Professional Documents
Culture Documents
Savage Unrealities
Winter 2006
By Paul Gorski
Conservative Framing
SAVAGE UNREALITIES 2
Consistent with this pattern, Payne's work is replete with conservative values. One
of the key tenets of her work is assimilation — the notion that economically
disadvantaged people must adopt the values and behaviors of the middle class in
order to achieve academically.
In order to make this argument Payne contends that people in poverty share a
"mindset" or "culture" different from that of upper- and middle-class people. In
actuality, a single mindset of poverty no more exists than a single mindset of
blackness, differently-abled-ness, or woman-ness. Can we assume, for example,
that poor white U.S. citizens from Appalachian West Virginia share a mindset and
culture with poor Somali refugees who arrived in Minnesota last month?
mentioning the myriad inequities affecting high-poverty schools, which are more
likely to have unlicensed teachers, crumbling facilities, growing class sizes, and
insufficient classroom materials than low-poverty schools. How are we to
understand poverty in relation to education without understanding how the very
structure of formal schooling in the United States replicates the inequities that keep
many of our students' families in poverty?
Payne grew up middle class, worked predominantly in wealthy schools, and now
annually conducts millions of dollars worth of "anti-poverty" workshops through
her for-profit business. It may stand to reason, then, that instead of naming and
addressing classism, she falls in line with the kinds of inequities that ensure her
privilege rather than disrupting — or even mentioning — them.
Among the downloadable materials available through the aha! Process website is
Payne's "Reflections on Katrina and the Role of Poverty in the Gulf Coast Crisis"
(2006). In this short essay Payne reflects:
The violence was to be expected. Words are not seen as being very effective in
generational poverty to resolve differences; fists are.... Furthermore, to resolve a
conflict, one must have the ability to go from the personal to the issue, and the
words largely are not there to do that.
She continues:
A Framework is a virtual case study in deficit theory. Payne draws on the most
egregious and unsubstantiated stereotypes of socioeconomically disadvantaged
people and people of color, supporting the notion that we must fix poor people
instead of eradicating classism. A brief flip-through of A Framework reveals
outrageously classist statements, none of which are substantiated by research.
Payne writes, for example, that poor people consider jail a normal part of life and
not necessarily bad (p. 36), that discipline in families of poverty consists of
verbally chastising and "physically beat[ing] the child" before forgiving and
ultimately feeding the child (p. 37), and that people in poverty commonly trade sex
for money and favors (p. 38).
Like Payne's reflections on Katrina, these vignettes exhibit all of the moral and
intellectual "deficits" usually attributed to economically disadvantaged people,
strengthening the message that the real change must happen within people in
poverty and not within the systems that create and maintain poverty. Meanwhile,
Payne renders the average person in poverty — the hard working, drug- and
alcohol-free, education-valuing, nonviolent, responsible, non-criminal person —
invisible. Such people simply don't exist in her framework.
Amazingly, in introducing the scenarios Payne informs readers that she has
"deliberately omitted most of the physical, sexual, and emotional abuse" from the
stories. How much more racist and classist might these depictions have been had
Payne provided a complete picture of the deficits she associates with people in
poverty?
This assertion of superiority, this practice of locating the problem of poverty in the
oppressed and not the systems that oppress them, is the epitome of deficit theory
and classism.
When challenged to explain her refusal to address the intersections between race
and poverty in the United States, Payne argues that her work is not about race but
about class. According to Payne and Philip DeVol, "One can be examined without
the other.... Class exists around the world with many different races. It can be
examined separately, and we do so." While it's true that class exists around the
world, Payne and DeVol are wrong on both other counts.
First, it's impossible to develop a deep understanding of class and poverty in the
United States without considering race, gender, and a host of other variables that
affect access to educational and economic opportunities. In fact, race and racism as
they exist in the United States have always been connected with economic
exploitation. Slavery, Jim Crow, housing discrimination, segregational school
redistricting — these are all examples of how racism has been used to maintain
economic and political power in the hands of relatively few wealthy white men.
And although Payne ignores the relationship between race and class in most of her
work, the seven scenarios described above contradict her assertion that her work is
only about class. If she intends to focus solely on class, why does she name the
racial identities of the characters in these vignettes?
More importantly, why does she paint such racist portraits of the African-American
and Latino families in her scenarios? Payne identifies violent tendencies, whether
in the form of gang violence or child abuse, in three of the four families of color
depicted in the vignettes, but not in any of the three white families. Each of the
families of color, but only one of three white families, features at least one
unemployed or sporadically employed working-age adult. Whereas two of the three
white children have at least one stable caretaker, three of the four children of color
— Otis, who is beaten by his mother; Opie, who is left in the care of her "senile"
grandmother; and Juan, who is being raised by his gang-leader, drug-dealer uncle
— appear to have none.
In addition to the scenarios, Payne offers a series of case studies in which she
doesn't explicitly name the characters' racial identities. But she does include a case
study for LaKeitha, which is accompanied in the 2001 edition of A Framework by a
clip-art image of an African-American girl. LaKeitha, whose father is in jail, was
kicked out of class for being "extremely rude." Her mother missed a meeting with
the teacher about LaKeitha's behavior because she was arrested for driving without
a license. So, whereas Payne ignores the crucial intersection of racism and poverty,
she does find a way to draw race into her framework in the form of racist
stereotypes.
SAVAGE UNREALITIES 6
The challenge for many of us is that, in order to prepare ourselves for that
conversation, we must grapple with deeper issues about class consciousness such as
corporate capitalism and its influence on public schools, consumer culture, the
scarcity of living wage jobs, environmental deterioration that disproportionately
affects poor neighborhoods, the elimination of social programs supporting poor
families, skyrocketing costs of health care and higher education, and on and on.
Books
SAVAGE UNREALITIES 7
Class and Schools: Using Social, Economic, and Education Reform to Close the
Black-White Achievement Gap by Richard Rothstein, 2004.
Dividing Classes: How the Middle Class Negotiates and Rationalizes School
Advantage by Ellen Brantlinger, 2003.
Keeping Track: How Schools Structure Inequality, 2nd edition, by Jeannie Oakes,
2005.
Research Reports
The funding gap 2004: Many states still shortchange low-income and minority
students by the Education Trust, 2005.
www2.edtrust.org/edtrust/Product+Catalog/special+reports.
Ng, J. and Rury, J. "Poverty and Education: A Critical Analysis of the Ruby Payne
Phenomenon," Teachers College Record, July 18, 2006. www.tcrecord.org.
Websites
SAVAGE UNREALITIES 8
— Compiled by EdChange.org