹰﺎ ﻭﻨﻅﻴﻔﹰﺎ ﻤﺭﺘﺩﻴﹰﺎ ﺒﻨﻁﺎ ﹰ‬
‫ﺜﻘﻴﻠﺔ ﻻ ﻴﺴﺘﻬﻴﻥ ﺒﻬﺎ ﻏﻁﺎﺱ ﺃﻋﻤﺎﻕ ﺍﻝﺒﺤﺎﺭ‪ .‬ﺤﻤل ﻤﻴﺩﺍﻝﻴﺔ ﻓﻀﻴﺔ ﻝﻠﻘﺩﻴﺱ ﺠﻴﻨﻴﺴﻴﻭﺱ ﺃﻫﺩﺘﻪ ﺇﻴﺎﻫﺎ "ﻝﻴﺯ ﺘﺎﻴﻠﻭﺭ ‪Liz‬‬
‫‪ "Taylor‬ﺒﻴﻨﻤﺎ ﻜﻨﺎ ﻨﺘﺤﺩﺙ”‪.‬‬
‫ﻼ ﺒﻌﺩ "ﺸﺭﻕ ﻋﺩﻥ‪ "East of Eden‬ﺤﻴﻥ ﻋﻤل ﻤﻊ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ ‪ "Elizabeth Taylor‬ﻓـﻲ‬ ‫ﻜﺎﻥ ﻋﺎﻤﹰﺎ ﻜﺎﻤ ﹰ‬
‫ﻓﻴﻠﻡ "ﺍﻝﻌﻤﻼﻕ ‪ ."Giant‬ﺭﺒﻤﺎ ﻋﻨﺕ "ﻫﻴﺩﺍ ‪ "Hedda‬ﺃﻥ ﺘﻘﻭل "ﺒﻴﻴﺭ ﺃﻨﺠﻴﻠﻲ ‪ ."Pier Angeli‬ﺃﻭ ﺭﺒﻤﺎ ﻝﻡ ﺘﻔﻌل ﺫﻝﻙ‪ .‬ﻤﻊ‬
‫ﺼﺩﻭﺭ ﻜﺘﺎﺏ "ﻫﻴﺩﺍ ‪ "Hedda‬ﻜﺎﻥ ﻤﺴﺘﻘﺒل "ﺒﻴﺭ ﺃﻨﺠﻴﻠﻲ ‪ "Pier Angeli‬ﺍﻝﻤﻬﻨﻲ ﻴﻤﺭ ﺒﻤﺸﻜﻼﺕ‪ ،‬ﻝﻜﻥ ﻜﺎﻨـﺕ "ﻝﻴـﺯ‬
‫ﻼ ﻜﺒﻴﺭﹰﺍ ‪.‬‬
‫ﺘﺎﻴﻠﻭﺭ ‪ "Liz Taylor‬ﻤﺎ ﺘﺯﺍل ﻋﻤ ﹰ‬
‫ﺇﻥ ﺍﻻﺭﺘﺒﺎﻁ ﻫﻭ ﺍﻷﺩﺍﺓ ﺍﻝﺭﺌﻴﺴﻴﺔ ﻓﻲ ﺼﻨﺎﻋﺔ ﺍﻝﻨﺠﻡ ﻭﺼﻴﺎﻨﺘﻪ‪ :‬ﺇﻥ ﺍﺴﻡ ﻨﺠﻡ ﻤﺸﺭﻕ ﻤﺭﺘﺒﻁ ﺒﺎﺴﻡ ﻨﺠﻡ ﻤﺅﺴﺱ‬
‫ﺴﺎﺒﻘﺎﹰ‪ ،‬ﻭﺍﺴﻡ ﻓﻴﻠﻡ ﺠﺩﻴﺩ ﻤﺭﺘﺒﻁ ﺒﺎﺴﻡ ﻨﺠﻭﻤﻪ ﺍﻝﻤﺸﻬﻭﺭﻴﻥ ﺴﺎﺒﻘﺎﹰ‪ ،‬ﺃﻭ ﺒﺤﺎﻻﺕ ﻨـﺎﺩﺭﺓ ﺒﻤﺨﺭﺠـﻪ ﺫﺍﺌـﻊ ﺍﻝﺼـﻴﺕ‬
‫)"ﻫﻴﺘﺸﻜﻭﻙ ‪" ،"Hitchcock‬ﺘﺭﻭﻓﻭ ‪" ، "Truffaut‬ﻓﻴﻠﻠﻴﻨﻲ ‪ ، "Fellini‬ﻭ "ﺒﻴﺭﻏﻤـﺎﻥ ‪ .("Bergman‬ﻴﺠـﺏ ﻋﻠـﻰ‬
‫ﺍﻝﻭﺼﻼﺕ ﺃﻥ ﺘﻜﻭﻥ ﻤﻜﻭﻨﺔ ﺒﻴﻥ ﺍﻝﻼ ﻤﻌﺭﻭﻑ ﻭﺍﻝﻤﻌﺭﻭﻑ‪ ،‬ﻭﺤﺘﻰ ﺇﻥ ﺘﻭﺠﺏ ﺃﻥ ﺘﻜﻭﻥ ﻤﺨﺘﺭﻋﺔ‪ .‬ﻋﺭﻓﺕ "ﻫﻴـﺩﺍ‬
‫ﻫﻭﺒﺭ ‪ "Hedda Hopper‬ﻋﻤﻠﻬﺎ ﻭﺃﻨﺠﺯﺘﻪ ﺒﺸﻜل ﺠﻴﺩ ﺠﺩﹰﺍ‪.‬‬
‫ﺒﺩﺃﺕ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﻭﺭﺯ ‪ "Warner Brothers‬ﻤﻊ ﻨﻴﻭﻴﻭﺭﻙ ﻭ ﻫﻭﻝﻴﻭﻭﺩ ﺒﻌﺩ ﺍﻝﺘﺤﺎﻗﻬﺎ ﺒﻤﻭﻜﺏ "ﺩﻴـﻥ ‪"Dean‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻲ ﺒﺩﻋﻭﺓ ﺃﻤﻴﺭﻜﺎ ﺍﻝﻭﺴﻁﻰ ﻝﻠﺨﺭﻭﺝ‪ .‬ﻓﻲ ‪4‬ﻨﻴﺴﺎﻥ‪/‬ﺃﺒﺭﻴل‪ ،1955‬ﺘﻠﻘﺕ "ﺃﺩﻴﻠﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﻤﺩﺭﺴﺔ‬
‫ﺩﺭﺍﻤﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﻨﻁﻕ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﺍﻝﺒﺭﻗﻴﺔ ﺍﻝﺘﺎﻝﻴﺔ‪:‬‬
‫ﺩﻴﺎ ‪ 190‬ﺃﻭ ﺏ ‪535‬‬
‫ﺃﻭ‪ .‬ﺒﻲ ﺇﻥ ﺇﻴﻪ ‪ -443‬ﺇﻥ ﺇل‪ -‬ﻭﻭﻜﺱ ﺒﻴﺭﺒﺎﻨﻙ‪ -‬ﻜﺎﻝﻴﻑ‪4.‬‬
‫ﺍﻵﻨﺴﺔ "ﺃﺩﻴﻠﻴﻥ ﻨﻭل"‪-‬‬
‫ﻓﻴﺭﻤﻭﻨﺕ‪ -‬ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ -‬ﺴﻭﻑ ﻨﺘﺸﺭﻑ ﺇﺫﺍ ﻗﺒﻠﺕ ﻫﺫﻩ ﺍﻝﺒﺭﻗﻴﺔ ﻜـﺩﻋﻭﺓ ﻝﺤﻀـﻭﺭ‬
‫ﺍﻝﻌﺭﺽ ﺍﻝﺨﺎﺹ ﻝﻔﻴﻠﻤﻲ "ﺸﺭﻕ ﻋﺩﻥ" ﻤﻥ ﺇﻨﺘﺎﺝ "ﻭﺍﺭﻨﺭ ﺒﺭﻭﺫﻭﺭﺯ‪ "Warner Brothers‬ﻓﻲ ﻤﺴﺭﺡ ﻭﻻﻴـﺔ‬
‫ﺇﻨﺩﻴﺎﻨﺎ ﻤﺎﺭﻴﻭﻥ ﻓﻲ ‪ 5‬ﻨﻴﺴﺎﻥ‪ /‬ﺃﺒﺭﻴل ﺍﻝﺴﺎﻋﺔ ﺍﻝﻌﺎﺸﺭﺓ ﺼﺒﺎﺤﹰﺎ‪ .‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﺍﻓﺘﺘﺎﺡ ﺍﻝﻔﻴﻠﻡ ﻓـﻲ ‪10‬‬
‫ﻨﻴﺴﺎﻥ ‪/‬ﺃﺒﺭﻴل‪ ،‬ﺇﻻ ﺃﻨﻨﺎ ﻨﺭﻏﺏ ﻓﻲ ﺃﻥ ﺘﻜﻭﻨﻲ ﻭﺍﺤﺩﺓ ﻤﻥ ﺃﻭﺍﺌل ﺍﻷﺸﺨﺎﺹ ﻤﻥ ﻤﻨﺤﺔ ﺍﻝﻤﻘﺎﻁﻌﺔ ﻝﻤﺸﺎﻫﺩﺘﻪ‪.‬‬
‫ﺍﻝﻤﺨﻠﺹ‪ ،‬ﺘﻠﻤﻴﺫﻙ ﺍﻝﺴﺎﺒﻕ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪"James Dean‬‬

‫ﺤﺼﻠﺕ ﺼﺤﻴﻔﺔ "ﻤﺎﺭﻴﻭﻥ ﻜﺭﻭﻨﻴﻜل‪ -‬ﺘﺭﻴﺒﻭﻥ‪ "Marion Chronical - Tribune‬ﻋﻠﻰ ﺍﻝﻘﺼﺔ ﻗﺒل ﻭﺼـﻭل‬
‫ﺍﻝﺒﺭﻗﻴﺔ‪ .‬ﻓﻲ ﻴﻭﻡ ﺍﻷﺤﺩ ‪ 3‬ﻨﻴﺴﺎﻥ ‪ /‬ﺇﺒﺭﻴل ﻭﻓﻲ ﻓﻴﻠﻡ ﻝـ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺘﺼﺎﺭﻉ ﻤﻊ "ﺭﻴﻤﻭﻨﺩ ﻤﺎﺴـﻲ ‪Raymond‬‬
‫‪ "Massey‬ﻋﻨﻭﻨﺕ‪“ :‬ﻤﺩ ‪‬ﺭﺴﺔ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻝﻠﺩﺭﺍﻤﺎ ﺍﻝﺘﻲ ﻋﻠﻤﺕ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ " James Dean‬ﻝﻜﻲ ﺘﻜﻭﻥ ﻀﻴﻔﹰﺎ‬
‫ﻓﻲ ﻋﺭﺽ ﺍﻝﻔﻴﻠﻡ”‪.‬‬
‫ﻭﻓﻲ ‪ 6‬ﻨﻴﺴﺎﻥ‪/‬ﺃﺒﺭﻴل ﻗﺎﻝﺕ ﺍﻝﺼﺤﻴﻔﺔ ﻨﻔﺴﻬﺎ‪" “ :‬ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻨﺠﻡ ﻤﺩﺤﺘﻪ ﻤﻌﻠﻤﺘﻪ‪‘ .‬ﻜﺎﻥ ﺫﻝﻙ‬
‫ﺃﺒﻌﺩ ﻤﻤﺎ ﺘﺼﻭﺭﻨﺎﻩ’‪ .‬ﺍﻝﺴﻴﺩﺓ "ﺃﺩﻝﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﻤﺩﺭﺴﺔ ﺍﻝﻨﻁﻕ ﻓﻲ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ ،‬ﻗﺎﻝﺕ ﻴﻭﻡ‬
‫ﺍﻝﺜﻼﺜﺎﺀ ﻋﻥ ﺃﺩﺍﺀ ﻁﺎﻝﺒﻬﺎ ﺍﻝﺴﺎﺒﻕ‪" ،‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ،"James Dean‬ﻓﻲ ﻓﻴﻠﻡ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ‪" "Warner Brothers‬ﺸﺭﻕ‬
‫ﻋﺩﻥ ‪ ’...."East of Eden‬ﻝﻡ ﻴﺒ ‪‬ﺩ ﻏﺭﻴﺒﹰﺎ ﺒﺎﻝﻤﺭﺓ ﻤﺸﺎﻫﺩﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻫﺫﺍ ﺍﻝﻔﻴﻠﻡ ﺍﻝﺠﻴﺩ‪ .‬ﻝﻘﺩ ﺃﺤﺴﺴﻨﺎ ﺠﻤﻴﻌﻨﺎ‬
‫ﺃﻨﻨﺎ ﻜﻨﺎ ﻫﻨﺎﻙ ﻤﻌﻪ‪ .‬ﻭﻜﺎﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺤﺭﻜﺎﺕ "ﻜﺎل ﺘﺭﺍﺴﻙ ‪ "Cal Trask‬ﺤﺭﻜﺎﺕ ﻤﻥ ﺼﻔﺘﻪ ﺍﻝﻤﻤﻴﺯﺓ ﻝـ "ﺠـﻴﻤﺱ‬
‫ﺩﻴﻥ ‪ ."James Dean‬ﻀﺤﻜﺘﻪ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﻤﻀﺤﻜﺔ ﺍﻝﺘﻲ ﺘﻤﻭﺝ ﻤﻊ ﺃﺼﻐﺭ ﺇﺜﺎﺭﺓ‪ ،‬ﻭﻤﺸـﻴﺘﻪ ﻭﺤﺭﻜﺎﺘـﻪ ﺍﻝﺴـﺭﻴﻌﺔ‬
‫ﺍﻝﻤﺘﺸﻨﺠﺔ ﺍﻝﻤﺘﻘﻔﺯﺓ‪ ،‬ﻭﺘﻐﻴﻴﺭﻩ ﺍﻝﻤﻔﺎﺠﺊ ﻤﻥ ﺍﻝﻌﺒﺙ ﻝﻠﺘﺠﻬﻡ‪ -‬ﻜل ﻫﺫﺍ ﻜﺎﻥ ﻜﻤﺎ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻔﻌﻠﻪ؟‪...‬ﻜـﺎﻥ‬
‫ﻤﻥ ﺒﻴﻥ ﺃﻗﺭﺒﺎﺀ ﺍﻝﺸﺎﺏ ﺍﻝﻘﺎﺩﻡ ﻤﻥ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻭﺍﻝﺫﻴﻥ ﺒﻠﻎ ﻋﺩﺩﻫﻡ ﻤﺌﺘﻴﻥ ﻴﺤﻀﺭﻭﻥ ﺍﻝﻌﺭﺽ ﺍﻝﺨﺎﺹ ﻓﻲ ﺼﺒﺎﺡ ﻴﻭﻡ‬
‫ﺍﻝﺜﻼﺜﺎﺀ ﻋﻠﻰ ﻤﺴﺭﺡ ﺇﻨﺩﻴﺎﻨﺎ ﺍﻝﺴﻴﺩ ﻭﺍﻝﺴﻴﺩﺓ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ‪) "Marcus Winslow‬ﺍﻝﻌـﻡ "ﻤـﺎﺭﻜﻭﺱ ‪"Marcus‬‬
‫ﻭﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ ،("Ortense‬ﻭﺍﻻﺒﻥ )"ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ‪ ،"Markie Jr.‬ﻭﺍﻝﺴﻴﺩﺓ "ﻤﺎﺭﻓﻴﻥ ﺭﻴـﺱ ﺒﻴﻜـﻭﻙ ‪Marvin‬‬
‫‪") "Reese Peacock‬ﺠﻭﺍﻥ ﻭﻴﻨﺴـﻠﻭ ‪ ("Joan Winslow‬ﻭﺍﻝﺴـﻴﺩ ﻭﺍﻝﺴـﻴﺩﺓ "ﺘﺸـﺎﺭﻝﺯ ﺩﻴـﻥ‪) "Charles Dean‬ﺠـ ‪‬ﺩﺍ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﻁﺭﻑ ﻭﺍﻝﺩﻩ( ﻭﺍﻝﺴﻴﺩ ﻭﺍﻝﺴﻴﺩﺓ "ﺘﺸﺎﺭﻝﺯ ﻨﻭﻻﻥ ﺩﻴﻥ‪) "Charles Nolan Dean‬ﻜـﺎﻥ "ﺘﺸـﺎﺭﻝﺯ‬
‫ﻨﻭﻻﻥ ‪ "Charles Nolan‬ﻋﻤﻪ ﺍﻝﻤﻔﻀل( ﻭﺍﻝﺴﻴﺩﺓ "ﻝﻴﻭﻥ ﻤﻭﻥ ‪ "Leon Moon‬ﻭﺍﻝﺴﻴﺩﺓ "ﻭﺭﺙ ﻤﻭﻥ ‪"Worth Moon‬‬
‫ﻭ "ﺁﻨﺎ ﻭﻴﻠﺴﻭﻥ ‪.” "Anna Wilson‬‬
‫ﻭﺼﻔﺕ ﺠﺭﻴﺩﺓ ﺍﻝﺒﻠﺩﺓ "ﻓﻴﺭﻤﺎﻭﻨﺕ ﻨﻴﻭﺯ‪ "Fairmount News‬ﻓﻲ ﻋﺩﺩﻫﺎ ﺍﻝﺼﺎﺩﺭ ﻴﻭﻡ ‪ 7‬ﻨﻴﺴﺎﻥ‪/‬ﺃﺒﺭﻴل‪1955‬‬
‫ﻭﻋﻠﻰ ﺼﺩﺭ ﻋﺩﺩﻫﺎ ﺍﻝﻘﺼﺔ‪“ :‬ﺃﺜﺒﺘﺕ "ﻋﺩﻥ ‪" "Eden‬ﺩﻴﻥ ‪ "Dean‬ﺃﻨﻬﺎ ﻗﻭﻴـﺔ”‪ .‬ﻭﺘﺒﺎﻫـﺕ ﺠﺭﺍﺌـﺩ ﺃﺨـﺭﻯ ﻓـﻲ‬
‫ﺇﻨﺩﻴﺎﻨﺎ‪“:‬ﻤﻌﻠﻤﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺘﻠﻬﻡ ﺍﻝﻁﻼﺏ ﻝﻠﻨﺠﻭﻤﻴﺔ ”‪ “..........‬ﻭﺼل ﺍﺒﻥ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺇﻝﻰ ﺃﻋﻠﻰ ﺍﻷﻤـﺎﻜﻥ”‪“.....‬‬
‫ﻭﻝﺩ ﺍﻝﻤﺯﺍﺭﻉ ﺍﻝﺴﺎﺒﻕ ﻴﻐﺘﻨﻡ ﺍﻝﻔﺭﺹ ﻝﻸﻓﻼﻡ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺤﺎﺩﻱ ﻋﺸﺭ‬

‫ﻝﻡ ﻴﻜﻥ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻴﺠﻤﻊ ﺃﻜﺎﻝﻴل ﺍﻝﻐﺎﺭ‪ .‬ﻜﺎﻥ ﻗﺩ ﻋﺎﺩ ﻝﻬﻭﻝﻴﻭﻭﺩ ﻝﻘﻀﺎﺀ ﺍﻷﻴـﺎﻡ ﻴﺴـﺘﻌﺩ‬
‫ﻝﺘﺼﻭﻴﺭ "ﻤﺘﻤﺭﺩ ﺒﺩﻭﻥ ﻗﻀﻴﺔ‪ "Rebel Without a Cause‬ﻭﺍﻝﻠﻴﺎﻝﻲ ﺴﺎﻫﺭﹰﺍ ﻤﻊ ﺼﺩﻴﻘﻴﻥ ﺘﻌﺭﻑ ﻋﻠﻴﻬﻤﺎ ﺒﻌـﺩ ﻤـﺩﺓ‬
‫ﻗﺼﻴﺭﺓ ﻤﻥ ﺍﻨﻔﺼﺎﻝﻪ ﻋﻥ "ﺒﻴﻴﺭ ﺃﻨﺠﻴﻠﻲ ‪ ."Pier Angeli‬ﻜﺎﻥ ﺃﺤﺩﻫﻤﺎ "ﺠـﺎﻙ ﺴـﻴﻤﻭﻨﺯ ‪ ،"Jack Simmons‬ﻤﻤﺜـل‬
‫ﻁﻤﻭﺡ‪ ،‬ﺃﻤﺎ ﺍﻝﺜﺎﻨﻲ ﻓﻜﺎﻨﺕ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ ،"Maila Nurmi‬ﺍﻤﺭﺃﺓ ﺸﺎﺒﺔ ﺠﻤﻴﻠﺔ‪ ،‬ﺍﻝﺘﻲ ﺍﺴﺘﻀﺎﻓﺕ ﻜﻤﺼﺎﺼﺔ ﺩﻤـﺎﺀ‬
‫ﺍﻻﺴﺘﻌﺭﺍﺽ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻲ "ﺍﺴﺘﻌﺭﺍﺽ ﻓﻴﻠﻡ ﺭﻋﺏ ‪."Horror Movie Show‬‬
‫ﻗﻴل ﺇﻨﻪ ﻤﻨﺫ ﺃﺼﺒﺢ "ﺴﻴﻤﻭﻨﺯ ‪ "Simmons‬ﺼﺎﺤﺏ ﻤﺼﻠﺤﺔ ﻋﻘﺎﺭﺍﺕ ﻏﺎﻤﻀﹰﺎ ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻓﺈﻨﻪ ﻗﺩ ﺩﺒﺭ‬
‫ﻝـ"ﺃﻨﺩﻱ ﻭﻭﺭﻫﻭل ‪ "Andy Warhol‬ﻭ "ﺒﻭل ﻤﻭﺭﻴﺴﻲ ‪ "Paul Morrisey‬ﺸﻘﺔ ﻫﻭﻝﻴﻭﻭﺩ ﻓﻲ ﻓﻴﻠﻤﻬﻤﺎ‪" ،‬ﺍﻝﺤﺭﺍﺭﺓ ‪Heat‬‬
‫ﻼ ﻝﻠﻘﻁﻊ ﺍﻝﻘﺩﻴﻤﺔ ﺩﻋﺘﻪ "ﻋﻠﻴﺔ ﻤﺼﺎﺼﺔ ﺍﻝﺩﻤﺎﺀ ‪Vampira's‬‬ ‫"‪ .‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻓﺘﺤﺕ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ "Maila Nurmi‬ﻤﺤ ﹰ‬
‫‪."Attic‬‬
‫ﻗﺎﺒﻠﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻓﻲ ﻤﺤل "ﻏﻭﻏﻲ ‪ "Googie‬ﻝﻠﻬﻤﺒﺭﻏـﺭ )ﺍﻝـﺫﻱ ﻴـﺩﻋﻰ ﺍﻵﻥ "ﺴـﺘﻴﻙ‬
‫ﺃﻨﺩﺴﺘﺎﻴﻥ ‪ ("Steak 'n Stein‬ﺒﺠﺎﻨﺏ ﻤﺤل "ﺸﻭﺍﺏ ‪“ : "Schwab‬ﺍﻝﺘﻘﻴﺕ "ﺠﺎﻙ ﺴﻴﻤﻭﻨﺯ ‪ "Jack Simmons‬ﻓﻲ ﻝﻴﻠـﺔ‬
‫ﻗﺒل ﺍﻻﻓﺘﺘﺎﺡ‪ .‬ﺃﺤﻀﺭ ﺃﺤﺩﻫﻡ "ﺠﺎﻙ ‪ "Jack‬ﻝﻌﻨﺩﻱ ﻭﺘﻡ ﺍﻝﺘﻌﺎﺭﻑ ﺒﻴﻨﻨﺎ ﻭﻗﻠﺕ ﻝـ"ﺠﺎﻙ ‪ ’ ،"Jack‬ﻜﻤﺎ ﺘﻌﻠﻡ‪ ،‬ﻓﺈﻥ ﻫﺫﺍ ﺭﺍﺌﻊ‬
‫ﻷﻨﻨﻲ ﺃﺘﻴﺕ ﻝﻐﺎﻴﺔ ﺭﺅﻴﺔ ﻤﻥ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﺃﺭﺩﺕ ﻤﻌﺭﻓﺘﻪ ﻭﻗﺩ ﺍﺨﺘﺭﺕ ﺍﺜﻨﻴﻥ‪ ،‬ﺃﺤﺩﻫﻤﺎ ﻜـﺎﻥ ﺃﻨـﺕ‪ ،‬ﻭﻜﻨـﺕ ﻗـﺩ‬
‫ﺃﺤﻀﺭﺕ ﻝﻲ ﻭﻜﺄﻨﻙ ﻫﺩﻴﺔ ﺒﺠﻨﺎﺤﻴﻥ‪ .‬ﻝﻡ ﻴﻌﻠﻡ "ﺭﺍﻨﺩﻱ ‪ "Randy‬ﺃﻨﻨﻲ ﺃﺭﺩﺕ ﺍﻝﺘﻌﺭﻑ ﻋﻠﻴﻙ‪ .‬ﻭﻜﺎﻥ ﻴﻭﺠﺩ ﺸـﺨﺹ‬
‫ﺁﺨﺭ ﻫﻨﺎ ﺃﺭﻴﺩ ﺍﻝﺘﻌﺭﻑ ﻋﻠﻴﻪ‪ ،‬ﻝﻜﻨﻪ ﺭﺤل ﺍﻵﻥ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻤﻭﻋﺩ "ﺘﻴﺭﻱ ﻤﻭﺭ ‪.”’"Terry Moore‬‬
‫ﻼ ﻝﻜل ﻤﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﺘﻴﺭﻱ ‪ "Terry‬ﻗـﺩ ﺘـﺩﺒﺭ‬ ‫ﻜﺎﻥ "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﺍﻝﺫﻱ ﻋﻤل ﻭﻜﻴ ﹰ‬
‫ﺍﻝﻤﻭﻋﺩ ﻹﻨﺘﺎﺝ ﺼﻭﺭﺓ ﻤﻼﺌﻤﺔ ﻹﺼﺩﺍﺭﺍﺕ ﺍﻝﻤﺠﻼﺕ ﻭﺍﻝﺼﺤﻑ‪ .‬ﺘﻅﻬﺭ ﺍﻝﺯﻭﺝ ﺍﻝﺭﻭﻤﺎﻨﺴﻲ ﻓﺭﻀﹰﺎ‪ -‬ﻴﻅﻬﺭ "ﺠﻴﻤﻲ‬
‫ﻼ‪ -‬ﻴﺨﺭﺠﺎﻥ ﻤﻥ ﺴﻴﺎﺭﺓ ﻝﻴﻤﻭﺯﻴﻥ ﺃﻤﺎﻡ ﺍﻝﻤﺴﺭﺡ‪.‬‬ ‫‪ "Jimmy‬ﻏﻴﺭ ﻤﺭﺘﺎﺡ ﺃﺼ ﹰ‬
‫ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻜﺎﻥ "ﺠﺎﻙ ‪ "Jack‬ﻭ "ﻤﺎﻴﻼ ‪ "Maila‬ﻴﺘﻨﺎﻭﻻﻥ ﻭﺠﺒﺔ ﺍﻝﻐﺩﺍﺀ ﻋﻨﺩ "ﻏﻭﻏﻲ ‪ "Googie‬ﻋﻨـﺩﻤﺎ‬
‫ﻭﺼل "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺇﻝﻰ ﺍﻝﻤﻭﻗﻊ‪ .‬ﻨﻬﺽ "ﺠﺎﻙ ‪ "Jack‬ﻭﺃﺤﻀﺭﻩ‪ .‬ﺘﺘـﺫﻜﺭ "ﻤـﺎﻴﻼ ‪“ :"Maila‬ﺃﻗـﺭ‬
‫ﻻ ﻤﻥ ﻗﻭل ‘ﻜﻴﻑ ﺤﺎﻝﻙ؟’ ﻗﻠﺕ‪‘ ،‬ﺃﻴﻥ ﻫﻲ؟’‪.‬‬ ‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﻤﻘﺩﻤﺔ ﻭﺩﺨﻠﺕ ﻤﺒﺎﺸﺭﺓ ﻓﻲ ﻝﺏ ﺍﻝﻤﻭﻀﻭﻉ‪ .‬ﻓﺒﺩ ﹰ‬
‫ﻋﺭﻓﺘﻪ ﺭﻭﺤﺎﻨﻴﹰﺎ ﺤﺘﻰ ﻗﺒل ﺃﻥ ﺃﻝﺘﻘﻴﻪ‪ ،‬ﻝﺫﻝﻙ ﻝﻡ ﺃﻫﺩﺭ ﻜﻠﻤﺎﺘﻲ‪‘ :‬ﺃﻴﻥ ﻫﻲ؟’‪ .‬ﻓﻘﺎل ‪‘:‬ﻤﻥ ؟’‪ .‬ﻓﺄﺠﺒﺘﻪ ‪‘ ،‬ﺃﻤﻙ’‪ .‬ﻓﺄﺼـﺩﺭ‬
‫ﺼﻭﺘﹰﺎ ﺯﺍﻓﺭﹰﺍ ﻭﺍﺤﻤ‪‬ﺭ ﻭﺭﻤﻰ ﺒﻴﺩﻴﻪ ﻋﻠﻰ ﺭﺃﺴﻪ‪.‬‬
‫“ ﺜﻡ ﻗﺎل ﻓﻭﺭﹰﺍ‪‘.‬ﺃﺭﻴﺩﻙ ﺃﻥ ﺘﺄﺘﻲ ﺇﻝﻰ ﺸﻘﺘﻲ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﻗﺭﺃ ﻝﻙ ﻗﺼﻴﺩﺓ’‪ .‬ﻜﺎﻨﺕ ﻓﻲ ﺍﻝﺤﻘﻴﻘﺔ ﻗﺼـﺔ ﻗﺼـﻴﺭﺓ‬
‫ﻝـ"ﺭﺍﻱ ﺒﺭﺍﺩﺒﻴﺭﻱ ‪ "Ray Bradbury‬ﻋﻥ ﻭﻝﺩ ﺸﻨﻕ ﻨﻔﺴﻪ ﻭﻜﺎﻨﺕ ﻝﻪ ﻋﻼﻗﺔ ﻭﺜﻴﻘﺔ ﺒﺄﻤﻪ‪ .‬ﻭﻫﻜﺫﺍ ﻗﺭﺃ ﺍﻝﻘﺼـﺔ ﻝـﻲ‪.‬‬
‫ﻜﺎﻥ ﻋﻨﺩﻫﺎ ﻓﻲ ﺍﻝﻤﻜﺎﻥ ﺍﻝﺼﻐﻴﺭ ﻓﻲ "ﺼﻨﺴﻴﺕ ﺒﻼﺯﺍ ﺩﺭﺍﻴﻑ" ﻓﻭﻕ ﺍﻝﻜﺭﺍﺝ ﻭﺍﻝﺫﻱ ﻭﺼﻔﻪ ﻋﻠﻰ ﺃﻨﻪ ﺴﻠﺔ ﻤﻬﻤـﻼﺕ‬
‫ﺒﺠﺩﺭﺍﻥ ”‪.‬‬
‫“ ﻭﺠﺩﺕ ﺇﻋﺠﺎﺒﻪ ﺒﺘﻠﻙ ﺍﻝﻘﺼﺔ ﻤﺭﺒﻜﺎﹰ‪ ،‬ﻷﻨﻨﻲ ﺸﻌﺭﺕ ﻭﻜﺄﻨﻪ ﻴﺘﺤﺩﺙ ﻋﻥ ﺍﻨﺘﺤﺎﺭﻩ ﻫﻭ‪ .‬ﻋﻨﺩﻤﺎ ﺴﺄﻝﺘﻪ‪‘ ،‬ﺃﻴـﻥ‬
‫ﻫﻲ؟’ – ﺃﻤﻪ– ﻭﻗﺎل ﻝﻲ ‘ﻝﻘﺩ ﺍﻨﻘﻁﻌﺕ’‪ .‬ﺤﺎﻭﻝﺕ ﻤﻌﺭﻓﺔ ﺼﻠﺏ ﺍﻝﻤﻭﻀﻭﻉ‪‘ :‬ﻤﺎﺫﺍ ﺘﻌﻨﻲ ﺒﺄﻨﻬﺎ ﺍﻨﻘﻁﻌﺕ؟’‪ .‬ﻗـﺎل‪‘:‬‬
‫ﺤﺴﻨﺎﹰ‪ ،‬ﻝﻘﺩ ﻏﺎﺩﺭﺕ‪ ،‬ﻝﻘﺩ ﺘﻭﻓﻴﺕ’‪ .‬ﻓﺴﺄﻝﺕ ‪‘:‬ﻫل ﻗﺘﻠﺕ ﻨﻔﺴﻬﺎ ﺃﻡ ﺘﻭﻓﻴﺕ؟’‪ .‬ﻗﺎل‪‘:‬ﺤﺴﻨﹰﺎ‪ .‬ﻨﻌﻡ ﻝﻘﺩ ﺍﻨﺘﺤﺭﺕ ﺒﻤﻌﻨـﻰ‬
‫ﻤﻌﻴﻥ’‪ .‬ﻋﺭﻑ ﺒﺸﻜل ﻋﻘﻼﻨﻲ ﺃﻨﻬﺎ ﺘﻭﻓﻴﺕ ﻝﻜﻨﻪ ﺸﻌﺭ ﻋﺎﻁﻔﻴﹰﺎ ﺃﻨﻬﺎ ﻫﺠﺭﺘﻪ ”‪.‬‬
‫“ﻋﻨﺩﻫﺎ ﺃﺨﺒﺭﻨﻲ ﻋﻥ ﻅﺭﻭﻑ ﻭﻓﺎﺓ ﻭﺍﻝﺩﺘﻪ ﻭﻜﻴﻑ ‪‬ﻴﺘﱢﻡ ﻓﻲ ﺍﻝﺘﺎﺴﻌﺔ ﻭﻜﻴﻑ ﻜﺎﻥ ﺴﻭﻑ ﻴﻌﺘﻤﺩ ﻋﻠـﻰ ﻭﺍﻝـﺩﻩ‪-‬‬
‫ﺤﻴﺙ ﺇﻨﻪ ﻜﺎﻥ ﺍﻝﻭﻝﺩ ﺍﻝﻭﺤﻴﺩ ﻭﺍﻝﻤﺨﻠﺹ ﻝﻜﻼ ﻭﺍﻝﺩﻴﻪ‪ ،‬ﻭﺸﺎﻋﺭﹰﺍ ﺤﻨﻭﻨ ﹰﺎ ﺃﺴﻤﺘﻪ ﺃﻤﻪ ﺘﻴﻤﻨ ﹰﺎ ﺒـ"ﻝـﻭﺭﺩ ﺒـﺎﻴﺭﻭﻥ ‪Lord‬‬
‫‪ "Byron‬ﻭﻜﺎﻥ ﻤﻘﺭﺒﹰﺎ ﺠﺩﹰﺍ ﻤﻥ ﺃﻤﻪ ﻭﻋﻨﺩﻤﺎ ﺍﻨﻘﻁﻌﺕ‪ ،‬ﻜﻤﺎ ﺸﻌﺭ‪ ،‬ﻓﺒﺎﻝﻁﺒﻊ‪ ،‬ﺍﺘﺠﻪ ﺇﻝﻰ ﻭﺍﻝﺩﻩ ﺍﻝﺫﻱ ﻜﺎﻥ ﺒﻌﻴﺩﹰﺍ ﻭﺒﺎﺭﺩﹰﺍ‬
‫ﻭﻨﻅﺎﻤﻴﹰﺎ ﻭﻤﺎ ﺇﻝﻰ ﺫﻝﻙ‪ -‬ﺍﺘﺠﻪ ﻨﺤﻭ ﻭﺍﻝﺩﻩ ﻝﻜﻥ ﻭﺍﻝﺩﻩ ﺃﺒﻌﺩﻩ ﻋﻨﻪ!”‪.‬‬
‫ﺒﺩﺃ " ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﻤﺎﻴﻼ ‪ "Maila‬ﻭ"ﺠﺎﻙ ‪ "Jack‬ﺒﺎﻝﻠﻘﺎﺀ ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻝﻠﻴل ﻜل ﻴﻭﻡ‪“ :‬ﻜﻨﺎ ﻨﺠﺘﻤﻊ ﻝﻠﺜﺭﺜﺭﺓ‬
‫ﻋﻠﻰ ﻓﻨﺠﺎﻥ ﻗﻬﻭﺓ ﻋﻨﺩ "ﻏﻭﻏﻲ ‪ "Googie‬ﻭ"ﺸﻭﺍﺏ ‪ "Schwab‬ﻭ "ﺒﺎﻨﻴﺯ ﺒﻴﻨﺭﻱ ‪ "Banney's Beanery‬ﻓﻲ ﺍﻝﻤﻘـﺎﻫﻲ‬
‫ﺍﻝﺼﻐﻴﺭﺓ‪ .‬ﻜﺎﻨﺕ ﺜﺭﺜﺭﺓ‪.‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﺎ ﺃﺭﺩﻨﺎ ﻤﺸﺎﺭﻜﺔ ﺘﺠﺎﺭﺒﻨﺎ ﻤﻥ ﺨﻼل ﺍﻝﻴﻭﻡ‪ ،‬ﻜﻤﺎ ﺘﻔﻌل ﻋﻨـﺩﻤﺎ ﺘﻌﺠـﺏ ﺒﺄﺤـﺩﻫﻡ‬
‫ﻭﺘﺸﻌﺭ ﺒﺄﻨﻙ ﻗﺭﻴﺏ ﻤﻨﻪ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻥ ﺫﻝﻙ ﻜﺎﻥ ﺃﻗﺭﺏ ﻝﻠﻤﺭﺍﻫﻘﺔ‪ .‬ﻜﺎﻥ "ﺠﺎﻙ ﺴﻴﻤﻭﻨﺯ ‪ "Jack Simmons‬ﺩﺍﺌﻤﹰﺎ ﻤﻌﻨـﺎ‪.‬‬
‫ﻝﻡ ﻨﻜﻥ ﻭﺤﺩﻨﺎ ﻗﻁ”‪.‬‬
‫ﺤﺎﻭل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺠﺎﻫﺩﹰﺍ ﺇﻋﻁﺎﺀ "ﺠﺎﻙ ‪ "Jack‬ﻤﺎ ﺒﺩﺍ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺩﻭﺭ "ﺴﺎل ﻤﻴﻨﻭ ‪" "Sal Mineo‬ﺒﻼﺘـﻭ‬
‫‪ "Plato‬ﻓﻲ "ﻤﺘﻤﺭﺩ ﺒﺩﻭﻥ ﻗﻀﻴﺔ ‪ ."Rebel Without a Cause‬ﻓﻲ ﺭﺃﻱ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ “ :"Maila Nurmi‬ﻜﺘﺒـﻭﺍ‬
‫ﺫﻝﻙ ﺍﻝﺩﻭﺭ ﻋﻥ "ﺠﺎﻙ ‪ "Jack‬ﻭﻻ ﺃﻋﺭﻑ ﺇﻥ ﺍﻋﺘﺭﻓﻭﺍ ﺒﻬﺫﺍ‪ .‬ﻜﺎﻥ ﻝﺩﻱ ﺍﻨﻁﺒﺎﻉ ﺃﻥ "ﺴﺎل ﻤﻴﻨﻭ ‪ " Sal Mineo‬ﻓـﻲ‬
‫ﺫﻝﻙ ﺍﻝﻔﻴﻠﻡ ﻜﺎﻥ "ﺠﺎﻙ ﺴﻴﻤﻭﻨﺯ ‪ "Jack Simmons‬ﻜﻤﺎ ﻋﺭﻓﺘﻪ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ‪ .‬ﺃﺭﺍﺩ "ﺠﻴﻤﻲ ‪ -"Jimmy‬ﺤﺴﻨﺎﹰ‪ ،‬ﻝﻘـﺩ‬
‫ﻜﺎﻥ "ﺠﺎﻙ ‪ "Jack‬ﺩﺍﺌﻤﹰﺎ ﻴﺘﺴﻜﻊ‪ -‬ﺃﻥ ﻨﻜﻭﻥ ﺜﻼﺜﺘﻨﺎ ﻤﻌﹰﺎ‪" ،‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺠﺎﻙ ‪ "Jack‬ﻭﺃﻨﺎ‪ -‬ﻭﻜﻨﺎ "ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫ﻼ ﻋﻥ ﺍﻝﻌﻤل‪ .‬ﻭﻗﻠﺕ ‪“:‬ﻫﺫﺍ ﻏﻴـﺭ‬ ‫ﻻ ﺼﻐﻴﺭﹰﺍ ﻋﺎﻁ ﹰ‬ ‫ﻭ ﺃﻨﺎ ﻨﻌﻤل ﺒﻴﻨﻤﺎ "ﺠﺎﻙ ‪ "Jack‬ﻻ ﻴﻌﻤل‪ :‬ﻜﺎﻥ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﻨﺎﺩ ﹰ‬
‫ﺼﺤﻴﺢ ﻴﺠﺏ ﻋﻠﻰ "ﺠﺎﻙ ‪ "Jack‬ﺃﻥ ﻴﺤﺼل ﻋﻠﻰ ﻋﻤل ﺃﻴﻀﹰﺎ‪ -‬ﻻ ﻴﻤﻜﻨﻨﺎ ﺇﻋﻁﺎﺅﻩ ﺒﻌﺽ ﺍﻝﻤﺎل ﻝﻨﻔﻘﺎﺘﻪ ﺃﻭ ﺒﻌـﺽ‬
‫ﺍﻝﻤﺎل ﻷﺠﺎﺭ ﻏﺭﻓﺘﻪ‪ .‬ﻝﺫﻝﻙ ﻴﺠﺏ ﻋﻠﻴﻪ ﺃﻥ ﻴﻌﻤل”‪.‬‬
‫ﺩﺒﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻪ ﻤﻘﺎﺒﻠﺔ ﺍﻤﺘﺤﺎﻥ ﺘﻤﺜﻴل‪ .‬ﻜﺎﻨﺕ ﻋﺒﺎﺭﺓ ﻋـﻥ ﻝﻘﻁـﺔ ﻓـﻲ ﻤﻭﻗـﻊ "ﻋﺭﺒـﺔ ﺍﺴـﻤﻬﺎ‬
‫ﺍﻝﺭﻏﺒﺔ ‪ "Streetcar Named Desire‬ﺍﻝﻘﺩﻴﻡ‪ .‬ﻜﺎﻥ ﻴﺘﻭﺠﺏ ﻋﻠﻴﻬﻤﺎ ﺃﻥ ﻴﻀﺤﻜﺎ ﺒﺸﻜل ﻫﺴﺘﻴﺭﻱ ﺒـﺭﺩﺓ ﻓﻌـل ﻏﻴـﺭ‬
‫ﻤﻼﺌﻤﺔ ﻝﺤﺎﺩﺙ ﻤﺨﻴﻑ‪ .‬ﻝﻡ ﻴﻜﻥ "ﺠﺎﻙ ‪ "Jack‬ﻭﺍﺜﻘﹰﺎ ﻤﻥ ﺃﻨﻪ ﺴﻴﻀﺤﻙ‪ ،‬ﻓﺄﺨﺫﻩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﺨﻠﻑ ﺍﻝﻤﻭﻗﻊ ﺃﻨﺯل‬
‫ﺴﺤﺎﺒﻪ ﻭﺒﺩﺃ ﺒﺎﻝﺘﺒﻭل ﻝﻴﺭﻯ ﻜﻡ ﻫﻭ ﺍﻝﻌﻠﻭ ﺍﻝﺫﻱ ﺴﻭﻑ ﻴﺼل ﺇﻝﻴﻪ ﻤﺘﻅﺎﻫﺭﹰﺍ ﺒﺄﻨﻪ ﻴﺴﺩﺩ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ .‬ﺒﺩﺃ "ﺠﺎﻙ ‪"Jack‬‬
‫ﺒﺎﻝﻀﺤﻙ ﺒﺸﻜل ﻫﺴﺘﻴﺭﻱ‪ ،‬ﻓﺫﻫﺒﻭﺍ ﻤﺒﺎﺸﺭﺓ ﻝﻠﻤﺸﻬﺩ‪.‬‬
‫ﻝﻜﻥ "ﺠﺎﻙ ‪ "Jack‬ﻝﻡ ﻴﺤﺼل ﻋﻠﻰ ﺍﻝﺩﻭﺭ‪ ،‬ﻓﻘﺩ ﻭﺠﺩ ﺍﻝﻤﺨﺭﺝ "ﺭﺍﻱ ‪ "Ray‬ﻭﻜﺎﺘﺏ ﺍﻝـﻨﺹ "ﺴـﺘﻴﺭﻥ ‪"Stern‬‬
‫ﺃﺩﺍﺀﻩ ﻤﻬﺫﺒﹰﺎ ﺠﺩﹰﺍ‪.‬‬
‫ﺘﺘﺎﺒﻊ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ “: "Maila Nurmi‬ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل ﻭﻓﻲ ﺇﺤﺩﻯ ﻓﺘﺭﺍﺕ ﻤﺎ ﺒﻌﺩ ﻅﻬﺭ ﻋﻴـﺩ ﺍﻝﺸـﻜﺭ‪-‬‬
‫ﺘﻘﺎﺒﻠﻨﺎ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻓﻲ ﻓﺘﺭﺓ ﺒﻌﺩ ﺍﻝﻅﻬﺭ‪ ،‬ﻝﻜﻥ ﻝﻴﺱ ﺒﻤﻭﻋﺩ ﻤﺤـﺩﺩ‪ ،‬ﺒـل ﺍﻨﺘﻅـﺭ ﺃﺤـﺩﻨﺎ ﺍﻵﺨـﺭ ﻓـﻲ‬
‫"ﻏﻭﻏﻲ ‪ -"Googie‬ﺤﻭﺍﻝﻲ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺭﺍﺒﻌﺔ‪ ،‬ﻤﺭﺘﺩﻴﻥ ﺒﻨﺎﻁﻴل ﺒﺤﺎﺭﺓ ﺒﻴﻀﺎﺀ‪ -‬ﻓﻲ ﻫﺫﻩ ﺍﻷﻴﺎﻡ‪ ،‬ﻓﺈﻥ ﻫﺫﺍ ﻝﻴﺱ ﺨﺎﺭﺠﹰﺎ‬
‫ﻋﻥ ﺍﻝﻤﺄﻝﻭﻑ‪ -‬ﻝﻜﻨﻨﻲ ﻜﻨﺕ ﺘﺯﻭﺠﺕ ﺨﻼل ﻜل ﻫﺫﺍ ﻭﻜﻨﺕ ﺃﺭﺘﺩﻱ ﺒﻨﻁﺎل ﺍﻝﺒﺤﺎﺭﺓ ﺍﻷﺒـﻴﺽ ﺍﻝﺨـﺎﺹ ﺒﺯﻭﺠـﻲ‪،‬‬
‫ﻭﻫﻜﺫﺍ ﻭﺒﻌﺩ ﻓﺘﺭﺓ‪ ،‬ﻭﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻫﻭ ﻴﺭﺘﺩﻱ ﺒﻨﻁﺎﻝﻪ ﺍﻷﺒﻴﺽ ﻭﺒﺎﻝﻁﺒﻊ ﻝﻡ ﻴﻜﻥ ﺫﻝﻙ ﻤﻭﺴﻤﻴﹰﺎ ﺃﻴﻀﹰﺎ‪ .‬ﻓﺈﻥ‬
‫ﺫﻝﻙ ﻓﻲ ﺘﺸﺭﻴﻥ ﺍﻝﺜﺎﻨﻲ ‪ /‬ﻨﻭﻓﻤﺒﺭ‪ .‬ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﺎﻥ ﻜﻼﻨﺎ ﻴﺭﺘﺩﻱ ﺫﻝﻙ‪ .‬ﻝﻡ ﺃﺭﺘ ‪‬ﺩ ﺫﻝﻙ ﻤﻥ ﻗﺒـل ﻓـﻲ ﻓﺘـﺭﺓ‬
‫ﺘﻌﺎﺭﻓﻨﺎ‪ .‬ﻝﺫﻝﻙ ﻜﻨﺎ ﻜﻼﻨﺎ ﻨﺭﺘﺩﻱ ﺒﻨﺎﻁﻴل ﺒﺤﺎﺭﺓ ﺒﻴﻀﺎﺀ ﻓﻲ ﺍﻝﻴﻭﻡ ﻨﻔﺴﻪ‪ .‬ﻜﻨﺕ ﺃﻓﺘﻘﺩ ﻝﺜﻼﺜﺔ ﺃﺴﻨﺎﻥ ﺃﻤﺎﻤﻴﺔ ﻋﻠﻭﻴـﺔ‪-‬‬
‫ﻕ‪ -‬ﻭﻻﺤﻅﺕ ﻤﻊ ﻗﺩﻭﻤﻪ ﺃﻥ ﺠﺴﺭ ﺍﻷﺴـﻨﺎﻥ ﻝـﻡ ﻴﻜـﻥ‬ ‫ﺤﺴﻨﺎﹰ‪ ،‬ﻜﺎﻥ ﻴﻔﺘﻘﺩ ﻝﺜﻼﺙ ﺃﺴﻨﺎﻥ ﺃﻤﺎﻤﻴﺔ ﺃﻴﻀﺎﹰ‪ ،‬ﻭﻭﺍﺤﺩ ﻤﺘﺒ ‪‬‬
‫ﻫﻨﺎﻙ‪ .‬ﻝﺫﻝﻙ ﻭﻗﺒل ﺃﻥ ﻴﺭﺍﻨﻲ ﺃﺨﺫﺕ ﺠﺴﺭ ﺃﺴﻨﺎﻨﻲ ﻭﺃﺨﻔﻴﺘﻪ‪ ،‬ﻭﻝﻡ ﺍﻗل ﺃﻱ ﺸﻲﺀ ﻋﻥ ﻫﺫﺍ‪ .‬ﻝﻜﻨﻪ ﻻﺤﻅ ﺒﻌﺩ ﻫﺫﺍ ﺃﻨﻨـﺎ‬
‫ﻜﻼﻨﺎ ﻜﻨﺎ ﻨﺭﺘﺩﻱ ﺒﻨﺎﻁﻴل ﺒﺤﺎﺭﺓ ﺒﻴﻀﺎﺀ ﻭﻝﻡ ﻨﻀﻊ ﺠﺴﻭﺭ ﺍﻷﺴﻨﺎﻥ‪ .‬ﻀﺤﻜﻨﺎ ﻭﻜﺎﻨﺕ ﺘﻠﻙ ﻤﺭﺍﻫﻘﺔ‪ ،‬ﻝﻜﻥ ﻜﺎﻨﺕ ﻫﺫﻩ‬
‫ﻨﻭﻋﻴﺔ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻋﻤﻠﻨﺎﻫﺎ‪ .‬ﻗﺎل ﻋﻨﺩﻫﺎ‪‘ :‬ﻭﻜﺴﺭﺕ ﺠﺴﺭﻱ ﺃﺜﻨﺎﺀ ﺘﻨﺎﻭﻝﻲ ﺩﻴﻙ ﺍﻝﺤﺒﺵ’‪ .‬ﻭﺘﻅﺎﻫﺭﺕ ﺒﺄﻨﻨﻲ ﻓﻘﺩﺕ‬
‫ﺠﺴﺭﻱ ﺒﺎﻝﻁﺭﻴﻘﺔ ﻨﻔﺴﻬﺎ”‪.‬‬
‫“ﻜﻨﺎ ﺜﻼﺜﺘﻨﺎ ﻨﻘﻭﺩ ﻓﻲ ﺍﻝﺠﻭﺍﺭ‪ ،‬ﻭﻝﻡ ﻨﻜﻥ ﻨﺫﻫﺏ ﺒﻌﻴﺩﹰﺍ‪ .‬ﻜﺎﻨﺕ ﻝﺩﻴﻨﺎ ﺴﻴﺎﺭﺓ "ﺠﺎﻙ ‪ "Jack‬ﺍﻝﺼـﻐﻴﺭﺓ ﺍﻝﻘﺩﻴﻤـﺔ‬
‫ﻭﺍﻝﺘﻲ ﺘﺘﻤﺎﻴل ﻜﺜﻴﺭﹰﺍ ﻓﻲ ﺍﻝﺨﻠﻑ‪ .‬ﻜﻨﺎ ﻨﺫﻫﺏ ﻓﻲ ﺍﻝﺴﻴﺎﺭﺓ ﺇﻝﻰ ﻤﺤل "ﺘﺎﻴﻨﻲ ﻨﻴﻠﻭﺭ ‪ ."Tiny Naylor‬ﻜﺎﻥ ﺘﻤﺎﻤﹰﺎ ﻤﺜﻠﻤـﺎ‬
‫ﻜﻨﺕ ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ ،‬ﺃﺫﻫﺏ ﻝﻠﺼﻴﺩﻝﻴﺔ ﺍﻝﻤﺤﻠﻴﺔ‪ ،‬ﻤﺎﻋﺩﺍ ﺃﻨﻨﻲ ﻜﻨﺕ ﻤﻊ ﺃﺤﺩ ﻤﺎ ﻝﺭﺅﻴﺔ ﺍﻝﻌﺎﻝﻡ ﺒﺎﻨﺴـﺠﺎﻡ‪ .‬ﻤـﺎ‬
‫ﺃﻋﻨﻴﻪ‪ ،‬ﻜﺎﻥ ﻝﺩﻱ ﺃﺤﺩ ﻤﺎ ﻴﻔﻬﻡ ﻜﻴﻑ ﻜﻨﺕ ﺃﺸﺎﻫﺩ ﺍﻝﻌﺎﻝﻡ‪ .‬ﻭﻗﺩ ﻜﺎﻨﺕ ﻝﺩﻴﻪ ﺘﻠﻙ ﺍﻷﺤﺎﺴﻴﺱ ﺍﻝﻠﺫﻴﺫﺓ ﻓﻲ ﺍﻝﻤﺯﺍﺡ‪ ،‬ﻭﻜﺎﻥ‬
‫ﻫﺠﺎﺅﻩ ﺍﻻﺠﺘﻤﺎﻋﻲ ﺭﺍﺌﻌﺎﹰ‪ ،‬ﻭﻗﺩ ﺍﻋﺘﺎﺩ ﻋﻠﻰ ﺭﺴﻡ ﺭﺴﻭﻡ ﻓﻜﺎﻫﻴﺔ ”‪.‬‬
‫“ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻗﺩ ﺃﺩﻯ ﺩﻭﺭ "ﺘﺸﺎﺭﻝﻲ ﺘﻭﻨﺎ ‪ ،"Charlie Tuna‬ﻋﻠﻰ ﺴﺒﻴل ﺍﻝﻤﺜﺎل‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﺼﻨﻌﻪ‪ .‬ﻜـﺎﻥ ﻝـﺩﻱ‬
‫ﺼﺩﻴﻘﺔ ﺘﺩﻋﻰ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻭﻏﺩﺍﻨﺎﻓﻴﻙ ‪ "Geraldine Bogdanavic‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺴﻤﻙ ﺍﻝﺘﻭﻨﺎ " ﺴـﺘﺎﺭ ﻜﻴﺴـﺕ ‪Star-‬‬
‫‪ -"Kist‬ﻜﺎﻨﺕ ﻋﺎﺌﻠﺘﻬﺎ ﺘﻤﻠﻙ ﺘﻠﻙ ﺍﻝﻤﺎﺭﻜﺔ‪ .‬ﻗﺎﻝﺕ ﻝﻲ ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ‘:‬ﺁﻩ‪ .‬ﺇﻨﻪ ﺸﻲﺀ ﻓﻅﻴﻊ‪ -‬ﻜل ﺼﻴﺎﺩﻱ ﺍﻝﺴـﻤﻙ‬
‫ﺍﻝﻔﻘﺭﺍﺀ ﺃﻭﻝﺌﻙ ﻭﺯﻭﺠـﺎﺘﻬﻡ ﻭﺼـﻐﺎﺭﻫﻡ‪ ،‬ﻻ ﻴـﺄﻜﻠﻭﻥ ﺒﺴـﺒﺏ ﺇﻀـﺭﺍﺏ ﺴـﻤﻙ ﺍﻝﺴـﺭﺩﻴﻥ’‪ .‬ﻭﻗﻠـﺕ‪ ‘ ،‬ﺇﻥ‬
‫"ﺠﻴﺭﺍﻝﺩﻴﻥ ‪ "Geraldine‬ﻤﺠﻬﻭﻝﺔ ﻓﻲ ﻋﻴﻭﻥ ﺍﷲ ﻝﻴﺴﺕ ﺃﻜﺜﺭ ﺃﻫﻤﻴﺔ ﻤﻥ ﺃﻱ ﺴﺭﺩﻴﻥ ﻤﺠﻬﻭل’”‪.‬‬
‫ﻼ‪ .‬ﺃﺨﺒﺭﺕ ﺫﻝﻙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﺭﺴﻡ‪ -‬ﻓﻲ ﺘﻠـﻙ‬ ‫“ ﻝﻡ ﺘﻌﺭﻑ ﻤﺎ ﻋﻨﺎﻩ ﻫﺫﺍ‪ ،‬ﻝﻘﺩ ﻜﺎﻥ ﺫﻝﻙ ﻤﻐﻴﻅﹰﺎ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻠﻴﻠﺔ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﺭﺴﻡ‪ -‬ﻝﻭﺤﺔ ﻝﺴﻤﻜﺔ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﺘﺼﻴﺩ "ﺠﻴﺭﺍﻝﺩﻴﻥ ‪ ."Geraldine‬ﺤﺼﻠﺕ ﻋﻠﻴﻬﺎ ﻭﺃﻋﻁﻴﺘﻬـﺎ‬
‫ﻝـﻬﺎ‪ .‬ﻜﺎﻨﺕ ﺍﻝﺴﻤﻜﺔ ﺘﺭﺘﺩﻱ ﺜﻴﺎﺒﹰﺎ ﻭﺘﻤﺴﻙ ﺒﺎﻝﻨﺎﺱ ﻭﺃﻤﺴﻜﺕ "ﺠﻴﺭﺍﻝﺩﻴﻥ ﺒﻭﻏﺩﺍﻨﺎﻓﻴﺵ‪ "Geraldine Bogdanavic‬ﺍﻝﺘﻲ‬
‫ﻜﺎﻨﺕ ﺤﻭﺭﻴﺔ‪ .‬ﺃﻋﻁﺕ "ﺠﻴﺭﺍﻝﺩﻴﻥ ‪ "Geraldine‬ﺍﻝﻠﻭﺤﺔ ﺇﻝﻰ ﺼﻬﺭﻫﺎ ﺍﻝﺫﻱ ﻜﺎﻥ ﻤﺩﻴﺭ "ﺴﺘﺎﺭﻜﻴﺴﺕ ﺘﻭﻨﺎ ‪Satr-Kist‬‬
‫‪ "Tune‬ﻭﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻅﻬﺭ "ﺘﺸﺎﺭﻝﻲ ﺘﻭﻨﺎ ‪ -"Charlie Tuna‬ﻝﺫﻝﻙ ﺍﻋﺘﻘﺩ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﻓﻌﻠﻬﺎ ﺤﻘﹰﺎ‪ .‬ﻝﻘﺩ ﺒـﺩﺕ‬
‫ﻝﻭﺤﺘﻪ ﺘﻤﺎﻤﹰﺎ ﻤﺜل "ﺘﺸﺎﺭﻝﻲ ﺘﻭﻨﺎ ‪.”Charlie Tuna‬‬
‫ﺒﻌﺩ ﻫﺫﻩ ﺍﻝﻠﻘﺎﺀﺍﺕ ﺍﻝﻤﺘﺄﺨﺭﺓ ﻤﻊ "ﻤﺎﻴﻼ ‪ "Maila‬ﻭ "ﺠﺎﻙ ‪ "Jack‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺴﺘﻴﻘﻅ ﺼﺒﺎﺤﹰﺎ ﻓﻲ ﻋﺎﻝﻡ‬
‫ﺒﺩﺃ ﺒﻤﻌﺎﻤﻠﺘﻪ ﻜﺸﺨﺹ ﻤﻬﻡ‪ .‬ﻭﺼﻠﺕ ﺭﺴﺎﻝﺔ ﺍﻝﺠﻤﻬﻭﺭ ﻝﻠﻌﺭﺽ ﺍﻷﻭل ﻝـ"ﺠﺎﻙ ﻭﺭﻨـﺭ‪ "Jack Warner‬ﻭﺴـﺎﻋﺩﻩ‬
‫ﺍﻷﻴﻤﻥ"ﺴﺘﻴﻑ ﺘﺭﻴﻠﻴﻨﻎ ‪ "Steve Trilling‬ﻭﺍﻝﻤﺩﻴﺭﻴﻥ ﺍﻵﺨﺭﻴﻥ ﻓﻲ ﺸﺭﻜﺔ "ﻭﺍﺭﻨﺭ ‪“ : "Warner‬ﻝﺩﻴﻜﻡ ﻨﺠﻡ ﺠﺩﻴﺩ ﻜﺒﻴﺭ‬
‫ﺒﻴﻥ ﺃﻴﺩﻴﻜﻡ!”‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﻤﺸﺭﻭﻉ ﺁﺨﺭ ﻝﺸﺎﺏ ﻓﻲ ﻤﺸﻜﻠﺔ ﻜﺒﻴﺭﺓ ﻓﻲ ﺍﻷﻋﻤﺎل ﻓﻲ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ ،‬ﻝﻜﻥ ﻝﻡ ﻴﻔﻜـﺭ ﺃﺤـﺩ ﺒــ‬
‫"ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻝﻬﺫﺍ ﺍﻝﺩﻭﺭ‪ .‬ﺍﺨﺘﺎﺭ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻜﺘﺎﺏ "ﺭﻭﺒﻴﺭﺕ ﻝﻴﻨﺩﻨﻴﺭ ‪" "Robert Linder‬ﻤﺘﻤﺭﺩ ﺒﺩﻭﻥ‬
‫ﻗﻀﻴﺔ ‪ ،"Rebel Without a Cause‬ﻭﺃﻭﻜل "ﺠﺎﻙ ﻭﺭﻨﺭ ‪ "Jack Warner‬ﺍﻹﺨﺭﺍﺝ ﺇﻝﻰ "ﻨﻴﻜـﻭﻻﺱ ﺭﺍﻱ ‪Nicolas‬‬
‫‪ ،"Ray‬ﺍﻝﺫﻱ ﺭﺃﻯ ﻋﺭﺽ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻓﺭﺼ ﹰﺔ ﻝﻪ ﻝﻌﻤل ﻤﺸﺭﻭﻋﻪ ﺍﻝﻤﻔﻀل ﻋﻠﻰ ﺍﻝﺸﺎﺸﺔ‪ .‬ﺩﻋﺎﻩ ﻓﻲ ﺒـﺎﺩﺉ ﺍﻷﻤـﺭ‬
‫"ﺍﻝﻤﺴﺎﺭ ﺍﻷﻋﻤﻰ"‪.‬‬
‫ﺘﺄﺴﺱ ﺍﻹﻁﺎﺭ ﺍﻝﺨﺎﺭﺠﻲ ﻋﻠﻰ ﺜﻼﺜﺔ ﺸﺒﺎﻥ‪" :‬ﺩﻴﻤﻭ ‪ "Demo‬ﻭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺇﻴﻑ ‪ ."Eve‬ﻴـﺘﻡ ﺇﺩﺨـﺎل‬
‫"ﺩﻴﻤﻭ ‪ "Demo‬ﺇﻝﻰ ﻋﺼﺎﺒﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﻝﺘﻌﺭﻑ ﻋﻠﻴﻬﻤﺎ ﻋﻥ ﻁﺭﻴﻕ ﻤﺤﻨﺔ " ﺍﻝﻤﺴﺎﺭ ﺍﻷﻋﻤﻰ" ‪ :‬ﺴـﻴﺎﺭﺘﺎﻥ‬
‫ﺒﺩﻭﻥ ﺃﻴﺔ ﺃﻀﻭﺍﺀ ﺘﺘﺴﺎﺒﻘﺎﻥ ﺇﺤﺩﺍﻫﻤﺎ ﺒﺎﺘﺠﺎﻩ ﺍﻷﺨﺭﻯ ﻤﻥ ﻨﻬﺎﻴﺘﻴﻥ ﻤﺘﻌﺎﻜﺴﺘﻴﻥ ﻝﻨﻔﻕ‪ .‬ﺘﻬﺭﺏ ﻜل ﺴﻴﺎﺭﺓ ﻤﻥ ﺍﻷﺨﺭﻯ‬
‫ﻋﻠﻰ ﻨﺤﻭ ﺭﺍﺌﻊ‪ .‬ﻝﻜﻥ ﻋﻨﺩﻫﺎ‪ ،‬ﻴﺴﺭﻕ "ﺩﻴﻤﻭ ‪ "Demo‬ﺍﻝﻐﺎﻀﺏ ﻤﻥ ﻭﺍﻝﺩﻴﻪ ﺍﻝﻠﺫﻴﻥ ﻴﺭﻓﻀﺎﻥ ﺤﻀﻭﺭ ﺤﻔﻠﺔ ﺨﻁﻁ ﻝﻬﺎ‬
‫ﻼ ﺤﺘﻰ ﺍﻝﻤﻭﺕ‪ .‬ﻻﺤﻘﺎﹰ‪ ،‬ﻴﺨﺒﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ"ﺇﻴﻑ ‪"Eve‬‬ ‫ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﺇﻴﻑ ‪ "Eve‬ﻵﺒﺎﺌﻬﻡ ﻭﻴﺼﺩﻡ ﺭﺠ ﹰ‬
‫‪“:‬ﻝﻘﺩ ﻜﺎﻥ ﻜﻘﺘل ﻭﺍﻝﺩﻱ”‪ .‬ﻴﺘﻡ ﺍﻝﻘﺒﺽ ﻋﻠﻰ "ﺩﻴﻤﻭ ‪ "Demo‬ﻭﻴﺤﺎﻜﻡ ﺒﺎﻝﻤﻭﺕ‪ .‬ﺒﻌﺩ ﻫﺫﺍ ﻴﻘﺘل "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻓـﻲ‬
‫ﻼ ﻝﺘﺸﺎﻫﺩ ﺠﺴﺩﻩ ﻴﻭﻀﻊ ﺒﺴﻴﺎﺭﺓ ﺇﺴﻌﺎﻑ ﺒﻌﻴﺩﹰﺍ‪.‬‬ ‫ﻤﻌﺭﻜﺔ ﻋﺼﺎﺒﺎﺕ ﺘﺎﺭﻜﹰﺎ "ﺇﻴﻑ ‪ "Eve‬ﺤﺎﻤ ﹰ‬
‫ﻋﺭﻑ "ﺭﺍﻱ ‪ "Ray‬ﺃﻥ ﻜﺜﻴﺭﹰﺍ ﻤﻥ ﺍﻝﺼﻭﺭﺓ ﺍﻝﻤﺠﻤﻠﺔ ﺒﺤﺎﺠﺔ ﺇﻝﻰ ﺘﻐﻴﻴﺭ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻤﺼﻤﻤﹰﺎ ﻋﻠﻰ ﻋﺩﻡ ﺘﻐﻴﻴـﺭ‬
‫ﻓﻜﺭﺓ ﻭﺍﺤﺩﺓ‪“ .‬ﻴﺠﺏ ﺃﻥ ﻴﺒﻘﻰ ﺩﺍﺌﻤﹰﺎ ﻓﻲ ﺍﻝﺒﺎل ﺃﻥ ﺍﻝﺸﺒﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻓﻲ ﺍﻝﺠﺯﺀ ﺍﻝﻅﺎﻫﺭ ﻤﻥ ﺍﻝﺼﻭﺭﺓ ﺒﻴﻨﻤﺎ ﺍﻝﺭﺍﺸـﺩﻭﻥ‪،‬‬
‫ﻓﻲ ﺍﻏﻠﺏ ﺍﻝﻭﻗﺕ‪ ،‬ﻴﻅﻬﺭﻭﻥ ﻓﻘﻁ ﻜﻲ ﻴﺭﺍﻫﻡ ﺍﻷﻭﻻﺩ”‪.‬‬
‫ﺍﺴﺘﺄﺠﺭ ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ "ﻝﻴﻭﻥ ﻴﻭﺭﺱ ‪ "Leon Uris‬ﻭﺃﺭﺴﻠﻪ ﻝﻴﺩﻭﺭ ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠـﺱ ﻝﻠﺘﺤـﺩﺙ ﻤـﻊ ﻀـﺒﺎﻁ‬
‫ﺍﻝﺸﺭﻁﺔ‪ ،‬ﻭﺍﻝﻌﻤﺎل ﺍﻻﺠﺘﻤﺎﻋﻴﻴﻥ ﻭﺍﻷﻁﺒﺎﺀ ﺍﻝﻨﻔﺴﻴﻴﻥ ﻭﺍﻝﻤﻨﺤﻠﻴﻥ ﻝﻜﻥ ﻤﻊ ﻜل ﻫﺫﻩ ﺍﻝﻤﻘﺎﺒﻼﺕ ﺍﻝﻭﺍﻗﻌﻴﺔ ﺍﻝﺘـﻲ ﻨﻘﻠﻬـﺎ‬
‫ﺍﻝﻜﺎﺘﺏ‪ ،‬ﺒﺩﺍ ﺍﻝﻨﺹ ﻗﺭﻴﺒﹰﺎ ﻤﻥ ﻨﻴل ﺤﺠﻡ ﻤﻠﺤﻤﻲ‪ .‬ﻝﻘﺩ ﺃﺨﺫ ﻴﻔﻌل ﺫﻝﻙ‪ .‬ﻜﺎﻥ ﺃﺴﻠﻭﺏ "ﻴﻭﺭﺱ ‪ "Uris‬ﺘـﺎﺭﻴﺦ ﻤﺠﺘﻤـﻊ‬
‫ﻜﺎﻤل ﻭﺍﻝﻨﺎﺱ ﺍﻝﻜﺒﺎﺭ ﻭﺍﻝﺸﺒﺎﻥ ﻭﻜل ﺸﺨﺹ ﺘﻤﺎﻤﹰﺎ ﻤﺎ ﻝﻡ ﻴﺭﺩﻩ "ﺭﺍﻱ ‪ ."Ray‬ﺘﻡ ﺇﺤﻀﺎﺭ ﻜﺎﺘﺏ‪ ،‬ﻤـﺩﺭﺱ ﻤﺩﺭﺴـﺔ‬
‫ﺴﺎﺒﻕ‪" ،‬ﺇﻴﺭﻓﻴﻨﻎ ﺸﻭﻝﻤﺎﻥ ‪ "Irving Shulman‬ﺍﻝﺫﻱ ﻋﺭﻑ ﺸﻴﺌﹰﺎ ﻤﺎ ﻋﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﺸﺎﺏ ﻭﺍﻝـﺫﻱ ﻜـﺎﻥ ﺃﻴﻀـﺎ‬
‫ﻤﺠﻨﻭﻨﹰﺎ ﺒﺎﻝﺴﻴﺎﺭﺍﺕ ﺍﻝﺭﻴﺎﻀﻴﺔ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺸﻐﻑ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺍﻝﻤﻤﺜل ﺍﻝﺸـﺎﺏ ﺍﻝـﺫﻱ ﺍﺤﻀـﺭﻩ‬
‫"ﺭﺍﻱ ‪ "Ray‬ﻤﺅﺨﺭﹰﺍ ﻝﻠﻤﺸﺭﻭﻉ‪.‬‬
‫)ﻗﺒل ﻋﺩﺓ ﺃﺴﺎﺒﻴﻊ‪ ،‬ﺍﺸﺘﺭﻯ "ﺠﻴﻤﺱ ‪ "James‬ﺴﻴﺎﺭﺓ "ﺒﻭﺭﺸﻴﻪ ﺴﺒﻴﺩﺴﺘﺭ" ﺒﻤﺒﻠﻎ ﺃﺭﺒﻌﺔ ﺁﻻﻑ ﺩﻭﻻﺭ ﻭﺩﺨل ﻓﻲ‬
‫ﺴﺒﺎﻕ ﺸﻭﺍﺭﻉ ﻓﻲ "ﺒﺎﻝﻡ ﺴﺒﺭﻨﻐﺯ" ﺤﻴﺙ ﺍﺤﺘل ﺍﻝﻤﺭﻜﺯ ﺍﻷﻭل ﻀﻤﻥ ﻓﺌﺔ ﺍﻝﻬﻭﺍﺓ ﻭﺍﻝﻤﺭﻜـﺯ ﺍﻝﺜﺎﻝـﺙ ﻀـﻤﻥ ﻓﺌـﺔ‬
‫ﺍﻝﻤﺤﺘﺭﻓﻴﻥ ﺒﺸﻜل ﻤﻔﺎﺠﺊ ﺃﻜﺜﺭ‪ .‬ﻴﻘﻭل "ﻜﻴﻥ ﻤﺎﻴﻠﺯ ‪ "Ken Miles‬ﺃﺤﺩ ﺍﻝﺴﺎﺌﻘﻴﻥ ﺍﻝﺫﻴﻥ ﺘﻨﺎﻓﺴﻭﺍ ﻤﻌﻪ ﺃﺤﻴﺎﻨﹰﺎ ‪“ :‬ﺭﺒﻤـﺎ‬
‫ﺍﺴﺘﻁﺎﻉ "ﺩﻴﻥ ‪ "Dean‬ﺍﻻﺴﺘﻤﺭﺍﺭ ﻝﻴﺼﺒﺢ ﺴﺎﺌﻘﹰﺎ ﻤﻤﺘﺎﺯﺍﹰ‪ ،‬ﺇﻻ ﺃﻥ ﺍﻷﻜﺜﺭﻴﺔ ﻜﺎﻨﺕ ﻀﺩﻩ ﻭﺴﻭﻑ ﺃﻗﻭل ﻝﻙ ﻝﻤﺎﺫﺍ‪ .‬ﻴﻭﺠﺩ‬
‫ﻝﺩﻯ ﺃﻏﻠﺏ ﺍﻝﻨﺎﺱ ﻓﻜﺭﺓ ﺃﻥ ﺭﻴﺎﻀﺔ ﺴﺒﺎﻕ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻫﻲ ﻋﺒﺎﺭﺓ ﻋﻥ ﻤﺴﺄﻝﺔ ﺴﺭﻋﺔ‪ .‬ﺇﻨﻬﺎ ﻝﻴﺴﺕ ﻜﺫﻝﻙ‪ .‬ﺍﻝﺴـﺭﻋﺔ‬
‫ﻫﻲ ﺃﺤﺩ ﺍﻝﻌﻭﺍﻤل ﺒﺎﻝﺘﺄﻜﻴﺩ‪ ،‬ﻝﻜﻥ ﻫﺫﺍ ﺍﻝﻨﻭﻉ ﻤﻥ ﺍﻝﺴﺒﺎﻗﺎﺕ ﻫﻭ ﻓﻲ ﺍﻷﺴﺎﺱ ﺍﺨﺘﺒﺎﺭ ﻝﻤﻬﺎﺭﺍﺕ ﺍﻝﺴﺎﺌﻕ‪ .‬ﻜﻴـﻑ ﻫـﻭ‬
‫ﺒﻤﻬﺎﺭﺓ ﺍﻝﻤﻨﺎﻭﺭﺓ ﺒﺴﻴﺎﺭﺘﻪ ﺒﺴﺭﻋﺔ ﻋﺎﻝﻴﺔ ﺃﻤﺎﻡ ﺴﻴﺎﺭﺍﺕ ﺃﺨﺭﻯ ﻤﻊ ﺴﺎﺌﻘﻴﻬﺎ ﺍﻝﺫﻴﻥ ﻴﺤﺎﻭﻝﻭﻥ ﻫﻡ ﺃﻴﻀـﹰﺎ ﺍﻝﻤﻨـﺎﻭﺭﺓ‬
‫ﺒﺴﻴﺎﺭﺍﺘﻬﻡ ﺒﺴﺭﻋﺎﺕ ﻋﺎﻝﻴﺔ‪ .‬ﻭﻝﻠﻔﻭﺯ ﺒﻤﺜل ﻫﺫﺍ ﺍﻝﺴﺒﺎﻕ ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺭﺠل ﻭﺒﺩﺍﻓﻊ ﺍﻝﻀﺭﻭﺭﺓ ﺃﻥ ﻴﺭﻤﻲ ﺍﻝﻤﺠﺎﻤﻠﺔ ﺃﻭ‬
‫ﺃﻱ ﺸﻌﻭﺭ ﻤﺘﺄﺼل ﻭﻓﻁﺭﻱ ﻴﻤﻜﻥ ﺃﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻪ ﻤﻥ ﺍﺠل ﺴﻼﻤﺔ ﺭﺠل ﺁﺨﺭ‪ .‬ﻫﺫﻩ ﻫﻲ ﺍﻝﻤﺨﺎﻁﺭﺓ‪ ،‬ﻭﺍﻝﺘﻲ ﺘﻜـﻭﻥ‬
‫ﻏﺭﻴﺒﺔ ﻨﻭﻋﹰﺎ ﻤﺎ ﻋﻥ ﺍﻝﺭﻭﺡ ﺍﻝﺭﻴﺎﻀﻴﺔ‪ ،‬ﺍﻝﺘﻲ ﻴﻘﺒﻠﻬﺎ ﻜل ﻤﺘﺴﺎﺒﻕ‪ .‬ﻜﺎﻥ "ﺩﻴﻥ ‪ "Dean‬ﺩﺍﺌﻡ ﺍﻝﺤﺫﺭ ﺠﺩﹰﺍ ﻤﻊ ﺍﻝﺴـﺎﺌﻘﻴﻥ‬
‫ﺍﻵﺨﺭﻴﻥ‪ .‬ﻝﻡ ﻴﻜﻥ ﻴﻬﺘﻡ ﺒﺸﺄﻥ ﻨﻔﺴﻪ‪ ،‬ﻝﻜﻨﻪ ﻝﻡ ﻴﻜﻥ ﻝﻴﺠﺎﺯﻑ ﺒﺎﻝﻤﺨﺎﻁﺭﺓ ﻤﻊ ﺴﺎﺌﻕ ﺁﺨﺭ‪ .‬ﻻ ﻴﻤﻜﻨﻙ ﺍﻝﻔﻭﺯ ﺒﺎﻝﺴﺒﺎﻗﺎﺕ‬
‫ﺒﻬﺫﻩ ﺍﻝﻁﺭﻴﻘﺔ‪ .‬ﺃﺭﺍﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺴﺭﻋﺔ‪ .‬ﻭﺃﺭﺍﺩ ﻝﺠﺴﺩﻩ ﺃﻥ ﻴﻬﺘﺯ ﺒﻌﻨﻑ ﻋﺒﺭ ﺍﻷﺭﺽ ﺒﺤﻴﺙ ﻜﻠﻤـﺎ ﻜﺎﻨـﺕ‬
‫ﺍﻝﺴﺭﻋﺔ ﺃﻜﺜﺭ ﻜﺎﻥ ﺫﻝﻙ ﺃﻓﻀل‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ‪ "Jimmy‬ﺴﺎﺌﻘﹰﺎ ﻓﻭﺭﻴﹰﺎ‪ .‬ﻭﻜﺎﻨﺕ ﺤﻠﺒﺘﻪ ﺍﻝﻤﺴﺎﻓﺔ ﺍﻷﻗﺼـﺭ ﺒـﻴﻥ ﻫﻨـﺎ‬
‫ﻭﻫﻨﺎﻙ”(‪.‬‬
‫ﻜﺎﻥ ﻴﻤﻜﻥ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻴﺘﺤﺩﺙ ﻋﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻁﻭﺍل ﺍﻝﻭﻗﺕ‪ .‬ﻅﻥ ﺍﻝﻤﺨـﺭﺝ "ﺭﺍﻱ ‪ "Ray‬ﺃﻨـﻪ‬
‫ﻴﺴﺘﻁﻴﻊ ﺍﻻﻋﺘﻤﺎﺩ ﻋﻠﻰ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﻫﺫﻩ ﺍﻷﻝﻔﺔ ﺍﻝﻤﺘﻌﻠﻘﺔ ﺒﺎﻝﺤﺭﻜﺎﺕ ﺒﻴﻥ ﻜﺎﺘﺒﻪ ﻭﻨﺠﻤﻪ‪.‬‬
‫ﻗﺎﻡ "ﺸﻭﻝﻤﺎﻥ ‪ "Shulman‬ﺒﻌﺩﺓ ﺇﺴﻬﺎﻤﺎﺕ ﻫﺎﻤﺔ ﻝﻠﻘﺼﺔ‪ .‬ﻗﺎﻡ ﺒﺎﻗﺘﻁﺎﻉ "ﺍﻝﻤﺴﺎﺭ ﺍﻷﻋﻤـﻰ" ﻭﻭﻀـﻊ "ﺍﻝﻤﺴـﺎﺭ‬
‫ﺍﻝﺠﺒﺎﻥ" )ﺍﻝﻔﺘﻰ ﺍﻝﺫﻱ ﻴﻘﺫﻑ ﺨﺎﺭﺠﺎﹰ ﻤﻥ ﺴﻴﺎﺭﺘﻪ ﻗﺒل ﺍﺼﻁﺩﺍﻤﻪ ﺒﺎﻝﻤﻨﺤﺩﺭ ﻴﻔﻭﺯ ﺒﺘﺠﺭﺒﺔ ﺍﻝﻔﺤﻭﻝﺔ(‪ .‬ﻜـﺫﻝﻙ ﻁـﻭﺭ‬
‫ﺍﻝﺸﺨﺼﻴﺎﺕ ﺍﻝﺭﺌﻴﺴﻴﺔ‪" :‬ﺠﻴﻡ ‪" ،"Jim‬ﺠﻭﺩﻱ ‪ "Judy‬ﻭ"ﺒﻼﺘﻭ ‪ ."Plato‬ﺇﻻ ﺃﻥ "ﺭﺍﻱ ‪ "Ray‬ﺃﺭﺍﺩ "ﺒﻼﺘﻭ ‪ "Plato‬ﺃﻥ ﻴﻘﺘل‬
‫ﻓﻲ ﻤﻜﺎﻥ ﻝﻪ ﻗﺒﺔ ﺼﻨﺎﻋﻴﺔ ﻝﻠﺴﻤﺎﺀ ﻝﻤﺭﺍﻗﺒﺔ ﺤﺭﻜﺎﺕ ﺍﻝﻜﻭﺍﻜﺏ‪ ،‬ﺤﻴﺙ "ﻨﻬﺎﻴﺔ ﺍﻝﻌﺎﻝﻡ" ﻋﺭﻀﺕ ﺴـﺎﺒﻘﹰﺎ ﻓـﻲ ﺼـﻑ‬
‫ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ﻝـ "ﺒﻼﺘﻭ ‪ ."Plato‬ﻭﻀﻌﺕ ﻓﻜﺭﺓ "ﺭﺍﻱ ‪ "Ray‬ﻫﺫﻩ ﻀﻤﻥ ﺇﻁﺎﺭ ﺍﻝﺘﺭﺍﺠﻴﺩﻴـﺔ ﺍﻝﺨﺎﺼـﺔ ﻝﻤـﻭﺕ‬
‫"ﺒﻼﺘﻭ ‪ "Plato‬ﻓﻲ ﻋﺎﻝﻡ ﺁﺨﺭ‪ .‬ﻝﻡ ﻴﺅﻤﻥ "ﺸﻭﻝﻤﺎﻥ ‪ "Shulman‬ﺒﻬﺫﺍ‪ ،‬ﻝﻜـﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻭﺼـﺩﻴﻘﻪ "ﻝﻴﻭﻨـﺎﺭﺩ‬
‫ﺭﻭﺯﻨﻤﺎﻥ ‪ "Leonard Rosenman‬ﺍﻝﺫﻱ ﻭﻅﻑ ﻝﻜﺘﺎﺒﺔ ﺍﻝﻤﻭﺴﻴﻘﺎ ﺫﻫﺏ ﻤﻊ ﺭﺃﻱ "ﺭﺍﻱ ‪ "Ray‬ﺒﻔﻜﺭﺓ ﺍﻝﻤﻜﺎﻥ‪ .‬ﻭﻫﻜـﺫﺍ‬
‫ﺍﻨﺴﺤﺏ "ﺸﻭﻝﻤﺎﻥ ‪."Shulman‬‬
‫ﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﻭﻅﻑ "ﺭﺍﻱ ‪" "Ray‬ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ "Stewart Stern‬ﺍﻝﺫﻱ ﻗﺎﺒﻠﻪ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺒﺩﺀ ﻓـﻲ‬
‫ﻤﻨﺯل "ﺁﺭﺜﺭ ﻝﻭﻱ ﺍﻻﺒﻥ ‪") – "Arthur Loew Jr.‬ﺴﺘﻴﺭﻥ ‪ " Stern‬ﻭ "ﻝﻭﻱ ‪ "Loew‬ﻨﺴﻴﺒﺎﻥ( ‪ .‬ﺃﻤﻀﻰ "ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫ﻭ"ﺴﺘﻴﻭﺍﺭﺕ ‪ " Stewart‬ﺍﻝﺩﻗﺎﺌﻕ ﺍﻷﻭﻝﻰ ﻤﻥ ﻓﺭﺼﺔ ﺍﻝﻠﻘﺎﺀ ﺒﺘﻘﻠﻴﺩﻫﻡ ﺼﺭﺍﺥ ﺍﻝﺤﻴﻭﺍﻨﺎﺕ‪ ،‬ﻭﻜل ﻤﻨﻬﻡ ﻗﺩ ﺃﺘﻘﻥ ﺘﺸﻜﻴﻠﺘﻪ‬
‫ﻤﻥ ﺨﻭﺍﺭ ﺍﻝﺒﻘﺭ ﻭﺍﻝﺯﻗﺯﻗﺔ‪ .‬ﻗﺩﻡ ﻝﻬﻡ ﻫﺫﺍ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺘﺂﻝﻑ ﺃﻜﺜﺭ ﻤﻥ ﺴﻴﺎﺭﺍﺕ ﺍﻝﺴﺒﺎﻕ‪.‬‬
‫ﻜﺘﺏ "ﺴﺘﻴﺭﻥ ‪ "Stern‬ﺍﻝﻨﺹ ﺍﻝﺴﻴﻨﻤﺎﺌﻲ ﺍﻝﻨﻬﺎﺌﻲ ﻓﻲ ﺃﻜﺜﺭ ﻤﻥ ﺸﻬﺭ‪ ،‬ﻭﻫﻭ ﻴﻌﺭﺽ ﻗﺩﺭﺓ ﻤﻤﻴـﺯﺓ ﻝﻤﻘﺎﻭﻤـﺔ‬
‫ﺠﻨﻭﻥ ﻀﻐﻭﻁ ﺁﺨﺭ ﺍﻝﻠﺤﻅﺎﺕ ﻗﺒل ﺍﻹﻨﺘﺎﺝ ﺍﻝﺘﻲ ﻤﺎﺭﺴﻬﺎ ﻋﻠﻴﻪ ﺍﻝﻤﺨﺭﺝ "ﺭﺍﻱ ‪ "Ray‬ﻭﺍﻝﻨﺠﻡ "ﺩﻴﻥ ‪ "Dean‬ﻭﺍﻝﻤﻨـﺘﺞ‬
‫"ﻓﺎﻴﺴﺒﺎﺭﺩ ‪ "Weisbard‬ﻻﺴﺘﺤﻀﺎﺭ ﺇﺸﺭﺍﻗﺎﺕ ﻤﻔﺎﺠﺌﺔ ﻭﺍﻀﺤﺔ ﺨﺎﺭﺠﺔ ﻋﻥ ﺇﻝﻬﺎﻤﻬﻡ ﺍﻝﻤﻅﻠﻡ‪.‬‬
‫ﻓﻴﻤﺎ ﻴﻠﻲ ﻤﻠﺨﺹ ﻗﺼﺔ ﻓﻴﻠﻡ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﻭﺭﺯ ‪ "Warner Brothers‬ﻜﻤﺎ ﺼﻭﺭ‪:‬‬

‫"ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪"REBEL WITHOUT A CAUSE‬‬

‫ﻰ ﻏﺎﺌﺒﹰﺎ ﻋﻥ ﺍﻝـﻭﻋﻲ ﻓـﻲ ﺍﻝﺸـﺎﺭﻉ‪.‬‬ ‫ﻴﻀﺭﺏ ﺭﺠل ﻤﻥ ﻗﺒل ﻤﺭﺍﻫﻕ ﻭﺤﺸﻲ ﻭﻴﺘﺭﻙ ﻤﻠﻘ ‪‬‬
‫"ﺠﻴﻡ ‪ "Jim‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻫﻭ ﺸﺎﺏ ﺠﺎﻤﺢ ﻴﺘﻡ ﺍﺴﺘﺠﻭﺍﺒﻪ ﻤـﻥ‬
‫ﻗﺒل ﺍﻝﺸﺭﻁﺔ ﻭﻴﻁﻠﻕ ﺴﺭﺍﺤﻪ ﻝﻌﺩﻡ ﺍﻜﺘﻤﺎل ﺍﻷﺩﻝﺔ‪ .‬ﻝﻜﻥ ﻗﺒل ﺃﻥ ﻴﺒﻭﺡ ﺒﺎﺯﺩﺭﺍﺌﻪ ﻷﻤﻪ ﺍﻝﻤﺴﻴﻁﺭﺓ‬
‫"ﺁﻥ ﺩﻭﺭﺍﻥ ‪ "Ann Doran‬ﻭﻭﺍﻝﺩﻩ ﺍﻝﻀﻌﻴﻑ "ﺠﻴﻡ ﺒﺎﻜﻭﺱ ‪ ."Jim Backus‬ﻴﺤﺎﻭل "ﺠﻴﻡ ‪ "Jim‬ﻤﻊ‬
‫ﺼﺩﻴﻘﺘﻪ "ﺠﻭﺩﻱ ‪ "Judy‬ﺍﻝﺘـﻲ ﺘﻠﻌـﺏ ﺩﻭﺭﻫـﺎ "ﻨﺎﺘـﺎﻝﻲ ﻭﻭﺩ ‪ "Natalie Wood‬ﻭ ﺼـﺩﻴﻘﻪ‬
‫"ﺒﻼﺘﻭ‪ "Plato‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺴﺎل ﻤﻴﻨﻴﻭ‪ "Sal Mineo‬ﺍﻻﻨﻀﻤﺎﻡ ﻝﻌﺼﺎﺒﺔ ﻴﻘﻭﺩﻫﺎ "ﺒﺎﺯ ‪"Buzz‬‬
‫ﻻ ﻋﻥ ﻫﺫﺍ‪ ،‬ﻴﻨﺘﻬﻲ ﺍﻝﻤﻁﺎﻑ ﺒـ "ﺠﻴﻡ ‪ "Jim‬ﻭ‬ ‫ﺍﻝﺫﻱ ﻝﻌﺏ ﺩﻭﺭﻩ "ﻜﻭﺭﻱ ﺁﻝﻴﻥ ‪ ."Corey Allen‬ﺒﺩ ﹰ‬
‫"ﺒﺎﺯ ‪ "Buzz‬ﺒﻌﺭﺍﻙ ﺒﺎﻝﺴﻜﺎﻜﻴﻥ ﻭ ﻴﺘﻔﻘﺎﻥ ﻋﻠﻰ ﺍﻝﻤﻘﺎﺒﻠﺔ ﻻﺤﻘﹰﺎ ﻓﻲ ﺍﺨﺘﺒﺎﺭ ﺤﻴﺙ ﻴﻘﻭﺩ ﻜل ﻤﻨﻬﻤـﺎ‬
‫ﺴﻴﺎﺭﺓ ﺒﺎﺘﺠﺎﻩ ﺤﺎﻓﺔ ﺍﻝﺠﺭﻑ ﻝﻴﻘﻔﺯ ﺨﺎﺭﺠﹰﺎ ﻗﺒل ﺜﻭﺍﻥ ﻤﻥ ﺘﺩﻫﻭﺭ ﺍﻝﻤﺭﻜﺒﺔ ﻨﺤﻭ ﺍﻝﺼﺨﻭﺭ ﺍﻝﻤﺜﻠﻤﺔ‬
‫ﻓﻲ ﺍﻷﺴﻔل‪ .‬ﻴﺘﺴﺎﺒﻕ ﺍﻝﺸﺎﺒﺎﻥ ﺒﺴﺭﻋﺔ ﺨﻁﻴﺭﺓ ﻭﻤﻊ ﻅﻬﻭﺭ ﺤﺎﻓـﺔ ﺍﻝﺠـﺭﻑ ﺒﺼـﻭﺭﺓ ﻫﺎﺌﻠـﺔ‬
‫ﺃﻤﺎﻤﻬﻤﺎ‪ ،‬ﻴﺤﺎﻭل "ﺒﺎﺯ‪ "Buzz‬ﺍﻝﻭﺼﻭل ﻨﺤﻭ ﺍﻝﺒﺎﺏ ﻝﻜﻥ ﻜﻡ ﺴﺘﺭﺘﻪ ﻴﻌﻠﻕ ﻋﻠﻰ ﺍﻝﻘﺒﻀـﺔ‪ .‬ﻭﻫـﻭ‬
‫ﻋﺎﻝﻕ ﺒﺎﻝﺩﺍﺨل‪ ،‬ﻴﺩﻭﺭ ﻤﻊ ﺴﻴﺎﺭﺘﻪ ﻓﻲ ﺍﻝﺠﻭ ﻨﺤﻭ ﻤﻭﺕ ﻗﺎﺱ ﻓﻲ ﺍﻷﺴـﻔل‪ .‬ﻴـﺫﻫﺏ "ﺠـﻴﻡ ‪"Jim‬‬
‫ﺍﻝﺨﺎﺌﻑ ﺇﻝﻰ ﺍﻝﺸﺭﻁﺔ‪ ،‬ﻭﻴﻼﺤﻘﻪ ﺃﺼﺩﻗﺎﺀ "ﺒﺎﺯ ‪ "Buzz‬ﺇﻝﻰ ﺃﺴﻔل ﺸـﻘﺔ ﻤﻬﺠـﻭﺭﺓ ﻓﻴﺨﺘﺒـﺊ ﻤـﻊ‬
‫"ﺠﻭﺩﻱ ‪ "Judy‬ﻭ "ﺒﻼﺘﻭ ‪ "Plato‬ﺍﻝﻤﺴﻠﺢ ﺒﻤﺴﺩﺱ ﻭﺍﻝﺩﻩ‪ .‬ﻴﻔﺘﺢ "ﺒﻼﺘﻭ ‪ "Plato‬ﺍﻝﻨﺎﺭ ﻓﻴﻘﺘـل ﺃﺤـﺩ‬
‫ﺍﻝﺸﺒﺎﻥ‪ .‬ﺘﺄﺘﻲ ﺍﻝﺸﺭﻁﺔ ﻋﻠﻰ ﺼﻭﺕ ﺍﻝﻁﻠﻘﺎﺕ ﻭﺘﺤﻴﻁ ﺒﺎﻝﻤﻭﻗﻊ ﻭﺘﺄﻤﺭ ﺍﻝﺸﺎﺏ ﺒﺎﻻﺴﺘﺴﻼﻡ‪ .‬ﻴﻘﻭﻡ‬
‫"ﺒﻼﺘﻭ ‪ "Plato‬ﺒﻌﻤل ﺤﺭﻜﺔ ﺨﺎﻁﺌﺔ ﺨﻠﺴﺔ ﻓﻴﻁﻠﻕ ﺸﺭﻁﻲ ﺍﻝﻨﺎﺭ ﻋﻠﻴـﻪ‪ .‬ﻴﻭﺍﺴـﻰ "ﺠـﻴﻡ ‪"Jim‬‬
‫ﺍﻝﺤﺯﻴﻥ ﻋﻠﻰ ﻤﻭﺕ ﺼﺩﻴﻘﻪ ﻤﻥ ﻗﺒل ﻭﺍﻝﺩﻴﻪ ﻭﻤﻥ ﻫﺫﻩ ﺍﻝﺘﺠﺭﺒﺔ ﻴﻔﻬﻡ ﺃﺤﺩﻫﻡ ﺍﻵﺨﺭ‪.‬‬

‫ﺸﺎﻫﺩ "ﻨﻴﻜﻭﻻﺱ ﺭﺍﻱ ‪" "Nicolas Ray‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻭﻗﺎﺒﻠﻪ ﻻﺤﻘﹰﺎ ﻓـﻲ‬
‫ﺒﻨﺎﺀ "ﻭﺍﺭﻨﺭ ‪ ."Warner‬ﻜﺎﻥ ﻤﺘﺄﻜﺩﹰﺍ ﻋﻠﻰ ﺍﻝﻔﻭﺭ ﺃﻨﻪ ﻭﺠﺩ )ﺍﻝﻤﻤﺜل ﺍﻝﻤﺜﺎﻝﻲ ﻝﺩﻭﺭ "ﺠﻴﻡ ﺴﺘﺎﺭﻙ‪ ،("Jim Stark‬ﻝﻜﻨـﻪ‬
‫ﻜﺎﻥ ﻗﻠﻘﹰﺎ ﻤﻥ ﺍﻝﻌﻤل ﻤﻊ ﻤﺜل ﻫﺫﺍ ﺍﻝﻤﻤﺜل ﺍﻝﻤﺯﺍﺠﻲ‪ .‬ﻗﺎل "ﺭﺍﻱ ‪ "Ray‬ﻻﺤﻘﹰﺎ ‪“ :‬ﻜـﺎﻥ ﺃﺤـﺩ ﺃﻁـﺭﺍﻑ ﺍﻝﺼـﻌﻭﺒﺔ‬
‫ﺸﺨﺼﻴﺎﹰ‪ ،‬ﻷﻨﻪ ﻭﻋﻨﺩ ﺒﺩﺍﻴﺔ ﻤﻌﺭﻓﺘﻪ ﻗﻠﻴﻼﹰ‪ ،‬ﺃﺩﺭﻜﺕ ﺃﻨﻪ ﻭﻷﺠل ﺘﻌﺎﻭﻥ ﻨﺎﺠﺢ ﻓﺈﻨﻪ ﻴﺤﺘﺎﺝ ﺇﻝﻰ ﻤﻨﺎﺥ ﺨﺎﺹ‪ .‬ﺍﺤﺘـﺎﺝ‬
‫ﺇﻝﻰ ﺇﻋﺎﺩﺓ ﺍﻝﺜﻘﺔ ﻭﺍﻝﺤﻨﺎﻥ ﻭﺍﻝﺘﻔﻬﻡ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺃﻫﻡ ﺍﻝﻁﺭﻕ ﻝﺨﻠﻕ ﻫﺫﺍ ﻫﻭ ﺠﻌﻠﻪ ﻴﺘﺩﺨل ﺒﻜل ﻤﺭﺤﻠـﺔ ﻤـﻥ ﺘﻁـﻭﺭ‬
‫ﺍﻝﻔﻴﻠﻡ”‪.‬‬
‫ﺁﻤﻥ "ﺭﺍﻱ ‪ "Ray‬ﺒﻜل ﺘﺄﻜﻴﺩ ﺒﻤﺎ ﻜﺎﻥ ﻴﻘﻭﻝﻪ‪ ،‬ﻝﻜﻥ ﻜﺎﻥ ﻫﺫﺍ ﺃﻴﻀﹰﺎ ﻁﺭﻴﻘﺔ ﻝﻠﺸﺭﺡ ﺒﺄﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻗـﺩ‬
‫ﺍﺴﺘﻐل ﻓﺭﺼﺔ ﺍﻝﻘﻭﺓ ﺍﻝﺘﻲ ﺃﻋﻁﺘﻪ ﺇﻴﺎﻫﺎ ﺸﻬﺭﺘﻪ ﺍﻝﻤﺘﺯﺍﻴﺩﺓ‪ .‬ﺃﺼـﺒﺢ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺒﺎﻝﺤﻘﻴﻘـﺔ ﺤﺴـﺏ "ﻝﻴﻨـﻲ‬
‫‪"Lenny‬‬ ‫‪Rosenman‬‬ ‫ﺭﻭﺯﻨﻤــــــــــــــــــــــــﺎﻥ‬
‫ﻭ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ "Maila Nurmi‬ﻭ "ﺠﻴﻡ ﺒﺎﻜﻭﺱ ‪ "Jim Backus‬ﺍﻝﺫﻱ ﻝﻌﺏ ﺩﻭﺭ ﻭﺍﻝﺩﻩ ﻓﻲ ﺍﻝﻔﻴﻠﻡ ﻤﻨﺴﻘﹰﺎ ﻝﻠﻔﻴﻠﻡ‪.‬‬
‫ﻭﺒﻌﻜﺱ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﻠﻰ ﺍﻝﻘﻤﺔ‪ ،‬ﻓﻘﺩ ﺍﺤﺘﺎﺝ "ﺭﺍﻱ ‪ "Ray‬ﺇﻝﻰ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺍﻋﺘﺒﺭ ﻨﻔﺴﻪ‬
‫ﻤﺤﻅﻭﻅﹰﺎ ﺒﺤﺼﻭﻝﻪ ﻋﻠﻰ ﻨﺠﻡ ﺠﺩﻴﺩ ﺴﺎﻁﻊ ﻝﻠﻔﻴﻠﻡ ﺍﻝﺫﻱ ﺃﺼﺭ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻋﻠﻰ ﻤﻌﺎﻤﻠﺘﻪ ﻭﻜﺄﻨﻪ ﻓـﻴﻠﻡ ﺘﺼـﻨﻴﻔﻪ "‪"B‬‬
‫)ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻪ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻭﺤﺴﺏ ﻻﺌﺤﺔ "ﻓﺎﺭﻴﺘﻲ ‪ "Variety‬ﻷﺒﻁﺎل ﺸﺒﺎﻙ ﺍﻝﺘﺫﺍﻜﺭ ﻝﻜل ﺍﻷﺯﻤﻨﺔ ﻓﻘﺩ ﺤﺼـﺩ‬
‫ﺃﻜﺜﺭ ﻤﻥ ‪ 4600000‬ﺩﻭﻻﺭ ﺒﺎﻋﺘﺒﺎﺭ ﻓﻴﻠﻡ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻜﻔﻴﻠﻡ ﺘﺼـﻨﻴﻔﻪ " ‪ "A‬ﺒــ ‪5000000‬‬
‫ﺩﻭﻻﺭ ﺒﺴﺒﺏ ﻤﻴﺯﺍﻨﻴﺘﻪ ﺍﻷﻗل ﻓﻘﺩ ﺤﺼﺩ ﺃﺭﺒﺎﺤﹰﺎ ﺃﻜﺜﺭ ﻝﻸﺴﺘﻭﺩﻴﻭ(‪ .‬ﻭﻤﻊ ﻗﻴﺎﺱ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪"Warner Brothers‬‬
‫ﻝﺸﺩﺓ ﺍﻝﺯﻝﺯﺍل ﺍﻝﺫﻱ ﺃﺤﺩﺜﺘﻪ ﺸﻬﺭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺈﻨﻬﻡ ﻜﺎﻨﻭﺍ ﻝﻥ ﻴﻀﻌﻭﻩ ﻓﻲ ﻓﻴﻠﻡ "ﻤﺘﻤﺭﺩ ﺒـﻼ ﻗﻀـﻴﺔ ‪Rebel‬‬
‫‪ "Without a Cause‬ﺇﻥ ﻝﻡ ﻴﻜﻥ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻓﻴﻠﻤﻪ ﺍﻝــﻤﺼﻨﻑ "‪ "A‬ﺍﻝﺜـﺎﻨﻲ ﻗـﺩ ﺃﺠـل‪ .‬ﻜـﺎﻥ "ﺠـﻭﺭﺝ‬
‫ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﺒﺎﻨﺘﻅﺎﺭ ﺍﻨﻀﻤﺎﻡ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ‪ "Elizabeth Taylor‬ﺒﻌﺩ ﻭﻻﺩﺘﻬﺎ ﻝﻁﻔل )"ﻜﺭﻴﺴﺘﻭﻓﺭ‬
‫ﺇﺩﻭﺍﺭ ﻭﺍﻴﻠﺩﻴﻨﻎ ‪.("Christopher Edward Wilding‬‬
‫ﺍﺴﺘﻤﺘﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﺒﺩﺃ ﻴﻌﺘﻘﺩ ﺃﻨﻪ ﺭﺒﻤﺎ ﻴﺭﻴﺩ ﺃﻥ ﻴﺼﺒﺢ ﻤﺨﺭﺠﺎﹰ‪ ،‬ﺒﻤﻜﺎﻨﺘﻪ ﻏﻴﺭ ﺍﻻﻋﺘﻴﺎﺩﻴـﺔ ﻓـﻲ‬
‫"ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪ ."rebel Without a Cause‬ﻝﻡ ﻴﺘﺭﺩﺩ ﺒﺈﺠﺒﺎﺭ ﺇﺩﺭﺍﺝ ﺃﻓﻜﺎﺭﻩ ﻝﻠﻘﺼﺔ‪ .‬ﻜﺎﻥ ﻴﺠﻠـﺱ ﻓـﻲ ﻤﻭﻗـﻊ‬
‫ﺃﻤﺴﻴﺎﺕ ﻁﻭﻴﻠﺔ ﻤﻊ "ﺭﺍﻱ ‪ "Ray‬ﻴﻌﻤﻼﻥ ﻋﻠﻰ ﺍﻝﻨﺹ‪ .‬ﻜﺫﻝﻙ ﻝﻡ ﻴﺘﺭﺩﺩ ﺃﻴﻀﺎ ﺒﺈﻝﻘﺎﺀ ﺜﻘﻠﻪ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ‪ .‬ﻓﻘﺒل‬
‫ﺘﺼﻭﻴﺭ ﺍﻝﻤﺸﻬﺩ ﻓﻲ ﻗﺎﻋﺔ "ﺠﻭﻓﻴﻨﺎﻴل ‪ "Juvenile‬ﻭﺍﻝﺫﻱ ﺍﺴﺘﺩﻋﻰ ﻀﺭﺒﻪ ﺒﻘﺒﻀﺘﻪ ﻋﻠﻰ ﺍﻝﻤﻜﺘـﺏ ﻭﺇﻝﻘـﺎﺀ ﻤﻘﻁـﻊ‬
‫ﻏﺎﻀﺏ ﻓﻲ ﻤﻨﺎﺠﺎﺓ ﺍﻝﻨﻔﺱ‪ ،‬ﻭﺍﺴﺘﺜﺎﺭﺓ ﻗﺘﺎل ﻤﻊ ﻀﺎﺒﻁ ﺸﺎﺏ‪ ،‬ﺠﻌل ﺍﻝﻁﺎﻗﻡ ﻭﺍﻝﻤﻤﺜﻠﻴﻥ ﻴﻨﺘﻅﺭﻭﻨﻪ ﻝﻤﺩﺓ ﺴﺎﻋﺔ‪ .‬ﺠﻠﺱ‬
‫ﻓﻲ ﻏﺭﻓﺔ ﺘﺒﺩﻴل ﻤﻼﺒﺴﻪ ﻭﺍﻷﻀﻭﺍﺀ ﻤﻁﻔﺄﺓ ﻭﺃﺨﺫ ﻴﺸﺭﺏ ﺍﻝﻨﺒﻴﺫ ﺍﻷﺤﻤﺭ ﻝﻴﺴﺘﻤﻊ ﺇﻝﻰ "ﺠﻭﻝﺔ ﺍﻝﻔـﺎﻝﻜﻴﺭﻴﺯ ‪Ride of‬‬
‫‪ "the Valkyries‬ﺒﺄﻋﻠﻰ ﺼﻭﺕ‪ .‬ﻋﻨﺩﻤﺎ ﺃﻭﺸﻙ ﺍﻝﻁﺎﻗﻡ ﻋﻠﻰ ﺍﻻﻨﻬﻴﺎﺭ‪ ،‬ﺍﻨﻁﻠﻕ ﺇﻝﻴﻬﻡ ﻭﻤﺜل ﺍﻝﻤﺸﻬﺩ ﻜﻠﻪ ﻓـﻲ ﻝﻘﻁـﺔ‬
‫ﻭﺍﺤﺩﺓ ﺒﺸﻜل ﻤﻘﻨﻊ ﺘﻤﺎﻤﹰﺎ ﺒﺤﻴﺙ ﺇﻥ ﺍﻝﺠﻤﻴﻊ ﺍﻝﻐﺎﻀﺒﻴﻥ ﻝﻡ ﻴﺴﺘﻁﻴﻌﻭﺍ ﺇﻻ ﺍﻝﺘﺼﻔﻴﻕ ﻝﻪ‪.‬‬
‫ﻓﻬﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻔﺭﻭﻕ ﺒﻴﻥ ﺍﻝﺘﻤﺜﻴل ﺍﻝﻤﺴﺭﺤﻲ ﻭﺍﻝﺘﻤﺜﻴل ﺍﻝﺴﻴﻨﻤﺎﺌﻲ‪ .‬ﻓﻔﻲ ﺍﻝﻤﺴﺭﺡ‪ ،‬ﺘﻜﻭﻥ ﻝﺩﻯ ﺍﻝﻤﻤﺜل‬
‫ﺍﻝﻔﺭﺼﺔ ﻝﻴﺅﺩﻱ ﺍﻝﺸﺨﺼﻴﺔ ﺒﺒﺭﺍﻋﺔ ﻭﻝﺒﻨﺎﺀ ﺍﻝﻠﺤﻅﺎﺕ ﻭﺍﻝﺼﻌﻭﺩ ﻨﺤﻭ ﻗﻤﺔ ﺍﻝﻌﻤل ﺍﻝﺩﺭﺍﻤﻲ ﺍﻝﺘـﻲ ﺘﺘﻁـﻭﺭ ﺒﺤﺴـﺏ‬
‫ﺍﻝﺘﺭﺘﻴﺏ ﺍﻝﺯﻤﻨﻲ ﻭﺘﺅﺩﻯ ﻓﻲ ﻓﺘﺭﺍﺕ ﻤﺘﻌﺎﻗﺒﺔ ﻝﻔﺘﺭﺓ ﺴﺎﻋﺘﻴﻥ ﺃﻭ ﺜﻼﺙ ﻓﻘﻁ‪ .‬ﺃﻤﺎ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼـﻭﻴﺭ ﺍﻝﺴـﻴﻨﻤﺎﺌﻲ‪،‬‬
‫ﻓﻴﻁﻠﺏ ﻤﻥ ﺍﻝﻤﻤﺜل ﺃﻥ ﻴﻘﻔﺯ ﺤﺘﻰ ﺇﻝﻰ ﻭﺴﻁ ﺃﻜﺜﺭ ﺍﻝﻤﺸﺎﻫﺩ ﺘﻔﺠﻴﺭﹰﺍ ﻓﻴﻤﺘﺩ ﺍﻷﺩﺍﺀ ﻷﺴﺎﺒﻴﻊ ﻭ ﺃﺸﻬﺭ‪ .‬ﻭﻓـﻲ ﺃﻏﻠـﺏ‬
‫ﺍﻷﺤﻴﺎﻥ ﻓﺎﻝﻘﺼﺔ ﺘﺼﻭﺭ ﺒﺘﺘﺎﺒﻊ‪.‬‬
‫ﺇﻥ ﻜل ﻤﺸﻬﺩ ﻴﻘﺩﻡ ﺒﻔﺎﺼل ﻤﻥ ﻭﺭﻗﺔ ﻤﻘﻭﺍﺓ ﻤﻠﻭﻨﺔ‪ .‬ﻴﺘﻡ ﺘﻨﻅﻴﻡ ﺍﻝﻔﻭﺍﺼل ﻋﻠﻰ ﻝﻭﺡ ﻁﻭﻴل‪ :‬ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﻨﻬﺎﺭﻴﺔ‬
‫ﻤﻊ ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﻨﻬﺎﺭﻴﺔ‪ ،‬ﻭﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﻠﻴﻠﻴﺔ ﻤﻊ ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﻠﻴﻠﻴﺔ‪ ،‬ﻤﺸﺎﻫﺩ ﻓﻲ ﻤﻭﻗﻊ ﻤﺤﺩﺩ ﻤﻊ ﻤﺸﺎﻫﺩ ﺃﺨﺭﻯ ﻓﻲ ﺍﻝﻤﻭﻗﻊ‬
‫ﻨﻔﺴﻪ‪ ،‬ﺤﺘﻰ ﻭﺇﻥ ﻜﺎﻨﺕ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺎﺕ ﺍﻝﻤﺘﻌﺎﻜﺴﺔ ﻤﻥ ﺍﻝﻨﺹ‪ .‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻭﻋﻨﺩﻤﺎ ﻴﺴـﺘﻁﻴﻊ ﻤﻤﺜـل ﻤﻬـﻡ‬
‫ﺍﻝﺤﻀﻭﺭ ﻓﻲ ﺍﻷﺴﺎﺒﻴﻊ ﺍﻷﻭﻝﻰ ﺃﻭ ﺍﻝﻭﺴﻁﻰ ﺃﻭ ﺍﻷﺨﻴﺭﺓ ﻝﺠﺩﻭل ﺍﻝﺘﺼﻭﻴﺭ ﻓﺈﻥ ﻜل ﻤﺸﺎﻫﺩﻩ ﺃﻭ ﻤﺸـﺎﻫﺩﻫﺎ ﺴـﻭﻑ‬
‫ﺘﺤﺯﻡ ﻤﻌﹰﺎ ﺒﻐﺽ ﺍﻝﻨﻅﺭ ﻋﻥ ﺍﻝﻤﻭﻗﻊ ﺃﻭ ﺍﻋﺘﺒﺎﺭﺍﺕ ﺍﻝﻀﻭﺀ‪ .‬ﺇﻥ ﺍﻝﺘﺘﺎﺒﻊ ﺍﻝﻨﺎﺘﺞ ﻴﺤل ﻤﺸﻜﻼﺕ ﺍﻝﻤﻴﺯﺍﻨﻴﺔ‪ ،‬ﻭﺍﻝﻤﺸﻜﻼﺕ‬
‫ﺍﻝﻠﻭﺠﺴﺘﻴﺔ ﻭﺍﻝﻤﺸﻜﻼﺕ ﺍﻝﻤﻬﻨﻴﺔ ﻭﺍﻝﻤﺸﻜﻼﺕ ﺍﻝﻨﻘﺎﺒﻴﺔ‪ ،‬ﻝﻜﻥ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﺃﻱ ﺸﻲﺀ ﻝﻔﻌﻠﻪ ﻤﻊ ﺘﻌﺯﻴﺯ ﺘﺩﻓﻕ ﻭﺍﻨﺴـﻴﺎﺏ‬
‫ﺍﻝﻘﺼﺔ‪ .‬ﻭﺒﻁﺭﻴﻘﺔ ﻤﺎ‪ ،‬ﻴﺘﻭﻗﻊ ﻤﻥ ﺍﻝﻤﺨﺭﺝ ﻭﺍﻝﻤﻤﺜﻠﻴﻥ ﺘﺠﺎﻭﺯ ﻫﺫﻩ ﺍﻝﺼﻌﻭﺒﺔ‪.‬‬
‫ﻗﺒل ﺒﺩﺀ ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﻗﺎﻡ "ﺭﺍﻱ ‪ "Ray‬ﺒﻠﻘﺎﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ "ﺠﻴﻡ ﺒﺎﻜﻭﺱ ‪ "Jim Backus‬ﻝﻠﻌﻤـل ﻋﻠـﻰ‬
‫ﺍﻝﻨﺹ‪ .‬ﺘﺩﺭﺒﻭﺍ ﻋﻠﻰ ﺍﻝﺤﻭﺍﺭ‪ ،‬ﻭﺘﻨﺎﻗﺸﻭﺍ ﺤﻭل ﺤﺎﻓﺯ ﺸﺨﺼﻴﺎﺘﻬﻡ‪ .‬ﻭﻝﻠﻤﺴﺎﻋﺩﺓ ﺒﺎﻝﺤﻔﺎﻅ ﻋﻠﻰ ﺍﻝﻘﺼـﺔ ﺤﻴـﺔ ﺃﺜﻨـﺎﺀ‬
‫ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﺃﺩﺭﺝ "ﺭﺍﻱ ‪ "Ray‬ﻤﺸﺎﻫﺩ ﻗﺩﺭ ﺍﻝﻤﺴﺘﻁﺎﻉ ﻓﻲ ﺘﺘﺎﺒﻊ ﺍﻝﻘﺼﺔ ﻜﻤﺎ ﺴﻤﺤﺕ ﺒﻪ ﺍﻝﻤﻴﺯﺍﻨﻴﺔ‪ .‬ﻭﺃﻜـﺩ "ﺠﻴﻤـﻲ‬
‫‪ ،"Jimmy‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻜﻭﻨﻪ ﻭﺒﺸﻜل ﻭﺍﻀﺢ ﻝﻡ ﻴﺴﺘﻁﻊ ﻗﻀﺎﺀ ﺴﺎﻋﺔ ﻝﻴﻨﺘﺸﻲ ﺒﺎﻝﺨﻤﺭ ﻭ "ﻓﺎﻏﻨﺎﺭ ‪ "Wagner‬ﻗﺒل‬
‫ﻜل ﻝﻘﻁﺔ‪ ،‬ﺃﻨﻪ ﺩﺍﺌﻤﹰﺎ ﻓﻲ ﻋﺸﺭ ﺩﻗﺎﺌﻕ ﻤﻥ ﺍﻝﺘﺭﻜﻴﺯ ﺍﻝﻌﻤﻴﻕ ﻗﺒل ﺍﻝﺨﺭﻭﺝ ﻝﻠﻭﻗﻭﻑ ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ .‬ﻜﺎﻥ ﻴﺤﺎﻭل ﺘﺴﻠﻕ‬
‫ﺤﺎﺌﻁ ﺃﻭ ﻴﻼﻜﻡ ﺨﻴﺎﻝﻪ ﺃﻭ ﻴﺘﺴﻠﻕ ﺃﺤﺩ ﺴﻼﻝﻡ ﺍﻷﺴﺘﻭﺩﻴﻭ ﺍﻝﻁﻭﻴﻠﺔ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻀﻊ ﻨﻔﺴﻪ ﻓﻲ ﺍﻝﺸﺨﺼـﻴﺔ‪ ،‬ﻜـﺎﻥ‬
‫ﻴﺸﻴﺭ ﺇﻝﻰ "ﺭﺍﻱ ‪ "Ray‬ﻝﻴﺒﺩﺃ ﺍﻝﻤﺸﻬﺩ‪.‬‬
‫ﺃﺼﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﻼل ﺍﻝﻔﻴﻠﻡ ﻋﻠﻰ ﺍﻝﻭﺍﻗﻌﻴﺔ‪ .‬ﻭﻝﻡ ﻴﺴﺘﺨﺩﻡ ﺍﻝﻤﻤﺜل ﺍﻝﺒﺩﻴل ﺃﺒﺩﹰﺍ‪ .‬ﻓﻌﻨـﺩﻤﺎ ﻜـﺎﻥ ﺍﻝـﻨﺹ‬
‫ﻻ ﺒﺎﻝﺴﻜﺎﻜﻴﻥ‪ ،‬ﻜﺎﻥ ﻤﻊ "ﻜﻭﺭﻱ ﺃﻻﻥ ‪) "Corey Allan‬ﺍﻝﻤﻤﺜل ﺍﻝﺫﻱ ﻝﻌﺏ ﺩﻭﺭ "ﺒـﺎﺯ ‪ ("Buzz‬ﻴﻘﻭﻤـﺎﻥ‬ ‫ﻴﺴﺘﺩﻋﻲ ﻗﺘﺎ ﹰ‬
‫ﺒﺄﺩﺍﺀ ﺍﻝﻤﺸﻬﺩ ﺒﻨﻔﺴﻴﻬﻤﺎ ﺒﻤﺩﻯ ﺤﻘﻴﻘﻴﺔ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺭﺸﻴﻘﹰﺎ ﺠﺩﹰﺍ ﺒﺤﻴـﺙ ﺇﻥ ﺍﻝﻤﻼﻜـﻡ ﺍﻝﺴـﺎﺒﻕ "ﻤﻭﺸـﻲ‬
‫ﻜﺎﻻﻫﺎﻥ ‪ "Mushy Callahan‬ﺍﻝﺫﻱ ﺨﺩﻡ ﻜﻤﺩﺭﺏ ﻭﻤﺴﺘﺸﺎﺭ ﻝﻤﺸﺎﻫﺩ ﺍﻝﻘﺘﺎل ﺍﻋﺘﻘﺩ ﺃﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻴﻤﻜـﻥ ﺃﻥ‬
‫ﻼ ﻓﻲ ﻓﺌﺔ ﻭﺯﻨﻪ ﺇﻥ ﺃﺭﺍﺩ ﺍﻤﺘﻬﺎﻥ ﺍﻝﻤﻼﻜﻤﺔ‪.‬‬
‫ﻴﺼﺒﺢ ﺒﻁ ﹰ‬
‫ﻜﺎﻥ ﻴﺯﻥ ﻓﻘﻁ ‪ 140‬ﺒﺎﻭﻨﺩﺍﹰ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻗﻭﻴﹰﺎ‪ .‬ﺘﻭﺠﺏ ﻋﻠﻴﻪ ﻓﻲ ﺃﺤﺩ ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﺘﻲ ﻴﻨـﺎﻗﺵ ﻓﻴﻬـﺎ ﻭﺍﻝـﺩﻩ ﺃﻥ‬
‫ﻴﺴﺤﺏ "ﺠﻴﻡ ﺒﺎﻜﻭﺱ ‪ "Jim Backus‬ﺍﻝﺫﻱ ﻴﺯﻥ ‪ 200‬ﺒﺎﻭﻨﺩﹰﺍ ﺃﺴﻔل ﺍﻝﺩﺭﺝ‪ ،‬ﻭﻋﺒﺭ ﺍﻝﻐﺭﻓﺔ‪ ،‬ﻭﻴﺭﻤﻴﻪ ﻋﻠﻰ ﻜﺭﺴـﻲ‪،‬‬
‫ﻭﺒﻌﺩﻫﺎ ﻴﻨﻘﻠﺏ ﺍﻝﻜﺭﺴﻲ‪ ،‬ﻓﻴﻘﻔﺯ ﻓﻭﻗﻪ ﻭﻴﺤﺎﻭل ﺨﻨﻘﻪ‪ .‬ﻤﻊ ﺇﺤﺎﻁﺔ "ﺭﺍﻱ ‪ "Ray‬ﻝﻬﺫﺍ ﺍﻝﺤﺩﺙ ﻤﻥ ﻜل ﺯﺍﻭﻴﺔ‪ -‬ﻝﻘﻁـﺎﺕ‬
‫ﻤﻘﺭﺒﺔ‪ ،‬ﻝﻘﻁﺎﺕ ﻁﻭﻴﻠﺔ‪ ،‬ﻝﻘﻁﺎﺕ ﻤﻥ ﻓﻭﻕ ﺍﻝﺭﺃﺱ ﻭﻤﻥ ﺍﻷﺴﻔل‪ ،‬ﺴﺤﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺤﻤل "ﺒـﺎﻜﻭﺱ ‪"Backus‬‬
‫ﺃﺴﻔل ﺍﻝﺩﺭﺝ ﻭﻋﺒﺭ ﺍﻝﻐﺭﻓﺔ ﻭﺇﻝﻰ ﺍﻝﻜﺭﺴﻲ ﻤﺭﺓ ﺘﻠﻭ ﺍﻷﺨﺭﻯ ﺩﻭﻥ ﺃﻥ ﻴﺴﺒﺏ ﻝﻪ ﺃﻴﺔ ﻜﺩﻤﺎﺕ ﺃﻭ ﺤﺘﻰ ﺇﺨﺎﻓﺘﻪ‪.‬‬
‫ﺨﻼل ﻤﺸﻬﺩ ﻓﻲ ﺍﻝﺸﻘﺔ ﺍﻝﻘﺩﻴﻤﺔ )ﻨﻔﺱ ﺘﻠﻙ ﺍﻝﺘﻲ ﺍﺴﺘﺨﺩﻤﺕ ﻓﻲ "ﺼﺎﻨﺴﻴﺕ ﺒﻭﻝﻴﻔـﺎﺭﺩ ‪"Sunset Boulevard‬‬
‫ﻭﺍﺴﺘﺅﺠﺭﺕ ﻝـ "ﺍﻝﻤﺘﻤﺭﺩ ‪ "Rebel‬ﻤﻥ ﻤﺎﻝﻜﻬﺎ ﺜﺭﻱ ﺍﻝﻨﻔﻁ "ﺠﻴﻪ‪ .‬ﺒﻭل ﻏﻴﺘﻲ ‪ "J. Paul Getty‬ﺒﻤﺒﻠﻎ ﻤـﺎﺌﺘﻲ ﺩﻭﻻﺭ‬
‫ﺃﺴﺒﻭﻋﻴﹰﺎ( ﺍﻨﺩﻤﺞ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ "ﻨﺎﺘﺎﻝﻲ ﻭﻭﺩ ‪ "Natalie Wood‬ﺍﻝﺘﻲ ﻝﻌﺒﺕ ﺩﻭﺭ "ﺠﻭﺩﻱ ‪ "Judy‬ﻓـﻲ ﻤﺸـﻬﺩ‬
‫ﺘﻤﺜﻴﻠﻲ ﻗﺼﻴﺭ ﻴﺘﻅﺎﻫﺭ ﻓﻴﻪ ﺒﺄﻨﻬﻤﺎ ﺯﻭﺠﺎﻥ ﻴﺒﺤﺜﺎﻥ ﻋﻥ ﻤﻜﺎﻥ ﻝﻠﻌﻴﺵ ﻓﻴﻪ‪ .‬ﻝﻌﺏ "ﺴﺎل ﻤﻴﻨﻭ ‪ "Sal Mineo‬ﺩﻭﺭ "ﺒﻼﺘﻭ‬
‫‪ "Plato‬ﻭﻜﻴل ﺍﻝﻌﻘﺎﺭﺍﺕ‪.‬‬

‫"ﺠﻭﺩﻱ ‪"Judy‬‬
‫ﻫﻨﺎﻙ ﺸﻲﺀ ﻭﺍﺤﺩ‪ .‬ﻤﺎﺫﺍ ﻋﻥ‪-‬‬

‫"ﺒﻼﺘﻭ‪"Plato‬‬
‫ﺍﻷﻁﻔﺎل؟ ﺤﺴﻨﺎﹰ‪ ،‬ﻓﻨﺤﻥ ﻓﻌﻠﻴﹰﺎ‬
‫ﻻ ﻨﺸﺠﻌﻬﻡ‪ ،‬ﺇﻨﻬﻡ ﻴﺴﺒﺒﻭﻥ ﺍﻝﻀﺠﻴﺞ‬
‫ﻭﺍﻝﻤﺸﻜﻼﺕ‪ ،‬ﺃﻻ ﺘﻭﺍﻓﻘﻴﻨﻨﻲ؟‬

‫"ﺠﻭﺩﻱ ‪"Judy‬‬
‫ﻨﻌﻡ‪ .‬ﻭﻤﺯﻋﺠﻭﻥ ﺠﺩﹰﺍ‬
‫ﻋﻨﺩﻤﺎ ﻴﺒﻜﻭﻥ‪ .‬ﺃﻨﺎ ﻻ ﺃﻋﺭﻑ ﻤﺎ‬
‫ﺴﻭﻑ ﺃﻓﻌﻠﻪ ﻋﻨﺩﻤﺎ ﻴﺒﻜﻭﻥ‪ ،‬ﻫل ﺘﻌﺭﻑ ﺃﻨﺕ ﻋﺯﻴﺯﻱ؟‬

‫"ﺠﻴﻡ ‪"Jim‬‬
‫ﺒﺎﻝﻁﺒﻊ‪ .‬ﺃﻏﺭﻗﻬﻡ ﻜﺎﻝﺠﺭﺍﺀ ﺍﻝﺼﻐﻴﺭﺓ‪.‬‬
‫ﻭﺒﺎﻝﻌﻭﺩﺓ ﻝﻠﻨﺹ‪ ،‬ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﺩﺭﺍﺝ ﻋﺒﺎﺭﺓ “ ﺃﻏﺭﻗﻬﻡ ﻜﺎﻝﺠﺭﺍﺀ ﺍﻝﺼﻐﻴﺭﺓ” ﻋﻥ ﻁﺭﻴـﻕ ﺃﺩﺍﺌﻬـﺎ‬
‫ﺒﺼﻭﺕ ﺸﺨﺼﻴﺔ "ﺠﻴﻡ ﺒﺎﻜﻭﺱ ‪ "Jim Backus‬ﺍﻝﻜﺭﺘﻭﻨﻴﺔ "ﺍﻝﺴﻴﺩ ﻤﺎﻏﻭ ‪ ."Mr. Magoo‬ﻴﻘﻭل "ﺒـﺎﻜﻭﺱ ‪:"Backus‬‬
‫“ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺃﻥ ﺍﻝﻜﻠﻤﺔ ﺘﺴﺭﺒﺕ ﺇﻝﻰ ﺍﻝﻤﻜﺘﺏ‪ ،‬ﻓﻨﺯل ﺃﺤﺩ ﺍﻹﺩﺍﺭﻴﻴﻥ ﺇﻝﻰ ﺍﻝﻤﻭﻗﻊ ﻭﻗﺎل‪‘ :‬ﺴﻤﻌﺕ ﺃﻨـﻙ ﺘﺭﻴـﺩ ﺃﺩﺍﺀ‬
‫ﺸﺨﺼﻴﺔ "ﺍﻝﺴﻴﺩ ﻤﺎﻏﻭ ‪ .’ "Mr. Magoo‬ﻓﺄﺠﺎﺏ "ﺠﻴﻤﻲ ‪ ‘ ،"Jimmy‬ﻨﻌﻡ‪ ،‬ﺃﻋﺘﻘﺩ ﺃﻨﻨﻲ ﺴـﺄﻓﻌل’‪ .‬ﻗـﺎل ﺍﻹﺩﺍﺭﻱ‪‘:‬‬
‫ﺤﺴﻨﺎﹰ‪ ،‬ﺒﻤﺎ ﺃﻨﻙ ﺴﻭﻑ ﺘﻘﻭﻡ ﺒﺫﻝﻙ‪ ،‬ﻓﻬﻼ ﺃﺩﻴﺕ ﺫﻝﻙ ﺒﺸﺨﺼﻴﺔ "ﺒﺎﻏﺯ ﺒﻨـﻲ ‪’"Bugs Bunny‬؟‪ -‬ﻷﻥ ﺘﻠـﻙ ﺘﺨـﺹ‬
‫"ﻭﺭﻨﺭ ‪"Warner‬؟ ﻭﻗﻑ "ﺠﻴﻤﻲ ‪"Jimmy‬ﻤﺤﺩﻗﹰﺎ ﻓﻴﻪ ﻓﻘﻁ”‪.‬‬
‫ﻴﺘﺎﺒﻊ "ﺒﺎﻜﻭﺱ ‪“ :"Backus‬ﻭﻓﻲ ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻻ ﺃﻨﺴﺎﻫﺎ‪ ،‬ﻜﻨﺕ ﺃﺴﻴﺭ ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺸﺎﺭﻉ‪ ،‬ﺸـﺎﺭﻉ‬
‫ﺍﻷﺴﺘﻭﺩﻴﻭ‪ ،‬ﻭﻜﺎﻥ "ﺠﺎﻙ ﻭﺭﻨﺭ ‪ "Jack Warner‬ﻴﻘﻑ ﻫﻨﺎﻙ ﻤﻊ ﺭﺠﻠﻴﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺃﻨﻬﻤﺎ ﻤﻭﺯﻋﺎﻥ ﺃﻭ ﻋﺎﺭﻀـﺎﻥ‬
‫ﻤﻬﻤﺎﻥ ﺠﺩﹰﺍ‪ .‬ﻭﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﻤﻊ ﺍﻗﺘﺭﺍﺒﻨﺎ‪ ،‬ﺃﻥ "ﺠﺎﻙ ‪ "Jack‬ﻴﻘﻭل ﻝﻬﻤﺎ‪‘ ،‬ﺃﻨﻅﺭﺍ‪ ،‬ﺇﻥ ﺍﻝﻨﺎﺯل ﻓﻲ ﺍﻝﺸﺎﺭﻉ ﻫﻭ ﺫﻝﻙ‬
‫ﻼ‪" .....‬ﺸﺭﻕ ﻋﺩﻥ ‪ ....."East of Eden‬ﻭﺍﻷﻤﺭ ﻜﻠﻪ‪ .....‬ﻭﺍﻵﻥ ﺇﻨﻪ ﻴﻤﺜل‪ .....‬ﻭﺒﻌﺩ ﺫﻝﻙ ﺴـﻭﻑ‬ ‫ﺍﻝﻔﺘﻰ ﺍﻝﺫﻱ ﻓﻌ ﹰ‬
‫ﻴﻤﺜل "ﺍﻝﻌﻤﻼﻕ ‪ .’"Giant‬ﻭﻤﻊ ﺍﻗﺘﺭﺍﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻨﻪ‪ -‬ﻜﺎﻥ "ﺠﺎﻙ ‪ "Jack‬ﻴﺭﺘﺩﻱ ﺒﺯﺓ ﻻﻤﻌﺔ ﻤﺘﻐﻴﺭﺓ ﺍﻷﻝﻭﺍﻥ‬
‫ﻤﻥ ﻨﻭﻉ ﻤﺎ‪ -‬ﺼﻌﺩ ﺇﻝﻴﻪ ﻭﻗﺎل‪‘ ،‬ﻨﻅﻔﻬﺎ ﻭﺍﺤﺭﻗﻬﺎ! ’ ”‪.‬‬
‫ﺩﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻨﻔﺴﻪ ﻓﻲ ﺍﻝﻤﻭﻗﻊ ﻭﺨﺎﺭﺠﻪ ﺒﻼ ﺭﺤﻤﺔ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻭﺼل ﺼﺩﻴﻘﻪ ﺍﻝﻘﺩﻴﻡ ﻤـﻥ ﻤﺩﺭﺴـﺔ‬
‫ﺇﻨﺩﻴﺎﻨﺎ "ﻭﺍﻴﺘﻲ ﺭﺍﺴﺕ ‪ "Whitey Rust‬ﻝﺯﻴﺎﺭﺘﻪ‪ ،‬ﻗﺎﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﺼﻁﺤﺎﺒﻪ ﻝﻠﻘﻴﺎﺩﺓ ﻭﺍﻝﺸﺭﺏ ﻝﻴﻠﺔ ﺒﻌﺩ ﺃﺨﺭﻯ‪.‬‬
‫ﻭﻜﺎﻨﺎ ﻴﺼﻼﻥ ﻋﺎﺩﺓ ﺇﻝﻰ ﺸﻘﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺼﺎ ﻨﺴﻴﺕ ﺒﻼﺯﺍ ﺩﺭﺍﻴﻑ ‪ "Sunset Plaza Drive‬ﻋﻨﺩ ﺍﻝﺭﺍﺒﻌـﺔ‬
‫ﺃﻭ ﺍﻝﺨﺎﻤﺴﺔ ﺼﺒﺎﺤﹰﺎ‪ .‬ﻜﺎﻥ "ﻭﺍﻴﺘﻲ ‪ " Whitey‬ﻴﻨﺎﻡ ﻝﻠﻅﻬﺭ‪ ،‬ﺇﻻ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﺴﺘﻁﺎﻉ ﺩﺍﺌﻤـﹰﺎ ﺘـﺩﺒﺭ ﻤﺴـﺄﻝﺔ‬
‫ﻤﻐﺎﺩﺭﺓ ﻓﺭﺍﺸﻪ ﻤﻊ ﺒﺯﻭﻍ ﺍﻝﻔﺠﺭ ﻭﺍﻝﺘﻭﺠﻪ ﺒﺴﻴﺎﺭﺘﻪ ﻨﺤﻭ ﺍﻷﺴﺘﻭﺩﻴﻭ‪.‬‬
‫ﻼ ﻋﻥ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻋﻨﺩﻤﺎ ﺍﻋﺘـﺎﺩﺍ ﺍﻝﻠﻌـﺏ ﻓـﻲ ﺤﻅﻴـﺭﺓ ﺍﻝﻌـﻡ‬ ‫ﻭﺠﺩ "ﻭﺍﻴﺘﻲ ‪ "Whitey‬ﺼﺩﻴﻘﻪ ﻤﺘﻐﻴﺭﹰﺍ ﻗﻠﻴ ﹰ‬
‫"ﻤﺎﺭﻜﻭﺱ ‪ ."Marcus‬ﺫﻫﺏ "ﻭﺍﻴﺘﻲ ‪ "Whitey‬ﻓﻭﺭ ﻭﺼﻭﻝﻪ ﺇﻝﻰ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻤﺒﺎﺸﺭﺓ ﺇﻝﻰ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ .‬ﻜﺎﻥ ﻫﻨـﺎﻙ‬
‫ﺇﺫﻥ ﺩﺨﻭل ﺒﺎﻨﺘﻅﺎﺭﻩ ﻋﻨﺩ ﺍﻝﺒﻭﺍﺒﺔ‪ .‬ﻭﻤﻊ ﺩﺨﻭﻝﻪ ﺍﻝﻤﻭﻗﻊ‪ ،‬ﺭﺁﻩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ ﻓﺭﻓﻊ‬
‫ﺒﻴﺩﻴﻪ ﻝﻸﻋﻠﻰ ﻨﺤﻭ ﺴﻘﻑ ﻤﺴﺭﺡ ﺍﻝﺼﻭﺕ ﺍﻝﻌﻤﻼﻕ ﻭﺼﺭﺥ‪“ :‬ﺇﻨﻪ ﻴﺤﻤل ﺍﻝﻜﺜﻴﺭ ﺤﻘﹰﺎ ﻤﻥ ﺍﻝﻘﺵ‪ ،‬ﺃﻝﻴﺱ ﻜـﺫﻝﻙ ﻴـﺎ‬
‫"ﻭﺍﻴﺘﻲ ‪"Whitey‬؟”‪.‬ﺍﻨﺘﻬﻰ ﻓﻴﻠﻡ "ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪ "Rebel Without a Cause‬ﻓﻲ ﺤﺯﻴـﺭﺍﻥ ‪ /‬ﻴﻭﻨﻴـﻭ‪ .‬ﻭﻭﻀـﻊ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﻨﺎﺩﺭﹰﺍ ﻤﺎ ﺃﺨﺫ ﻴﻭﻡ ﺍﺴﺘﺭﺍﺤﺔ ﻻﻝﺘﻘﺎﻁ ﺃﻨﻔﺎﺴﻪ ﻓﻲ ﻓﻴﻠﻡ "ﺍﻝﻌﻤﻼﻕ ‪."Giant‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺜﺎﻨﻲ ﻋﺸﺭ‬

‫ﺘﺩﺒﺭ ﻜﺎﺘﺒﺎ ﺍﻝﻨﺹ "ﻓﺭﻴﺩ ﻏﻭﻴﻭل ‪ "Fred Guiol‬ﻭ "ﺇﻴﻔﺎﻥ ﻤﻭﻓﺎﺕ ‪ "Ivan Moffat‬ﻗﺼﺔ "ﺇﺩﻨـﺎ ﻓﻴﺭﺒـﺭ ‪Edna‬‬
‫‪ "Ferber‬ﻤﻥ ﺘﻜﺴﺎﺱ ﺒﺼﻔﺤﺎﺘﻬﺎ ﺍﻷﺭﺒﻌﻤﺎﺌﺔ ﻭﺍﻝﺴﺒﻊ ﻭﺍﻷﺭﺒﻌﻴﻥ ﺒﻭﻀﻌﻬﺎ ﻓﻲ ﻨﺹ ﻤﻥ ﻤﺎﺌﺔ ﻭﺜﻤﺎﻥ ﻭﺴﺒﻌﻴﻥ ﺼﻔﺤﺔ‬
‫ﺍﻨﺘﻬﻰ ﻓﻲ ‪4‬ﻨﻴﺴﺎﻥ ‪/‬ﺃﺒﺭﻴل ‪ .1955‬ﻭﻝﺨﺼﺕ ﺠﻤﻠﺔ ﺍﻝﻜﺘﺎﺏ ﻗﺼﺔ ﺍﻝﻔﻴﻠﻡ ﺒﻬﺫﻩ ﺍﻝﻁﺭﻴﻘﺔ‪“:‬ﻴﺄﺘﻲ "ﺒﻴﻙ ﺒﻴﻨﺩﻴﻜﺕ ‪Bick‬‬
‫‪ "Benedict‬ﺍﻝﺫﻱ ﻝﻌﺏ ﺩﻭﺭﻩ "ﺭﻭﻙ ﻫﺩﺴﻭﻥ ‪ ،"Rock Hudson‬ﺍﻝﻤﺎﻝﻙ ﺍﻝﺸﺎﺏ ﻝﻤﺯﺭﻋﺔ ﻤﺎﺸﻴﺔ ﺒﻨﺼـﻑ ﻤﻠﻴـﻭﻥ‬
‫ﻫﻜﺘﺎﺭ ﻓﻲ ﺘﻜﺴﺎﺱ ﺇﻝﻰ ﻤﻴﺭﻴﻼﻨﺩ ﻝﺸﺭﺍﺀ ﺤﺼﺎﻥ ﺭﺍﺌﻊ ﺃﺴﻭﺩ‪ .‬ﻴﻘﺎﺒل ‪ ،‬ﻭﻴﻘﻊ ﺒﺎﻝﺤﺏ ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻴﺘﺯﻭﺝ "ﻝﻴﺯﻝـﻲ‬
‫‪ "Leslie‬ﺍﻝﺘﻲ ﻝﻌﺒﺕ ﺩﻭﺭﻫﺎ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ‪ ."Elizabeth Taylor‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺤﺒﻬﻤﺎ ﺍﻝﻜﺒﻴﺭ‪ ،‬ﻴﻭﺠـﺩ ﻫﻨـﺎﻙ‬
‫ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺼﺩﺍﻤﺎﺕ ﺍﻷﻤﺯﺠﺔ ﻓﻲ ﻤﺯﺭﻋﺘﻬﻤﺎ ﺍﻝﻜﺒﻴﺭﺓ"ﺭﻴﺎﺘﺎ ﺭﺍﻨﺵ ‪ "Reata Ranch‬ﺍﻝﻤﺨﺘﻠﻔﺔ ﺘﻤﺎﻤﹰﺎ ﻋـﻥ ﻤـﻭﻁﻥ‬
‫"ﻝﻴﺯﻝﻲ ‪ "Leslie‬ﻓﻲ ﻤﻴﺭﻴﻼﻨﺩ‪ .‬ﺘﺼﺩﻡ "ﻝﻴﺯﻝﻲ ‪ "Leslie‬ﺒﺤﺎﻝﺔ ﺍﻝﻌﺎﻤﻠﻴﻥ ﺍﻝﻤﻜﺴﻴﻜﻴﻴﻥ ﺍﻝﻤﻌﺩﻤﻴﻥ ﺫﻭﻱ ﺍﻷﺠﻭﺭ ﺍﻝﻘﻠﻴﻠـﺔ‬
‫ﺠﺩﹰﺍ‪ .‬ﺘﺄﺨﺫ ﻫﺫﻩ ﺍﻝﻤﺴﺄﻝﺔ ﻋﻠﻰ ﻋﺎﺘﻘﻬﺎ ﻋﻥ ﻁﺭﻴﻕ ﻤﻨﺤﻬﻡ ﺍﻝﺭﻋﺎﻴﺔ ﺍﻝﻁﺒﻴﺔ‪ .‬ﺘﺩﻴﺭ"ﻝـﻭﺯ ‪ "Luz‬ﺃﺨـﺕ "ﺒﻴـﻙ ‪"Bick‬‬
‫ﺍﻝﻌﺎﻨﺱ ﺍﻝﺘﻲ ﺘﻠﻌﺏ ﺩﻭﺭﻫﺎ "ﻤﺭﺴﻴﺩﺱ ﻤﺎﻙ ﻜﺎﻤﺒﺭﻴﺩﺝ ‪ "Mercedes Mc Cambridge‬ﺍﻝﻤﻨﺯل‪ .‬ﻭﻴﻨﺘﻬﻲ ﺤﻜﻤﻬﺎ ﻏﻴﺭ‬
‫ﺍﻝﻤﻨﻁﻘﻲ ﻝﻠﻤﺯﺭﻋﺔ ﺒﻤﻭﺘﻬﺎ ﺒﺴﻘﻭﻁﻬﺎ ﺃﺜﻨﺎﺀ ﺭﻜﻭﺒﻬﺎ ﺍﻝﺨﻴل‪ .‬ﻭﻓﻲ ﻭﺼﻴﺘﻬﺎ‪ ،‬ﺘﺘﺭﻙ ﻗﻁﻌﺔ ﺼﻐﻴﺭﺓ ﻤﻥ ﺃﺭﻀﻬﺎ ﺇﻝـﻰ‬
‫"ﺠﻴﺕ ﺭﻴﻨﻙ ‪ "Jett Rink‬ﺍﻝﺫﻱ ﻴﻠﻌﺏ ﺩﻭﺭﻩ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻭﻫﻭ ﻋﺎﻤل ﻤﺯﺭﻋﺔ ﺸﺎﺏ ﻋﻨﻴﻑ ﻴﺘﺸﺎﺠﺭ‬
‫ﺒﺎﺴﺘﻤﺭﺍﺭ ﻤﻊ "ﺒﻴﻙ ‪ "Bick‬ﻭﺤﻠﻤﻪ ﺒﺎﻝﻴﻭﻡ ﺍﻝﺫﻱ ﺴﻭﻑ ﻴﺼﺒﺢ ﻝﺩﻴﻪ ﻤﻠﻴﻭﻨﻪ ﺍﻝﺨﺎﺹ ﻤﻥ ﺍﻝﻬﻜﺘـﺎﺭﺍﺕ‪ .‬ﻴﻘﺘﻨـﻊ ﺒـﺄﻥ‬
‫ﻤﻠﻜﻴﺘﻪ ﺍﻝﺠﺩﻴﺩﺓ ﻤﺎ ﻫﻲ ﺇﻻ ﺍﻝﺒﺩﺍﻴﺔ ﻝﺜﺭﻭﺘﻪ ﻭﺃﻥ ﺃﺤﻼﻤﻪ ﺴﻭﻑ ﺘﺘﺤﻘﻕ ﻗﺭﻴﺒﹰﺎ‪ .‬ﻴﻜﺘﺸﻑ ﺍﻝﻨﻔﻁ ﻭﻴﺼﺒﺢ ﻏﻨﻴـﹰﺎ ﺠـﺩﹰﺍ‪.‬‬
‫ﻴﺼـــــــــــــــــــــــــــــــــــــــــــــــــــﺒﺢ‬
‫ﻝـ " ﻝﻴﺯﻝﻲ ‪ " Leslie‬ﻭ " ﺒﻴﻙ ‪ " Bick‬ﺜﻼﺜﺔ ﺃﻁﻔﺎل ﻴﺫﻫﺒﻭﻥ ﻜﻠﻬﻡ ﻋﻨﺩﻤﺎ ﻴﻜﺒﺭﻭﻥ ﻀـــﺩ ﺭﻏﺒﺎﺕ ﺍﻝﻭﺍﻝـﺩﻴﻥ‪.‬‬
‫ﻴﻌﻠﻥ ﺍﺒﻨﻬﻡ "ﺠﻭﺭﺩﻱ ‪ "Jordy‬ﻋﻥ ﺯﻭﺍﺠﻪ ﻤﻥ "ﺠﻭﺍﻨﺎ ‪ "Juana‬ﺍﻝﻔﺘﺎﺓ ﺍﻝﻤﻜﺴﻴﻜﻴﺔ ﺍﻝﺠﻤﻴﻠﺔ ﺍﻝﺘﻲ ﺘﺩﺭﺱ ﺍﻝﻁﺏ‪ .‬ﻴﺭﺘﻌﺏ‬
‫"ﺒﻴﻙ ‪ "Bick‬ﻤﻥ ﻓﻜﺭﺓ ﺃﻥ ﺘﺼﺒﺢ ﻫﺫﻩ ﺍﻝﻔﺘﺎﺓ ﺍﻝﻤﻜﺴﻴﻜﻴﺔ ﺍﻝﺴﻴﺩﺓ "ﺠﻭﺭﺩﺍﻥ ﺒﻴﻨﻴﺩﻴﻜﺕ ﺍﻝﺜﺎﻝﺙ ‪."Jordan Benedict III‬‬
‫ﻭﺒﺤﺭﺝ‪ ،‬ﺘﻘﺒل ﻜل ﺍﻝﻌﺎﺌﻠﺔ ﺩﻋﻭﺓ ﻻﻓﺘﺘﺎﺡ ﻓﻨﺩﻕ ﺠﺩﻴﺩ ﻋﺎﺌﺩ ﻝـ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪ "Jett Rink‬ﻓﺎﺤﺵ ﺍﻝﺜﺭﺍﺀ ﺍﻵﻥ‪ .‬ﺍﺤﺘﺩﻡ‬
‫"ﺒﻴﻙ ‪ "Bick‬ﻻﻜﺘﺸﺎﻑ ﺃﻥ ﺍﺒﻨﺘﻪ "ﻝﻭﺯ‪ "Luz‬ﻜﺎﻨﺕ ﻜﻤﻭﺩﻴل ﻤﻠﻜﺔ ﻓﻲ ﻤﻭﻜﺏ "ﺠﻴﺕ ‪ "Jett‬ﺍﻝﻤﺜﻴﺭ‪ .‬ﻋﻨﺩﻤﺎ ﻴﺘﻡ ﺭﻓـﺽ‬
‫ﺘﻘﺩﻴﻡ ﺍﻝﺨﺩﻤﺔ ﻝـ"ﺠﻭﺍﻨﺎ ‪ "Juana‬ﻓﻲ ﺼﺎﻝﻭﻥ ﺍﻝﺘﺠﻤﻴل ﺍﻝﺘﺎﺒﻊ ﻝﻠﻔﻨﺩﻕ‪ ،‬ﻴﺒﺤﺙ "ﺠﻭﺭﺩﻱ ‪ "Jurdy‬ﺍﻝﻐﺎﻀﺏ ﻋﻥ "ﺠﻴﺕ‬
‫ﻻ ﻋﻥ ﺇﻫﺎﻨﺔ ﺯﻭﺠﺘﻪ‪ .‬ﻴﺠﺩﻩ ﻓﻲ ﻏﺭﻓﺔ ﺍﻝﻤﺎﺌﺩﺓ ﻋﻨﺩﻤﺎ ﻜﺎﻥ "ﺠﻴﺕ ‪ "Jett‬ﻴﺒﺩﺃ ﺒﺈﻝﻘﺎﺀ ﻜﻠﻤﺘـﻪ‬ ‫‪ "Jett‬ﺍﻝﺫﻱ ﻴﻌﺘﺒﺭﻩ ﻤﺴﺅﻭ ﹰ‬
‫ﺍﻝﺘﺭﺤﻴﺒﻴﺔ‪ ،‬ﻭﻗﺒل ﺃﻥ ﻴﻨﺎﻭﻝﻪ "ﺠﻭﺭﺩﻱ ‪ "Jordy‬ﺒﻜﻠﻤﺔ ﻴﻘﻭﻡ ﺍﺜﻨﺎﻥ ﻤﻥ ﺘﺎﺒﻌﻴﻪ ﺒﺘﺜﺒﻴﺕ ﻴﺩﻴﻪ ﺒﻴﻨﻤﺎ ﻴﻘـﻭﻡ "ﺠﻴـﺕ ‪Jett‬‬
‫"ﺒﻁﺭﺤﻪ ﺃﺭﻀﹰﺎ‪ .‬ﺜﻡ ﻴﺘﺤﺩﻯ "ﺒﻴﻙ ‪" "Bick‬ﺠﻴﺕ ‪ "Jett‬ﻝﻠﻘﺘﺎل ﺨﺎﺭﺠﺎﹰ‪ ،‬ﻝﻜﻥ "ﺠﻴﺕ ‪ "Jett‬ﺜﻤل ﺠﺩﹰﺍ ﻭﻋﺎﺠﺯ ﻝﺩﺭﺠـﺔ‬
‫ﻴﺘﺭﻜﻪ ﻓﻴﻬﺎ "ﺒﻴﻙ ‪ "Bick‬ﺒﺎﺸﻤﺌﺯﺍﺯ‪ .‬ﻻﺤﻘﺎﹰ‪ ،‬ﻴﻔﻘﺩ "ﺠﻴﺕ ‪ "Jett‬ﻭﻋﻴﻪ ﻋﻠﻰ ﺍﻝﻤﻨﺼﺔ ﻗﺒل ﺃﻥ ﻴﻠﻘﻲ ﻜﻠﻤﺘـﻪ‪ .‬ﺘﻐﻀـﺏ‬
‫"ﻝﻭﺯ‪ "Luz‬ﺍﻝﺸﺎﺒﺔ ﺠﺩﹰﺍ ﻤﻥ "ﺠﻭﺭﺩﻱ ‪ "Jordy‬ﻭﻤﻥ ﺍﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﺘﻌﺘﻘﺩ ﺃﻨﻬﻡ ﺨﺯﻭﺍ ﻓﻴﻬﺎ ﻭﺃﻓﺴﺩﻭﺍ ﺃﻤﺴﻴﺔ "ﺠﻴﺕ ‪"Jett‬‬
‫ﺍﻝﻜﺒﻴﺭﺓ‪ ،‬ﻭﺘﺫﻫﺏ ﺇﻝﻰ ﻏﺭﻓﺔ ﺍﻝﻤﺎﺌﺩﺓ ﺤﻴﺙ ﻻ ﻴﺯﺍل "ﺠﻴﺕ ‪ "Jett‬ﺍﻝﺜﻤل ﻴﻠﻘﻲ ﺨﻁﺒﺘﻪ ﻓﻲ ﺍﻝﻐﺭﻓـﺔ ﺍﻝﻔﺎﺭﻏـﺔ‪ .‬ﺘﻌـﻭﺩ‬
‫"ﻝﻭﺯ"ﺨﺎﺌﺒﺔ ﺍﻷﻤل ﻜﺜﻴﺭﹰﺍ ﺇﻝﻰ ﻭﺍﻝﺩﻴﻬﺎ‪ ،‬ﺒﻴﻨﻤﺎ ﻴﺄﺨﺫ "ﺒﻴﻙ ‪ "Bick‬ﻋﺎﺌﻠﺘﻪ ﻋﺎﺌﺩﻴﻥ ﺇﻝﻰ ﺍﻝﻤﺯﺭﻋﺔ‪ .‬ﻭﻤﻊ ﺍﻝﻔﺭﺤﺔ ﻭﺍﻝﺭﺍﺤﺔ‬
‫ﺍﻝﺘﻲ ﺘﻌﻠﻭﻫﻡ ﺘﻭﻗﻔﻭﺍ ﻋﻠﻰ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﻋﻨﺩ ﻤﻁﻌﻡ ﺼﻐﻴﺭ‪ .‬ﻴﻨﻅﺭ ﺃﺤﺩ ﺍﻝﺸﺒﺎﻥ ﻀﺨﻡ ﺍﻝﺠﺜﺔ ﺇﻝـﻰ "ﻝـﻭﺯ ‪"Luz‬‬
‫ﺒﻨﻔﻭﺭ ﻭﺍﺤﺘﻘﺎﺭ‪ ،‬ﻭﺒﻌﺩ ﻫﺫﺍ ﺒﻭﻗﺕ ﻗﺼﻴﺭ ﻴﺄﻤﺭ ﺍﻝﻤﺴﺎﻓﺭﻴﻥ ﺍﻝﻤﻜﺴﻴﻜﻴﻴﻥ ﺍﻝﻤﻌﺩﻤﻴﻥ ﺒﺎﻝﺨﺭﻭﺝ‪ .‬ﻴﻘﺎﺘﻠﻪ "ﺒﻴﻙ ‪ "Bick‬ﻝﻜﻨﻪ‬
‫ﻰ ﻋﻠﻰ ﺍﻷﺭﺽ‪ .‬ﻭﻓﻲ "ﺭﻴﺎﺘﺎ ‪ "Reata‬ﻴﺘﺫﻤﺭ "ﺒﻴﻙ ‪ "Bick‬ﺇﻝـﻰ‬ ‫ﻝﻡ ﻴﻜﻥ ﻨﺩﹰﺍ ﻝﺭﺠل ﺃﺼﻐﺭ ﺴﻨﹰﺎ ﻭﻴﻨﺘﻬﻲ ﺒﻪ ﺍﻷﻤﺭ ﻤﻠﻘ ‪‬‬
 ‫"ﻝﻴﺯﻝﻲ ‪ "Leslie‬ﻤﻥ ﺃﻨﻪ ﺃﺼﺒﺢ ﻓﺎﺸﻼﹰ‪ ،‬ﻭﺃﻥ ﺸﻴﺌﹰﺎ ﻝﻡ ﻴﻨﺠﺢ ﻜﻤﺎ ﺨﻁﻁ ﻝﻪ‪ .‬ﻜﺎﻥ "ﺒﻴﻙ ‪ "Bick‬ﻓـﻲ ﻋﻴﻨـﻲ "ﻝﻴﺯﻝـﻲ‬
‫‪ "Leslie‬ﻓــﻲ ﺼــﺭﺍﻋﻪ ﺍﻷﺨﻴــﺭ ﻤــﻥ ﺃﺠــل ﺍﻝﻌﺩﺍﻝــﺔ ﺍﻝﺠﻭﻫﺭﻴــﺔ ﻭﺘﺼــﺭﺥ ﺒــﻪ ﺒﺸــﺩﺓ ‪:‬‬
‫“ﺒﻌﺩ ﻤﺌﺎﺕ ﺍﻝﺴﻨﻴﻥ‪ ،‬ﻓﺈﻥ ﻋﺎﺌﻠﺔ "ﺒﻴﻨﺩﻜﺕ ‪ "Benedict‬ﻫﻲ ﻋﺒﺎﺭﺓ ﻋﻥ ﻨﺠﺎﺡ ﻜﺒﻴﺭ ﺤﻘﻴﻘﻲ”‪.‬‬
‫ﻓﻲ "ﺸﺭﻕ ﻋﺩﻥ ‪ ،"East of Eden‬ﻭﻜﺸﺨﺹ ﻏﻴـﺭ ﻤﻌـﺭﻭﻑ ﻴـﺅﺩﻱ ﺩﻭﺭﻩ ﺍﻝﺒﻁـﻭﻝﻲ ﺍﻷﻭل‪ ،‬ﺤﺼـل‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺍﻫﺘﻤﺎﻡ ﺸﺨﺼﻲ ﻜﺒﻴﺭ ﻤﻥ ﺍﻝﻤﺨﺭﺝ‪ .‬ﺒﻴﻨﻤﺎ ﻓﻲ "ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ" ﻝﻡ ﻴﻜﻥ ﺍﻝﻨﺠﻡ ﻓﻘـﻁ‪ ،‬ﺒـل‬
‫ﺃﺴﻬﻡ ﻓﻲ ﺍﻝﻜﺘﺎﺒﺔ ﻭﺍﻹﺨﺭﺍﺝ‪ .‬ﺃﻤﺎ ﻓﻲ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻓﻘﺩ ﻜﺎﻥ ﺩﻭﺭﻩ ﺃﺼﻐﺭ ﻤﻥ ﺩﻭﺭﻴﻪ ﺍﻝﺴﺎﺒﻘﻴﻥ ﻭﻋﻤل ﻤﻊ ﻨﺠﻭﻡ‬
‫ﻤﺸﻬﻭﺭﻴﻥ ﻭﺘﺤﺕ ﺇﻤﺭﺓ ﻤﺨﺭﺝ ﻋﻤل ﻓﻴﻠﻤﻪ ﺍﻷﻭل ﻋﺎﻡ ‪ 1924‬ﻗﺒل ﺴﺒﻊ ﺴﻨﻴﻥ ﻤﻥ ﻭﻻﺩﺓ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺘﺤﻭل‬
‫ﻤﻥ ﺸﺭﻏﻭﻑ ﺼﻐﻴﺭ ﻓﻲ ﺒﺭﻜﺔ ﻜﺒﻴﺭﺓ ﺇﻝﻰ ﻀﻔﺩﻉ ﻜﺒﻴﺭ ﻓﻲ ﺒﺭﻜﺔ ﺼﻐﻴﺭﺓ ﻭﺇﻝﻰ ﻀﻔﺩﻉ ﻝﻴﺱ ﻜﺒﻴﺭﹰﺍ ﺠﺩﹰﺍ ﻓﻲ ﺒﺭﻜﺔ‬
‫ﻜﺒﻴﺭﺓ‪.‬‬
‫ﺴﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻋﻥ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﺨﻼل ﻋﻤﻠﻪ ﻓﻲ "ﺸﺭﻕ ﻋﺩﻥ ‪ ."East of Eden‬ﺒﻌـﺩ‬
‫ﺫﻝﻙ ﺒﻔﺘﺭﺓ ﻗﺼﻴﺭﺓ‪ ،‬ﺍﻜﺘﺸﻑ ﺃﻥ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﻭ "ﻓﺭﻴﺩ ﻏﻭﻴﻭل ‪ "Fred Guiol‬ﻜﺎﻨﺎ ﻴﻌﻤـﻼﻥ‬
‫ﻋﻠﻰ ﺍﻝﻨﺹ ﻓﻲ ﻤﻜﺘﺏ ﻗﺭﺏ ﻏﺭﻓﺔ ﺘﺒﺩﻴل ﻤﻼﺒﺴﻪ‪ .‬ﻭﻜﺎﻥ ﻴﺫﻫﺏ ﻭﻴﻨﻀﻡ ﺇﻝﻴﻬﻤﺎ ﻓﻲ ﻜل ﻤﺭﺓ ﻜﺎﻨﺕ ﺘﺘـﻭﺍﻓﺭ ﻝﺩﻴـﻪ‬
‫ﺒﻀﻊ ﺩﻗﺎﺌﻕ‪ .‬ﻜﺎﻥ ﻴﻀﻊ ﻜل ﻤﻬﺎﺭﺍﺘﻪ ﺍﻝﺨﺎﺼﺔ ﺍﻝﺘﻲ ﺍﻜﺘﺴﺒﻬﺎ ﻤﻥ ﺠﻭﻻﺘﻪ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻭﺴﺭﻋﺎﻥ ﻤـﺎ ﺍﺴـﺘﻁﺎﻉ‬
‫ﺍﻻﺨﺘﺭﺍﻕ ﻨﺤﻭ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﻨﻔﺴﻪ‪ .‬ﺘﺤﺩﺜﺎ ﻋﻥ ﺍﻷﺤﺼﻨﺔ‪ ،‬ﻭﻋﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ‪ ،‬ﻭﻋﻥ ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﻭﻜﺜﻴﺭﹰﺍ ﻤﺎ ﺍﻋﺘﺎﺩ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﻭل‪“ :‬ﻫﻴﻪ‪ ،‬ﺃﻴﻬﺎ ﺍﻝﺴـﻴﺩ "ﺴـﺘﻴﻔﻨﺯ ‪ "Stevens‬ﺇﻥ ﺩﻭﺭ "ﺠﻴـﺕ ﺭﻴﻨـﻙ ‪ "Jett Rink‬ﺫﻝـﻙ ﻓـﻲ‬
‫"ﺍﻝﻌﻤﻼﻕ ‪ – "Giant‬ﻫﻭ ﻝﻲ”‪ .‬ﻝﻜﻥ ﻜﺎﻥ ﻝﺩﻯ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﻤﺠﻤﻭﻋﺔ ﻤﺨﺘﻠﻔﺔ ﻤﻥ ﺍﻝﺭﺅﻯ ﻤﻥ ﺃﺠـل "ﺠﻴـﺕ‬
‫ﺭﻴﻨﻙ‪ ."Jett Rink‬ﻴﻘﻭل "ﺴﺘﻴﻔﻨﺯ ‪“: "Stevens‬ﺒﺩﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻓﻲ ﻤﺨﻴﻠﺘﻨـﺎ‪-‬‬
‫ﻨﻭﻋﹰﺎ ﻤﻥ ﻋﺎﻤل ﻝﺘﺠﻬﻴﺯ ﺍﻝﻤﺭﺍﻜﺏ‪ -‬ﻭﺇﻋﻁﺎﺀ ﺸﺨﺼﻴﺔ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﺤﺠﻤﻪ ﻭﺃﺴﻠﻭﺒﻪ‪ ،‬ﻓﺈﻥ ﺍﻝﺩﻭﺭ ﻜﺎﻥ ﻋﺒﺌـﹰﺎ‬
‫ﻰ ﻗﺎﺩﺭﹰﺍ ﻋﻠﻰ ﺫﻝﻙ‪ .‬ﻜﺫﻝﻙ ﻜﺎﻥ "ﺴﺘﻴﻔﻨﺯ‪ "Stevens‬ﻗﻠﻘﹰﺎ ﻤﻥ ﻗﺩﺭﺓ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬ ‫ﻜﺒﻴﺭﹰﺍ ﻋﻠﻴﻪ‪ .‬ﻝﻜﻨﻪ ﻜﺎﻥ ﺒﺎﻝﻔﻌل ﻓﺘ ‪‬‬
‫ﻝﻺﻗﻨﺎﻉ ﺍﻝﻌﻤﺭﻱ‪ ،‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻤﺘﻁﻠﺒﹰﺎ ﻫﺎﻤﹰﺎ ﻤﻥ ﺃﺠل ﻜﺎﺘﺏ ﺍﻝﻨﺹ ﻓﻲ ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﻼﺤﻘﺔ‪".‬ﺠﻴﺕ ﺭﻴﻨﻙ ‪ "Jett Rink‬ﻜﻤﺎ‬
‫ﻴﻌﺭﻓﻪ ﺍﻝﻨﺹ ﻫﻭ‪“ :‬ﻓﺘﻰ ﻓﻘﻴﺭ ﻴﻜﺴﺏ ﻤﺎﺌﺔ ﻤﻠﻴﻭﻥ ﺩﻭﻻﺭ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻜﻭﻨﻪ ﺩﺍﺌﻡ ﺍﻝﻐﻀﺏ‪ ،‬ﻗﻠﻘﹰﺎ‪ ،‬ﻤﺭﺘﺒﻜ ﹰﺎ ﻭﻁﺎﺌﺸﹰﺎ‬
‫ﻤﻊ ﺴﺤﺭ ﺤﻴﻭﺍﻨﻲ ﻭﺠﺎﺫﺒﻴﺔ ﻗﺎﺭﻭﻥ‪ .‬ﻴﺠﺩ ﻁﺭﻴﻘﻪ ﻭﻴﻀﻴﻊ ﻁﺭﻴﻘﻪ ﺒﻌﻨﻑ ﻤﺘﺴﺎﻭ‪ .‬ﺫﻜﻲ ﺒﺎﺴﺘﺨﺩﺍﻡ ﻴﺩﻴﻪ‪) .‬ﺍﻝﻌﻤﺭ‪ :‬ﻴﺒﺩﺃ‬
‫ﺒﺤﻭﺍﻝﻲ ‪ 21‬ﻭﻴﺫﻫﺏ ﺤﺘﻰ ‪.” (45‬‬

‫ﻝﻜﻥ ﺍﺴﺘﻤﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻝﺘﺴﻜﻊ ﻗﺭﻴﺒﹰﺎ ﻭﺒﻘﻲ ﻴﺴﺄل‪ ،‬ﻭﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﺒﻌﺩ ﺭﻓﺽ "ﺃﻻﻥ ﻻﺩ ‪"Allan Ladd‬‬
‫ﻝﻠﺩﻭﺭ‪ ،‬ﺴﻤﺢ ﻝﻪ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﺒﻘﺭﺍﺀﺓ ﺍﻝﻨﺹ‪ .‬ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻅﻬﺭ ﻓﻲ ﺍﻝﻤﻜﺘﺏ ﻭﻫﻭ ﻤﺘﻘﺩ ﺒﺎﻝﺤﻤﺎﺴﺔ‪،‬‬
‫ﻭﺴﻤﺢ ﻝﻪ ﺍﻝﻤﺨﺭﺝ ﺒﺄﻥ ﻴﻜﻭﻥ ﺭﺒﻤﺎ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪."Jett Rink‬‬
‫ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﺫﻱ ﺒﺩﺃ ﻓﻴﻪ ﺘﺼﻭﻴﺭ "ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺠﻌل"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﺠﺎﺡ ﻓﻴﻠﻤﻪ "ﺸﺭﻕ ﻋﺩﻥ ‪East of‬‬
‫‪ "Eden‬ﺃﻜﺜﺭ ﺃﻫﻤﻴﺔ ﻝﻸﺴﺘﻭﺩﻴﻭ ﻋﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ﻋﻨﺩﻤﺎ ﺘﻭﺴل ﻝـ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﻤـﻥ ﺃﺠـل‬
‫ﺍﻝﺩﻭﺭ‪ .‬ﻜﺎﻥ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻭ "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﻴﻔﺎﻭﻀﺎﻥ ﻤﻥ ﺃﺠل ﻋﻘﺩ ﻝﻤﺩﺓ ﺴﺒﻊ ﺴﻨﻴﻥ‬
‫ﻴﺩﻓﻊ ﻝﻬﻤﺎ ﻓﻴﻪ ﻤﺒﻠﻎ ﻤﺎﺌﺔ ﺃﻝﻑ ﺩﻭﻻﺭ ﻝﻜل ﻓﻴﻠﻡ ﻭﻴﺴﻤﺢ ﺒﺼﻨﺎﻋﺔ ﺍﻷﻓﻼﻡ ﺍﻝﺨﺎﺭﺠﻴﺔ ﺃﻴﻀﹰﺎ‪ .‬ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﺍﻝﺼـﻔﻘﺎﺕ‬
‫ﺍﻝﻤﺨﺒﺄﺓ ﻋﻥ "ﻭﺍﺭﻨﺭ ﺒﺭﺫﺭﺯ‪ "Warner Brothers‬ﻋﺭﺽ ﻗﺩﻤﺘﻪ "ﺇﻡ ﺠﻲ ﺇﻡ ‪ "M.G.M‬ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻴﻠﻌـﺏ‬
‫ﺩﻭﺭ "ﺭﻭﻜﻲ ﻏﺭﺍﺯﻴﺎﻨﻭ ‪ "Rocky Graziano‬ﻓﻲ "ﻫﻨﺎﻙ ﻓﻲ ﺍﻷﻋﻠﻰ ﺃﺤﺩ ﻤﺎ ﻴﺤﺒﻨـﻲ ‪Somebody Up There Likes‬‬
‫‪ ،"Me‬ﻭﺫﻜﺭﺕ "ﺒﺎﺭﺍﻤﺎﻭﻨﺕ ‪ "Paramount‬ﺇﻤﻜﺎﻨﻴﺔ ﺍﺴﺘﺌﺠﺎﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺃﺠل ﺩﻭﺭ "ﺠـﻴﻡ ﺒﻴﺭﺴـﺎل ‪Jim‬‬
‫‪ "Piersall‬ﻓﻲ "ﺍﻝﺨﻭﻑ ﻴﻀﺭﺏ ‪ ."Fear Strikes Out‬ﻭﻜﺎﻥ ﻫﻨﺎﻙ ﻤﺸﺭﻭﻉ ﺁﺨﺭ ﻤﻥ "ﻭﺍﺭﻨـﺭ ﺒـﺭﺫﺭﺯ ‪Warner‬‬
‫‪ "Brothers‬ﻴﺘﻌﻠﻕ ﺒﺠﻌل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﺠﻤﹰﺎ ﻓﻲ ﻓﻴﻠﻡ ﻜﺎﻭﺒﻭﻱ ﻴﻘﺩﻡ ﻓﻴﻪ "ﺍﻝﻔﺘﻰ ﺒﻴﻠﻠـﻲ ‪ "Billy The Kid‬ﻝـﻴﺱ‬
‫ﻜﺒﻁل ﻓﻲ "ﺍﻝﻐﺭﺏ ﺍﻝﻘﺩﻴﻡ" ﻝﻜﻥ ﻜﻘﺎﺘل ﺒﺎﺭﺩ ﺒﻭﺠﻪ ﻁﻔﻭﻝﻲ‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺃﻴﻀﹰﺎ ﺤﺩﻴﺙ ﺇﺩﺍﺭﻴﻴﻥ ﻋﻠﻰ ﻤﺎﺌـﺩﺓ ﺍﻝﻐـﺩﺍﺀ‬
‫ﻝﻭﻀﻌﻪ ﻓﻲ ﻨﺴﺨﺔ ﻓﻴﻠﻡ "ﺍﻷﻤﺭﻴﻜﺎﻥ ﺍﻝﻤﻼﻋﻴﻥ‪ "Damn Yankees‬ﺍﻝﺫﻱ ﺍﺸﺘﺭﺍﻩ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻤﻥ ﺒـﺭﻭﺩﻭﺍﻱ‪ .‬ﻜﺎﻨـﺕ‬
‫ﺍﻝﻤﻔﺎﻭﻀﺎﺕ ﺒﺨﺼﻭﺹ ﻋﻘﺩﻩ ﺍﻝﺠﺩﻴﺩ ﻗﺎﺌﻤﺔ ﺤﻴﻥ ﻏﺎﺩﺭ ﺍﻝﻤﻭﻗﻊ‪.‬‬
‫ﻜﺎﻥ ﺠﺩﻭل ﺘﺼﻭﻴﺭ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻝﻤﺩﺓ ﻋﺸﺭﺓ ﺃﺴﺎﺒﻴﻊ ﻗﺩ ﻤﺭ ﻓﻲ ﺠﻨﻭﺏ ﻏﺭﺏ ﺘﻜﺴـﺎﺱ ﻗـﺭﺏ ﺒﻠـﺩﺓ‬
‫"ﻤﺎﺭﻓﺎ ‪ "Marfa‬ﺍﻝﺼﻐﻴﺭﺓ‪ ،‬ﺤﻴﺙ ﻜﺎﻨﺕ ﺍﻝﺤﺩﻭﺩ ﺍﻝﻤﻜﺴﻴﻜﻴﺔ ﺘﺒﻌﺩ ﺃﻗل ﻤﻥ ﺴﺎﻋﺔ ﻗﻴﺎﺩﺓ ﺒﺎﺘﺠﺎﻩ ﺍﻝﺠﻨـﻭﺏ‪ .‬ﺍﺭﺘﻔﻌـﺕ‬
‫ﺩﺭﺠﺎﺕ ﺍﻝﺤﺭﺍﺭﺓ ﻓﻲ ﺍﻝﻨﻬﺎﺭ ﺇﻝﻰ ‪ 120‬ﺩﺭﺠﺔ ﻓﻲ ﺍﻝﻅل‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻓﻨﺩﻕ ﻭﺍﺤﺩ ﻭﺼﺎﻝﺘﺎ ﺃﻓﻼﻡ ﺘﻌﺭﻀﺎﻥ ﻜﻼﻫﻤـﺎ‬
‫ﺃﻓﻼﻤﹰﺎ ﻤﻜﺴﻴﻜﻴﺔ‪.‬‬
‫ﺤﺩﺙ ﺃﻥ "ﺠﻭ ﺒـﺭﺍﻭﻥ ‪ ،" Joe Brown‬ﺍﻝﻤﻤﺜـل ﺍﻝﺸـﺎﺏ ﺍﻝـﺫﻱ ﻋـﺭﻑ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﻓـﻲ " ﻓﻨـﻭﻥ‬
‫ﺍﻝﻤﺴﺭﺡ ‪ "Theatre Arts‬ﻓﻲ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ -‬ﻝﻭﺱ ﺃﻨﺠﻠﺱ ‪ "UCLA‬ﻗﺩ ﺤﺼل ﻋﻠﻰ ﺩﻭﺭ )ﻓﻲ ﻓﻴﻠﻤﻪ‪" ،‬ﻓﻴﻜﺘﻭﺭ‬
‫ﻤﻴﻼﻥ ‪ ("Victor Millan‬ﻋﺎﻤل ﻤﺯﺭﻋﺔ ﻤﻜﺴﻴﻜﻲ "ﺃﻨﺠﻴل ﺃﻭﺒﺭﻴﻐﻭﻥ ‪ ."Angel Obregon‬ﻴﺫﻜﺭ ﻭﺼـﻭﻝﻪ ﻝﻠﻤﻭﻗـﻊ‬
‫ﺒﺎﻜﺭﹰﺍ ﻓﻲ ﺘﻤﻭﺯ‪ /‬ﻴﻭﻝﻴﻭ‪“ :‬ﻜﺎﻥ ﻭﻗﺕ ﺍﻝﻌﺸﺎﺀ ﻋﻨﺩﻤﺎ ﻭﺼﻠﻨﺎ ﻫﻨﺎﻙ‪ .‬ﺤﻀﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝـﻰ ﻏﺭﻓـﺔ ﺍﻝﻁﻌـﺎﻡ‬
‫ﻭﻨﻅﺭ‪ ،‬ﻭﺸﺎﻫﺩﺕ ﺃﻨﻪ ﻗﺩ ﻋﺭﻓﻨﻲ‪ ،‬ﻭﻗﺩﻤﺕ ﻝﻪ ﻜـ "ﻓﻴﻜﺘﻭﺭ ﻤﻴﻼﻥ ‪ ،"Victor Millan‬ﻭﻗﺎل‪“ :‬ﺃﻫﻼﹰ‪" ،‬ﺠـﻭ ‪. ” "Joe‬‬
‫ﻭﺃﻋﺘﻘﺩ ﺃﻥ ﻫﺫﺍ ﻜﺎﻥ ﻨﻭﻋﹰﺎ ﻤﻥ ﺍﻝﻠﻁﻑ”‪.‬‬
‫“ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻁﻴﻔﹰﺎ ﺠﺩﺍﹰ‪ ،‬ﺴﻌﻴﺩﹰﺍ ﺠﺩﺍﹰ‪ ،‬ﻝﻜﻥ ﻭﻓﺠﺄﺓ ﻓﺈﻨﻪ ﻴﺘﻐﻴﺭ‪ .‬ﻭﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﺃﺫﻜﺭ ﺃﻨﻪ ﻭ "ﺒـﻭﺏ‬
‫‪) "Bob‬ﻤـــــــﺩﺭﺏ ﻝﻬﺠـــــــﺔ ﺘﻜﺴـــــــﺎﺱ(‬ ‫‪Hinkle‬‬ ‫ﻫﻴﻨﻜـــــــل‬
‫ﻼ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻠﻘﻁﺎﺕ ﺍﻝﻁﻭﻴﻠﺔ( ﻜﺎﻨﺎ ﺴﻭﻑ‬ ‫ﻼ ﺒﺩﻴ ﹰ‬
‫ﻭ "ﺠﻭ ﺩﻱ ﺃﻨﺠﻴﻠﻭ ‪) "Joe Di Angelo‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻤﻤﺜ ﹰ‬
‫ﻴﺨﺭﺠﺎﻥ ﻓﻲ ﺴﻴﺎﺭﺓ ﺠﻴﺏ ﻭﻋﻠﻴﻬﺎ ﻀﻭﺀ ﻜﺎﺸﻑ ﻤﻥ ﺃﺠل ﺼﻴﺩ ﺍﻷﺭﺍﻨﺏ ﻭﺫﺌﺎﺏ ﺍﻝﻘﻴﻭﻁ‪ .‬ﻋﺎﺩﺍ ﺒﻌﺩ ﺫﻝـﻙ ﻭﺃﻏـﺎﻅ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻔﺘﻴﺎﺕ ﺒﺎﻷﺭﺍﻨﺏ ﻭﺫﺌﺎﺏ ﺍﻝﻘﻴﻭﻁ ﺍﻝﺘﻲ ﺃﻁﻠﻕ ﻋﻠﻴﻬﺎ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﺭﺼﺎﺹ‪ .‬ﺫﻫﺒﺕ ﻤﻌﻬﻤﺎ ﻤﺭﺓ ﻭﻗﺎﺩ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺭﺠل ﻤﺠﻨﻭﻥ‪ .‬ﻜﺎﻥ ﻴﻀﺤﻙ‪ ،‬ﻭﻜﺄﻨﻪ ﻜﺎﻥ ﻴﺤﺎﻭل ﺇﺨﺎﻓﺘﻲ ﻤﺘﻌﻤﺩﹰﺍ”‪.‬‬
‫“ ﻭﺍﻋﺘﻘﺩﺕ ﺃﻥ ﻫﺫﺍ ﻜﺎﻥ ﺘﺼﺭﻓﹰﺎ ﻏﺭﻴﺒﹰﺎ ﻷﻨﻨﻲ ﻋﺭﻓﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺸﺨﺹ ﻫﺎﺩﺉ ﻭﺤﺴﺎﺱ ﻭﻝﻁﻴﻑ ‪.‬‬
‫ﻼ ﻭﺃﺜﻘل‪ ،‬ﻭﻻﺤﻅﺕ ﺃﻥ ﻤﻥ ﺴﻤﻴﺘﻪ ﻜﺴﻼﻥ "ﺃﺴـﺘﻭﺩﻴﻭ‬ ‫ﻝﻜﻨﻪ ﻜﺎﻥ ﺠﺴﺩﻴﹰﺎ ﻗﺩ ﺍﻜﺘﺴﺏ ﻤﺯﻴﺩﹰﺍ ﻤﻥ ﺍﻝﻌﻀﻼﺕ‪ .‬ﻜﺎﻥ ﺜﻘﻴ ﹰ‬
‫ﺍﻝﻤﻤﺜﻠﻴﻥ ‪ "Actors Studio‬ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻝﻪ ﻋﺎﺩﺓ ﻤﺴﺘﺤﻜﻤﺔ ﻓﻲ ﺍﻝﻜﻼﻡ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻨﺴﻰ‪ ،‬ﻜﺎﻥ ﻴﻔﻘﺩ ﻫﺫﻩ ﺍﻝﻌﺎﺩﺓ ﺜﻡ‬
‫ﻴﺘﺫﻜﺭ ﺃﻨﻪ ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﻝﺩﻴﻪ ﻫﺫﻩ ﺍﻝﻌﺎﺩﺓ‪ ،‬ﻭﻻﺤﻅﺕ ﺃﻥ ﺍﻝﻤﻔﺘﺎﺡ ﻫﻭ ﺍﻝﺘﻐﻴﻴﺭ ﻓﻲ ﻨﻤﻁ ﺘﻜﻠﻤﻪ‪ .‬ﻜﺎﻥ ﻴﺠﻌﻠﻬـﺎ ﻜــ‬
‫"ﺴﺘﻴﻑ ﻤﺎﻜﻭﻴﻥ ‪."Steve McQueen‬ﻗﺎﻡ "ﺒﺭﺍﻨﺩﻭ‪ "Barndo‬ﺒﻌﻤل ﻫﺫﺍ ﺜﻡ ﻓﻌل ﻜل ﺸﺨﺹ ﻫﺫﺍ‪.‬‬
‫ﻝﻜﻥ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺸﻲﺀ ﻭﺍﺤﺩ ﺒﻘﻲ ﻤﻌﻪ ﻤﻥ ﺃﻴﺎﻡ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ‪ -‬ﻝﻭﺱ ﺃﻨﺠﻠـﻴﺱ ‪ ."UCLA‬ﻗﺒـل ﺃﻥ‬
‫ﻴﺼﻌﺩ ﻋﻠﻰ ﺍﻝﺨﺸﺒﺔ ﻝﻡ ﻴﻜﻥ ﻤﺜل ﺒﻘﻴﺔ ﺍﻝﻘﻁﻁ ﺍﻝﺘﻲ ﺘﻠﻌﺏ ﻫﻨﺎﻙ ﻭﻫﻨﺎﻙ‪ .‬ﺒل ﻜﺎﻥ ﻴﻬﺩﺃ ﺜﻡ ﻴﻨﻁﻠﻕ! ﻗﺎﻡ ﺒﻔﻌـل ﻫـﺫﺍ‬
‫ﺍﻝﺸﻲﺀ ﻨﻔﺴﻪ ﻤﻊ "ﺍﻝﻌﻤﻼﻕ"‪“ .‬ﻜﻨﺕ ﺃﺘﺴﻜﻊ ﻭﺃﺭﺍﻗﺒﻪ ﻴﺼ ‪‬ﻭﺭ ﻭﻗﺩ ﻻﺤﻅﺕ ﺘﺭﻜﻴﺯﻩ‪ ،‬ﺫﻝﻙ ﺍﻝﺘﺭﻜﻴﺯ ﺍﻝﻌﻅﻴﻡ‪ ،‬ﻤﺎ ﺃﻋﻨﻴﻪ‪،‬‬
‫ﺃﻨﻪ ﻜﺎﻥ ﻤﻨﻜﺒﹰﺎ ﺘﻤﺎﻤﹰﺎ ﻋﻠﻰ ﻤﺸﻬﺩ ﺒﺤﻴﺙ ﺇﻨﻪ ﻝﻭ ﺃﻁﻠﻕ ﻋﻴﺎﺭ ﻨﺎﺭﻱ ﺃﻤﺎﻤﻪ ﻝﻤﺎ ﺴﻤﻌﻪ‪ .‬ﻜﺎﻥ ﻴﻠﻌﺏ ﻫﻨﺎ ﻭﻫﻨـﺎﻙ ﻗﺒـل‬
‫ﺃﺩﺍﺌﻪ ﻝﻠﻤﺸﻬﺩ ﺒﻤﺩﺓ ﻁﻭﻴﻠﺔ‪ ،‬ﻭﻝﻜﻨﻪ ﻭﺒﺒﻁﺀ ﻓﺈﻨﻙ ﺘﺭﻯ ﻫﺫﺍ ﺍﻻﻨﺴﻼﺥ ﻭ ﻗﺩ ﺒﺩﺃ ﺒﺎﻝﺤﺩﻭﺙ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻥ ﻜﺜﻴﺭﹰﺍ ﻤﻥ ﺍﻝﻨﺎﺱ‬
‫ﺃﺴﺎﺅﻭﺍ ﻓﻬﻡ ﺫﻝﻙ‪ ،‬ﻤﻌﺘﻘﺩﻴﻥ ﺃﻨﻪ ﻤﺘﻜﺒﺭ‪ ،‬ﻝﻜﻥ ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﻤﻤﺜل ﺃﻥ ﻴﻔﻌل ﻫﺫﺍ”‪.‬‬
‫ﺘﻠﻘﻰ "ﺠﻭ ﺒﺭﺍﻭﻥ ‪ "Joe Brown‬ﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻤﻜﺎﻝﻤﺔ ﻤﺘﺄﺨﺭﺓ ﻭﻜﺎﻥ ﻴﻘﻑ ﺃﻤـﺎﻡ ﺍﻝﻔﻨـﺩﻕ ﺒﺎﻨﺘﻅـﺎﺭ‬
‫ﺍﻝﺴﻴﺎﺭﺓ )ﺴﻴﺎﺭﺓ ﺫﺍﺕ ﺸﻜل ﻴﺴﺘﻌﻤل ﻓﻲ ﺍﻝﻤﻁﺎﺭﺍﺕ ﺍﻋﺘﺎﺩ ﻁﺎﻗﻡ ﺍﻝﻌﻤل ﺍﻝﺭﻜﻭﺏ ﻓﻴﻬﺎ ﻝﻼﻨﺘﻘﺎل ﻤﻥ ﻭﺇﻝﻰ ﺍﻝﻤﻭﻗـﻊ(‪.‬‬
‫ﻻ ﻤﺘﺄﺨﺭﺍﹰ ﻓﻲ ﺇﺤﺩﻯ ﺴﻴﺎﺭﺍﺕ ﺍﻝﻠﻴﻤﻭﺯﻴﻥ ﺍﻝﻔﺨﻤﺔ ﺍﻝﻤﻜﻴﻔﺔ ﻭﺍﻝﻤﺤﺠﻭﺯﺓ‬‫ﺼﻌﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺫﻱ ﺘﻠﻘﻰ ﺃﻴﻀﹰﺎ ﺍﺘﺼﺎ ﹰ‬
‫ﻝﻠﻨﺠﻭﻡ ﻭﺩﻋﺎ "ﺠﻭ ‪ "Joe‬ﻝﻠﺭﻜﻭﺏ ﻤﻌﻪ‪.‬‬
‫ﻼ ﻋـﻥ‬ ‫ﻜﺎﻨﺎ ﻭﺤﺩﻫﻤﺎ ﺨﻠﻑ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﻜﺒﻴﺭﺓ‪ .‬ﻨﻅﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﺎﺭﺝ ﺍﻝﻨﺎﻓﺫﺓ‪ ،‬ﻭﺘﺤﺩﺙ "ﺠﻭ ‪ "Joe‬ﻗﻠـﻴ ﹰ‬
‫ﺃﻴﺎﻤﻬﻤﺎ ﻓﻲ ﺍﻝﺠﺎﻤﻌﺔ‪ .‬ﻭﻓﻲ ﻝﺤﻅﺔ ﻤﺎ ﺴﺄل "ﺠﻴﻤﻲ ‪“ :"Jimmy‬ﻫل ﻻ ﻴﺯﺍل "ﺒﺎﻴﺎﻨﻭ ‪ "Biano‬ﻤﻊ "ﻭﺭﻨـﺭﺯ ‪Warners‬‬
‫"؟”‪ .‬ﻗﺎل "ﺠﻭ‪“ :"Joe‬ﺍﻝﻠﻌﻨﺔ‪ ،‬ﺃﻨﺕ ﻤﻥ ﺍﻋﺘﺩﺕ ﺃﻥ ﺘﻌﺭﻑ”‪ .‬ﻤﺭﺕ ﻝﺤﻅﺔ‪ ،‬ﺒﻌﺩﻫﺎ ﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺸﻜل ﻫﺎﺩﺉ‬
‫ﻭﻭﺍﻀﺢ‪ “ :‬ﺍﺒﻥ ﺍﻝﺤﺭﺍﻡ ﺫﻝﻙ‪ .‬ﺃﺘﺴﺎﺀل ﻋﻤﺎ ﻴﻔﻜﺭ ﻓﻴﻪ ﺍﻵﻥ؟”‪ .‬ﺘﺫﻜﺭ "ﺠﻭ ‪ "Joe‬ﺸﻴﺌﹰﺎ ﺤﺩﺙ ﻓﻲ ﺍﻝﺠﺎﻤﻌـﺔ‪ .‬ﺍﻨﻘﻁـﻊ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻥ ﺍﻝﺩﺭﻭﺱ ﻝﻠﺨﺭﻭﺝ ﺇﻝﻰ "ﻭﺭﻨﺭ ﺒﺭﺍﺫﻭﺭﺯ‪ "Warner Brothers‬ﻭﺘﺭﻙ ﻓﻴﻠﻤـﻪ‪ .‬ﺃﺨﺒـﺭﻩ ﻤـﺩﻴﺭ‬
‫ﺍﻝﺘﻤﺜﻴل "ﺴﻭﻝﻲ ﺒﺎﻴﺎﻨﻭ‪ "Solly Baiano‬ﺃﻨﻪ ﻝﻥ ﻴﻨﺠﺢ ﻓﻲ ﺍﻷﻓﻼﻡ ﻷﻨﻪ ﻜﺎﻥ ﻗﺼﻴﺭﹰﺍ ﺠﺩﹰﺍ‪.‬‬
‫ﻜﺎﻥ ﻤﻭﻗﻊ "ﺍﻝﻌﻤﻼﻕ" ﻋﺸﺭﺓ ﻫﻜﺘﺎﺭﺍﺕ ﺍﺨﺘﺎﺭﻫﺎ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﻷﻨﻪ ﻜﺎﻥ ﻤﻐﻁﻰ ﺒﻌﺸﺏ‬
‫ﺍﻝﺠﺎﻤﻭﺱ ﺍﻷﺒﻴﺽ‪ .‬ﺃﺭﺍﺩ ﺃﺭﻀﹰﺎ ﻤﺸﺭﻗﺔ ﺒﺨﻼﻑ ﻤﻨﺯل ﻋﺎﺌﻠﺔ "ﺒﻴﻨﻴـﺩﻴﻜﺕ ‪ "Benedict‬ﺍﻝﻔﻴﻜﺘـﻭﺭﻱ ﺫﻱ ﺍﻝﻁـﺭﺍﺯ‬
‫ﺍﻝﻤﻌﺘﻡ‪ .‬ﻴﻘﻭل ﺍﻝﻨﺹ‪“ :‬ﻓﺠﺄﺓ‪ ،‬ﻓﺈﻥ ﺍﻝﻤﻨﺯل ﺍﻝﺭﺌﻴﺴﻲ ﺍﻝﻭﺍﺴﻊ ﻭﺍﻝﺸﺒﻴﻪ ﺒﺎﻝﻘﻠﻌﺔ ﻴﻁل ﻓﻲ ﺍﻷﻓﻕ ﺒﺼﻭﺭﺓ ﻫﺎﺌﻠـﺔ ﻋﻠـﻰ‬
‫ﺍﻝﺴﻬل ﺍﻝﻤﻨﺒﺴﻁ”‪.‬‬
‫ﻴﻘﻭل "ﺠﻭ ﺒﺭﺍﻭﻥ ‪ “ :"Joe Brown‬ﻝﻡ ﻴﻘﻭﻤﻭﺍ ﺒﺒﻨﺎﺀ ﺍﻝﺩﺍﺨل‪ ،‬ﺒل ﺒﻨﻭﺍ ﻓﻘﻁ ﺍﻝﻭﺍﺠﻬﺔ‪ .‬ﻭﺃﻨﺎ ﺃﻓﻬﻡ ﻝﻭﺤﺎﺕ ﺍﻝﻨﺎﺱ‬
‫ﺍﻝﺠﺎﻤﺩﻴﻥ‪ .‬ﻜﺎﻥ ﻝﻠﻌﺎﺌﻠﺔ ﺤﻅ ﻜﺒﻴﺭ ﻤﻥ ﺍﻝﺸﻬﺭﺓ ﻷﻨﻪ ﺃﺤﺎﻁ ﺍﻝﻤﻜﺎﻥ ﺤﻴﺙ ﻜل ﺍﻝﻨﺎﺱ ﺍﺴﺘﻁﺎﻋﻭﺍ ﺍﻝﻘﺩﻭﻡ ﻭﻜﺎﻨﻭﺍ ﻴﺄﺘﻭﻥ‬
‫ﻤﻥ ﺍﻝﺒﻠﺩﺍﺕ ﺍﻝﻘﺭﻴﺒﺔ‪ -‬ﻭﻓﻲ ﺍﻝﻭﺍﻗﻊ‪ ،‬ﺤﺘﻰ ﺒﻌﺽ ﺃﺼﺤﺎﺏ ﺍﻝﻤﻠﻴﺎﺭﺍﺕ ﻜﺎﻨﻭﺍ ﻴﻁﻴﺭﻭﻥ ﺇﻝﻰ ﻫﻨﺎﻙ ﻓﻴﻁﻌﻤﻬﻡ ﻭﻴﺴﻘﻴﻬﻡ‪.‬‬
‫ﻜﻨﺕ ﺃﻋﺭﻑ ﺃﻨﻪ ﻴﺒﻴﻊ ﺍﻝﺘﺫﺍﻜﺭ ﻷﻥ ﻜل ﺸﺨﺹ ﺃﺘﻰ ﺇﻝﻰ ﻫﻨﺎﻙ ﻜﺎﻥ ﻴﺨﺭﺝ ﻝﻤﺸﺎﻫﺩﺓ ﺫﻝﻙ ﺍﻝﻤﻨﺯل ﺍﻝﻠﻌـﻴﻥ‪ .‬ﻝﻜﻨـﻪ‬
‫ﺃﺤﺎﻁﻬﻡ ﺒﺎﻝﺤﺒﺎل ﻓﻌﻠﻴﹰﺎ”‪.‬‬
‫“ﻜﺎﻥ "ﺴﺘﻴﻔﻨﺯ‪ "Stevens‬ﻨﻅﺎﻤﻴﹰﺎ ﺠﺩﺍﹰ‪ ،‬ﻓﻘﺎﺩ ﺍﻷﻤﻭﺭ ﻭﻜﺄﻨﻪ ﻀﺎﺒﻁ‪ .‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻝﻁﻴﻔﹰﺎ ﻤﻊ ﺍﻝﻤﻤﺜﻠﻴﻥ ﻭﻝﺒﻘﹰﺎ ﻤﻌﻬﻡ‪.‬‬
‫ﻼ ﺃﻥ ﻴﻘﻭﻡ "ﺴـﺘﻴﻔﻨﺯ‬ ‫ﻜﺎﻨﺕ ﻝﺩﻴﻪ ﺍﻝﻁﺭﻴﻘﺔ ﺒﺈﻨﺠﺎﺯ ﺍﻝﻌﻤل ﻝﻙ‪ .‬ﻭﻜﺎﻥ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻝﻥ ﺃﻗﻭل ﻤﻁﻴﻌﹰﺎ ﻝﻜﻨﻪ ﻜﺎﻥ ﻗﺎﺒ ﹰ‬
‫‪ "Stevens‬ﺒﺈﺨﺭﺍﺠﻪ‪ .‬ﺃﻅﻬﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻻﺤﺘﺭﺍﻡ ﻨﺤﻭ "ﺴﺘﻴﻔﻨﺯ" ﻜﻤﺨﺭﺝ”‪.‬‬
‫ﻝﻌﺒﺕ "ﺠﻴﻥ ﻭﻴﺫﺭﺯ‪) "Jane Withers‬ﺍﻝﺘﻲ ﻝﻌﺒﺕ ﺩﻭﺭ "ﻓﺎﺸﺘﻲ ﺴﻨﻴﺙ ‪ "Vashti Snythe‬ﻓﻲ ﺍﻝﻔﻴﻠﻡ( ﻜﺫﻝﻙ ﺩﻭﺭﹰﺍ‬
‫ﻻ ﻝﻬﺎ ﻓﻲ "ﻤﺎﺭﻓﺎ ‪ "Marfa‬ﺍﻝﺫﻱ ﻋﺭﻑ ﻻﺤﻘـﹰﺎ‬ ‫ﻓﻲ ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻤﻭﻗﻊ‪ .‬ﺍﺴﺘﺄﺠﺭ "ﺴﺘﻴﻔﻨﺯ‪"Stevens‬ﻤﻨﺯ ﹰ‬
‫ﺒـ "ﻤﻨﻅﻤﺔ ﺍﻝﺨﺩﻤﺔ ﺍﻝﻤﺘﺤﺩﺓ ﻝﻭﻴﺫﺭﺯ ‪ ."Wither's USO‬ﺍﺸﺘﺭﻯ ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﺍﻻﺴﻁﻭﺍﻨﺎﺕ ﻭﺍﻝﻜﺘﺏ ﻭ ﺍﻷﻝﻌﺎﺏ‬
‫ﻭﻗﻁﻊ ﺍﻝﻜﻌﻙ ﻝﺘﺒﻘﻰ ﺍﻝﻁﻭﺍﻗﻡ ﻤﺒﺘﻬﺠﺔ‪ .‬ﻋﺭﻓﺕ ﻤﻥ ﺨﻼل ﺨﺒﺭﺘﻬﺎ ﻓﻲ ﺍﻻﺸﺘﺭﺍﻙ ﺒﺄﻜﺜﺭ ﻤﻥ ﻤﺎﺌﺔ ﻓﻴﻠﻡ ﺃﻥ ﻜل ﺸﺨﺹ‬
‫ﻜﺎﻥ ﺴﻴﺼﺎﺏ ﺒﺎﻝﻤﻠل ﻓﻲ ﻝﺤﻅﺔ ﻓﻲ ﺒﻠﺩﺓ ﺘﻜﺴﺎﺱ ﺍﻝﻤﻠﻔﻭﺤﺔ ﺒﺎﻝﺸﻤﺱ‪ .‬ﻜﺎﻥ ﻝﺩﻯ "ﻤﻨﻅﻤﺔ ﺍﻝﺨﺩﻤﺔ ﺍﻝﻤﺘﺤﺩﺓ ﻝﻭﻴـﺫﺭﺯ‬
‫‪ "Wither's USO‬ﻗﺎﻋﺩﺓ ﻭﺍﺤﺩﺓ ‪ :‬ﻝﻌﺏ ﺍﻝﻭﺭﻕ‪ ،‬ﻗﻁﻊ ﻤﻥ ﺍﻝﻠﺤﻡ ﺍﻝﺒﺎﺭﺩ‪ ،‬ﻭﻤﺸﺭﻭﺏ ﻜﻨﺩﺍ ﺩﺭﺍﻱ ﻤﺴﻤﻭﺡ ﺒﻬـﺎ‪ ،‬ﺃﻤـﺎ‬
‫ـﻭل ‪:‬‬
‫ـﺎﺕ‪ .‬ﺘﻘــــ‬ ‫ـﻥ ﺍﻝﻤﺤﺭﻤــــ‬ ‫ـﻲ ﻤــــ‬ ‫ـﻭﻜﺭ ﻓﻬــــ‬ ‫ـﺏ ﺍﻝﺒــــ‬ ‫ـﺭﻭﺏ ﻭﻝﻌــــ‬ ‫ﺍﻝﻤﺸــــ‬
‫“ﻴﺎ ﺠﻤﺎﻋﺔ ﻴﺠﺏ ﻋﻠﻴﻜﻡ ﺃﻥ ﺘﻜﻭﻨﻭﺍ ﻤﺸﻐﻭﻝﻴﻥ ﺒﺎﻷﻓﻜﺎﺭ ﺍﻝﺠﻴﺩﺓ”‪.‬‬
‫ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻝﻡ ﻴﺄﺕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺜﻴﺭﹰﺍ‪ .‬ﻋﻨﺩﻤﺎ ﻜﺎﻨﺕ "ﺠﻴﻥ ‪ "Jane‬ﺘﺼﺎﺩﻓﻪ ﻋﻠﻰ ﺍﻝﻐﺩﺍﺀ ﺃﻭ ﻓـﻲ ﻤﻭﻗـﻊ‬
‫ﺍﻝﺘﺼﻭﻴﺭ ﻜﺎﻨﺕ ﺘﻘﻭل ﻝﻪ‪ “ :‬ﻝﻤﺎﺫﺍ ﻻ ﺘﺄﺘﻲ ﻝﺘﺘﻌﺭﻑ ﻋﻠﻰ ﺍﻝﻨﺎﺱ؟ ”‪ .‬ﻭﻤﻊ ﻤﺭﻭﺭ ﺍﻷﺴﺎﺒﻴﻊ‪ ،‬ﺒﺩﺃ ﺒﺎﻝﻅﻬﻭﺭ ﺃﻜﺜﺭ‪ .‬ﻜﺎﻥ‬
‫ﻴﺠﻠﺱ ﻤﻘﺎﺒل ﺍﻝﺸﺎﺭﻉ ﻓﻲ ﺴﻴﺎﺭﺓ ﺍﻝﺸﻴﻔﺭﻭﻝﻴﻪ ﺍﻝﻤﻜﺸﻭﻓﺔ ﺍﻝﺘﻲ ﺍﺴﺘﺄﺠﺭﻫﺎ ﻝﻪ ﺍﻷﺴـﺘﻭﺩﻴﻭ ﻭﻴﻨﺘﻅـﺭ ﺤﺘـﻰ ﺘﻁﻠـﻕ‬
‫"ﺠﻴﻥ ‪ "Jane‬ﺼﻔﺎﺭﺓ ﺤﻅﺭ ﺍﻝﺘﺠﻭﺍل ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺤﺎﺩﻴﺔ ﻋﺸﺭﺓ‪ .‬ﻋﻨﺩﻤﺎ ﻴﺫﻫﺏ ﻜل ﻀﻴﻭﻓﻬﺎ‪ ،‬ﻜﺎﻥ "ﻴﻨﺯل" ﻝﻠﺘﺤﺩﺙ‬
‫ﻝﺴﺎﻋﺔ ﺃﻭ ﻨﺤﻭ ﺫﻝﻙ‪ .‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻜﺎﻥ ﻴﺘﺼﺭﻑ ﻜﺤﻴﻭﺍﻥ ﺃﻝﻴﻑ ﺃﻜﺜﺭ ﻤﻨﻪ ﻜﺸﺨﺹ ﺃﻝﻴﻑ ﻓﻜﺎﻥ ﻴﺘﺴﻠﻕ ﻋﺒﺭ‬
‫ﻻ ﻤﻥ ﺍﺴﺘﺨﺩﺍﻡ ﺍﻝﺒﺎﺏ‪.‬‬
‫ﺍﻝﻨﺎﻓﺫﺓ ﺒﺩ ﹰ‬
‫ﻜﺎﻨﺕ "ﺠﻴﻥ"‪ ،‬ﺍﻝﺘﻲ ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻨﻬﺎ ﻋﺎﺩﺓ ﻤﺘﻌﺒﺔ ﻭﺘﺴﺘﻴﻘﻅ ﺒﺸﻜل ﻤﺴﺘﻤﺭ ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺭﺍﺒﻌﺔ ﺼـﺒﺎﺤﹰﺎ‬
‫ﻭﺘﺘﺼل ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺜﺎﻨﻲ‪ ،‬ﺘﺒﺫل ﺠﻬﺩﹰﺍ ﻝﻜﻲ ﺘﻜﻭﻥ ﻤﻬﺘﻤﺔ ﺒﺭﺍﺤﺘﻪ ﻭﻤﺘﻌﺎﻁﻔﺔ‪ .‬ﻤﺭﺕ ﻓﺘﺭﺓ ﻁﻭﻴﻠﺔ ﻤﻨـﺫ ﺭﺃﺕ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺸﺨﺹ ﻏﺎﺭﻕ ﻓﻲ ﺍﻝﺨﻭﻑ ﻭﻋﺩﻡ ﺍﻷﻤﺎﻥ‪ .‬ﺘﻘﻭل‪ “ :‬ﻝﻜﻥ ﺃﺤﺎﻭل ﺃﻥ ﺃﺘﻌﺎﻤل ﻤﻊ ﻜل ﺇﻨﺴﺎﻥ ﺴﻭﺍﺀ‬
‫ﻼ ﺃﻡ ﺍﻤﺭﺃﺓ ﻋﻠﻰ ﺤﺎﻝﻪ‪ .‬ﻭ ﻻ ﺃﺤﻜﻡ ﻋﻠﻰ ﺸﺨﺹ ﻤﺎ ﺃﻭ ﺃﺘﺴﺎﺀل ﻝﻤﺎﺫﺍ ﻫﻡ ﻫﻜﺫﺍ‪ .‬ﺍﻋﺘﻘﺩﺕ ﺃﻨﻨـﻲ ﺃﺴـﺘﻁﻴﻊ‬ ‫ﻜﺎﻥ ﺭﺠ ﹰ‬
‫ﺘﻌﻠﻴﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻝﻴﺱ ﻜل ﺸﻲﺀ ﺴﻠﺒﻴﹰﺎ ﻭﺨﺎﻁﺌﺎﹰ‪ ،‬ﻭ ﺃﻨﻪ ﻝﺩﻴﻪ ﺸﻲﺀ ﻤﺎ ﻝﻤﻨﺤﻪ ﻭ ﻝﻡ ﻴﻜﻥ ﻝﺩﻴﻪ ﺩﺍﻉ ﻝﻠﺤﺼﻭل‬
‫ﻋﻠﻴﻪ ﺩﺍﺌﻤﹰﺎ ”‪.‬‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﺘﻌﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﺠﻴﻥ ‪ "Jane‬ﺃﺤﺩﻫﻤﺎ ﻋﻠﻰ ﺍﻵﺨﺭ ﺠﻴﺩﹰﺍ ﺠﺩﺍﹰ‪ ،‬ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤـﻥ ﺃﻥ‬
‫"ﺠﻴﻥ ‪ "Jane‬ﻜﺎﻨﺕ ﺃﻜﺒﺭ ﻤﻨﻪ ﺒﺴﺕ ﺴﻨﻴﻥ ﻓﻘﻁ‪ ،‬ﻓﻘﺩ ﻅﻨﺕ ﺒﻪ ﻭ ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺩﻋﺘﻪ "ﺍﺒﻨﻬﺎ ﺭﻗﻡ ‪."3‬‬
‫ﻜﺎﻨﻭﺍ ﻓﻲ ﺍﻝﻌﺎﺩﺓ ﻓﻲ ﺠﻠﺴﺎﺕ ﻤﺎ ﺒﻌﺩ ﺍﻝﺤﻔﻠﺔ ﻴﻘﺭﺅﻭﻥ ﺍﻹﻨﺠﻴل ﻤﻌﹰﺎ‪ -‬ﺍﻹﺼﺤﺎﺤﺎﺕ ﺃﻭ ﻤﻘﺎﻁﻊ ﻤﻌﻴﻨـﺔ ﻤـﻥ‬
‫"ﻤﺘﹼﻰ ‪ "Matthew‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ "ﺠﻴﻥ ‪ "Jane‬ﻤﻌﺠﺒﺔ ﺒﻪ ﺒﺸﻜل ﺨﺎﺹ‪ .‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻜـﺎﻥ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻴﺨﺒﺭ "ﺠﻴﻥ ‪ "Jane‬ﺃﻨﻪ ﻜﺎﻥ ﻴﺒﺤﺙ ﻋﻥ "ﺍﻝﺤﺭﺏ ﻭﺍﻝﺴﻼﻡ ‪ "War and Peace‬ﻭﻝﻡ ﻴﺴﺘﻁﻊ ﺇﻴﺠﺎﺩﻫﺎ ﻓﻲ ﻤﻜﺘﺒﺔ "ﻤﻨﻅﻤﺔ‬
‫ﺍﻝﺨﺩﻤﺔ ﺍﻝﻤﺘﺤﺩﺓ ‪ "USO‬ﺍﻝﺨﺎﺼﺔ ﺒﻬﺎ ﺃﻭ ﻓﻲ ﺍﻝﺒﻠﺩﺓ‪.‬‬
‫ﻻﺤﻘﹰﺎ ﻓﻲ ﺫﻝﻙ ﺍﻷﺴﺒﻭﻉ‪ ،‬ﺴﺎﻓﺭﺕ "ﺠﻴﻥ ‪ "Jane‬ﺍﻝﺘﻲ ﺃﻋﻠﻨﺕ ﻋﻥ "ﺴﺒﺎﻕ ﻤﺎﺭﺍﺘﻭﻥ ﺍﺤﺘﻜـﺎﺭﻱ" ﺇﻝـﻰ "ﺇﻴـل‬
‫ﺒﺎﺴﻭ ‪ "El Paso‬ﻝﺸﺭﺍﺀ ﻜل ﺍﻝﻤﺠﻤﻭﻋﺎﺕ ﺍﻝﺘﻲ ﺍﺴﺘﻁﺎﻋﺕ ﻭﻀﻊ ﻴﺩﻴﻬﺎ ﻋﻠﻴﻬﺎ ﻓﻜﺭﺴﺕ ﻜل ﻭﻗﺘﻬﺎ ﻝﺘﺠـﺩ "ﺍﻝﺤـﺭﺏ‬
‫ﻭﺍﻝﺴﻼﻡ‪ "War and Peace‬ﻤﻥ ﺃﺠل "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺘﻘﻭل‪“:‬ﻋﻨﺩﻤﺎ ﺃﻋﻁﻴﺘﻬﺎ ﻝﻪ‪ ،‬ﺍﻫﺘﺯ ﻓﺭﺤﹰﺎ ﻝﺩﺭﺠﺔ ﺃﻨـﻪ ﺍﻨﻔﺠـﺭ‬
‫ﺒﺎﻝﺒﻜﺎﺀ ﻭﻀﻤﻨﻲ ﺒﺤﻴﺙ ﺸﻌﺭﺕ ﻭ ﻜﺄﻨﻨﺎ ﺴﺭﻨﺎ ﻓﻭﻕ ﺠﺴﺭ ﻁﻭﻴل ﺠﺩﹰﺍ”‪.‬‬
‫ﻜﻠﻤﺎ ﻋﻤﻠﺕ "ﺠﻴﻥ" ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻅﻬﺭ ﻝﻤﺸﺎﻫﺩﺘﻬﺎ ﺤﻴﺙ ﻋﺭﻑ ﺃﻨﻬـﺎ ﻗـﺩ ﺸـﻔﻴﺕ‬
‫ﻤﺅﺨﺭﹰﺍ ﻤﻥ ﻫﺠﻤﺔ ﺍﻝﺘﻬﺎﺏ ﻤﻔﺎﺼل ﺭﺜﻭﻴﺔ ﻭ ﻴﺩﻴﻡ ﺍﻝﺴﺅﺍل ﺇﺫﺍ ﻜﺎﻨﺕ ﺒﺨﻴﺭ‪ .‬ﻭﻝﻠﻤﺤﺎﻓﻅﺔ ﻋﻠﻰ ﻗﻭﺍﻫﺎ‪ ،‬ﻜﺎﻥ ﻴﻘﻀﻲ ﻝﻬﺎ‬
‫ﺤﻭﺍﺌﺠﻬﺎ ﺃﻭ ﻴﺄﺨﺫﻫﺎ ﻝﻠﺘﺒﻀﻊ ﻭﻴﺤﻤل ﻝﻬﺎ ﺤﻘﺎﺌﺒﻬﺎ ﻭ ﺃﻏﺭﺍﻀﻬﺎ‪.‬‬
‫ﺘﻭﺴل ﺇﻝﻴﻬﺎ ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ ﺃﻥ ﺘﺄﺘﻲ ﻤﻌﻪ ﻻﺼﻁﻴﺎﺩ ﺍﻷﺭﺍﻨﺏ ﻭﺫﺌﺎﺏ ﺍﻝﻘﻴﻭﻁ ﻭ ﻤﻌﻬﻤﺎ ﻤـﺩﺭﺏ ﺍﻝﺘﺤـﺩﺙ‬
‫ﺍﻝﺘﻜﺴﺎﺴﻲ "ﺒﻭﺏ ﻫﻴﻨﻜل ‪ ."bob Hinkle‬ﻭﺍﻓﻘﺕ ﻋﻠﻰ ﻤﻀﺽ‪ .‬ﻴﺼﻑ "ﻫﻴﻨﻜل" ﻓﻲ ﻓﻘﺭﺓ "ﻜﻤﺎ ﻗﻴﻠﺕ ﻝﻪ" ﻓﻲ ﻤﺠﻠـﺔ‬
‫ﻝﻠﻤﻌﺠﺒﻴﻥ ﻋﺎﻡ ‪ 1956‬ﺍﻝﺤﺩﺙ ﺍﻝﺫﻱ ﻜﺎﻥ ﻭﺤﺸﻴﹰﺎ ﺒﺸﻜل ﻓﺎﻀﺢ ﻭﺸﻬﻭﺍﻨﻴﹰﺎ ﺒﺤﻴﺙ ﺇﻨﻪ ﺤﺘﻰ ﺍﻝﺘﻜﺴﺎﺴﻲ ﺍﻝﻤﺤﺘﺭﻑ ﺭﺒﻤﺎ‬
‫ﻻ ﻴﻌﺘﺒﺭﻩ ﺍﻝﻴﻭﻡ ﻋﻠﻰ ﺃﻨﻪ ﺩﻋﺎﻴﺔ ﺸﺨﺼﻴﺔ ﺠﻴﺩﺓ‪ .‬ﻴﻘﻭل "ﻫﻴﻨﻜل ‪“ : "Hinkle‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻠﻴﺎﻝﻲ‪ ،‬ﺃﻋﺘـﺭﻑ ﺃﻨﻨـﺎ ﻜﻨـﺎ‬
‫ﻜﺎﻷﻏﺒﻴﺎﺀ‪ .‬ﺘﻭﺴﻠﺕ "ﺠﻴﻥ ﻭﻴﺫﺭﺯ ‪ "Jane Withers‬ﺒﺸﺩﺓ ﻝﻠﺫﻫﺎﺏ ﻤﻌﻨﺎ ﺒﺤﻴﺙ ﺇﻨﻨﺎ ﺃﺨﺫﻨﺎﻫﺎ ﻤﻊ ﻓﺘﺎﺓ ﺃﺨﺭﻯ ﻤﻌﻨﺎ‪ .‬ﺃﻨﺕ‬
‫ﺘﻌﺭﻑ ﻜﻴﻑ ﻫﻥ ﺍﻝﻔﺘﻴﺎﺕ‪ .‬ﻝﻘﺩ ﻜﺎﻨﺕ ﺘﺼﺭﺥ ﻓﻌﻠﻴﹰﺎ ﻜﻠﻤﺎ ﺃﻁﻠﻘﺕ ﺍﻝﻨﺎﺭ ﻋﻠﻰ ﺃﺭﻨﺏ‪ .‬ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﺍﺼـﻁﺩﻨﺎ ﺫﺌـﺏ‬
‫ﻗﻴﻭﻁ‪ ،‬ﺫﻝﻙ ﺍﻝﻤﺨﻠﻭﻕ ﺍﻝﻠﻌﻴﻥ‪ .‬ﺃﻁﻠﻘﻨﺎ ﻋﻠﻴﻪ ﺍﻝﻨﺎﺭ ﺃﺭﺒﻊ ﺃﻭ ﺨﻤﺱ ﻤﺭﺍﺕ‪ ،‬ﻭﻜل ﻁﻠﻘﺔ ﺃﻭﻗﻌﺘﻪ ﻝﻜﻨﻬﺎ ﻝﻡ ﺘﻘﺘﻠﻪ‪ .‬ﻜﺎﻥ ﻴﻘﻊ‬
‫ﺜﻡ ﻴﻨﻬﺽ ﻝﻴﺭﻜﺽ ﻤﺭﺓ ﺃﺨﺭﻯ‪ .‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﺭﻜﺽ ﺃﻜﺜﺭ‪ ،‬ﻓﺎﺴﺘﻠﻘﻰ ﻋﻨـﺩ ﺍﻝﺴـﻴﺎﺝ ﻋﻠـﻰ ﻁـﺭﻑ‬
‫ﺍﻝﻁﺭﻴﻕ”‪.‬‬
‫ﺫﻫﺒﺕ ﻹﻨﻬﺎﺀ ﺒﺅﺴﻪ‪ ،‬ﺇﻻ ﺃﻥ ﺍﻝﻔﺘﺎﺘﻴﻥ ﻝﻡ ﺘﺴﺘﻁﻴﻌﺎ ﺘﺤﻤل ﺫﻝﻙ‪ .‬ﻜﺎﺩﺘﺎ ﺃﻥ ﺘﺼﺎﺒﺎ ﺒﻨﻭﺒـﺔ ﻭﻫﻤـﺎ ﺘﺼـﺭﺨﺎﻥ‬
‫ﻭﺘﺯﻋﻘﺎﻥ ﻝﻜﻲ ﺃﺘﺭﻜﻪ ﻴﻌﻴﺵ‪ .‬ﺤﺴﻨﺎﹰ‪ ،‬ﻜﺎﻨﺕ ﺫﺌﺎﺏ ﺍﻝﻘﻴﻭﻁ ﻓﻲ ﺘﻜﺴﺎﺱ ﻜﺎﻝﻭﺒﺎﺀ ﻤﻥ ﻜﺜﺭﺘﻬﺎ ﻭ ﻤﻜﺭﻭﻫﺔ ﻤﻥ ﺍﻝﺠﻤﻴﻊ‬
‫ﻫﻨﺎﻙ ﻭ ﺃﻨﺎ ﺘﻜﺴﺎﺴﻲ ﺒﺎﻝﻭﻻﺩﺓ‪ .‬ﻝﻡ ﺃﺴﺘﻁﻊ ﺃﻥ ﺃﻜﻭﻥ ﻗﺎﺴﻴﹰﺎ ﺠﺩﹰﺍ ﺒﺘﺭﻙ ﺫﻝﻙ ﺍﻝﺤﻴﻭﺍﻥ ﺍﻝﻤﺴﻜﻴﻥ ﻝﻴﺘﻌﺫﺏ‪ ،‬ﻭﻜﺎﻥ ﺫﻝـﻙ‬
‫ﺒﻼ ﻓﺎﺌﺩﺓ ﻝﻲ ﻭﻝـ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻤﺤﺎﻭﻝﺔ ﺸﺭﺡ ﺫﻝﻙ ﻝـ "ﺠﻴﻥ ‪ "Jane‬ﻭﺼﺩﻴﻘﺘﻬﺎ‪ .‬ﻭﻝﻜﻭﻨﻬﻤﺎ ﻓﺘﺎﺘﻴﻥ ﻓﻘـﺩ ﻜﺎﻨﺘـﺎ‬
‫ﻁ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﺘﻌﻠﻡ "ﺠﻴـﺕ ﺭﻴﻨـﻙ ‪ "Jett Rink‬ﺍﻝﺨـﺎﺹ‬ ‫ﻝﻁﻴﻔﺘﻲ ﺍﻝﻘﻠﺏ ﺘﺠﺎﻩ ﺭﺤﻼﺕ ﺍﻝﺼﻴﺩ‪ .‬ﻭﻝﻡ ﻨﺼﻁﺤﺒﻬﻤﺎ ﻗ ﹼ‬
‫ﺒـ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻤﺩﺭﺏ "ﻫﻴﻨﻜل ‪ "Hinkle‬ﺃﻜﺜﺭ ﻤﻥ ﺍﻝﻠﻬﺠﺔ ﺍﻝﺘﻜﺴﺎﺴﻴﺔ ﺍﻷﺼﻠﻴﺔ‪.‬‬
‫ﻭﻜﻠﻤﺎ ﺘﻭﺍﻓﺭ ﻝﻪ ﺍﻝﻭﻗﺕ ﻝﻤﻐﺎﺩﺭﺓ ﺍﻝﻔﻴﻠﻡ‪ ،‬ﺃﺤﺏ "ﺠﻴﻤﻲ ‪"Jimmy‬ﺍﺼﻁﺤﺎﺏ ﺍﻝﻨﺎﺱ )ﻤﺜـل "ﺠـﻭ ﺒـﺭﺍﻭﻥ ‪Joe‬‬
‫‪ ،"Brown‬ﺃﻭ ﺃﻱ ﺸﺨﺹ ﺁﺨﺭ ﺍﺴﺘﻁﺎﻉ ﺇﻗﻨﺎﻋﻪ ﺒﺎﻝﺠﻠﻭﺱ ﻤﻌﻪ( ﻓﻲ ﺠﻭﻻﺕ ﻴﻁﻴﺭ ﺒﻬﺎ ﺍﻝﺸﻌﺭ‪ .‬ﻜﺎﻥ ﻴﻀﻐﻁ ﻋﻠـﻰ‬
‫ﺩﻭﺍﺴﺔ ﺍﻝﺒﻨﺯﻴﻥ ﺒﺸﺩﺓ ﺤﺘﻰ ﺘﻼﻤﺱ ﺃﺭﻀﻴﺔ ﺴﻴﺎﺭﺓ ﺍﻝﺸﻴﻔﺭﻭﻝﻴﻪ ﻝﻴﺯﺃﺭ ﺒﻬﺎ ﻓﻲ ﺍﻝﺸﻭﺍﺭﻉ ﺍﻝﻤﺴﺘﻘﻴﻤﺔ ﻭ ﻜﺄﻨﻪ ﻴﺴـﺘﻁﻴﻊ‬
‫ﺃﻥ ﻴﺴﺒﻕ ﺍﻝﺸﻔﻕ‪ .‬ﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻜﺎﻥ ﺤﺘﻰ ﻴﻘﻭﺩ ﺍﻝﺴﻴﺎﺭﺓ ﻋﺒﺭ ﺍﻝﺭﻴﻑ ﺍﻝﻤﻔﺘﻭﺡ ﻭﻫﻭ ﻴﻨﻁﻠﻕ ﺨﻼل ﺍﻝﺴـﻭﺍﻗﻲ‬
‫ﻭﻫﻭ ﻴﺭﺍﻭﻍ ﺒﻴﻥ ﺍﻷﺒﻘﺎﺭ ﻭﺍﻝﺴﻴﺎﺝ ﻭ ﻴﺨﺘﺒﺭ ﺃﻋﺼﺎﺒﻪ ﻓﻲ ﺴﻼﺴل ﺼﺨﺭﻴﺔ ﻏﻴﺭ ﻤﻌﺭﻭﻓﺔ ﺘﻤﺎﻤﹰﺎ‪ .‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﻨـﺎل‬
‫"ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﻜﻔﺎﻴﺘﻪ ﻤﻥ ﺍﻝﻔﺭﺹ ﺍﻝﺘﻲ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺄﺨﺫﻫﺎ ﻤﻥ ﻓﻴﻠﻡ ﻜﻠﻑ ﺇﻨﺘﺎﺠـﻪ‬
‫ﺨﻤﺴﺔ ﻤﻼﻴﻴﻥ ﺩﻭﻻﺭ‪ .‬ﺼﺎﺩﺭ ﺍﻝﺴﻴﺎﺭﺓ ﻭ ﺃﻤﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ ﻻ ﻴﺭﻜﺏ ﺨﻠﻑ ﺍﻝﻤﻘﻭﺩ ﻝﻜﻲ ﻴﺒﻘﻰ ﺤﻴﹰﺎ ﻭﻴﻅﻬـﺭ‬
‫ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪.‬‬
‫ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺎﻹﻝﺤﺎﺡ ﻋﻠﻰ "ﺠﻴﻥ ﻭﻴﺫﺭﺯ ‪ "Jane Withers‬ﻝﺘﺩﻋﻪ ﻴﻘﻭﺩ ﺴﻴﺎﺭﺘﻬﺎ ﻤﻥ ﻁﺭﺍﺯ "ﻨـﺎﺵ‬
‫‪ "Nash‬ﺼﻐﻴﺭﺓ‪ ،‬ﺩﻋﺘﻬﺎ "ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺒﺎﺌﺴﺔ"‪ .‬ﻝﻜﻨﻬﺎ ﺭﻓﻀﺕ‪ .‬ﺒﻌﺩﻫﺎ ﻭﻋﻨﺩ ﺘﺼﻭﻴﺭ ﺃﺤﺩ ﺍﻝﻤﺸﺎﻫﺩ‪ ،‬ﻝـﻭﺕ ﻜﺎﺤﻠﻬـﺎ‬
‫ﻓﺎﺴﺘﻐل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﺠﺯﻫﺎ ﻭﺃﺼﺭ ﻋﻠﻰ ﺍﻝﻘﻴﺎﺩﺓ‪ .‬ﺃﺨﺫ ﻴﻘﻭل‪“ :‬ﺃﺭﻴﺩ ﻓﻘﻁ ﺃﻥ ﺃﺤﺱ ﺒﺎﻝﺴﻴﺎﺭﺓ”‪ .‬ﺃﺨﺒﺭﺘﻬﺎ ﺃﻨﻬـﺎ‬
‫ﻜﺎﻨﺕ ﺘﺭﺘﻜﺏ ﻤﺠﺎﺯﻓﺔ ﻜﺒﻴﺭﺓ ﺒﺄﻥ ﺘﺩﻋﻪ ﻴﻘﻭﺩ ﺁﺨﺫﺓ ﺒﻌﻴﻥ ﺍﻻﻋﺘﺒﺎﺭ ﺘﻜﺭﻴﺱ ﻨﻔﺴﻬﺎ ﻝﻠﺴﻴﻨﻤﺎ ﻭﺼﺩﺍﻗﺘﻬﺎ ﻤﻊ "ﺠـﻭﺭﺝ‬
‫ﺴﺘﻴﻔﻨﺯ ‪ ،"George Stevens‬ﺇﻻ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺨﺫ ﻴﺘﻭﺴل ﺒﺈﻝﺤﺎﺡ ﻓﺎﺴﺘﺴﻠﻤﺕ‪.‬‬
‫ﻓﻲ ﻝﺤﻅﺎﺕ ﻗﻠﻴﻠﺔ ﺍﻨﺩﻓﻊ ﺒـ "ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺒﺎﺌﺴﺔ" ﺇﻝﻰ ﺴﺭﻋﺔ ﺍﻝﺴﺒﻌﻴﻥ‪ .‬ﺒﺩﺃﺕ "ﺠﻴﻥ" ﺒﺎﻝﺼﺭﺍﺥ‪“ ،‬ﺩﻋﻨﻲ ﺃﺨﺭﺝ‬
‫ﻤﻥ ﻫﺫﻩ ﺍﻝﺴﻴﺎﺭﺓ! "ﺠﻴﻤﻲ ‪ !"Jimmy‬ﺃﻭﻗﻑ ﻫﺫﻩ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺩﻋﻨﻲ ﺃﺨﺭﺝ! ”‪ .‬ﺘﻭﻗـﻑ "ﺠﻴﻤـﻲ ‪ ."Jimmy‬ﺨﺭﺠـﺕ‬
‫"ﺠﻴﻥ ‪ "Jane‬ﻭﺒﺩﺃﺕ ﺘﻌﺭﺝ ﻤﺘﺠﻬﺔ ﻨﺤﻭ ﺍﻝﺒﻠﺩﺓ‪ .‬ﺃﺨﺫ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻘﻴﺎﺩﺓ "ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺒﺎﺌﺴﺔ" ﻋﻠﻰ ﻁﻭل ﺍﻝﺸﺎﺭﻉ‬
‫ﺒﺴﺭﻋﺔ ﺒﻁﻴﺌﺔ ﺠﺩﹰﺍ ﻜﺎﻝﺤﻠﺯﻭﻥ‪.‬‬
‫ﺘﻭﺴل ﺇﻝﻴﻬﺎ ‪“:‬ﺃﺭﺠﻭﻙ‪ ،‬ﻋﻭﺩﻱ ﻝﻠﺩﺍﺨل‪ .‬ﺃﺭﺠﻭﻙ‪" ،‬ﺠﻴﻥ ‪ ،"Jane‬ﺃﺭﺠﻭﻙ”‪.‬‬
‫ﻗﺎﻝﺕ ﻭﻫﻲ ﺘﺘﺎﺒﻊ ﺴﻴﺭﻫﺎ‪ “:‬ﺇﻥ ﻗﺩﻤﻲ ﺘﺅﻝﻤﻨﻲ‪ ،‬ﻝﻜﻥ ﺸﻌﻭﺭﻱ ﻴﺅﻝﻤﻨﻲ ﺃﻜﺜﺭ‪ .‬ﻝﻘﺩ ﺨﺫﻝﺘﻨﻲ‪ .‬ﺃﻨﺎ ﻤﺴﺘﺎﺀﺓ‪ .‬ﺃﺭﻴـﺩ‬
‫ﻼ ﻓـﻲ‬‫ﺃﻥ ﺃﺜﻕ ﺒﻙ‪ .5‬ﺃﺤﺒﻙ ﻭﺃﺤﺒﻬﻡ )ﺒﻘﻴﺔ ﺃﻋﻀﺎﺀ ﻁﺎﻗﻡ ﺍﻝﺘﺼﻭﻴﺭ ﻭﺍﻝﻤﻤﺜﻠﻴﻥ(‪ ،‬ﻝﺫﻝﻙ ﻻ ﺃﻗﻭﺩ ﺒﺴﺭﻋﺔ ﺴﺒﻌﻴﻥ ﻤـﻴ ﹰ‬
‫ﺍﻝﺴﺎﻋﺔ”‪.‬‬
‫ﻜﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺭﺍﺭﹰﺍ ﻭﺘﻜﺭﺍﺭﹰﺍ ‪ “:‬ﺃﺭﺠﻭﻙ‪ ،‬ﻋﻭﺩﻱ ﻝﻠﺩﺍﺨل”‪ .‬ﻜﺎﻥ ﻋﻠﻰ ﻭﺸﻙ ﺍﻝﺒﻜﺎﺀ‪.‬‬
‫ﺘﺎﺒﻌﺕ "ﺠﻴﻥ ‪ "Jane‬ﺍﻝﻤﺸﻲ‪ ،‬ﻭﺘﺎﺒﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﺴﻠل ﻋﻠﻰ ﻁﻭل ﺍﻝﻁﺭﻴﻕ ﺒﻘﺭﺒﻬـﺎ ﺒــ "ﺍﻝﺼـﻐﻴﺭﺓ‬
‫ﺍﻝﺒﺎﺌﺴﺔ"‪ .‬ﺘﺘﺫﻜﺭ "ﺠﻴﻥ" ﻜﻴﻑ ﻓﻜﺭﺕ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺘﺤﻭل ﺇﻝﻰ "ﺍﻝﺼﻐﻴﺭ ﺍﻝﺒﺎﺌﺱ" ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﺤﻅﺔ‪.‬‬
‫ﻗﺎﻝﺕ ﺒﻌﺩ ﺨﻤﺴﻴﻥ ﺨﻁﻭﺓ‪“ :‬ﺇﺫﺍ ﺍﺴﺘﻁﻌﺕ ﺃﻥ ﺘﺜﻕ ﺒﻨﻔﺴﻙ ﻓﻘﻁ ‪ ،‬ﺇﺫﺍ ﺍﺴﺘﻁﻌﺕ ﺃﻥ ﺘﺜﻕ ﺒﻨﻔﺴﻙ ﻓﻘـﻁ‪ ،‬ﻓـﺈﻥ‬
‫ﺤﻴﺎﺘﻙ ﻜﻠﻬﺎ ﻴﻤﻜﻥ ﺃﻥ ﺘﺘﻐﻴﺭ”‪.‬‬
‫ﻗﺎل "ﺠﻴﻤﻲ ‪ “ :"Jimmy‬ﺃﺭﺠﻭﻙ ﻋﻭﺩﻱ ﻝﻠﺩﺍﺨل‪ .‬ﺃﺭﺠﻭﻙ ﻋﻭﺩﻱ ﻝﻠﺩﺍﺨل‪ .‬ﻝﻥ ﺃﺅﺫﻴﻙ ﻤﻘﺎﺒل ﺃﻱ ﺸﻲﺀ ﻓـﻲ‬
‫ﻼ ﻝﻥ ﺃﻓﻌل ﺫﻝﻙ”‪.‬‬
‫ﺍﻝﻌﺎﻝﻡ‪ .‬ﻓﻌ ﹰ‬
‫ﺼﻤﺕ‪.‬‬
‫ﻝﻜﻥ ﺒﻌﺩ ﺨﻁﻭﺍﺕ ﺃﺨﺭﻯ‪ ،‬ﻋﺎﺩﺕ "ﺠﻴﻥ ‪ "Jane‬ﺇﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ‪ .‬ﻗﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺴﻴﺎﺭﺓ ﻨﺤﻭ ﺍﻝﺒﻠﺩﺓ ﺒـﺒﻁﺀ‬
‫ﻭﺃﻤﺎﻥ ‪ .‬ﻭﻝﻡ ﻴﺤﺎﻭل ﺒﻌﺩﻫﺎ ﻗﻁ ﺇﺨﺎﻓﺘﻬﺎ‪.‬‬
‫ﻴﺼﻑ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﺍﻝﻌﻼﻗﺔ ﺍﻝﺘﻲ ﺘﻜﻭﻨﺕ ﺒﻴﻨﻪ ﻭﺒﻴﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺄﻨﻬـﺎ "ﺘـﺂﻝﻑ‬
‫ﺍﻝﺘﺤﺩﻱ"‪ .‬ﻜﺎﻨﺕ ﻗﺩﺭﺓ ﺍﻝﻤﺨﺭﺝ ﻫﺫﻩ ﻋﻠﻰ "ﺍﻝﻌﻤل ﻤﻊ ﺍﻝﻤﻤﺜﻠﻴﻥ" ﻤﺸﻬﻭﺩﹰﺍ ﻝﻬﺎ ﻤﻥ ﺨﻼل ﻓﻴﻠﻡ ﺒﺭﻗﻡ ﻗﻴﺎﺴـﻲ ﻴﺸـﻤل‬
‫"ﺍﻤﺭﺃﺓ ﺍﻝﺴﻨﺔ ‪" ) "Woman of the Year‬ﺴﺒﻴﻨﺴﺭ ﺘﺭﻴﺴـﻲ ‪ "Spencer Tracy‬ﻭ "ﻜـﺎﺘﺭﻴﻥ ﻫﻴﺒـﻭﺭﻥ ‪Katherine‬‬
‫‪ ("Hepburn‬ﻭ "ﺤﺩﻴﺙ ﺍﻝﺒﻠﺩﺓ ‪") "The Talk of the Town‬ﻜﺎﺭﻱ ﻜﺭﺍﻨﺕ‪ "Cary Grant‬ﻭ "ﺠﻴﻥ ﺁﺭﺜﺭ‪"Jean Arthur‬‬
‫ـﻭﻨﺘﻐﻤﺭﻱ‬ ‫ـﻤﺱ‪") "A Place in the Sun‬ﻤـ‬ ‫ـﻲ ﺍﻝﺸـ‬ ‫ـﺎﻥ ﻓـ‬
‫ـﺎﻥ ‪ ("Ronald Colman‬ﻭ " ﻤﻜـ‬ ‫ـﺩ ﻜﻭﻝﻤـ‬‫ﻭ "ﺭﻭﻨﺎﻝـ‬
‫ﻜﻠﻴﻔﺕ ‪ "Montgomery Clift‬ﻭ"ﺇﻝﻴﺯﺍﺒﻴـﺙ ﺘـﺎﻴﻠﻭﺭ ‪ "Elizabeth Taylor‬ﻭ "ﺸـﻴﻠﻲ ﻭﻴﻨﺘـﺭﺯ ‪("Shelly Winters‬‬
‫ﻭ"ﺸﻴﻥ ‪") "Shane‬ﺁﻻﻥ ﻻﺩ ‪ "Allan Ladd‬ﻭ "ﺠﻴﻥ ﺁﺭﺜﺭ ‪ "Jean Arthur‬ﻭ "ﻓﺎﻥ ﻫﻴﻔﻠﻴﻥ ‪ "Van Heflin‬ﻭ "ﺒﺭﺍﻨـﺩﻭﻥ‬
‫ﺩﻱ ﻭﺍﻴﻠﺩ ‪ .("Brandon de Wilde‬ﻭﻻ ﻭﺠﻭﺩ ﻷﻱ ﻨﻘﺹ ﻤﻥ ﺭﻫﺎﻓﺔ ﺍﻝﺤﺱ ﻓﻲ ﺘﻠﻙ ﺍﻝﻼﺌﺤﺔ‪.‬‬
‫ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﻴﻌﻤل ﻋﻠﻰ ﻨﺹ "ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺸﺎﻫﺩ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﻓﻴﻠﻡ "ﺸﺭﻕ ﻋـﺩﻥ ‪"East of Eden‬‬
‫ﻭﺍﻋﺘﻘﺩ ﺃﻥ ﺩﻭﺭ "ﺠﻴﻤﻲ‪ "Jimmy‬ﻜـ "ﻜﺎل ﺘﺭﺍﺴﻙ ‪ "Cal Trask‬ﻜﺎﻥ "ﺩﻭﺭﹰﺍ ﻤﺅﺜﺭﺍ"ً‪ .‬ﻜﺫﻝﻙ ﺸـﺎﻫﺩ "ﻤﺘﻤـﺭﺩ ﺒـﻼ‬
‫ﻗﻀﻴﺔ ‪ "Rebel Without a Cause‬ﻭ ﺍﻝﺫﻱ ﻭﺼﻔﻪ ﺒﺄﻨﻪ ﻗﺩ ﺼﻭﺭ )ﻤﻥ ﺃﺠل ﺤﺸﻭﺩ ﻝﻌـﺭﺽ ﺴـﻴﻨﻤﺎﺌﻲ ﻨﻬـﺎﺭﻱ‬
‫ﻭﻻ ﻴﺨﺩﻡ ﺃﺤﺩﹰﺍ ﺒﺸﻜل ﺠﻴﺩ ﺃﺒﺩًﹰﺍ(‪.‬‬
‫ﺃﺤﺘﺭﻡ ﻗﺩﺭﺓ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻝﻜﻥ ﻝﻴﺱ ﺒﺩﻭﻥ ﺒﻌﺽ ﺍﻝﺘﺤﻔﻅﺎﺕ‪ “:‬ﻜﺎﻥ ﺘﻜﻠﻴﻔـﹰﺎ ﺒﺎﻫﻅـﹰﺎ ﻋﻠـﻰ ﻤﻭﻫﺒـﺔ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻷﺩﺍﺀ ﺩﻭﺭ ﺭﺠل ﻤﺴﻥ ﻤﺨﻤﻭﺭ ﺩﺍﺌﻡ ﺍﻝﻐﻤﻐﻤﺔ ﺍﻝﺫﻱ ﻴﻜﺸﻑ ﺤﻭﺍﺭﻩ ﺍﻨﺠﺫﺍﺒﻪ ﻨﺤﻭ ﺯﻭﺠﺔ "ﺒﻴﻙ ‪Bick‬‬
‫" ”‪.‬‬
‫)ﺠﻴﺕ ‪(Jett‬‬
‫ﺘﻨﻬﻤﺭ ﺍﻝﺩﻤﻭﻉ ﺩﻭﻥ ﺤﺯﻥ ﻤﻥ ﻋﻴﻨﻴﻪ ﻤﺩﻤﻨﺘﻲ ﺍﻝﻜﺤﻭل‬
‫"ﺠﻴﺕ ‪ "Jett‬ﺃﻴﻬﺎ ﺍﻝﻤﺴﻜﻴﻥ‪.........‬ﺘﺤﺎﺭﺏ ﻤﻥ ﺃﺠل ﻤﺎﺫﺍ‪.............‬‬
‫ﺍﻝﻤﺴﻜﻴﻥ "ﺠﻴﺕ ‪ .........."Jett‬ﺨﺎﺩﻡ ﻝﻌﺎﺌﻠﺔ "ﺒﻴﻨﻴﺩﻴﻜﺕ ‪ "Benedict‬ﺍﻝﻌﻅﻴﻤﺔ‪.......‬‬
‫ﺍﻝﺠﻤﻴﻠﺔ "ﻝﻴﺯﻝﻲ ‪ ."Leslie‬ﺍﻝﺴﻴﺩﺓ "ﺒﻴﻙ ‪ "Bick‬ﺍﻝﺠﻠﻴﻠﺔ ‪......‬‬
‫ﺍﻝﻔﺘﻰ ﺍﻝﻤﺴﻜﻴﻥ ‪ ........‬ﺍﻝﺠﻤﻴﻠـﺔ " ﻝﻴﺯﻝـﻲ ‪......." Leslie‬ﻋﺭﻭﺴـﺔ ﺤﺯﻴـﺭﺍﻥ ‪ /‬ﻴﻭﻨﻴـﻭ‪ ....‬ﺍﻝﻔﺘـﻰ‬
‫ﺍﻝﻤﺴﻜﻴﻥ‪......‬ﺠﻤﻴﻠﺔ‪ .....‬ﺍﻤﺭﺃﺓ ﻭﺭﺠل ﻴﺭﻴﺩﻫﺎ‪ .....‬ﻤﺎ ﻴﺠﺏ ﻋﻠﻰ ﺍﻝﺭﺠل ﺍﻝﺤﺼﻭل ﻋﻠﻴﻬﺎ‪ .‬ﺃﺠـل‪.....‬ﺍﻝﻤﻠـﻙ‬
‫"ﺒﻴﻙ ‪ "Bick‬ﺍﻝﻌﺠﻭﺯ ﻭ ﺍﻝﻔﺨﻭﺭ‪ ....‬ﻤﻠﻙ ﻤﺯﺭﻋﺔ ﺍﻷﺒﻘﺎﺭ‪.....‬ﻝﺩﻴﻪ ﺍﻝﺘﺭﻨﻴﻤﺔ ﺍﻝﻤﻭﺴﻴﻘﻴﺔ‪......‬ﺍﻝﻭﻝﺩ "ﺠﻴﺕ ‪...."Jett‬‬
‫"ﺒﻴﻨﺩﻜﺕ‪ "Benedict‬ﻝﺩﻴﻪ ﺫﻝﻙ‪......‬ﺃﻨﺕ ﻝﺩﻴﻙ ﺫﻝﻙ‪ ......‬ﻴﺤﺼل "ﺒﻴﻨﺩﻜﺕ‪ "Benedict‬ﻋﻠﻰ ﻤﺎ ﻴﺭﻴـﺩﻩ‪......‬‬
‫ﻁﺎﺌﺭ ﺍﻝﺤﺩﺃﺓ!‬
‫ﻼ ﺼﻌﺒﹰﺎ‪ .‬ﻜـﺎﻥ ﻫﻨـﺎﻙ ﺨﻁـﺭ ﻤـﻊ‬ ‫ﻴﺘﺎﺒﻊ "ﺴﺘﻴﻔﻨﺯ ‪“:"Stevens‬ﻜﺎﻥ ﺃﺩﺍﺀ ﺍﻝﺩﻭﺭ ﻜﻤﺎ ﻓﻌل ﻓﻲ ﺘﻘﻠﻴﺩﻩ ﺍﻝﻬﺎﺩﺉ ﻋﻤ ﹰ‬
‫"ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻜﺎﻥ ﺩﺍﺌﻤﹰﺎ ﻴﺠﺯﺉ ﻋﻤﻠﻪ‪ ،‬ﻭﻴﻁﻴل ﺍﻝﺭﻜﻭﺩ ﻓﻲ ﺍﻝﻌﻤل ﺤﺘﻰ ﺩﺭﺠﺔ ﺍﻝﻤﺠﺎﺯﻓﺔ ﻜﻭﻥ ﺍﻝﻌﻤل ﻏﻴﺭ ﻤﻔﻬـﻭﻡ‬
‫ﻤﻥ ﻗﺒل ﺍﻝﻤﺸﺎﻫﺩﻴﻥ ﺘﻘﺭﻴﺒﺎﹰ‪ ،‬ﻭﺒﻐﺽ ﺍﻝﻨﻅﺭ‪ ،‬ﻜﺎﻥ ﻋﻤﻠﻪ ﻓﻲ ﺫﻝﻙ ﺍﻝﻤﺸﻬﺩ ﺨﺎﺭﻗﹰﺎ ﻭﻜﺎﻥ ﺘﻤﺜﻴﻠﻪ ﺇﺒﺩﺍﻋﹰﺎ ﺒﺤﺩ ﺫﺍﺘﻪ”‪.‬‬
‫ﻴﺘﺫﻜﺭ ﺒﻌﺽ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﻻ ﻴﺯﺍﻝﻭﻥ ﻓﻲ ﺸﺭﻜﺔ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ‪ "Warner Brothers‬ﻭ ﺍﻝﺫﻴﻥ ﻻ ﻴﺭﻴـﺩﻭﻥ‬
‫ﺫﻜﺭ ﺃﺴﻤﺎﺌﻬﻡ ﺃﻨﻪ ﺒﻴﻨﻤﺎ ﻜﺎﻥ "ﺴﺘﻴﻔﻨﺯ" ﻴﺤﺭﺭ"ﺍﻝﻌﻤﻼﻕ" ﺃﺼﺒﺢ ﺒﺎﻝﻔﻌل ﻏﻴﺭ ﺭﺍﺽ ﺘﻤﺎﻤﹰﺎ ﻋﻥ ﺘﺠﺯﺌﺔ "ﺠﻴﻤﻲ ‪"Jimmy‬‬
‫ﻝﻘﺭﺍﺀﺓ "ﺠﻴﺕ ﺭﻴﻨﻙ‪ "Jett Rink‬ﺍﻝﺘﻲ ﺠﺯﺃﺕ ﺴﺎﺒﻘﹰﺎ ﺍﻝﻜﻼﻡ ﺍﻷﺨﻴﺭ ﺍﻝﺫﻱ ﻫﻴﺄ "ﻨﻴﻙ ﺁﺩﺍﻤﺯ ‪ "Nick Adams‬ﻝﺘﻤﻠﻴﺴـﻬﺎ‬
‫ﻤﻥ ﺃﺠل ﺍﻻﻗﺘﻁﺎﻉ ﺍﻷﺨﻴﺭ‪.‬‬
‫ﻝﻜﻥ ﺒﻘﻲ ﻤﻌﻅﻡ ﻋﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻔﻴﻠﻡ؛ ﻭﻴﺘﺫﻜﺭ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﺃﻨﻪ ﻋﻠﻰ ﺍﻷﻗل ﻭ ﻓﻲ ﻤﻨﺎﺴـﺒﺔ‬
‫ﻭﺍﺤﺩﺓ ﻨﺩﻡ ﻋﻠﻰ ﻋﺩﻡ ﺍﻷﺨﺫ ﺒﻨﺼﻴﺤﺔ "ﺠﻴﻤﻲ ‪) ."Jimmy‬ﻓﻲ ﺍﻝﻤﺸﻬﺩ ﺍﻝﺫﻱ ﻴﺄﺨﺫ ﻓﻴﻪ "ﺠﻴﺕ ‪ "Jett‬ﺭﺸﻔﺔ ﻤﻥ ﺯﺠﺎﺠﺔ‬
‫ﻋﻨﺩ ﺍﻝﺒﺎﺭ ﺍﻝﺼﻐﻴﺭ ﻗﺒل ﺃﻥ ﻴﺫﻫﺏ ﺇﻝﻰ ﺍﻝﺤﻔﻠﺔ ﺍﻝﻜﺒﻴﺭﺓ‪ ،‬ﺍﻗﺘﺭﺡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻥ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪ "Jett Rink‬ﻴﺠﺏ‬
‫ﺃﻥ ﻴﺄﺨﺫ ﺭﺸﻔﺔ ﻤﻥ ﻗﺎﺭﻭﺭﺘﻪ‪ .‬ﺨﺫﻝﺘﻪ ﻷﻨﻨﻲ ﻜﻨﺕ ﺩﺍﺌﻤﹰﺎ ﺃﻗﻴﺩﻩ‪ ،‬ﻝﻜﻨﻲ ﺃﺩﺭﻙ ﺍﻵﻥ ﺃﻨﻪ ﻜﺎﻥ ﻤﺤﻘـﹰﺎ ﻭ ﺃﻥ ﻤﺜـل ﺘﻠـﻙ‬
‫ﺍﻹﻴﻤﺎﺀﺓ ﻜﺎﻨﺕ ﺴﻭﻑ ﺘﺸﻴﺭ ﺇﺸﺎﺭﺓ ﺩﻗﻴﻘﺔ ﺃﻜﺜﺭ ﻝﺸﺨﺼﻴﺔ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪ ."Jett Rink‬ﻜﺎﻨﺕ ﺴﻭﻑ ﺘﺸﺩﺩ ﻋﻠﻰ ﺤﻘﻴﻘﺔ‬
‫ﺃﻥ "ﺠﻴﺕ ‪ "Jett‬ﺍﻝﺜﺭﻱ ﻭﺍﻝﻘﻭﻱ ﻭﺍﻝﻤﺤﺎﻁ ﺒﺎﻷﺼﺩﻗﺎﺀ ﻭﺘﺎﺒﻌﻴﻪ ﻭﺨﺩﻤﻪ ﺍﻵﻥ ﻜﺎﻥ ﻻ ﻴﺯﺍل ﺸﺨﺼﹰﺎ )ﻭﺤﻴﺩﹰﺍ( ﻋﺎﺼـﻴﹰﺎ‬
‫ﻜﻤﺎ ﻜﺎﻥ ﺭﺍﻋﻲ ﺒﻘﺭ ﻓﻘﻴﺭﹰﺍ ﻓﻲ ﻤﺯﺭﻋﺔ "ﺒﻴﻨﻴﺩﻴﻜﺕ ‪."Benedict‬‬
‫ﻋﻨﺩﻤﺎ ﻋﺎﺩﺕ ﺍﻝﺸﺭﻜﺔ ﻤﻥ ﺘﻜﺴﺎﺱ ﻷﺩﺍﺀ ﺍﻝﻤﺸﺎﻫﺩ ﺍﻝﺩﺍﺨﻠﻴﺔ ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ ﻓﻲ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ ،‬ﻜﺎﻥ ﻝـﺩﻯ‬
‫"ﺴﺘﻴﻔﻨﺯ ‪ -"Stevens‬ﻭﻷﻨﻪ ﻝﻡ ﻴﻜﻥ ﺒﻌﺩ ﻫﺫﺍ ﻴﺘﻭﻝﻰ ﺯﻤﺎﻡ ﺠﻴﻭﺵ ﺍﻷﻤﻭﺭ ﺍﻹﻀﺎﻓﻴﺔ ﻨﺎﻫﻴﻙ ﻋﻥ ﻗﻁﻌﺎﻥ ﺍﻝﻤﺎﺸـﻴﺔ ‪-‬‬
‫ﻓﺭﺼﺔ ﺃﻓﻀل ﻝﻤﺭﺍﻗﺒﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﻔﺭﺩ‪ .‬ﻴﻘﻭل "ﺴﺘﻴﻔﻨﺯ ‪ “:"Stevens‬ﺃﺭﻴﺩ ﺃﻥ ﻴﻨﺠﺯ ﻜل ﺍﻷﻤﻭﺭ ﺒﺸﻜل ﺠﻴﺩ‪،‬‬
‫ﺤﺘﻰ ﺒﺒﺼﻕ ﺒﺫﺭﺓ ﺍﻝﻜﺭﺯ ﻝﻤﺴﺎﻓﺔ ﺃﻁﻭل ﻤﻥ ﺍﻝﺸﺨﺹ ﺍﻵﺨﺭ‪ -‬ﻝﻜﻨﻪ ﺍﻨﺤﻨﻰ ﻝﺫﻝﻙ ﺍﻝﺸﺨﺹ ﻭ ﻜـﺄﻥ ﺍﻝﻔـﻭﺯ ﻤـﻥ‬
‫ﻨﺼﻴﺒﻪ‪ .‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻤﺭﺍﺕ ﻭﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ ﻗﺎﻡ ﺒﺘﻘﻠﻴﺩ "ﺘﺸﺎﺭﻝﻲ ﺘﺸﺎﺒﻠﻥ"‪ ،‬ﻭﺒﻌﺩ ﺫﻝﻙ ﻗﺎﻡ ﺼﺩﻴﻘﻪ "ﻨﻴﻙ ﺁﺩﺍﻤـﺯ‬
‫‪ "Nick Adams‬ﺒﺘﻘﻠﻴﺩ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ"‪ .‬ﺯﺃﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺃﺩﺍﺀ "ﻨﻴـﻙ ‪ "Nick‬ﻭﻭﻗـﻑ ﺠﺎﻨﺒـﹰﺎ ﺒﺄﺩﺍﺌـﻪ‬
‫ﻝـ"ﺘﺸﺎﺭﻝﻲ ﺘﺸﺎﺒﻠﻥ" ﻭﺘﻭﺴل ﻝـ"ﻨﻴﻙ ‪ "Nick‬ﻹﻋﺎﺩﺓ ﺘﺄﺩﻴﺔ ﻤﺎ ﻗﻠﺩﻩ”‪ .‬ﺃﺤﺱ "ﻨﻴﻙ ﺁﺩﺍﻤﺯ ‪) "Nick Adams‬ﺍﻝﺫﻱ ﺍﻨﺘﺤﺭ‬
‫ﻋﻥ ﻁﺭﻴﻕ ﺘﻨﺎﻭل ﺠﺭﻋﺔ ﺯﺍﺌﺩﺓ ﻤﻥ ﻋﻘﺎﺭ ﻤﻬﺩﺉ ﻋﺎﻡ ‪ (1968‬ﻤﻊ ﺤﻤﺎﺴﺔ ﻜﺒﻴﺭﺓ ﺒﻐﺭﺍﺌﺏ ﺍﻝﻘﺩﺭ ﺤﻴﻥ ﺩﻋﻲ ﻻﺤﻘﹰﺎ‬
‫ﻝﺘﻘﻠﻴﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺩﻭﺭ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪.!"Jett Rink‬‬
‫ﻴﻘﻭل "ﺴﺘﻴﻔﻴﻨﺯ ‪ “ :"Stevens‬ﻝﻘﺩ ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺤﺱ ﺒﺄﻨﻪ ﻜﺎﻥ ﻓﺘﻰ ﻤﻨﺯﻋﺠﹰﺎ ﺒﺸﻜل ﻤﺭﻭﻉ ﻭﻤﺘﻭﺠﻬـﹰﺎ ﻨﺤـﻭ‬
‫ﻤﻨﺎﺭﺓ ﺨﺎﺼﺔ ﺒﻪ ﻭﺃﻨﻪ ﻻ ﻫﻭ ﻭﻻ ﺃﻱ ﺃﺤﺩ ﺁﺨﺭ ﻴﻌﺭﻓﻪ ﻴﻌﺭﻑ ﻤﺎ ﻫﻲ‪ .‬ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺤﺱ ﺒﻬﺫﺍ ﻷﻨﻪ ﻭﻓﻲ ﺍﻷﻭﻗـﺎﺕ‬
‫ﺍﻝﺘﻲ ﺃﺤﺱ ﻓﻴﻬﺎ ﺒﺎﻝﻬﺩﻭﺀ ﻭﺍﻝﻤﺭﺍﻋﺎﺓ ﻭﻜﺄﻨﻪ ﻴﺤﻠﻡ ﺒﺸﻲﺀ ﻤﺎ‪ ،‬ﻓﺈﻥ ﺤﻼﻭﺓ ﻏﺭﻴﺒﺔ ﻭﻏﻴﺭ ﻭﺍﻋﻴﺔ ﺴﻭﻑ ﺘﻀﻲﺀ ﺴﻴﻤﺎﺀ‬
‫ﻭﺠﻬﻪ‪ .‬ﺃﺨﺫﺕ ﺃﻋﺘﻘﺩ ﺃﺜﻨﺎﺀ ﺘﻠﻙ ﺍﻷﻭﻗﺎﺕ‪ ،‬ﻭﻷﻨﻨﻲ ﻜﻨﺕ ﺃﻋﻠﻡ ﺃﻨﻪ ﻤﻥ ﻏﻴﺭ ﺃ ﹴﻡ ﻤﻨﺫ ﺒﺩﺍﻴﺔ ﻁﻔﻭﻝﺘﻪ ﻭﺃﻨﻪ ﺍﻓﺘﻘﺩ ﻝﻠﻜﺜﻴـﺭ‬
‫ﻤﻥ ﺍﻝﺤﺏ ﺍﻝﺫﻱ ﻴﺠﻌل ﻤﺭﺤﻠﺔ ﺍﻝﺼﺒﺎ ﺘﺘﺒﻠﻭﺭ‪ ،‬ﺃﻨﻪ ﻜﺎﻥ ﻻ ﻴﺯﺍل ﺒﺎﻨﺘﻅﺎﺭ ﺒﻌﺽ ﺍﻝﺤﻨﺎﻥ ﺍﻝﻤﻔﻘﻭﺩ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺜﺎﻝﺙ ﻋﺸﺭ‬

‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻌﻴﺩﹰﺍ ﺒﻌﻭﺩﺘﻪ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ ﺒﻌﺩ ﺍﻷﺴﺎﺒﻴﻊ ﺍﻝﻁﻭﻴﻠﺔ ﻭﺍﻝﺤﺎﺭﺓ ﺍﻝﺘﻲ ﻗﻀﺎﻫﺎ ﻓﻲ ﻤﻭﻗـﻊ‬
‫ﺍﻝﺘﺼﻭﻴﺭ ﻓﻲ ﺘﻜﺴﺎﺱ‪ ،‬ﻭﺃﺤﺩ ﺍﻷﺸﺨﺎﺹ ﺍﻝﺫﻴﻥ ﻜﺎﻨﻭﺍ ﺴﻌﺩﺍﺀ ﺠﺩﹰﺍ ﺒﺭﺅﻴﺘﻪ ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻫﻭ "ﺒﺎﺴﻜﻭﻴل ﺩﺍﻤﻭﺭ ‪Pasquale‬‬
‫‪ "D`Amore‬ﺍﻝﺸﻬﻴﺭ ﺒـ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﺼﺎﺤﺏ ﺍﻝﻤﻁﻌﻡ ﺍﻝﻤﻤﺘﺎﺯ "ﻓﻴﻼ ‪ "Villa Capri‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻋﺭﺍﺏ ﺃﻓﻀـل‬
‫ﺍﻷﻤﺎﻜﻥ ﺍﻹﻴﻁﺎﻝﻴﺔ ﻓﻲ ﺒﻴﻔﺭﻝﻲ ﻫﻴﻠﺯ‪ .‬ﻋﻤل ﻜل ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺒﺩﺃﻭﺍ ﻓﻲ ﻜﺎﺒﺭﻱ "ﻻﺴـﻜﺎﻻ‪ "Lascala‬ﻭ "ﺴـﺘﻴﻔﺎﻨﻴﻨﻭ‬
‫‪ "Stefanino‬ﻭ "ﻤﺎﺘﻴﻭ ‪ "Matteo‬ﻭ "ﺒﻭﺘﺸﻴﻨﻲ ‪ "Puccini‬ﻭ "ﻤﺎﺭﺘﻭﻥ ﻤﺎﺭﻜﻴﺯ ‪ "Marton Marquis‬ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﻝـﺩﻯ‬
‫"ﺒﺎﺘﺴﻲ ﺩﺍﻤﻭﺭ ‪."Patsy D`Amore‬‬
‫ﻨﻤﺎ ﻋﻨﺩ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﺍﻝﺸﻌﻭﺭ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ "ﻤﺜل ﺍﺒﻨﻲ"‪ .‬ﻭﺸﻌﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺜﻴﺭﹶﺍ ﻭﻜﺄﻨﻪ‬
‫ﻓﻲ ﺒﻴﺘﻪ ﻤﻊ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﺃﺨﺫ ﺒﺘﻨﺎﻭل ﺍﻝﻌﺸﺎﺀ ﻓﻲ "ﻓﻴﻼ ﻜﺎﺒﺭﻱ ‪ "Villa Capri‬ﻝﻴﻠﺔ ﺘﻠﻭ ﺍﻷﺨﺭﻯ‪ .‬ﻜﺎﻥ‬
‫ﺒﻌﺩ ﺃﻥ ﻴﻭﻗﻑ ﺩﺭﺍﺠﺘﻪ ﻤﻥ ﻨﻭﻉ "ﺘﺭﺍﻴﻭﻤﻑ ‪ "Triumph‬ﺃﻭ ﺴﻴﺎﺭﺘﻪ ﺍﻝﻔﻭﺭﺩ ﺃﻭ ﺩﺭﺍﺠﺘﻪ ﺍﻝﺼﻐﻴﺭﺓ ﻤﻥ ﻨﻭﻉ "ﻻﻨﺴـﻴﺎ‬
‫‪ "Lancia‬ﺃﻭ ﺴﻴﺎﺭﺘﻪ "ﺒﻭﺭﺸﻴﻪ ﺴﺒﻴﺩﺴﺘﺭ" ﻓﻲ ﺍﻝﺨﻠﻑ‪ ،‬ﻴﺩﺨل ﻤﻥ ﺨﻼل ﺒﺎﺏ ﺍﻝﻤﻁﺒﺦ‪ .‬ﻭﺇﻥ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﻁـﺎﻭﻻﺕ‬
‫ﻏﻴﺭ ﻤﺤﺠﻭﺯﺓ ﻓﻲ ﻏﺭﻓﺔ ﺍﻝﻁﻌﺎﻡ‪ ،‬ﻜﺎﻥ ﻴﺄﻜل ﻋﻠﻰ ﺍﻝﻁﺎﻭﻝﺔ ﺍﻝﺼﻐﻴﺭﺓ ﻓﻲ ﺤﺠﺭﺓ ﺍﻝﻤﺅﻭﻨﺔ ﻭﺍﻝﺘﻲ ﺘﻜﻭﻥ ﻤﺤﺠـﻭﺯﺓ‬
‫ﺒﺎﻝﻌﺎﺩﺓ ﻝﻜﺒﻴﺭ ﺍﻝﻁﺒﺎﺨﻴﻥ‪.‬‬
‫ﻜﺎﻥ ﻤﻁﻌﻡ "ﻓﻴﻼ ﻜﺎﺒﺭﻱ" ﺼﻐﻴﺭﹰﺍ ﻝﻜﻨﻪ ﺨﺩﻡ ﺃﻜﺒﺭ ﻨﺠﻭﻡ ﻫﻭﻝﻴﻭﻭﺩ‪ ،‬ﻭﻻﺴﻴﻤﺎ ﻝﻤﺎ ﻜﺎﻥ ﻴﺩﻋﻰ "ﻫﻭﻤﺒﺴﻲ ﻫﻴل‬
‫ﺭﺍﺕ ﺒﺎﻙ ‪ "Hombsy Hills Rat Pack‬ﺒﺄﻋﻀﺎﺌﻪ ﺍﻝﻤﺅﺴﺴﻴﻥ ﻤﻥ ﺃﻤﺜﺎل "ﻓﺭﺍﻨﻙ ﺴﻴﻨﺎﺘﺭﺍ ‪ "Frank Sinatra‬ﻭ"ﻫﻤﻔﺭﻱ‬
‫ﺒﻭﻏﺎﺭﺕ ‪ "Humphry Bogart‬ﻭ"ﻝﻭﺭﻴﻥ ﺒﺎﻜﻭل ‪ "Lawren Bacall‬ﻭ"ﺴﻴﺩ ﻝﻭﻓﺕ ‪ "Sid Luft‬ﻭ"ﺠـﻭﺩﻱ ﻏﺎﺭﻻﻨـﺩ‬
‫ﻼ ﻝـ" ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ ."Marlon Brando‬ﺃﺘﻰ "ﺒﺭﺍﻨﺩﻭ ‪"Brando‬ﻤـﺭﺓ‬ ‫‪ ."Judy Garland‬ﻝﻜﻨﻪ ﻝﻡ ﻴﻜﻥ ﻤﻜﺎﻨﹰﺎ ﻤﻔﻀ ﹰ‬
‫ﻭﻁﻠﺏ ﻁﺎﻭﻝﺔ‪ ،‬ﺇﻻ ﺃﻥ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﺃﺨﺒﺭﻩ ﺒﺄﺩﺏ‪“ :‬ﺍﻝﺴﻴﺩ "ﺒﺭﺍﻨﺩﻭ ‪ ،"Brando‬ﺴﻭﻑ ﺘﺤﺘﺎﺝ ﻝﻌﺩﺓ ﺩﻗﺎﺌﻕ” ‪ ،‬ﺘﺠﻬﻡ‬
‫ﺍﻝﻨﺠﻡ ﻭﺩﻤﺩﻡ ﺒﺸﻲﺀ ﻤﺎ ﻓﻬﻤﻪ "ﺒﺎﺘﺴﻲ ‪“ ،"Patsy‬ﺃﻨﺎ ﻻ ﺃﻨﺘﻅﺭ”‪ ،‬ﻭﺴﺎﺭ ﺸﺎﻤﺨﹰﺎ ﻝﻠﺨﺎﺭﺝ ﻋﺒﺭ ﺍﻝﻠﻴل ﻭﻝﻡ ﻴﻌﺩ ﻋﺒﺭ ﻫﺫﺍ‬
‫ﺍﻝﺒﺎﺏ ﺜﺎﻨﻴﺔ‪ .‬ﻜﺎﻥ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﻭﺒﻜل ﺤﻤﺎﺴﺔ ﻤﻥ ﺃﻨﺼﺎﺭ ﻤﻭﻀﻭﻉ "ﺩﻴﻥ ‪ "Dean‬ﻤﻘﺎﺒل "ﺒﺭﺍﻨﺩﻭ"‪.‬‬
‫“ﻻ ﺘﺴﺘﻁﻴﻊ ﻤﻘﺎﺭﻨﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒـ "ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ ."Marlon Brando‬ﺒﺎﻝﻨﺴﺒﺔ ﻝﻲ ﻓـﺈﻥ "ﻤـﺎﺭﻝﻭﻥ‬
‫ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﻻﺸﻲﺀ‪ .‬ﺇﻨﻪ ﺃﺤﻤﻕ‪ .‬ﺒﻴﻨﻤﺎ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﺤﺴﻨﺎﹰ‪ ،‬ﻜﺎﻨﺕ ﺸﺨﺼﻴﺘﻪ‪ ،‬ﺤﻘﻴﻘﻴﺔ ﻁﺒﻴﻌﻴﺔ”‪.‬‬
‫ﻝﻡ ﻴﺼﺒﺢ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺼﺩﻴﻘﹰﺎ ﻤﻘﺭﺒﹰﺎ" ﻤﻥ ﺃﻱ ﻤﻥ ﺃﻋﻀﺎﺀ "ـــــــــــ‪ ،"Rat Pack‬ﻝﻜﻨـﻪ‬
‫ﻼ ﺍﻝﺫﻱ ﺃﺜﺎﺭﺘﻪ ﻗـﻭﺓ‬ ‫ﻭﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﺎﻥ ﻴﻌﺎﻤل ﺒﺎﺤﺘﺭﺍﻡ ــ ﺍﻻﺤﺘﺭﺍﻡ ﺍﻝﻤﺸﻭﺏ ﺒﺎﻝﺤﺴﺩ ﻗﻠﻴﻼﹰ‪ ،‬ﻭﺍﻝﺘﻬﻜﻤﻲ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻨﺠﻡ ﺍﻝﻤﺘﺯﺍﻴﺩﺓ ﻤﻥ ﺘﻠﻙ ﺍﻝﻌﺼﺒﺔ ﺍﻝﻤﻨﺎﻓﺴﺔ‪.‬‬
‫ﺃﻏﺎﻅ "ﺒﻭﻏﺎﺭﺕ ‪" "Bogart‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻤﻼﺒﺴﻪ ﺍﻝﻤﻬﻠﻬﻠﺔ )ﺍﻋﺘﺎﺩ ﺍﻝﻤﻤﺜﻠﻭﻥ ﻓﻲ ﺘﻠـﻙ ﺍﻝﻤﺭﺤﻠـﺔ ﻝـﺒﺱ‬
‫ﺍﻝﺠﺎﻜﻴﺕ ﻤﻊ ﺭﺒﻁﺔ ﺍﻝﻌﻨﻕ ﻝﻠﺫﻫﺎﺏ ﻝﻠﻌﺸﺎﺀ(‪ ،‬ﻝﻜﻥ "ﺴﻴﻨﺎﺘﺭﺍ ‪ "Sinatra‬ﻝﻡ ﻴﻨﺱ ﺩﻋﻭﺘﻪ ﺇﻝﻰ ﺤﻔﻠﺔ ﺃﻗﺎﻤﻬﺎ ﻓـﻲ "ﻓـﻴﻼ‬
‫ﻜﺎﺒﺭﻱ ‪ "Villa Capri‬ﻹﺭﺴﺎل "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﻓﻲ ﺭﺤﻠﺔ ﺇﻝﻰ ﻨﺎﺒﻭﻝﻲ‪ .‬ﻜﺎﻨﺕ ﺘﻠﻙ ﺍﻝﻤﻨﺎﺴﺒﺔ ﺍﻝﻭﺤﻴﺩﺓ ﺍﻝﺘﻲ ﻴﺘﺫﻜﺭ ﻓﻴﻬﺎ‬
‫"ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﺃﻨﻪ ﺸﺎﻫﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺭﺘﺩﻴﹰﺎ ﺭﺒﻁﺔ ﻋﻨﻕ‪.‬‬
‫ﻜﺎﻥ ﺍﻝﻤﻁﻌﻡ ﻤﻐﻠﻘﹰﺎ ﻝﻠﻌﻤﻭﻡ‪ ،‬ﻭﺒﻤﺎ ﺃﻥ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﺍﻝﺫﻱ ﺃﻋﺩ ﺍﻝﻁﻌﺎﻡ ﺒﻨﻔﺴﻪ ﻓﻲ ﺘﻠﻙ ﺍﻷﻴﺎﻡ ﻜـﺎﻥ ﺴـﻭﻑ‬
‫ﻴﻁﻴﺭ ﻤﻐﺎﺩﺭﺍﹰ ﻓﻲ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻜﺫﻝﻙ ﻜﺎﻥ ﺍﻝﻤﻁﺒﺦ ﻤﻐﻠﻘﹰﺎ ﺃﻴﻀﹰﺎ‪ .‬ﻁﻠﺏ "ﺴﻴﻨﺎﺘﺭﺍ ‪ "Sinatra‬ﻁﻌﺎﻤﹰﺎ ﻤﻜﺴﻴﻜﻴﹰﺎ‪.‬‬
‫ﻴﻘﻭل "ﺒﺎﺘﺴﻲ ‪“ : "Patsy‬ﻜﺎﻥ ﺍﻝﻁﻌﺎﻡ ﺍﻝﻤﻜﺴﻴﻜﻲ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗﺕ ﺍﻷﺴﻭﺃ‪ ،‬ﻝﻴﺱ ﻜﻤﺎ ﻫﻭ ﺍﻝﺤﺎل ﻋﻠﻴﻪ ﺍﻝﻴﻭﻡ”‪ .‬ﻝﻜـﻥ‬
‫ﻜﺎﻥ ﺍﻝﺒﺎﺭ ﻤﻔﺘﻭﺤﹰﺎ ﻭﻜﺎﻥ ﺍﻝﺸﺭﺍﺏ ﻤﻥ ﺍﻝﺩﺭﺠﺔ ﺍﻷﻭﻝﻰ ﻭﺃﻓﺭﻁ ﻗﻼﺌل ﺠﺩﹰﺍ ﻤﻥ ﺍﻝﻨﺎﺱ ﺒﺎﻝﺸﺭﺏ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺫﻝﻙ‪ ،‬ﺤﻴﺙ ﻝﻡ ﻴﺭﻩ "ﺒﺎﺘﺴﻲ ‪ "Patsy‬ﻭﻫﻭ ﺴﻜﺭﺍﻥ‪ .‬ﻜﺎﻥ ﻁﻭﺍل ﺍﻷﻤﺴـﻴﺔ ﻴﺭﺸـﻑ‬
‫ﻭﻴﺴﻜﻲ ﻤﻊ ﺍﻝﻤﺎﺀ ﻭﻴﺩﺨﻥ ﺴﺠﺎﺌﺭ " ﺘﺸﻴﺴﺘﺭ ﻓﻴﻠﺩ" ﺍﻝﻁﻭﻴﻠﺔ‪ .‬ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ‪ ،‬ﻜﺎﻥ ﻴﻠﻌﺏ ﻝﻌﺒﺔ ﺼﻐﻴﺭﺓ‪ ،‬ﺤﻴـﺙ‬
‫ﻻ ﻤﻥ ﺍﺴﺘﺨﺩﺍﻡ ﻤﻨﻔﻀﺔ ﻝﻠﺴﺠﺎﺌﺭ‪ ،‬ﻜﺎﻥ ﻴﻀﻊ ﺴﻴﺠﺎﺭﺘﻪ ﺒﺸﻜل ﻤﺘﻭﺍﺯﻥ ﻋﻠﻰ ﻤﺅﺨﺭﺘﻬﺎ‪ .‬ﻭﻜﺎﻥ ﻴﻠﺘﻘﻁﻬﺎ ﻤـﻥ‬ ‫ﻜﺎﻥ ﺒﺩ ﹰ‬
‫ﻭﻗﺕ ﻵﺨﺭ ﻝﻴﺄﺨﺫ ﻨﻔﺨﺔ ﻤﻨﻬﺎ ﺜﻡ ﻴﻌﻴﺩﻫﺎ ﺒﺤﺫﺭ ﺩﻭﻥ ﺃﻥ ﻴﻭﻗﻊ ﺍﻝﺭﻤﺎﺩ ﻋﻨﻬﺎ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﺍﻝﺭﻤـﺎﺩ ﻴﺒـﺩﻭ ﻭﻜﺄﻨـﻪ‬
‫ﺴﻴﺘﺩﺍﻋﻰ ﺤﺘﻤﺎﹰ‪ ،‬ﻜﺎﻥ ﻴﻤﺴﻙ ﻨﻬﺎﻴﺘﻬﺎ ﺒﻴﻥ ﺍﻹﺒﻬﺎﻡ ﻭﺍﻝﺴﺒﺎﺒﺔ ﻭﻴﺭﻓﻌﻬﺎ ﺒﺤﺫﺭ ﺸﺩﻴﺩ ﻝﻴﺭﻯ ﺇﻥ ﻜﺎﻥ ﻴﺴﺘﻁﻴﻊ ﺇﻴﺼـﺎﻝﻬﺎ‬
‫ﺇﻝﻰ ﺃﻗﺭﺏ ﺴﻠﺔ ﻤﻬﻤﻼﺕ ﺃﻭ ﻝﻠﻤﺩﻓﺄﺓ‪ .‬ﺍﻋﺘﺒﺭ ﺒﻌﺽ ﺍﻝﻨﺎﺱ ﺍﻷﻤﺭ ﻤﺴﻠﻴﹰﺎ ﺒﻴﻨﻤﺎ ﺍﻏﺘﺎﻅ ﺁﺨﺭﻭﻥ ﻤﻥ ﺨﺩﻋﺘﻪ ﺍﻝﺼـﻐﻴﺭﺓ‬
‫ﺍﻝﺨﻁﺭﺓ ﺘﻠﻙ‪ ،‬ﺇﻻ ﺃﻨﻪ ﻝﻡ ﻴﺒﺎل ﺒﺎﻷﻤﺭ‪ .‬ﻜﺎﻥ ﻴﺸﻌﺭ ﺒﺎﻝﺭﺍﺤﺔ ﻓﻘﻁ ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻤﺨﺘﺒﺌﹰﺎ ﺨﻠـﻑ ﺸﺎﺸـﺔ ﻤـﻥ ﺃﻋﻤـﺎل‬
‫ﺍﻝﻤﺨﺎﻁﺭﺓ‪.‬‬
‫ﻏﺎﺩﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﻋﻭﺩﺘﻪ ﻤﻥ ﺘﻜﺴﺎﺱ ﺸﻘﺘﻪ ﻓﻲ "ﺼﻥ ﺴﻴﺕ ﺒﻼﺯﺍ ﺩﺭﺍﻴﻑ" ﺇﻝـﻰ‬
‫ﺸﻘﺔ ﺼﻐﻴﺭﺓ ﻏﺭﻴﺒﺔ ﻓﻲ "ﺸﻴﺭﻤﺎﻥ ﺃﻭﻜﺱ" ﺍﻝﺘﻲ ﺘﻤﺜل ﺠﺯﺀﹰﺍ ﻤﻥ ﻀﺎﺤﻴﺔ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﻓﻲ ﻭﺍﺩﻱ "ﺴﺎﻥ ﻓﻴﺭﻨﺎﻨﺩﻭ"‪.‬‬
‫ﻭﺤﺴﺏ "ﺒﺎﺘﺴﻲ ﺩﺍﻤﻭﺭ‪ "Patsy D'Amore‬ﻓﻘﺩ ﺭﺍﻗﺕ ﺍﻝﺸﻘﺔ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻷﻨﻬﺎ ﻜﺎﻨﺕ “ﺤﻤﻘﺎﺀ! ﻜﺎﻨﺕ ﻫﻨـﺎﻙ‬
‫ﺸﺭﻓﺔ ﻤﻊ ﺴﺭﻴﺭ ﺘﺴﺘﻁﻴﻊ ﻤﻥ ﻫﻨﺎﻙ ﻤﺸﺎﻫﺩﺓ ﻤﺴﺎﺤﺔ ﻜﺒﻴﺭﺓ ﻤﻊ ﻤﻭﻗﺩ ﺤﺠﺭﻱ ﻭﺍﻝﻤﻁﺒﺦ ﻓﻲ ﺍﻝﺨﻠﻑ”‪.‬‬
‫ﻭﺠﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻓﻀل ﺴﻜﻥ ﻝﺸﺨﺹ ﺃﻋﺯﺏ‪ .‬ﻭﻷﻭل ﻤﺭﺓ ﻓﻲ ﺤﻴﺎﺘﻪ‪ ،‬ﺒﺫل ﺠﻬﺩﹰﺍ ﺤﻘﻴﻘﻴﹰﺎ ﻓﻲ ﺘﻭﻀﻴﺏ‬
‫ﺍﻝﺸﻘﺔ ﻝﻴﻌﻴﺵ ﻓﻴﻬﺎ‪ .‬ﻋﻠﻕ ﻤﻥ ﺍﻝﻌﻭﺍﺭﺽ ﺍﻝﺨﺸﺒﻴﺔ ﻤﻜﺒﺭﻱ ﺼﻭﺕ ﻋﻤﻼﻗﻴﻥ ﻹﺭﻀﺎﺀ ﺤﺎﺠﺘﻪ ﻝﻠﻤﻭﺴﻴﻘﺎ ﺒﺼﻭﺕ ﻴﺼﻡ‬
‫ﺍﻵﺫﺍﻥ‪ .‬ﻭﻓﻲ ﺍﻝﺯﺍﻭﻴﺔ ﻭﻀﻊ ﺁﻝﺘﻲ ﺘﺴﺠﻴﻠﻪ ﻭﺍﺤﺩﺓ ﻤﻥ ﻨﻭﻉ "ﻓﻲ ﺇﻡ ‪ "V-M‬ﻭﺍﻝﺜﺎﻨﻴﺔ "ﺇﻴﻜﻭﺘﻴﺏ ‪ ."Ecotape‬ﺃﺤﺏ ﺩﺍﺌﻤﹰﺎ‬
‫ﺘﺴﺠﻴل ﺍﻝﻤﺤﺎﺩﺜﺎﺕ ﻭﺍﻹﺭﺘﺠﺎﻻﺕ‪ .‬ﻭﻓﻲ ﺯﺍﻭﻴﺔ ﺃﺨﺭﻯ‪ ،‬ﻭﻀﻊ ﻜﺎﻤﻴﺭﺍﺘﻪ ﻝﻠﺘﺼﻭﻴﺭ ﺍﻝﺴـﻴﻨﻤﺎﺌﻲ ﺍﻝﺘـﻲ ﻜﺎﻨـﺕ ﺫﺍﺕ‬
‫ﻋﺩﺴﺔ ‪ 8‬ﻤﻠﻡ ﻤﻥ ﻨﻭﻉ "ﺒﻭﻝﻴﻜﺱ ‪ "Bolex‬ﻋﻠﻰ ﻤﻨﺼﺒﻬﺎ‪ .‬ﺨﻁﻁ ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ ﻝﺘﺼﻭﻴﺭ ﻓﻴﻠﻡ ﻭﻋﺎﺩﺓ ﻤﺎ ﺘﺩﺭﺏ ﻋﻠﻰ‬
‫ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺃﺘﻭﺍ ﻝﻠﻤﻨﺯل‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺃﻴﻀﹰﺎ ﺤﺎﻤل ﻴﻌﺭﺽ ﻋﻠﻴﻪ ﻝﻭﺤﺔ ﺃﻭ ﺭﺴﻤﺔ ﻗﻴﺩ ﺍﻹﻨﺠﺎﺯ‪ .‬ﻓﻲ ﻤﺭﺤﻠـﺔ ﻤـﺎ‪،‬‬
‫ﻋﻤل ﻷﺴﺎﺒﻴﻊ ﻋﻠﻰ ﺭﺴﻤﺔ ﺴﻜﻴﺘﺵ ﻀﺨﻤﺔ ﺒﻘﻠﻡ ﺍﻝﺭﺼﺎﺹ ﻝﻨﻔﺴﻪ ﻭﻫﻭ ﻤﺴﺘﻠﻕ ﻓﻲ ﻨﻌﺵ‪.‬‬
‫ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﺍﻝﻨﺴﺎﺀ ﺍﻝﻼﺘﻲ ﻗﺎﺒﻠﻬﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺜﻴﺭﹰﺍ ﺨﻼل ﻫﺫﻩ ﺍﻝﻔﺘﺭﺓ ﻤﻤﺜﻠﺔ ﺸﺎﺒﺔ ﻤﺘﻌﺎﻗﺩﺓ ﻤﻊ ﺸـﺭﻜﺔ‬
‫"ﻴﻭﻨﻴﻔﺭﺴﺎل ﺇﻨﺘﺭﻨﺎﺸﻴﻭﻨﺎل ‪ ."Universal International‬ﺭﺘﺏ ﻝﻪ "ﺩﻴﻙ ﻜﻼﻴﺘﻭﻥ ‪ "Dick Clayton‬ﻭﻜﻴل ﺃﻋﻤﺎل "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻤﻭﻋﺩﻩ ﺍﻷﻭل‪ .‬ﻭﺤﺴﺏ ﻜﻼﻡ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ "Maila Nurmi‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺼﺩﻴﻘﺘﻪ ﻝﻜﻥ ﻝﻴﺴﺕ ﺤﺒﻴﺒﺘﻪ‪ ،‬ﻓﺈﻥ‬
‫ﻋﻼﻗﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﻫﺫﻩ ﺍﻝﻤﺭﺃﺓ ﺍﻝﺸﺎﺒﺔ ﻜﺎﻨﺕ “ ﻤﺴﺘﻤﺭﺓ ﻝﻔﺘﺭﺓ ﻁﻭﻴﻠﺔ‪ ،‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺤﺘﺭﻤﻬﺎ‪ .‬ﻜﺎﻥ ﻴﺸﻌﺭ ﺒﺎﻝﻌﺎﺭ‬
‫ﻤﻥ ﻋﻼﻗﺘﻪ ﻤﻌﻬﺎ‪ .‬ﻜﺎﻥ ﻴﺴﺘﻐﻠﻬﺎ‪ -‬ﻷﺴﺒﺎﺏ ﺠﺴﺩﻴﺔ‪ .‬ﻜﺎﻨﺕ ﺍﻤﺭﺃﺓ ﻤﺒﻬﺠﺔ ﻝﻠﺤﻭﺍﺱ‪ .‬ﺍﻋﺘﺎﺩ ﺃﻥ ﻴﺭﺍﻫﺎ‪ ،‬ﻜﻤـﺎ ﺍﻋﺘﻘـﺩ‪،‬‬
‫ﺘﻘﺭﻴﺒﹰﺎ ﻜل ﻤﺴﺎﺀ ﻭﻜﻨﺎ "ﺠﺎﻙ ﺴﻴﻤﻭﻨﺯ ‪ "Jack Simmons‬ﻭ "ﻤﺎﻴﻼ ‪ "Maila‬ﻨﺭﺍﻩ ﻻﺤﻘﹰﺎ‪ .‬ﻭﺇﺫﺍ ﻜﺎﻥ ﺴـﻭﻑ ﻴﻅﻬـﺭ‬
‫ﻝﻠﻌﻤﻭﻡ ﻓﻘﺩ ﻜﺎﻥ ﻴﻔﻌل ﺫﻝﻙ ﻤﻌﻬﺎ‪ ،‬ﻭﻜﺫﻝﻙ ﻜﺎﻥ ﻅﻬﻭﺭﻩ ﺍﻝﺨﺎﺹ ﻤﻌﻬﺎ ﻝﻜﻨﻪ ﻜﺎﻥ ﻴﺸﻌﺭ ﺒﺎﻝﻌﺎﺭ ﻤﻥ ﻫﺫﺍ‪ .‬ﺒﺎﻝﻨﺴﺒﺔ ﻝﻨﺎ‪،‬‬
‫ﻝﻡ ﻴﻜﻥ ﻴﺭﻏﺏ ﺤﺘﻤﹰﺎ ﺒﺎﻝﺘﺤﺩﺙ ﻋﻥ ﻫﺫﺍ ﺍﻝﻤﻭﻀﻭﻉ‪ .‬ﻝﻜﻨﻪ ﺃﺤﺏ "ﺃﻭﺭﺴﻭﻻ ﺃﻨﺩﺭﻴﺱ ‪."Ursula Andress‬‬
‫ﻭﻤﺭﺓ ﺃﺨﺭﻯ ﻝﻌﺏ "ﺩﻴﻙ ﻜﻼﻴﺘﻭﻥ ‪ "Dick Clayton‬ﺩﻭﺭ "ﻜﻴﻭﺒﺩ"‪ .‬ﻓﻲ ﺇﺤـﺩﻯ ﺍﻷﻤﺴـﻴﺎﺕ‪ ،‬ﺃﺨـﺫ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺇﻝﻰ ﺸﻘﺔ "ﺃﻭﺭﺴﻭﻻ ‪ ."Ursula‬ﺘﻘﻭل‪ “ :‬ﺩﺨل "ﺩﻴﻥ ‪ "Dean‬ﻭﺒﺩﺃ ﺒﺎﻝﺒﺤﺙ ﻓﻲ ﺍﻝﻤﻨﺯل‪ .‬ﻤﺸﻰ ﻓﻲ ﻜل ﺍﻝﺒﻴﺕ‪،‬‬
‫ﺜﻡ ﻋﺎﺩ ﻝﻠﺩﺍﺨل ﻭﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﺒﺩﺃ ﻴﺤﺩﻕ ﺒﻲ ﺩﻭﻥ ﺃﻥ ﻴﻘﻭل ﺃﻱ ﺸﻲﺀ”‪.‬‬
‫ﺒﻌﺩ ﺼﻤﺕ ﻁﻭﻴل‪ ،‬ﺴﺄﻝﺘﻪ ﻋﻥ ﺴﺒﺏ ﻫﺩﻭﺌﻪ‪ .‬ﺒﺩﺃ ﺍﻝﺘﺤﺩﺙ ﻭﺍﺴﺘﻤﺭ ﺒﺎﻝﺤﺩﻴﺙ ﻝﺴﺎﻋﺎﺕ‪.‬‬
‫ﻭﺒﻌﺩ ﻫﺫﺍ‪ ،‬ﺩﻋﺎﻫﺎ ﻝﻠﻌﺸﺎﺀ‪ .‬ﻭﺒﻌﺩ ﺍﻝﻌﺸﺎﺀ‪ ،‬ﺫﻫﺒﺎ ﺇﻝﻰ ﺃﺤﺩ ﺍﻝﻨﻭﺍﺩﻱ ﻤﻊ ﻤﺠﻤﻭﻋﺔ "ﻜﺎﻝﻴﺒﺴﻭ ‪ ."Calypso‬ﻭﻝﻜـﻥ‬
‫ﻭﺒﻌﺩ ﻋﺩﺓ ﻝﺤﻅﺎﺕ ﻤﻥ ﺠﻠﻭﺴﻬﻤﺎ‪ ،‬ﺍﺴﺘﺄﺫﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺫﻫﺏ ﻝﻔﺘﺭﺓ ﺒﺩﺕ ﻝـﻬﺎ ﺃﻨﻬﺎ ﻁﻭﻴﻠﺔ ﺠﺩﹰﺍ ﺒﺸﻜل ﻏﻴـﺭ‬
‫ﺍﻋﺘﻴﺎﺩﻱ‪.‬‬
‫ﻻﺤﻅﺕ ﺒﻌﺩ ﺫﻝﻙ ﺃﻨﻪ ﻜﺎﻥ ﻤﻭﺠﻭﺩﹰﺍ ﻋﻠﻰ ﺨﺸﺒﺔ ﺍﻝﻨﺎﺩﻱ ﻴﻌﺯﻑ ﻋﻠﻰ ﻁﺒﻠﺔ ﺍﻝﺒﻭﻨﻐﻭ ﻤﻊ ﺍﻝﻔﺭﻗﺔ‪ .‬ﺍﺴـﺘﻁﺎﻋﺕ‬
‫ﻤﻼﺤﻅﺔ ﺃﻨﻬﺎ ﻜﺎﻨﺕ ﻋﺭﻀﺔ ﻝﻠﺘﺠﺎﻫل‪ .‬ﻤﺸﺕ ﻝﻠﺨﺎﺭﺝ ﻭﺍﺴﺘﺩﻋﺕ ﺴﻴﺎﺭﺓ ﺘﺎﻜﺴﻲ ﻭﻋﺎﺩﺕ ﺇﻝﻰ ﺍﻝﻤﻨﺯل‪.‬‬
‫ﺒﻌﺩ ﺴﺎﻋﺔ‪ ،‬ﻅﻬﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ‪ .‬ﺍﻋﺘﺫﺭ‪ .‬ﻭﺴﺎﻤﺤﺘﻪ‪ .‬ﺃﻗﻨﻌﻬﺎ ﺒﻌﺩ ﻫﺫﺍ ﺒﺎﻝﺭﻜﻭﺏ ﺨﻠﻔﻪ ﻋﻠـﻰ‬
‫ﺍﻝﺩﺭﺍﺠﺔ ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻜﺎﻨﺎ ﻓﻲ ﺒﺩﺀ ﺠﻭﻝﺔ ﻜﺴﺭ ﺍﻝﻌﻨﻕ ﺍﻝﺘﻲ ﻓﺭﻀﻬﺎ ﻜﺜﻴﺭﹰﺍ ﻋﻠﻰ ﺃﺼﺩﻗﺎﺌﻪ ﺍﻝﺠﺩﺩ‪.‬‬
‫ﺍﻋﺘﺎﺩﺕ "ﺃﻭﺭﺴﻭﻻ ‪ "Ursula‬ﻁﻴﻠﺔ ﻓﺘﺭﺓ ﺍﻷﺴﺎﺒﻴﻊ ﺍﻝﺘﻲ ﺩﺍﻤﺕ ﺒﻬﺎ ﻋﻼﻗﺘﻬﻤﺎ ﻗﻀﺎﺀ ﺍﻝﻠﻴﺎﻝﻲ ﻭﺍﻷﻴﺎﻡ ﻓﻲ ﻤﻨﺯل‬
‫ل ﻋﻥ ﺸﻘﺘﻬﺎ ﻓﻲ ﺍﻝﻌﺯﻭﺒﻴﺔ‪ .‬ﻜﺒﺭﺕ ﻓﻲ ﺃﻭﺭﻭﺒﺎ ﺃﺜﻨﺎﺀ ﺍﻝﺤﺭﺏ‬‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺸﻴﺭﻤﺎﻥ ﺃﻭﻜﺱ"‪ ،‬ﺇﻻ ﺃﻨﻬﺎ ﻝﻡ ﺘﺘﺨ ﱠ‬
‫ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ ﻭﻜﺎﻨﺕ ﻨﺎﻀﺠﺔ ﺠﺩﹰﺍ ﺒﺎﻝﻤﻘﺎﺭﻨﺔ ﻤﻊ ﺒﻨﺎﺕ ﻋﻤﺭﻫﺎ ﺍﻷﻤﺭﻴﻜﻴﺎﺕ‪ .‬ﻭﻋﻠﻰ ﻋﻜﺱ "ﺒﻴﻴﺭ ﺃﻨﺠﻴﻠـﻲ ‪Pier‬‬
‫‪ "Angeli‬ﻓﻠﻡ ﺘﻜﻥ ﻁﻔﻠﺔ ﺫﺍﺕ ﺭﻋﺎﻴﺔ ﻤﺒﺎﻝﻎ ﺒﻬﺎ‪.‬‬
‫ﻜﻠﻔﺘﻬﺎ ﺸﺭﻜﺔ "ﺒﺎﺭﺍﻤﺎﻭﻨﺕ ‪ "Paramount‬ﻭﺨﻁﻁﺕ ﻹﺩﺭﺍﺠﻬﺎ ﻓﻲ ﻓﻴﻠﻡ ﺒﻤﺠﺭﺩ ﺘﻌﻠﻤﻬﺎ ﺍﻝﻠﻐﺔ ﺍﻹﻨﻜﻠﻴﺯﻴﺔ ﺒﺸﻜل‬
‫ﻜﺎﻑ‪ .‬ﺘﻘﻭل‪“ :‬ﻜﻨﺕ ﻤﺫﻫﻭﻝﺔ ﻓﻲ ﺃﻤﻴﺭﻜﺎ ﻭﺤﺘﻰ ﺤﺎﺌﺭﺓ ﺃﻜﺜﺭ ﻋﻨﺩﻤﺎ ﺃﺘﻴﺕ ﺇﻝﻰ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻝﻡ ﺃﺴﺘﻁﻊ ﺍﻝﺘﺤﺩﺙ ﺒﻠﻐﺘﻜﻡ‬
‫ﻭﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻓﻲ ﺃﻤﺭﻴﻜﺎ ﻝﻡ ﺃﺴﺘﻁﻊ ﻓﻬﻤﻪ‪ .‬ﻜﺎﻥ ﺍﻝﺠﻤﻴﻊ ﻴﺤﺎﻭﻝﻭﻥ ﺃﻥ ﻴﻜﻭﻨﻭﺍ ﻝﻁﻔﺎﺀ‪ ،‬ﻭﻝﻜﻥ ﻝـﻡ ﻴﻜـﻥ ﺃﺤـﺩ‬
‫ﻤﺴﺎﻋﺩﹰﺍ‪ .‬ﺜﻡ ﻗﺎﺒﻠﺕ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻫل ﺘﻌﺭﻑ ﻤﺎ ﻫﻭ ﺃﻭل ﺸﻲﺀ ﻓﻌﻠﻨﺎﻩ؟ ﺨﻀﻨﺎ ﻨﻘﺎﺸﹰﺎ ﻋﻥ ﺍﻝﻤﻭﺴﻴﻘﺎ ﺍﻷﻤﺭﻴﻜﻴﺔ‪.‬‬
‫ﻭﻋﻨﺩﻫﺎ ﻓﻘﻁ ﺃﺤﺴﺴﺕ ﺃﻨﻨﻲ ﺃﻤﺭﻴﻜﻴﺔ”‪.‬‬
‫ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ ﺍﻝﻌﻼﻗﺔ ﺃﺨﺫ ﺍﻝﻨﻘﺎﺵ ﻴﺯﻴﺩ ﻭﻴﺯﻴﺩ ﺒﺸﻜل ﻤﺴﺘﻤﺭ ﻭﻴﺯﻴﺩ ﻭﻴﺯﻴﺩ ﻓﻲ ﺍﻝﻌﻠﻥ‪ ،‬ﻭﺘﺤﻭل ﻤﻥ ﺍﻷﻓﻜـﺎﺭ‬
‫ﺍﻝﺘﺠﺭﻴﺩﻴﺔ ﺍﻝﻤﻐﺭﻴﺔ ﺇﻝﻰ ﺍﺘﻬﺎﻡ ﺸﺨﺼﻲ ﻻﺫﻉ‪ .‬ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺍﺴﺘﺒﺩﻝﺘﻪ "ﺃﻭﺭﺴﻭﻻ ‪ "Ursula‬ﺍﻝﻤﺠﻬﺩﺓ ﻤﻥ ﻤﺯﺍﺠﻴﺘﻪ ﺍﻝﺘﻲ‬
‫ﻻ ﻴﻤﻜﻥ ﺍﻝﺘﻨﺒﺅ ﺒﻬﺎ ﺒـﺎﻝﻤﻤﺜل "ﺠﻭﻥ ﺩﻴﺭﻴﻙ ‪ "John Derek‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﻜﺒﺭ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺒﺨﻤـﺱ ﺴـﻨﻭﺍﺕ‬
‫ﻭﺼﺎﺤﺏ ﺍﻝﺨﺒﺭﺓ ﺍﻝﻁﻭﻴﻠﺔ )ﻤﻊ ﻜل ﻤﻥ ﺨﺩﻤﺔ ﺍﻝﺤﺭﺏ ﻭﺯﻭﺍﺝ ﻓﺎﺸل ﻹﺜﺒﺎﺕ ﺫﻝﻙ(‪.‬‬
‫"ﺍﺸﺘﻌل" "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺒﻌﺩ "ﺃﻭﺭﺴﻭﻻ ‪) "Ursula‬ﻜﻤﺎ ﺘﺼﻑ ﺫﻝﻙ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪.( "Maila Nurmi‬‬
‫ﺘﺒﻌﻬﺎ ﻝﻜل ﻤﻜﺎﻥ ﻋﻠﻰ ﺩﺭﺍﺠﺘﻪ‪ .‬ﻭﻫﺎﺘﻔﻬﺎ ﻓﻲ ﺴﺎﻋﺎﺕ ﻤﺘﻔﺭﻗﺔ ﻤﻥ ﺍﻝﻠﻴل‪ ،‬ﻭﻭﺍﺠﻬﻬـﺎ ﻤـﻊ "ﺩﻴﺭﻴـﻙ ‪ "Derek‬ﻓـﻲ‬
‫ﺍﻝﻤﻁﺎﻋﻡ‪ .‬ﻭﻗﺎﻡ ﺫﺍﺕ ﻤﺭﺓ ﺒﺎﻝﺘﺤﺩﻴﻕ ﺒﻬﻤﺎ ﻤﻥ ﺨﻼل ﻨﺎﻓﺫﺓ ﺴﻴﺎﺭﺘﻬﻤﺎ ﺍﻝﻤﺼﻔﻭﻓﺔ‪ .‬ﺇﻻ ﺃﻥ ﻫﺫﺍ ﻝﻡ ﻴﻨﺠﺢ‪ .‬ﻝﻡ ﻴﻨﺠﺢ ﺃﻱ‬
‫ﺸﻲﺀ‪.‬‬
‫ﻝﻘﺩ ﺃﺨﺫﺕ "ﺃﻭﺭﺴﻭﻻ ‪ "Ursula‬ﻜﻔﺎﻴﺘﻬﺎ!‪.‬‬
‫ﻜﺎﻥ ﻤﻥ ﺍﻝﻤﻤﻜﻥ ﺇﻝﻘﺎﺀ ﻭﻝﻭ ﺒﻌﺽ ﻤﻥ ﺍﻝﻠﻭﻡ ﻋﻠﻰ ﺭﻓﺽ "ﺃﻨﺠﻠﻲ ‪ "Angeli‬ﻝﻪ ﻤﻥ ﻗﺒل ﺃﻤﻬﺎ ﺍﻝﻤﺴـﻴﻁﺭﺓ‪ .‬ﺇﻻ‬
‫ﺃﻥ ﻫﺫﺍ ﻜﺎﻥ ﻤﺨﺘﻠﻔﺎﹰ‪ ،‬ﻓﻘﺩ ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ ﺃﻥ"ﺃﻭﺭﺴﻭﻻ ‪ "Ursula‬ﻗﺩ ﻋﻤﻠﺕ ﻤﺎ ﻋﻠﻴﻬﺎ ﺒﺭﻓﻀـﻬﺎ‪ .‬ﺘﻘـﻭل "ﻤـﺎﻴﻼ‬
‫ﻨﻭﺭﻤﻲ ‪“ :"Maila Nurmi‬ﻝﻡ ﻴﺴﺘﻁﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺘﺼﺩﻴﻕ ﻓﻜﺭﺓ ﺃﻥ ﺃﺤﺩﹰﺍ ﻤﺎ ﺴﻭﻑ ﻴﺘﺭﻜﻪ ﻤﻥ ﺃﺠـل ﺭﺠـل‬
‫ﺁﺨﺭ ﻝﻘﺩ ﻜﺎﻥ ﻤﺼﻌﻭﻗﹰﺎ”‪.‬‬
‫ﻭﺠﺩ ﺒﻌﺽ ﺍﻝﺭﺍﺤﺔ ﻓﻲ ﺼﺩﺍﻗﺘﻪ ﻤﻊ "ﺴﺎﻨﻔﻭﺭﺩ ‪ "Sanford‬ﻭ " ﺒﻴﻭﻻ ﺭﻭﺙ ‪ ."Beulah Roth‬ﻁﻠﺒـﺕ ﻤﺠﻠـﺔ‬
‫"ﻜﻭﻝﻴﺭ ‪ "Collier‬ﻤﻥ "ﺭﻭﺙ ‪ "Roth‬ﺍﻝﻤﺼﻭﺭ ﺍﻝﻬﺎﻡ )ﺍﻝﺫﻱ ﺸﻤﻠﺕ ﺃﻋﻤﺎﻝﻪ ﻤﻘـﺎﻻﺕ ﻤﺼـﻭﺭﺓ ﻋـﻥ "ﺁﻴﻨﺸـﺘﺎﻴﻥ‬
‫‪ "Einstein‬ﻭ "ﺒﻴﻜﺎﺴﻭ ‪ "Picaso‬ﻭ "ﺸﺎﻏﺎل ‪ "Chagall‬ﻭ "ﻜﻭﻝﻴﺕ ‪ "Colette‬ﻭ "ﻜﻭﻜﺘﻴﻭ ‪ ("Cocteau‬ﻝﺘﺼﻭﻴﺭ ﻗﺼـﺔ‬
‫ﻋﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ،"James Dean‬ﺍﻝﻨﺠﻡ ﺍﻝﺠﺩﻴﺩ ﺍﻝﺴﺎﻁﻊ ﻓﻲ ﻓﻴﻠﻡ "ﺍﻝﻌﻤﻼﻕ ‪."Giant‬‬
‫ﻋﻨﺩﻤﺎ ﻗﺩﻡ "ﺭﻭﺙ ‪ "Roth‬ﻨﻔﺴﻪ ﺇﻝﻰ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻤﻭﻗﻊ ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﻋﺭﻓﻪ ﻋﻠﻰ ﺃﻨﻪ ﺍﻝﻤﺼﻭﺭ ﺍﻝـﺫﻱ‬
‫ﺃﻨﺠﺯ ﺃﺤﺩ ﺍﻝﻜﺘﺏ ﺍﻝﻤﻔﻀﻠﺔ ﻝﺩﻴﻪ ﻋﻥ ﺒﺎﺭﻴﺱ‪ .‬ﻗﺎل "ﺠﻴﻤﻲ ‪“ :"Jimmy‬ﺇﻥ ﺫﻝﻙ ﺍﻝﻜﺘﺎﺏ ﻴﺠﻌﻠﻨﻲ ﺃﺩﺭﻙ ﺃﻨﻨﻲ ﻝﻡ ﺃﻜـﻥ‬
‫ﺒﺄﻱ ﻤﻜﺎﻥ ﺁﺨﺭ ﺒﺎﻝﻤﺭﺓ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﺫﻫﺏ ﺇﻝﻰ ﺒﺎﺭﻴﺱ ﻗﺒل ﻨﻬﺎﻴﺔ ﻫﺫﺍ ﺍﻝﻌﺎﻡ‪ .‬ﺃﺭﻴـﺩ ﻤﺸـﺎﻫﺩﺓ ﻤﺴـﺭﺡ ﺒـﺎﺭﻴﺱ ‪-‬‬
‫ﻭﻤﺸﺎﻫﺩﺓ "ﺒﻴﻴﺭ ﺒﻼ ﻨﺸﺎﺭ ‪ "Pierre Blanchard‬ﻭ "ﺠﻴﺭﺍﺭﺩ ﻓﻴﻠﻴﺒﻰ ‪ ."Gérard Philipe‬ﺃﺭﻴـﺩ ﻤﺸـﺎﻫﺩﺓ ﺍﻝﻔﻨـﺎﻨﻴﻥ‬
‫ﺍﻝﻌﻅﺎﻡ‪ -‬ﻭﻤﺸﺎﻫﺩﺓ ﺭﻭﻤﺎ‪ -‬ﻭﺸﺭﺍﺀ ﺍﻷﺤﺫﻴﺔ ﻭﺍﻝﻤﻼﺒﺱ ﺍﻝﻤﺠﻨﻭﻨﺔ ﻓﻲ ﻜﺎﺒﺭﻱ‪ .‬ﺃﺭﻴﺩ ﺃﻥ ﺃﻋﻴﺵ”‪.‬‬
‫ﻻﺤﻘﹰﺎ ﻭﻓﻲ ﺫﻝﻙ ﺍﻝﻴﻭﻡ ﻨﻔﺴﻪ‪ ،‬ﺴﺄل "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺭﻭﺙ ‪ "Roth‬ﺇﺫﺍ ﻜﺎﻥ ﻝﺩﻴﻪ ﺃﻱ ﻤﻥ ﺃﻋﻤـﺎل ﺍﻝﻔﻨـﺎﻨﻴﻥ‬
‫ﺍﻝﻤﺸﻬﻭﺭﻴﻥ ﺍﻝﺫﻴﻥ ﺼﻭﺭﻫﻡ‪ .‬ﻭﻋﻨﺩﻤﺎ ﺃﺠﺎﺏ "ﺭﻭﺙ ‪ "Roth‬ﺇﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻨﻬﻡ ﻗﺩ ﺃﻋﻁﺎﻩ ﻝﻭﺤﺎﺕ ﻭﺭﺴـﻭﻤﹰﺎ ﺍﻨﻔﺠـﺭ‬
‫ﻼ‪“ :‬ﻤﺘﻰ ﺃﺴﺘﻁﻴﻊ ﺍﻝﻘﺩﻭﻡ ﻭﺭﺅﻴﺘﻙ؟”‪.‬‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺎﺌ ﹰ‬
‫ﺩﻋﺎﻩ "ﺭﻭﺙ ‪ "Roth‬ﻝﻠﻌﺸﺎﺀ ﻓﻲ ﺘﻠﻙ ﺍﻝﻠﻴﻠﺔ ﻨﻔﺴﻬﺎ ﻓﺄﺒﻘﺎﻩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﺯﻭﺠﺘﻪ ﻤﺴﺘﻴﻘﻅﻴﻥ ﺤﺘﻰ ﺍﻝﺴﺎﻋﺔ‬
‫ﺍﻝﺨﺎﻤﺴﺔ ﺼﺒﺎﺤﺎﹰ‪ ،‬ﻴﺘﺤﺩﺜﺎﻥ‪ ،‬ﻭﻴﺘﺤﺩﺜﺎﻥ‪ ،‬ﻭﻴﺘﺤﺩﺜﺎﻥ‪ .‬ﺇﻻ ﺃﻥ ﻋﺎﺌﻠﺔ "ﺭﻭﺙ ‪ "Roth‬ﺃﺤﺒﺘﻪ ﻋﻨﺩﻤﺎ ﺍﻜﺘﺸﻔﻭﺍ ﺃﻨﻪ ﻗﺎﻡ ﺒﻌﻤل‬
‫ﺒﻌﺽ ﺍﻝﺭﺴﻭﻡ ﻭﺍﻝﺘﻤﺎﺜﻴل ﻫﻭ ﺃﻴﻀﺎﹰ‪ ،‬ﻭﺃﻨﻪ ﺃﺭﺍﺩ ﻤﺘﺎﺒﻌﺔ ﺍﻝﺩﺭﺍﺴﺔ‪ ،‬ﻓﻘﺎﻤﻭﺍ ﺒﺘﻘﺩﻴﻤﻪ ﻝﻠﻔﻨﺎﻨﺔ "ﺒﻴﻐـﻭﺕ ﻭﺍﺭﻴﻨـﻎ ‪Pegot‬‬
‫‪ ."Waring‬ﺘﻘﻭل‪“ :‬ﺒﺩﺍ ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺃﺭﺍﺩ ﺘﻌﻠﻡ ﺍﻝﻨﻘﺎﻁ ﺍﻝﻬﺎﻤﺔ ﻤﻥ ﺍﻝﻨﺤﺕ‪ .‬ﻭﻜﻨﺕ ﻤﻌﻠﻤﺘﻪ ﻓـﻲ‬
‫ﻫﺫﺍ‪ ،‬ﺇﻻ ﺃﻨﻨﻲ ﺴﺭﻋﺎﻥ ﻤﺎ ﻋﺭﻓﺕ ﺃﻥ ﻝﺩﻴﻪ ﻋﻁﺸﹰﺎ ﻨﻬﻤﹰﺎ ﻝﻠﻤﻌﺭﻓﺔ ﺃﻜﺜﺭ ﻤﻥ ﺃﻱ ﺸﺎﺏ ﺁﺨﺭ ﻋﺭﻓﺘﻪ‪ .‬ﻭﺒﻌـﺩ ﺩﺭﺴـﻪ‬
‫ﺍﻝﺜﺎﻨﻲ ﺃﻭ ﺍﻝﺜﺎﻝﺙ‪ ،‬ﺃﺭﺍﺩ ﺃﻥ ﻴﺴﻤﻊ ﻤﻨﻲ ﺸﺭﺤﹰﺎ ﻋﻥ ﺍﻝﺘﻘﻨﻴﺔ ﺍﻝﺘﻲ ﻴﺴﺘﺨﺩﻤﻬﺎ ﺍﻝﻨﺤﺎﺘﻭﻥ ﻓﻲ ﺼـﻨﺎﻋﺔ ﺍﻝﻭﺠـﻭﻩ ﻋﻠـﻰ‬
‫ﺍﻝﺠﺒﺎل ﻤﺜل "ﺭﺍﺸﻤﻭﺭ ‪ ."Rushmore‬ﻜﺎﻥ ﺴﻌﻴﻪ ﻨﺤﻭ ﺍﻝﺤﻘﻴﻘﺔ ﺍﻝﻔﻨﻴﺔ ﻤﺨﻴﻔﹰﺎ‪ .‬ﺃﺭﺍﺩ ﻤﻌﺭﻓﺔ ﻜل ﺸـﻲﺀ ﺤـﻭل ﻜـل‬
‫ﺤﻘﻴﻘﺔ‪ ،‬ﺃﻭ ﻓﻜﺭﺓ‪ ،‬ﺃﻭ ﻨﻅﺭﻴﺔ ﻤﻬﻤﺎ ﺼﻐﺭﺕ ﻭﺍﻝﺘﻲ ﺘﻡ ﺍﻜﺘﺸﺎﻓﻬﺎ ﻤﻥ ﻗﺒل ﺍﻹﻨﺴﺎﻥ ﻤﻨﺫ ﺍﻝﻌﺼﺭ ﺍﻝﺤﺠﺭﻱ‪ .‬ﻜﺎﻥ ﻝﺩﻴـﻪ‬
‫ﻤﻴل ﺸﺩﻴﺩ ﻨﺤﻭ ﺍﻝﺸﻙ ﺒﺎﻝﻨﺎﺱ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻴﻜﻥ ﺍﺤﺘﺭﺍﻤﹰﺎ ﻜﺒﻴﺭﹰﺍ ﻷﻱ ﺃﺤﺩ ﻴﻤﻠﻙ ﺍﻝﻤﻌﺭﻓﺔ”‪.‬‬
‫ﻝﻡ ﻴﻜﻥ "ﺴﺎﻨﻔﻭﺭﺩ ﺭﻭﺙ ‪ "Sanford Roth‬ﻭ "ﺒﻴﻐﻭﺕ ﻭﺍﺭﻴﻨﻎ ‪ "Pegot Waring‬ﺍﻝﺸﺨﺼﻴﻥ ﺍﻝﻭﺤﻴﺩﻴﻥ ﺍﻝﻠـﺫﻴﻥ‬
‫ﻓﻬﻤﺎ ﺒﺤﺙ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻭﺤﻴﺩ ﻋﻥ ﺍﻝﻌﻁﻑ‪ .‬ﺫﺍﺕ ﻤﺭﺓ‪ ،‬ﻭﺨﻼل ﺤﻔﻠﺔ ﻓـﻲ ﻤﻨـﺯل ﻋﺎﺌﻠـﺔ "ﺭﻭﺙ ‪،"Roth‬‬
‫ﻻﺤﻅﺕ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ‪ "Elizabeth Taylor‬ﻜﻡ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻭﻝﻌﹰﺎ ﺒﻘﻁﻬﻡ ﺍﻝﺴـﻴﺎﻤﻲ "ﻝـﻭﻴﺱ ‪"Louis‬‬
‫ﺍﻝﺫﻱ ﻗﻴل ﺇﻨﻪ ﺴﺎﺭ ﺫﺍﺕ ﻤﺭﺓ ﻋﺒﺭ ﻝﻭﺤﺔ ﻝـ "ﺒﻴﻜﺎﺴﻭ ‪ "Picasso‬ﺜﻡ ﺤﺼل ﻋﻠﻰ ﺸﺭﻑ ﺘﻨﻅﻴﻑ ﻤﺨﺎﻝﺒﻪ ﻤﻥ ﺍﻝﺭﺴﺎﻡ‬
‫ﺍﻝﻌﻅﻴﻡ ﺸﺨﺼﻴﹰﺎ‪ .‬ﺒﻌﺩ ﻋﺩﺓ ﺃﻴﺎﻡ‪ ،‬ﺍﺴﺘﺩﻋﺕ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ‪" "Elizabeth Taylor‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻐﺭﻓﺔ ﻤﻼﺒﺴـﻬﺎ‬
‫ﻓﻲ ﻤﻭﻗﻊ ﺘﺼﻭﻴﺭ ﺍﻝﻔﻴﻠﻡ ﻭﻓﺎﺠﺄﺘﻪ ﺒﻘﻁ ﺴﻴﺎﻤﻲ ﺼﻐﻴﺭ‪ .‬ﺍﺴﻤﺎﻩ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﺘﻴﻤﻨﹰﺎ ﺒﺎﺴﻡ ﺯﻭﺝ ﻋﻤﺘـﻪ ﻓـﻲ‬
‫ﺇﻨﺩﻴﺎﻨﺎ‪.‬‬
‫ﺨﻼل ﻓﺘﺭﺓ ﺍﺴﺘﺭﺍﺤﺔ ﺍﻝﻐﺩﺍﺀ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺩﺍﺌﻤـﹰﺎ ﻴﻨﻁﻠـﻕ ﻝﻠﺒﻴـﺕ ﻤـﻥ ﺃﺴـﺘﻭﺩﻴﻭ "ﻭﺍﺭﻨـﺭ‬
‫ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻹﻁﻌﺎﻡ ﺍﻝﻘﻁ ﺍﻝﺼﻐﻴﺭ‪ .‬ﻭﻜﺎﻥ ﻗﺒل ﺨﺭﻭﺠﻪ ﻓﻲ ﺍﻷﻤﺴﻴﺎﺕ ﻴﺘﺄﻜﺩ ﻤﻥ ﺃﻨﻪ ﻝﺩﻴﻪ ﺍﻝﻜﺜﻴـﺭ‬
‫ﻤﻥ ﺍﻝﻁﻌﺎﻡ ﻭﺍﻝﻤﺎﺀ ﻭﻭﻋﺎﺀ ﻨﻅﻴﻑ‪ .‬ﻜﺎﻥ ﻜﺫﻝﻙ ﻓﻲ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻠﻴﺎﻝﻲ ﻴﺄﺘﻲ ﻝﻠﺒﻴﺕ ﺒﺎﻜﺭﹰﺍ ﻋﻤﺎ ﺍﻋﺘﺎﺩ ﻋﻠﻴﻪ ﻷﻨﻪ ﻝﻡ ﻴﺭﺩ‬
‫ﻝﻠﻘﻁ ﺃﻥ ﻴﺸﻌﺭ ﺒﺎﻝﻭﺤﺩﺓ‪ .‬ﺃﺤﺏ ﺍﻝﻠﻌﺏ ﻤﻌﻪ ﻭﻤﺭﺍﻗﺒﺘﻪ ﻴﻠﻌﺏ‪ .‬ﻗﺎﻡ ﺒﺭﺒﻁ ﺨﻴﻁ ﻤﻥ ﺍﻝﻘﻨﺏ ﺒﻌﻘﺩﺓ ﻭﻋﻠﻘﻪ ﻤﻥ ﺍﻝﻌﺎﺭﻀﺔ‪،‬‬
‫ﻓﻜﺎﻥ ﺍﻝﻘﻁ ﻴﻀﺭﺏ ﺍﻝﻌﻘﺩﺓ ﻭﻫﻭ ﻴﺨﺭﺨﺭ ﻭﻴﻬﺭﻫﺭ‪ ،‬ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﻴﻐﺭﺯ ﻤﺨﺎﻝﺒﻪ ﻋﻤﻴﻘﹰﺎ ﻝﺩﺭﺠﺔ ﺃﻨﻪ ﻴﺴﺤﺏ ﻤﻥ‬
‫ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻴﺘﺄﺭﺠﺢ ﻝﻸﻤﺎﻡ‪ ،‬ﻭﻝﻠﺨﻠﻑ ﻭﻜﺄﻨﻪ ﻗﻁ ﻨﻭﺍﺱ‪.‬‬
‫ﺒﺩﺃﺕ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ‪ "Elizabeth Taylor‬ﺒﺤﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤـﻥ ﺒﻌـﺽ ﺍﻝﻤﻨـﺎﻭﺭﺍﺕ‬
‫ﺍﻝﺼﻌﺒﺔ ﺍﻝﺴﺎﺒﻘﺔ‪ .‬ﻜﺎﻥ ﻝﻁﻴﻔﹰﺎ ﺠﺩﹰﺍ ﻓﻲ ﻝﻘﺎﺌﻬﻤﺎ ﺍﻷﻭل‪ ،‬ﻭﺸﻨﻴﻌﹰﺎ ﺠﺩﹰﺍ ﻓﻲ ﺍﻝﺜﺎﻨﻲ‪ .‬ﺇﻻ ﺃﻥ ﺯﻤﻴﻠﻬﺎ ﺍﻝﻨﺠﻡ "ﺭﻭﻙ ﻫﺎﺩﺴﻭﻥ‬
‫‪ "Rock Hudson‬ﻝﻡ ﻴﻐﻴﺭ ﻗﻁ ﺸﻌﻭﺭﻩ ﺘﺠﺎﻫﻪ‪ .‬ﻴﻘﻭل‪“ :‬ﻝﻡ ﺃﺤﺒﻪ ﻋﻠﻰ ﻭﺠﻪ ﺍﻝﺨﺼـﻭﺹ‪.‬ﻜﻨـﺕ ﻤﻌـﻪ ﻭ "ﺘﺸـﻴل‬
‫ﻭﻴﻠﺯ ‪ "Chill Wills‬ﻨﻌﻴﺵ ﻤﻌﹰﺎ ﻓﻲ ﺒﻴﺕ ﻤﺴﺘﺄﺠﺭ ﻝﻤﺩﺓ ﺜﻼﺜﺔ ﺃﺸﻬﺭ ﺒﻴﻨﻤﺎ ﻜﻨﺎ ﻨﺼﻭﺭ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻓﻲ ﺘﻜﺴﺎﺱ‪،‬‬
‫ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﻜل ﻭﺍﺤﺩ ﻤﻨﺎ ﺘﻘﺭﻴﺒﹰﺎ ﻋﺎﺵ ﺤﻴﺎﺘﻪ‪ ،‬ﻓﺈﻥ ﻭﺠﻭﺩ "ﺩﻴﻥ ‪ "Dean‬ﻓﻲ ﺍﻝﺠﻭﺍﺭ ﻜﺎﻥ ﺼـﻌﺒﹰﺎ‪ .‬ﻜـﺭﻩ‬
‫"ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ‪ ،"George Stevens‬ﻭﻝﻡ ﻴﻌﺘﻘﺩ ﺃﻨﻪ ﻜﺎﻥ ﻤﺨﺭﺠﹰﺎ ﺠﻴﺩﹰﺍ‪ .‬ﻭﻜﺎﻥ ﺩﺍﺌﻡ ﺍﻝﻐﻀﺏ ﻭﻤﻠﻴﺌﹰﺎ ﺒﺎﻻﺤﺘﻘـﺎﺭ‪ .‬ﻝـﻡ‬
‫ﻴﻀﺤﻙ ﻗﻁ‪ .‬ﻜﺎﻥ ﻏﺎﻀﺒﹰﺎ ﻤﺘﺒﺭﻤﹰﺎ ﻭﺴﻴﺊ ﺍﻝﺨﻠﻕ‪ .‬ﺃﻨﺎ ﻝﺴﺕ ﻤﻬﺘﻤﹰﺎ ﻝﺘﻠﻙ ﺍﻝﺩﺭﺠﺔ ﺒﺎﻷﺨﻼﻕ ‪ -‬ﻓﺄﻨﺎ ﺁﺨـﺫﻫﺎ ﺤﻴـﺙ‬
‫ﺃﺠﺩﻫﺎ ‪ -‬ﺇﻻ ﺃﻨﻬﺎ ﻝﻡ ﺘﺘﻭﺍﻓﺭ ﻋﻨﺩ "ﺩﻴﻥ ‪ ."Dean‬ﻜﺎﻥ ﻜﺫﻝﻙ ﺨﺸﻨﹰﺎ ﻓﻲ ﺃﺩﺍﺀ ﺍﻝﻤﺸﻬﺩ ﻤﻌﻪ ﻷﺴﺒﺎﺏ ﻴﻤﻜﻥ ﻓﻘﻁ ﻝﻤﻤﺜل‬
‫ﺃﻥ ﻴﻘﺩﺭﻫﺎ‪ .‬ﻋﻨﺩ ﺃﺩﺍﺀ ﻤﺸﻬﺩ ﻤﺎ‪ ،‬ﻓﻲ ﺍﻷﺨﺫ ﻭﺍﻝﻌﻁﺎﺀ‪ ،‬ﻜﺎﻥ ﻓﻘﻁ ﺍﻵﺨﺫ‪ .‬ﻜﺎﻥ ﻴﺄﺨﺫ ﻜل ﺸﻲﺀ ﻭﻻ ﻴﻌﻁﻲ ﺒﺎﻝﻤﻘﺎﺒل”‪.‬‬
‫ﻝﻡ ﺘﻜﻥ ﺍﻝﻤﻭﺍﺠﻬﺎﺕ ﺍﻝﺠﺎﺩﺓ ﺒﻴﻥ "ﺩﻴﻥ ‪ "Dean‬ﻭ "ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﺘﺩﻭﺭ ﺤﻭل ﺍﻝﺘﻔﺴﻴﺭ ﺃﻭ ﺍﻝـﻨﺹ‪ .‬ﻜﺎﻨـﺕ‬
‫ﺤﻭل ﺠﺩﻭل ﺍﻝﻤﻭﺍﻋﻴﺩ‪ .‬ﻓﺎﻻﺴﺘﻴﻘﺎﻅ ﻋﻨﺩ ﺒﺯﻭﻍ ﺍﻝﻴﻭﻡ ﻭﻋﻤل ﺘﻘﺭﻴﺭ ﻝﻸﺴﺘﻭﺩﻴﻭ ﻝﻌـﺩﺓ ﺴـﺎﻋﺎﺕ ﻋـﻥ ﺍﻝﻤﻼﺒـﺱ‬
‫ﻭﺍﻝﻤﺎﻜﻴﺎﺝ ﺜﻡ ﺍﻝﺨﺭﻭﺝ ﻝﻠﻤﻭﻗﻊ ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺜﺎﻤﻨﺔ ﺘﻤﺎﻤﹰﺎ ﻝﺘﺠﺩ ﺃﻨﻙ ﻝﻥ ﺘﺴﺘﺨﺩﻡ ﺤﺘﻰ ﺁﺨﺭ ﺍﻝﺼﺒﺎﺡ ﺃﻭ ﺤﺘﻰ ﺁﺨـﺭ‬
‫ﺍﻝﻌﺼﺭ ﻫﻭ ﻤﺎ ﻴﺴﻤﻰ ﺒﻤﺤﻨﺔ ﺍﺴﺘﻌﺠل ﻭﺍﻨﺘﻅﺭ‪ ،‬ﺍﻝﺘﻲ ﻴﺘﻌﺎﻤل ﻤﻌﻬﺎ ﻋﺎﺩﺓ ﺍﻝﻤﻤﺜﻠﻭﻥ ﻤﻊ ﻭﺭﻕ ﺍﻝﻠﻌﺏ )ﻗـﺎل "ﻋﻤـﺭ‬
‫ﻼ(‪ ،‬ﻭﺍﻝﻜﺘﺏ ﻭﺍﻝﻤﺠـﻼﺕ‪ ،‬ﻭﺍﻝﺠﺭﺍﺌـﺩ‪،‬‬ ‫ﺍﻝﺸﺭﻴﻑ ‪ "Omar Sharif‬ﻤﺭﺓ ﺇﻨﻪ ﻜﺎﻥ ﻻﻋﺏ ﺒﺭﻴﺩﺝ ﺃﻓﻀل ﻤﻥ ﻜﻭﻨﻪ ﻤﻤﺜ ﹸ‬
‫ﻭﺍﻝﺴﺠﺎﺌﺭ‪ ،‬ﻭﺍﻝﻘﻬﻭﺓ ﻭﺍﻝﻘﻴل ﻭﺍﻝﻘﺎل‪ .‬ﺇﻻ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﺸﺨﺼﹰﺎ ﻤﺸﺩﻭﺩﹰﺍ ﺠﺩﹰﺍ ﻭﻤﺼﻤﻤﹰﺎ ﺠﺩﹰﺍ ﻋﻠـﻰ ﺩﻭﺭﻩ‬
‫ﻝﻴﺘﺠﺎﻭﺯ ﺍﻻﻨﺘﻅﺎﺭ ﺒﺘﻠﻙ ﺍﻝﻁﺭﻴﻘﺔ‪.‬‬
‫ﺤﻁﻤﺕ ﺍﻷﻝﻌﺎﺏ ﻭﺍﻹﺸﺎﻋﺎﺕ ﺫﻝﻙ ﺍﻝﺘﺼﻤﻴﻡ ﺍﻝﻌﻤﻴﻕ ﺍﻝﺫﻱ ﺍﺤﺘﺎﺠﻪ ﻷﻓﻀل ﺃﺩﺍﺀ ﻝﻪ ﺃﻤﺎﻡ ﺍﻝﻜـﺎﻤﻴﺭﺍ‪ .‬ﻭﻋﻠـﻰ‬
‫ﻋﻜﺱ ﻤﺤﺘﺭﻓﻲ ﺍﻷﻓﻼﻡ ﺍﻝﻁﻭﻴﻠﺔ ﺍﻝﺫﻴﻥ ﻜﺎﻥ ﻴﻌﻤل ﻤﻌﻬﻡ‪ ،‬ﻝﻡ ﻴﺴﺘﻁﻊ ﻭﺒﺒﺴﺎﻁﺔ ﺍﻝﺨﺭﻭﺝ ﻤﻥ ﺠﻠﺴﺎﺕ ﺍﻝﻤﻘﻬﻰ ﺍﻝﻤﻸﻯ‬
‫ﺒﺎﻝﻠﻐﻭ ﺇﻝﻰ ﺩﺍﺨل ﺤﻴﺎﺓ ﺍﻝﻤﺸﻬﺩ‪ .‬ﺒﻌﺩ ﺘﺠﺭﺒﺔ ﻁﺭﻴﻘﺔ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻝﻌﺩﺓ ﺃﺴﺎﺒﻴﻊ‪ ،‬ﻗﺭﺭ ﺍﻝﺨﺭﻭﺝ ﺒﻨﻅﺎﻡ ﺍﻹﻨﺫﺍﺭ ﺍﻝﻤﺒﻜـﺭ‬
‫ﺍﻝﺨﺎﺹ ﺒﻪ‪ .‬ﻁﻠﺏ ﻤﻥ ﻤﺴﺎﻋﺩ ﺍﻝﻤﺨﺭﺝ ﺍﻻﺘﺼﺎل ﺒﻪ ﻓﻲ ﺍﻝﻤﻨﺯل ﻤﺒﺎﺸﺭﺓ ﻗﺒل ﺒﺩﺍﻴﺔ ﺃﻱ ﻤﻥ ﻤﺸﺎﻫﺩﻩ‪ ،‬ﺒﻤـﺎ ﻴﺴـﻤﺢ‬
‫ﺒﺎﻝﻁﺒﻊ‪ ،‬ﻝﻭﻗﺕ ﻜﺎﻑ ﺒﺎﻝﻘﻴﺎﺩﺓ ﻝﻸﺴﺘﻭﺩﻴﻭ ﻭﺘﺠﻬﻴﺯﻩ ﻝﻠﻤﺎﻜﻴﺎﺝ ﻭﺍﻷﺯﻴﺎﺀ‪.‬‬
‫ﻨﺠﺢ ﻫﺫﺍ ﺍﻝﻨﻅﺎﻡ‪ ،‬ﻝﻔﺘﺭﺓ ﻭﺠﻴﺯﺓ‪ .‬ﺇﻻ ﺃﻨﻪ ﻭﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺃﻴﺎﻡ ﺍﻝﺴﺒﺕ‪ ،‬ﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻤﺸﻬﺩ "ﻤﺭﺴﻴﺩﺱ ﻤـﺎﻙ‬
‫ﻜﺎﻤﺒﺭﻴﺩﺝ ‪ "Mercedes Mc Cambridge‬ﻤﻘﺭﺭﺍﹰ‪ ،‬ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻤﻥ ﺍﻵﻤﻥ ﺘﺭﻙ ﺍﻝﻬﺎﺘﻑ ﻭﺤﻴﺩﹰﺍ ﻝﻌـﺩﺓ‬
‫ﺴﺎﻋﺎﺕ ﺒﻴﻨﻤﺎ ﻗﺎﻡ ﺒﺄﺨﺫ ﺒﻌﺽ ﺍﻷﺸﻴﺎﺀ ﻝﻠﻤﻨﺯل‪ .‬ﺒﻌﺩ ﺨﻤﺱ ﺩﻗﺎﺌﻕ ﻤﻥ ﻗﻴﺎﺩﺘﻪ‪ ،‬ﺒﺩﺃ ﺍﻝﻬﺎﺘﻑ ﺒﺎﻝﺭﻨﻴﻥ ﺍﻝﺫﻱ ﻝﻡ ﻴﺘﻭﻗﻑ‪.‬‬
‫ﻭﻗﻌﺕ "ﻤﺭﺴﻴﺩﺱ ﻤﺎﻙ ﻜﺎﻤﺒﺭﻴﺩﺝ ‪ "Mercedes Mc Cambridge‬ﻓﻲ ﺍﻝﺩﻭﺵ ﻭﺠﺭﺤﺕ ﻭﺠﻬﻬﺎ‪ .‬ﻭﺘﻡ ﻭﻀـﻊ ﺃﺤـﺩ‬
‫ﻻ ﻤﻥ ﺫﻝﻙ‪.‬‬
‫ﻤﺸﺎﻫﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺩ ﹰ‬
‫ﺃﻤﻀﻰ ﻤﺴﺎﻋﺩ ﺍﻝﻤﺨﺭﺝ ﻁﻴﻠﺔ ﻓﺘﺭﺓ ﺍﻝﺼﺒﺎﺡ ﻭﻫﻭ ﻴﺘﺼل ﺒﺎﻝﺒﻠﺩﺓ ﻋﻠﻪ ﻴﺠﺩﻩ‪ .‬ﻭﺼل ﺍﻹﻨﺘﺎﺝ ﺇﻝﻰ ﻭﻗﻔﺔ ﻤﻤﻴﺘﺔ‪.‬‬
‫ﺘﺤﻭل ﻏﻀﺏ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﺇﻝﻰ ﺜﻭﺭﺓ ﻫﻴﺎﺝ‪ .‬ﻭﺒﺤﺩﺴﻬﺎ ﻗﻔﺯﺕ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ ‪Elizabeth‬‬
‫‪ "Taylor‬ﻨﺤﻭ ﺴﻴﺎﺭﺘﻬﺎ ﻭﻗﺎﺩﺘﻬﺎ ﺇﻝﻰ ﻤﻨﺯل "ﺸﻴﺭﻤﺎﻥ ﺃﻭﻜﺱ"‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗـﺩ ﻭﺼـل ﻝﻠﺘـﻭ ﻋﻨـﺩﻤﺎ‬
‫ﻭﺼﻠﺕ‪.‬ﻗﺎﻤﺕ ﺒﺈﻴﺼﺎﻝﻪ ﺇﻝﻰ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ .‬ﺃﻨﺒﻪ " ﺴﺘﻴﻔﻨﺯ ‪ "Stevens‬ﻭﻋﻨﻔﻪ ﺃﻤﺎﻡ ﺃﻓﺭﺍﺩ ﺍﻝﺸﺭﻜﺔ ﻜﻠﻬﻡ‪ .‬ﻗﺎل ﺍﻝﻤﺨـﺭﺝ‬
‫ﺍﻝﻤﻐﺘﺎﻅ ﺇﻥ ﻫﻭﻝﻴﻭﻭﺩ ﺘﺴﺘﻁﻴﻊ ﺍﻻﺴﺘﻤﺭﺍﺭ ﺒﺩﻭﻥ ﻨﻭﻋﻴﺔ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻭﻓﻲ ﺍﻝﺤﻘﻴﻘﺔ‪ ،‬ﺴﻭﻑ ﺘﻜﻭﻥ ﺭﺍﺤﺔ ﻋﻅﻴﻤﺔ‬
‫ﺇﺫﺍ ﻋﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻜﻪ ﺍﻝﻤﺤﺒﻭﺒﺔ ﻭﺒﻘﻲ ﻫﻨﺎﻙ ﻝﻸﺒﺩ‪ .‬ﺒﺩﺃ ﺍﻝﻌﻤل ﺜﺎﻨﻴﺔ ﻋﻨـﺩﻤﺎ ﺘﻭﻗـﻑ "ﺴـﺘﻴﻔﻨﺯ‬
‫‪ "Stevens‬ﻋﻥ ﺍﻝﺼﺭﺍﺥ‪.‬‬
‫ﺃﺘﻰ ﻤﻤﺜل ﺸﺎﺏ ﺨﻼل ﺍﻷﺴﺎﺒﻴﻊ ﺍﻷﺨﻴﺭﺓ ﻤﻥ ﺒﺭﻨﺎﻤﺞ ﺘﺼﻭﻴﺭ ﻓﻴﻠﻡ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﺇﻝﻰ ﻝـﻭﺱ ﺃﻨﺠﻠـﻴﺱ‪.‬‬
‫ﻜﺎﻥ ﻗﺩ ﻋﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ ﺨﻼل ﺍﻝﻌﻤل ﻓﻲ ﻤﺴﻠﺴل ﺘﻠﻔﺯﻴﻭﻨﻲ‪ .‬ﻴﺘﺫﻜﺭ ﺍﻝﻤﻤﺜل‪ “ :‬ﺍﻋﺘﺩﺕ ﺭﺅﻴﺘﻪ‬
‫ﻭﻜﺎﻥ ﺃﺤﺩ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺭﺍﺌﻌﺔ ﻋﻨﻪ ﺃﻨﻪ ﺒﺩﺍ ﺩﺍﺌﻤﹰﺎ ﻤﺨﺘﻠﻔﹰﺎ )ﻓﻲ ﺍﻝﺤﻴﺎﺓ ﺍﻝﺤﻘﻴﻘﻴﺔ( ﻋﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ﻓﻲ ﺍﻝﺸﺎﺸﺔ‪ .‬ﻭﻜﺄﻨﻨﻲ ﻝﻡ‬
‫ﺃﻜﻥ ﻤﻨﺒﻬﺭﹰﺍ ﺃﻜﺜﺭ ﻋﻨﺩﻤﺎ ﺸﺎﻫﺩﺕ )ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻭﻫﺫﺍ ﺍﻝﻤﺨﻠﻭﻕ ﺍﻝﺴﺎﺤﺭ ﻭﻫﻭ ﻴﻅﻬﺭ‪ ،‬ﻷﻨﻪ ﻝﻡ ﻴﺒـ ‪‬ﺩ‬
‫ﻁ ﻋﻠﻰ ﻭﻓﺎﻕ‪ .‬ﻜﺎﻥ ﺒﺸﻜل ﻋﺎﻡ ﻗﺫﺭﹰﺍ ﺘﻤﺎﻤﹰﺎ – ﻤﺎ ﺃﻋﻨﻴـﻪ ﻗـﺫﺭﹰﺍ‬ ‫ﻜﺫﻝﻙ‪ .‬ﺃﻨﺎ ﻝﻡ ﺃﺸﺎﻫﺩﻩ ﻗﻁ ﻴﺒﺩﻭ ﻤﺜل ﺫﻝﻙ‪ .‬ﻝﻡ ﻴﻜﻥ ﻗ ﱡ‬
‫ﺤﻘﻴﻘﺔ‪ :‬ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﻗﺸﺭﺓ ﺍﻝﺭﺃﺱ ﻁﻭﺍل ﺍﻝﻤﺸﻬﺩ‪ .‬ﻜﺎﻥ ﺴﻴﺌﹰﺎ ﺤﻘﹰﺎ‪ .‬ﺒﺩﺍ‪ ،‬ﻜﻤﺎ ﻴﻤﻜﻨﻨﻲ ﺍﻝﻘﻭل‪ ،‬ﺃﻨﻪ ﺃﻜﺒﺭ ﻤـﻥ ﺜﻼﺜـﻴﻥ‬
‫ﻋﺎﻤﹰﺎ‪ .‬ﻭﻋﻨﺩﻤﺎ ﻜﺎﻥ ﻴﻘﻭﻡ ﺒﺘﺼﻭﻴﺭ "ﺍﻝﻌﻤﻼﻕ ‪ -"Giant‬ﻓﻲ ﺍﻝﺼﺒﺎﺡ ﻜﺎﻥ ﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﻨﺎﺱ ﻴﻌﻤﻠﻭﻥ‪ ،‬ﻭﺘﻜـﻭﻥ ﻗـﺩ‬
‫ﺘﻠﻘﻴﺕ ﻤﻜﺎﻝﻤﺔ ﺍﻝﺴﺎﺩﺴﺔ ﻭﺍﻝﻨﺼﻑ‪ ،‬ﻝﺘﺫﻫﺏ ﻝﺫﻝﻙ ﺍﻝﻤﻜﺎﻥ ﺍﻝﺫﻱ ﻴﺩﻋﻰ "ﻫﺎﻑ ‪ ."Huff‬ﻜﺎﻥ ﻋﺒـﺎﺭﺓ ﻋـﻥ ﻁـﺎﻭﻝﺘﻴﻥ‬
‫ﻭﻤﻜﺎﻥ ﻝﺩﻓﻊ ﺍﻝﻨﻘﻭﺩ‪ .‬ﺍﻋﺘﺩﺕ ﺃﻥ ﺃﺘﻨﺎﻭل ﻁﻌﺎﻤﻲ ﻫﻨﺎﻙ‪ ،‬ﻭﻜﺫﻝﻙ ﻓﻌل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﺫﻝﻙ ﻜﻨﺕ ﺃﺸﺎﻫﺩﻩ ﺒﻴﻥ ﺍﻝﺤﻴﻥ‬
‫ﻭﺍﻵﺨﺭ‪ .‬ﻓﻲ ﺼﺒﺎﺡ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ،‬ﻨﻅﺭﺕ ﻓﺸﺎﻫﺩﺘﻪ ﻭﻗﺩ ﺒﺩﺍ ﺴﻴﺌﹰﺎ ﺠﺩﺍﹰ‪ ،‬ﺃﻋﻨﻲ ﺴﻴﺌﹰﺎ ﺠﺩﹰﺍ‪ .‬ﻭﺍﻋﺘﻘﺩﺕ‪ ،‬ﻴﺎ ﺇﻝﻬﻲ‪ ،‬ﻤـﺎﺫﺍ‬
‫ﻴﻤﻜﻥ ﺃﻥ ﻴﻜﻭﻥ ﻫﻨﺎﻙ؟ ﺒﻌﺩ ﺫﻝﻙ ﺒﺄﺴﺒﻭﻉ ﻜﻨﺎ ﻨﺤﻥ ﺍﻻﺜﻨﻴﻥ ﻫﻨﺎﻙ ﻭﺒﺩﺍ ﺃﺴﻭﺃ‪ .‬ﻭﺘﺴﺎﺀﻝﺕ‪ ،‬ﻴﺎ ﺇﻝﻬﻲ ﻜﻴﻑ ﻴﻤﻜﻥ ﻝﻪ ﺃﻥ‬
‫ﻻ ﻤﻥ ﺃﻥ ﻴﻀـﻊ‬ ‫ﻴﺼﻭﺭ ﻓﻴﻠﻤﹰﺎ ﻭﻫﻭ ﻋﻠﻰ ﻫﺫﻩ ﺍﻝﺤﺎﻝﺔ؟ ﻭﺃﺩﺭﻜﺕ ﺃﻨﻪ ﻻ ﺒﺩ ﺃﻥ ﻴﻜﺒﺭ ﻓﻲ "ﺍﻝﻌﻤﻼﻕ ‪ -"Giant‬ﻭﺃﻨﻪ ﺒﺩ ﹰ‬
‫ﺸﻌﺭﹰﺍ ﻤﺴﺘﻌﺎﺭﺍﹰ‪ ،‬ﻜﺎﻨﻭﺍ ﻴﺤﻠﻘﻭﻥ ﺤﺩ ﺸﻌﺭﻩ ﻝﻴﺒﺩﻭ ﺃﻜﺒﺭ ﺴﻨﹰﺎ ﻭﻹﻋﻁﺎﺌﻪ ﺨﻁ ﺍﻝﺸﻌﺭ ﺍﻝﻤﺘﺭﺍﺠﻊ ﺫﻝﻙ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﻭﺍﻀﺢ‬
‫ﺃﻨﻬﻡ ﻜﺎﻨﻭﺍ ﻴﺼﻭﺭﻭﻥ ﺍﻝﻤﺸﺎﻫﺩ ﺒﺎﺴﺘﻤﺭﺍﺭ ﺒﺤﻴﺙ ﺇﻨﻪ ﺒﺩﺍ ﺃﻜﺒﺭ ﻭﺃﻜﺒﺭ ﻤﻊ ﻨﻭﻋﻴﺔ ﻭﺠﻬﻪ ﺍﻝﺘﻲ ﺒﺩﺕ ﺩﺍﺌﻤﹰﺎ ﺃﻜﺒﺭ ﺒﺠﻤﻴﻊ‬
‫ﺍﻷﺤﻭﺍل‪ .‬ﻝﻘﺩ ﺒﺩﺍ ﺤﻘﹰﺎ ﺃﻨﻪ ﺇﻨﺴﺎﻥ ﻴﻜﺒﺭ”‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺭﺍﺒﻊ ﻋﺸﺭ‬

‫ﻤﻊ ﺍﻷﺴﺒﻭﻉ ﺍﻝﺜﺎﻝﺙ ﻤﻥ ﺸﻬﺭ ﺃﻴﻠﻭل‪/‬ﺴﺒﺘﻤﺒﺭ ﻤﻥ ﺍﻝﻌﺎﻡ ‪ ،1955‬ﻜﺎﻥ ﻋﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ "ﺍﻝﻌﻤـﻼﻕ‬
‫‪ "Giant‬ﻗﺩ ﺘﻡ ﻭﺤﺼل ﻋﻠﻰ ﺒﻌﺽ ﺍﻷﻴﺎﻡ ﻗﺒل ﺒﺩﺀ ﺘﺠﺎﺭﺏ ﺍﻷﺩﺍﺀ ﻝﻤﻬﻤﺘﻪ ﺍﻝﺘﺎﻝﻴﺔ‪ ،‬ﺩﻭﺭﻩ ﻜﺸﺎﺏ ﻓﻘﻴـﺭ ﺒﺸﺨﺼـﻴﺔ‬
‫"ﻤﻭﺭﻏﺎﻥ ﺇﻴﻔﺎﻨﺯ ‪ "Morgan Evans‬ﻓﻲ ﻋﻤل ﻤﻥ ﺇﻨﺘﺎﺝ ﺘﻠﻔﺯﻴﻭﻥ "ﺇﻥ ﺒﻲ ﺴﻲ ‪ "NBC‬ﻭﺫﻝﻙ ﻋﻥ ﻤﺴﺭﺤﻴﺔ " ﺇﻴﻤﻠﻴﻥ‬
‫ﻭﻴﻠﻴﺎﻤﺯ‪ " Emlyn Williams‬ﺒﻌﻨﻭﺍﻥ "ﺍﻝﺫﺭﺓ ﺨﻀﺭﺍﺀ ‪."The Corn Is Green‬‬
‫ﻝﻡ ﻴﺘﺠﺎﻭﺯ ﺴﻌﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺃﻓﻀل ﺃﻴﺎﻤﻪ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﺔ ﻗﻁ ﺍﻝﻤﺌﺎﺕ‪ .‬ﻝﻜﻥ ﺍﻵﻥ‪ ،‬ﻭﺒﻌﺩ ﻨﺠﺎﺡ "ﻋـﺩﻥ‬
‫‪،"Eden‬ﻭﻤﻊ ﻭﻋﻭﺩ "ﺍﻝﻤﺘﻤﺭﺩ ‪ "Rebel‬ﻭ"ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺍﺴﺘﻁﺎﻋﺕ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻁﻠﺏ ﻋﺸـﺭﻴﻥ‬
‫ﺃﻝﻔﹰﺎ ﻋﻥ ﻜل ﻅﻬﻭﺭ ﺘﻠﻔﺯﻴﻭﻨﻲ ﻭﺤﺼﻠﺕ ﻋﻠﻴﻬﺎ‪ .‬ﻭﻫﻜﺫﺍ ﻜﺎﻥ ﻋﻘﺩ "ﺇﻥ ﺒﻲ ﺴﻲ ‪ "NBC‬ﻤﺤﺩﺩﹰﺍ ﻭ ‪" loan-out‬ﺇﻡ ﺠﻲ‬
‫ﺇﻡ ‪") "MGM‬ﺃﺤﺩﻫﻡ ﻓﻲ ﺍﻷﻋﻠﻰ ﻴﺤﺒﻨﻲ ‪ "Somebody Up There Likes Me‬ﺒﻤﺎﺌﺔ ﺃﻝﻑ ﺩﻭﻻﺭ ﺠﺩﻴﺩﺓ ﻜﺴﻌﺭ ﻋﻥ‬
‫ﺍﻝﻔﻴﻠﻡ( ﺍﻝﺫﻱ ﻜﺎﻥ ﺘﻘﺭﻴﺒﹰﺎ ﺸﻴﺌﹰﺎ ﻤﺅﻜﺩﹰﺍ ﻭﻀﻐﻁ ﹰﺎ ﺁﺨﺭ ﻗﺩ ﺘﻤﺕ ﺇﻀﺎﻓﺘﻪ ﺇﻝﻰ ﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻴﻁﺒﺨـﻭﻥ ﻋﻘـل "ﺠﻴﻤـﻲ‬
‫‪ :"Jimmy‬ﻤﺎل ﺃﻜﺜﺭ ﻤﻤﺎ ﻴﻘﺩﺭﻋﻠﻰ ﻜﻴﻔﻴﺔ ﺍﻝﺘﻌﺎﻤل ﻤﻌﻪ‪.‬‬
‫ﻭﻝﻤﺴﺎﻋﺩﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﺘﻤﺴﻙ ﺒﺒﻌﺽ ﻤﻜﺎﺴﺒﻪ )ﻝﻴﺱ ﻤﻥ ﺍﻝﺴﻬل ﺒﻬﻭﻝﻴﻭﻭﺩ ﺍﻝﺘﻲ ﻴﺄﺘﻲ ﻤﻨﻬﺎ ﺍﻝﺸﻲﺀ‬
‫ﻭﻴﺫﻫﺏ ﺒﺴﺭﻋﺔ ﻭﺴﻬﻭﻝﺔ(‪ ،‬ﻭﺠﺩ ﻝﻪ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻭ "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﺜﻨﺎﺌﻴﹰﺎ ﻤﺤﺘﺭﻓﹰﺎ ﻤﻥ‬
‫ﺍﻝﻤﺩﻴﺭﻴﻥ ﻫﻤﺎ "ﻜﺎﺭل ﻜﻭﻝﺘﻲ ‪ "Carl Coultee‬ﻭ "ﻭﻴﻠﻴﺎﻡ ﻏﺭﺍﻱ ‪ ."William Gray‬ﻜﺎﻥ ﻭﺍﺠﺒﻬﻤﺎ ﺇﺭﺸﺎﺩ ﺍﻝﻨﺠﻡ ﺍﻝﺸﺎﺏ‬
‫ﻜﻴﻔﻴﺔ ﺍﺴﺘﺜﻤﺎﺭ ﺃﻤﻭﺍﻝﻪ ﻓﻲ ﺍﻝﺴﻭﻕ‪ ،‬ﻭﻓﻲ ﺍﻝﻌﻘﺎﺭﺍﺕ‪ ،‬ﻭﻓﻲ ﺍﻷﻋﻤﺎل ﺍﻝﻤﺯﺩﻫﺭﺓ‪ ،‬ﻝﻴﺼﺒﺢ ﻴﻭﻤﹰﺎ ﻤﺎ ﻏﻨﻴﹰﺎ ﻤﺜـل "ﺒـﻭﺏ‬
‫ﻫﻭﺏ ‪ "Bob Hope‬ﺃﻭ "ﺒﻴﻨﻎ ﻜﺭﻭﺴﺒﻲ ‪ "Bing Crosby‬ﺃﻭ "ﻓﺭﺍﻨﻙ ﺴﻴﻨﺎﺘﺭﺍ ‪ ."Frank Sinatra‬ﻝﻜﻥ ﻭﺤﺘﻰ ﻗﺒـل ﺃﻥ‬
‫ﻴﺴﺘﻔﻴﺩ ﻤﻥ ﻨﺼﻴﺤﺘﻬﻤﺎ‪ ،‬ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻤﻀﻲ ﺒﺎﺴﺘﺜﻤﺎﺭﻴﻥ ﻤﻬﻤﻴﻥ‪.‬‬
‫ﻜﺎﻥ ﺍﻷﻭل ﺒﻭﻝﻴﺼﺔ ﺘﺄﻤﻴﻥ ﻋﻠﻰ ﺍﻝﺤﻴﺎﺓ ﻤﻥ ﺸﺭﻜﺔ "ﻝﻭﻴﺩ ﻝﻨﺩﻥ ‪ "Lloyds of London‬ﺒﻘﻴﻤﺔ ﻤﺎﺌﺔ ﺃﻝﻑ ﺩﻭﻻﺭ‪.‬‬
‫ﺤﻴﺙ ﻗﺎﻡ ﻭﻜﻴل ﺍﻝﺘﺄﻤﻴﻨﺎﺕ ﺍﻝﺸﺎﺏ "ﻝﻲ ﺒﺭﺍﻜﺭ ‪ "Lew Bracker‬ﺒﻌﻤل ﻜل ﺍﻝﺘﺭﺘﻴﺒﺎﺕ‪ .‬ﺃﺤﻀﺭ ﺍﻝﻤﺅﻝـﻑ ﺍﻝﻤﻭﺴـﻴﻘﻲ‬
‫"ﻝﻴﻨﻲ ﺭﻭﺯﻴﻨﻤﺎﻥ ‪ "Lenny Rosenman‬ﻨﺴﻴﺏ "ﻝﻴﻭ ‪ "Lew‬ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﻤﻨﺯل ﻋﻨـﺩ ﺍﻝﻤﺴـﺒﺢ‬
‫ﺍﻝﺨﺎﺹ ﺒﻬﻭﻝﻴﻭﻭﺩ ﺍﻝﺴﻌﻴﺩﺓ ﺤﻴﺙ ﻋﺎﺵ "ﻝﻴﻭ ‪ "Lew‬ﻤﻊ ﻭﺍﻝﺩﻴﻪ‪ .‬ﺍﻤﺘﻠﻙ ﺁل "ﺒﺭﺍﻜﺭ‪ " Bracker‬ﻜﺫﻝﻙ ﻤﺯﺭﻋﺔ ﺍﺴﻤﻬﺎ‬
‫"ﺍﻝﻜﺎﺒﺘﻥ ‪ "El Capitan‬ﻓﻲ ﺴﺎﻨﺘﺎ ﺒﺎﺭﺒﺎﺭﺍ‪ ،‬ﺤﻴﺙ ﺭﻜﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺤﺼﺎﻥ ﺍﻷﺸﻘﺭ ﺍﻝﻤﺫﻫﺏ "ﺴﻴﺴﻜﻭ ‪"Cisco‬‬
‫ﺍﻝﺫﻱ ﺍﺸﺘﺭﺍﻩ ﺒﻌﺩ ﺃﻥ ﺤﺫﺭﻩ "ﻜﺎﺯﺍﻥ ‪ "Kazan‬ﻤﻥ ﺃﻝﻌﺎﺏ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﺍﻝﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ ﺨـﻼل ﺘﺼـﻭﻴﺭ "ﻋـﺩﻥ‬
‫‪."Eden‬‬
‫ﺇﻻ ﺃﻨﻪ ﻗﺭﺭ‪ ،‬ﻭﻤﻊ ﻤﻌﺭﻓﺘﻪ ﺃﻨﻪ ﻭﺒﻴﻥ ﺍﻷﻓﻼﻡ ﻓﺈﻥ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻝﻥ ﻴﺴﺘﻁﻴﻊ ﺍﻝﻀﻐﻁ ﻋﻠﻴﻪ ﺃﻜﺜﺭ ﻜﻲ ﻻ ﻴﻘـﻭﺩ‪،‬‬
‫ﻭﻋﻠﻤﻪ ﺃﻥ ﺍﻤﺘﻁﺎﺀ ﺍﻝﺨﻴﻭل‪ ،‬ﻜﻤﺎ ﺃﺤﺏ "ﺴﻴﺴﻜﻭ ‪ "Cisco‬ﻝﻡ ﻴﺸﺒﻊ ﺭﻏﺒﺘﻪ ﻝﻠﺴﺭﻋﺔ‪ ،‬ﺃﻥ ﻴﻜﻭﻥ ﺍﺴﺘﺜﻤﺎﺭﻩ ﺍﻝﺜﺎﻨﻲ ﺍﻝﻬﺎﻡ‬
‫ﺴﻴﺎﺭﺓ ﺴﺒﺎﻕ ﻗﻭﻴﺔ ﺠﺩﹰﺍ‪.‬‬
‫ﺍﺸﺘﺭﻯ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ "ﻜﻭﻤﺒﻴﺸﻴﻥ ﻤﻭﺘﻭﺭﺯ ‪) "Competion Motors‬ﺍﻝﺸﺭﻜﺔ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺘﻲ ﻜﺒـﺭﺕ‬
‫ﻓﻲ ﺍﻝﺴﻭﻕ ﻝﺘﺘﺤﻭل ﺇﻝﻰ "ﻓﻭﻝﻜﺴﻔﺎﺠﻥ ﺒﺎﺴﻴﻔﻴﻙ ‪ ( "Volkswagen Pacific‬ﺴﻴﺎﺭﺓ "ﺒﻭﺭﺸﻴﻪ ﺴﺒﺎﻴﺩﺭ" ﺒﻤﺒﻠـﻎ ‪6900‬‬
‫ﺩﻭﻻﺭ ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻨﺯﻗﺔ ﺒﺄﺩﺍﺌﻬﺎ ﻭﺴﻌﺭﻫﺎ ﻤﻘﺎﺭﻨﺔ ﺒﺴﻴﺎﺭﺓ ﺒﻭﺭﺸﻴﻪ ﺍﻷﻭﻝﻰ ﺍﻝﺨﺎﺼﺔ ﺴﺒﻴﺩﺴﺘﺭ ﺒﻤﺒﻠﻎ ‪ 3700‬ﺩﻭﻻﺭ‪.‬‬
‫ﻭﻀﻊ ﻫﺫﺍ ﺍﻝﺸﺭﺍﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻨﺨﺒﺔ ﺍﻝﺴﻴﺎﺭﺍﺕ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﻀﻭﻴﺘﻬﺎ ﻤﻘﻴﺩﺓ ﻋﺎﻡ ‪ 1955‬ﺃﻜﺜﺭ ﻤﻤﺎ ﻫـﻲ‬
‫ﻋﻠﻴﻪ ﺍﻵﻥ‪ .‬ﺒﻌﺩ ﺍﻝﺤﺭﺏ ﺍﻝﻌﺎﻝﻤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ‪ ،‬ﺼﺎﺭﻉ ﺍﻝﺩﻜﺘﻭﺭ "ﺒﻭﺭﺸﻴﻪ ‪ "Porsche‬ﻭﺍﺒﻨﻪ "ﻓﻴـﺭﻱ ‪ "Ferry‬ﻤـﻥ ﺃﺠـل‬
‫ﺍﻝﻌﻭﺩﺓ ﻝﻺﻨﺘﺎﺝ ﻓﻲ ﺸﺘﻭﺘﻐﺎﺭﺕ‪ ،‬ﺇﻻ ﺃﻨﻪ ﻭﻤﻊ ﺍﻝﻌﺎﻡ ‪ 1955‬ﻜﺎﻥ ﺍﻝﻤﻌﻤل ﻻ ﻴﺯﺍل ﻴﻨﺘﺞ ﻓﻘﻁ ﻤﺎﺌﺘﻲ ﺃﻭ ﺜﻼﺜﻤﺎﺌﺔ ﺴﻴﺎﺭﺓ‬
‫ﻓﻲ ﺍﻝﻌﺎﻡ‪.‬‬
‫ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻬﺘﻤﹰﺎ ﺒﺸﻜل ﺃﻗل ﺒﻜﻭﻨﻪ ﺠﺯﺀﹰﺍ ﻤﻥ ﺍﻝﻤﺠﻤﻭﻋﺔ ﺍﻻﺴﺘﺜﻨﺎﺌﻴﺔ ﻭﻴﻤﻠـﻙ‬
‫ﻭﻴﻘﻭﺩ ﻤﺎﻜﻴﻨﺔ ﻋﻅﻴﻤﺔ‪ .‬ﻝﻡ ﺘﻜﻥ ﺍﻝﺸﺭﻜﺔ ﺍﻝﺘﻲ ﻓﻀﻠﻬﺎ ﻫﻲ ﺃﻓﺭﺍﺩ ﻤﺎﻝﻜﻲ ﺒﻭﺭﺸﻴﻪ‪ ،‬ﻝﻜﻥ ﻫـﻡ ﺃﻭﻝﺌـﻙ ﺍﻝﻤﻴﻜـﺎﻨﻴﻜﻴﻭﻥ‬
‫ﺍﻝﻌﺎﻤﻠﻭﻥ ﻓـﻲ ﻤـﺭﺁﺏ "ﻜﻭﻤﺒﻴﺸـﻴﻥ ﻤﻭﺘـﻭﺭﺯ ‪" :"Competion Motors‬ﻫﻭﺭﺴـﺕ ﺭﻴﺸـل ‪"Horst Rieschel‬‬
‫ﻭ "ﺘﻭﻨﻲ ﺒﻭﻴﻜﻠﺭ ‪ "Tony Buechler‬ﻭ "ﺭﻭﻝﻑ ﻓﻭﻴﺘﻴﺭﻴﺵ ‪ ."Rolf Wuetherich‬ﻜﺎﻥ ﺍﻝﻌﻤل ﻤﻊ ﺃﻭﻝﺌﻙ ﺍﻝﺸﺒﺎﻥ ﻗـﺩ‬
‫ﺠﻌﻠﻪ ﻴﺸﻌﺭ ﺃﻨﻪ ﻓﻲ ﻤﻭﻁﻨﻪ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﻜﺎﻥ ﻭﻜﺄﻨﻪ ﻤﻊ ﺃﻭﻝﺌﻙ ﺍﻝﺸﺒﺎﻥ ﻓﻲ ﻤﺤل "ﻤﺎﺭﻓﻴﻥ ﻜـﺎﺭﺘﺭ ‪"Marvin Carter‬‬
‫ﻝﻠﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪.‬‬
‫ﺘﺼﺎﺩﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ "ﺭﻭﻝﻑ ﻓﻭﻴﺘﻴﺭﻴﺵ ‪ "Rolf Wuetherich‬ﺫﻱ ﺍﻝﺜﻤﺎﻨﻴﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ ﻋﺎﻤ ﹰﺎ ﻭﺃﺼﻐﺭ‬
‫ﺍﻝﻤﻴﻜﺎﻨﻴﻜﻴﻴﻥ ﺍﻝﺜﻼﺜﺔ‪ .‬ﺒﺩﺃ ﺘﻌﺎﺭﻓﻬﻡ ﻓﻲ ﻁﺭﻕ ﺤﻠﺒﺎﺕ ﺍﻝﺴﺒﺎﻕ )"ﺒﻴﻜﺭﺯﻓﻴﻠﺩ ‪ "Backersfield‬ﻭ"ﺴﺎﻨﺘﺎ ﺒﺎﺭﺒـﺎﺭﺍ ‪Santa‬‬
‫‪ "Barbara‬ﻭ"ﻻ ﺨﻭﻻ ‪ ("La Jolla‬ﺤﻴﺙ ﻗﺎﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻴﺎﺭﺘﻪ ﺒﻭﺭﺸﻴﻪ ﺴﺒﻴﺩﺴﺘﺭ ﺍﻷﻭﻝﻰ‪ ،‬ﻭﻜـﺎﻥ "ﺭﻭﻝـﻑ‬
‫‪ "Rolf‬ﻫﻭ ﺍﻝﺫﻱ ﺃﺨﺒﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻋﺼﺭ ﺃﺤﺩ ﺃﻴﺎﻡ ﺸﻬﺭ ﺃﻴﻠﻭل ‪/‬ﺴﺒﺘﻤﺒﺭ ﻋﻨﺩﻤﺎ ﺼﺎﺩﻓﻪ ﻓﻲ ﺠﺎﺩﺓ ﻫﻭﻝﻴﻭﻭﺩ‬
‫ﺃﻥ ﺍﻝﻤﺭﺁﺏ ﻗﺩ ﺃﺤﻀﺭ ﺇﺤﺩﻯ ﺴﻴﺎﺭﺍﺕ ﺍﻝﺴﺒﺎﻴﺩﺭ‪.‬‬
‫ﺘﻭﺠﻪ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ﻨﺤﻭ ﺍﻝﺸﺭﻜﺔ ﻭﻗﺎﺩ ﺍﻝﺴﺒﺎﻴﺩﺭ ﻤﺭﺓ ﻨﺤﻭ ﺍﻝﻤﺒﻨﻰ‪ ،‬ﻭﻋﺎﺩ ﻝﻴﻘـﻭل ﺇﻨـﻪ‬
‫ﺴﻭﻑ ﻴﺸﺘﺭﻴﻬﺎ ﺸﺭﻴﻁﺔ ﺃﻥ ﻴﻘﻭﻡ "ﺭﻭﻝﻑ ‪ "Rolf‬ﺸﺨﺼﻴﹰﺎ ﺒﺘﺠﻬﻴﺯ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻤﺭﺍﻓﻘﺘﻬﺎ ﻜﻤﻴﻜﺎﻨﻴﻜﻲ ﻓﻲ ﻜل ﺴـﺒﺎﻕ‪.‬‬
‫ﻭﺍﻓﻕ "ﺭﻭﻝﻑ ‪ ،"Rolf‬ﻭﻜﺘﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺸﻴﻙ‪.‬‬
‫ﻜﺎﻥ ﻓﺨﻭﺭﹰﺍ ﻝﻠﻐﺎﻴﺔ ﺒﺂﻝﺔ ﺍﻝﺴﺒﺎﻕ ﺍﻝﺠﺩﻴﺩﺓ ﺨﺎﺼﺘﻪ‪ .‬ﻴﻘﻭل "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻴﻨﺯ ‪ “ :"George Stevens‬ﺒﻌﺩ ﺃﻥ ﺃﻨﻬﻰ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﺼﻭﻴﺭ‪ ،‬ﻜﻨﺕ ﻤﺎ ﺯﻝﺕ ﺃﻋﻤل ﻤﻊ "ﺇﻝﻴﺯﺍﺒﻴﺙ ‪ "Elizabeth‬ﻭ "ﺭﻭﻙ ‪ "Rock‬ﻋﻠﻰ ﻤﺸﻬﺩ ﺍﻷﺭﻴﻜﺔ‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ .‬ﺩﺨل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺍﻝﻤﻭﻗﻊ ﻤﻥ ﺨﻼل ﺍﻝﺒﺎﺏ ﺍﻝﺼﻐﻴﺭ ﻭﺭﺒﺕ ﻋﻠﻰ ﻜﺘﻔﻲ ﻭﻗﺎﻡ ﺒـﺄﺩﺍﺀ ﺒﻌـﺽ‬
‫ﺤﺭﻜﺎﺕ ﺍﻝﺘﻤﺜﻴل ﺒﺎﻹﺸﺎﺭﺍﺕ ﻝﻴﻌﻠﻤﻨﻲ ﺃﻨﻪ ﻴﺭﻴﺩﻨﻲ ﻓﻲ ﺍﻝﺨﺎﺭﺝ ﻤﻌﻪ‪ .‬ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﺫﻝﻙ‪ ،‬ﺃﻋﻠﻤـﺕ ﻤﺴـﺎﻋﺩ‬
‫ﺍﻝﻤﺨﺭﺝ ﺃﻥ ﻴﺒﻘﻲ ﻋﻠﻰ ﺍﻝﻤﺸﻬﺩ ﻭﺨﺭﺠﺕ ﻤﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺨﻼل ﺫﻝﻙ ﺍﻝﺒﺎﺏ ﺍﻝﺼﻐﻴﺭ‪ .‬ﻜﺎﻨﺕ ﺘﻘﻑ ﻫﻨـﺎﻙ‬
‫ﻋﻠﻰ ﺸﺎﺭﻉ ﺍﻷﺴﺘﻭﺩﻴﻭ ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﺴﺒﺎﻴﺩﺭ ﺍﻝﻔﻀﻴﺔ ﺍﻝﺼﻐﻴﺭﺓ ﺘﻠﻙ ﻭﺍﻝﺘﻲ ﺒﺩﺕ ﻭﻜﺄﻨﻬﺎ ﺴﻠﺤﻔﺎﺓ ﺒﻜﺎﺒﻴﻨﺔ ﻁﻴﺎﺭ‪.‬‬
‫ﺠﻠﺴﺕ ﺒﺩﺍﺨﻠﻬﺎ ﻷﺤﺱ ﺒﺫﻝﻙ ﺍﻝﺸﻌﻭﺭ ﻭﺩﺨل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺠﻠﺱ ﺒﺠﺎﻨﺒﻲ ﻭﻗﺎﺩ ﺍﻝﺴﻴﺎﺭﺓ ﺤﻭل ﺍﻷﺒﻨﻴﺔ‪ .‬ﺃﻅﻬـﺭ‬
‫ﺫﻝﻙ ﻜﻡ ﻜﺎﻥ ﺒﺎﺭﻋﹰﺎ ﻷﻨﻪ ﻋﻨﺩﻤﺎ ﻋﺎﺩ ﺇﻝﻰ ﻤﺴﺭﺡ ﺍﻝﺼﻭﺕ‪ ،‬ﺃﻨﺯﻝﻨﻲ ﻋﻨﺩ ﺍﻝﺒﺎﺏ ﺍﻝﻜﺒﻴﺭ ﺍﻝﺫﻱ ﻓﺘﺤﻪ ﻤﺴﺎﻋﺩ ﺍﻝﻤﺨـﺭﺝ‬
‫ﻝﻜﻲ ﻴﺴﻤﺢ ﻝﻠﻀﻭﺀ ﻭﺍﻝﻬﻭﺍﺀ ﺒﺎﻝﺩﺨﻭل‪ .‬ﺨﺭﺝ ﺍﻝﺠﻤﻴﻊ‪" ،‬ﺭﻭﻙ ‪ "Rock‬ﻭ "ﺇﻝﻴﺯﺍﺒﻴﺙ ‪ "Elizabeth‬ﻭﻜل ﺍﻝﻁﺎﻗﻡ ﻝﺭﺅﻴﺔ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺴﻴﺎﺭﺘﻪ ﺍﻝﺠﺩﻴﺩﺓ‪ .‬ﻜﺎﻥ ﻤﺤﻁ ﺍﻷﻨﻅﺎﺭ ﺤﺘﻰ ﻭﺼل ﺃﻓﺭﺍﺩ ﺃﻤﻥ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻭﺃﻋﻠﻤﻭﻩ ﺒﺄﻨﻬﻡ ﻝـﻥ‬
‫ﻴﺴﻤﺤﻭﺍ ﻝﻪ ﺒﺈﺤﻀﺎﺭ ﺍﻝﺴﻴﺎﺭﺓ ﺇﻝﻰ ﺍﻝﻤﺠﻤﻊ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﻷﻨﻬﺎ ﻜﺎﻨﺕ ﺍﻝﻤﺭﺓ ﺍﻝﺜﺎﻨﻴﺔ ﺍﻝﺘﻲ ﻴﻀﺒﻁﻭﻨﻪ ﺒﻬﺎ ﻭﻫﻭ ﻴﻔﻌل ﻫﺫﺍ‬
‫ﻭﺴﻴﺘﺄﻜﺩﻭﻥ ﻤﻥ ﺃﻨﻪ ﻝﻥ ﻴﻘﺎﻁﻊ ﺍﻝﺘﺼﻭﻴﺭ ﻤﺭﺓ ﺜﺎﻨﻴﺔ”‪.‬‬
‫ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻷﺴﺒﻭﻉ ﺍﻷﺨﻴﺭ ﻤﻥ ﺸﻬﺭ ﺃﻴﻠﻭل‪ /‬ﺴﺒﺘﻤﺒﺭ ﺒﺈﺠﺭﺍﺀ ﺍﺘﺼﺎﻻﺘﻪ ﻓﻲ ﺠﻭﺍﺭ ﻫﻭﻝﻴـﻭﻭﺩ‬
‫ﻝﻴﺭﻯ ﺇﻥ ﺃﺭﺍﺩ ﺃﺤﺩ ﻤﺎ ﻤﺭﺍﻓﻘﺘﻪ ﻓﻲ ﺴﺒﺎﻕ ﻁﺭﻕ ﻜﺎﻥ ﻤﺤﺩﺩﹰﺍ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ ﻓﻲ ‪ 1‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﻓـﻲ‬
‫ﺒﻠﺩﺓ "ﺴﺎﻝﻴﻨﺎﺱ ‪ "Salinas‬ﻓﻲ ﻗﻠﺏ ﻤﻭﻁﻥ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﻭﺍﻝﺘﻲ ﺘﺒﻌﺩ ﺤﻭﺍﻝﻲ ﺜﻼﺜﻤﺎﺌﺔ ﻤﻴل ﺼـﻌﻭﺩﹰﺍ‬
‫ﺒﺎﻝﺴﺎﺤل ﻋﻥ ﻝﻭﺱ ﺃﻨﺠﻠﺱ‪.‬‬
‫ﺃﺨﺒﺭﺕ "ﺠﻴﻥ ﻭﻴﺫﺭﺯ ‪" "Jane Withers‬ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻬﺎ ﻝﻡ ﺘﺴﺘﻁﻊ ﺍﻝﺒﻘﺎﺀ ﺒﻌﻴﺩﺓ ﻋﻥ ﺃﻁﻔﺎﻝﻬـﺎ ﻝﻜﺎﻤـل‬
‫ﻋﻁﻠﺔ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ‪ .‬ﺠﻌﻠﺘﻪ ﻴﻌﺩﻫﺎ ﺒﻌﺩ ﺃﻥ ﺘﺫﻜﺭﺕ ﺘﻠﻙ ﺍﻝﺤﺎﺩﺜﺔ ﻓﻲ ﺘﻜﺴﺎﺱ ﻤﻊ ﺴﻴﺎﺭﺘﻬﺎ "ﺍﻝﺒﺎﺌﺴﺔ ﺍﻝﺼﻐﻴﺭﺓ" ﺃﻥ‬
‫ﻴﻘﻭﺩ ﺒﺤﺫﺭ‪ .‬ﻭﻋﺩﻫﺎ‪ ،‬ﺇﻻ ﺃﻨﻪ ﻝﻡ ﻴﺒ ‪‬ﺩ ﻋﻠﻴﻪ ﺍﻻﻫﺘﻤﺎﻡ ﺒﺎﻝﻤﺭﺓ‪ .‬ﺃﺨﺒﺭﻫﺎ ﺃﻥ ﺍﻝﻤﻨﺎﻓﺴﺔ ﻓﻲ ﺴﺒﺎﻕ ﺴﺎﺌﻘﻭﻩ ﻤﺩﺭﺒﻭﻥ ﻫﻭ ﺃﻤﺭ‬
‫ﺃﻗل ﺨﻁﻭﺭﺓ ﺒﻜﺜﻴﺭ ﻤﻥ ﻤﺸﺎﺭﻜﺘﻪ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﻤﻊ ﺴﺎﺌﻘﻴﻥ ﻋﺎﺩﻴﻴﻥ‪.‬‬
‫ﺒﻌﺩ ﺫﻝﻙ‪ ،‬ﺍﺘﺼل ﺍﻝﻤﻤﺜل "ﺴﺘﻴﻑ ﺭﻭﻻﻨﺩ ‪ "Steve Roland‬ﻭﺍﻗﺘﺭﺡ ﻋﻠﻴﻪ ﺍﻝﺫﻫﺎﺏ ﺇﻝـﻰ "ﺴـﺎﻝﻴﻨﺎﺱ" ﻴـﻭﻡ‬
‫ﺍﻝﺨﻤﻴﺱ ﺒﺤﻴﺙ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﻭﻗﺕ ﺘﺭﻭﻴﺽ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺍﻹﺤﺴﺎﺱ ﺒﺸﻌﻭﺭ ﺍﻝﺤﻠﺒﺔ‪ .‬ﻅﻥ "ﺴﺘﻴﻑ ‪ "Steve‬ﺃﻨﻪ ﻴﺴﺘﻁﻴﻊ‬
‫ﺍﻝﺫﻫﺎﺏ‪ ،‬ﺇﻻ ﺃﻨﻪ ﺍﺘﺼل ﻻﺤﻘﹰﺎ ﻝﻴﻘﻭل ﺇﻥ ﻝﺩﻴﻪ ﺘﺠﺭﺒﺔ ﺃﺩﺍﺀ‪.‬‬
‫ﺜﻡ ﺍﺘﺼل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺎﺯﻑ ﻤﻘﺎﻁﻊ ﺍﻷﻓﻼﻡ "ﺒﻴل ﻫﻴﻜﻤﺎﻥ ‪ "Bill Hickman‬ﺍﻝﺫﻱ ﺃﺨﺒﺭﻩ ﺒﺄﻨﻪ ﻤﺘﺄﻜـﺩ‬
‫ﻤﻥ ﺍﻝﻤﺠﻲﺀ‪.‬‬
‫ﻻ ﺠﺩﹰﺍ ﺒﺎﻝﻌﻤل ﻋﻠﻰ ﺼﻭﺭ‬ ‫ﻜﺫﻝﻙ ﻁﻠﺏ ﻤﻥ "ﺴﺎﻨﻔﻭﺭﺩ ﺭﻭﺙ ‪ . "Sanford Roth‬ﻗﺎل ﺍﻝﻤﺼﻭﺭ ﺇﻨﻪ ﻜﺎﻥ ﻤﺸﻐﻭ ﹰ‬
‫"ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻤﻥ ﺃﺠل ﻗﺼﺔ "ﻜﻭﻝﻴﻴﺭ ‪ "Collier‬ﺍﻝﻭﺸﻴﻜﺔ‪ .‬ﻻﺤﻘﹰﺎ ﻓﻲ ﺫﻝﻙ ﺍﻝﻴﻭﻡ‪ ،‬ﺍﺘﺼل ﺒﻤﺤﺭﺭﻴﻪ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‬
‫ﻭﺃﻋﻠﻤﻬﻡ ﺃﻨﻪ ﻴﻔﻜﺭ ﺒﺄﻥ ﺼﻭﺭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻫﻭ ﻴﻘﻭﺩ ﻓﻲ ﺍﻝﺴﺒﺎﻕ ﺴﻭﻑ ﺘﻜﻭﻥ ﺨﺎﺘﻤﺔ ﻋﻅﻴﻤﺔ ﻤﻥ ﺃﺠل ﻤﻘﺎﻝﺔ‬
‫ﺍﻝﺼﻭﺭ ﺍﻝﺨﺎﺼﺔ ﺒﻪ‪ .‬ﻭﺍﻓﻘﻭﺍ‪ .‬ﺍﺘﺼل ﺒـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻹﻋﻼﻤﻪ ﺃﻨﻪ ﺴﻭﻑ ﻴﺫﻫﺏ ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﻤﺭ‪.‬‬
‫ﺩﻋﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺫﻝﻙ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ ‪ "Marcus Winslow‬ﻭﺍﻝﻌﻡ"ﺘﺸﺎﺭﻝﻲ ﻨـﻭﻻﻥ ‪Charlie‬‬
‫‪ "Nolan‬ﻭﻭﺍﻝﺩﻩ ﻝﻠﺴﺒﺎﻕ ﻓﻲ ﺴﺎﻝﻴﻨﻭﺱ‪.‬ﺼﺎﺩﻑ ﻭﺠﻭﺩ ﺁل "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻓﻲ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﺒﺯﻴﺎﺭﺓ ﻝـ "ﻭﻴﻨﺘﻭﻥ‬
‫‪ "Winton‬ﻭ"ﺇﻴﺜل ﺩﻴﻥ ‪"Ethel Dean‬؛ ﺇﻻ ﺃﻨﻬﻡ ﺃﺭﺍﺩﻭﺍ ﺍﻝﺒﺩﺀ ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﻜﺎﻨﺕ ﻗﻴﺎﺩﺓ ﻷﺭﺒﻌﺔ ﺃﻭ ﺨﻤﺴﺔ ﺃﻴﺎﻡ ﻭﻜﺎﻨﻭﺍ‬
‫ﺒﻌﻴﺩﻴﻥ ﻋﻥ ﺍﻝﻤﺯﺭﻋﺔ ﻤﻨﺫ ﻭﻗﺕ ﻁﻭﻴل‪ .‬ﻜﺫﻝﻙ ﺃﺘﻰ "ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ﺩﻴﻥ ‪ "Charlie Nolan Dean‬ﻭﺯﻭﺠﺘﻪ "ﻤﻴﻠﺩﺭﻴﺩ‬
‫‪ "Mildred‬ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ ﻤﻥ ﺃﺠل ﺍﺠﺘﻤﺎﻉ ﻋﺎﺌﻠﻲ‪ ،‬ﺇﻻ ﺃﻨﻬﻡ ﺃﺭﺍﺩﻭﺍ ﺍﻝﺒﺩﺀ ﺃﻴﻀﹰﺎ ﻤﻥ ﻋﻁﻠﺔ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ‪ .‬ﺃﻤﺎ ﻭﺍﻝـﺩ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻘﺩ ﻜﺎﻥ ﻜﺎﻝﻌﺎﺩﺓ ﻝﺩﻴﻪ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻝﻌﻤل ﻓﻲ ﺍﻝﻌﻴﺎﺩﺓ ﺍﻝﺴﻨﻴﺔ ﻭﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﻬﺭﻭﺏ‪.‬‬
‫ﻜﺎﻨﺕ "ﺠﻴﻥ ﺩﻴﺴﻲ ‪ "Jane Deacy‬ﻓﻲ ﺫﻝﻙ ﺍﻷﺴﺒﻭﻉ ﻓﻲ ﺍﻝﺒﻠﺩﺓ ﺃﻴﻀـﹰﺎ‪ .‬ﻁـﺎﺭﺕ ﻤـﻥ ﻨﻴﻭﻴـﻭﺭﻙ ﻝﺘﻜﻤـل‬
‫ﺍﻝﻤﻔﺎﻭﻀﺎﺕ ﺒﺨﺼﻭﺹ ﻋﻘﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺠﺩﻴﺩ ﻤﻊ ﺸﺭﻜﺔ "ﻭﺭﻨـﺭ ﺒـﺭﺫﺭﺯ ‪ ."Warner Brothers‬ﺃﺭﺴـل‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﺯﻫﻭﺭﹰﺍ ﺇﻝﻰ ﺠﻨﺎﺤﻬﺎ ﻓﻲ ﻓﻨﺩﻕ "ﺸﺎﺘﻭ ﻤﺎﺭﻤﻭﻨﺕ ‪) "Chateau Marmont‬ﺃﻜﺜﺭ ﻓﻨـﺎﺩﻕ ﻫﻭﻝﻴـﻭﻭﺩ‬
‫‪ funkiest‬ﻓﻲ ﺃﻋﻤﺎل ﺍﻻﺴﺘﻌﺭﺍﺽ ﺍﻝﻘﺩﻴﻤﺔ(‪ ،‬ﻭﺫﻫﺏ ﺒﺴﻴﺎﺭﺘﻪ ﻝﻠﻤﻁﺎﺭ ﻝﻴﻘﻠﻬﺎ‪ .‬ﻓﻲ ﻤﺴﺎﺀ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﺃﻗﺎﻤﺕ ﺤﻔﻠﺔ‬
‫ﺼﻐﻴﺭﺓ ﻓﻲ ﻏﺭﻓﺘﻬﺎ ﻝﻼﺤﺘﻔﺎل ﺒﻨﺠﺎﺡ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻭﻝﺩﺭﺠﺔ ﻜﺒﻴﺭﺓ ﻨﺠﺎﺤﻬﺎ ﺃﻴﻀﹰﺎ‪ .‬ﻋﻤﻠﺕ ﺒﺠـﺩ‪،‬‬
‫ﻭﺭﺒﻤﺎ ﺃﻜﺜﺭ ﻤﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻷﻨﻬﺎ ﻭﺒﺎﻹﻀﺎﻓﺔ ﻝﻌﻤﻠﻬﺎ ﻜﻭﻜﻴﻠﺔ ﺃﻋﻤﺎل‪ ،‬ﻓﻘﺩ ﺒﻨﺕ ﺒﻴﺘﹰﺎ ﻝﺯﻭﺠﻬﺎ‪ ،‬ﻤﻬﻨﺩﺱ ﺍﻝﺭﺍﺩﻴﻭ‬
‫ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‪ ،‬ﻭﺍﺒﻨﻬﺎ ﺍﻝﻤﺭﺍﻫﻕ‪.‬‬
‫ﺒﺩﺍ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻤﺯﺍﺝ ﻤﻤﺘﺎﺯ ﻓﻲ ﺍﻝﺤﻔﻠﺔ‪ .‬ﺘﺤﺩﺙ ﺇﻝﻰ "ﺠﻴﻥ ‪ "Jane‬ﻋﻥ ﺍﻝﻤﺴﺘﻘﺒل‪ ،‬ﻭﺨﻁﻁﺎ ﻝﻠﺴـﻔﺭ‬
‫ﺒﺎﻝﻁﺎﺌﺭﺓ ﻋﺎﺌﺩﻴﻥ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ ﻤﻌﺎﹰ ﻓﻲ ﺒﺩﺍﻴﺔ ﺍﻷﺴﺒﻭﻉ ﺍﻝﻘﺎﺩﻡ ﺒﺴﺒﺏ ﺘﻤﺎﺭﻴﻥ ﺍﻝﺘﺩﺭﻴﺏ ﻝﻔﻴﻠﻡ "ﺍﻝﺫﺭﺓ ﺨﻀﺭﺍﺀ ‪The‬‬
‫‪ ."Corn Is Green‬ﻭﻨﺎﻗﺸﺎ ﻤﻭﻀﻭﻉ ﺘﺜﺒﻴﺕ ﺸﺭﻁ ﻓﻲ ﺍﻝﻌﻘﺩ ﺍﻝﺠﺩﻴﺩ ﻴﺴﻤﺢ ﻝﻪ ﺒﺄﺩﺍﺀ ﻤﺴﺭﺤﻴﺔ ﺒﻴﻥ ﻓﺘـﺭﺓ ﻭﺃﺨـﺭﻯ‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﻋﺭﻀﺎﻥ ﻗﺎﺩﻤﺎﻥ ﺇﻝﻰ ﺒﺭﻭﺩﻭﺍﻱ ﺍﻋﺘﻘﺩﺕ "ﺠﻴﻥ ‪ "Jane‬ﺃﻨﻬﻤﺎ ﻤﻼﺌﻤﺎﻥ ﻝﻪ‪.‬‬
‫ﻓﻲ ﻤﺴﺎﺀ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻴﻭﻡ ﺍﻷﺭﺒﻌﺎﺀ‪ ،‬ﺫﻫﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻊ ﻤﻭﻅﻑ ﺸﺭﻜﺔ ﺍﻝﺘﺄﻤﻴﻥ "ﻝﻴﻭ ﺒﺭﺍﻜﺭ ‪Lew‬‬
‫‪ ."Bracker‬ﺃﺨﺒﺭ "ﻝﻴﻭ ‪ "Lew‬ﻋﻥ ﺨﻁﺘﻪ ﺍﻝﻤﺅﻗﺘﺔ ﻝﺘﻭﺯﻴﻊ ﺍﻝﻤﺒﻠﻎ ﺍﻹﺠﻤﺎﻝﻲ ﻝﻠﺒﻭﻝﻴﺼﺔ‪ .‬ﺃﺭﺍﺩ ﺃﻥ ﻴﺫﻫﺏ ﻤﺒﻠﻎ ﺨﻤﺴـﺔ‬
‫ﺁﻻﻑ ﺩﻭﻻﺭ ﺇﻝﻰ ﺍﻝﺠﺩ ﻭﺍﻝﺠﺩﺓ‪ ،‬ﻭﻋﺸﺭﺓ ﺁﻻﻑ ﺩﻭﻻﺭ ﺇﻝﻰ ﺍﺒﻥ ﻋﻤﺘﻪ "ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ ‪ "Markie Jr.‬ﻤﻥ ﺃﺠل ﺍﻝﺘﻌﻠﻴﻡ‪.‬‬
‫ﺃﻤﺎ ﺍﻝﺨﻤﺴﺔ ﻭﺍﻝﺜﻤﺎﻨﻭﻥ ﺃﻝﻑ ﺩﻭﻻﺭ ﺍﻝﻤﺘﺒﻘﻴﺔ ﻓﺘﺫﻫﺏ ﺇﻝﻰ "ﻤـﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭ "ﺃﻭﺭﺘﻴـﻨﺱ ﻭﻴﻨﺴـﻠﻭ ‪Ortense‬‬
‫‪ ،"Winslow‬ﺇﻻ ﺃﻥ "ﻝﻴﻭ ‪ – "Lew‬ﺍﻝﺫﻱ ﺃﺤﺱ ﺃﻥ ﺸﺭﻭﻁ ﺍﻝﻭﺼﻴﺔ ﺴﻭﻑ ﺘﻜﻭﻥ ﺃﻗﻭﻯ ﻤﻥ ﺘﻠﻙ ﺍﻝﻤﻭﺠـﻭﺩﺓ ﻓـﻲ‬
‫ﺒﻭﻝﻴﺼﺔ ﺘﺄﻤﻴﻥ‪ ،‬ﻭﻻﺴﻴﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﺃﻗﺭﺏ ﺍﻷﻗﺭﺒﺎﺀ‪ ،‬ﻭﻓﻲ ﻫﺫﻩ ﺍﻝﺤﺎﻝﺔ ﻭﺍﻝﺩ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻝﻡ ﻴﺫﻜﺭ‪ -‬ﻨﺼﺢ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﺒﺄﻥ ﻴﺠﻌل ﺍﻝﻤﺴﺘﻔﻴﺩ ﻤﻥ ﺍﻝﺒﻭﻝﻴﺼﺔ‪ .‬ﻓﺒﺘﻠﻙ ﺍﻝﻁﺭﻴﻘﺔ‪ ،‬ﻴﻤﻜﻨﻪ ﺃﻥ ﻴﺠﻤﻊ ﻤﺎﺌﺔ ﺃﻝـﻑ ﺩﻭﻻﺭ ﻤـﻊ ﺃﺼـﻭﻝﻪ‬
‫ﺍﻷﺨﺭﻯ ﺒﻤﺎ ﻴﺩﻉ ﺸﺭﻭﻁ ﺍﻝﻭﺼﻴﺔ ﺘﺤﺩﺩ ﺍﻝﺘﻭﺯﻴﻊ ﺍﻝﺫﻱ ﻴﺭﻴﺩﻩ‪ .‬ﻭﺍﻓﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺭﺅﻴﺔ ﻤﺤﺎﻡ ﻤﻥ ﺃﺠـل‬
‫ﺍﻝﻭﺼﻴﺔ ﻗﺒل ﻤﻐﺎﺩﺭﺘﻪ ﺇﻝﻰ ﻨﻴﻭﻴﻭﺭﻙ‪.‬‬
‫ﻓﻲ ﻋﺼﺭ ﻴﻭﻡ ﺍﻝﺨﻤﻴﺱ‪ ،‬ﺘﻭﻗﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩ ﺸﻘﺔ "ﺠﺎﻨﻴﺕ ﻤﺎﻴل ‪ "Jeanette Mile‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺇﺤﺩﻯ‬
‫ﺍﻝﻨﺴﺎﺀ ﺍﻝﻼﺘﻲ ﺒﺩﺃ ﺒﻤﻭﺍﻋﺩﺘﻬﻥ ﺒﻌﺩ ﺘﺨﻠﻲ "ﺃﻭﺭﺴﻭﻻ ﺁﻨﺩﺭﻴﺱ ‪ "Ursula Andress‬ﻋﻨﻪ‪ .‬ﻝﻡ ﺘﻜﻥ "ﺠﺎﻨﻴﺕ ‪"Jeanette‬‬
‫ﺘﺘﻭﻗﻊ ﻗﺩﻭﻤﻪ‪ .‬ﻋﻨﺩﻤﺎ ﺍﻗﺘﺭﺒﺕ ﻤﻥ ﺍﻝﺒﺎﺏ‪ ،‬ﺩﻓﻊ ﺒﻘﻁﻪ ﺍﻝﺴﻴﺎﻤﻲ ﺍﻝﻤﺤﺒﺏ "ﻤﺎﺭﻜﻭﺱ ‪ "Markus‬ﺇﻝﻰ ﺫﺭﺍﻋﻴﻬﺎ‪ ،‬ﻭﺃﺨﺒﺭﻫﺎ‬
‫ﺃﻨﻪ ﻫﺩﻴﺔ ﻝﻬﺎ ﺜﻡ ﺍﻨﻁﻠﻕ ﺒﺎﻝﺴﻴﺎﺭﺓ ﺩﻭﻥ ﺃﻥ ﻴﻨﻁﻕ ﺒﺄﻴﺔ ﻜﻠﻤﺔ ﺃﺨﺭﻯ‪.‬‬
‫ﻓﻲ ﻤﺴﺎﺀ ﻴﻭﻡ ﺍﻝﺨﻤﻴﺱ‪ ،‬ﻫﺠﺭ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻜﻤﺎ ﺍﻋﺘﺎﺩ ﺃﻥ ﻴﻔﻌل ﻗﺒل ﺍﻝﺴﺒﺎﻕ‪ ،‬ﺭﻓﺎﻗﻪ ﺍﻻﻋﺘﻴﺎﺩﻴﻴﻥ ﻭﺫﻫﺏ‬
‫ﻭﺤﺩﻩ‪ .‬ﻭﺤﺴﺏ ﻜﻼﻡ ﺍﺤﺩ ﺃﻋﻀﺎﺀ ﻨﺎﺩﻱ "ﻨﻴﻭﻴﻭﺭﻙ ﺇﺱ ﺁﻨﺩ ﺇﻡ ‪ "New York S & M‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻭﻗﺘﻬﺎ ﻴﻌﻴﺵ ﻓـﻲ‬
‫ﻫﻭﻝﻴﻭﻭﺩ‪ ،‬ﻓﻘﺩ ﺫﻫﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ ﺤﻔﻠﺔ ﻝﻠﻤﺜﻠﻴﻴﻥ ﻓﻲ "ﻤﺎﻝﻴﺒﻭ ﻜﻭﻝﻭﻨﻲ ‪ "Malibu Colony‬ﻭﺘﻭﺭﻁ ﻓﻲ ﻤﺸﻬﺩ‬
‫ﺼﺭﺍﺥ ﻋﻨﻴﻑ‪ .‬ﻭﻤﻊ ﺍﻝﻔﺠﺭ‪ ،‬ﺃﻭﻗﻔﻪ ﺃﺤﺩ ﺃﺤﺒﺘﻪ "ﻋﻨﺩ ﺍﻝﺤﺎﺌﻁ" ﻤﻥ ﺃﺠل ﻫﻭﻴﺘﻪ ﺍﻝﺠﻨﺴﻴﺔ ﻭﻁﺎﻝﺒﻪ ﺒﺄﻥ "ﻴﺨﺭﺝ" ﻝﻸﺒـﺩ‬
‫ﻭﺃﻥ ﻴﺘﻭﻗﻑ ﻋﻥ ﺍﻝﺘﻅﺎﻫﺭ ﺒﺄﻨﻪ ﻤﻬﺘﻡ ﺒﺎﻝﻨﺴﺎﺀ ﺠﻨﺴﻴﺎﹰ‪ ،‬ﺇﻻ ﺃﻥ ﻤﺘﻬﻤﻪ ﻭﻀﻊ ﺫﻝﻙ ﺒﺎﺤﺘﻘﺎﺭ "ﻤﻥ ﺃﺠل ﻏﺎﻴﺎﺕ ﺩﻋﺎﺌﻴﺔ"‪.‬‬
‫ﻓﻲ ﺍﻝﺜﺎﻤﻨﺔ ﻤﻥ ﺼﺒﺎﺡ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ ‪ 30‬ﺃﻴﻠﻭل‪/‬ﺴﺒﺘﻤﺒﺭ‪ ،‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺤﺎﻀـﺭﹰﺍ ﻓـﻲ "ﻜﻭﻤﺒﻴﺸـﻴﻥ‬
‫ﻤﻭﺘﻭﺭﺯ ‪ "Competion Motors‬ﻭﻫﻭ ﻴﻨﻅﺭ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ "ﺭﻭﻝﻑ ﻓﻭﻴﺘﻴﺭﻴﺵ ‪ ."Rolf Wuetherich‬ﺍﻝﺫﻱ ﻜـﺎﻥ‬
‫ﻴﺘﺄﻜﺩ ﻤﻥ ﻀﻐﻁ ﺍﻝﺯﻴﺕ‪ ،‬ﻭﺍﻻﺸﺘﻌﺎل‪ ،‬ﻭﺸﻤﻌﺎﺕ ﺍﻻﺤﺘﺭﺍﻕ ﻭﺍﻹﻁﺎﺭﺍﺕ ﺍﻝﺨﺎﺼﺔ ﺒﺎﻝﺴﻴﺎﺭﺓ‪ .‬ﻜﺎﻥ "ﺠﻴﻤـﻲ ‪"Jimmy‬‬
‫ﻏﻴﺭ ﺼﺒﻭﺭ‪ .‬ﻓﻴﺴﺄل "ﺭﻭﻝﻑ ‪ "Rolph‬ﻜل ﻝﺤﻅﺔ ﺇﻥ ﻜﺎﻥ ﻴﺭﻴﺩ ﺃﻴﺔ ﻤﺴﺎﻋﺩﺓ ﻭﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺠﻴﺒﻪ‪“ :‬ﻻ ‪ ،‬ﺸﻜﺭﺍﹰ‪ ،‬ﺃﻨـﺕ‬
‫ﺴﺘﻌﻘﺩ ﺍﻷﻤﻭﺭ ﻓﻘﻁ”‪.‬‬
‫ﻋﻨﺩﻤﺎ ﺍﻨﺘﻬﻰ ﺍﻝﻔﺤﺹ‪ ،‬ﺭﻜﺏ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺤﺯﺍﻡ ﺍﻷﻤﺎﻥ ﻋﻠﻰ ﻤﻘﻌﺩ ﺍﻝﺴﺎﺌﻕ‪ ،‬ﻭﻝﻡ ﻴﺭﻜﺏ ﻭﺍﺤـﺩﹰﺍ ﺁﺨـﺭ‬
‫ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﺍﻝﻤﺠﺎﻭﺭ ﻷﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻭﻑ ﻴﻘﻭﺩ ﺒﻤﻔﺭﺩﻩ ﻓﻲ ﺍﻝﺴﺒﺎﻕ‪.‬‬
‫ﻗﺒل ﻋﺩﺓ ﺩﻗﺎﺌﻕ ﻤﻥ ﺍﻝﺴﺎﻋﺔ ﺍﻝﻌﺎﺸﺭﺓ‪ ،‬ﻅﻬﺭ ﻭﺍﻝﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﻝﻌﻡ "ﺘﺸﺎﺭﻝﻲ ﻨـﻭﻻﻥ ‪"Charlie Nolan‬‬
‫ﻓﻲ ﺠﻭﻝﺘﻪ ﺍﻷﻭﻝﻰ ﻋﻠﻰ ﺍﻝﺩﺭﺍﺠﺔ‪ ،‬ﺃﻤﺎ ﺍﻵﻥ ﻓﻘﺩ ﺍﺼﻁﺤﺏ "ﺠﻴﻤﻲ ‪" "Jimmy‬ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ‪ "Charlie Nolan‬ﻓـﻲ‬
‫ﺠﻭﻝﺘﻪ ﺍﻷﻭﻝﻰ ﻓﻲ ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ‪ .‬ﺒﻌﺩ ﻋﻭﺩﺘﻬﻤﺎ ﺇﻝﻰ ﺍﻝﻤﺭﺁﺏ‪ ،‬ﻭﻀﻊ ﻴﺩﻴﻪ ﻋﻠﻰ ﻜﺘﻔﻲ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻗﺎل ﻝﻪ‬
‫ﻤﻤﺎﺯﺤﹰﺎ‪“ :‬ﺍﺤﺫﺭ ﻴﺎ "ﺠﻴﻡ ‪ ."Jim‬ﺃﻨﺕ ﺘﺠﻠﺱ ﻋﻠﻰ ﻗﻨﺒﻠﺔ!”‪.‬‬
‫ﺒﻌﺩ ﻭﺠﺒﺔ ﺍﻝﻐﺩﺍﺀ ﺍﻝﺒﺎﻜﺭﺓ‪ ،‬ﺤﻤل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺍﻝﺴﻴﺎﺭﺓ ﻋﻠﻰ ﻋﺭﺒﺔ ﻤﻠﺤﻘـﺔ ﺒﺴـﻴﺎﺭﺓ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻭﺩﻋﺎ "ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻭ "ﺘﺸﺎﺭﻝﻲ ﻨﻭﻻﻥ ‪ ،"Charlie Nolan‬ﻭﻗﺎﺩﺍ ﺍﻝﺴﻴﺎﺭﺓ ﺨـﺎﺭﺝ ﻤﻨﻁﻘـﺔ‬
‫"ﻝﻭﺭﻴل ﻜﺎﻨﻴﻭﻥ ‪ "Laurel Canyon‬ﻻﺼﻁﺤﺎﺏ "ﺴﺎﻨﻔﻭﺭﺩ ﺭﻭﺙ ‪ "Sanford Roth‬ﻭ"ﺒﻴل ﻫﻴﻜﻤﺎﻥ ‪."Bill Hickman‬‬
‫ﻗﺭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻤﻨﺯل "ﺭﻭﺙ ‪ "Roth‬ﺃﻥ ﻴﺄﺨﺫ ﺴﻴﺎﺭﺓ ﺍﻝﺴﺒﺎﻕ ﻝﻴﻘﻭﺩﻫﺎ ﺇﻝﻰ ﺴﺎﻝﻴﻨﺎﺱ ﺤﺘﻰ ﻴﻜﻭﻥ ﻗـﺩ ﺃﺩﻯ‬
‫ﺃﻁﻭل ﻤﺴﺎﻓﺔ ﻤﻤﻜﻨﺔ ﻤﻥ ﺍﻝﻘﻴﺎﺩﺓ ﻗﺒل ﺍﻝﺴﺒﺎﻕ‪ .‬ﻁﻠﺏ ﻤﻥ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺃﻥ ﻴﺠﻠﺱ ﻤﻌﻪ ﻝﻴﺘﺄﻜﺩ ﻤﻥ ﺃﻥ ﺍﻝﻤﺤﺭﻙ ﻓﻲ‬
‫ﺃﻓﻀل ﺤﺎﻻﺘﻪ‪.‬‬
‫ﻻ ﺃﺯﺭﻕ ﻓﺎﺘﺤﺎﹰ‪ ،‬ﻭﺘﻲ ﺸﻴﺭﺕ ﺃﺒﻴﺽ ﻤﻊ ﺴﺘﺭﺓ ﺤﻤﺭﺍﺀ‬ ‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻠﺒﺱ ﻤﻼﺒﺴﻪ ﺍﻻﻋﺘﻴﺎﺩﻴﺔ‪ :‬ﺒﻨﻁﺎ ﹰ‬
‫ﻤﻥ ﺍﻝﻨﺎﻴﻠﻭﻥ‪ .‬ﻗﺎﻡ ﺒﺨﻠﻊ ﺍﻝﺴﺘﺭﺓ ﻭﺭﻤﺎﻫﺎ ﻓﻲ ﺍﻝﻤﻘﻌﺩ ﺍﻝﺨﻠﻔﻲ ﻗﺒل ﺃﻥ ﻴﺠﻠﺱ ﻓﻲ ﺴﻴﺎﺭﺘﻪ ﺍﻝﺒﻭﺭﺸﻴﻪ‪ .‬ﺜﻡ ﻗـﺎﻡ ﺒﻭﻀـﻊ‬
‫ﻋﺩﺴﺎﺕ ﻏﺎﻤﻘﺔ ﻓﻭﻕ ﻨﻅﺎﺭﺘﻪ ﻭﺃﺩﺍﺭ ﺍﻝﻤﺤﺭﻙ‪ .‬ﻗﺎﺩ ﻭ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻤﻊ "ﺴﺎﻨﻔﻭﺭﺩ ﺭﻭﺙ ‪ "Sanford Roth‬ﻭ"ﺒﻴل‬
‫ﻫﻴﻜﻤﺎﻥ ‪ "Bill Hickman‬ﺍﻝﻠﺫﻴﻥ ﻴﻠﺤﻘﺎﻥ ﺒﻬﻤﺎ ﻓﻲ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﻌﺎﺌﻠﻴﺔ ﺍﻷﺨﺭﻯ ﺨﺎﺭﺝ ﻤﻨﻁﻘـﺔ "ﻓﻴﻨﺘـﻭﺭﺍ ﺒﻭﻝﻴﻔـﺎﺭﺩ‬
‫ﻻ ﻨﺤﻭ "ﺍﻝﺨﻁ ﺍﻝﺴﺭﻴﻊ ‪."Highway 99 99‬‬
‫‪ ."Ventura Boulevard‬ﺘﻭﻗﻔﺎ ﻤﻥ ﺃﺠل ﺍﻝﺘﺯﻭﺩ ﺒﺎﻝﻭﻗﻭﺩ‪ ،‬ﺜﻡ ﺘﻭﺠﻬﺎ ﺸﻤﺎ ﹰ‬
‫ﻜﺎﻥ ﻴﻭﻤﹰﺎ ﻤﺸﻤﺴﹰﺎ ﺩﺍﻓﺌﹰﺎ ﻭﺍﻝﺴﻤﺎﺀ ﺯﺭﻗﺎﺀ‪ .‬ﻜﺎﻨﺕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺜﺎﻨﻴﺔ ﺘﺘﺠﺎﻭﺯ ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﺒﻴﻥ ﻓﺘﺭﺓ ﻭﺃﺨﺭﻯ‪.‬‬
‫ﻜــــــــﺎﻥ "ﺠﻴﻤــــــــﻲ ‪ "Jimmy‬ﻴﺴــــــــﻤﺢ ﻝـــــــــ " ﺭﻭﺙ ‪"Roth‬‬
‫ﻭ" ﻫﻴﻜﻤﺎﻥ ‪ "Hickman‬ﺒﺎﻝﺒﻘﺎﺀ ﺃﻤﺎﻤﻪ ﻷﻤﻴﺎل ﻗﻠﻴﻠﺔ ﻝﻴﻌﻭﺩ ﻭﻴﺴﺒﻘﻬﻡ ﻝﻴﺒﻘﻰ ﻓﻲ ﺍﻝﻤﻘﺩﻤﺔ ﺜﺎﻨﻴﺔ‪ .‬ﻜﺎﻥ "ﺭﻭﻝـﻑ ‪"Rolph‬‬
‫ﺴﻌﻴﺩﹰﺍ ﺒﺎﻝﻤﺤﺭﻙ ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺼﺩﺭ ﺼﻭﺘﹰﺎ ﻜﺎﻝﺴﺎﻋﺔ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺼﻔﺭ ﻓﻲ ﻤﻐﺎﻤﺭﺘﻪ ﺍﻷﻭﻝﻰ ﺍﻝﺒﻌﻴﺩﺓ ﻋﻥ ﺍﻝﻌﻤـل‬
‫ﻤﻨﺫ ﺃﺸﻬﺭ ﻭﻴﻐﻨﻲ ﻭﻴﺭﻭﻱ ﺍﻝﻨﻜﺎﺕ ﻭﻴﺩﺨﻥ ﺍﻝﺴﺠﺎﺌﺭ ﺍﻝﻭﺍﺤﺩﺓ ﺘﻠﻭ ﺍﻷﺨﺭﻯ‪ .‬ﻭﺒﻴﻥ ﻝﺤﻅﺔ ﻭﺃﺨﺭﻯ ﻴﻀﺭﺏ ﺨﻔﻴﻔـﹰﺎ ﺃﻀـﻠﻊ‬
‫"ﺭﻭﻝﻑ ‪ "Rolph‬ﺒﻜﻭﻋﻪ ﻭﻫﻭ ﻴﺴﺄﻝﻪ‪“ :‬ﻤﺎ ﻫﻲ ﺴﺭﻋﺔ ﺩﻭﺭﺍﻥ ﺍﻝﻤﺤﺭﻙ؟” ﺃﻭ “ ﻜﻴﻑ ﻫﻲ ﺤﺭﺍﺭﺓ ﺍﻝﺯﻴﺕ؟” ﺃﻭ “ﻫـل ﺃﻨـﺕ‬
‫ﻭﺍﺜﻕ ﻤﻥ ﺃﻥ ﻫﺫﺍ ﻫﻭ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺼﺤﻴﺢ؟”‪.‬‬
‫ﻗﺒل ﺍﻝﺴﺎﻋﺔ ﺍﻝﺜﺎﻝﺜﺔ‪ ،‬ﺘﻭﻗﻑ ﻋﻨﺩ ﻜﺸﻙ ﻋﻠﻰ ﺠﺎﻨﺏ ﺍﻝﻁﺭﻴﻕ ﻭﻁﻠﺏ ﻜﺄﺱ ﺤﻠﻴﺏ‪ .‬ﻝﻡ ﻴﺭﻏﺏ "ﺭﻭﻝﻑ ‪"Rolph‬‬
‫ﺒﺄﻱ ﺸﻲﺀ‪ ،‬ﺇﻻ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺼﺭ ﻋﻠﻰ ﻁﻠﺏ ﺼﻭﺩﺍ ﺒﻁﻌﻡ ﺍﻝﻤﺜﻠﺠﺎﺕ ﻝﻪ‪ .‬ﺒﺩﺃ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻭﻫﻭ ﻴﺸﺭﺏ‬
‫ﻋﻠﻰ ﻤﻀﺽ ﺍﻝﺘﻔﻜﻴﺭ ﺒﻤﺴـﺎﺒﻘﺔ ﺍﻝﻴـﻭﻡ ﺍﻝﺘـﺎﻝﻲ‪ .‬ﻭﻓﺠـﺄﺓ‪ ،‬ﺨﻁـﺭ ﻋﻠـﻰ ﺒﺎﻝـﻪ ﺃﻥ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺍﻝـﺫﻱ‬
‫ﻻ ﻴﺯﺍل ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﻜﻭﻨﻪ ﺴﺎﺌﻘﹰﺎ ﻤﺘﻤﺭﺴﹰﺎ ﺴﻭﻑ ﻴﺴﺎﺒﻕ ﻓﻲ ﺴﻴﺎﺭﺓ ﻝﻡ ﻴﻘﺽ ﻤﻌﻬﺎ ﻭﻗﺘﹰﺎ ﻜﺎﻓﻴﹰﺎ ﻋﻠﻰ ﺍﻝﻁﺭﻴـﻕ‪ .‬ﻨﻅـﺭ‬
‫ﺒﻘﺴـــــﻭﺓ ﻓـــــﻲ ﻋﻴﻨـــــﻲ "ﺠﻴﻤـــــﻲ ‪ "Jimmy‬ﻭﻗـــــﺎل ﺩﻭﻥ ﺍﺒﺘﺴـــــﺎﻡ‪:‬‬
‫“ﻻ ﺘﻘﺩ ﺒﺴﺭﻋﺔ ﻴﻭﻡ ﻏﺩ‪ .‬ﻻ ﺘﺤﺎﻭل ﺍﻝﻔﻭﺯ‪ .‬ﺇﻥ ﺴﻴﺎﺭﺓ ﺍﻝﺴﺒﺎﻴﺩﺭ ﺸﻲﺀ ﻤﺨﺘﻠﻑ ﻋﻥ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺴﺎﺒﻘﺔ ﺍﻝﺴﺒﻴﺩﺴﺘﺭ‪ .‬ﻻ‬
‫ﺘﻘﺩ ﻤﻥ ﺃﺠل ﺍﻝﻔﻭﺯ‪ .‬ﻻ ﺘﻘﺩ ﻤﻥ ﺃﺠل ﺍﻝﻔﻭﺯ‪ .‬ﻗﺩ ﻤﻥ ﺃﺠل ﺍﻜﺘﺴﺎﺏ ﺍﻝﺨﺒﺭﺓ”‪ .‬ﺃﺠـﺎﺏ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺒﺘﻜﺸـﻴﺭﺓ‪:‬‬
‫“ﺤﺴﻨﺎﹰ‪ ،‬ﺤﺴﻨﹰﺎ”‪.‬‬
‫ﺇﻻ ﺃﻥ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻝﻡ ﻴﺭﺩ ﻋﻠﻰ ﺍﻝﺘﻜﺸﻴﺭﺓ ﺒﺄﺨﺭﻯ‪.‬‬
‫ﻗﺎل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﻝﺤﻅﺔ ﻤﺅﻜﺩﹰﺍ ﻝﻪ ﺃﻨﻪ ﻗﺩ ﺴﻤﻌﻪ‪“ :‬ﺃﻋﻁﻨﻲ ﺇﺸﺎﺭﺓ ﻋﻨﺩﻤﺎ ﺃﻤﻴل”‪.‬‬
‫ﺴﺎﺩ ﺼﻤﺕ ﻤﺭﺒﻙ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ .‬ﺴﺤﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺨﺎﺘﻤﹰﺎ ﻤﻥ ﺇﺼﺒﻌﻪ ﺍﻝﺫﻱ ﻜﺎﻥ ﺘﺫﻜﺎﺭﹰﺍ ﺼﻐﻴﺭﹰﺍ ﺍﺨﺘﺎﺭﻩ‬
‫ﻤﻥ ﻤﺤل ﺭﺨﻴﺹ‪ ،‬ﻭﺃﻋﻁﺎﻩ ﺇﻝﻰ "ﺭﻭﻝﻑ ‪."Rolph‬‬
‫ﺴﺄل "ﺭﻭﻝﻑ ‪“ :"Rolph‬ﻝﻤﺎﺫﺍ؟”‬
‫ﺃﺠﺎﺏ "ﺠﻴﻤﻲ ‪“:"Jimmy‬ﺃﺭﻴﺩ ﺇﻋﻁﺎﺀﻙ ﺸﻴﺌﹰﺎ ﻹﻅﻬﺎﺭ ﺃﻨﻨﺎ ﺃﺼﺩﻗﺎﺀ”‪.‬‬
‫ﻜﺎﻨﺕ ﻴﺩﺍ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺃﻜﺒﺭ ﻜﺜﻴﺭﹰﺍ ﻤﻥ ﻴﺩﻱ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺤﻴﺙ ﺇﻥ ﺍﻝﺨﺎﺘﻡ ﻗﺩ ﻻﺀﻡ ﺃﺼﺒﻌﻪ ﺍﻝﺼﻐﻴﺭ‪.‬‬
‫ﺘﺄﺨﺭ " ﺭﻭﺙ ‪ "Roth‬ﻭ" ﻫﻴﻜﻤﺎﻥ ‪ "Hickman‬ﻓﻲ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ‪ ،‬ﻭﺘﻁﻠﺒﺎ ﺨﻤﺱ ﺩﻗﺎﺌﻕ ﻝﻠﺤﺎﻕ ﺒﻬﻤﺎ‪.‬‬
‫ﺼـــﺭﺥ " ﺭﻭﺙ ‪ "Roth‬ﺇﻝـــﻰ"ﺭﻭﻝـــﻑ ‪ "Rolph‬ﻋﻨـــﺩﻤﺎ ﺘﺴـــﺎﻭﺕ ﺍﻝﺴـــﻴﺎﺭﺘﺎﻥ‪:‬‬
‫“ﻻ ﺘﺩﻋﻪ ﻴﻘﺩ ﺒﺴﺭﻋﺔ ﻜﺒﻴﺭﺓ”‪.‬‬
‫ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ‪ ،‬ﻜﺎﻨﺕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﻓﻲ ﺍﻝﻤﻘﺩﻤﺔ ﻭﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ ﻤﻊ ﺍﻝﻤﻘﻁﻭﺭﺓ ﺨﻠﻔﻬﺎ ﺘﺴـﺭﻋﺎﻥ‬
‫ﺒﺎﻨﺤﺩﺍﺭ "ﻏﺭﻴﺒﻔﺎﻴﻥ ﻏﺭﻴﺩ ‪ "Garpevein Grade‬ﻋﻠﻰ ﻁﻭل ﺍﻝﻤﻨﺤﺩﺭ ﺍﻝﻁﻭﻴل ﺍﻝﺫﻱ ﻴﺼـل "ﺭﺍﻭﺕ ‪"Rout 99 99‬‬
‫ﻤﻥ ﺍﻝﺠﺒﺎل ﻨﺤﻭ ﺍﻝﺴﻬل ﺍﻝﻭﺍﺴﻊ ﺠﻨﻭﺏ "ﺒﻴﻜﺭﺯﻓﻴﻠﺩ ‪."Backersfield‬‬
‫ﻜﺎﻥ ﺍﻝﻀﺎﺒﻁ "ﺃﻭﺘﻲ ﻓﻲ ﻫﻨﺘﺭ ‪ "Otie V. Hunter‬ﻴﺠﻭل ﺒﺴﻴﺎﺭﺘﻪ‪ ،‬ﻭﻝﻤﺢ ﺴﻴﺎﺭﺓ ﺭﻤﺎﺩﻴﺔ ﺼﻐﻴﺭﺓ ﻨﺎﺯﻝﺔ ﻤـﻥ‬
‫ﺍﻝﺘل ﻭﺘﺴﻴﺭ ﺒﺴﺭﻋﺔ ﻜﺒﻴﺭﺓ‪ .‬ﻤﺭﺕ ﻤﻥ ﺃﻤﺎﻤﻪ ﺒﺴﺭﻋﺔ ﻭﺨﻠﻔﻬﺎ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺒﻴﻀﺎﺀ ﻤﻊ ﺍﻝﻤﻘﻁﻭﺭﺓ ﺫﺍﺕ ﺍﻝﻠﻭﻥ ﺍﻝﻔـﺎﺘﺢ‪.‬‬
‫ﺍﻨﻌﻁﻑ "ﻫﻨﺘﺭ ‪ "Hunter‬ﺒﺴﻴﺎﺭﺘﻪ ﺨﻼل ﺍﻝﻤﺴﺭﺏ ﺍﻷﻭﺴﻁ ﻭﺃﺩﺍﺭ ﺃﺒﻭﺍﻗﻬﺎ ﻭﺒﺩﺃ ﺍﻝﻤﻁﺎﺭﺩﺓ‪.‬‬
‫ﻝﻡ ﻴﻘﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺄﻴﺔ ﻤﺤﺎﻭﻝﺔ ﻝﺘﺠﺎﻭﺯ ﺴﻴﺎﺭﺓ ﺍﻝﺸﺭﻁﺔ‪ .‬ﺘﻭﻗﻑ ﻭﺍﻨﺘﻅﺭ ﺍﻝﺸﺭﻁﻲ ﻝﻠﺘﺭﺠل ﻤﻥ ﺴﻴﺎﺭﺘﻪ‬
‫ﻼ ﻓﻲ ﻤﻨﻁﻘﺔ ﻻ‬ ‫ﻭﺍﻝﻘﺩﻭﻡ ﻝﺠﺎﻨﺒﻪ‪ .‬ﺃﺨﺒﺭ "ﻫﻨﺘﺭ ‪ "Hunter‬ﻭﺒﻜل ﺃﺩﺏ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻜﺎﻥ ﻴﻘﻭﺩ ﺒﺴﺭﻋﺔ ‪ 65‬ﻤﻴ ﹰ‬
‫ﻼ‪ .‬ﻝﻡ ﻴﺠﺎﺩل‪ .‬ﻭﻤﻊ ﻜﺘﺎﺒﺔ ﺍﻝﺸﺭﻁﻲ ﻝﻠﻤﺨﺎﻝﻔﺔ‪ ،‬ﺒﺩﺃ ﺒﺴﺅﺍل "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻥ ﺴﻴﺎﺭﺓ‬ ‫ﺘﺘﻌﺩﻯ ﻓﻴﻬﺎ ﺍﻝﺴﺭﻋﺔ ‪ 45‬ﻤﻴ ﹰ‬
‫ﺍﻝﺒﻭﺭﺸﻴﻪ‪ .‬ﺤﻴﺙ ﻝﻡ ﻴﺴﺒﻕ ﻝﻪ ﺃﻥ ﺸﺎﻫﺩ ﻤﻥ ﻗﺒل ﺴﻴﺎﺭﺓ ﻤﺜﻠﻬﺎ‪ .‬ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﻜﺎﻥ ﺍﻻﺜﻨﺎﻥ ﻴﺘﺤﺩﺜﺎﻥ ﻭﻜﺄﻨﻬﻤﺎ ﻋﻀﻭﺍﻥ‬
‫ﻓﻲ ﻓﺭﻴﻕ ﺍﻝﺴﺒﺎﻕ ﻨﻔﺴﻪ‪ .‬ﺴﻠﻡ "ﻫﻨﺘﺭ ‪ "Hunter‬ﺍﻝﻤﺨﺎﻝﻔﺔ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺴﺎﺭ ﻋﺎﺌﺩﹰﺍ ﻝﻠﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ ﻭﺴـﻠﻡ‬
‫"ﺭﻭﺙ ‪ "Roth‬ﻤﺨﺎﻝﻔﺔ ﺃﻴﻀﹰﺎ‪.‬‬
‫ﻗﺒل ﺍﻻﻨﻁﻼﻕ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪ ،‬ﺼﺭﺥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻠﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ‪ “:‬ﺤﺴﻨﹰﺎ ﺴﻭﻑ ﻨﻜﻭﻥ ﺒﺎﻨﺘﻅﺎﺭﻜﻡ ﻓـﻲ‬
‫"ﺒﺎﺴﻭ ﺭﻭﺒﻠﻴﺱ ‪ ."Paso Robles‬ﺴﻭﻑ ﻨﺘﻨﺎﻭل ﺍﻝﻐﺩﺍﺀ ﻫﻨﺎﻙ”‪.‬‬
‫‪Rout‬‬ ‫ﺍﺴﺘﺩﺍﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺸﻤﺎل "ﺒﻴﻜﺭﺯﻓﻴﻠﺩ ‪ "Backersfield‬ﻨﺤـﻭ "ﺭﺍﻭﺕ ‪466‬‬
‫‪) "466‬ﺍﻝﺘﻲ ﻫﻲ ﺍﻵﻥ "ﺭﺍﻭﺕ ‪ ("Rout 46 46‬ﺒﻁﺭﻴﻕ ﻤﻌﺒﺩ ﺒﻤﺴﺎﺭﻴﻥ ﻴﺄﺨﺫﻫﻤﺎ ﻏﺭﺒ ﹰﺎ ﻨﺤﻭ "ﺒﺎﺴﻭ ﺭﻭﺒﻠﻴﺱ ‪Paso‬‬
‫‪ "Robles‬ﺤﻴﺙ ﺴﻭﻑ ﻴﺴﺘﺩﻴﺭﺍﻥ ﻫﻨﺎﻙ ﺜﺎﻨﻴﺔ ﻨﺤﻭ ﺍﻝﺸﻤﺎل ﺒﺎﺘﺠﺎﻩ "ﺴﺎﻝﻴﻨﺎﺱ"‪.‬‬
‫ﻴﺘﺫﻜﺭ "ﺭﻭﻝﻑ ‪ “:"Rolph‬ﻜﺎﻥ ﺍﻝﻁﺭﻴﻕ ﺨﻁﹰﺎ ﺭﻤﺎﺩﻴﹰﺎ ﻭﺍﺤﺩﹰﺍ ﻴﺨﺘﺭﻕ ﺍﻝﻤﻨﺎﻅﺭ ﺍﻝﺭﺘﻴﺒﺔ ‪ -‬ﻤﻊ ﺍﻨﺤﻨﺎﺀﺓ ﺨﻔﻴﻔـﺔ‬
‫ﻫﻨﺎ ﻭﻫﻨﺎﻙ‪ ،‬ﻭﻤﺴﺘﻘﻴﻤﹰﺎ ﻨﺤﻭ ﺍﻷﻤﺎﻡ‪ .‬ﺒﺩﺍ ﻭﻜﺄﻨﻙ ﺘﻘﻭﺩ ﻨﺤﻭ ﻤﺴﻁﺭﺓ ﻻ ﺘﻨﺘﻬﻲ”‪.‬‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﺒﺩﺍ ﺸﻜل ﻤﻨﺨﻔﺽ ﻏﺎﻤﻕ ﻓﻲ ﺍﻷﻓﻕ‪ .‬ﻤﻊ ﺍﻗﺘﺭﺍﺒﻬﻤﺎ‪ ،‬ﺸﺎﻫﺩﺍ ﺃﻨﻬﺎ ﻤﺤﻁﺔ ﻭﻗﻭﺩ ﻤﻬﻠﻬﻠﺔ ﻤﻊ ﻤﻁﻌﻡ‬
‫ﻭﻤﺘﺠﺭ ﺼﻐﻴﺭﻴﻥ‪ ،‬ﻭﺍﻝﺘﻲ ﻜﺎﻨﺕ ﺍﻝﺒﻨﺎﺀ ﺍﻝﻭﺤﻴﺩ ﻓﻲ "ﺒﺎﻜﻭﻴﻠﺯ ﻜﻭﺭﻨﺭﺯ ‪ "Backwell's Corners‬ﻭﻫﻭ ﺍﻻﺴـﻡ ﻨﻔﺴـﻪ‬
‫ﺍﻝﺫﻱ ﺃﻁﻠﻕ ﻋﻠﻰ ﻨﻘﻁﺔ ﺍﻝﺘﻘﺎﻁﻊ ﻤﻊ "ﺭﺍﻭﺕ ‪ "Rout 466 466‬ﻭﺸﺎﺭﻉ ﺒﺼﻴﺎﻨﺔ ﺃﻗل ﻝﻠﺸﻤﺎل ﻭﺍﻝﺠﻨﻭﺏ "ﺭﺍﻭﺕ ‪33‬‬
‫‪."Rout 33‬‬
‫ﺘﻭﻗﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻨﺩﻤﺎ ﻻﺤﻅ ﺃﻥ ﻫﻨﺎﻙ ﺴﻴﺎﺭﺓ ﻤﺭﺴﻴﺩﺱ ﺭﻤﺎﺩﻴﺔ ﻜﺒﻴﺭﺓ ﻤﺘﻭﻗﻔﺔ ﺃﻤﺎﻡ ﺍﻝﻤﺘﺠﺭ‪ .‬ﺨﺭﺝ‬
‫ﻭﺃﺨﺫ ﻴﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ‪ .‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺤﺎﺩﺜﺔ ﻤﻊ ﺼﺎﺤﺒﻬﺎ ﺍﻝﺫﻱ ﻅﻬﺭ ﺃﻨـﻪ "ﻻﻨـﺱ ﺭﻴﻔﻴﻨﺘﻠـﻭ ‪Lance‬‬
‫‪ "Reventlow‬ﺍﺒﻥ "ﺒﺎﺭﺒﺎﺭﺍ ﻫﺎﺘﻭﻥ ‪ "Barbar Huton‬ﺍﻝﺒﺎﻝﻎ ﻤﻥ ﺍﻝﻌﻤﺭ ﺍﻝﺤﺎﺩﻴﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ‪ .‬ﻜـﺎﻥ "ﻻﻨـﺱ ‪"Lance‬‬
‫ﻴﻘﻭﺩ ﺴﻴﺎﺭﺘﻪ ﺃﻴﻀﹰﺎ ﻨﺤﻭ ﺍﻝﺴﺒﺎﻕ ﻓﻲ "ﺴﺎﻝﻴﻨﺎﺱ"‪ .‬ﺃﺨﺫ ﺍﻝﺴﺎﺌﻘﺎﻥ ﺒﺎﻝﺘﺤﺩﺙ ﻝﺤﻴﻥ ﻭﺼﻠﺕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺜﺎﻨﻴﺔ‪.‬‬
‫ﺼﺎﺡ "ﺭﻭﺙ ‪ "Roth‬ﻭﻫﻭ ﻴﻭﻗﻑ ﺍﻝﺴﻴﺎﺭﺓ‪ “:‬ﻜﻴﻑ ﺘﺠﺩ ﺍﻝﺴﺒﺎﻴﺩﺭ ﺍﻵﻥ؟”‪.‬‬
‫ﺃﺠﺎﺒﻪ "ﺠﻴﻤﻲ ‪“:"Jimmy‬ﻋﻅﻴﻤﺔ‪ .‬ﺴﻭﻑ ﺃﻋﺎﻤﻠﻬﺎ ﺒﺸﻜل ﺠﻴﺩ‪ .‬ﺴﻭﻑ ﺃﺒﻘﻲ ﻫﺫﻩ ﺍﻝﺠﻤﻴﻠﺔ ﻝﻔﺘﺭﺓ ﻁﻭﻴﻠﺔ”‪.‬‬
‫ﺍﺸﺘﺭﻯ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﻌﺩ ﺫﻝﻙ ﻜﻴﺴﹰﺎ ﻤﻥ ﺍﻝﺘﻔﺎﺡ‪ ،‬ﻗﻀﻡ ﻭﺍﺤﺩﺓ‪ ،‬ﻭﻭﻀﻊ ﺍﻝﻜﻴﺱ ﺨﻠﻑ ﺍﻝﻤﻘﻌﺩ‪ ،‬ﻭﺼﻌﺩ ﻓﻲ‬
‫ﺴﻴﺎﺭﺘﻪ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪.‬‬
‫ﻭﺒﺩﻭﻥ ﻭﻀﻊ ﺤﺯﺍﻡ ﺍﻷﻤﺎﻥ‪ ،‬ﺃﺩﺍﺭ ﺍﻝﻤﺤﺭﻙ ﻭﺃﺨﺫ ﺍﻝﻁﺭﻴﻕ ﻤﺭﺓ ﺜﺎﻨﻴﺔ‪.‬‬
‫ﺼﺭﺥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻨﺤﻭ "ﺭﻭﻝﻑ ‪ "Rolph‬ﺒﻌﺩ ﻭﻗﺕ ﻗﺼﻴﺭ‪ “ :‬ﻫل ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ؟”‬
‫ﺘﺜﺎﺀﺏ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻤﺠﻴﺒﹰﺎ‪ “:‬ﻨﻌﻡ ﻜل ﺸﻲﺀ ﻋﻠﻰ ﻤﺎ ﻴﺭﺍﻡ”‪ ،‬ﻭﻫﻭ ﺸﺒﻪ ﻤﻨﻭﻡ ﻤﻐﻨﺎﻁﻴﺴﻴﹰﺎ ﻤـﻥ ﺼـﻭﺕ‬
‫ﺍﻝﻤﺤﺭﻙ ﺍﻝﺭﺘﻴﺏ ﻭﺘﻌﺏ ﺫﻝﻙ ﺍﻝﻴﻭﻡ ﺍﻝﺫﻱ ﺒﺩﺃ ﻓﺠﺭﺍﹰ‪ ،‬ﻭﺤﺭﺍﺭﺓ ﺸﻤﺱ ﻤﺎ ﺒﻌﺩ ﺍﻝﻅﻬﻴﺭﺓ ﺍﻝﺘﻲ ﺒﺩﺕ ﻭﻜﺄﻨﻬﺎ ﻜﺭﺓ ﺼﻔﺭﺍﺀ‬
‫ﻤﺤﻤﺭﺓ ﺘﻌﻠﻘﺕ ﺃﻤﺎﻤﻪ ﻓﻲ ﺍﻝﺴﻤﺎﺀ ﺴﻭﻑ ﺘﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﻓﻲ ﺃﻴﺔ ﻝﺤﻅﺔ‪.‬‬
‫ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﺤﺩﻴﺙ ﺍﻵﻥ‪ ،‬ﻓﻘﻁ ﺼﻭﺕ ﺍﻝﻤﺤﺭﻙ‪ ،‬ﻭﺍﻝﻁﺭﻴﻕ ﻭﺍﻝﺸﻤﺱ‪ .‬ﻜﺎﻥ ﻤﺩﺭﻜﹰﺎ ﻤﻥ ﺨﻼل ﺘﻌﺒﻪ ﺃﻥ‬
‫ﺍﻝﻁﺭﻴﻕ ﻗﺩ ﺒﺩﺃ ﺒﺎﻝﺼﻌﻭﺩ ﻭﺍﻝﻬﺒﻭﻁ ﺒﻨﻌﻭﻤﺔ ﺒﻴﻥ ﺍﻝﺘﻼل ﺍﻝﻤﺴﺘﺩﻴﺭﺓ ﻭﺍﻝﻤﻐﻁﺎﺓ ﺒﺎﻝﻌﺸﺏ ﺍﻝﺒﻨﻲ‪ .‬ﻜﺎﻨـﺎ ﻴﻬﺒﻁـﺎﻥ ﺍﻵﻥ‬
‫ﺒﻤﻨﺤﺩﺭ ﻁﻭﻴل ﻨﺤﻭ ﻭﺍﺩ ﺼﻐﻴﺭ‪.‬‬
‫ﺠﻌﻠﺕ ﺍﻝﺸﻤﺱ ﺍﻝﻤﺒﺎﺸﺭﺓ ﻓﻲ ﺍﻷﻋﻴﻥ ﺍﻝﺭﺅﻴﺔ ﺼﻌﺒﺔ‪ ،‬ﻝﻜﻥ ﻫﻨﺎﻙ‪ ،‬ﺒﺎﻻﺘﺠﺎﻩ ﻨﺤﻭ ﺃﺴﻔل ﺤﻭﺽ ﺍﻝﻭﺍﺩﻱ‪ ،‬ﻭﻤﻊ‬
‫ﻗﺩﻭﻡ ﺍﺴﺘﺩﺍﺭﺓ ﻁﻭﻴﻠﺔ ﻭﺍﻻﺴﺘﻌﺩﺍﺩ ﻝﺼﻌﻭﺩ ﺍﻝﺘل‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺒﻘﻌﺔ ﺒﻴﻀﺎﺀ‪ ،‬ﻻ ﺒل ﺒﻴﻀﺎﺀ ﻭﺴﻭﺩﺍﺀ‪ .‬ﻜﺎﻨـﺕ ﺘﺼـﺒﺢ‬
‫ﻼ – ﻝﻘﺩ ﻜﺎﻨﺕ ﺴﻴﺎﺭﺓ ﺫﺍﺕ ﻝـﻭﻨﻴﻥ ﺒﻐﻁـﺎﺀ‬
‫ﺃﻜﺒﺭ ﻓﺄﻜﺒﺭ ﺍﻵﻥ ﺒﺴﺭﻋﺔ‪ .‬ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﻘﻭﺩ ﺒﺴﺭﻋﺔ ‪ 85‬ﻤﻴ ﹰ‬
‫ﺃﺴﻭﺩ ﻭﺠﺴﻡ ﺃﺒﻴﺽ‪ .‬ﻭﻓﻲ ﺜﻭﺍﻥ ﻗﻠﻴﻠﺔ ﻜﺎﻨﺕ ﺴﺘﻨﺯﻝﻕ ﻓﻲ ﻤﺴﺭﺏ ﺍﻝﺤﺩ ﺍﻝﺸﺭﻗﻲ‪.‬‬
‫ﻓﺠﺄﺓ‪ ،‬ﻴﺎ ﺇﻝﻬﻲ‪ ،‬ﻋﺒﺭﺕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﺴﻭﺩﺍﺀ ﻭﺍﻝﺒﻴﻀﺎﺀ ﺍﻝﺨﻁ ﻨﺤﻭ ﺍﻝﻤﺴﺭﺏ ﺍﻝﻐﺭﺒﻲ‪ ،‬ﻤﺴﺭﺒﻬﻡ‪ .‬ﻜﺎﻨﺕ ﺍﻝﺴـﻴﺎﺭﺓ‬
‫ﺘﻨﺯل ﺒﺎﺘﺠﺎﻫﻬﻡ‪.‬‬
‫ﺼﺭﺥ "ﺠﻴﻤﻲ ‪“:"Jimmy‬ﻴﺠﺏ ﻋﻠﻰ ﺫﻝﻙ ﺍﻝﺸﺨﺹ ﺃﻥ ﻴﺘﻭﻗﻑ!”‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﺘﺤﻁﻡ ﺴﺎﺤﻕ ﻤﺨﻴﻑ ﻭﺼﻭﺕ ﺘﻜﺴﺭ ﺍﻝﺯﺠﺎﺝ‪ ،‬ﺜﻡ‪ ،‬ﺼﻤﺕ‪.‬‬
‫ﺒﻌﺩ ﻋﺸﺭ ﺩﻗﺎﺌﻕ‪ ،‬ﻝﺤﻕ ﺒﻬﻡ " ﺭﻭﺙ ‪ "Roth‬ﻭ" ﻫﻴﻜﻤﺎﻥ ‪ "Hickman‬ﺒﺎﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ‪ .‬ﻭﻓﻲ ﺨﻨﺩﻕ ﻋﻠـﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻁﺭﻴﻕ‪ ،‬ﺸﺎﻫﺩﺍ ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻤﺼﻘﻭﻝﺔ ﻭﻤﻐﻁﺎﺓ ﺒﺎﻷﻝﻤﻨﻴﻭﻡ ﻭﻫﻲ ﺘﺒﺩﻭ ﺤﺴﺏ ﻤﺎ ﻗﺎﻝﻪ " ﺭﻭﺙ‬
‫‪ "Roth‬ﻤﺜل “ﻋﻠﺒﺔ ﺴﺠﺎﺌﺭ ﻤﺘﺠﻌﺩﺓ”‪.‬‬
‫ﺒﺩﺃ ﺸﺭﻁﻲ ﺩﻭﺭﻴﺔ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﺒﻁﺭﺡ ﺍﻷﺴﺌﻠﺔ‪ .‬ﺍﺴـﺘﻁﺎﻉ " ﺭﻭﺙ ‪ "Roth‬ﺘﻤﻴﻴـﺯ "ﺭﻭﻝـﻑ ‪"Rolph‬‬
‫ﺍﻝﻤﺴﺘﻠﻘﻲ ﻭﻭﺠﻬﻪ ﻨﺤﻭ ﺍﻷﺭﺽ ﻋﻠﻰ ﺒﻌﺩ ﻋﺩﺓ ﺨﻁﻭﺍﺕ ﻤﻥ ﺍﻝﺤﻁﺎﻡ‪ .‬ﺒﺩﺍ ﻭﺍﻀﺤﹰﺎ ﺃﻨﻪ ﻗﺩ ﺭﻤﻲ! ﻝﻜﻥ ﺃﻴﻥ "ﺠﻴﻤـﻲ‬
‫‪"Jimmy‬؟ ﻴﺎ ﺇﻝﻬﻲ! ﻫﻨﺎﻙ! ﻓﻲ ﺍﻝﺤﻁﺎﻡ! ﻤﺘﺠﻌﺩ ﻋﻠﻰ ﻨﺤﻭ ﻤﻘﺯﺯ ﻝﻠﻨﻔﺱ ﻓﻭﻕ ﺒﺎﺏ ﺍﻝﺴﺎﺌﻕ‪ ،‬ﻭﺭﺃﺴﻪ ﻤﺘﺩل‪ .‬ﻝﻡ ﻴﻜﻥ‬
‫ﺃﻱ ﻤﻨﻬﻤﺎ ﻴﺘﺤﺭﻙ‪ .‬ﻭﻫﻨﺎﻙ ﻜﺎﻨﺕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ ﺍﻝﻜﺒﻴﺭﺓ ﺍﻝﺒﻴﻀﺎﺀ ﻭﺍﻝﺴﻭﺩﺍﺀ ﻤﻥ ﻨﻭﻉ "ﻓـﻭﺭﺩ ‪ ،"Ford‬ﺒﺤـﺎﺠﺯ‬
‫ﺍﺼﻁﺩﺍﻤﻬﺎ ﺍﻝﻤﺤﻁﻡ ﻭﺯﺠﺎﺝ ﺍﻝﺴﺎﺌﻕ ﺍﻝﻤﻜﺴﺭ‪ ،‬ﻭﻜﺄﻥ ﻜﺭﺓ ﺒﻭﻝﻴﻨﻎ ﻗﺩ ﻀﺭﺒﺘﻪ ﻤﻥ ﺍﻝﺩﺍﺨل‪ .‬ﻜـﺎﻥ ﺍﻝﺴـﺎﺌﻕ ﻤﻤـﺩﺩﹰﺍ‬
‫ﺨﺎﺭﺠﹰﺎ ﻭﻫﻭ ﻴﻨﺯﻑ ﻤﻥ ﺠﺒﻬﺘﻪ‪ ،‬ﻝﻜﻨﻪ ﻜﺎﻥ ﻴﺘﺤﺭﻙ ﻭﺍﻝﺸﺭﻁﻲ ﺍﻝﺩﺭﺍﺝ ﻴﺘﺤﺩﺙ ﺇﻝﻴﻪ‪.‬‬
‫ﺃﺘﺕ ﺴﻴﺎﺭﺓ ﺇﺴﻌﺎﻑ ﺒﻴﻀﺎﺀ ﻤﻥ ﻨﻭﻉ "ﺒﻭﻴﻙ ‪ "Buick‬ﻤﻥ ﺍﻝﻤﻨﺤﻨﻰ ﺍﻝﻁﻭﻴل ﻤﻥ ﺠﻬـﺔ ﺍﻝﺸـﺭﻕ‪ ،‬ﺒﺼـﻭﺕ‬
‫ﺼﻔﺎﺭﺘﻬﺎ ﺍﻝﻤﺘﺼﺎﻋﺩ ﻭﻀﻭﺀ ﻤﺼﺎﺒﻴﺤﻬﺎ ﺍﻝﺤﻤﺭﺍﺀ ﺍﻝﻤﺘﻭﻫﺠﺔ ﻓﻲ ﺍﻝﺴﻤﺎﺀ ﺍﻝﺘﻲ ﺃﺨﺫﺕ ﺘﻅﻠﻡ‪ .‬ﺘﻭﻗﻑ ﺍﻝﺴـﺎﺌﻕ "ﺒـﻭل‬
‫ﻤﻭﺭﻴﻨﻭ ‪ "Paul Moreno‬ﻭﻤﺴﺎﻋﺩﻩ "ﻜﻭﻝﻴﻴﺭ ﺩﺍﻓﻴﺩﺴﻭﻥ ‪ "Collier Davidson‬ﻗﺭﺏ ﺴـﻴﺎﺭﺓ ﺍﻝﺒـﻭﺭﺵ ﺍﻝﻤﺤﻁﻤـﺔ‪.‬‬
‫ﻭﻀﻌﺎ ﻓﻲ ﺍﻝﺒﺩﺍﻴﺔ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻋﻠﻰ ﺍﻝﻨﻘﺎﻝﺔ ﺜﻡ ﻭﻀﻌﺎﻩ ﻓﻲ ﺍﻝﻘﺴﻡ ﺍﻝﻌﻠﻭﻱ ﻤﻥ ﺴﻴﺎﺭﺓ ﺍﻹﺴﻌﺎﻑ‪ .‬ﺜﻡ‪ ،‬ﻭﺒﻤﻨﺘﻬـﻰ‬
‫ﺍﻝﺤﺫﺭ‪ ،‬ﺴﺤﺒﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﺍﻝﺤﻁﺎﻡ ﻭﻭﻀﻌﺎﻩ ﻓﻲ ﺍﻝﻤﺭﻗﺩ ﺍﻝﺴﻔﻠﻲ‪ .‬ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﻋﺩﻡ ﻤﻌﺭﻓﺔ ﺍﻝﺴﺎﺌﻕ "‬
‫ﻤﻭﺭﻴﻨﻭ ‪ "Moreno‬ﺍﻝﻁﺒﻴﺔ‪ ،‬ﻓﺈﻥ ﺨﺒﺭﺘﻪ ﺍﻝﻤﻜﺘﺴﺒﺔ ﻤﻥ ﺍﻝﺤﻭﺍﺩﺙ ﺍﻝﻌﺩﻴﺩﺓ ﺃﺨﺒﺭﺘﻪ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻗﺩ ﻓﺎﺭﻕ‬
‫ﺍﻝﺤﻴﺎﺓ ﻋﻨﺩﻤﺎ ﺴﺤﺒﻪ ﻤﻥ ﺒﺎﺏ ﺴﻴﺎﺭﺘﻪ‪.‬‬
‫ﺍﺴﺘﻌﺎﺩ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻭﻋﻴﻪ ﺒﻴﻨﻤﺎ ﻜﺎﻨﺕ ﺴﻴﺎﺭﺓ ﺍﻹﺴﻌﺎﻑ ﺘﻬﺩﺭ ﻋﻠﻰ ﻁﻭل ﺍﻝﻁﺭﻴﻕ ﺒﺎﺘﺠﺎﻩ ﻤﺸﻔﻰ "ﺭﻭﺒﻴﻠﺯ‬
‫ﻭﻭﺭ ﻤﻴﻤﻭﺭﻴﺎل ‪ "Robels War Memorial‬ﻭﻫﻲ ﺘﻨﺤﺭﻑ ﺒﻘﻭﺓ ﻤﺤﺎﻭﻝﺔ ﺘﺠﻨﺏ ﺴﻴﺎﺭﺓ ﻗﺎﺩﻤﺔ‪ .‬ﺃﺨـﺫ ﻴﻔﻜـﺭ‪ :‬ﺃﻴـﻥ‬
‫"ﺠﻴﻤﻲ ‪"Jimmy‬؟ ﻤﺎﺫﺍ ﺤﺼل ﻝﻪ؟ ﺜﻡ ﺸﺎﻫﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻋﻠﻰ ﺍﻝﻨﻘﺎﻝﺔ ﺍﻝﺴﻔﻠﻴﺔ‪ ،‬ﻤﻨﻬﻜﺎﹰ‪ ،‬ﻤﻐﻁﻰ ﺒﺎﻝـﺩﻡ ﻭﻴـﺩﺍﻩ‬
‫ﻭﺭﺠﻼﻩ ﻤﻤﺘﺩﺓ ﻝﻠﺨﺎﺭﺝ ﺒﺯﻭﺍﻴﺎ ﻏﺭﻴﺒﺔ‪ ،‬ﻭﺭﺃﺴﻪ ﺒﻭﻀﻌﻴﺔ ﻻ ﺘﺩل ﺇﻻ ﻋﻠﻰ ﻜﺴﺭ ﻓﻲ ﺍﻝﻌﻨﻕ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﻭﺼﻠﺕ ﺴﻴﺎﺭﺓ ﺍﻹﺴﻌﺎﻑ ﺇﻝﻰ ﺭﺼﻴﻑ ﻁﻭﺍﺭﺉ ﺍﻝﻤﺸﻔﻰ‪ ،‬ﻗﻔﺯ ﻁﺒﻴﺏ ﻤﻘﻴﻡ ﺇﻝﻰ ﺩﺍﺨﻠﻬﺎ ﻭﻓﺤﺹ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﺒﺤﺜﹰﺎ ﻋﻥ ﺃﻴﺔ ﺇﺸﺎﺭﺍﺕ ﺤﻴﻭﻴﺔ‪ .‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺠﺩ ﺃﻴﺔ ﻭﺍﺤﺩﺓ‪ .‬ﻝﻘﺩ ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻴﺘﹰﺎ ﺭﺴﻤﻴﹰﺎ‪.‬‬
‫ﻋﺎﻨﻰ "ﺭﻭﻝﻑ ‪ "Rolph‬ﻤﻥ ﻓﻙ ﻤﺤﻁﻡ ﻭﺴﺎﻕ ﻤﻜﺴﻭﺭﺓ ﻤﻊ ﺭﻀﻭﺽ ﻭﻜﺩﻤﺎﺕ ﻤﺘﻌﺩﺩﺓ ﻭﺠﺭﻭﺡ ﻭﻜﺸﻭﻁ‪.‬‬
‫ﺒﻴﻨﻤﺎ ﻨﺠﺎ ﺴﺎﺌﻕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ "ﺩﻭﻨﺎﻝﺩ ﺠﻴﻥ ﺘﻴﺭﻨﺎﺴﺒﻴﺩ ‪ "Donald Gene Turnspeed‬ﻁﺎﻝﺏ ﻤﻌﻬﺩ ﺍﻝﻌﻠﻭﻡ‬
‫ﻭﺍﻝﻔﻨﻭﻥ ﺍﻝﺼﻨﺎﻋﻴﺔ ﺍﻝﻜﺎﻝﻴﻔﻭﺭﻨﻲ ﺒﺠﺒﻬﺔ ﻤﺠﺭﻭﺤﺔ ﻭﺃﻨﻑ ﺒﻜﺩﻤﺔ‪.‬‬
 ‫ﺍﻝﻔﺼل ﺍﻝﺨﺎﻤﺱ ﻋﺸﺭ‬

‫ﺃﺼﺎﺏ ﺨﺒﺭ ﻭﻓﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻫﻭﻝﻴﻭﻭﺩ ﻓﻲ ﺍﻝﺼﻤﻴﻡ‪.‬‬

‫ﺍﺘﺼل ﻋﺎﻤل ﻤﻘﺴﻡ ﺍﻝﻤﺸﻔﻰ ﺒﺸﺭﻜﺔ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻭﺘﺤﺩﺙ ﻤﻊ ﺃﺤﺩ ﻋﻨﺎﺼﺭ ﺍﻷﻤﻥ‬
‫ﺍﻝﻤﻭﺠﻭﺩﻴﻥ ﻋﻠﻰ ﺍﻝﺨﻁ ﺍﻝﻠﻴﻠﻲ‪ .‬ﺍﻝﺫﻱ ﺍﺘﺼل ﺒـﺩﻭﺭﻩ ﺒﻤﻨـﺘﺞ "ﺍﻝﻌﻤـﻼﻕ ‪" "Giant‬ﻫﻨـﺭﻱ ﻏﻴﻨﺴـﺒﻴﺭﻍ ‪Henry‬‬
‫‪ ."Gensberg‬ﺍﺘﺼل " ﻏﻴﻨﺴﺒﻴﺭﻍ ‪ "Gensberg‬ﺒـ "ﺩﻴﻙ ﻜﻠﻴﺘﻭﻥ ‪ "Dick Clayton‬ﺍﻝﺫﻱ ﺍﺘﺼل ﻤﻊ "ﺠـﻴﻥ ﺩﻴﺴـﻲ‬
‫‪ "Jane Deacy‬ﻓﻲ ﻓﻨﺩﻕ "ﻤﺎﺭﻤﻭﻨﺕ ‪ ."Marmont‬ﻗﺎﺩ ﺍﻝﻭﻜﻴﻼﻥ ﺴﻴﺎﺭﺘﻴﻬﻤﺎ ﺇﻝﻰ ﻏـﺭﺏ ﻝـﻭﺱ ﺃﻨﺠﻠـﺱ ﻹﻋـﻼﻡ‬
‫"ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ ،"Winton Dean‬ﺤﻴﺙ ﻝﻡ ﻴﺭﻴﺩﺍ ﻝﻪ ﺃﻥ ﻴﺴﻤﻊ ﺍﻝﺨﺒﺭ ﻤﻥ ﺍﻝﻤـﺫﻴﺎﻉ ﺃﻭ ﺃﻥ ﻴﻘـﺭﺃﻩ ﻋﻠـﻰ ﺼـﻔﺤﺎﺕ‬
‫ﺍﻝﺠﺭﺍﺌﺩ‪.‬‬
‫ﺍﺘﺼل " ﻏﻴﻨﺴﺒﻴﺭﻍ ‪ "Gensberg‬ﻜﺫﻝﻙ ﺒـ "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ ."Stewart Stern‬ﺍﻝﺫﻱ ﺴﻤﻌﻪ ﻴﻘﻭل‪“ :‬ﻝﻘـﺩ‬
‫ﺘﻭﻓﻲ ﺍﻝﻔﺘﻰ! ﻝﻘﺩ ﺘﻭﻓﻲ ﺍﻝﻔﺘﻰ!”‪ ،‬ﻭﻋﺭﻑ ﻤﺒﺎﺸﺭﺓ ﺃﻥ ﺼﺩﻴﻘﻪ ﻗﺩ ﻋﻨﻰ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ ،"Jimmy Dean‬ﻝﻜﻨﻪ ﻝﻡ ﻴﺴﺘﻁﻊ‬
‫ﺘﺼﺩﻴﻕ ﺍﻝﺨﺒﺭ‪ .‬ﺠﺎل ﻤﻨﺒﻬﺭﹰﺍ ﻓﻲ ﺸﺎﺭﻉ "ﺼﺎﻨﺴﻴﺕ ﺒﻭﻝﻴﻔﺎﺭﺩ ‪ ."Sunset Boulevard‬ﻭﻤﻊ ﻭﺼﻭﻝﻪ ﺇﻝـﻰ "ﻏـﻭﻏﻴﺯ‬
‫‪ "Googie's‬ﻻﺤﻅ ﺠﻤﻭﻋﹰﺎ ﻤﻥ ﺍﻝﻨﺎﺱ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ‪ .‬ﻭﻤﻊ ﺍﻗﺘﺭﺍﺒﻪ‪ ،‬ﺸﺎﻫﺩ ﺒﻌﺽ ﺍﻝﻨﺎﺱ ‪ -‬ﺃﻏﻠﺒﻬﻡ ﻤﻥ ﺍﻝﻤﻤﺜﻠـﻴﻥ‬
‫ﻭﺍﻝﻤﻤﺜﻼﺕ ﺍﻝﺸﺒﺎﺏ ﺘﻌﺭﻑ ﻋﻠﻴﻬﻡ ﺒﺎﻝﻨﻅﺭ‪ -‬ﻴﺒﻜﻭﻥ‪ .‬ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺍﻝﺒﻘﻴﺔ ﻴﺤﺩﻗﻭﻥ ﺒﺎﻨﺸﺩﺍﻩ ﺇﻝـﻰ ﺍﻝﺴـﻴﺎﺭﺍﺕ ﺍﻝﻤـﺎﺭﺓ‪.‬‬
‫ﻭﻋﻨﺩﻫﺎ ﻓﻘﻁ ﺴﻤﻊ "ﺴﺘﻴﺭﻥ ‪ "Stern‬ﻨﻔﺴﻪ ﻴﻘﻭل‪“:‬ﻴﺎ ﺇﻝﻬﻲ‪ ،‬ﻻ ﺒﺩ ﺃﻥ ﺘﻠﻙ ﺤﻘﻴﻘﺔ”‪.‬‬
‫ﻜﺎﻥ "ﺠﻭﺭﺝ ﺴﺘﻴﻔﻨﺯ ‪ "George Stevens‬ﻭﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺃﻓﺭﺍﺩ ﻁﺎﻗﻡ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻴﺼﻭﺭﻭﻥ ﻋﻨﺩﻤﺎ ﻭﻜﻤﺎ‬
‫ﺘﺘﺫﻜﺭ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ ‪“ :"Elizabeth Taylor‬ﻓﺠﺄﺓ ﺭﻥ ﺍﻝﻬﺎﺘﻑ‪ .‬ﺴﻤﻌﺕ "ﺠـﻭﺭﺝ ﺴـﺘﻴﻔﻨﺯ ‪"George Stevens‬‬
‫ﻴﻘﻭل ﻭﻗﺩ ﺸﻬﻕ ﻋﺩﺓ ﻤﺭﺍﺕ ﻭﺃﻏﻠﻕ ﺍﻝﻬﺎﺘﻑ‪ :‬ﺃﻭﻗﻑ ﺍﻝﻔﻴﻠﻡ‪ ،‬ﻭﺃﻀﺎﺀ ﺍﻝﻤﺼﺎﺒﻴﺢ‪ ،‬ﺜﻡ ﻭﻗﻑ ﻭﻗﺎل ﻝﻠﺠﻤﻴﻊ‪ ‘ :‬ﻝﻘﺩ ﺘـﻡ‬
‫ﺇﺨﺒﺎﺭﻱ ﺃﻥ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻗﺩ ﻗﺘل’‪ .‬ﻜﺎﻥ ﻫﻨﺎﻙ ﻨﻘﺹ ﻓﻲ ﺍﻝﺘﻨﻔﺱ‪ ،‬ﻭﺴﺎﺩ ﺼﻤﺕ‪ .‬ﻝﻡ ﺃﺴﺘﻁﻊ ﺘﺼﺩﻴﻕ‬
‫ﺫﻝﻙ‪ ،‬ﻝﻡ ﻴﺴﺘﻁﻊ ﺃﺤﺩ ﻤﻨﺎ‪ .‬ﻭﻫﻜﺫﺍ ﺒﺩﺃ ﺍﻝﻌﺩﻴﺩ ﻤﻨﺎ ﺒﺎﻻﺘﺼﺎل ﺒﺎﻝﺼﺤﻑ ﻭﺍﻝﻤﺸﺎﻓﻲ ﻭﺍﻝﺸﺭﻁﺔ ﻭﺍﻝﻤﺸﺭﺤﺔ‪ .‬ﻝـﻡ ﻴﻜـﻥ‬
‫ﺍﻝﺨﺒﺭ ﻗﺩ ﻋﻤﻡ ﺒﻌﺩ‪ .‬ﻜﺎﻥ ﺍﻝﺨﺒﺭ ﻗﺩ ﺜﺒﺕ ﺭﺒﻤﺎ ﺒﻌﺩ ﺴﺎﻋﺘﻴﻥ‪ .‬ﺨﺭﺝ ﺍﻝﺠﻤﻴﻊ ﻨﺤﻭ ﺴﻴﺎﺭﺍﺘﻬﻡ ﻝﻠﻌﻭﺩﺓ ﺇﻝـﻰ ﻤﻨـﺎﺯﻝﻬﻡ‪.‬‬
‫ﻜﺎﻨﺕ ﺍﻝﺴﺎﻋﺔ ﺤﻭﺍﻝﻲ ﺍﻝﺘﺎﺴﻌﺔ ﻤﺴﺎ ‪‬ﺀ‪ .‬ﻭﺘﻡ ﻫﺠﺭ ﺍﻷﺴﺘﻭﺩﻴﻭ‪ .‬ﻭﻤﻊ ﻤﺴﻴﺭﻱ ﻨﺤﻭ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺃﻨـﺎ ﺃﺸـﻌﺭ ﺒﺎﻝﺨـﺩﺭ‪،‬‬
‫ﺸﺎﻫﺩﺕ ﺃﺤﺩﻫﻡ ﻴﺄﺘﻲ ﻤﻥ ﺨﻼل ﺍﻷﻀﻭﺍﺀ ﺇﻝﻰ ﺃﺤﺩ ﺍﻝﺸﻭﺍﺭﻉ ﺍﻝﻔﺭﻋﻴﺔ ﺍﻝﺼﻐﻴﺭﺓ‪ .‬ﻝﻘﺩ ﻜﺎﻥ "ﺠﻭﺭﺝ ‪ "George‬ﻴﺼﻌﺩ‬
‫ﻓﻲ ﺴﻴﺎﺭﺓ ﺍﻝﻤﺭﺴﻴﺩﺱ‪ .‬ﻨﻅﺭ ﺃﺤﺩﻨﺎ ﺇﻝﻰ ﺍﻵﺨﺭ ﻭﻗﻠـﺕ‪‘ :‬ﻻ ﺃﺴـﺘﻁﻴﻊ ﺘﺼـﺩﻴﻕ ﺫﻝـﻙ ﻴـﺎ "ﺠـﻭﺭﺝ ‪."George‬‬
‫ﻻ ﺃﺴﺘﻁﻴﻊ ﺘﺼﺩﻴﻕ ﺫﻝﻙ ’‪ .‬ﻗﺎل‪‘ :‬ﺃﻨﺎ ﺃﺼﺩﻕ ﻫﺫﺍ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻴﻘﺘﺭﺏ ﻤﻨﻪ‪ .‬ﻝﻘﺩ ﺠﻌﻠﻪ ﻴﺄﺘﻲ ﺇﻝﻴﻪ ﺒﺎﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﻜـﺎﻥ‬
‫ﻴﻘﻭﺩ ﺒﻬﺎ’ ”‪.‬‬
‫ﻜﺎﻥ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭ"ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴﻠﻭ ‪ "Marcus Winslow‬ﻓﻲ ﻴﻭﻡ ﺍﻝﺤـﺎﺩﺙ ﻭﺴـﻁ ﺭﺤﻠﺘﻬﻤـﺎ‬
‫ﻝﻠﻤﻭﻁﻥ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﻓﻲ ﺍﻝﻴﻭﻡ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻴﻭﻡ ﺍﻝﺴﺒﺕ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺨﺒﺭ ﻓﻲ ﻤﺫﻴﺎﻉ ﺍﻝﺴﻴﺎﺭﺓ ﺤﻭل ﺤﺎﺩﺙ ﺴﻴﺎﺭﺓ ﻝـﻨﺠﻡ‬
‫ﺸﺎﺏ‪ ،‬ﺇﻻ ﺃﻥ "ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﺒﺩل ﺍﻝﻤﺤﻁﺔ ﻗﺒل ﺃﻥ ﻴﻌﻁﻲ ﺍﻝﻤﺫﻴﻊ ﺍﻝﺘﻔﺎﺼﻴل‪ .‬ﻋﻨﺩﻤﺎ ﺘﻭﻗﻔﺎ ﻤﻥ ﺃﺠل ﺍﻝﻨﻭﻡ‪ ،‬ﻝﻡ‬
‫ﻴﻘﻡ ﺒﺸﺭﺍﺀ ﺍﻝﺼﺤﻴﻔﺔ‪ .‬ﻝﻡ ﻴﺼل ﺍﻝﺨﺒﺭ ﺍﻝﺴﻴﺊ ﺇﻝﻰ ﻋﺎﺌﻠﺔ " ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺇﻻ ﺒﻌﺩ ﻋﻭﺩﺘﻬﻤﺎ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻴﻭﻡ‬
‫ﺍﻻﺜﻨﻴﻥ‪.‬‬
‫ﺃﺨﺒﺭﺕ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﺃﺤﺩ ﺍﻝﺼﺤﻔﻴﻴﻥ‪ “:‬ﻝﻥ ﻴﻜﻭﻥ ﻫﻨﺎﻙ ﻓﺘﻰ ﻤﺜﻠﻪ ﺃﺒﺩﹰﺍ”‪.‬‬
‫ﻜﺎﻨﺕ ﺍﻝﻘﺼﺔ ﺨﺒﺭﹰﺍ ﻤﺤﻠﻴﹰﺎ ﻭﻗﻭﻤﻴﹰﺎ ﻭﻋﺎﻝﻤﻴﺎﹰ‪ ،‬ﻓﺤﻤﻠﺘﻪ ﻜل ﺍﻝﺸﺒﻜﺎﺕ ﻭﺍﻝﺒﺭﻕ‪ ،‬ﻭﺍﻝﻤﺠﻼﺕ ﻭﺍﻝﺼﺤﻑ ﺍﻹﺨﺒﺎﺭﻴﺔ‪.‬‬
‫ﻗﺎﻤﺕ "ﻨﻴﻭﺯ ‪ "News‬ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺒﻨﺸﺭ ﻋﺩﺩ ﺨﺎﺹ ﺒﻌﻨﻭﺍﻥ ﻋﺭﻴﺽ ﺒﺎﻷﺴﻭﺩ‪“:‬ﻓﻲ ﺫﻜﺭﻯ ﺠﻴﻤﺱ ﺩﻴﻥ”‪.‬‬
‫ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻘﺼﺹ‪ ،‬ﻋﻠﻡ ﺍﻝﻘﺭﺍﺀ ﺃﻥ “ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﻭﺍﻝﺩ ﺍﻝﻨﺠﻡ ﺍﻝﺸـﺎﺏ ﻫـﻭ ﺍﻝﻭﺭﻴـﺙ‬
‫ﺍﻝﻤﺒﺎﺸﺭ ﺍﻝﻭﺤﻴﺩ”‪ .‬ﻭﻷﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻗﺩ ﺘﻭﻓﻲ ﺩﻭﻥ ﻜﺘﺎﺒﺔ ﻭﺼﻴﺔ‪ ،‬ﻓﻘﺩ ﺤﺼل ﻭﺍﻝﺩﻩ ﻋﻠﻰ ﻗﻴﻤﺔ ﺒﻭﻝﻴﺼﺔ ﺍﻝﺘﺄﻤﻴﻥ‬
‫ﻭﺍﻝﺒﺎﻝﻐﺔ ﻤﺎﺌﺔ ﺃﻝﻑ ﺩﻭﻻﺭ ﻤﻊ ﺤﻭﺍﻝﻲ ﺍﻝﺨﻤﺴﺔ ﺁﻻﻑ ﺩﻭﻻﺭ ﺍﻝﻤﻭﺩﻋﺔ ﻓﻲ ﺤﺴﺎﺏ ﻤﺼﺭﻑ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ﺒﻌﺩ ﺸﺭﺍﺀ‬
‫ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ‪ .‬ﺃﻤﺎ ﺍﻝﻤﺴﺘﻔﻴﺩﻭﻥ ﺍﻝﺫﻴﻥ ﺃﺸﺎﺭ ﺇﻝﻴﻬﻡ ﻤﻥ "ﻝﻴﻭ ﺒﺭﺍﻜـﺭ ‪ "Lew Bracker‬ﻭﺍﻝﺠـﺩﺓ ﻭﺍﻝﺠـﺩ ﻭﺍﻝﻌـﻡ‬
‫"ﻤﺎﺭﻜﻭﺱ ‪ "Marcus‬ﻭﺍﻝﻌﻤﺔ "ﺃﻭﺭﺘﻴﻨﺱ ‪ "Ortense‬ﻭﺍﺒﻨﻬﻡ "ﻤﺎﺭﻜﻲ ﺍﻻﺒﻥ ‪ "Markie Jr.‬ﻓﻠـﻡ ﻴﺤﺼـﻠﻭﺍ ﻋﻠـﻰ ﺃﻱ‬
‫ﺸﻲﺀ‪ .‬ﻜﺎﻥ ﺍﻝﻤﺎل ﺍﻝﻭﺤﻴﺩ ﺍﻝﺫﻱ ﺤﺼﻠﺕ ﻋﻠﻴﻪ ﻋﺎﺌﻠﺔ " ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﻁﻭﺍل ﻓﺘﺭﺓ ﺍﻝﺘﺴﻊ ﺍﻝﺴﻨﻭﺍﺕ ﻝﺭﻋـﺎﻴﺘﻬﻡ‬
‫ﻝـ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻫﻭ ﻋﺒﺎﺭﺓ ﻋﻥ ﻤﺒﻠﻎ ﺸﻬﺭﻱ ﺼﻐﻴﺭ ﺒﻤﻭﺠﺏ ﺸﻴﻙ ﻤﻥ ﺍﻝﺤﻜﻭﻤﺔ ﺃﺭﺴل ﺨﻼل ﻓﺘﺭﺓ ﺨﺩﻤـﺔ‬
‫"ﻭﻴﻨﺘﻭﻥ ‪ "Winton‬ﻓﻲ ﺍﻝﺠﻴﺵ‪.‬‬
‫ﻭﻨﺸﺭﺕ ﻗﺼﺔ ﺃﺨﺭﻯ ﻓﻲ ﺍﻝﺼﻔﺤﺔ ﺍﻷﻭﻝﻰ ﻝﺴﻜﺎﻥ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺒﺄﻥ ﺍﻝﺤﺎﺩﺙ ﺍﻝﺫﻱ ﺤﺼـل ﻝـﻪ ﻓـﻲ ﻭﺩﺍﻉ‬
‫ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﺴﻭﻑ ﻴﻜﻭﻥ ﺤﺩﺜ ﹰﺎ ﻤﻬﻤﹰﺎ ﻓﻲ ﺤﻴﺎﺘﻬﻡ ﺍﻝﻬﺎﺩﺌﺔ ﺍﻝﺘﻲ ﻴﻌﻴﺸﻭﻨﻬﺎ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ “:‬ﺴﻭﻑ ﺘﻘﺎﻡ ﺍﻝﺸـﻌﺎﺌﺭ ﺍﻝﺩﻴﻨﻴـﺔ‬
‫ﺍﻷﺨﻴﺭﺓ ﻫﻨﺎ ﻴﻭﻡ ﺍﻝﺴﺒﺕ”‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺴﺎﻋﺎﺕ ﻤﻥ ﻤﻌﺭﻓﺔ "ﻭﻴﻨﺘﻭﻥ ﺩﻴﻥ ‪ "Winton Dean‬ﺒﻤﻭﺕ ﺍﺒﻨﻪ‪ ،‬ﻗﺎﺩ ﺴﻴﺎﺭﺘﻪ ﻨﺤﻭ "ﺒﺎﺴـﻭ ﺭﻭﺒﻠـﺯ‬
‫‪ "Paso Robles‬ﻭﻗﺎﻡ ﺒﺄﺩﺍﺀ ﻜل ﺍﻹﺠﺭﺍﺀﺍﺕ ﻤﻊ ﺍﻝﻤﺄﻤﻭﺭ ﻗﺎﻀﻲ ﺘﺤﻘﻴﻕ ﺍﻝﻭﻓﻴﺎﺕ "ﺒـﻭل ﻤﻴﺭﻴـﻙ ‪"Paul Merrick‬‬
‫ﻻﺴﺘﻼﻡ ﺠﺜﻤﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺇﺭﺴﺎﻝﻪ ﺒﺎﻝﻁﺎﺌﺭﺓ ﺇﻝﻰ ﺇﻨﺩﻴﺎﻨﺎ‪.‬‬
‫ﻓﻲ ﻤﺴﺎﺀ ﻴﻭﻡ ﺍﻝﺜﻼﺜﺎﺀ ‪ 4‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﻗﺎﺩ "ﻭﻴﻠﺒﺭ ﻫﻨﺕ ‪ "Wilbur Hunt‬ﺼﺎﺤﺏ ﺨﺩﻤﺎﺕ ﺍﻝﺠﻨﺎﺯﺍﺕ‬
‫ﻭﻤﺘﺠﺭ ﻝﻸﺜﺎﺙ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺴﻴﺎﺭﺓ ﻋﺭﺒﺔ ﺍﻝﻤﻭﺘﻰ ﺇﻝﻰ ﻤﻁﺎﺭ ﺇﻨﺩﻴﺎﻨﺎﺒﻭﻝﻴﺱ ﻝﻠﻘﺎﺀ ﺍﻝﻁﺎﺌﺭﺓ ﺍﻝﺘﻲ ﺴﺘﺤﻀﺭ ﺠﺜﻤـﺎﻥ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻤﻭﻁﻨﻪ‪.‬‬
‫ﺒﻘﻲ ﺍﻝﺠﺜﻤﺎﻥ ﻤﺴﺠﻰ ﻝﺤﻴﻥ ﻭﻗﺕ ﺨﺩﻤﺎﺕ ﺍﻝﺩﻓﻥ ﻓﻲ ﺩﺍﺭ ﻫﻨﺕ ﻝﺨﺩﻤﺎﺕ ﺍﻝﺠﻨﺎﺌﺯ‪ .‬ﻝﻡ ﺘﻜﻥ ﻫﺫﻩ ﻫـﻲ ﺍﻝﻤـﺭﺓ‬
‫ﺍﻷﻭﻝﻰ ﺍﻝﺘﻲ ﺍﺤﺘل ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﺤﺩ ﺘﻭﺍﺒﻴﺕ ﺍﻝﺴﻴﺩ "ﻫﻨﺕ ‪ "Hunt‬ﻓﻔﻲ ﻭﺴﻁ ﺇﺤﺩﻯ ﺭﺤـﻼﺕ ﻤﻨﺘﺼـﻑ‬
‫ﺍﻝﺸﺘﺎﺀ ﺍﻝﻘﺼﻴﺭﺓ )ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ‪ (1955‬ﺃﺜﻨﺎﺀ ﺍﻝﻌﻭﺩﺓ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻤﻊ ﺍﻝﻤﺼﻭﺭ "ﺩﻴﻨﻴﺱ ﺴﺘﻭﻙ ‪-"Denis Stock‬‬
‫ﺍﻝﺫﻱ ﺒﺎﻉ ﻗﺼﺔ "ﺩﻴﻥ ‪ "Dean‬ﻓﻲ ﻤﻭﻁﻨﻪ ﺇﻝﻰ ﻤﺠﻠﺔ "ﻻﻴﻑ ‪ -"Life‬ﻭﻗﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺘﺼﻭﻴﺭ‬
‫ﻓﻲ ﻤﻨﺯل ﺍﻝﻤﺯﺭﻋﺔ ﺍﻝﺨﺎﺹ ﺒﻌﻤﻪ ﻭﻓﻲ ﺍﻝﺤﻅﻴﺭﺓ ﻭﻓﻲ ﺍﻝﺤﻘﻭل ﻭﻓﻲ "ﻤﻴﻥ ﺴﺘﺭﻴﺕ" ﻭﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ .‬ﺒﻌﺩﻫﺎ‬
‫ﻭﻓﻲ ﻋﺼﺭ ﺃﺤﺩ ﺍﻷﻴﺎﻡ‪ ،‬ﻗﺎﻡ ﺒﺠﺭ " ﺴﺘﻭﻙ ‪ "Stock‬ﺇﻝﻰ ﻤﺘﺠﺭ ﺍﻷﺜﺎﺙ ﻭﻗﺎﺩﻩ ﻝﻠﺨﻠـﻑ ﺤﻴـﺙ ﻜﺎﻨـﺕ ﺍﻝﺘﻭﺍﺒﻴـﺕ‬
‫ﻤﻌﺭﻭﻀﺔ‪ .‬ﻗﻔﺯ ﻓﻲ ﻭﺍﺤﺩ ﻭﺃﺼﺭ ﻋﻠﻴﻪ ﺃﻥ ﻴﺼﻭﺭ ﻤﻘﻁﻌﹰﺎ ﻤﻥ ﻓﻴﻠﻡ‪ .‬ﻭﻓﻲ ‪ 7‬ﺁﺫﺍﺭ‪/‬ﻤﺎﺭﺱ ﻋﺎﻡ ‪ ،1955‬ﻗﺎﻤﺕ ﻤﺠﻠﺔ‬
‫"ﻻﻴﻑ ‪ "Life‬ﺒﻌﺭﺽ "ﺍﻝﻨﺠﻡ ﺍﻝﺠﺩﻴﺩ ﺍﻝﻤﺯﺍﺠﻲ ‪ "Moody New Star‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﺒﺎﺭﺓ ﻋﻥ ﻗﺼﺔ ﻤﻥ ﺃﺭﺒﻊ ﺼﻔﺤﺎﺕ‬
‫ﻋﻥ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﺇﻻ ﺃﻥ ﻝﻘﻁﺔ ﺍﻝﺘﺎﺒﻭﺕ ﻝﻡ ﺘﻅﻬﺭ‪ ،‬ﻓﻘﺩ ﺭﻓﺽ ﺍﻝﻤﺤﺭﺭﻭﻥ ﻨﺸﺭﻫﺎ‪.‬‬
‫ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﻌﺎﺸﺭﺓ ﻤﻥ ﻴﻭﻡ ﺍﻝﺠﻨﺎﺯﺓ‪ ،‬ﻓﻲ ﻴﻭﻡ ﺍﻝﺴﺒﺕ ‪ 8‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﺃﺨﺫﺕ ﻤﻔﺎﺭﺯ ﺨﺎﺼﺔ ﻤـﻥ‬
‫ﺸﺭﻁﺔ ﻭﻻﻴﺔ ﺇﻨﺩﻴﺎﻨﺎ ﺃﻤﺎﻜﻨﻬﺎ ﻋﻨﺩ ﺘﻘﺎﻁﻊ ﺍﻝﻁﺭﻕ ﺍﻝﻤﺅﺩﻴﺔ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﺃﺨﺫﺕ ﺍﻝﺴﻴﺎﺭﺍﺕ ﺒﺎﻝﺘﺠﻤﻊ ﻋﻨﺩ ﺍﻝﺒﻠﺩﺓ ﻤﻥ‬
‫ﻜل ﺍﻻﺘﺠﺎﻫﺎﺕ‪.‬‬
‫ﻭﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﻭﺍﺤﺩﺓ ﻤﻥ ﺒﻌﺩ ﺍﻝﻅﻬﺭ‪ ،‬ﻜﺎﻨﺕ ﻜل ﺍﻝﻤﻘﺎﻋﺩ ﻓﻲ ﻜﻨﻴﺴـﺔ "ﻓﺭﻴﻨـﺩﺯ ‪ ،"Friends‬ﻋـﺩﺍ ﺘﻠـﻙ‬
‫ﺍﻝﻤﺤﺠﻭﺯﺓ ﻝﻠﻌﺎﺌﻠﺔ ﻗﺩ ﺸﻐﻠﺕ‪ .‬ﻜﺫﻝﻙ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺃﻱ ﻤﻜﺎﻥ ﻝﻠﻭﻗﻭﻑ ﺃﻴﻀﹰﺎ‪ .‬ﻋﻨﺩﻤﺎ ﺒﺩﺃﺕ ﻤﺭﺍﺴﻡ ﺍﻝﺠﻨـﺎﺯﺓ ﻋﻨـﺩ‬
‫ﺍﻝﺜﺎﻨﻴﺔ‪ ،‬ﻏﻁﻰ ﺍﻝﺤﺸﺩ ﻜل ﺃﺩﺭﺍﺝ ﺍﻝﻜﻨﻴﺴﺔ ﻭﺍﻝﻌﺸﺏ ﻭﺍﻝﺭﺼﻴﻑ ﻭﺍﻝﺸﺎﺭﻉ‪ .‬ﻝﻘﺩ ﺤﻀﺭ ﺜﻼﺜﺔ ﺁﻻﻑ ﺸﺨﺹ‪.‬‬
‫ﺃﺸﺭﻑ ﻋﻠﻰ ﺍﻝﻤﺭﺍﺴﻡ ﻗﺱ ﺍﻝﻜﻨﻴﺴﺔ ﺍﻷﺏ "ﺯﻴﻥ ﻫﺎﺭﻓﻲ ‪ "Xen Havey‬ﻭﺍﻝﺩﻜﺘﻭﺭ "ﺠﻴﻤﺱ ﺩﻴـﻭﻴﺭﺩ ‪James‬‬
‫‪ "DeWeerd‬ﺍﻝﺫﻱ ﺃﺼﺒﺢ ﺍﻵﻥ ﻗﺱ ﻤﺼﻠﻰ "ﻜﻴﺩل ‪ "Cadle‬ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎﺒﻭﻝﻴﺱ‪ .‬ﻁﺎﺭ ﺼﺩﻴﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﻘﺩﻴﻡ "‬
‫ﺩﻴﻭﻴﺭﺩ ‪ ،"DeWeerd‬ﺍﻝﺩﺭﺍﻤﺎﺘﻴﻜﻲ ﻜﻤﺎ ﻫﻭ ﺩﺍﺌﻤﺎﹰ‪ ،‬ﻗﺎﺩﻤﹰﺎ ﺒﻁﺎﺌﺭﺓ ﺨﺎﺼﺔ ﻤﻥ ﺴﻴﻨﺴﻴﻨﺎﺘﻲ ﺒﻌﺩ ﻭﻗﺕ ﺒﺙ ﻋﻅﺘﻪ ﻋﻨـﺩ‬
‫ﺍﻝﻅﻬﻴﺭﺓ ﻓﻲ ﺍﺠﺘﻤﺎﻉ ﺍﻋﺘﻴﺎﺩﻱ ﻋﻥ ﺒﻌﺙ ﺭﻭﺡ ﺍﻻﻫﺘﻤﺎﻡ ﺒﺎﻝﺩﻴﻥ‪ .‬ﻗﺎﺒﻠﺘﻪ ﺴﻴﺎﺭﺓ ﺩﻭﺭﻴﺔ ﺸﺭﻁﺔ ﺘﺎﺒﻌﺔ ﻝﻠﻭﻻﻴﺔ ﻤـﻥ‬
‫ﻤﻁﺎﺭ "ﻤﺎﺭﻴﻭﻥ ‪ "Marion‬ﻭﺍﺼﻁﺤﺒﺘﻪ ﺇﻝﻰ ﺍﻝﻜﻨﻴﺴﺔ ﻓﻲ ﺍﻝﻭﻗﺕ ﺍﻝﻤﻨﺎﺴﺏ‪.‬‬
‫ﺍﺴﺘﻨﺩ ﺍﻝﺩﻜﺘﻭﺭ " ﺩﻴﻭﻴﺭﺩ ‪ "DeWeerd‬ﻓﻲ ﺭﺴﺎﻝﺘﻪ ﺇﻝﻰ ﻻﺒﺴﻲ ﺜﻴﺎﺏ ﺍﻝﺤﺩﺍﺩ )ﺴﻤﻌﺕ ﺩﺍﺨل ﺍﻝﻜﻨﻴﺴـﺔ ﻓﻘـﻁ‪،‬‬
‫ﺤﻴﺙ ﺇﻥ ﺍﻝﻤﻜﺒﺭﺍﺕ ﻓﻲ ﺍﻝﺨﺎﺭﺝ ﻝﻡ ﺘﻌﻤل( ﻋﻥ "ﺠﻴﻤﺱ ‪ “ :"James‬ﻝﻥ ﺘﻌﻠﻤﻭﺍ ﻤﺎ ﺴﻴﻜﻭﻥ ﻏﺩ‪ .‬ﻤﺎ ﻫﻲ ﺤﻴﺎﺘﻜﻡ؟ ﺇﻨﻬﺎ‬
‫ﻭﻫﻡ ﺘﺒﺩﻭ ﻝﺒﻌﺽ ﺍﻝﻭﻗﺕ ﺜﻡ ﺘﺨﺘﻔﻲ ﺒﻌﻴﺩﹰﺍ”‪.‬‬
‫ﻗﺎل ﺍﻝﻘﺱ‪“:‬ﺇﻥ ﺍﻷﺸﻴﺎﺀ ﺍﻝﻘﻴﻤﺔ ﻓﻘﻁ ﻫﻲ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﺘﺩﻭﻡ ﻓﻲ ﺍﻝﺤﻴﺎﺓ ﻫﻨﺎ‪ .‬ﺃﻤﺎ ﺍﻝﺸﻬﺭﺓ ﻭﺍﻝﺜﺭﻭﺓ ﻭﺍﻝﺴـﻌﺎﺩﺓ‬
‫ﻓﻬﻲ ﺃﻫﺩﺍﻑ ﺯﺍﺌﻔﺔ”‪.‬‬
‫ﻗﺴ‪‬ﻡ ﺘﺄﺒﻴﻥ ﺍﻷﺏ "ﺯﻴﻥ ﻫﺎﺭﻓﻲ ‪ "Xen Harvey‬ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺇﻝﻰ "ﺜﻼﺜﺔ ﻓﺼﻭل"‪ .‬ﺍﻝﻔﺼـل ﺍﻷﻭل‪:‬‬
‫ﺼﺒﺎﻩ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ .‬ﺍﻝﻔﺼل ﺍﻝﺜﺎﻨﻲ‪ :‬ﻨﺠﻭﻤﻴﺘﻪ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ ،‬ﻭﺍﻝﻔﺼل ﺍﻝﺜﺎﻝﺙ‪ :‬ﻴﺸﺭﺡ " ﻫـﺎﺭﻓﻲ "‪ “:‬ﻝـﻡ ﻴﺤﻀـﺭ‬
‫"ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻋﺎﺌﺩﹰﺍ ﺇﻝﻰ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ .‬ﻭﺇﻨﻪ ﻝﻴﺱ ﻓﻲ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ‪ ،‬ﻝﻜﻨﻪ ﻴﺴﺘﻤﺘﻊ ﺒﺎﻝﺤﻴﺎﺓ ﺒﻌﺩ ﺍﻝﻤـﻭﺕ”‪.‬‬
‫ﺃﻋﻠﻨﺕ ﺍﻝﺼﺤﻴﻔﺔ ﺍﻝﻤﺤﻠﻴﺔ ﻤﻊ ﻤﺴﺤﺔ ﻻﻫﻭﺘﻴﺔ ﻝﻁﻴﻔﺔ‪:‬‬
‫“ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺘﻭﺍﺭﻱ ﺠﺜﻤﺎﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪.”"James Dean‬‬
‫ﺒﻌﺩ ﺍﻨﺘﻬﺎﺀ ﺍﻝﻤﺭﺍﺴﻡ‪ ،‬ﺤﻤل ﺴﺘﺔ ﻤﻥ ﺯﻤﻼﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﺍﻝﻤﺩﺭﺴﺔ ﺍﻝﺜﺎﻨﻭﻴﺔ ‪" -‬ﺒﻭل ﺴـﻤﻴﺙ ‪Paul‬‬
‫‪ "Smith‬ﻭ "ﺒﻭﺏ ﺒﻭﻝﻲ ‪ "Bob Pully‬ﻭ"ﺒـﻭﺏ ﻤﻴـﺩﻝﺘﻭﻥ ‪ "Bob Middleton‬ﻭ "ﺠـﻴﻤﺱ ﻓﻭﻝﻜﻴﺭﺴـﻭﻥ ‪James‬‬
‫‪ "Fulkerson‬ﻭ "ﺭﻴﻜﺱ ﺒﺭﺍﻴﺕ ‪ "Rex Bright‬ﻭ "ﻭﺍﻴﺘﻲ ﺭﺍﺴﺕ ‪ – "Whitey Rust‬ﺍﻝﺘﺎﺒﻭﺕ ﻤﻥ ﺍﻝﻜﻨﻴﺴﺔ‪.‬‬
‫ﺘﺤﺭﻙ ﺍﻝﻤﻭﻜﺏ ﺍﻝﺠﻨﺎﺌﺯﻱ ﺍﻝﺫﻱ ﺘﺘﻘﺩﻤﻪ ﺴﻴﺎﺭﺓ ﻋﺭﺒﺔ ﺍﻝﻤﻭﺘﻰ ﺍﻝﺨﺎﺼﺔ ﺒـ "ﻫﻨﺕ ‪ "Hunt‬ﺒﺒﻁﺀ ﺼﻌﻭﺩﹰﺍ ﻤـﻥ‬
‫ﺸﺎﺭﻉ "ﻤﻴﻥ ‪ "Main‬ﺒﺎﺘﺠﺎﻩ ﻤﻘﺒﺭﺓ "ﺒﺎﺭﻙ ‪ ،"Park‬ﺍﻝﺘﻲ ﻜﺎﻨﺕ ﻋﺒﺎﺭﺓ ﻋﻥ ﻤﻜﺎﻥ ﺃﺨﻀﺭ ﻁﻭﻴل ﻤﻥ ﺭﺨﺎﻡ ﻤﺼﻔﻭﻑ‬
‫ﻓﻲ ﺍﻝﺤﻘﻭل ﺍﻝﺠﻨﻭﺒﻴﺔ ﻤﻥ ﻤﺤل "ﻤﺎﺭﻓﻴﻥ ﻜﺎﺭﺘﺭ ‪ "Marvin Carter‬ﻝﻠﺩﺭﺍﺠﺎﺕ ﺍﻝﻨﺎﺭﻴﺔ‪.‬‬
‫ﺒﻌﺩ ﺃﺭﺒﻌﺔ ﺃﻴﺎﻡ ﻤﻥ ﻫﻁﻭل ﺍﻷﻤﻁﺎﺭ ﺍﻨﻘﺸﻌﺕ ﺍﻝﺴﻤﺎﺀ‪ .‬ﻜﺎﻥ ﺍﻝﻨﻬﺎﺭ ﺴﺎﻁﻌﺎﹰ‪ ،‬ﻭﻤﺸﻤﺴﺎﹰ‪ ،‬ﻭﻜﺄﻨﻪ ﺼـﻴﻔﻲ‪ ،‬ﻤـﻊ‬
‫ﺩﺭﺠﺎﺕ ﺤﺭﺍﺭﺓ ﻓﻲ ﺃﻋﺎﻝﻲ ﺍﻝﺨﻤﺴﻴﻨﻴﺎﺕ ﻭﺃﻭﺍﺌل ﺍﻝﺴﺘﻴﻨﻴﺎﺕ‪ .‬ﺘﺒﻊ ﻗﺴﻡ ﺠﻴﺩ ﻤﻥ ﺍﻝﺤﺸﻭﺩ ﺴﻴﺎﺭﺓ ﻋﺭﺒﺔ ﺍﻝﻤﻭﺘﻰ ﺇﻝـﻰ‬
‫ﺍﻝﻤﻘﺒﺭﺓ‪.‬‬
‫ﻫﻨﺎﻙ‪ ،‬ﺤﻤل ﺤﻤﻠﺔ ﺍﻝﻨﻌﺵ ﺍﻝﺴﺘﺔ ﺒﻤﺴﺎﻋﺩﺓ ﻤﺨﺭﺝ ﺍﻝﺠﻨﺎﺯﺓ "ﻫﻨﺕ ‪ "Hunt‬ﺍﻝﺠﺜﻤﺎﻥ ﺇﻝﻰ ﻗﺒﺭﻩ ﻋﻨﺩ ﻗﻤـﺔ ﺘـل‬
‫ﺼﻐﻴﺭ‪ .‬ﻭﻋﻠﻰ ﺒﻌﺩ ﻤﺎﺌﺔ ﻴﺎﺭﺩﺓ‪ ،‬ﺃﻭ ﺃﻗﺭﺏ ﻨﺤﻭ ﺍﻝﻁﺭﻴﻕ ﺩﻓﻥ ﺠﺩ "ﺠﻴﻤﺱ ‪ "James‬ﺍﻝﺜﺎﻨﻲ "ﻜﺎل ﺩﻴـﻥ ‪"Cal Dean‬‬
‫ﻗﺒل ﻋﺩﺓ ﺴﻨﻭﺍﺕ‪.‬‬
‫ﺃﺭﺴﻠﺕ "ﺇﻝﻴﺯﺍﺒﻴﺙ ﺘﺎﻴﻠﻭﺭ ‪ "Elizabeth Taylor‬ﻭ "ﺇﻴﺩﻨﺎ ﻓﻴﺭﺒﺭ ‪ "Edna Ferber‬ﺍﻝﺯﻫﻭﺭ‪ .‬ﻭﺤﻀﺭ ﺸﺨﺼـﻴﹰﺎ‬
‫ﻜل ﻤﻥ "ﻫﻨﺭﻱ ﻏﻴﻨﺴﺒﺭﻍ ‪ "Henry Ginsberg‬ﻭﺭﺠل ﺩﻋﺎﻴﺔ "ﻭﺭﻨﺭ‪" "Warner‬ﺴﺘﻴﻑ ﺒﺭﻭﻜﺱ ‪."Steve Broks‬‬
‫ﻜﺫﻝﻙ ﻓﻌل "ﺠﺎﻙ ﺴﻴﻤﻭﻨﺯ ‪ "Jack Simmons‬ﺍﻝﺼﺩﻴﻕ ﺍﻝﻤﺨﻠﺹ ﺍﻝﺫﻱ ﻁﺎﻝﻤﺎ ﻗﺎﺒﻠﻪ "ﺠﻴﻤـﻲ ‪ "Jimmy‬ﺒﻌـﺩ‬
‫ﻤﻨﺘﺼﻑ ﺍﻝﻠﻴل ﻤﻊ "ﻤﺎﻴﻼ ﻨﻭﺭﻤﻲ ‪ ."Maila Nurmi‬ﻝﻡ ﺘﺴـﺘﻁﻊ "ﻤـﺎﻴﻼ ‪ "Maila‬ﺍﻻﺒﺘﻌـﺎﺩ ﻋـﻥ ﺍﺴﺘﻌﺭﺍﻀـﻬﺎ‬
‫ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻲ‪ ،‬ﺇﻻ ﺃﻨﻬﺎ ﻭﻓﻲ ﺍﻝﺼﻴﻑ ﺍﻝﺘﺎﻝﻲ‪ ،‬ﻗﺎﻤﺕ ﺒﺯﻴﺎﺭﺓ ﺨﺎﺼﺔ ﺇﻝﻰ ﺍﻝﻘﺒﺭ‪) .‬ﺴﺎﻓﺭﺕ ﺒﺎﻝﻘﻁﺎﺭ‪ ،‬ﻭﻤﻊ ﺍﻗﺘﺭﺍﺒﻬﺎ ﻤـﻥ‬
‫ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﻭﺠﺩﺕ ﻨﻔﺴﻬﺎ ﻓﻲ ﻤﻘﻁﻭﺭﺓ ﺍﻝﻁﻌﺎﻡ ﺘﺘﻨﺎﻭل ﻏﺩﺍﺀﻫﺎ‪ .‬ﻋﻨﺩﻤﺎ ﺍﻨﺘﻬﺕ ﻭﺠﺒﺘﻬﺎ‪ ،‬ﺃﺤﺴﺕ ﺒﺭﻏﺒﺔ ﻏﺭﻴﺒﺔ ﻝﻭﻀـﻊ‬
‫ﻭﻋﺎﺀ ﺍﻝﺴﻜﺭ ﺍﻝﻼﻤﻊ ﻓﻲ ﺤﻘﻴﺒﺘﻬﺎ‪ .‬ﺤﺎﺭﺒﺕ ﻫﺫﺍ ﻝﻤﺩﺓ ﻁﻭﻴﻠﺔ‪ ،‬ﻝﻜﻨﻬﺎ ﺨﻀﻌﺕ ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ‪ ،‬ﻭﻫﻲ ﺘﺘﺴﺎﺀل ﻋﻥ ﺴـﺒﺏ‬
‫ﺸﻌﻭﺭﻫﺎ ﺒﻨﺯﻭﺓ ﻻ ﺘﻘﺎﻭﻡ ﻤﻥ ﺃﺠل ﺴﺭﻗﺔ ﺸﻲﺀ ﻤﺎ ﻻ ﺘﺤﺘﺎﺠﻪ ﺒﺎﻝﻤﺭﺓ‪ .‬ﻋﻨﺩﻤﺎ ﺯﺍﺭﺕ ﻋﺎﺌﻠﺔ "ﻭﻴﻨﺴـﻠﻭ ‪"Winslow‬‬
‫ﻻﺤﻘﹰﺎ ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ ﻓﻲ ﺫﻝﻙ ﺍﻝﻴﻭﻡ‪ ،‬ﻋﻠﻤﺕ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻗﺩ ﺃﺨﺫ ﺃﻴﻀﹰﺎ ﻭﻋﺎﺀ ﻤﻌﺩﻨﻴﹰﺎ ﺁﺨﺭ ﻝﻠﺴﻜﺭ ﻤﻥ‬
‫ﺍﻝﻘﻁﺎﺭ ﺍﻝﺫﻱ ﺃﺤﻀﺭﻩ ﻤﻊ ﺠﺜﻤﺎﻥ ﺃﻤﻪ ﻤﻥ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﻋﺎﻡ ‪ . 1940‬ﻝﻘﺩ ﺃﺭﺍﺩ ﺸﻴﺌﹰﺎ ﻝﻴﺴﺎﻋﺩﻩ ﺒﺘﺫﻜﺭ ﺘﻠـﻙ ﺍﻝﺭﺤﻠـﺔ‬
‫ﺍﻷﺨﻴﺭﺓ ﺍﻝﺤﺯﻴﻨﺔ(‪.‬‬
‫ﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﺍﻝﺩﻓﻥ‪ ،‬ﺘﻡ ﻭﻀﻊ ﺒﻼﻁﺔ ﻏﺭﺍﻨﻴﺘﻴﺔ ﻤﺎﺌﻠﺔ ﻝﻠﻭﺭﺩﻱ ﻋﻠﻰ ﺭﺃﺱ ﺍﻝﻘﺒﺭ‪ .‬ﻭﻓﻲ ﺍﻝﻭﺠﻪ ﺍﻝﻤﻘﺎﺒل‬
‫ﻝﻠﻐﺭﺏ‪ ،‬ﻨﺤﺕ ﺒﺄﺤﺭﻑ ﺭﻭﻤﺎﻨﻴﺔ ﻜﺒﻴﺭﺓ ﺍﺴﻡ )ﺠﻴﻤﺱ ﺩﻴﻥ‪ ،(JAMES B.DEAN‬ﻭﻓﻲ ﺍﻷﺴﻔل‪ ،‬ﺴﻨﺔ ﺍﻝﺘﻭﻝﺩ‪،1931،‬‬
‫ﻭﺨﻁ ﻁﻭﻴل ﺜﻡ ﺴﻨﺔ ﺍﻝﻭﻓﺎﺓ ‪ .1955‬ﺘﻤﺕ ﻤﻬﺎﺠﻤﺔ ﺍﻻﺴﻡ ﻭﺍﻷﺭﻗﺎﻡ ﻤﻥ ﻗﺒل ﺼﻴﺎﺩﻱ ﺍﻝﺘﺫﺍﻜﺭ‪ .‬ﻭﺘﻡ ﺘﻜﺴﻴﺭ ﺍﻝﻤﺜﻠﺜﺎﺕ‬
‫ﻓﻲ ﺩﺍﺨل ﺤﺭﻑ "‪ ،"A‬ﺒﻴﻨﻤﺎ ﺍﺨﺘﻔﻰ ﺩﺍﺨل ﺍﻝﺤﺭﻑ ‪ . "B‬ﻭﻋﻠﺕ ﺍﻝﻨﺩﻭﺏ ﺤﺭﻓﻲ "‪ "E‬ﻭﺤـﺭﻑ "‪ "M‬ﻭﺤـﺭﻑ "‪."N‬‬
‫ﺍﺨﺘﻔﻰ ﻜﺫﻝﻙ ﺍﻝﺩﺍﺨل ﺍﻝﻤﺩﻭﺭ ﺭﻗﻤﻲ "‪ "9‬ﺃﻤﺎ ﺍﻝﻘﺴﻡ ﺍﻷﻋﻠﻰ ﻨﺼﻑ ﺍﻝﻤﺩﻭﺭ ﻤﻥ ﺍﻝﺭﻗﻡ "‪ "3‬ﻓﻘﺩ ﺍﻨﺘـﺯﻉ‪ .‬ﺘﺨﺭﻴـﺏ ﺃﻡ‬
‫ﺘﻌﻅﻴﻡ؟ ﺭﺒﻤﺎ ﻜﺎﻥ ﺍﻝﺴﺒﺏ ﺍﻝﺜﺎﻨﻲ ﻓﻲ ﺜﻘﺎﻓﺔ ﺤﻤﻠﺕ ﻵﻻﻑ ﺍﻝﺴﻨﻴﻥ " ﺭﻓﺎﺕ" ﺍﻝﻘﺩﻴﺴـﻴﻥ ﻭ "ﻗﻁﻌـﹰﺎ ﻤـﻥ ﺍﻝﺼـﻠﻴﺏ‬
‫ﺍﻝﺤﻘﻴﻘﻲ"‪.‬‬
‫ﺒﻌﺩ ﺜﻼﺜﺔ ﺃﻴﺎﻡ ﻤﻥ ﺍﻝﺠﻨﺎﺯﺓ‪ ،‬ﻭﻓﻲ ‪11‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﻋﺎﻡ ‪ 1955‬ﺴﻤﻌﺕ ﻫﻴﺌﺔ ﺍﻝﺘﺤﻘﻴﻕ ﺒﺄﺴﺒﺎﺏ ﺍﻝﻭﻓﺎﺓ‬
‫ﻓﻲ ﺴﺎﻥ ﻝﻭﻴﺱ ﺃﻭﺒﻴﺴﺒﻭ‪ -‬ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﺍﻝﺸﻬﺎﺩﺍﺕ ﺤﻭل ﺍﻝﺤﺎﺩﺙ‪ .‬ﻜﺎﻥ ﺍﻝﺸﻬﻭﺩ ﺍﻷﻭﺍﺌل "ﺭﻭﻨﺎﻝـﺩ ﻨﻴﻠﺴـﻭﻥ ‪Ronald‬‬
‫‪ "Nelson‬ﻭ "ﺇﺭﻨﻲ ﺘﺭﺒﻴﻙ ‪ "Ernie Tripke‬ﻀﺎﺒﻁﻲ ﺩﻭﺭﻴﺔ ﺍﻝﻁﺭﻴﻕ ﺍﻝﺴﺭﻴﻊ ﺍﻝﻠﺫﻴﻥ ﻜﺎﻨﺎ ﺃﻭل ﺍﻝﻭﺍﺼـﻠﻴﻥ ﻝﻤﻭﻗـﻊ‬
‫ﺍﻝﺤﺎﺩﺙ‪.‬ﺇﻤﺎ ﺍﻝﺸﺎﻫﺩ ﺍﻝﺜﺎﻝﺙ ﻓﻜﺎﻥ " ﺃﻭﺘﻲ ﻓﻲ ﻫﻨﺘﺭ ‪ "Otie V. Hunter‬ﺍﻝﺸﺭﻁﻲ ﺍﻝـﺩﺭ‪‬ﺍﺝ ﺍﻝـﺫﻱ ﺨـﺎﻝﻑ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺒﺴﺒﺏ ﺍﻝﺴﺭﻋﺔ ﻓﻲ "ﻏﺭﻴﺒﻔﺎﻴﻥ ﻏﺭﻴﺩ ‪."Grapevine Grade‬‬
‫ﺒﻌﺩ ﺫﻝﻙ ﺃﺘﻰ "ﺘﻭﻡ ﻓﺭﻴﺩﺭﻴﻜﺱ ‪ "Tom Fredericks‬ﺍﻝﻤﺤﺎﺴﺏ ﻤﻥ ﺸﺎﻨﺩﻭﻥ‪ -‬ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﻭﺍﺒﻥ ﺤﻤﻴـﻪ "ﺘـﻭﻡ‬
‫ﺩﻭﻭﻝﻲ ‪ ."Tom Dooley‬ﺸﻬﺩﺍ ﺃﻥ ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﻗﺩ ﺘﺠﺎﻭﺯﺘﻬﻤﺎ ﻗﺒل ﺘﺤﻁﻤﻬﺎ‪ .‬ﻗﺎﻻ ﺇﻥ "ﻓﻭﻴﺘﺭﻴﺵ ‪"Wuetherich‬‬
‫ﻜﺎﻥ ﻴﺭﺘﺩﻱ ﺘﻲ ﺸﻴﺭﺕ ﺃﺤﻤﺭ ﻭﺇﻥ "ﺩﻴﻥ ‪ "Dean‬ﻜﺎﻥ ﻴﺭﺘﺩﻱ "ﻗﻤﻴﺼﹰﺎ ﻋﻠﻭﻴﹰﺎ ﺃﺒﻴﺽ"‪ .‬ﻜﺎﻨﺎ ﻭﺍﺜﻘﻴﻥ ﻤﻥ ﺃﻥ ﺍﻝﺭﺠل ﺍﻝﺫﻱ‬
‫ﺸﺎﻫﺩﺍﻩ ﺨﻠﻑ ﺍﻝﻤﻘﻭﺩ ﻗﺒل ﺍﻝﺘﺤﻁﻡ ﻜﺎﻥ ﻴﺭﺘﺩﻱ ﺍﻷﺤﻤﺭ‪) .‬ﺭﺒﻤﺎ ﻝﺒﺱ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﺘﺭﺘﻪ ﺍﻝﺤﻤﺭﺍﺀ ﻗﺒل ﻤﻐﺎﺩﺭﺘـﻪ‬
‫"ﺒﻼﻜﻭﻴﻠﺯ ﻜﻭﺭﻨﺭﺯ ‪."Blackwell's Corners‬‬
‫ﺃﻨﻜﺭ"ﻓﻭﻴﺘﺭﻴﺵ ‪ "Wuetherich‬ﻭﻋﻠﻰ ﻨﺤﻭ ﻤﻁﻠﻕ ﺍﻝﺫﻱ ﺤﻭل ﺇﻝﻰ ﻤﺸﻔﻰ "ﻏﻠﻴﻨﺩﻴل" ﻝﻤﻌﺎﻝﺠﺔ ﺃﺨﺭﻯ ﻭﺤﻴﺙ‬
‫ﺃﻗﺎﻡ ﻝﻤﺩﺓ ﺴﺒﻌﺔ ﺃﺸﻬﺭ ﺃﺨﺭﻯ ﺫﻝﻙ ﺍﻝﺘﻘﺭﻴﺭ‪ .‬ﻜﺭﺭ ﺇﻓﺎﺩﺘﻪ ﺍﻝﺴﺎﺒﻘﺔ‪ :‬ﻝﻘﺩ ﻜﺎﻥ ﻤﺭﺍﻓﻕ"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻁـﻭﺍل ﻓﺘـﺭﺓ‬
‫ﺍﻝﺭﺤﻠﺔ‪ .‬ﻝﻘﺩ ﺘﺤﻤل ﻤﻘﻌﺩ ﺍﻝﺴﺎﺌﻕ ﺍﻝﻀﺭﺒﺔ ﺍﻝﺭﺌﻴﺴﻴﺔ ﻝﻠﺤﺎﺩﺙ‪ .‬ﻝﻘﺩ ﻋﺭﻑ ﺘﻤﺎﻤﹰﺎ ﺃﻨﻪ ﻝﻭ ﺘﻌﺭﺽ ﻝﻬﺎ ﻤﺒﺎﺸﺭﺓ ﺃﻴﻀﹰﺎ ﻝﻤﺎ‬
‫ﻜﺎﻥ ﺤﻴﹰﺎ ﻝﻴﺅﻜﺩ ﺃﻭ ﻴﻨﻔﻲ ﺃﻱ ﺸﻲﺀ‪.‬‬
‫ﺍﺘﺨﺫ ﺴﺎﺌﻕ ﺴﻴﺎﺭﺓ ﺍﻹﺴﻌﺎﻑ "ﺒﻭل ﻤﻭﺭﻴﻨﻭ ‪ "Paul Moreno‬ﻤﻜﺎﻨﻪ ﻋﻠﻰ ﻤﻨﺼﺔ ﺍﻝﺸﻬﻭﺩ ﻭﻭﺼﻑ ﻜﻴﻑ ﺘـﻡ‬
‫ﺭﻓﻊ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﻥ ﻋﻨﺩ ﺒﺎﺏ ﺍﻝﺴﺎﺌﻕ‪.‬‬
‫ﻓﻲ ﺍﻝﻨﻬﺎﻴﺔ ﺃﺘﻰ ﺴﺎﺌﻕ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ‪" ،‬ﺩﻭﻨﺎﻝﺩ ﺠﻴﻥ ﺘﺭﻨﺴﺒﻴﺩ ‪ ،"Donald Gene Turnspeed‬ﺍﻝﺫﻱ ﺃﺨﺒـﺭ‬
‫ﺍﻝﻤﺤﻠﻔﻴﻥ ﻤﺎ ﺃﺨﺒﺭﻩ ﻝﻠﻤﺤﻘﻕ‪ :‬ﻝﻡ ﻴﺸﺎﻫﺩ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺨﺭﻯ ﺒﺎﻝﻤﺭﺓ‪ .‬ﻝﻘﺩ ﻜﺎﻥ ﻴﻘﻭﺩ ﺴـﻴﺎﺭﺘﻪ ﻨﺤـﻭ ﻤﻭﻁﻨـﻪ "ﺘـﻭﻝﻴﺭ‬
‫‪ "Tulare‬ﻓﻲ ﺃﻤﺴﻴﺔ ﻴﻭﻡ ﺍﻝﺠﻤﻌﺔ ﺫﻝﻙ ﻝﻘﻀﺎﺀ ﻋﻁﻠﺔ ﻨﻬﺎﻴﺔ ﺍﻷﺴﺒﻭﻉ ﻤﻊ ﻭﺍﻝﺩﻴﻪ‪ .‬ﻋﻨﺩﻤﺎ ﻭﺼـل ﺇﻝـﻰ ﺍﻻﻨﺤﻨـﺎﺀﺓ‬
‫ﺍﻝﻁﻭﻴﻠﺔ ﺍﻝﺒﻁﻴﺌﺔ ﺸﺭﻕ "ﻜﻭﻝﻴﻡ ‪ "Cholame‬ﺍﻝﺒﻠﺩﺓ ﺍﻷﻗﺭﺏ ﺇﻝﻰ ﻤﻭﻗﻊ ﺍﻝﺤﺎﺩﺙ‪ ،‬ﻋﺭﻑ ﺃﻨﻪ ﺴـﻭﻑ ﻴﺄﺨـﺫ ﺍﻝﺘﻔـﺭﻉ‬
‫ﺍﻝﻴﺴﺎﺭﻱ ﻝﻠﺘﻘﺎﻁﻊ ﺒﺸﻜل ‪ Y‬ﻓﻲ ﺃﺴﻔل ﺍﻝﻭﺍﺩﻱ ﺍﻝﺼﻐﻴﺭ‪ .‬ﻴﻨﻘﺴﻡ ﺍﻝﻁﺭﻴﻕ ﻫﻨﺎﻙ‪ :‬ﻨﺤﻭ ﺍﻝﻴﺴﺎﺭ ﺒﺎﺘﺠﺎﻩ "ﺘﻭﻝﻴﺭ ‪"Tulare‬‬
‫ﻭﻤﺒﺎﺸﺭﺓ ﻨﺤﻭ "ﺒﻴﻜﺭﺯ ﻓﻴﻠﺩ ‪."Bakersfield‬‬
‫ﺒﻤﺎ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺠﺎﺩﺓ ﺘﻭﻗﻑ ﻋﻨﺩ ﺍﻝﺘﻘﺎﻁﻊ ‪ ، Y‬ﻓﻘﺩ ﺃﺒﻁﺄ ﻭﺒﻜل ﺒﺴﺎﻁﺔ ﻭﻨﻅﺭ ﻨﺤﻭ ﺍﻝﺘﻠﺔ ﻝﻴﺭﻯ ﻓﻴﻤﺎ ﺇﺫﺍ‬
‫ﻜﺎﻨﺕ ﺃﻴﺔ ﺴﻴﺎﺭﺓ ﻗﺎﺩﻤﺔ ﻤﻥ ﺍﻝﻁﺭﻑ ﺍﻵﺨﺭ ﻗﺒل ﺍﻝﺒﺩﺀ ﺒﻘﻁﻊ ﺍﻝﺨﻁ ﺍﻝﻤﻨﺼﻑ ﻨﺤﻭ ﺘﻔﺭﻉ ‪ Y‬ﺍﻝﻴﺴﺎﺭﻱ‪.‬‬
‫ﻝﻤﺎﺫﺍ ﻝﻡ ﻴ ‪‬ﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬؟‪ .‬ﻷﻥ ﺴﻴﺎﺭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻨﺕ ﺼﻐﻴﺭﺓ ﻤﻨﺨﻔﻀـﺔ ﻭﻤﻁﻠﻴـﺔ ﺒﻠـﻭﻥ‬
‫ﺭﻤﺎﺩﻱ‪ ،‬ﻓﻀﻲ ﺨﺎﺹ ﺒﺎﻝﺴﺒﺎﻕ ﻭﺍﻝﺫﻱ ﻋﻤل ﻋﻤﻠﻪ ﻓﻲ ﺘﻠﻙ ﺍﻝﺴﺎﻋﺔ ﻤﻥ ﺍﻝﺸﻔﻕ‪ -‬ﺒﻀﻊ ﺩﻗﺎﺌﻕ ﻗﺒل ﺍﻝﺴﺎﺩﺴﺔ ﻤﺴﺎﺀ‪-‬‬
‫ﻻ ﻤﻥ ﺇﻅﻬﺎﺭﻫﺎ‪.‬‬ ‫ﻝﻴﻤﻭﻫﻬﺎ ﺒﺩ ﹰ‬
‫ﺤﺘﻰ ﻝﻭ ﺸﺎﻫﺩ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻓﺭﺒﻤﺎ ﻴﻌﺘﻘﺩ ﺃﻨﻪ ﺴﻭﻑ ﻴﻜﻭﻥ ﻝﺩﻴﻪ ﺍﻝﻭﻗﺕ ﺍﻝﻜﺎﻓﻲ ﻝﻌﺒﻭﺭ ﺍﻝﻁﺭﻴﻕ‪ .‬ﻴﻤﻜـﻥ‬
‫ﻝﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸﻴﻪ ﻭﺒﻜل ﺴﻬﻭﻝﺔ ﺃﻥ ﻴﺴﺎﺀ ﺍﻝﻅﻥ ﺒﻬﺎ ﻜﺴﻴﺎﺭﺓ ﺫﺍﺕ ﺤﺠﻡ ﻁﺒﻴﻌﻲ ﻤﻥ ﻤﺴﺎﻓﺔ ﺒﻌﻴﺩﺓ‪ ،‬ﻭﻤﻥ ﻤﻨﻅـﻭﺭﻩ‬
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‫ﺍﻝﺴﻴﺊ ﻝﻸﻤﺎﻡ ﻓﺴﻭﻑ ﻴﻜﻭﻥ ﻤﻥ ﺍﻝﺼﻌﺏ ﻝﻪ ﺃﻥ ﻴﺤﺯﺭ ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻗﺎﺩﻤﹰﺎ ﺒﺴﺭﻋﺔ ﻜﺒﻴﺭﺓ‪ -‬ﺜﻼﺜﻴﻥ ﻤﻴ ﹰ‬
‫ﺯﻴﺎﺩﺓ ﻋﻠﻰ ﺍﻝﺴﺭﻋﺔ ﺍﻝﻤﺴﻤﻭﺡ ﺒﻬﺎ‪ .‬ﺃﺸﺎﺭ ﻗﺎﻀﻲ ﺍﻝﺘﺤﻘﻴﻕ "ﻤﻴﺭﻴﻙ ‪ "Merrick‬ﺇﻝﻰ ﺃﻥ ﺴﺭﻋﺔ ﺍﻝﺴـﻴﺎﺭﺓ ﺍﻝﺒﻭﺭﺸـﻴﻪ‬
‫ﺍﻝﻤﺘﻭﺴﻁﺔ ﺒﻴﻥ ﻤﺨﺎﻝﻔﺔ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺜﺎﻝﺜﺔ ﻭﺍﻝﻨﺼﻑ ﻓﻲ "ﻏﺭﻴﺒﻔﺎﻴﻥ ﻏﺭﻴـﺩ ‪ "Grapevine Grade‬ﻭﺤـﺎﺩﺙ ﺍﻝﺴـﺎﻋﺔ‬
‫ﺍﻝﺨﺎﻤﺴﺔ ﻭﺘﺴﻊ ﻭﺨﻤﺴﻴﻥ ﺩﻗﻴﻘﺔ ﻋﻨﺩ "ﺭﺍﻭﺕ ‪ - "Rout 446 446‬ﻴﺴﻤﺢ ﻝﻤﺤﻁﺔ ﺘﻭﻗﻑ ﻤﺩﺘﻬﺎ ﺨﻤﺱ ﻋﺸﺭﺓ ﺩﻗﻴﻘﺔ‬
‫ﻼ ﺒﺎﻝﺴﺎﻋﺔ‪.‬‬
‫ﻓﻲ "ﺒﻼﻜﻭﻴﻠﺯ ﻜﻭﺭﻨﺭﺯ ‪ - "Blackwell's Corners‬ﻗﺩ ﺤﺴﺒﺕ ﺒﺤﻭﺍﻝﻲ ‪ 86‬ﻤﻴ ﹰ‬
‫ﻏﺎﺩﺭﺕ ﻫﻴﺌﺔ ﺍﻝﻤﺤﻠﻔﻴﻥ ﺍﻝﻘﺎﻋﺔ‪ ،‬ﻭﻋﺎﺩﺕ ﺒﻌﺩ ﻋﺸﺭﻴﻥ ﺩﻗﻴﻘﺔ ﻤﻊ ﺍﻝﺤﻜﻡ‪ :‬ﺤﺎﺩﺙ ﻋﺭﻀﻲ‪ .‬ﻭﻝـﻡ ﺘﻘـﺩﻡ ﺃﻴـﺔ‬
‫ﺍﺘﻬﺎﻤﺎﺕ ﻀﺩ "ﺘﺭﻨﺴﺒﻴﺩ ‪."Turnspeed‬‬
‫ﻜﺎﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺴﻴﻀﻁﺭ ﻝﻭ ﻜﺎﻥ ﺤﻴﹰﺎ ﻝﻤﻭﺍﺠﻬﺔ ﺍﻝﺘﻬﻡ ﺒﺎﻝﺘﺄﻜﻴﺩ‪ .‬ﻝﻘﺩ ﻜـﺎﻥ ﻭﺒﻜـل ﻭﻀـﻭﺡ ﻤـﺫﻨﺒﹰﺎ‬
‫ﺒﺎﻹﻫﻤﺎل ﺍﻝﻤﺴﺎﻋﺩ ﻋﻠﻰ ﺤﺼﻭل ﺍﻝﺤﺎﺩﺙ‪ .‬ﻝﻡ ﻴﻜﻥ ﻷﻱ ﺴﺎﺌﻕ ﻴﺘﻭﻗﻊ ﺍﻝﺴﺎﺌﻘﻴﻥ ﺍﻵﺨﺭﻴﻥ )ﺃﻭ ﺍﻝﻤﺸـﺎﺓ‪ ،‬ﺍﻝﻤﻭﺍﺸـﻲ‪،‬‬
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‫ﺍﻝﻜﻼﺏ ﺃﻭ ﺍﻝﻘﻁﻁ( ﺍﻻﺴﺘﺠﺎﺒﺔ ﻀﻤﻥ ﺃﻱ ﻫﺎﻤﺵ ﻤﻥ ﺍﻝﺴﻼﻤﺔ ﻨﺤﻭ ﻋﺭﺒﺔ ﺘﺘﺤﺭﻙ ﺒﺴﺭﻋﺔ ﺘﺘﺠﺎﻭﺯ ﺍﻝﺜﻼﺜﻴﻥ ﻤـﻴ ﹰ‬
‫ﻓﻭﻕ ﺍﻝﺴﺭﻋﺔ ﺍﻝﻤﺴﻤﻭﺡ ﺒﻬﺎ‪.‬‬
‫ﺇﻻ ﺃﻨﻪ ﻭﻓﻲ ﺍﻝﻤﺤﻜﻤﺔ ﺍﻝﻤﻨﻌﺯﻝﺔ ﻝﻘﺎﻨﻭﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺩﺍﺨﻠﻲ‪ ،‬ﻓﺈﻥ ﺍﻹﻫﻤﺎل ﻝـﻡ ﻴﻜـﻥ ﺃﺒـﺩﹰﺍ ﻋـﺎﻤ ﹰ‬
‫ﻼ‪.‬‬
‫ﻭﺍﻝﻭﺼﻭل ﻷﺒﻌﺩ ﺍﻝﺤﺩﻭﺩ ﻗﺩ ﺃﺼﺒﺢ ﻋﺎﺩﺓ ﻋﻨﺩﻩ‪ ،‬ﻜﺎﻥ ﻴﻭﺍﺠﻪ ﻫﺫﺍ ﻜل ﻴﻭﻡ‪ -‬ﻋﺎﻁﻔﻴﺎﹰ‪ ،‬ﺍﺠﺘﻤﺎﻋﻴﺎﹰ‪ ،‬ﻭﻤﻬﻨﻴﹰﺎ‪ -‬ﻤﻊ ﺁﻝﺘـﻪ‬
‫ﺍﻝﺠﺴﺩﻴﺔ ﺍﻝﺨﺎﺼﺔ ﺒﻪ ﻭﻤﻊ ﻜل ﺍﻵﻻﺕ ﺍﻝﺘﻲ ﻗﺎﺩﻫﺎ‪ .‬ﺇﻥ ﻜﻠﻤﺎﺘﻪ ﺍﻷﺨﻴﺭﺓ‪“ -‬ﻴﺠﺏ ﻋﻠﻰ ﺫﻝﻙ ﺍﻝﺸﺨﺹ ﺃﻥ ﻴﺘﻭﻗﻑ” ‪-‬‬
‫ﻴﻀﻊ ﻋﺏﺀ ﺍﺤﺘﺭﺍﻡ ﺍﻝﺤﺩﻭﺩ ﻋﻠﻰ ﺍﻝﺸﺨﺹ ﺍﻵﺨﺭ‪ ،‬ﻭﻝﻴﺱ ﻋﻠﻰ ﻨﻔﺴﻪ‪.‬‬
‫ﺇﻥ ﺇﺤﺴﺎﺱ ﺍﻝﻔﺭﺩ ﺒﺎﻝﺤﺩﻭﺩ ﻴﻨﺸﺄ ﺒﺈﺩﺭﺍﻙ ﺃﻭ ﺒﻼ ﺇﺩﺭﺍﻙ ﻤﻥ ﺍﻝﻭﺍﻝﺩﻴﻥ‪ .‬ﺤﻴـﺙ ﻫﻨـﺎﻙ ﺘـﺩﻓﻕ ﻤﺘﺘـﺎﺒﻊ ﻤـﻥ‬
‫ﺍﻝﻤﺤﻔﺯﺍﺕ ﺍﻝﺴﻠﻭﻜﻴﺔ ﻭﺍﻝﻤﻨﻊ‪ ،‬ﻭﻤﻥ ﺍﻝﺘﺄﺜﻴﺭ ﺍﻝﻠﻔﻅﻲ ﺍﻝﻤﺒﺎﺸﺭ‪ :‬ﺍﻓﻌل ﻫﺫﺍ! ﻻ ﺘﻔﻌل ﻫﺫﺍ!‪ .‬ﻓﻴﻜﺒﺭ ﺃﻏﻠﺏ ﺍﻝﻨـﺎﺱ ﻭﻫـﻡ‬
‫ﻴﺘﻠﻘﻭﻥ ﻤﺠﻤﻭﻋﺔ ﻤﺘﻭﺍﺯﻨﺔ ﺘﻘﺭﻴﺒﹰﺎ ﻤﻥ ﺍﻹﺸﺎﺭﺍﺕ‪ .‬ﻭﺒﻌﺽ ﺍﻝﻨﺎﺱ ﻴﺘﻠﻘﻭﻥ ﻨﻭﻋﹰﺎ ﻤﺤﺩﺩﹰﺍ ﺃﻜﺜﺭ ﻤﻥ ﺍﻵﺨﺭ‪ .‬ﻭﺍﻝـﺒﻌﺽ‬
‫ﺍﻵﺨﺭ ﻴﺘﻠﻘﻭﻥ ﺒﻴﺄﺱ ﺇﺸﺎﺭﺍﺕ ﻤﺨﺘﻠﻔﺔ‪ .‬ﻤﻥ ﺍﻝﺼﻌﺏ ﺍﻝﺘﻌﺎﻤل ﻤﻊ ﺍﻝﺩﺭﺠﺎﺕ ﺍﻝﻘﺼﻭﻯ ﻤﻥ ﺃﻱ ﻨﻭﻉ‪ ،‬ﻝﻜﻥ ﺍﻷﺼـﻌﺏ‬
‫ﻫﻭ ﻏﻴﺎﺏ ﺃﻴﺔ ﺇﺸﺎﺭﺍﺕ ﺒﺎﻝﻤﺭﺓ‪.‬‬
‫ﻓﻘﺩ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﺍﻝﺩﺘﻪ‪ .‬ﺜﻡ ﺴﻠﻤﻪ ﻭﺍﻝﺩﻩ ﻝﻠﻌﻤﺔ ﻭﺯﻭﺠﻬﺎ‪ .‬ﻭﻤﻬﻤﺎ ﺤﺎﻭل ﻫﺫﺍﻥ ﺍﻝﻭﺍﻝﺩﺍﻥ ﺒﺎﻝﺘﺒﻨﻲ ﺠﺎﻫـﺩﻴﻥ‬
‫ﻓﻠﻡ ﻴﺴﺘﻁﻴﻌﺎ ﺘﻭﻝﻴﺩ ﺃﻴﺔ ﺇﺸﺎﺭﺍﺕ ﺤﻘﻴﻘﻴﺔ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﻻﺴﺘﺒﺩﺍل ﺘﻠﻙ ﺍﻝﺘﻲ ﻝﻡ ﺘﻌﺩ ﺘﺄﺘﻲ ﻤﻥ ﺍﻝﻭﺍﻝﺩﻴﻥ ﺍﻝﺤﻘﻴﻘﻴﻴﻥ‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻓﻘﻁ ﻓﻲ ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﻋﺭﻑ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺃﻨﻪ ﻝﻥ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺼﺒﺢ ﻤﺯﺍﺭﻋﹰﺎ ﻤﺜـل ﺍﻝﻌـﻡ‬
‫"ﻤﺎﺭﻜﻭﺱ ‪ ."Marcus‬ﻭﺒﻌﺩ ﻋﺩﺓ ﺃﺸﻬﺭ ﻤﻥ ﺍﻝﺠﺎﻤﻌﺔ‪ ،‬ﻋﺭﻑ ﺃﻨﻪ ﻝﻥ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺼﺒﺢ ﻤﺤﺎﻤﻴﹰﺎ ‪ -‬ﺍﻹﺸﺎﺭﺓ ﺍﻝﺘـﻲ‬
‫ﻥ ﻝﻪ ﺍﻝﻭﻗﺕ ﻝﻴﺼﺒﺢ ﺤﺘﻰ ﻁﺎﻝﺏ‬ ‫ﻋﺒﺭ ﻋﻨﻬﺎ ﺍﻝﻭﺍﻝﺩ ﺒﻀﻌﻑ ﺒﻌﺩ ﺃﻥ ﻜﺎﻥ ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺍﻝﻬﻭﺍﺀ ﻝﻤﺩﺓ ﺘﺴﻊ ﺴﻨﻴﻥ‪ .‬ﻝﻡ ﻴﺘﺴ ‪‬‬
‫ﺘﻤﺜﻴل‪.‬‬
‫ﻭﻫﻜﺫﺍ ﻏﺎﺩﺭ "ﺠﺎﻤﻌﺔ ﻜﺎﻝﻴﻔﻭﺭﻨﻴﺎ ﻝﻭﺱ ﺃﻨﺠﻠﺱ ‪ ،"UCLA‬ﻭﻭﺠﺩ ﻁﺭﻴﻘﻪ ﻨﺤﻭ ﻨﻴﻭﻴﻭﺭﻙ ﻭﺤﺼل ﻝﻨﻔﺴﻪ ﻋﻠﻰ‬
‫ﻋﺩﺓ ﺃﺩﻭﺍﺭ ﻓﻲ ﺍﻝﻌﺸﺭﺍﺕ ﻤﻥ ﺍﻝﺒﺭﺍﻤﺞ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﺔ‪ ،‬ﻤﺴﺭﺤﻴﺘﻴﻥ ﻓﻲ ﺒﺭﻭﺩﻭﺍﻱ‪ ،‬ﻭﺜﻼﺜﺔ ﺃﻓﻼﻡ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ‪ .‬ﻓﻲ ﻜل‬
‫ﻤﺭﺓ ﺩﻓﻊ ﺒﺎﻝﻭﺍﻗﻌﻴﺔ‪ ،‬ﺃﻋﻁﺘﻪ‪ :‬ﺍﻝﻨﺠﻭﻤﻴﺔ‪ ،‬ﻭﺍﻝﺠﻨﺱ‪ ،‬ﻭﺍﻝﻤﺎل‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻜل ﺸﻲﺀ ﻓﻲ ﻋﻤﺭ ﺍﻝﺭﺍﺒﻌﺔ ﻭﺍﻝﻌﺸﺭﻴﻥ‪ ،‬ﻜل‬
‫ﺸﻲﺀ ﻤﺎﻋﺩﺍ ﺍﻝﺭﺍﺤﺔ ﻤﻥ ﺭﻏﺒﺔ ﻨﻬﻤﺔ ﻤﻠﺤﺔ ﻝﻤلﺀ ﺍﻝﻔﺭﺍﻍ ﺍﻝﺫﻱ ﺴﺨﺭ ﻤﻨﻪ ﻤﻊ ﺼﺩﻯ ﺴﺅﺍﻝﻪ‪ :‬ﻤﻥ ﺃﻨﺎ؟‪.‬‬
‫ﻴﻘﻭﺩ ﺍﻝﻬﺠﺭ ﺍﻝﻨﺎﺱ ﻤﺒﺎﺸﺭﺓ ﻨﺤﻭ ﺍﻹﺩﻤﺎﻥ‪ .‬ﻭﻻ ﻴﻬﻡ ﻤﺎ ﻫﻭ ﻨﻭﻉ ﺍﻹﺩﻤﺎﻥ ﺍﻝﺫﻱ ﻴﺤﺼل‪ ،‬ﺤﻴﺙ ﻻ ﻴﻭﺠﺩ ﻤـﺎ‬
‫ﻴﻜﻔﻲ ﻝﻤلﺀ ﺍﻝﻬﻭﺓ ﺍﻝﺘﻲ ﺘﺯﻴﺩ ﺍﺘﺴﺎﻋﹰﺎ ﻭﺍﻝﺘﻲ ﺃﺤﺩﺜﻬﺎ ﻓﻲ ﺍﻝﻘﻠﺏ ﻀﻴﺎﻉ ﺍﻝﺤﺏ‪.‬‬
‫ﺘﻌﻠﻕ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﻲ ﻋﺩﺓ ﺃﻭﻗﺎﺕ ﻤﻥ ﺤﻴﺎﺘﻪ ﺒـ‪ :‬ﻁﺒﻼﺕ ﺍﻝﺒﻭﻨﻐﻭ‪ ،‬ﻭﻤﺼـﺎﺭﻋﺔ ﺍﻝﺜﻴـﺭﺍﻥ‪ ،‬ﻭﺭﻗـﺹ‬
‫ﺍﻝﺒﺎﻝﻴﻪ‪ ،‬ﻭﺍﻝﺼﻤﺕ ﺍﻝﻭﻗﺢ‪ ،‬ﻭﺍﻝﻜﻼﻡ ﺍﻝﻤﺘﻭﺍﺼل‪ ،‬ﻭﺍﻝﻤﻭﺴﻴﻘﺎ ﺍﻝﺼﺎﺨﺒﺔ‪ ،‬ﻭﺍﻝﺭﺴﻡ‪ ،‬ﻭﺍﻝﻨﺤﺕ‪ ،‬ﻭﻋﺯﻑ ﺍﻝﺒﻴﺎﻨﻭ‪ ،‬ﻭﺼـﻔﻴﺭ‬
‫ﺍﻝﻤﺴﺠل‪،‬ﻭﺍﻝﻨﻜﺎﺕ ﻭﺍﻝﻤﺯﺤﺎﺕ ﺍﻝﻘﻭﻴﺔ‪ ،‬ﻭﺍﻹﻓﺭﺍﻁ‪ ،‬ﻭﺍﻹﺭﻫﺎﻕ‪ ،‬ﻭﺍﻝﻁﻤﻭﺡ‪ ،‬ﺃﻭ ﺃﻴﺔ ﻭﺍﺤﺩﺓ ﻤﻥ ﻫﺫﻩ ﻤﻊ ﺃﺴﻤﻰ ﺭﻏﺒﺎﺘﻪ‪:‬‬
‫ﺍﻝﺘﻤﺜﻴل‪.‬‬
‫ﻝﻘﺩ ﻜﺎﻥ ﻴﻨﺩﻓﻊ ﺩﺍﺌﻤﹰﺎ ﻨﺤﻭ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺠﺩﻴﺩﺓ‪،‬ﻭﺍﻝﻨﺎﺱ ﺍﻝﺠﺩﺩ‪ ،‬ﻭﻫﻭ ﻴﺄﻤل ﺃﻥ ﺸﻴﺌﹰﺎ ﻤﺎ ﺃﻭ ﺃﺤﺩﹰﺍ ﻤﺎ ﺴﻭﻑ ﻴﻭﻗﻔـﻪ‬
‫ﻭﻴﺨﺒﺭﻩ ﻋﻥ ﺤﺩﻭﺩﻩ‪ ،‬ﻭﻴﺨﺒﺭﻩ ﻋ ‪‬ﻤﻥ ﻜﺎﻥ ﻫﻭ‪ .‬ﺇﻻ ﺃﻨﻪ ﺘﺎﺒﻊ ﺍﻝﻔﻭﺯ‪ ،‬ﻭﻻ ﺃﺤﺩ ﻴﺨﺒﺭ ﻓﺎﺌﺯﹰﺍ ﻋﻤﺎ ﻴﺠﺏ ﻋﻠﻴﻪ ﻓﻌﻠﻪ‪.‬‬
‫ﻋﻨﺩﻤﺎ ﺘﻌﻠﻕ ﺒﺎﻝﺴﺭﻋﺔ )ﻤﻥ ﻨﻭﻉ ﺍﻝﺒﻭﺭﺸﻴﻪ ﻭﻝﻴﺱ ﻤﻥ ﺍﻝﻨﻭﻉ ﺍﻝﻜﻴﻤﻴﺎﺌﻲ(‪ ،‬ﺃﻤل‪ ،‬ﻜﻤﺎ ﻓﻌل ﻤﻊ ﻜـل ﺍﻷﺸـﻴﺎﺀ‬
‫ﺍﻷﺨﺭﻯ ﻭﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺠﺭﺒﻬﻡ‪ ،‬ﺃﻨﻬﺎ ﺴﻭﻑ ﺘﻤﻨﺤﻪ ﺒﻌﺽ ﺍﻝﺭﺍﺤﺔ ﻤﻥ ﻭﺠﻊ ﺍﻝﻬﺠﺭ‪ .‬ﻭﻫﻜﺫﺍ ﺍﻨﺩﻓﻊ ﻨﺤﻭ ﺁﺨﺭ ﺍﻝﺤـﺩ‬
‫ﻭﺍﻝﺫﻱ ﺘﺒﻴﻥ ﺃﻨﻪ ﺍﻝﻤﻭﺕ‪.‬‬
 ‫ﺍﻝﺨﺎﺘﻤﺔ‬

‫ﺭﺃﻯ ﺍﻝﻘﺱ "ﺯﻴﻥ ﻫﺎﺭﻓﻲ ‪ "Xen Harvey‬ﺤﻴﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺒﺜﻼﺜﺔ ﺃﻗﺴﺎﻡ‪ :‬ﺍﻝﻁﻔﻭﻝﺔ‪ ،‬ﻫﻭﻝﻴﻭﻭﺩ ﻭﺍﻝﻨﻌـﻴﻡ‪.‬‬
‫ﻝﻜﻨﻪ ﻭﺒﻌﺩ ﻓﺘﺭﺓ ﻗﺼﻴﺭﺓ ﻤﻥ ﺍﻝﺠﻨﺎﺯﺓ‪ ،‬ﻭﻤﻬﻤﺎ ﻜﺎﻥ ﻤﺼﻴﺭ ﺭﻭﺡ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻓﺈﻥ ﺼﻭﺭﺘﻪ ﻗﺩ ﺒﺩﺃﺕ ﻤﺭﺤﻠﺔ ﻤﺎ‬
‫ﺒﻌﺩ ﺍﻝﺤﻴﺎﺓ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﺍﻝﺘﻲ ﻝﻡ ﻴﺴﺘﻁﻊ ﺍﻝﻘﺱ ﻭﻻ ﺃﻱ ﺸﺨﺹ ﺁﺨﺭ ﺘﻭﻗﻌﻬﺎ‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﺇﺤﺴﺎﺱ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ ﺃﻥ ﻤﻭﺕ ﻨﺠﻡ ﻗﺒل ﺇﻁﻼﻕ ﺍﻝﻔﻴﻠﻡ ﺴﻭﻑ ﻴﻨﺤﺴﻪ ﻓﻲ ﺸﺒﺎﻙ ﺍﻝﺘﺫﺍﻜﺭ‪ .‬ﺍﻓﺘﺘﺤﺕ‬
‫"ﻭﺭﻨﺭ ﺒﺭﺫﺭﺯ ‪ "WB‬ﻏﻴﺭ ﻋﺎﺭﻓﺔ ﺒﻤﺎ ﺴﻭﻑ ﺘﺘﻭﻗﻌﻪ‪ ،‬ﻓﻴﻠﻡ "ﻤﺘﻤﺭﺩ ﺒـﻼ ﻗﻀـﻴﺔ ‪ "Rebel Without a Cause‬ﻓـﻲ‬
‫"ﻤﺴﺭﺡ ﺁﺴﺘﻭﺭ ‪ "Astor Theatre‬ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻓﻲ ‪ 29‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ﻋﺎﻡ ‪ ،1955‬ﺃﻱ ﻓﻘﻁ ﺒﻌـﺩ ﺜﻼﺜـﺔ‬
‫ﺃﺴﺎﺒﻴﻊ ﻤﻥ ﺍﻝﺠﻨﺎﺯﺓ‪.‬‬
‫ﺇﻀﺎﻓﺔ ﺇﻝﻰ ﺍﻝﺸﻜﻭﻙ ﺍﻝﺘﻲ ﺃﺜﻴﺭﺕ ﺒﻤﻭﺕ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻓﺈﻥ ﺇﻁﻼﻕ ﺍﻝﻔﻴﻠﻡ ﻜﺎﻥ ﻗﺩ ﺃﻋﻴﻕ ﺒﺤﻘﻴﻘﺔ ﺃﻨﻪ ﻋﻠﻰ‬
‫ﺍﻝﺭﻏﻡ ﻤﻥ ﻜﻭﻨﻪ ﻤﻠﻭﻨﹰﺎ ﻭﺴﻴﻨﻤﺎﺴﻜﻭﺏ ﺇﻻ ﺃﻥ ﺍﻷﺴﺘﻭﺩﻴﻭ ﻝﻡ ﻴﻌﺘﺒﺭﻩ ﻓﻴﻠﻤﹰﺎ ﻤﻥ ﺍﻝﻁﺭﺍﺯ ﺍﻷﻭل‪ .‬ﻝﻡ ﻴﻜﻥ ﻫﻨﺎﻙ ﺍﺴﺘﺜﻤﺎﺭ‬
‫ﻋﻅﻴﻡ ﻓﻲ ﺍﻝﺩﻋﺎﻴﺔ ﻭﺍﻹﻋﻼﻥ ﻭﺍﻝﺘﺭﻭﻴﺞ‪.‬‬
‫ﺴﺎﺭﺕ ﺍﻹﻋﻼﻨﺎﺕ ﺍﻝﻘﻠﻴﻠﺔ ﻭﺍﻝﺘﻲ ﺘﻌﺘﺒﺭ ﺼﻐﻴﺭﺓ ﺒﺎﻝﻤﻘﺎﺭﻨﺔ ﺒﺸﻜل ﺠﻴﺩ ﻷﺠـل "ﺠﻴﻤـﻲ ‪") "Jimmy‬ﺍﻝﻌﺎﻤـل‬
‫ﺍﻝﻤﻘﺒﻭل ﻝﻠﻤﺼﺭﻑ" ﺍﻝﻭﺤﻴﺩ(‪ “:‬ﻜﺎﻨﺕ ﺸﺩﺓ ﺍﻻﻫﺘﻤﺎﻡ ﺒـ "ﺸﺭﻕ ﻋﺩﻥ ‪" ،"East of Eden‬ﺠـﻴﻤﺱ ﺩﻴـﻥ ‪JAMES‬‬
‫‪ ،"DEAN‬ﻜﻔﺘﻰ ﻤﻥ ﻋﺎﺌﻠﺔ ‘ﺠﻴﺩﺓ’ ﻗﺩ ﺃﻤﺴﻙ ﺒﻬﺎ ﻓﻲ ﺫﻝﻙ ﺍﻝﺘﻴﺎﺭ ﺍﻝﺫﻱ ﻴﺠﺫﺏ ﻝﻠﺨﻠﻑ ﻨﺤﻭ ﺍﻝﺒﺤﺭ ﺤﻴﻨﻤـﺎ ﺘـﻨﻔﺽ‬
‫ﺍﻝﻤﻭﺠﺔ ﻋﻠﻰ ﺍﻝﺸﺎﻁﺊ ﻭﺍﻝﺘﻲ ﺘﻌﻭﺩ ﻝﻌﻨﻑ ﺍﻷﺤﺩﺍﺙ ﻓﻲ ﻫﺫﻩ ﺍﻷﻴﺎﻡ”‪ .‬ﻭﻗﺎل ﺁﺨﺭ‪ “:‬ﻜﺎﻥ ﻫﺫﺍ ﺍﻝﻔﺘﻰ ﻤﺘﺤﺩﻴﹰﺎ ﻤﺴـﺎﺭﻋﹰﺎ‬
‫ﺇﻝﻰ ﺍﻝﺸﺭ‪ .‬ﻝﻘﺩ ﻜﺎﻥ "ﺠﻴﻡ ﺴﺘﺎﺭﻙ ‪ "Jim Stark‬ﺍﻝﻤﺭﺍﻫﻕ ﺍﻝﺫﻱ ﻴﻅﻥ ﺃﻨﻪ ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﺴﻴﺌﹰﺎ ﻝﻴﻜﻭﻥ ﺠﻴﺩﹰﺍ!”‪ .‬ﺇﻻ ﺃﻥ‬
‫ﺇﺴﺘﺭﺍﺘﻴﺠﻴﺔ ﺤﻤﻠﺔ ﺍﻷﺴﺘﻭﺩﻴﻭ ﺍﻷﺴﺎﺴﻴﺔ ﻜﺎﻨﺕ ﺒﺴﻴﻁﺔ‪ “ :‬ﺩﻋﻭﻨﺎ ﻨﺭﻓﻌﻬﺎ ﻋﺎﻝﻴﹰﺎ ﻋﻠﻰ ﺴﺎﺭﻴﺔ ﺍﻝﻌﻠﻡ ﻝﻨﺭﻯ ﺇﻥ ﻜﺎﻥ ﺃﺤﺩ‬
‫ﺴﻭﻑ ﻴﺅﺩﻱ ﺍﻝﺘﺤﻴﺔ”‪.‬‬
‫ﻝﻘﺩ ﻓﻌل ﺃﺤﺩﻫﻡ ﺫﻝﻙ‪ .‬ﻜﺎﻓﺄﺕ "ﻭﺍﻨﺩﺍ ﻫﻴل ‪ "Wanda Hale‬ﻓﻲ ﺼﺤﻴﻔﺔ "ﺩﻴﻠـﻲ ﻨﻴـﻭﺯ ‪ "Daily News‬ﻓـﻴﻠﻡ‬
‫"ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪ "Rebel Without a Cause‬ﺒﺜﻼﺜﺔ ﻨﺠﻭﻡ ﻭﺒﻌﺽ ﺍﻝﺘﺼﻔﻴﻕ ﻤﻊ ﺒﻌﺽ ﺼﻔﻴﺭ ﺍﻻﺴـﺘﻬﺠﺎﻥ‪“ :‬ﺇﻥ‬
‫ﻓﻴﻠﻡ ﺴﻴﻨﻤﺎ ﺴﻜﻭﺏ ﺸﺭﻜﺔ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻫﻭ ﻋﺒﺎﺭﺓ ﻋﻥ ﺘﺠﻬﻡ ﻤﻀـﺎﻋﻑ ﻭﻨـﺹ ﻤﺭﻴـﻊ‬
‫ﻭﻤﺤﺯﻥ ﻷﻨﻪ ﺘﺫﻜﻴﺭ ﻤﺘﺘﺎل ﻝﻤﻭﺕ ﻤﺄﺴﺎﻭﻱ ﻝﻨﺠﻡ‪" ،‬ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ."James Dean‬ﻭﻜﻌﺭﺒﺔ ﻨﺠﻭﻤﻴﺔ ﺴﺎﺌﺭﺓ ﻝـ " ﺩﻴﻥ‬
‫‪ "Dean‬ﻓﺈﻥ "ﻤﺘﻤﺭﺩ ﺒﻼ ﻗﻀﻴﺔ ‪ "Rebel Without A Cause‬ﻤﺭﺽﹴ‪ ،‬ﻭﻫﻭ ﻴﻤﻨﺢ ﺍﻝﻤﻤﺜل ﺍﻝﻤﻨﺘﺤـﺏ ﻋﻠﻴـﻪ ﺩﻭﺭﹰﺍ‬
‫ﻤﺸﺎﺒﻬﹰﺎ ﻝﺫﻝﻙ ﺍﻝﺫﻱ ﺤﺼل ﻋﻠﻴﻪ ﻓﻲ ﻓﻴﻠﻤﻪ ﺍﻷﻭل "ﺸﺭﻕ ﻋﺩﻥ ‪ ."East of Eden‬ﻭﻤﻊ ﺘﺤﻜﻡ ﻜﺎﻤل ﺒﺎﻝﺸﺨﺼﻴﺔ‪ ،‬ﻓﺈﻨﻪ‬
‫ﻴﻌﻁﻲ ﺃﺩﺍ ‪‬ﺀ ﺤﺴﺎﺴﹰﺎ ﺠﻴﺩﺍﹰ‪ ،‬ﻤﻥ ﻤﺭﺍﻫﻕ ﺘﻌﻴﺱ ﻭﺤﻴﺩ ﻤﻌﺫﺏ ﺒﻤﻌﺭﻓﺔ ﺘﻘﻠﺒﺎﺘﻪ ﺍﻝﻌﺎﻁﻔﻴﺔ”‪ .‬ﺇﻻ ﺃﻥ ﺍﻵﻨﺴﺔ " ﻫﻴل ‪"Hale‬‬
‫ﺘﺎﺒﻌﺕ ﺘﻘﻭل‪ “ :‬ﻝﻡ ﻴﺒﻠﻎ ﺍﻝﻔﻴﻠﻡ ﻜﺩﺭﺍﻤﺎ ﺼﺎﺩﻗﺔ ﻭﻫﺎﺩﻓﺔ ﻝﻘﺴﻭﺓ ﻭﻋﻨﻑ ﺤﺩﺙ ﺤﺩ ﺍﻝﺘﻭﻗﻌﺎﺕ”‪.‬‬
‫ﺴﻠﻙ ﻨﻘﺎﺩ ﺁﺨﺭﻭﻥ ﺍﻝﻁﺭﻴﻕ ﻨﻔﺴﻪ ﺘﻤﺎﻤﹰﺎ‪ .‬ﺤﻴﺙ ﻝﻡ ﻴﻜﻭﻨﻭﺍ ﻤﺄﺨﻭﺫﻴﻥ ﺒﺎﻝﻘﺼﺔ‪ ،‬ﺇﻻ ﺃﻨﻬـﻡ ﺃﺤﺴـﻭﺍ ﺃﻥ ﺘﻤﺜﻴـل‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻝﺩﻴﻪ ﺍﻝﺴﻠﻁﺔ ﺍﻝﻜﺎﻓﻴﺔ ﻝﺠﻌل ﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﺭﺌﻴﺴﻴﺔ ﺘﻨﺠﺢ‪ .‬ﻭﻫﻜﺫﺍ ﻓﺈﻥ ﺭﻫﺎﻥ ﺸـﺭﻜﺔ "ﻭﺭﻨـﺭ‬
‫ﺒﺭﻭﺫﺭﺯ‪ - "Warner Brothers‬ﺒﺈﻁﻼﻕ ﺍﻝﻔﻴﻠﻡ ﻤﺒﺎﺸﺭﺓ ﺒﻌﻴﺩ ﻭﻓﺎﺓ "ﺠﻴﻤﻲ ‪ -"Jimmy‬ﺒﺩﺃ ﻴﺜﻤﺭ‪ .‬ﻓﻜﺎﻥ ﻋﺭﻀﻪ ﺠﻴﺩﹰﺍ‬
‫ﻓﻲ "ﺁﺴﺘﻭﺭ ‪ "Astor‬ﻓﻲ "ﺍﻝﺠﻭﺍﺭ" ﻭﻋﺒﺭ ﺍﻝﺒﻼﺩ‪.‬‬
‫ﺒﺩﺃﺕ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﺒﻌﺩ ﺍﻷﺴﺎﺒﻴﻊ ﺍﻷﻭﻝﻰ ﻏﻴﺭ ﺍﻝﺜﺎﺒﺘﺔ ﺇﺩﺭﺍﻙ ﺃﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤـﻥ‬
‫"ﺍﻝﺤﻴﺎﺓ" ﻓﻲ ﻨﺠﻤﻬﻡ ﺍﻝﻤﺘﻭﻓﻰ‪ .‬ﻭﻤﻊ ﺍﻷﺸﻬﺭ ﺍﻝﻤﺘﺒﻘﻴﺔ ﻝﻌﺎﻡ ‪ 1955‬ﻭﻁﻭﺍل ﺍﻝﺴﻨﻭﺍﺕ ﺍﻝﺜﻼﺙ ﺍﻝﺘﻲ ﺘﻠﺕ‪ ،‬ﻜﺎﻥ ﻫﻨـﺎﻙ‬
‫ﻓﻴﺽ ﻤﻥ ﺍﻝﻤﻘﺎﻻﺕ ﻭﺍﻝﺼﻭﺭ ﺒﻜﺎﻓﺔ ﻤﺴﺘﻭﻴﺎﺕ ﻭﺴﺎﺌل ﺍﻹﻋﻼﻡ ﺍﻝﻤﻁﺒﻭﻋﺔ‪.‬‬
‫ﻜﺎﻥ ﻫﻨﺎﻙ ﺍﻝﻜﺜﻴﺭ ﻤﻥ ﺍﻹﺜﺎﺭﺓ ﺨﺎﺭﺠ ﹰﺎ ﺃﻴﻀ ﹰﺎ‪ .‬ﺃﺸﺎﺭ "ﻓﺭﺍﻨﺴﻭﺍ ﺘﺭﻭﻓﻭ ‪ "François Trufautt‬ﻓﻲ ﻋﺩﺩ " ‪Cahiers‬‬
‫‪ "du Cinéma‬ﻤﻥ ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ﻋﺎﻡ ‪ 1956‬ﺇﻝﻰ "ﺠﻴﻤﻲ ‪) "Jimmy‬ﻤﺘﺫﻜﺭﹰﺍ ﺃﺯﻫﺎﺭ ﺍﻝﺸـﺭ ‪ "Fleurs du Mal‬ﻝــ‬
‫"ﺒﻭﺩﻝﻴﻴﺭ ‪ ("Baudelaire‬ﻭﻜﺄﻨﻪ "ﻨﻜﻬﺔ ﺤﺎﺩﺓ ﻁﺎﺯﺠﺔ ﻤﻥ ﺍﻝﺸﺭ" ﻭﺃﻋﻁﺎﻩ ﺃﻫﻤﻴﺔ ﺒﺎﻝﻔﻴﻠﻡ ﺘﺴﺎﻭﻱ ﺘﻠﻙ ﺍﻝﻌﺎﺌﺩﺓ ﻝـ "ﻝﻴﻠﻴﺎﻥ‬
‫ﻏﻴﺵ ‪ "Lillian Gish‬ﻭ "ﺘﺸﺎﺭﻝﻲ ﺘﺸﺎﺒﻠﻥ ‪ "Charlie Chaplin‬ﻭ"ﺇﻨﻐﺭﻴﺩ ﺒﻴﺭﻏﻤﺎﻥ ‪ ."Ingrid Bergman‬ﻻﺤﻘﹰﺎ ﻭﻓﻲ‬
‫ﺫﻝﻙ ﺍﻝﻌﺎﻡ ﻨﻔﺴﻪ‪ ،‬ﻗﺎل " ﺘﺭﻭﻓﻭ ‪ "Trufautt‬ﻓﻲ ﻤﺠﻠﺔ "ﺁﺭﺘﺱ ‪“ :"Arts‬ﻴﻜﺘﺸﻑ ﺸﺒﺎﺏ ﺍﻝﻴﻭﻡ ﻓﻲ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪James‬‬
‫‪ "Dean‬ﻨﻔﺴﻪ‪ .‬ﻭﺒﺸﻜل ﺃﻗل ﻤﻥ ﺃﺠل ﺍﻷﺴﺒﺎﺏ ﺍﻝﻤﺘﻘﺩﻤﺔ ﻋﺎﺩﺓ‪ :‬ﺍﻝﻌﻨﻑ‪ ،‬ﺍﻝﺴﺎﺩﻴﺔ‪ ،‬ﺍﻝﻬﻴﺴـﺘﻴﺭﻴﺎ‪ ،‬ﺍﻝﺘﺸـﺎﺅﻡ ﻭﺍﻝﻘﺴـﻭﺓ‬
‫ﻭﺍﻝﻘﺫﺍﺭﺓ ﻋﻥ ﺍﻷﺨﺭﻯ ﻭﺍﻝﻤﺄﻝﻭﻓﺔ ﻭﺍﻝﺒﺴﻴﻁﺔ ﺒﺸﻜل ﻤﻁﺎﺒﻕ‪ .‬ﺘﻭﺍﻀﻊ ﺍﻷﺤﺎﺴﻴﺱ‪ ،‬ﻭﺤﻴﺎﺓ ﺍﻝﺒﺫﺥ ﺍﻝﻤﺘﻭﺍﺼﻠﺔ ﻭﺍﻝﻨﻘـﺎﺀ‬
‫ﺍﻷﺨﻼﻗﻲ ﺩﻭﻥ ﺃﻴﺔ ﻋﻼﻗﺔ ﻷﺨﻼﻗﻴﺔ ﻜل ﻴﻭﻡ ﻋﺩﺍ ﺘﻠﻙ ﺍﻝﺒﻘﻴﺔ ﺍﻝﻘﺎﺴﻴﺔ‪ ،‬ﻭﺍﻝﺤـﺏ ﺍﻷﺒـﺩﻱ ﺍﻝﻤﺭﺍﻫـﻕ ﻝﻼﺨﺘﺒـﺎﺭﺍﺕ‬
‫ﻭﺍﻝﺘﺠﺎﺭﺏ‪ ،‬ﻭﺍﻻﻨﺘﺸﺎﺀ‪ ،‬ﻭﺍﻝﻔﺨﺭ ﻭﺍﻝﻨﺩﻡ ﺒﺸﻌﻭﺭ ﻜﻭﻥ ﺍﻝﺸﺨﺹ "ﺨﺎﺭﺠﹰﺎ" ﻋﻠﻰ ﺍﻝﻤﺠﺘﻤﻊ‪ ،‬ﻭﺍﻝﺭﻓﺽ ﻭﺍﻝﺭﻏﺒﺔ ﻓﻲ ﺃﻥ‬
‫ﻴﺼﺒﺢ ﻤﺩﻤﺠﹰﺎ‪ .‬ﻭﺃﺨﻴﺭﺍﹰ‪ ،‬ﻗﺒﻭل ﺭﻓﺽ ﺍﻝﻌﺎﻝﻡ ﻜﻤﺎ ﻫﻭ”‪.‬‬
‫ﻭﺴﺭﻋﺎﻥ ﻤﺎ ﺍﻨﻐﻤﺴﺕ ﺼﺤﺎﻓﺔ ﺍﻝﻤﻌﺠﺒﻴﻥ ﺍﻝﻔﺭﻨﺴﻴﺔ )ﻤﺠﻼﺕ ﻤﺜل "ﻋﺎﻝﻡ ﺍﻝﺴـﻴﻨﻤﺎ ‪ "Ciné Monde‬ﻭ"ﺴـﻴﻨﻤﺎ‬
‫‪ "Cinema‬ﻭ"‪ "Copains‬ﻭ" ‪ "Caline‬ﻭ " ‪ ("Disco Revue‬ﺒﻤﻭﺠﺔ ﺇﻋـﻼﻡ "ﺩﻴـﻥ ‪ ،"Dean‬ﻭﻜـﺫﻝﻙ ﻜـﺎﻥ ﺤـﺎل‬
‫ﺍﻹﺼﺩﺍﺭﺍﺕ ﺍﻝﺸﺒﻴﻬﺔ ﻓﻲ ﺍﻨﻜﻠﺘﺭﺍ ﻭﺃﻝﻤﺎﻨﻴﺎ ﻭﺇﻴﻁﺎﻝﻴﺎ ﻭﺍﻝﻴﺎﺒﺎﻥ‪.‬‬
‫ﺃﻤﺎ ﻫﻨﺎ ﻓﻲ ﺍﻝﻭﻁﻥ‪ ،‬ﻓﻨﺸﺭﺕ ﺍﻝﻤﻘﺎﻻﺕ ﻝﻴﺱ ﻓﻘﻁ ﺒﺎﻝﻌﺸﺭﺍﺕ ﺒل ﺒﺎﻝﻤﺌﺎﺕ‪ .‬ﻭﺼﻔﺕ ﺒﻌﺽ ﺍﻝﻌﻨﺎﻭﻴﻥ ﻫـﻭﺱ‬
‫ﺸﺨﺼﻴﺔ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﻤﺘﺼﺎﻋﺩﺓ‪ " :‬ﺍﻝﻨﻬﺎﻴﺔ‪ ......‬ﺃﻡ ﺍﻝﺒﺩﺍﻴﺔ" )"ﻤﻭﻜﺏ ﻨﺠـﻭﻡ ﺍﻝﺴـﻴﻨﻤﺎ ‪"Movie Stars Parade‬‬
‫ﺃﻴﺎﺭ‪/‬ﻤﺎﻴﻭ ‪(1956‬؛ " "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻝﻡ ﻴﻤﺕ" )"ﺍﻝﺴﻴﻨﻤﺎ ‪ "Motion Pictures‬ﺃﻴﺎﺭ‪/‬ﻤـﺎﻴﻭ ‪(1956‬؛ "‬
‫ﻤﺎﺯﺍل "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻴﺘﻠﻘﻰ ﺍﻝﺭﺴﺎﺌل" )"ﻨﻴﻭﻴﻭﺭﻙ ﻭﻭﺭﻝﺩ ﺘﻴﻠﻴﻐﺭﺍﻡ ﺁﻨﺩ ﺼـﻥ ‪New York World-‬‬
‫‪ 3 "Telegram and Sun‬ﺃﻴﺎﺭ‪/‬ﻤﺎﻴﻭ ‪(1956‬؛ "ﺍﻝﺤﻘﻴﻘﺔ ﺨﻠﻑ ﻗﺼﺹ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪") "James Dean‬ﺃﺴﺭﺍﺭ ﺍﻷﻓﻼﻡ‬
‫‪ "Movie Secrets‬ﺤﺯﻴﺭﺍﻥ‪/‬ﻴﻭﻨﻴﻭ ‪(1956‬؛ " "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻴﺭﺩ ﺍﻝﻀﺭﺒﺎﺕ ﻤـﻥ ﺍﻝﻘﺒـﺭ )" ﺤﻴـﺎﺓ‬
‫ﺍﻷﻓﻼﻡ ‪ "Movie Life‬ﺤﺯﻴﺭﺍﻥ‪/‬ﻴﻭﻨﻴﻭ ‪(1956‬؛ "ﺍﻝﻭﻝﺩ ﺍﻝﺫﻱ ﺭﻓﺽ ﺃﻥ ﻴﻤﻭﺕ " )" ﺃﻝﺒﻭﻡ "ﺠـﻴﻤﺱ ﺩﻴـﻥ ‪James‬‬
‫‪ – "The James Dean Album "Dean‬ﺇﻴﺩﻴﺎل ‪(1956‬؛ "ﺍﻝﻨﺠﻡ ﺍﻝﺫﻱ ﻻ ﻴﺒﻬـﺕ" )" ﻨﻴﻭﺯﻭﻴـﻙ ‪18 "Newsweek‬‬
‫ﺤﺯﻴﺭﺍﻥ‪/‬ﻴﻭﻨﻴﻭ ‪(1956‬؛ "ﺍﻝﺒﻌﺙ ﺍﻝﻐﺭﻴﺏ ﻝـ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪" ) " "James Dean‬ﺃﻤﻴﺭﻴﻜـﺎﻥ ﻭﻴﻜﻠـﻲ ‪American‬‬
‫‪ 29 "Weekly‬ﺘﻤﻭﺯ‪/‬ﻴﻭﻝﻴﻭ ‪(1956‬؛ "ﺍﻝﻤﺩﺡ ﺍﻝﻤﺴﺭﻑ ﺍﻝﻤﺭﻭﻉ ﻝـ "ﺠـﻴﻤﺱ ﺩﻴـﻥ ‪" ) " "James Dean‬ﺸـﻴﻜﺎﻏﻭ‬
‫ﺃﻤﻴﺭﻴﻜﺎﻥ ‪ 10 "Chicago American‬ﺁﺏ‪/‬ﺃﻏﺴـﻁﺱ ‪(1956‬؛ "ﺃﺴـﻁﻭﺭﺓ "ﺠـﻴﻤﺱ ﺩﻴـﻥ ‪) " "James Dean‬‬
‫"ﻨﻴﻭﻴﻭﺭﻙ ﺒﻭﺴﺕ ‪ 19 "New York Post‬ﺁﺏ‪/‬ﺃﻏﺴﻁﺱ ‪(1956‬؛ "ﻤﺎ ﺯﺍل " ﺩﻴـﻥ ‪ "Dean‬ﺤﻴـﹰﺎ ﺒﻤﻭﺘـﻪ ﺒﻨﻅـﺭ‬
‫ﺍﻝﻤﻌﺠﺒﻴﻥ" ) "ﻓﻠﻭﺭﻴﺩﺍ ﺘﺎﻴﻤﺯ ﻴﻭﻨﻴﻭﻥ ‪ 26 "Florida Times Union‬ﺁﺏ‪/‬ﺃﻏﺴﻁﺱ ‪(1956‬؛ "ﺍﻝﻨﺠﻡ ﺍﻝﺫﻱ ﻝﻥ ﻴﻨﺴﻭﻩ"‬
‫) "ﻗﺼﺔ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺍﻝﺤﻘﻴﻘﻴﺔ ‪ - "The Real James Dean Story‬ﻓﺎﻭﺴﻴﺕ ‪(1956‬؛ "ﻫﻜﺫﺍ ﺼﻨﻊ‬
‫ﺍﻷﺴـــــــــــــــــــــــــــــــــــــــــــــــــﻁﻭﺭﺓ"‬
‫) "ﻜﺘﺎﺏ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺒﺎﻝﺫﻜﺭﻯ ﺍﻝﺴﻨﻭﻴﺔ ﺍﻝﺭﺴﻤﻴﺔ ‪- "James Dean Official Anniversary Book‬‬
‫ﺩﻴل ‪(1956‬؛ "ﺍﻝﺭﺠل ﺍﻝﺫﻱ ﻝﻥ ﻴﺩﻋﻭﻩ ﻴﻤﻭﺕ" )"ﺍﺴﺘﻌﺭﺍﺽ ﺍﻷﻓﻼﻡ ‪ "Movie Show‬ﺃﻴﻠﻭل‪/‬ﺴـﺒﺘﻤﺒﺭ ‪(1956‬؛ "‬
‫ﺍﻝﺫﻱ ﻝﻥ ﻴﺩﻋﻭﻩ ﻴﺭﻗﺩ ﺒﺴﻼﻡ" ) "ﻨﻴﻭﻴﻭﺭﻙ ﺩﻴﻠﻲ ﻨﻴﻭﺯ ‪ 29 "New York Daily News‬ﺃﻴﻠـﻭل‪/‬ﺴـﺒﺘﻤﺒﺭ ‪(1956‬؛‬
‫"ﻤﻴﺩﺍﻝﻴﺔ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺍﻝﺘﺫﻜﺎﺭﻴﺔ" ) "ﺍﻝﺸﺎﺸﺔ ﺍﻝﺤﺩﻴﺜﺔ ‪ "Modern Screen‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘـﻭﺒﺭ ‪(1956‬؛‬
‫"ﻴﻤﻜﻨﻙ ﺠﻌل "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻴﺤﻴﺎ ﻝﻸﺒﺩ" )"ﺍﻝﺴﻴﻨﻤﺎ ‪ "Motion Pictures‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘﻭﺒﺭ ‪.(1956‬‬
‫ﻜﺎﻨﺕ ﺇﺤﺩﻯ ﺍﻝﻁﺭﻕ ﺍﻝﺘﻲ ﺠﺭﺒﻬﺎ ﺁﻻﻑ ﺍﻝﻨﺎﺱ "ﻝﺠﻌل "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻴﺤﻴﺎ ﻝﻸﺒﺩ" ﻫﻲ ﺸـﺭﺍﺀ‬
‫ﻭﺍﺤﺩ ﺃﻭ ﺃﻜﺜﺭ ﻤﻥ ﺍﻝﺘﺫﻜﺎﺭﺍﺕ ﺍﻝﺘﻲ ﻅﻬﺭﺕ ﻓﺠﺄﺓ ﻓﻲ ﻜل ﻤﻜﺎﻥ‪ .‬ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺃﻗﻨﻌﺔ ﻭﺘﻤﺎﺜﻴل ﻨﺼـﻔﻴﺔ‪ ،‬ﻭ"ﻤﺤﻔﻅـﺔ‬
‫ﺠﻴﺏ ﻝﻠﺼﻭﺭ"‪ ،‬ﻭﺴﺘﺭﺍﺕ ﻭﻤﺩﻴﺎﺕ ﺠﻴﺏ‪ ،‬ﻭﺨﻭﺍﺘﻡ )ﻴﻘﺎل ﺇﻨﻬﺎ ﺘﺤﻭﻱ ﻗﻁﻌﹰﺎ ﻤﻥ ﺸﺎﻫﺩﺓ ﻗﺒﺭﻩ( ﻭﺤﺘﻰ ﻗﻁﻊ ﺯﺠﺎﺠﻴﺔ‬
‫ﻭﺃﻝﻤﻨﻴﻭﻡ ﻭﻗﻁﻊ ﻤﻥ ﺍﻝﺩﻫﺎﻥ – ﻜﻠﻬﺎ ﺒﺎﻓﺘﺭﺍﺽ ﺃﻨﻬﺎ ﻤﺄﺨﻭﺫﺓ ﻤﻥ ﺍﻝﺴﻴﺎﺭﺓ )ﺍﻝﺘﻲ ﻅﻬﺭﺕ ﻻﺤﻘﹰﺎ ﻤﺤﻁﻤﺔ ﻝﻜﻥ ﻜﺎﻤﻠـﺔ‬
‫ﻓﻲ ﻤﻌﺭﺽ ﺍﻝﺴﻴﺎﺭﺍﺕ ﺍﻝﺭﻴﺎﻀﻴﺔ ﺍﻝﻌﺎﻝﻤﻲ ﻋﺎﻡ ‪ 1956‬ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ(‪.‬‬
‫ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺃﻝﺒﻭﻤﺎﺕ ﻁﻭﻴﻠﺔ ﺍﻝﻤﺩﺓ "‪ :"LP‬ﻝﺘﺴﺠﻴﻼﺕ ﺼﻭﺘﻴﺔ ﻤﻥ ﺃﻓﻼﻡ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﺃﺸﺭﻁﺔ ﺨﺎﺼﺔ‬
‫ﻤﺴﺠﻠﺔ ﻓﻲ ﺍﻝﺒﻴﺕ ﻭﻫﻭ ﻴﻌﺯﻑ ﻋﻠﻰ ﻁﺒﻭﻝﻪ ﻤﻊ ﻤﻭﺴﻴﻘﺎ ﺍﻷﻏﺎﻨﻲ ﻝﻠﺘﺭﻭﻴﺢ ﻋﻥ ﺍﻝﻨﻔﺱ ﻭﺍﻝﺘﻲ ﺍﺴﺘﻤﻊ ﺇﻝﻴﻬﺎ ﻤﺭﺓ ﻓـﻲ‬
‫ﻥ ﺃﺨـﺭﻯ‪ " :‬ﻜـﺎﻥ ﺍﺴـﻤﻪ ﺩﻴـﻥ ‪"His Name was Dean‬‬ ‫ﺃﺤـﺩ ﺒـﺎﺭﺍﺕ ﻫﻭﻝﻴـﻭﻭﺩ‪ .‬ﻭﻜﺎﻨـﺕ ﻫﻨـﺎﻙ ﺃﻏـﺎ ﹴ‬
‫ﻭ "ﻗﺼﺔ ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "The Story of James Dean‬ﻭ "ﺍﻝﻤﺘﺴﺎﺒﻕ ﺴﻭﻑ ﻴﻌﻴﺵ ﻝﻸﺒﺩ ‪"The Racer Lives Forever‬‬
‫ﻭ "ﺠﻴﻤﻲ‪ ،‬ﺠﻴﻤﻲ ‪ "Jimmy, Jimmy‬ﻭ ﺃﻏﻨﻴﺔ ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "The Ballad of James Dean‬ﻭ "ﺠﻴﻤﻲ ﺩﻴﻥ ﻝﻡ ﻴﻤﺕ‬
‫‪ "Jimmy Dean Is Not Dead‬ﻭ "ﺘﺭﻨﻴﻤﺔ ﻤﻥ ﺃﺠل ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "Hymn for James Dean‬ﻭ "ﻓﺘﻰ ﺍﺴﻤﻪ ﺠﻴﻤـﻲ‬
‫ﺩﻴﻥ ‪."A Boy Named Jimmy Dean‬‬
‫ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﻨﻭﺍﺩ ٍ ﻝﻠﻤﻌﺠﺒﻴﻥ ﺒﺎﻝﻤﺌﺎﺕ ﻓﻲ ﺍﻝﻭﻻﻴﺎﺕ ﺍﻝﻤﺘﺤﺩﺓ ﻭﻜﻨﺩﺍ ﻭﺃﻭﺭﻭﺒﺎ ﻭﺠﻨﻭﺏ ﺇﻓﺭﻴﻘﻴﺎ ﻭﻓﻴﻤﺎ ﺒﻌﺩ ﻓـﻲ‬
‫ﺍﻝﻴﺎﺒﺎﻥ ﻭﺍﺴﺘﺭﺍﻝﻴﺎ ﻭﺇﻓﺭﻴﻘﻴﺎ‪ .‬ﻭﻨﺸﺭﺕ ﺍﻷﻨﺩﻴﺔ ﻤﺠﻼﺕ ﻤﻨﺴﻭﺨﺔ ﻤﻥ ﺃﺠل ﻨﺸﺭ ﺤﻤﻰ "ﺩﻴﻥ ‪ "Dean‬ﺒﺸـﻜل ﺃﻭﺴـﻊ‪.‬‬
‫ﻭﻤﻥ ﺍﻷﻤﺜﻠﺔ ﻋﻠﻰ ﻫﺫﻩ ﺍﻝﻤﻨﺸﻭﺭﺍﺕ‪" ،‬ﻤﺠﻠﺔ ﻨﺎﺩﻱ ﺠﻴﻤﺱ ﺩﻴﻥ ﺍﻝﺘﺫﻜﺎﺭﻱ ‪"James Dean Memorial Club Journal‬‬
‫ﺍﻝﺘﻲ ﻨﺸﺭﺕ ﻋﺩﺩﹰﺍ ﺘﺤﺕ ﻋﻨﻭﺍﻥ "ﺍﻝﻌﻤﻼﻕ ‪ ."Giant‬ﺤﻤﻠﺕ ﻜل ﻨﺴﺨﺔ ﻋﻠﻰ ﻏﻼﻓﻬﺎ ﺍﻷﺯﺭﻕ ﺼـﻭﺭﺓ ﺒﻘﻴـﺎﺱ ¾‪2‬‬
‫ﻭ¾‪ 3‬ﺇﻨﺵ ﻤﻠﺼﻘﺔ ﻝـ "ﺠﻴﻤﻲ ‪) "Jimmy‬ﻭﻫﻭ ﻴﺒﺩﻭ ﻭﻗﻭﺭﹰﺍ ﺠﺩﹰﺍ ﺒﻨﻅﺎﺭﺘﻪ ﻭﺒﺯﺓ ﺍﻝﺘﻭﻜﺴﻴﺩﻭ(‪.‬‬
‫ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﺒﺎﻝﺩﺍﺨل ﺍﻹﻫﺩﺍﺀﺍﺕ ﻭﺍﻝﺭﺴﻭﻡ ﻭﺍﻝﺭﺴﺎﺌل )“ﻋﺯﻴﺯﻱ ﺇﻥ ﻤﺎ ﺘﻌﻨﻴﻪ ﻫﺫﻩ ﺍﻝﺭﺴﺎﻝﺔ‪ ،‬ﻝﻠﻤﺭﺓ ﺍﻷﺨﻴﺭﺓ‪،‬‬
‫ﻜﻴﻑ ﻨﺤﺱ ﺘﺠﺎﻫﻙ‪ .‬ﻨﺤﻥ ﻨﺤﺒﻙ‪ .‬ﻨﻌﻡ‪ ،‬ﻝﻴﺱ ﺒﻁﺭﻴﻘﺔ ﺍﻝﺘﻤﻠﻙ‪ ،‬ﻝﻜﻥ ﺒﻁﺭﻴﻘﺔ ﻨﺭﻴﺩﻙ ﻓﻴﻬﺎ ﺃﻥ ﺘﻜﻭﻥ ﺴـﻌﻴﺩﹰﺍ – ﻭﺃﻥ‬
‫ﺘﺘﺨﻠﺹ ﻤﻥ ﺫﻝﻙ ﺍﻝﻌﺫﺍﺏ ﺍﻝﺩﺍﺨﻠﻲ ﺍﻝﺫﻱ ﺒﺩﺍ ﺃﻨﻪ ﺠﺯﺀ ﻤﻨﻙ‪ .‬ﺒﺎﻹﻀﺎﻓﺔ ﺇﻝﻰ ﻫﺫﺍ‪ ،‬ﻓﻘﺩ ﺃﺤﺒﺒﻨﺎ‪ ،‬ﻭﻤﺎ ﺯﻝﻨﺎ ﻨﺤﺏ‪ ،‬ﻜـل‬
‫ﺸﻲﺀ ﻋﻨﻙ‪ .‬ﺘﻠﻙ ﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻲ ﻨﺨﺒﺌﻬﺎ ﻓﻲ ﺃﻤﺎﻜﻥ ﺴﺭﻴﺔ ﻭﻨﻠﻤﺴﻬﺎ ﻭﻨﻌﺘﺒﺭﻫﺎ ﺠﻭﺍﻫﺭ ﻨﻔﻴﺴﺔ – ﻭﺍﻝﺘﻲ ﻫـﻲ ﻜـﺫﻝﻙ‬
‫ﺒﺎﻝﻔﻌل‪.‬ﻨﺤﺏ ﺫﻝﻙ ﺍﻝﺸﻌﺭ ﺍﻷﺼﻔﺭ ﻏﻴﺭ ﺍﻝﻤﻤﺸﻁ‪ .‬ﻨﺤﺏ ﺠﺒﻬﺘﻙ ﺍﻝﻌﺭﻴﻀﺔ ﻭﺘﻠﻙ ﺍﻝﺘﺠﻌﻴﺩﺓ ﺍﻝﺼﻐﻴﺭﺓ ﺍﻝﺘﻲ ﺘﻅﻬﺭ ﺒﻴﻥ‬
‫ﺍﻝﺤﺎﺠﺒﻴﻥ ﻋﻨﺩﻤﺎ ﺘﻜﻭﻥ ﻏﻴﺭ ﺴﻌﻴﺩ ﺃﻭ ﻤﺭﺘﺒﻜ ﹶﺎ ] ﻭﻗﺩ ﺘﻘﻨﺎ ﻹﺭﺍﺤﺘﻙ ‪ ،(”...‬ﻭﻜﺎﻥ ﻫﻨﺎﻙ ﻗﺴﻡ ﻴﺩﻋﻰ "ﺃﺨﺒﺎﺭ ﻭﺁﺭﺍﺀ"‪:‬‬

‫‪Joseph‬‬ ‫“ ﺃﺨﺒﺎﺭ ﺠﻴﺩﺓ! ‪ ...‬ﻝﻘﺩ ﺘﻠﻘﻴﻨﺎ ﺨﺒﺭﹰﺍ ﻭﻫﻭ ﺃﻥ ﺸﺭﻜﺔ "ﺠﻭﺯﻴـﻑ ﺸـﻠﻴﺘﺯ ﺒﺭﻴﻭﻴﻨـﻎ‬
‫‪ "Schlitz Brewing‬ﻗﺩ ﻗﺭﺭﺕ ﺇﻋﺎﺩﺓ ﻋﺭﺽ ﺍﻝﻤﺴﺭﺤﻴﺔ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﺔ " ﺍﻝﻁﺭﻴﻕ ﻏﻴﺭ ﺍﻝﻤﻨـﺎﺭ‬
‫‪) "The Unlighted Road‬ﺩﺭﺍﻤﺎ ﻝﻌﺏ ﻓﻴﻬﺎ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺩﻭﺭ ﺸﺨﺹ ﻤـﺄﺠﻭﺭ ﻝﺨـﺎﻁﻔﻲ‬
‫ﺴﻴﺎﺭﺓ‪ ،‬ﻭﻫﻭ ﺍﻝﻌﺭﺽ ﺍﻝﺤﻲ ﺍﻝﻭﺤﻴﺩ ﺍﻝﺫﻱ ﺴﺠل ﻋﻠﻰ ﻓﻴﻠﻡ(‪ ،‬ﻓﻲ ‪ 16‬ﺘﺸﺭﻴﻥ ﺍﻝﺜﺎﻨﻲ‪/‬ﻨـﻭﻓﻤﺒﺭ‬
‫ﺍﻝﻘﺎﺩﻡ ‪ .‬ﻓﻲ ﺇﺤﺩﻯ ﺍﻝﻤﺭﺍﺕ ﻭﻓﻲ ‪ 1‬ﺤﺯﻴﺭﺍﻥ‪/‬ﻴﻭﻨﻴﻭ ﺍﻝﻤﺎﻀﻲ ﺘﻡ ﺇﻋﺎﺩﺓ ﻋـﺭﺽ ﺍﻝﻤﺴـﺭﺤﻴﺔ‬
‫ﺒﺴﺒﺏ ﻜﺜﺭﺓ ﺍﻝﻁﻠﺏ‪ .‬ﻴﻘﺩﻡ ﺍﻝﻤﺴﺭﺤﻴﺔ "ﻤﺴﺭﺡ ﺸـﻠﻴﺘﺯ ﻝﻠﻨﺠـﻭﻡ ‪The Schlitz Playhouse of‬‬
‫‪ "Stars‬ﻭﺍﻝﺘﻲ ﺴﺘﻅﻬﺭ ﻋﻠﻰ ﺍﻝﻘﻨﺎﺓ ﺍﻝﺜﺎﻨﻴﺔ ﻋﻨﺩ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺘﺎﺴﻌﺔ ﻭ ﺍﻝﻨﺼﻑ ﻤـﻥ ﻤﺴـﺎﺀ ﻴـﻭﻡ‬
‫ﺍﻝﺠﻤﻌﺔ‪ .‬ﻭﺴﻭﻑ ﻨﻜﻭﻥ ﻤﻤﺘﻨﻴﻥ ﺠﺩﹰﺍ ﻝﻼﺴﺘﺠﺎﺒﺔ ﻝﻠﻁﻠﺒﺎﺕ ﺍﻝﺼﺎﺩﺭﺓ ﻤﻥ ﺍﻝﻘﻠﺏ ﻹﻋﺎﺩﺓ ﻋﺭﺽ‬
‫ﺃﺩﺍﺀ "ﺠﻴﻤﻲ ‪.” "Jimmy‬‬
‫ﺘﺫﻜﺭ ﺍﻝﻤﺠﻠﺔ ﻓﻲ ﺼﻔﺤﺔ ﺃﺨﺭﻯ‪ “ :‬ﻫل ﻴﻤﻜﻨﻨﺎ ﺃﻥ ﻨﻘﺘﺭﺡ ﻷﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻴﻌﻴﺸﻭﻥ ﻓﻲ ﺍﻝﺭﻴﻑ ﻤﻨﻜﻡ ﻭﻝـﺩﻴﻬﻡ‬
‫ﻤﻭﺍﻗﺩ ﻓﻲ ﻤﻨﺎﺯﻝﻬﻡ‪ ،‬ﺒﺎﺩﺨﺎﺭ ﺘﻜﺎﻝﻴﻑ ﺍﻝﻭﻗﻭﺩ ﺤﻴﺙ ﻫﻨﺎﻙ ﻤﻨﺘﺞ – ﻓﻲ ﻋﺩﺓ ﻁﺭﻕ – ﺭﺨﻴﺹ ﻏﺭﻀﻪ ﺍﻝﻭﺤﻴﺩ ﻫـﻭ‬
‫ﺍﻝﺤﺭﻕ‪ .‬ﻨﺤﻥ ﻨﻘﺼﺩ ﺘﻠﻙ ﺍﻝﻤﻨﺸﻭﺭﺍﺕ ﺍﻝﺘﺎﻓﻬﺔ ﺍﻝﺘﻲ ﺘﺠﺭﺅ ﻋﻠﻰ ﻁﺒﺎﻋﺔ ﺘﺨﺎﺭﻴﻔﻬﺎ ﻭﻜﺫﺒﻬﺎ ﺍﻝﺭﻫﻴﺏ ﻋـﻥ "ﺠﻴﻤـﻲ‬
‫‪ ."Jimmy‬ﻭﻤﻊ ﺍﻗﺘﻁﺎﻉ ﺼﻭﺭ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻓﺈﻥ ﻤﺎ ﺘﺒﻘﻰ ﻤﻥ ﺭﻤﻭﺯ ﺍﻝﻔﺴﺎﺩ ﻭﺍﻝﺠﻬل ﺘﻠﻙ ﻤﻨﺎﺴﺏ ﻓﻘـﻁ ﻝﻜـﻲ‬
‫ﻴﺤﻭل ﺇﻝﻰ ﺩﺨﺎﻥ ﻭﺭﻤﺎﺩ”‪.‬‬
‫ﻤﻊ ﺍﻓﺘﺘﺎﺡ ﻓﻴﻠﻡ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ) ‪ 10‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪/‬ﺃﻜﺘـﻭﺒﺭ ﻋـﺎﻡ ‪ ،1956‬ﻓـﻲ ﺼـﺎﻝﺔ‬
‫"ﺭﻭﻜﺴﻲ ‪ ("Roxy‬ﻜﺎﻥ ﺩﻭﻱ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻤﺜﻴﺭﹰﺍ ﻤﺜل ﺇﻀﺭﺍﺏ ﺍﻝﻨﻔﻁ ﻝـ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪"Jett Rink‬‬
‫ﻓﻲ ﺍﻝﻔﻴﻠﻡ‪.‬‬
‫ﺍﻋﺘﻘﺩ "ﺒﻭﺴﻠﻲ ﻏﺭﻭﺜﺭ ‪ ) "Bosley Growther‬ﻓﻲ "ﻨﻴﻭﻴﻭﺭﻙ ﺘﺎﻴﻤﺯ ‪ "New York Times‬ﻓﻲ ‪ 11‬ﺘﺸـﺭﻴﻥ‬
‫ﺍﻷﻭل ‪ /‬ﺃﻜﺘﻭﺒﺭ ‪ (1956‬ﺃﻥ ﺍﻝﻔﻴﻠﻡ “ﻤﻨﺎﻓﺱ ﻗﻭﻱ ﻓﻲ ﺠﺎﺌﺯﺓ ﺃﻓﻀل ﻓﻴﻠﻡ”‪ .‬ﻜﺎﻥ ﻝﺩﻴﻪ ﻤـﺩﻴﺢ ﺨـﺎﺹ ﻷﺩﺍﺀ "ﺠﻴﻤـﻲ‬
‫‪ “: "Jimmy‬ﺒﺠﻤﻴﻊ ﺍﻷﺤﻭﺍل‪ ،‬ﻓﺈﻥ ﺍﻝﻤﺭﺤﻭﻡ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻫﻭ ﺍﻝﺫﻱ ﺃﻋﻁﻰ ﻨﻜﻬﺔ ﻤﻤﻴﺯﺓ ﻓﻲ ﺍﻝﻔﻴﻠﻡ ﻝﻠﺩﻭﺭ‬
‫ﺍﻝﺨﺒﻴﺙ ﻝﻌﺎﻤل ﺍﻝﻤﺯﺭﻋﺔ ﺍﻝﻭﺍﺜﻕ ﺍﻝﺫﻱ ﻴﺘﺤﻭل ﺇﻝﻰ ﺒﺎﺭﻭﻥ ﻨﻔﻁ ﻤﺯﻋﺞ‪ .‬ﻴﻠﻌﺏ ﺍﻝﺴﻴﺩ " ﺩﻴﻥ ‪ "Dean‬ﻫـﺫﺍ ﺍﻝـﺩﻭﺭ ﺍﻝﻨـﺫل‬
‫ﺍﻝﻔﻀﻭﻝﻲ ﻋﻠﻰ ﻨﺤﻭ ﻤﻌﻴﻥ ﺨﺎﺹ ﻜﺎﻝﺸﺒﺢ‪ -‬ﻨﻭﻉ ﺒﺎﺭﻉ ﻤﻥ ﺍﻝﻜﺴل ﻏﻴﺭ ﺍﻝﺭﺘﻴﺏ ﻭﻝﻐﺔ ﻓﻴﻬﺎ ﺩﻤﺞ ﺒـﺎﻷﺤﺭﻑ ‪ -‬ﻤﺅﻜـﺩﹰﺍ‬
‫ﻋﻠﻰ ﻏﻠﻪ ﻭﺤﻘﺩﻩ‪ .‬ﺇﻥ ﻫﺫﺍ ﺤﺠﺭ ﺃﺴﺎﺱ ﻤﻼﺯﻡ ﻝﻠﺤﻴﺎﺓ ﺍﻝﻤﻬﻨﻴﺔ ﺍﻝﻘﺼﻴﺭﺓ ﻝﻠﺴﻴﺩ " ﺩﻴﻥ ‪.” "Dean‬‬
‫ﺃﻅﻬﺭ "ﻫﻴﺭﺒﻴﺭﻍ ﻜﻭﺒﻔﻴﺭﺒﻴﺭﻍ ‪ "Herberg Kupferberg‬ﻓﻲ ﺍﻝﺼﺒﺎﺡ ﻨﻔﺴﻪ ﻓﻲ ﺼﺤﻴﻔﺔ " ﻨﻴﻭﻴﻭﺭﻙ ﻫﻴﺭﺍﻝـﺩ‬
‫ﺘﺭﻴﺒﻴﻭﻥ ‪ "New York Herald Tribune‬ﺒﻌﺽ ﺍﻝﺘﺤﻔﻅ ﻋﻠﻰ ﺍﻝﻔﻴﻠﻡ‪ ......“:‬ﺭﺒﻤﺎ ﻻ ﻴﺤﻔﺭ ﻋﻤﻴﻘﹰﺎ ﻜﻤﺎ ﻴﺠـﺏ ﻓـﻲ‬
‫ﻋﻘﻭل ﺍﻝﺸﺨﺼﻴﺎﺕ ﻭﻗﻠﻭﺒﻬﺎ”؛ ﺇﻻ ﺃﻥ ﻤﺩﻴﺤﻪ ﻷﺩﺍﺀ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻜﺎﻥ ﻤﻭﺍﺯﻴـﹰﺎ ﻝــ " ﻏﺭﻭﺜـﺭ ‪:"Growther‬‬
‫“‪ ......‬ﺇﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻴﺅﺩﻱ ﺃﺩﺍ ‪‬ﺀ ﺼﺎﻋﻘﹰﺎ ﻗﻭﻴﹰﺎ ﻭﻴﻭﻝﺩ ﻓﻲ "ﺠﻴﺕ ﺭﻴﻨﻙ ‪ "Jett Rink‬ﺍﻝﺸﺨﺼـﻴﺔ‬
‫ﺍﻝﺘﻲ ﻻ ﺘﻨﺴﻰ ﺃﺒﺩﹰﺍ‪ .‬ﺘﻔﺎﺠﺄ ﻤﻌﺠﺒﻭﻩ ﺍﻝﻤﺘﻌﺼﺒﻭﻥ ﺍﻝﺫﻴﻥ ﻜﺜﺭﻭﺍ ﺤﻭﻝﻪ ﺒﻌﺩ ﻭﻓﺎﺘﻪ ﻓﻲ ﺤﺎﺩﺙ ﺘﺤﻁﻡ ﺴﻴﺎﺭﺘﻪ ﻤﺒﺎﺸﺭﺓ ﺒﻌﺩ‬
‫ﺘﺼﻭﻴﺭ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﺒﻁﺭﻴﻘﺔ ﻤﺎ ﻝﺭﺅﻴﺘﻪ ﻴﻤﺸﻲ ﺒﺘﺭﻫل ﺒﻨﻅﺎﺭﺘﻪ ﺍﻝﻐﺎﻤﻘﺔ ﻭﺸﺎﺭﺒﻪ ﺍﻝﺭﻓﻴﻊ ﻓﻲ ﺍﻝﻤﺭﺍﺤل ﺍﻷﺨﻴﺭﺓ‬
‫ﻤﻥ ﺍﻝﻔﻴﻠﻡ ﻋﻠﻰ ﺃﻨﻪ ﺃﺤﺩ ﺃﺭﺒﺎﺏ ﺍﻝﻨﻔﻁ ﻭﺍﻝﻔﻨﺎﺩﻕ‪ .‬ﺇﻻ ﺃﻥ ﺘﻤﺜﻴﻠﻪ ﺍﻷﻭل ﻜﻌﺎﻤل ﺍﻝﻤﺯﺭﻋﺔ ﺍﻝﺸﺎﺏ ﺍﻝﻼﺃﺨﻼﻗﻲ ﻭﺍﻝﻤﺘﻬﻭﺭ‬
‫ﺍﻝﺫﻱ ﻴﺸﺒﻪ ﺍﻝﺤﻴﻭﺍﻥ ﻝﻥ ﻴﺩﻓﻊ ﺒﻤﻌﺠﺒﻴﻪ ﻨﺤﻭ ﺍﻝﺠﻨﻭﻥ ﻓﻘﻁ‪،‬ﺒل ﺴﻭﻑ ﻴﻔﻬﻡ ﺃﻜﺜﺭ ﺍﻝﻤﺸﺎﻫﺩﻴﻥ ﺭﺼﺎﻨﺔ ﺴـﺒﺏ ﻅﻬـﻭﺭ‬
‫ﺜﻘﺎﻓﺔ ﻭﻅﺎﻫﺭﺓ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻝﻠﻭﺠﻭﺩ”‪.‬‬
‫ﺃﻤﺎ ﻓﻲ "ﺴﺎﺘﺭﺩﺍﻱ ﺭﻴﻔﻴﻭ ‪ 13) "Saturday Review‬ﺘﺸﺭﻴﻥ ﺍﻷﻭل‪ /‬ﺃﻜﺘﻭﺒﺭ ‪ ،(1956‬ﻓﻘﺩ ﻜـﺭﺭ "ﻫـﻭﻝﻴﺱ‬
‫‪ "Hollis‬ﻋﻨــــــــــﺎﻭﻴﻥ "ﺘــــــــــﺎﻴﻤﺯ ‪"Times‬‬ ‫ـﺭﺕ ‪Albert‬‬ ‫ﺃﻝﺒﻴـــــــــ‬
‫ﻭ "ﺘﺭﻴﺒﻴﻭﻥ ‪ “ :"Tribune‬ﺇﻨﻪ ﺩﻴﻥ‪ ،‬ﺩﻴﻥ‪ ،‬ﺩﻴﻥ‪ .‬ﺇﻻ ﺃﻨﻪ ﺍﻝﻤﺭﺤﻭﻡ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻓﻲ ﺸﺨﺼﻴﺔ "ﺠﻴﺕ‬
‫ﺭﻴﻨﻙ ‪ "Jett Rink‬ﺍﻝﺘﻲ ﺴﻴﺸﺎﻫﺩﻫﺎ ﺍﻝﻤﺸﺎﻫﺩﻭﻥ – ﻭﻫﻨﺎﻙ ﺍﻝﻌﺩﻴﺩﻭﻥ ﺍﻝﺫﻴﻥ ﺴﻴﺸﺎﻫﺩﻭﻨﻪ ﺒﺴﺤﺭ ﻭﺤﺏ‪ .‬ﻷﻨﻪ‪ ،‬ﻭﻜﻤـﺎ‬
‫ﻴﻌﻠﻡ ﺍﻝﺠﻤﻴﻊ‪ ،‬ﻓﺈﻥ ﻫﺫﺍ ﺍﻝﺸﺎﺏ ﺍﻝﺫﻱ ﺘﻭﻓﻲ ﻓﻲ ﺘﺤﻁﻡ ﺴﻴﺎﺭﺘﻪ ﻗﺩ ﺴﺒﺏ ﻫﺴﺘﻴﺭﻴﺎ ﺠﻤﺎﻋﻴﺔ ﻤﺴﺎﻭﻴﺔ ﻋﻠﻰ ﺍﻷﻗل ﻝﺘﻠـﻙ‬
‫ﺍﻝﺘﻲ ﺴﺒﺒﻬﺎ "ﻓﺎﻝﻨﺘﻴﻨﻭ ‪.” "Valentino‬‬
‫ﺘﺠﻨﺏ ﻜﺘﺎﺏ ﺍﻝﺼﺤﺎﻓﺔ ﺍﻝﻜﺒﻴﺭ )‪ 48‬ﺼﻔﺤﺔ( ﺍﻝﻌﺎﺌﺩ ﻝﻸﺴﺘﻭﺩﻴﻭ ﺍﻝﺨﺎﺹ ﺒـ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﺫﻜﺭ ﻭﻓﺎﺘـﻪ‪.‬‬
‫ﻼ ﻤﻌﺭﻓـﺔ‬‫ﻭﺭﻜﺯ ﻋﻠﻰ ﺘﺄﺴﻴﺱ ﺍﻝﺭﻭﺍﺒﻁ ﺒﻴﻥ ﺸﺨﺼﻴﺘﻪ ﻭﺍﻝﺸﺨﺼﻴﺔ ﺍﻝﺘﻲ ﺃﺩﺍﻫﺎ‪ .‬ﻜﺎﻥ ﻤﻥ ﺍﻝﻤﻤﻜﻥ ﺃﻥ ﻴﻜﻭﻥ ﻤﺴﺘﺤﻴ ﹰ‬
‫ﺃﻥ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﻡ ﻴﻜﻥ ﺤﻴﹰﺎ ﻭﺒﺼﺤﺔ ﺠﻴﺩﺓ )ﻭﻴﻌﻴﺵ ﻓﻲ ﻫﻭﻝﻴﻭﻭﺩ( ﻤﻥ ﺍﻝﻨﺴﺨﺔ ﺍﻝﺘﻲ ﺘﺤﺩﺜﺕ ﻋﻨﻪ “ﻜﻭﺍﺤﺩ ﻤﻥ‬
‫ﺃﻜﺜﺭ ﺍﻝﻤﻤﺜﻠﻴﻥ ﺍﻝﻤﺘﻘﻠﺒﻴﻥ ﻤﻥ ﺠﻤﺎﻋﺔ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ ”"Warner Brothers‬ﻭ “ﻭﺍﺤﺩ ﻤﻥ ﺃﻜﺜـﺭ ﻤـﺅﺩﻱ ﺍﻝﺸﺎﺸـﺔ‬
‫ﺩﻴﻨﺎﻤﻴﻜﻴﺔ ﻭﻏﻴﺭ ﺍﻋﺘﻴﺎﺩﻴﺔ”‪.‬‬
 ‫ﺤﺼل ﺇﻁﻼﻕ "ﺍﻝﻌﻤﻼﻕ ‪ "Giant‬ﻋﻠﻰ ﻋﻜﺱ "ﺍﻝﻤﺘﻤﺭﺩ ‪ "Rebel‬ﻋﻠﻰ ﻤﻌﺎﻤﻠﺔ ﺫﺍﺕ ﻨﻭﻋﻴﺔ ﺃﻭﻝﻰ ﻜﺎﻤﻠﺔ‪ :‬ﺃﻓﻀل‬
‫ﺍﻝﻌﻘﻭل ﻭﺃﻜﺒﺭ ﻤﻴﺯﺍﻨﻴﺔ‪ .‬ﻭﺤﺴﺏ ﻗﻭل "ﺭﻴﺘﺸﺎﺭﺩ ﻝﻴﺩﻴﺭﻴﺭ ‪ "Richard Lederer‬ﺍﻝﺫﻱ ﻜﺎﻥ ﻓﻲ ﺫﻝﻙ ﺍﻝﻭﻗـﺕ ﻋﻀـﻭﹰﺍ‬
‫ﺼﻐﻴﺭﹰﺍ ﻓﻲ ﻗﺴﻡ ﺍﻹﻋﻼﻥ ﻓﻲ "ﻭﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﻭﺍﻝﺫﻱ ﻴﺘﺭﺃﺴﻪ ﺍﻵﻥ‪ “ :‬ﻋﻨـﺩ ﻋـﺭﺽ ﻓـﻴﻠﻡ‬
‫"ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺒﺩﺃ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻴﺼﺒﺢ ﺃﺴﻁﻭﺭﺓ ﻭﺒﻁل ﺫﻝﻙ ﺍﻹﻓﺭﺍﻁ ﺒﺤﺒﻪ‪ .‬ﻭﻜﺫﻝﻙ ﻓﻼ ﻴﺯﺍل "ﺸﺭﻕ ﻋﺩﻥ‬
‫ﻻ ﺃﻜﺜﺭ ﻤـﻥ ﺃﻓـﻼﻡ‬ ‫‪ "East of Eden‬ﻭﻫﻡ ﻴﻌﻴﺩﻭﻥ ﻋﺭﻀﻪ ﻤﺭﺓ ﻜل ﺜﻼﺙ ﺴﻨﻭﺍﺕ ﺘﻘﺭﻴﺒﹰﺎ ﻓﻲ ﺍﻝﻴﺎﺒﺎﻥ ﻭﻴﺠﻨﻲ ﺃﻤﻭﺍ ﹰ‬
‫ﺃﺨﺭﻯ ﺘﻌﺭﺽ ﻝﻠﻤﺭﺓ ﺍﻷﺨﺭﻯ‪ .‬ﺇﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "Jimmy Dean‬ﺨﺎﻝﺩ ﻓﻲ ﺒﻌﺽ ﻤﻨﺎﻁﻕ ﻤﻥ ﺍﻝﻌﺎﻝﻡ”‪.‬‬
‫ﺇﻻ ﺃﻨﻪ ﻝﻡ ﻴﻜﻥ ﺨﺎﻝﺩﹰﺍ ﺒﻤﺎ ﻓﻴﻪ ﺍﻝﻜﻔﺎﻴﺔ ﻓﻲ ﻤﻭﻁﻨﻪ ﻝﻠﺤﺼﻭل ﻋﻠﻰ ﺃﻭﺴﻜﺎﺭ ﻋﻥ ﺃﻱ ﺘﺭﺸﻴﺢ ﻝﻨﻴل ﺍﻝﺠﺎﺌﺯﺓ ﺒﻌﺩ‬
‫ﻭﻓﺎﺘﻪ‪ .‬ﻓﻔﻲ ﺸﺒﺎﻁ‪/‬ﻓﺒﺭﺍﻴﺭ ﻤﻥ ﻋﺎﻡ ‪ 1956‬ﺭﺸﺢ )ﻭﻷﻭل ﻤﺭﺓ ﻓﻲ ﺘﺎﺭﻴﺦ ﺃﻜﺎﺩﻴﻤﻴﺔ ﺍﻝﺴﻴﻨﻤﺎ ﻴـﺘﻡ ﺘﺭﺸـﻴﺢ ﻤﻤﺜـل‬
‫ﻤﺘﻭﻓﻰ( ﻷﻓﻀل ﺩﻭﺭ ﻓﻲ "ﺸﺭﻕ ﻋﺩﻥ ‪ . "East of Eden‬ﻭﻓﻲ ﻋﺩﺩ "ﺘﺎﻴﻤﺯ ‪ "Times‬ﺍﻝﻨﻴﻭﻴﻭﺭﻜﻲ ﺍﻝﺼـﺎﺩﺭ ﻴـﻭﻡ‬
‫ﺍﻷﺤﺩ ‪ 4‬ﻵﺫﺍﺭ‪/‬ﻤﺎﺭﺱ ‪ ،1956‬ﻨﺎﻗﺸﺕ ﺨﻤﺱ ﺭﺴﺎﺌل ﻁﻭﻴﻠﺔ ﻤﻠﺘﻬﺒﺔ ﺭﺃﻱ "ﺃﻭﻝﻴﻔﺭ ﺇﻴﻔﺎﻥ ‪ "Oliver Evan‬ﻓﻲ ﻋـﺩﺩ‬
‫ﺍﻷﺤﺩ ﺍﻝﺴﺎﺒﻕ ﺒﺄﻥ ﺘﺭﺸﻴﺢ ﻤﻤﺜل ﻤﺘﻭﻓﻰ ﺭﺒﻤﺎ ﻴﻜﻭﻥ "ﻜﺴﺭﹰﺍ ﻝﻠﺫﻭﻕ ﺍﻝﺠﻴﺩ"‪ .‬ﺇﻻ ﺃﻨﻪ ﻭﻝﻜل ﺍﻝﺩﻋﻡ ﺍﻝﺫﻱ ﺤﺼل ﻋﻠﻴـﻪ‬
‫"ﺠﻴﻤﻲ ‪ "Jimmy‬ﻭﻋﻨﺩ ﻗﺩﻭﻡ ﻝﻴﻠﺔ ﺠﺎﺌﺯﺓ ﺍﻷﻜﺎﺩﻴﻤﻴﺔ ﻓﺎﺯ "ﺇﻴﺭﻨﻴﺴﺕ ﺒﻭﺭﻏﻨﺎﻴﻥ ‪ "Earnest Borgnine‬ﺒﺄﻭﺴﻜﺎﺭ ﻋـﺎﻡ‬
‫‪ 1956‬ﻋﻥ ﺃﻓﻀل ﺩﻭﺭ ﻋﻥ "ﻤﺎﺭﺘﻲ ‪ ."Marty‬ﺘﻡ ﺘﺭﺸﻴﺢ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺭﺓ ﺜﺎﻨﻴﺔ ﻋﺎﻡ ‪ 1957‬ﻋﻥ ﺩﻭﺭﻩ ﻓـﻲ‬
‫"ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺇﻻ ﺃﻨﻪ ﻭﻝﻠﻤﺭﺓ ﺍﻝﺜﺎﻨﻴﺔ ﺴﺎﺭ ﻤﻤﺜل ﻋﻠﻰ ﻗﻴﺩ ﺍﻝﺤﻴﺎﺓ‪" ،‬ﻴﻭل ﺒﺭﺍﻴﻨﺭ ‪ "Yul Brynner‬ﻋﻥ "ﺍﻝﻤﻠﻙ ﻭﺃﻨﺎ‬
‫ﻼ ﺍﻝﺘﻤﺜﺎل ﺍﻝﺫﻫﺒﻲ‪.‬‬
‫‪ "The King and I‬ﺤﺎﻤ ﹰ‬
‫ﻜﺎﻥ ﻤﻌﺠﺒﻭ ﻭﺭﺍﺀ ﺍﻝﺒﺤﺎﺭ ﺃﻜﺜﺭ ﺴﺨﺎ ‪‬ﺀ‪ .‬ﻓﻘﺩ ﺤﺎﺯ ﻋﻠﻰ ﻋﺩﺓ ﺠﻭﺍﺌﺯ ﺃﻓﻼﻡ ﻓﺭﻨﺴﻴﺔ )ﺒﻤﺎ ﻓﻲ ﺫﻝـﻙ ﺃﺴـﻤﺎﻫﺎ‪،‬‬
‫ﺍﻝﻨﺠﻤﺔ ﺍﻝﻜﺭﻴﺴﺘﺎﻝﻴﺔ(‪ ،‬ﻭﺠﺎﺌﺯﺓ ﺍﻷﻜﺎﺩﻴﻤﻴﺔ ﺍﻻﻨﻜﻠﻴﺯﻴﺔ‪ ،‬ﻭﺠﺎﺌﺯﺓ ﺍﻝﻔﻴﻠﻡ ﺍﻝﺒﻠﺠﻴﻜﻴﺔ‪ ،‬ﻭﺠﺎﺌﺯﺓ ﺼﺤﺎﻓﺔ ﺍﻝﻔـﻴﻠﻡ ﺍﻝﻔﻨﻠﻨﺩﻴـﺔ‬
‫ﻭﺍﻝﻌﺩﻴﺩ ﻤﻥ ﺍﻝﺠﻭﺍﺌﺯ ﺍﻝﻴﺎﺒﺎﻨﻴﺔ ﻭﺍﻝﺘﻲ ﻜﺎﻥ ﺃﻫﻤﻬﺎ ﺠﺎﺌﺯﺓ ﺍﻝﻤﻠﻴﻭﻥ ﻝﺅﻝﺅﺓ ﻷﻜﺜﺭ ﻤﻤﺜل ﺃﺠﻨﺒﻲ ﻤﺤﺒﻭﺏ‪.‬‬
‫ﻓﻲ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﺘﻡ ﺇﻨﺸﺎﺀ "ﻤﺅﺴﺴﺔ ﺠﻴﻤﺱ ﺩﻴﻥ ﺍﻝﺘﺫﻜﺎﺭﻴـﺔ ‪"James Dean Memorial Foundation‬‬
‫ﻤﻥ ﻗﺒل ﻋﺩﺩ ﻤﻥ ﺍﻝﻤﻭﺍﻁﻨﻴﻥ ﺍﻝﺭﻭﺍﺩ ﺒﻤﻥ ﻓﻴﻬﻡ ﺍﻝﻌﻡ "ﻤﺎﺭﻜﻭﺱ ‪ ،"Marcus‬ﻭﺍﻝﻌﺩﻴﺩ ﻤـﻥ ﺍﻝﻌـﺎﻤﻠﻴﻥ ﻓـﻲ ﺍﻝﺤﻘـل‬
‫ﺍﻻﺴﺘﻌﺭﺍﻀﻲ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻭﻫﻭﻝﻴﻭﻭﺩ‪ :‬ﻤﻌﻠﻡ ﺍﻝﺘﻤﺜﻴل "ﺴﺎﻨﻔﻭﺭﺩ ﻤﺎﻴﺯﻨﺭ ‪ ،"Sanford Meisner‬ﻭﺍﻝﻤﺨﺭﺝ "ﻜـﻭﻱ‬
‫ﺒﺭﻭﻨﺴﻭﻥ ‪ ،"Coy Bronson‬ﻭﺍﻝﻜﺎﺘﺏ "ﺴﺘﻴﻭﺭﺍﺕ ﺴﺘﻴﺭﻥ ‪ " Stewart Stern‬ﻭﻓﻲ ﺼـﻴﻑ ﻋـﺎﻡ ‪ ،1956‬ﺃﺨـﺭﺝ‬
‫"ﺒﺭﻭﻨﺴﻭﻥ ‪ "Bronson‬ﻓﻴﻠﻤﹰﺎ ﻗﺼﻴﺭﹰﺍ ﺒﻌﻨﻭﺍﻥ " ﺒﻠﺩﺘﻨﺎ ‪ " Our Town‬ﻤﻥ ﺃﺠل ﺇﻋﺎﻨﺔ ﺍﻝﻤﺅﺴﺴـﺔ‪ .‬ﻝﻌـﺏ ﺩﻭﺭ "ﺠـﻭ‬
‫ﻜﺭﻭﻴل ‪ "Joe Crowell‬ﺍﺒﻥ ﻋﻤﺔ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺼﻐﻴﺭ "ﻤﺎﺭﻜﻭﺱ ﻭﻴﻨﺴـﻠﻭ ﺍﻻﺒـﻥ‪."Marcus Winslow Jr .‬‬
‫ﻭﻝﻭﻗﺕ ﻤﺎ‪ ،‬ﻜﺎﻥ ﻫﻨﺎﻙ ﺸﻌﻭﺭ ﻨﺤﻭ ﻤﺯﺭﻋﺔ "ﻭﻴﻨﺴﻠﻭ ‪ "Winslow‬ﺃﻥ ﺒﻌﺽ ﺍﻝﻤﻨﺎﻅﺭﺍﺕ ﺍﻝﺠﺩﻝﻴﺔ‪ ،‬ﻭﺍﻝﺩﻻﻝﺔ ﺍﻝﻤﺘﻘﺩﺓ –‬
‫ﺭﺒﻤﺎ ﻜﺎﻨﺕ ﺘﺜﻴﺭ ﻓﻭﺭﺓ ﺩﻡ "ﻤﺎﺭﻜﻲ ‪ "Markie‬ﺍﻝﺸﺎﺏ‪ .‬ﻭﻤﻥ ﺃﺠل ﺃﺩﺍﺀ ﻭﺍﺤﺩ‪ ،‬ﻭﻋﻨﺩ ﻏﻴﺎﺏ ﺃﺤﺩ ﺍﻷﻋﻀـﺎﺀ ﺒﺴـﺒﺏ‬
‫ﺍﻝﻤﺭﺽ‪ ،‬ﻝﻌﺒﺕ "ﺁﺩﻴﻠﻴﻥ ﻨﻭل ‪ "Adeline Nall‬ﺩﻭﺭ ﺍﻝﺴﻴﺩﺓ "ﺴﻭﺍﻤﻴﺯ ‪ ."Soames‬ﻁﺎﺭﺕ ﻤﻥ ﻨﻴﻭﻴﻭﺭﻙ‪ ،‬ﺤﻴﺙ ﻜﺎﻨﺕ‬
‫ﻓﻲ ﺇﺠﺎﺯﺓ ﻤﻥ ﻤﺩﺭﺴﺔ ﻓﻴﺭﻤﺎﻭﻨﺕ ﺍﻝﺜﺎﻨﻭﻴﺔ‪ ،‬ﻭﻫﻲ ﺘﺤﺎﻭل ﺍﺨﺘﺭﺍﻕ ﺒﺭﻭﺩﻭﺍﻱ‪.‬‬
‫ﺒﺩﺕ ﺍﻷﺸﻴﺎﺀ ﻭﻜﺄﻨﻬﺎ ﺘﻨﺘﻬﻲ ﻨﺤﻭ ﺒﺩﺍﻴﺔ ﺠﻴﺩﺓ‪ ،‬ﺇﻻ ﺃﻨﻪ ﻭﺒﻌﺩ ﺜﻼﺜﺔ ﻓﺼﻭل ﺼﻴﻑ ﻻﺤﻘـﺔ‪ ،‬ﺃﻋﻠﻨـﺕ "ﻨﻴـﻭﺯ‬
‫‪ "News‬ﺇﻨﺩﻴﺎﻨﺎﺒﻭﻝﻴﺱ )ﻭﺒﻔﺭﺡ ﺸﺩﻴﺩ ﺘﻘﺭﻴﺒﹰﺎ(‪“ :‬ﺇﻓﻼﺱ ﻤﺴﺭﺡ ﺠﻴﻤﺱ ﺩﻴﻥ‪ .‬ﻋﺭﻴﻥ ﺍﻝﻨﺠﻡ ﻴﺼﺒﺢ ﻤﺘﺠﺭﹰﺍ ﻝﻸﺜـﺎﺙ”‪.‬‬
‫ﻭﻓﻲ ﺍﻝﻘﺼﺔ‪ ،‬ﻓﻘﺩ ﻗﻴل ﻋﻠﻰ ﻝﺴﺎﻥ "ﻝﻭﻴﺱ ﻜﺭﻴﺴﺕ ‪ "Lewis Crist‬ﺭﺌﻴﺱ ﺍﻝﻤﺅﺴﺴﺔ‪ “ :‬ﻝﻘﺩ ﺫﻫﺏ ﺤﻠﻤﻨﺎ‪ .‬ﻜﺎﻥ ﻝـﺩﻴﻨﺎ‬
‫ﺸﻲﺀ ﻝﻜﻨﻪ ﺫﻫﺏ ﺒﻌﻴﺩﹰﺍ”‪ .‬ﻭﺘﺎﺒﻊ ﺒﺸﺭﺤﻪ ﻝﻼﻨﻬﻴﺎﺭ ﺒﻘﻭﻝﻪ‪“ :‬ﺤﺎﻝﺔ ﺍﻷﺸﺨﺎﺹ ﺍﻝﻤﻬﻤﻴﻥ ﻴﺭﻤﻭﻥ ﺒﺒﺫﺍﺭ ﺍﻷﻋﺸﺎﺏ ﻓﻭﻗﻨﺎ”‪.‬‬
‫ﻭﻗﺎل ﺍﻷﺏ "ﺯﻴﻥ ﻫﺎﺭﻓﻲ ‪ "Xen Harvey‬ﺇﻨﻪ ﺍﻋﺘﻘﺩ ﺃﻥ ﺇﺨﻔﺎﻕ ﺍﻝﻤﺅﺴﺴﺔ ﻜﺎﻥ ﻗﺩ ﺃﺤﻀﺭﺘﻪ “ﺃﺭﻭﺍﺡ ﻤﻀﻁﺭﺒﺔ ﺃﺘﺕ‬
‫ﻝﻠﺒﻠﺩﺓ ﻭﺃﻝﺼﻘﺕ ﻨﻔﺴﻬﺎ ﺒﺎﻝﻤﻨﻅﻤﺔ”‪ .‬ﻭﺘﺎﺒﻊ ﻴﻘﻭل‪“ :‬ﺇﻥ ﺍﻝﻨﺎﺱ ﻫﻨﺎ ﻝﻴﺴﻭﺍ ﺴﻌﺩﺍﺀ ﻜﺜﻴﺭﹰﺍ ﺒﻬﺫﻩ ﺍﻝﺤﺎﻝﺔ”‪.‬‬
‫ﻭﺜﻘﺕ ﺍﻝﻤﻘﺎﻝﺔ ﻨﻔﺴﻬﺎ ﺘﻁﻭﺭﹰﺍ ﺁﺨﺭ ﻝﻡ ﻴﻜﻥ ﺃﻫل ﺍﻝﺒﻠﺩﺓ ﺴﻌﺩﺍﺀ ﺘﺠﺎﻫﻪ‪ :‬ﻗﻁﻊ ﺭﺃﺱ ﻋﻤﻭﺩ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪James‬‬
‫‪ "Dean‬ﺍﻝﺘﺫﻜﺎﺭﻱ ﺍﻝﺫﻱ ﻜﺎﻥ ﻗﺩ ﻫﻴﺊ ﺩﺍﺨل ﻤﺩﺨل ﻤﻘﺒﺭﺓ "ﺴﻴﻤﺘﺭﻱ ﺒـﺎﺭﻙ ‪ ."Cemetery Park‬ﻭﺘﺤـﺕ ﺼـﻭﺭﺓ‬
‫ﺍﻝﻤﺅﺴﺴﺔ ﻭﻫﻲ ﺘﺼﺒﺢ ﻤﺘﺠﺭﹰﺍ ﻝﻸﺜﺎﺙ‪ ،‬ﻜﺎﻨﺕ ﻫﻨﺎﻙ ﻭﺍﺤﺩﺓ ﺃﺨﺭﻯ ﺘﻅﻬﺭ ﻋﻤﻭﺩ ﺍﻵﺠﺭ ﺍﻝﺫﻱ ﻴﺸﺒﻪ ﺍﻝﻤﺩﺨﻨﺔ ﻭﻋﻠﻴﻪ‬
‫ﺭﺃﺱ ﺒﺭﻭﻨﺯﻱ ﺒﻀﻌﻔﻲ ﺍﻝﺤﺠﻡ ﺍﻝﻁﺒﻴﻌﻲ ﻝـ "ﺠﻴﻤﻲ ‪ ."Jimmy‬ﻜﺘﺏ ﺍﻝﺼﺤﻔﻲ ﺒﺘﻬﻜﻡ ﻻ ﺸﻌﻭﺭﻱ‪“ :‬ﻓـﻲ ﺤﺭﻜـﺔ‬
‫ﻭﻗﺤﺔ ﻭﻀﻌﻭﺍ ﺭﺃﺴﹰﺎ ﺒﺭﻭﻨﺯﻴﹰﺎ ﻓﻲ ﻨﺼﺏ ﺍﻝﻤﻘﺒﺭﺓ ﺍﻝﺘﺫﻜﺎﺭﻱ”‪.‬‬
‫ﻓﻲ ﺼﻴﻑ ﻋﺎﻡ ‪ 1957‬ﻭﺒﻌﺩ ﻋﺸﺭﺓ ﺃﺸﻬﺭ ﻤﻥ ﺍﻓﺘﺘﺎﺡ "ﺍﻝﻌﻤﻼﻕ ‪ ،"Giant‬ﺃﻁﻠﻘﺕ "ﻭﺍﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪Warner‬‬
‫‪ "Brothers‬ﻓﻴﻠﻤﹰﺎ ﺒﺎﻷﺒﻴﺽ ﻭﺍﻷﺴﻭﺩ ﻴﺤﻤل ﻋﻨﻭﺍﻥ "ﻗﺼﺔ ﺠﻴﻤﺱ ﺩﻴـﻥ ‪ "The Story of James Dean‬؛ ﺃﻨﺘﺠـﻪ‬
‫"ﺠﻭﺭﺝ ﺩﺒﻠﻴﻭ ﺠﻭﺭﺝ ‪ "George W. George‬ﻭﺃﺨﺭﺠﻪ "ﺭﻭﺒﻴﺭﺕ ﺁﻝﺘﻤﺎﻥ ‪) "Robert Altman‬ﺍﻝﺫﻱ ﺃﺨﺭﺝ ﻻﺤﻘـﺎ‬
‫"ﻤﺎﺵ ‪ ،("M*A*S*H‬ﻭﻜﺘﺒﻪ "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ ."Stewart Stern‬ﺍﺤﺘﻭﻯ ﺍﻝﻔﻴﻠﻡ ﻋﻠﻰ ﻤﻘﺎﻁﻊ‪ ،‬ﻤﺜل ﻤﺸﻬﺩ "ﺠﻴﻤﻲ‬
‫‪ "Jimmy‬ﻤﻥ ﻓﻴﻠﻡ "ﺸﺭﻕ ﻋﺩﻥ ‪ "East of Eden‬ﺍﻝﺫﻱ ﻝﻡ ﻴﺴﺘﺨﺩﻡ ﻭﻫﻭ ﺠﺎﻝﺱ ﻋﻨﺩ ﺭﺃﺱ ﺴﺭﻴﺭ ﻤﻌﺩﻨﻲ ﻴﺘﺤﺩﺙ ﺇﻝﻰ‬
‫"ﺩﻴﻙ ﺩﺍﻓﺎﻝﻭﺱ ‪ ،"Dick Davalos‬ﻭﺼﻭﺭ ﺜﺎﺒﺘﺔ ﻝـ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﺍﻝﺘﻘﻁﺕ ﺒﺤﺭﻜﺔ ﺠﻤﻴﻠﺔ ﻤﺤﺒﺒﺔ‪ ،‬ﻭﻤﺸﺎﻫﺩ ﻋﺩﻴﺩﺓ‬
‫ﻝﻤﻌﺎﻝﻡ ﻓﻴﺭﻤﺎﻭﻨﺕ‪ ،‬ﻭﻤﻘﺎﺒﻼﺕ ﻤﻊ ﺃﻨﺎﺱ ﻤﻥ ﺇﻨﺩﻴﺎﻨﺎ ﻭﻫﻭﻝﻴﻭﻭﺩ ﻭﻨﻴﻭﻴﻭﺭﻙ ﻋﺭﻓﻭﺍ "ﺠﻴﻤﻲ ‪ ،"Jimmy‬ﻭﻤﻘﻁﻊ ﺼﻭﺘﻲ‬
‫ﻝﻠﺠﺩ "ﺘﺸﺎﺭﻝﻲ ﺩﻴﻥ ‪ "Charlie Dean‬ﺴﺠﻠﻪ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺭﺓ ﻭﺒﻌﺽ ﺍﻝﻠﻘﻁﺎﺕ ﺍﻝﻤﺯﺍﺠﻴﺔ ﻤﻥ ﺍﻷﺸﺠﺎﺭ ﻭﺃﻤﻭﺍﺝ‬
‫ﺍﻝﺒﺤﺭ ﻭﻁﻴﻭﺭ ﻨﻭﺭﺱ ﻨﺎﻓﻘﺔ‪.‬‬
‫ﻝﻡ ﺘﺩﻓﻊ "ﻭﺍﺭﻨﺭ ﺒﺭﻭﺫﺭﺯ ‪ "Warner Brothers‬ﺍﻝﻔﻴﻠﻡ ﻨﺤﻭ ﺤﺩﻭﺩﻩ ﺍﻝﻘﺎﺴﻴﺔ ﻜﺜﻴﺭﹰﺍ‪ .‬ﺍﻨﺯﻝﻕ ﺒﺭﻴﺩ ﺍﻝﻤﻌﺠﺒﻴﻥ ﻓﻲ‬
‫ﺍﻷﺴﺘﻭﺩﻴﻭ ﺒﺸﻜل ﻤﻌﺘﺒﺭ ﻤﻥ ﻗﻤﺔ ﺍﻝﺴﺒﻌﺔ ﺁﻻﻑ ﺍﻝﻤﺩﻫﺸﺔ‪ .‬ﻜﺎﻥ ﻜﺘﻴﺏ ﺍﻝﺼﺤﺎﻓﺔ ﺍﻷﺼﻐﺭ – ﻓﻘﻁ ﺜﻤﺎﻨﻲ ﺼﻔﺤﺎﺕ –‬
‫ﺍﻝﺫﻱ ﻜﺎﻥ ﻤﺤﻀﺭﹰﺍ ﻤﻥ ﺃﺠل ﻓﻴﻠﻡ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ."James Dean‬ﻝﻡ ﻴﻜﻥ ﺍﻻﻓﺘﺘﺎﺡ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﺒل ﻓـﻲ "ﻤﺴـﺭﺡ‬
‫ﺒﺎﺭﺍﻤﺎﻭﻤﻨﺕ ‪ "Paramount Theatre‬ﻓﻲ ﻤﺎﺭﻴﻭﻥ‪ ،‬ﺇﻨﺩﻴﺎﻨﺎ‪ ،‬ﺤﻴﺙ ﻜﺎﻥ ﺍﻷﻤل ﺃﻥ ﺘﻭﻝﺩ ﺭﺩﺓ ﺍﻝﻔﻌل ﺍﻝﻤﺤﻠﻴﺔ ﺍﻝﻤﺨﻠﺼﺔ‬
‫ﺒﻌﺽ ﺍﻝﻘﺼﺹ ﺍﻝﺠﻴﺩﺓ ﻤﻥ ﺃﺠل ﺍﻝﻌﺭﻭﺽ ﺍﻝﻤﺩﻨﻴﺔ‪ .‬ﻝﻜﻥ ﻝﻡ ﻴﺤﺩﺙ ﺍﻝﻜﺜﻴﺭ ﻓﻲ ﻤﺎﺭﻴﻭﻥ ﺃﻭ ﺃﻱ ﻤﻜﺎﻥ ﺁﺨﺭ‪ .‬ﻗـﺎل "‬
‫ﺁﻝﺘﻤﺎﻥ ‪ "Altman‬ﻻﺤﻘﹰﺎ ﻭﻫﻭ ﻴﺸﺭﺡ ﺴﻴﺎﺩﺓ ﻨﺎﺩﺭﺓ ﻝﻠﻜﻼﻡ ﺍﻝﻤﻜﺭﺭ ﺍﻝﻤﺒﺎﺸﺭ‪“ :‬ﻜﺎﻥ ﺍﻝﻨﺎﺱ ﺍﻝﺫﻴﻥ ﺃﺘﻭﺍ ﺒﺴﺒﺏ ﺍﻝﻌﻨـﻭﺍﻥ‬
‫ﺨﺎﺌﺒﻲ ﺍﻝﻅﻥ‪ ،‬ﺃﻤﺎ ﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻜﺎﻥ ﻴﺠﺏ ﺃﻥ ﻴﺄﺘﻭﺍ ﻓﻘﺩ ﺃﺒﻘﻭﺍ ﺒﻌﻴﺩﹰﺍ ﺒﺴﺒﺏ ﺍﻝﻌﻨﻭﺍﻥ”‪.‬‬
‫ﺒﺎﻝﻁﺒﻊ ﻓﺈﻥ ﻋﻨﻭﺍﻥ "ﻗﺼﺔ ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "The Story of James Dean‬ﻝﻡ ﻴﻜﻥ ﻝﻴﺩﻉ ﺃﺤﺩﹰﺍ ﻤﻬﺘﻤﹰﺎ ﺒـ "ﺠﻴﻤـﻲ‬
‫‪ "Jimmy‬ﺒﻌﻴﺩﹰﺍ ﻋﻥ ﺍﻝﻔﻴﻠﻡ‪ .‬ﻜﺎﻨﺕ ﺍﻝﻤﺸﻜﻠﺔ ﺃﻋﻤﻕ‪ .‬ﻜﺎﻥ ﺍﻝﺠﻭﻉ ﻝﺼﻭﺭﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺘﺨﻤﹰﺎ ﺘﻘﺭﻴﺒـﹰﺎ‪ .‬ﻜﺎﻨـﺕ‬
‫ﻤﻨﺸﻭﺭﺍﺕ ﺍﻝﻤﻌﺠﺒﻴﻥ ﻤﺜل" ﻤﺠﻠﺔ ﺃﻓﻼﻡ ﺍﻝﻤﺭﺍﻫﻘﻴﻥ ‪ "Movie Teen Illustrated‬ﻗﺩ ﺒﺩﺃﺕ ﺒﻁﺒﺎﻋﺔ ﻗﺼـﺹ ﻤﺜـل ‪:‬‬
‫“ﻝﻤﺎﺫﺍ ﻴﺘﺤﻭل ﻤﻌﺠﺒﻭ "ﺠﻴﻤﻲ ﺩﻴﻥ ‪ "Jimmy Dean‬ﻨﺤﻭ "ﺘﻭﻨﻲ ﺒﻴﺭﻜﻨﺯ ‪"Tony Perkens‬؟”‪.‬‬
‫ﺒﻌﺩ ﻋﺩﺓ ﺃﺸﻬﺭ ﻤﻥ ﺇﻁﻼﻕ ﻓﻴﻠﻡ "ﻗﺼﺔ ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ،"The Story of James Dean‬ﻅﻬﺭﺕ ﻝﻤﺤﺔ ﻋﻥ ﺤﻴﺎﺓ‬
‫"ﻤﺎﺭﻝﻭﻥ ﺒﺭﺍﻨﺩﻭ ‪ "Marlon Brando‬ﻤﻥ ﻗﺒل "ﺘﺭﻭﻤﺎﻥ ﻜﺎﺒﻭﺕ ‪ "Truman Capote‬ﻓـﻲ "ﺍﻝﻨﻴﻭﻴـﻭﺭﻜﺭ ‪The New‬‬
‫‪ ."Yorker‬ﻗﺎل " ﺒﺭﺍﻨﺩﻭ ‪ "Brando‬ﺇﻥ "ﺼﺩﻴﻘﹰﺎ" "ﺴﺘﻴﻭﺍﺭﺕ ﺴﺘﻴﺭﻥ ‪ "Stewart Stern‬ﻗﺩ ﻁﻠﺏ ﻤﻨﻪ ﺘﺄﺩﻴـﺔ ﺼـﻭﺕ‬
‫ﺍﻝﺭﺍﻭﻱ ﻓﻲ ﻓﻴﻠﻡ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﻭﺜﺎﺌﻘﻲ‪ ،.‬ﻭﺘﺎﺒﻊ ﻭﻫﻭ ﻴﺸﺭﺡ ﺃﻥ ﺤﺎﻓﺯﻩ ﻝﻘﺒﻭل ﺍﻝﻌﻤل ﻝﻡ ﻴﻜﻥ ﻤﺒﻨﻴﹰﺎ ﻋﻠﻰ ﺃﻴﺔ ﻓﻜـﺭﺓ‬
‫ﻤﺼﺎﺩﻗﺔ ﻏﺭﻴﺒﺔ ﻤﻊ ﺍﻝﻤﻤﺜل ﺍﻝﻤﺘﻭﻓﻰ‪ “ :‬ﻝﻡ ﺃﻋﺭﻓﻪ ﺘﻤﺎﻤﹰﺎ‪ .‬ﺇﻻ ﺃﻨﻪ ﻜﺎﻥ ﻝﺩﻴﻪ ﻓﻜﺭﺓ ﻤﺴﺘﺤﻭﺫﺓ ﻝﻔﺘﺭﺓ ﻁﻭﻴﻠﺔ ﻜـﺎﻝﻬﻭﺱ‬
‫ﻋﻨﻲ‪ .‬ﻓﻌل ﻜل ﻤﺎ ﻓﻌﻠﺘﻪ‪ .‬ﻭﻜﺎﻥ ﻴﺤﺎﻭل ﺍﻻﻗﺘﺭﺍﺏ ﻤﻨﻲ‪ .‬ﺍﻋﺘﺎﺩ ﺍﻻﺘﺼﺎل ﺒﻲ‪ ......‬ﻭﻜﻨﺕ ﺃﺴﺘﻤﻊ ﺇﻝﻴﻪ ﻴﺘﺤﺩﺙ ﻤﻊ‬
‫ﻼ ﻋﻨﻲ ﺘﺎﺭﻜﹰﺎ ﺒﻌﺽ ﺍﻝﺭﺴﺎﺌل‪ .‬ﺇﻻ ﺃﻨﻨﻲ ﻝﻡ ﺃﺭﻓﻊ ﺼﻭﺘﻲ‪ ،‬ﻭﻝﻡ ﺃﺭﺩ ﻋﻠﻰ ﻤﻜﺎﻝﻤﺎﺘﻪ‪ ...‬ﻋﻨﺩﻤﺎ ﻗﺎﺒﻠﺘﻪ‬ ‫ﺨﺩﻤﺔ ﺍﻝﺭﺩ‪ ،‬ﺴﺎﺌ ﹰ‬
‫ﺃﺨﻴﺭﹰﺍ ‪ ......‬ﻜﺎﻥ ﺫﻝﻙ ﻓﻲ ﺤﻔﻠﺔ ﺤﻴﺙ ﻜﺎﻥ ﻴﺭﻤﻲ ﺒﻨﻔﺴﻪ ﻫﻨﺎ ﻭﻫﻨﺎﻙ ﻭﻫﻭ ﻴﺘﺼﺭﻑ ﻜﺎﻝﻤﺠﻨﻭﻥ‪ .‬ﻭﻫﻜﺫﺍ ﺘﺤـﺩﺜﺕ‬
‫ﻲ‪ .‬ﻭﻋـﺭﻑ ﺃﻨـﻪ‬ ‫ﺇﻝﻴﻪ‪ .‬ﺃﺨﺫﺘﻪ ﺠﺎﻨﺒﹰﺎ ﻭﺴﺄﻝﺘﻪ ﺇﻥ ﻜﺎﻥ ﻴﻌﺭﻑ ﺃﻨﻪ ﻤﺭﻴﺽ‪ ،‬ﻭﺃﻨﻪ ﻴﺤﺘﺎﺝ ﺇﻝﻰ ﻤﺴﺎﻋﺩﺓ‪ ...‬ﺍﺴﺘﻤﻊ ﺇﻝـ ‪‬‬
‫ﻤﺭﻴﺽ‪ .‬ﺃﻋﻁﻴﺘﻪ ﺍﺴﻡ ﻁﺒﻴﺏ ﻨﻔﺴﻲ ﻭﺫﻫﺏ‪ .‬ﻭﻋﻠﻰ ﺍﻷﻗل ﻓﻘﺩ ﺘﺤﺴﻥ ﻋﻤﻠﻪ‪ .‬ﺃﻋﺘﻘﺩ ﺃﻨﻪ ﻭﻤﻊ ﺍﻝﻨﻬﺎﻴﺔ ﻓﻘﺩ ﺒﺩﺃ ﺒﺈﻴﺠﺎﺩ‬
‫ﻁﺭﻴﻘﻪ ﺍﻝﺨﺎﺹ ﻜﻤﻤﺜل‪ .‬ﺇﻻ ﺃﻥ ﺘﺒﺠﻴﻠﻪ ﻫﺫﺍ ﻜﻠﻪ ﺨﻁﺄ‪ .‬ﻭﻝﻬﺫﺍ ﺃﻋﺘﻘﺩ ﺃﻥ ﺍﻝﻔﻴﻠﻡ ﺍﻝﻭﺜﺎﺌﻘﻲ ﻤﻬﻡ‪ ،‬ﻝﻴﻅﻬﺭ ﺃﻨﻪ ﻝـﻡ ﻴﻜـﻥ‬
‫ﻼ ﻭﻝﻴﻅﻬﺭ ﺤﻘﻴﻘﺔ ﻤﺎ ﻜﺎﻥ ﻋﻠﻴﻪ ‪ -‬ﻓﻘﻁ ﻓﺘﻰ ﻀﺎﺌﻊ ﻴﺤﺎﻭل ﺇﻴﺠﺎﺩ ﻨﻔﺴﻪ”‪.‬‬ ‫ﺒﻁ ﹰ‬
‫ﺒﻌﺩ ﺍﺜﻨﻲ ﻋﺸﺭ ﻋﺎﻤﹰﺎ ﻓﻲ ﺁﺏ‪/‬ﺃﻏﺴﻁﺱ ﻋﺎﻡ ‪ ،1969‬ﺃﺠﺭﺕ "ﺍﻝﻨﻴﻭﻴﻭﺭﻜﺭ ‪ "The New Yorker‬ﻤﻘﺎﺒﻠﺔ ﻤـﻊ‬
‫ﻼ ﻓﻲ ﺃﻤﺭﻴﻜﺎ‪" ،‬ﺜﻴﺭﻴﺱ ﺠﻪ ﺒﺭﺍﻨﺩﻴﺱ ‪Therese‬‬
‫ﻤﺅﺴﺱ ﻭﻤﺩﻴﺭ ﺃﻜﺒﺭ ﻨﺎﺩﻱ ﻤﻌﺠﺒﻴﻥ ﺒـ "ﺩﻴﻥ ‪ "Dean‬ﺍﻝﺫﻱ ﺩﺍﻡ ﻁﻭﻴ ﹰ‬
‫‪ "J. Brandes‬ﺍﻷﺭﻤل ﺍﻝﺒﺎﻝﻎ ﻤﻥ ﺍﻝﻌﻤﺭ ﺍﻝﺨﺎﻤﺴﺔ ﻭﺍﻝﺴﺒﻌﻴﻥ‪ .‬ﻭﻋﻠﻰ ﺍﻝﺭﻏﻡ ﻤﻥ ﺃﻥ ﺍﻝﺴﻴﺩﺓ " ﺒﺭﺍﻨـﺩﻴﺱ ‪"Brandes‬‬
‫ﻗﺩ ﺸﺎﺭﻜﺕ ﺯﻭﺠﻬﺎ ﺍﻷﺤﺭﻑ ﺍﻝﺨﻤﺴﺔ ﺍﻷﻭﻝﻰ ﻤﻥ ﺍﺴﻡ ﻋﺎﺌﻠﺘﻬﺎ ﺇﻻ ﺃﻨﻬﺎ ﻝﻡ ﺘﺸﺎﺭﻜﻪ ﺒـﺄﻱ ﺸـﻌﻭﺭ ﺘﺠـﺎﻩ ﻨﺠﻤـﻪ‬
‫ﺍﻝﻤﻔﻀل‪.‬‬
‫ﺇﻻ ﺃﻨﻬﺎ ﻜﺭﺴﺕ ﺤﻴﺎﺘﻬﺎ ﺒﻌﺩ ﻭﻓﺎﺓ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻝﺘﺨﻠﻴﺩ ﺫﻜﺭﺍﻩ‪ .‬ﻭﺤﺘﻰ ﻭﻓﺎﺘﻬﺎ ﻗﺒل ﻋﺩﺓ ﺴﻨﻭﺍﺕ ﻜﺎﻥ ﻴﻤﻜﻥ‬
‫ﻷﻱ ﺸﺨﺹ )ﺒﺎﺴﺘﺜﻨﺎﺀ ﺍﻝﺴﻴﺩ "ﺒﺭﺍﻨﺩﻭ ‪ "Barndo‬ﺒﺎﻝﻁﺒﻊ( ﻴﺭﻴﺩ ﺍﻝﺘﺤﺩﺙ ﻋﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺍﻝﻘﺩﻭﻡ ﺇﻝﻰ‬
‫ﺸﻘﺘﻬﺎ ﻓﻲ ﺸﺎﺭﻉ "ﺇﻴﺴﺕ ﻓﻴﻔﺘﻲ ﺴﻴﻔﻨﺙ ‪ ."East Fifty-Seventh‬ﻭﻋﻨﺩﻤﺎ ﻝﻡ ﺘﻜﻥ ﻤﺸﻐﻭﻝﺔ ﺒـﺯﻭﺍﺭ "ﺩﻴـﻥ ‪،"Dean‬‬
‫ﺍﺤﺘﻔﻅﺕ ﻭﺘﻌﻬﺩﺕ ﺭﺴﺎﺌل ﻤﻌﺠﺒﻴﻪ ‪ -‬ﻭﻻﺴﻴﻤﺎ ﺃﺼﺩﻗﺎﺀ ﺍﻝﻤﺭﺍﺴﻠﺔ ﺍﻝﻤﺭﺍﻫﻘﻴﻥ – ﻤﻥ ﻜل ﺃﻨﺤﺎﺀ ﺍﻝﻌﺎﻝﻡ‪ .‬ﻜﺘﺒﺕ ﻜﺫﻝﻙ‬
‫ﺭﺴﺎﺌل ﻝﻤﺩﻴﺭﻱ ﻤﺤﻁﺎﺕ ﺍﻝﺸﺒﻜﺎﺕ ﺍﻝﺘﻠﻔﺯﻴﻭﻨﻴﺔ ﻝﺘﺘﺄﻜﺩ ﻤﻥ ﺃﻥ ﺠﺩﺍﻭل ﺒﺭﺍﻤﺠﻬﻡ ﺘﺘﻀﻤﻥ ﻋﺭﻀﹰﺎ ﻤﺴـﺘﻤﺭﹰﺍ ﻷﻓـﻼﻡ‬
‫"ﺠﻴﻤﺱ ﺩﻴﻥ ‪."James Dean‬‬
‫ﻜﺎﻨﺕ ﺘﻀﻊ ﺍﻝﺯﻫﻭﺭ ﻋﻠﻰ ﻗﺒﺭﻩ ﻜل ﻋﺎﻡ ﻓﻲ ﻴﻭﻡ ﻋﻴﺩ ﻤﻴﻼﺩﻩ ﻭﻴﻭﻡ ﺫﻜﺭﻯ ﻭﻓﺎﺘﻪ‪ .‬ﻭﺘﻭﻝﻰ ﺍﻝﻌﻡ "ﻤـﺎﺭﻜﻭﺱ‬
‫‪ "Marcus‬ﻫﺫﻩ ﺍﻝﻤﻬﻤﺔ ﻋﻨﻬﺎ ﺤﺘﻰ ﺇﻨﻪ ﺍﻝﺘﻘﻁ ﺼﻭﺭﹰﺍ ﻝﻠﻭﺭﻭﺩ ﻝﻴﺭﻱ ﺃﻋﻀﺎﺀ ﺍﻝﻨﺎﺩﻱ ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ ﻤﺎ ﻜﺎﻨﻭﺍ ﻴﺤﺼﻠﻭﻥ‬
‫ﻋﻠﻴﻪ ﻤﻘﺎﺒل ﺇﺴﻬﺎﻤﺎﺘﻬﻡ‪ .‬ﻭﻓﻲ ﻜل ﻋﺎﻡ ﻜﺎﻨﺕ ﺘﺠﻤﻊ ﺍﻷﻤﻭﺍل ﻝﻌﺩﺓ ﺤﻤﻼﺕ ﺨﻴﺭﻴﺔ ﺒﺎﺴﻡ "ﺠﻴﻤﻲ ‪ "Jimmy‬ﻤﺴﺘﺨﺩﻤﺔ‬
‫ﻋﻤﻭﺩﹰﺍ "ﻓﻲ ﺫﻜﺭﻯ ‪ "In Memoriam‬ﻓﻲ "ﺍﻝﺩﻴﻠﻲ ﻨﻴﻭﺯ ‪."Daily News‬‬
‫ﺘﻘﻭل ﺍﻝﺴﻴﺩﺓ "ﺒﺭﺍﻨﺩﻴﺱ ‪ “ : "Brandes‬ﺇﺫﺍ ﺍﻋﺘﻘﺩﺕ ﺃﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻗﺩ ﻨﺴﻲ‪ ،‬ﻓﺄﻨﺕ ﻤﺨﻁﺊ‬
‫ﺤﺘﻤﹰﺎ‪ .‬ﻫﻭ ﻝﻴﺱ ﻜﺫﻝﻙ‪ .‬ﻫﻨﺎﻙ ﻓﺭﻗﺔ ﻤﻭﺴﻴﻘﻴﺔ ﺘﻅﻬﺭ ﻫﺫﻩ ﺍﻷﻴﺎﻡ ﻋﻠﻰ ﺍﻝﺘﻠﻔﺯﻴﻭﻥ –ﻓﺭﻗﺔ ﻤﻥ ﺍﻝﻨﻭﻉ ﺍﻝﺠﺩﻱ ﺍﻝﺨـﺎﺹ‬
‫ﺒﻬﺫﻩ ﺍﻷﻴﺎﻡ – ﻝﺩﻴﻬﺎ ﻤﻠﺼﻕ ﻜﺒﻴﺭ ﻝـ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ ."James Dean‬ﻭﻫﻲ ﺘﻌﺯﻑ ﻫﺫﻩ ﺍﻝﻤﻭﺴﻴﻘﺎ ﺍﻝﺤﺩﻴﺜـﺔ‪ .‬ﻭﻓـﻲ‬
‫ﻭﻗﺕ ﺁﺨﺭ ﻴﺘﺤﺩﺙ ﺃﺤﺩ ﻤﺎ ‪ -‬ﻤﺜل ﺒﺭﻨﺎﻤﺞ ﻤﺤﺎﻭﺭﺍﺕ ﺃﻭ ﻨﻘﺎﺵ ﺤﻭل ﻓﻴﻠﻡ ‪ -‬ﻭﻴﻅﻬﺭ ﺍﺴﻡ "ﺠﻴﻤﺱ ﺩﻴـﻥ ‪James‬‬
‫‪ ."Dean‬ﻝﺫﻝﻙ ﻓﺈﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﻝﻡ ﻴﻨﺱ‪ .‬ﻭﺒﺎﻝﻨﺴﺒﺔ ﻝﻲ ﻭﻷﻋﻀﺎﺀ ﺁﺨﺭﻴﻥ ﻓﻲ ﺍﻝﻨﺎﺩﻱ‪ ،‬ﻓﺈﻨـﻪ ﻝـﻥ‬
‫ﻴﻨﺴﻰ‪ ،‬ﻷﻨﻨﺎ ﺩﺍﺌﻤﹰﺎ ﻨﺘﺤﺩﺙ ﻋﻨﻪ‪ .‬ﺃﺨﺒﺭ ﺍﻝﻨﺎﺱ ﺩﺍﺌﻤﹰﺎ ﺃﻥ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺴﻭﻑ ﻴﺒﻘﻰ ﺤﻴﹰﺎ ﺤﺘﻰ ﺃﻤﻭﺕ”‪.‬‬
‫ﻭﺤﺘﻰ ﻝﻭﻗﺕ ﺃﻁﻭل‪ .‬ﻝﻘﺩ ﻋﺎﺸﺕ ﺃﺴﻁﻭﺭﺓ "ﺠﻴﻤﺱ ﺩﻴﻥ ‪ "James Dean‬ﺤﺘﻰ ﺍﻵﻥ ﻴـﺎ ﺴـﻴﺩﺓ "ﺒﺭﺍﻨـﺩﻴﺱ‬
‫‪ "Brandes‬ﻭﺭﺒﻤﺎ ﺴﻭﻑ ﺘﺩﻭﻡ ﻤﺎ ﺩﺍﻡ ﻝﺩﻯ ﺤﻀﺎﺭﺘﻨﺎ ﺍﺴﺘﻌﻤﺎﻻﺕ ﻝﻠﻨﻤﻭﺫﺝ ﺍﻻﻴﻜﺎﺭﻭﺴﻲ‪ ،‬ﺍﻝﺸﺎﺏ ﺍﻝﺒـﺭﻱﺀ ﺍﻝـﺫﻱ‬
‫ﻴﻤﻭﺕ ﻤﻴﺘﺔ ﻤﺄﺴﺎﻭﻴﺔ ﻗﺒل ﺃﻥ ﻴﺨﻴﺏ ﻨﻔﺴﻪ ﺃﻭ ﻴﺨﻴﺒﻨﺎ ﻨﺤﻥ‪ .‬ﻭﺒﻌﺩ ﺍﻨﻬﻴﺎﺭ ﺤﻀﺎﺭﺘﻨﺎ‪ ،‬ﺴﻴﺒﺩﻭ ﻤﻥ ﺍﻝﻤﺤﺘﻤل ﺃﻥ ﺍﻝﺼﻭﺭ‬
‫ﺍﻹﻝﻬﻴﺔ ﺍﻝﺘﻲ ﻨﺤﺘﻨﺎﻫﺎ ﻓﻲ ﺍﻝﺼﺨﺭ ﺴﻭﻑ ﺘﺤﻅﻰ ﺒﻔﺭﺼﺔ ﺃﻓﻀل ﻹﺨﺭﺍﺠﻬﺎ ﺒﺎﻝﺤﻔﺭ ﻭﺍﻝﻨﺒﺵ ﻤﻥ ﺘﻠﻙ ﺍﻝﺘﻲ ﺜﺒﺘﻨﺎﻫﺎ ﻓﻲ‬
‫ﻓﻴﻠﻡ‪ .‬ﺇﻻ ﺃﻥ ﻤﺜل ﻫﺫﺍ ﺍﻝﺘﺨﻤﻴﻥ ﺭﺒﻤﺎ ﺴﻴﻜﻭﻥ ﻏﻴﺭ ﻤﻼﺌﻡ ﻜﻭﻨﻴ ﹰﺎ‪ .‬ﻭﺭﺒﻤـﺎ ﻴﻀـﻊ "ﺭﻴﺘﺸـﺎﺭﺩ ﻝﻴـﺩﻴﺭﻴﺭ ‪Richard‬‬
‫‪ "Lederer‬ﺒﻤﻨﻅﻭﺭ ﺒﺭﺍﻏﻤﺎﺘﻲ ﻤﻜﺘﺴﺏ ﻤﻨﺫ ﺴﻨﻭﺍﺕ ﻓﻲ ﻤﻌﻤل ﻨﺠﻭﻡ ﻫﻭﻝﻴﻭﻭﺩ ﺫﻝﻙ ﺠﻴﺩﹰﺍ‪“ :‬ﺇﻨﻪ ﺨﺎﻝﺩ ﻓـﻲ ﺒﻌـﺽ‬
‫ﺍﻝﻤﻨﺎﻁﻕ ﻤﻥ ﺍﻝﻌﺎﻝﻡ‪" ،‬ﺠﻴﻤﻲ ﺩﻴﻥ ‪.” "Jimmy Dean‬‬