Professional Documents
Culture Documents
Prepared for the Bath & Somerset Pilot Scheme by ‘Ireland in Schools’
For further details, please contact:
Professor Patrick Buckland, Chairman, ‘Ireland in Schools’
19 Woodlands Road, Liverpool, L17 0AJ. Tel: 0151 727 6817
email: kha200@aol.com; website: www.irelandinschools.org.uk
1. The Easter Rising
1. A British view of the mood of Ireland in 1916
The general state of Ireland is thoroughly satisfactory. The mass of the people are sound and loyal as regards
war and the country is in a very prosperous state and free from ordinary crime.
Major Ivor Price, Director of Military Intelligence in Ireland, 10 April 1916
Irishmen and Irishwomen: In the name of God and of the dead generations from which she receives her
old tradition of nationhood, Ireland, through us, summons her children to her flag and strikes for her freedom.
Having organised and trained her manhood through her secret revolutionary organisation, the Irish
Republican Brotherhood, and through her open military organisations, the Irish Volunteers, and the Irish
Citizen Army, having patiently perfected her discipline, having resolutely waited for the right moment to
reveal itself, she now seizes that moment, and, supported by her exiled children in America and by gallant
allies in Europe, but relying in the first on her own strength, she strikes in full confidence of victory.
We declare the right of the people of Ireland to the ownership of Ireland, and to the unfettered control of
Irish destinies, to be sovereign and indefeasible. The long usurpation of that right by a foreign people and
government has not extinguished the right, nor can it ever be extinguished except by the destruction of the
Irish people. In every generation the Irish people have asserted their right to national freedom and
sovereignty; six times during the past three hundred years they have asserted it in arms. Standing on that
fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish republic
as a sovereign independent state, and we pledge our lives and the lives of our comrades-in-arms to the cause
of its freedom, of its welfare, and of its exaltation among the nations.
The Irish republic is entitled to, and hereby claims, the allegiance of every Irishman and Irishwoman. The
republic guarantees religious and civil liberty, equal rights and equal opportunities to all its citizens, and
declares its resolve to pursue the happiness and prosperity of the whole nation and of all its parts, cherishing
all the children of the nation equally, and oblivious of the differences carefully fostered by an alien
government, which have divided a minority from the majority in the past.
Until our arms have brought the opportune moment for the establishment of a permanent national
government, representative of the whole people of Ireland, and elected by the suffrages of all her men and
women, the Provisional Government, hereby constituted, will administer the civil and military affairs of the
republic in trust for the people. We place the cause of the Irish republic under the protection of the Most High
God, whose blessing we invoke upon our arms, and we pray that no one who serves that cause will dishonour
it by cowardice, inhumanity, or rapine. In this supreme hour the Irish nation must, by its valour and
discipline, and by the readiness of its children to sacrifice themselves for the common good, prove itself
worthy of the august destiny to which it is called.
2a. Some 206,000 men from 1b. At most some 2,000 Irish men
Ireland served during the World and women took part in the Easter
W a r 3 0,000 d i e d , m o s t •
Dublin Rising in Dublin in 1916 to set up
dramatically during the Battle of an Irish Republic, completely
the Somme, which began in July independent from Britain. Among
1916. One of the three Irish the dead were 64 insurgents,
divisions, the Ulster Division
including the executed leaders,
suffered over 5,500 casualties in
the first two days out of a total of 132 members of the Crown forces
15,000 men. and 230 civilians.
DROGHEDA BEWARE
If in the vicinity a policeman is shot, five of the
leading Sinn Feiners will be shot.
It is not coercion - - it is an eye for an eye.
Are we to lie down while our comrades are being
shot down in cold blood by the corner boys and
ragamuffins of Ireland?
We say ‘Never’. Stop the shooting of the
police or we will lay low every house that smells
of Sinn Fein.
(By Order)
Black and Tans
a. On Thursday [the night of Brady’s death], a lorry b. ... a poor woman named Kitty Carroll, the
full of uniformed men entered Tubbercurry ... The sole support of her aged father and mother
men went straight to Howley’s, the principal and invalid brother, was dragged from her
drinking bar in the town, broke the door open ... house by a party of masked men who
helped themselves to as much liquor as they could murdered her and attached to her body this
swallow, smashed the windows, wrecked the legend: ‘spies and informers, beware! Tried,
interior, and set it on fire. They then went round convicted and executed by the ira ...’
the village, burning or wrecking shop after shop. I think it is important for people to realise
As the men worked, they shouted out repeatedly: the character of Sinn Féin policy and the
‘Come out, Sinn Féin’ and ‘Where are the nature of its campaign. ... I should like to
murderers?’ repeat that it was not till well over a hundred
The surrounding fields were full of terrified of their comrades had been cruelly
women and children, crouching in the wet grass, assassinated that the police began to strike a
watching the flames. Two girls fled their homes blow in their own defence ...
in their nightdresses only. More women and
children had fled earlier in the evening to distant
cottages, as soon as they heard of the death of
Inspector Brady.
Hugh Martin, an English journalist, who visited Tubbercurry,
Co. Sligo, in November 1920, a few days after the IRA Lloyd George, the British prime minister, explaining in a
had killed a local policeman, Inspector Brady letter that this is why the Black and Tans acted as they did
c. They were a light-hearted set of men these ‘Black and Tans’, mostly ex-officers, and some of their
humorous stunts really exasperated people almost more that the reprisals. A lady travelling in
Westmeath met a prominent Nationalist she knew very well.
‘Oh, begorra, miss, things is awful with them blackguard Black and Tans driving and drinking
all over the country, threatening the lives of the people. They come into my bar and they call for
what they want, and then they start rolling their little bombs up and down the counter till they get
anything they ask for. Sure, if one of them bombs was to drop the whole village would be wiped
out, so what can I do?’
Henry Robinson, in charge of the Local Government Board in Ireland from 1898 to 1922,
recalling in his memoirs a pub owner’s experience in County Westmeath with the Black and Tans
- a staunch unionist, Robinson was accused in 1926 of having the ‘mentality of Cromwellian officialdom’
f. Men of the South by Sean Keating, 1920 g. The aftermath of a Black and Tan attack on
Templemore, Co. Tipperary, August 1920
1. British government preferred two Irish 2. Lloyd George as the Welsh wizard preparing to
parliaments and instead of continuing perform the trick of cutting up Ireland and
direct rule from Westminster over the partition - a Punch cartoon
part of Ulster excluded from the
jurisdiction of the Dublin parliament
If it [British authority] is retained anywhere in
Ireland the opponents of Great Britain will be
able to say either that Great Britain is ruling
nationalist majorities against their will, or that it
is giving its active support to Ulster in its
refusal to unite with the rest of Ireland.
Cabinet Committee on Ireland, 1st Report, 4 November 1919
4. The oath to be taken by members of the parliament of the Irish Free State shall be in the following
form: I ... do solemnly swear true faith and allegiance to the constitution of the Irish Free State as
by law established and that I will be faithful to HM King George V, his heirs and successors by law
in virtue of the common citizenship of Ireland with Great Britain and her adherence to and
membership of the group of nations forming the British Commonwealth of nations.
11. Until the expiration of one month from the passing of the act of parliament for the ratification of this
instrument, the powers of the parliament and the government of the Irish Free State shall not be
exercisable as respects Northern Ireland, and the provisions of the Government of Ireland Act, 1920,
shall, so far as they relate to Northern Ireland, remain of full force and effect, and no election shall
be held for the return of members to serve in the parliament of the Irish Free State for constituencies
in Northern Ireland, unless a resolution is passed by both houses of the Parliament of Northern
Ireland in favour of the holding of such elections before the end of the said month.
12. If before the expiration of the said month, an address is presented to His Majesty by both houses of
Parliament of Northern Ireland to that effect, the powers of the Parliament and Government of the
Irish Free State shall no longer extend to Northern Ireland, and the provisions of the Government of
Ireland Act, 1920 (including those relating to the Council of Ireland), shall so far as they relate to
Northern Ireland, continue to be of full force and effect, and this instrument shall have effect subject
to the necessary modifications.
Provided that if such an address is so presented a commission consisting of three persons, one to be
appointed by the Government of the Irish Free State, one to be appointed by the Government of
Northern Ireland, and one who shall be chairman to be appointed by the British Government shall
determine in accordance with the wishes of the inhabitants, so far as may be compatible with
economic and geographic conditions, the boundaries between Northern Ireland and the rest of
Ireland, and for the purposes of the Government of Ireland Act, 1920, and of this instrument, the
boundary of Northern Ireland shall be such as may be determined by such commission ...
Articles of Agreement for a Treaty between Great Britain and Ireland [Cmd 1560], 1921
2. Pro-treaty 2
To me this treaty gives me what I and my comrades fought for; it gives us for the first time in 700 years, the
evacuation of Britain’s armed forces.
Seán MacEoin, speaking in the Dáil debate on the treaty, December 1921
3. Anti-treaty 1
I am against this Treaty ... because it will not end the centuries of conflict between the two nations of Great
Britain and Ireland ... Does the Dail think that the Irish people have changed so much within the past year or
two that they now want to get into the British Empire after seven centuries of fighting?
Eamon de Valera, speaking in the Dáil debate on the treaty, December 1921
4. Anti-treaty 2
The two great principles for which so many have died - no partition and no control of Ireland by any foreign
power - have gone by the board in this treaty.
Seán T. O’Kelly, speaking in the Dáil debate on the treaty, December 1921
2. The shelling of the Four Courts, Dublin 3. Armed civilians on the streets of Dublin
during the Civil War
a. Anti-Treaty IRA men take up b. Pro-Treaty National Army troops c. The usual casualties - a despairing
positions behind a barricade on also take up firing positions behind mother and child contemplate the
College Street - Trinity College top a barricade in College Street, but in destruction wrought by the fighting.
left, Bank of Ireland, top middle. the opposite direction - Trinity
College in the background.
These photographs are taken from lost glass negatives of dramatic and moving pictures taken by the Manchester Guardian’s first staff photographer.
Walter Doughty joined the paper in 1909 and retired more than forty years later. The negatives were recently discovered in Manchester.
7. Accepting the Treaty - ‘better to live for the Irish nation than to die for it’
One evening I sat in the [prison] hut and listened to a Corkman singing in a little group about some hero who
had died for Ireland, and the brave things he had said and the fine things he had done, and I listened because
I liked these simple little local songs that continued to be written to the old beautiful ballad airs and that
sometimes had charming verses like:
‘I met Pat Hanley’s mother and she to me did say
God be with my son Pat, he was shot in the runaway;
If I could kiss his pale cold lips his wounded heart I’d cure
And I’d bring my darling safely home from the valley of Knockanure’.
But halfway through this song I realised that it was about the boy whose hand I had taken in the women’s
prison in Cork one morning that Spring, and suddenly the whole nightmare came back. ‘It’s as well for you
fellows that you didn’t see that lad’s face when the Free Staters had finished with it’, I said angrily. I think
that must have been the evening that the big row blew up, and I had half the hut shouting at me. I shouted
as well that I was sick to death of the worship of martyrdom, that the only martyr I had come close to was a
poor boy from the lanes like myself, and he hadn’t wanted to die any more than I did; that he had merely been
trapped by his own ignorance and simplicity into a position from which he couldn’t escape, and I thought
most martyrs were the same. ‘And Pearse?’ somebody kept on crying. ‘What about Pearse? I suppose he
didn’t want to die either?’ Of course he didn’t want to die’, I said. ‘He woke up too late, that was all.’ And
that really did drive some of the men to fury.
I went to bed myself in a blind rage. Apparently the only proof one had of being alive was one’s readiness
to die as soon as possible: dead was the great thing to be, and there was nothing to be said in favour of living
except the innumerable possibilities it presented of dying in style. I didn’t want to die. I wanted to live, to
read, to hear music, and to bring my mother to all the places that neither of us had ever seen, and I felt these
things were more important than any martyrdom.
Frank O’Connor, imprisoned in 1922 by the Irish Free State for aiding the Republican cause,
marking the moment of his disillusionment with militant republicanism in his autobiography, An Only Child
2. Political violence
Between 21 June 1920 and 18 June 1922 ... total For eleven days past the most consistent,
casualties were 1,766 wounded and 428 killed. Well unceasing rifle fire has come from the other side
over half of these occurred in 1922. In that year 232 of the border, without a shot being returned ...
people, including two unionist M.P.s, were killed, because I had sent ... an earnest appeal to them
nearly 1,000 wounded, and more than £3 million [unionists on the border] to stand fast. Yet, we are
worth of property destroyed.... It was said that 8,750 being more or less treated in the English press as
Catholics had been driven from their employment and though we were the aggressors the one day, and
some 23,000 from their homes. Moreover, two-thirds the others were the aggressors the next, and that
of those killed ... had been Catholics, and some of there was not a pin to choose between us. I
these killings had occurred in very grisly declare if a cow died in Kerry, they would say it
circumstances. was Belfast or Ulster was the cause of it.
Irish Unionism 2 by Buckland, P., Gill & Macmillan, 0-7170-590-3, p. 176 Sir James Craig, 28 March 1922
Towards the end of the nineteenth century, Irish political ballads dealt less with the struggles of the Irish peasantry over land and
concentrated on the struggle for independence. They told anew the story of Ireland’s troubled history with its more powerful
neighbour, Britain, and captured and supported the political dreams of new generations who sought an independent nation.
The inventiveness and vitality of the tradition of songs of protest are well illustrated in the songs of rebellion that were sung during
the period after 1912, when the introduction of the 1912 Irish Home Rule Bill radicalised politics in Ireland. At first the emphasis
was on opposition to enlistment, with songs relying heavily on sarcasm, but with 1916 the mood and tone began to change.
Easter Rising
Peadar Kearney and another popular ballad writer, Brian O’Higgins (Brian na Banban), continued to use the cutting edge of sarcasm
to great effect. They used some of their songs to mock the police who at that time were encouraged to learn the Irish language so
that they might be able to charge the rebels with making seditious speeches. However, when it came to writing about the ‘Easter
Rising,’ Peadar Kearney wrote not about a ‘glorious rebellion’ but in an understated, sarcastic Dublin fashion, referred to the Rising
as a row in the town.
I’ll sing you a song of a row in the town, God rest gallant Pearse and his comrades who died,
When the green flag went up and the crown rag came down, Tom Clarke, MacDonagh, MacDermott, McBride,
‘Twas the neatest and sweetest thing ever you saw, And here’s to Jim Connolly he gave one hurrah,
And they played the best game played in Erin go Bragh. And he placed the machine guns for Erin go Bragh.
Big moments in history like the 1916 Rebellion do not always provide inspiration for a great ballad. Patrick Pearse, the iconic leader
of 1916 is not celebrated in the popular song tradition, yet the labour leader James Connolly is. Why is there a ballad for Connolly
but none for Pearse? Perhaps the manner of Connolly’s execution - still suffering from his wounds he was shot sitting in a chair -
or perhaps his role as a trade union leader inspired the ballad maker to immortalise him in song.
James Connolly
Where oh where is our James Connolly, Where oh where is the citizen army,
Where oh where can that brave man be, Where oh where can that brave band be,
He has gone to organise the Union, They have gone to join the great rebellion,
That working men might yet be free. And break the bonds of slavery.
The inspiration for a ballad is many and varied. Sometimes it can be a great tragedy, an ambush, a murder or just a simple phrase
that sets a chord vibrating. A parish priest from Kilcoo in Co. Down, Canon Charles O’Neill, attended the first sitting of the new
Dáil, or parliament, in Dublin in 1919. As the names of the elected members were called out he was moved by the number of times
the names were answered by ‘faoi ghlas ag na Gaill’ (locked up by the foreigner). On returning home he wrote one of the finest
songs that recounts the story of the 1916 Rebellion.
As down the glen one Easter morn Right proudly high over Dublin town
Through a city fair rode I. They flung out the flag of war.
There armed lines of marching men, ‘Twas far better to die ‘neath an Irish sky,
In squadrons did pass me by. Than at Suvla or Sud el Bar.
No pipe did hum, no battle drum, And from the plains of royal Meath,
Did sound out its loud tattoo. Brave men came hurrying through,
But the angelus bell o’er the Liffey’s swell, While Britannia’s Huns with their long-range guns,
Rang out through the foggy dew. Sailed into the foggy dew.
War of independence
Perhaps the best known and most widely sung of all the songs of Irish resistance is the one which commemorates the execution of
Kevin Barry in Dublin’s Mountjoy Jail on 1st November 1920. Barry was an 18 year-old medical student who joined the Irish
Volunteers and was sentenced to death by hanging after he was convicted of the killing of a British soldier.
Kevin Barry
In Mountjoy Jail one Monday morning, Just before he faced the hangman,
High upon the gallows tree, In his dreary prison cell,
Kevin Barry gave his young life British soldiers tortured Barry
For the cause of liberty. Just because he would not tell
Just a lad of eighteen summers, The names of his brave comrades,
Yet no one can deny, And other things they wished to know,
As he walked to death that morning ‘Turn informer or we’ll kill you!’
He proudly held his head on high. Kevin Barry answered ‘No!’
The ballad maker has also recorded the atrocities of the Black and Tans. In many parts of the Republic of Ireland the traveller often
comes across small roadside monuments commemorating an ambush or the death of a republican volunteer. If you were to
investigate further you would probably discover that there was also a song written to commemorate the same event.
In a field in Gortaglanna in County Kerry, there are three crosses bearing the names of Padraic Dalton, Padraic Walsh and Diarmuid
Lyons, who were shot by the Black and Tans in the Valley of Knockanure. The song that commemorates their deaths is one of the
finest examples of this type of narrative ballad.
There was Padraic Dalton and Padraic Walsh they were known both far and wide,
In every house in every town they were always side by side,
A Republic bold they did uphold though outlawed on the moor,
And side by side they bravely died in the Valley of Knockanure.
Many of the songs written during the civil war were written by and for those who fought on the republican side. They invariably
dealt with the atrocities of the Free State troops and the betrayal of the republican ideal of a thirty-two county Ireland.
The song ‘Take It Down From the Mast’ captures the sense of betrayal felt by those who took up arms against the new state. It is
perhaps surprising that one seldom hears a song in praise of the two most outstanding individuals of that time, Michael Collins and
Eamon de Valera. Nor does one hear a song in praise of the Irish Free State.
Take it down from the mast Irish traitors, Then leave it to those who are willing,
The flag we Republicans claim, To uphold it in war and in peace,
It can never belong to Free Staters, To those who intend to continue,
You brought on it nothing but shame. Until England’s cruel tyranny cease.
NB
To listen to the songs in ‘traditional’ style, and for the full lyrics, go to: www.bbc.co.uk/history/war/easterrising/songs/index.shtml. There
are, of course, many commercial recordings.