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The Landscape Painter's

, I

The Landscape Painter's Essential Handbook

J"OE FRANCIS, DOll\lI)EN

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A DAVID 6: ,Q-l,'\RLESHOUk.

C(llJ"o'l"i~! 0 Dil.\iiitl & Chlirl~ L.l~nilll!'d )JP7

D,n fd, &. Chawrloes is an F-V'i lublic:.1liorn In;,:_ C<lmpallr 4700 E.'~il C!'!lihraUh Road

Gncmna Ii .. 011 45236

Rr51 pilbhsh~ in th~ UK In :2:007

,~ nd milStr:at[DI~ mp,,1igh:t" Joe FF.lnci;; Om".Je'fl 2007

JIl1e! Fr.lt'los, OQ\",dl!11 hil"i i1'ssc.rtea hIS fight to be jde:n~iti~ .as author of rh{s ~lfprh. in an:md~I1Ii,,'C with the Copyn~t. j)~itn5 ;)J]1d R1tL"nls Ad.] '"

All righl$ ~S(!r. • No part IJrt hfi; ]mbbcau n~' be reproduced, 'Sto.rl..'(i, I'll .:I rel:ri.I.'\,'tII~'!;lem.llr rnnmlh.b~dI. in illW fonn Dr b!i anv means, eiectrrlf'l[J;: or mechanical, ~r rh(lt:oro~~n.,A. recording or Ol.hr:l"W'ise,\~'1lnout prill;!' ~rmi!ii5mn in wrltfllg from the .pl.lbli,;n~.

ThE' pulihishcr laO!l~ ImdeaV~lured ttl O'>;tU;n:t aU COll'1li1'i~tOIr::;. If piCUl:res for permission 10 ~ lu~e

A catalogu· record tor tAus b,Xl . ts ,wail.iJ'blc fn.m th~ Ihiti;;.b UbJ;al)~

1.s.8~~-13: 'il -1J·il33-2SC1!l-1 Mrdbadc IS"BN -1(1; 0-1153-300·0 h<\rdback

JS~N -13: 978-1I n ~3-.30' - . ~perb.lel:

IS 1'1:;,\ - m~ 0-7l53-.::!.;'1l1-lJ rlilperibllL:k

,Pnnl'i1'd U1 '~l'IgafM-~ b<". KHl P'rint:lI1J;lO 'Co Pte ltd i{u 1la1i1U ~ a~tles

flnll'lel HC1IiL"C "m.,1(1n Ablxll .I),,'WII1

Crnnm;~i<l11mg .Ed.itO! fRY'!'- 'ilf.1seT.lH~'l'd AsS1s~1Iint fAitnr Emil~' RaI.1"

Arl Edil(Jr ",[Irilh I Ild!:>rhill

PfoJUC'llllll 'Co[llror~r t::..:H"I SmIth 'Phnlr1grnrh~ Gine!t!.' Chapman

Da.Vla J.r: ChOlrb.~ books ar(' ;I\~ililbre m.1H olLi go,ld

boo no.; rutl:'H'latili't"I\' !.nLl 0.<'1111 COT'Ito1r[ our l .rder[m~ \' n fmiU ~ -:1.,"'1 ~)r ",,-rtl:l" [0 ~ .. t FREEPOSl' l~'Cl: 1100, D& C Duert, ~cwtnn .-\bh."II~ rOJ::! .J.ZZ tno !!J.;.ll'lll" reqUlired L:'K (mj,,'J: US \,'u~!'mf!~ (jill Sf10-_AA-tWf,~ ol11l(.1 Canl1liJ.an rusi{)irn~ c,]1! 8(10-sro ·:'<no.

111 Wi711fficm. 'vfdlerials Cmnpn5i.1icm .f'llf:.pccthf''' ~,"~gl~~

Cn"nUf

4 6 9

11 14 16

-A,isfy 1Il/JlmUlill scene T ret'-fOvt'red m,rmurn rrJS Rocky (J'~acrop5

;\1ed i tetttmonn .maWttoi~l:::

iddoj rom

., 1[,{lfimil 'f!. "ulilff jiozrers Slu:ep' i~i pastlUr-

I VimJmiU ,m tl1t~ mmr~h ~ O~ll'1J rolling COIflltryside \l(1lfilrlami

Golden l~mdsmpe t\,k'dii.t'rra uean saue

24

_.0 _8

30 32 34-

Lf'l!ke9~ R'ivf?l's '(111(1 Seas .. ,."., .. ,., .. , ... , ..•. , ....•

uti i,dth 51:otms 70

Stn''ail'II in fun flfJW 2

Deep rioer ruater . 4-

.Row;, 19 lIDaf Oil lake 76

Bm e em a cans! 78

Refll'>[l'iat~5 8.0

ShoJio:w ~ra ttl" Out"f racks 82

Fall S4

Boat sailing on U,r 5£,/1 ,86

1td!ts in a llrtmC,~a 8B

5:llluiy (:ove .90

Shfuglt" beadl 91

Gil! scene 9.

Sur; '. brr-aking ooer nxk« 96

ligl.~ thau$c 98

Ev, 'ling beach 10n

Suus et weI' low licit' 10'2

lHormiigflt m~ Ivaier 1 fJ4

.ROla,ds, .Brl,(/<ges lJ.ndB';,~ildJ"t~'Ks •.•...• , ...

Lt:m!~ ·wi.fll pudrUrs 1 If) ~,

BJrfldings in the lmuLo.;capt' 108

U.tile' bridge 110

Mpdit'Vl1.1 dry o:ml1mriwur J 12

Golden Gaft B,.idSJl! 114

Vem.",linn brid~7f? 1 16

Stasue o_fUberry 1 J8

18

Ji-ee'S ,and Uude'rgr-ou tl'., ,., ....••..•.

Tn¥'5 it}! a ricer 36

.BIu,efJdJ wood 38

iVi11ier /f{'C5 40

Spri'lg bl.. II'JS; 42

U lilrrl;,fll)wti! 44·

HaJattti ira"'S 45

- .~ ...

J('I:,f.S. iii iii ... lini Ii ii[iil~ !il~ "'i!!'!!!' ~I!!I! IPII!!! ill. II iIIl~!Il itll'iIi I;,.ii iii"" .,."" jlli iii iil!l'!Ill!!!

Ft.ir w'ca,th.er DmumHc sky

Storm nnd J,ighrning Rafubrrw

i:;IHu.r'i

J\IJ' Ofm fRi ins. emd Cliffs ,' .. ', , .. ' ' ..

Mmmfaill hI. s'rmw 3H

MmmMiu lake ,tiD

ell,si, 19' th(n~J!'ts lnde»

110 121

Thffi is 1: ouk for people- whu ~.:[ hiil:llen't go: the patience",

Never f1(jrgel., yo LI CiiH'1 OIth.,,'olYS paint better lli;1.11 rou e'-qleCL and th is book ai11.':t:!; tu help you 10 do so, illls is DW best shot at putting my OM/TI lifetime', knowledge dm .. ~n in an understandable \,vay.llnd] hop~U wjO serveyuu for Ollifdime.Hereyou will find 0'1 \'35t ,<lITi3V o;f dJ fferent types of landseapes, and 1,!,"a~"S of putting them dourn ~ln , ... are'i"(oIQllIr;

S me of til ~ 'techruquC'5 <:tIT' \'~I] imple - pilinlin~p~rklingwil tel'; tor exam' le, or beach 51"! unglr;, .kr. '·1'0'~'1. and mere, They ""ill gl'liie' )'DU itl~! r~edorm tllpajl1l' ,"IAla t you want, h'L'i~\i ~TIU wanL Here are ULe tODIs,.Ih~ means forpainUng as you choose. Thi. is the 'book l' w;]nte.1 when I ,.",'as £rI:ruggling in paillting. Use it to huild your selfoo~!Ll1del1re, to srr'f'llgthcn 'l!'l'd rClil<liklc yo~r work.. or to get going- kn' the first lim'!!.

It i a W nderful iru,th ~oout the human brain that tIIO ilkit1l. r it ¥ou~h orCige it

gOL'S On !eami:ng. Y01.I may ha~ WOiIl ted 11.0 painl aI yom Hie. but not had the time or 0pp0tl:1..!iiiW t,!:) start. )bu mOly be a stucllml at (()lIege Oir iJiniversiltr and "'I.'<iI.nt to progress qul'ICk:ly.\b1.:' ['ould be. r.ntlll1g (Jut. or ha'll~ a moderate le'O-ellJf epl!riem:-e.Yuu lHa~ be an ,acC1l1m~)li!iil1ifI!dp.-rLfII~f!r. even ,OJ prof'C."SSio.l1ii!.lonmt er illu~tr.IMr. and may simply need to approachn-;aterm1olll'" fmrn a n \\, angle. Thep~ 15 methiTlg in herenr you.

TIll! in form altrm ln tbis book is easy ttl folkl!'!."-, It bui !ds on whill has gun befote, bat' it iii IlO~ 1ID00l1ld by lQdition. UI.!."1l1 hodp \"[IU to ib.n!1P somethil1g Id!i:~c~t IO~M"\' We J.\lQrld, your pt..~ group and your friends, Aron~ i] II. til j,;; iii i{)f YOIli. for mUlr O\\'lIl il rt, St.l), ~i"lh~ - H.ap.py' pa.il:U:iJt'l,gl

lli.(''']ll.''lIIt milt ·rial .. help, t""L1[ Y . u can still acl it!\ e !:l d results l,\IHhOI.liI the L1t_~ Oblain what yuu <LfiC' able to, and add ;IS yQU g(l, GEt to-p-qll.lalih; ~'lilper .. no wl;i!c brushes ir~,\li;1 c;rn._I~ }'ll.l ('armoi, substil:Lil others, The same applies t.o the ruluUTh U~~ tor these fliOje-ru; if \'UlJ do not have t hI.: Ii! all. H vou J re -sllOl of what \' iu need.

r Jl .II ."

remember tlbal milnr fine i:trti~ts have hu:ke-J th~ besl m<lit~nills.. Whaiel.ref ~'}w. U'LJJ-k.

.... ith. hal;' ap( _ iii'!.!!!! a'tt1tudc - 'I.'01.11:r great~t ass t.

Raper

You oeOO paper dest~d For' wiltet'mlour patnting.. \iVal.Ero:llcur naper IS c ~arrer to buJ by ehe sheet, bu~. illS userul to. na-.re

a couple of pads 0,[ lJie ready fOr 01'1-51 e

waterwlou r skftc:.hmg Pads are al~Q easier o cilITI and rrn' sl.Oi".ng_ tinl~t'd p2iln:m!!i Or1 e f110'o'e. Yoo may p,re[er 10 t?Jre it wJ.,fple 01 boards W'ltn ~~I"' strercr-ed ~ soaking and stapling dO""'n er pantill"g outdoors. or:d I neart f alVilap !fOri thJ5 ... ·a. n ll':e S'lUdlo roo,

Ch» ):;iuO) wr~tet'fOJ lur pt~p'('r Wil~ercoloor P':J.lX:1" co~ m hree ~W1aKC l.'pe;i - hO'l:~pf!!"5~OO or: s.'nool'r CClr.d

~e~d r No .. ', Of" I'IlQdefi! 'ely ~h, a

{O Jgh - with rnan:rra1jJJ1!S 01 te:M:l!Jn? A

fine ruriill::e l~ ure I!oes not g,,ov, In the fJnlm=d p~lml" ..... hlh= il (OO~ ~h wnaoe f5 c.learI> discern ~, but g,tVe!i te;.n:u!;2 eifai'1lessl ,'M05t prn~>:s If'I rnl5 boo1o;: are or. Not SUI dce p<lPeT:

lise good-;,l,Ijll pil!p'E'r'S .f yay COin:

they are e',,*,.er (] work or' iii"Jd ran gJ:e )'Our 'DC ntlr'l ~ 11 ~ COtlOO d'ibre p,lpEf"£

- ~'n as 'r:a.-g' p~. lJSl.Ja.fly perfom, .... -ell,

;;;nlIl a:t"e o~ h(!Jrd ill ,.;-coo bu ere are

some goOO-C~It" oopers oaliOO on cellulose ~ e ::t"a~ from 'ODd 1'",,1p If you arE rn.a5~li'£i w;,t one Dfm!' hanNI.I-ce ~Th~ WLUl1Qt rip ..... ,....ereas 'EO; ~ np whert~

TttC' vveI~h1; of ;he paDef" IS a ~UrE of 11:5 thl(~ <!11{]ence te~l.S:tancEl 0 buc Ing.1 use il m;ftIIDI,lm .... elght oj JOOaml ( 14000o), and prefer 41Sg.sm QOOlb).

Sfreidri"fg papr?f

W;nBLoio.ur pa.per 15. best 'St:relcnoo be-ore use by soabng and sticking dow," '[0 ptr.;'tEfl" 1'1. ooc,idlng 0 .... cockJ'l1;i. For' ~,1"S, I ~ed ~m.-;)ed tatJe to "SlId. ~ p,met'" 0 board, ~ 11~ Cla~'S 1 rufll~ paper beeaese OO",$'" ~Qrl1ES unst~ Some <lr'tlS't& do no· stretrn Piper" that IS 42Sg..-m (200~) or roore, I pre -er to ~~ch <ill papers - e" ~n B5.~rn (~OOl:bl.

Brushes

No ather brl..Y. can matth . quahl113

o£ 11 s:ab!e far paut 1ft&- Pur'!! red. ;;alDie ilTIO :1..0'1 nsky Sii!lble ·rt)I.I:"IO brushes - if milde ..... nt. ~op-qLli!l .~ ibn:' and pu- t06ett~f by an el'.mlem bruv. l'l'103~r - ar;:: COflu-oll.itbf~.

r rrn, POIO~ .... 'CII. ~ otd Pigment and release

It 'i::'oen.iy. and c an n an I 1stam W en

(hom n~ mJour.A ioIDl~I'1sk-1 brush has ill' 'r,I'!{Ider m,ddl~ or 'bEl~y' .md returns to a comt : .... f h it: snap when u;:kedL 11: ts. me ~tter perform eJ; trlOtJ,g more !l~'oe: the longer the fibre. the mcr-e expE!rl5tVe ~ ~ Be sure not t'O pYsi'I [he fi bf':es Dr

get ma:~n§ OUld on ;our ~ble tnHnl3. I mwmme d ar tC',wt . wo ~ble Oru91IES

- a !;~ 2 Of J, iJ>'"lCl SQ!(! 6 ;:0 8. The numlber refer~ to the ferrula d ameter.

T'1) other Dru5tics. Il"Iaude !OqlIirT'i'!1 mops. .... tWJ''i a.re cneaoer al I?matl\t{'!'i to ~1:i!E_ for a Io~ J.;[}p(Oadt. For l'MIOu~ le<:h:n~U.~ I use se1.'fnl br"Umes mcllkfln.g a OIl"Oe:-ITI;ltje ·.·/iJod(ock·-ea~r ng_ger.w ,ich ngkes e Ior.gest unoro~enrn!!' ful.es pc<i:>lble_ I find

a brb"1:lel)n~t' brush lJ<Seful for rr F\1; OOt !irn<lll ~ t i!!:!io use rnaJl}' other d !fer.en 5m~ 0 . brUID - a ;'in. i3 goa - hour ~sn orum, and i! rtdkl'!.;as v; E, I as (c!.oLU· Wp~ ~n:d a -tooJ'lbrush ror sportterlllg.

Paints

Some arnsts U~! ~m,[ed pol!!ime. Dut I enpf colour [11'1(1 I ICNe trylrl,g n£:W o.~ '0 rn'lltke to balan.r:e ;,(roo& bn&i'l· coloor '!j','I'Ul pV\verfu (ON!. r.tn,5llig lffim Ilgh orbright '.0 ntense llitrlc.

0tJ [~ proeuce m.:tny 0 me cdour'S ooen:ervca b't ~M ~te · ... nth J ust it handfu 0 pa m5.A 1J5EfuI starter pOI me

m gnt U!nSf;,"t or bumt SlenNi. tlUmt umber: cadmium lemon. Jery..h ultramanne, Cobal1:. blue Met qurnilrndane rmlgc'l1:ta

These sn-:: rolOW's \ I a11(M you '0 pant wnh ill ill I colour palette 'fOLl [M1 mrn fT:eodli ultr:i3marme and ,ildmIUfT1 lemonto make a good wee Frnn(n U r;amaJme am!i

btl m umber II ~p .. e a dilr grey or ]:jack. pillS ~ if1d bn:r""mi_ i!!'l'\11~ qlIlnacndone ma~nta

arid cadrmurn emoo m ,J(e a :iCdrtel red.

The ilddrtlDO of oilher

[0 0'iiP-i em e:dend lOur r;:mge and S<i\<f! I'TllXing rne,

~~t. r I pmtt Of !W-~! Lua.r. fjr;zrf ~ ~Ym. on;', ~;:::" IY Ei _ f!!b..!I'!: ~o!l mf NIlh: ~ 5n.l!l11 p.j '~'r!' " 1$ leu ~1'?I2Ie! rr. ,'IlLl $s(OO'Ef It"-f! t'i'C1)<'!'OOS ~ - .Jlt\'"t>rdl

Other tools and materials

I OIm aIN,n"5 tl")'lng to dGCD rer '--'E'>'.c tedl'!'IIq es, and me tools'Ii,f'ie'O or df~r>iln e !eci5 (,M! be abso'ute~ anyth I'] - a c:cn1ea-up plec:~ of p;!~r for m:.as~-'ng. iii laden 5~ j-e.;rd for ~;pattEling.;!j 1.OOil"fbn.Jtt1 for i!:p J'1'ng s:p.ro:er or ma5l;.n;g. - l is just oil matter of fi"dmg , .. ¥h4~ .... iJlru roc the fli'.mimg. Yo.u can me a vast arra of ol1!J.rlqq Items. socn as Jalchen roll dl"lnlong Wil'~ and COins as stenril1.efT11Jlaies.. Use Cl. hillJ"dr)'Ci [' yoUI ~, to or . G::"eas -of ;OU1" p<lliltinE q U1ckl ,

More spaciaJiSt art equ:tpm_ii'l Il'Idud~ v.-a ter spr,! {E'rS. masking f[l,jl(j. g,..rm arabic 300 Oli:. ~ll p., nllf'll}1" rs LJ.5e.ful 50 )OU [i!fl ~ ~oor 'NOJ"'k Lf1 rei'lECUon bec.1L115e It gr".~ that .taI secDm] ~ECb~-e .. iewpolnt - yow C3Il see IrlW. ~ any creep..il;!l. -lii'ffi IFl the V'.JGIit..

I'1y Dalft I'@ are genel;!lt~ e>!hi'b;Hld in an;ifioal I.gtrt_ so I

don't mll'ldi DJjlmi~ n ftYO'.J C<ln use a daylIght bulb .r'l'Ou ~k .bin ~ernbef' thQt your OOln~s 'Will root.: dMe;r'Cnt I.,lrl'Q.er c.harlging Irghti.""rg oond !.i~

- often iess c;oIooriul

lIn/erial'S (or te.:rh~rcs

'. Keep old bru5hes or df)' brush ejf~

• U~ <11"1 old lootl1bruili to s;:lirtter pam1 or mil-Skmg flu done pspe-

,. Sf'l"1rIkle coarse salt on a &Ilp, v.rash liti; 0"0iI e . 5.l!iL 5ta.t5'.

•. 5qurrt roUE!" ro a sp~,," befbre or

!l applying PID

• D~.b Di!lrIt OIl or off wllh ;I sponge

• Rub GI.-de wax: 0I.e- ttJ~ paper

• 5;crau:h out wit!- <iI nrfe

• t\dd gul'f! ar-ablc to slow tlu: spread 0- pam1 - ldeal for 51J~-w5. ~liddr~

At.cn.-!" ~!l s~ IIf em, fum [r1'!! ~ In:TI ¥OJ rnt1.d !BE ., 110'- J')tUJ1' ''t,i

- m.JLdtrng: EOp-!.:. tI !a.'" '1.1'_1 am !:loll 1If{rl. 1.11'(1 d~ ;dIM pmJEf ll>'1G tl 9!1.~ (Jla{ .... .aNj \\1!tI1JII, f.l

~~

Ill!! -t:.lre 5!lITie' I..'>=f rr;o.'s t:md fflli'a:rlG1>.

tOOUCI g ~ :>l)rOJ..et' bome.. h.£.h run

Composition

" w j:;; II Ihal Oli'l • !mag lociks ~rellt, h'hil~ another dlJc~ nOl?Th~ i!> l>lrlcly do\\'l'1 to '"Pfli\position .• md there arecertain g!.lidelit'1,1't:; tha:1 can hldl) yuu wmpooe an'" subjed Into SQl'YW' hing vL.::;uaUy truthrul <HId leaslng, Pl.aruting 15 the ~~ . ask ~'(llIn;,elf qu~trllru-: \\'here is the' f~~al PQLn l? ,\ 'ht'n" wU! t. put. the hcri:wn1" \'",,'hat is ll\Q;!' 'b~1

.. pedu~ shape? Answenng I hcse qllcstion51\"ill h~tp Y·OIl produce a good l:umposUion v.ith BilSJe.

The point oj interest

ge1> the oc.3l palm iWta) from!J1e ,Iodle o me ccrnposuon - rt ta mthe centre ,e:

Image \'.1111 ~r .. err S"t2I L l.Jk5IIIl~e. make S.l.Jn'! ltrai me hon:tnn noes nut dl'o'Kle the patilllng lmCi ~l1ilJ ha.~ These ~wdcllln6 Ctlii be broken. of [OU~. but Gfl~1 v; tffi ~OLl mw.' 1';011.' to me tnern

Using gufd ~li nee

One way to pl",cetlle main parn J!; 0 dMde r.he l'1oruo tal and 'IofftlGil Edges 0: he ~ge 1"100 et"nrrn.. Plm:e ;:l lm!e' ~cro:s5 or tne homon al ree eighUli. 01" fM:· EJgnths depend n.g

on .. , heth~r you wartt tI:. ru]t~ or ~I)I.: Pl;i!.OO :a il.'!rtlc.allliie . 'Or d~,I'lcl:ng masses attnree ertwe e.ghths.Dra-N wilhll"' tilES!:!' IH1~

Hig/;r ,/mri::of1

RnISsrlg Iht'! honzcn m 1fl1i! I~e remOVES scrns 0 ~ sky, eIT'..o~g the hEfg)1 o· _he

la::' forc:Jng the. eve 0111;0 tile land be10'N.

Tl IS h.a~ ltie effett 0 lengthemng the am:on:. giving sense of breadtn <3nd sade .. tven ·Nhen the milge 15 aOOtJl ~ mformatlon can be contained In me 5hor1.~i!(:e ~ove the nonzon 1 F1Q.

tm[l hori:O'l

With i1 100w~rod hanron U1-e roregro[Jf"ld oOrnD~ rarne al"id pt#Ie5 lhe .. eo .... er s g_dl:e U1 0 e dlS'tatlcc nd '!: . Y. produtJlig. sen<je

o spare.

t; n~ r.JI'Zf)I'I (uOO.~ .r.aa:;s:es [; '€: ~~ o· d;srar.,;:e ~ ": ... 6 a rke:~ r~.'Uc.nd. (Sci! fJ'Il",;jf'S 30-J j (;:w Uli5 P"Utj1l1'1~ .J'I dfffJIl J

Ir. ~ tr,iEl'tGrI

irel1e sf" ·~IIMl . -

and 0I'i OOff ~~,

tt;;: f,orlZl:lll ',1:"";; <i

ser ct)jnJ nr.r:u:E'~ {11.N,0i'1iof~ dr.:·ant~ IJtJ &.!: rmr.":r-;'

A ~I! hotrnll Q.!

U'I;!; 1a'.'oI-Ild! ~":1@ ~.a.4~~.l91 pUG ;:om!)i~!,:!; In.to {I taJ S'.k'lll'l'lf>' sk> D'..:' hColI Z<l t)!Qc"T.il:m :i ~'W.ie " 1to.ErJl •

'~tII 'c.;rr,:o f'rn'o;Jf1".po;!~, ''11:

Formats

o,~ a sh.lP'E to ~ .. nt )"OW •• ;.uOJed - porrran, lam:l'5Caoe... paecrama Of squllfe .. The '5h~pe can ht..'lp yow ~ol"<f! cQm~iOOnil1 proble'l"ffic su th ,,!l how to Cl"e.ltc TITIpiln or hen .. to d."'"C~ fru:::IJLlOlnli: certa!O araas of·tm: SlI:~ \Nhel'1l ~ubj(;-u mditter.il; siIDFt a partr.>..rt fO,rmat ~·.'Oi"ks welt fel" a larn:l~[le,;j FlUtn~ aspect r?I.\io (If'f(ll,Jr up;, by 5l!o: ilJo;r.g.. ~u~ a .orf P~I» 'o'o"lder: gll,'13 ~uff.Cle1U oream:r, and space. For dmn4. or m ~~e <l tn:H]bl~~ foregrrnmct try a p;lIloram~ fOfmtli.d;mO TO po1!: emp~ on the fIT;ll("l:'~l*~'Ct toLl C()ykj try ;l. sqLEire.. No p,;:ne:Fiti';!l ~J.pe i~ off ~mlfi.. Be~G¥.f' 4R.sorm:

E::IG'!mpi'es oi 1hZ! Efi'Ed:s; of differEnt crG~ cni (]rre 'fo=r;~

P'mtrail 'l"'PJ5ftr'J'!!.l[,~;;. ~ ...

Ull r.ll-E.sr;me "{lJ"maI.O'l ~ n tilt: ~ ~~ t'i;Jrm z J;.'..1 il: Efl1'I1I1C8:!B ~!-~!j-" Lr-:!' rr~illj'" rJ}fJle' tOO;;! (tiE: b;n>-ocYh ~c Ih>:' Imi:i:;wpE.

~ifm-luna

The en[)t~ ,,~'~lJT"j trot Im..lRe ~ tB~· G.1'r;:1 'lttl tD'('W~.-cr ~ p~ .. t;:.~ et11J'llltT>iz.n;, '1'If: ~ ". t~'!... Icr:r ~ T"", ~~l'!Y.r1 ~~ ~J 1~ remo..l!!! ~1Jl;~ r[l~:.JI"" d~'

Ti-e OL1<;":I~i: coo.e .;::~. ~ fl rmwgn1p'l/~!""" a:. ~~,,~ (,,,,is'

eq., ·~w ri'!JI ~ IDr:: ~g;1'1C!I ~~ 'o\1U; ~ m~ o?/f!et ~~'~ W ~ 1" •• 11'1 rFie '!:'r ~~ ...:dlI'l~ ;:g (l i'"II:1r'r,ml"l ~ a ~1.I!:! 'o\-Cl am.~ a:I:h! mJ'1V io' ;-Illd. {:"I)' ~oar:::I rJ'Ir !i1ill' ~ £!ln~' ~ f:ry,'r~ ~r"!d i~ pkla..'fl'I!!i1 or iP1t: mtlll'l (ry....a! !lTE:'oll£ TIle ~-,,~ (r~ rt!!1~ ~-;"M J ~ e1j (t' ~h'l" C'Qjl$ ilC' m,'gidE:!' i:!Iro:J lIflfi;:! :mdi~ ~ formm

SqIU1R"

By cr~ In ell the: ~~ wppre '1i~ snp.hc-"s is r~ r~ VJ Ihe , ...... J;.'ECi 'l"J'tMter TI'""t€!:!TN .~ iar.s ~;,.I..Jg:"] J"OOI"rI :W t~f! k:.~

C'Jt ~~, me' ~ m~c...

'Iona! composition

raj - IS the comboanon 0 Ifght. snade and (ol'Ol.lr lh<ii PfOlllCe"5 l1re! lltntne5~ o~ d 11< ... "165 o~ d PlEr'!'Ient 011 'the pa~r Pd:lT1bn;g_ aJ1E e'ineG by lIE '':; ddr~ COITtra$ In1l' pane 501 tor~. which CilI1 run the' "1.11 nirI'E.e from Il1ter).ie darlr.tCi tne .... hrte of tt~ paper

A tonal D'i:!f"icil ike.tch Col help ~ClU SOf- out hEIit's QJ"Id dgks, t:e;.p ou 1"1"'I.<!ke ~re

ihat. ihe s:ep...."""1ine' parts of U"Je pru Ing ron il,')t earn omer In en appe.ll n ~ Wiili:r'.1t I~ oftl!"!n help ul to PCI"lJ<liuc;e ollOild! plan ..... ;.th ,:! rna lmum a-three or l!jur dJ'fferef1 tone; to &oEd.

:. t .a P".In '111:1: v,1 I function 'iISJ~> befure pnx.eedlng to a ~rr]'[m~

U:::ii~,lg mr!Uud, rmll,j_~

Nor .... < one (oklU!uol) to ~.e tne tQI1~ en Its 0''''''' -.a good E.€rt:lse ~ iI "'cnotilmmE' pill Ing n abcut "our dlfi'ercfl _rre,nglhE oj.one plus wt,ne..1f 11 (]'~ not "''lJri. In bl<I(k ano ..... "rre .n WI~ nol W1!lIi:. In colou r .oJ ClJfl"'o'f'f"JeIy.' It 005 v. .;-k I black. .. no, WIl'.e.1i: wil iI~O ".1Yi< In c:cJour.

B,I Iiaov. t UI 1_. lro t £: ~ ~ ttb&. .. q 51'11""'" DIl

~ HJ5. w! t,~ 1_1:-' 'il:<! .,;:;Irl ,,\ rnt!,,~ ~~.te' ronol/l71ge mm ... ·n. rll «Jr". _r.;j m.:rt;c ~ I,'/.rll rt;_ tDr.GJ ~ 5E:'GI1', 1lUffJl:;E !l' d. 'fB.~' c~r O'f) 'I~ ';'"£l!.:.' M.'t! 5o!.jlX~ ~ ~ocr:S :..' II..! !:I!ll ,:I lind 13" cr .. lLial

5 . i firrJ walt:: U"I!I !l..~..n;,,: rJ:e

:w:rn~ ~ M!"i! III .~ m ~,y-;e. SIioIo.n ~ft. 1M Ult f~g."'lI!·

Nt;(B' [j .I'i1Mumd1 4:) d."U ~ ·J:'].((in.l U--~ GOO 'lJr.~l.m ~

t1 (.Jar D"E 0.'1 fJ .)11 moo ,I rdl .r~". me Jmij.., fa."\~m

Perspective

~tSpc;cfu'li!' allm'l's the ,":rUst to placl~ thHi~e-di:mf'I1':slOIl;ll1 obiccts in lh~ t'iJ.'o di!U'I:lmiofis I.Jf a rit.'Cl' n~ rape,r. \ Vi~hoLl~ ,,1 ba -tc understanding (]f the i~\\ _ ~,f pe~ ertivc it i virtually im~bl~ to draw iill.md.-""i'tp • tnilll 100 es n,·. listl,~ E!.'i'fl when ,il landscape is devoid o~· sb·rugh~ lines, the- iiirtis<t still requires a b".~c u:ndt:'rstOlnclin.g,o.r perspective to render the sce:rlii,!' tvr:recUy

!\:'lpedt.-e Wrr j,e ~e;1 to f.J')e ~f~ M dta ... ~ - ,n.roOJ' ~~

I[i'''t' ~~ ''f ~~~.~,u rr~ Vl'J~':i UJ/J f.tppf)

Lineal perspectine

Paml hf'le:li <lcpear to m~t l'U a ~ gleo pomt as ':the, pass Imo

!.l'i~ d.rst.mce I 1'1ea'.y they rnrry 0 as p.araUet as; w r.Il~""i!y

I n5 or InS1iinCe." !i"f!ite ~ for' @i5liy .... ·Df"I.ta1~ out the e en 0 T per5J)ectr..-e: on ,ob}cclS: .... 'iIUi developed ~'8ml.1fl...~ i3igo. Jt ~IJow'S >i:ru 10 p:loU::Q~"¥-rrlE lin~ to n..~t e dim nlsh,ng 0 obJecrs Wl'i.h dJstanc.e,. .. m::i s ~nCP>','il iii·linen..,. ~peC".P.!e·.lt can be used as a frafl'll'leoo'JOrl.:: to plot 0lJ1 the elw'Ii£!n1.5 OJ )<OUT pMltln~

The DllJlishiJlg,painf:

-he dinl~hmg polll . 6 the pOLm v. E!fe parateilins ri:lsappeW from ~2w.A receding h~ Irm: dl5iilppears. v:.~ne it teucnes . e hanlOn. rid I LarJe:llbon~llaM~ p<lifltlT1g the OflZi;fn tS iIi ~ level.

• I Morlmnta' Imei Oil ohjec1!i lo(:.!ted abrn.~ your E;t<>e le;1.i!.I p.rqoo up rroOl mE oonm11, ~Ol" eX!l"ilple. l 8' ~aps or drnlrVJ,'a1~ lme~ tl"'Ja .... ~, sllril :;JS, pot .. tID'lef'!ts.. project do "''fl fmJ'T'

hereon V!Ihen an eleruerl m )'OUI' p.a tm:1l E not ncrao ' " sum as ~ ~I runrlH"Ig up or- dO'M'l h II from )'OiJ. then the '.oan ~I;",&

_lrz,;r:..l, porrrt IS not 1012 ;;0 on

!:he homon..o.Jt IS e

I ,abolie or beto ... ~ L' H~r bl.J1 " gs on ~ same

street, >". . a few ex(eptlom.

an; I~kel)' to ~ tlOI'lZOl~t.<i1.

so each ore WIll ha;.,oe to be projeaed II es lead rrg to: e OOr'i2Qn.

T17_e oanishing poin-t

A 5lngfe I ne ~~d from a OOllie will lot:Jte the vat1IY1lng ~Im on mE!; hernen for aU e ncr Ilrt~ In that elelJf!'haJ'L I,i\Ihen ;Ill outer fines for If'16 eieIat!on are pm;ed..:ed

fi"':Jft' IS v .a.nI9lJn,g ~mt. they ;:lUtormt~I!)

ilI@re 'Mti1 eoar.h ather. Estab!lshm¥ the 005(liOO 0 the I ~;mel NGr".anglOll a lms!~ iln~ t.OI the hon<:1]rI U~lng gueS;S?.t.IO.I"k enable~ 'iCU to nrnd J.CE di correct m~r'5pecwe dra lfig; e'.1'€ft If 'f01..Li'"" d~J g l!'ii INIOng in other .-e:.-peds.

Lom ti 1'~gJi j rt:'u!r "Vll ',I#$hi ~lg puiJ I't.S: '~n 1l'lOR' thsn one eie, 3 101'1. oJ i'l bbllldm~ IS "~b!e ffor. e=o.mp1e, W s:.de

of the house at ngh angles 10 'l:he fro l). ana Er'Fo!llis.n11' pom I5c r-eq Ired feY.

'the 5ecot'1d p.!ane... P;yr.aJlel 11II!l.5 along IN! E!!e\l31mn will p"CUnt to a dllil!ren~ pas l~n On the bonzon - a v.!Il1t5hlng, pOln1 ftf" tha o:'!~ on. FiOOfifJh!!i'll Ol"lf:! I ne (rom __ e! tllJlldir.g crosses the Ilonro.'l v. ~II enab!e you to lo...-ate il: V-..JlI;S,~lag PO~f'lt..

ObJe["6 ~1Ot n Three climen!iloo5. se ;_ .tlPrd v;;n~hm~ ]J01r:f t;;tfl ef CrI be required. If 'OLI 1"-01<. u,j:)'Ihran::ls ;!t t.all buJrd n-g;s YOu

I gee that vertical fires also recede Th~y C:Orn'e is'e towards il Vdl1['5.J"IOg pemt ;p .ID<r.'e.A va-tiG!1 V;3f1Mll1i poln! iI"cr ... e the scene w~ used to p1DjOO tt'lc Gok!'~r'I Gate Bndge 00 p.;oge I 15.

The vertU:;J;1 "<ln5hl~ pcIi11t may somellmes be down bef(}\l\l m~tead .of u ~ abo 'e, Ttlts ~ the case If you are aee,

i.he rubjed. pernaps rooldng OONfl i'I si'taf1[ or 'li'le1o'irng a Sl::ene from a:t1elr.r;opte1: rOf ~mp e, Gues~'IM)rl is nften .!;t.Jfficlet1i 0 nlo he "'1SrtJCal per;pect:rR...

People ill p'l."rsp.ectuIi'

~op!eo 0.' the 3aFTIe eo. ;:rnl of iI W!'1it.v- h~ighl:. to ~u !i~fC our e"ilE'! Ie-. J BeGllie of Oe:!ng on roUi· ere ielim, iJh~J1" eye::!. ml be m !.he ~ hO"rllQnta! pJane ara l'1ii mE t.onzorl

B't c:rra'.!.1n& the;1"" heads. along ·1 ~ 00 rmtrer"no v; near er far M t -eor OOdie~ in

p~n O!.l:f" rlra:>Mn~ a 1hem MU obe~ the lJ..;,os 0' pcr~ U~ Shoner oenple wIll be

dra.'I'\ITI 100000:.'erili;a,., h.orimr Ilf''I! ar.ri1iJlJu p:eopre Ilfp.

Rl!rPdiu, b'ClUds.

Surfaces ar p1anes nafl"OV.' :,o,l'th di~ar'lJ:E. T ougll t.heoe ma~ be broad s ...... thes, it e:r resol-e lat th nrrer' and thlnl"l!!,r ba.~ .n Ie ~ rr the Im.a~, as with iii REId patt'Em or mu.a banks on an es:bJ1'!.ry. Makm~ ""Ide obr-"c'.:s narrower 'Ii! t.lrtner ilwa"!l:hE/;are h~ ".!m cC1iform tn th~ :oru'1clpt5 of peI:lip='".r.'e <mtl . .g1",~ an 11118011 of di~ ... ance,

~.'------

M~' 'rr.!!" f'*' r,i(,! ~ ~~ .l'Dll fa wpewt'l'S"-= PD'Spet::lI'. !M.' a I :1fJOm dis.t~~1;iI'l rJf a.bji:o'..:ll Bt I1lG::fttg oq~~ 11'1 tloffEmr1t ~ rI1 - dl 00.0 IlIllJ I)l !:J! r_a.iom Uo:::!!! (ili' ~h, ,00 wn u-. (D1Ja.~ [hE

r .nolJFe!; r¥ ~~ rec~on

f\.E 00 illM.!l~ w.., !'lew d,$Wn;i<S fJ,' eql.l<lt n~-ed t....a l'!!d...ao C2S the ~ b (u;n II;; "-J~ dii:i'!'1m"f1 a;.o - 'IYEfI~ \001'1 mti5ItJ;;_ g itP. ~ ... e of"O!;'r !f....,., 5!.J~!:!d m.:u!~

Ael ial perspectioe

Co/.o",," cools and De,cOn'ies. paler- with dJS't:Li'lOO, Sip te g: ... -e it feeling .(tI- r;eC~GlI1 in ,0 r ~i(:lUre'5, ~i'1t dIStant ~.'!S b~Lrer and use "';",;;.tmer co1ow r'IY ll"oe fore,gmu d Tht> is .cs<rIOOd If! moro detaJl on page lB. h I;!j'e tbe effett o· <1erii!.l pElC"'jpectNe ~ demnnstrated III ~ Iong.dlirt';lfIce p,;mUntt of lCOu~e

Tl11;! "~'<I<:>11 i5 tht' bu ilding blocl oF\""ateJU]J [IUr- a s.\'atil~ or ~Inu ri:lrusru .. >d I 'n~u P~P£'['"\\i1teo~o!ol]r IS b'3mpa~i1ii .. Lighl passes ~hml.lgh ~heo pi,grn£'ll'l v:JJ[¢' the ~pC[ and b;t'lJll'KCS bm:-k; the\d!lilep.;lpe'rintparl$ ~igl.1.t. \\~.te!"L"TII(JU!.r dcpcn ds rm t hi::; lTIl.ru.']J."ill!'nl >ei~~t of I~]gmll.~n I, pap~r an d 'tight. ,Il!. ptlLIm tlal problem with W;)~PU"oiiOl!r 1'$ <iiI,..,!.: OJ stJli:l'l!,\lh in du;, linl.s!.l~d fe51l.il't because pllint ah"'i1~s dues ru1UC.h Ji,t;hEet. This Can. be 1J~'l"~mm{' bv using mote: co]ourin\'l.Mhe5, or by OVIOr'l~,'i ng t~'<I!sh(!:;;, '.""'t"'~li washes ('If the' same cnlpI.u-. Corllurs Ciln be built ur l") o!'mlayi.ng th!E'titl in tIanspi:i![~nt wa.siht!'5., b): :ffiixirig lhe c'IJiQUIT5, or a mI:ll.biniitioll (If Dtlth.

There are tu"O b.l@~ types of~1i'illJl; u;eHJ1I.-wet. ,.,.there the paper i5 wet and (Lllo~lr Old!clL>d; and w\:,'t-U:n,-dl), when! paint 1& .. ppl ~N tall dl) p<l~lI!:.'r,

We'f -in-toei

I U5e' .... 'e't-.n.~. for smoofn ~$., W~h15 are I5f.areti or overlaid one ~iXM= the other, building (o!our a,"ld tcne.The co!OUF!; c~n be ~IOO one arter the other wE!: .. m-'I:l.-elfor' '5h:gt.tl'r gt'ei'iteJf tttmrol dry Det""'eefl e<l(n applita4:ioo. and re-wet the tJ<i!peOOfOfie ~pl)'mg tl'".e- rte1tt ..... ~ Weto.l.&' .... et ~ .. ll~e-o ~. 00 grdduntetl-Ill ;;. ~~t rrom dilfk to It:gh'l or 11;i;1 ar;d BIen all 0YE:r

f.r;f ml.o r c~'r o[<:.oIlli:;f .VJt1 ,\ljffi, N-o~ \~l EfI1:< ~> r(l ~ at, ~ (lod ar.:::I l.he ~I~ Srr..oo.rl! e-~ ~;;j rrur.:;J~ of m'9W ere {!It!! ~'_

Wet-Ott~dry

MIl>:1rrg colour ~lh ~v.alJelr and aopJym~

IT to dry (,)'.ape; 15 the simplest !CIfID of ill'ater'{oi.a ur pay,n1Ing_ WrJllhe p>lpe.-- cl ~. tP.~ c:r:»our tan be cOCltnolied to 1E.;111,'e .....niles! Of ve.ll of underl)'ing EO,1our left un~nL~ci

::fw. r::;;u; E:UG'l nt!'.'.' I;"oFfl~

-

NxJ.~ ,~'Ilte' f.::.a(i;er-,w ~ :t.::S~ !J:! CHlllW ~ !liH w<: IJ[ mr (iJR~. P'EE G:ll'\o]~""-i '''l' 5 (!!JlUn1.'1 ~~~E (S£e!11J!;-E '071

~r.lte~Il:'alllering

T:f1i.o;, ~" a o'1ilTollJOIl of \·.ro;Jfi:!j '....ei- fl-;.I!I'QL APtPI¥ mlEr ,0, d~ng It <Kross l.hc 5lJrtc.!:e ufl!>e p"lj:'.ie' v. rth the orW't I€a Jing .J. t'.Jppfed "~El-Dfl-dr • "e'\t1,lf£ en the :5urfar:e V\Ih Ie It I ~st!W ... et, brtl'5h il tine OJ' stroke of wlO'Ji aercss tfl 5 1N..3i~r-1ea:~ h~fl2(j zrea, ThE ooLQWf spreads and d*rru~ liWl !he .-..et ii!rnJ m I ilili~!!f'-rg,aih~ patte~ T~ tc!:h'1J",Y~ s uSI!rul rOJ> m.1fh' le;;(lw.::s

nd I1lling iI !."N'lWI .'i1JCdlar;!I ~ LlI100y

Gl'azi1~g

Wlrterro.'oo:r P,;liI, n~ are ' by ':I~l'ilJ:'

or o~mg roiOUI"!. When o\,-erEaid. (clOt.!n alter. 00 I'!!'nl.aln 1nn5parSi Sublequen. ccve4f1,;;!O cal"! ,,0 c.- some .:Ir13a!;. !e;;Wlf1g QLh~~ I..iTt3; Lered.

• :_ !l':'l1"'Wj~t ,fUZE 'm :09'! ::l ~_ 5~ ,r;rrG -r:-E- r ...

A!lp~ Ing 0 ....--..lIi-"KI tj-y peper is an leff~ '.'Ir.! ofMllll~ a .. ire.a ready to ~wt PaJrI "ng ower It - sud ... ~ a ~I f:EJd or ~re_grol,.nd "ollil&<e: TM c~loiJl' C~ be easIly applLeG nilt

I!' \'tater smo,nn e fI N Df colour.

i!: ppij it m;. ~f t; -bur -NO"£: !J!drr: -i111 it:'llr;ln

r.n·~ ~ft~ :"Jd bUm:: ~ ~ ~() peper 4:lf

.. ~-.~)'

Brushmarks

Colour Gill be ilppl-e'l rrom th~ lip' of

ill ~ 01'" h) ;my (I. her rr:ean3 0' er unpa.lnted JMPcr or ClVttO oil ,',mh d' t;;Qlol)r. \Nh.en 0!pP1~ -on dr. eele r:- as bei!J'N, lhe focus .~ sha.r-p; on .. ~- paper t IS. so

Cranulation

U:;:eful fof" texture, &ra.nu!auon a '\lr._lU1l)' eFeL",- O!p;pears (rom certain p;gm~t:s ~ as ~EnJW blw.e, cnbalt blue, CotEll VlOre'L 1Thill~J1!ese blue, marlganese Vioict. r ...... S"I~ bYm umber. I\'!ilf)' blac ano others M-an~ne'ie colrnn and cerulean OhJe are ~L French uitrcmanne produces '" S 11i'f" mo beau rul gathenng e ;::0 of (do • ~QmEllme5 cafrEd Orxc:u4atlo.'1

" I" -efIJ ~ !JIuf: ~ 1 .t> Si' i!"'" (lI- .!.'Ii!~ Brus.~ I O""L II!' gr ~lV. Ii j!.ll'1f'..::,1 0) !he ~ IJ.1lrl""..Ji:

Ji<lrr.er ~ 1'1 i.hor: G" m!ile:s !lI ~ jo; ttrtcr r'Quj#! ~

.:A~ti.'ting CO/fUr ~'5 _for .um.she$

Preose (010 rs. can [Ie a:ttameo b, ml :n;l1 them to,g:emer mOl'ougnt;r wrth ..... ...oor beiore a~ng- Greys mD<'ed from wo coloers GIn I;Ie oldsed silgi'nly tOOi'ilfd red or bIu~ Oil the pa[ene. Or a Wilnt or coo.! W'2)'. tl'rm .a;PPllfi:l p-aJe With a Wiitff'1 rrnx

, "

Colo-'u'-' 'r"

'I ••.. "

'\ lour ""heel presen l" colours i mpl~; he w it sln;w, sr- ~Inl m p -i!jon IJ I

fitiM'''_'ii and fl.1 i,j " coh.nH~ used in th i-s oouk. Three r rimilt'y OO~DUf!> aeatlf ani coluurs, b'!dudi ng the three secondary colours" bu~ 1L""'E'n!~:q:,!,," rmml~.1".:! Cit pigno.C' nts eannot du p!k~te perc colour perfed I~I. Prirrtap.;r and Ik-ija cen1 5emndaf_\.' mlulJIS produeu h~;,]utifullhirdr.lnk or+b!rtiary"ml()urs

Primary nt/rmr;;

TnI!!' IfI'i~r Ofde oflhe I:oour ·m.w (s'!lcNn bPJct v, left.) S;flCN.'5 ~ PfiI'ii r f celDU~ red. ,elkJw .arJ(j blue..

S~wndary mfrw:r

Se(Ol"IW colour;; are sha",.., on tffl; seccod round of·the colour ~vheel DeL,\,"t!Cl1 i.h~ p!rimary colours of r:ed. yellow and blue $er:ondan!~ can be mrJ«:d ':-rom

aT' ImlDUfS

Tem!Ifll colon J"S

Ml ~c~rn:tant>$; .... ;'th ID';;' adjacent pnman colour 10 make mil: 'tertiaries. Altern il\I"3I use an lippro;pni!W tub~ colour is mv.1'I on the 1:01 r wh...~

.further J'Jri.xlug

Grztda:tlOnS of colaur can go 0':'1 more (S" less m·fi:r.ilcl}' The fou.r1.t> rQlmd of thE: colO'US" •• heel Sry(N1$ appFOp'1a1e tube wlOUf$ 'or t:hr!O sta-ge. b.ur. If ;OU pCI'! - er IOu

Gill I "!.e rom smaUer ra gE

'lJf ~~nts. From this stage O'J urn

go (I to :!ven tlfl@ I a.n<ldCffi

es \'i:!il as rrn rJg ~m:.'i from

mlwr ilf'e.C:S, of ~ !;"olfJ'W' .:vhE-=1 1.0 pnxJiJC!1! SOfni:!. .... ~~rful muted c:olo1..ll"§ II "" the gteys and ~Efl5, III . he s.11"1"?[e miKeS OPPOilt.e

Miiil1g colours

The-e ~re many tuo~ colours, blJi. or ~ and gl't:!!?ns It 15 ofl.ffi bEsi; iO ffil )iO'.JJ"" own. Be.ilJ"!' ul grq's.. the Ice 0 mature willen::clour, urn be rmxed '!'lI'1th l\.'I,'O or ~ LOfoU!"s.

G "C'ffi .~"ld da.rks

U5efu1 c.oIo rs Worn ransparem. gre,J5[O ntense c~ may be m! ~ from pan of opposne or ccmpciemern:ary ro~OIJf'S... The ~ " ng m eli can Iili'lae (rom '.'ta;111 red or brown rough ne:Lit.ral ia COIN brues. On -ne nght are a few e :am~e-.s but t:r.ere.<!ro 1lWl' more 1,Xl:li!i:lbllltles yau Ci!fl e olore

GrL't'1ls

There i!~ mOIl!' tll'l:ler'l!i than "'-'"l)' 0 n~( rnlour: Greens 0'1 narure are seldom 'P"..m? nence e I"tC'OO 0 m other co.hJ'c rs, The fi'EF1ffi3 ~l"IClpre r; tn start ""mil yellOW'. .at:ldmg small ;:m,Outlts of tube gl"ee,:l or bI!J~.

11 • I'lDn:g 'Ii'iItn other cotours, Jf you v '.'0;

tne other \'iilt ar()Und. starU."Ig 'Vlm me -darkEr' colour. you may 1T'.d)OU Ineeal to Gdd a let of ),,(ltIO'N to the rill!>: III (Weier tee "1'lo!We or 0, ~et(.·fl(e

-~[ Geo ll'1re ~ ITn es, 50) E ~ {{:II ~ gfff c> can De 1l'Ii'"tl:d t1, oocti • a tt.e pI;~~ ;i; ffn to ~..LID >err-iT kid bwn~ _ I'1I'!G ill

ne : "or (~ i.tmll1'1 {iI-wj ,::ni1lal!:i kllt!!!l'J C<l ~~ E G ~ ,\'I1m1 'fir ~ t .~ (1",+ (1

r;~lC~~m p.'lrIbJi( ~ (JI.';) rrud:!(!,!i'~@!fl " tn II'IG 1Il

;'1[.

I'WI

J<M.~ t:: ~ ~~J[]IIl ~'.o'!f m,.r.i:.S 01 f'1i ~ ~!:i: DI" 1",';;':; c;~.1.! c.ofo.:;n: [VJ If..-: mIour ~I (or. r;r.e alrro~ In a,.r~""-"'5 ~1On~ ~ .. (11'lY\, _~ a dati, ~!!' .. s,

(~ 7

50 Landsc.apes

Field of com

I

A"SE'a o~ whear ~.a'lks;a fur as rhe eye can see p:r' ~nl::. a comple!li ~ttC'm th~1 dimin:ishe'f;, with perspective, The ~hanEJrl:ge i [(i! creak' d~laiil. but not los the m1!·J;'~dl te I" lnrluding ff1lrcgroW1d .. dis:t"lnc;c. t-exturn ''II\:d reassirm. ill1 0'10 ii bnght su nllI)" day. Create liSh t ill', litE tand by oontmsting H Wttl:1 tOrll1: in tile ~_

Tef}, niqul"S or Fa il,rti ug ((1m

Wltl"i <in LLllderlying .va§h In place, >1J-U can IJ>~ ill 'r.lne' of' echri'qll'=~ rile LHing mas.loo~, Vertlcal ckt' bnJ"h:slrDlo:es can be w~ed 10 Impl the: com te-tur-e..A candl~ Cd11 be rubbed O'lIW he surra,cEO ;!l1d

me lafd WIth a darker ~.taVi to reveal tl1~ paler ':j;"O'ax~51 'te>m..Jm. Bii"IJ$h_-tnJ ti!!o can I::J.E applied far the ~Gi!~ n-el'!l:Selve's erthe spares ~ ween ih~m 1m try hrwrshin.g II'l ,Wakes of ',4ter, and en !!Ide! stro' es of cclour

IIII

II

Colour palette

r~ i;:l~oo,!:e· c.!d 1..1'1" ro' OLl nat!'" -., m3i!:'tl·_ ., ~rer..-. Li 1 '='1"f"-:I"il •• pr'l.toalo b: _. cbalt b ue > ooker's grei:!\ • eli:.' •. ocr;~ .. r",~ enna' blJ:>'"n,:;1 IT" '" thlm umber

A!fQ5k-ing ,fVm

The iNsking ernlllqwe g~ reaJ~~m aod can ernhle eu to pairrt

...... he4t. i<I$ and man)' other cereal c:rOO~ arid ~es..

1 Rm1 -f 'eld ;rth ~ mlJ( of raw 'S~MOI and c;:Kimrum red addng bumt ~enna F'I the foregfCIqJlld. M'.35k t.he: com heads W'I'lh il rolD.lJ.1"Vtdper (~e boo .. · niJjhl). Mask a (ey, rom st~ 'i\'ltn a. dip pen.

2 ~f1..JSh 01'1 a rn IDf iTent_n ultrarn...rne ;;mj burnt s.eM .... lea Jog i'I few rough trghts. Bf'IAh rougn~ ve.nit;;,ill Sl_i"O~ flU'~u~. lfi::'.· .. :et" as 7O'.J ge' ITIOI"e d6t!!l;it Dri!g on il!. ory bru3h for rome lextL!T'e~

4· Pallni:. some ~ced~ In the heads of th-e

: 10neground corn and dr brus over hfm1 1.O gl~ vextlJ~. ~sh- shatkr ... !i across

-f'r.c ekliMth a m or trumt ~Y ;mel

frenr:h ul'lram.anne

Col,ow'shffpel'

A colOur ~per ~ like. .. rus burt the . ip IS nude e ~lH'::cl"fI! rJ;.J:bb.~r m ;j, hmitE:i.d mnBe' of slMpes i{"liClu<l ng ilngled. tap.ernd a-nd iQ c:nl~l CololJr shaper.; were qig>rl<illy d~ fD(

manlpuli!tlng pmeJs as a t~ of reptiil:efT1erit firiger. bu @)' i!J'!e' i!lm. brilliant fo; applYing l'Jiro;k.ing fl.Jlld ·.vhetc '01.1 '.van (I, sharp fine. - on iil: tree tCr exarnp e..As

an added bene. 'me mas "I wd lEt ~ off

once i~ dry.

,Ripe i.:olleaJjield

Dislaf'iCe rs Cl'Ea.rEl::JI a deep JJjUE Icm:hOlpe,

wa:t S J5 Mliiff~ , IDe opJ19--sm: roInur a'l E rolOl1f 1,,,heEJ - \~fTT1 oronge ;rom bum.5l'€11I1[! In t1"e ra'E'E"OIJ'~ or.a r~Ul1lffi or_hre ~ 6Lli In t~e r ral .bur'~s Ol"'-d di5,U.!1H 1'IXl{;; Th-e ~ys m pJQ1l'~ng ~s P'"'fH,ng Q'e fon@;Tgtl tanul baIo.r;re

cmd disc:o~'l3 ,De J'lTI'O(I'IC'US rolOIJJS ~ r

diJml1'Ote the ~w I A • h'<!' POPPFE'S (l the edge Q,"1fre f;eld oed 'wthbr~s-'l spYlI'er a fe<,~ g1lrs Jr(G tho rDl~rn...J'id mtd 1-!i:'d'g1;' at t;;e [iLo"ts€l

Meadow of wild flowers

A flm.\;L'r"fi1.h~d mei1dm.!. isat'1 !.?X,pI05ion of t'10Imll(, tonal V<llrliltiOfl end !l]1:mre'ffiE'nl where <I myriad of tillY $h~p~" (CJUide <lnd cl anre, YOCll:><in mrlvE.'!:' the co'l''LltlSio'n !!ll <I field of flow~!'"5. ~ '6I5'i.ng ~il:i'lp~~ processes suehas. f.t1;<)slil1lg.amd S[mUeri~g. ovcr1.!J)~ng: thi!- separate roo'rntq!..!f.~. 'POl ini .lb~tlr.lclt shapeS. eVen. in the :(ureground.and describe just ~ fC"1!.! d;J.]:!Il-es; Ln. mure de,taiL

fbU1i"iJlgd(liSie5

Each daJ~ pel:ii,l can be .a ~ e ~ti"i.ike iTiollde wr'Jl .. co!gur sl-iaper: 01'111 a few d.3,1'O'I·es

are dlfilI'INn 1OOfT!ple1!~y; the,; re:n 0lI.f'e Just. rnarks, perllr.ap~. ;,viti; .a nlot of petal~Herc !.he .5u'l .~ ~.ghtlv .ahtNid a..1d te th~ left. so ;he. 'fi:o-NeI"S ~flauened. c.!>:oopt 1ft me fcx'egI'Qund ."..mere: th~ .... Iew'€lr ~ nght abo.re. them P'Oi;ltU me CCi'"iil~ with C.adrn.JWffi r~ adffifig <! 'rttle haliC-mooFi aa:ent round the ed~e of the · .•• ·f-lLte li'l i! rnuted green from tf:\fl palette.

TnotMJnl5.h 5pattl?ring

When U5;r'tg.a looi1brush 10 spanru: d~p

tt .n the n~ng fliI,!.ld and b<lrtg It on yOLJT hand. t:rnttles: facmg OOWfI. F-OI"FioeleX1lu"J"e;. drag yourthum'ba-cro~ the bJ""I5l.~E!$..

FO!".'l. field ofr1o .. ..e-s. spaner larger blob"!i of maskingil . .r;d m . he fo~-nd, ke:i:pm~ them fe-, ... €:f and W'lOer5pa.cea_ Work fmm the fo~rnund nto tne al~ce 5.0 that the dn:::?leu; gel m1!~lIer ..... 'Ith ~~.eCtwe Fa1b ..... di;J:,gnna.1 IlfleS !Ji[zy. Into .<t-te me~ i!$ yo~ spnt:er; from bottom to tep.

1" Mask <l fu~~ dal~11!S 11"1 the fci ~und. . Then I.l~-!e EJng:le !itrQke:!i to TT!\OISk

di'S"llilnt n:l''''er!;.l"i'"W<mg {lffl larger as. yOo.J

!&1jrk nearer and keeping' them filgged and tllne\lla'll)' spaced Sp;!itteJ- a r~1 Q.lJ51 es ..... iiI1 atoonJ"lbru.il d1lpedi LIl m.;!!Scklng!lllld 1"'11]'!: a yelfooN g~ E'iile from (:f!dmum lemol!"i anda ml!:! ~f.o g~~h. 2dd ng burnt umber te warm it, Er-usl' lh.s cofour ffi""E'f" lhe cL11Sl~

2'~' SpOYttei"" more ma.sJ<::lng flwd over 'the '. meade ...... MI:II ~er "'~IQoi'"iS orthc ~'"Clk;) .. , gt'IW·'1. some btl,gm€lf greens. and Wl'ne darl.. green;!j. I.J5If'I:5i:rumt ufl"lber".irencr. u-1tr:afnanM! ilt\d a hue phtl\a.IDgrN!~ VV:Ol"klng ('tOrr'! the bottDIT'! up. spat'te'f' • .... a.ler from the pc!f'lt of Oi large iJr'U5I1. "1n'lU'l_5

11ft I"?~ Nob-!. or .... 'ij~ willi ell)' spaces bel~~.Ypgol1lUi~ $p"'tl:el' the ~ffi rnto !he w<I!lef" ~~

I

III

Cclour paret!:E

[J.c' 'um 'em".)!" ". ~:l,n3 o C!C;~ "ThJ;&e"lt.:; • I r-e'!"'rI: _,trGm..,r ru:- .' (cu~·' , ~'= •. '11-1 n", 0 ~ • b '1Atl_-e"" .... 1'1 ~ ~J!I...1 ~

Daifi£! 'Nf,ll'tiOZ.O (opposite)

~Vhen p'ml.nlllit UJ~ f[)(1E'g.'DUIld [~(:l.Jre af a meOOIJ' ..... ihlli:lk: In serms Cl:fborood ~.'i"agnrn:cl Lnes thor defrne u'l'Jder,mg (mm - dEeply siontJrlg am:! ~ m the (flrq~ sJ;!)(I;:r and All1"eIlM I3ff '" tile ~km!€ Proc.tJ.!l€: a rf"~'" renol IITB an scrrlp papeJ [J!} geL rl1e red at fJP"...J3~e IIfiI rile tios:tmn

3. - .•.. 1.. VVnen C!)I. 'Pi!:~er with ~rei.' Spaner d.lJt. colOUf 11'\ deep and. ~gged li'l the foregffl.!Jrid Sfr'!OIU2f 10 t"'12' dlru.ne,e...Sparrer ~h:ter wiou, If'! burnt umb@(" on Its own, Df'Id mr~d with cadrrllbJl1Il !emoo ViJhen <:11)'. brLfih U1 a: few ve~r,a! 1ft.arts 1'01" • ...eed~ Bind ~ MKM' tCl dry. ami rE'.rtI()....e 1i;~ n1a~lrlg ni.Jt"d!.ll:ijh.tIy rert,~l ~ fo.~"""Jnd &-.cf~~5 with ij lillie wh~te :5.TIu:i3we:..

Sheep in pasture

I

pl:itt ng hepasture intot;wo ~"TC'en; -a warm r~lJn~\~ oran~r green and Oil 0001 darkl_,h..1:~ gre~ll- give t11~ df~Cl uf)ookm~ intO' the sun. Masking the sheep and pen m.i!olllS yOll Gnll u'nr.k the fit'ld very roughl} .1C'fOs. .. , Painting ih~ darker .r~['1 bars <icrus.~ '~he' Ugh telf un.es \,,~.Ie they are milS!.:;ed enables .ml] to pru:nt ;J: rornples sequence mQrH1!' ~i!jJiiy"

1· . M.a51< I"I<"!! me-ep ar:-d ~ bars, plus ~ITr other lights

2

Bl"';5~ new g,am'ooge

C' ',lrH' t on 0 the - . 10, and jlamt u-~ e .e angEl ,.. 'a II pMt' ala green o-.~ i v: j bernt :SJema soal"e'd rnto the ru.~\1nd Palfl shaoo.%' g,f~~ ,:'Jlth a m of cadmIum IEITIOI"I, plnMalo gl'P.efl and U..J1lll _r:!fl1'la.

. .. "'

I

I

Colour palette

collin "I~ frer:ch Lilt;";;i~:lr ~ •• cbsrt D ~ • ~)!Jilil ~uf"'Jt;O<:e I • ph~ ~ n ~ '. I d dJ, ,~ ~ 1l'1.J~. ~1!!nfl.3

3

-

Bru~ (.cd ~ ~zomi!V)', Sp-atw." darks IT~K<;.-d from Inthi!n red ffel"lrn

1Jll:r;nmrlf1; <iJ1~ Ffrt~ ~I'ce.n. DiJJr~n

s~cf:ows. ..... Ei ... n-we ~ a mil( of phmalo

gr<:ftl, inillli:i!fl red anci JTc;nch ~i:l"amafil'le,

Brug, ne-J. ilamoo~ OJ a .... arm ~'een Milt

eniD m~ tree area. nd use 'HhaJo [!P-ell formetli~

5- - FIflIE"I .11 the dilru on t 'i:! pen ',otl1n ~ mix ar-f1'e'ncr- uJtrama ne and l!!lcj~ red Remo.<!! il,lt the I'l'las..:m~, To:Jth In l:he. l.mtiE;;r·sh;3d~,·,., otthe 5~ P&'1 hars

rIh cobalt DIlle and a I ule :Jm~ s.il;f'if1a Rcc..fJl:a,~ the ~ge-; of the f"~rESt sl1.eep and apply cobalt ue anrl i:AJrnT. SIam4 Ru rnJr.3n red M'ld ltre en tr.am.aone im;o tne _ poin!: o'";!, ~

4 P'aJnt the C!sl3r1t ~ ~'.'ith rru of .• ;. cobah Ib ue 0I1l0 blJrrrt ~I,enn<i!. Vv'e~ O!OO 51ren~l'1en theSh;id'ol.v.o. ."..rrtnme ndiMI red, rllEl'lrh ulrramarine and ptnha;Jo ~ I'fl1lJ!. Spatterthese:~ ~5:S ihe filel.d

zobal b1:.1e ever the o~~-g~n 'f£e3". M1e.n .S'Pi!rter'~th~ bru~h and spa er rlilrt (olotlJ : tlold uplhc If '\i!~ a d

spr:til" he field Pl l;,'Jter d:roplE!t3i from

a sprOi}'E:r fOr ,~ul'l: Piilim: me unma.Y-f!d s eep pen b.!rs .'i1ti"! a r~1"I!.h uttli'lmaMe ~ maa"l r'oo m -,.:

fina i pal n ling (opposite)

emil I rw y.~p, rdu::!Jr-g It!E block (IT::: s ,

re lO'..cJ'ted mad Ihf: rlEfl bars gtIt en a ' ral

'Jfeato I nnd oo,~ II Scru9 !ladY eve i" r~,~ 0 ~'lI . ~ )~"LA r·are m~ . flJfG'Ln:ltSe

~ s;pG[!.ereC mID 41 mtld7.\ DJ"EQS.

f.e-;;". man-made structures are more e'\I'n~li'!.l'e than il mm lt isa c-h,iJl!cn~1! t dro~\' and tk,if'lt .. mill close Lip ~ike thi ,but pmb1cm5 d.imi'nish il there is; mute sP,;LCC bcl,..-I!t:'n the v1(!'1. ... N and lll~ mi~1. a~ obscr'\.r.:!Itio.n is; "it'" when pamllt~ng sails.Ii"tl!: dose ~'O hand

Dm;wing il1bulmiU saHs From Ci ... aflfihllTl: pclnt (VP) Of") . ehorimn ~ a 1m srmss N Effl· the bottom of e

Siicls w II be. Rl.lr .

parnl1el hl"ll5 p

ri"lOm th E Im~ for the ~ 0 r , ~E: sail iirea fuen

C:Of'n~lete <I ba6.:v."ill"rl·uh:mg bolO: ' ... ;th .l Ime for the top of elie SDJ1.s mm the VP. Ora .... an X retoWe21"1 Hre I::lmI COmel"!

1 Mask !:he ~5 and

.. . fantall. the op 'W1Ii~ hme and 2<1tS. l~ bottom 'MndoY..r am:! tire door.Vl{ei the ~Iq area and add se 9., 4:0lour3, AII(]I,'. 0 dry

2··1 F,::rn the f~ Y1 for . . .. , the tc".,~r. png O'.~r

tile m;l!tlog Ltd and out

ta the ~.;:mel iKId the ~llJU"ld ~ Orxe dry, ~. m~ CQIuur on h-~ ~p..

,., Apply e sI1.;;w' .... to ,.) the 5::I .... e i'L'II'I2 ~rom the Il,ghL RemO\.!t' ~ ma:5ki~ f'lLRd ,aMj aoo l:he d~Ml~ !If

- e up, Taf1{[1I!, M~O'M

rind door

Building :tlP a tmeer

F'trst paint the sky af'OOlid the t~::

'lIVe., the hom. of the Lower. 7.'.IOidmg the wmdc<iIiK":>" brush j" thE first colour from

1~~ to ngm and re~ me .... <W1.dry. Re-,,,,_ thll paper and i!dd lh~ ~ond ror{}~ a..g.illn fr-om !eit to ngn~. U3e a darl er 00 o!.Jr for the 5l1..oe on . he lern:. We1. t e rap .and

,il dd d 'Ef)' ~ wash from ~h~ sh;!d0"'. :Sl~', ttten i!dd the dEtarJs to 1 e!:i!p" and WJilOO.~ Li ' me PAint foc the ~>1o.ld)",

[l\iorA-iug wiluJu:ril! (opposiJd

E lIE! ttmg t:bo.~ the ~r l'om ~iM

r .>l' l.n borr.s ' f' as; v.tfIli: sfla~ l1j~CJiTiSl ~ b.::lrK Wie'J; die pam lJf rile. wi;; ih - 5tiLJd7, .. , oaMSl.~ [O,wrrIre ani ~n" and dEli:lJk: 01'1 FiE twrs GTCJ 111','Il1r ·ioae ~

Open rolling countryside

Dept.h. disliiltlC~ an~1 !>P<1(C' - U,~'sc ;;lit!' the (:hailll"ngling de'JJYJ.mc!s .il1a.nclSGapl:! m3M:l"S on a paln.!~r. Place the h(!r.:izun hig&'. if },Ol] <'l,re looKing; down from~l height Treat the distil nt lcndscepe as part of the sky ilIlnd pai nt lh~ two as one, '!eUin~ the di:Etanl:e fade intc1he ]ands(Jlpe".PrOb'Tl~'5s:wei~ l;'I;'\<iM the colours Im\:f..,rds th~ rorc,gIDund.

,l-iUgh-liorizrm rnieuJS

~t the: *t and Lime! Wdii~5 to~th,~ on til!; ~~ paper: illJ!CMi'ilflg 'il'letn te tllar-Irl illn.d: d.ry Pamt iT,e- d5W1t pa.l~ p;w;.age~ "IN'ei:-on.orry. d;!rnening. 'o,Ij.'iIDTY~and 'ij','1d.emng ".,;u, ;~~1lvE:. as they come fl;):t'Wa~.

1 Poi';lfl~ ~'I!;t!t_'Fl ...... et o;e~O'N. 'roIilth .adde(J bUrnt '~Ienm III the,O:~JglJJ'td merging to green from mE:: m~ddre d'lstallte i!!n.d blue m the far di!it!lmlE.ln. tnf: p.il.Irrtlng oppocme thE: ~ is paimed d!ovrn mOO the ~en~rot...,..._

1")' U5Jrlg pflOgfl.':Ii.S1ve1y $i'~g;r I:ClIDLJr. J 0'. ~taytl'1e nd~, ... iQrkLlli fQtvo.~ from the C'~t.;rI(-e At. the ~ uttr.lma.nne ~np5 Qr .... 'OCdIMl'if ge:l ne;p.rgit;he;-- ,?n; warmed """;!h burnt umber:

? Add :5r.-ee~ ml~ (rom hoo~r'5 S~ ,_, and~.y senna m a pale w.ash fIom il'le fOre-g(OU.M, Oeep".d'I ~g Mr"!tne 1"I'1Idd.~ di~<I,'noo, A.dd more oo)'f"l.t ~!;l:!"lfta; 10 ti"i~ roregm.lI'1(j, Model th~ dl~t. n~ dt:tal~ .... ~th rrel1Cl~ lJtt.ratr'larm~.

4 Ado nev ... ~mboge to' tlseneerer d",rit. '__ rnasses, and bhO<!Qen tnem as the rield spaces Njd~n out 'frn" ~:SjJE'ctl\~ . BrilSh il mlM of hado:er'$ gree."'I ilnd r;!\'iI !:~J1fI"', onto th~foleguUfld riekJ

...

Colour palette

1ld'"r!.llm ~ ;;.&. ':i.I gL"~~~!! '.

qu 'iMt1d.:m~ red ,0 ~ L i1",].I1'I.,iFme" ~11~h.;.1o tl4'L.o<t .' >:OO.:llJ: bll.le: .' r 1J';;;'<.e"" ~ .!ii~~ ~ p!<tl1<;;P ~n • O!.r"m ~nf\~ ~ ~w ,;,;::nM • b-~ f;~ ~m~ ., pa-ne's ~f":'

AC'rit~J per'S~'l:ediv(;'

JLo!st as ~ I~ 01 blue =:;ofo\.J!;CQ~Ot.lr tends to ~ bille 0l'5 n pales ~ dt'ft~nl;;e. CQ:01 1T'I~.OIue :and "'''-<Ij1Tl ~s ~e1Io • .,. Dr Nd.The ~clo~r""'~ ih~ ~en $~ of W¥t't"lth I:; C'I~~. ~'fTTt ~~nl1ill:§ a ""'ilJ"l'rl ~rth colour Wnf-;;h can mf~ :the i{l~1.md .".-Wi ~~ D~"lt ,colou~ ~n 00 ',':of~ Qf' p'I.IfPfe. ~ In ~iftLlrnn QfJiUf\t r~~~ ffijl.fOQI'l

In" ff.l:ll:ll ,o!d'!>M or 'th!!! ~&. !\t?',;Sd' ... fh:l:e::; 1:Ie!::;.rfl'i!! (l f::rn'S,'fo::ti'!l. fon.a t5 ~rpfu wth:a runll ~ b!r\C',eI!r U1!o Lg.tu- 1lf d\Ii! 'rll!/!::l5 Il1I'I:i U;@ dwk:!l at ~ .\,!IO:l'~ ThI! ~<fl ~ pk1i:l!':5 ,h~ fOi'~a-'.JPJIJ [1'1;,.'. m'Id =he F.!"!\~ I!~ [00 lard. S~." is f~ es .~ fj[l,i' rone- or ,cbcft ,C'.

.J-kross J#,I?1.rtife

D:mi.ed .on.M • Oroy 'iWtFber or c.oJours ~ffi!J.Io Ij[,~.e simil/lr l5aIa Of rftri '. e;>,1 Gc.r"ooi

- if)!Sl II - {!u diswr.{f:. War loose, ~ . 11 '8GJT-eS pare 11m thE·~.;:r ones ~ Tlle rMt'I!l! /lOJ.lSe 0Jki shEep Ill'E' :>m-oo ., jtes, an-d mwd: ... d in "'7th p.rJE'rrru sienrra.

NJop lIr,tfs1.u' sJrei'C'~ Use FI 5qU'Jrrol mop bru5h. ~o dash a ~C€~ di:M'n ,,, m~l'I!.Jl~, - rooSoe fl.owm.g stro~ an! idea.t I.¥ ili oo.t\l/'"al l<lr'Ids~;P~.

As a monochrome 9<latd., M ght also rndca~e a s.no."", !!;cene.. 1:10 coLour-. -.voold camp ete e ~ zh,

MOlorland

I [~I"P j menacing §Tt!) rock. WIt h ;]1 ma~ 11 i rack and HssulI'!.k, d!J L mple as a aty street plan, 1t c(~LiJd bave been dark and .dull, but 1 wanted tel' light InC' scene and rut a Hcurish QIiJ the weathered (<Ice of' th,ii'i gfC<lt gr11.sIXH'Uil cci!g'it, Ke<:'pil'l • the Jock right of (en Ire gi\l{!'s s-p..:'1(1(> i~Of the distant landscape,

n!inting !'Gck pellks

Rough pa ss:uge'5 0 pamt wrth sharp e~ 10010: l-oc:ky .... n'E-l1 used wrth co rasnns

one!:,Try starting rth pale ~l:1 rmxes 'It.;ch as cerulean ue, qJLRfEOlOOne ma.,cen.ta 11(1 mt £lema.. Brush the

hard stladow patterns wet-on-dry '10'1 h dark mll!re$, SYrn a; cerulean bh..iE. frend1 ullraman:ne and bUrnt l1fflbei: .AJr(hl,1 10 dry.

en Ilrte wi'!. d~rk fiossuns Cerulean blue' ~'CS a gran lated ~ext1.Jr.=. but rru e;- of 'l'"CIith ~ltrarrI<iJ ne alld burnt urnber also 'gwe 0<)Ij Clatks,

Simple rocks

D:" all- w.ater 80'05'; l~ rock rn a. vo.eVd'ry te::01'tu;n~. Add a mtx of burnt sienna iiJ10 tobGlt b-iue In the ~adow. !ettmg the calOU1 )pn:ild./I~d a OJri:. meeed fro..,.. frencn ~ltra.rNnne ai"id bumll.J~r. and fln.l!.t1

,,~Jlf'l stronlll ccrour and a fi~ure or tNO

!JVa5/r ,tff.hniqur:s

"fihQ rne;thods of appI i ~ th e pil.ln~ proVl~ li'Ie 1'100:. e1i".ero..

A I grl:f

m .. ~WI'.'GI." i ".~F-,I; faro '11!"(-lf...@) INlltJ

Il~'~' ~L.'lh "'~

Colour palette

Win n~si~t

'vVa:,t. resist gl'o"eS the ~~ l~jJre of O")i brush, III15le<id of dcr· l~ It g;'I,fii.he same p3ttf!1l1. lx.rt a neg;ni'lle oer:!.lOI'l - i! COrlYIOC-a1! llgh ~

Dragging

Dragg[ng the brl.5li. often on. . is be or SIde, aIICMS·· e en &" rough paper s.urface to prcc1uc:e c ra..;geo of na raI textures ea~,

Colour ~ui_res:

O"fse fight crag tones ViII'th ~I"" surrounding (-ofour: The r'l{!l.itI'O!l ~ one I~ a miX of

coba ue and burnt sJenha. DLstM! lar..o$Ulpe lbl~!!fo offr;;:n.c:h \.Iitram;;r,ne. qumarncone

rrta~eng and bumt iie!1i1a gil".-t! e ~ to neo' er'5 grEen NaITi'led ne.;!lrby' . nEW ga.moo~ and o...Jl'lit S!eF1 a. ~ comIng rrnm added OOEr.!ft bl~ Brush the rocks ~ ttl n'UYiES::If cenl1e;)Jn blUE, qu.itl.acri(km~ D"'iiagentit ant:! bumt S!l~nl"loii.leavt.ng, flet:',(S of ..... hr.te. Palm: darker YiJde and fissures wrth bumt IJi"'l'i"ber and if@fI(n ul tJ"ilm;tnn;e. Leii'. e pale gaps (0.- rtgh'15..

Cn.~g ami ,r,IfOOl"

DlIrlc ~ fil Ii1 tGP right-hood caml!! Wnm:n{S rile flgh.r. 0"0& Dt:m:rm glints of

burId gs OO! sa:Jed l~f';t£. ~roUl'ld coJ~ of ~-eP.O'w ochre and t!o(Ikar5 g.'Eefl gross rurtotr.rlCl [.alle-n l'Od:. L'llm OOfjlI(" 5.'enna. cobnlc ~ and' ~rll'.1Oile mll,geMCl pmdlJlCmg me 1X1il'iY1'JS t.JJ'ld i,'l'l!'fS"- fme"15!e dar~ plAr ll1e sclme mgl!!tn<.1f Clnd dro,~ !nil; ~

Golden landscape

WrulrP.JIl.iy m<l'I:~ersir! tl:'li~ ~i:ln~s.c.1l pl", lliJoi.Jcll'd \dl h the' $ub~I(!·. 1I'I';!I[m [~,~uurs; uf snnsel, is [!Jnimt ()'~ tone. The rullrange of l'!iJnalp~s~i.bilih~ IS. e"'li'lI~, from white poJper toif1lt~ll:5e dink, TIl€' warm orange-beewns are dun lil1l their m'Vll ri~hl. bu~ work ,11; ill base tor ~ighls and dilWf>:;;" tn proJect thl~ st:m~ and make it. gluw.

.Pin'milrg .!'1 5UJ15e.t lrmrismpe

Yau QJl IProduee a M}rJderiu' gloVIng mnd."OijJ'E with a limited (:01001' pt'.leU!e:

'1' r"'1~~ '.tr.e ~dd"15 rn tne FOad ~111£

. a co,our SI'ld.peJ' (pag.e. 21}. "IIfret me

paper Apptr iI .r.Ifi!lW'f !1l!X or 110lp1es veJ1" .... , ~O'lr\~ It awa~ from ~~Ufl area tIi ~_ !DStw&ad ·,.I;'iIOh.Then ilc'CId r,',OlJTIlCf' c,!(;imIIJIT'l ~allQIN ill"td bu mt Slennoll Ffe.'lf' rhe ~1:JJ1, SOi!.'oi'log whf{~ S~.Nn rn:re oofo~ It nils, ~pre~.a r.moothl, on the ... '~ ~r:

.2

WiUl the pa~F 'rNe~. ;;ppty dnOIDB" ITIlxof bum~ sienna "ro cadmium

yeJIO\ .... .31tJund the ~n_ ,-e:s..."'fYllng a yel~CM' halo ElHhE: pre\!'1CIIJS w:;::.sirl ereund the wrll~e. ApM '" \~h ef bumt Sienna, olrtslile and bclc.w thrs dCl'rll>'r1.to:l:tlf: ftm=gm;.md.Apply .. g~ of qLIlr.&lcnrjo,"1e: mage.t1.l1!Md p41Uliito :!:~ <!~ -.nIlS l"!doge arid 10 IDf: en'l.ll"e

a~a bclow. keepro!!; O!n 00.'0:1" tI;:.Jo of Cfilillge .,:IfOUPOC;! tne sam, ,3JI m soft.etlged 'MilI5h5.

3 Wh~ Grr: wet th~ ~ ~ l..'"'dViJIgJ a "a.1o of uf'1.deJ1)'1n.g C.0400F sho'wl1"l1l ti1t1:lt.l&~ bclaw l]loe sun, add .t weGk ml:ol; or burnt ~lef'lna.aJ"td cadmium yeliov>", ,.ioi'lger fu1'1hEr",o'a'i!Y. andil-rE.!l add this ... "Mh w ~ wtmle ptiintmg be.1!tf.li.lthe I"'Idge roliow .... lh a red-biased "'~ • ...rtJh added ql11lii!:Crido~ ~'e.fltii around I:h~ et::ge or the glare.Oul5ide ihis add a ren-based ~ of qumarndone fT'~1.a and phthalo ~reen_ shi(ting O'rl!r to n~LI7il il:fld c:iarltB- further: ifJ.war rron~ the. run. 5}d'eways and dQ.:vr'I~.

....

Colour palette

G()JdeJ~I' eee» i ng (opposi~r:)

Th~ pcltTl.[JTrg rs {J St.ICC~S5IDn o"'rjQ, -~~s~~'EnN app 'ued kl)"~rs tJ/ (C.'ow alrc;n.~ro {Cl :Jr', b-eio;e O'(e"IG',~ng ano~ n-~ wen;r ~ af !l~ al1d' darks. rf'IOO'ri! (11J:M iwv. G'fI'p.g~t]il' cNoLJIr;_ qJIT~l'I and greet), rile ccm,ooSltr"rI i1 srmpfi=, !J~l1I~ up el'ld!e55 ~bJer ~tiIr.ar.J)fl'S.' O'fid E1<r PICture ,',or:k!; \ 15.lrCilI1~ b'KrJl!lie

the rlXN:/ J,l; ,,(r~N on.d ~ ~~ I<S dr,ldW Ni.,zo;rrta!Jy IN" t,yl:)ll"P{'.c;jL.l11 SOOICifli

4 The fOl·'!.1gro. ULKI Wa5>'l 15 Of1~ \II;'Il.n

·the Mii1lt!Ol'I VII'~ BNsn mterrse d~rl. ~ireaJi;s of ph'lh.afLl gflee:n il:!"'lc:l qulnMf'ldooe mag~ETt.i rvll:ol for tI'le lllFi5 of grass IniO mrs. ttfeepln& t1":e.5e 01)" "hoe 1"000_ Brush m~ road 'Nlth dtItk ~~Decli .... e ~ of INs colour; ... ihFrh 15 also t1gOO ('Or !he mtm1'l. trees ,',ir.e;ro do-

• uru hine ran be raptured without p.;l jJl ling sun Dr ~ky. hs C'U ~t nn IhC' lend is: eonstrueted with ~1L'tl1 \.!, r hi1~s and carcMII~r chosen ,\.';].lTI:I roknrrs conl·r.b\,IiM1 hy sh n, .. darks.The ~tt~.m o' tht; buddini:Jo; 1 id("lltil'i.cd and ctdillC'd at till' OOIL-set, and I:h~ indi\1du;l] structures all!' dr.nvn Otlt of the L'cmpaslil3on as it pmgnsses,

ft~hrting a 5~m ny l.n·nd'.5rapt·

The colour m lU$ SItJ~"'ted here Q?uld be i! I'!ilr~fIU'Iw [OJ' yQ!M own fE11OEfll'Ig of it Sl,1nrty lal1(:k~iI.pE:.

1- Ti), a m 0 t"I<ipl5 ellaw. c,aamlLlm orange ana burnt Sn~nna. for the I1~L A.1!d patches 0' i'1I'l!:I!ed ~r gold and terre ...er e wei-IW.·..et: tim ~pread5 for bushes,

3 BLlJla upthe F8l mor. ·.·.flth @drruvrn

_ I red ano "aOlts yellow, rwd ~tlda Ir c: burnt SIenna n places - ,if!J~'P~ 0 I"OO{~ are ~~1. the ~ colour U~ tnO@"l rei;lln . fie lOp (ClJTJe1" 0 r;lU W I,JP >Qrne Q lfIt: W'ami. dark-colooreo fOl~e.

2 Awlt fl.<lp es ydJow 0 ~ bu ld!ligS. 53V'1ng •• ~ aee a:da a p.ak wast! of OldrtitYm ~I; to tl\l! biJc:~~oi,il'ld, Apply ~l.lr ~I'Ili a:nd run If!..a d.i!Ji:. gr~l'1 milo:; of r:mrn;do gr.;en aFl.a t:jU1ni3:cndone rrldgetlla. ~ use W1~ 00r1cs to C:o!"'itt'asttl-..e b1.Ji.ld;n~

4 ~::!~~~:a_:;:::a

pale inl 0( cobaJt blue. naples ;teifcw al"'od rufTIt Sterma:,lJse Ilgh red Q the bl,tllding face. Build up the rnio and. dark g~r:fI5, and shiidO-.'.'S. Touch I.... IE J nda"'5 WI h lndrgG.

II I

Colour palette

e' "'~n :;;;:1;::' prt)-""r;: .!';ee,-' .:ill"'! senri3 III

.PaiJ,[ltn Inyers

Thl • of <Ii D<lJJi1.lrl~ .. ,5. aserres of slfnpllfied paJn~lnii~ - each IS <l iramp~t l~~er paJn~ed Oller tile PfiE'I!'IUU;; layer. Men aJty brea iii '!.he ~a:Jntl;n~ do\.vn into la~ and W'OI"ktrrg earn one at a lime ill this Wii'.'j malre:s 'Ie prncesseaaer; Dell,,:: Ii!ge erees O!.l want to 'MJoIi:. O\i ' .... ettmg lhem

lind runnlng 1! c:~a w:;; in i31'IO n ll.nd

t at the ·.ViIler does the W1iJn: for you.

.Pl1ir~'fingthe sea

If 1.J"te sea is Iii your p2lmtlln,g. as If'l tt"t,e plC~LJre s:hO'o'l'rl nght. ~fiC Me mant ways of painting rt. c~pern:i:lF15 .on the tJ-daJ 51:i1Ie tl!';h f15. Vi nd cOfidftlonli ~I'ld so 01") (see pages 88-1 05).The wtl:ter shown ere .... as cre.lted rim... n ..... a;sh of raw SIe::l1n'L applletll.J.5rr.g hoozontaJ s-trok5 ~-on·dn:

W'Ilh af! .'1 white r.pplES fen. to 5UGGESt tIr>J= play of IlgMt. Th~9. w~ Chl'erliiJd o,'IIifu phihiElo b-lu-e.leaVlf'lg r>pple5 m the und~)' ng ~ Once this base was dry. dean ..... <rter Nas bru~ed on fl:l"n\ly in .. Ertical stro E; and 30ft.. pale' wJ(jing re.flections li-~ed OU~

by dabb 1"1& ~ th lritdrerr to,.·..e1, PJPp!es 0 phlP.1Io blue '.~ added, .md when dlj: n:fr.ec:tions added in nrligo and ami 0 ndigo and phthalo blue-

ChDia' oJ bl1tS~llY.s

'(00 CCiF1 paim.. a Beene tI~ tM 11(1&1 jurt 'lWO goodi.qualrty IJru;ht'S: d, ~, 6r-,B round .~iilf' the m.a~ari1y of tr.~ paHlun~ and a S~ 2. or ] rouod fo- '!:he. d~:t"'jgl'l,g, ~OIrn~$iliIe;; <lte !deal because Ih.-e)' keep

iii. POlnt ,,",;:If and 'hold prenty Cif pigment. which rrec~ tha.t )'OLl taf'l use a large round rar a mJ'lI~ of~, (rom I""plg bad:,8I'Ol.mci washes to p.1Jnl.Jng br!JSh~ trees o\!"<d bullclillg5

Light (JI1 ,the hills

'ft;E ~i "" Ulr5' ll'l'1U'fe IS m ~>e: sI1tJm" f'1.?d' frgl'lt5 rn ,ri'<e b:>.lld.·~ ~I( 00g5 ~te cre'I.r'I,ed ...... & .... ...er 1,'i1j,si1& Frow .s[rur~ mraLl-"5 ~<l1t·,,..,'h~1!'I a."IWrxl tI1.e:m [0 ""etW~ rtJ.e ~~. t~ 11.'. a~!l'......r~ wool WO:.;f' ~ ~'(JflC!];' ~...c ~ OClr'.: rgan " q~ Q}o!"I~rost ~', fh fr~ .)hntr tucMf'Ctl.JI,(1 'Woe~ Jl.tLdi cf rhe _y,adu.,., .5 bh ... iE gtEen, refilg •• mi!Efl~y ];of ~ 5'2:{l

Tf".!.111"1 .5

Trees by a riper

TIll? lJl;li[l fl!.]huli' i1"l~hh; rh7"f:.r~-e!1C'i5, the glint olli:~btin d1il' \'\.'i1h:.'I -e\'Crythil1g W" (i lvl.1'S .;lirrlund dtis.llw t h!.l'm~ of ~lin ling 1 isJI I' is T'e?~ I 00 thro~hout Ih~ rornpositilJln En the. b-o:Jm ['OD(...·, at lh~ hase o( !the tree an d ]~ tb E' v~:ry ~i~nt fn'egJUlJlld'l.li'i:lle&" wher!! gliMI::> ~lr(ilm thi!hfgh min <Ill.' jwt beginning ~Q be refiJ..'CtL'd.

M!flsking,[o OttUe sparklr! cu.r ~{mtf'"r

Sv.n s_p;ui:le on oruken ..... ;ltEF can tie aChieved. br WiiJ( rre~SI: on mJjlh or Not yt.;;1EITD1our" P<lpw. 00t. m~g @'015 a more Im~ng VI:!iual EffffI.. ADpt}' mi38~ng flLl] d u;;J~ <l! flog-p.;3lr b-r\lm!Ntlii m~ fLbre5, sl~Bhtly ~~yerl omW"iltrls. The.SE three sparWe. p;r.tt~ Io'I!'2f"E rrutd~

P)' dJOOIIl;g m.a:1.l1lng rtL:IO gen:Li:r do<.¥f'r.v<lro-s wrtn the brush hEM ~rt:icallr 50 «lIthe fms lUt:dl the paper~1'iOitely.

~J}' ~ ~ ha'I'lb~@~. ~ ~.r~!O. r dIM:Stl r orul:ll" us b1g G'$ !tie II~~ ~ r~ ~, *t ~g I'CLod )1-Q r U'h!! f ~ r- tJte. ffitlS?o;._oo"J:g IT~ Th!ill.aa!:ll"lM'i' ~tr, ~\;'l"'6r.,l!;. m~' m:1I'<I ~f,:;]~ ~{I'(;"!'I tM ~ l~~r L~ B.'l€ f~ ~Ali!l:!r ~OD (I'r;:b ~ n1I7--.. I1IMr~ ~!:7U!i ~ ~I;:if rl!:A.!l:in!! ~~ ~1~ fcpMf 1l'1~11,~ ~ CJ;Iil ~ r.:arl:ltt! tl~ ~~

U"l .~ ~ W rm~.ng ~ l.~ 1I\o'herI tI~ ma~k-.1r Ii-.J '1 ~ cit). ~.:M M ~t ~ Cd!< @ xmc'Ic 1JY.r!. ca.loo- t!"I~ I',~-~.Iol;!r ~ "'!l-Q!1~q

\'\if-~ u.e- 1Ta;W ~ j?u(l ~ 1'lI;mc'.P1IJ1~ fh ... iJ'{ [~ ~ ~.81'.;:od Tt>e.<! ~ of "'~171 (ontlmt ... rID (b~ cbwe-, "'er-'!P '" er (crJilL>f5 of lhE OOfi ~ m~i'~~

Co lour palette

;;:0l"1'1"lTl ~ '. au -:;:~~ m..>§.~

fr':!( c.fI y,lI2!r"a.nk: •. p lr ~ D-'.t_ • _t2!t b U"" • uo,· r,;ji~:) _~cn '. tit. rr ~,~rcftJ. " t:.~ffl

L;~ .. !.1 • I,~' ~., ""l:iigD

Ripp.les

Refb:UOIlS often rrpp!e d'!W~ In a $e.rl~S of r-;om:an~1 and ~lc,§1 ~'I;lp!1. ~ li".em no .... lease')' oil th<!!i po Irtl of me br~ Brush them Ir1 ,~ $enes. or loosery p;;iJnter:! ~ght 5'lI1.1lkes. gett""i ranger as. mer j¥!t rlffl:ref: R.nherdlhan coD'fl'niiJ, the ~C!. sl'lape;;, .....or:l< f~t and li.1:l IDe bnr=1l produ-re V1e sn2lP'ffi MU1r.a11y.

1 Mask lt1e "Spa;ri:ks; .",,1th a 110g rtall" brusf-. Pall'll 0f1 dduro-a p;h1halo blue and tnlJ1go. W1t,n ca4mIU"''' retb.'l', bwnl :SL~rm'" .mel pl'nha:lO ~re2tl In me .ba(I';groyro

'I'

2 A~r-·the diilh_ • are b.~:d IrlilO!:he oo~~nd~ !lghlly l;I~h In nppl~ I!;If tftl;: W~F ITIIX ..vei 'Of1.>Qi)t.

3_.,.'. ~ 1rI 'e ','4f" J~~_DI

'I"> a, pant;fTI 0 """~! "'~ bl~i; jlt;lp:iQ.. i3,ru:J ·~the tree ~~IiiULOfl [fl ,jj. ~rles of "PiP~ beth wet-orJ4ry K~ bath colC1.l~ IlgFtt "round the Sbltl s,,",f~les.. R.emove the masking.,

-By .the riVl.. .. rl uuk

~ mud OOrl,G ..... "'1:: nmkro!l E~ ullll~r Wi h G coJClur s..'wap.:r. -ht' sptIr :.:'e-s QI'1 me ... ·Ol'Er V'.-e~ oe-aIM as e pMmed e L ~rkJB iJ lrglll.~ ere s;pro~ - ram a lool.hbrusJl') il'o'et the: lalld:scapce, (J1'1('j trees illl eo {ur !lr.iFlk and 111 IDe dl~' ~mce Vier>,; wart?r-l'e!ldlered (see ~

l~) Q.xe rile rM~k;ng l'l"(Ji lE'mmm [he Ia~f tree U"J{l.G ~~ -'J'!: ~f~d ~1lf1 tJ )'flJ/ol.!o'-green m,.., ~ gmt' or cooafl i:lilJ'F.' ond !It!m r xEnI'll] .:iUp'plli:::i the smO'J)'.s fO rm tcfi or dm uum;~,

\NIl" []J1 mfens:e 0011' 'flr-o; ot li'~flC~ [Jilr.ttUlrlrlrre or.d Ijgnr red. ~tfne'l 01)1, me del", ctIJtilUf '.".)i d~d C!;ross rhf !links (or bar - BaoigfOOJnd dorns weJiC ap;prlec:l wlm fTl.jKe) a - qlJ'nrn;ndom~ magenra. ,-rene" o!tmmannf am' !}arm Uf1ibe-I, wtlol/e vrl:si1es g aum S1.ff1l'liJ \'E.f1E opt.l, 'e to

I: IT. er oon: .. Some (J ~ rne wr'er ~PrJ,' es \.,-er(' tel la. lij' toec ng I:GimIJ' lIfi1 them

I3JlIl>belh in ,] fiJ:re51- a ~e"'I:I:rIl:!.Ol .bh.l.m.d SU! .. :tlIL~ ,JI~ iLU]'i.mr. a shrouel oJ $l.."}' dr.:J pi:!d en Ihe ,~ood!ilif:'l~!1.wr- illn hOt ... do<}'"Q1i.! p.'l~nt lhem?The al\51.~'l.'!jI' lies in ho"". )'Uil1!r ..... ·iSUiill, FiI1lind decodes the iIIm~ztng; pimped:: o~ thousands ~}fir'ldi\"idll.jl bluebe<Us. Thls ~nl! s.h(lt~ how l0p.illnt nn:t im,!' blu~~1!i1l5. but the ci:li-c:ll,htJ'Y 'C:[i:!'<Ht! •

. Pahrtiug iJiud)(."lls

if"'k.skI~. is a. LOnvenn~fll. ~N3'fOf' $3.'i;lllg ',!!'TIutes, and <L~SO ~<I he.a.utrful ~uILAn Qid I'1Jt1l~ :brush W'ilI.$ ~OO here, OLMer WZ!'rJ or oamTJr>g blucliclls: loc!ude w.ax resst and dry brum

1 NaSi{ '!!he bluErelis I,lS'll& m~f1)' Upt...r.t1Cl wo-'k5.. CrnoEf" :the fClI'l'5l iJQor .. wll I<lrger' m.;;oo 11'1 tile ro~grnoun<l; ~n1<l1f;lf"

aM do~oa~ iur1h~r up the D<!J11(lng. '5pa;n:e- masking \AI'Ith a toC:l1hbrusn l1rom d~ [he ibregmun.d JmCl the clis"'..mr;e for drmlmsh~ ~1l!ff5>Le.A.pp1y pale colours

krrlC'l'lIe the iThlskln:g II ucd, h=4l\J'lft!; the .... hrtes fEn the hlw::belts..

2.~:.n~~~~!I~f~c=~lil>~ and

.q~I.l"I;;D"Idooe !'I'lag~\a {'seEn,he 1Y':i,,~n Itnage~, U~ ~rap paperm pr;,tect I:hl$ ilire<ii ;End ;;P>l!.r(£T d~F ';IW~Q;~ 01 the· green ~ Wnr;n dry.spmt.el- In~etlSl:! dark orthl$ WJUl .l!.oo~.o frend-!. VW<lrn<1lV1e arid bl.J~·Ol S'eIlf'I3l..

4- Touch '11 the .t:lI11.I'E~~s wrtll the .:;otlaJ1 , bl~ ar,d qtJll1oilUldone rn.;;~mfl mlloL

III

Co lour palette

fre~(

- m ~t-'" lu • nhj.h ~

1Max n .... "i'5', bizudrel1s:

jq,b ~ ""';;I:': t.an(i]e g~Ul on rough or Not w;;r"en:;olour paper. The wa.x !-e~s th.e: chrnpled s..rria;(e cQve::rOO In 11. tel'."{ute o~ crear y~:x. ~nd I.!rl','td)i;£!d paper mat oocomes 2:PJlil~l onJ:,o wnen wet ("Coot" t.5 i$P"1I00.

1· - 'V\f<!J51.. candle r'-.:IbIbed on white . paoor. r::lO!;ol,lr i!pplre-d on top,

3·... w.,,_~ ul1-d!e appIlOO frrmly over bI(...~bo;;ll colour. With mC'1"e c.olour ilppl1eG en. top

11'1: nu: blru:beUwooti (opposih""

1ifrt> bJJ~'-*Il§' ... e.r~ roo~rJ Wl.K.i7ed'1n ,,-r}! {J ~eGr brt..'e .jl)/fl I'tII"I'f'd from rnOO1~ bJtJE .. nth

a ~,we qlJinaaido.~ ~r;w, ;oJrm\-ed!J>.. Q oorlo:e ml .. Sa~e plBlI'l' I'Jf"Ml'tes m- (lie rCH~t floor ;s 1h,mrrr.i1'F.flg ~\'11h j,W-t. fu..:l CarT" ;r~~ oork,s; Gll!lWld S!lIfi'1'e of till;' bdie./JeIli., OOf ~ wrefur nm LD 0-. e.mc !!>~ ellen

H,·w·" illid~'finlh t r <;nakil'lg branehe (n iI W mH,;md (ilnop:.[_ MiJl'king o1J1lm,,", yllU topaint an ",ppilronl:lr ;[Dmpl'~" scent" l.vith cm;C' and ;]]50 gh'i"5 5f\rm:-dad branch -eirecls. Th.1(' bran hes mav il, pear to bl!: ru"'in~ bur the undC'rh .. ,og structure is of

WI sen - (J stli:Iight lines dmnging dlrcrlinn ~u~d~nlr- this is the k~' 10 cl,[Ljlv:ing oonVil1cing LNI.~.

1asld ng trees

M2c.o:k ng is more than !W~ 2 melt,oo to make p,arn1mg e"'~er. It fE1'I~r$ e>;ql,.L~~~ t~ and r.urr::s. miling 11; 3J 1:Ye2!'. e ted1f"1lq '" 11"1 I'[!; O'M1 n&1iL

1. '.-. i"'le_; the trees u!Olng a CO:OUr :J-r.aper

and alb.-.- 0 4ry oal\.u-ally. Wee .. lIl~ 5.'l1' and pamt with pi - hato bI~. i'!.Clk'ng Stlre

he co our cnes even '1 .an.o I~ (10.: )En ed' iG ccmp;u-unerrts 0 dtff@rent In{~:.

Sh:llpf.ng fn'i;' fruri.kS y~ Q!iI1 collti'UJ a

'.'~""f1:;O our e.-erT LO create an mp.!Ct I ~ @'.t'!fI neree ~rnpl ~e pa~~~ of colour ;!C:'"e:5S wet paper" Here ~ iJ5e:Q to 'I ght' ii vee an(J b~ i body:

-~

2 ~~~:n~:! ~~~~'~;~r~:~

mixes aT p!;j~t magen13. burnt ~e~lI

aJ nern:h u r.arnal1t'!e, a Q InteflSe darlG 0

frefl1:!h lJiir.lmann£' and Il"Idl~n reo.

1" WeL the tnJnr..s and brLtih ~ bun'! SIC11rta "nd yeUov. ocr e rm .... "etIn-weI from tile 5ha;oow SIde

le ~ n 5pre,;;C across,

2 }o,d(! mote oom

, SIenna to tn e 2hoiOa- .... SlIde, ii:rId strea>tt 3(1'055 .:h~ tnJnks.. Md frem;h ~h:rarn-.1tine and Iidlar1 rea for- U-Ie di'!,lio: ~lde5 olru:l drag br2n;;;n shaooW'S of lM~ <1I.(I"()5..'S"

"P"l

I

I

Cobur palette

3 Remove: the m~~:mg at'\od r;e-mwlr.

. tbe 5m::l' .... en the 1)(}~·5 orthe lar-ger [)f:3nd1'3 on!v.A,jrj 01 mrK of O1Jrnt sienna and yelio OCM;: 0 '[he blOf1C.h-es anti darlG. or irern:h 1J1tri3m;:tJ,ne an<:! mdmn red,

3 Deepen the colour and let It dry, Notice the CUJ1,m<,g !iJ.rokei fO!'" mroo ,..'S

t!5UJblng the 01"'fI"l of tr~ lr\J.n~

.Ui:rilJUC7t'l'!S O¢ •

r.!!l~ of

Subtl-e~Dn he ml':'OlEd WIth three cclours; such as f~11C uiiT~e permanent ffl.3gem'l il,fll:;! burnt senna, 1116 mo; an be :; Ined between OIDnge.~ maroon. Ylo'et and blue ...... 1h 01a.1l:JJ"e greys I n between S[MI w blueand when )00 <it:!d the olher 4lkJw do >0 C.l1.ltJ.:nJ$1)' as, rrcn£h

ill· rnrnanne '5 E.151Iyg~

s: \ t,~!inter ma.lk

"he ~iUre1> WfH:!' frnJ~ 0'i1d [jJLJ!.n~d rn '.viri gtE'r5 and 5CarlC'

Ke - u .5l"TKJir CI mourrt: of If!d

car :§I·.-e any scen~" .]1.. Sro .... an

e ~sI'l~ ~'M§ ma;>i.;.ro .,"i ih (l n~r: ,bru£~ (Jnd a~ t', til (J pen- (jib Soolt! or me fe.xwre .vQ:S sporren:-d aoo the l"Th'Xf~m !'IjJ: flf,fod , .... in a gre:r IJj rnbah birJE

rlnd OLJfflt .senna. ;e 5{J[]tdl

m~ 1)11 r/ore stump CJecllN [he !".Pc ef{Ea

Spring blossoms

'Pi! lllllin,g blcs om is ,I!d$!i - most of it is saved whi,te witil t,!;':l!i.hH ... .Q mn~k'ing. and ... mall ilCCI nt - Qf [OlOLlL These t[ny ilril!'il.'i DC colour mOly be paiQ and rC'v.', ~ut lh,-'Y create a pm'iicrhd vi3Ui.1l me sag~ lin thl!l.::~ of l:ht!! beholder. mming shapes

i't round th ... m;;tSkilil~, Oll1d ~ '!iI di Ilg to the .. 'l~.al condesion o(iblos.QQ,m'.

Te:.lUlrRd maskf,rg

Blassotn l'e>i1ure

Uf, 00 reprodu(led by I!EIng 4ft of.d bn..tal ~hirl: .. h Jl"I:dlihng flUId as the ,ap;pk;rt£if" for ,. he bl03 5l:lf1'l rn;;s~Jng. An tmtJd}t tlapl'l.a2M"d rneans n~ apphcatron W'Ith rnenl) of

rn en:!~g sa..-ed I/o nle stJape; hE IE the bkmnm 100.'= [Oi"iVInting. ..... (}. <III ma~1ng term Li}J5 ~ 'o,till f"Ii?ed ;;; t'ian:Hu'i'f3ce ~·r.llen::oIQtlr paper

1, M.lSk he blcs!.om

_ .! brush thick ... ·M d:1ed lTh'15klnt: fl'"IId:: U~ .a colour Ylap€r 10 n\Mk the tru:nk and ~2 branches, and use a IP

pen re rm ~ 'o"/lg5 When

dr . <!IlPiy accet'l s of a m I 0 ruplQ5 ,,'e1lC',,~ aM qtnnamoore magcl"lt.3 b'I d1tOIIlg ,'lI'lth a 5(ru~'h~up bruSh

-t_ r~

2 '1/1,6 D L rEITl(1II fl~ha

, mas ng. roughly d<!.b 011 a nol-et made of ~obllil blue ancr qurf1arndane ~I:;;: IMID d scrunched-up ~.I$h Mr' .Ii W fmm 1r2'nCl'l uJt~ i!nd burnt c1mber imo roo~h f dab 1h1~ Of! for·t)--e deep ~ci!r'l.15 cf shade s"~~ .1br!!..l1

Bl05.o;am Winl"''''

To. ge a 51 1:F. e blossom colawi' use napl~ ~~Oow as a 1:0 i:rolll:lg medn.jm,1J;o" pale i low 'to mute. and pa!e m)ll~ or qurnauldi:me l'T1.af€i1'"il::a and cob blue. Noa.p!es ~llow WIth ~ I~ CjUJfidLndCl!ne mageJT,l<i. ~~:s a pale peach OO!Ouf. A lit more qu l"IaGll.:k:m'f: magen~ gJ'>5 a soft: plnk.AddirEg roW! bI ... e makes It Vlo!e Cooal"!. blue. ~ ale qwn.a(ntione mage" .a ad<lec:i IS iI deep bl~ VJOIe'_

"'Gj::'13 l~ 1].'. - QlJiI"G('JI'"<kir.e 11!T";$E,nlJ

rap.lfrI" ~", " c.oIoo'{ bILl'>' -

(,'tJlfI,OCrlli\:! _ '00'".!#".ur ~ n(lI;'"'.;1;.lIce rr:~m

3 Us:,,"'.g!he i "l£ffie dar 0- , frenci1 L.J!tnJnanrie am;! burnt lJI1'IlJeir, tmrsn hlrancnes. and ,.""gs Into itIle tree. Budd

p mere ntense rol,lZhoi"IC In 1he c.entr31 i:lrl2,. sa; .. lIng. Itg'l'm In .3.~tlIDn to lhf! ~d bki!son'l Dab tile brusn .,,~rtJ(all)·lo ~et the 1T1U pllot'l of In;.' maf'j.;s

4· Remm-eo!.he rna.skJng.Th8 lakes jj'luJ" of the en/our With i'I:., a;;d It is flat al.v.;p;' a 1l!'edtr:tG;:,le process, Some of

e a:skrng .,."" I ha ... e .0 be: reHl:>!3ted. bu't t IS 1$ '\-ery easy. The LmilgE' clur.ge£ a 101 at mrs stagE. but tne blos:rom U?)1l;1Jt"e Ii v.'clt J3E'lI'Elooped

5 Rr-_pI..a~ '50~ rT"I4>king m>er- ;he ~Q~m ,land re- ..... }i!,~ ;;IfioJl' OOnchestTIat need protecting Reofl3lnl tile' p nk.;;;~ ~ IO~t_ and alffi the dB h~~ghtt. branches .and ;,...,~ that h:ad dl~pe~~ ~',Jth thf: rnas.kJfli& P.arrJt m€ ~nk ~t-~Tt-''''''"E( "Nltb if !TIl:!!: iJ'f bum~ ~em.a. oobah blue. and e:.;;dml1JfI"I 1ielTiOO, Add a a::j3l'k or rrer'iCh ullr;lr'AAr'I!'Ie and Jwml umbov"w the smdiJ'.'I,I_ D~g s:~ .j!~ Ren'I?\Oe the m.1.5~

B'Jos5a.~lltlmr

Partmng blbl'S'Sa/Ti I;> ~ ~5Y port, ltw JJeed ro p(lrj}[ ~ry I[~ JlJ51 '!lKl OC(;f:}[S (II colour. MGI:skJn:g fill d ~Jt'1 ... !h~tes. [JrK/ 11110\','5 ~'W fO .p.I(Jee rofl1pJe)f[{'l'!t~ {iround me r~(j 111'l'G:5 The ~;ng p~ also ~tes IJ,etiUl~fLid

.. :ape:s OIld ifrJ:fl.!'fE'S IfI ts!JWiI'J ~h L. 0Pffi~ up ~".,d;1I11f15 liOt cr:.nl~t' 11{ ~*'fr Fl1rtm.i-

Un d e·····1~~-I.· .. · ..•.. rounh

- I -. 1- -. ,_ _ _ .. _ _'.' .

I.. I

./1, simpie'dryscape'01 ~"I,.'1.'iig~ can 'II\'mk weH if ~'OLI U'!5C CQrt\;I1~.mg t~l'Ohllu!' for the furcgrmmd and ZI radirel ILlnil! range om white- to dark, The trees

-, unterbalance tlw sp,m:~ 't he Il:!tt, the hod:!on is .i'bi[)I,·c tile cenlT'E! lin!:! to el1'lphasi~ the fon;grmmd. and ~'hl!' shadow links to the hJlli1l[Olhnd.

UJ9e'wd rutLkillg

Alternate i..YEl"S oma!ikJng ·~e· , re ;:!firl

C OL!J'" CQl'T'Lbr e to h",jld real depth df'id I"1ICrE complex lIDiflJ~ Into a ~oregroUI1d.

~ .. ~¥~~~~~~

.. ',,-

- ,

Ii i?~.·'·lh

Ir 00 111

Creative bm fmmrh

La the ~rmke tI1e nal.tJral maMis rt 'i dcs~ed for: ratner an If) to rJlOIde~ rr:.alt!ofl'" fur l(lur~ &-penm5it -Q r'rlCii out me marJ,s It can makE! aM IY'.>'E! them A 2ooo~ny :;;able brush r~ a pot~t -ooLTry mont • 'f'fEflt l~ (if rush for

'.!rrety of rn.;<r,;;£

Colour palette

e "I f'-fJ1~~ ,. q1..71lJ

'£ •

1- API*! d.il:!!:EJ ·1 sn ru aild t\ Ig;

'..m:h ". roIGW snaper illn.ri dip Den n~ fl:.:.-ne<nlng out fU:l"tht!r away Apply 00 hbrush mas·· o-fuJ..od ~ne· Ge 1'1 a.pptl nnrlin_g ilUid ,!!X'ti.Jfe ' ..... th ~ 'p 0 ~ :a

iltr.;·]-yf, brus Drv It. Spatter burnt I..!ffiber frr::"1l blJttnm to top and bn.:eoh iii f~w ~

3. ~:.. ReoliD''I'e !;!~ mollkrng Uld cOIJefuU and ~Id ~.J~iIg 'tI"e clark colO\Jr:: NotM:e

erethe 'l.'Iil'i 11;'1 \Ilk - ch ;tn~ ~ 0 p.aUi!ftJ

oli ,mgs I~ laid 3.cc.o.n:1rng t.o ~ ... -s of ~e.:oil'lhough chant c. he' nes oper-

Ir'ItlI:r ttu: oreground,

Wl1m:Itt1',~d _floor ("ppas,ite)

Th= ~ ec !!:.' WE' cr{ (] ~~ ter 'OOdI'and ffl:JOf ap~ v gJIM n Ie-

a:'lgI2 g,h l V1t:~ElJ 00 .ng cMnn1s [' _ ""-:<1, e Irilfl OOUJ1C5 err r..I;;E n, ,gL Te:-.UJr::' i Clfra; mJl,~S: obour r"~' oIT(S4:cJi j[l.ws.wpe. :,ut rhe !I;f,l! II ~

o'iC'>'.-.::J F&- 'T.-c- ·rhoS IS oren el:ifjy Of {me- JrI the- dG)'. ar<l ~. :1lf"_'(t1(j

~ E. iCJ r .01 rJ-'E sim

2·_-· Mmk it rffi"lj' mere stJoo and .... ..ngs_ Brush a daii:er colour mIX of light

red End D~·.s 8mi'" farthe fi~ t:r<Irery oJ • a.rb:::r'~ if'i !.he foJlagc_ ~ar-..er more of thl:; colour to ool'd the I a)'e1"5 of gs into the fo~mund../II dd more layers of mii-;k!r'!i: and ro~ou.r as ,Oll WJ'Sh.

4 -ouch, the R:5e. .... '-OO ....mitt'S .... ·ith a r:itJUe roloor.At 'i:J'i4§ il~ &SO oldd c!et1i~ texture ro i~er- ni"Jmes 1j"1 ~'Our jla!nt ng "0 gIVe them form Use f! m'~ of

r gamOOge and s littlE green fa h~

i2.a~:t$. along' th some light red.

~

I

,

I

In.s!!.It'C1d ' bemg ~ilhOltCnN in' mH 0' bri~hi Ii~hl, hl.:'ru' nee and object..<;

<lr,' bleached om ~Jf e;Q':;!Fnce'. bent h1W'Url ~:~l.II:I\\;_ The (QtoUlii< m va t11roIJgh mallge and red Iu ffli'lgenta. rn:rTiSOn Lind! bf,'U:k - 'lilt:." haliltinn -r:d.noo\"ll - iii partial spec rum caused by glare- in th~ 1;~;;eT \,';tUn this treatment the whites can look hrigMer than 'the pape.r.

1 Mask ". 1I_gIl on e lBfl(;e and a'dd some oo,hbMh 5pilrtflf'>.. ~rm= bacKlit 1e""'E5 and gfll1lul'tg fallen I~ Allaw to df) GI.w.; naples rolTov. aMi ~ nnle transparent ow r:Ne.r ... ce tre batkgrooml Ml.'mg .. 'halii for Lne bouse, Add more tren.sp.il'En )e[lO\t.i 10 'the ::e 1 G1~ trarep.arelll )dO'>v ~ th:!' mea,dow dlind add 00mt slffin5 n strea :So!iitOnger in tho::: roregroun.cJ areas

II

I

Colour palette

C;:1i:i1l·1I1..1.'" lerner + , r;; r.,.,.,rerri -e I ~. Gu, ... .! r Jone R"~er.£;; ,. ~c uID~r.e·' <nil, il~ • ~.1ha' gree,.., '. '1:If!t!! i!;Uow' o.trr, ;;1':'1 " • I (! ~

2 \f'Iork IMD the W!!t rn~ad'ow hy

_ ~rglazililt mugh ~ks. ITlto e gr:a~~ area 1J5rJil,!l mtll' ~f'eii!fl, Bnr,,h In 3J 1[. e iJ!;-MaJo:ween in CTI»-UOS5 fMh 0 ro

S'l¥ tr.~ pat1E:m 0 si1a.dO"M.leavmg plen y of underglaz-e ~<'"rg. Mr. a darl< green frGr'!"I p thab g~, "~ 1.l11ra'TIMIDe and I.,dlan red and br ~h Ij"I' trll$ colour ''or-the '>ha.dcN.t s a f1'd d4ri' du ps of gra~

4 Bmld ~ br.lnc;~ N~ , e iUO

, they l'Ie pale. h 1"Jap!~ yeUO ..... and

trd.J'iS!laren1 yalOll\' Furtheo.r iNi7I'f add burnt sterlOa. Then add qwna~rldOlOe magenta

n a mnliri ousl) chan~ng rm F naJI, add p~l:hakD gree.r'l: Ptawl:"SS'l"i'EP,r chang,ogto

bl ._ for ine run: ~ brusi" hgh ColOur 11'1

II''>l then "au da!+. down the rn ddle ':rr'ld l!:!t t 'ipff'.u:I O1Jt The ':re5 Lire darker fUI ther .... '" rom ne sur.

3 Rev.'P-'t me GllsT .. ant awea, 'aavrng, -na:she:s'

I 0 dry ps;oper: Acid tolour, keeping

the <lre.a !:dow the sen righter, USfnE tra!'l~t reJlo..... en burn!i. s:t~nn;; and l'Iei'l<l.. qumacrtdone rn.ogema 'Man a II"I;de pb'lthalo green. On the. len apply i! rmx:~ ·OOtk of qUlflacndooe magenta ano ph _r~o gl"e'ell.. e.u~ eeloers 'ar a fe-oN ba'~rQl.lflld branrr.ES. Surpe ptuhilfo ~reel1 a _ ng ~~ 1cld ~ OlF'l'd' palm. tl;e deep, fur sruQ(;W'"

Leii"o"e spaces {or the a..ree trunks,

rim11 pahrting (OppOSUI;"

}. l~Jgh 1:'1 shaee, E h[luse- Jj ~t Ncoce rile ~41 CG">l, wlh:!re sun! t gr.cSlii J::.ormc:es !h~ ftgffi 011[0 me uurt'c$ nq:;rr ~~, Fajlefl reu.es a.'1d Wtg5 nre :;;hO""'...eQla'lderneclt/t f rtte maskJll5 IS r-emt7.'EQ 5C'~ feq,'M !t."e

r1l"~_ ~ 11"1 11m o 11J~ I;i.oJl'.r. ~;en(la

l1\C sky here is!l series of \,vet-igj-'li. ... et g~~;eli!!!>, gi!'~ng oon'tw'l. ClHhc ~ona!. ~ff0C I. and Ih~ oslour di::;trlbutiQfI. h lspo!il1Jb .. -dffir~rr.a a corner o.ppol'He the sun wherre it is darkest, ..ather than thf! lop down, Skie::; oft~n d!.Jtk~it'I i.mpL:n:!:pHbly·.lt the hOrlZ:Ofl, and hrin~[lg tht$. ph.'ct'!.L)[m~nQn IJtlt~fl gh~~ a scene ll1C«re impearL

'1" P'li!t:f!.lh<=: horizon ;;Et aOO{jt one-thed

. up. .vrth the OOilts i!'o'ld)" fium the (entre. ~ the c.omp1e:..e boat IlLJlI up to the: c.;;bifl toof~!::Im not the ~1!.J5l: ma:sk ;j; little I'ru!Sllicad detail, Mask.thecb"1,l.rr:t b~4t hull 'too and Ol. few w,:~nlltght:; on ;he oorrzo.n.il'5 ~ropri.3!~e.

4 Wrttrth1e c!;k1" still III. EU:irLl, :.h phtl-1,;iJo_

: blue o'!'erthe .~ more stmn:gly. ~ fromthe "lOP right·h<md (.QfTIff l!Yi.-O the m~. re1"IlD"N1g paint, and adding. 'W4ter

to the OrJ;,lisn 015 !lOI.! 'tmr1:; n dO'l!-'fl to the hoF1ZOrt. Man~ot.h& cob::Dw ap~ons are I'05S1bl!;! for", l1l..1e s1<.')'.

Colour pa.iet!e

·r;t.rr..p~1 ~ '3" ... '. "Jrr' 'l.;.i!'!'\ ;].:"t,,'f! '.' G- 0'"' bne r ~ ..

o::Jlbru(J ~~ fII'\o!.ee"'~ • f-;rc., 'oJitn.rr1 ~. p'"1t\~ , '(ott<; ~ Dll.'e" ~"l"il';l"?~ '. ,~'10':. ~n:. wmt '-r.3

• ~~l ff.!rd

2 W~.the sky ;ID~' thebooeon, Brush

. quinatndone J3J i1/oFlg the norizon

I'Pie so that it fi!dES upwiilrds In~otlle wrte ~E> fn:l.!'I haUy,,,ay up, Bmsh In a brnsd band of a.dm-!um oriift'""~ lUEt-'fl- ... "'Ct haJfwa. L1D the 5kt btlt not qurte tn the top,

5· - P,wt me sand \'k!h O! b.asic w,1Sh of , ydfo .... ()i[.h.-e. ~oo-dr'):. 4ddrng ~

I de light redto tre fOfqClI.lnCil ~nd. ""nd lea\l'l>og lights for ·the ?Oo~, s-..w~ep the coloW" across ';:'.1'[h~ point of tht: bros!"! If! fine Wi;'atties (jrmlfl3Sh I~ n -,Vldt!1 for l~ diSlal1t :;j!l'!;':ol5.

3 WijJ-J the sky ,weL 0[1 the rrghlof

_ I the pailltrn;§ bru;;h jn a pale ....ru.:" 01 mbafr. blue iit the bolliOm of the ~ .and IJIrl~ or ph~obtue ll"..itJ-; i'i5lT\all amoum. or ~ti1aJCl gi1CeIl ar the n:.b1P.Actd a Ii rue ll'e"lcl'1 ult.ramarine aJoq~ me Mrilo'n.

6 Bn..~ in th,e dan.: ~~ V!lith <I."Fr1rl! of bumt ~~li<'l and ilr-unc.h ,.Jtr~e: lor a 5'1~ om orown...lJ5.e- the pO~1"Il of m('!' bn.J"h al"ld ti3p~ the 5trokes. off, b\Uklro-g Ul~ panern or pook al Ia .... b!le Ttt.e 1atld 5ta~ !ish~r lh~,.. ~ sk:rt-

7 &us., ttle FtO'llZOn 'I'.rI me_ burm _ s~nna relllCh U iJ"-allYflfle

m 3I'lod (or_ nge" arks on the ~'d,.dry brus IfI.g some ~re.AdCl <i! Ir~ gum am c. to. I.he: ¥l,et peel be!Qw Ihe boo.t. Md a btl e m' of phtl-Wo b1u~. ql.J:'natndcm~ miligenl<l!

I <illd burn sJenri.1 to 'the p;oo;l. ii.vaiding th~ oo~ re"lf;ctIOl"I. Pa~t Lhe ether ptoGls. \'; h the S41w.l' "CIOlJf -et-cndry, 1~lng <! fEy.:' ·sp.i'_~· Q ' !Igil

filmJ pdiJlting

e _So (!oo ~ I'll!! j}'J'lrJ eel \'1[;1 a .9ze 2 sabre brusPl ('DOOle OIw 'oNl CI (Ie

I ocndOOe lTiagenw and bumr 5 _ CI ~rcwa .:J "ILa WE 'mEi lffiI"f) -Ihe 000 .

rr~ kr.·,'e~ purl rs pallHro wer~ W1m trans1J;:.m'1i! _IIIEl/un' and ~l red. The .5lf1(ldow area IS e..'1'l~ 1~"TLh (L'l In!f'~e da,'~ u~4~mret rnE'5 U~ rile hUll and mb.n delaJ WIllpte{t' r.h~ ~IQ: !'IUl~

Dramatic sky

To freeze iI li'I"Iomen~ of f'h~ mity< en p~per, it's whO!! you do he(T[lre you !itCiit that

mol UiCT5: mix plenrty I::i't ptlint beforehand, (hen run the colours slmi~M- Oli lo the paper and ILmoe thern alene - 'this way }mu preservc \;tOllnty 4ln .. -! ~pr,~~onin ynur miE'."_

_ ¥

- - ,- -

_ " ,

..

~

crouas- wanll to caGl

Thi-s !>..""qWflr:e demoJ'1:!;tr;otE~ ha.\' ~ding fim W.al'i!"lei and then cooler colnurs to

:=!. ~'i:' yellO'N ~ [411 procluo!1!! dj[ErEfi'L efT&"1! IT ~mw m~pE RemEH'J.re- thm ccloL.,T!' rend to be Will"m....""rn€':lF <I. rIght ~liroe' and cnoler fLJT"J,e- ~.

.Dt~blli'ig rml tllith kild.ieJ~h'l'ilTeI

'fuu can c:.re!le cFnudi by d<!bbirog om ('OOIff (FOOl a '.'i:et o\'II25h.. u~mg a. ~td"$rl to.....eLa damp!.l:M'l!:!l !ill'/,~ son-~ marks. Mile a dry a,,~ pn:::.:duc;es IlJrd~ edg~.s. M ~. Aoo!:h~r ;Khfliqu~ ~ t:O [,f.!.. OuT tlllE' (D!i::J1dF with a di!J1'lp d:e;lin bru:.h, 1D (l'aat~ ()(:;ud5.!till hignlrghis.

HnrddJ!d ~Ii' 'l~riges In the 5afTlple onth~ I~ht

rr..e m:l:Of5 V;Ere ;apphed from 'tlie ooncm up, ffeatl'l'lj:! a soft u:p~ edge. to

e?'Ach ~ rro m.e s.ampfe .l3!xNe-. lOP. the t:ctlour 00 the clo\Jd wasa:ppli-KI (rom .~ doud rim dO'll'l.n, ~Lmg J wft J&~r I!'d~ to esch W<&l

CumuiJ,l.s c/,(]'lldS; (ri~ht) In.thiE f(!fl1l<i1Lc-n, ton ,;;ro.d found ed~~ form thE' masses [iff deud Th~ U:"P ,~~; .!!WE holm a:nri me lrn.rer ~n5 arE soft, Th~ d.ou~ ooe ls s"!:!~'::. edged (Jill ~. r.ElteI, as sl"iown here. ----

IIIII

CclOLU- pillettre

_,.Jf I u" ~ E ~«"' :.c f!r~ ul'fl ~ ~~-e • fr~f";' ~ i~ :f":rI pic-:- ... -etJ~!J ~

Cloud' _,ol1'uaifim.I' if {I:~jlJ:ve)

A ;;:ef'l.:5e nf ~. ~ of thTs. mas'!"

of do-ud;;; rs ~n by indudmg. e l;mrlllJ.'>t <ill ~ \;CI)' bonom of IDi:! r:"d~ The trip (If thE demo rEfi&_-nth~· '!lU!1··~ light wni}e 'Ol~ icw.er p.an

I~ dEep i:n In<l!dcm. fiJrth;;,r;addt~

t'!l tne lffl]Jf6Si~o of 1Ue The ciD!.JO cofours for 'this p<!ff'lw\l ... Ct'e.~ of c~1t blue. )le1.l.cN .. ochre ,md ru;,"'N gamboge

Capturing tht' s!Jttil~g 5rm K~ att il 1.il1''"J!:,:e p<lu:h of Ilgm for the suo and a ~ of light n the v-r.n.er; \iuf.'t the pa:per:WiJ,rk .... g

wet frno ... ~el4dd the colours qufd:I)"" \·~rkij1.g fnJrn the rl~t6t te the ~ert and ~king the r;ololl'rS to tne sides of·tilE p.o;per; Re· .. -JEt: an:, ]-.arn ed~ and soften then\, Jfl:he :OOIcf1t OO;§tllS to dry. leave ti. lO dry c.om.pl~lelt ~ne:."'1 fe-\ .. ~l.i!nd b..a.gm agan

S~mset Qi'.!'(iT Ul'" wlHC!.f" (a~IOVe)

V\ohllc fm: papeT 15 ~et add u-~ drwd ft!tl~

1[1 1fle ~~tllet [lJ1aj, \IWJen tile (1rSt sta~ ~ dry. mkj [f-~ ~ 5~ ~l1h tr-e m.!lm IWb-e pLIjf:i' !}(f~ 'I"'et IDe PO~iI' In.rhE clQud ~5, 1J!-.en drop JIl r.~ ~!Jr:5; ~[1!I'j wDr~ ~"'E1: l~1D~'. ef.. ilOO mid 5lrcd5 (at ~ min doot!. i;o\-e! 1m JaJ'ilJ r.nd m.tXI bunk; \'.1R&'P they UO~ Ute. ~UF1~ Il'!'~" ,Brum eM!" oIontl ~ wff C!~tX. ' .... 'tlrtw.:lr .... M pG!l@f !l:r.Jt)ss Ir.e ~a.IlS, ~~arM FiMtf., fi"lJ f("l" $h!llls f1( !J;!ni OIl! obP1l"[! rl're I.tJnd~

I

Storm and li6fJ.-.-htning ... '·, ... ",,·,

I.. .. I.'~ •. 1

r-ib..'Ti'1 nuw 10 rut Ihe LIp into tightniu , Lighllim~ rowels in a sencs of ~tm:lght

1 iflt.'5, Bloch in a dl r(I,,' rc 11 I direction <I::"; it klU ~)\ ... ~ the path ~H I~<lrs.t resistance, Ofl<.N' i! m~1I n (en kral bolt hes branches ::spreiIJdillg ('!Irf h()ti:tvntaiJ.YrJear i s ror:'l~ in th~ !i~"y, spla)"ing to ;:::)]I11[JiSI",\ I: ro.;ally downwards - 'c](,;:l(tb' like an upside-down ITC':e.

Pafllting.~ lightnillg ~tl';kt'

1 M.1~th(l ligl1lnll'lg tE.1n-g a n.mll"h piece of (3m dipPed I!'I i'f'IiI:Skmg fluid ,.!\dO br.ind''e50 w'rth ,1 t:OIOYI'" Wper M1lke thinner branches Wit ... a pen RIO, or sc.ratdi them out la1.E1:,Vl/hen drv. Net me ~ and app C!lu~rl!ilcrl~-one I'll..'lgenf.<! down eo U<K:k ,oi"iEt· rn-',;vet

Cclour pale te

~'='''' 1ii3J'!'ro e ~ r'I<!~" 1'T1<i6~r 1:.] •

e • n 'f '2i J,

I?- W"))ire ~ wet apptv a dart kt!.l~m ...... , blo~ cnlour OIiCi ... ImllW. ~"Oi-d,"g I me trad: of the bolt. Then let ID"1'!e of me Wk cctour ~d across ~ E:: bat, Use 11. soh bru..'!,:h 0 ..... fur. '€!ldi?1I' '0 b1!Efi e

I coklu:r ",Cn:I~.d 1tlla. leI 'I df'1,

3 GenU,. '5U1Jb' ( e'!XIge.s or the

, Il1lhtrllng. werling a- ..... q from ~

ma~ n~ flwd The ~g pro!.ens the whrte of tne ItghmLrig bolt irom ;my lotul"Sron of colour bu the ~rubbr""E lJf"Odwces the mlm[l'1er IR.r:move the ~g to l't'\'i!ll1he. bolt. Let it dry

Uo;iJ'lg a 5,l,upt'r

For Q starn 1~gt1tI11rtg 111;;~. the wlU. ..... Ith ill colour shaper. OOI1'".g SO lit iii sertes 0 5tr'alSh h~~, Cflal'l;sll'l: CI re.ct<01'l Wfu"1::C1iIT,tt-V'ihel"{" uirnnrng ~5 iii dowd. ~entt. rift tne li5J'1t pare n tne oouri before rerr.Qoitng 'e ma.sktn;g fluid,

UgJrtI~i"g iu fl.,(_> ImuJscape

Hl;t"e ~M.;! !1~1fI.IiI& 0 mas;!;.ed usmg a colour ~per. an.d Ie to dn thQfClJ t The br;lJ'l.(i-1QS Jlte ~k.et1 'HI'Ln ill PFJI nib rOt i..h13 1j1i"@11t '011: ..... the g).snng effect of he sh rrmer 15 no ~p led. aoo tre Itgfi!rung is :;,m1*,1le

as sharp focus.. The In.tel"e d~r'k n ~ cloud he stror'r,;l; colour In the 'Olcy .n<:! the dar!

.of tiiE' Eand all c.on;i::mle 10 {4;lmrast .wlt the lrgh lr'lIr\il - If )'0',.1 \1\.1 fr&tJiu\, LO DC. bl ",ghl:

00 J"feecl E': zornrasts I::J-f ca ' ·Onl:

SCr(u:hillg ("'HI

Scroiltd~ng 'ou:ll5,h5t doll~ '11th an ~1n:mel~ ~rp rra~ wr~ riki'.OO tiac!'!' Dr s:;;;fipeL It is I'!I'IO~~ di6irult c ac ~.a,_

serres of.1;!I"1 ihort strillght lone s: aru~E

drecnon -r-.;iIJ'H!~, but SO"<ll ched lire'S ",re flJlE!. jagged a':'\d Ir ... ~

ligMuillg bolt (oppusiteJ

fir : mIJ5 Jr1l ach e.ss Ii· - i:(~~ of hg:l1l1111J;$,

n" 1OO! sterrs (rom re dlX o,~tof'ed m1fii1ff.

Qaro ~ p."!lduced b) 'rf:..jm~ ng Ine coW!.!!"

aIor. tie [fa of rhe bolt; 5O~nln~ ~ E-~e$ efi _.cES I' JJfi1}F'J. u~ rn.. r eo tEd1 l)Ues {Of an; I" ~,£m;e Irght 3OUfC'~

Rtlir!Ix~\~ l:I!!>lJ.:ni!}' <Ippt-'O!:I" w.itn <I bilckdmp ef grt"Y .. ky. from.., p,1i$itilg 1tI1:U'l5~urm.

very da rk and 'iooio~cL The Iillnd bek:l\,\I' the rain bownri:l! l~ft{lf1 0(' <lligh l ,vi fh inte:nseo dl~n;-l! nshin ~ <lifter the r.ai:n, su paint the: l'lIt1d lighter d't>'ll'l Ib~' sky, Here th~!l<ilinbnw ~hapl! is liHed (rum the ~.rviole[ sl'..y t1.~eJ" the painting ~::. virlual~y mmpJeb ....

1 M:,ake WeE dF3lWifl& on trnClFl!:, ,~

. _ ~1,J$e .i:rlere IDor,tI'd be n~ ~1l(11 Im.5 '11 thE sky. O"a-l;;.)' thECTilong to gEt .~ ilflprllOllrrtate flO51l;lDn of !:he r.1mbow E...aI so, you VIII I make· some Oli!r1g~ Of '!hey WI I creep CI'l.

3

Pullll the arro'lnl hilltop tree II~ with. a 'elrui:' 01 fren~ !.Jltr:a.manne

and purnt um~ Sp.qtter bum!. ~11F1,"

mto tIlE; 1l:)(;E~roLlM oomOFl'\:.l!it, frzyn th:i= SlOE. wmi:;lng 'me bru;il up tit; E O"f'.i!~ ~D tIlE spaners are- ;;rrnUer In the d ~rli;;~ Sj:l<i!Uff 'Wiiter 0\'21" tt,~ ~jt· v, et fQ~fGl.iflO sp.mered p:!lffl, kl n.ke ~jJe aJ72~ h;m ~ rno!1;~~

. ~-

.-J:?'- ... ~ ~~-- -

2 Wf!t.~e ~ P:arf)t a stroli1 .......m of 'rlfriFl~ oolo~ fra;rh uli:ra.rnanne, qUlllaCndone !m~~r,~ iind 'b,uml ~1Qt"lm.. Brush Cf! ttoI gall (or S\;"'lrlrn,g dotilii PalOi the ~and WlI:hIT:a~pareni. ,~aow, O~ yelf.o't.- ... odlre ~'"I<l bum, SOet"l1'li! ~n[.~e i~r<lund; and a ~fnJe green gok! 'lM2i!.-iiK',e;L

4 When dl"J !TIll>': green ~o!d, bernt srennz aFl(l ~II[}W ochre, F21,.t m

green f Jlo2S 01'1 the r~fdam::! SjpJtter O'<""J tfre fo~:grQul'l'd:. f~lll;)Vlj~ !;l,' (jJ;t!o:: spatters Df HJdigp. 5;:l~ o...er.n1!S WIth <l m()rr~fl.l:itr"t burst fn;:lm. ~ Ip-gf' WClii.er- sp'~ t-.eId aWvt Sj);rn aOIl'l] ~~y;.jJJ~ bte:iQFl;: It I;lnes d:-Q!;l n some t;u-g~gr~P'I S4l!t !Tff .... 1$;

I""

I I111 11:11

CO!Oll r palette

• ciQFmIJ'Tl ~O':l • .'0'1" ~pM'i!'r' ~el,""", '.'

l ;;n~~~~t ,:, ;!,flE~ '. (t'-L "''I C .d0'l e I"T'Il~~!iI

~o d ,. .~ L!1'o _ ~l! ,', wI... tre· ;l iJCI

COIOff,.;JI:g a miub.oi"{l1

The r"'d,jnb-ru~ l~ 1i<IId to ~ ~ leon d!~emr:bl!!l mlo.urs:. l-1Q:5'[ poopfe onty Pf:'n:Eln~ Tour or ii'.-e c:cloo!"'5, ali1(;l n O! pamllf1& rt ~ dlffk1Jfi:lO fll f':1OrEl IDan

It1~ number !n and kegp tllt::lfll pum at1iJ ml"!1I"01 eel TQ gel me t>~ellng of1he ,olours, roilUler ~n JV5t an acwl";ll:u~ fefl¢tl(X". use V!V1d Ir.des.:c:em: cokl.urs.

5 Lnng iI. ;of'!;. damp .brush,lift th~ sru~e.; of ~ r.'!lFIb~ f:rl gerrtiy gruhi;l;:fI;5i:he ~! <l:rtq down Into the tand 111 th4; OW!!iU'I!;e. ~~ tne 'f;;:o:19~F .,..,Ih ill D~ ofk,ltdwn mwd, ~"Ully ~Ingthe l'Ml l!ira; ~'FK;htQFl"Zed YQ'!.! cen use yQl.:F Q1'i!LfI~tr:~"fn: G$ <l f!::fercnw D'y l"lytFlg It ~if the ~a;rtung,_

The raiuhmv dock

I r'lOU iill"E! looking dea.d on at .a complete r.llnOOt.', _ ~Ui! .~ . > beh F1d If rQU cb!ierw me rigFit halfoi a ~N me illr' f> 0'IIe1i" aur right sOc° d:;r. and he le~ half.

O\i\!!:r your rclt silo . er A ~admo."i md tghts neec to take ateoum cf this,

6 Place (he seql.l.em:e of (·0·0'..J1"$ 1;'1 the- r-alnOO.·/ f~ is el"!ou_gh. Col" e-.to=n

I tn~ jliJ,CJude a.ler1.la.1'V cokl..lr: suo Cl.'Swooft Wrql)ctJ~ 11!;h"l "to i!E'l..

r:n''05S the feeliog of the colouJ"~ oierximg I ·0 one ~ and the lnde!lC:~e of a ,"boo/ •. The t:cJOOf'l> Jsea hereare ultrarnarirre \ Klt-Et t:~'!.' urquoi.se

I,S . c.a.dmlum I~n. ~hSluc Ofi!hge and qUIf1a01ido~·~ .~

fintJ 1 ptlilltiug (above)

TI-re secofld ru"bo-.~· Ii rompr~i:«I.cmd ~ pale GOO e l-~aI A! . ~ b!:J e 0 -n. tt1l;'u'i ro: r.:f:;o IS oool".~ .. Qi'Cfl~ II~t M tie .. Ia. p!l"IntEd' by ~.e-' g '= 'leld a"ld iYlJ(l " rnrui'ocec.r , .. ml"ge. Th4! do:..n:i ~ sp e,n "0·

G"JO!S' .~ sk)' I.r:""~ tr.I:e lijDng eQ1l't.Cjwe..

. .-e- 51

FOI" ~HtrerilIlg lights and OJ blazing s 'tlng Still ... carefully Si.l\ ~ the ,,, .. hile. k.n in; a larger iilCiI2'il for tnt> sun than you &.nk is nect."S5Olrr. The colour rndl,n,lf1I:g out of It.nl:! light source mm "S fm'm,.'!o nn ~fj cool. and Hie ~itl:.'Ct amtr.llits: bright colour ",\,Ilth inte-nse dark.Use t'tHi:sldng flu'id to ensure the gJ\Ili"s. "p«iol11~' on the gate.

fuilltirlg UrI? s!!tting un

Paint only the-effect tile sun as on colour _ obr:!K·~ near the sun are almost rn\l'J$j,b,~. pal~ 'I~JCMi' or annge I~ the branch In the Pi!IOling o!>:,o.o;:iU-.The' cokrur sequence ~ v .+11"00, ~Iow, or.lnge and red 'II!.~' darks to 'the edge.

lethe land aroa. l!eep f'I:8 the sun

" , glare ilrea dp'y, and add a ",,~ elf ne'1'.l gambogE W1;!- -Lfl--WIE!t Kt:Hlp tne ooIoUT aWl:{ ~rum ' he sur, areii. T!;I'!" tS. he ~ srage to buIlding (I'"' glOlm. Urte honest of it, sequence ol' c:ol~ IOIdJilLl g out frutn the Central Ihrt.e w:ne.nCl tk . u~I)'JiI.& h.£!,( m 5:!Ji:l~uen~ g_L?.zei of bum st&ln .. a d C!uJn,Cicndone m;;:geniO!,.

3 In the sunse . rea brur!Jl tlie h-~dges

, 1'1 "'"'<11th bernt 5f~nlfld.lT'I<lbn:ii: them

paJ~ a..s t ejl ~pp wen the sun. Add ......-a~ mto 'e ecfg.i5 0 ~ e ~ '1".1 ~rr

brusn and bn.'<j~ne ~ colour II'1I!lQ !nlS

In th,n 5troio:e.1Ml)-ng th~ colour-spread

, ~el"~ ei'ithe-trongJ. Darker! the ~ Cj' me bro v .m!'i fiJt"-~r a,';ray from the sun .'Y1m .~ ul'fl~er artd it IfltJe p.d) It"'~ ~

2 Pal 'dilriler mlour 00 tre~, _ . _ ;! hal.o aroui'lld tI e 5'Un and .. del l1eY;1' gamboge to the oLitSlde of rt j.;eePlIlg the ITISlde 50ft. lXiAAdd ixinn. ~enl-:- an thE:

Ie and fi.l:rthel" 01Jt G1ll1'"lif~e ~enm. On. the nght add bum' Slefma. Run 11"1

a datan bloe honro of piitha!o blue,

keepmg t lS 0 Ie" met~lng with ti-,e

qunarni;lone magMta.

4 Drag.darl-.e.J- green acfm,5 the ield

, '01- a dr"; bru~. Le;:oaured 'effeu P~rrt

e blg wee IJrandJe:s that he across thIil ~ In a. pa~ ye 10'lII0I, us!ng new ~ ACd ng burnt srenna " j. e flJn.t'li!r '-'ta}', -him p~~ to a more lrlll€!rt~ cra~

..... 1·' ~[r'Ong rm of bum . 5 'Cnn~ and ... lime qUI acndone magenta. FU1all:r o:da Ii! dark mlJo;.w f'rOm burnt umbsr and p.<l}'n~'5 al"a}

IIII III

Cola ur palette

,.". gil.m':>o~~· Oid~, m ~r:m ", ==l-I"I.!.c;I"I(:l:I~~ 'l"Ie_5_ t",·' hi: - 1tr.lI1Hlr e '.'

pntha : • (0[Ja '. t:I ~'t: .. p~li- ~.o &~ee1' •

tt..:m .,.., mhf!o~·!);1 'n!.! s gf 4~ '.

·i-M.',ey)t:'ath,t:riug

Bn.M •• ... net' gen On -the surf.I1:~ 50' I~ toocnes he oomps of the ~ ghm:Ulg "IoJ~ ti1enl aM feavrng '!!he drrnoles dly. ~..h 1Iw: pam ~r:o..""Il tne pomt [l <t br~ iiU1d It;· J lJiIlr,;e on a ~erm-dJ1ru;;E lock 'Or tree brilrdt5 sprell,(lJr"Ig rnIlJ l:\','~

Addiug wirite' gouadte

Ad~ ".mrtc t:O colour for an opa-q1.¢ bod)" co our 0 covei'" sl"l'I.i!ll ilo!"l5aS. of ull9~ng ~ C£l!:tal, blue Ildded .. o white gp 'a.cbe produ1:oed s!ender IIp along ·the p b<!rs

PtlinJiug lints Otl Ih.e g{l,tt! Ie_. J

'M-ier'l'! the .:;U!1 t;; rellKted irr glint5 on thi!!. gate b.iltS, gen :r suub dC~"'$ them NI a. 9TIa.I1. damp ~t,«.Jbn_'dIed or"bng!; , brush to II a rat 0 Ii ht and thF-.J1 dab 'M{h; ki'!.clien ~ ~move tf'I~ mas~ hl~~ights. Toul:"h In theIr e-dge!L 'N/1M bum~ ~enM Reto on tli~ top of the J;atel:ii;rs, !,l,m body WfC-Uf; uS'lng ~obalt bl!J~ mixer.!;lI1 a I re 'Ir'i e ~ooadn.e.

SW" e't or'l'l' the_field

s~ tnl1,g bolanre bngl'il cn'OLl"'S. mmi" -me§"

r:Jpp~'ed t"!E-d I'" LhlS .M GhJ~n S(e~

J 'ke rn tlamt t.l .sc;ene rooking lIWlligll Jr;'Je!'!i, Fjl'!:1 &.e~ 1'§ u,e ga~ U,8r1 PO, 'e1S af (l(lkl~ [lees. Il11d Gil"! .uJ"lf~ 61SWJ1(e - rflf.'l 9:"€J'!E ~!;;~ ,m lO ~ (0",,", fjr. The blUffOO glo~ p~ Jde:> tJ ,OCQ po,nt!xn nat CI point 1I" ;[;(1..0'£ sa rJ;"" "lInd ass mE'S" r!Ie c'""W 1_

l.

b/unmtains insnoto

A ;ra,ltnl.ll'it.iin is a '('LJm:pI('~ paUe,1n l1f I~u~and (:fi~J(;'ks,~nli!l\IO' and D.:lrc·wll:k. I~.g!lt lnl1e5·iJnd :5ih.uio~ ... ~. higMi#it5 and t~):tt.lt~s; >chaotic, and yel.I[~gle.ll- mFrdQmn~ \!"ijtl1i n order, 11lin:~ing positive space ~"rilh colour O\'Cf ncg.<lti~1(' mOl:~ed. span' ach~'l'S l)[Jmpl!~;~Y; rnmbined. thl"J make taiure _ Brush marks v.lltil:'H:!u'~ masking. s..1wd wl'tirl,'S and dW brush '~'l'in all mnder mOllulaim '~{f!?{tii~ely.

1" After [Ightly ~tchi1i5 the· rtI.O'iJnUiIFl

, wet Iliind pJ;ll'llt too ICio'IIVer h.alf wrth a m,x of(rencn 1JIW<!ffi<!rlfle< .l.!1(l a Irttl!l add~ rt:eW1ra1 unt, Lo~ tn!l' ee-ge C,lr 1ha5 watJfJ

in the >Het u,~et' mouj"l~ i"I - i1i lost ed~e. Deepei'1lhe c;glour a~ the ~ OJ tbie wash,

4 R,emc;.,oe tne ma.~.g. Nonm that the mO!.;Fitalfl SIde 'r'"Uf'ln.ll'Igoown

to the fight-hand ror~r \I'lI3.~ma~ -n ~~ TOil! i"i'Iil5iuf')g iel'i'iCNeS: O:Oilf!~ or the 1,Jn<fert(lng colour. wTtlch p~L€'S lighter tones tmt enhCitic.e l~ I:\'ffect ofsnG"""'Y t@JO;llJr"P. Ma.skJr.g Mel (orout· mteract to Cfea"l,C real6ffi

2 Pi;ml Ul~ Q;y 'IfIj'et.I!l~we:t. dt=:fLllIFl.g th. e rnountam ·rol1'. M;;clt un"lKlyrnal"kl; o.r: ~h~ upper ffioullt;am wIth om old brom. The mW run hl'.JnZOfl't.:Jlly here, "''11th n~Jog Coll..lmn5 of ~1'15 g:t:lIng o'ovYn'thE mOl.!ln1.<!.kf'I berom d.is;appie'.iilnfI,g.

1'111

Colou r palette

"l-€fiCl':' U "Jll.I'l".lJ" r.:e ~ ol'-t,"'IaJo 1:I1Ul: ~ (~U MI b Wi! .' ~ Jm' l,!~r '. ~l,j tr<ll "tim

3

Dry brus:hfUlu!:rni W'I[, i~.ng ft.c:re whil~ 5ueak dM'k. briJSh stroke>: fa r

bare 1itXk. PaInt <!cro5~ me upper ereas ~"ofher>emEl'f ?ore m...~, but ~a-."e me u:nd~ng :colour t.I,fIpaJlimed fLlr-~er dq.Nfi

Hfgb alUiutie

!"-<liInt the ~ and r.e.we th!:! mcmrt'MIl'Is wbue, m the 1W"'tln;!; ",bo\te, fine $~ -(5 of.a light ~ ,1)mduce' distant ~~£!1"Id t:lFo~da-woke5 hfl~ng to a ~n.il~ .... as.I; pmch:,JiI;:E the near O'f1E>:" Fi!1~ 'wn,_h di!r"ker washes

Ti1e jm~gt1"tCl H (Dpposite)

the ~:q.. ',,_m 'Nel, DtJll1JJE ;:0 tI'iE ro(lolJ.l'lrGln' ndge_ C.oJoor SlO','Bd wol'k!l~i:' for !anli: e~1l ro wk¢ ~E up to U;e; rr.ol.llf1;[mJl rog.~ If! {] 9TIi!:I(Jm ~h m:= ~rDI"'1' ~ - rQ~Lry'$"im c/mJd INQ5 pr:ook...,j ~ a 'r,hppmg tf;;-<h<TI.(_l~, O~ gall ,~(l;; 'dr~!J:'2d' ~r(~

~ :po lit (i( C ~ brblSh !MJl;""O ~fjwthl! ,w~ ""nrI;;! Jl J\,~ stir. ''\'\e~1he ro~ver ~lopes ore .:J m;:o; of C~rrJrecl"l bJ~ (lr)l::1 DUml t-l!'nber; Fme ,~1'lI{E' marks were- 1'f1a:5keti · ... 11ll CI d,p p.i:f1_

Mountail1 lake

H igh alii IlId~' moamt ... iins. ilIJ"e fundamen tall~·l]j:lJ~.nm l from uJ'I'11051 ,[Ill other landscapes, The atlrH15phlJ'rcis thin <Ill! Li this ;)fre(t!' thE! lI';~- the h,gnt be.h.'I:\~IC!!>_ Suml! mnd itiof'l<S S'I'I,'C' pi crd[l~ ~.i~h'lJfI;d t;e''o'etC' bl1J~\"!'here 'th~ la~k of ba?;e mak'i?S ,il mockery uf ]J!)nf:r distances. ¥nu ~"iI1~imply piil1i nt· .1in."J!Wlfild Ihe mOUn sai nwith df.fl~ colcur, Y"'1 it wfll Im~~ m~ Olnd i:ndk.

Pahlfil:lg ~' ,mtllmf1Jiu ltlk~ .s:cen,('

The steps below SU44~t OM Wa'! 11"1 which )"0U coufd render t!'1e lype of mOL.lmall"'l lake 5(;et:e ~nOVlri"l owo~iIle. I\lotlce'me 'reAertron Ms <II i"1'\i15.S '2Ol'1e afI.:J .a break l!<i"'~. I~fer 00 page 81 The mass ZOO(!: IS

... ~t-In-' ... 'et For the breilk ",one, npp1es are dragged-oi ... .-et.-CiA-Qr,.. Colour f;(i. "~~ ~l~ In the mass zone.anc;l ~ooks b1!..!ITed If ~re 15 bliJrred md \Ief1JcaI ~lllo.cik '.',(et.

l' Paint the 4:y and ~ .... nh

, qu.,n'Lcndone red O!~ phthaJo b4ue ... ...m:-In- 'o"IIe:"I..Ado <I, strong mlX ofthas

.... ~h bUTITt '5JeJlNl, to the foreground 1i'1 agra.~at:ed ..... n:sh E'ioWIt th e !l'I(l...mt.lrf'l shaoo v, "S wru;h <I cobalt b1u,@ and bum~' SlefiOOl mHo;. Mag.; rome Sf10 ..... -

Flu!: njJectimr5 (ligl~ U

P"'In.\ a I.lke w~h a. wash of pkiha~ blJ,le, qU'J"I<!cndone magenta afld burm SIenna. ii'ld,og il'lth'2 d ~.mC'e. ~Il dry., :>U'C:.lk the moumall'l r;efu:~on 'lJeftlcaJ~~ v; ·@t.-.ll"I-wetAcld

a little gum a.'<!;DJC to the pa.per.'to 'SUifen" the ml;>t"alt.o.~M~ C'OlO!)T5 to sn soft focus: yet gepi!.rne ,;j ...eFt 1I'...et eifed Dfdg OiJl the wet roefle.aion ~ in nppLes IDl"I ory paper.; sno brush cn bloe nppl~

,2-1 S~ the mOi,!.l"iU:ili'l wfljT! tiil.w ~Ma Wlth a 'lute IgMt fed IF! pI.aLe~,~,,-\I'lr.g the ~tlE!S and li~lrits ohM Pi evru~ '....ash Ol<!,g rome ColOUI fOr iliddlt!Ofl,a1 textu.~ • Bnu.,h rome: ~tre.Bi"'~ of phmalo ~u~ on 'thE' water for~mund

I

III

Colour palette

-"Ir;iT~~OfI~ rt!~ • rr=n~ I,Iltrn,!"l"l4~ •

p ~B:J ~I..;~ ,', ~!O~~I· ~u~ • _ e1"u ~;[I"I tit.!!! •

rn .... _",1""1,;1 • b, mt : ",['tn, '. gf'1 fE.G

I _, ~ .. _ ._ .. -----;j

,

, ........

,

3 !Yu:;h a ~m1 D("DV\I'nof qu mmdlml€ red, OOJrt :ilE:I1Iiii arn:l. r ref'lCh ultmman~ 'lJfl the mcuntam Drr It and brush DJ1 a dark bk:,E "'er;5JOri of,tt-'II" mIX. Run rnountam colours into the reflecnon v, re1·lfi ..... .et 0iIl11 dJCg out n:ppteo Of'I'l.C'·me dr,- p.;;iJ'i=1' bE:\ow"

Across th e 1!'Ikt·

'The ~)' to,loLlr we J§ (J ml:>! of pht/'ldfo bwe Q~ ffEoo" Wtromllf1!1E'.. Sii£idu'" (in ~he $.",!I)j,\' S (J ~ of csru!et;'t1 ~ end IJ hE red. ,It..tn daw or f;cndl UlJ'i:n:Pfl"oOTT;!1 ~ CI~ l1.orl1 too. Fclregl'OiJlld ifor>E':5: Dr r~ J!1Umfj'f)i"!E and lighr "Ed R:jied: ,~ei·m-.".e~Mtlt ,~'ltic(lr s:trok.es a;'to., Ed tlI b1f:11d €' Jlgnr miJUVT[ll'Jn l.,f~bM aI1d lJ~pe;r

W>eG=cs. crf2 'SCII'E'd "",/1.-;:i;!S" toodlea n wIth (J ~ dr r n<l1$i'J wtJrX I\.!ellrb,' lIr

.... -ere 111 -- Sa -- Sf1{];., IE iffOOffi 1.\'Et'"e . n-ed!1!. bl'lJV'Jing b~ roirrLl I to Ijr

j:mst-ed r llf '.\ t.e.r [e(lUi€:f'"g rn _ Ii hr mol n CI r!!' lea",," crtJd upper SfreC6 are sa.ed IMljl£'S Ot.Uied 1M \.I.';r11 l:l, &1 .'.~ Ne,:;rb. -- rcait3: • ...ere li.M

Misty mountain scene

10plllinit m~:!iit,5.l'\t'e '!.ini tll.os bv ",,'€ltLI1g the paper .and ddd[ng colour aW!J['iId them ln wft-oog,N washes, SOlnle rnisl'.has pale ~Cnle SlIv'lO!d in su.~:u:ent w<1L'ines: some

ret .. ins ~ts whiIN'I5S. F\\int ", ... "ijtl-il1-~';'l:!'t te erea ~~, t h~ d.iiff us@'d ·t:!dg...~ (If m~st:. Sp.mr,gl~' add brLJ51'5tv,ok~ o:f ~f.Jl .ambi~ i)!)~h~ ... reas f(u l~prov~ iI;~mhot

'1" MOEk !:he watEr- i!nd nfr.J5ei.Appll a

- ",. mE~ of fOiW sienna, nepl5 .,.ellahi' and mb.aill blu~ 'o'Ie'i.·.in-'M:"l: to the what€! iITlilge .n.c:hjjjing the- (~rnLlfH! ,5<lVJF1g wru-..es: fat mlst ThIS Imagel~ lInifini5nM and 5.hD'W5 the process of i3llplYfi'lil colour rmm tOP 10 bot.torn. Allcw lO dl)\

I") Applr Ii m~ of french ufl:ro3rr.anne. -0 IrrmaFl r'E'd and hoo[(er's gre~n tome {nren III ille mId Uf;:",;ance_ Mod Qdr'l urn lemon to rile nil'}! .antitou::hihis in h2ll"! a:"li!! I:he.-e to he;p sll.ape 'Ih2 tree < Brush {i"en!:h ultr:>l'J1.1Irm~ 3!:Fld !¥lTfldtlrn::':oJ]fl~ l'I';agent... ontn the (]c!:<l11ll'i~Ut;,_

2 fll.pply nm.:e5 of uibalr blue dod burnt , , s~nf'la. \,I'Io'e~·ifl<'iti.i1;~ ftlF thel1d~es

er'ld I"ffd~ 1!5' ....... ng J.fl ~rtJro~1 area abOVi:: ~ prEVrDU3H,. ~.W v.>j-~, n:1fSi: area fot

<I (J'23m"wlrnJred mi."t rl1<EJt other I~eflEo.ElS' and feait,J~. !SUdl ]5' here f.or the ~tg.ht 1E'd~e:s of tI1f fiEld ~ts.tD!J-e ~

4 Wet the rnm. Apply .1 c:obah. rnLle .me! burlt ~rerma f1\P( \~t-rn~t 511'11ln~ some wilrle. 1Cn;$h OfltO, tfw fekl.li addlT\.g hooker"!; ~c:rl Ifl plac5A.dd hght ret! to l:ile foregrG'Jl'Icl Pill nt d.a:r . detail and the· ~doT. .. >;:;-d p;!ft§ of f.J'\e .....all~, ~pMrte tr.~ m2sike1I liTda Lft the ml'5t ba d.

III II I

Coloc r palette

-:.Ldm urn 1~~(1 • ClUIn&FJd ~'E rr-"":g<tn:l • f"-Ml '" Ir)'i6lr'I'{; .• l-o~lt bb~ .,. 'Itot::I.k~r-~, ~ .' ~ilfl"~ ie1o .. , '. ,"".'1' :;~fl~" t"J"Ti~~w- - • I gr- rod .' 'nllh~"l Il!d '. IJ M

Rising uii5t'

lht! m:st and mCUml'!Hl .... ~ooth !)armed ",":oe t, ThIl: ("'"£<: lliI'alr pa~l"Ited )tlefla.J!! fOi rlgh'i. r\.<llmed 'I1'IOI'i! ~F11r1 med.OOl.-'f1. ;mdthe rr1OYI"I't:i!fI'1 Wi!5 ~Hltoo gm;-VI'Ol~t ~ rilollr'lti!il'll drledi1m~ ""'1!t(l:j:" from ti"r'& rmstil'Jltilooci to!! drying 'OIVOl~. au::5rf'l~ an ;la:lClerTti!1 b<lc"" '"ul1 - ,In a.n'.Jm-&rra.1 n1i:'~ cfi'cn.

Paintrug mi:5t ~!~iti, ,whi't· ~:il11

Nih o.u~ri lit ~ e.iKLEI" ~o palflit rrust by addi.'1g ·.'ilhlte<as shown here. It i~ better to LISe

th~ tecnn'q'JE 5p.ann~ly ThIS method Qf1 !acJ.. th~ be~lI't"f of true ~-.men:QIoi.u~ Yo ho-e· 5<I'.e::l wrntes took n<I:l:w.r.Il and 'l.'i"ansp-arem 'a-;.~rs af tone ,;!r"e' v.lbnnL

i\'1i:;r}l nUlUI1fnins iJ1 dowi

Apply e~J:;n Id.',;\er of the p<l.1'l'1.Jn;g dJ'ld alto,..,. to df)' lbe(ere p:rocEeffing tn the r.e:d

EI, u "i.h 001 wmer and "let jn! the rofo~ for tne >1.iIJtle w-~ these are: [Orr'.r:a~OO

'OII.flh strong rnlaul"" !Ja.Jm-~ VJeIt:~n-tfry. lThe f(i!fffi( Ii a ~ne5 of DrtJ5l"JrnaJ1Is.. ~rrt: gE.al5 of cmour willl bru5hsr.f't'h£'5 of ether W[.\lIJrs to proCOCI:! texture. Most of th~ rnst (:an 00 1{.'Ii cut

or '~,...ecr 11'1 ffi"'@rlrm~ Ymstli5. bu. M\: me t.l1Ln oai'\d

A(tE!r I"E'fMJlr'lE! the, ffl1Jsk.tn@ fluid. (rrml Wt'(f~ mditdE ~"ltri>g dr!Ul nt r¥iQuf'lifJi1t!i ID d1e filii 1,','tJrm repearcm .I1r~. 1-'1 m~ rum. ~e):'tum fi't:m df'; ~)) [ecM~_ (1M ~,K5..A sngi'e mi:r af I!l',\ !I;~N'loGI ar.d MpJ~ yel101i',' p~s unzy lit me- ~ 111e ro:..Jej ere (l 5@f',m; O'-~E<-4/1-Ii'fEt

M's/'L~. With 11Q'tO cdgf:~ Goo.e. oro.'5a;t t:"=Jo-N. 'ifO[m aOO pir'ks a~ mcJ~ lI,.'Ptn QUlrn:;J(lrl(i'.;lrJE' ~('noo f.!11Q (ret'lm (I!mimiJrme. (iJr11lr,{I rlfi ~~'l1h prJ;1fI'!lU'; Iqffs or mrxed "'"'1m emlt'r wl!J~ 1/~teo 1.~uW_s w.:th spoc~ (l~ 00':l'[&I fO( LIte G:'>LatI[ ~ed .re ';W1l:-

•

L~21bt'.ar:a/'lna FO,l,,1 Ch.a'~1air Shaiie-A [1;l,aJ~i~a~ rod O"l1 0 j

Dublin Cil)l ,Public Ubmrie')

Th~ i f~h l?S"t ijf touches achieves the massive ness ,()f iii d:[5!ti.'lllll rnrl,l..,~. It an {) N('ct is pall! Jlrid i.atg~ the 'vi~urcr\;~il!.lly reads i ~ a.. s L"CingV<l);L ,,\ I~~ ~fed app:rn.u:h,

wi I'h the ~igW:btcst tones fu!fL1:1:l.3t cl'l,\,'a~' .1l'1d tl1e d<Ltkl"!>t neak"5.L l':;i\'~5 th~ ~ft."C~:t'IIg Q;~dis.t<lI1I."e'. Toi"le puts ILl'Ic ';i$~<!J1 m~S<!I~ OlCfOOS n'I(llV Ih,lI'lI;O~QUr.

1 M.to::e;;, "imple_d~.I1g on t;r.;6~i: pape; rel:r7.l!!;e n _n re~'~ ;;mr;l tbm re1:rm:e i1 thn:Il..l,gh 10 \v.!~lour P~pEr: fe:J,\i'lJ'ig ,;; falrltw~ preose outfille.. Vl.il2t 1:h'2 ~)'. hut, [Omp[5~1" .M:)id all me ,""OoJrn;;,1I1'l masses Bn.r;n en a blue mr~ of pl'itha'[] blue. phthaJo gffiBl a1'111 qu m:u::ntlr:.fI~ m~nt3.

,2'.C-, ! Dry b~h 1I p~e grey-blu~ corour ~il from (ooahbloo. qUlniicf'ioone ~ ~ b-.;lfTIl ~na on the rnOl1F'!t.iIrG. Milke -sure prenty ofv,Jf1jrle; iill! SOlved on the moun'141rlS, LI£i,~ the ~/-I:jue mountain fnll>1, i:n'1J5tl a w:;;,~ or ttllS e,otol.JF onto the n~E<.r. 10 .:\f'er mtJl.mtolllfi r,o:f'I~e. tll:llf~irlglhe bad:grc!,llld teoe fo,- ;;. nearer; ;sbnrI-ger laiJ.ff U'l m-e' mkfd:2' (!istrnc~

4 U>;E: a \ve't-.on.-df)' ~

. • ;'!P9r~d'i. ~l: Ir ~mE! P!;j.ces arm dry In otl'la'S. by br~~Jni VJat3' b.:l& ;!lldi-ort11 then .appl;, d.a.rk;:: 111 roo.ghlj d!4~n21 ro-o~ fOl- tree foh~e. BrusO 111 moredarks Iii the ~c~ nlDLlfitaln rMTE!'. Wstthe ~ke. and p.amt with iii Iml~ gum arab>e:: i!r&.Jr1:(l the rnOill'ltaJfII reflection arm~ ~ 1"11 fmm tt1~ bonom up I..">1th q:J Wlc bl~. bwrn .. ~eF'lra dJld QU l1aLf"idoJ'l~ ma.,g,entii .li:.2i1:'1 d''OI~n,g_ the refl«:1:~on areas.

I!!",

Colour palette

COlC'l' .IfT"I .ernon ~ UIlIn..1 c'fil:!c;ne m ... ~["1!.J •

r~ ~ Itr=rT8JlT~" l'h~r.3 CI bI~ '. '-~ b'!J~

,·!!)m ~e,g~·' ;1" :lJ~t'Jr'LI • II" ~

3 Di .... tlrllift OJ. mIX ofrmnc:h 1JI,t/"a;fJ'!Ianne. l!liJll"I.iimml!'le ti'li':.g(!nta and bumt ~l.imru O\1i!r'tne diW:rit fnQU1"Itatft~ and ttle !.IJI~ oolow. P.il nt th~ ~~ ~rnl hi ~ ...... 4h !.wtOIJ'!> ~i?fii. Pdll"lt [;,.~ nea~ r~ 'Ij'//Im a li:I~1 TjIJ;;( or lk1i!: me • ..nti3;1fl colour ]L'51 used. dt;finll"lg l~ top!> of tl'le 1.~~

1:'" Brush B I~ht r"e.l!m~ .~~ onto the ;:] lake belo .... the trees, Wh le 'Stili ~..et. bru5ti tt.e rJ'iIoun~n range (olol!JTS. Into the w<iter; ~ ~'eru~1 5trokes, of Q<irk 'lone-or tne fLJ • .nEf" tme r-efleaJQnS-

,6. - F-or the near tree rEflff1l011.o brush IT1

. ... loogo. pht ~ 0 green and cadm~um

le .. non Y'te -m 'iBl m 'I'5"ilGilI 5tro~ rru:o;;n-g the (O!DU~ <I Irtde allo .aI~tl Ie'l.tmg t gm rn 011 the paper f3ru91 In the OOrk.s , .. .ret-!rl-\'.'til~ toaSome h:;m:l..~d Irgh13 contnMed 0- 11'11:: tree ~1leru(J s 'The bh,lO"l.'CI ~fVCCUi ·.IErhrnl ~lt1.iiPes "II lJ"ie Impr-~[FI

o ""etrJe5'S

final imhi'ting

lNiletr "' , ~j; a rlarnp brw.h m M SQ1r.e scuffs or WIT"'! off t/r" x.'TjOce - :0 .I;Ilood Me nc;-awl' a :oOlW'N benld imI're, Qwt1j'. €mil u rln~ Cine rr. (hi:: rei!" srtP'ce... nl5lS ,DtJ rs: rh~ :r1.l1{tlCI;" I)-tire ,~~s:>. gll<mg. per;:Pfd ~ Ir ~ a LISlEfjJ ted1n .:Jf (ar (Jam'

wall:!' W';v:h:on f'~fr. rn" e WQ!'ef ~ "~-

'oo'otoen lfiaj ~ u !.If'T',;tie [~t11(f .. riCE dso '-'

coopie CI '" I'~ 01') !tt~ ~ (lce:; i~ arc.

Srn,.pr,{..oo - J ... ~w,~.!J.~ a. J lID,), £U1d " ~ff 0 - ~·.lf!(I 0t'I .hr .'PlEf

Rocky outcrops

\\ll:h .;l vast r.~an d.raWng';]cre of foam 'through si'looJi.ng reefs and past 5e'!.li!'ra.1 fl!eest<i.naIQg rocks, ITI<l!>I<ing Il:u:id provides a S(ll'uti:nn to painting the ea and

tht:! rocks ::lepilr.ltei1y. Four flSh~ washes ur rolOL.lI: al"~ cim,ggt'.'d .1I:roSS rhot' rock: in succession tD giv the telttutlo!. \\'itl:"l \"el)' I.ittle' de·jail tK>ing· modelled. Keep It simple,

'Ron' trdmiques

1"1asb1g ese roeks .a!I(J!AlS )TIl] ill palm IDe ssa pastjnern as "i;hl:lUgtnhey ,are nat In.-ere. &Nirrg.a three-dunens.;oi1al IUwionAttemalN 1y.)IOu C1i11 ~L i:I1e sea aJ'l21il around the ruck;, save ihE;r appm;.:;imllt.e s~ as dry pilpEi.'l" aoo add mli:N...I"- 10 me sea. Dtilw the pain:!. up OCI their edges.. Edge§ Gi:n be rnDdet:lfIcl.l'l'loro fineiy WIth ths mEfundt h;;j,r! w,th rna5klng.

'1··1 The I'Ock IS 2' ed wr.ne I"ere. but

m.a5k.ed in the pi!f.l'I ~ Oppos.lt.E', ~ !.he 'Sky ~ paffited III mOillL blLJ~ aM cadtnt1Jlrll red.A ~ ence of colCl~ n.lilS 00,.. ,.Io!ith phalo blue, c:oba1t turquO\;e Ifghl...vim.n, tram:parent yelk:M', na es yelfo', ... ilil 5tIe.a'.;s of iOOi n red and freI'idI uhramanoe, then 'lap es ... eF!OtN ilfld light red on me beach,

Pail'ltillg rock tl'~am

Paint me 1'lX~ 'W Ugin ' ...... iI:5."te-.1, drymg

them !ffidl time, WMhe'S. a.re Dale- and trart;pare.nt. Dry brush the t'Ot!(y ~ For ii final oucr., paml the -c.1f"">ids and I~UJ1~S I. i1h the DOlfi'!. 0 a b'1,5 dark 5J1d ver, darl Ia~ 10 00, Co nong rcrtk S1i"iitti.

2 •. ·.- . I Bri.J'5h.of! a p<i1E! 'to ash of ml eel bumt ~il! and cobalt bll.,I@, li!<IVlng fleck; of .,·Me. Thrs pmtldes tne ba~· mlo'Jr of

. he "fCd.s .. Ild is iipFlred 'MW i! dry brus

ech"uq~. 'glanrll1l;f it]l~ bclly of ~ brush aJong dlE!SlJm[e..leav~ lhe P.aolO g to

dr ~ ghly.: Repe¥ ..... &11 I lie til wb~lJem v.-~el

Colour palette

u-a~. crC¢"! .'" CIl •.. tr.l!'s.::ur~~ ~>7:'l~1< .• Q.!j11!1t;m ~d ~ fa It .;ol€ ,. Te'lCh _ l~.!rl

• pHtli;';;; b!u<: • CC'!J.Jt[ !)lull '. CO 1 t tt.krqtJOI:::

I grt .• ph ,....n; g~ I.l..'l • gr ere ~I

naples .t:H ,... , '1 C ... !Y."tc'i:' •. ~ ~. n j;!;fl ~d ,~ DJ:frl 5~er'na '" .'i"'1flt: :f.tlu:a.cne

3·-.·, DI")' br:usl; a 5~n::mger .~ of cob a 1

blue ilt a; V ~Enn;;!, S"ao,lll1g sam

more w~ alld underlying Ilgh Un5IG.e'!

e dirernOl!\aJ strata Here 11.!05 across

homont-ally. \III'lth ~ brum be fig LI.5.ed ~1"1

the 5oa.Im!" dlrectmn.1 nbng Olfj tnC' n:x:ks together.Tr 1.0 ol'o,r-ll e tlIrec!lIO;"I 0 the lil'4flil! WlIrI )lDUr' Dru:"h,

.

I

4 A. edium QiU" • ... -as.l1lIS fol.o·.....ed by 1 Inl.-ense Q;.Yk accents. Ertcte,avour to

paint I.hs€! ..,.,-th nO! l.Jiill 9.~ t:lf If,~ (

brum. FiTSt. dl)' bl"USh a 'Nash of french ultrcJnulne and bY'int ;~enJla. There are ~ g1:SQ ;;:00= ' of :€I'l.'*en ~o d and hgr. red or I plant If Ie grQ'Wli'lg On the s.~ er of thl'S c monolIth, f'lf!iI dry. il n.d 11i~ Q.lrk; \, ~ rendl ell ra.m=nI"lE! and In::Jl..3n red

Cfu7uging colQf,lf5

The fOf~roUr.d eMf In sniUJe had t.lkeri 0111 ,1 deep ulldErlylng tone 1tJat I rendesed '!ntri yeEJen.'ll ochre· ;md 1:r.ID$lu;:;5'!t 0r:artE:E I "c.atme-tJ" tIll); {'ot.p;Jr sligtllly ~ ;; ~i Ilf burntsenna and

[)[J ~It blue_For ~",dD\l'I on the eMf race thE· colocr 'Ni3$ all~ .Or ;illd111g cobalt VlaJE~. 1r1J .5. tntIl5pa"~r1[ .... Mh. rf:iIV!flg II reo ... •

h 'gllhgJ'lts, I C<IIF'led IJil5 SfJddO'l'l" onto the bee:ch.

The 1lt.1t.'1fll' Aposties

for tne .Ptllrru.ng {ib!Jve. muskmg tilJr{!' w(lS 5PI1Ue;lW [rom r;r fOOJ~.dJ and br[.."5IJe'd In SItOOki mfo me S'ffi_ ihf seG CO!DUrs iYCr;e "l!O~ we1-m""l'.~i. Hld,ut:!lfl·~ rhe oorl:-.,::l (lr rt!dlan rOO r;Id r~ !i~n::mQll"e The room tmlls .'~re rnr.JS~ (If riJof end a 'Ime WfJlW pa,,' .... as ~ gjJ these. 00 Wr!'lE Il{rhf ,aorn Pl1ttt'f7TS ar1CI' he (foPe b~r!i QrIlte"SQP.!L Srrml5 ~n !l1e illrlOd ."f~ ~~ed 'Mtr 11]:h1: fEd, (100 .IDI1le cclJ.all litle HI th nt:Jf.jW .... rn f::'.

[=;]d.m;i:J; b!Uit":-'~'3in th~ di!iit;;;'lnCl' ~.r"'~~!! ;:! (,l.>£~n!:li tlIf fi;c';C"l."S6IUn" 'I!i'tllt[ln~d l"l)' ~jf.;!rm for"t"gr"!;ll,l!1d~Q1lburT po not ~\{ork ~!II~'[y <J!7Ci!, bUI~ h:ave~p<l~C ,<!pd ~Ik"w the mind to h'<lr1cl~[, Here detail em~rg.e5 from 5uCCJ.'!:5Sil;!-e Loo5e.l~ I['jt;t"att:!d 1.JI~;L>rSJo but I'he tone runs the .cuI'! r.J11Igt' fmnl dO!u to light andglves the pilin ti!J1l g s;lreng~h.

.. 'lfi~h many (Jiiife~ent glE'~rJ5 g,i:vi!ng "'~:rie!:y"

'1'1 Create <! bilLIe-grey mix of C4dmJum ,_ red OlIlci phthale blue, liI~ ai lot of IW<I!ter: AWl} d rapld .... 3Soh of thl~ colour to the sky ""et~on-dry. jl53 ... jngn~ of 'Mllte. AM :;ome ~hID.:!Jo !:Jf LIE to the top of the l.vHl1!J darken jt

4' App~ m~ If! colO\Jr illid "ldci di1'feter'lt ~~-ert5 OT sap woon and gree(1 gold, W<'I&&lf'Ig '0henl '"'~t-'11--> ... 'et ~lid "'~l-ort-'dfr ilCn;)'l$ tr.e di5tr.nt i'lr-d mdd1~~dl7.tani floli!..1-d5 Ir piac6. Dr~~ warm (0 QLJJ of bur 'It §.l~il ;!0"05S .1->1; p2per 111 t~ ft;tFC'5""O\,I1'Id,

?' ~m:t.he distant mourt'~mi LJSmg iii pa!e ....;.. ,"",ash or c.orult blue. ruple-5 ~Jlov-; and ,~iridl~,When d~ I.E.e a Nj'lte:" cealh~rir:tg w.ch11iq,~Je - dr;:g iii darn.p bf"'Ulh i'lO'Os.s r~v~g flecks ,of dl')' pGfleli, anct appl)' a m:,., of phth.dtl bl ue, 'oI'in.oon aoo qtllnru:ru::lC"le. red for l~ sl:Ia:~",-oo gt;lhes. <lind ttrea~

5 Brustl ~en g.o!d on. the ffiGi..IillU!lIfl .~Ad;:l ~ of mrxed ;:obal1 blue. w1di;m and qu,fEI,crmbne red. ana rfI.1t..r'ks of n-rli;go '~l·ifl·J.~l but \vet-on~ rrn- the ~ressl:re!Es. Brwh bumt :>tenl'1.ii or the r~ ,dfiillfl

..

I II

II

Colour po;lilettE!

·C'"";;.ir.'>'J< .. rem. 1'= O'J., • Qd"TII_ '11 e{I"

r, .. r'l~ 1;illP. 'llti • :rl";~nall 01 J<' • cobJ;t tllt;.-;t ~ ... <J"1o!fJ,u', • ~ trl:el" .' if~ ~Ol .' " lo:!S e~w '. t;.w r=t '5 e.1l r;" • A'Y.!!'go

3 .i31JlltlIJP~· UruJeri:nnE of the f.;;n;d

, _ I ill.Ji',g tnIinl§~re'!t .,.dkY.N' for '!hE

rrlld d'iruT1ce mll'l'ln!l'~ colour '.'11th burnt sienna, U~oe: nap!es ~ .. m the forewoum::l. le".~ .. ",r-Lf'tf S'~.QE:: 10 ttJ:= lfi~nre olf"tI:I1he' JJei!!rDlI' ..... l-i!1:E bUlldir:l& :;,hap5, and varl the 'il:ln~ and c%ur,

6. AppI)t more field mloyr, ~OO fin .... ;fl the I acige d.et .. ul~ WIth d!l.J+..!... Dr brush ~ foreground With green gOld burmsenn.a ill'td 11"101&0 ml)G!;" Paimtlre J1l](]:fs mp'~ ceikr . v and qu 1"bi!![)['1dOfl~ red Paint s.!-u'i:lIEd walJ~ 'Mlr mhall. b-:Uf!! ;!.'lii tAJmt sienna,

in/i Bru!';h In u'le· 'MOOOW$ llSlrl& EI sl:Jr1:ll1g .' .. ' :mi'X oi IndigO ~<>ep me 10P5 or the WlndcJ'ffl. stfiILgilt b.it leu~-e them a Im:r~ uni1mihetl at me OOMm. Dry bru~ tlie dark. lelrt.l.lrE! mthe roregrcund with green gpld, ~m'l ~enrtil -af1.d c: rrrtle l1"Jdf;go W1Ilin cr)t cry brW, mom IfldlgO on lOp for me dal"'kcsl KIf'!~ U~e oomt '~r:nl'):illO~n some of the roof ~l

finlll pafuth~g

The ~r .fKIFld' frJ~d ' ... es re-W5. Wllh 11 mtl~ .blush. wrJ ,c,Jf!1 t SJ"Snr1O ~ roms w pAre [J ~~rfG(~ VVhlle :5paces: Q~ re[[ rhrOlJ1i!fKtL:c the §(~m>:: ~iW Illl!d' \'!.a;:

FlO': (]£(eiwr'", ,E.;:'[r~ ooi1G atlH.I'41~ ..... 'm wtirre paWl!'h1? ~ong wOli buclf IJp W1 ril ~ grazes Vfltj many ar!il:Jrs ThIS QUl'C1c m~~ I~ ~1aJ7r1 Ml<..cJ r,;J wor.:)fJ~ on ~ir

The~"\'VUITS .lr~ filot patrucd, bulare nt~~ked at the bl:!i9n1i:ing '\ij,·lth il colour shaper and f~Jrgllttlf'l:1. iI.t1oOUt. nn].!,,' lobe unmasked near ~h!;l end or th~ pain'ting t\:'il.h jlJ~1 ,J IUltlt:1,:'I'ark I:i] 'ffni:ih Ilh~. M".skicng <~H~,,, 'S you h) brosh II."G~OUrs: across the ~i:~hot~d~['b,. ~t ~ I ~t UH1i$ <lind \WI~hl..~ create a nawr,alist1~ Iht';L'C-dmi1.e~l,~i'o~~1 m~$iO!"L

II

Colour paJ ette

II

.Pafllil'iU;g:5lt!{!t,J.s

~lTIl:Jl1g bgilL mer iJ.2Jrk IS I~ ruc:C::~lSfu' 'n 'o.Maten:oLourtil1Lfl' Dtilff rned1Ufn5. Llghl obj~ !hilt ","uuld o~rwi~e reqU-l!1:l caroful a\!UJdanl!:e em simp1) be ['010~ WJII1 11 re.mOi.rllbie 1'E95t or 1f.qtJld T11<l:skin._g 11uld •• vnidl dries hard, ThE process gr,5 iii. beauty 2.11 J~ ov.'l"\. Use ;J. CDI~ .!lhDper to app~ tr:1!' marJ;:,;rrtg fluid on the $lNaJ'I bOO'es un,d' a pen for detilil.

1 M~ thc~J;ms !.~r.th

a colour ~WrteJl mit ff'~~ 1l;1d IS d:ry, ~plv the .,'tate"" ·.','!;:t·irL··"1",',IEt. In tte PaJFitlF.g owa...ot.it:: the. shaJrO..'l.l rore~ro;;;;<lJfld .... <ita- 15; ~ Mil: burnt ~e:£l1li3; ami dar-Y.s 2IJCe let In~ hf.e ~11l~ z,

:t:

, I

.2..• ..•. Brum th~ b!l{_~roillld reflection .and ru'flr f1E:fiectJa:ns W~i..Qrrdry. Ad!d roloorto me batltgmund f1E:fud.a.n ..... ~~'e'i. Though the S".v.M1 e; .. thliE, the ~ilEOJofl I;; dan; ~I$e at th~ ,N.1I.teriine the .S':<~'aJ1 15 ~lh-Juetted Ei,grnS't the sk.~

·1~.·

. ~

3 RelTJQ\I'C th~ ma~ fhJld Ap.Dl'/ a pale :blue '1.0 VtOl~-gre)" fI"I'IX afc:obak blu~. q..J~n<l.O"'lodool;! rn<l,g.e'1l.a al"1d bum!: si~ to me WOO.'lO' ~-d5..md t9Ww n ~'\S.er coleu r unoCJ"1f1eaU1. Tovcll tn the blU5 with orange .and accen:t~ cfblt!d.

,PhinUrrg gtm:tlf! ripples

Paltll ~ .'.r.rlef" ·~ .... rth phlhaia blue.. qu rurndone magenta . and berm ~~il - blue and Pliler 10 n.e n.5ti!nce.~· neater and ~.nm marc bo.Iml ~JEr\fl;;i In the f~und.Add dar1\. rrJoarksc to the faregroillld fco ~I·.~tp-, d-etlns: blUfRd aroents ofpar-lIllly seen a~~ ~ dr"j. usc''Ih<! m!let" rm to brush tr'i'scp.;L'"eJlt stra~ [JVef"ihf: fOIc&IUU'1G \v;;tfr; LnG plo.!!r:e !hi! ~ tnlll L I'ICll~otl'!i un a revl ~ of wino on the ~rf~ve 4I1ci brush on ott-ref elofIg,nOO zccsms lifl: some J'~PCal LnJl"'k refle:::-Joos \,uith a damp [lrum and " p'&e af :rt~h ~ paper.

Pain ti1lg watrr-edgt glNSI5'e.5

Mul~j erecl md5kin~ has millly uses. App4)1" tI1e~g and p.i!lmt {11 a1~rrTloil.t!ng I<r.~ dr~'Y!lg each 5'I:ilgEbE':ore pmteedir,g to t.he ne4. U~ a ~EJIl to ma~ Inrn'.lidual :hl1lde~ OI'1Iy ~ few- at earn sta&e Th'C'y SOOn bet:0'rlle a coLl1l1tless w.J,S5.

1 Mas.kthE..-eeds with a

. dip DEn Drolig a ye<11o'w ~ of caUmlutn lemon burnt ~tli'I and phthalQ ~1"iE!ffi! ~ ·flerits o( v; hl1e ~ ~ the illl"'roundll"ll& colour. Ie.;;vir.g·~ 1'"G05~ edg'e rQlJiIld the ~cJS

2- ,A:opI:t' 11 ~r""eer.f:r" mill . ,dr;;;ggmg it aipn In .a.

dr, .:rn--iliih rilihicn. and I~g LJnderlyifi",i: ~.!:ht3 ~hQll' .. 1ng .thn:iogh, MMk more blildB .'-'1tn ill d P pEn.

3· Ro~UtJ)' brush a dMlw~nCl ~er·'TI1'.,'!{ ever the ~ l"Task more bI!ide$ (.me:n the LOfoUF hiliS dri~.

4· 'Bt'u5:h u"tidy mark!; of d<lrk mciF5.o aM phthalo ~r-een ml.'lo:ed Use Ins fOf refleruol"l nppie5.. ~r~

,;11 lre nffi~.mg ;tu do Tb1JeM [{l'mrr Irt'!.O :§C.IDe of lhe

Sa\. ed ' .... !lLtl$

· wans em (J Jake

lilmIi.E ~tQuachf (IS cppl-..ed ~ 1'1 free S',\'i!TI rr;>j'leaJ1l1l5 we;:-on-&y. Ths IS ~Jl e_.O!!1'p,'e o( ~n!! 'Dody col'i:lL.i' Clporp.:e ."lItre on I~ ov. n ClI' lo\"Itn ICOOoJr .(.[J (Q:;'6' (il;'J;'rlle'J' W~~.Add ri~s~'" st.adDI1'I colQO..J'- [(I IN ~\IfI,Ile. Other ("ok .. .l13 l ... ~re SPGtl~red. INust:ed or QjJ,lJrl~fd ,(I /a[ '''~l':'i CErlJlean lit.: ~ .G:S usca rn r!Il! diS-IOm: IDeas- 10 ITEiI11:2 U mlSL Rrool.Jfat;r;;.'l m ","CIm places MU f[JW :>iErlI'l'l. hum- srerna, rronc IJ tro!"l"i(lf ~ ((Jdtri m elftOlJ a.-:d t'i;;i"lt tea..Mcrtt. ranlr.!:; we-;;opp led we -I ~"'6r~ tf1Er If; l (l/or."-

Stream in full flow

ntis ~i.·"11t mil}" S!!K.'m ("omp!E".. but ~~ou can make itl'lllJlCh!l."Mier to paiint bv brc.Jkm~ it d' \nll into ~elion. and working j one pii!n.' OIl" OJ hm",. \Vh.:ll! u have finished one section, Took aWM< fNfll ii, then stand b.llc~ 5'~t'Cmg the p:;!intil]~ f10m <1 distance ,,'in often n!\'i,'ilrd you ,\ .. ith con'fide-IlH.'_

1 MilS.k Orilnd"Je'!;. ru'ld r."f. rgh~ on

, i~ f..JI! and nc.'ltr(Ig lerl¥e5:. 5pJli1;B' toO'thbrlJ'5h ma.:kJng_ for WOQt;iIi!l1d 4.: holes MJ5k spar1de-s • ... '.tll hog-hi3J1" ~ bnst,'~

'N, S;>a'rt& C;;Ic:rrlLUI1'I 'ernon on e gr3S5. ilr1J5h transpMent y(i~O\.PJ on c:Il5tant gfIl'!6; bernt mber and french ut~f1nem:~<s; on trees; iilnd qum.acl'1donoe I'I'Iilgerlli! cobsn blue. burnt ~ na and lr.lns.~F1t ~11cr,· CFI1lie dli!i3rlL hI1I

3 Fm.stJ li1e trees, Aw i! blue mil! 0; ~i'l"hdll:l ue, QU1P"1ar.:rtOoI"'E:' magenta and~:m Senna be:lo.', tt'lc fall. cr~

h'1lJ'j1, ng ~,ro>s Lhe s;parkllil'i We;. ne top h.atYof he reflecnon <'l00' .:: the f-ail Ihrm :1 rltleg1Jm ;:(raclL.App'. ~ '.l~oJ:2lI .. ~a;,;s 01 (dGrrml1Tl leman '1d bum: !l!E nol.

2 &uil Of) it I I 0 - btimt umber iIf1d ___ Fremt1 LJ tr'arrtal'lne for the tree~

S~ ~"' ..... i Iff 0. e damp trees to SPfe.a:.o wloulr. SPll\t..j>f" ... ...a~Er .3n~ then ;(j green of p \ aJo greer" cadmmm llm10n <!110 Ino!go or me grau. brus Ing .\Ie'-on£lry In the dIstancE!:. Spatter dat'lb of mdlgp lI!!'I'd pl1.thaJo greer mlQ the f1Io-el'" barrk. tr,j~[j ng, 1h~ up an oompr~1m,g I n SI£P :3

4

Brush npp es on"'r. oF) paper

beh .. · Ote I('II'!¥.' Oil Bf"uiSh!he ru k

re karo[ls 'W'E'!.,on-d.y Add' e blue rnrx to me -<ti frem tJ":le base, "",12l-1/1-. E_ le1tJng ,t '5pt"CaCl up Into i! lost roge When dr. app , Slro~ ror rran r-pp es Srr'4u:h '."ihtes nto fu;: fa I; brtiSh Pili'"J,:S 11'\1:0 he ~) and bark

Colo ur palette

'.

ree ·Lt.:

l\fJlWfllg uate:

Keep the: water wash:5 ~i!pa"ne. Wo.rk loose but be dlso[lhned about Sifl.~ e O\Ih'l~S. Cooirol the 'Ion and foumf .... ~il.1 ~ a 'the wlute abo _ I

5- _ Elru,h the .... wrcs li'! 1h~ .:ok

I re I&ttOO ffil ... Dr~ it and Orusrr mOt1e riP+f!e;, ,rtll c!iI. colour: Ell"ll5ir1 the r'OOLS oelaw the. rail a'ld d ,lJruSiit ripple~ 1 ar

. h~ mi!3~.E',tj o;:pa,l Id~ fer ie re,

6 To irnsh add more npp!E5. Pernme the ~lllg;m.d hen touch In ~S5 ... n~, OOfT]1f: sp:!rkles. md floating lea·."f:::5 The

reOecoon mass zone 15 ~ 'locus. Colour np~les oFf~!O" 11'1 9Tl(1':'

'bred . <!on~' QI hd'f"d-;edged OOWl'!. For ,,=t Effects. app 'f mass

zone co c ,. bhJo"~d In~" lUll rtre .4

Deep river water

The st"! til1g Is i IlljX1ftal1l wne n pai.nltin ~ a scene til"'It ic<lhHl"S ill dell: P-','!'1'iJter rfver, In this pi-dnn! th~ doge oJ nd iii rlglcd fOI'l2',gmtmd vEmally pU!s-hes th~ -lillOCF 1L'\'e1'l luther IMIck tnto tli:e- dl'~ram:,e and 'rna.kcScit eern broad. I seek out a ri\;er.scap' tbat creates reflections in the \,qaler and enhances the wet jook

'~Va trr-sJ1arwred fi'llil1gc

Cclow'spattered Ime ;p<iuered WiII;:Ef"!l,1\i8S con Inc'l'1groh<\,~ Dry It ber ... ,een each 'a~-er'. Comtl'lPle 1t'Mth 1'l'13sJang-or a f'edfPtIi: n v e,. bank.

1", I Mask some foreground O~liIge J~a~~ and graE's blades fLIer i'tl.l';'a,' Sp.al't.er a i e masking ilu,ld WI~Jl :! toCllhbl"USh. Spatt<er .Rter on e fo"2ge.. eil spiI er a miX 0 rndm'1JJ11 b=mOl'l bum ~eriI\d. and .. lmy amourrt or ph halo greet" ~r· s,

...., Ma<:lel the f"<iU colour i'.If'OlJnd the J' :ohage Spa c.- InTense darks end other colours such as cobalt tl.ll!11J'015e hght, 5E~I.d "rers 0 - coJour Lan be <ilwl~ed before fin Sl"lIn~ ol!i fOU wr;b, Note e masked 195 on he pa'

2' Add Indigo .0 the mi and SD,;!Hef' nte 'lll'liaOO"- spauer. llar>glng E brusn nar,rlle cO' .... n on th~ paJm se paim lhes off the tlp- Work (,om bo~mm 10 t.o,p ii;ll'" dlffilnl£h rig droDkn '5Ile.Ahgn the 1Jn;:!1

~'DI1",J"" ne.'II~ flat:tenrng ... ..rID distance far pen;pean. e,

Colour palette

M,l1skiJrg ~·nl(i spattlJriu CI

Save lIie whne5- between spa ci"OO lareri ~~""W'1g PJe.llOlh moilr'...:5 $hO- ..... lrtg lhroug'h (laJ:n Ia:yE'l". M'ask some: 1e.i!"ve5. Will1 me ~M removed. Si:illks. ~~r to weave unde:r le.aves. Pam wrt IEa~ - aee _ceo

the nver and tQ:Jth m m~kcd oees Willi o.ale (oiotJr,; Spa'tt.er 115ht red i'!.rtd mbaJlt ~u''qU se lrW1t fOf" 3 flfllsh!ne f101Jri5h

H;A'Mt.! V'AMSliDiD!i IPOI'.fTi ~ ~...,.. ,liIlU: ioIOJ.!lON.

, .OOCf! r,'-l-~ ~ ~~F IT ... !1le Oppo$ll!,. m.".. Pan, Q .r:", d~ CJ'J IJ;.;: oo~-

Sllmm~r greens

All€:': a r~ltre phtha!a w~en toc.admlum I~mon or ~CitrI gree .!\.deE bumi. sienna to mue he green mil!~u.re.A.dcl 11"Id1_g_O fon darker gr een M. r dtWJ or p3yT1e's gr.ry and phthalo green Jor an iOl'lmse dark. TI) otner ~n5. yetkw.~ ~"m'i end {lr.rJl1:e5 In ree'vra~ m~ Split ~FI I[ltO iI llgO\. ,.elroY-y_ sunlit m x and ~ (001, darlo;, ..tJ;Jde f'1l,

LAt,· srmrmer rizxr bm.ik

Bum~ .i16!"ln''l ;md _O(iTmUm 'em"", added lD tkfO:.~"! t:oI~ gm~ .J </eep bfC'-" Qf'i,j w 5lJ[fh: b~ lJ(iirlf plOdl.. ted r p;::12 rErrevwm C'Il fr, paP'" bErmv me... ~"1HI'.ei re~6- ~q~ ~~Ic, ar.d ~Erd1 u1'0"ll'.!M~ .1'1.;: potliT'jed O'Ji;;r dr~ tmrup.21'El'l1 ~eJliJI'. gliliE -he-diQcmr rr.{)5Se:£ 1hc m;Ql-,df~um

,r" ~ Mill IS mer' eel'! o1nd nghr.,huf1 11eL"S ore

g' eE:iT gokL 00, fIe!_""lJI'Jm un: ,., P G'1d rile' ~ 1l'.'11eaN:!r; G 15 !T'~ or quFl'cl('ndone mq<5'lr;ll" phrhrllo il4JI? rJild J1tirm s.,€nrn:i It-e l~rncJ ;ru(f _ ~~ n)d!;;' whites. r'e[C:!died .... ~1h co OLJ:

Rowing boat on a lake

P.l'irU l! rowil1lgl1wt ", .. Hill pt.'!Dp]~ifil !~ ,as an ~tiJ.tu~', IT'lilppillg out Hie uwrnII shape (If ~he peaph;.>, OOi)~ 3i!ld n'!.f.Ia::1I..1011 fif:'i.t. A rowin~. boat sits ~t ~Il ,,:Ingle and the p.eople ~t in i'~cn::lQk~d; caught m. mov.en~en'l, tb~'~end to h~aIl Il!i, t.he CplpOs}t~ dl.ri-"Ctlo~1 to them'~ of the boat,

Pl'i'i~ltrugfJo(ll1 s

f'eop!'e In beats at";e fI.Oi afwa::r'5 mlaxed. Thay t!reil::Em;e ... nd 1L00Jn'!.E-1<.c't:IIlg all sorts or forces,oflen IiJ"OOrnc-d rO'\lV 10' keep the prec.;lI'lGtJ~ centre o'i gl.<Mty do-; ... n, or ~y.-ng In mid mo...em~11ii; IS, urefu~w I:aptUl"etn~E" pos!l]Qno; em earners. ill pno1ogmph cloqu!?'J"ltJy 'ICMs me V\!'tIoIe brief 1P;ro~~~, of the P"D'i'<I'lng admJ1. Keep :the he.ad5 or ~, TIgl.!:'le'S U'I boots \"ery sroJaJ Indeed

.~

1· Prurltfue W1l~E, WI'I:h a 1i'I1~ of bun'1~

. 'S!erID'1I and oobalt blue. applj'lilg ~ eolcur "round thE:~h .. pe 'of !.Me boa~ ftgUf"e and re':1ectlOrL.

R.ml,jug actiou

These colO'i..lr s.kE~clJes shO',o" oaf ~. with P.O'Mng;;.l:tJion ("~ugflt a.'~ ditierent s~

Ti'l'e ~ ,h.;;r.~ lt5r ~ d,'W'!d ~11d ~~ ~r~ .... u/Illro tk j"~~ Ti::~ ~I ~~!~Mtl ~ O¥am, n !J~ ~EIlb ,~'.

2 ~,.', w3, [i1!t' oolou.r. ~eol'~log ~ of 6Iild'eitoOfle rof tlie ..-efle,ct=o.'l i!fiI:l ilPP~~ Fatnt I F!51de m'll boat ft5 Mpe dFlCI ~adO'W afetl~ of me' ·iigum.

WI! 001:1: dl'l~ btIcJ,;,. !lpt,:llB!101mg 'J'!'!! bt!gl~ III rhl! :!d:"~ Dt rPID'l ",mt- e!; iT1'!k,J~ ~ j,n,r~ ~Gtd"2S.

1 (II! ~~'Gr;!"f r! J'!t1d11t1~ m.,~ Il!)d ~~ ~n"

Colour palette

adm !.j.1T! .-,:.;;:I" jJr.-;.iJ;j,lg biLiIi: .' ;;:@.q btli~ ..

• ~~p ~ )'11: IO.t"'. if .... ~I~nn.:! • O>lfl'l' ~e'nr.Oi. • r.e:lltnl nrrt

011' OJ! the lr!lke I(opposite)

TM pal(l[)jjill~rre~ Or! !he 'rooar OOi.aMe (Cf ,[5 e~ (i\'t!e .P!1ge I r, Bfl:Jl'lCltB rfl tf1~ fo.regroond tree~ ate pdifl'I:OO ~""rn a ~~ f~:l!J'leI. o,.J! )'l)ll could L.ISie a !'logger

3 Pamt Oil few da~ streaks on the

..... a1ei; and add d<!fk.er 1'1-Pple.s.. Comp!€te·· e boat 0!f14 'flgUf'e,To~ ~n the -oafS I}1'Idflmeailt.

Th~ ca:iG'e f1m-g rn rhe ~!!j' rM'_~ ,'j~ d.7PJ' ~ rl':i tJI~ !I!!l!"~ .'$ c:~ed by 'IF.' ~!'I"IP.!. C~~ Irt~ ~ ~ bIna b:.rtm SI$lItQ m'ld (lc:l1I!lCrl!:ltrlJf.' ~iI

Barg ·.,es: Gin a, canal

o

St<I![ghl rnan-nrade ba~~:;> nlrlffiLs~·VI;thra~ed p"5'S.IlgL~ of :rIl<l'rure"_ 'li br.m~ tr"1'Isf'~llll~gj, ts of buml sien util and new g.'-U'I'1 bege i1rr~ offset with ~Im.[lg, d u rks, M>Il$'ld:!l~ js beth problem whing and Cl'e~tiVl<'. an d 'the mmj)j n,.lIjon 'Ill ilcrurnte ,~nd IQOSl' reflections is aehtevcd wi'lh OJ wa ler teathen ng 1,(XhniquC'. !\ 1<1nYI ntensecolours 01 re hU3.1t up ~QoOSeJy in this canal 5!t€'ne_

1,'1 Mi5lt: the oo.'];!' r"OO'rl~ IQJI5.. ~, andr.ei"Kterc ... tJ'Ie tree lJ""IJn~ aI"!{! braiXhes on litH len. anofloaung le,GV5 ~nt il raw 5:!ennaoodl.dmp ~rI1m!! warer ""llt-m-wel lJ5.Jng.pi1t.halO blu~', and r-iLw SfeMa on ti";e left. Sz.ve 'the v, f'lIl5. '5pa1:'lerdl"ld l$us.h the backdrop With b1Jmt 5:1lMii.. a oomt 51er.n.a and mt:lall rmx iIJ7'I{f darlG ~"'It.h a mil': of IridJan ~ and r!'en(;h ul~e

Colour palette

2 iPaint!he cab' n barn m.h [l, d.:;.rl... of

, phi:h:.Jog~m, indian red i!ll·d fJ"C.l1ch ultrarnarme.artd the hull5 Nith ~.!:ht gto=l (rom rnb.iIh bI~ and burnt ~MRd- SmpE thE, 'Sffioom .1ifi·m'-\''.i'ICt wnh rfldi:&l red and Jrendl ultrarnarme, WEi "Lite Vlalff <!irea ~!~ ~es of dr) P<1per. Brush f\ palette CL1Tks ;mcl c;:dmrLJm )!'erlo~, pht.h.1.!a green and burnt &rtn-"";a.

3,'.~ .•. · .. , •. 1 Darken the barge bade;. <t~ IEiWlr.;g the dour: P<!!1I1t the deer ~ght red,

P..Iirn the' reds ... ,,[tll qUirlacriOOflE red ~nU bw:m~ sienna me grcerr.:. .,.,'ll'th p'l1'lhillo grEeFi. tatimlum ycl!Oi.''' and b!Jml :5Ienni!_ al'Jd

~ iIJ'I)I' w~ Wet the OiH-ge refu.ctIons. Ie. wing -sp..."'C.X1s .of dry paper. Ap~ the b'Y'gt:: (o'ourH·,'et-ln ..... ·."e'.' RemOOlle .ill ffiiBlung.Toom In the roOf1. fende.~ rope; ;me:! raib and mend!), brt.sh burnt ~Ieno~. ('J.~ 1.1'1~ le1!i\-e5

Deqll teeter ~. ec15

DaN '!oert.it;;J IE ure trI'Ipltes depth. and so· focLlS Im,piie5 .... eU"JeS.s" To" lev;:: mis, df"Y"hrush watEr ~ the canal. am:! run the t.tee reflirl1.~:;tra~ t 00 ... 1'1 rotJ~h

...mIle ..net This IS .... ater feaU1eri g and

p1'Od\.!.1:~5 50ft. and I-wd fOC!J5 marks, HorZCf"1tlll:f m._'1$ked bu dies 0 fbatinl e.a"'Cs. eiongated wnn the fc)r~hortenini: effect of perspff't .... e, m~fKl;: the del'J.i.h .md plate' is surface <;I1'l E: 'Nater. O\h......,.. !::o1oon. <l.:fC ildde(l v, ~t .. m· .. ~e!..

C~mal' 1tt1.rge5

lhree krnds !Dr sporrer (~e1' 1c1e-r·Ed !icE' fE'f~J1d \r!1[-an-d.'11 .... er 5.Prme~ jnto y,,'& iPQ1lff tinC ~\i~t :lif;otm:Er on ',E'~ papet. .~ Df ne .... E(]l71r;JQ""",*. cadmium I"L'(1.I.; phU'la 0 ~-='. ruuf bt.u i Sl4mJ'ICI. " re O'It-enmrt.rd ~'.IJh OOf]i';S af"l'L1 COOCI1 (tJ~i;jor£E' Irghr. ThQUlibi'!i5i"r ~~I'1,g !!pcJ [leI in tne uees \'In SpDUE!B1 met wrrh ;1e.\ gaml:mie. D!P11l ~1ertJl(J and (fUU'lr:;-:::r~e m~noo leaf crJoor. Qgr~r rt;,aurs; rr: I b'; aoo1ng french uiuc.mcrll'1e t1ilid m.lm!: ~ 0 "I(!\(Jn ffi:I wIT!! spar e W O\'Ie:f the:;e 1ft ptoca aorlclrds. bw fe;:, J':ily and suooit.;s m tne oKl'er ,y'Cffl; mtJY<ed. ThE ~le,'?d

es .''E!l: ' ... urla:d from bormrn w mp ro J:,'i()(ne a 'r~ W~ ~rodJenr'. ;J@ ClfopJe!: Size cbm nIShIfT$

as TI'w! load lID ltJe :tr11Z5fl tt:dIJ(OO GruiS; til~ 'ill 'n: parmed I ... m ..,1'JJ,,,, ~ fa trl' rrn rm

C1pl;iq~ 'bIx'It' CilfmJl"

Reflections

\~r~lert-fll,)\rr I th 'idea! medium for painting water - It behaves : . similarly nn paperto V.'E.IW in much ~il:'''!l 'f quanrirles, '~ !:-trolf"lFj I; lours W~'Jt in-wet i'lnd let them mix, :-'li1'< ~il'rge qunntitie of rnlour and have ple-nl) of dean water; Jir\'OrktilGit a nd ~D~, and let Ih~ riPP[{$ nuvo' l~rr lit'!" brueh,

HarbouT refl '(rim rs

l.hiE: plent)' of wlILer and rola\JI7lKe:ep deta I 'thin me ITIli.1S: reflernon b rred, Parnt the ripples off IDe: I:xJ tom of e mass reflecuon v th rapJd ~focus bru5hs:rm~

Palrr the harbour ':.;·iIll and qU9~

loose marks of .-;1\'.' SIenna. cow blUE. IIg red and Il.i!ple~ ellow. Brusr 5l:rm!G .. pol SCIffiE ~ darks, 'liVe!

... <iliff area and p,lffH an LJpside do rn 1 ~ with !,11' halo blue i3ind: r-av. sif!lll"l,,1 mEXed

,., While me ... ash ,. !>tdl "''ex.. add o~ JI coloLJr<; and 'lllo ..... ~hem to run.Le th~ ..... a<i'1 ;md If[ 'iliie-.... ~'1"rICJI M~I,& ~ b pre-s.'Slng r.r-<J -dr~gging a: dam~ br l.5r dO·Nn <Inc! d .btl ~' . he paF"~r WI 'trne.n ~I A, fe- .... p",l~ . pI § ·.·.-ere added to <e Pii'ntrng 0'1 00 a I uSlng &~ 001111 0 c:. bru;.h

2', Compl.:re the boatS and d~ detait .. ' " abcr.~ the '.".',ne.r.'" mdliifl rro and ~rendl ultramarme. end rod ph alo bl~ <ll1d r;;r.~ .. sienna. a,nd coset, ±n.i9'1 'Jll5 across ~ harbour wf~M a Olcdy pc.rm.i'1g sable brl.l'Sn or abotJt 5fZe b to.B,

Colcer palette

Ugh l on dilrJ.t

The "rail tor:"~ and ~ rellecnor> ...r )leIla ... ochre rTlr"e:! wlIn a gret ef cobalt blue il!1d burnt 9en.fl<l.. if; me bacfgromd glEtze far me #ho~

pal log ~belCl.'!l".;md 15 I'e'fi: ou '.'llnen .:ru1TOU11 ,; mlOiJ~ is b"u91Eif 10 a 5.I~le Wffi] offreoch ul~'j·li: S. and phtnillo .bll..J'e. WonEJ: ~ 'Ji1ru:s for boi;I3..JI.ppl)1 tilE 'Ni!ll ~~Jon .v.lih blce tc stref;g'JlI~,n It. The o";'ii11 reflec on ripple!; Me a da.,!rilf:r of oMlI!1 colour

Rflfloctions. ,11'nli rippl,~

ReflOOl'Cl'tls c;mtllilfilOty,o zones mass ;rene ;md bre'll zone. M~ zor-e I![ 'l'wet lI:olour. ~HW. zone strekes or <c:oJo~.11" ~fo.'!ng 017 tbe raass zone. ",.et-on-drr"Add w!ol.Jrto the mass ~e In ~I sln;J~e5 ~.et·iJ"H1I.aJl.p,lJiy h!;lrizont.;;l drnl<lE:; te the breakzone M;~l· [In.d'1' .n iii djrnm~shlflg SffjU5\[!E endl.ll;!: '.'Mth ,I f~~ 1IJld ilne;;.

H12~f)fJI:_rr~s.idl? 1'ej1edirnrs

Th->Je ore rtoon,tl snal1 ~ IJ{ li.r!:l):nr OJI~r and ~t; llJii; dabbEd ;nt~ the wmel. ~r1IQ_'l' coJ'olJr ~ used partT(llr~1 lU/qUrnliE:, ro W. if! ImptJd]be ,',£11$'" l5 lITIUSL'll/I, aol1i III Ihs QId tuuootJ [ lInd =h'B ffI W1ID (II dEe~ b/al7&! !JILJ~. Try '0 fmd people who ~ ~ on tl1J (jUi'i'Jf Ihat ~ debrretll:i!y IJJe POWJ~- -'lD[~ r1:JE fjgt.'e' 11"1 r;eJ !l.r1~ITe rigJH !! Cll,\-I~ (J~ Ire tIs"':; (l rTIolJbIl~ ~.e.

A rocKY lurquol~ p ii>11 can be Ili.-,;u;:][lr stt,lnmng. hut 'the ~.1Ick n leatures could deter some pilintel1i lTolll h'l\iin~. gu. Ke'E'p the wOlter's ~ge- and (".,]'Ire iliway !rom the centre. [1!<lh.' m1Ilany .;]1 b1tract pilUem.G and b.'\lmt!·· Appl~ colour m£P.ill) \\"I:!IIn-wet for the !water and wilh.ln-clry 00. the rock frace.

JI..

1 Pia-n he , polllJan or

the poors edge

il r.d he c:ave an

lr<l(mg paper,: D:ral !i' ontl s, ,e ~@I":Se of the tl7.(Iflg. pIa'Ce it over the rma;g,e and trace 1ilrough BriBh the rodc'y grotto Will~ With a. II gil . \Ml5h 0" bu.mt sienna and cob.~tl bluE.

4 !=I.e .... et the pool Ad bumt 9enna b51fiN the !'lOti<: foce. R.un 1[; - rJ;. refle-.'1ions... Bru s h I er1J.Ca1 ~t.~ of mhalr rurq UOl'Se' hgi'l I the: rn d .iire.ii.

82 1. P.o,

ou . Ii pattern (Jflls~ '1m the !Xl rrt of a. bl11Sl\ Fl.~ tile ••• ... n~!'"~a1hEnng

:'or Wirms (clOtll~ e rock. ttmg triG

5p~d .If'Ito the lA~e rneuth .aoo ~ea""ing rom!! 1W!'IS ~fleoted rom me ,,' er

5 IW~ Iii' a5tre~ on" :e \'{d ur len

. lard nghL V\lher dry. lift out mal rod:. shapes u-sing a damp bfmn Dab w

tr en to ."ill to ~ the c:olcur.

I

I

Colour palette

• ,..an; ~. ~,rrt !) a -.!,'I! • rn;or..;;o ~h:r~1'lbl1 , ...

t .• (0cD<!ol u.'·~_JGl~. IF" i!.~

$l~rt;,' ~ _I ttod

3 Wett.h~ pool A.dd na.~es, )'EI!o- .... and .LJmt erma o· base of> '.'r.lsh hrt'IIfl'gthJ5 spread ~':j'arl:l~

Ll'ntiernral\t.'T' eJ}i:cts

.' UndBr' ... ~~r 0b1005 .mpe·ifrclo,.'~i!L~ dLJE !a re:fractlo.1 -th~· bend ng 01 I ~t

• li rocks "Or a :s.ofr.ened look as ol.ign bhJTTl;d try 'Io~ '<lite!"

'. T QIJ-[h m . i2 Ijrt~ rtII!;!o!S ·Mth burnl Sienna ':0 ·put· 00., lJnde1r ',iII;;iter'

.fh!'ul painting (a~rposl,e)

Dark shadov os a~ 0011 be[W~ .he J'IJCk;; ;J

roil /'112 p.!)'1'i[ 'J{ (J ~ ",-e'!-OI1..dfy. ButH:::I

up rJ ·pa.ernE'nf Or U'le!ie :i/1GOO,\OS 1'1 mE (1feG bC'r...t'i'n thE L>'Ig tklrk "'iosses and ~ /Jf), Ijfi. a ~ fr.:DI"E" W1cet'\'I(l.er 'OC0(5 1i'n.m ~ area. NoT.JCe 5DrrfE Imder,·.a & tOCl"::S Qfe n $,~rp ~11.5, '",mle some <JTi:" ~fL

Falls:

tbinl strong oontr.t;;;ts- '[''''''I). part a~ tin pllintin!l U; !ight ag;lin!it clark, m ddt'" agairnt Ugin. Wi:.' -ln-wet pail-:1Jling, ,u:hi!.!\'(! the mis:~ and mil5kirlg \:Io'ith., rough hog-hair brush pro<l~~~ ~he glint a h· wat.er. The dil1~k patches in Ihelfall' are lI'ifid~r span>d as they ,a((d~rnfe down into the rnisl and di<;;JJpp:e.1f.

Fa Wng ttol'1ltf'

IS terr.ruque prnduces glm ., 01] , .. ~tw b£l'l.locrr],g 0 'a sun thon. IS 1ll~'Y il~U;~ II larg-e bn~e lKIg·h2itr f;tru~h. O<!ooe:J gern:!}' Into the ~l!rf.l-re 0 mas.1cl!'1g~L[ld In the pot .. GemJy da:b mec brush VErtlCOllly on

1he OOpel' 50 the bnsties eac , MOIJOlI .. ,

t.OO(h 1M sur:iat:e and produce complex m.i!irks. Rotate the ~ .. ter eacn mD

se eilch ~:pe I~ d,1i'ffent. and 'WOI"k along h.of'li~l [f<!!ks Del~e use will &i'o'E srna:ller marks for dlSffinlg'lrn!!. Add ill relol

f nes <inC Sp.lue:rs. VeF"'f ew ma'*s will go over ' e edge - ~( 5[OP ... men tne .vater 0f:0.~~ ~ilt.tse 'Itle angle Lhang~ and no to.'llger reflectS 'ttl st.'f'I

3 R~t'~ jo, .. ~ ~de: ,<lFe!il-Appty ~tr"O'ng dLlru. ~~ tr.Em up ..... Jth !he pGlnt of a bflLE!iQ The too rs more sf'L;trp OCL5 ..... h~re 1h~ .. a~r ptunges ~r. so draiil the dark p mto thl$ 3.f'E'4i . ~~e ,-.on-4-y.

tapering 'the fl1i!riG .01'1' 10 .. cur.~ pQ:~t. The darks rn the drop·oll ~ eeeerre 'o'j'fll~r ipaC~ an d a.gon<U_

'1'1-_ Mer me ~ng MS dT\ed .: ~ ilie

~ ApP~f a NY ~ v. .nh. adding Sl.J'ea.1G of ohJe \llrTIde .~ ~,It dr)~ Dry trrush Dale b!l.l~-gre't ho ,Qntal strokes onto he 'Water; Cr,JiNIng them over 'U'1~ fa'l;S. edge, ~~ dr')', !NEt me cascace a~ .arnJ add a paJe blu<e j[l

oil p;a~i;hy vp , 0 th~ I~ 0 the wal:er".aJI,

e.>-wlg no W e paper.:

4- Drag Intense d~,-k ClJong th~

, .. ! I'ro~nd .... 'iili:E<r on the op of !.he

!aBo ~il"lgrl s:I:ri.lllirt Lea. e a few hght5. V>Ii enll U1~ '1/1,'" i.er reaches tne edge It plu:n.,~ dow[1 a!red.roflil.I~ - leaYe seene spates anCi inml these wJl\:h pa1ef1ane, F'amt 1h-z roc~ and Icm,g tSlets. Start to ~Int the cilSlaM hon ... on oa!±drop edge.

Colour palette

.... d"1~ l! •• rr~r,:J '" 1",

Jlen~d • !Jur,11

2 Fie.....et Irmde th~ .cascade and add

; da.r1r.E b l..Ie-gr~' In ... -ertJca.1 S\': all'i5. Mth 5m<i.1 er one; l'!.f'rd ~ l.gt"li:. stlC'TMrrg at ;j-jE top, \,Vherl dry: ctra¥l darker- hO!1rontal SLrea.1(s 2Kmss "the ~ w,nt!r ar'lea. ~ the dmm spiYide ,lone above' lhlS iilIt"e.a Dr.!iil the d~r colour 111 1;r;trn1s ilCros.s the d'ls!iIDt W~ er '0 ne t(: .a~ h>e fau

5 COOlp1E!t.e tile 00;tmt horizon

I mLkdrop and paint it 'Mth a l'S'l1tel" \.¥"JSinn ot tha coi'our mixOO th burnt sienl'\il. v .rtere . ~ CfU5,5es me i!Oc of me sun. add rr,g; a 'I ",v;;;ter tJert: 'to 'I'l'1<Ire sere

Is p<l1e;:.~ ~ome 2;dcimol"J.i!l f'rIoCIOO of mL1 rolour :01'" the rod.s in the wa~er all Ih~ right 'Of the P.IUU.-e_

Di:t:ec.t101:! of'rBnte,

D~rec[)Qnr.;1 OF'u5iov.'Or!( (ha,~ t~ p.!!JI1tlfl~, wL1J1 ,er.etg}'. Keeo meS1ro5¢.e-s- oi mloor hon20ntar '.I'JItien Q\Ief'-p<linling ttI~r'I'Ja5lqn:g. The water pturlges oli"OJ..Illd a CIiJI~ b~jOro dffipping need!" ''ertlGllly - bUIll Yp wlm cfuredtOnal darks, Sttlol!>lgli.E)hlW lon!? U'1ttv? prevtOU5 '.va.~ .v, 'lE:l-'D~'-dry D'1 the h:gh COrtlra& 10~ at the- top and \\iI'H,-wet 11'1 tbe 5t!atled

falls. Brush t:hif"L dlSl:¥it ~kes 'Of HJne. The ,GiagOl'1alllr;~ of 1."I"ii5l he!ps: oonlOltn tne Image c:ompo:stlIChnoil!y -and 11 !,I'I.I'dllh£re!

falls

"fI'w mll'.5kJn;g {l"u:.d '!i ronm.,oo. fJ.'ld a ~"I/ nm ,\ ttl a ktJr!i2' tr.:cJoo aro mc"jl? on '!he p llfl!'iing \N'(Ju:;t:Tr.4!i p6 ntl1l'li o{Ho~ falJs. f\i,Gga.JLI, tS ;m(~I<:i!'ry oDOur l().""l€, Ever! (l :sfOO1t 0'J1IDt_JJ] r :or ,oimtr r..;E fl' ptY ... ~.£d .:;ffett ()'I':I IF.~ ,f-~"o2'OO ~l ;rn:t:cm,e;; hCtlC tmm lhf $U!l Wid re!le.es tile lo:t:lO mOrJDI~ RIlUJin mld;a~ fT1lJoorrg aaJif5 the ru~ ng wrJter CI:> [rtr~ m~ lip SIII'fdCe , 11'115 In rile st.;nsh1ne,.

Boat sailing on the sea

The sparkles lin the sea arc rreatc j"Y.1 number nf phys.ic,;)] furce end 1<1\\':,;,

tha t i nteract -ligh1i wind, Wa\'e$. tide and ~ei:fu,re. Togl"th 'r th ey cfi'!i.ll,eo l'<lfldo rrmess \,\,11th if! order; chaotic and ~C'I:: \'1~thl n ~'rUiln ~ill11ifs that dN~n r;: them and make them kI5t.mUyn:"CDgni~b]~_ HL"n! the question is - ~1!JW :!o ,~t these Io:ng hi n~' H~hts Into ,ill fil!Jgh sea?

'1 D.lb m~ng' IJld \IlIll ~ 0.1-0 bM.Isn

- ' caked wrJi dned ~g flt,J1Cl, Here <I, grey wash ccmrasts oIIIIl:n r.3gged nrgnl gn~ '1Nl1h the rl"I.iI5~ng reno~ Sp;Itu:r

d,mm ~p.a.";;f.es !M1n r11a!iktng fluid i'rornos, tOO1;nbrw;h try draM..n:g tTte dt..Jmb across me On51Ie5 Prmea the sk>' ~ '!T<E horizon wJ'l.n a cover T~-e ma:*mg flmd .~ i!:ppllec! ff"l n.onzootal tracks 'Nlrn large ;gaps bim.l'~ the- tritOO rleilrer ine fOl"E'gfUund

2- Bn,s.5h Ii ~cood w.Lh on lh~ sea. eavmg long streaks 0 'lrght ii3 ~ wihn:~ TJ'..2 masking IS com[)Jeme rted Wln, ;! Irttk dry bnlsh-wort. to !-a'.~ .addltlOfJ.~

... mn:~ ~ i"JOf""Irn~' 15 COrttra:5ted both darn and light ag_alM[ W grey ~ky.1<JEeP me ernphaS1'5 on me (OO"Ipfex random requc-ncC5 of n.ature rather U1.!In IT"J'lf>g 'to be o .... C(" 00>,

3 Ma<=.J-..rrtg nwd orcdoces J. rcll£c of

I ~1.Ir"eS, and s.arne M'E;;'S Gi!1 D~

i)Jmo~1 bloc1e~ ot.Il INJun r;maIorn masked pa~ Pal!'ll p.i!r~ (:oloIJri[l D . J-~ m~(J area: to accentuate :!lian=. ?Ill1l 'flJ!.JgM. ~ir: i".fie,,t,.,:;; across rhe mil-Sxa:i afl;<l~, b.LUt It:~t;l mo~, o'! mern out of the' ce[ltral'~o' area 5cnm ,'er1)r[]J'r.! ~. <ICfV'SS e Ia~ ma~d i~rol,Ln.a g, I. ts for aiXliOonal g_f.are ,,00 1TIOViEffie"fii-

n ""!:'"' •• ~ 'l'l-r.dc"" "r rc - "_lM.l' t." '. C":l~,,-

ReJl'rclillgligM

A. vnilr! cOiled up, noped-up piece of typlrlg p.iif.e" -QlPped mt..o tI1a5ki~g il:i..m1 a11d !JiSOO length~r.s geu; th-e tc.:ortlll'e of re ectec

Irg on: the sea, Gei net of eNC65 ft:utd: !;J;e~re teS!J"go. rt. to ~ If l~ IS rough EI"fO".Jgh '1;1l ab It Or'I' Il' I!)a.pei' r..ol"lZOIllalw.

"" orkirtl"l OflQ e: ~r In oonzontal cnr;ks. bu . "'Clq'lJ"l~ !1 a bit. to iiVOld !'Iegu ant . Irnp~ 'i.J iOOr 1"iiInt>00"I."'t65. by sDat'tenng from a ·00 ~u5h

l~tfjhi:g md sail~

Ir'I the o<Ilntmg OP-P<J5!Ii'E' itr,e ~"lns are n1asked. but. the, (en also oe ~ ed, as nere, The amOfJT11. tF.it rim; 'hines 'Nrth p.<poer t poe

af'ld the (olcl.lred used, Scrue w a ~fr 0:

,a Sii:rff darn~"U5h cepe.rding tmvl eit~~, he ,p,iI'nt I fl:s. then dab I.I1th ~I'lCnen 1O:\A. I Be careful nat to :wII ;:he !i:.l;[ .~e of he: paper. S~all1lng colours, 5l.Idl aG: phth;:Jlo reen do not Ii L Eo;511:;o.

Ii dn}ls. S(lilh~

Mil'.rl. ~hii st'Q I*U"'I a "SITlaJ p'ece Q' 'i~ped ard rigtrrt,. cO' ed r~'pIl1~ pj]~f dt:IJlberr 011 file 1X)Pt"1 ~n:r~, t~f"I 00d m(i!r~~'l 5p:'[(Em1gtmd ~~~-ElMIi m~ 5!q ... 110 rn~·.!JIr.Je and boutm ~~..a. urn ihe :!'C-lj v~l1h [j~r u!~ b!tot' ttr.!" co.;::ir;](l.I.TTl ~, US<.: ~ l1r"~ co IiPP~ l'T..DrE 'oloU. e 'nana.

A i umble 0 r OOi'llt!'= look..<; <;nntu:si ng.. bu I ~ Uti I..-._l 11 kel..ll ~he painting pJOc'C$ ~j rnple, S1iIn with the !i!;liht~tl:Ont::~, add darker ones and Sli'~ IhE' whiles a _ lU gu. Do not po ml' t'x,lcf de t;ail in th e disbrtl clutter - .lust an al:::osl't a d pattern - bull 11'iIUl t the foreground detail as yOu.$.L~ u, The use Q! m$ldng bu]ds 'the eomplex look.

Ptril1tiug d JUIilS5 D_f hnt!f:s

~p background Items as it series or 5~rnaJl b.rokoel"1 ~nape-s, with JU6t a f~' meaningful

det.alis here and there surh <I!!; mas:ts and Cat'lQPlC$.. Build: up· e boats 1111 l.1yel~. S<IVIng pkn'f o ' ".,1'11 a before !JI-lT.t.rn;§ f'I a fe..v bngi1i colours and 'mooS£! d3J-k ecrerrts,

1 task e IflQ;meI'

- rauls., "i-ask ';OfT'~ of me r'I\a~s.. and :o1mpo/ lea\!'i1!: i'Y'!¥I}' of fuBTI out. PaJnt

.. t>e b<:Lat~· wrlha ~~II'l1&:

of cobalt blt.'e. burnt 'Sle1'In;!i a.1'IIG quu"!lacr.dGlf1E' fTl:1l.t)EIlta Use cadll IUni blrloo_ Dlb.;ill blue lind burn sienna fer the d!5Llfl ttMs..

2- Darke m~ u Is

..... , b a 11 IX 01 cobalt blue. bLlI"FI tl.~n M and qLI~nqQi"~ r'I'I<igen'ia USE some of hilS colour ~r the 45ta11 boa y<lrd 'J'Umble', ""hldl reads, as iil"l abstn>l;1 te ure Add ca n f5 to the boalS USing cobel bJue. w n

rcx.t.gn liI'ldlC on of shapE.

8-5

3 \.f\k!t the hulls and ao.d

a dark- ITIoIX of Indtan reo and fl'encn uftramiilu'~to define them ~ thIS colour Or detcul or !hE OOi!!JiS.

Daif, tiny ¥e.a:£ afonghr

;:0 Cl..Jl" - red and ydia... - Iii ¢a.ceso a:da I 'c 0

Colour palette

Po illtillg _fJgll res

Keep ne head~ aM "eel. smaft. and arm fc

~ tOlTeCt angle (If ~1.5n(e far the Lgvre..

If}"OU are 0/"1 e'Same level. DE'O ~E Q - you" tr:elgnl Mil ha.~ tl'ielr e~ lever 0fI the h01"lZOn what~ ~r srze, Ii ycI'I,I are ~ fl.crn. th~r 'e:;e le.oe1 will be below he honzol'l

,BOi1is .in J'lQ'rbo.u1"

P=i:[1ng II ~_j)'ll1,!]'rbolJ' r.rr.tJ(o'E;3 ~urt!.lJng ,k Sd'.Ed 1,\h!IB 'M~: ffie I>.:.~I £>4.~ ofm~ r~J'Ulmd boar 0'.1'7 J POfl(oo.'1 '1]1 r'l,i- G,r~ f{)p5 of i[~ Jar;gEr ~u.. h'~ • ~" ~1i'1'i1 g;r;-af. iJi"!d P'OLIi":g~ and mps ml nrtlm. ~J ~m'! diru~.m vGd1:5 mlo(1 5.."'lf[1.f COM!, !1'S L! ." ~"7!.tJlJ ~P2s. pa1~hes or l.gf1l OJ)-j 1r.M,rI~ U$ .vtl to;' Ot lO poi:M'.t 'Qfer;Mu,* mil! 5p.;i.<!"'-\.;!5 in r~ e $00 ~ng a,.." ,,(d loogn 0113/'1

Sandy cove

I

_,\IthlJugh this p;J.lntin~ is ol a cove, thl.' ',. and !.!..:o provide 'lhl! main tone <JIM form.Tl I:! ~J' and sea can be pa.il1'tl!d In on~ gP, with only th last sea wash drrsringuLhlng it from the sky. Building up Itl,,~ sea colour UJ'l~ wash at ill time gh.. es OJ rm fl"li! rl!al~ic. i:>IIUflfjJ\!J Irbi!..II.I.

II

III

SM mld . ilOn-:

The follO'Mng steps i!".'Ip!ialn Itlcw' fuc P.1Cl1J1't opPMite wa; ilaJrltrEd, which I..lflif~ see nd sky 1:7:. p.3 n rig them ogl; r.-cr.:A.I h.o~h you can ure 5il.ved ' h tes for e boI'e .. ke.'"'5.. wtlr..e gOi.ki-'1:he can 'IO~ well as ~a';in her'('

Colour palette

t..dll: elm ,I _'," tr J;11!i"1.i em <Jf<L s;e .•

,.; ,-tl1:r. Cc.n e ren • F Ct" yLt~~<l1"11 • pn'f1iIlo I.~ '. ~ iJ"lle· ~th-;lJo !,rtef 'I 0'".'. '!to ~~ :;,..:rrr= !I! ~ - 'etf iI

1 PaInt" e ~y ~-Il'I-'Io','1lt ... 1o(1.M. pale

. 'o'lil$hes of q~cndol"!e' red. ora ij,e and p!.halo ue, Brusl1111!? se<a I to 1re _ ~· ..... e 5ky fcru.c soft hOI"lZOl1, .Qe:inrng

nd w h ii!I h.ud 1Od~,;: as a: con:n.31 WI

tt,e aJISIam:e_ M~'e: CIirt!lilild r.nrtr:ua.JCI1S en pdln ng tI10e S~ iIIIe 'Cl"f\'!::1"1 011'1 ~tep "2

2 Paint the sea lEirtg a sequence , 01 -colours fmoi thetop 00v rt, Uoo-org!aze ~ blue sea are", qtdl.n,u:ndo.nl! ~ and paint O'.'Er

.... '1, ptrthalo blue Then run cobelt blue wng Ih~ honmn. W.orkmg downwann..appl phlhafo green so the colour 5tU i Irs urNiird$

greEn, tn.e1'l ')IeJ r;;ro. v 'fo'l 1"!aples

~IO'i a"1(l! I igh! reel. (. t-'11- Ml Diijr'rt$ of lreOOi uI1:rilfNIrire .md indi<in red prt)'l.,d~ !l;~da ... mthe rea S~ c.oIOUI'5 'to ~t-Itl-we.t for the deep. S';;,!!-ti s,

3

4 Pamt, grnss 'iIIfI. mnred c dmJum

_ yeJio ' ... bum . S'>E I'l,il and p "i".ato green.. On the pornt 0 ell') g I jPr;zye.:l ·l1e rD~-rnund "''1L~ water rrcm ~ fi~ ~o grv~ it l:~1...IJ"E. ilnd ~~~d n iI darJ.c of pnthalogreen mixed '.'.'ltn iii ue-btac 0-7 Indliifl ~ ar.d fn:t:.U1 uli:ri!mFnre.. 'Wtren dry. I dra~ clod weal-.ed sorre of tll~ (olQUr iI(,"o)5, aad men drag:gecl burnl 'ii'IQnna on op,

r..Uurh·d caoe

Thf ~ ;: 0' coo..J.i'S ptllf'\[ed c:b""11 {f1Jrr:' Ul'C ,if"ffi .... :;fff~ 01 ru ,ed 00 ~ Pefidr ur-,j d!r.I lX-cef1ti. ~ pam n'og <ji tl"dl I\j Ute strong '~'E[·111 .. -.e' 1M ~as.h, p!!lO"lg S(j.'"l

<In JhE and fit OOtIirowrg rrs I~. tt( '" .~~ pcl- g&m;=; uf ~~b". and (JItItJg;2' ',~d)- ·me dar'~ WflEj.. DI'Ef' tI~ ii(}z.er. a tx re gJ1il, 0-- I;Iyrm ~iI;", rn""'1 mt;,Ar bltie ,~m ,b'vsh d i)r tb.e

dlffs. {l, darks (I ~ ~jJQl J I mt:I in~ QI" I :£111' ICf1 g,rE€Ji m 'oed [rom cadm'U!1l ~f.rr .. " i;:! mr

S,CllnG and lue . I'/;..rk tolru

i\ nill:ioil1 pebbles. 0111 ,1 beach, jUlfib!ed uru~ {In to},' )j Ihe { ther, aU dl erent wloull'. ~II in perfip1.."Cti:iY~! 1b p."llnl all these stones seems imp -sibl~. but h10!hbrush '~aUcr '";[1 -enable \'111.1 10 ac.hi~1('· a reillistic I!lf~·tof<jihing!e. Each droplet i .. singll' pl!'bbl!~. SI1 t1y n01 to aUD"' the droplet;; to coalesre.

'1-.11, Monk the boat, outboord planks;,

fla~jE..a few wh e hn5~~ or. me

sea. end rome la~e .j'J~ed stone ~

11"1 me foreglUUfl(! b~ tti!iM Spmtt8" snaner stones 'l,fl,1!:h ii tooihbi'1J'5 'l • ...ork ~ rom bottom to tnp so ti"'-1'i tbe dmplet sii!.Es gel5miill-er

.4'.', Ma~ SLLi'{: the beech Iii cDliTlplete'ly dr"

Bn.rS'I1 In a la' • r 0; burnt S!61O!lI ilild

il. f. tc;b;jJ blue a er trre IJeIJ;n 0 add

1IlI1et} and colour. Eilm 9.fo::ess."'-e I""'f!r a' colour al e11'l<! tes . tar ~ of rn.;lli 1r.1}

.'

2', RUnt both IDe sky and the Se<1 '.

the :same,o .... ::r2lil w'as \'JEtain--.oa Add a bi of IIWt::' cololff to thesl 'I, ~nhaJo gl"'~ Io the 10 er middle of the ;m. .mC Siom~ naples ji'cllol,'" along the st,IY€_ S,rw:sh a mix uimip!~E$ )e1row and burnt sienoa onto the hCdid1.

5c .... , Spar-u;r rnas1:J g f1uuj 00 0 he beach 2,gO!m foIlO'Mtlg !hE Sill'f'e-IJ~edLI'f'E', Nilrhng Iftm bettom to tep, Loatl the tC..athhfll5'h W!th m<lsJIJrl:g ih;ud B.mg the bn-6fl h¥Kl'~ dOO ... fl en the p;dm ofp.ii

and brmie-s ao g dOMl.

Colour p~eITe

!:r"f'I ill.~! r;!Dge ~ ~dm um led·

3' Wit? the ~ea and brueh 4 rru of j':~ u~ne nd Itrd'3n ~ intO e

lin ujdJstance. Spatter ~1f1g flu dl"Om the lDothbr1J,~ o.-e .. the b.e.lm:n again, co\''WIl"Ig !he OOJ1 to pro ~ IL

6 Sn.~ano er l:tyerof~r c:olOm - I~g r:ed and (obatt !::ilUE - ~w the beaeb \A nen 15, is dry sp.'itt:~ sorn_ colour 'Iif!: :-on-dry '0'- ret ~ e \.Ire'

7 \lVhen thIS ~ dry, 1l'.'1!1

, 1M2 bei!d"I ~g:am and add dark Olo''!r ~~ wnorc' beach s.erect!llcly ~ .. lre ~rmense d .. rlc round ~. of the' pEbrnl3 as sl'1illJa-..v, Lei 1'[ C'ry, ~ orr the ffi.iIDqng flUld !O ~I Ilhe shmgle,

f.inJiJ paiflHu:g

TO>./!i:1l rn same 5[CI'le5. - t~ m{!~ mal 'lJi sthI'J'1@' o( Wi: m'cJ{."II: I'billt the i;lo)fi~ Tf"Ie' fla~ lJfiE smp'r wet In !hi;3r re5~ ~I}{fDes, lmd r-..m-e. lQ~ um red. (lr (I

rnee at mrdrafl led Md' JreJilCh L:fll"Urnrlrme lDUCnEd rn ot me (logpoJ1:!' er.ods, rt'lli"I~ ~ cor~&J"-~r~d WI~rm; d'I@ rlr.lg'l"!)(J$.

Cliff scene

:I:a:iking fluidretains the 5hil:p;o ni the di:ilVl'hiile Y0lD] proceed ?Arith the sea

and ley. GII?ometrir 5Wl '1IJl<II1i~ms. wh.ch III re only \'i5i ble from :01, height. are a rth."asu.!e .of !Nino OT distant storms; flIl!lffce .• l00,. the l'ne;;lF ~aks il'ldicati-ng gn~iilr d:istlll'leC. Ne-lif shor'e the churning sea tums to nrud or sand rulour;

lin he mail'! 1ge the tJ,f[ edge \fflIS

_ mas!t:ect here' wi1I.<5 sa.vro WTllte.VVe nile sea and sky. Apply li:,oIour 'lo both, wJth ill darker sea Use a Irgt'lt <Ish o~ roM ~enna (or the r~ and OOOKtiln!'!s of the drFI: lmve ttl dry, then bru:sI'i ~ a; m 0 rolW !>Ie I1f!! ror· e gi.i!M uj'!l(jet:glaze.

2 Parnt burnt srErmai Il"ltO ~ lOp~ :0 . e

, c:lrl15. Rough'" pail"lt 1oreg.round grass

IN h a :weer! mlJ(Ed Worn ·cadmlum lemon,

1:) thalo green. bum~ senna and some

looan red LDI.lWeg' m ""~t-1n-wet. !Brush rn.w >feni'ln, CODal" blue and bumt 'SIenna, into' E: clli ji?JC~ to shape the ~sures.. Brush cokarr mto ~ dl~rn sea

'), The foregrQund d.dI:s are a '>E11~ J1 IDf ~rl<s. [elt -'0 dry, then m'f:YP1ill1 ee, Many .cotOUI"5: are :mnpi'y ihrown IFl ~gr th~ grass. Pam;: lIlt!:me ffllXe'i elf iff;nr;h ult:ra..'l"IWme ilOO IndTaJfi red fQr dark <K;;e:ntsL These also serve as contrast ;val~ tr.e I~ fa-ce oBlhe c;lrn. Drop ~!;'<;r.U CQ:ours wel·rn~t into the , oregr01Jfl'Ii

Colour palette

.. 1! .. "f1 e1T'~ .' CjJg-~U1 "Ie t"d '. f~<r-

ulb"Cl1'ru""'r.! ~ pl'>ih.a1o blue ,. mtl3._

:e1"U ES1 .... blue- ~ 0 trt 0 ~r; .' f"ii:ll. "eIlfl<!. ,. hum! Slen"1.il • Itg • ~ - N:l1~n n:ti.1 • ~\i RI

,n' • ....nac b,1; !Jil~

Bu.i1.dillg Up tJ,(' sea aud sky

MMy colours csnbe gl~ in !it.U:ressi'on.. Build up . esea a dI *" ~ j- q~Mcnda e fed! aM then phttJ1!lo bI.tle~ rOi e>tample. Add frenLh 1J1'rr.i_rrt!!irin:e . -0 . he soft henzon i'.J1d then •. 'VOri<rr1g dth'itli w;rG5.1lpply

¢! halo tlIUi=. cerulean i:Jfue, raw '5lermili and Ci cfnilum le.nnon..A.dd cerulean iIlIue and,

a r I~ burnt ~51na for eo grwl"1d,....~l Pamt ;;;:hstdf'vt cloud slli!~ ofltl"te ~ea ';'!l'l'!h

Ilf;l Ifill tint. and wa-..res . • ... h!te £-ouacl1e

HliniiJ~g ff~(f-Iop grR:S es

1 AppJ)I raw -sienna.lffi'I,' n~ ~1 light'S. LOOk for ~ure'i and lOm5 in gra5o!j. and pam these

2- &'um£! d

I $~r dw;s 0 Indiaro red ;;_'ld &endl

ul arirre ITIOCEd.

Spatter tile g,reeJl ~rl''' Opaque G!dmlU!!l colalIf'S t.a., ccr.>er und~l)'Jng colour L£ . It dry ,a Irttle. Wit' w lie Sl.Jn dimp 1M 21 brtJ~h handr.e ~d '!'irm ~ .. to'dr"a; 'm~ gr:ass ~es I.fi the cE:!r't< foreground The na:m:'lle pushes .hecrnolJr 10 one 5 [1,e for the blat;le e f~

j\ddil'lg stale

A few llflr:.' ~!E 0)1'1 the EMf top. o3k!Ia ~ije!! to, the. SC~ .These we~ masked. ThE red colour gLV5 a. IXlI.wriU~ mes~~ge fer peeote ~een at d: distance. T exl:ulRl pattef"M reduce In sea .' W . h dl!V-nce~

FfiregiUUnd te re opens out n" >0 broad and itI1;gt.;d SW4tnES..

The hl_gh ro'OJl;ron acc.enrLJatlM the drama ofl1e,Jgn.t The sharp !:anal aJIIltra5'l: of the dJffs push~ the sea biKk

Vim t~lg:e P'(Ilitlt

The 1w.n:l0li 5: \I:sJ1)~e: (rom "t..~ ~ at I'] h~ht It lends to 1le ras! in 002e so a- di:saP-Peu,fU1f1 hooZO.1'i Io'i!$ fin Imp:r-essJillll nf (ltEl~ude

IlE ckJf .s In 111 ~ sky PLil. th.e Sl.I1tSh. ITe iJ(] B rhc lo4ld CJ1CI 5eo. 0Jt,~ shadtt..,-s el"lna.nrl? the s mile o' tJl:stGrlC'E. P.aI1.G lJr 511le POHems roWt:t _ p/o1[E!d ro io'(IfIIJh g PQln(5 Of! me Pt:lfllti;1 - e-..er> the ser Gbeys We rd".'.-$ of om~

Surf breaking over rocks

fur OJ l'l<i~cl sea, iiI.ppl:y dabs of mas:k;i~g ftillfd ~nd ~QQ~ .;!IPP]!l;;a;ti(llM QF C(l!o~[, and over]a~' g!a2@i L!I:sing, <JJ 5\'\,'lIf!er of the h!l:l1d. ~\llIsking 01111010\'5 you i,t;) plil~ h'!"D Sl1.'P,;]r.1b:O texlu!reS ,"iClm:5S the ~-eiI ,anrll,Qttlhem ~ndkatre' the rh}1'hms; of a sea ~n motion

1 Use <l. pen ni~ to ;ma,5ik·tIle hlgh!fp. and ,ill i:lrusn for'thfl brealci:r.!g ~ a.nd foam inl!he sea,Add 'I!i;e rocks and he~d1a.!"1d.1hen th~ ~5ky and d~n[ !i.IM.. Uri ou[the clood~

3· '. Bros.h in the (o~.round wa:l!ilr" In

.'. •••. long .s.tiI'e'af5 of pariflit ';II\'!Q(',k up to the m~!ltt. ~t en me right ~ea.vil'ig this; as white p,aper. Wet tJie paper below th~ cMtral racks alld Orin.!!:. the dark wash do".vn mto

It rmm me top, uo give me mp.re~ of spray crashiflg into 'il';e roo.ks.

2 B[JllilJ UPI '!.he far sea with a. vatloE!ry

, or m~ and bring tnf25e colours d'0I.I'\if1 the pa~, U~ a very _ ..vas/iJ for' 1helliM.r~de of the: .bT"eaking ~ in meforegt"Ound,and .. -men d,):, soilen me ~es wv'th a damp d~1'! brush,

IIII

Ccloor pa!e'tt.e

[;!f!m1U.1'i" > ~IOW' • tfi2f'1ch ulu-,Yl'13.llneo !:~i"t blu'!!' • J"iQQ.k:c!r·, ~.' l-:gn· ~ '" ~ Ji:d

CreatingwtweEand ~f,l"I:i

The !iketdiles belO\I'\I d:enl'm1~le a nlllmbff at w:ays of pclFiu.;yi!1g; ~ and 5Urt.. YOu G3n combille them for B1"fea:. or ~~ them s1ng1~

~ ._- ""='- .= ...... "' . .". ~'~r

4 Sl:I"e'ngtileJ"l the ur:.d~e o'r me crest

, . of'~ foamro,g '~" tang .1:li1n=mO!tely strong and weak mil>'.E:5. Md mE m~ 0[11 'frlE ri]_F1l3mll de.verop thE!~ 'nead1.mo, R.erria"R 'i'iE nliilS,Lri'ng fluid and mlJth Iii same of i1h12'

' .... htte:S. with Loa! g~

ThE·~hig~ts ~m:I~~.i1ltf! Jo."S "l';l1;le (~-..d ~k;~Sefl ~fIlErl

Ii. ~_1 ~,t:I~ ~ rw ~r@. and I'l\,Id 'wm' 5PQ~ IQfl' (n;¥fl en r:«;;~pt;l~

T1~!'OOm oI;flS IJ'I!jslo,."';j' iI19IW a mlm.rr .Y1ICitI€r.

/l1e ~ts ;\'ff'E. mlK!:ed' I~m a ~ hog.OOl.-r bi!.M. tilefl fiflifi ~1?Jp.a!f!t"ed

NJ:l.lJNj~ 'Iom.~ UIil::: ~ M:lS Ie/1

lil!i .tilitf: paper . ..mcdi ~ Itte.n ",o::~. 5tJI rh.!,~r II:r.'1 inttl rt.

~ M1:er ~1E1~ orr r~I'td;:~~ w.tfi C Illm' n.b. Jk to!!::JlIt I1!lil1 Qfffh!! ~ UlW he ot~r P'I~