Professional Documents
Culture Documents
PAPER PRESENTED TO
IN PARTIAL FULFILLMENT OF
DEPARTMENT OF HISTORY
BY
ALBERT C. WHITTENBERG
MURFREESBORO, TN
OCTOBER 3, 2006
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Famed frontier historian, Fredrick Jackson Turner, once wrote that “wherever
poem, a coliseum, or a coin, there is history.”1 Taken from the 1890s, this statement
showed a fundamental change in the way history was being viewed. Before men like
Turner, history was the written word found in letters, manuscripts, parchments or even
carved in stone. History was the subject of academics and not the common man. The
concept of “public history” would have its foundation established in the 1800s and early
1900s by historians with these new viewpoints such as Turner, James Harvey Robinson,
Carl L. Becker and Lucy M. Salmon. Building upon the ideas of these four and others, a
number of institutions and groups grew and contributed to the building of this new
movement. Finally, the very relationship between academic historians and the new
“public” historians altered and changed therefore creating a new field and new historians
The study of history and the meaning of just the word “history” have changed
significantly over the past hundred years. James Harvey Robinson argued in 1912 that
historians had been focused too much on matters of the state and conflict. He argued that
“we are taught to view mankind as in a periodic state of turmoil.”2 His “New History”
theory was to break free from this old mold and focus on such things as the scientific
breakthroughs happening around us. Robinson believed that these were changing
mankind’s history far more than wars. Carl Becker built on this by stating that history is
1
Frederick Jackson Turner, “The Significance of History” in Ray Allen Billington, Frontier and
Section: Selected Essays of Frederick Jackson Turner (Englewood Cliffs, New Jersey: Prentice-Hall, Inc.,
1961), 19.
2
James Harvey Robinson, The New History: Essays Illustrating Modern Historical Outlook (New
York: The Macmillan Company, 1912), 12.
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really “the memory of things said and done” and every person must have some
mirror Becker’s thoughts (although she did it a number of years before he wrote his
article) by using her own backyard as a teaching tool for history. She looked outside and
remarked “who made the first fence, and who gave him the right to make the fence?”4
She also encouraged people to look at their town’s street to find history. These four
found history in the little things that affect all of us and could be relevant to the most
unlearned person.
there was a rise in a number of individuals, groups and institutions working towards
bringing history to the average public. Several of these individuals were more
entrepreneur and collectors than traditional academic historians. Book publisher and
printer, Hubert Howe Bancroft, turned to history almost as a hobby after his fortunes had
been made in his late thirties. He started collecting items from California and eventually
spread to the entire western part of North America. He hired assistants and eventually
subscriptions (and self-publishing), which netted him a profit of a half a million dollars
and guaranteed the set would not go out of print.5 Another such promoter was Lyman
Copeland Draper who had a mission, as written by Larry Gara, to “rescue from oblivion
the forgotten heroes of the border wars and early settlements” by traveling an estimated
3
Carl L. Becker, “Everyman His Own Historian,” American Historical Review 37 (1932), 223.
4
Lucy Maynard Salmon, History and the Texture of Modern Life: Selected Essays (Philadelphia:
University of Pennsylvania Press, 2001), 79.
5
John Walton Caughey, “Hubert Howe Bancroft, Historian of Western America,” The American
Historical Review 50 (April 1945), 464-465.
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establish the State Historical Society of Wisconsin and became a champion for the state
capital of Madison. When Draper died, his collection went entirely to the historical
society which would arrange and sort his papers to eventually total 478 bound volumes
making the society “one of the nation’s outstanding research centers for western
history.”7 The collections of these men were dedicated to finding anything and
everything regarding their subject of interest which, again, is building upon that concept
Like Draper in Wisconsin, the 1800s and early 1900s was a period of creating
historical societies. From her book, American Historical Societies 1790-1860, Leslie W.
Dunlap wrote that the initial need was apparent as “the establishment of the first sixty-
five historical societies in the United States was the realization that action was necessary
to preserve historical records.”8 Some of the societies were created by charters from
states but most originated in a group of people with a common interest would meet and
decided to form a society. After organizing, they would then petition the state legislature
for some sort of formal recognition. While some societies were located in state capitals,
University of Iowa and a member of the Board of Curators for the State Historical
6
Larry Gara, “Lyman Copeland Draper” in Clifford L. Lord, ed., Keepers of the Past (Chapel
Hill: University of North Carolina Press, 1965), 42.
7
Ibid., 51.
8
Leslie W. Dunlap, American Historical Societies: 1790-1860 (Philadelphia: Porcupine Press,
1974), 10.
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Society of Iowa, moved the location of the society from an old room above a hardware
store to the university. Shambaugh could literally step out of his faculty office and go
across the hall to the SHSI office.9 Like Draper’s goals for Wisconsin, Shambaugh stated
“I dream of the day when Iowa history not only will be translated into folklore but
transmitted into the hearts of our people.”10 These societies were moving history away
from the traditional focus on conflict as Robinson has stated. What started out as merely
official documents in most of these societies, Dunlap explained had grown into
“traditions, legends, anecdotes of persons and places, letters, pictures, maps, songs and
ballads.”11
non-academic “amateurs” taking an active role in what we would likely label today
women. For example, the Mount Vernon Ladies Association was formed in 1853 to
preserve George Washington’s plantation. This was the first of its type in the United
States and historian James M. Lindgren credits the organization with beginning the
“modern preservation movement.”12 While he believed that these groups were doing this
for more romantic reasons than professional, several structures like Mount Vernon would
probably not have survived to today without their help. It is also important to note that
9
Rebecca Conard, Benjamin Shambaugh and the Intellectual Foundations of Public History (Iowa
City: University of Iowa Press, 2002), 48.
10
Ibid., 47.
11
Dunlap, 20.
12
James M. Lindgren, “A New Departure in Historic, Patriotic Work: Personalism,
Professionalism, and Conflicting Concepts of Material Culture in the Late Nineteenth and Early Twentieth
Centuries,” The Public Historian 18 (Spring 1996), 43.
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several of these amateurs were African American women, who were striving to promote
not only their sex but race. They also formed societies along with libraries and reading
rooms. African American men were invited as well with several volumes being written
by both men and women to highlight the African American soldiers, patriots and heroes
of the various wars from the American Revolution to the twentieth century.13 Professor
of Black Studies at Wellesley College, Tony Martin, called some of the people in these
groups bibliophiles that collected and cataloged works by African Americans to “counter
the pseudo-scientific racism that was so prevalent during this time when so-called
scholars and writers were claiming that black people were by nature inferior.”14 Without
their work, the secondary goal of providing “a body of information for posterity” would
surely have never happened.15 Also, amateurs (both white and black) focused on the
women’s movements and the plight of women in general. This was in contrast to the
normal fascination with politics as Bonnie G. Smith wrote that professional historians
during the turn of the century did not “study poor or ordinary people since they did not
study women.”16 If public history is for everyone, these amateurs were creating books
and other resources that all could enjoy and learn from.
Along with historical societies, another trend in the field of public history was
emerging at a rapid pace. Increasingly, states were seeing the need for archives.
13
Julie Des Jardins, “African American Women’s Historical Consciousness” in Women and the
Historical Enterprise in America (Chapel Hill: University of North Carolina Press, 2003), 120-121.
14
Tony Martin, “Bibliophiles, Activists, and Race Men” in Sinnette, Coates, and Battle, eds.,
Black Bibliophiles and Collectors: Preservers of Black History (Washington, D. C.: Howard University
Press, 1990), 29.
15
Ibid., 30.
16
Bonnie G. Smith, “High Amateurism and the Panoramic Past” in The Gender of History
(Cambridge: Harvard University Press, 1998), 174.
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According to archivist and author Patricia Galloway, most early archives were
“motivated by a filiopietistic desire to preserve evidence,” but all faced the possibilities
Department of Archives and History (established in 1902) and its first director, Dunbar
Rowland, could be argued to have primarily been a promoter of the “Lost Cause” of the
would also write that neither Rowland nor the institution had much choice with a Board
of Trustees where “two were Confederate veterans, three the sons of veterans, one a
legislative participant in the overthrow of Reconstruction and two present at the 1890
Constitutional Convention.”18 Another example is the state of Illinois had let the
secretary of the state office keep legal records till a need was perceived for an archives
division (where it would be part of the Illinois State Library till 1957). Margaret Cross
Norton would become the first archivist of Illinois in 1922 and serve there for over thirty-
five years. In a field dominated by men, Norton would become a charter member of the
Society of American Archivists (serving as its first vice-president and fourth president),
secretary-treasurer of the National Association of State Libraries and also be the editor
for the American Archivist in 1946.19 Unlike Rowland, the Illinois archives were
perceived as a place by political agencies to store all important documents (no matter the
subject) along with documents perceived as being too recent to be viewed by the public.
17
Patricia Galloway, “Archives, Power and History: Dunbar Rowland and the Beginning of the
State Archives of Mississippi (1902-1936),” American Archivist 69 (2006), 82.
18
Ibid., 94.
19
Thorton W. Mitchell, Norton on Archives: The Writings of Margaret Cross Norton on Archival
& Records Management (Carbondale: Southern Illinois University Press, 1975), xvi.
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One wonders then if Norton had the same problem as the Library of Congress in 1993
when they released Supreme Court Justice Thurgood Marshall’s papers to the public
shortly after his death prompting many to examine the other judges’ decisions on current
issues like abortion.20 In these earlier times, archivists had perhaps more power in the
Along with historical societies, amateur groups and archives, another aspect that
was slower to change its perspective from the scholarly to the common public was
museums. Historian and author Marjorie Schwarzer wrote that museums of the late
1800s were places “for the elite and privileged” and managed by a “socially prominent
collectors would show everything they owned.22 It would take revolutionary thinkers like
John Dewey and his wife as they took school children to museums as part of their
educational curriculum. Even though the Deweys were doing this in 1896, it would be
many more years before most museums would change their attitudes about the common
man attending. Most structures were just too imposing in appearance as well as the
smallest admission fee usually out of reach for most Americans. Most were also off
limits to African Americans or only available to then one day a week.23 Lagging behind
the other public history institutions, it would take the twentieth century for museums to
grow from a mere 1,400 in 1928 to over 10,000 in 1998 with an estimated 865 annual
20
Randall C. Jimerson, “Ethical Concerns for Archivists,” The Public Historian 28 (2006), 87.
21
Marjorie Schwarzer, Riches, Rivals and Radicals: 100 Years of Museums in America (American
Association of Museums, 2006), 3.
22
Ibid., 7.
23
Ibid., 10.
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attendance.24 This was done by creating structures, displays and shows not only less
With the rise of these new public history ventures, the relationship of the
traditional academic historian would begin to evolve. For example, academics struggled
with the ideas of an entrepreneur like New England historian J. Franklin Jameson for
suggesting joining scholarly work with business patrons in a speech in 1987 to the
American Historical Association.25 This is certainly not as true in our modern era where
a former university historian, Shelley Bookspan, started her own video company based on
creating an oral history for individuals, companies or other groups.26 Another example is
the Old Independence Regional Museum that worked closely with private donors, the
local community and even a specific family to develop a traveling exhibit of mainly
community photographs that would have surely been looked down upon by academics of
the past.27 Where traditionally academics have rejected advances in technology, public
historians have been more open. In the case of radio, author Ian Tyrell wrote that “the
State Historical Society of Iowa gave a series of radio talks in connection with Iowa
History Week in 1928. In Minnesota, more than twenty talks were given in 1927-28,
with the result that family papers and diaries were turned over to the Minnesota State
24
Ibid., 6.
25
Morey D. Rothberg, “The Brahmin as Bureaucrat: J. Franklin Jameson at the Carnegie
Institution of Washington, 1905-1928,” The Public Historian 8 (1986), 50.
26
Shelley Bookspan, “Something Ventured, Many Things Gained: Reflections on Being a
Historian Entrepreneur,” The Public Historian 28 (2006), 70.
27
Jo Blatti, “Harry Miller’s Vision of Arkansas, 1900-1910: A Case Study in Sponsored Projects,”
The Public Historian 28 (2006), 82.
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Historical Society.”28 This conflict continues in recent years such as the case of Dr.
Russell Lewis who created quite a controversy for suggesting DNA analysis of Mary
Todd Lincoln's cloak to see if it was truly stained with blood from the President's
assassination.29 Change is slow, but academia becomes more and more open each year to
the possibilities.
The modern era has seen public history truly become a field of its own. Using the
notions set forth by past innovators like Turner and Becker, public historians like
Katharine T. Corbett and Howard S. Miller would write “every person used history every
day to make sense of the world” and “the burden of engagement lay with the
professionals.”30 With the rise of historical societies, archives, museums and a host of
dedicated people (both amateur and professional), the possibilities of engaging all of
several institutions. In an article for The Public Historian, Noel J. Stowe explained that
courses and projects” and “prepare students in the high-order practice of the discipline.”31
conflict with government as Canada Science and Technology Museum historian Sharon
Babian lamented over a “Parks Canada historian researching the Northwest Rebellion or
28
Ian Tyrrell, Historians in Public: The Practice of American History, 1890-1970 (Chicago: The
University of Chicago Press, 2005), 91.
29
Russell Lewis, “Judgments of Value, Judgments of Fact: The Ethical Dimension of
Biohistorical Research,” The Public Historian 28 (2006), 96.
30
Katharine T. Corbett and Howard S. Miller, “A Shared Inquiry into Shared Inquiry,” The Public
Historian 28 (2006), 18.
31
Noel J. Stowe, “Public History Curriculum: Illustrating Reflective Practice,” The Public
Historian 28 (2006), 40.
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the Acadian Expulsions.”32 It can be used in private consulting like the Historical
Research Associates firm that studied over twenty highways and roads that crossed
national forests in Wyoming and Idaho.33 Public history can even be used for litigation in
cases like the thirty lawsuits historian Craig E. Colten was asked to participate in
practices and capabilities.”34 These examples and countless others show not only the
evolution of public history but how much it is now involved with modern society. Public
history is for the public and about the public. It is for all.
32
Sharon Babaian, “So Far, So Good: Ethics and the Government Historian,” The Public
Historian 28 (2006), 103.
33
Alan S. Newwell, “Personal and Professional Issues in Private Consulting,” The Public
Historian 28 (2006), 108.
34
Craig E. Colten, “The Historian’s Responsibility in Litigation Support,” The Public Historian
28 (2006), 111.
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Bibliography
Becker, Carl L. “Everyman His Own Historian.” American Historical Review 37 (1932),
221-236.
Caughey, John Walton. “Hubert Howe Bancroft, Historian of Western America.” The
American Historical Review 50 (April 1945), 461-470.
Galloway, Patricia. “Archives, Power and History: Dunbar Rowland and the Beginning
of the State Archives of Mississippi (1902-1936).” American Archivist 69 (2006),
79-116.
Gara, Larry. “Lyman Copeland Draper” in Clifford L. Lord, ed. Keepers of the Past.
Chapel Hill: University of North Carolina Press, 1965, 40-52.
Martin, Tony. “Bibliophiles, Activists, and Race Men” in Sinnette, Coates, and Battle,
eds., Black Bibliophiles and Collectors: Preservers of Black History.
Washington, D. C.: Howard University Press, 1990, 23-34.
Robinson, James Harvey. “The New History” in The New History: Essays Illustrating the
Modern Historical Outlook. New York: The Macmillan Company, 1912.
Salmon, Lucy Maynard. History and the Texture of Modern Life: Selected Essays.
Philadelphia: University of Pennsylvania Press, 2001.
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Schwarzer, Marjorie. Riches, Rivals and Radicals: 100 Years of Museums in America.
American Association of Museums, 2006.
Smith, Bonnie G. “High Amateurism and the Panoramic Past” in The Gender of History.
Cambridge: Harvard University Press, 1998, 157-184.