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The Journal of Speculative Philosophy
It is quite easy to quickly pass over these two remarks without granting
them any particular significance or weight. And yet, if we linger upon these
statements for a moment, an altogether obvious but nevertheless impor-
tant affinity between Beauvoir and Irigaray comes into view. Indeed, we see
that what Beauvoir identifies as a failure of philosophical inquiry, Irigaray
formulates as its positive task. At stake for each of these thinkers is the pos-
sibility of raising the question of sexual difference as a philosophical question.
Of course, it is hardly remarkable to suggest that what these two canonical
feminist philosophers share is a desire to pose the question of sexual dif-
ference in these terms. This moment of congruence, then, is not signifi-
cant in and of itself but, rather, in virtue of the horizon of questioning that
is opened up by it. The issue it raises is this: What does it mean to pose
that is given expression in the work of Beauvoir and Irigaray has not yet
been fully elaborated.5 Consequently, not only do these new materialist
approaches impel renewed consideration of the possibility of feminist
phenomenology, but elucidating this possibility in turn puts pressure on
the force of the new materialist challenge.
assert that its meaning is never fixed [le sens n’en jamais fixé].”17 According to
Beauvoir, sense is inscribed with a twofold ambiguity: ambiguity belongs to
the structure of sense constitution but also to the constituted-sense of the
world. Ambiguity, in other words, designates an existential structure that
institutes a horizon of sense that is itself equivocal or open.18
What is crucial, then, is that while Beauvoir remains committed to
investigating the conditions for the emergence of sense within the imma-
nent field of accomplishments, the twofold ambiguity of sense implies a
radicalization of this transcendental project. We can elucidate this revision
in accordance with the two registers of ambiguity. First, as a consequence
of the structural ambiguity of sense bestowal, the transcendental investiga-
tion of these constitutive structures cannot be easily reduced to merely an
a priori analysis of a static and immutable totality. Thus, for Beauvoir, tran-
scendental inquiry does not reveal a foundation (e.g., a transcendental ego
or even the materiality of the body) but, rather, an open structure. Second,
the investigation of this structural ambiguity discloses a horizon of sense
that is itself fundamentally ambiguous. That is, this accomplished-sense
is itself radically equivocal or open despite its tendency toward ossification
through the obfuscation of its accomplishment or in the tendency to under-
stand this sense as ready-made. In Beauvoir’s discussion of disclosure,
then, we see a profound commitment to transcendental phenomenology
and a radicalization of its central gestures.
In light of this interpretation, it is apparent that the significance of
Beauvoir’s much-discussed ethical project only comes into focus through
an elucidation of her revision of transcendental phenomenology. On one
hand, the primacy that she grants to disclosure, as we have seen, implies
that the sense of the world is an accomplishment, which belies any uncriti-
cal appeal to a horizon of ready-made sense. Moreover, by forestalling this
appeal, Beauvoir calls into question the normative force of the ready-made
sense since this force is itself parasitic upon its purportedly transcendent
availability or givenness. As a result, however, it is clear that her commit-
ment to transcendental phenomenology is always at the same time a cri-
tique of what she takes to be the impoverished and paradoxical ethics that is
tacitly at stake in a naturalistic epistemology, namely, one that is character-
ized by appeal to the normative force of a world whose sense is ready-made
and thus unequivocal. On the other hand, her claim is that ethics exists
only in the precarious space delimited by a suspension of all appeals to
normative force of a world whose sense is already given. It is precisely for
this reason that she insists that “morality resides in the painfulness of an
indefinite questioning [la moralité réside dans la douleur d’une interrogation
indéfinie].”19 Ethics (la moralité), for Beauvoir, is nothing other than this
infinite questioning, and ethical life is instantiated in taking up this infinite
task. Beauvoir’s revision of transcendental phenomenology thus simulta-
neously delimits the precarious space of ethics. With this account of The
Ethics of Ambiguity in view, we can now turn to Sharing the World in order to
draw out a surprising but profound affinity between these two texts.
Conclusion
In these concluding remarks, I can only gesture toward the way in which
this interpretation of The Ethics of Ambiguity and Sharing the World creates
the space for redressing the new materialist critique of the project of femi-
nist phenomenology. To begin, it is crucial to see that while the condensed
analyses of these texts demand further elucidation, already they identify
a remarkable moment of convergence between Beauvoir and Irigaray,
namely, a shared commitment to a radicalized articulation of transcenden-
tal phenomenology. For Beauvoir, the ambiguity that is inscribed in the
very structure of sense-bestowal reveals that this accomplished sense is
itself essentially ambiguous beneath its ossification as a locus of epistemic/
ethical normativity. For Irigaray, the twoness of worlds reveals a horizon
of sense that is ineluctably inscribed by the opening of irrecuperable alter-
ity. In both cases, then, they demonstrate that the investigation of sense
constitution, and thus the project of transcendental phenomenology, does
not result in a domestication of difference but, rather, reveals the insistent
ambiguity and alterity that belong to the constitution of sense.
Consequently, in elucidating this almost entirely overlooked conver-
gence between Beauvoir and Irigaray, the force of the materialist challenge
is recast. Indeed, as we saw in the introductory section, the feminist turn to
materialist philosophies ostensibly puts into crisis the possibility of feminist
phenomenology insofar as this project remains legible within the auspices
of a transcendental project.24 Yet, while it is indeed a certain recalcitrance to
notes
1. See Rosi Braidotti, Metamorphoses: Toward a Materialist Theory of Becoming
(Cambridge: Polity, 2002); Dorothea Olkowski, “The End of Phenomenology:
Bergson’s Interval in Irigaray,” Hypatia 15, no. 3 (2000): 73–91; Elizabeth Grosz,
“Thinking the New,” in Becomings: Explorations in Time, Memory, and Futures,
ed. Elizabeth Grosz (Ithaca: Cornell University Press, 1999), 15–28.
2. Leonard Lawlor, “The End of Phenomenology: Expressionism in Deleuze
and Merleau-Ponty,” Continental Philosophy Review 31 (1998): 15–34. While
Lawlor does not mention new materialist feminisms, he nonetheless sets up
in very precise terms the two foci of the critique, namely, immanence and
difference, and shows how both of these issues operate together in a critique of
phenomenology’s commitment to transcendental philosophy. Colebrook’s more
recent work is also crucial, since, like Lawlor, she shows that what is at stake in the
materialist turn in feminism is most fundamentally a rejection of transcendental
philosophy. See Claire Colebrook, “Is Sexual Difference a Problem?” Deleuze and
Feminist Theory, ed. Ian Buchanan and Claire Colebrook (Edinburgh: University
of Edinburgh Press, 2000), 112–13. Moreover, while Grosz does not explicitly
broach the question of transcendental philosophy, it is clear that her Deleuzean
reading of B ergson is motivated by the desire to think difference in a way that
does not contain this difference by instituting an identity between the new and its
condition or ground of emergence. In this sense, Grosz’s critique indirectly issues
a challenge to the possibility of feminist phenomenology. See Grosz, “Thinking
the New,” 16.
3. Lawlor, “End of Phenomenology,” 15.
4. Ibid.
5. Oksala’s very important article “What Is Feminist Phenomenology?”
brings this curious nascence into view. See Johanna Oksala, “What Is Feminist
Phenomenology?” Radical Philosophy 126 (2004): 17.
6. See Debra Bergoffen, “From Husserl to Beauvoir: Gendering the Perceiving
Subject,” in Feminist Phenomenology, ed. Linda Fisher and Lester Embree