Professional Documents
Culture Documents
We are gathered at this NEH Summer Institute for a high purpose which, I would
argue, is fundamentally this: to defend the need for expertise in the Humanities and to
redefine its form. In this opening talk, I ll just set out the stakes as I see them, but of
Locke spends a great deal of time worrying about the political implications of insoluble
disagreements, insisting that misunderstandings of the meaning of words are what fuelds
them. Obviously the transition from monarchical to republican rule, which he can
imagine at this point, troubles him: his anxiety-curing fantasy is that all disagreements
can be arbitrated solely through rational means once people completely agree upon the
precise meaning of the words they are using. Jonathan Swift portrays a world governed
Gulliver s Travels, and as George Orwell long ago pointed out, the result is a society in
insanity. And in one of the first major tributes to the psychology of projection, Swift
portrays a resolutely rational but completely insane Gulliver at the end of the Travels
We in the Humanities don t have to worry about this because we have a long
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But Locke s fantasy led another direction as well. I ll just restate the fantasy
again: if everyone can completely understand the meaning of everyone else s words, truth
will rule in a democracy, just in the same way that a king rules in a monarchy. The
motivation behind Locke s radical nominalism – his essay has been seen as proposing
more about the workings of language than the mind, at least since Horne Tooke s
Diversions of Purley published in the 1790s – the motivation, political anxiety, drops out
as the drive for greater and greater terminological precision takes the form of medical
nosologies and other specialized texts. Robin Valenza has fully traced the emergence
during the eighteenth century of expert diction or what we sometimes call disciplinary
jargon.
Here we might worry as much or more than the sciences. I remember the assault
against literary theory during the late culture wars including an attack on English
You wouldn t ask a physicist to stop using jargon when speaking to another physicist.
The work of specialists in any discipline requires a technical vocabulary. And of course
and methods.
incomplete project precisely insofar as the specialists have not brought their insights back
to ordinary citizens. But in preventing any changes from being leveled for inadequate
with pedagogy, avoiding the problems of dwindling enrollments besetting the fields of
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chemistry and computer science, for instance; and 2) we even have a specific subdivision
in our fields devoted to addressing citizens, the public humanities, which we see as
worthy service.
Service. Service is part of the Holy tenure triumvirate: service, teaching, research.
I will take one of the most difficult books I have encountered in a long time,
Jerome Christensen s Romanticism at the End of History. I argued with a friend about
the value of the book: thank God, said I, that I work at a teaching institution and so am
Reformulating your ideas in terms comprehensible to most people is, my friend countered,
a waste of time. While you are trying to communicate with students, James Chandler and
Jerome Christensen will have achieved higher levels of understanding by referring via
But higher for whom? For themselves and an elite group of readers? Whereas
instrumental or applied fields always find their justification for isolationist expertise in
medical or technological advances, what are ours? What is this expertise building up to?
experimentation, are unexamined and open up huge questions. But no matter how
problematic, they are relevant to citizens lives, entering into those lives at the level of
daily practices and tacit knowledges. If the sciences have trouble because they do not
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living longer in whatever state were good in itself, the Humanities err in not taking
account of day-to-day relevance in their thinking about human significance. What I want
to suggest here and wish that we may have an open mind about as we undertake this
week s work is the following possibility: that our research would be better as research,
I hope the import of this statement is visible: it suggests that digital projects which
experts—might require the kinds of thought and publication that goes beyond mere
service. Or, a better way to put that might be: it argues that incorporating service into
When I came to the first NINES Summer Workshop held circa 2005, by Jerome
McGann and Bethany Nowviskie, I had a set of web pages containing bibliographies of
materials related to my own Poetess Archive. The bibliographies were organized in ways
that made complete sense to me but left some of my collaborators a bit at sea: no matter,
thought I, they just need more information about how my site is organized. These static
web pages were in fact simply the public equivalent of all my notes, say 3x5 cards,
But things changed at the NINES workshop. Bethany held a design class in
which she said, I want all of you to ask, What would motivate all kinds of people to
come to a site like mine, and what kinds of research question would they expect to be
able to answer? Following those instructions changed everything about the site,
everything: server location, data entry, site design, tools used, and even collaborations
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needed. Every decision about designing the database made by me and my collaborator
(incidentally, he has a Ph.D. in particle physics), every decision required confronting and
answering hard questions about disciplinary form. I felt at the end of the process that he
transatlantic. I m not sure that makes the project the equivalent of an article or book,
though indeed I was promoted to full professor based on this work, based on a letter
written by my chair who has no experience with the digital and which I will share with
you this week. But equivalencies: if all we had to do was establish equivalencies
between digital and print research, we wouldn t need to hold an NEH Summer Institute
second, at a moment forty years hence. You are writing a book about Romantic
Melancholy, and it is the first day of your research leave. Over breakfast, you get onto
your wireless and peruse the library catalogue, finding some titles of related items in the
stacks, and searching a few proprietary databases purchased by your library. You finish
your coffee, jump into your Prius, drive to the library, search for parking. Once inside,
you go to the reference desk: you know there is some kind of online catalogue containing
texts important in the history of medicine, but you cannot remember the name of it – the
reference librarian helps you. Then you show him or her that you are not getting enough
hits when you search ECCO and EEBO, and he shows you some alternate terms to use:
mumpishness, for instance. He also mentions a special collection at the Clark that you
might apply for an ASECS grant to go see. Next you walk to the stacks, go to the
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PR8500s where you find the books you had gotten call numbers for on your laptop this
morning. You had been trying to judge which of the books you should trust as
authoritative on the latest research: one book published by Oxford UP is missing from the
stacks, and, when you check at the desk, they tell you that another professor has checked
it out. You will order that on Amazon dot com. In the stacks, you find another book that
had not come up when you searched the online catalogue this morning. This book is
titled, Everything Laura Mandell needs to know about melancholy before writing her
Now, forty years hence. No library. No stacks. No reference desk. Just you and
your laptop. Have you been fired? No. Right now, a group led by Robert Darnton at
digitize all university-library books that will be shared digitally across universities. As
Chuck Henry, President of the Council of Library Information Resources puts it,
university libraries replicating each other s holdings are too expensive to sustain. We
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When I gave a talk at Cornell delineating this scenario and some ways that we
might intervene in it, to protect our understanding, our own ways of understanding and
filtering information, one response was, I m so glad you spoke about library search
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engines. That s actually not what I m talking about: I m talking about our whole
embodied way of being scholars, and, to repeat Jerome McGann s persistent refrain,
when our thinking world is redesigned, we have to be at the table—we cannot leave it to
librarians. We, professors, students, researchers, must make this environment, and the
only way we can be at the table is if such work is recognized by departments and
administrations for the research about research that it is. Part of what we do when we
work theoretically flows through our hands, and we won t know what part that is until it
So I ll show you a success story, a very minor one, that I hope indicates the
necessity of fully opening one s mind and working toward reconceiving research, or
maybe even fully understanding it for the first time, in a changing world that demands
our intervention. This work was done by a fictitious technical editor Laura C. Haystack
who was up for tenure, examined by participants in an MLA workshop about which
Susan will give you more information later. This editor writes in a scripting language
called XSLT. And here is the fruit of some of her work, which I ll show you live.
working-class poet, and Elizabeth Glover (formerly Bloomfield) was his mother. If you
search in Google for Elizabeth Glover or Elizabeth Bloomfield, here is what you get:
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But if you search for Elizabeth Bloomfield Glover –
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The first three hits are web pages from this electronic scholarly edition, and a fourth is
the xml encoding for one of those pages, showing you all the information about
Overseeing coding or algorithms for name extraction so that a recipient of letters comes
research. And this form of publication could be much more sophisticated, including topic
modeling, APIs, and publications about the work done in our research journals. The
point is, this publication saves the laboring-class poet s mother from oblivion, for
students, for future researchers—in making her a top return, it militates against a culture
in which the past comes to be seen as nothing more than obsolescence. The tenure judges
at the MLA worskshop said that this expert s work was equivalent to technical writing.
Is it? If not, what kinds of theorizing and argumentation are involved that may be
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invisible to an uninformed eye? Do we want researchers in Humanities disciplines doing
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