Connor Helms

Mt. Fuji Serenade for

Japanese Percussion
Ensemble
A4

List of Instruments used across all 4 percussionists:

Membrane: Tsuzumi
1 Ko-tsuzumi
Membrane: Taiko
1 o-daiko(or hira-daiko), 3 chu-daiko, 1 ko-daiko, 4 shime-daiko, 1 set of 5 uchiwa/etsuki-daiko, 1 kakko,
1 gaku-daiko (folk), 1 eitetsu okedo-daiko, 1 daibyoshi

Wood and Bamboo

set of 4 mokusho, set of 4 mokugyo
Metals and Stone
set of 3 kin, 1 kane/atarigane, 1 larger and 1 smaller wadora,
1 pair nyobatsu/myobachi, 1 pair chappa/dobyoshi, 1 set fukurei-mikorei suzu,
1 set of 5 orugoru, 1 set of 5 suspended sanukite ('in' scale)

Not all percussionists will be playing all instruments. The exact choreography will obviously be handled
on a per-performance basis. However, it is recommended to have two members be well versed in taiko,
with the other two readily capable of playing them at a decent skill level -- but mostly
focusing on playing the wood/bamboo and metal instruments.
For the most part, the wood/bamboo and metals will be ne
in the front, however the nyobatsu should
be placed slightly toward the rear since they are so much louder. The sanukite, being a suspended
set of just 5 notes, should be able to t front and center. Any of the available players of the moment
should easily be able to play any of these easy recurring themes.

Make sure all instruments do not clash dissonantly, particularly the kin, orugoru, and wadora will
be of concern. Membranes can be tuned, sets of kin and orugoru passed by in trial-and error without
too much trouble nancially, but securing a sanukite that happens to not clash with the
other instruments is too expensive. Instead attempt to get the percussion instruments
to t with the sanukite. Any idiophone may be substituted in place of a sanukite as a last
resort only.

Tuning the shime-daiko: Two of the shime-daiko should be tuned to the same pitch, they will be the lowest
sounding of the four. The 3rd one will be slightly higher than this, and the 4th one will be tuned even higher.

Byou-daiko setup: All manner of mallets are used, sometimes even just the hands. You will need 4 sets of
kashibachi, but should be able to get by on 3 sets of the other mallets (note that this may complicate
things choreographically, if at all possible just have a set of mallets strapped around the waist or shoulder
for each of the 4 players):
yukibai, chobachi, takebachi
These mallets are used on some of the other drums such as the gaku daiko and occasioanlly the shime.
The staves are written in this manner: The normal stroke (don, doko, etc) is set to the lowest space in the
stave. The normal rimshot (ka,ra, etc) is set to the highest line. The 2nd, 3rd, and 4th space are increasingly
higher glissando pitches achieved through hitting the membrane in dierent areas, or mallet pressure
in one hand as directed. The remaining lines are for body shots, the 2nd highest line is for the area of the
body closest to the rim, going further til the bottom line, which is at about halfway along the body.

Orugoru need to be a set of 5, each one having a line on the stave. No need to get exact pitches, just
try and get a set that does not clash with the sanukite (and by extension, all the other instruments).
The kin set should be just ne at 3, again, making sure they do not clash with the sanukite and others.
Rather than clutter up the score with ties, assume all kin and orogoru notes are to be allowed to ring
unless otherwise noted.
The sanukite used will just be a suspended 5 note based on the 'in' pentatonic. It doesn't matter what
pitch it is set to, just getting a sanukite at all should be the main concern, and then just tune all other
instruments accordingly. It will be based o the in scale, degrees 1 3 4 6 7, starting from the 3 (E in the
key of C major). Again, it doesn't matter what the actual pitch is, A=430 or 440 or 442 hz, doesn't matter.
Throughout most of the work, many of the players will be performing on two instruments at once. In this
case, notes to be played on the 2nd instrument will have triangle noteheads rather than ovals. If the primary
instrument has a note on the lowest space of the stave, and the secondary instrument plays it's equivalent note,
that 2nd instrument triangle note will appear on the space just underneath the stave.
In other words, secondary instruments are set an entire space (or entire line if that is the case) below the
corresponding primary instrument note. Observe measure 1 of the Percussionist 1's stave where the
Chu-Daiko plays it's corresponding note with the O-Daiko, but the triangle notehead appears below.

Recommended Choreography

Mt. Fuji Serenade for Japanese Percussion Ensemble A4

Connor Helms

13 with hands
/ 4 W
!
q = 90

O-Daiko
and Chu-Daiko

Chu-Daiko
and Shime-Daiko (lowest)

Nyobatsu

13
/ 4 !W
shime

'ten' with other kashibachi

Chu f kashibachi

13
/ 4 !

pp

Shime-Daiko (2nd highest) 'tsu ku'

f crash

Kin

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

'tsu ku'

pp

13
/
4 W

lowest bowl of set, with mallet

Perc.

/ W
!
f

/ w!

'ten'

Perc.

Perc.

Perc.

>

'ten'

>!
/

ff

(kin)

mp

larger wadora

Perc.

Perc.

Perc.

/
/

(nyobatsu)
pp

Sanukite

Perc.

Perc.

/ w

kashibachi

fp

>
w

/ j w

Perc.

>
w

f kashibachi

/ !

Perc.

Perc.

Perc.

f
orugoru

mf

/
yukibai

pp

mp

3
3
3
3
3
j
j
j
j
j
j

/ 1 1
1 1
1 1
1 1
1 1 J 1 1

Perc.

pp

shime (ko-daiko 2nd time thu)

mp

yukibai in left
shime mallet in right (yukibai in right 2nd time thru)

/
te tsu

Perc.

Perc.

w
/

mf
2nd time thru use kin

Perc.

mp

yukibai in both

Perc.

mp

Perc.

body

/
J
mf mp
(shime)

Perc.

1
1
1
1

(chu-daiko)
3

mf

mp

mf

mp

mf

mp

mf

mp

mokugyo

Perc.

mp

>
/

Perc.

1
1
1
1
3

>

>j

>

> >
> >
> >
> >
> >

/
J

Perc.

mp

Perc.

Perc.

mp

1
1
1
1

(ko-daiko)

Perc.

mp

Perc.

Perc.

Perc.

mokusho

Perc.

body

> > > > > > > > > >
/
J

Perc.

Perc.

/
/

1
1
1
1

> > > > > > > > > >
/
J
/

highest shime-daiko
mf

10

Perc.

/ w
!

w
!

mf (chu-daiko)

/ w

Perc.

shime 'ten'

mf

w
!

kashibachi

kashibachi

> >
> >
> >
> >
> >
> >

/
J

Perc.

mf

Perc.

> > > > > > > > > >
J
/
mp

mf

11

Perc.

>

>
J

j
1

j
1

(chu)

mf

j
3

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j
/
3

Perc.

Perc.

Perc.

mf

/
3
3
3
3
3
3
3
3
3
3
3
3
f

mf

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j
/
1111

12

Perc.

Perc.

Perc.

Perc.

>
/
/
/

3
j >

>

1111
3

mf

f (ko)

>
/

>
/

13

Perc.

>

Perc.

>

Perc.

Perc.

Perc.

mp

mp

>

>

mp

j>

mp

j>

>. >.3 >.

>. >3. >.

1111

1111

/ 3
3
3
3
3
3
3
3
3
3
3
3

/ W

>j

>j

>
/

>

+ + + + + +
o

Atarigane

open

closed

/ W
! orugoru (lowest of set)
kin (lowest of set)

Perc.

>
j .

>

fp

Perc.

>3 j

1 1
11

15

Perc.

1 1
11

Perc.

j>

Perc.

>

Perc.

14

Perc.

>

>

j 3

+ + + + + +
o

+ + + + + +

>
/ !
chu-daiko
>

16

Perc.

>chu-daiko
/ !
ko-daiko
>

Perc.

Perc.

f
open

Perc.

>!
/

ff

(kin)

mp

larger wadora

17

Perc.

/
pp

Perc.

/ W

smaller wadora with yukibai

Perc.

pp
barely heard

Perc.

this may be played by Percussionist 2 instead

18

Perc.

/
p

Perc.

mp

Perc.

Perc.

/
/

mp

shime (2nd highest)shime mallets

f

mp

shime (highest)
f

mp

19

Perc.

/ 1 1 1 1
mf

Perc.

mf

Perc.

Perc.

j
1

mf

mf

>
/
f >
>
>
>
>
>
>
>
>
>
>
r
r
r
r
r
shime
'ten'

1 1 1 1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
/ 1

>
>
>
>
>
>

20

Perc.

Perc.

Perc.

Perc.

21

Perc.

use daibyoshi mallets

kakko and shime-daiko

Perc.

use shime mallets

Perc.

>j
>j
> >

1 1 1 1 1J
1 1 1 1 1 1 1
>
> >
>
>shime
>j > >
>
'ten'
1 1111 1
1 1 1

J
J
kakko
>
>
> > >

rim

shime

/
shime

Perc.

>

1 daibyoshi
center of okedo
>

eitetsu(small) okedo and daibyoshi (small)

uchiwa-daiko
set of 4
lowest

9
Perc.

22 q = 100

j 3 j
/

j 3 j 3 j 3 j 3 j 3 j

mf

okedo

kakko

(let mallets am)

Perc.

mf

mf

>
/

23

Perc.

mf

Perc.

>

>
/

24

mf

Perc.

>

j 3 j 3 j 3 j 3 j

3
>

J

>

mf

3
3
3

/
3

mf

Perc.

Perc.

mf

mf

Perc.

'Po' glissando

shime

j 3j 3 j

Perc.

Perc.

(let mallets am)

ko-tsuzumi 'Po'

Perc.

Perc.

j 3 j 3 j 3 j

/
f

>
/ 1

25

Perc.

Perc.

daibyoshi

>

>
1

mp

mf

3
3

Perc.

mf

26

mf

Perc.

> >
>

1 1
111111

Perc.

> >
1 1

10

daibyoshi

3
3
j
j
/ j
3

3
j
j 3 j

mf

3
3
3
j
j 3

/ j
kakko

Perc.

mf

/
3

Perc.

mf

Perc.

mf

27

Perc.

Perc.

3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
/
3

/
3

Perc.

Perc.

11

28

Perc.

Perc.

Perc.

>
/

j
j
j
j j j
j
j
1 1 1 1 1 1 1 1 1 1
3

daibyoshi

daibyoshi

Perc.

30

Perc.

mf

j j3

j 3 j 3 j 3 j

j j3

3

j 3 j

j 3 j 3 j

3

j 3 j

Perc.

Perc.

Perc.

j 3 j
/

29

Perc.

Perc.

Perc.

Perc.

okedo

j j3

3

j j3

mp

>

j 3 j

3

j 3 j

3

j 3 j

j j3

3

/

/

>

>
J

>

12

31

Perc.

/
3

Perc.

Perc.

Perc.

32

Perc.

j j3

mf

>
/

Perc.

j j3

j j3

j j3

j 3 j

j 3 j

j 3 j

j j3

3

j 3 j

J J

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j

Perc.

mf

Perc.

>

/
f

33

Perc.

Perc.

Perc.

Perc.

>

>

mf

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
/ j
3

>

'ta'

13

34

Perc.

Perc.

Perc.

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
/ j
3

35

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
/ j
3

Perc.

>

36

Perc.

>
>

Perc.

Perc.

okedo

>

>

'ta'

pp

Perc.

Perc.

j 3 j 3 j

/
shime

Perc.

>

>

'pu'

j 3 j 3 j

/
/

mf

mp

mf

mp

mf

j 3 j
/

37

Perc.

j 3 j

j 3 j

j 3 j

14

Perc.

j 3 j
/

38

Perc.

Perc.

Perc.

j 3 j 3 j 3 j 3 j 3 j

j 3 j 3 j 3 j

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j
/

39

Perc.

Perc.

Perc.

>
J
/

Perc.

Perc.

Perc.

Perc.

>

>

>

>

>

>

j 3 j 3 j

>
J

/
/

>

15

40

Perc.

j
1

mf daibyoshi

Perc.

j
j
j
1 1 1
3

j
1

j
j
j
j
j
j
j
j
1 1 1 1 1 1 1 1
3

> > >

J
J

>
mf

>

Perc.

mf

Perc.

/
5

mf

41

Perc.

/ 1j 1j 1j
3

kakko

Perc.

mf

j
1

j
1

j
1

Perc.

j
1

j
1

j
1

1j 1j 1j
3

/
/

rim of okedo

1j
3

42

Perc.

j
1

Perc.

Perc.

Perc.

j
1

j
1

j
j
j
1 1 1
3

j
1
j

j
j

1 1 1 1
3

j
j
1

3

'te'

gaku daiko

kashibachi

Perc.

16

>
/

>
/ 1

43 q = 120

Perc.

chu-daiko and ko-daiko

Perc.

f kashibachi

Perc.

Perc.

mp

+3+ +3+ +3+ +3+ +3+ +3+ +3+ +3+ +3+

j
j
j
j
j
j
j
j
j

atarigane

yukibai

44

Perc.

mp

pp

mp

chu-daiko rim

chobachi
ko-daiko rim

Perc.

mf

pp

mp

pp

mp mf

mf

may need to use softer mallets

Perc.

Perc.

+
/
p

+ +
j

+ +3+ + 3 + +
j
j
j

+ +
j

+ +3+ +3+ +
j
j
j

+ +
j

+ +3+ o
j
j

mf

45

Perc.

Perc.

/
f

Perc.

Perc.

mp

pp

mp

pp

mp mf

mp

pp

/
+3+ +3+ +
j
j
/

+ +
j

+ +3+ +3+ +
j
j
j

+ +
j

+ +3+ +3+ +
j
j
j

+ o
j

mf

17

46

Perc.

/ !

o-daiko

mf

Perc.

mf

+3+ +3+ +3+ +3+ +3+ +

j
j
j
j
j
/

+ +
j

mp mf

Perc.

Perc.

+ +3+ +
j
j

+ +
j

+ +3+ o
j
j

mf

47

Perc.

/ !

mf

>

/
shime-daiko

Perc.

mp

>

mp

mp mf

mp

mp

Perc.

Perc.

+
/

+ +
j

/ !

+ +3+ +3+ +
j
j
j

+ +
j

+ +3+ +3+ +
j
j
j

+ +
j

+ +
j

+ o
j

mf

48

Perc.

mf

Perc.

mp mf

/
f

Perc.

mp

mp

/
p

Perc.

+ 3++ 3++ 3++ 3++ 3++ 3+ + 3++ 3+ + 3++ 3+ + 3+ o

j j j j j j j j j j j
/

mf

18

/ !

49

Perc.

/ J

Perc.

mp

J
J
J
3

pp

J
J
J
3

J
J
J
stop here 2nd
time thru

J
J
J
3

Perc.

Perc.

+++ + +++

mp

/ !

50

Perc.

chu-daiko, ko-daiko
yukibai

Perc.

+++ + +++

!
1

+++ + +++ + +++

j

!
1

pp

pp

++o

mp

Perc.

mp

Perc.

mf

51

Perc.

+ +
j

o 3 +j +

W
!

>
/
f

Perc.

Perc.

o 3 +j +

o 3 +j +j + + +

>
w
!>

pp

only tremolo gaku-daiko

fp

Perc.

o 3 +j +

>

+ + + + + + + + + + + + + + + + + + + + + + + + o

/
o

/
f

pp

19

/ W

52

Perc.

still use yukibai

pp

Perc.

Perc.

W
/

pp

mikorei (handheld array) suzu

Perc.

53

Perc.

o-daiko

pp

Perc.

Perc.

Perc.

W
/
pp

/ 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

54

Perc.

pp

/ !

chobachi membrane buzz with left hand,

while attacking using yukibai in right hand

Perc.

pp

Perc.

Perc.

/ w

bowed kin (loud enough to be heard clearly)

pp

pp

mf

mf

20

55

Perc.

/ !

Perc.

Perc.

w
/

bowed orugoru (loud enough to be heard clearly)

Perc.

pp

pp

mf

mf

56

Perc.

/ 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
/ !

Perc.

mokusho lines mokugyo spaces

do not use a soft mallet simply tap lightly

Perc.

mp

Perc.

Perc.

Perc.

>

/
p

Perc.

57

Perc.

'ma' rest

indeterminate length

21

58

Perc.

Perc.

/ !

pp

Perc.

Perc.

59

Perc.

gaku-daiko

/
pp

Perc.

/ !

pp

Perc.

Perc.

60

Perc.

/
pp

Perc.

/ !

pp

Perc.

/
W

larger wadora
yukibai

Perc.

pp

mute/cut o

wait for all to switch

22
instruments

61

Perc.

/ !

pp

Perc.

Perc.

mf

.
1 1 1

keep mallet on
membrane

.
1 1

Perc.

Perc.

Perc.

/ 1

.
1 1 1

.
1 1

.
1 1 1

.
1 1

chu-daiko and
ko-daiko
kashibachi

Perc.

/ 1

mf

Perc.

Perc.

/
/

pp

Perc.

63

let ring

O-daiko
Chu-daiko
62 kashibachi

/ 1

mf

pp

Perc.

pp

/
W

/
pp

Perc.

pp

.
.
1 1 1 1 1 1 1

.
.
1 1 1 1 1 1 1

.
.
1 1 1 1 1 1 1

shime-daiko

f 3

J
J

ko-tsuzumi

'ta'
f

23

.
1 1 1

.
1 1

/ 1

.
1 1 1

/ 1

64

Perc.

Perc.

Perc.

Perc.

/ 1

65

Perc.

Perc.

/ 1

Perc.

Perc.

Perc.

Perc.

Perc.

.
.

1 1 1 1 1

1
1

.
1 1 1

.
1 1

.
1 1

1
1

.
.

1 1 1 1 1

J

.
.

1 1 1 1 1

J
/
J

.
1 1 1

/ 1

.
1 1 1 1

.
1 1

.
.

1 1 1 1 1 1

/ 1

.
1 1 1 1

.
1 1

.
.

1 1 1 1 1 1

66

Perc.

.
1 1

.
.

1 1 1 1 1

24

/ 1

67

Perc.

Perc.

Perc.

1
1

1 1 1

/ 1

/ 1

Perc.

1 1 1

1
1

1 1 1

1 1 1

j
1

1 1 1 1 1 1

1 1 1

1 1 1

1 1 1

j
1

J
J

/ J
J

Perc.

Perc.

1 1 1

68

Perc.

1 1 1 1 1 1

1 1 1

/ 1
/

Perc.

1 1 1

69 q = 140

Perc.

Perc.

Perc.

Perc.

/ 1 1 1 1 1 1 1 1 1 1 1 1 1 1
/ 1

.
1 1 1

.
1 1

.
.

1 1 1 1 1

J
J
J
J
J
J
J
J
J
J
J
J
/
/

J
S

25

/ 1

70

Perc.

>
/ 1

>
1

>
/ 1

>
1

>
1

>
1

>
1

>

>

>

>

Perc.

Perc.

72

Perc.

71

Perc.

Perc.

>
1

Perc.

Perc.

.
.

1 1 1 1 1

J
J
J
J
J
J
J
J
J
J
J
J
/

Perc.

Perc.

.
1 1

/ 1 1 1 1 1 1 1 1 1 1 1 1 1 1

Perc.

Perc.

.
1 1 1

Sanukite

73

Perc.

/
/

Perc.

Perc.

Perc.

q = 120

26

shime-daiko (low)

shime-daiko (low)

shime-daiko (2nd highest)

shime-daiko (highest)
p

74

Perc.

Perc.

Perc.

Perc.

75

Perc.

Perc.

/
p

Perc.

Perc.

27

76

Perc.

/
p

mp

Perc.

mp

Perc.

mp

Perc.

77

Perc.

mp

mp

Perc.

mp

Perc.

Perc.

mp

mp

mp

mp

78

Perc.

mp

Perc.

mp

Perc.

Perc.

/
/
/

>
f

mp

mp 3

>

mp

>
f

>
f

28

79

Perc.

/
mp

Perc.

mp

> > >

>
> >
J
J
J
/ J

Perc.

Perc.

80

Perc.

Perc.

>
/

Perc.

Perc.

>

>
J

>

81

Perc.

Perc.

Perc.

Perc.

/
/

/ J
/

29

82

Perc.

Perc.

Perc.

Perc.

>

>
J
J

>

83

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

> > >

84

Perc.

>

>

>

/
/

>

>

>

>

>

mp

30

85

Perc.

Perc.

Perc.

Perc.

>

J
/

Perc.

Perc.

Perc.

86

Perc.

87

Perc.

Perc.

Perc.

Perc.

/
/
/

>

31

88

Perc.

Perc.

Perc.

Perc.

89

Perc.

Perc.

Perc.

Perc.

Perc.

90

Perc.

>

Perc.

Perc.

/
/
/

32

91

Perc.

Perc.

>

Perc.

Perc.

Perc.

J
J

92

Perc.

Perc.

Perc.

J
J

93

Perc.

Perc.

Perc.

Perc.

/
/
/

>

J
J

33

94

Perc.

Perc.

/
/

Perc.

f 3

mp

96

J
J
J
J
J
3

J
J
3

J
J
J
3

Perc.

Perc.

/ J J J J J J J J
3

Perc.

mp 3

Perc.

Perc.

Perc.

95

Perc.

Perc.

Perc.

J
J
3

97

Perc.

Perc.

>

Perc.

/
3

Perc.

Perc.

Perc.

J J

99

Perc.

Perc.

Perc.

98

Perc.

Perc.

Perc.

34

>

/

/
J

J
J
J
J
3

J
J
J
3

J
J
3

J
J
3

35

100

Perc.

J
J
J
J
J
J
J
J
J
J
J
3

/
/

102

Perc.

>

Perc.

Perc.

Perc.

Perc.

Perc.

101

Perc.

Perc.

Perc.

Perc.

Perc.

J
J
3

103

Perc.

Perc.

>

J
J
J
J
J
J
J
3

J
J
3

J
J
J

105

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

J
J

Perc.

104

Perc.

Perc.

Perc.

36

/
/

>

37

106

Perc.

Perc.

Perc.

Perc.

J
/

107

Perc.

Perc.

Perc.

Perc.

>

Perc.

Perc.

J
J
J
J
J

J
J
/ J

J
J
J

Perc.

108

Perc.

J
J
3

J
J
J
J
3

J
J
J
3

38

109

Perc.

Perc.

110

Perc.

Perc.

Perc.

Perc.

>

/
>

/
f

Perc.

>
J

>

>

Perc.

Perc.

111

Perc.

Perc.

Perc.

/
f

>

> >

> >
J

>

>

>

>
J

>

>

>

>

39

112

Perc.

Perc.

Perc.

Sanukite

Perc.

/
p

shime-daiko

kin (lines) and orugoru (spaces)

Perc.

114

Perc.

Perc.

mokusho (lines) and mokugyo (spaces)

Perc.

/
/

Perc.

q = 70

113 o-daiko and chu-daiko kashibachi

Perc.

mp

q = 90

mf

mp

1 1

mf

mp

/
mp

Perc.

Perc.

mf

mf

115

Perc.

/ w!

40

mp

mf

Perc.

mp

Perc.

mp

Perc.

/
w

pp

mf

/ w!

116

Perc.

mp

mp

mf

Perc.

/
3

Perc.

Perc.

pp

/ w
fp

Perc.

fp

Perc.

fp

/
3

Perc.

117

Perc.

j

3

41

118

Perc.

/
mp

Perc.

Perc.

mp

J
J
J
J
3

Perc.

J
J
3

1 1 1 1 1
J

J
J
J
J
J
J
J

/ ! Y ! Y

119

Perc.

Perc.

Perc.

Perc.

j
j

120

Perc.

Perc.

/
/
3

Perc.

Perc.

42

121

Perc.

/
mf

/
play on rim as loud as possible

Perc.

Perc.

mf

Perc.

mf

122

Perc.

/
/

Perc.

Perc.

Perc.

123

Perc.

Perc.

Perc.

Perc.

/
/

/
/

J
J
J

43

124

Perc.

Perc.

Perc.

Perc.

125

Perc.

/ w

Perc.

Perc.

Perc.

mf

Perc.

Perc.

/ w

Perc.

126

Perc.

j
j

44

127

Perc.

mf

J
J
J
J
J
J
J
J
/

Perc.

mf

Perc.

Perc.

mf

/ 1

mf

Perc.

/ 1

mf

Perc.

mf

mf

J
J
J
J

J
J
J
J
J
J
J
J
J
/
3

Perc.

129

Perc.

J
J
J
J
J
J
J
J
J
/

Perc.

Perc.

J
J

mf

128

Perc.

J
J

J
J

Perc.

mf

/ W

J
J
J
J
3

45

. .
/

. .

130

Perc.

Perc.

/
/

. . .

J J

Perc.

Perc.

Perc.

Perc.

Perc.

>
/

>

/
/
/ w

bowed

Perc.

mp

mp

Perc.

132

131

Perc.

chu-daiko and ko-daiko kashibachi

Perc.

Perc.

ff

mp

ff

mp

>
/

133

Perc.

>

Perc.

Perc.

Perc.

W
f

>
/
f

134

Perc.

>

Perc.

Perc.

Perc.

/ W

>
/
f

135

Perc.

>

Perc.

Perc.

Perc.

46

47

>

136

Perc.

>
/
f

Perc.

/ W

>
/

>

Perc.

Perc.

Perc.

138

Perc.

>

Perc.

Perc.

137

Perc.

Perc.

Perc.

Perc.

>

/ W
p

>
/

139

Perc.

Perc.

/ W

>
/

>

Perc.

Perc.

/
p

Perc.

Perc.

Perc.

W
p

141

Perc.

Perc.

140

Perc.

Perc.

Perc.

>

48

49

q = 120

142

Perc.

Perc.

Sanukite

Perc.

Perc.

/ 1

mf

Perc.

mf

Perc.

Perc.

/ 1 1 1 1 1 1 1 1

/ 1

144

Perc.

Perc.

mf

Perc.

/ J
mf

Perc.

143 q = 180

Perc.

atarigane

/ ww
mf

j
1 1
1

J
J
J
J
J
J
J
J
J
J
J
J
3

ww

ww

50

145

Perc.

/ 1

Perc.

Perc.

Perc.

/ !

Perc.

/ J J

>
1

j 3 j 3 j>
1 1 1 1

>
1

Perc.

/ ww

ww

> >3 >

/ J J J J J J J J J J J J

Perc.

/ 1

Perc.

w
w

J
J
J
J
J
J
J
J
J
J
J

>
1

ww

>
/ !

w
w

/ ww

147

Perc.

>
1 1 1 1 1 1 1

/ 1

ww

Perc.

Perc.

/ ww

J
J
J
J
J
J
J
J
J
J
J

146

Perc.

J
S

51

148

Perc.

mf

>

Perc.

>
/ !

Perc.

/ J J J
3

Perc.

150

j 3 j>
1 1 !

/ J J J J J J J J

Perc.

/ ww

ww

J
J
J

>
!

Perc.

>
1

1 1 1 1

J
J

Perc.

>
/ !

>
!

w
w

ww

ww

/ ww

J
J
J
J
J
J
J

1 1 1 1

>
!

/ J J J J

Perc.

Perc.

ww

>
/ !

Perc.

Perc.

1 1 1 1

J
J

/ ww

149

Perc.

w
w

J
J
J
3

52

151

Perc.

Perc.

Perc.

Perc.

>
!

>
1

>
!

>.

>.

1 1

>.

1 1

j
1 1

J
J
J
3

/ J J J J J J J

Perc.

ww

>.
/

mf

J
J
J
J
J
J
J
J

/ ww

Perc.

1 1 1 1
>
1

152

Perc.

>
/ !
3

Perc.

> >3 >

J
J
J
3

>.
/

>
j .

Perc.

Perc.

/ J J J J J J J J J J J J

153

Perc.

Perc.

j

j
1 1

53

/
1

.j
1 1 1

1 1 1 1 1

>
j
1 1 1 1 !

Perc.

1 1

Perc.

/ J

154

Perc.

Perc.

>
/ !

Perc.

/ J J J J J

Perc.

/ 1 1 1

156

Perc.

mf

Perc.

/ 1

Perc.

Perc.

j
1 1

j
1 1

1 1 1

1 1 1

j
1

1 1 1

>j > > > >

1 1 1 1 1
3

j
1

J
J
3

j
1

J
J

1 1 1

1 1 1

1J 1 1
J

> > > > > > >

1
3
3
3
3
3
3

J
J
J

J
J
J
J
J
J
3

3
3
>
j
j
1 1 j
!

Perc.

>
1

J
J
J
J
J
J
J
J
J
J
J
J

155

Perc.

>
1

J
J
3

54

>
/ 1 1 1

1 1 1

157

Perc.

Perc.

> 3 > 3 >

/ 1

Perc.

Perc.

>
1

Perc.

1 1 1

mp

1J 1 1
J

>
1

J
J
J
J
J
J
3

1 1 1

1 1 1

Perc.

>
/ !

>
!
3

Perc.

/ J J
3

>
/ 1 1 1

Perc.

> 3 > 3 >

1 1 1 1 1 1 1

J
J

1 1 1

159

Perc.

1 1 1

1 1 1

1J 1 1
J

>
!

>
1

/ J J J J J J J J J J J J

Perc.

Perc.

>
/ 1 1 1

1 1 1

> > >

1
3
3

J
J

158

Perc.

1 1 1

1 1 1

3
j
1

>
1
3

J
J
J

>
1

j
1

>
!

j
1

shime daiko

55

>
/ 1 1 1 1 1 1 1 1

160

Perc.

Perc.

mf

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

> >

>
J J

>
/ !
/
/

j
1 1 1

>
!

>
!

>
J J

>
j
j
!

J
3

j j j j j j j j j j j j
1
1
1
1
1
1
1
1
1
1
1
1
3

> >

162

Perc.

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

Perc.

161

Perc.

j
j
j
j
j
j
j
j
j
j
j
j
j
1 1 1 1 1 1 1 1 1 1 1 1 1
3

> >

>
J J

j
1

163

Perc.

Perc.

Perc.

Perc.

/ 1

164

Perc.

j
1

J 1

J J 1
3

3
J J

j
j
j
j
j
1 1 1 1 1
3

1 1 1

/
f

Perc.

Perc.

Perc.

Perc.

Perc.

j
1 1

/ 1
/

> >

>
J J

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

j
j
j
j
j
j
j
1 1 1 1 1 1 1

> >

165

Perc.

mf

Perc.

j
j
j
j
j
j
j
1 1 1 1 1 1 1
3

>
J J

>j > > > > > >

J
J 1
3

> >

/ 1j 1j 1j 1j 1j 1j
3

56

j
j
1 1
3

>
>
j
1 1 1 1 1 1 1
>
J J

57

166

Perc.

Perc.

Perc.

Perc.

/
/

Perc.

j
j
j
1 1 1
3

3
j
J

3
J

j
1

j
j
j
j
j
j
j
1 1 1 1 1 1 1
3

Perc.

j
1 1 1 1 1
>
J J

j
j
1 1
3

>
1 1 1 1 1 1 1 1 1 1

> >

>
J J
j

j j

mf

Perc.

> >

168

Perc.

j
j
j
j
j
j
j
j
j
j
j
1 1 1 1 1 1 1 1 1 1 1

j
1

167

Perc.

Perc.

Perc.

/ 1j
3

/
mp

Perc.

J
J

169

Perc.

Perc.

Perc.

Perc.

170

Perc.

J J

j j

>j j
1 1 1

1 1

>
/ 1

171

Perc.

J
J
J
J
J
J
J
J
J
J
J
J
J

Perc.

>
1

Perc.

Perc.

58

>
1 1 1

j>
1

j>
1

>
1

Perc.

Perc.

/ J J J J J J
3

Perc.

J
J
J
J
J
J
J

J J

59

172

Perc.

mf

j
1

>

Perc.

Perc.

Perc.

J
J

173

Perc.

>
/ 1

Perc.

Perc.

Perc.

J
J
J
J
J
J
J
3

j
3

J
J
J
J
J
J
3

J J

174

Perc.

Perc.

Perc.

Perc.

>
/ 1

>
1

/
/

60

175

Perc.

/
j
3

>
!

Perc.

Perc.

/ J J J J J J J J J J J J J

Perc.

mf

Perc.

j
j
j
j
j
1 1 1 1 1
3

Perc.

Perc.

J J

j
j
j
j
j
j
j
1 1 1 1 1 1 1
3

>
J J

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
/

Perc.

> >

177

Perc.

/ 1j

Perc.

q = 200

Perc.

176 Improvise, trading 4s

Perc.

> >

j j j
1
1
1
3

>
J J
j

61

178

Perc.

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

Perc.

Perc.

Perc.

179

Perc.

> >

>
J J

j
1

3
3
3
3
3
3
3
3
3

j
j
j
j
j
j
j
j
j
j
/ 1 1 1 1 1 1 1 1 1 1 1
3
3

Perc.

Perc.

Perc.

180

Perc.

> >

>
J J

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

mf

Perc.

Perc.

Perc.

/
/

Improvise, trading 4s

> >

>
J J
j

62

181

Perc.

Perc.

/ 1j

j
1

j
j
j
1 1 1
3

j
1

>
J J

j
j
j
j
j
j
j
1 1 1 1 1 1 1
3

> >

>
J J

Perc.

Perc.

3
3
3
3
3
3
3
3
3

j
j
j
j
j
j
j
j
j
j
/ 1 1 1 1 1 1 1 1 1 1 1
3

183

Perc.

> >

Perc.

Perc.

Perc.

Perc.

182

Perc.

Perc.

Perc.

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

/
/

> >

>
J J
j

63

184 Improvise, trading 4s

Perc.

Perc.

mf

Perc.

mp

Perc.

185

Perc.

J
J

Perc.

Perc.

Perc.

J
J
J
J
J
J
J
J
J
J
J
J
J
3

186

Perc.

Perc.

Perc.

Perc.

J J

/
/

64

187

Perc.

Perc.

/ J J J J J J J J J J J

Perc.

Perc.

J J

188

Perc.

mf

Perc.

Perc.

Perc.

Improvise, trading 4s

J
J

189

Perc.

Perc.

Perc.

/ J J J J J J J J J J J J J
3

Perc.

J J

65

190

Perc.

Perc.

191

Perc.

/ 1 1 1
3

Perc.

Perc.

Perc.

1
1

>
w
!

Perc.

>
/ w
!

>
w
!

Perc.

Perc.

>
/ w
!

1 1 1

J
J
J
J
J
J
J
J
J
J
J

192

Perc.

Perc.

Perc.

J J

>
1 1

>
1 1

/ 1

>
1

/ 1

>
1

193

Perc.

Perc.

Perc.

Perc.

66

>
1

>
1

chu-daiko and shime, kakibachi in both hands

194

Perc.

/
f

Perc.

Perc.

Perc.

195

Perc.

Perc.

Perc.

Perc.

>
!

>
!

>
1

>
!

>
!

>
1

>
!

>
w
w

>!

>
1

>

67

>
/ 1

>
/ 1

>
/ 1

196

Perc.

Perc.

Perc.

Perc.

nyobatsu

pp

q = 150

197

Perc.

Perc.

j
/

Sanukite

Perc.

Perc.

W
/

ff

198

Perc.

Perc.

Perc.

Perc.

68

199

Perc.

Perc.

>
w
!

>
w

Perc.

Perc.

200 chu-daiko and shime takebachi

Perc.

ko-daiko and shime takebachi

j 3 j
/
okedo and daibyoshi
3

Perc.

mf

Perc.

Perc.

j 3 j

shime

mf

mf

mp

/ !

3
j
j

open

Perc.

mf

Perc.

shime

Perc.

>
w

chappa

/ !

201

/
/

Perc.

>
w
!

closed

c c o

scrape

J J

!
1

c c o

1 1

+
c c o
j

69

/ !

202

Perc.

mf

mp

/ !

Perc.

j
/
3

Perc.

Perc.

+
/

/ !

mf

c c o

Perc.

Perc.

+
/

/ !

mf

Perc.

/ !

Perc.

Perc.

c c o
/

c c o

1 1 1 1

o
+
c
jc
J

!
1

1 1 1

J J

j 3 j

+

jc c j o

j 3 j
/

J J

c c o

j 3 j

j 3 j

c c o

mp

204

Perc.

c c o

/ !

Perc.

mp

203

Perc.

J J

j 3 j

1 1

+
+
j j

c c

c c o

/ !

205

Perc.

mf

mp

/ !

Perc.

j 3 j
/

Perc.

/ !

mf

Perc.

/ !

mf

Perc.

Perc.

Perc.

1 1 1
3

c c o

+
c c o
j

J J

mp

c c o

c c o

mp

/ !

/
+
/

207

Perc.

j
/
+
/

j

3

J J

c c o

Perc.

/ !

Perc.

206

Perc.

Perc.

70

j 3 j

j 3 j

c c o

J J

1 1 1 1

jc c j o

j 3 j

c c o

o
+
c
jc
J

1 1
+

71

/ !

208

Perc.

mf

mp

/ !

Perc.

j 3 j
/

Perc.

209

Perc.

c c o
/

c c o

j 3 j
/

Perc.

o
/

.
/

J J

j 3 j

+
+
j j

c c o

j 3 j

1 1 1

c c

210

Perc.

Perc.

Perc.

Perc.

1 1 1 1

mp

Perc.

Perc.

Perc.

>
/

211

Perc.

Perc.

Perc.

Perc.

Sanukite

mf

q = 180

>
/

212 o-daiko and chu-daiko kashibachi

Perc.

>
/ 1
>

mf

chu-daiko and ko-daiko kashibachi

Perc.

f
mf
Chu-daiko and shime-daiko kashibachi in both hands

>
/

Perc.

mf

ko-tsuzumi

Perc.

>
/

213

Perc.

Perc.

>
/ 1
>
f

Perc.

>
/
f

Perc.

mf

mf

mf

1
1

>

72

73

> > > > > > > > >

/ 1

>
/ 1
>

1 1 1 1

214

Perc.

Perc.

mf

>
/

Perc.

Perc.

>
/

215

Perc.

mf

mf

1 1 1 1

>
!

!
1

>
1 1 1 1 1 1 1 1
/
1 1

Perc.

j >
1

>
/

Perc.

Perc.

J
/

>
/

Perc.

Perc.

Perc.

mf

1 1

1 1

>
/ 1
f>

1j 1

>

1 1j 1
J
>

1 1j 1

216

Perc.

mf

1 1 1 1

/ 1
f>

mf

1j 1

>

1j 1

>

217

Perc.

>

Perc.

Perc.

218

Perc.

mf

Perc.

219

Perc.

/ 1 1j 1j
3

j
1

mf

Perc.

Perc.

j
1

>

>

j
j
j
j
j
1 1 1 1 1

j
j
j
1 1 1

>

j
j
j
j
j
j
1 1 1 1 1 1

>
/

Perc.

j
j
j
1 1 1
3

1
1

mf

mf

/ 1j

Perc.

Perc.

mf

mf

>

/ 1
>

Perc.

74

j 1
J

j
j
j
j
1 1 1 1
3

> j >
j
1 1

j 1
J

75

220

Perc.

j j
1

/ 1 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

Perc.

mf

>
/ 1

Perc.

Perc.

>
1

>
1

221 Improvise for a bar

Perc.

Perc.

/ 1

Perc.

Perc.

222

Perc.

J
/

>
1

j
j
j
j
j
j
j
j
j
j
j
j
j
1 1 1 1 1 1 1 1 1 1 1 1 1

mf

>1

f
3

>
1

mf

Improvise for a bar

Perc.

Perc.

Perc.

/ 1 1j 1j 1j 1j 1j 1j 1j
3

j 1
J

j
j
j
j
j
j
1 1 1 1 1 1
3

j 1
J

76

223

Perc.

Perc.

Perc.

j
1

j
j
1 1
3

j
1

/ 1 1j 1j 1j 1j 1j 1j

j
j
j
j
1 1 1 1

j
j
1 1

j
1

225

Perc.

j
j
1 1
3

j
j
j
j
1 1 1 1

Perc.

Perc.

/ 1 1j 1j 1j 1j 1j 1j
3

Perc.

j
j
j
j
1 1 1 1

Improvise for a bar

224

Perc.

/ 1 1j 1j 1j 1j 1j 1j
3

Perc.

j j
1

j 1
J

/ 1 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

Perc.

/ 1 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j 1j

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
/ j

Perc.

77

226

Perc.

/ 1j 1j 1j 1j 1j 1j 1j 1j 1j
3

Perc.

/ 1 1j 1j 1j 1j 1j 1j 1j 1j 1j

Perc.

3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
/ j

Perc.

>
/

227

Perc.

>

>

>

1j 1j 1j 1j 1j 1j 1j 1j 1j
3

3
3
3
>
j
j
j
j
/ 1 1 1 1 1

>

Perc.

>

>

Perc.

Perc.

Perc.

Perc.

3
3
3
>
j
j
j
j
/ 1

228

Perc.

>
1

>
1

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j>
/

1j 1j 1j 1j 1j
3

Perc.

>
1

>

>

>

>
1

>
1

>
1

>
1

>
/

>

>

>

j 3 j 3 j 3 j >

>

>

>

>
/

>

>

>

j 3 j 3 j 3 j >

>

>

>

>
/ 1

>
1

>
1

>
1

>
1

>
1

>
1

>
1

>
1

>
1

>
1

>
1

>
/

>

>

>

>

>

>

>

>

>

>

>

>
/

>

>

>

>

>

>

>

>

>

>

>

229

Perc.

Perc.

Perc.

Perc.

>
/ 1

230

Perc.

>
/

Perc.

>
/

Perc.

Perc.

Immediately go to Shime-Daiko

mp

mp

mp

>
1

>
1

mp

mf

>

>

>

>

mf

mf

mf

mp

mp

mp

mf

mf

mf

78

mp

mf

mp

mf

231

Perc.

mf

Perc.

mf

Perc.

mf

Perc.

> > > > > > > > >

Shime-daiko
f

79

232

Perc.

Perc.

Perc.

Perc.

> > > > > > > > >

>
!

>

>

233

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

>
/ 1

234

Perc.

>
1

>
1

>
/

>

>

>

>
/

>

>

>
/ 1

>
/

>
1

235

Perc.

Perc.

>
/

Perc.

Perc.

>
/ 1

Perc.

Perc.

Perc.

Perc.

Perc.

Perc.

>

>

>

/ 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J

>
/ 1

237

Perc.

>

>
1

236

Perc.

>

80

/
/

/ 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J

81

>
/ 1

238

Perc.

Perc.

>
1

/ 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J

>
/ 1

239

Perc.

Perc.

Perc.

>
1

>
1

>
1

>
1

>
1

>
1

1 1

Perc.

Perc.

Perc.

/ 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J 3 J

240

Perc.

Perc.

Perc.

Perc.

/
/

241

Perc.

Improvise for 1 bar

Perc.

82

Play 3 Times

mf

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j

Perc.

mf

Perc.

/
mf

242

Perc.

/
mf

Perc.

Improvise for 1 bar

f

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j
/
3

Perc.

mf

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
/ j

243

Perc.

mf

Perc.

/
mf

Perc.

Perc.

Improvise for 1 bar

f

83

>
/ 1

244

Perc.

>
1

>
1

>
1

Perc.

Perc.

Perc.

to Gaku-Daiko

>
/ 1

245

Perc.

>
1

>
1

>
1

>
1

>
1

>
1

>
1

/ j

Perc.

Perc.

Perc.

>
/ 1

246

Perc.

>
1

>
1

>
1

>
1

>
1

Perc.

/ j

Perc.

/ j
f

Perc.

>
/ 1

247

Perc.

>
1

>
1

>
1

>
1

>
1

84

/ j

Perc.

/ j

Perc.

Gaku-Daiko

Perc.

248 Improvise

Perc.

Perc.

Perc.

Perc.

249

Perc.

Improvise

Perc.

/
/

Perc.

Perc.

85

250

Perc.

Perc.

Perc.

Perc.

Improvise

251

Perc.

Perc.

Perc.

Perc.

Improvise

252

Perc.

Perc.

Perc.

Perc.

86

253

Perc.

Perc.

Perc.

Perc.

254

Perc.

Perc.

Perc.

Perc.

255

Perc.

Perc.

Perc.

Perc.

87

256

Perc.

Perc.

Perc.

Perc.

257

Perc.

j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j 3 j

Perc.

Perc.

Perc.

258

Perc.

Perc.

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
j
/

Perc.

/ 1 1

1 1

1 1

1 1

1 1

>
j

Perc.

Perc.

259

Perc.

Perc.

Perc.

Perc.

>
1

>
!

Perc.

Perc.

Perc.

Perc.

>
1

261

Perc.

260

Perc.

88

>
!

>

89

>
/ !
262

Perc.

q = 200

>
!

>
!

>
!

>
!

>
!

Perc.

Perc.

Perc.

>

>

>

>

>

>

>
1

Perc.

Perc.

263

Perc.

3
3
3
3
3
3
3
3
3
3
3
3
j
j
j
j
j
j
j
j
j
j
j
j
j
/

Perc.

>
/ 1

>
1

>
1

>
1

>
1

>
1

>
1

>
!

Perc.

Perc.

Perc.

264

Perc.

>
/ 1

265

Perc.

Perc.

Perc.

Perc.

fp

>
/

>
/

Immediately go to larger wadora

>
/

90

/ W

266

Perc.

fp

ff

Perc.

Perc.

Perc.

/ W

267

Perc.

fp

Perc.

/ W

/ W

>
w

>
w

ff

larger wadora

pp

ff

fp

Perc.

>
w

ff

fp

Perc.

>
w
!

ff

91

q = 150

268 Sanukite

Perc.

mf
Sanukite

Perc.

mf
Sanukite

Perc.

mf

Perc.

Sanukite

mf

269

Perc.

Perc.

/ W

Perc.

Perc.