Diatonic Scale

C Major
Parallel movement
4th finger on (R.H. D
( L.H. B

          
 44       
    
   
 
    
 44            
            
In the third or tenths
3
        
         
          
     
                     
   
In sixths
5

            
           
   

   
    
       
     
      
4th finger on (R.H. B C Major
(L.H. D Contrary Motion
7 Begining At the closet point point
        
     
            
 
  
               
      
   
Begining with the keynote in the L.H. and the third of the scale in the R.H.
9
            
     
          
  
               
      
   
 Begining with the keynote in the L.H. and the third of the scale in the R.H
11
                    
        
 
       
         
           

4th finger on ( R.H. B ascending
decending C Minor (Melodic)
Separated by Octave Parallel Movement
13
          
               
   
 
           
      
                

15          
     
             

                  
         
  