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Hmmm...
2) A person Like Daisy Renton,
morbidly could the inspectors
interested in name be a clue?
death or disaster. Sheila asks what he
was, not who he
was.
Question: To what
The Inspector might not
have been a real
inspector
1. How do the family members react to the
idea that the inspector might be a fake
inspector?
Why doesnt Priestley end the play there? Why does the
phone ring sharply...with news of a suicide and an Inspector on
the way to ask some questions. This news in spookily similar to
the news in Act 1. Discuss
Who or What is Inspector Goole?
1) Discuss in your table groups, gathering evidence to support each
suggestion
2) Based on the amount and level of textual evidence,Is the
rankplay
the
suggestions from strongest to weakest A murder
Philosopher, raising moral issues? mystery?
A morality
Post-war social commentator?
play?
A priest pushing for confession? A piece of
Socialist
A spooky ghost delivering a prophecy? propaganda?
A ghost story?
God, seemingly omniscient with detailed knowledge of things that the
characters hadnt told him? Failure to learn their lessons will induce fire and
blood and anguish which is quite a Biblical level of retribution
Human plot device, driving the play forward through pushy questioning
strategies, forcing out truths from the family members mouths, and
heightening drama by revealing new information this girl was going to
have a child?
Mouthpiece for Priestley; the voice of his Socialist views? Public men, Mr.
Birling, have responsibilities as well as privileges (Act 2); the Inspectors
What is a Morality Play?
Morality Play = a religious play written in the
late middle ages focusing on the seven deadly
sins (pride, greed , lust, envy, gluttony, anger,
sloth); they sought to teach people how to
behave and warn against the dangers of sin. The
Inspector repeatedly highlights all the
characters sins, and tries to get them to repent.
However, here the moral judge is not God, but a
police inspector, making the morality play
secular i.e. not religious. WHAT SIN(S) DOES THE
INSPECTOR SEEM TO THINK CHARACTERS ARE
GUILTY OF COMMITTING?
Directors Challenge
Ifyou were directing the play, what notes would you give the actor playing the part of
the Inspector?
Which aspects would you instruct him to emphasize in his performance, and
how? Consider his facial expressions, clothing, bodily movements around the
stage, volume and speed at which he delivers he lines, use of props
His unsettling presence?
His confidence?
His ability to elicit information?
His power and control over family members, even supplanting Arthur?
His lack of respect for middle-class etiquette, as he broaches taboo topics for a
middle-class household such as sex, politics, pregnancy?
His status as an outsider to the middle-class, as he doesnt play golf or appear
impressed by Arthurs connections or public profile?
His mysterious quality? When he exits the stage for the final time, the audience like
the characters onstage are left staring, subdues and wondering
His moral code?
His single-mindedness, for example revealed through forceful questioning, and when
probing into peoples personal lives?
His calculating nature? - Strategic entrances and exits, for example leaving Sheila and
Gerald alone lets Sheila interrogate Gerald and allows time for suspicion to break
them apart. This makes it easier to get Gerald to confess when the Inspector returns.
An emotive manipulator of language, for example able to make the audience instantly
sympathize with Eva Smith based on his description of her as pretty and lively and
then his use of direct and blunt language to state the fact that she is now lying with a
burnt-out inside on a slab?
Plenary
In my opinion, the role of the inspector is
to act as . (add purpose) within the
play which I consider to be a (add
genre). I think this because