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High Frequency Design From July 2006 High Frequency Electronics

Copyright © 2006 Summit Technical Media, LLC


FEEDBACK TUTORIAL

Feedback Fundamentals:
Basic Concepts and
Circuit Topologies
By Gary Breed
Editorial Director

F
eedback is an book diagram, it includes the necessary ele-
Feedback is used to control important concept ments: the signal path, a means of sampling
gain and reduce distortion, in circuit design, the output, processing of the feedback signal,
as well as provide other where a signal or voltage and a means of reintroducing the error signal
important functions in derived from the output at the input. In the simplest feedback systems,
modern electronic designs is superimposed on the the feedback signal processing may be one or
input. This output-to- two passive components, with direct connec-
input path can be used for several purposes— tions to the through circuit at the output and
control output voltage, control gain, reduce input. The diagram can also become much
distortion, improve stability, or create instabil- more complex, with extensive signal process-
ity, as in an oscillator. ing and the addition of reference signals, com-
This short tutorial reviews feedback, with parators, delay lines and even multiple feed-
emphasis on the classic negative feedback back loops.
amplifier. Notes are also included on the Intuitively, feedback control loops are used
methods for sampling the output and injecting to achieve a specific performance objective. In
the control signal at the input. a simple solid state voltage regulator, the out-
put sample is compared to a known reference,
Feedback Principles and error signal is used to adjust the conduc-
For a classic concept like feedback, classic tion of the pass transistor until equilibrium is
reference texts are a good source of instruc- achieved—a constant output voltage.
tion. This section was written with the aid of A radio automatic gain control (AGC) sys-
three of those references [1, 2, 3]. tem works similarly. In this case, a portion of
A feedback control system consists of the the output signal is amplified, then rectified to
building blocks shown in Figure 1. Although create the DC voltage that can be compared to
this is not the traditional control theory text- a reference. The error signal controls the gain

Error signal injection Output sampling

Through-path
System System
Input Σ transfer function Σ Output
G(s)

Error-path
transfer function
H(s)

Figure 1 · The basic functions required to achieve feedback in an electronic system.

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High Frequency Design
FEEDBACK TUTORIAL

Input e Amplifier
Gain = A Output E

Feedback
βE

Figure 2 · Negative feedback amplifier block diagram.

of an amplifier or an attenuator until equilibrium is


achieved—a constant RF signal level.
Readers unfamiliar with control theory (or who studied Figure 3 · Amplifier with shunt voltage feedback.
it too long ago!) should review a reference such as [3] to
gain familiarity with the language and structure of feed-
back control systems. I won’t review it here, but rather, Since gain is defined as the ratio of output to input,
we’ll move on to a more specific application of feedback. the system gain with feedback is the ratio of the above
actual output and input expressions, which reduces to
The Negative Feedback Amplifier
Negative feedback in amplifiers is one of the most Gain = A / (1 – Aβ )
common uses of feedback. The purposes of using negative
feedback are to control the gain and reduce distortion (or, If we have a circuit that has its voltage gain reduced
increase linearity). The earliest use of negative feedback by 20 dB due to the application of feedback, then Gain is
was to reduce distortion in high power audio amplifiers. 1/10, giving Aβ , the feedback factor, a value of –9.
One common application was in the modulator of an
amplitude modulated (AM) broadcast transmitter; anoth- Distortion Reduction
er was in telephone system audio amplifiers. In a feedback amplifier, distortion is reduced because
Negative feedback is also used to improve the lineari- the portion of the distorted output that is fed back to the
ty of radio frequency amplifiers, especially since the input is re-amplified and, since it is out-of-phase, cancels
introduction of the transistor. Today, transistor RF ampli- out a larger part of the distortion. The amount of distor-
fiers use one or more techniques to obtain greater linear- tion reduction is the same as the reduction in gain noted
ity through negative feedback. Feedback allows the above, or
designer to obtain amplifier characteristics (e.g., gain)
that are not critically dependent on the parameters of a D = d / (1 – Aβ )
specific active device.
Conceptually, feedback amplifiers are very simple. where D is the distortion level at the output and d is the
Figure 2 shows that simplicity—a portion of the output is distortion level that would be present if no feedback was
sampled and reintroduced at the input. The feedback sig- present.
nal must be inverted in phase (hence the term “negative” We can see that a large amount of feedback would
feedback), which is often automatically accomplished result in a large reduction in distortion, but we must
since most single-stage amplifiers invert the phase of the remember that gain is also reduced. The amplifier must
signal. Thus, all that is required to control the feedback is have sufficient excess gain to allow the desired amount of
a voltage divider to provide the desired amount of feed- feedback. Most practical feedback circuit designs, partic-
back. ularly RF amplifiers, require tradeoffs between gain and
In the absence of feedback, the output is simply the the amount of feedback that can be applied to obtain the
gain times the input voltage; desired improvement in distortion.

E = eA Circuit Topology for Feedback


Negative feedback requires a sampling point for the
With feedback in the amount of β E, the actual input is output signal, a path from output to input (including
(e + β E), so the output becomes (e + β E) A . amplitude and phase control circuitry, if needed), and an

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High Frequency Design
FEEDBACK TUTORIAL

injection point at the input. with increasing frequency, which may


Bipolar transistor amplifiers are be insufficient to obtain the desired
inverting, so it is possible to simply feedback amount.
connect the collector to the base with Noise is a significant considera-
appropriate components to control the tion in a feedback amplifier, as well.
feedback level and block DC voltage Each resistive feedback path repre-
[4]. Figure 3 shows an amplifier with sents a noise source that is summed
such a feedback scheme. Rfb sets the with the input noise. Thus, feedback
feedback level, sampling the output necessarily increases noise.
voltage, and forming a voltage divider There have been numerous cir-
with the base bias resistors and the cuits developed that minimize noise
base-emitter junction. The feedback by replacing resistive coupling with
voltage is applied in shunt, that is, in transformer coupling, but these often
parallel with the input voltage. decrease output-to-input isolation,
Capacitor Cblock passes the RF feed- increasing the risk of instability.
back signal while blocking the DC These “noiseless” techniques are also
path between collector and base. less broadbanded than resistive feed- Figure 4 · Feedback may be
Another common feedback topolo- back, but this may not be an issue for obtained by emitter degeneration;
gy—often used together with the narrow to moderate bandwidth an unbypassed emitter resistor.
voltage shunt method of Figure 3—is requirements. Transformer coupling
emitter degeneration, shown in is also much harder to accomplish as
Figure 4. A feedback voltage is frequency increases, so resistive feed- References
derived from the collector current back is usually the preferred tech- 1. F. E. Terman, Electronic and
through an unbypassed emitter resis- nique for microwave frequencies and Radio Engineering, McGraw-Hill,
tor Rfb. This voltage is re-introduced extremely wide bandwidths. Fourth Edition, 1955, Ch. 11.
at the input because it is in series Although not mentioned earlier, 2. F. Langford-Smith, ed., Radio
with the base-emitter path of the the increase in noise with increasing Designer’s Handbook, Newnes, 1997,
input signal. feedback often becomes a perfor- Ch. 7. [Reprint of 1955 Fourth
mance tradeoff factor, along with gain Edition, originally titled Radiotron
Cautions and Limitations and distortion objectives. Designer’s Handbook.]
There are many practical aspects 3. (Multiple contributors),
of feedback in RF circuits. First, as Summary Reference Data for Radio Engineers,
frequency increases, physical dimen- This brief tutorial is a reminder Howard W. Sams & Co., Sixth
sions will introduce greater phase that feedback is an important part of Edition, 1982, Ch. 16.
shift in the feedback path. If too high frequency design techniques. 4. W. Hayward, Introduction to
large, this can cause the amplifier to Hopefully, it will encourage those Radio Frequency Design, ARRL,
become unstable. Unwanted feedback who need additional study to spend 1996. (Updated reprint of the 1982
paths are also possible, both via the time reviewing pertinent reference edition, originally published by
circuit and internal to the device. material on the subject. Prentice-Hall.)
Also, device gain tends to decrease

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