WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON A SOAPBOX OPERA ‘© coPvig ms cnn sc (ONO) TD, BORLA MUS ALL HTS RESUMED INTERNATIONA COPS SECURED Moderately bright Em 1 E pst ete o 1 hear on = ly what 1 want to hear, hey thet you tell meyou're a ho ly man, May == be, well, tell me what I'm tiv - ing. for, but 1 have to. be-lieve in some. ~ thing, but al = thoueh 1am just be - gin - ner. ‘cause 1 feel like ‘I'm tossed the mid - dle; z SS sve just one thing, I say, Fa ther Wash-ing - ton, you're I don't see you as a win - ner, I sy, Sis - ter_Rob - in - son, you're have you a son to de - lv - er? T sy, Fa ther Wash-ing - ton, you're G Hes B all mixed up, cal Ject - ing sin = ners all washed. up, ‘col lect - ing tear-drops all mixed up, col- lect - ing sin-ners in anold cup. Who'll spare a lis - ten fora pa - cup. If I could tell you what you old cup. You tell the chil-dren what they rest ~ less fool; there’ come-thing miss ing when I need to know, if I could help you to get need to know, oes, ome ead your nue 2 we, i on with te = show. But rath- er than a aceon* 2 SSE said just wasn’t true. do? Well,what is he to do? aah ei) a Oh, what is there to do? nc yeodeEm ! cast tt ‘ye! to g0? but will they lis - ten when it's time —_ Sis - ter Rob - in - son, you're all washed. up. F c Em Be al fall a SSS SS SS SS SS SS) collect = ing teardrops in Repeat and fade chm7-5 fl . Ee . Wa}WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON AIN'T NOBODY BUT ME copraGh ns onooR Mu LoncOMIO.RoeUCATE MUSIC ‘ALLRITS RESERVE. IUERUATIONACOPVIGA SECURED. Moderately low, in + Hh f aes i rr rr or or f Let me tell you a sto - ry that - "ll make you change; let me tell you where I'm way out of range. It's a- bout a man__ who's erucl and mean,.s0 promise not. te cause a scene, Then heav-en help-the ones you love there’s no one needs.the stars - bove, Well, you can run you know hell find you: You see, I gots double dis-po - si - tion: —[—rs — or it don't mat - ter now, just look be - hind you. some-times I'm mean,some-times I'm vi - cous. You had your warn - ing, you knew the score: Tm Doc - tor Je - —kyll and Mis - ter Hyde: you got her drunk, and that means. war. so if you want to stay a> tive, nesSSS X ==> So why'd you have to treat me_ rough; just give me all, you've got to” give Db Dbmaj? D ‘and then per-haps.I'll_ let you live. Your x - pa-na-Vors nt enoush. Ain't no + bod = y but Gb Db uae Bee me gon-na lie for you, gonna die for you. Dbmaj? Dbr Gb Ain't. no fish in the sea sigh foryou, gon-ne ope Gb Hy ty foryou, — gon-na_ Ue. foryou, gon-na_die_____ for you. cet2. Db Gb Db (Ee FH Gb Db Z for you, for you, Four times, Gb in i — _ SS SS SSS SS Ss (Whisper) (Hush) Now ba - by, stop your ery-in’. (Oh, yes.) 1 know that Pye been ly -in’ Db eu He . (Hush.) Now ba - by, stop your ery-in’ now. wy ee eel Repeat and fade oes‘WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON ASYLUM © CoP 4 RoNEoR MUS .eNONN LD, BOFLNTE Ms ‘LRGHTSESERVED INTERNATIONA CONG SECUED Bb Eb TH Bbr Eb HE Eb EE HEH Fe Dnt bar 4 Bb Jim my Cream was keen his brain. was al - ways win + nin’ Blue- sy—— Mon day the one day ‘that they come here, Bb Eb Bb Eb Hid] EE fy Wee really quite «joke. When — they haunt me ‘and they taunt me in my cage. T can't keop taht on rnin Bb Eb Bb BbT ak if hed be F see in down the youd 1S te in fn Mae Be 1 seen al icfeers "sll they BL" rabmaj7 rae} to lend me AF -teon pee. tm dy just when Pim down Til be. the clown dumb but Fim just laugh « yeh they're play cm smoke. fool. age Ett mp 8 Don't ar 2.( Please) FT range. 10 haveme for play as— they sent to ao the Eb Ru yin’ to play foo! 1.2. Pm just 3 for fun wey well he is ve ory like + ly Ws on- ly Bb as sane. 2 game Eb an « y one, T'mi playin’ for fun, is just (Sp) yeh ve Eb? re one fun, for ofl game been Eb ff ah F aay to Will he take a sail boat ride, Fr FIG] or will he feel good in - side,Well he ain’ ive sy Tike now ie ain't ev -cr like = yt yt or will he tell you he's Well he is always uy Hel = 10, good m SO spe You think it Am6 i }ora Ing, how are looks lke your” fain?” to yeh_but noth fin the mom-ing when the no-no noth ing { Doeshe "Does he ev er Dm fe? at Gays be- gun ‘And in the even ing or thenoon day — sun___ To Coda ® “Oh what a love - “You know! near~ Ebmaj? ly af ster ly missed my Eb HA oon!” train!” Well I've Bb Bae been liv- ing — next to you. Bb? Paes Eb Fea in Sat tra CoteF Abdim ft fi Well I've been liv. ing next to you my friend but what kind of fiend are you” c c pe HE A i Oh ic it the begin. ning or the sor - sy end? Wi 1 ev. er eee it through? F Ebdim And ve never been in - sane Oh what's the game? c AT AS AHR Yeh 1 be - lve. rm dy- ing ae AR (Shout/He'smad, he's mad ou... mot quite ight, bb Eb Ht Repeat till faeWORDS & MUSIC BY RICK DAVIES & ROGER HODGSON BABAJI ‘COPYRIGHT B77 sLOMUSE CORE. &eUCRE MSE ATs ORTH UKE ERE CONTROLLED BY onocnsa¢ (0008 LD xmas eel Lovo se ‘ALLRIGTS SERVED. INTEANATONAL COPS SECURED. Moderate Tempo Cm Fm6 Bb Ee oe —— © ———— — ? — AM of my fife 1 felt that you were list Cm Fm6 watching for ways help — me stay — in tune, oh, Fmo Bb cm Hf Be ean HH = Lord of my dreams, although con — fusion keeps try -ing ta dr-ecivey Gm WH thnat makes ede ewe —____ oho what isCm _ Fm6 sa (E = - a fo if a —— Bob oa i oh, won't you game tom ob, won't you ean sen WU tat tow gown farm tote Bab oa i a te tell Ue Cm Ey ee help me te fare the me si - ewe ca a * sitchin Som worklot its guardian an sl oh, 40 we can eeeFm6 Bot out, help us to find’ it be - fore. we lose me by show-ing me its aif front sto out. Oh, rmwst_ you al - ways re ~ main a stran Ab Fm6 Ia it Mt ne and there’s ne ty Your is real ub T know, wer? Mt are near and 1 tong om to heep, you from com ing here and there's no = that you know itis how VP fel when 1 see — for “de ty sion tas ap = pear, then 4 see Ab Gr A — one to shield me he fore your eves,) the re-nee "tion that'sin your eyesst the re-flee tion that’sin your eyes ie it Beit mines is mine ke mines time, is it time is it time thin?Ebmaj? Eb Ebmaj?, Eb Ebmaj? E> Ebmaj? Eb Ab Fm? ii} Iustrumentat Page8D.S. al Coda Beir oe == te how Foal Improvisation Cm AA Repeat and fade oS Et — = —— =Bloody Well Right Words and Music by / RICK DAVIES and ROGER HODGSON etre piano so a i (Bebe) (Bb bass) AxiBrbem) a ehbass) be eis i ifn #8 chem op aero caboen) pe ssh a ohm pp scoron sy(thous : 6 ! aoa fel HE aE i HE ene ote ayiabeen) oe athena © 1974 and 1977 Rondor Music (London) LediDelicate Music Led, London SW6 4TWInstrumental solo. abbas os ‘4s(Bhban) 4scthoew) ag ae : : ae bs we tempo “a rs aor obeasn " ws . “om bs ao Bin _ sycohoen din End solo.tn & oa C So you think _yourschool- Ing’s phon-ey, Write your prob-lemsdown in de-tal, S & ae ee 6 ae You sy it all de- pends_on You'vehad your ery— no 1 should aga? i & andwho is iz your fam-lly tree. Right, right, you're blood: y well right, you inthe mean time, hush your face. —— 2 Quite) Ea ain rot Ea tie os iknow you got « right to say you're bloody well right, you know you got a rightto aay.2 & fd = 6 = Ha ha, you'rebloody well right, you know you're right to Yeh yeh, you're bloody well-right, ay(aroew you know you're right to sy and me 1 don't care an y-way, Be re yycBb bass) 1 yi8roass) To instrumental fade ad lib. ES Es " EA You got 1 blood-y rght.to sy‘WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON BREAKFAST IN AMERICA conn rs aM ce soci AiG Ok he Uc ANO Ek OATH foxooe LONGO) UD, UAPASONS REA LOSS ALLAIGHTS RESERVED NTERNATONAL COPTIC SHRED Moderate Rock cm ‘Take a look at_my— girl friend: shewtheon-ly one 1 Could wehave —ip-pers for break-fast, muim-my dear, — mum-my — vee ee nev-erseem to get a lot Not muchof a= They got to have ‘em in— 5 arin = = = = SSS Ss Tm a Wwin- ner, Tm a sin- ner, Do you want my au- to graph?see the girls in Califor. T'm a loser, what jok Bb Fm HEH 1a. I'm hop-ingit’s goingto come true, but there's not a lot. I can do.—— . I'm play-ing my jokes_up-on you while there’s noth-ing bet - ter to do, Cm to Coda i: } EEE BE ba-da-dow,— ba-ba-dow-ba-ba - dow-di- dow di-dow.— Ab Ba-ba-da-dow,_ ba-ba-dow -ba-ba - dow - di-dow_ di- dow.— Nana na, nana Bb oy DS.% al Coda (3rd verse)baba-dow-ba-ba - dow-di-dow «di - dow, — G cm BBS ge soan, Sp Sea Hey— oh, wy oh hey heyhey Oh, om perros wae hey- oh. Nana na, 3rd Verse Don’t you look at my gielfriends she's the only one I got Not much of a girlfriend, Tnever seem to get alot Take a jumbo “eros the water, like to see America, see the giels in California, T'm hoping it’s going to come true, but there’s not a lot I can do.‘WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON [coe Ere RonooR Music onDON To, nee SIE ALRIGHT ESERVE) NTEMATNAL Cri ecu, D == cist ny aay a ream er. Wollean you put yaur hande in yourhend, ch nos 1 ead AT iH fh oa Fmaj7 G Fmaj7 ‘Ab Bb i | FE Ha hhands in your head, oh no. I sald tar out, what a Ab Bb Gm c AR iu a! " day, ayear, a life it is. You know, __wellyou know youhad it comingto you,ae 6 ERR Se pe = = 5 now there's not tot 1 can do, Dream «, you stupid lit - te dream, ers, 80 now youputyour head in your hands, oh no, ‘ht for out, what a day, a year, a laughit is, You know, wellyou know you had ‘coming to you, acehow there'snot alotican do. Unsirumencal ‘Well work tout someaay, Teouldsee some - thing, (Well youcansee an-yathingyou want boy.) Mt chioie) Bb Ha] Se Well if cao I could be some - one.(Youcanbe an. y-one, (cron) Jeould do some’ thing, (wellyou can do some- thing) If I could do an-y-thing.(well you can do some thing (Choir) (Qheit) rsof this world). welltake a dreamona Sun - day, c ad — pisses EES welltake a life, take @ hol SSS day Take a le, take a dream (Choir) (Dream) dream (dream) dresm (dream) dream (dream) dream a - longF C c F c aide an guy (Dream en) (aonisy ‘Come on and dream and dream a -long— ome on and dream and dream a - long comes - long) F Hl come on and dream ahd dream a - Tong. come onand dream and dream a - long D AT D AT Dream = er, you know you are a dream =< mer, Can you put your AT Hy hands inyourhead, oh no; 1 ssid dream en you're nothing but a Fmaj7 G no. Unsirumental)WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON EVEN IN THE QUIETEST MOMENTS ‘COPYANGA 77 ALO MUSE DOR, RORLCKE MUS ‘UTS ORTH UF ANG ERE CONTROLLED BY PeqeoR MS LONI 0 aE ek, SAS Moderately No chord _ —————— See Aah, nents. Towisho 1 new ven In—— The Quiet, = est Mo is = ening and the oceans what 1 had— to 1 just go: to ne Md then bere a the tent 9 iehere ih you be =e Gmé Am eee = dear. Mul em when ya shined — dear? Your whisper tell Ta D9 Am De ~ ae iH ret, your laugh - ter brings. me joy, — and a Am Cc laa! ine shadow of doubt that’s not et -ting me find — you two soon wonder of feel - ing I'm na. ture'sawn— lit tle hoy The sic that — you gave me But still the tears keep fall ing. aesdag ta ds lan guage of my soul, rain” ing from_ the sky. Well.there’sa lot _of-me got to go Lord, 1 wanna be with_you. won't you etme come i un det be fore Don't you let the — Don't you let the D sun fade a - way, don't you let the sun fade a - way, dis - ap- pear, don't. you let the sun dis — ap- pear, i fe don't dont__ you let the sun be leav — you let the sun be teay ng won't you ng, no, you ceacome wo me soon And at can't be leaving my lie. Say that you — won't be leay - ing my HH a tite. Say wort you please, ays wor'tyou please. Lard wan't yout please, Say__ won't you please, say, won't you life?’ Lord won't you come and getin = to my lite come and getin = tomy please, won't you please. sty won't you won't Som please. say won't you please, oh. Lord. don't wn.fl ee SSS ——————— ~ Lan =r at ay wwhens the song ix o er ) wherchave 1 heen, was it jut a dream? Aud though yer dicta, eal fe ways pe where de Lo Gmé may 1 plows same in.242. Footloose Words & Music by Kenny Loggins & Dean Pitchford ‘AUR Reserved ematonl Cig Seed mramons Mae Coenton Fast rock ‘n’ roll Dia A eA pa - . = a WPI een work © hat 1m punch in a Vice Sae ied DIA A - > 2 ~ > i fe = =] [== =es cas SS ees fo wha? Om fet me what 1 gu Te got tis ts } ‘ : ! t = | =, : 5 = a SSS ay fel iv that time's jst old it me dom, TU bit the cell = in Daim FemT Gdim _ Fo = se SS re ee Or ke 1 tea wp iy wwm— (ramen EiGt A DIA A D A SS = = SSS SS x Tos night gotta cit lame, Foot tae Kickoff yur Sun - doy shoes DIA A > A DIA A SS SSPE SSS 6 f Rene, Lm ie Pall me off of my tes, ick tak, > A DIA A 6 D A be See ] Comeon be-fre we enck Loe your bis, bos 2. You'ee playin’ so cool Obeying every rule Dig way dosin in your heart You'te burnin’, yearn for some. Somebody tol you ‘That ie aint apassin’ you by Tmirvin"to el you Ici you dos teven ty You can hy if you'd only cut 248 Loose, footloose Kick off your Sunday shoes Ooh-ee, Marie Shake i, shake it for me ‘Whoa, Mito Come’on, come on, let's go! lose your blues Everybody cut footloose,GIVE A LITTLE BIT Words and Music by RICK DAVIES and ROGER HODGSON Moderately Give a lit de bit, love life — give a lit - tle bit, TH give a tit- de bit of my { Copii 0 1977 Ao MUSIC Con and DEUCATE MUS ARs ontoed and haere by ALO MUSIC CON.AT, G Al, G Bm 6 m3 ‘There's so. much_ Now's the time — ToCoda- G BayA. AT YM give a AT, a ho & TI give a fit - tle bit that we that weAT G ® © fog See the man with the lone é S 8 & & you'll be sur = prised. _‘ Fl Fiat Cy Sr g Sax solo ad lib. Fm? @ erIT'S RAINING AGAIN Moderate'y d = 120 with a steady beat Cm Be &e & Ss | F inst. soto ad lib ==7 Chorus: cmt Ft Bb Eb cmt = + i Ee a Ei —=———— Oh, it's vain - ing a- gain. jOh ne,. vu \Too bad, tm— r a of { — ve's_ at an end, i rain- ing a- gain. 8 - ing, a friend) to pre - tend. heart ev-e-nough,- some peo - Bb Eb emt ri Bb Eb Ee Ee 8 Be Ee = — the signs, and walk a -way,_ I's on = ly time that heals_ +8 = = It's | the pain, and makes_ the sun__ come out a - gain. BSFT Bb eb cm? Fr ; == Oh no, it's rain - ing a - gain. Too bad, I'm $ | 4.8. Bb Eb = Fz cot ae ~ ist Ee a Bea Ee - BE a e - — ea <= £ los - ing a friend. Da da dada da da da— Whoa. end solo 2nd time = = EF | I I | | 2 x — =a SS = Bb Ebmaj7/Bb Abi Bb “ee & _ eS = Se aoe da da da da dai da da daw dada da__ | = = A ¥ T P ‘Ba I ‘Ebmaj7/B> t es — — da da da da da da da (Bkgrd,) Ah | = me = 2 2. - — . =—AbiB> = ee we a =, nen fo Come on__._ you lit - tle | =~ —, —, Ret back up. QFup Ee back a get 2 your heart__ Ih oh, Ebmaj7/D BVO ssc eee cece eee cresc. poco a poco oun : EaWORDS & MUSIC BY RICK DAVIES & ROGER HODGSON ADY capri Ss RONOOR Se LRDON) TO. KoELEATE Was ALL RBSTS SERVED WIERNAINAL COPY SECURED Moderately fast Mis - ter, you com in’’cross the wa - ter, well, don’t you think you you bel- ter get a move > on, you’ bet- ter get a Bm pn ies a while? ought. a fix on you bet - ter walk straight. Are you act ~ ing fon what your heart has 1 said, La - dy, ‘oh,take me if youis noth-ing gon-na hold. you from fly-ing a way?. won't youtake me as you find me? Oh, I'm need-ing your love. fly- ing a = way. Fmneed-ing your love. fly-ing a way, T'm need- ing your love s0 Chew no = whe to thouth the road — —— is out stretch ing be - fore. you, And the far : ther you g0,— Jes SSS Isaid ain't noth- in’ gon- na get you to heavy - en, I said ain'tHie —— — SSS SS = =e noth in’ gon - na get you to heavy - en, and you know just__who you and you like diy what you feel___ But I can tell that you're not gon- na tum. D Ht —— back, well, I can tell that you're not gon- na turn back, and don't you know. I'm a lit - tle bit sad?. PaOo & bb hk, co bo lk bh, 00 ah, —_—___. You're ceoEight times Dsusd SSS SS eS tak- in’ the long way. she's tum. in’ a = bout youre tek int the long. way, shes D p Em7 ot if tak~in’ the long way, she’s turn-in” bout: you're Bm bm bm bm tak - in’ the long way she’s turn-in’ = _ bout. You're a = tak: in’ the Jong way, she’sWORDS & MUSIC BY RICK DAVIES & ROGER HODGSON SCHOOL ‘©copyRGHT 4 NONDOA Wu LONDON) LD, KOKLICAE ISI ALLRGYS RESERVED TERUATENALCYAHT SERED ad ib, Harmonica i SS 1 ean see you inthe morn-ing when you go to school Ist time Loosely y Te eel gr At tet school “is ov-er you're playing in the dark ad siome Will beet shay Tye “Tm mis - tak-en x= "Pecting you to Tgnt or _. } 1 i —== et ony for getyour boots you brow you've got totam the dont reheat alae ome Peo 2 Soh anow Am Em Teach er tells_you, stop your play and get on with your work fa tell you not to hang a - round and lean what life's a + bout and ‘but while I'm still liv» ang, Tve just "got this to my its — z » = = —- < be tke John - nie = dovtyon monte oe = oye the ee APRS ong gow up lust tke the "you work Nut ana” you ways up te Jou it Sou'wane Wo! "be that, want tae that, mane Sound effect indeD Am 1 - Sound effeens Sound effects a oO H To Coda ® ¢, 2 Oo Bree) . 1 Full of —— doubt Repeat a ib See it that way. fi F E Am Hat EES ie Faas! "2A jes) lar tne Don't do this ‘and don't do that__ what are they yin! to do? Make a good boy. of you, do they know where —— its at? Don't E Am raft? fae els = cise theyre old and wise do as they tell_youto, don't want the dev-il to, ‘come and pull out your eyes. ta Hae # HEH D.s.atcode © c H ot You're comin’ a- long —WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON TAKE THE LONG WAY HOME ‘2coPRGHT Hs ALMO MUS CORP OLEATE MUSIC RGATS-ORTHEUCINDEECOWTROLLED oqo (ND ARSON OS Moderately te? eas ——— Peres, ae Bb F c Cm Yene et Ht SSS SS ; sed So you think you're a R6 = me-o_— playing «part ina pie — te show, welt the When lone-ly days tum to lone - ly nights. youtake a trip to the cit ~ y lights, and take the Bb c a = = | ES + 4 a a Tong way home, takethe long way home, Tong way home, ftakethe long way home.cm? Bb ‘ot tcad He : Cause you're the joke of the neigh-bor-hood,— why should you care ifyou’re feeling good, well take the Youney-er see whatyouwantto see, Tor - ey -€r play - ing tothe gai-ler-y, _ youtake the c SS — a a a take the long way home. take the long way home. Am SoS Ss yo But there ara times that you fool you're part af the cen er And when you're up on the stage it’s so un-be - liev - a- ble,— un - for. green = er» y— is com-in’ down, — boy. get = ta. bla how they a - dore a Em? Am HH EEE Hf *S ‘And then your wifescems (to think you're part _ofthefurn - i - turey— ob its pe- But then your wife seemsto think you're los - ingyour san - i= ty,—— oh it’s caau. theused to be ° lam ° oh isthere no way coy Eb Bb nice, out? on ad lib Instrumental Bote D.S.$6(3rd Chorus) ‘at Coda ——— cm? Bb G Hl HEE 4 pp ES Cass SSS So, when the day comestoset -tle down well, who'sto blame if you're not a-round? You took thelong way home, youtook the long way home. You took the fr i long way home, HES youtookthe Tong way home, you took the a you took the long way home. Ah. Cmaj7 Bb Ab lf _ (Play 33°) _EREFF 3 _ + SE Es sa ioe 2 ‘ SS SL — ah, Longway home,— Jong way home,— long way home.— longway home. 3rd Chorus Well does it feel that your life's become a catastrophe, oh it fs to be for you to growsbay When you look through the years and sce what you could have been, ‘oh what you might have been if you had hhad more time, Gea‘WORDS & MUSIC BY RICK DAVIES & ROGER HODGSON THE LOGICAL SONG ‘© PYraHT aT AL Muse CRP, RORLCRE MUSH GATS OR TULA URE COWTROLED BY oNDOR MSE .ONOON LD, Ha PkASOUS GREG Ong Ss ALLROMTS RESERVED WIERNATINAL COPY SECURED. Moderate Rock Ab nor ate et _ it seemed that life was 20 to teach me how to he ory 1. Whea 1 was 2 sent me oa Bb Ab Adim 5 = “aS = aa = 7 + pet * a mir- a -cle, ‘ob, it was beau- ti ful, mag- i - cal. Amd all the log i - cal, coh, re spon-si- ble, prac. ti - eal, And they birds in the trees. well they'd be sing ing so hap - pi- ly, oh, joy-ful ly showed me a world— where I” could “be” so” de - pend-a - ble, on, clin i - cal ‘oh, play - ful - ly watch-ing me. But thien they oh, in-tel - lec - tu -al eyn- isathe ques Db world’s a-sleep,~ for such— Fm HE sim + ple man. Won't you please, — = =" =e = = o please 1 know eS aL sounds — surd Fm Bbm. " ite EEE who— TE amo Fm "Ds.fe gay diy QR gf aw eh a — == = Tale. = see = ——— a Whol am, whol am, Ab BEE eynt and ard Ferse I said, Now watch what you say or they'll be calling you a radical, liberal, oh, fanatical, criminal. ‘Oh, won't you'sign up your name, we'd like to feel you're acceptable, respectable, oh, presentable, A vegetable? Mh Ferse INSTRUMENTAL (To 2nd Chorus}