LOST IN INTERRUPTION (SKETCH)

An Old Personal statement is passed back and forth through computer translator: [ONLY ENGLISH SHOWN] The content of the personal statement as well as the actual words and language start to become deconstructed via being subjected to this process. --Statement The motivation behind my practice is the gaps created between our desires and 'reality' and our fundamental need to fulfill potential. Whether that is sexual urges or a quest for knowledge. All the work touches on feelings of futility, repetition and of reparation - often using inappropriate materials and methods of making. The materials chosen often already have a history , this is exploited to push feelings of the weight of the past. The fresh form the materials take on, expose a new potential and the tug of the future. It is the subtle misunderstandings and loss of information that have been a starting point for this work. In recent work, I have ripped out, shredded and hole punched the pages of a book called Learning, Memory and Conceptual Processes by Walter Kintsch. The aim of this work was to capture intangible thought processes and re-present them as physical objects - such as attempting to read, understanding information and Scotopic Sensitivity Syndrome. In the final sculptures the whole book is included and all the information present. I like the idea that if one stares long enough something from the subject of the original text might percolate through the dissection All the work has very feminine poetics, juxtaposes minimal and complexity and includes a hint of eroticism in every piece... Basically - I intervene, mess around, alter, cut up, sculpt, install and play with ordinary things - I'm looking for the glitches, gaps and holes in everyday life.

Statement The motive behind my practice is the empty created among our desires and the "reality" and our fundamental need to comply potential. If that is the sex drives or a search for the knowledge. All the sounds of the work in feelings of the uselessness, the repetition and of repair - often utilizing matters and inadequate methods of doing. The matters chosen often already have a history, this is exploited to push feelings of the weight of the past. The fresh form that the matters take, they expose a new potential and the tug of the future. Is the misunderstandings and the subtle loss of information that has been a starting point for this work. In the recent work, I have started, destroyed and the pit gave a punch the pages of a called book 'Learning, the Memory and Conceptual Processes' by Walter Kintsch. The objective of this work was to grasp intangible thought that processes and presents them again as physical objects - like trying to read, understanding information and Syndrome of Sensibility of Scotopic. In the final sculptures the entire book is included and all the present of information. I want the idea that if one sight fixedly the sufficient thing something of the subject of the original text perhaps filter for the dissemination All the work has the very female poetics, juxtaposes minimum and the complexity and includes an insinuation of eroticism in each piece... Basically - I intervene, the mess around, I alter, the up the cut, I carve, you coax it and I play with ordinary things - I seek the technical failures, the empty and the pits in the everyday life.

Declaration The motive behind my practice is created emptiness among our desires and the "reality" and our basic need to conform the potential one. If that is the unities of sex or a research for the knowledge. All the sounds of the work in the uselessness sensations, the repetition and of repair - using often questions and inadequate methods to do. The chosen questions already have often a history, this is exploited to push of the sensations of the weight of the passed. The fresh form that the questions take, they expose a new potential one and the small blow of the future. Is the misunderstandings and the subtle loss of information that was a departure point for this work. In the recent work, I began, destroyed and the pit gave a poinon the pages of a book called 'Learning, the Memory and the Conceptual Processes' by Walter Kintsch. The objective of this work was to seize the intangible thought that treats and presents the again as the physical objects - likes that to try of read, understanding the news and the Syndrome of Sensitiveness of Scotopic. In the final sculptures that the entire book is included and the whole present of information. I want the idea that if a view fixedly it something of sufficient thing of the subject of the text the original one maybe filters for broadcasting The whole work has the poetic very female one, juxtaposes the minimum and complexity and includes an eroticism insinuation in every piece... Basically - I intervene, the disorder about, I change, to increase it the cut, I cut, you fuss over it and I play with the ordinary things - I look for technical failures, emptiness and the pits in everyday life.

State The subject behind my practice is created void under our wishing and the "reality" and our basic need to adapt itself a to the potential. If that is the Einigkeiten of sex or a research for the knowledge. The entire sounds of the work in the uselessness perceptions, the repetition and of repair using often questions and insufficient methods, to make. The selected questions have already often a story, this is exploited to knock gone past of the perceptions of the weight of that. The fresh form that the questions takes, expose it a new potential on and the small blow of the future. The misunderstandings and the fine loss of the information, that was a departure point for this work, is. In the new work, I began, destroyed and gave the pit a poinon the sides of a book called 'learning, the memory and the conceptual procedures' through Walter Kintsch. The goal of this work was, to seize the indeterminable, thought that treats, and submitted that again as the physical objects - that likes to try of lecture, to understand the messages, and the syndrome of sensitivity of Scotopic. In the final sculptures, that is included with the entire book and the entire gift of the information. I want the idea that if a view stare it something of sufficient thing of the subject of the text the original one perhaps filter for sending The entire work has the poetic very femininely on, places next to one another the minimum and the complexity and closes an eroticism hint in every piece also... In the reason - I interfere me, that disorder approximately, I change, it the cut to increase, I cut, you move daber up and that I play with the usual things - I technical losses, void and the pits in everyday life seek.

Been The subject behind the mine puts into practice the empty one is created under the ours want and it "reality" and our fundamental need for adattars a to the potential. If that it is the einigkeiten of sex or a search for the knowledge. The whole sounds of the work in the perceptions of uselessness, the repetition and of reparation - using often the questions and the insufficient methods, to do. The choice questions have already often a story, this is used to knock the past past of the perceptions of the weight of that. The fresh shape that the questions carries, a potential novelty exhibits it on and the small blow of the future. The misunderstandings and the attractive loss of the information, that was a point of departure for this work, is. In the new job, I began, destroyed and it has given a poinon to the ravine the sides of a book called 'learning, the memory and the conceptual procedures' across Walter Kintsch. The purpose of this work was, to grasp the indeterminable, thought that discusses, and presented that again like the physical objects - that loves to experience of lecture, to understand the messages, and the syndrome of sensibility of Scotopic. In the final sculptures, that it is included with the whole book and the whole gift of the information. I want the idea that if a sight the fixed something of sufficient thing of the subject of the text the original a perhaps filter to send off The whole work has the poetic one a lot in a feminine way on, the places near it a the other the minimum and the complexity and closes a suggestion of eroticism in every piece also... In the reason - I interfere myself, that you disorder approximately, I change, it the cut of to increase, I cut, she moves the daber on and that I play with the common things - I the technical losses, the empty one and the ravines in the daily life seek.

Was The subject behind the mine move in practice is created want the empty under it the by us and the "reality" and our fundamental need at adattars a to the potential. Whether it is the einigkeiten of sex or a missing journey for the knowledge. The whole sounds of the work in the understandings of uselessness, the repetition and of compensation - with often the questions and the insufficient methods, to do. The read through have ask a story already often, this becomes uses it past lately the understandings of the weight of that to knock. The fresh form that the questions carry, stilt a potential innovation the on and the small blow of the future tentoon. The misunderstandings and the attractive loss of the information, was that a point of departure for this work, is. In the new job, I, destroyed began and it has named 'learn a poinon to the ravine the sides of a book, given the memory and the conceptuele procedures' over Walter Kintsch. The target of this work was, the onbepaalbare to understand, thought that discusses and put for that again as the physical objects - that love of lecture to experience, the messages to understand and the syndrome of susceptibility of Scotopic. In the last sculptures that it with the whole book and the whole present of the information becomes encompass. I want the idea that when a view that the repaired something of sufficient thing of the subject of the text the originally that a perhaps to send filters The whole work has the poetic many in a feminine away on, the places near one the others the minimum and the complexity and closed a suggestion of eroticism in each piece also... In the reason - I disturb myself, that you disturbance approximately, change I, it the incision from closed to take, cut I, she moves the daber on and that I with the common things play - I the technical losses, seek the empty and the ravines in the daily life.

It was The matter behind the movement of mine in practice is created need the empty one under him the by us and to "reality" and our fundamental need in adattars a to the potential. If it is the einigkeiten of sex or a journey lost for the knowledge. The entire sounds of the work in the understandings of uselessness, the repetition and of compensation - with frequently the questions and the insufficient approaches, do. It reads him for have asks a history already frequently, this becomes-itself uses he past lately the understandings of the weight of that beat. The fresh form that the questions carry, wooden leg a potential innovation the in and the small strike of the tentoon future. The misconceptions and the attractive loss of the information, was that a starting point for this work, is. In the new work, I, destroyed began and nominated 'learns how a poinon to the ravine the sides of a book, given the memory and the procedures of conceptuele about Walter Kintsch. The aim of this work was, the onbepaalbare understand, thought that that discusses and puts for that again as the physical objects - that love of conference experience, the messages understand and to syndrome of sensitivity of Scotopic. In the last sculptures that he with the entire book and the entire present of the information becomes-itself I included. I want the idea that when a sight that the something repaired of sufficient thing of the matter of the text the originally that a perhaps send screens The entire work has the poetic many in a female distant one in, the places nearby a the others the minimum and the complexity and closed a suggestion of eroticism in each piece also... In the reason - I disturb myself, that you disturbance approximately, changes I, he the incision of close to take, cut I, she I move the daber in and that I with the common things I play - I the technical losses, find the empty one and the ravines in the daily life.

t was The question behind of my movement is practically created need empty under it us and to "validity" and our fundamental need in adattars to potential. If it - einigkeiten sex or a trip lost for knowledge. All sounds of work in agreements of uselessness, recurrence and indemnification - with frequent questions and insufficient approaches, do. It reads it for, have, the history already often asks, it becomes - directly uses it past recently agreements of weight which beat. The new form which questions bear, a wooden leg a potential innovation in and small strike tentoon the future. Wrong representations and attractive loss of the information, were that a starting point for this work. In new work, I, destroyed have begun and have appointed, ' studies as poinon in gorge of the party of the book, considering memory and procedures conceptuele about The purpose of this work was, onbepaalbare understand, thought, that it discusses and places for that again as physical objects - that love to experience of conference, messages understand and to a syndrome of sensitivity Scotopic. In last sculptures with which it with the book and all gift of the information becomes - directly, I included. I want idea it when a kind, that something restored of a sufficient thing of a question of the text originally, that screens probably send All work has poetic many in female remote in, places nearby others a minimum and complexity and has closed the offer in each part also... In the reason - I break me, that you excitement approximately, changes, I, it which the cut close to takes, I reduce me, it, I move da ber in and that I with the general things which I play - I technical losses, find empty and gorges in a daily life.

... Necessity that t was made to the actual target that was the problem behind my movement under it fruitless we and "an/the appropriateness" and adattars of to our fundamental necessity to possibility. If it is it-because einigkeiten nature [sex] or trip are knowledge it was defeated. Useless, it reaches recurrence,-all the sound of the job of the accord of the security in a frequent question insufficient approach make so. It looks good in and reads do "so" and it is the accord of the weight that the history asks often already and pass recent directly and resounded and used it. It is in the future the new form [the form] that doubts 1 wooden artificial leg and also small strike tentoon a/the bear, the middle about 1 piece of potential originality. Please scar the attractive loss of depiction and information, if that is the mark for this job. New job with I destroyed be begin to, appointing was 'memory and procedure obj__with regard to conceptuele thinks, book of party of gorge of poin_on as study onbepaalbare sbj so knows for the purpose that this job of purpose sbj thought (that sbj discusses, once again it for physical thing-conference of experience in very much favorite is, as puts) was message sbj understands and sensitivity of syndrome to Scotopic. a the that and is it And it becomes-I who I was including directly the presents of all the information that in the sculpture book following the middle the it kind that an/the idea wants the something) of time when it was restored originally with (the sufficient case of the problem of a/the text that a/the screen sends all the jobs probably that is poetic while I have it woman of it is remote in addition to greatly putting nearly a/the minimum and complexity and similarly.. Each of the offer that divides it was closed Cut I close to which I it who change almost, move during it me which decrease me, you excitement that I break me with a/the reason da_ber and it I-to it reaches, that it is empty the I technical loss, lucky find in the general case that play and the gorge of the life of from day to day.