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On October 24th I visited the National Gallery of Art in Washington DC. Oil on canvas is the
shared medium of the three paintings chosen. These paintings are, St. Jerome and the Angels by
Simon Vouet, The Apostle Paul by Rembrandt van Rijn, and Daniel in the Lions’ Den by Peter
Paul Rubens.
St Jerome and the Angels was created using oil on canvas by Simon Vouet around 1622/1625.
The painting depicts an elderly man sitting with a quill in his hand and his other hand raised. He
has a large white beard and a billowing red cloth draped over his arm and lap. Next to him is a
young man with large white wings, dressed in a blue robe with a golden cloth tied around his
shoulders holding a trumpet. There is also a table. On it are various objects such as a stack of
papers, an hourglass, pince-nez, a dirty cloth, an inkwell, a sphere and three books. In the
background are two more books and an extinguished candle in a large candlestick. The painting
is depicting an angel appearing to St. Jerome while he writes. Since this painting was created in
the 17th century, it can be neatly categorized into the Baroque era. One aspect of the painting
that can immediately link it with the Baroque period is the use of uneven lighting and extensive
use of primary colors. The uneven lighting is apparent because even though both figures are in
a dimly lit room with an extinguished candle, they are still perfectly visible and stand out on the
canvas. Then, there is the abundant use of primary colors, which is seen by the close grouping
of yellow, red and blue cloth. Vouet’s use of line can be seen in the gesticulations made by the
angel. Line in art acts like a path of action indicating direction. In the painting, the angel appears
Nicholas La Duca 11/4/18 Art Appreciation/ART 100
to be attempting to draw the attention of the St. Jerome and the viewer to the left. The formal
element of space can be seen through Vouet’s use of implied depth. Space in art has a wide
definition. When applied to painting it means how the artist creates the illusion of a 3-
dimensional space on a 2-dimensional plane. Vouet achieves this by his strategic placement of
the angel behind St. Jerome. Obviously, the use of shadows plays a large role as well. Not only
that, but the angel also appears to be leaning forward, furthering the perception of depth.
The Apostle Paul is an oil on canvas painting that was created by Rembrandt van Rijn in 1657.
The painting portrays a middle-aged man with a large beard. He is sitting in a big wooden chair
at an ornate writing desk. On it are a stack of papers. The man holds a quill in his right hand and
his other hand held up against his head. He wears a simple black cap and a black robe with red
cuffs, collar and pants. This painting is from the Baroque era. This mid-17th century work can be
categorized as Baroque by its contrasting usage of light and darkness. This can be seen by how
opaque the surrounding area is in comparison to the subject of the painting. Another
characteristic Baroque element is the depiction of raw emotion. The way in which the man
holds his head in his hand. This and the expression on his face all come together to give the
viewer a glimpse into a very personal and private moment of intense feeling that is not was not
usually depicted in say the Renaissance. The use of the formal element of texture can be seen
throughout this painting. Texture is the perceived surface quality of an object. It is especially
visible in the satin like consistency of the man’s robes. It is also a factor when one observes
closely the almost scraggly quality of the man’s hair. This giving the appearance of having him
sweat and or not bathed. The formal element of mass can also be observed. Given the fact that
this is a 2-dimensional piece of art a more accurate term would be shape. But nevertheless, it
Nicholas La Duca 11/4/18 Art Appreciation/ART 100
refers to the bulk of a physical object or solid body of material. Its use is evident when looking
at the small vertical spire of wood protruding from the writing desk. The way the lines
diagonally snake around it give the object a real sense of it being cylindrical.
Daniel in the Lions’ Den is an oil on canvas painting by Peter Paul Rubens created around
1613/1615. In this painting one sees a rather muscular man in a pit filled with lions. The man is
muscular and is clothed with a billowing white and red cloth tied loosely around his waist. The
mouth of the pit is covered with ivy. Inside it are 9 lions. Bones and a skull are strewn across the
floor. The man’s legs are cross, and his hands are clasped with a desperate and supplicatory
expression on his face. A few aspects that distinguish this as a Baroque painting are the use of
asymmetry. Asymmetry was used often in Baroque works by having the focal point of the
painting off to the side. This evoked a sense of motion and imbalance which would in turn add
to the characteristic emotion of Baroque pieces in general. In this work it can be seen by the
placement of the man to the right side. This is emphasized by the white cloth draped over his
lap and the swooping red cloth that directs the focal point even farther to the right. The formal
element of texture is quite striking in this painting. Texture being the perceived surface quality
of an object. The way Rubens paints the coats and manes of the lions’ makes one feel as if they
could reach out and touch them. The meticulous attention to the detail of the hair tufts and
almost individual strands of hair immediately brings to mind their characteristically smooth and
soft fur. Another formal element that is prevalent is the use of light. Light generally speaking is
referring to the visible electromagnetic spectrum of light. The way that light is used in this
painting is very impressive while still remaining artistic. The main example of this is illustrated
by the change in color of the red cloth. Since the only source of light is coming from the hole up
Nicholas La Duca 11/4/18 Art Appreciation/ART 100
above it changes the intensity of the cloth based off of how much light is hitting it. For instance,
when one looks at the cloth by the man’s foot, which is in direct sunlight, it appears to be very
light. However, if one directs their glance to the right they can see a very dark and rich red color
My reaction to all these paintings was very positive all around. I enjoy the dark and light
contrast used in Baroque works. It is something that, I believe, to be a very compelling device
that definitely enhances the drama and emotion of a piece. Drama and emotion, in my opinion,
being a very important aspect of art and self-expression in general. I also appreciate and find
the depiction of personal moments and times of great stress to be especially cathartic. The
honesty involved in the portrayal scenes like this gives one a sense of deeper sense of
connection with humanity and it’s past. This assignment expanded my appreciation of art by
pointing out some of the more characteristic aspects of the Baroque era. The combination of
formal elements and techniques to create a story and leave the viewer with a unique
perspective and insight into human nature is especially captivating. I think this understanding of
formal elements and technique used in the Baroque era has left me better equipped to
appreciate more art. Also, I believe it has given me an appetite to learn more and to keep