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PERFORMANCE MENU

JOURNAL OF HEALTH & ATHLETIC EXCELLENCE

Bodyweight Skill Integration Pudgy Stockton

Jim Bathurst

I admire the strongmen and women of old. Here were


people who could move a mountain of iron yet could
also control themselves in various bodyweight strength,
acrobatic, and balancing skills. And why shouldn’t they
(and we) be proficient with both the weights and our
bodies? As it’s been said, “Handbalancing to a body-
builder, a weightlifter or any barbell man, is as natural
as a duck taking to water.”

Both weight training and bodyweight skills create mus-


cular tension and test the body’s ability to coordinate
itself in a single task. Yet I feel being able to move and
control your body builds a unique strength and coordi-
nation that weights can’t quite match, and vice versa.
This is the reason I’ve included various bodyweight skills
alongside my weight training for quite some time. I also
include both in my workouts because I enjoy training
each one. Is any other reason really needed?

Now when I talk of bodyweight skills in this article, I’m


talking of both static positions (e.g. planche, hand-
stand) and those requiring joint movement and range
of motion (e.g. one arm chin, one arm pushup). The
Bert Assirati

THE PERFORMANCE MENU ISSUE 29 JUNE 2007 1


term skill also assumes an above average amount of
strength and/or balance to perform.

When I name a skill, I’m also referring to any lesser pro-


gressive skills and exercises. So this means easier skills
that match one’s current strength level as well as any
other work one might do to achieve the named skill. I
have not elaborated greatly on all these progressive
exercises and skills, though, as it would turn this article
into a very long list of tutorials.

Strength Skills:
Complementary Combinations

When attempting to integrate bodyweight skills into


your workout, the first inclination is to continue your
regular weight training routine and tack on the various
skills wherever you see fit. Problems often arise, as you
may do too much work during the week and not allow
the body to properly recover. You may also fatigue the
body too much during a workout and interfere with
other exercises in your program. Another problem is
the lack of focus you’ll feel when trying to cover sever-
al dozen different exercises in the same training week.

A better alternative comes in understanding how


various bodyweight skills and weight training exercises
complement each other. Working on one will show a
carryover and improvement in the other. Instead of in-
cluding both during a training session, you can switch
back and forth as needed. It’s the concept of “same,
but different.” The same general movements and mus-
cles are worked, but in different ways. You’ll still need
to spend time practicing the skill, working through its Weighted Dip
various progressions, and learning its subtleties, but
now you won’t feel that you’re completely neglecting
a skill as you work on a complementary weight training This is by no means a comprehensive list, but should get
exercise. you thinking about the various combinations you can
put together. I’ll elaborate how to work these combi-
nations into your training routines later in the article.
Planche
Planche: Weighted dips, weighted pushups, decline
and flat bench pressing (barbells and dumbbells)

I’ve found working weighted dips to be one of the best


exercises to compliment planche work. The dip builds
up the strength in the pressing muscles of the chest,
shoulder and triceps at a similar angle. Also important
is the fact that the scapulae can move freely during
the exercise. In fact, I find it essential to make sure to
press up as much as possible at the top of the dip, mim-
icking the press needed when holding the planche.

Working on weighted pushups also allow for scapular


movement, as well as the added challenge of keep-
ing the midsection tight. They generally don’t allow for
as much added weight as a dip, though.

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The decline and flat bench press are included be-
cause they will improve general pressing strength. In
fact, it’s often said that some Olympic gymnasts who
posses a high level of planche strength can bench-
press nearly twice their bodyweight the first time they
try. While this may be just an urban legend, the exer-
cises should help the planche to some degree. They
do not allow the scapulae to move as freely as in the
weighted dip, though.

One arm pushup: One arm dumbbell chest press,


weighted dips, any bench press (especially close-
grip)
Front Lever
The one arm pushup is a skill requiring good horizontal The common factor among all these skills is the need
pushing strength and the ability to generate tension for a high level of back strength. While the weighted
through the body. The one arm dumbbell chest press chin-ups and pull-ups seem to be the most comple-
accomplishes both of these things. There is a differ- mentary to other vertical pulling skills (such as the one
arm chin-ups/pull-ups and muscle-ups), one should
not discount heavy rowing to help these skills as well.
Rowing will especially help you pull the elbows back
and finish strong and high above the bar for the one
arm chin-ups/and pull-ups.

The front lever is a skill that requires a great deal of


upper body tension and a lot of back involvement.
It is often said that the skill doesn’t even need to be
trained; that heavy pull-ups will be sufficient to build the
strength. I’ve found this to be true to a certain degree.
You’ll still have to practice the front lever, but once you
can do a pull-up with 100 extra pounds around your
waist, you’ll find the front lever much easier! The pull-
over is also included in the list as a complement to the
front lever. Muscle recruitment is very similar, even if the
midsection is not stressed to as great a degree.
One Arm Push-up
The back lever will also come about with heavy weight-
ence, though, in the exact tension needed through- ed pulling and rowing exercises, even easier than the
out the body. The one arm pushup requires cross-body front lever in my experience.
tension from the pressing hand to the opposite foot
while the one arm dumbbell chest press requires ten- Pull-up
sion from the pressing hand to the same side foot. De-
spite this, learning to keep a unilateral tension in the
body while pressing will help the one arm pushup.

The bench presses and dips are again included, as


they will increase general pressing strength in the hori-
zontal direction. The close grip bench press is particu-
larly recommended, as the arms are close to the sides,
just like the one arm pushup. Such a position focuses
on and helps strengthen the triceps.

Front lever, Back Lever, Muscle-Ups, One arm Chin-


ups/Pull-ups: Weighted Chin-ups/Pull-ups, One Arm
Rows, Weighted Rack Rows, Bent-over Rows, Pullovers

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Now in the choice between chin-ups and pull-ups you
should definitely work both, but I’ve found a better car-
ryover to the front lever with weighted pull-ups due to
the similar line of pull and muscular recruitment of the
back and biceps. Specifically, I keep my elbows about
shoulder width apart when I pull instead of flared out to
the side. This feels remarkably similar to a front lever.

Pulling in this manner will also carryover very well to


the muscle-up (on the rings or a bar). The muscle-up
is another skill that some may find doesn’t need to be
trained often (or at all) if one is doing heavy pull-ups.
Building up your maximal strength through weighted
pull-ups will allow you to fly through the sticking point
of this skill—the point where one transitions from pull-up
to dip.

Handstand pushups, Simple Handstand Press:


Military press, Push press

The military press and handstand pushup are perhaps


the most obvious of the skill-weight training combina-
tions. Each is going to increase your vertical pressing
strength in a very similar way. Make sure to work the
handstand pushups in a full range of motion with shoul-
ders lowered all the way down to the hands in order to
see the greatest carryover to the military press.

The biggest difference to point out is a greater de-


mand for torso stiffness and stability with the military
press, while the handstand pushup, especially free-
standing away from a wall, will require a greater sense
of balance.
Military Press
The push press has the advantage of putting the
weight over the head with help of the legs, then lower-
ing it down slowly. This is quite similar to the progressive

Handstand Push-up Handstand Press


means of learning a handstand pushup where one
lowers oneself down from the top of a handstand to
the floor.

The simple handstand press, where one presses into a


handstand from a squatting position, will greatly ben-
efit from the increased shoulder strength that the mili-
tary and push press provide. Practice will still be need-
ed though to learn the balance for this skill.

One arm handstand pushup: One arm shoulder press,


One arm push press

Both the one arm versions of the handstand pushup


and overhead press have different techniques then
their two arm brethren. Most notably is the ability to
“press off the lat.” By flexing the lat you can create up-
per body tension and control the movement better.

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Straight arm cable pull-downs to the side of the body
most closely mimic the motion and unique muscular
stress of the iron cross. Even still, there are ways to cheat
the movement and give a false sense of progress to-
wards the iron cross. In addition, shoulder positioning
and balance on the rings still needs to be learned.

The other complementary weight training exercises


listed will help to build up general strength in the chest
and back, which are the two largest muscles activat-
ed during the cross. Exercises such as weighted ring
dips, especially focusing on the hands turned out, of-
fer a close approximation of the muscular stress of the
iron cross.
Pistol

With any one arm handstand pushup work, you have


the advantage of using the other arm for assistance -
Ring Dip
something that is too awkward to do smoothly with the
shoulder press. But with the one arm shoulder press,
as with the two arm version, there’s the demand for
greater muscular tension through the midsection.

The one arm push press will also allow the arm and
shoulder to experience a higher load and degree of
tension, which is essential for controlling the negative
motion of any one arm handstand pushup work.

Pistols: Weighted squats, lunges, step-ups

When learning how to do a one legged squat, I have


found the biggest limiting factor to be strength, not
balance. And the more strength one has in their legs,
the more one can focus on the balance. With that
said, deep, weighted two legged squats are arguably
the best exercise for the quad-dominant one legged
squat. It should be noted that I’m referring to high-bar
Olympic squats and not low-bar squats, which are hip
dominant.

Just about every other heavy, weighted exercise you


do for the legs is going to help the pistol along in some
way. Unilateral work such as lunges, especially over-
head versions, will work to build up stability in the fron-
tal plane. This should prove helpful if side-to-side bal-
ance in the pistol is a problem.

Iron Cross: Straight Arm Cable Pull-downs, Weighted


Chin-ups/Pull-ups, Weighted Dips (especially on rings)

Of all the skills discussed so far, the iron cross will be one
that requires the largest amount of specific skill training
in comparison to its weight training complements. This
is due to the highly unique activation and synergy of
the muscles of the upper body.

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I find one can include these types of skills in their work-
out at the very beginning when fresh. Training the skills
for just a short period of time at the start of each work-
out will help to keep the skill familiar, yet prevent ex-
cess fatigue for the rest of the workout to follow.

You may also practice these skills on the off days for
10-15 minutes. I’ve found that such small blocks of time
taken on your rest days to mesh well without interfering
with recovery.

You can also integrate the skills in short amounts of time


throughout the day—a method commonly referred to
as “greasing the groove”. Here you try to get as much
quality work done throughout the day while staying as
fresh as possible.

Remember that we are trying to teach the body how


to delicately balance, so the quality of the practice is
diminished when overly fatigued. So whichever meth-
od you choose, stop practice when you become tired
and your form becomes consistently worse.

Integration and Periodization of Skills

I don’t write this section to fully explain the various


forms of periodization; there are numerous articles
written on that already. I am also not giving complete
sample programs. In an article that already presents
the reader with several options to think about, I would
like to continue by offering several more ideas.

Handstand Elbow Lever

Balancing Skills

When talking of balancing skills, I include such skills as


the handstand, the headstand, and the two arm el-
bow lever. These are skills that require one to learn a
delicate balance while inducing relatively minimal fa-
tigue of the body during each attempt.

I also include one arm variations such as the one arm


handstand and one arm elbow lever. These tend to be
more strenuous though, so one should take note of the
accumulating fatigue and plan accordingly, whether
in less volume or different placement in one’s training,
to prevent them from interfering with other workouts.

I do not include such skills like the planche in this group.


Although it requires balance to perform, it is very fa-
tiguing for most. You may reclassify certain skills based
on your strength level, though.

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Basic Integration

Let’s look at a simple four-day M-Tu-Th-Fr, upper/lower


body split. Let’s assume we are able to both a front
lever and a planche at this point and would like more
proficiency at a handstand.

Monday – Upper
Weighted dips
Front lever

Tuesday - Lower
Handstand work
Weighted squats
Weighted lunges

Thursday – Upper
Planche
Weighted Pullups

Friday - Lower
Handstand work
Pistols
Deadlift

Notice how planche holds have taken the place of


weighted dips as we moved from Monday to Thurs-
day, while the front lever is replaced with weighted
pull-ups. Handstand work is placed at the beginning
of lower body workouts, but again may be placed just
about anywhere if the volume is monitored.

Or perhaps we’re working a M-W-F, total body work-


out. A sample routine might look as such:

Monday
Bench press Wall Ball
Chin-ups
Lunges
Olympic Lifting and High
Tuesday Intensity Interval Training
Handstands throughout day
When working the Olympic lifts, High Intensity Interval
Wednesday Training, or any other training modality that stresses the
Military Press
One Arm Rows
whole body at once, the bodyweight exercises can
Deadlift be integrated in several additional ways. Whichever
you pick, care must be taken to track total volume
Thursday and allow for adequate recovery.
Handstands throughout day
One way to handle things is an AM/PM split where the
Friday total body workout is done in one half of the day, and
Planche Holds the bodyweight skills done in the second half. This will
Muscle-Ups
Front Squat
allow for sufficient time to rest and recover between
sessions. Keep in mind, though, that some level of fa-
You can devote as much or as little time to the body- tigue will still exist. Placing an Olympic lifting session as
weight skills as you want. In the example above, the first workout in the day will help prevent any body-
there’s only one workout containing bodyweight skills, weight skill work (done several hours later) from fatigu-
with handstand work done on the off days. You could ing the muscles and affecting power and technique.
just as easily include different bodyweight skills in two On the other hand, a high intensity interval training
workouts, or even once every two weeks. The decision session may be best placed as the second workout in
will be based on your goals. the day, so that strength is not compromised for the

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bodyweight skills. One can then just grind through the
interval session with minimal compromise of training ef-
fect.

I would recommend only working two or three skills


a day in this way in order to control fatigue. For ex-
ample, work one pushing skill, one pulling skill, and a
lower body skill. Alternate the different skills practiced
throughout the week if needed.

Undulating and Conjugate Periodization

In a training program where the intensity and reps


change often, or one that calls for both dynamic and
maximal efforts, the bodyweight skills are easily adjust-
ed. Rather than working at your maximal level for the Tuck Planche Push-ups
skill, use an easier progressive exercise and change
the repetitions or the speed at which the exercise is
performed.
When dealing with time-based skills, such as how long
Let’s look again at a four-day, upper/lower split, this one can hold a planche or a front lever, simply take
time the max effort days have a greater recovery sur- the percentage of maximal time held. Again, it’s not
rounding them. We’ll assume again that the planche perfect, but it will give you something to measure if
and front lever are maximal efforts. Pay particular at- you so choose.
tention to the fact that the muscle-up is used for a pull-
ing motion on the upper dynamic day.
Deloading (Back Off Periods)
Monday – Lower Max When taking extended time to fully recover, simply
Pistols
pick an easier variation of the bodyweight skill you
Deadlift
are working if you want to decrease the intensity but
maintain the same volume. You can also decrease the
Wednesday – Upper Max
Front Lever number of repetitions or total number of holds for the
Planche skill if looking to maintain intensity but decrease vol-
ume.
Friday – Lower Dynamic
Jump split squats If your maximal effort for a skill is one of the most basic
Speed box squats
progressions, it would be wise to pick an easier body-
weight exercise (pushups, chin-ups) or light weight
Saturday – Upper Dynamic training exercise to work.
Tuck planche pushups
Muscle-ups

This particular routine happens to be fairly heavy on


bodyweight exercises for the upper body, but one Conclusion
could just as easily substitute a speed bench on Satur-
day for the planche work. The decision to start training for various bodyweight
skills is completely up to you. I recommend them for
Of course, one can have maximal and submaximal the variation they provide, the well-roundness they
bodyweight skills in the same workout. For instance, can give to one’s athleticism, and just for the fun of
working the planche as a maximal effort, and adding them. Whether you’re just adding these skills into your
tuck planche pushups at the end for higher repetition, routine, or have been working them for years, proper
accessory work. planning and integration will help to maximize the effi-
ciency of your training and prevent overtraining, stag-
While this guide is not perfect for instances where one nation, and frustration.
uses a dynamic exercise (pushups) to work on a static
position (planche), it at least helps quantify the diffi-
culty of progressive exercises.

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