Professional Documents
Culture Documents
The
Informant
1. What did you think of the music? What impression did it give you?
3. What impression do you get of Mark Whitaker from the opening of the
film?
But Daddy's company didn't come up with that one. DuPont did. Porsche or
Porsche? I‟ve heard it both ways. Three years in Germany, I should know.
What's German for 'corn'? The German word I really like is kugelschreiber.
That's 'pen.' All those syllables just for 'pen.'
Archer Daniels Midland. Most people have never heard of us. Chances are,
they've never had a meal we're not part of. Just read the side of the package.
That's us. Now ADM is taking the dextrose from the corn...and turning it into
an amino acid called lysine. It's all very scientific.
If you're a stockholder...all that matters is corn goes in one end...and profit
comes out the other. We have the largest lysine plantin the world. That's
where I come in.
“Hey, Kirk. - Mark. When are we gonna hit some balls? - Anytime.”
What do they pay Kirk? What does a guy like that get? I bet he gets a hundred
grand. He's just gonna sit behind that desk and ride it into the future.
Good morgen. Morning, Mark. - Morning.
They have lysine results. Great. ( Results are all in red signifying something
negative).
3
Questions:
1. What meaning do you think viewers might take from these non-sequitor
voice-overs?
2. What impressions of Whitacre do you get?
5
Just as the music and sound are placed purposefully in The Informant, the
cinematic representations also change according to the mood and setting.
Business meetings with foreign executives and domestic scenes in Decatur have
a very different look than hotel room and parking lot meetings with FBI agents.
The light in the business meetings and home is bright, and people are easy to
see. The light in the hotel rooms and parking lots is often dim and sometimes
behind Whitacre, making it hard to see him clearly. How might these
differences in lighting influence the way that viewers feel when watching the
scenes?
Does some of the cinematography have a documentary feeling? Might that
documentary feeling make viewers feel like they are eavesdropping on
clandestine conversations? There is much camera movement in The Informant,
especially when Whitacre is entering a new city or office building. The
camera often stops, however, when the conversations begin. How might the
alternations between moving camera at the beginning of the scenes and
stationary camera during the conversations influence viewers‟ responses to
Whitacre‟s adventures?
Example 2: (Before/after meeting FBI for a lie detector test) 36:55 to 41:05)
MW: “Mick Andreas and his dad would never lie for me. They say we're in it
together. What a joke. Team-building offsite meetings at some lake in
Wisconsin.I can't protect these guys if they're breaking the law.
Hey, I tried. Anybody could see the choices I had. I did my best for ADM.
You don't see them here in the chair.”
6
How are they different from others‟ clothing in the ADM office?
What might the clothes and wig tell viewers about Whitacre‟s
character?
Mark Whitacre in The Informant has delusions that his crimes are
not comparable to the crimes of his company. The Informant use
codes and conventions of cinematography, music, voice, editing, to
help viewers consider questions such as:
Online references:
a) The Informant script:
http://www.script-o-rama.com/movie_scripts/i/the-informa
nt-script-transcript.html
b) Beyond The Screen resources:
http://www.beyondthescreen.com/episodes/season_02/info
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