Professional Documents
Culture Documents
(GEO362)
Chapter 7
COLOUR
COLOUR
Light, or different colours, is a narrow frequency band
within the electromagnetic spectrum.
Visible colours are electromagnetic wave with the
wavelength of approximately 700nm (red) to 400nm
(violet).
Functions:
a) Simplifies or clarifies the organization / message of the
map
b) Makes information more legible and clear
c) Creates a subjective reaction /adds visual interest
d) Aesthetic
ELECTROMAGNETIC SPECTRUM
Range of all possible frequencies of electromagnetic radiation.
The electromagnetic spectrum of an object has a different
meaning, and is instead the characteristic distribution of
electromagnetic radiation emitted or absorbed by that particular.
COLOUR THEORY AND MODELS
Saturation (Chroma)
Brilliance, richness of a colour
Chroma varies from 0% (gray) to 100%(saturated, pure colour, no gray);
amount of pigment VS amount of gray
Hue - Basic colour we
perceive
Value - Lightness or
darkness; can be hard
to perceive variations
in value
Saturation - Intensity or
purity compared to a
neutral gray
COMPONENTS OF A COLOUR
COLOR CONVENTIONS ASSOCIATED WITH
CARTOGRAPHY
Many of these conventions are the result of widely-used USGS practices (in the
US at least)
Blue is used to show water features: rivers, springs, lakes, oceans,
reservoirs, canals.
Green is used to represent vegetation (both natural and human-
maintained): forests, marshes, scrublands, orchards, vineyards.
Brown is often used to show topography or terrain.
Black is used to show human artifacts such as individual buildings,
including schools, churches, cemeteries, homes, out buildings, railroads,
pipelines, power lines, oil wells, and water tanks.
Red is also used to show many larger human artifacts, such as highways,
roads, townships, and urban built-up areas on relatively smaller scale maps
where it wouldn't make sense to show every building.
COLOR SYMBOLISM BY CULTURE
COLOR MODELS
Color models are different ways to organize and interrelate the three
dimensions of color
Munsell (1915): A system originally developed for government color
coding, it works well for cartography because the three dimensions of
color are divided into equally spaced steps from a perceptual standpoint.
Ostwald (1917): Similar to Munsell but colors are achieved by
manipulation of hue, white and black rather than hue, value and
saturation.
CIE (1931): The Commission International de lEclairage (International
Commission on Illumination) system; allows precise color specification
in numerical terms.
CMY(K) - Subtractive primaries (color laser/inkjet printing on hardcopy)
RGB Cube: A more recent model of additive primaries (graphics card for
color monitor)
THE ADDITIVE COLOUR SYSTEM
Hue
Saturation
Intensity
The HSI are derived using the RGB colour cube with axes
redefined according to the shade of colour, the purity of colour
and the brightness of colour.
HSV COLOUR MODEL
CATEGORIES OF PATTERNS
Reversed patterns
CATEGORIES OF PATTERNS
An assortment of common line, dot, pictographic, and reversed patterns.
From Robinson, et al., 1995
USE OF PATTERNS
A simple monochrome map contrasting the use of parallel line and dot patterns. Line
patterns are perceptually unstable, and all but the finest textures should be used with
caution.
From Robinson, et al., 1995