Homemade Fusion

HO'MEM.ADE FUSION N'EW MUSI,CAL THEAT"E KOO.MAN &.
DIMOND
Homemade Fusion
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Heavy Swing
Michael A. Kooman
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God Heavy Swing gave
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so
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why don't ~
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.I'mgoma
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To-night
make
some home-made
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fu-sion.
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Copyright © 2005 Michael Kooman
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I've got
the blinds down,
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and I've
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c1ea-nex
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I've got some-one onmy I I I I .-.

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mind;
and that's all_ I I
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_would be
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good if I I I
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could,
share this withsome-bo - dy_ I I
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stuck
but I can't..; andI'm I I
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. . . - ....... --= here watch-ing T - V._ It'sjust

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and
me.,
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yeah.
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Copyright
c 2005
Michael Kooman
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Andsome-times I ~~
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graphic
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times,
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most
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but some
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it turns me
on.
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onmy ~
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I've gotsome-one
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and that's all.L;
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good if I
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sharethis withsome-bo - dy_

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and
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It's j ust me.,
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God
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I'm gon-nause 'em., yeah.
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To-night I'm; gon-na
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Oh., what a night it-']l
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share
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but I
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can't
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stuck.;
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here watch-ing T.
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It'sjust
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mind.L, andthat's
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I've got some-one on my fl

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and that's I
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It'sjust
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Christopher Dimond
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Random Black Girl

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quasi rectitative
Michael Kooman
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I'm not like the oth -er girls in this show
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I'm some-thing of a sore-thumb
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I'm start- ing to think that I'm dif rent
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more in tempo
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circa J=75
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My com -plex -ion stands out
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circa J=75
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and in -case you have n't, no-ticed

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I'm black as hell.
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It's an o-blig-a-to-ry part

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It's the
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with out.,
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itthings would-n't be right.

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who does - n't ha-
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pen to be white.
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And that girl

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seems like 'm just
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fil-ling a quo-ta
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when it comes to the plot I play no sig - ni- fi -cant role;
I'mjust a
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rand-om black girl flJ,l,

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sing-in' the soul.
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And I'll squinch upmy eyes flJ,l,

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Andthen 'llo -penmymouthun-be-Iiev-ab-ly
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song when its timeto let go
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I'll give 'em a dose of
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cra-zy vi - bra-to
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Whycould-n't I be cast for apart inthe col-
or pur pIe 'stead of the
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ran-dom black girl
sing- in' the soul.
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My a-gent gavene ad-vice
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• s\~·__"''' 11 -::: • "'q:--, -J*" Those words '11ne-ver for- ~t, he said, "Don't think you'll e - ver be cast ~~ ~
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ways could be worse
But I guess things al

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when it comes
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I'm
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not cursed
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en ough to have been born a- sian_
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ThenI'd be stuckin Miss Sai-gon
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a pole, ,.... -• ....._y

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'stead of the ran-dom black girl

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sing- in' the soul.
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The des-ing-ers can't
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Di-rect - or don't know my
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flli.
and the make-up

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that we
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and Mis
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man-ag-er
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got too much s~

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cos-tu-mer don'tknow whatto do.iwithmy f}~

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big ol',.,
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I shduldau-di-tiontor
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A - mer-i-can
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they love the
rand-om hlackgirl
sing - in' the
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hmm
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So what does this song change
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well not
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be think-in' to your self

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"God - damn,that Sis - ta can sing!"__
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Don't you hate it whersongs are so self
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see
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My Roomate Benjamin
fl .. +t
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100
Words
+ Music by Michael Kooman
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._ ja-min has a lisp and I thought he was gay, but I guess he's not.
My room-mate Ben-
--
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mp
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(in a quasi NYC accent)
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He comes from New York Ci - tyhas a best friend Em-i-ly and they drink "Cof-fee all the time"
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2 7
t1 ~ -It.
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I'm
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But he's pas-sive a-gress ive.,.. and
not, so he's real hard
to deal ~rth.
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He leaves notes for me all the time
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and
3
the
first note
went some-thing
like
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11
"Dear Mike, please don't throw your juice boxes away in my trash can."
fl~+t
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(fi time 0nly ) irst
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What
the Hell?
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My room-mate Ben-ja-minis such a prick, oIi.

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he wears tigh- ty
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whit - ies and they're all staine d
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brown. He has two or

f}JJ/oIi
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(spoken) ._..
And believe me ,thats an overestimate T
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three friends,
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Cause he's such a dork..

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Why?
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f}JJ/+t
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And he calls him-self

f}JJ/oIi
an
art~:t and he draws and he paints things that look ~ire ~
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fjiJ,*
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and one day he brought home a sculp-ture

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that he
s
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made en - ti - re -ly
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hair!
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21
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Yes, thats right, kids ... Human hair from a barber shop ... (fi t ti Irs ime onl y ) r--I I
hum-an Vamp
· ·
23
subitomp
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the Hell?
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Ben-ja-minandI
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did-n'tget a-long so well(ifyoucould-n't
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I though things were fine be-tweenhim
andI,~we
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did-nit talk,buthey,
that was fine with

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me.
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But
guess things weren't fine
with him,
cause
at
it
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28
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somepointhede-cid-edhewasmov-ing out
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And to tell me he was do- ing so, he did the
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leaving me a note ...which read: "Dear Mike, I'm moving out because I need more space to do my artwork."
· ·
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andthatwas
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ver-y ma-ture thing of ... lJ_itJI .li

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lJ~li
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he
still
has
lisp
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he still drinks cof -
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7
36
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fee,
He
pre - tends
that
our
eyes
to..
don't
meet,
and
.... he
.~_iII
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37
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stares
at
his
feet,
and
sips
his
star - bucks,
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so
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may - ~e Grandiose
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was - ~'t
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best
room - mate
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and
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may beIfor gottolockthe
door mow and then,and may bel
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don'tdomydish
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I don't make sculptures out of human hair, f.\ I· t don 't .... JUs
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but let me tell you one

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Christopher Dimond
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Free, colla voce
Oh Henry Bar
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Michael Kooman
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I came here for a twix

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orper-haps a mil-kyway
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to sat-is - fy my fix
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For it just crossed my mind

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that it may be quite mean
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to leave the last of your kind 1101+

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a - lone
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in the
vend-ing
rna - chine
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My gaze, it ling ers.,.,
be - neath the But-ter Fin gers.,
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Atwhatcouldjust be the can-dy
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pru moss~
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Hen- rybar
I
of
my dreams ...
Oh
Hen - ry
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(";)
Oh
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you are.
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all of your friends, Asthe
sil-vercoil
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ofdest i- ny.c,
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flJ,J,
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its end. You seem a sweet temp-ta- tion,
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nears
f1_J,J,
your name's an ex-c l~ a-rna-bon
Oh
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flJ,J,
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Faster
accel.,
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sat-is-fy my cra-ving.Oh.;
rit. ________
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Hen-ry bar
c,;
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and
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ry
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rybar
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flJ,J, I
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,
you are ...
there
flJJ. tJ
Both so all al- one,
....
....
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both a - band-onedon
To...
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ourown
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both
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flJJ. tJ I
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I knowyou'rea
li-vingwith mis-takes for which we can't

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a-tone.
t...
con-fec-tion
but
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flJJ.
motto rite
A tempo
I feel a con-nec-tion.
flJJ.
Oh won't lt0u fill my void Oh_
--
...
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mo to rite
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Hen -
bar.
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44
f'lJ),
..,;
.
I
.
-
.
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.
by glV
could end
your Ion
Ii-ness
r-. II • ••
but
f:\,
ingyou
a Her - shey Kiss,

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f'lJ),
Colla Voce
..,;
.
sud
.
what oc - curs tome is this:
(spoken, without rhythm)

r-..
den-ly
r.-..
f'lJ),
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mp
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I have no idea what is in an "Oh
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(at pitch)
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51
f'lJ),
accel.
Henry Bar" ...
~=140
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Will you
leave me
want-ing
accel.
f'lJ),
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11
11
11
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6
54
11,
.,; more, like a
Skit - ties
or
Skor?
'"
Or
could you
be
the
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j
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fl ,
can - dy
that
need?
fl
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you
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fl
break
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a
111
poor girl's
heart,
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like
Spree
or
Sweet
Tart?
Will
you
111
111
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111
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7 65
rail.
1
fl
melt.,
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1
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my mouth?
Colla Voce
in
L
my hand I
1
rail.
or
in
L
"l
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Have you been /! Colla Voce
in
there for
c;.
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mp
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c.!
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accel.,
______
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years, next to the Three Mus
ket- eers?
accel.,
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Wait - ing a-tempo
just
for
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rit.,
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____________
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me
to
let
rit., _
_ you _ _
out? ___
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Give me a clue as to what you are.
.
.... -.f •
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I've
If you wantthe Truth.Since the
days of my youth,
fl
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soughta man to sa - ti - ate my

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sweet
slower
(psuedo-gospel)
./
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Don't de - ny our fate,
my
<
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su-gar-ry
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soul mate yeah ....
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we can heal our ach - ing wounds and mend each
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Pop fRock
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oth
scars.
JoI,
My heart bleeds,
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stom-ach
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pleads.
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Hen
- ry
Can't you see?
--
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flJ,J,
J,J,
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I be-longto you, and Hen -ry, You

J,J, •
to me? There's a
fl
~ ~
._
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11-:
· ·
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long-ing in my loins
J,J,
as I
It'_
+t
....
r--3~
· ·
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= =+t
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fl
J,J,
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1
.
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.
I-
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reach formy loose coins

_fJ Jt _-I! ~. ~ <
I've put two quart-ers in the slot

~ ~
so far. And
J,J,
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u.
103
fl
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a wave of ecs-ta-cy
comes
~
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fl
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106
fl
ill ~.
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motto rit.,
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11 _
o - ver me ...
Hen
ry
Oh
fl
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oft
t:
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rl l~f.'ll II ,. , .
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motto rit ..
e:
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.
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,
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What? (hit) No, no (hit hit) No Henry!. (hit hit hit) Oh Fuck you, Henry! (one last hopeless hit) Fuck you!!
·
--Hen
ry...
.
1'1 ill +t
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t
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114
fl
ill
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(She exits)
rail.
fl
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HO'MEM.ADE FUSION N'EW MUSI,CAL THEAT"E KOO.MAN &.

I've got some-one onmy

and thats alL

I'm home all a-

and I've got a lock on my

Copyright © 2005 Michael Kooman

the blinds down,

I've got some-one onmy I I I I .-.

and that's all_ I I

share this withsome-bo - dy_ I I

but I can't..; andI'm I I

. . . - ....... --= here watch-ing T - V._ It'sjust

and that's all.L;

Copyright © 2005 Michael Kooman

sharethis withsome-bo - dy_

- ____ --= -= · ...· · -_ ·

here watch-ing T - V._

It's j ust me.,

~ --= .l- .n . .· .... . ·

I'm gon-nause 'em., yeah.

::: ::: :::

To-night I'm; gon-na

Copyright © 2005 Michael Kooman

Oh., what a night it-']l

this with some- bo - dy_

'-=II and I'm

I've got some-one on my fl

I've got some-one

and that's alL

Copyright © 2005 Michael Kooman

*=... =,~ .... .._.

Random Black Girl

I'm not like the oth -er girls in this show

I'm some-thing of a sore-thumb

I'm start- ing to think that I'm dif rent

My com -plex -ion stands out

<» y.• and my voice does as well

and in -case you have n't, no-ticed

Copyright Kooman + Dimond © 2006

It's an o-blig-a-to-ry part

._... .........ry newmu si- caL ofev'

. the soul. -------~ .. ~ ~=113

.~.... .... .,.J.

itthings would-n't be right.

And ev-rycrowdneeds .fl-

at least one per-son

who does - n't ha-

And that girl

", q:* .....

seems like 'm just

. . .... . ... ~. ~~~.

ver have lines they're

when it comes to the plot I play no sig - ni- fi -cant role;

rand-om black girl flJ,l,

sing-in' the soul.

t"<" con duct with my hands ....,,~ ...." dI , ~ ·-~ · . . ·

And I'll squinch upmy eyes flJ,l,

• ·9-:-- •.J*. And at the end ofthe

song when its timeto let go

I'll give 'em a dose of

Whycould-n't I be cast for apart inthe col-

or pur pIe 'stead of the

sing- in' the soul.