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6/5/2019 In Celebration of 50 Years Since the Moon Landing, Neil Armstrong's Spacesuit Set to Return to Public View | At the Smithsonian | Smithsonian
After Armstrong and the rest of the Apollo 11 crew returned from their
history-making space ight, NASA brought the suit along with other
artifacts on a nationwide tour before donating it to the Smithsonian.
The National Air and Space Museum displayed Armstrong’s suit for
about 30 years before pulling it from the oor in 2006, concerned about
deterioration.
Now, after more than a decade and making use of more than $700,000
raised from the Smithsonian’s rst-ever Kickstarter campaign, the
museum has completed its multi-year conservation project and also
has digitized the historic Apollo artifact so that authentically realized
duplicates can be downloaded and distributed for study and
appreciation.
To get a full picture of the suit and its condition, curators brought in
the Smithsonian’s 3D digitization team—including Vince Rossi, one of
the “laser cowboys” who helped pioneer the process of 3D-scanning
museum artifacts. Rossi and his team have worked to produce highly
accurate digital copies of a wide range of objects, from woolly
mammoth fossils to Abraham Lincoln’s life masks.
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6/5/2019 In Celebration of 50 Years Since the Moon Landing, Neil Armstrong's Spacesuit Set to Return to Public View | At the Smithsonian | Smithsonian
The team used every tool in their tool kit (above: photogrammetry to grab
accurate color) to replicate the historic artifact. (Smithsonian 3D Program)
In most cases, the lab would use just one type of scan to recreate an
object, Rossi says. For Armstrong’s suit, however, they opted to use
four di erent techniques: laser arm scanning to capture sharp surface
detail; photogrammetry to grab accurate color; structured light
scanning to record geometry and some more color; and a CT scan using
a medical-grade machine from the National Museum of Natural
History to document the suit’s interior.
Each type of scan has its strengths and weaknesses, Rossi says—for
example, laser scans struggle to capture shiny metal surfaces that send
light beams bouncing back—so to create a “world-class 3-D model,”
the team wanted to combine all the data they could gather.
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6/5/2019 In Celebration of 50 Years Since the Moon Landing, Neil Armstrong's Spacesuit Set to Return to Public View | At the Smithsonian | Smithsonian
That display will also leverage additional X-rays taken of the suit to let
visitors peek inside its layers. In this way, the museum is showcasing
the suit not just as a historical icon, but as a carefully designed piece of
machinery—a “human-shaped spacecraft,” as Lewis describes it.
Using the scan data, the museum worked with two companies in
California to rst create a 3D-printed replica of the suit and then turn
that copy into a hollow mold, project head Samia Khan says. Through a
process called rotocasting, which essentially involves splashing liquid-
hot material around the inside of the mold, they created sturdy resin
statues to withstand the outdoors. With some hand-painted nishing
touches, the replicas mirror the original suit down to the look of the
fabric, Khan says.
Though there may not be an obvious link between space and baseball,
Partridge says the national pastime recreates some of the same
unifying and distinctly American feeling as the Apollo 11 mission once
inspired.
“It was a hot July night and everyone was gathered around TVs, and if
you had your windows open, you could hear everybody was watching
the same thing all at once. You could feel that this was something that
the whole country and the whole world was experiencing
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6/5/2019 In Celebration of 50 Years Since the Moon Landing, Neil Armstrong's Spacesuit Set to Return to Public View | At the Smithsonian | Smithsonian
Partridge says. “We thought this was a good way to capture that kind of
the energy and meaning and community of July 20, 1969.”
Finally, the suit will blast o into cyberspace as Rossi and Lewis are
collaborating to bring a digital model and virtual tour to screens all
over the world. Like they’ve done with many of their other 3-D
projects, the digitization lab will upload a virtual copy of the spacesuit
to their website for users to explore freely. Lewis is also adding
annotations so viewers can click on parts of the virtual suit to learn
more about how all the pieces t together into one functioning
machine.
“The 3-D model really o ers you a deeper experience so that you're not
just kind of frozen in one single view that a photographer has chosen
for you, but you have the complete freedom to explore any view,” Rossi
says. “You're able to look at all these new areas that you can't as a
human being in the museum.”
The challenge here for the 3-D team has been that they simply have too
much data. The resolution they’ve captured through their high-level
scans—measured in polygons, the three-dimensional equivalent of
pixels—would overwhelm a normal wireless connection, Rossi says.
Also, since some of the scans were taken at di erent times, with the
suit in di erent positions, the team had to re-align the scans to make
sure everything lined up in the nal combined model.
Once they’ve worked out the hitches, though, the team will fully open
up access to one of the nation’s most prized artifacts. Anyone with an
internet-connected device will be able to explore the suit’s nooks and
crannies through the virtual model. The team will
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6/5/2019 In Celebration of 50 Years Since the Moon Landing, Neil Armstrong's Spacesuit Set to Return to Public View | At the Smithsonian | Smithsonian
While NASA now sets its sights on bringing humans back to the moon
and beyond, space enthusiasts all over the world will get to look back
and relive the excitement of that rst giant leap for mankind.
“This spacesuit is the one really human artifact from the Apollo
program that people can identify with,” Lewis says. “That image of
Neil Armstrong stepping on the moon is something that has endured
for generations; even people who don't have a personal memory
recognize it as signi cant. This is a human being walking on another
world.”
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