The prose editor for the Talon, my school's literary magazine, is a role she is proud of. She hopes to continue her leadership experience at Berkeley as a freshman.
The prose editor for the Talon, my school's literary magazine, is a role she is proud of. She hopes to continue her leadership experience at Berkeley as a freshman.
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The prose editor for the Talon, my school's literary magazine, is a role she is proud of. She hopes to continue her leadership experience at Berkeley as a freshman.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as RTF, PDF, TXT or read online from Scribd
In my junior year I was able to create a significant impact in
my community by coming out and becoming one of three openly gay students in my school of four hundred boys, in rural Virginia. My decision to come out at Woodberry had a strong impact on my community because I was more in my school's mainstream than the other two openly gay students. Because I was arguably one of its more popular students, most of the students in my grade found themselves confronted with the fact that one of their friends was part of a minority they had previously tried to ignore.Obviously, I was a little more isolated and unpopular after junior year, but I prompted a more equitable understanding of sexuality issues in my grade and school community at large.
2. Plans for Next Academic Year
At Berkeley, I want to continue my leadership experience in
student publications. As a freshman I don't expect to hold a leadership position like the one I have now as senior. Therefore, I plan to use my freshmen year as an opportunity to sample Berkeley's many artistic journals, and hopefully to commit to one. I look forward to spending my free time working at the Berkeley Poetry Review, BARE, CLAM, or possibly the Blue and Gold Yearbook and definitely with the Writer's Circle at Berkeley.
3. Effective & Inspirational Leadership
The leadership role I am most proud of holding in high
school is the position of prose editor for The Talon, my school's literary magazine. It is my responsibility to motivate a board of about fifteen students to read, discuss, vote on, and edit prose submissions to the magazine.
After the voting process, I work with the accepted authors at
crafting their prose for success after publication. It is my responsibility to provide constructive criticism and help teach my school's writers about the revision process.
I am very fortunate in that the prose board is not a required
activity. I tend to work with students who are for the most part engaged with and motivated about the work they are doing. Unfortunately for me, board members also have other responsibilities. I have to make the expectations of the magazine--to have read all submissions, to attend all meetings, to vote on all pieces, to offer commentary in meetings, and to submit writing for review--clear, so that when students prioritize they can give the Talon the time it needs or decide to withdraw from the board.
I am very proud, however, of the fact that no prose board
member has ever withdrawn during my time as editor. I help students make the responsibilities of the Talon work with their other duties by individually discussing how to fit in the time to prepare for meetings.
In meetings, I motivate the board to pursue its common
goal-- the production of the best writing our school can offer-- by using my skills as a reader and conversationalist to build an atmosphere where students are comfortable sharing their ideas, responses to a piece, and arguments for why or why not a piece should be published. It is my duty to make sure that this entire dialogue is held in a respectful tone and decorum, because every board member is required to submit a piece of prose. I make this happen by asking questions about a certain aspect of a piece, such as its tone, but not by offering my own opinion.
The most important impact, or change, I brought to the
Talon was the suggestions I made to my fellow editors (junior prose editors, and editors of poetry) about the revision process. I have argued for the idea that editors should only be a framework for a revisionist thought process, and not the actual revisers. For example, it should be an editor's responsibility to circle a problematic word, but not to cross it out and write a new one.