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Premier Guitar - Ovation 2011 Buyers Guide PDF
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ONGBOOK
DIGITAL SONGBOOK
powered by:
FEATURING TAB FROM THESE
OVATION ARTISTS:
Yngwie Malmsteen
“Black Star”
Heart
“Crazy on You”
Bob Marley & The Wailers
“No Woman No Cry”
Jim Croce
“Bad Bad Leroy Brown”
Melissa Etheridge
“I’m the Only One”
Slipknot
“Snuff”
Breaking Benjamin
“So Cold”
Van Halen
“Spanish Fly”
REO Speedwagon
“Time for me to Fly”
Bon Jovi
“Wanted Dead or Alive”
= Digital Songbook - 5
WorldMags
No longer will we stand in corners,
our strongest assets facing the wall.
We are round for a reason.
Our shape will be heard.
WorldMags
WorldMags
Black Star
By Yngwie Malmsteen
Tune down 1/2 step:
from Yngwie J. Malmsteen - Rising Force
(low to high) Eb-Ab-Db-Gb-Bb-Eb
A
Rubato q = 126
B/F# Em B/F# A Em/G E/G#
Gtr. 1 (acous.)
mp w/ fingers
7
2 3 4
7 8 7 5 4 5 2 4 5 5
8 4
4
9 7 0
3 4
Am(sus4) F#/A# Em/B B A B
3
Harm.
let ring
5 6 7 7
5 7 8 7 5 7
7 5 7 5 4 5 6 9 8 6 8
0
6 6 7 9 7 7
B
Slower q = 76
Gtr. 1 tacet
Em * Em
Gtr. 2 (elec.)
poco rit. 6
Harm. mf w/ dist.
let ring
12 12 7 12
12 7 12 8
5 7 9
9
12
Pitch: G *Chord symbols reflect overall harmony.
8va
3
3 3 3
w/ bar 6 w/ bar
1/2
8 7 12 14 14 19 19 17 15 14 15 15 14
12 17 17 15
12 16
14 17
Copyright © 1985 Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 1
WorldMags
C/E Em C/E
8va
3 3 loco
6 w/ bar
Harm.
12
15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15
12 14 12 12 7 9
14 16 14 9
X 10
Em C/E Em
8va
3
3 3
3
3 3
3 3 3 3
3
3
*w/ delay
** sim.
14 12 15 14 17 15 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 16
12 11 12
14 14
14 12 10 10 14
14
*Set for 700 ms regeneration w/ one repeat.
**Vol. swells
C/E Em C/E Em C/E
8va
loco
Gtr. 2
3
3
delay off rake
w/ bar
1/2
1/2
15 19 21
17 17 17
16 4 4 4 9
2 X
X
0
-1
Gtr. 3 (elec.)
mf P.S.
w/ dist. 1
X 7 7 7 12
X 5
X X
X 17 X
WorldMags = Digital Songbook - 2
WorldMags
C
Em C/E
8va
6
rake
1
1/2
17 17 17 16 17
14 15 14
16 17 X
19 19 19 14 17 15 14
17
15 14
17 16 17
14
16 17
X
8va
6
rake
1 1
20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20
X
Em C/E
8va
rake 6
rake
1/2
1
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
8va
6
rake rake
1 1
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X
WorldMags = Digital Songbook - 3
WorldMags
T o Coda
Em C/E
8va
1
17 19 20 17 20 15 20 20 19 20 17 19 22 22 19
19
8va
1
17 19 20 17 20 15 20 20 19 20 17 19 22 22 19
19
Em C/E
8va
rake 6
rake
1 1/2
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
X
8va
6
rake rake
1
1
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X
X
WorldMags = Digital Songbook - 4
WorldMags
1.
B
loco
5
10
9
1 1
7 8 7 5 11 12 14 12 11
8 7 5 7 10 10 12 13 13
8 7 5 4 9 9 8 12 12 11
7 5 4
7 6 6 0
8va
loco
5
9
10
rake
1
1/2
15 17 15 14 11 12 14 12 11
17 15 14 10 12 12 10 10 12 13 13
17 16 14 14 12 12 11 X
17 17 16 14 13 13
8va
12 6
Harm.
12 10 5
20 17
19
20 17 14
16
17 14 11
13 10 13
11 11 14 11 20 17
19 16
17 14
16 13
14 11
1310
11 8
10 7
12 11 9 8
10 9 7
10 9 7 6
Pitch: B
8va
6
12 w/ bar
Harm.
12 10 5 5 5
17 14
16
17 14 11
13
14 11 8
10 7 10
8 X 11 8 17 14
16 13
14 11
13 10
11 8
10 7
8 5
7 4
12 11 9 8
10 9 7
10 9 7 6
Pitch: B -1
WorldMags = Digital Songbook - 5
WorldMags
2.
B
loco
5
10
1
1
7 8 7 5
8 7 5 7 10
8 7 5 4 9 9 8 12 12 11 11
7 5 4
7 6 X
8va
loco
5
10 rake
1
1/2
15 17 15 14
17 15 14 10 12 12 10 10
17 16 14 14 12 12 11 X
17 17 16 14 13
D
Gtr. 3 tacet
Em
8va
Gtr. 2
6
6
6
6
2 1 1/2
1
14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
13 16 13 13 16 13 16 16 20 20 19 17
14 14
16
8va
Gtr. 3
6
6
6 6
1/2 1 1/2 1
11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13 17 17 15
11 11
13
8va
Gtr. 4 (elec.)
f w/ dist.
1 1
14 15
8 17 X 17 17
WorldMags = Digital Songbook - 6
WorldMags
Gtr. 2 tacet
C/E Em
8va
*
Gtr. 4
3
3 3
2
1 1/2 1
14 15 17 15 17 15 14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17 15 14 20 20 19 20 17 20 15 20
17 17 17 17 17 17 17
16 16 16
17
*Played behind the beat.
C/E
8va
6
12
14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X
Em
8va
**
3
11 6
12
1 2
15 14 12 11 14 12 11 7 12 8 16 12 19 20 15
17 16 13 12 13 12 10 13 12 11 12 11 8 17
12 11 12 12 12 12 8 9 16 12 16
**Played behind the beat.
C/E
8va
***
3
12
1 1/2
1
20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15
***Played behind the beat.
Em
8va
***
12 6 †T
1 hold bend T 1 hold bend
1/2
14 15 14 14 12
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14
†Hold down tap finger while releasing
bend, rebending, and sliding.
WorldMags = Digital Songbook - 7
WorldMags
C/E Am
8va
12
Gtr. 4
6
1/2
1
12 17 12 12 17 20 12 17 12 13 12 12
13 12 13
14 14 12 11 11 11 9 8 5 9 5 4 5 4 14 14 14
7 5 4 14 14 14
0 12 15 15 12 15
Gtr. 3
Gtr. 2
Gtr.
3
w/ bar divisi
5 2 7 4 9 5 14 9
0
-1
0
*Gtr. 2 to left of slash in tab.
D.S. al Coda
(take repeat)
F Am F
8va
Gtr. 4
3
2
2
20 20 20 19 17 16
15 18 17 15
17 16 14 12
15 14 12
15 14 12 11
Gtr. 2
Gtr. 3
1/2 1/2 1/2
1 1 1
15 17 19 19 19 19
13 15 12 17 13 18 15 17 18 20 20 20 20
14
WorldMags = Digital Songbook - 8
WorldMags
Coda
E
Em C/E
8va
Gtr. 2
11 12
1/2 1/2
15 17 19 17 15 14 17 15 14 15 14 14
19 19 16 17 19 20 19 19 19 16 17 19 17 17 15 17 15 13
8va
Gtr. 3
fdbk.
1 1
17 17 17 14 15 17 15 17 17 17 0
Em C/E
8va
*
6
12 steady gliss.
17 15 13 12 15 13 12 13 12 12
14 14 12 14 12 11 14 12 11 9 12 11 9 8 9 9 21 21
*Played behind the beat.
8va
w/ bar
cresc. poco a poco
Gtr. 2 tacet
Em C/E Em
8va
Gtr. 3
3 3
cresc. rake rake
1 hold bend T
1
0 14 14 15 17 17 18 17 14 15 17
17 X
X
X
WorldMags = Digital Songbook - 9
WorldMags
C/E Em
8va
fdbk.
rake rake
hold bend
1/2 hold bend T 1 hold bend T
1 *T 1
17 18 20 17 17 15 14 18 14 14 12 13 12 12 12 12 10 12 10
X X
X
*Slide tap finger.
C/E
8va
5
15 6
T T T T T T
15 10 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 14 19 15 15 12
17 12 15 17 12
16 12 13
14 9
Em
8va
**
6
5
7 12 7 15 12
12 8 13 12 10 8 12 10 8 7 10 8 7 8
9 8 9 12 11
12 9
**Played behind the beat.
C/E
8va
***
12 11
1 †T 1/2
10 12 10 10
10 12 13 12 10 10 12 13 13 12 13 12 10 13 12 10 8 10 12 10 8 7 8 7
12 9 9 10 10
***Played behind the beat.
†Hold down tap
finger while
releasing and
WorldMags
rebending.
= Digital Songbook - 10
WorldMags
Em C/E
8va
12
12
P.M.
5 5 7 X 7 8 7 8 10 7 8 10
10 10 9 9 4 5 4 5 7 8 7 8 8 9 9
7 5 7 4 5 7 7
Em
8va
12
12
rake
P.M.
1 1 1/2
8 8 10 8 10 12 8 10 12 14 10 12 14 15 15 21
12 8 10 12 10 12 12 X
X
Begin fade
C/E Em
8va
3 3 3
3
1 1 1/2 1/2 2 1/2 1/2 1 1/2
1/2
T
21 21 21 21 21 21 14 15 14 15 14 14 15 19 15 14 14 10 12 10
17 17
16
Fade out
C/E Em
8va
6 3 3
rake
w/ bar w/ bar
10 14 15 14 12 10 12 12 12 10 10
13 13 15 13 12
X
X
-1/2
WorldMags = Digital Songbook - 11
WorldMags
WorldMags = Digital Songbook - 12
WorldMags
GO AGAINST THE GRAIN.
WorldMags = Digital Songbook - 13
WorldMags
Crazy on You
Words and Music by Ann Wilson, Nancy Wilson and Roger Fisher
from Heart - Dreamboat Annie
Am F G6 G D/E Dm Em
231 134211 3 3 4 1121 231 23
C/G E F m D C m Bm A
5 fr 4 fr
342 1 231 134111 1333 13421 13421 123
Prelude
Moderately fast = 150
Gtr. 1 (acous.)
*Am Am13 B5/A C5/A Am
3
let ring throughout
w/ fingers
3 1 0 3 1 0 1 3 1 0 1
2 4 2 0 0 2 2 0 4 5 0 2 2
2 4 4 5 0 2
0 0 0 0 0 0 0 0 0 0 0
*Chord symbols refect implied harmony.
1 2
Am13 Am/C E5 E7 A/E E G Am13 Bm7/A G
3 3
3 3
3
Harm.
5
3 5 3 0 12
0 2 4 2 0 1 4 2 0 0 4 4 4 0 12
4 0 2 0 4 4 4 0 12
0 3 2 5 4 2 X 0 0 0 0 0 0
0 0 0 0 3
3
Am13 D C Am G * D7/F
3 3
0
3 1 0 1 3 1 0 3 1 0 1
0 2 2 0 0 2 0 2 2 2 0
4 0 4 2 0 0 0
0 0 5 0 3 0 0 0 0
3 *Played as even eighth notes.
2 2 2 2
Intro
Free time Faster = 130
E7 Dm E7 Am F
rit. w/ pick
0 0 0 0 0 0 0 0 0 0 0 1
0 0 6 5 6 5 3 0 5 3 1 1 1 1 1 1 1 1 1 0 1
1 1 1 1 5 5 4 2 2 2 2 2 2 2 2 2 2 2
0 0 0 6 2 2 2 2 2 2 2 2 2 2 3
2 2 0 0 0 0 0 0 0 0 0 0 3
0 0 1
Copyright © 1976 Sony/ATV Music Publishing LLC
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 14
WorldMags
Am F G6
(cont. in slashes)
1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 X X X X
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3
* Am F G6 Am F
Rhy. Fig. 1
Gtr. 1
Riff A
Gtr. 2 (elec.)
w/ dist.
2 0 2 0
0 3 2 0 0 3 2 0
1 3 1
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
G6 Am G F
2 0 2 0
0 3 2 0 3 2 0
(1) 3 3 1
Verse
1st time, Gtr. 2 tacet
2nd & 3rd times, Gtr. 2: w/ Fill 1 (2 times)
G6 Am
End Rhy. Fig. 1
(cont. in notation)
1. We may still have time, we might
love is the eve ning breeze
was a wil low last night
End Riff A Rhy. Fig. 2
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2
2 0 2 2 2 2 2 2 2 2 2 2 2
3 2 0 0 0 0 0 0 0 0 0 0 0
(1) 3
Fill 1
Gtr. 2
8 X 5 8 X 3 8 X 5 10 X 10
X 5 X 3 X 6 X 9
X 5 X 5 X 7 X 9
WorldMags = Digital Songbook - 15
WorldMags
C/GChorus Dm E
G7 C
Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
cry.
Em C/E
a
wan na
still8va get by. it I Ev ’ry time I think With bout
touch ing your skin,
of leaves
a clear
the in
gen tle, sweet
the wind.
The sing ing
in a dream, bad
I
bent down
run ning stream.
End o I
Fig. 2
ver
bad - dest man Le - roy
in the Brown,
whole
Rhy.
Rhy. Fig. 2
Gtr. 2
6 rake
1/2
1
0 03 0 30 0 0 0 0 0 014 15 0 14 1 1 1 1 1
19 1 1 191 19
1 1 14 1 17 150 14 0 015 0 14 0 0 0 0 14 0 0 0
1 13 17 1 31 1
517 1173 1 31 16 1317 15 13 3 3 173 3 3 53 X
16 33 3 33 3 3 3 4 3 4 3 50 5017 07 0 5 017 05 160 5170 70 160 517 0
40 04
0 04 0 40 50 04 0 05 04 2 4 2 4 2 52 X 24 2 24 2 4 2 5 2 5 2 61 61 17 1 6 1 16 1 6 1 71 16 1
2 23 2 32 52 23 2 32 23 25 23 0 3 0 3 0 50 03 0 03 0 3 0 4 0 4 0 52 52 27 2 5 2 25 2 5 2 72 25 2
3 35 3 53 53 35 3 53 35 35 35 5 5 5 5 5 5 6 6 72 72 27 2 7 2 27 2 7 2 72 27 2
3 33 3 33 33 33 3 33 33 33 33 3 3 3 3 3 3 4 4 50 50 05 0 5 0 05 0 5 0 50 05 0
Gtr. 1: w/ Rhy. Fig. 2
Am C/G
and
8va
lit tle kids
Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
bombs
the dev il,
keep
com in’.
No
song bove
whis per that calls af ter you in the night and
sang you this that I heard
up a and
rakeTo Coda
6
damn town. Bad - der than old King Kong, and
Dm E
19 17 17
20 19 20 X22 22 17 20
1
20 17 19
1
20
19 20 20 19 20 19 20
y, no X time to 20 young.
17 22 19 17
way to breathe
kiss es
eas be
your ear in the ear ly light.
you kept me a live with your
5 5 7 5 5 5 6 6 7 7 9 7 7 7 7 7 8 8 10 8 8 8 9 9
6 6 7 6 6 6 7 7 8 8 9 8 8 8 8 8 9 9 10 9 9 9 10 10
Am 5
7
5
7
7
7
5
7
5D/E
7
5
7
6
8
6
8
7
9
7
9
9
9
7
9
7
9
7
9
7
9
7
9
8Am 8
10 10
10
10
8
10
8
10
8
10
9 D/E9
11 11
5 5 5 5 5 5 6 6 7 7 7 7 7 7 7 7 8 8 8 8 8 8 9 9
Gtr. 1
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
8va
Gtr. 2
*Gtr. 3 (elec.)
Em C/E
8vamean - er than a junk - yard dog. 2. Now, Le - roy, he a gam -
Gtr. 2
End Rhy.Fig.2 Gtr.3 (acous.)
tone divisi 3
1213 12 14
w/ clean
14
15
6
17 15 17 14 17 15 14 13 15
rake
16 rake 16
12 17 14 12
13
16 16
15 13
mp
108
10 10 10 8 *w/ slight dist., played .
11 11 11 9 3 X 51/2 0 0
10 1
12
10
12
10
12
0
0
2
4
0
0 Pre-Chorus
3
5
0
0
X
X
4
5 5
0
0
0 0 2 0
10 10 10 8 0 14 2 15 014 3 Gtr. 3 tacet 19 19 0 19 2 14 17 15 14 15 14 14
17 17 17 16 17 16 Dm
17 X Em C/G 17 F17 16 17 16 17
X X
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
I you’re
8va
But I tell my al right. There’s
And
don’t need
self that
to won der; do
was
do in’
in’
you fine.
8va and he like
bler
and he like his fan - cy clothes
rake 3 rake
6 Gtr. 2
3 3 3 3 3
10 1 12
let ring let ring
1
14 17 14 17 14 14 12 17
15 17 15 171715 19 17
15 10 22 22 22 12 17 20 19 17 19 17 17
20 16 20 2016 19 1620 16 19 20 10
X 12 12 20 17 20 19 20 19 20
X 0 0 2 X 2 2 2
0 2 2 0 0 2 0 2 2 4 4 2 2 4 2 2 4 4 2 2 4 2 4
WorldMags = Digital Songbook - 16
WorldMags
Dm E
noth in’ left to do to night but go
cra
My love, the pleas ure’s mine. Let me go
8va
steady gliss.
let ring
10 10 16 16
10 10
10 10 10 16 16 16 (16)
Chorus
1st time, Gtr. 1: w/ Rhy. Fig. 1
1st time, Gtr. 2: w/ Riff A
2nd time, Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
2nd time, Gtr. 2: w/ Riff A (1st 6 meas.)
Am F G6 Am F G6
zy on you, cra zy on you. Let me go
1
Am G F G6
cra zy, cra zy on you, oh. 2. My
2 Bridge
G Am F m
6
3fr
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 3
Gtr. 1
While the man’s world is
Voc. Fig. 1
(Oo.
Gtr. 2
Fill 2 End Fill 2
w/ clean tone
2 2
2 2
2 2
2 0
3 2 0
(1) 3
WorldMags = Digital Songbook - 17
WorldMags
D C m D
cry ing in pain, what cha gon na do when ev ’ry bod y’s in sane?
Oo.
2 2 4 4 5 5
3 3 5 5 7 7
2 2 6 6 7 7
C m D C m
So a fraid of won ders, so a fraid of you, what cha gon na do?
Oo. Oo.
9 9 10 10 12 12
9 9 10 10 14 14
9 9 11 11 16 16
Gtr. 2 tacet
Bm A
Riff B
Gtr. 3
3
3
10 10 10 10 10 10 10 10
12 12 12 12 12 12 12 12 14 15 14 17 14 19 14 17 14 14 15 14
11 11 11 11 11 11 11 11 14 14 14 14
WorldMags = Digital Songbook - 18
WorldMags
Gtr. 3 tacet
E Esus4
End Rhy. Fig. 3
(cont. in notation)
*Voc. Fig. 2
(Ah.)
Ah.)
End Riff B
17
17 14 19 14 17 14 15 14 14
14 14 14 14 14
*Refers to downstemmed voc. only.
End Voc. Fig. 2
Oo. Cra
End Voc. Fig. 1
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
Am F G6 Am F
zy on you, cra zy on you.
D.S. al Coda
G6 Am G F G6
Let me go cra zy, cra zy on you, oo. 3. I
WorldMags = Digital Songbook - 19
WorldMags
Coda
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ Riff A (1st 6 meas.)
E Am F G6 Am F
sweet flow ing love. Yeah.
Cra zy, cra zy, on
Gtr. 1: w/ Rhy. Fill 1 (1st meas.)
Gtr. 2: w/ Fill 2 (1st meas.)
G6 Am G F Am
you. Let me go cra zy, cra zy on you, oo. Cra
Gtr. 1: w/ *Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ *Riff A (1st 6 meas.)
F G6 Am F
zy on you, cra zy on you.
Gtr. 4 (elec.)
w/ dist.
1 1 1
15 (15) 13 15 15 (15) 13
Gtr. 5 (elec.)
w/ dist.
1/2 1/2 1/2
12 (12) 10 12 12 (12) 10
*Beat 1 is tied from the previous meas., not struck.
Gtr. 1: w/ Rhy. Fill 1 (1st meas.)
Gtr. 2: w/ Fill 2 (1st meas.)
G6 Am G F Am
Let me go cra zy, cra zy on you, yeah.
1/2 1/2 1
(13) 12 13 13
16 16 16 14 (14)
1 1 1
(10) 10 10
12 12 (12) 10 (10) 12
WorldMags = Digital Songbook - 20
WorldMags
Gtr. 1: w/ *Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ *Riff A (1st 6 meas.)
F G6 Am F G6
(Oo. Oo.
8va
12 15 17
(13) 15 13 15 17 18 20
10 12
(10) 12 13 10 12 13 13 15
* Beat 1 is tied from the previous meas., not struck.
Gtr. 1: w/ Rhy. Fill 1
Gtr. 2: w/ Fill 2
Am G F Am
Oo.)
8va
1/2 1/2 1 grad. bend 1/2
1
17 19 19 15 17 (17) 17 19 19 (19)
20
8va
1/2 1/2 1 grad. bend 1
1
12 14 14 10 13 (13) 12 15 15 (15)
15
Interlude
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 1: w/ Rhy. Fig. 3
Gtrs. 4 & 5 tacet
Gtr. 2 F m D6 C m D
1 1
w/ clean tone
4 6 7 (7)
2 4 5 (5) 4 5 7
2 4 5
Gtr. 6 (elec.)
(cont. in slashes)
w/ clean tone
9 4 4 4 4 4
10 3 5 5 5 5 5 7
11 4 6 6 6 6 6 7
4 6 6 6 6 6 7
5 4 4 4 4 4 5
WorldMags = Digital Songbook - 21
WorldMags
C m D C m
Gtr. 6
Gtr. 2
1 1
7 9 10 (10)
6 7 7 (7) 6 7 9
6 7 9
Gtr. 3: w/ Riff B
Bm A
hold bend hold bend
1 1
10 10
(10) 10 10 (10) 10 10 (10)
Gtrs. 2 & 6 tacet Bkgd. Voc.: w/ Voc. Fig. 2
E F m11/E Emaj7
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Aadd9/E Asus 24 /E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ Riff A (1st 6 meas.)
Am F G6 Am F G6
Cra zy on you, cra zy on you. Let me go
Gtr. 1: w/ *Rhy. Fill 1
Gtr. 2: w/ *Fill 2
Am G F Am
cra zy, cra zy on you, oh.
* Last meas. w/ fermata.
WorldMags = Digital Songbook - 22
WorldMags
’60S CLASSICS CLASSIC METAL
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Man • Lights Out • Rock You like a
Sun • My Girl • No Particular Place to
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WorldMags = Digital Songbook - 23
WorldMags
Embrace the curve.
WorldMags = Digital Songbook - 24
WorldMags
A long history of great guitars.
In 1982, the average cost of a gallon of gasoline was .91 cents.
That same year, you could buy an Ovation Standard Balladeer for $699.
In 2009, a gallon of gasoline averaged $3.95. Twenty eight years later, you can
still buy an Ovation Standard Balladeer for $699. Times may have changed, but
our price and quality has only gotten better.
The Standard Balladeer is the longest running stock model in our history. Today,
it is a better value than ever with prices that have been rolled back to where
they were a quarter of a century ago, and features that are true to this model’s
heritage of ongoing improvement. Simply said, we’re building better guitars at
more affordable prices. Our current product line builds more value into
our guitars than ever, at a price that won’t hurt your wallet.
The Standard Balladeer
WorldMags = Digital Songbook - 25
WorldMags
No Woman No Cry
Words and Music by Vincent Ford
Intro from Bob Marley & The Wailers - Natty Dread
Moderately Slow = 78
C C/B Am F C F C
(organ & drums)
* Gtr. 1 (clean) (Ooh. )
let ring throughout
0 5 3 1
1 1 1 X 1 1
0 0 2 2 2 0 2 0
2 0 2 3 2 2 2
3 2 0 3 3 3
1
* Two gtrs. arr. for one.
(G) C C/B Am F
** (Ooh.
Rhy. Fig. 1
let ring throughout
0 0 0 0 0 0
1 1 1 1 1 1 1 1
0 0 0 0 2 2 2
2 0 2 0 2 3
3 0 2 3 2 0 3
0 3 1
** Bkgd voc. 1st time only
Chorus
Gtr. 1: w/ Rhy. Fig. 1, 2 times, simile
C F C (G) C C/B
play 3 times 3
) No, wom an, no
End Rhy. Fig. 1 No, wom an, no cry.
0 5 3 1 0
1 1
0 5 3 2 0
2 0 2
3 3 0 2
3
Am F C F C (G) C C/B
3
cry. No, wom an, no cry. No, wom an, no
No, wom an, no cry. Here, lit tle dar lin’,
Am F C F C (G)
cry. No, wom an, no cry. Say, say.
don’t shed no tears. No, wom an, no cry. Say, say.
Copyright © 1974 Fifty-Six Hope Road Music Ltd. and Odnil Music Ltd.
Copyright Renewed
All Rights in North America Administerd by Blue Mountain Music Ltd./Irish Town Songs (ASCAP)
and throughout the rest of the world by Blue Mountain Mudic Ltd. (PRS)
All Rights Reserved
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 26
WorldMags
Gtr. 1: w/ Riff A, 7 times, simile
Verse Gtr. 2: w/ Rhy. Fig. 2, 7 times, simile
C C/B Am F C 3
C/B
3
1. Said, I re mem ber when we used to sit in the gov ern ment’s yard in
2.,3. Said I re mem ber when we used to sit in the gov ern ment’s yard in
Gtr. 1
Riff A End Riff A
3 3 3 2 5 7 2 3
5 3 5 0 1
Gtr. 2 Rhy. Fig. 2 End Rhy. Fig. 2
(clean)
let ring let ring let ring
0 0 0
1 1 1 1
0 0 0 2 2
0 3
3 2
Am F C C/B Am F
3
Trench town. O ba, o ba, serv ing the hyp o crites as they
Trench town. And then Georg ie would make a fire light, as it was
C C/B Am F C C/B
3 3
would min gle with the good peo ple we met. Good friends we had, oh
log wood burn in’ through the night. Then we would cook corn meal
Am F C C/B Am F
3
good friends we’ve lost a long the way. (Yeah. )
por ridge, of which I’ll share with you. (Ooh. )
C C/B Am F
In this bright fu ture you can’t for get your past.
My feet is my on ly car riage.
1. 2.
To Coda
C C/B 3 Am F Am F
So dry your tears I say. And
So I’ve got to push on through. But while I’m gone, I’m mean a...
WorldMags = Digital Songbook - 27
WorldMags
Bridge C
N.C. (C) (C/B) (Am) (F)
Em C/E
gon na be
8va
Ev ’ry thing’s
gon na be al right.
Ev ’ry thing is al right.
Gtr. 1
6
rake
1
8
1/2
8 9
10
17 10 1710 1710 10 158 14 10 16 17
8 16 17 14 8 X
19 19 10 19 10 14
10 1710 15 8 14 17 15
10 148 17 10 16 17 14 16 717 7
10 X 10 10 10
(C) (C/B) (Am) (F)
Ev ’ry thing is gon na be al right. Ev ’ry thing’s gon na be al... I say,
8va
(be al right.)
6
rake
7
8
8 9 1
10 1 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10 7
10 10 10 10
20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20
(C) (C/B)
X
(Am) (F)
Ev ’ry thing’s gon na be al right, ya. Oh, ev ’ry thing’s gon na be al right.
8
8 9
10 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10
10 10
Em C/E
8va
(C) (C/B) (Am) (F)
rakeEv ’ry thing’s gon na be
6
al right, yeah.
rake Ev ’ry thing’s gon na be al right. So,
1/2
1
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
8
8 9
10 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10 (10)
10 10
C F
8va
Chorus
Am F
Gtr. 1: w/ Rhy. Fig. 1, 2 times, simile
3
C C/B
C
6
rake rake
wom an, no cry. No, no wom an wom an no cry.
(No)
1
1
(G) C C/B Am F
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X
Oh, my lit tle sis ter, don’t shed no tears.
WorldMags = Digital Songbook - 28
WorldMags
C F C (G)
No, wom an, no cry.
Gtr. 2
12 10
Guitar Solo
C C/B Am F C F C
Gtr. 2
3
full full
13 15 8 8
13 15 15 13 8 8 10 8 10 8 8
12 14 14 12 9 10 10
10 (10) 14 14 10
Rhy. Fig. 3
Gtr. 1
let ring throughout
0 0 0 0
1 1 1 1 1
0 0 0 0 2 2 0 0 2 0 0
2 3 3 3 2 3 2
3 2 0 3 3 5
1
Gtr. 1: w/ Rhy. Fig. 3, 3 times, simile
(G) C C/B Am F
let ring
8
(8) 8 10 8 10 11 10 13 13 15 13 13
9 12 14 12 14 12
10 10 10 10 X 10 10 10 14
10 10 12 12
End Rhy. Fig. 3
0
2 0
0 2
3
C F C (G)
3 3
3
full 1/4 full 1/2 full 1/2 1/2 full
15
13 15 15 13 13 8
12 (12) 7 (7) 5 7 (7) (7) (7) (7) (7) 8 7 (7) 5 5
7 7
C C/B Am F
full full
5 5
5 8 5 5 5 8 5 5
(5) 7 7 5 7 7 5
5 7 5 5
7 5 3 5 7
5 3 3
WorldMags = Digital Songbook - 29
WorldMags
C F C (G)
full
5 8
5 6 5 6 5 (7) 5 8 8
5 7 5 5 7 (7) 5 5 5
7 7 5 7 5 7
C C/B Am F
let ring
8
8 10 8 8
(5) 5 7 7 9 10 8 9
5 7 7 8 8 8 10
D.S. al Coda
C F C (G)
8 8 10 8
9 10 9
10
Coda Outro
Gtr. 1: w/ Rhy. Fig. 1, 5 times, simile
3 (G) C C/B Am F
through, but while I’m gone... No wom an, no cry.
Gtr. 2
P.M.
1 1 3
(2) 2 0 0
2 2 2
0
1 1 1
C F C (G) C C/B
No, wom an, no cry. Oh, my lit tle dar lin’, say
Am F C F C (G)
don’t shed no tears. No, wom an, no cry. Eh!
WorldMags = Digital Songbook - 30
WorldMags
C C/B Am F
Lit tle dar lin’ don’t shed no tears.
C F C (G)
No, wom an, no cry.
C C/B Am F
Lit tle sis ter, don’t shed no tears.
C F C (G)
No, wom an, no cry.
C C/B Am F C F C (G)
* Gtrs. 1 & 2
C C/B Am F
let ring throughout
0 0 0 0
1 1 1 1 1 1
0 0 0 2 2
2 2 3
0 2 0 0 3
*Two gtrs. arr. for one.
3 1 1
C F C
rit.
0 5 3 1 0 0
1 1 1 1
0 5 4 2 0 0
2 2 (0)
3
WorldMags = Digital Songbook - 31
WorldMags
Bad, Bad Leroy Brown
Black Star
Words and Music by Jim Croce
from Jim Croce - Life and Times
By Yngwie Malmsteen
Intro
Tune down 1/2 step:
Moderately fast q = 144 =
(low to high) Eb-Ab-Db-Gb-Bb-Eb
3 from Yngwie J. Malmsteen - Rising Force
G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G
A
*Gtr. 1
Rubato q =126
B/F# A E/G#
Em B/F# Em/G
3 5 5 3
mf
5 3 5
Gtr. 1 (acous.)
3 5 3 3 5 55 3 3 5
45 55 55 45 5 4
5 5
3 3 5 5 5 5 3 3 5
4 4 5 5 4 4 5 4 5 4 4 5 5 4 4 5
5 5 53
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
mp w/ fingers
*Piano arr. for gtr.
7 2 3 4
7 8 7 5 4 5 2 4 5 5
8 4
4
G7 Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G
9 7 0
3 4
Am(sus4) F#/A# Em/B B A B
Whew!
3
Harm.
let ring
6 6 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5
4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5
3 5 35 5 5 5 5 5 5 6 5 5 5 5 5 5 5 7 55 5 5 5 5 5 5 5 57
5 53 5 5 5 5 5 5 7 5 5 5 5 5 5 853 7 5 5 5 5 5 7 53 5 5 5
3 7 35 73 5 34 35 3 3 6 3 3 3 3 3 39 3 8 3 3 6 3 3 8 3 3 3
0
6 6 7 9 7 7
Verse
B Gtr. 1 tacet
G Cadd9/G G7 Cadd9/G G7 D7 G7 Cadd9/G G7 Cadd9/G G7
Slower q = 76
Gtr. 1 tacet
Em
* Em
Chi - ca-
south side
Gtr. 2 (elec.)
1. Well, the of
Gtr. 1
poco rit. 6
mf w/ dist.
Harm.
let ring
12 12 7 12
3 3 5 12
5 3 3 75 5 12
3 3 3 3 3 3 3 3 8
4 4 5 5 4 5 4 5 75 4 5 5 5 5 5 5 5 9
5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 123 3 3 3 3 3 3 3
Pitch: G *Chord symbols reflect overall harmony.
Rhy. Fig. 1
Gtr. 2 (acous.)
8va
P.M. throughout
mp
3
5 4
3 3 3
5 5 3 5 5
w/ bar 6 w/ bar
5 X 5 5 5
5 3 3 5 3 3 0 0X 3 3 4 5 3 3 3 5 3
5 5 5 5 5 0 5 0X 5 5 5 5 5 1/2 5 5 5 5
3 3 3 3 3 3 0 2 3 3 3 3 3 3 3 3
8 7 12 14 14 19 19 17 15 14 15 15 14
© 1972 (Renewed 12 2000) TIME IN A BOTTLE PUBLISHING 17 and CROCE PUBLISHING 17 15
12 16
14 All Rights Controlled and Administered by17 EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
Reprinted by Permission of Hal Leonard Corporation
Copyright © 1985 Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 32
WorldMags
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
8va Em
C/E C/E
go
and if you
- is the bad - 3
dest part of town
3
loco
Gtr. 2
6 w/ bar
Harm.
5 12
15 5 12 12 16 15 13 512 15 13 12 14 12 12 77 0 771 0 12 12 15
3 3 0 12 5 7 5 5 9 5
5 5 1455 3
5
3
5
4
5 5 0
5 145
16
7 7
7
7
5
7 7 7
7
7
5
7
5
7
5
7 10 79 7
5
7
5
7
6
8
6
8
3 3 X 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6
B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7
Em C/E Em
8va down
go there, you bet - ter just be - ware of a man named a, Le - roy Brown.
3
3
3
3
3
3
3
3 3 3 3
3
*w/ delay
** sim.
9 9 10
14 12 9 9 10 15 14 17 15 19 1120 190 20 17 20
11 15 1120 14
0 15
7 7 15 917 127 7 7 9 7 8 8 10 12 813 12
8 17 8 16 8 8 10 10 0 8 10 10 0 16
9 9 9 9 12 11
9 9 9 9 10 10 10
12 10 10 10 10 10 12 12 0 10 12 12 0
7 7 7 7 7 147 7 7 8 8 14 8 8 8 8 8 8 10 10 8 10 10
14 12 10 10 14
14
*Set for 700 ms regeneration w/ one repeat.
**Vol. swells
Gtr. 2: w/ Rhy. Fig. 1
G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 D7
Now, Le - roy, more than trou - ble. You see he
End Rhy. Fig. 1
Em
C/E
8va
C/E Em C/E
0 loco
Gtr. 2
5 0 X 5 5
X 5
3 0 X 4
3
0
0 2
3
3
delay off rake
w/ bar
1/2
1/2
A7 17 15 A7
Dadd9/A 19 21 Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7
17 17
16 4 4 4 9
2
X
X
0
-1
stand a - bout six foot four. All the down - town la - dies call him
Gtr. 3 (elec.)
C7 Fadd9/C C7 D7 C7 D7 G7 D7
1
mf P.S.
w/ dist.
All the mens just
X er.
X
X
tree - top lov - call
7 him, “Sir.” 7 7 12 And he’s bad,
X
5 (Right on now.) X
17 X
WorldMags = Digital Songbook - 33
WorldMags
Chorus
Gtr.C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
G72: w/ Riff
Cadd9/G G7
A (2 times) Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
G
Am
G/D
Em C/E
8va
to care.
I can’t de-Lestroy there. bad De er me in - to
Brown,
- liv - my
bad - roy - dest man in the whole
what is - n’t
6 rake
Rhy. Fig. 2
Gtr. 2 G Am G/D
a - lone,
1 1/2
fate. If I’m I can - not hate. I don’t de - serve to have
G 3 17 3
3 3 14 15 14 19 19 19 14 17 15 14 15 14 14
517 173 3 16 317 5 3 163 17 3 5 XF 3 3 3 4 4 5 5 17 7 5 17 5 16 517 7 16 5G/D 17
3
3
4 Fig. 45
Rhy. 5 4 4 4 5 4 4 4 5 X 4 4 4 5 5 6 6 7 6 6 6 7 End Rhy.
6 Fig. 5
1&3 5 5 5 5 5 5 5
3 5 3 3 3 5 3 3 3 5 3 3 3 4 4 5 5 7 5 5 5 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6 7 7 7 7 7 7 7 7
Gtrs. 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 5
my smile was tak - en
8va
you. Oo, long a - go. If I can change, I hope I nev - er
Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
Gtr. 5(elec.)
rake
6
damn town. Bad - der than old King Kong, and
mf
w/ slight dist.
0
let ring throughout
20 22 17 5
1
20 17 19 22 19 17
20 19 17 20 19 20 17193
1
19 20
20
X X 20
17 22 20
19 20
Riff B End Riff B
Gtr. 2
5 5 7 5 5 5 6 6 7 7 9 7 7 7 7 7 8 8 10 8 8 8 9 9
6 6 7 6 6 6 7 7 8 8 9 8 8 8 8 8 9 9 10 10 9 9 9 10
5
7
5
5
7
5
7
7
5
5
7
5
5
7
5
5
7
5
6
8
6
6
8
6
7
9
7
7
9
7
9
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
8
10
8
8
10
8
10
10
8
1199 8
10
8
8
10
8
8
10
8
9
11
9
0 0
1 1 1 1
2 2 2 2 0
5 5 5 5 5 5 5 5 3 3 3
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Interlude
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
Am
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Em F
G/D C
Em C/E
8vamean - er than a junk - yard dog. 2. Now, Le - roy, he a gam -
End Rhy.Fig.2 Gtr.3 (acous.)
know.
3
Gtr. 6 (elec.)
6
rake
rake mp
12
mf 10 10 10 8
11 dist.
w/ slight 11& RotoVibe
11 9 3 X 51/2 0 0
10 1 10 10 8 0 2 0 3 0 X 4 0 0 0 2 0
20 1217 12
17 17 15 1015 013 13
4 120 12 10 5 100 8 X 8 5 5 8 10 0
10 10 10 8 0 14 2 15 014 3 19 19 0 19 2 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
Gtr. 5
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
5 0 5 0 5 0 5 0 5 0 5 0 5 0 12 17 17 10
8va
0 10 0 10 0 10 0 8 0 8 0 5
3
bler and he like
10
and he like his fan - cy clothes
rake 3 rake
Gtr. 2 6
3 3 3 3
3
0
1 1
1 17 19 17 22 22 22 17 20 19 17 19 17 17
2 20 20 20 19 20 19 20 X 20 20 19 20 19 20
2X 0 0 2 X 2 2 2
0 2 2 0 0 2 0 2 2 4 4 2 2 4 2 2 4 4 2 2 4 2 4
WorldMags = Digital Songbook - 34
WorldMags
B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7
to wave his dia - mond rings in front of ev - ’ry - bod - y’s nose.
3 3 3 3 3
3
4 4 4 4 5 5 5 5 7 7 5 5 0
4 6 4 4 6 6 5 7 5 5 7 7 7 9 5 7
G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 D7
He got a cus - tom Con - tin - ent - al. He got an
3
mf
1
0 3 5 3 3 5 5 3 5
2 0 4 4
0 2
A7 Dadd9/A A7 Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7
El Do - ra - do too. He got a thir - ty - two gun in his pock -
5 5 7 7 5 7 7
6
C7 Fadd9/C C7 D7 C7 D7 G7 D7
et for fun. He got a ra - zor in his shoe. And he’s bad,
1
8 10 8
7 9 7 9 9 7 7 9 7 9 7
8 9
WorldMags = Digital Songbook - 35
WorldMags
Chorus
Gtr. 2: w/ Rhy. Fig. 2
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
bad Le - roy Brown, bad - dest man in the whole
(Bad, bad.)
1 1
8 10 10 10 10 8 8
9 9
Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
damn town. Bad - der than old King Kong, and
1 1/4 1
10
8 10 8 10 10 10 8 8
9 9 9 9 7
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
mean - er than a junk - yard dog. 3. Well, Fri - day ’bout a week
3 5 3 5 3
7 3 4 4 2 0
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
a - go Le - roy shoot - ing dice. And at the
3 5
2 4 4 2 0 0 2 4 6 6 4 2 4 2
2
WorldMags = Digital Songbook - 36
WorldMags
2. B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7
B
loco
edge of the bar sat a girl, name of Do - ris and,
5
a, ooh, that look nice.
girl
10
1 1
7 8 7 5
8 7 5 7 10
8 7 5 4 9 9 8 12 12 11 11
7 5 4
7 6 X 3
4 3 5 5 3
4 4 2 5 0 5 5 4 2
8va
loco
5
10 rake
1
1/2
15
G7 17 D7
15 14 G7 Cadd9/G G7 10Cadd9/G G7 Cadd9/G G712 10 D7
12
17 15 14 12 10
17 16 14 14 12 11
X
17 17 16 14
13
Well, he cast his eyes up - on her and the trou -
D
(Doo,
Gtr. 3 tacet doo, doo, doo,
(Oo. Em
8va
Gtr. 2
6
6
6
6
3 2
3 5 3 5 1 1/2 5 3 3 5 5
0 0 2 4 1 4
14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
13 16 13 13 16 13 16 16 20 20 19 17
14 14
16
8va
A7 Dadd9/A
Gtr. 3
Bb7 B7
6
A7
Dadd9/A A7 B7 Eadd9/B Eadd9/B B7
6 6 6
And Le - roy
1/2 1 1/2 1
- ble soon be - gan. Brown, he learned a
11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13
17
17 15
11 11
13
doo. Doo, doo, doo, doo.) 8va
Oo. Oo.)
Gtr. 4 (elec.)
f w/ dist.
1 1 1
14 15
5 5 7 7 5 7 8 17 X 17 717
6
WorldMags = Digital Songbook - 37
WorldMags
C7 Fadd9/C C7 D7 C7 D7 G7 D7
Gtr. 2 tacet
C/E Em
Gtr. 4
les -
a jeal -
8va
a mess - in’ with And
ous man. he’s
bad,
*
son ’bout a wife of
3
3 3
2
1 1/2 1
14 15 17 15 17 15 14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17 15 14 20 20 19 20 17 20 15 20
17 17 17 17 17 17 17
17
16 16 16
behind the beat.
*Played
3
C/E
1 1
8va
6
7
8 9
8 8 10 10 10 8 8
9 9 7 7 9 9 9 9
12
14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X
Chorus
Gtr. 2: w/ Rhy. Fig. 2
Em
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
**
8va
3
bad Le - roy Brown, bad - dest man in the whole
(Bad, 11 bad.) 12
6
17 16 13 12 15 14 12 11 1312 10 14 12 11 1312 11 12
1 2
9 8 7 12 8 16 12 16 12 20 15 17 16
19
11
12 11 12 12 12 12 8
**Played behind the beat.
1 1 1
C/E 10 10 10
8 10 10 10 10 8
8va 9
***
3
12
1 1/2
1
20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15
Em
Dadd9/A A7 Bb B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
***Played behind the beat.
8va
Bad old
***
damn town. - der than King Kong,
12
6
†T
1 hold bend T 1 hold bend
3 1/2
14 15 14 1 14 12 1
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14
8 10 10 8 10 10 10 8 8
9 9 7
†Hold down tap finger while releasing
bend, rebending, and sliding.
WorldMags = Digital Songbook - 38
WorldMags
Verse
Bkgd. Voc. ad lib. till end
F#7
Gtr. 2: w/ Rhy. Fig. 1
D7 C7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
mean - er than a junk - yard dog. 4. Well, those two men took to fight -
1/2
5 5 3
7 4 3 2 0 2 0
2
Gtr. 3 tacet
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
- in’ and when they pulled them from the floor
B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7
Le - roy looked like a jig - saw puz - zle with a cou - ple of piec - es gone.
Outro-Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1 6/8 times)
Cadd9/G G7
G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Ab7
And he’s bad, bad Le - roy Brown,
Gtr. 3
mf
mp
1 1 1
8 10 10 10 10 8
7 7 9 7 9 9
7 9
WorldMags = Digital Songbook - 39
WorldMags
A7 Dadd9/A A7 Dadd9/A A7 Dadd9/A A7 Bb7 B7 Eadd9/B B7
bad - dest man in the whole damn town. Bad - der than old King Kong,
1
10 10 8 10
9
C7 Fadd9/C C7 Db7 D7 C7 F#7 G7 D7
mean - er than a junk - yard dog. And he’s bad,
3
1
10 10 8 8 8 10 8
9 9 7 7 9 7 9
8 9
Dadd9/A A7
Dadd9/A
A7
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7
bad Le - roy Brown, bad - dest man in the whole
(Bad, bad.)
1 1
8 10 10 10 8 10
Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7
damn town. Bad - der than old King Kong,
1 1 1 1 1 1
12 12 12 10 14 14 14 12 15 15 15 13
12 14
WorldMags = Digital Songbook - 40
WorldMags
D7 C7 D7 G7 Cadd9/G G7 Cadd9/G G7 B7 Eadd9/B B7
mean - er than a junk - yard dog. Yeah, he was bad - der than old King Kong,
Gtr. 3
1 1 1 1
17 17 15 15 10
17 17 15 15 10 10 8 8 10 10
9
Gtr. 2
10 10 10 8 5 5 7 7 9 7 7 7 7 7
11 11 11 9 3 5 5 8 8 9 8 8 8 8 8
10 10 10 8 0 2 0 3 3 5 3 3 3 5 3 7 7 9 7 7 7 7 7
12 12 12 10 0 4 0 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
10 10 10 8 0 2 0 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
C7 Fadd9/C C7 Db7 D7 C7 F#7 G7 F#7 G7
mean - er than a junk - yard dog.
3
1
10 10 8 8 8
9 9 7 7 9
8 9
8 8 10 8 8 8 9 9 10 10 10 8
9 9 10 9 9 9 10 10 11 11 11 9 3 4 3 4
8 8 10 8 8 8 9 9 10 10 10 8 0 2 0 3 0 2 3
10 10 10 10 10 10 11 11 12 12 12 10 0 4 0 5 0 4 5
8 8 8 8 8 8 9 9 10 10 10 8 0 2 0 3 0 2 3
WorldMags = Digital Songbook - 41
WorldMags
I’m the Only One
Words and Music by Melissa Etheridge
from Melissa Etheridge - Yes I Am
A5 D5 G F Em Am C Fsus2 G5 G5 open
1 1 21 34 134211 12 231 32 1 3 11 13 2 34
Intro
Moderately slow = 85
G5
Gtr. 1 Riff A End Riff A
(12-str. acous.) 3 3
3 3
3 3 3 3
P.M.
5 5
5 5 3 5 5
5 5 3 5
3 X X X 3 X X X 3 X X X 3 X X X
Gtr. 1: w/ Riff A (3 times)
Gtr. 2 (elec.)
3 3 3
w/ slight dist.
let ring
0 0
3 5 3
5 5 3 5 5 5
3 3
Verse
G5 3
3 3 3 3 3 3
1. Please, ba by, can’t you see my mind’s a burn in’ hell. I got ra zor’s a rip pin’ and tear in’ and strip pin’ my
Gtr. 1
3 3
P.M. P.M.
5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 2
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Copyright © 1993 MLE Music (ASCAP)
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 42
WorldMags
3
D 3
C/E Em C/E
Am E7 D7
3 Rhy. Fig. 1 3 loco
heart a8va part as well. To night you told me that you ache for some thin’ new, and
3
5
5
accel.
6 5
poco
P.M. 6 w/ bar
Harm.
5 5 5 5 5 5 5 5 5 5 5 5 125 5 5 5 5 5 5 5 5 5 5 5
3 3 153 3 3 12 316 153 13 12315 13 123 3 3 3
12 3 3 3 0 31 0 3 3 3 3 123 12 3 153 3
12 14 12 12 7 9
14 3 16 14 9 3
X 10
P.M. let ring P.M. let ring
7
5 5 5 5 5 5 3
6
6
5 5 5 5 5 3 5
5 5 5 5 5 5 5
0
5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
3 6 6 3 5
Em C/E poco accel. Em
A5
8va
Rhy. Fig. 2B
(elec.)
Gtr. 3
3
3 3
3 w/ slight dist.
3 3 3 3 3 3
3
3 3 3 3
3
3
*w/ delay
some oth er wom an is look in’ like some thin’ that might be good for you. Go on and hold her ’til the
** sim.
Rhy. Fig. 2
14 q 12
Slower = 164 End 15
Rhy.14
Fig.17
1
Gtr.
151 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 16
12 11 12 D
14 14
*Set for letring 3 3
14 12 10 10 14
14
700
P.M. **Vol. swells
ms regeneration w/ one repeat.
0 0
0 1 1 1
0 2 2 2 2
0 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Rhy. Fig. 2A
Gtr. 2
3
P.M. let ring
E C/E Em C/E 0 Em 2
1
C/E 2
loco
0 2 2
3 D5
8va
D 5 5 G 5 5 5C 5 5 5 5 5 Em 5 0 0 B
A5
EndRhy.
3 3 3 3 3 3 3 3 3 3 3 3 3 3
Fig.2B
Gtr. 2
D5
6
(cont. in notation)
3 3
rake
3
3 6 6
3 6 6 6 6 6
delay off
T T T T T T T T T T T T T T T Tw/ bar
scream in’ is gone. Go on, be lieve her when she tells you noth in’s wrong.
1/2
1/2 End Rhy. Fig. 2
3 3
15 19 21
17 17 17
16 4 4 4 9
2 X
X
3 3 0 slashes)
(cont. in
let ring 3 let ring -1
2 2 2 3 0 0 2 2 2 2 2 2 2 2
20
3 3 3 3 3 C 1 F 1 1
Bb 3 3 Dm 3 3 3 3 3 3
2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2
0 Gtr. 3 (elec.)
0 0 0 0 0 0 0 0
6
EndRhy.
Fig.2A
T
6 6 6 6 6 6
mf P.S. 6
let ring w/ dist. let ring 1T let ring
T T T T T T T T T T T T T T
2 3 0 2 2
3 1 1 3 3 3
2 2 2 2 2 2 2
0 X 2 2 7 7 0 7 12
X 0 5
X X
X 17 X
WorldMags = Digital Songbook - 43
WorldMags
Chorus C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times)
G G F Am Em G/D
Em C/E
Rhy. Fig. 3 End Rhy. Fig. 3
8va
De - liv - er me in - to
to care. there.
Gtr. 1
3 I can’t de- stroy what is - n’t my
G
Am G/D
6
rake
But I’m the on ly one
who’ll
walk a cross a fire for you.
a - lone,
1/2
1
Rhy. Fig. 3Bfate. If I’m I can - not hate. I don’t de - serve End
to Rhy.
have Fig. 3B
G 17
Gtr. 3 14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 16 17 16 17 XF 17 17 16 17 16 G/D 17
Rhy. Fig. 5 X End Rhy. Fig. 5
1&3
Gtrs.
3 0
my smile was tak - en 3
3 0 0 0
0 0 X X X
8va
0 you. 0 Oo,
3 long a - go.2 If I can change, I hope I 2 nev -2er
0
X X 3 3 3 2 2 2
3 5 (elec.)
Gtr.
3
1
0
0
rake
6
Rhy. Fig. 3A End Rhy. Fig. 3A
Gtr. 2
mf
w/ slight dist.
3 3 3
let ring throughout
1
1 0
3 5
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X
3 2 Riff B 3 1 1 0 End Riff B
Gtr.
3 3 1 1 0
0 2 02 0 2 02 0 2
0 0 X X X
0
X 0
X 3
3 2
3
3
2
2
0 2
3 3 0
0 0
1 1 1 1
2 2 2 2 0
5 5 5 5 5 5 5 5 3 3 3
Interlude
Gtrs. 1, 2 &13:
Gtrs. & w/ Rhy.
3: w/ Figs.
Rhy. Fig.3,23A & 3B
(2 times) Gtr. 2 tacet
G Am 3 F Em F Em G/D C
Em
C/E
sire for
8va
Andknow.
I’m
on
the
ly one who’ll drown in
my de
you. It’s
Gtr. 6 (elec.)
rake 6
rake
Am C Fsus2
8
mf
Rhy. Fig. 4
w/ slight dist. & RotoVibe 1/2
1
Gtr. 1 20 17 17 17 15 15 13 13 12 12 10 10 8 19 8 10
14 15 14 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
3 3 3 3
Gtr. 5
17 10
on ly fear that makes you run, the de mons that you’re hid ing from when all your prom is es are gone.
10 10 10 10 8 8 5
8va
0
0 0 0
0 0 0
12 17
0 0 0 0 0 0
* Gtrs. 2 & 3
5
5
5
5 5
5 5
3
Riff B
rake
Gtr. 2 6
rake
3
let ring
1 1
0 0
1 17 19 17 22 3 22 22 17 20 19 17 19 17 3 17
2 20 2 1 20 20 19 20 1 19 20 1X 1 20 1 20 19 20 19 20
0 0 0 0 0
220
X X
2 2 3 3
0 3
*Composite arrangement.
WorldMags = Digital Songbook - 44
WorldMags
To Coda 1
To Coda 2
C G5
End Rhy. Fig. 4 Rhy. Fig. 5 End Rhy. Fig. 5
P.M.
3 3
3
I’m the on ly one.
End Riff B Gtr. 3
3
3
3 3
Gtr. 2 3
divisi
let ring
3 3
1 1 1 0 3
0 0 0 0 0 0
2 2 0 0 3 0 0
3 X 5 5 3
3
Verse
Gtr. 3 tacet
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas. only, 2 times)
G5
3 3 3 3 3 3
2. Please, ba by, can’t you see I’m try ing to ex plain I’ve been here be fore and I’m lock ing the door and I’m
Gtr. 2
3
P.M. P.M.
let ring
0
3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 1: w/ Rhy. Fig. 1
3
3 3 3
not go ing back a gain. Her eyes and arms and skin won’t make it go a way. You’ll
3 3
P.M. P.M.
let ring let ring
0 0
0 3
5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
WorldMags = Digital Songbook - 45
WorldMags
D.S. al Coda 1
3 3 3 3 3
wake up to mor row and wres tle the sor row that holds you down to day.
P.M.
0 0
0 0 0
5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3
Coda 1
Gtr. 3 tacet
Guitar Solo
G5 Fsus2
3
one.
Gtr. 3
Gtr. 4 (elec.) 3 Gtr. 4 3
w/ slight dist.
1 1
3
0 2 (2) 0 0 2 2 (2) 0
0 3 3
X
3
Gtr. 2
3 3 3 3 1 1
3 3 3 3 3 1 1
0 0 0 0 0 0 0
0 0 0 0 0 3 3
X X X X X 0 3 3
3 3 3 3 3 0
3 3
Gtr. 1 Rhy. Fig. 6
3 3
(cont. in slashes)
3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3
WorldMags = Digital Songbook - 46
WorldMags
2.
G5 open
B 3 3 3 3 3
3 5
Gtr. 1 loco
Gtr. 4
3
10
3
1 let1ring
1/2 1
7 8 7 5
8 7 5 7 10 3
8 7 5 4 9 9 8 12 12 11 3 11
0 2 2 (2) 7 05 4 0 2 5
37 6 5X
loco
Gtr. 2 3
3
8va
5
1/4
1 10 3 rake
1 3
0 2 0 0 3 0 0
3 0 0 1 1/2 0
3 X
15 17 15 14 3
17 15 14 10 12 12 10 10
17 16 14 14Gtr. 1: w/ Rhy. Fig. 6 12 12 11 X
17 Fsus2
17 16 14 13
End Rhy. Fig. 6
3
D
3 3 3
3 Gtr. 3 tacet
let ring
Em
4 5 5
1/2 1/4 1/4 1 1 1 1
8va
6 6 8 6 6 8 10 6
Gtr. 52
3 (5)
4 5
3
3
7
8
10 12 8
6 5
6
6
6
2 1 1/2
1
14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
3 13 16 13 13 16 3 3 13 16 161 1 20 120 19 17 1
3 14 14 3 3 1 1 1 1
0 16 0 0 0 0 0 0
0 0 0 3 3 3 3
X X X 3 3 3 3
3 3 3
Pre-Chorus
8va Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B
Gtr. 3G5 A5
6
6
6 6 Go on and hold her ’til the
Gtr. 4
1/2 1 1/2 1
11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13 17 17 15
11 11 3 3 3 3
13
1 1 hold bend 1 1
10 10
8 8 10 10 (10) 8 10 10 8 10 (10) 8 10
10 8va
Gtr. 4 (elec.)
f w/ dist.
1 1
3 3 3 3 3 3 14 15
3 3 3 3 3 3 8 17 X 17 17
0 0 0 0 0 0
0 0 0 0 0 0
X X X X X X
3 3 3 3 3 3 3 3
WorldMags = Digital Songbook - 47
WorldMags
D.S.S. al Coda 2
Gtr. 2 tacet
D5 A5 D5
C/E Em 3
3
8va
is gone.
Gtr. 4 *
her
Go on be lieve when
she tells you
scream ing
noth ing’s wrong.
3
3 3
2
1 1/2 1 3
14 15 17 15 17 15 1/2
14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17
1 15 14 20 1 20 19 20 17 20 15 20
17 17 17 17 17 17 17
16 16 16 10 10 10
(10) 10 (10) 8 10 17 10 13 13
*Played behind the beat.
C/E
Coda
8va 2 6
G 3 F 3 3 Em
3
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 3, 3A & 3B (2 times)
12
one, yeah, yeah.
14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X
G 3 F 3 Em
Em
And I’m the on ly one who’ll drown in my de sire for you. It’s
8va
**Rhy. Fig. 4
Gtrs.2 &3:w/ Riff B
3
3
Gtr. 1: w/
3 C
3
Am
3
11 6
12
on ly fear that makes you run, the de 1 mons 2that you’re hid in’ from when
15 14 12 11 14 12 11 7 12 8 16 12 19 20 15
17 16 13 12 13 12 10 13 12 11 12 11 8 17
12 11 12 12 12 12 8 9 16 12 16
Fsus2 C 3 3
3
**Played behind the beat.
all your
C/E prom is es are gone. I’m the on
8va
Outro
***
Gtr. 1:w/ Rhy. Fig. 5 (till fade)
G5
3
3
12
1 1/2
ly one.
1
Gtr. 2 20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15
3 3
***Played behind the beat.
let ring let ring
Em
0 0 0
8va
3 0 3
5 *** 5 3 5
3 3 3
Gtr. 3
12 6 †T
1 hold bend T 1 hold bend
1/2
14 15 14 14 12
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14
5 †Hold down tap finger while releasing
3
bend, rebending, and sliding.
WorldMags = Digital Songbook - 48
WorldMags
3
3
I’m the on ly one, babe. I’m the on ly one.
3 3 3
let ring let ring
0 0 0
3 3 3
5 3 3
3
Riff C End Riff C
5 5 5 5
5 5 5 5 5 5 5 5
3 3 3 3
Begin fade
Gtr. 1: w/ Riff C (till fade)
3
3
3
Ain’t no bod y else is gon na love you, ain’t no bod y else is gon na love
Gtr. 2 3 3
let ring
0 0
3 3
5 3
3 3
Fade out
you. Hee, hee, hee, hee, hee.
3 3
let ring let ring
0 0 0
3 0 3 3
5 3 3
3 3
WorldMags = Digital Songbook - 49
WorldMags
Snuff
Words and Music by Slipknot
Am Em
Black Star
from Slipknot - All Hope Is Gone
ByFYngwieG/D C
Malmsteen G
Tune down 1/2 step:
from Yngwie J. Malmsteen - Rising Force
(low to high) Eb-Ab-Db-Gb-Bb-Eb
231 23 134211 32 1 21 34
Tune down 1 1/2 steps:
A
(low to high) C#-F#-B-E-G#-C#
Rubato q = 126
Intro B/F# Em B/F# A Em/G E/G#
Slowly q = 62
F
Am
C/E F
Gtr. 1 (acous.) *Am
E5
E5
End
C/E
Gtr. 1 (acous.) Rhy.
Fig. 1 Rhy. Fig. 1
(Sound
w/ fingers
effects)
(4 sec.)
mp
7 2 3 4
mp
7 8 7 5 4 5 2 4 5 5
8 4
0 4 0 0 0
19 7 10
1 1
2 0 2 3 4 0
2 2 3 2 2 2 3 2
0 2 3 0 2 3
0 1 0 0 1 0
Am(sus4) F#/A# Em/B B A B
(4 sec.)
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 2 (elec.)
3
p
w/ clean tone & chorus
let ring throughout
Harm.
let ring
557
5 5 5 5 2 2 2 2 5 5 5 5 2 2 2 2
7 7 7 7 3 3 3 3 77 7 7 7 3 3 3 3
76 37
7 7 7 7 3 3 3 3 8 7 7 7 7 5 7 37 3 3
5 7 5 4 5 6 9 8 6 8
*Chord symbols reflect overall harmony.
0
6 6 7 9 7 7
B
Verse Slower q = 76
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times) Gtr. 1 tacet
AmEm * Em
E5 F C/E Am E5
Gtr. 2 (elec.)
1. Bur -y
all your se - crets in my skin. Come a - way with in - no - cence and
poco rit. 6
Harm. mf w/ dist.
let ring
F 12 C/E Am 12 E5 F C/E 8 7 12
12 7 12
5 7 9
12 9
Pitch: G *Chord symbols reflect overall harmony.
leave me with my sins. The air a - round me still feels like a cage, and
8va
F
Am E5 C/E
3
w/ bar 6 3
3 w/bar
3
is
love just a cam - ou - flage
for what re - sem - bles rage
1/2
a -
gain.
8 7 12 14 14 19 19 17 15 14 15 15 14
12 17THAT MUSIC 17 15
12© 2008 EMI APRIL MUSIC INC. and MUSIC 16
14 All Rights Controlled and Administered by
17 EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
Reprinted by Permission of Hal Leonard Corporation
Copyright © 1985 Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 50
WorldMags
Interlude
Am Em F G/D C
C/E Em C/E
3 loco
Rhy. Fig. 2 End Rhy. Fig. 2
3
8va
*Gtrs. 1 &
3 (acous.)
let ring
throughout
mf
6
w/ bar
Harm.
16 14
12
Gtr. 4 (elec.) 15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15
12
14 12 12 7
10 9 9
14
X
mp
w/ clean tone & chorus
5 7 9 9 10 9 7 9 7 9 7 5 4
7 9 10 10 12 10 9 10 9 10 9 7 5
*Composite arrangement
Em C/E Em
8va
G/D
End Rhy. Fig.3
Am Em F3
3 3
Rhy. Fig. 3
*w/ delay
3 3 3 3 3
3
3 3 3
** sim.
14 12 15 14 17 15 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 So if you love me, let me go 16
10 14
12 11 12
14 14
14 12 10
*Set
14
for 700 ms regeneration
**Vol. swells
w/ one repeat.
5 7 9 10 12 10 9 9 7 5 7 9 7
7 9 10 12 14 12 10 10 9 7 9 10 9 7 5
Chorus
Gtr. 4 tacet
G Am G/D
C/E Em C/E Em C/E
Rhy. Fig. 4 End Rhy. Fig. 4
loco
8va
Gtr. 2
rake know.
My heart is just too dark
3
3
and run a - delay
way offbe - fore I
w/ bar
Riff A End Riff A
Gtr. 2 1/2
1/2
16 15 19 17
21
17 17
4 4 4 9
2 X
mf X let ring
0
0 -1
6
5
5 5 5 5 5 5 5 5 7
Gtr. 3 (elec.)
Gtr. 4
mf P.S.
w/ dist. 1
X 7 7 7 12
5 X 5
X X
X 17 X
WorldMags = Digital Songbook - 51
WorldMags
C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtr. 2: w/ Riff A (2 times)
G Am G/D
G Am G/D
Em C/E
8va
there.
toto II can’t De
De
er me in -- toto my
can’t de
n’t
care.
what
stroy
de -- stroy what isis -- n’t -- liv
liv -- er me in my
GG
care. there.
6
Am G/D
Am G/D
rake
fate.
1
fate. If
If I’m I’m lone,
aa -- lone, II can
can -- not
not
1/2
hate.
hate. II don’t
don’t de
de -- serve
serve to
to
have
have
G
G 17 17 17 16 17
14 15 14
16 17
F 19
XF
19 19 14 17 15 14
17
15 14
17 16 17
14
16 17
G/D
G/D
1 & 3
Rhy. Fig. 5 X End Rhy. Fig. 5
Rhy. Fig. 5 End Rhy. Fig. 5
1&3
Gtrs.
Gtrs.
en
you. 8va Oo, my
my smile
smile was
was tak
tak -- en long
long aa -- go. If
If II can
can change,
change, II hope
hope II nev
nev -- er
you. Oo, go. er
Gtr. 5 (elec.)
Gtr. 5 (elec.)
rake
6
mf
mf
w/ slight dist.
w/ slight dist.
let ring throughout
let ring throughout
1 0
1
330 55
20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20
X
Riff B End Riff B
Gtr. 2 Riff B End Riff B
Gtr. 2
00 00
11 11 11 11
22 22 22 22 00
55 55 55 55 55 55 55 55 33 33 33
Interlude
Interlude
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Am
Am Em
Em F
F G/D
G/D C
C
Em C/E
8va
know.
know.
Gtr. 6 (elec.)
Gtr. 6 (elec.)
rake 6
rake
mf
88
mf
w/ slight dist. & RotoVibe
w/ slight dist. & RotoVibe 1/2
1
20
20 17
17 17
17 17
17 15
15 15
15 13
13 13
13 12
12 12
12 10
10 10
10 88 88 10
10
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
Gtr. 5
Gtr. 5
00
5 5 5 1010 1010 1010 1010 1010 88 88 55
8va
00 00 00 00 00 00 00 00 00 00 00 00
12 17
55
55 55 5 5 5 55 12 17 33
17 17
rake
Gtr. 2
Gtr. 2 6
rake
1
1
00
11 17 19 17 22 22 22 17 20 19 17 19 17 17
22 20 20 20 19 20 19 20 X 20 20 19 20 19 20
22X X
00
WorldMags = Digital Songbook - 52
WorldMags
Am Em F G/D C
Gtr. 6
22 20 17 17 15 15 13 13 12 12 10 10 12 12 13
Gtr. 5
0 0 0 0 0 0 0 0 0 0 0
5 8 5 5 5 5 5 5 12 17 17 10 10 10 10 10 8 8 5 3
Verse
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (3 times) Gtr. 5 tacet
Gtr. 6 tacet
Am Em F G/D C
2. I still press your let - ters to my lips and
Gtr. 5
pp
Riff C End Riff C
Gtr. 2
mp
14 9 10
X X X
12 7 8
Gtr. 2: w/ Riff C (3 times)
Am Em F G/D C
cher - ish them in parts of me that sa - vor ev - ’ry kiss. I
Am Em F G/D C
*
could - n’t face a life with - out your light, but
*w/ echo set for half-note regeneration w/ 1 repeat.
WorldMags = Digital Songbook - 53
WorldMags
Gtrs. 1 & 3: w/ Rhy. Fig. 3
Am Em F G/D
all of that was ripped a - part when you re - fused to fight. So save your breath, I will not
Gtr. 7 (elec.)
mf
w/ dist.
5 17
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (3 times)
Gtr. 2: w/ Riff A (3 times)
G Am G/D
hear. I think I made it ver - y clear. You could - n’t hate e - nough
0 0
0 0
X
3 3 5 5 8 5 5 8 5 3
G Am G/D
to love. Is that sup - posed to be e - nough? I on - ly wish you weren’t my
fdbk.
0 0 0
0 0 0 0
X 7 7 10 7 5 7 7
3
G Am G/D
friend, then I could hurt you in the end. I nev - er claimed to be a
0 0
0 0
X
3 8 5 3 5
WorldMags = Digital Songbook - 54
WorldMags
Gtrs. 1 & 3: w/ Rhy. Fig. 5
Gtr. 2: w/ Riff B
G F
saint. Oo, my hope was ban - ished long a - go. It took the death of hope to let you
Gtr. 8 (elec.)
f
w/ dist.
0
0
17
Gtr. 7
P.M.
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Interlude
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (3 times)
Am Em F G/D C
go.
Gtr. 9 (elec.)
f
w/ dist. & RotoVibe
22 20 17 17 15 15 13 13 12 12 10 10 8 8 10
Rhy. Fig. 6 End Rhy. Fig. 6
*Gtrs. 7 & 8
2 2 2 2 2 2 2 2 5
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3
0 1 1 1 1 1 1 1 1 1 0
*Composite arrangement
Gtr. 7: w/ Rhy. Fig. 6 (2 times)
Gtr. 8: w/ Rhy. Fig. 6
Am Em F G/D C
Oh.
Gtr. 9
22 20 17 17 15 15 13 13 12 12 10 10 12 12 13
WorldMags = Digital Songbook - 55
WorldMags
Am Em F G/D C
Gtr. 9
22 20 17 17 15 15 13 13 12 12 10 10 8 8 10
Gtr. 8
4 4 4 5 5 5 9 9 9 9
2 X X X X X X X X X X 5
0 2 2 2 3 3 3 7 7 7 7 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 0
Gtrs. 1 & 3: w/ Rhy. Fig. 3
Am Em F G/D
So break your - self a - gainst my
Gtr. 9
22 20 17 17 15 15 13 13 12 12 10 10 12 13
Gtr. 8
P.M.
4 4 4 5 5 5 5 9 9
2 X X X X X X X X
0 2 2 2 3 3 3 3 0 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
Gtr. 7
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
0 1 1 1 1 1 1 1 1 1 1 1 0
WorldMags = Digital Songbook - 56
WorldMags
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtr. 9 tacet
G Am G/D
stones and spit your pit - y in my soul. You nev - er need - ed an - y help.
Rhy. Fig. 7 End Rhy. Fig. 7
Gtr. 7
5 5 5 5 5 5 5 5 7
3 3 3 3 3 3 3 3
Rhy. Fig. 7A End Rhy. Fig. 7A
Gtr. 8
2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3
Gtrs. 7 & 8: w/ Rhy. Figs. 7 & 7A
G Am G/D
You sold me out to save your - self. And I won’t lis - ten to your
G Am G/D
Gtrs.
1&3
shame. You ran a - way, you’re all the same. An - gels lie to keep
Gtr. 2
let ring
0
6
5
5 5 5 5 5 7
Gtr. 7
12 12
10 10 2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3
Gtr. 8
w/ bar
2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3
slack
WorldMags = Digital Songbook - 57
WorldMags
Gtrs. 1 & 3: w/ Rhy. Fig. 5
Gtr. 2: w/ Riff B
G F G/D
con - trol. Oo, my love was pun - ished long a - go. If you still care, don’t ev - er let me
Gtrs. 7 & 8
P.M.
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Gtr. 2 tacet
Am F G/D
Gtrs.
1&3
know. If you still care, don’t ev - er let me
Gtr. 2
pp
0
1
2
2
0
Gtr. 8
4 4 4 4 5 5 5 5 9 9 9
2 2 2 2 X X X X X X X X X X X 0
0 0 0 0 2 2 2 2 3 3 3 3 7 7 7 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Gtr. 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
WorldMags = Digital Songbook - 58
WorldMags
Outro
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times)
Am Em F G/D C
know.
Gtr. 6
22 20 17 17 15 15 13 13 12 12 10 10 8 8 10
Gtrs. 7 & 8
2
0
Gtr. 6 tacet
Am Em F G/D C Am
Gtrs. 1 & 3
22 20 17 17 15 15 13 13 12 12 10 10 12 12 13 1
2
2
0
pp
2
0
WorldMags = Digital Songbook - 59
WorldMags
So Cold
Words and Music by Benjamin Burnley, Jeremy Hummel, Aaron C. Fincke and Mark J. Klepaski
from Breaking Benjamin - We Are Not Alone
C5 C#(b5)
10fr 4fr
1113 123
Drop D tuning, down 1 step:
(low to high) C-G-C-F-A-D
Intro
Moderately slow Rock q = 76
* Dm Gm/D Dm
Gtr. 1 (clean) Riff A End Riff A
mf
** w/ delay & reverb
let ring
5 5
3
5
X
X 10 10
8
10
7
8
7
8
0 0 0 0
* Chord symbols reflect implied harmony.
** Delay set for eigth-note regeneration w/ 2 repeats.
Gtr. 1: w/ Riff A (4 times)
Gm/D Dm Gm/D Dm
Gtr. 2 (slight dist.)
mf
*** w/ delay & reverb
10 10 10 10
10 13 10 10 13 10 10 10 13 10 10 13 10
12 12
***Delay set for eighth-note regeneration w/ 2 repeats.
Gm/D Dm
Gtr. 2
10 10 10
10 13 10 10 13 10 10 13
12 12
*Gtr. 3 (clean)
mf
3 2 2 3 2 2 3 2 2
5 3 5 3 3 5 5 3 5 3 3 5 5 3 5 3 3 5
0 0 0 0 3 5 0 0 0 0 3 0 0 0 0 3 5
*Doubled by bass.
© 2004 Seven Peaks Music and Breaking Benjamin Music
All Rights Administered by Seven Peaks Music
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 60
WorldMags
Gm/D Dm D5 F5 C5 D5 C5 F5
Gtr.
3 tacet
w/ fast Leslie effect
f
10 12 10 10 12
13 10 13 10 10 10 13 10 10 13 10
12
**Gtr. 4 (dist.)
f
3 2 2 3 2 2 3 2 2
5 3 5 3 3 5 5 3 5 3 3 5 5 3 5 3 3 5 3
0 0 0 0 3 0 0 0 0 3 5 0 0 0 0 3
**Two gtrs. arr. for one.
D5 F5 C5 D5 C5 F5
12 10 10 12
10 10 13 10 13 10 10 13 10
12
Riff B End Riff B
3 2 2 3 2 2 5
5 3 5 3 3 5 5 3 5 3 3 3
0 0 0 0 3 5 0 0 0 0 3
Gtr. 2 tacet
D5 F5
Gtr. 2
12
Riff C
Gtr. 5 (dist.)
mf
*** w/ delay
slight P.M. throughout
14 12 15 14 10 14 12 15 14 10
15 14 17 15 12 12 15 14 17 15 12 12
*** Set for eighth-note regeneration w/ 1 repeat.
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 4
don’t pick
3
3
0
0
WorldMags = Digital Songbook - 61
WorldMags
D5 F5
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
G/D
Gtr. 5
Gtr. 2: w/ Riff A (2 times) End Riff C
G Am
to 14
care. 12 I15 can’t de - 14
stroy what is 10- n’t there. 14 12 De10- liv - er 9 me in - to
7 my
15 14 17 15 12 12 15 14 12 10 8 8
Rhy. Fig. 2
G Am G/D
Fig. 2
Gtr. 4 End Rhy.
End Rhy.G/D
fate. If I’m a - lone, I can - not hate. I don’t de - serve to have
G F
Rhy. Fig. 5 Fig. 5
Gtrs. sim.
3
1&3
0
0
you. Oo, my smile was tak - en long a - go. If I
3
can change, I hope I nev - er
Gtr. 5 (elec.)
F5
Verse
Gtr. 4: w/ Rhy. Fig. 2, (3 times)
Gtr. 5: w/ Riff C
mf
D5 F5 D5
w/ slight dist.
let ring throughout
1. Crowd - ed streets are cleared a - way one by one. Holl - ow he - roes sep - a - rate as they run.
0
3 5
D5
F5
Riff B
End Riff B
Gtr. 2
You’re
so cold, keep your in mine.
1 0
hand
1
Riff D End Riff D
Gtr. 5
1
3 2
0
5 5 5 3
1
2 2 2 0
5 5 5 5 5 3
Interlude
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Am 14 12 15 14 Em 10 F 14 12 15 G/D
14 C
15 14 17 15 12 12 15 14 17 15
know.
D5
Gtr. 6 (elec.)
Wise men won - der while strong men die.
mf
8 10
Gtr. 5
20
w/ slight dist. & RotoVibe
17 17 17 15 15 13 13 12 12 10 10 8 8
15 14 14 12 15 15 20 19 19 17
Gtr. 5
12 0 12 10 0 10 9 0 8 7
14
15 14
0 0 0 0 0 0 0 Rhy. Fill 1A 0 0 0 0 0 0 Rhy. Fill 1A
End
Gtr. 4 5 5 5 5 5 5 5 12 17 17 10
Gtr. 6 (dist.)
10 10 10 10 8 8f 5 3
Gtr. 2
Gtr. 4
divisi
Rhy. Fill 1 End Rhy. Fill 1
0
1
2
2 X X X
00 X X X
0 X X X
WorldMags = Digital Songbook - 62
WorldMags
Chorus
Gtr. 5 tacet
3rd time, Voc.: w/ Voc. Fill 1
3rd time, Gtr. 1: w/ Fill 1
Bbmaj7 D5 C5
Show me how it ends. It’s al - right.
Gtrs. 4 & 6
10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 12 12 12 12
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 10 10 10
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 10 10 10
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 10 10 10
Bb5 Bbmaj7 D5 C5 A5
Show me how de - fense - less you real - ly are.
10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 12 9
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 7
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 7
8 8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 10 7
Bb5 Bbmaj7 D5 E5 F5 G5
Sat - is - fied and emp - ty in - side.
9 10 12
X70 X80 10X0
10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 7 7 7 9 9 10 10 12 12
8 8 8 8 8 8 8 8 8 0 0 X X X X X X X X X
8 8 8 8 8 8 8 8 8 0 0 5 5 5 7 7 8 8 10 10
8 8 8 8 8 8 8 8 8 0 0 0 0 0 0 0 0 0 0 0
Voc. Fill 1
Show me how it ends.
Fill 1
Gtr. 1
10 10 10
WorldMags = Digital Songbook - 63
WorldMags
To Coda 1
To Coda 2
Bb5 Bbmaj7 C6sus4
Well, that’s al - right, let’s give this an - oth - er try.
Gtr. 6
(3rd time, cont. in slashes)
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
Gtr. 4
10 10 10 10 10 10 10 10 10 13 13 13 13 13 13 13 13 13 13 13 13
10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
Interlude
Gtr. 4: w/ Riff B
Gtr. 6 tacet
D5 F5 C5 D5 C5 F5
Gtr. 2
f
10 10 12
10 13 10 10 13 10
12
Gtr. 4: w/ Rhy. Fig. 1
D5 F5
Gtr. 2
Riff E End Riff E
Gtr. 5
divisi
12
14 12 15 14 10 14 12 10 9 7
15 14 17 15 12 12 15 14 12 10 10
Verse
Gtr. 2 tacet
Gtr. 4: w/ Rhy. Fig. 2
Gtr. 5: w/ Riff D
D5
F5
2. If you find your fam - i - ly, don’t you cry.
WorldMags = Digital Songbook - 64
WorldMags
Gtr. 5: w/ Riff E
D5
F5
In this land of make be - lieve, dead and dry.
Gtr. 4
fdbk.
3
3
0 0
0 0
Pitch: B
F#
Gtr. 4: w/ Rhy. Fig. 2 (1 1/2 times)
Gtr. 5: w/ Riff D
D5 F5
You’re so cold, but you feel a - live.
D.S. al Coda 1
Gtrs. 4 & 6: w/ Rhy. Fills 1 & 1A
D5
Lay your hands on me one last time.
Gtr. 5
14 12 15 19 17 14 12 10 9 7
15 14 17 20 19 19 15 14 0 12 0 10 0 8
Coda 1
Interlude
C5 A5 µ(D5)
let’s give this an - oth - er try.
Gtrs. 4 & 6
12 12 12 12 12 12 12 9 9 9 9 9
10 10 10 10 10 10 10 7 7 7 7 7
10 10 10 10 10 10 10 7 7 7 7 7 5 5
10 10 10 10 10 10 10 7 7 7 7 7 12 0 3 5 0 3 5 6
WorldMags = Digital Songbook - 65
WorldMags
Gtr. 1
p f
w/ dist.
delay & Leslie effect off
10
10
15
15
Gtrs. 4 & 6
5 3 5 5 5 3
0 3 5 6 5 6 6 5 6 0 3 5 0 3 5 6 0 3 5 6 5 6 6 5 6
Guitar Solo
D5 F5 G5 D5 F5 G5 Ab5 D5 F5 G5 D5 Ab5 G5 Ab5 C5 Ab5 G5 Ab5
3
1
10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 12 12 10 10 10
12 12 10 12
7 7 7 5
0 3 5 5 0 3 5 6 5 0 3 5 5 6 5 6 3 6 5 6
0 3 5 0 3 5 6 0 3 5 6 5 6 6 5 6
D.S. al Coda 2
µ F5 G5 D5 F5 G5 Ab5 D5 F5 G5 D5 Ab5 G5 Ab5 C5 Ab5 G5 Ab5
6
6
1 1 1 1
10 10 10 10 15 15 13 13 10
10 10 13 13 13 13 10 10
12 12 12 10 12 10 10
12 12 10
7 7 7 5
3 5 5 0 3 5 6 5 0 3 5 5 6 5 6 3 6 5 6
3 5 0 3 5 6 0 3 5 6 5 6 6 5 6
WorldMags = Digital Songbook - 66
WorldMags
Coda 2
Interlude
Gtr. 6 tacet
C5 C#(b5) Dm Eº Dm
Eº
Gtr. 6
let’s give this an - oth - er try. It’s al - right.
Gtr. 4 Gtr. 4
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10 10 10 10 10
6 6 6 6 6 10 10 10 10 9 10 10 10 10 9
10 10 5 5 5 5 5 0 0 0 0 0 0 0 0 8 8 8 8 0 0 0 0 0 0 0 0 8 8 8 8
10 10 4 4 4 4 4
10 10
Dm Eº Dm Bb,7
It’s al -
Gtr. 6
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10
14 14 14 14 12 14 14 14 14 10 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0 14 14 14 14 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8
8 8 8 8
Gtr. 4
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10
10 10 10 10 9 10 10 10 10 10 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8
8 8 8 8
Outro
D5 Bb,7 D5 Bb,7
right. It’s al - right. It’s al -
Riff F End Riff F
Gtr. 1
mp 1
1
10 10
12 12
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs. 4 & 6
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
0 0 0 0 0 0 0 8 8 8 8 0 0 0 0 0 0 0 8 8 8 8
0 0 0 0 0 0 0 X 8 8 8 8 0 0 0 0 0 0 0 X 8 8 8 8
0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 X
WorldMags = Digital Songbook - 67
WorldMags
Gtr. 1: w/ Riff F
Gtrs. 4 & 6: w/ Rhy. Fig. 3
D5 Bb,7 D5 Bb,7
right. It’s al - right. It’s al -
D5 Bb,7 D5 Bb,7
right. It’s al - right. It’s al -
Gtr. 6
10 10 10 10 11 10 11 10
7 7 7 10 10 10 9 9 9 10 10 10 10 10 10 10 7 7 7 10 10 10 9 9 9 10 10 10 10 10 10 10
X X X X X X X X X X X X 8 8 8 8 X X X X X X X X X X X X 8 8 8 8
5 5 5 8 8 8 7 7 7 8 8 8 8 8 8 8 5 5 5 8 8 8 7 7 7 8 8 8 8 8 8 8
Gtr. 4
10 10 10 10 10 10 10 10
10 10 9 10 10 10 10 10 10 10 9 10 10 10 10 10
0 X X X X 8 8 8 8 0 X X X X 8 8 8 8
0 8 8 7 8 8 8 8 8 0 8 8 7 8 8 8 8 8
0 0 0 0 0 0
D5 Bbmaj7 D5 F5 Dsus2
right. It’s al - right.
w/ Leslie effect
10 10 10 10
7 7 7 10 10 10 9 9 9 10 10 10 10 10 10 10 7 10 9
X X X X X X X X X X X X 8 8 8 8
5 5 5 8 8 8 7 7 7 8 8 8 8 8 8 8
let ring
10 10 10 10
10 10 9 10 10 10 10 10
0 X X X X 8 8 8 8
0 8 8 7 8 8 8 8 8 8 7
0 0 0 0
WorldMags = Digital Songbook - 68
WorldMags
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WorldMags = Digital Songbook - 69
WorldMags
Spanish Fly
Black Star
Words and Music by David Lee Roth, Edward Van Halen, Alex Van Halen and Michael Anthony
By Yngwie
from Malmsteen
Van Halen II
Tune down 1 step:
(low to high)
TuneD-G-C-F-A-D
down 1/2 step:
from Yngwie J. Malmsteen - Rising Force
(low to high) Eb-Ab-Db-Gb-Bb-Eb
A 1. 2.
A
Moderately slow q = 85
* Esus4Rubato Am Asus2
A
q = 126
B/F#
E/G#
Gtr. 1 (nylon-str. acous.)
B/F# Em Em/G
Gtr. 1(acous.)
f
let ring
let ring
** A.H.
mp w/ fingers
T T T T T T T T T T T T T T T
7 2 3 4
symbols reflect implied
7 8 7 5 4 5 2 4 5 5
8 4
4
9 7 0
*Chord harmony. 3 4
**Artificial harmonics produced by tapping strings 12 frets above open strings or fretted notes.
B Am(sus4) F#/A# Em/B B A B
Dsus4
3
Faster q = 174
Gsus4
A5 A(b5) Asus4 Am
5 5 5 5
Harm.
let ring
5 5 5
5
let ring
5 6 7 7
T T T T T T T T T T T T
5 7 8 7 5 7
7 5 7 5 4 5 6 9 8 6 8
0
6 6 7 9 7 7
B
C Slower q = 76
Gtr. 1 tacet
Em * Em
Slower q = 134
A7
D7
Gtr. 2 (elec.)
6
rit.
3
3
3 poco rit.3 6 6
6
let ring Harm. mf w/ dist.
P.M.
Harm.let ring
12 12 7 12
12 7 12 8
5 7 9
9
Pitch: D G
12
Pitch: G *Chord symbols reflect overall harmony. Faster q = 173
G6 A6 G7 F,7 E5
8va
6 6
6
6 6 6
3
3
3 3 3
w/ bar 6 w/ bar
1/2
8 7 12 14 14 19 19 17 15 14 15 15 14
12 17 17 15
12 16
14
Copyright © 1979 Diamond Dave Music, WB Music 17 Corp. and Van Halen Music
All Rights for Diamond Dave Music Administered by Red Stripe Plane Music, LLC
All Rights for Van Halen Music Administered by WB Music Corp.
All Rights Reserved
Copyright Used
© 1985 by Permission
Malmsteen Music
Reprinted
All Rights by Permission
Administered of HalMusic
by Kobalt Leonard Corporation
Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 70
WorldMags
D
C/E Em C/E
Am E7 D7
3 3 loco
8va
3
5
accel.
5
6 5
poco 6 w/ bar
Harm.
12
15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15
12 14 12 12 7 9
14 16 14 9
X 10
7
6
6
3 6 6 3 5
Em C/E poco accel. Em
8va
3
3 3
3
3 3
3 3 3 3
3
3
*w/ delay
** sim.
14 q 12
Slower = 164 15 14 17 15 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 16
12 11 12 D
14 14
*Set for
14 12 10 10 14
700ms regeneration
w/ onerepeat. 14
**Vol. swells
E C/E Em C/E Em C/E
8va
D G C Em B
loco
Gtr. 2
6
rake
3 6 6
3 6 6 6 6 6
delay off
T T T T T T T T T T T T T T T Tw/ bar
1/2
1/2
15 19 21
17 17 17
16 4 4 4 9
2 X
X
0
-1
C F Bb Dm
Gtr. 3 (elec.)
6
T
6 6 6 6 6 6
mf P.S. 6
w/ dist. 1T
T T T T T T T T T T T T T T
X 7 7 7 12
X 5
X X
X 17 X
WorldMags = Digital Songbook - 71
WorldMags
A µ A D G
5
6
3
6 6 6 6 6
T T T T T T T T T T T T T T T
Bm F# D
6
6
6 6 6 6
6 6
T T T T T T T T T T T T T T T T
F#m C C'#4 B
3
6 6 6
6 6 6 6 6
T T T T T T T T T T T T T T T T T
Slower q = 112
B7
6 6 6 6 6
rit.
T T T T T
F
Esus4
let ring
A.H.
T
T T T T T T T T
WorldMags = Digital Songbook - 72
?
WorldMags
DO YOU LIKE
WorldMags = Digital Songbook - 73
WorldMags
The Shape of Innovati
Charlie Kaman proved that mastering the art and sound
acoustic engineering was truly a science with the introd
of the Ovation guitar. Charlie continued to engineer and
his roundback and introduced the world to several “firs
guitar innovation. We honor Charlie’s legacy by continu
refine and enhance our acoustic performance and sound
WorldMags = Digital Songbook - 74
WorldMags
ion.
d of
duction
d develop
sts” in
uing to
d.
WorldMags = Digital Songbook - 75
WorldMags
Time for Me to Fly
Words and Music by Kevin Cronin
Black Star
from REO Speedwagon - You Can Tune a Piano but You Can’t Tuna Fish
Gtr. 1 Chords: Gtr. 2 Chords:
By Yngwie Malmsteen
D Aadd4 Gadd9 Gadd9/D A5
from Yngwie J. Malmsteen - Rising Force
Tune down 1/2 step: 7 fr
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 1; Open D tuning:
(low to high) D–A–D–F –A–D 2 34 2 34 2 1 11
Intro A
Moderately Slow = 82
D Rubato q = 126 Gadd9 Aadd4 Gadd9
Rhy. Fig. 1 B/F# Em B/F# A Em/G E/G#
Gtr. 1 (acous.)
Gtr. 1 (acous.)
mp w/ fingers
let ring throughout
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
70 02 03 04
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 70 0 0 58 75 55 7 74 5 7 7 2 7 4 7 57 5 5 55 5 0
0 0 8 0 0 5 5 5 7 7 5 5 54 5
0 0 0 0 X X X4 X X X
0 0 9 0 0 57 5 7 0 7 5 5
3 4
D Gadd9 Aadd4 Gadd9 End Rhy. Fig. 1
Am(sus4) F#/A# Em/B B A B
3
00 00 00 00 00 00 00
00 00 00
7
0 0 0
7 7
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 5 5 5 0 7 7 7 7 7 0 5 5 5Harm.5 0
0 0 0 0 5 5 5 7 7 7 5 5 5let ring
5
0 0 0 0 X X X X X X X X
0 0 0 0 5 5 7 7 7 5 5 5
5 6 7 7
5 7 8 7 5 7
Verse 7 5 7 5 4 5 6 9 8 6 8
D 0 Aadd4
6 6 7 9 7 7
B
1. I’ve been a round for you, I’ve been up Slower
andq = 76 down for you, but I
Gtr. 1 tacet
Rhy.Em
Fig. 2
* Em
Gtr. 2 (elec.)
poco rit. 6
0 0 0 0 0 0 0 0 0 0
0 Harm. 0 0 0 0 0 0 0 0 0 mf w/ dist.
0
0
let ring 0 0
0
0
0
0
0
0 0
0
0
0 0 0
7
7
7 7
7
7
7
7
7
7
7
7 7
7
7 7
0 0 0 0 0 0 0 0 X X X X X X X X
0 12 0 0 0 0 0 12 0 0 7 7 7 7 7 7 7 77 12
12 7 12 8
5 7 9
9
Gadd9 12 D Gadd9/D D Gadd9/D D
Pitch: G *Chord symbols reflect overall harmony.
just
can’t get an re
y lief.
I’ve
8va
End Rhy. Fig. 2
3
3 3 3
w/ bar 6 w/ bar
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1/2
0
0
0
0
0
0
5 8 75 5 5 5 125 14 5 14 5 0 019 019 171 15 140 15 15
0 140 1 1 0
5 5 5 5 5 12 5 0 17 0 0 0 0 0 0 17 150
X X X X X 12 X 016 2 0 0 2 2
5 5 5 5 5 14 5 17 0 0 0 0 0 0
Copyright © 1978 Fate Music (ASCAP)
International Copyright Secured All Rights Reserved
Reprinted by Permission
Copyright of Hal Leonard
© 1985 Corporation
Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 76
WorldMags
Gtr. 1: w/ Rhy. Fig. 2, simile
D Aadd4
C/E Em C/E
Am E7 D7
for you, I3 lived
8va
3 pride a
swal lowed my
but
and lied for you,
3
loco
5
poco accel.
Gadd9/D
5
Gadd9/D D
6 5
6 w/ bar
Gadd9 D D
Harm.
12
15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15
12 14 12 12 7 9
you still make
14 me feel like a
16 14 thief. 9 You got me
X 10
Aadd4 Gadd9 D
7
6
6
steal in’
3
Em your love a way
C/E ’cause6
poco accel.
a you nev er 6
give
Em
3 it. 5
8va
3
Rhy. Fig. 3
Gtr. 1
3 3
3
3 3
3 3 3 3
3
3
*w/ delay
** sim.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
014 q 12
0 Slower =0164 0 0 0 0 0 0 0 0 0 0 0 15 14 17 15 0
0 19 20 19 20 017 20 015 20 014 15
7 7 7 15 7 17 712 7 7 7 7 7 7 7 7 12 135 12 175 165 5 5 0 0 0 0 0 0 0 16
7 7 7 127 11 7 7 7 7 127 5D 5 5 5 0 0 0 0 0 0
X X X X
14 X X X X 0 0 0 0
7 7 7 7 14 12 7 14 14 5 5 0 0 0
*Set for
10 10
700ms regeneration
w/ onerepeat. 14
**Vol. swells
Aadd4 Gadd9 D
Peel in’ the years a way and a we can’t re live it. Oh,
E C/E Em C/E Em C/E
8va
D G C Em B
Gtr. 2
0 0 loco
0 0
0 0
0 0
00 00 00 00 00
0 0 0 0
0
6
0 0 0
0 0 0 0 0
7
7 7 5 5 0 0 0 0 0 0 0 0
7 77X 77X3 77 77X 77X 77 77X 7 77 7 55X
0 0 0 0 0
5 5 0 0 0 0 0 0
X 6 6 X 0 0 0 0
7 3 7 7 6 7 7 7 5 6 5 6 0 60 0 6
delay off rake
D
T T T T T T T T T T T T T T T Tw/ bar
1/2
Gadd9 D Gadd9
1/2
15 19 21
17 17 17
16 4 4 4 9
2 X
X
0
I make you laugh and a you make me cry. -1
C F Bb Dm
Gtr. 3 (elec.)
6
T0
6 6 6 6 6 6
mf P.S. 6
w/ dist. 1T
T T T T T T T T T T T T T T
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 0 0 0 0 0 0 0 0 5 5 5 5 5 0 0 0 0 0 0 0
5 5 5 5 0 X0 0 0 0 7 5 5 75 75 0 12 0 0 0 0
X
X X X X0 5 0 X X X 0 0
5 5 X0 0 5 5 0 X
17 X
WorldMags = Digital Songbook - 77
WorldMags
Aadd4 C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times) D
Gtr. 1: w/ Rhy. Fig. 1, simile
Gadd9
G Em C/E Am G/D
8va
De - liv - er me in - to
I to becare.lieve
it’s time me
I can’tforde- stroy
n’t
what tois - fly.
there.
my
G
Am *Gtr. 2 (elec.)
G/D
6
Rhy. Fig. 4
rake
End Rhy. Fig. 3
1
fate. If I’m a - lone,
I can - not
1/2
hate. I don’t de - serve to have
G 17
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 16 17 16 17 XF 17 17 16 17 16 G/D
17
w/ dist.
Rhy. Fig. 5 X End Rhy. Fig. 5
17& 3 0
0 2 2 3
0
Gtrs.
3 3 3
7 2 2 0
0X 0
0 0
7
0 0
X
3
*Two gtrs. arr. for one.
my smile was tak - en
8va
Gadd9
you. Oo, long a - go. If I can change, I hope I nev - er
Gadd9
Gtr. 5 (elec.)
Aadd4 Gadd9 D Aadd4
rake
6
mf
End w/Rhy.
slightFig.
dist.4
let ring throughout
1
1 0
3 5
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X
Riff B End Riff B
Gtr. 2
3 3 3 3
2 32 30 2 00 30 30 0 0
3 3 2 2
3 3 3 3
2 0 0 2 0 2
2 2 0 0 0 0 0 0 0 0 2 2 0 0 0 0
0 0 0 0 2 0 0 0 0 2 0 0 0 0 0 2
3 3 0 0 0 03
1 1 1 1
2 2 2 2 0
5 5 5 5 5 5 5 5 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 2, 2 times, simile
Interlude
D Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Aadd4
Gtr. 2 tacet
Am Em F G/D C
Em
C/E
2. You8va said we’d work it out. You said that you had no doubt, that
know.
Rhy. Fig. 5
Gtr. 6 (elec.)
rake 6
rake
mf
2 2 2 2 X X X X
0 w/ slight0 dist. & RotoVibe 0 0 X X 1/2 2 2 2 2 X X
1 0 0 0 0
20 17 17 17 15 15 13 13 12 12 10 10 8 8 19 8 10
14 15 14 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
D Gadd9/D
D
Gtr. 5
Gadd9 D Gadd9/D
0
5
5 5 ly in5
8va
10 10 10 10 10 8 8 Oh,
0 0 0 0 0 0 0 0 0 0 0 0
12 17
3
were real love.
5 5 5 5 17
deep down
we but
End Rhy. Fig. 5
rake
Gtr. 2 6
rake
1 1
0
1 17 19 17 22 2 22 22 17 320 19 217 19 17
2 3 3 172
2 20 20 20 19 20 19 20 X 3 3 3 20 3 203 19 20
3 3 19 20
0 2X 0 0 0 XX X 2 2 2 2 2 2 2
0 0 0 0 0 X X 0 0 0 0 0 0 0 0 0
2 2 2 2
3 3 3 3 0
WorldMags = Digital Songbook - 78
WorldMags
Gtr. 2: w/ Rhy. Fig. 5, simile
Aadd4
I’m tired of hold in’ on to a feel in’ I know is gone.
Gadd9 D Gadd9/D D Gadd9/D D
I do be lieve that I’ve had e nough. I’ve had e
Gtr. 1: w/ Rhy. Fig. 3
Aadd4 Gadd9 D Aadd4
nough of the false ness of a worn out re la tion. E nough of the jeal ous y and the
Gtr. 2
3 3 0 2 3 2
3 3 0 3 3 3
2 2 2 2 X 0 0 2 2 2 2 2 2 2 2 0
2 2 2 2 X 0 0 0 0 0 0 2 2 2 2 2 0
0 0 0 0 0 2 2 0 0 0 0
3 3
Gadd9 D Gadd9 D Gadd9 D
in tol er a tion. Oh, I make you laugh and a you make me cry.
3 3 0 2 3 2 3 3 0 2 3 2 3 3 0 2 3 2
3 3 0 3 3 3 3 3 0 3 3 3 3 3 0 3 3 3
0 0 2 2 2 0 0 2 2 2 0 0 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
Aadd4 D Gadd9 D
Gtr. 1
I be lieve it’s time for me to fly. (Time for me to fly.
2 2 3 3 2 2
3 3 3 3 3 3
2 2 2 0 0 2 2
2 0 0 0 0 0 0 0 0
0 0 0 2 2 0 0
3 3 0 0 21
WorldMags = Digital Songbook - 79
WorldMags
Chorus
Gtrs. 4 & 5 tacet, 2nd time
Aadd4 Gadd9 D
Gtr. 1
simile on repeat
Oh, I’ve got to set my self free.
Oh,
ee i. Time for me to fly,
Gtr. 3 (elec.)
w/ clean tone
let ring throughout
simile on repeat
5
2 2 3
2 2 4
2 5 0
0
Gtr. 2
simile on repeat
3 3 0 2
3 3 0 3
X X X X X 0 0 2 X X
2 2 X X X 2 2 X X 2 0 0 0 X X
0 0 0 0 0 2 2
3 3
Aadd4 Gadd9 D
Ah, that’s just how it’s a got to be.
ba by that’s just how it’s a got to be. Oh,
oo.
5
2 3 3
2 2 4 2
2 5 0 0
0
( )
3 3 2
3 3 3
X X X X X X X 0 0 2 0 0
2 2 X X X 2 2 X X X X 0 0 (0) 0 0 0
0 0 0 0 2 2
3 3
WorldMags = Digital Songbook - 80
WorldMags
2. To Coda
Gtr. 3 tacet
B
Gadd9 Aadd4
loco
Rhy. Fig. 6 End Rhy. Fig. 6
5
Gtr. 1
10
1
1
7 8 7 5
8 7 5 7 10
8 7 5 4 9 9 8 12 12 11 11
I know it hurts to say
7 5 4 good bye, but it’s time for me to fly.
7 6 X
loco
Rhy. Fig.
8va6A End Rhy. Fig. 6A
Gtr. 2
5
10 rake
3 3 1
1/2
0 15 17 15 14 0
0 17 15 0 14 2 10 2 12 12 10 10
0 0 17 16 14 14 2 12 12 11
2 X
2 2 17 17 16 14 13 0 0
3 3
D
Interlude Gtr. 3 tacet
Gadd9 Aadd4 D
Em
Gtr. 1
8va
Gtr. 2
6
6
6
6
2 1 1/2
1
14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
13 16 13 13 16 13 16 16 20 20 19 17
14 14
16
8va
Fly.)
Gtr. 3
6
Gtrs. 4 & 5
6
6 6
1/2 1 1/2 1
11 14 11 14 11 11 14 17 17 17 17 17 15 14 15w/
14slight dist.
10 13 10 10 13 10 13 13 17 17 15
11 11 1/2
13 1
14 (14)
15 (15)
14
16
8va
Gtr. 4 (elec.)
Gtr. 2
f w/ dist.
1 1
3 3 14 15
0 0 8 17 X 17 17
0 0 0 0 2 2 2
0 0 0 0 2 2 0
2 2 0 0
3 3
WorldMags = Digital Songbook - 81
WorldMags
Gtr. 2 tacet
Gtr. 2 tacet Gadd9
Gtr. 1 C/E Em
8va
*
Gtr. 4
3
3 3
Oo, ba
2
1 1/2 1
Gtrs. 4 & 5
14 15 17 15 17 15 14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17 15 14 20 20 19 20 17 20 15 20
17 17 17 17 17 17 17
16 16 16
17
1/2
*Played behind the beat. 1
14 (14)
C/E 15 (15)
12
(16)8va 6
Gtr. 3
12
14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X
3 3
2 2 2 4 2 2
4 2 5 5 4 2
5 4 2
Em
8va
**
3
Aadd4
11 6
12
Gtr. 1
1 2
15 14 12 11 14 12 11 7 12 8 16 12 19 20 15
17 16 13 12 13 12 10 13 12 11 12 11 8 17
12 11 12 12 12 12 8 9 16 12 16
by.the beat.
**Played behind
Gtrs. 4 & 5 C/E
8va
***
10 93 9 7 7 5 5 5 10
12
1 1/2
1
20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15
Gtr. 3
***Played behind the beat.
Em
2
8va
2
***
5
2 2
0 4
4
Gtr. 2
12 6 †T
1 hold bend T 1 hold bend
1/2
14 15 14 14 12
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14
2
0 †Hold down tap finger while releasing
bend, rebending, and sliding.
WorldMags = Digital Songbook - 82
WorldMags
D.S. al Coda
Well, don’t you know it’s time for me to fly.
8va
Gtr. 4
Gtr. 5 8va
divisi
1/2 1/2
10 16
14
2
3 3
2 2 2 2
4 4 0 0
5
2 2 3 3 2 2
3 3 3 3 3 3
2 2 0 0 0 2 2
0 0 0 0 0 0 0 0
0
Coda
Gtr. 1: w/ Rhy. Fig. 6, 2 times, simile
Gtr. 2: w/ Rhy. Fig. 6A, 1 1/2 times, simile
Gadd9 Aadd4
It’s time for me to fly,
Ah, ah.
Gadd9 A5
ee i ee i. It’s time for me to fly.
Gtr. 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
WorldMags = Digital Songbook - 83
WorldMags
Gadd9
Gtrs. 1 A7
& 2: w/ Rhy. Figs. 1 A7
& 4, 1 1/2 times, Dadd9/A
simile
Dadd9/A A7 Dadd9/A A7 Bb7 B7 Eadd9/B B7
D Aadd4 Gadd9 D Gadd9
bad - dest man in the whole damn It’s time
town.for me to fly. Bad - der than old King Kong,
1
Oo.)
10 10 8 10
9
(It’s time for me to fly. It’s time for me to fly.
C7 Fadd9/C C7 Db7 D7 C7 F#7 G7 D7
mean - er than a junk - yard dog. And he’s bad,
Aadd4 Gadd9 D Gadd9
3
1
It’s time for me to fly, babe.)
10 10 8 8 8 10 8
9 9 7 7 9 7 9
8 9
It’s time for me to fly.
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
bad Le - roy Brown, bad - dest man in the whole
(Bad, bad.)
D
Aadd4
Gadd9
Gtr. 1
1 1
8 10 10 10 8 10
It’s time for me to fly.
Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7
damn town. Bad - der than old King
Gtr. 2 Kong,
1 1 1 1 1 1
2
12 12 12 10 14 14 14 312 15 15 15 13
12 2 14
0
WorldMags = Digital Songbook - 84
WorldMags
Matt Schofield
Blues Guitar Artistry
Taste, Tone & Technique NEW!
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blues world ablaze with
his fresh and passionate
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WorldMags = Digital Songbook - 85
WorldMags
Wanted Dead or Alive
Words and Music by Jon Bon Jovi and Richie Sambora
from Bon Jovi - Slippery When Wet
D5 C5 G5 F5 D5/A F5 VII
5fr 8fr
Intro
133 133 133 133 13 133
Slowly q = 74
(wind, chimes & kybd.) Gtr. 1 (12 str. acous.)
mf
Harm.
7 12
12
Dsus2 µ
0 13 12 10 8 5 3 1
3
2 14 14 12 12 10 10 9 9 5 5 4 4 4 2
0 0 0 0 0 0 0 0
0
13 12 10 8 5 3 1
14 14 12 12 10 10 9 9 5 5 4 4 4 2
0 0 0 0 0 0
0 0
Gtr. 2: w/ Fill 1
(Dsus2) µ (Dsus2) µ (Dsus2)
1/4 1/4 1/4 1/4 1/4 1/4
0 0 0
3 3 3 3 3 3
2 2 2
0 3 0 0 3 0 0 3 0
3 0 0 3 0 0 3 0 0
Fill 1
Gtr. 2 (dist.)
*
pp mf
Harm. w/ bar
7 7 7
-1 -1
*Fades in w/ volume knob.
Copyright © 1986 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC., BON JOVI PUBLISHING,
SONY/ATV MUSIC PUBLISHING LLC and AGGRESSIVE MUSIC
All Rights for BON JOVI PUBLISHING Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights for SONY/ATV MUSIC PUBLISHING LLC and AGGRESSIVE MUSIC Administered by
SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
WorldMags = Digital Songbook - 86
WorldMags
Verse
F E D D5 C5
G5
*Gtr. 3
1. It’s all the same, on - ly the names will change.
times I sleep, some - times it’s not for days. The
walk these streets, a load - ed six string on my back. I
Rhy. Fig. 1
**
2 2 2 3 2 0 0 2 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 0 0 0 0 0 0 0
3 3 2 0 0 0 2 2 2 2 0 0 0
3 3 3 2 3 3 3 3 2 0 2
3
*Play 3rd time only.
**Play simile 2nd & 3rd times
Gtr. 1: w/ Fill 4, 2nd time Gtr. 2: w/ Fill 2, 1st time
C5 G5 F5 D5/A
Ev - ’ry day it seems we’re wast - ing a - way. An -
peo - ple I meet al - ways go their sep - ’rate ways. Some -
play for keeps, ’cause I might not make it back. I’ve been
3 3 3 3 3 1 2 2 0 0 0
3 3 3 3 3 3 1 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 0 0 0 0 3 0
3 3 3 3 2 0 2 2 3
3 3
D5
C5
G5
oth - er place, where the fac - es are so cold, I’d
times you tell the day by the bot - tle that you drink. And
ev - ’ry - where, still I’m stand - ing tall, I’ve
0 2 2 2 2 3 2 0 0 0 2 2 2 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 0 0 0 0 0 0
0 0 2 2 2 0 0
3 3 3 2 0 2
3
Fill 2 Fill 4 3
Gtr. 2 Gtr. 1
3
*
1
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
12 12 10 0 0 0 0 0 0 0 0 0 0 0
12 2 2 2 2 0 0 0 0 0 0 0
3 3 3 3 2 2 2 2 2 2 2
3 3 3 3 3 3 3
*vol. swell
WorldMags = Digital Songbook - 87
WorldMags
C
Gtr. 2: w/ Fill 6, 3rd time
C5
G5
F5
D5/A
8va
Em C/E
drive all night just get to back home.
6
times when you’re a - lone rake all you do is think. I’m a
seen a mil - lion fac - es, and I’ve rocked them all.
1/2
1 End Rhy. Fig. 1
17 17 17 16
14 15 14
19 19
14
19
17 15 14
17 17 16 17 16 17
15 14 14
17 16 17 X
X
3 3 3 3 3 3 3 1 2 0 2
3 3 3 3 3 3 3 1 3 3 3
0 0 0 0 0 0 0 0 0 0 2 2 2
2 2 2 2 0 0 0 0 0 3 0 0
8va
3 3 3 3 2 0 2 0
3
Chorus
F5
Gtr. 2: w/ Fill 5, 2nd time 6
C5
G5
D5/A
1
rake
20
1
22 22 22 1720 19 17 20
19 20 X X
17 19 17 19 17 17
20 20 19 20 20 19 20 19 20
cow - boy, on a steel horse I ride. I’m
Rhy. Fig 2
0 0 0 3 3 1 1 1 1 2 2 3 2 0
1 1 1 3 3 1 1 1 1 3 3
0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 0 0 0 0 3 3 3 3 0
3 3 3 2 0 2 0
3
Em C/E
8va
Gtr. 2
Fill 5
rake
6
rake
1
1/2 w/ bar
1
1 1/4 1/4 1/4
14 15 14 1/4 19 19 19 14 17 15 14 15 14 14
17 1713 17 16
13 17
10 16 17 X 17 17 16 17 16 17
X 13 10 X
12 12 10
12 10 12 12 0 3 0 0 0 3 0
3 3
8va
6
Fill
Gtr. 2
rake
6
1
rake
mp
1 10 10 13
10 10 10 10
1
10
17 1910 17 10 10 10 10 10 22 22
13 1022 10 17 10
20 19 17 19 17 17
20 20 20 19 20 19 20 X 12 20 20 19 20 19 20
X X
WorldMags = Digital Songbook - 88
WorldMags
To Coda
C5 G5
C5 D5 F5 VII D5
(cont. in notation)
sing 2nd & 3rd times only
* **
want - ed, (want - ed,) dead or a - live. (’Cause I’m a)
End Rhy. Fig. 2
1/4 1/4
0 0 0 3 3 3 3 3 2 2 0 2
1 1 1 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 2
2 2 2 0 0 0 0 0 0 0 3 0 0
3 3 3 2 0 2 3 0
3
*Upper harmony tacet 1st time. **Sing 3rd time only.
C G5 µ D
sing 2nd time only
Want - ed, (want - ed,) dead or a - live.
1/4 1/4
0 0 0 3 3 3 3 2
1 1 1 3 3 3 3 3
0 0 0 0 0 0 0 0 2 2
2 2 2 0 0 0 0 0 0 3 0
3 3 3 2 0 2 3
3
Gtr. 2: w/ Fill 3, 1st time
13 12 10 8 5 3 1
14 14 12 12 10 10 9 9 5 5 4 4 4 2
0 0 0 0 0 0 0
Fill 3
Gtr. 2
3
1 1 1
13 13 13
12 12 10 12 12 10
12
WorldMags = Digital Songbook - 89
WorldMags
1.
2. Some-
13 12 10 8 5 3 1
14 14 12 12 10 10 9 9 5 5 4 4 4 2
0 0 0 0 0 0
2.
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1, simile
D5
Al - right.
Gtr. 1 Gtr. 3 (dist.)
mf
5 3 1
5 5 4 4 4 2
0 0 7 7
5 5
Gtr. 2
5 3 3 5 5 5 3 3 5 3 5 5 3
17
C5 G5 C5 G5
5 5
3 5 3 5
3 3
3
3
3
P.H.
1 1
1 1
13 15 15 15 15 13 15
13 15
12 14
5 5 5 5 5 3
0 0
Pitch: C# D C#
WorldMags = Digital Songbook - 90
WorldMags
F5 D5
7 7 7
5 3 5 5 5
3 1
8va
8va
loco
P.H. P.H. P.H.
1/4 1
12
12 10 3 3 5 5 5 3
12 10 12 10 10 12 12 3 5 5 3 5
10 8 8 10 5
Pitch: A Eb D D E D C
C5 G5 C5 G5
5 5
3 5 3 5
3 3
8va
8va
loco loco loco
P.H. P.H. P.M.
1 1 1 1 1
13
13 13
10 12 12 12 12 12 12 10
3 3 5 5 3
5 5 3 5 8
Pitch: D E D C D E D F
Chorus
Gtr. 1: w/ Rhy. Fig. 2, 1st 3 meas., simile
Gtr. 2 tacet
F5 D5 C5 G5 F5 D5
Oh, I’m a cow - boy, on a steel horse I ride. I’m
0
7 5 0 7
5 3 5 3 3 5 0 2
3 1 3 1
P.M.
10 8 8 12
10 10 8 10
WorldMags = Digital Songbook - 91
WorldMags
D.S. al Coda
C5 G µ D5
want - ed, want - ed, dead or a - live. 3. And I
Gtrs. 1 & 3
1/4 1/4
0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
5 0 0 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 2 3
3
Coda
Gtr. 1: w/ Rhy. Fig. 2, simile
Gtr. 2: w/ Fill 7
C5 G5 F5 D5 C5 G5
cow - boy, I got the night on my side. And I’m want - ed, want - ed,
Gtr. 3
0 2 0
5 0 0 5 0
3 3 0 3
3 1 3
Gtr. 1: w/ Rhy. Fig. 2, last 2 meas., simile
µ D5 C5 G5 µ D5
3
3 3
dead or a - live, dead or a - live, dead or a - live, dead or a - live. I still
1/4 1/4 1/4 1/4
2 0 2
0 3 0 5 0 0 3 0
3 0 3 3
3
Fill 7
8va
Gtr. 2
1
15
WorldMags = Digital Songbook - 92
WorldMags
Gtr. 1: w/ Rhy. Fig. 2, last 2 meas., simile Gtr. 1: w/ Rhy. Fig. 2, last 2 meas., simile
C5 G5 µ D5 µ G5
drive, I still drive, dead or a - live, dead or a - live,
1/4 1/4 1/4 1/4
3 3
0 2 0 0
5 0 0 3 0 0 3 0 0
3 3 3
3 3 3 3 3
µ D5 µ G5 µ D5
dead or a - live, dead or a - live, dead or a - live,
Gtrs. 1 & 3
1/4 1/4 1/4 1/4 1/4 1/4
3
2 0 2
0 3 0 0 3 0 0 3 0
3 3 3
3
Outro
Gtr. 3 tacet
µ
Gtr. 1
13 12 10 8 5 3 1
14 14 12 12 10 10 9 9 5 5 4 4 4 2
0 0 0 0 0 0 0
D/A
rit.
13 12 10 8 5 3 2
3
14 14 12 12 10 10 9 9 5 5 4 4 2
0 0 0 0 0 0 0
0
WorldMags
WorldMags
Some think we’re different.
They’re right, we are. We’re not flat backs and
novelty guitars. We’re rich, acoustic audio
driven from an aeronautically engineered
shape. Charles Kaman applied the vibration
principles from his helicopters to create a curve
that would amplify authentic sound nearly 50
years ago, and our inspired design continues to
shape the meaning of live acoustic today.
OvationGuitars.com
Ovation Guitars | 55 Griffin Road South, Bloomfield, CT 06002-9005
WorldMags
WorldMags
DIGITAL SO
Welcome to your Ovation
digital songbook!
Your are receiving this special digital song book from Premier Guitar because you
signed up to receive it at a recent Ovation Roundback Revolution road show! Inside
you’ll find guitar tab from 10 Ovation artists.
Don’t forget to sign up for your FREE digital subscription to Premier Guitar,
(includes everything that’s in the print magazine and more!), compliments of Ovation.
CLICK HERE to sign up for your FREE
digital subscription to Premier Guitar.
IN THIS ISSUE:
1 14 26 32 42
Yngwie Heart Bob Marley Jim Croce Melissa
Malmsteen “Crazy on You” & the Wailers “Bad Bad Etheridge
“Black Star” “No Woman Leroy Brown” “I’m the Only One”
No Cry”
50 60 70 76 86
Slipknot Breaking Van Halen REO Bon Jovi
“Snuff” Benjamin “Spanish Fly” Speedwagon “Wanted Dead
“So Cold” “Time for Me to Fly” or Alive”
WorldMags
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