Professional Documents
Culture Documents
I wanted to do a practicum at the Portland Art Museum for two reasons. First, I
wanted to gain experience working at a different cultural heritage institution such as the
art museum and secondly for my interest in preservation and conservation. Working with
Elizabeth Chambers, Paper Conservator and Noelle McClure, Registrar for the Print and
Drawing collection, allowed me to accomplish both of these goals in being able to work
with a very specific, specialized collection and with performing and addressing
conservation issues.
My practicum experience really built upon two theory courses 804 and 805 along
with my archives courses, specifically 862 Archives in the Park, 827 Preservation and
Archives Management. In conjunction with these courses the practicum also built upon
the preservation and conservation work I do for Watzek Library’s Special Collections &
Archives at Lewis & Clark College. Some of what I have done at the library such as
making enclosures came into play and was beneficial to the museum collection. Along
with my practical experience working with the print and drawing collection I became
very enlightened with readings about theory and practice within the conservation,
museum and art fields. These readings significantly enhanced my experience and built
knowledge and skills and address these through the aid of hands on experience and
through thought provoking discussions with Elizabeth and Erin. I found that I have
from very general, large-scale preservation problems such as the building environment to
very specific conservation issues as foxing or tears. Under the guidance of Elizabeth and
collaboration with Erin, I was able to learn significantly more about object description
and conservation.
With the guidance of Elizabeth and Erin we identified two problems that would be
addressed during my time at the museum. One problem was to assess what was in the
subset collection of the print and drawing collection, consisting of monographs, artist
portfolios and artist books. Included within this assessment was cataloging, describing
and making conservation recommendations of each item within the collection. The
second problem was to address specific conservation problems that arose during this
analysis. This would entail stabilizing, repairing, re-housing and making custom
By the end of my time at the museum, Erin and I were able to finish assessing the
upon and for the registrar and curator to address. Most of the items are now in the
Mimsy database and can be searched and are appropriately described. Items that were
identified as needing further attention can be searched and found within the database.
I feel that the projects went very well. I would not do anything differently. I liked
that fact that I was working along with another conservation intern. I feel that our
different perspectives and experiences really enhanced each other’s work and time at the
museum. Erin’s background and knowledge in conservation, art and specifically printing
really helped me quite a bit. I don’t think that my experience would have been as
enjoyable or enriched as being able to work along with someone else. Elizabeth really
took the time to address conservation issues with us not only with the specific problems
that we came across during our work, but also with things she was working on as well.
During these times we were able to discuss issues such as politics, time, money, cost and
cultural history that come into play with collection development. We talked about ethics
and professionalism as well. I learned from both Elizabeth and Erin to be thorough, to
think through things, and try as best as one can to make informed decisions with the
knowledge and tools one has at the time to do what is best for the item. Sometimes this
may turn out wrong, but one must accept the fact of change and that standards and