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    Utopia Limited
    Utopia Limited
    Utopia Limited
    Ebook83 pages51 minutes

    Utopia Limited

    By Arthur Sullivan, W. S. Gilbert and Mint Editions

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    About this ebook

    The king of Utopia tries to turn his small nation into a more civilized society by implementing six pillars of change led by six Englishmen. Unfortunately, his new and improved rules cause more harm than good. King Paramount plans to make noticeable changes to his South Pacific nation. When his eldest daughter, Princess Zara, returns from studying abroad, she brings six Englishmen of distinction. Called the Flowers of Progress, they help aid the king in his efforts to transform the government. The Utopian citizens adapt to their new way of life eliminating crime, sickness and poverty. Without these societal ills, the people suddenly encounter different problems that require a better solution. Utopia, Limited is a satire of British colonization and its impact on smaller countries. It debuted in 1893 and produced more than 240 performances. Gilbert and Sullivan deliver a grand story with a vibrant locale and captivating characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Utopia, Limited is both modern and readable.

    LanguageEnglish
    PublisherMint Editions
    Release dateJun 8, 2021
    ISBN9781513286419
    Utopia Limited
    Author

    Arthur Sullivan

    W. S. Gilbert (1836–1911) and Arthur Sullivan (1842–1900) were theatrical collaborators during the nineteenth century. Prior to their partnership, Gilbert wrote and illustrated stories as a child, eventually developing his signature “topsy-turvy" style. Sullivan was raised in a musical family where he learned to play multiple instruments at an early age. Together, their talents would help produce a successful series of comic operas. Some notable titles include The Pirates of Penzance, The Sorcerer, H.M.S. Pinafore, and The Mikado.

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      Book preview

      Utopia Limited - Arthur Sullivan

      Act I

      OPENING CHORUS.

      In lazy languor—motionless,

      We lie and dream of nothingness;

      For visions come

      From Poppydom

      Direct at our command:

      Or, delicate alternative,

      In open idleness we live,

      With lyre and lute

      And silver flute,

      The life of Lazyland.

      SOLO—Phylla.

      The song of birds

      In ivied towers;

      The rippling play

      Of waterway;

      The lowing herds;

      The breath of flowers;

      The languid loves

      Of turtle doves—

      These simply joys are all at hand

      Upon thy shores, O Lazyland!

      (Enter Calynx)

      CALYNX: Good news! Great news! His Majesty’s eldest daughter, Princess Zara, who left our shores five years since to go to England—the greatest, the most powerful, the wisest country in the world—has taken a high degree at Girton, and is on her way home again, having achieved a complete mastery over all the elements that have tended to raise that glorious country to her present pre-eminent position among civilized nations!

      SALATA: Then in a few months Utopia may hope to be completely Anglicized?

      CALYNX: Absolutely and without a doubt.

      MELENE: (lazily) We are very well as we are. Life without a care—every want supplied by a kind and fatherly monarch, who, despot though he be, has no other thought than to make his people happy—what have we to gain by the great change that is in store for us?

      SALATA: What have we to gain? English institutions, English tastes, and oh, English fashions!

      CALYNX: England has made herself what she is because, in that favored land, every one has to think for himself. Here we have no need to think, because our monarch anticipates all our wants, and our political opinions are formed for us by the journals to which we subscribe. Oh, think how much more brilliant this dialogue would have been, if we had been accustomed to exercise our reflective powers! They say that in England the conversation of the very meanest is a coruscation of impromptu epigram!

      (Enter Tarara in a great rage)

      TARARA: Lalabalele talala! Callabale lalabalica falahle!

      CALYNX: (horrified) Stop—stop, I beg! (All the ladies close their ears)

      TARARA: Callamalala galalate! Caritalla lalabalee kallalale poo!

      LADIES: Oh, stop him! stop him!

      CALYNX: My lord, I’m surprised at you. Are you not aware that His Majesty, in his despotic acquiescence with the emphatic wish of his people, has ordered that the Utopian language shall be banished from his court, and that all communications shall henceforward be made in the English tongue?

      TARARA: Yes, I’m perfectly aware of it, although—(suddenly presenting an explosive cracker). Stop—allow me.

      CALYNX: (pulls it). Now, what’s that for?

      TARARA: Why, I’ve recently been appointed Public Exploder to His Majesty, and as I’m constitutionally nervous, I must accustom myself by degrees to the startling nature of my duties. Thank you. I was about to say that although, as Public Exploder, I am next in succession to the throne, I neverthless do my best to fall in with the royal decree. But when I am overmastered by an indignant sense of overwhelming wrong, as I am now, I slip into my native tongue without knowing it. I am told that in the language of that great and pure nation, strong expressions do not exist, consequently when I want to let off steam I have no alternative but to say, Lalabalele molola lililah kallalale poo!

      CALYNX: But what is your grievance?

      TARARA: This—by our Constitution we are governed by a Despot who, although in theory absolute—is, in practice, nothing of the kind—being watched day and night by two Wise Men whose duty it is, on his very first lapse from political or social propriety, to denounce him to me, the Public Exploder, and it then becomes my duty to blow up His Majesty with dynamite—allow me. (Presenting a cracker which Calynx pulls) Thank you—and, as some compensation to my wounded feelings, I reign in his stead.

      CALYNX: Yes. After many unhappy experiments in the direction of an ideal Republic, it was found that what may be described as a Despotism tempered by Dynamite provides, on the whole, the most satisfactory description of ruler—an autocrat who dares not abuse his autocratic power.

      TARARA: That’s the theory—but in practice, how does it act? Now, do you ever happen to see the Palace Peeper? (producing a Society paper).

      CALYNX: Never even heard

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