Professional Documents
Culture Documents
COMS 472/521
3 credits
Office:
CJ 4.407, Loyola
Office Hours: Wednesdays 11:30-12:30 and by appointment
Email: lshade@alcor.concordia.ca
Phone: 514-848-2424 x2550
Courseblog: http://techfem.blogspot.com/
The blog is used by the professor to post relevant material surrounding the
course and is not intended to be a blog that students contribute towards…
Calendar Description
Feminist theories of communication technologies are used to critique the impact
and meanings of these technologies in various spheres of cultural activity. Topics
include the mass media, technological mediations in organizations and
institutions, and the re-articulation of domestic and public spaces, such as the
Internet and the World Wide Web. Special attention is paid to these electronic
and digital technologies – or new media – and the communicational and
representational possibilities they enable or foreclose. The class is conducted as
an intensive seminar. Completion of a prior course in women’s studies or gender
studies at the university level is recommended.
Objectives
Communication Technologies and Gender provides an introduction to debates
surrounding gender and technology, including historical and theoretical
perspectives on feminism and technology from various perspectives – cultural
studies, political economy, feminist theory, new media studies, policy, and STS
(science & technology studies). Case studies of specific technologies will be
provided, with particular attention paid to information and communication
technologies (ICTs).
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BOOKS (available at Loyola Bookstore)
o Virginia Eubanks, Digital Dead End: Fighting for Social Justice in the
Information Age (MIT Press, 2011). Note: this book will be available in the
bookstore after the winter break. (required)
ASSIGNMENTS
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Feminist Technology Design (15%)
Students will work in teams to design a feminist technology, which will presented
to the class on April 6. Details will be discussed in class. As a working definition,
an FTA “would be those tools plus knowledge that enhance women’s ability to
develop, expand, and express their capacities” (Linda L. Layne, Introduction,
Feminist Technology, ed. Layne, Vostral and Boyer, Univ. of Illinois Press, 2010,
p.3).
Week 1: January 5
Introduction to Course
Week 2: January 12
Thinking About Technology
Readings
Franklin, Chapters 1-3
Hughie Mackay and Gareth Gillespie. (1992). Extending the Social Shaping of
Technology Approach: Ideology and Appropriation. Social Studies of Science 22:
585-718. (CLUES)
Week 3: January 19
Gender and Technology: Theoretical Perspectives
Readings
Franklin, Chapters 4-6.
Optional readings
Francesca Bray. (2007). Gender and Technology. Annual Review of
Anthropology 36: 37-53. (CLUES)
Week 4: January 26
Cyberfeminism
Readings
Donna Haraway. A Cyborg Manifesto: Science, Technology, and Socialist-
Feminism in the Late Twentieth Century, in Simians, Cyborgs and Women: The
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Reinvention of Nature (New York; Routledge), 1991: 149-181. URL:
http://www.stanford.edu/dept/HPS/Haraway/CyborgManifesto.html
Week 5: February 2
Reclaiming Domesticity
Readings
Franklin, Chapters 7-10.
Week 6: February 9
Technology, Design and Gender
Readings
Elizabeth F. Churchill. (March/April 2010). Sugared Puppy-Dog Tails: Gender
and Design. Interactions: 52-56. (CLUES)
Optional readings
Marianne van den Boomen,. 2009. Hacking Barbie in Gendered Computer
Culture. In Doing Gender in Media, Art and Culture, ed. Rosemarie Buikema and
Iris van der Tuin, 193-206. New York: Routledge.
http://metamapping.net/blog/up/Boomen_barbie_drukproef.pdf
Week 7: February 16
Rocking Robins
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Readings
Mary Celeste Kearney. Pink Technology: Mediamaking Gear for Girls. Camera
Obscura 74 (25) (2)(2010): 1-39. (CLUES)
Optional readings
Monique Bourdage. ‘A Young Girl’s Dream’: Examining the Barriers Facing
Female Electric Guitarists. Journal of the International Association for the Study
of Popular Music 1(1)(2010): 1-16. http://www.iaspmjournal.net
Week 8: March 2
What’s Labor Got To Do With It?
Readings
Lisa McLaughlin. Looking for Labor in Feminist Media Studies. Television New
Media 10)(1)(January 2009) 110-113. (CLUES)
Rhiannon Bury. Women, Work and Web 2.0: A Case Study. New Technology,
Work and Employment 25(3)(2010): 223-237. (CLUES)
Optional readings
Rosalind Gill. Technobohemians or the New Cybertariat? New Media Work in
Amsterdam a Decade After the Web. Amsterdam: Network of Institute Cultures,
2007. URL: http://networkcultures.org/wpmu/portal/publications/network-
notebooks/technobohemians-or-the-new-cybertariat/
Week 9: March 9
Hacker Culture
Readings
E. Gabriella Coleman and Alex Golub. (2008). Hacker Practice: Moral Genres
and the Cultural Articulation of Liberalism. Anthropological Theory 2008; 8(3)
255-277. (CLUES)
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Optional readings
Ariel Dougherty. The Intersections of Women Centered Media: Funding and the
Struggle for Our Human Rights. Global Media Journal 7(13)(Fall 2008): Article
10. http://lass.calumet.purdue.edu/cca/gmj/fa08/gmj-fa08-dougherty.htm
Optional readings
Jane Bailey. Life in the Fishbowl: Feminist Interrogations of Webcamming in On
the Identity Trail: Anonymity, Privacy and Identity in a Networked Society, edited
by Ian Kerr, Carole Lucock and Valerie Steeves (Oxford University Press, 2009):
283-301
Optional readings
Michelle Rodino-Colocino. (December 2006). Selling Women on PDAs from
‘Simply Palm’ to “Audrey” How Moore’s Law Met Parkinson’s Law in the Kitchen.
Critical Studies in Media Communication 23(5): 375-390. (CLUES)
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RIGHTS AND RESPONSIBILITIES
The most common offense under the Academic Code of Conduct is plagiarism
which the Code defines as "the presentation of the work of another person
as one's own or without proper acknowledgement" (Article 16a). This could
be material copied word for word from books, journals, internet sites, professor's
course notes, etc. It could be material that is paraphrased but closely resembles
the original source. It could be the work of a fellow student, for example, an
answer on a quiz, data for a lab report, a paper or assignment completed by
another student. It might be a paper purchased through one of the many
available sources. Plagiarism does not refer to words alone - it can also refer to
copying images, graphs, tables, and ideas. "Presentation" is not limited to written
work. It also includes oral presentations, computer assignments and artistic
works. If you translate the work of another person into French or English and do
not cite the source, this is also plagiarism. If you cite your own work without the
correct citation, this too is plagiarism.
IN SIMPLE WORDS:
DO NOT COPY, PARAPHRASE OR TRANSLATE ANYTHING FROM
ANYWHERE WITHOUT SAYING FROM WHERE YOU GOT IT! DON'T
FORGET TO USE QUOTATION MARKS!
GRADING SCALE
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ATTENDANCE AND LATENESS POLICY
There is no excuse for a late assignment; medical or family emergencies are the
only exception. Assignments later than 24 hours will be docked 5 grade points.
Students missing 3 or more classes will receive a 0 for their participation grade.