Professional Documents
Culture Documents
IGCSE
Submit 2 compositions, either contrasting in character or written for different forces Must be recorded One of them must be written in a Western tonal style and must demonstrate familiarity with the basic principles of traditional harmonic language; FULLY NOTATED The other may be in any style of the candidates choice and may be notated in whatever form of notation is appropriate to the music, provided that the intention of the notation are clear to the examiner/moderator
~composition~
Organisation of sounds over time. The spacing of sound is important for impact and an overall plan helps everything to fit and balance. STRUCTURE is how the ideas are organized DEVELOPMENT is how the ideas grow
Marking Scheme
Ideas 20% Structure of their compositions 20% Use of the chosen medium 20% Compositional technique 20% Presentation and notation of scores 20%
Ideas
1. What kind of rhythmic pattern/value is used? 2. Is the main idea/melody memorable? Sing-able? 3. Are there other ideas introduced? When/where? 4. Is there sufficient variety and contrast between the ideas? 5. Do the chords match the melodies used?
Super Mario
1. 2. What kind of rhythmic pattern/value is used? Is the main idea/melody memorable? Sing-able?
3. Are there other ideas introduced? When/where? 4. Is there sufficient variety and contrast between the ideas? Do the chords match the melodies used?
5.
Structure
1. How long/short are the melodic phrases? 2. Is there enough variety/contrast between the different phrases? 3. How is variety/contrast achieved in this piece? 4. Do you think the composition is well organized? Why/why not?
Tetris
1. How long/short are the melodic phrases? 2. Is there enough variety/contrast between the different phrases? 3. How is variety/contrast achieved in this piece? 4. Do you think the composition is well organized? Why/why not?
Hes a pirate
1. How long/short are the melodic phrases? 2. Is there enough variety/contrast between the different phrases? 3. How is variety/contrast achieved in this piece? 4. Do you think the composition is well organized? Why/why not?
Violin + Piano
1. How long/short are the melodic phrases? 2. Is there enough variety/contrast between the different phrases? 3. How is variety/contrast achieved in this piece? 4. Do you think the composition is well organized? Why/why not?
Use of medium
Choice of writing for specific instrumental combinations Appropriate writing for the instrument/s Variety of musical texture
2 trombone quartets
1. Do you think the composition suit the instruments written for? 2. If you have to re-arrange this composition, what kind of instrument/s would you write for? 3. What is the main texture used in this piece? 4. Do the different parts have interesting/melodic ideas to play during the piece?
The Swan
1. Do you think the composition suit the instruments written for? 2. If you have to re-arrange this composition, what kind of instrument/s would you write for? 3. What is the main texture used in this piece? 4. Do the different parts have interesting/melodic ideas to play during the piece?
1. Do you think the composition suit the instruments written for? 2. If you have to re-arrange this composition, what kind of instrument/s would you write for? 3. What is the main texture used in this piece? 4. Do the different parts have interesting/melodic ideas to play during the piece?
Compositional technique
Basic ideas extended, Developed, Combined, Sequence, Inversion, Drones, Combination & manipulation on a broader scale to produce an aesthetically pleasing composition (with harmonic)
Basic ideas extended, Developed, Combined, Sequence, Inversion, Drones, Combination & manipulation on a broader scale to produce an aesthetically pleasing composition (with harmonic)
Score presentation
Notated scores + audio recording Clear and precise Close attention to details of performance, regardless of notation medium How effectively candidates are able to record their aural imagination in terms of written signs and symbols
Notated scores + audio recording Clear and precise Close attention to details of performance, regardless of notation medium How effectively candidates are able to record their aural imagination in terms of written signs and symbols
Idea Expansion
Section Organization
Textures
A tune with simple harmony A tune with complicated harmony A tune plus parallel fifths (or other interval) Drone/ostinato Several tunes at once (polyphony/counterpoint) Everybody has a different version of the same tune (heterophony)
Debussys Impressionism
Clair de la Lune
Ways of Ending
Stop suddenly Make the music collapse Gradually wind the music down, slowing the tempo One instrument/voice settles on a long note, signaling the end A fade-out ending A special closing section, called a coda
Structure
Binary Ternary Rondo Theme and variation Ground bass
Harmony
Primary chords: I, IV, V(7) Secondary chords: II, VI Cadence: perfect, imperfect, plagal, interrupted Modulation to related keys
Compositional devices
repetition Imitation Sequence Canon Inversion Ostinato Drone Alberti bass Pedal Contrary motion
Mozart
Rhythm used: mostly quavers & semiquavers Melody: mostly in the right hand, but left hand has some interesting parts with semiquavers leading up to the right hand semiquaver runs. Melodic phrases are short but structured Harmony: mostly tonal, using broken chords/primary chords, it modulates into a minor key in the middle
Zimmer
Rhythm: LH ostinato rhythm in 6/8, contrasted with RH in , creates syncopation Melody: harmonized RH melody, repeat with variation. Phrases vary in length. Quite a lot of ideas introduced.
Bond
Nyman
Binary
Notes Treble Bass Alto 4sharps and 4 flats major minor key
intervals
Dynamics
Tempo
Expression
Harmony
Primary chords I, IV, V(7) Secondary chords II, VI
Cadence
Perfect Imperfect Plagal Interrupted Modulation to related keys
ensembles
Orchestra Wind/jazz bands choir Chamber ensemble Piano, harpsichord, organ Gamelan, rabab, kora, xylophone Od, sitar, sarangi, tabla, chin, er-hu, shakuhachi, koto, bandoneon, quena, pan-pipes, guitar, un-tuned percussion