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In the same year began the construction of Casa Vicens. It is a combination of brick
and stone, but the tiles are particularly striking
that the exterior of the house largely cover. The
geometric patterns they form, reminiscent of
Arab Gaudi buildings and this has therefore
inspired by Moorish architecture in Spain. The
house, where he also designed the interior of, is
a combination of many styles. The dining room
is an example of Art Nouveau.
Method:
Compared with the architects of his time he was strikingly practical approach.
Instead of spending time at the drawing, he was often busy with models, for example,
the strength of a structure to test. His approach here was to carry out inverted
models as constructions of hanging ropes. The idea was that the strings take the
chain line, and free from lateral forces. If the building is turned and don’t fall, this
construction will be free of splash forces and it can be realized with minimal use of
materials. An ingenious approach was widely used by Gaudi, including the columns,
the towers and the vault of the Sagrada Familia and Casa Mila on the roof pavilion.
His drawings were often sketches, so imprecise. Only during construction, he
developed many of his ideas, often after consultation with the workers. Because he
has his theories and principles virtually nothing on paper, after his death, relatively
few follow.
It was not easy to continue Gaudi's work.
Gaudi worked mostly empirically constructions
without safety margin, even too small.
Gaudi's buildings create an extravagant idea,
but he used especially relatively inexpensive
and locally available materials such as brick.
For his mosaics were often used pieces of
waste from firms in ceramics.
Works:
Sagrada Família (1883-present)
Gaudí's most important work is the Sagrada
Familia, a basilica built by a devout Roman
Catholic brotherhood in honor of St. Joseph. In 1914 Gaudí decided that later on he
only would work on the Sagrada Familia. Sometimes he went door to door to collect
money for its construction and in his last years he lived even to the construction site.
The church is being build till today on. The church is still under construction, some
parts of the main structure has yet to begin. Not yet built a crossing tower of 170
meters high, surrounded by four smaller towers, Christ among the evangelists have
to make it. The church is just a few meters below Montjuic, the highest hill in town.
Gaudi has made this his own words out of respect for the Creator: he wants with his
property that it does not exceed in height. A good example of the influence of the
time-of-art technology in the original design of the church is the light from the cross
on the highest tower of Barcelona will have to shine like a lighthouse. When
construction is finished, it’s the largest basilica in the world, while the towers
originally planned three times higher than they are today.
The church will have three facades, each a stage in the life of Jesus depict (the
facade of birth and the facade of the passion are already completed and on the front,
the facade of the glory), each with four bell towers. These twelve towers symbolize
the twelve apostles. The four towers surrounding the crossing tower represent the
four evangelists surrounding Jesus Christ. Top of the towers 120 meters high above
the entrance are words like "Hosanna," "Excelsis" and "Sanctus".
Form Contrasts: has high towers and the rest are ridges or blocks.
Colours: Grey.
Material: stone, glazed, flat stone and forged iron.