Professional Documents
Culture Documents
Marshall Johnston
Mrs. Diaz
World Humanities
18 April 2010
On Friday April 16th, I went to the Houston Symphony performance downtown Houston at Jones
Hall. The symphony played three works: Le carnaval romain (the Roman Carnival) Opus 9 by
Hector Berlioz, Violin concerto No. 2 in G minor, Opus 63 by Sergei Prokofiev, and Symphony
The first composition that was played was Le carnaval romain (the Roman Carnival)
Opus 9 by Hector Berlioz. This work was composed in 1844 as an overture for the opera
“Benvenuto cellini”, which was also written by Berlioz. The instruments that were used are pairs
of woodwinds, four horns, two trumpets, two cornets, three trombones, timpani, percussion, and
strings. While listening to this song I was reminded of the kinds of music that is used at the end
of a movie for the credits. It started out happy then slowed down and became a little sad then it
The second composition that was played was Violin concerto No. 2 in G minor, Opus 63
by Sergei Prokofiev. . This concerto consisted of three parts. First the Allegro moderato, then the
Andante assai, and last the Allegro, ben marcato. Prokofiev composed this work when he
decided to move back to the USSR in 1935. As he was returning Prokofiev changed his
advanced style of music to a simpler style, which he includes in this concerto. A violinist by the
name of Baiba Skride plays the violin solo for this concerto. In this concerto Baiba plays the
Stradivarius “Wihelmj” violin that was made in 1725 The instruments that were used are pairs of
flutes, oboes, clarinets, bassoons, horns and trumpets, percussion and strings. As this song began
I immediately began to notice that the soloist and the orchestra were battling each other in a
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since. The soloist stated out with a strong melody then the orchestra would come in smoothly.
But as the composition progressed the orchestra would begin to over take the soloist, and vica
versa.
The third and final composition was Symphony in D minor by Cesar Franck. Franck
composed this word in 1882, eight years before he died in 1890. This work was also played in
three parts: first Lento-Allegro non troppo, second Allegretto, and third Allegro non troppo. The
instruments that included this work are as follows: two flutes, two oboes, English horn, two
clarinets, bass clarinet two bassoons, four horns four trumpets, tree trombones, tuba, timpani,
harp and strings. This composition was very interesting. As it started out I began to think of old
black and white television shows from the 40’s and the 50’s. I leaned over to mention it to my
mom and to my astonishment she had recognized it to. Even though this work was composed so
long ago, people have apparently used the melody for old shows. At the very end there was a
kind of solo with a harp that was amazing. I don’t see how people are able to move their fingers
so fast.
Yan Pascal Torelier conducted all three works. Torelier is known world wide as an
amazing conductor, and is well rounded in piano and violin. The conductor was the most
distracting thing I have ever seen at a concert. The way he was jumping around like he was
trying to do an interpretive dance for the symphony. Every five minutes or so he would jump a
foot in the air and wave his arms like someone would do if they were trying to get a persons
attention at a party. But the one fact remains; it is amazing that he can lead an entire symphony
by his self.
Now that I have had the opportunity to see and hear the symphony play, I think that
everyone should go and listen to them play at least once in their lifetime. In my option the best
seats are in rows M through R, because you get a full view of the entire symphony without
having to strain your eyes. It’s about an hour drive to get there, but it’s worth it. Trust me.
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