Dye Class

2004 1
Dye classification
Dyeing processes
Daniel 2004
Introduction to Coloration & Finishing

2004 2
You can not assume that to dye any piece of fabric

to a given colour, all you need to do is use a dye of
that particular colour.
No dye will dye all textile fabrics satisfactorily.
This means, simply, that you must choose a dye
that will suit the material (or a material that will suit
the dye).

2004 3
Classification of Dyes
• No single class of dye can dye all fibres.
• A specific class of dye can only be
applied to a given type of textile fibre.

2004 4
Dye for Cellulosic Fibres:

• Direct Dyes
• Azoic Dyes
• Reactive Dyes
• Sulphur dyes
• Vat Dyes
2004 5
Classification of dyes
Dye Main
General description
Class application
Direct Simple application; Mainly used for
cheap; complete cellulosic fibres;
colour range; can also be
moderate colour applied on
fastness but can be rayon, silk &
improved by after- wool.
treatment with copper
salts & cationic
fixing agents.
2004 6
DIRECT DYES
• Direct dyes for Cotton, Viscose, Silk & Nylon
• Easy to dye - require only cooking salt & very
hot to boiling water.
• Dyes have a good light fastness but only
moderate wash fastness .
• It is possible to improve on wash fastness by
after-treatment of dyed article with dye-fixing
agent.
• These dyes are principally used for “not so
expansive” products or product with fewer
washes such as T-shirts, curtains & theatre
productions.
2004 7
DIRECT DYES
Yellow Pink Brown Turquoise
Orange Red Violet Black
Forrest
Fushia Grey Green
Green
Scarlet Blue Wine China Blue

2004 8
Main
Dye Class General description
application
Azoic Complicated application; Mainly
(Naphthol) limited colour range (red, applied on
orange, navy among the cellulosic
best); bright shade at fibres,
moderate cost; generally especially
good wet fastness but on brilliant
moderate to poor dry red shade.
cleaning & rubbing fastness;
also called naphthol dye due
to the use of naphthol, or ice
colour because of the usage
of ice during application.
2004 9
Azo Dye Synthesis
Coupling
• Blue component can be

coupled with yellow or
green componentIntroduction
to form to Coloration & Finishing
two different dyestuffs.
2004 10
AZOIC DYES
• The word 'Azoic' is the distinguishing name
given to insoluble azo dyes that are not applied
directly as dyes, but are actually produced
within the fibre itself.
• This is done with impregnating the fibre with
one component of the dye, followed by
treatment in another component, thus forming
the dye within the fibre.
O
HO C NH
NH2
CH3 NO 2

2004 11
AZOIC DYES
• The formation of this insoluble dye within
the fabric makes it very fast to washing.
• The deposition of the dye on the surface of
the fibre produces poor rub fastness, but
once the loose dye is removed by boiling
the fabric in soap, the dyeing becomes
one of the fastest available.

2004 12
AZOIC DYES
• Normally it is dyed in cold for all natural fibers
• Naphtol dyes are not sold in the form of a
"finished dye" but in form of their components
(Insoluble azo base & fast colour coupling
compound) which combine on the fibre to
produce a water insoluble azo dye of
exceptional fastness properties.

The following chart of basic range shows only a very limited number of colours13
2004
that can be obtained by using combinations of Naphtol & Diazo.
DIAZO SALT NAPHTOL
G D or AS BO BT GR
CHROME PALE
ORANGE GC ORANGE RED ORANGE APRICOT
YELLOW BROWN
CADMIUM
RED RC BRILLIANT RED DEEP RED
YELLOW
YELLOW CRIMSON
RED B CRIMSON
OCHRE LAKE
REDDISH
BORDEAUX GP CLARET BORDEAUX
YELLOW
CHROME
VIOLET B VIOLET DARK VIOLET
YELLOW
GOLDEN DARK
BLUE BB OR 3B BLUE NAVY BLUE GREEN
YELLOW BROWN
GREEN BB RED RUST BLUE GREEN DARK GREEN
GREEN GT LEAF GREEN BLUE GREEN

BLACK B BLACK BLACK BLACK
2004 14
Dye Main
General description
Class application
Vat Difficult to apply (requires Commonly
reduction treatment to make used for high
soluble in water & oxidation to quality cotton
resume insoluble state after goods, e.g.
dyeing); most expensive; towel;
incomplete colour range (strong specially used
in blue & green but weak in in the dyeing
brilliant red); good all round of denim
fastness except indigo & fabric.
sulphurised vat species; tending
to decrease Introduction
in popularity due to
to Coloration & Finishing
increasing use of reactive dyes.
2004 15
VAT DYES
• INDIGO, probably the oldest dye
known to man, is one of the most
important members of this group.
• Natural indigo extracted from the
plant 'Indigofera tinctorie' was
used by the Egyptians in 200 BC.
• The first synthetic indigo was
introduced to the textile trade in
1897 & had the effect of
completely replacing the natural
product.

2004 16
VAT DYES
• Although the vat dyes may be divided into 3
chemical groups, they are similar in that they are
insoluble in water & become water soluble
when reduced in the presence of an alkali.
• After dyeing, the fabric is oxidized & the dye
again becomes water insoluble.
• Because of the time consuming & costly
procedure in reducing vat dye into a water-
soluble complex, dye manufacturers have
produced a stabilized water-soluble vat dye.

2004 17
VAT DYES
• This dye can be applied to
cotton & viscose rayon by
the methods used by
applying direct cotton
dyes.
• After the dyeing, a simple
treatment restores the vat
dye to its normal insoluble
state.
• Solubilized vat dyes have
an affinity for cellulose &
animal fibres. Introduction to Coloration & Finishing
2004 18
VAT DYES - USE:

• Vat dyes are used in cotton dyeing where high
wash & boil fastness required.
• Because of the high alkali concentration in the dye
bath, pure vat dyes cannot be used on animal
fibres, (wool, natural silk, & various hairs).
• Bright red is absent in vat dye range.
• Solubilized vat dyes, not requiring the presence of
alkali, can be used for dyeing on animal fibres.
• Because they are dyed at low temperatures, they
are used in Indonesian batik dyeing for green
shades.
2004 19
VAT DYES
• When the ultimate in wash & boil fastness
is required.
• Also used to dye over fibre reactive dyes for
multi-layered dyeing.
YELLOW GREEN
ORANGE OLIVE B
RED BROWN
BLUE NAVY
VIOLET BLACK
2004 20
Dye Main
General description
Class application
Sulphur Difficult to apply Mostly used for
(application similar to vat heavy cellulosic
dyes); cheap particularly for goods in dark
dark shade; incomplete shades.
black, navy, khaki & colour
range (strong in brown but
no bright shade); poor
washing & rubbing fastness
& sensitive to chlorine; may
cause fabric rendering of
celluloseIntroduction
upon tostorage
Coloration & Finishing
(aging).
2004 21
SULPHUR DYES
• The first Sulphur dye was discovered in France
in 1873, & further work done by Raymond Videl
enabled the manufacture of 'Videl black".
• Its outstanding fastness to light, washing &
boiling far surpassed any cotton black known at
that time.
• The general disadvantage of the Sulphur dyes
that they produce dull shades & lack a red.

2004 22
SULPHUR DYES
• The main advantage lays in their
cheapness, ease of application & good
wash-fastness.
• In their normal state, Sulphur dyes are
insoluble in water but are readily soluble in
the solution of Sodium Sulphide.
• In this form they have high affinity to the all
cellulose fibres.

2004 23
SULPHUR DYES - USE:

• The use of Sulphur dyes is restricted to
dull brown, Khaki & Navy shades,
where a good wash but not boil-fastness
is required.
• Most Khaki & Navy overalls are dyed
with Sulphur dyes.

2004 24
SULPHUR DYES - USE:

• An outstanding member of this family is
Sulphur black.
• It dyes all cellulose fibres, but particularly linen &
jute, to a lustrous & deep black with excellent
wash & light fastness.
• Sulphur dyes are dyed from a dye bath
containing Sodium Sulphide & common or
Glaubers Salt, & are oxidized by airing or with
some oxidizing agents (Sodium Bichromate or
Hydrogen Peroxide) in a fresh bath.

2004 25
Dye
General description Main application
Class
Reactive Easy application; Commonly used for
moderate price; all cellulosic goods
complete colour range; especially in knitted
good fastness due to fabric batchwise
direct reaction with dyeing; selective
fibres. dyes can also be
applied on wool, silk
& rayon; increasingly
used in printing due
to
good fastness.
2004 26
REACTIVE DYES
• This is an entirely class of dye introduced
to the market in 1956.
• They react chemically with the fibre being
dyed & if correctly applied, cannot be
removed by washing or boiling.

2004 27
REACTIVE DYES
• The main feature of the
dyestuff is its low affinity
to cellulose; therefore
large amounts of salt are
required to force its
deposition on he fabric.

2004 28
REACTIVE DYES
• After this has been
achieved, addition of alkali
causes the deposited dyes
to react with the fibre.
• Only a successfully
concluded reaction
guarantees a fast dyeing.
• Basically there are two
types of reactive dyes: the
cold dyeing & hot dyeing
types. Introduction to Coloration & Finishing
2004 29
REACTIVE DYES - USE:

• Reactive dyes are used
where bright dyeing with
high light & wash fastness
is required.
• Cold dyeing is used
extensively in batik work.
• Although some reactive
dyestuffs have been
specially modified to dye
wool, their main usage is
in dyeing cotton linen &
viscose rayon. Introduction to Coloration & Finishing
2004 Yellow 2GL 30
Golden Yellow 2RL

REACTIVE DYES Orange 2R
Scarlet
• Cold water fibre Red BG (primary)
reactive dyes, suitable Red 4B (bluish red)
for dyeing on cotton, Red 8B (magenta)
silk, jute, rayon & Rubinole 5B
hessian. Brilliant Blue 2R
Brilliant Blue BL
• Cannot be used on
Violet 2R
synthetics or fabric
Turquoise 2G
that has been coated Navy GRL
with resin or drip-dry Brown 2R
finish. Brilliant Green BL
Black
Introduction to Coloration & B
Finishing (blue base)
Black 2B (green base)
2004 31
Dye for Protein Fibres:

• Acid Dyes
• Metal-
complex Dyes
• Chrome Dyes

2004 32
Dye General Main
Class description application
Acid Easy application; Commonly
complete colour used for wool,
range with very silk & nylon.
good bright shades;
fastness properties
may vary among
individual dyes.

2004 33
ACID DYES
• These dyes comprise a large number of dyes used
for the dyeing of wool, silk & nylon.
• They vary considerably in their basic chemical
structure, but have one common feature - they dye
from an acid dye bath.
• All acid dyes can be grouped in 3 sub groups:
a. Level dyeing acid dyes
b. Acid milling dyes
c. Pre-metalized dyes
2004 34
ACID DYES
a. Level dyeing acid dyes:
• These dyes produce bright dyeing.
• The main feature is their good leveling
properties.
• They are dyed from a dye bath containing
strong acids (Sulphuric or Formic acid).
• These dyes exhibit low wash & light
fastness.
2004 35
ACID DYES
b. Acid milling dyes:
• Selected because of their high & light fastness & are
extensively used for dyeing woolen fabrics that are
subsequently milled.
• These dyes require great care in application because
uneven dyeings are difficult or impossible to rectify.
• The dye bath requires the presence of weak acid
(acetic acid) or acid releasing salts (ammonium
sulphate or ammonium acetate) from which acid is
liberated during dyeing.

2004 36
ACID DYES
c. Pre-metalized dyes
• These dyes represent an extension of mordant
dyes.
• The metal component being already
incorporated in the dye during manufacturing
process.
• Very good light fastness even in pale shades

2004 37
ACID DYES - USE:

• The family of acid dyes is very large & diverse,
varying widely in their methods of dyeing,
application & end use of the dyed fabric.
• A choice of dyes should be made considering
sometimes-incompatible factors: - level dyeing,
fastness, brightness & ease of application.
• Care must be taken to use the appropriate method
as prescribed for a given dye.
• A number of acid dyes are also used to dye nylon.

2004 38
ACID DYES for Wool, Nylon & Silk
• Selection of milling & pre-metallised

dyes. Dyeing at boil with addition of
Acetic Acid. Bright strong colours.
Mixes of primary colours (*) produce
large range of tertiary colours. Dyes
have very high light & wash fastness.

2004 39
Dye Main
General description
Class application
Metal- Relatively difficult to Mainly used
complex apply; expensive; for wool &
complete colour range but Nylon.
duller shade than acid
dyes; good fastness due
to high molecular size &
metal complex structure.
2004 40
General Main
Dye Class
description application
Chrome Complicated Mainly used for
Mordant application; wool products
expensive; complete especially for
colour range but the end use of
very dull shade; carpet.
good all round
fastness.
2004 41
Dye for Other Fibres:

• Disperse
Dyes for
Polyester,
Acetate
• Cationic Dyes
for Acrylic
2004 42
Dye Main
General description
Class application
Disperse Require skill in application Mostly used
(either by carrier or under high for polyester
temperature); moderate price; & acetate;
complete colour range; limited can also be
solubility in water (normally applied on
dispersed in water for nylon &
application); good fastness Acrylic.
after reduction clearing
treatment; sublimation
property. Introduction to Coloration & Finishing
2004 43
DISPERSE DYES
• The introduction of a new regenerated cellulose acetate

fibre in 1920 led to the necessity to develop an entirely new
range of dyes.
• It was found that acetate (or Celanese) fibre had hardly any
affinity for water-soluble dyes.
• A new dyeing principle was introduced: dyeing with water
dispersed coloured organic substances.
• These finely coloured particles are applied in aqueous
dispersion to the acetate material & actually dissolved in the
fibres.

2004 44
DISPERSE DYES - USE:

• Basically developed for dyeing of acetate
fibres, Disperse dyes are also used for
dyeing of polyamide (Nylon) & acrylic
(Orlon & Acrylan) fibres.
• With the addition of 'carriers' or swelling
agents these dyes are also used in dyeing
of Polyester (Terylene, Dacron, etc.)

2004 45
Dye Main
General description
Class application
Basic Careful application Mainly used
(Cationic) required to prevent unlevel for acrylic.
dyeing & adverse effect in
hand-feel; complete colour
range with very good
brilliant shades.

2004 46
CATIONIC & BASIC DYES

• MAUVENE, the first to be discovered by Perkin,
was a basic dye & most of the dyes which
followed, including magenta, malachite green
& crystal violet, were of the same type.
• “Basic dyes” dye wool & silk from a dye bath
containing acid but dye cotton fibres only in the
presence of a mordant usually a metallic salt
that increases affinity of the fabric for the dye.
• Basic dyes include the most brilliant of all the
synthetic dyes known, but unfortunately they
have very poor light & wash fastness.
2004 47
CATIONIC & BASIC DYES - USE:

Basic dyes will dye wool & silk from an acid bath &
are used where brightness is of prime
consideration.
With the introduction of cotton dyes possessing
higher fastness properties their use for dyeing
cotton has diminished.
Basic dyes are used extensively for dyeing cut
flowers, dried flowers, also dyeing jute sisal, coir
& wood (toys).
With the introduction of acrylic fibre a new range of
'modified' basic dyes – “cationic dyes” were
perfected for dyeing of this material.
2004 48
Cationic dyes
• Cationic dyes for dyeing acrylic (Acrilan, Courtelle, Orlon)
paper, wood & dried flowers.
Also used for dyeing silk & silk flowers in very brilliant
colours.
YELLOW BLUE
ORANGE TURQUOISE
RED VIOLET
PINK GREEN
RHODAMINE BLACK
2004 49
Chronology of Dye Companies

ICI Zeneca BASF
Mobay Miles Bayer

DyStar
DyStar
Sumitomo
Hoechst
Sodyeco
Sandoz Sandoz Clariant
Ciba + Geigy Ciba-Geigy Ciba

Crompton and Knowles Yorkshire
2004 50
Colour Formulation
• The choice of a specific colour for a particular material
is the responsibility of the textile designer or colourist
who perceives the colour to be in conformity with the
fashion requirement.
• It is the job of the textile dyer to match the designer ’s
colour with the proper dyes or pigments as well as to
meet the colour fastness requirements for the specific
end-use of the material.
• In brief,the designer ’s role is part of the world of
artistry & creativity, while the dyer ’s role is in the world
of science & technology.
2004 51
Colour Formulation
• Matching of colour shades
by the dyer requires the
skilful blending &
formulation of different
dyes & pigments, as well
as an understanding of the
nature of fibres & the
numerous chemicals
needed to carry the dyeing
process.
2004 52
Colour
Formulation
• Colour match recipes are first developed on a

small laboratory basis.
• Once the dyer has formulated a colour match &
achieved a satisfactory sampling (often known
as the lab-dip), this becomes the standard which
all future dye lots or batches must follow.
2004 53
Colour Formulation
• In actual production, however, each dye lot
is more or less different in shade from all
other lots.
• This lot-to-lot shade variation is caused by
several factors such as differences in dyes /
auxiliaries concentration, fabric lots &
different dyeing machine settings, etc.

2004 54
Colour Fastness
• A good dye must withstand the subsequent treatment
(e.g. laundering, dry cleaning, etc.) or environmental
wearing (e.g.rubbing,light exposure, etc.).
• The degree to which a dyed material can withstand
such treatments & wearing is called colour fastness.
• No dye or pigment is fast in all colour fastness.
• Only a careful selection & formulation of dyes &
auxiliaries can result in a desirable dyeing, & conform
with the colour fastness requirements.

2004 55
Visual Assessment methods

2004 56
Principle of using Grey Scale

• The result of a colorfastness test is rated
by visually comparing the difference in
color or the contrast between the un-
treated & treated specimens with the
differences represented by the Scale.
• The colorfastness grade is equal to the
gray scale step which is judged to have
the same color or contrast difference.

2004 57
How to use Grey Scale

2004 58
Common colour fastness:
• Laundering (washing),
• light exposure,
• dry cleaning,
• perspiration &
• rubbing (crocking).
2004
Dye classes’ colour fastness 59
properties

2004 60
Application of
Pigments
Popular especially in printing.

Advantages :
• easy to apply with good shade matching
from lot to lot;
• full colour range; &
• can be applied on all textile fibres & their
blends. Introduction to Coloration & Finishing

Dye Class

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2004 1

Introduction to Coloration & Finishing

You can not assume that to dye any piece of fabric

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Dye for Cellulosic Fibres:

Yellow Pink Brown Turquoise

Orange Red Violet Black

Scarlet Blue Wine China Blue

Azo Dye Synthesis

• Blue component can be

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

GREEN BB RED RUST BLUE GREEN DARK GREEN

GREEN GT LEAF GREEN BLUE GREEN

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

VAT DYES - USE:

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

SULPHUR DYES - USE:

Introduction to Coloration & Finishing

SULPHUR DYES - USE:

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

REACTIVE DYES - USE:

Golden Yellow 2RL

Dye for Protein Fibres:

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

ACID DYES - USE:

Introduction to Coloration & Finishing

ACID DYES for Wool, Nylon & Silk

• Selection of milling & pre-metallised

Introduction to Coloration & Finishing

Dye for Other Fibres:

• The introduction of a new regenerated cellulose acetate

Introduction to Coloration & Finishing

DISPERSE DYES - USE:

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

CATIONIC & BASIC DYES

CATIONIC & BASIC DYES - USE:

Chronology of Dye Companies

Mobay Miles Bayer

Ciba + Geigy Ciba-Geigy Ciba

• Colour match recipes are first developed on a

Introduction to Coloration & Finishing

Introduction to Coloration & Finishing

Visual Assessment methods

Introduction to Coloration & Finishing

Principle of using Grey Scale

Introduction to Coloration & Finishing

How to use Grey Scale

Introduction to Coloration & Finishing

Common colour fastness:

Introduction to Coloration & Finishing

Popular especially in printing.