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Culture Documents
Dance is common to all cultures and this is especially true of the people of Scotland who take their traditional forms of dance very seriously. Dancing in Scotland dates back very far and over time many variations have emerged. Each dance has its own background and beginning. Whilst there are many Scottish dances, you'll find that traditional dancing normally falls into one of four main categories: Ceilidh, Cape Breton Step Dancing, Scottish Country Dancing and Highland Dancing. Ceilidh The Ceilidh dances are easy to learn and often look more difficult than they really are. Learning them is easy because the musicians and fellow dancers are always happy to help beginners learn the steps. The Ceilidh dances are very sociable, easy-going and good exercise when the pace increases. Scottish country dancing is similar to Ceilidh dancing but they are usually a little more formal, complex and better well-organized. Once you know the Ceilidh dance steps, you can join in anywhere in the world. Cape Breton Step Dancing This dance is mainly done solo and is done purely for stage performances where it is combined with traditional Scottish music. Cape Breton step dancing was almost lost in Scotland but fortunately it was preserved in Nova Scotia by Scottish emigrants. Recent years has seen it making a comeback in Scotland. It is very similar to the Irish hardshoe dances and the same types of shoes are used for this dance form. Scottish Country Dancing Scottish Country Dancing is mostly used at sociable gatherings - although it is often performed and there are even occasional competitions. This dance form is done in sets, normally of 3, 4 or 5 couples, that arrange themselves either in two lines (men facing ladies) or in a square. During the course of the dance, the dancers complete a set of formations enough times to bring them back to their opening positions. Highland Dancing Highland Dancing is usually performed solo by young people and is a very colorful and lively style of dance. Many Scots quote that there is no better scenery in Scotland than seeing a young kilted dancer, swaying and turning to the sounds of the traditional Scottish bagpipes. This form of dancing has become a very competitive one and the levels of standard had gone up immensely.
Interceltic festivals
Pipers at the Festival Interceltique de Lorient As one of the Celtic nations, Scotland is represented at interceltic events at home and around the world. Scotland is host to two interceltic music festivals the Scottish Arts Council funded Celtic Connections, Glasgow, and the Hebridean Celtic Festival, Stornoway that were founded in the mid 1990s.[13][14][15][16] Scottish culture is also represented at interceltic festivals of music and culture worldwide. Among the most well known are Festival Interceltique de Lorient held annually in Brittany since 1971 the Pan Celtic Festival, Ireland, and the National Celtic Festival, Portarlington, Australia.[17][18][19]
Folklore
Main article: Scottish folklore Halloween is a traditional and much celebrated holiday in Scotland on the night of Oct 31. [5] The name Halloween is first attested in the 16th century as a Scottish shortening of the fuller All-Hallows-Even,[6] and has its roots in the gaelic festival Samhain, where the Gaels believed the border between this world and the otherworld became thin, and the dead would revisit the mortal world.[7] Gaelic practices included; wearing costumes and masks that was an attempt to copy the spirits or placate them,[5][8] large communal bonfires would hence be lit to ward off evil spirits, turnips were hollowed-out and carved with faces to make lanterns also used to ward off harmful spirits,[5] going from door to door guising children disguised in costume requesting food or coins,[9] playing games such as apple bobbing.[10] Many of these traditional practices remain popular in Scotland on Halloween,
and further contemporary imagery of Halloween is derived from Gothic and Horror literature (notably Shelley's Frankenstein and Stoker's Dracula), and classic horror films (such as Hammer Horrors). Mass transatlantic Irish and Scottish immigration in the 19th century popularized Halloween in North America.[11]
demand statement setting out clearly its current and future skills needs to help supply-side organisations align provision to specific industry needs.