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LAPIDARY JOURNAL
FEBRUARY
MARCH 2007
2007
Shades of White
New!
Make a Pin with
Platinum Silver
Easy Earrings
in Hammered Copper
Digital Images
Work Online and in Print!
www.lapidaryjournal.com
JewelryArts &
LAPIDARY JOURNAL
kay, I admit it: Pixel Perfect, our cover story on digital images that
begins on page 24, is a tad self-serving. It isnt just about helping us,
though. Its really about helping you promote yourself.
Widely in use for several years, digital photography is now supplanting
film photography at every level. The advantages are impressive: you can see
the shot immediately and reshoot then and there, as often as you like, without wasting all that time and all those additional film and development
costs. Digital images dont require much physical storage space, and their required electronic memory is both available and cheap. You can instantly
share images worldwide on the Web or in an e-mail.
Above all, digital images are part of the future, part of the electronic
medium thats reshaping and will continue reshaping every industry, art,
pastime, and academic pursuit in ways we cant even imagine. One thing
digital images are not, however, is part of the electronic world alone: they
now dominate the world of print almost as much as they naturally dominate
the Internet. And just as there are requirements for using digital images in
electronic media, there are also requirements for using digital images in print
but the requirements differ, a point that seems to
be very difficult to get across.
I know. Ive been one of the people whos had
trouble getting it, and I deal with using digital images
in print every day. Ive driven our graphic artists nuts
by sending them digital images to use in a layout and
then asking them why theyve taken a scrumptious
picture and reduced it to the size of a postage stamp.
The image is too small: thats as big as we can run it.
But I looked at it on my computer: it was huge and
really sharp. What do you mean?
Oddly enough, theyve been right and Ive been
wrong. Those images I looked at on my screen were huge and sharp and
more than big enough to view large and at high resolution in an electronic
environment but not, Im afraid, when theyve been condensed enough to
view them in high resolution in print. Whats true for a page in a magazine is
true for a business card, postcard, poster, or for that matter, a (nonelectronic) billboard.
The reverse is also true. If you want to send people a quick look at your
work, you dont want to e-mail them a bunch of huge files that will take forever to open up and maybe crash their computers, because whats big
enough for print isnt just more than enough for cyberspace, it can be the
electronic equivalent of a fatal overdose.
Whether you take your own photographs, get a friend to do it, or hire a
pro, the more you understand about using digital images in different media,
the better your chances are of successfully putting those images to use. Of
course, if your better understanding of digital images just happens to mean
sending more suitable images my way for possible publication, youll be
making my life easier, too.
mwhite@interweave.com
EDITORIAL
Editor-in-Chief Merle White
Art Director Kevin Myers
Managing Editor Helen I. Driggs
Step by Step &
Special Projects Editor Denise Peck
Associate Editor Jane W. Dickerson
Assistant Editors Kristen L. Gibson
Sara E. Graham
Special Assistant Editor June Culp Zeitner
Contributing Editors Tom & Kay Benham
Calendar Editor Megan Zborowski
Foreign Correspondents Si & Ann Frazier
Associate Art Director Michelle Gerdes
Assistant Art Directors Patricia Butler
Karen Dougherty
BUSINESS
Publisher Joseph Breck
Business & Operations Manager Donna L. Kraidman
Marketing Director David Weiman
Marketing Services Manager Michele P. Erazo
(610) 232-5710
E-mail: merazo@interweave.com
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Morgan T. Kralle
ADVERTISING
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(610) 232-5701 Fax (610) 232-5750
E-mail: jbreck@interweave.com
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Classified Advertising
Representative
Production Manager
Advertising Coordinator
Advertising Designer
Scott Stepanski
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BOOKS
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Editorial Director Tricia Waddell
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Managing Editor Rebecca Campbell
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Copyright 2007 Interweave Press LLC, All rights reserved. Reproduction of this copyrighted material in any manner without the express written permission of Publisher is strictly forbidden. Lapidary Journal is not responsible for manuscripts, photographs or other material,
whether solicited or not, unless a signed, prior written agreement is executed. All manuscripts,
photographs or other material submitted will be conclusively presumed to be for publication unless accompanied by a written explanation otherwise. Once accepted by Publisher, materials become the sole property of Lapidary Journal, who has the unconditional right to edit or change
material. All manuscripts, photographs or other material accepted by Publisher will be paid for at
a rate solely determined by Publisher unless a signed, prior written agreement is obtained. No
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Lapidary Journal is not responsible for any liability arising from any errors, omissions or
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Etching Silver
Q::
A::
Q::
A::
Q::
A::
Q::
I have a box full of 15 various size and color gemstones that are faceted and they are
encased in a brown box with a protective cover over them. The box reads
Constantine Gems and was found in
a large lot of antique jewelry that belonged to a man that traveled all over
the world. He was also a very religious
man, and several solid gold pieces of
Judaica were also found in his collection. I have researched on the Internet;
however, it always turns up information on Constantine the Great. Can
you tell me anything about Constantine Gems or direct me to a back issue
in your magazine?
Davida Lawler, via e-mail
Licking, MO
A::
T::
Jeffrey Appling
phone 800.545.6566
www.riogrande.com
JEA Jewelry
Palm Springs, California
www.jeajewelry.com
jewelry journal
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now
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Have questions or tips youd like to submit to
Jewelry Journal? Please send them to Kristen
Gibson, Jewelry Journal, c/o Lapidary Journal,
300 Chesterfield Parkway, Suite 100, Malvern,
PA 19355, or to kgibson@interweave.com, subject line Jewelry Journal. If contacting us by e-mail,
please be sure to let us know your city
and state or country. Wed like to know
where our readers are!
Tenth
Masters
Symposium
Mark your calendar for a rare opportunity
to learn from master artisans in Plique-Jour Enameling, Filigree Wirework, Japanese Inlay, Textile Techniques in Metal,
Argentium, and Dental Techniques during
the Revere Academys 2007 Masters Symposium held from April 7 through April 29.
Eight master craftspeople from around the
world will be teaching two and five-day
workshops in their specialized areas, with
classes offered for all levels. Instructors
include Japanese master metalsmith Naohiro Yamada, teaching traditional Japanese Inlay and Engraving techniques, Arline
Fisch, Cynthia Eid, and Harold OConnor.
Each week, a Wednesday evening
slide/reception for the visiting masters
will be open to the public. For more information, contact the Revere Academy of
Jewelry Arts, 760 Market Street, Suite
900, San Francisco, Ca. 94102. Phone
(415) 391-4179, e-mail info@revereacademy.com, or visit www.revereacademy.com.
11
F A C E T S
Flawless
and
Innovative
The jewelry of Navajo jeweler Yazzie Johnson and
Santo Domingo/Laguna jeweler Gail Bird is featured in the exhibition Shared Images: The Jewelry of
Yazzie Johnson and Gail Bird, on view through July 9,
2007, at the Heard Museum in Phoenix, Arizona.
For more than 30 years, Johnson and Bird have collaborated to created elegant earrings, bracelets,
rings and necklaces and their best-known work,
thematic belts. Shared Images takes a chronological
look at their work and process, including a firsttime collection of 43 belts some designed and debuted specifically for the annual Santa Fe Indian
Market each year since 1979. A catalogue covering
the exhibition will be available at the Heard Museum Shops. The Heard Museum is located at 2301 N
Central Ave., Phoenix, Az. 85004.
Annual Smithsonian
Craft Show
The 25th Annual Smithsonian Craft Show will be held from April
Goldsmithing is
19-22, 2007. Master artists and emerging will sell and exhibit works
a new CDRom
publication from
glass, jewelry, leather, metal, mixed media, paper, wearable art and
Charles Lewton-
Brain
distilled
from lectures in
18, from 6:30-9:30p.m., and the show will run Thursday, Friday,
published in 1994.
e-mail craftshow@si.edu,
or visit www.smithsonian
com.
craftshow.org.
Facets is compiled and written by Helen I. Driggs, Managing Editor. Submissions may be directed to her, c/o
Lapidary Journal, 300 Chesterfield Parkway, Suite 100, Malvern, PA 19355, or by e-mail: hdriggs@interweave.com.
Sterling Silver Gold Filled 14Kt & 10Kt Gold Base Metals Swarovski Crystals
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Wholesale Only
Visit our Website Call for Catalog
cool tools
By Helen I. Driggs, Managing Editor
Stake a Claim
P
icture this: morning sun streaming into the studio across the
bench and dancing across a rack, heavily laden with mirrorpolished stakes lined up like chessmen awaiting their turn to
come into play. For most of us, the only time we see this picture
is when we first begin to study the art of metalsmithing in a well-equipped or well-financed
university shop, in a masters studio, or only
after a lifetime of careful acquisition a
stake or two a year, saved hard for, carefully chosen and lovingly maintained. Face it:
quality tool steel is expensive, and stakes and
anvils are the cream of the crop. You can
replicate some kinds of stakes with ingenuity
or you can adapt your existing setup if inherited or second-hand tools come your way.
Heres what two of our experts had to say.
Jack Berry
Delrin is a hard plastic that can easily be
made into a very effective anticlastic stake.
Starting with a Delrin rod of a suitable
diameter you can remove sections using a
spinning rasp bit in a drill press.
determined by the rod rotation which you control and can vary.
Here are five different sections with varying axes. The
white dot at the left end was
used to judge the rotation
process while removing the
plastic. This rod is 1 18" in
diameter. Larger diameter
rods can be used to make larger stakes. If cuts of a larger
diameter than the rasp are
desired you can move the
stop and make another cut
overlapping the first cut giving a wider anticlastic surface.
This is a close view of
another smaller rod of 34"
diameter. This was cut with a
1
2" diameter rasp and was cut
deeply enough so the remaining central area of the 34" rod
is only 0.35" in diameter. This
anticlastic surface was used to create the saddle form from a
0.8" diameter circle of 26 gauge sterling silver seen below.
Precision
Micro
Welding
The Laser
Alternatives
at a Fraction
of the Cost
From
$1,777
Marne Ryan
Marne uses a rubber doorstop as a wedge when the stake plate
and tang dont quite fit. I thought this was brilliant, but then
she gave me four even better tips worth their weight in gold:
Cut some neoprene (from an old wetsuit or mousepad)
into a donut shape with the inner hole the diameter of a ball
dap. Stack several for greater thickness. When inserted into
the vise, the lower surface of the dap will then be protected
from marring by the vise jaws.
Use rubber wall corners from the home store to make
custom vise guards. Their 90-degree angle and self-stick tape
make the corners easy to fit on any vise.
Plastic or wooden wedges from the hardware store make
it easy to fit a square stake tang into a round plate hole (or
vise versa). They also prevent wobbling during hammering.
Rubber self-stick tape from the sporting goods store (for
golf clubs or tennis racquets) will cushion the grip on hammer handles.
Marne Ryan began her career as a repair jeweler. She has developed a
distinctive style using fused and textured metals, the rolling mill, hammers, and a wide array of stakes and anvils. She lives in Anaheim,
Calif., and her work can be seen at www.marneryan.com.
INVENTORY SALE
5% to 20% OFF
Tack Spot Fusion Weld
From
$677
ROCKCORNER
Malachite
Stalinist fantasy & Venus passing
By Claus Hedegaard
1761. The French Acadmie Royale des Sciences appointed Chappe dAuteroche to
accept an invitation from the Russian Imperial Academy of Science to observe a
transit of Venus on June 6, 1761, from
Tobolsk, in the Ural Mountains.
Chappe dAuteroche had to travel
many months to reach his destination the short stretch from Paris
to Strassbourg took eight days, and all
his instruments were ruined upon arrival!
His party had to cross the Ural Mountains during winter and that is when he came to Nizhni Tagil.
He was a dedicated, almost manic worker nowadays
he would have been diagnosed and given treatment! Describing an unusual ornamental stone in Russia was part of a days
work for Chappe dAuteroche, and publishing a travel account was the way to do things in the mid 18th century.
Malachite gained immediate popularity as an ornamental
stone with the nobility. By far the best known use of Russian
malachite is for the malachite room in the Hermitage (a.k.a.
the Winter Palace) in St. Petersburg. It was designed and constructed by Alexander Briullov (1830-1840) as an official reception room for Czarina Alexandra Fyodorovna, wife of Czar
Nicholas I. The room is decorated with eight columns and
eight pilasters of malachite, plus candelabra, a large bowl, and
vases, all made from malachite. More than two tons of malachite were used to decorate the room.
European royalty and several churches also acquired important malachite objects during the18th and 19th centuries. I
Top: Globular malachite from Nizhni Tagil (Ural, Russia). Above left: Altar, decorated with malachite and lapis
Lazuli, gilt angels, etc., in Basilica San Paolo fuori la Mura in Roma (Lazio, Italy). Above right: A druse of blocky
malachite crystals in a piece of massive cuprite from Tsumeb Mine (Tsumeb, Tsumeb District (Oshikoto Region), Namibia). Ex. collection Claus Hedegaard.
16 LAPIDARY JOURNAL, March 2007
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17
CLOSEOUT
fine color, rounds 1.5 mm 10 pcs for $3.00, 2 mm 10 pcs for $12.00
round, diamond cut 2.5 mm $3.75 each
fine blue, round, 1.5 mm 10 pcs for $3.00, 2.5 mm $2.00 each
pink and blue, round 2 mm $2.50, 2.5 mm $3.00 each
fine med color, 3 mm , rounds $0.60, princess & trillion cut $0.70 each
GEM color, ovals 7x5 mm $3.50, 8x6 mm $4.75 each.
fine quality, rounds, 3 mm $0.35, 4 mm $0.65, 5 mm $ $0.90 each
fine rounds, 3 mm $0.60, 4 mm $0.75, 5 mm $1.10 each
fiery orange, fine quality, 3 mm $1.25, 4 mm $2.75 each
round brilliant cut, fine quality, round 2.5 mm $.60, 3 mm $.90 each
fine pink rounds brilliant cut, 3 mm $.90, trillion & princess cut $1.00 each
Mandarin fine quality orange, round, 2 mm $3.00, 2.5 mm $4.50 each
fine quality, rounds, pink shiller, 3 mm $0.75, 4 mm $1.00 each
fine quality, rounds, 2.75 mm $8.75, 3 mm $18.00, 4 mm $28.00 each
medium blue, fine quality, rounds, 2 mm $1.25, 2.5 mm $2.10 each
GEM gold color, checkerboard, rounds and trillion 10 mm
$10.00, 11 mm $12.00 each
fine quality rounds, white opalescent, 3 mm $0.65, yellow
orange 3 mm $0.75 each
volcano stone, rounds, red, blue yellow, color, 3 mm $0.75,
4 mm $1.25 each
CABOCHON STONES
AMETHYST,
GEM color, rounds, 4 mm $0.75, ovals, 7x5 mm $1.25 each
BLACK STAR SAPPHIRE, oval, 6x4 mm $3.50, 8x6 mm $8.50, 6 mm round $8.00 each
TOURMALINE,
round brilliant cut, pink rounds, 4 mm $3.00, 5 mm $ 4.50 each
BURMA JADE & MAWSITSIT ROUGH Huge selection!
LARGER STONES, miscellaneous items, Gemstone Carvings micro sized
to 10 inches high, call for FREE list
FACETING AND CARVING SERVICES 35 Years experience call for detail.
E-mail pictures all items available on request!
VISA, MC, AMEX, CHECK, Money Order are welcome.
Please add $5.00 S&H for USA and Canada, all others call for rates.
INDEX TO VOLUME 60
The following section contains two different indexes to Volume 60.
One index is organized by author, and lists article title, page number,
month, and year under each authors name. The subject index contains
the same information but is arranged by article category.
Author Index
Barber, Jeff
Talisman Bead, 70, 10-06
Beauford, Robert
Chain Reaction, 36, 6-06
Benham, Tom and Kay
You Mean We Can Only Pick 10?, 42, 7-06
Blair, Thomas
Drilling Pearls, 43, 10-06
Bleess, James L.
Grape Jelly Crystals, 58, 5-06
Blythe-Hart, Helen
Set It and Forget It, 28, 2-06
Silver and Gold Platform Ring, 36, 2-06
Burger, Falk
Sunshine Underground, 28, 4-06
Buying Gem Rough, 36, 3-07
Dodson, Martina
Glowing Heart Pendant, 42, 2-06
Dosch, Wolfe
Fairy Tale Linked Bracelet, 46, 12-06
Driggs, Helen I.
Mad About Mesh, 18, 2-06
The Pin Is In, 26, 9-06
Bring on the Beads, 47, 10-06
Hammered Silver Beads, 83, 10-06
Treasure from the Sierra Madre, 29, 11-06
Pixel Perfect, 24, 3-07
Durstling, Hans
Mystery of the Small-Town Ruby, 33, 11-06
Fago, Celie
Hinged Metal Clay Box Pendant Part I, 74,
5-06
Hinged Metal Clay Box Pendant Part II, 46,
6-06
Hinged Metal Clay Box Pendant Part III, 61,
7-06
Hinged Metal Clay Box Pendant Part IV, 45,
8-06
Fretz, William
Hollow Form Bezel Ring, 57, 7-06
Gage, Holly
Beauty and the Beastly Smell, 65, 5-06
Geltman, Elizabeth Glass
Paper Dolls Cuff Bracelet, 78, 5-06
Gollberg, Joanne
Wrap Around, 35, 4-06
Graci, Nina
Ordered Elegance, 14, 6-06
Letting in the Light, 26, 8-06
Practicing Perfection, 30, 9-06
Haag, Terri
Kings of (non) Bling, 42, 5-06
Rocket Science at the Jewelers Bench, 24, 6-06
Fool for Cool Tools, 22, 7-06
Hawes, Ernie
Star of the Southwest, 52, 2-06
Hedegaard, Claus
Mother of All Pearls, 36, 10-06
Hildebrand, Arlene
Wearing It My Way, 81, 5-06
Jacobson, Hadar
Textured Woven Earrings, 40, 6-06
Teach Your Old Tools New Tricks, 37, 7-06
Metal Mechanical Parts, 52, 7-06
Paper, Rock, and Thread, 76, 10-06
Domino Earrings, 36, 1-07
Jarvis, Mary
Carmen Miranda Bead, 51, 9-06
Jerman-Melka, Julie
Pebble Earrings, 46, 11-06
Klein, Glenn
Playing the Angles, 32, 2-06
Knight, Inara
Shard and Simple, 42, 11-06
Kolodny, Boris
Practical Gem Photography, 22, 4-06
Lyon, Linda
Oceanic Organic Lampwork Beads, 80, 10-06
Martin, Terry Lee
Catch a Falling Star, 48, 3-07
McMahon, Janice
Magnetic Attraction, 89, 5-06
Moran, Sarah
Velvety Sparkly, 73, 10-06
ODaugherty, Stone
Corundum in Silver, 41, 1-07
Osburn, Annie
The Long and Short of It, 24, 2-06
Carved Creations, 14, 4-06
The Sum of Its Parts, 38, 9-06
Magic & Ancient Metals, 20, 12-06
Pascal, John
Sliding Pinwheel, 52, 1-07
Patania, Sam
Press Formed Brooch, 40, 3-07
Rappa, Gail
River Stone Pin with Floating Key, 38, 4-06
Rediske, Arthur C.
Ring Within a Ring Earrings, 54, 12-06
Riger, Stephanie
Hammered Earrings, 44, 3-07
Saari, Cynthia
Getting the Skinny, 40, 8-06
Schneider, Edith
Big Lentil, 32, 4-06
Scott, Larry
You Dont Think This Is Art, Do You?, 52, 5-06
Shimazu, Donna E.
Powder Separation Moldmaking, Part I, 48,
1-07
Powder Separation Moldmaking, Part II, 48,
2-06
Thiel, Leslie
Curved Beads, 58, 12-06
Thompson, Sharon Elaine
Fortunate Fiascos, 34, 5-06
Beguiled by Their Beauty, 29, 7-06
Whats A Cushion Cut, Really?, 22, 8-06
Coming Clean, 36, 11-06
Crafts at a Crossroads, 30, 12-06
Better Together, 37, 12-06
When You Want White Metal, 29, 3-07
Turet, Douglas M.
The Princess Leila Cut, 43, 4-06
The Emerald Cushion, 85, 5-06
Zip 2B Square, 43, 6-06
Stans Sparkler, 67, 7-06
The Turbo-Prep Twelve, 43, 8-06
The Tri-Factor Eight, 54, 9-06
Joy & Celebration, 88, 10-06
The Bender Brilliant, 58, 11-06
The Zircillion 7, 61, 12-06
Wade, Suzanne
Catching the Female Eye, 46, 5-06
Subject Index
Artist Profile
Carved Creations, 14, 4-06
Magic & Ancient Metals, 20, 12-06
Ordered Elegance, 14, 6-06
Practicing Perfection, 30, 9-06
Sum of Its Parts, The, 38, 9-06
Awards/Competitions
2006 Bead Arts Awards, 52, 10-06
2006 Jewelry Arts Awards, 34, 9-06
2007 Gemmys Awards, 24, 1-07
Bead Pictorial
Bring on the Beads, 47, 10-06
Business
Beguiled by Their Beauty, 29, 7-06
Keeping in the Black with Gold, 18, 1-07
Lost in (Cyber) Space?, 18, 6-06
Craft
Fortunate Fiascos, 34, 5-06
Mad About Mesh, 18, 2-06
Design
Kings of (non) Bling, 42, 5-06
Long and Short of It, The, 24, 2-06
Expedition
Grape Jelly Crystals, 58, 5-06
Faceting
Playing the Angles, 32, 2-06
From the Field
Treasure from the Sierra Madre, 29, 11-06
Gems/Minerals
Whats Next for Benitoite?, 30, 1-07
Issues and Answers
Craft at What Cost, The?, 30, 8-06
Crafts at a Crossroads, 30, 12-06
You Dont Think This Is Art, Do You?, 52, 5-06
Marketing
Catching the Female Eye, 46, 5-06
Materials
Mother of All Pearls, 36, 10-06
When You Want White Metal, 29, 3-07
Metalsmithing
Set It and Forget It, 28, 2-06
Minerals
Sunshine Underground, 28, 4-06
Photography
Practical Gem Photography, 22, 4-06
Pictorial
Masters of Metal & Stone, 24, 11-06
Continued on page 20
19
MEDIA
REVIEWS
Mick Cooper has been Registrar of Nottingham City Museums and Galleries for the last
14 years, where he is able to exercise his multiple interests in
science, history, and art.
now
lapidaryjournal.com
For previously published Media Reviews,
visit us online at
www.lapidaryjournal.com/books/.
Lapidary Journal welcomes books, videos, CDs,
and other media products for review. Send review copies to: Lapidary Journal Media Reviews, 300 Chesterfield Parkway, Suite 100,
Malvern, PA 19355, attn: Kristen Gibson.
Show Preview
Rocks 24/7, 26, 12-06
Step by Step Projects
Bender Brilliant, The, 58, 11-06
Big Lentil, 32, 4-06
Carmen Miranda Bead, 51, 9-06
Catch a Falling Star, 48, 3-07
Chain Reaction, 36, 6-06
Corundum in Silver, 41, 1-07
Curved Beads, 58, 12-06
Domino Earrings, 36, 1-07
Emerald Cushion, The, 85, 5-06
Fairy Tale Linked Bracelet, 46, 12-06
Getting the Skinny, 40, 8-06
Glowing Heart Pendant, 42, 2-06
Hammered Earrings, 44, 3-07
Hammered Silver Beads, 83, 10-06
Hinged Metal Clay Box Pendant Part I, 74, 506
Hinged Metal Clay Box Pendant Part II, 46, 606
Hinged Metal Clay Box Pendant Part III, 61,
7-06
Hinged Metal Clay Box Pendant Part IV, 45,
8-06
Hollow Form Bezel Ring, 57, 7-06
Joy & Celebration, 88, 10-06
Magnetic Attraction, 89, 5-06
Metal Mechanical Parts, 52, 7-06
Paper Dolls Cuff Bracelet, 78, 5-06
Paper, Rock, and Thread, 76, 10-06
Pebble Earrings, 46, 11-06
Powder Separation Moldmaking, Part I, 48, 107
Powder Separation Moldmaking, Part II, 48,
2-06
Press Formed Brooch, 40, 3-07
Princess Leila Cut, The 43, 4-06
Quilt Blocks in Stone, 50, 11-06
Ring Within a Ring Earrings, 54, 12-06
River Stone Pin with Floating Key, 38, 4-06
Shard and Simple, 42, 11-06
Silver and Gold Platform Ring, 36, 2-06
Sliding Pinwheel, 52, 1-07
Spinning Rings, 46, 9-06
Stans Sparkler, 67, 7-06
Star of the Southwest, 52, 2-06
Sterling Forged Necklace, 36, 8-06
Talisman Bead, 70, 10-06
Textured Woven Earrings, 40, 6-06
Tri-Factor Eight, The, 54, 9-06
Turbo-Prep Twelve, The, 43, 8-06
Velvety Sparkly, 73, 10-06
Wearing It My Way, 81, 5-06
Wrap Around, 35, 4-06
Zip 2B Square, 43, 6-06
Zircillion 7, The, 61, 12-06
Technique
Letting in the Light, 26, 8-06
Trendspotting
The Pin Is In, 26, 9-06
Workshop
Beauty and the Beastly Smell, 65, 5-06
Better Together, 37, 12-06
Buying Gem Rough, 36, 3-07
Coming Clean, 36, 11-06
Drilling Pearls, 43, 10-06
Fool for Cool Tools, 22, 7-06
Mystery of the Small-Town Ruby, 33, 11-06
Pixel Perfect, 24, 3-07
Rocket Science at the Jewelers Bench, 24, 6-06
Teach Your Old Tools New Tricks, 37, 7-06
Whats A Cushion Cut, Really?, 22, 8-06
You Dont Have to Buy Them, You Know, 41,
12-06
You Mean We Can Only Pick 10?, 42, 7-06
Also available online are indexes 47-59, beginning in April 1993. Visit www.lapidary
journal.com/archive/toc_home.com.
now
lapidaryjournal.com
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